Geordie Little Music
Transcription
Geordie Little Music
Geordie Little Music Solo percussive acoustic finger and lap style guitarist www.geordielittlemusic.com geordielittlemusic@googlemail.com (+49) 0157 3455 8969 EU (+61) 0424 781 189 AUS Brief Biography: Geordie has been a professional musician and street performer since the end of 2011, when he first visited Berlin to start a band with some friends. Since then, Geordie has travelled between Germany and Australia performing both as a solo guitarist and as part of two bands and a guitar duo. In his brief career thus far, Geordie has recorded three solo albums (Neukölln 2011; the Stoop Sessions 2012; Where the Walls Once Were 2013) and an EP (Between the Lines 2013), an EP with ambient electronic group Orae (Alexandrina EP 2013 – released on Bad Panda Records), and an album as one half of guitar duo Little Spencer (Self Titled 2013), as well as playing on a handful of other unreleased or yet to be released projects. Geordie has also produced two highly acclaimed shows for the Adelaide Fringe Festival; Between the Lines in 2013 (Nominated for Best Music Overall); and A View From the Street in 2014 (Winner of Best Music Weekly Award, Nominated for Best Music Overall). Brief Musical Philosophy: Geordie’s mix of finger and lap style techniques, and his commitment to the warmth of his flamenco guitars as opposed to the more traditional steel strings, makes his compositions truly unique. This approach, coupled with the heavy influence of ambient electronic music (in addition to the obvious Mckee, King, Dufour, Reed influences to name a few), assures a smoothly percussive, yet melodically driven adaptation of the current wave of the popular styles. Having written and performed over the last couple of years with an offthe-shelf Yamaha flamenco guitar, recently Geordie travelled to Spain and built an 8 String flamenco. His own creation, it is perfectly designed in every aspect with his unique technique in mind, and was built especially to take his compositions to as yet unchartered territory. Awards: Winner – Best Music Weekly Award (A View From the Street – Adelaide Fringe 2014) Nominated – Best Music Overall (A View From the Street – Adelaide Fringe 2014) Nominated – Best Music Overall (Between the Lines – Adelaide Fringe 2013) Reviews: The Advertiser - A View From the Street (Live Show Review Adelaide Fringe 2014) 4 Stars This show gives you a rare glimpse of life through the eyes of a busker. Building on from hos solo show last year, acoustic finger and lap style guitarist Geordie Little has teamed up with director Mike Williamson to create an immersive multi-media experience for the audience. As Little plays, Williamson’s beautiful film runs in the background showing staged street scenes from Little’s perspective on the street. You see people stopping to snap photos, children dancing, and a guy yell out that he’s not giving Little any money because he doesn’t sing. These have all happened to him, by the way. It’s a gorgeous idea that is executed well and will leave you seeing buskers in a whole new light. Rip it Up – A View From the Street (Live Show Review Adelaide Fringe 2014) 4 Stars Not content to repeat the formula that won him a nomination for best music act last Fringe, this year Geordie Little’s sublime acoustic guitar compositions are backed with footage by local film-maker Mike Williamson. The film recreates actual scenes witnessed and conversations overheard by Geordie while busking, giving us a small but fascinating glimpse into his world. My fear that the screen would detract attention from the music soon passed. The film is stylised but simple – no big crowd scenes, just small groups of characters, some colourful, some less so, and their reactions to the music, which remains the star of the show. The performance is nicely synchronized so that as he finishes playing each piece live the film audience applauds with the live audience. At the end you watch Geordie’s distinctive percussive playing style filmed from above. Then you look at Geordie and see the same finger positions in real life. Nice! Spoz’s Rant – Between the Lines (Live Show Review Adelaide Fringe 2013) 4 ½ Stars Wow. I never realized the acoustic was a Rubic’s Cube to be solved; until I saw this guy do one in 45 minutes flat. Ganchitos Pepsiboom – Live Concert Review (Madame Claude, Berlin, 2012) It’s not just the guitar, or a well played composition, or a single rhythm or musical continuity that makes one not want the song to finish. It is the ability to see two hands and a guitar that are capable of producing such musicianship, such expression and simplicity, with an art that is extremely complex. We had not had a similar feeling since we saw Portico Quartet live for the first time, but honestly we write, it’s absolutely stunning. Technical Specifications for Bookers: Standard Live Performance: In a regular performance (anything from 45 minute stage set through to 3-4 hour background set), Geordie uses: - Yamaha CGX series flamenco guitar - Custom built 8 String flamenco guitar with external K&K Pre-amp - Assorted Pedals (incl. RC-20 Loop Station, Digital Space Echo, Tuning Pedal etc.) - Logarithm MK 3 Stomp Box - Mackie Thump TH-12A PA Loudspeaker - Behringer Xenyx QX1002 Mixing Desk A View From the Street – Multi-Media Production A View from the Street is an award winning production mixing a live guitar performance with a timed and interactive film. The show is tour ready, and Geordie is willing to speak with any festivals or venues that may have a compatible venue. Geordie will bring: - MacBook Pro (video and on stage programming) - Yamaha CGX series flamenco guitar - Custom built 8 String flamenco guitar with external K&K Pre-amp - Mackie Thump TH-12A PA Loudspeaker - Behringer Xenyx 1002FX The venue will need to provide: - Projector and Screen compatible with Mac - Necessary cables so video can be controlled from stage