Print Annual 25 - Childs Gallery

Transcription

CHILDS GALLERY
Volume 25
Print Annual
Five Dollars
1
Peggy Bacon, American (1895-1987). The Chosen Few, 1972. Lithograph, 14 x 21 3/4 inches. Flint 192. Signed in pencil:
“Peggy Bacon”. A fine impression in fine condition with full margins.
$550
Grant Wood, American (1891-1942). Seed Time and Harvest, 1937. Lithograph, 7 1/2 x 12 1/4. Signed in pencil:
“Grant Wood”. Czestochowski 4, Cole 2, published by
AAA, edition of 250. A fine impression in fine condition
aside from slight foxing in the lower margin, with full
margins.
$6,250
Grant Wood, American (1891-1942). Fertility, 1939. Lithograph, 9 x 12 inches. Signed in pencil lower right: “Grant
Wood”. Czestochowski 167, published by AAA, edition of 250. A fine impression in fine condition with full
margins.
$6,000
LEFT: Thomas Hart Benton, American (1888-1975). Lonesome Road, 1938. Lithograph, 12 1/2 x 9 3/4 inches. Fath
18. Published by AAA, edition of 250. Signed in pencil:
“Benton”. A fine impression in fine condition with full
margins.
$2,400
Childs is also pleased to offer Island Hay by Thomas
Hart Benton.
2
CHILDS GALLERY
Volume 25
Print Annual
I have never given great weight to numerology, but as I reviewed Print Annual Volume 25, I noted that this
publication had had a run longer than many national magazines and has now presented more than 2500 images of fine
prints and drawings together with their cataloguing and prices. This gives a record for more than a quarter century of
advancing prices and changing tastes. This year is Childs Gallery’s 65th year in business. Since we opened our doors on
December 1, 1937, tens of thousands of fine prints, drawings, paintings, watercolors, pastels and sculpture have passed
through our doors and out into the world of museums, collectors and other dealers.
One hundreth anniversaries of important events also need to be noted. July 17, 2003 marks the centennial of
James A. M. Whistler’s death. His precepts defined, perhaps better than any others, our understanding of fine prints
today—in his belief that editions should be limited, and signed and printed by the artist. He scoffed at foibles of
collectors—the rage for wide margins, for example—and cut off the margins on many of his own prints, thus turning a
vice into a virtue. At the time of his death he was encouraging the British public to honor the memory of Hogarth whose
prints he had loved from an early age. Frank Duveneck and Otto Bacher became close friends of Whistler while he was
producing the First Venice Set in Venice in 1879-80. Joseph Pennell fell under his influence and became his biographer
and apologist; and no etcher could approach a plate thereinafter—certainly not of Venice—without also being influenced by Whistler’s etched vision of the Serene Republic.
I believe that you will find in this catalogue prints and drawings of interest and quality in a very wide range of
prices. All of them and many more can be viewed at www.childsgallery.com. We invite your inquiries.
D. Roger Howlett, President
FRONT COVER: Max Beckmann, German (1884-1950).
Der Abend (Selbstbildnes Mit Den Battenbergs)
(Evening, Self Portrait with the Battenbergs), 1916.
Drypoint, 9 1/4 x 7 inches. Signed in pencil: “Beckmann”.
Hofmaier 90, State IIB. A fine impression in fine condition with full margins on heavy weight paper. $10,000
James A. M. Whistler, American (1834-1903). Soupe a
Trois Sous, 1859. Etching, 6 x 8 7/8 inches. Signed in
plate: “Whistler”. Kennedy 49, State i/I. A fine impression printed on oriental tissue in fine condition with full
margins.
$3,500
3
Johan Frederik Clemens, Danish (1749-1831) after John Trumbull, American (1756-1843). The Death of General Montgomery in the Attack of Quebec, December 1775. Engraving, 20 x 30 inches. Signed in plate: “J. T. Clemens”. Published
by A.C. de Poggi, London, 1798. While in London (1792-1795), Clemens etched John Trumbull’s 1786 painting, "The
Death of General Montgomery". A fine impression in fine condition with full margins in an original neoclassical scoop
gold frame with reedings and ribbons at edges and dentals on inner side.
$3,500
William Hogarth, British (1697-1764). Four Times of
Day, Morning, May 1738. Engraving, 15 x 18 inches.
Paulson 164, State ii/II. Signed in plate: “Wm. Hogarth”.
John Boydell impressions printed between 1790-95. A
fine impression, well printed on early wove paper, in
fine condition with trimmed margins. $4,800 for the set
of four (Morning, Noon, Evening, Night).
William Hogarth, British (1697-1764). Four Times of
Day, Night, May 1738. Engraving, 14 1/2 x 17 1/2 inches.
Paulson 167, State ii/II. Signed in plate: “Wm. Hogarth”.
John Boydell impressions printed between 1790-95. A
fine impression, well printed on early wove paper, in
fine condition with trimmed margins. $4,800 for the set
of four (Morning, Noon, Evening, Night).
4
Peter Moran, American (1842-1915). [Cows in a Field],
1888. Etching on sheep vellum, 17 x 28 7/8 inches. Signed
in pencil: “P Moran”. Remarques lower right and lower
left. A fine impression in fine condition aside from slight
creasing and toning with full margins.
$850
Peter Moran, American (1842-1915). [Herding Sheep],
1888. Etching and drypoint on paper vellum, 12 3/8 x 18
3/4 inches. Signed in pencil: “Moran”. Remarque lower
left. A fine impression in fine condition aside from slight
mat burn with full margins.
$950
Charles François Daubigny, French (1817-1878). Un
Ruisseau du Valmondois, 1862. Etching, 7 7/8 x 4 5/8
inches. Signed in plate: “Daubigny”. Delteil 116, State
iii/III, Henriet 106. A fine impression in fine condition
aside from a few small spots of staining, some slight
discoloration at edges, and slight wrinkling at edges
not extending into image, with thread margins. $400
Charles François Daubigny, French (1817-1878).
L’Ondée, 1851. Etching, 7 5/8 x 10 1/4 inches. Signed in
plate: “Daubigny”. Delteil 85, State v/VII, Henriet 78. A
fine chine appliqué impression, in fine condition with
full margins.
$750
LEFT: Mary Nimmo Moran, American (1842-1899). A
California Forest (after Thomas Moran), 1888. Etching
and drypoint, 11 7/8 x 8 inches. Signed in plate: “M. N.
Moran 1888”. Klackner 57. A fine impression in fine condition with good margins.
$425
5
John Taylor Arms, American (1887-1953). Il Sacro
Monte, Varese, [Italy], 1927. Etching, 7 7/8 x 7 3/16
inches. Signed in pencil: “John Taylor Arms - 1927”.
Arms 193, Fletcher 191, personal proof preceeding the
edition of 100. A fine impression in fine condition with
full margins.
$650
Otto Bacher, American (1856-1909). San Vio- Ponte del
Pestor, [Venice, Italy], 1880. Etching, 13 x 6 inches.
Signed in pencil: “Otto H. Bacher”. A fine chine appliqué
impression in fine condition with full margins. $2,500
Valer Ferenczy, Austrian (20th Century). Palazzo
Loredan, [Italy], 1924. Etching, 11 x 7 3/4 inches. Signed
in pencil: “Valer Ferenczy s.c. 1924”. A fine impression
in fine condition aside from slight creasing in upper
right corner.
$300
Stefano Della Bella, Italian (1610-1664). [Maritime
Scene], c. 1640. Engraving, 3 1/4 x 5 inches. Signed in
plate: “S. D. Bella im.” A fine impression in fine condition aside from slight spots of discoloration, with thread
margins.
$525
6
Domenico Quaglio, German (1786-1837). Dom Zu Frankfort Am Main, [Frankfurt, Germany], 1819. Crayon lithograph, 15 7/8 x 16 1/8 inches. Signed in plate: “D. Quaglio,
del et fecit 1819.” Trost L60, Nagler 2A16. A fine impression in fine condition with full margins.
$850
Ernest D. Roth, American (1879-1964). Anchorage,
Camogli [Italy], 1930. Etching, 14 x 9 7/8 inches. Signed
in pencil lower right: “Ernest D. Roth 1930”. Library of
Congress 3. A fine impression in fine condition aside
from slight mat toning, with full margins.
$950
Tavik Frantisek Simon, Czechoslovakian (1877-1942).
Entrance to the Louvre Paris, or Entrée du Louvre v
Parizi, [France], 1928. Soft ground etching and aquatint, 12 1/2 x 16 inches. Signed in pencil : “T. F. Simon”.
Novak 475, 70 in an edition of 75. A fine impression in
fine condition with full margins.
$650
John Taylor Arms, American, (1887-1953). The Piazza,
Venzone [Italy], 1931. Etching, 5 1/4 x 7 5/16 inches.
Signed in pencil: “John Taylor Arms, 1931”. Arms 241,
Fletcher 239, edition of 100. A fine impression in fine
condition with full margins.
$525
Childs Gallery currently has available addition T. F.
Simon prints of French, Czech, and Italian subjects.
LEFT: John Winkler, American (1890-1979). Waterloo
Bridge,[London, England], 1927. Etching, 7 1/2 x 11 1/
2 inches. Signed in pencil: “Winkler”. A rich early impression in fine condition.
$575
7
Helen Hyde, American (1868-1919). White Peacock, 1914.
Color woodcut, 8 3/8 x 10 inches. Signed in pencil: “Helen
Hyde”. Mason 123, 159 in an edition of c.200. A fine
impression in fine condition with full margins, printed
on tissue paper.
$1,100
Kashosai Shunsen, Japanese (1762-1830). First Set:
Kanzashi, c. 1807. Woodblock print, 13 3/4 x 8 3/4 inches.
Signed in block: “Shunsen-ga”. With kwame approval
seal with zodiac date seal of 1807. From the "Eight Artistic Views of Make-Up" series. A fine impression in good
condition with trimmed margins and slight foxing, staining and creasing.“Kanzashi” is a type of hair ornament.
$950
Anton Schutz, German (1894-1977). Lake and Pagoda.
Etching, 11 7/8 x 8 7/8 inches. Signed in pencil: "A.
Schutz". A fine impression in fine condition aside from
some adhesive residue in upper corners of the full margins.
$350
Thomas Handforth, American (1897-1948). Opisat, 1927.
Etching, 6 3/4 x 7 1/4 inches. Signed in pencil: “Thomas
Handforth”. Edition of 50. A fine impression in fine condition with full margins.
$300
8
Stow Wengenroth, American (1906-1978). Vermont Pasture, Paulet, VT, 1965. Lithograph, 10 x 15 1/2 inches.
Signed in pencil: “Stow Wengenroth”. Stuckey 302, edition of 65. A fine impression in fine condition with full
margins.
$700
Luigi Lucioni, American (1900-1988). Stones and Shadows, 1956. Etching, 10 7/8 x 7 1/4 inches. Signed in pencil: “Luigi Lucioni ”. Embury 127, published by AAA,
187 in an edition of 250. A fine impression in fine condition aside from slight toning with full margins. $625
Alan Crane, American (1901-1969). First Snow
[Rockport, Maine], 1953. Lithograph, 9 3/4 x 13 3/4
inches. Estate stamp verso. Crane 51, edition of 40. A
fine impression in fine condition with full margins. $275
Drawn from the window of Crane’s home in Rockport.
Samuel L. Margolies, American (1897-1974). R.F.D. #2,
1940. Etching and aquatint, 10 x 11 7/8 inches. Signed in
pencil: “S.L. Margolies”. Published by AAA, edition of
250. A fine impression in fine condition with full margins.
$450
Samuel L. Margolies, American (1897-1974). Path to
the Sea, 1941. Etching and aquatint, 12 x 9 3/4 inches.
Signed in pencil: “S.L. Margolies”. Published by AAA,
full margins.
$450
9
Frank W. Benson, American (1861-1952). Winter
Wildfowling, 1927. Etching, 11 7/8 x 9 7/8 inches. Signed
in pencil: “Frank W. Benson”. Paff 266, edition of 150. A
fine impression in fine condition with full margins.
$6,000
Frank W. Benson, American (1861-1952). Marsh Gunner, 1918. Etching, 10 7/8 x 8 7/8 inches. Signed in pencil:
“Frank W. Benson”. Paff 149, edition of 150. A fine impression in fine condition with full margins.
$9,500
Aiden Lassell Ripley, American (1896-1969). Grouse
Shooting, 1937. Drypoint, 9 x 11 3/4 inches. Estate stamp
verso. Edition of 10 printed by Impressions Workshop,
Boston, in 1982, by order of the estate of Doris Ripley. A
Aiden Lassell Ripley, American (1896-1969). Geese, 1946.
Drypoint, 8 7/8 x 13 5/8 inches. Estate stamp verso. Edition of 10 printed by Impressions Workshop, Boston, in
1982, by order of the estate of Doris Ripley. A fine impression in fine condition with full margins.
$250
RIGHT: Frank Benson, American (1861-1952). Wild
Geese, 1917. Etching, 6 7/8 x 10 3/4 inches. Signed in
pencil: “Frank W. Benson”. Paff 112, edition of 152. A
$1,200
10
Stow Wengenroth, American (1906-1978)
Barred Owls, 1956. Lithograph, 9 9/16 x 15 13/16 inches. Signed in pencil: “Stow Wengenroth”. Stuckey 231, edition of
$950
Ruffed Grouse [Bayport, New York], 1942. Lithograph,
11 3/8 x 17 inches. Signed in pencil: “Stow Wengenroth”.
Stuckey 117, edition of 60. A fine impression in fine
$2,200
Red-Winged Blackbirds, 1946. Lithograph, 15 3/8 x 11
inches. Signed in pencil: “Stow Wengenroth”. Stuckey
158, edition of 109. A fine impression in fine condition
with full margins. Accompanied by a letter of November
1, 1948 from Mr. and Mrs. H.F.J. Knobloch of New York,
describing how the entire edition of this print was given
to them as a gift by Wengenroth.
$950
The Brook [New Hope, Pennsylvania], 1945. Lithograph, 10 9/16 x 16 1/2 inches. Signed in pencil: “Stow
Wengenroth”. Stuckey 150, edition of 75. A fine impression in fine condition aside from slight toning in the full
margins.
$700
11
Eugène Carrière, French (1849-1906). Paul Verlaine,
1896. Lithograph, 20 1/2 x 15 7/8 inches. Signed in pencil: “Eugène Carrière”. Delteil 26, edition of 100. A fine
impression in fine condition aside from a few skillfully
repaired surface nicks and paper imperfections, with
full margins.
$5,000
Giovanni Battista Piranesi, Italian (1720-1799). Portrait
of Clement XIII, 1761. Etching, 19 x 13 1/4 inches. Focillon
928, Taschen 436. Signed in plate: “I. B. Piranesius
inventi” and lower right: “D. Cunego et Piraneseus
sculpsevunt”. Most likely, Piranesi etched the architecture and Cunego (1726-1803) etched the portrait. A fine
impression in fine condition aside from minor left crease
and slight foxing in the full margins.
$850
Johann Lorenz Rugendas, German (1730-1799). Benjamin Franklin, c. 1777. Mezzotint, 13 1/2 x 8 7/8 inches.
Signed in plate: “Angleterre le 17 Janvier 1706. Joh.
Lorenz Rugendas Sculp. et excud. Aug Vind”. A fine
David Edwin , American (1776-1841), after Rembrandt
Peale. Portrait of George Washington, 1800. Stipple
engraving, 11 x 8 7/8 inches. Signed in plate: “D. Edwin
Sc”. Hart 701, State i/III, Stauffer 903, State i/III. A fine
12
Jacques Callot, French (1592-1635). La Pendaison (The Hanging) from the series Les Misères et les mal-heurs de la
Guerre (The Miseries and the Misfortunes of War), 1633. Signed in plate: “Callot imp. et fec.” Etching, 3 1/4 x 7 3/8 inches.
Lieure 1349, State iii/III, printed c. 1742. Watermark : “1742”. A fine impression in fine condition aside from mild toning
with wide (3/8 inch) margins. $12,000 for the complete set of seventeen etchings and a frontispiece (Lieure 1339-1356).
Callot’s Misères et les mal-heurs de la Guerre was first published in Paris in 1633 by the well-known printer Israel
Henriet. Ten of the eighteen impressions in this set are from the second state of three, indicated by the publisher’s
name inscribed in the plate. These impressions were printed on Hachet paper c.1633, and are especially fine and
crisp. The last plate in the series is from the third state of four (from the same printing as the second state of the other
plates, and just as fine). Seven of the impressions (including the one illustrated above) are from the third state of
three, printed c. 1742. The original publisher’s name was removed on the third state plates and replaced with the
artist’s. Although not quite as fine as second state impressions, these third state impressions are very good.
Zéphirin Belliard, French (1798- c. 1843). Hortense, c.
1830. Lithograph, 9 7/8 x 8 3/8 inches. Signed in plate:
“Z. Belliard”. BNF Inventaire Après 1800, v.2 p. 133 #17.
Printed by Delpech. A fine impression in fine condition
with full margins.
$450
Hortense de Beauharnais was Napoléon Bonaparte's
step-daughter by Joséphine de Beauharnais. Hortense
and Napoléon had an affair that resulted in the birth
of an illegitimate child, Napoléon-Charles.
François Grenier, French (1793-1867). Napoléon, 1841.
Etching, 7 1/2 x 5 3/4 inches. Signed in plate: “Composé
et lith. par Grenier”. Printed by Formentin et Companie,
stamp by F. Jeannin (Lugt 1397c). BNF Inventaire Après
1800, v.9 p. 367 #76, Musée de L'Amateur #109. A fine
chine appliqué impression in good condition with minor discoloration in the full margins.
$350
13
Alice D. Laughlin, American (1895-1952). Nativity, c.
1935. Wood engraving, 3 x 4 inches. Signed in pencil:
“Alice D. Laughlin”. A fine impression in fine condition
with full margins.
$200
Boris Artzybasheff, Russian (1899-1965). The Last Trumpet, 1937. Wood engraving, 11 3/8 x 7 7/8 inches. Signed
in pencil: “Boris Artzybasheff”. 64 in an edition of 250.
Published by the Woodcut Society: Kansas City, 1937.
A fine impression in fine condition with full margins.
$1,800
Alice D. Laughlin, American (1895-1952). The Kings Sit
Down to Dinner, c. 1935. Wood engraving, 5 3/4 x 6 7/8
inches. Signed in pencil: “Alice D. Laughlin”. A fine
impression in fine condition with full margins.
$250
RIGHT: Georges Rouault, French (1871-1958). Christ
au Faubourg, 1935. Aquatint, 12 1/4 x 8 1/4 inches.Signed
in plate: “GR 1939”. Chapon/ Rouault 258a, Wofsy 338,
edition of 40 printed in black, 270 overall. “Verge de
Montval” watermark. One of 17 aquatints that illustrated
the album “Passion”, published in 1939 by Ambroise
Vollard, text by André Saures. A fine impression in fine
$2,500
14
Everardo Ramirez, Mexican (b. 1906). The Corn Crib.
Wood engraving, 10 11/16 x 9 5/8 inches. Signed in pencil: “Everado Ramirez”. A fine impression tipped to support sheet in fine condition with wide margins. $500
Alan Crane, American (1901-1969). Amecameca Pilgrims
[Mexico], 1944. Lithograph, 13 7/8 x 9 1/8 inches. Estate
stamp verso. Crane 17, edition of 50. A fine impression
in fine condition with full margins.
$250
Irwin D. Hoffman, American (1901-1989). Bullfight
[Mexico], c. 1935. Etching, 6 x 11 1/4 inches. Signed in
pencil: “Irwin D. Hoffman”. A fine impression in fine
$600
Jose Clemente Orozco, Mexican (1893-1949). Pueblo,
Mexicano, 1930. Lithograph, 10 13/16 x 15 1/4 inches.
Signed in pencil: “J C Orozco”. Hopkins 20, 12 in an
full margins.
$6,500
Jesus Escobedo, Mexican (b. 1918). Fisherman of
Acapulco, Mexico, 1939. Lithograph, 8 3/16 X 10 11/16
inches. Signed in pencil: “Jesus Escobedo/ 1939”. 18 in
an edition of 20. A fine impression in fine condition with
full margins.
$750
15
Gerald Brockhurst, British (1890-1978). Nadia, 1921.
Etching, 5 1/2 x 4 3/8 inches. Signed in pencil: “G. L.
Brockhurst”. Wright 26, State v/X. A fine impression in
fine condition aside from artist’s fingerprint marks in
the full margins.
$650
John Sloan, American (1871-1951). Nude at Dressing
Table, 1933. Etching, 6 7/8 x 5 3/8 inches. Signed in
pencil: “John Sloan”. Morse 268, State iii/IV. Edition of
100. A fine impression in fine condition aside from old
glue stains at the top and bottom edges of the full margins, not extending into the image.
$2,300
James A. M. Whistler, American (1834-1903). Mother
and Child, No. 1, 1891 and 1895. Lithograph, 7 1/4 x 7
1/2 inches. Signed with butterfly monogram. Chicago
51, ii/II; Way 80; Levy 119, from lifetime edition of 33
(not distinguishing between first and second states).
Chicago watermark 309. A fine impression in fine condition aside from slight soiling with full margins.
$9,500
Anders Zorn, Swedish (1860-1920). Kesti, A Mora Peasant, 1906. Etching, 6 1/4 x 4 3/4 inches. Signed in pencil:
“Zorn”. Asplund 196, State ii/II. Delteil 193. A fine impression in fine condition with full, slightly tattered margins.
$1,600
16
Anders Zorn, Swedish (1860-1920). Omnibus, 1920. Etching, 10 3/4 x 7 3/4 inches. Signed in pencil: “Zorn”. Asplund 72,
Delteil 71, State iii/III, Hjert & Hjert 183, State iii/III. Edition of 75. A fine impression in fine condition with full margins.
$28,000
Omnibus is one of Zorn’s most distinguished etchings. A painting of the same subject is in the collection of the Isabella
Stewart Gardner Museum, Boston.
17
David Young Cameron, Scottish (1865-1945). Ben Lomond, 1954. Etching and drypoint, 10 5/16 x 16 3/16 inches. Signed
in pencil: “D Y Cameron”. Rinder 468, State v/VI, edition of 80. Print Collectors Quarterly, February 1924. A fine
impression in fine condition with trimmed margins.
$2,400
This is one of Cameron's finest landscape prints. Ben Lomond Mountain overlooks Loch Lomond, the largest freshwater lake in Great Britain, and is located between Strathclyde and Central regions, in Western Scotland.
Joseph Pennell, American, (1857-1926). Entrance to
Henry VII's Chapel (Westminster) [London, England],
1905. Etching and drypoint, 11 x 8 1/2 inches. Signed in
pencil: “Pennell imp.” Wuerth 354, edition of c. 75 proofs.
A fine impression in fine condition with slight tear on
left margin not extending into image.
$350
Frank Duveneck, American (1848-1919). Piazza San
Marco [Venice], 1883. Etching, 13 5/16 x 11 inches. Initialed in plate: “FD 1883”. Poole 15. A fine impression in
$3,500
18
James A.M. Whistler, American, (1834-1903). The Storm, 1861. Etching, 6 3/8 x 11 1/4 inches. Signed in plate: “Whistler”.
Kennedy 81, State ii/II (with cancellation lines). Kennedy describes four lifetime impressions before the cancellation of
the plate, but there may be a few more in existance. The cancellation proofs still print well and are rare. This proof matches
the quality of the Dowdeswell cancellation proof at the Boston Public Library—the latter on van Gelder paper. This proof
is a fine impression on old French green paper with plate tone and retroussage and still printing with some burr, in fine
condition except for a small paper loss in the extreme upper left and lower right corners of the full margins.
$12,000
Seymour Haden, British (1818-1910). Whistler's
House, Old Chelsea [London, England], 1863. Etching
and drypoint, 6 7/8 x 13 1/8 inches. Signed in pencil:
“Seymour Haden”. Schneiderman 50, State vii/VII. A
fine impression in fine condition aside from a fragment
missing from the left margin, with good margins. $2,500
James A.M. Whistler, American (1834-1903). Fulham
[England], c. 1878. Etching, 5 3/16 x 8 inches. Signed
with butterfly monogram. Kennedy 182, State ii/II. A
fine impression on heavy japan paper with delicate plate
tone in fine condition aside from very slight mat toning
with exceptionally wide margins.
$1,800
Frederick Childe Hassam, American (1859-1935). The
Chimneys, Portsmouth [New Hampshire], 1915. Etching, 4 15/16 x 8 3/16. Signed in pencil with monogram.
Cortissoz 16. A fine impression in fine condition aside
from very slight mat toning with full margins. $2,100
James McBey, Scottish, (1883-1959). Amsterdam from
Ransdorp, 1910. Etching, 4 15/16 x 9 inches. Signed
in pencil: “James McBey”. Hardie 74, edition of 40. A
19
Armin Landeck, American (1905-1984). Manhattan
Vista, 1934. Drypoint, 9 7/8 x 8 1/2 inches. Signed in
pencil: “Landeck 1934”. Kraeft 47, edition of 100. A fine
Lawrence Nelson Wilbur, American (1897-1988). The
Spire, New York, 1984. Drypoint, 14 7/8 x 11 1/8 inches.
Signed in pencil: “Lawrence Nelson Wilbur”. 14 in an
full margins.
$500
Thomas Nason, American (1889-1971). St. Paul’s Chapel
[Columbia University, New York City], 1953. Wood
engraving, 4 x 3 1/16 inches. Unsigned. BPL 507, commissioned by Columbia University but never editioned
except for a few proofs. Fine impression in fine condition with full margins.
$300
Edith L.Smul, American (1897-1978). Winter in the Park
[New York]. Lithograph, 14 3/4 x 11 inches. Signed in
pencil: “Ethel L. Smul”. 6 in an edition of 15. A fine
impression in fine condition aside from slight mat toning and tape remnants around the outside edges of the
good margins.
$350
20
Max Weber, Polish-American (1881-1961). Brooklyn
Bridge, 1928. Hand-colored lithograph, 6 3/4 x 8 3/8
inches. Signed in pencil: “Max Weber”. Rubenstein 70,
edition of 30 including 5 hand-colored impressions. A
$12,000
George Bellows, American (1882-1925). In the Park,
Dark, 1916. Lithograph, 17 1/16 x 23 3/8 inches. Signed
in pencil: “Geo Bellows”. Mason 30, 17 in an edition of
$8,500
James Penney, American (1910-1982). Queens Landscape [New York City], 1932. Lithograph, 9 3/4 x 7 7/8
inches. Signed in pencil: “Queen's Landscape James
Penney 1932”. Printed in a very small edition. A fine
Adriaan Lubbers, American (1892-1954). The "L" at
Chatham Square, 1929. Lithograph, 14 11/16 x 8 3/4
inches. Signed in pencil: “Adriaan Lubbers/ 1929”. A
$1,700
LEFT: James L. Hendershot, American (b.1941). Swan
Boats [Boston], 1980. Lithograph, 14 x 20 inches. Signed
in pencil: “JL Hendershot”. 65 in an edition of 100. A
21
Honoré Daumier, French (1808-1879). Et ces Deux
Grands Debris se Consolaient Entre Eux, 1866. Lithograph, 9 1/2 x 8 3/4 inches. Initialed in the stone: “H.D.”
Delteil 3500, State ii/II. From the “Actualites”, published
in Le Charivari. A fine impression in fine condition aside
from slight mat burn and a horizontal fold line, with full
margins.
$75
Honoré Daumier, French (1808-1879). Nouveau
Parapluie, par Brevet d'invention, Ressorts
Perfectionnes, Souvrant avec une Merveilleuse
Facilité, 1840. Lithograph, 9 3/4 x 7 1/4 inches. Initialed
in the stone: “H.D.” Delteil 717. Published in Le
Charivari. A fine impression in fine condition with full
margins, mounted to paper.
$75
Paul Gavarni, French (1804-1866). Sans Profession, 1853.
Lithograph, 7 9/16 x 6 5/16 inches. Armelhaut and Bocher
1259, State ii/II, number 3 in the series “Bohèmes,” one
of the groupings within the larger series “Masques et
Visages”. A fine sur blanc impression in fine condition
aside from a stain in the right margin.
$125
Paul Gavarni, French (1804-1866). La Boutique, 185758. Lithograph, 12 x 7 1/2 inches. Signed in stone: “Par
Gavarni”. Armehaut and Boucher 1889, State ii/II, 40 in
the series “Physionomies Parisiennes”. A fine sur blanc
impression in fine condition with full margins. $150
22
William Gropper, American (1887-1977). For the
Record. Soft ground etching and aquatint, 5 3/4 x 3 3/4
inches. Signed in pencil: “Gropper”. A fine impression
in fine condition with full margins.
$225
William Gropper, American (1887-1977). The Judge.
Lithograph, 19 1/4 x 13 inches. Signed in pencil:
“Gropper”. A fine impression in fine condition with
full margins.
$250
Allen Lewis, American (1873-1957). One Man had
Better Steal a Horse Than Another Look Over the
Hedge, 1917. Wood engraving, 4 3/4 x 3 1/4 inches.
Signed in pencil: “Allen Lewis”. A fine impression in
fine condition with good margins.
$85
Allen Lewis, American (1873-1957). Need Makes the
Old Wife Trot, 1917. Wood engraving, 4 7/8 x 3 3/8
inches. Signed in pencil: “Allen Lewis”. A fine impression in fine condition with narrow margins.
$85
23
Letterio Calapai, American (1902-1993). 11:45 pm, 1947.
Relief print in blue-black ink, 19 3/4 x 11 3/4 inches.
Signed in pencil: “L. Calapai ‘47”. 11 in an edition of 30.
$2,000
Werner Drewes, German-American (1899-1985). Girls
Feeding Birds, 1954. Woodcut, 20 3/4 x 11 5/8 inches.
Signed in pencil: “Drewes 54”. Rose 162, edition of 20. A
$1,200
Letterio Calapai, American (1902-1993). The Robin and
Her Brood, 1984. Intaglio in red ink, 7 1/4 x 14 3/4 inches.
Signed in pencil: “L. Calapai ‘84”. 14 in an edition of 65.
$200
Werner Drewes, German-American (1899-1985).
Crystallic Form, 1944. Woodcut, 9 7/8 x 15 3/8 inches.
Signed in pencil: “Drewes”. Rose 122, State i/II. A fine
impression on Japanese paper, in fine condition with
full margins.
$1,200
RIGHT: James J. McVicker, American (b. 1911). Lateral Passage, 1982. Color aquatint, 9 7/8 x 17 inches.
Signed in pencil: “McVicker ‘82”. 2 in an edition of 40. A
24
Benton Spruance, American (1904-1967). Fragment,
1954. Lithograph printed in five colors, 16 3/8 x 11 inches.
Signed in pencil: “imp. Spruance 54”. Fine and Looney
337, edition of 30. A fine impression in fine condition
aside from slight discoloration, with full margins. $950
Georges Rouault, French (1871-1958). Sunt Lacrymae
Rerun, 1926. Etching and aquatint, 23 x 16 1/2 inches.
Signed in plate: “G. Rouault”. Misere 27, edition of 425,
printed on Arches laid paper watermarked “Ambroise
Vollard”. A fine impression in fine condition with full
margins.
$2,200
Dorothy Rutka, American (1907-1985). Aunt Josie, 1925.
Pochade in purple, green, grey and yellow, 8 x 5 3/4
inches. Signed in pencil: “Rutka/ 19-25”. A fine impression in fine condition with full margins.
$350
Karl Schrag, German-American (1912-1995). Rain and
the Sea, 1946. Etching, 14 3/4 x 10 7/8 inches. Signed in
pencil: “Karl Schrag 1946”. Edition of 30. A fine impression in fine condition with full margins.
$1,200
25
Arthur Briscoe, British (1873-1943). Gravesend Reach
[Kent, England], 1927. Etching, 6 7/16 x 9 7/8 inches.
Signed in pen: “Arthur Briscoe”. Hurst 194, Laver 102,
62 in an edition of 75. A fine impression in fine condition
with good margins.
$750
Muirhead Bone, Scottish (1876-1953). Evening, Port of
Genoa [Italy], 1915. Drypoint, 7 1/2 x 9 1/2 inches. Signed
in pencil: “Muirhead Bone”. Dodgson 377, edition of 45
in four states. A fine impression in good condition aside
from slight overall toning, and minor soiling in the full
margins.
$600
Frank W. Benson, American (1862-1951). The Anchorage, 1915. Etching, 3 7/8 x 5 7/8 inches. Signed in pencil:
“Frank W. Benson”. Paff 57, State i/II, 13 in an intended
edition of 50, actual edition 48. A fine impression in fine
$2,200
Gordon Grant, American (1875-1962). [Schooner], c.
1940. Lithograph, 9 x 10 inches. Signed in pencil: “Gordon Grant”. A fine impression in fine condition with
good margins.
$450
William Meyerowitz, Russian-American (1887-1981). View From Hill, Gloucester Harbor, c. 1922. Etching, 6 x 12 inches.
Signed in pencil: “Wm Meyerowitz”. 3 in an edition of 20. A fine impression in fine condition with full margins. Excollection Theresa Bernstein (wife of the artist).
$1,100
26
William Meyerowitz, Russian-American (1887-1981).
Boats in Harbor, c. 1922-32. Etching, 7 7/8 x 9 7/8 inches.
Signed in pencil: “Wm Meyerowitz”. A fine impression
in fine condition with good margins. Ex-collection
Theresa Bernstein (wife of the artist).
$700
Frank Brangwyn, British (1867-1956). Going Aboard,
1918. Lithograph, 18 1/2 x 13 7/8 inches. Signed in pencil: “Frank Brangwyn”. Edition of 200. Number 4 in “Making Sailors,” a portfolio of 6 lithographs. A fine impression in fine condition with good margins.
$750
David Young Cameron, Scottish (1865-1945). The Old
Revenge [Scotland], 1889. Etching, 10 7/8 x 16 5/16.
Signed in pencil: “D.Y. Cameron”. Rinder 50, State ii/II,
edition of 100, 40 of which were destroyed. A fine impression in fine condition with full margins.
$450
James Craig Nicoll, American (1847-1918). Moonlight
Communipaw [New Jersey], 1885. Etching, 10 7/8 x 16
inches. Signed in pencil: “J.C. Nicoll”. A fine impression
in fine condition aside from slight discoloration in the
full margins.
$650
Mauritz Frederic Hendrik de Haas, Dutch-American
(1832-1895). Fishing Boats on the Beach at
Scheveningen [Holland], 1883. Etching, 6 1/4 x 8 7/8
inches. Signed in plate: “MFH de Haas”. A fine impression in fine condition with full margins.
$175
RIGHT: Henry Farrer, American (1843-1903). Sunset in
Gowan’s Bay [New York], 1880. Etching, 6 5/16 x 9 7/16
inches. Signed in pencil: “H Farrer / 1880”. A fine impression in fine condition with full margins.
$150
27
Fine Drawings
James Ward, British (1769-1859). Willows, c. 1804-7.
Charcoal and chalk, 12 1/4 x 20 1/2 inches. Signed lower
left: “JWard.RA”. In fine condition.
$4,500
Otto Heinigke, American (1850-1915). [A New York
Field], 1880. Watercolor, 7 x 10 inches. Signed lower
right: “Otto Heinigke / N.Y. 1880”. In fine condition.
$650
George F. Bosworth, American (1859-1953). Fish House,
East Gloucester [Massachusetts], 1930. Pencil on card,
7 1/2 x 11 3/8 inches. Signed lower right: “G.F.B. Aug
‘30”. In fine condition.
$275
Henry Botkin, American (1896-1983). Boat at St. Tropez,
1929. Ink, 8 3/8 x 9 1/2 inches. Signed lower right:
“Botkin”. In fine condition aside from creasing in the
margins.
$250
Samuel Chamberlain, American (1895-1975). Castel del
Monte [Italy], c. 1955. Graphite, 2 3/4 x 8 inches. Initialed lower left: “SC”. In fine condition.
$500
Jan Gelb, American (1906-1978). A Street in Amsterdam,
1929. Pencil, 9 x 11 1/2 inches. Titled, signed and dated
lower right: “A Street in / Amsterdam - 1929 J Gelb”. In
fine condition.
$300
Herbert Barnett, American (1910-1972). View from the
Pasture of Brooks’ Farm [Princeton, Massachusetts],
1951-5. Ink and wash, 12 x 17 7/8 inches. From the estate
of the artist. In fine condition.
$500
28
Fine Drawings
R.H. Ives Gammell, American (1893-1981). [Male Figure Study], c. 1930-36. Pencil on card, 14 x 10 inches.
From the estate of the artist. In fine condition. $550
Mather Brown, American (1761-1831). Costumed Lady
(3/4 length, standing), c. 1795-1800. Pen and gray ink
over pencil, 8 1/2 x 4 3/4 inches. In fine condition. Number 327 in Brown raisonné by Dorinda Evans (Mather
Brown: Early American Artist in England, 1982). $3,000
Chaim Gross, Austrian-American (1904-1991). Seated
Nude, 1950. Charcoal, 11 1/4 x 15 3/8 inches. Signed
lower right: “Chaim Gross”. In fine condition.
$950
LEFT: Donald De Lue, American (1897-1988). Study for
Airborne, c. 1948. Charcoal on tissue, 23 x 15 inches.
From the estate of the artist. In fine condition. $2,800
Childs is also pleased to offer the sculpture Airborne.
29
Fine Drawings
José de Creeft, Spanish-American (1884-1982). Figure
Group, c. 1940. Pen, ink, wash and charcoal, 32 x 25 1/2
inches. Signed lower right: “Jose de Creeft”. In fine condition.
$4,200
Bryson Burroughs, American (1869-1934). King and
Two Swordsmen and Christ and Three Apostles, c. 1900.
Watercolor and charcoal, 12 3/8 x 9 1/2 inches. Estate
stamp lower left. In fine condition aside from thumbtack
holes in the corners. Two studies for stained glass in
the medieval manner.
$600
Alexander Brook, American (1898-1980). Children Playing [Savannah, Georgia], 1941-44. Graphite, 11 x 17
inches. Signed lower right: “A Brook”. In fine condition
aside from a small pinhole at center top.
$950
Jack Kramer, American (1923-1984). [Self Portrait at
an Easel], c. 1975. Ink, 16 3/4 x 13 3/4 inches. From the
estate of the artist. In fine condition.
$150
30
Frederic Sackrider Remington, American (1861-1909). Three Mounted United States Troopers, 1898. Grisaille watercolor wash and white gouache, 21 1/4 x 27 3/4 inches. Signed in ink lower right: “Frederic Remington”. In fine condition.
Provenance: Mrs. Frederick P. Taft (before 1970); to private New England collection.
Price on request
This drawing is one of Remington’s many Spanish-American War illustrations, although it was never published. The
subject of the drawing is most likely troopers in Tampa, Florida. Other related Remington works from the SpanishAmerican War Florida-Cuba campaign are in the collection of The Art Institute of Chicago (Hassrick 2305), The
Frederic Remington Museum, Ogdensburg, New York (Hassrick 2306), and the 21 Collection, New York, New York
(Hassrick 2350).
To Receive Our New E-Catalogues:
In addition to the Print Annual, the Painting Annual, Works on Paper and the Childs Gallery Bulletin, we now offer a
series of specialized e-catalogues which will take the form of a single artist catalogue when we have had significant new
additions, or a subject such as sporting art, music, law, portraits of artists, or geographical locations. Also, our printed
publications will be available as advance copies in the form of e-catalogues. We will need your e-mail address as well as
an indication of the catagories that interest you. We hope you will let us know how we can shape this new set of
catalogues to serve you better. You register for e-catalogues at www.childsgallery.com.
TO Order Works on Paper from Childs:
We encourage you to phone us at 617.266.1108, e-mail us at info@childsgallery.com, or fax us at 617.266.2381 to reserve
your print, watercolor, or drawing. If you are from Massachusetts, please add 5% sales tax. We also require that you send
us $15 to $20 for shipping and handling, depending on package size. Visa, MasterCard, American Express, Diner’s Club,
and Discover are accepted. Prices are subject to change without notice.
You may return on-approval work within ten days of receipt. Works returned in the same condition in which they were
sent will have the full purchase price refunded. Firm orders have priority and may be returned only if they are clearly
shown to be insufficiently or improperly described in the catalogue. All works returned must be as sent: prepaid, firstclass and insured. All works on paper in this catalogue are unconditionally guaranteed to be as described. Your bill of
sale acts as your certificate of authenticity, and we will refund your money at any time if on good authority our
description should be shown to vary from the work at the time that it was sold.
Project Editor: Emily Schreiner
Assistant Editor: Courtney McGowan
31
Albert Decaris, French (1901-1989). Saint John the Baptist, 1927. Engraving, 29 x 19 1/4 inches.
Signed in pencil: “Decaris 1927”. 13 in an edition of 50. A fine impression in fine condition with good
margins.
$2,000
CHILDS
®
for fine American and European paintings, prints, drawings, watercolors, and sculpture. Established 1937.
169 Newbury Street • Boston • Massachusetts 02116 • (617) 266-1108
www.childsgallery.com • info@childsgallery.com
32
Coast Scene, Dominica, 1932. Etching, 6 3/4 x 9 3/4
inches. Signed in pencil: “Reynolds Beal, 1932”. A
$375
Reynolds Beal, American (1867-1951)
Enterprise Wins, 1930. Etching, 6 15/16 x 9 7/8 inches.
$300
Volume 25
Print Annual
ADDRESS SERVICE REQUESTED
169 Newbury Street
Boston, Massachusetts 02116-2895
CHILDS GALLERY
Gloucester Fishermen Racing, 1928. Etching, 7 7/8 x
11 7/8 inches. Initialed in pencil: “R.B. 1928”. A fine impression in fine condition with full margins.
$500
Leo Meissner, American (1895-1977)
Auction, New England, 1925. Linoleum cut, 8 1/2 x 12
inches. Signed in pencil: “Leo Meissner”. Edition of 30.
$500
Waterfall. Wood engraving, 4 x 2 7/8 inches. Signed in
pencil: “Leo Meissner”. 25 in an edition of at least 30. A
Bridge at Glencoe. Woodcut, 7 x 9 inches. Signed in
pencil: “Leo Meissner”. 48 in an edition of 60. A fine
Iris, 1942. Wood engraving, 8 15/16 x 6 5/16 inches.
Signed in pencil: “Leo Meissner”. 11 in an edition of 50.
$400
Down East, 1971. Wood engraving, 7 1/2 x 10 7/8 inches.
Signed in pencil: “Leo Meissner”. Edition of 60. A fine
Raphael Soyer, American (1899-1987). [Greenwich Village Scene], 1970s. Color lithograph, 20 x 15 inches.
Signed in pencil: “Raphael Soyer ”. Executed after the
Cole catalogue. 78 in an edition of 300. A fine impression
in fine condition with full margins, printed on French
paper.
$1,200
Mervin Jules, American (b.1912). Morning Practice,
1966. Color woodcut, 24 x 12 inches. Published by AAA,
artist's proof before the edition of 100. Signed in pencil:
“Mervin Jules”. A fine impression in fine condition, aside
from slight creasing in corners, with full margins, and
printed on japanese paper.
$200
Irving Amen, American (b. 1918). Chess Strategy. Color
lithograph, 17 1/2 x 13 1/2 inches. Signed in pencil:
“Amen”. 214 in an edition of 300. A fine impression in
$450
This print is most likely a portrait of Bobby Fischer.
RIGHT: Isac Friedlander, American (1890-1968). At the
Lake. Wood engraving, 4 3/16 x 5 3/16 inches. Signed in
pencil: “I. Friedlander”. A fine impression in fine condition, aside from pale discoloration on outer edge of the
1 inch margins.
$400
C.J.A. Wilson, American (1880-1965)
Heave Short. Etching, 6 7/8 x 8 7/8 inches. Signed in
pencil: “CJA Wilson”. 65 in an edition of 75. A fine impression in good condition aside from mat toning and
minor tape residue in the full margins.
$225
America- Boston Pilot Boat 1897. Etching, 4 x 6 inches.
Signed in pencil: “CJA Wilson”. A fine impression in
fine condition with trimmed margins and adhesive residue verso.
$150
R. M. S. Queen Mary. Etching, 4 x 6 1/8 inches. Signed in
pencil: “CJA Wilson”. A fine impression in fine condition aside from slight mat toning with full margins. $150
Three Brothers. Etching, 3 1/2 x 4 7/8 inches. Signed in
pencil: “CJA Wilson”. A fine impression in fine condition aside from slight mat toning with full margins. $150
Cape Cod Canal. Etching, 4 x 6 inches. Signed in pencil: “CJA Wilson”. A fine impression in fine condition
aside from minor foxing with full margins.
$175
RIGHT: Standing Down the Line. Etching, 6 7/8 x 5 3/8
inches. Signed in pencil: “CJA Wilson”. A fine impression in fine condition aside from minor soiling with
trimmed margins.
$200

Print Annual 25 - Childs Gallery

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