Detailed CV Updated August 2014 - Pages

Transcription

SIR ANRIL PINEDA TIATCO, PhD
DIRECTOR – UP DILIMAN INFORMATION OFFICE
2/F University Theatre (Villamor Hall)
University of the Philippines Diliman
Quezon City
981-8500 local 3984
ASSISTANT PROFESSOR
Department of Speech Communication and Theatre Arts
Room 3069, 3rd Floor, Faculty Center,
University of the Philippines, Diliman, Quezon City
924-3224, 981-8500 local 2133
siranrilpt@gmail.com / sir_anril.tiatco@upd.edu.ph
Doctor of Philosophy (Theatre Studies), National University of Singapore (30 June 2014)
PhD Thesis: Buhol-Buhol: The Possibilities and Problems of Entanglement in Contemporary Manila Theatre
Supervisor: Paul Alexander Rae, PhD
Visiting Scholar, Research Institute for Cosmopolitan Cultures, University of Manchester (2012 – 2013)
PUBLICATIONS
Books
Tiatco, Sir Anril P. (accepted for publication). Performing Catholicism: Faith and
Ambivalence in a Philippine Province. Quezon City: University of the Philippines
Press.
Tiatco, Sir Anril P. (forthcoming 2014). Entablado: Theatres and Performances in the
Philippines. Quezon City: University of the Philippines Press.
Tiatco, Sir Anril P. 2013. Cuaresma: Isang Dulang Ganap ang Haba (Cuaresma: A full length
play). Manila: University of Sto. Tomas Press.
Tiatco, Sir Anril P. 2011. M iss Dulce Extranjera o Ang Paghahanap kay Miss B (Dulang
Ganap ang Haba) [Miss Sweet Stranger or Searching for Miss B (Full Length Play)].
Quezon City: University of the Philippines Press.
Book Chapter
Tiatco, Sir Anril P. (forthcoming, 2014). “Ang Via Crucis at ang Pagpapako sa Krus sa Cutud:
Pagtatanghal ng Sakit, Pasakit at Pagtubos.” In A Reader in Philippine Theatre:
History and Criticism (Essays in Honor of Nicanor G. Tiongson), eds. Rosario
Cruz-Lucero and Jonathan Chua. Quezon City: University of the Philippines Press.
Journal Articles
Tiatco, Sir Anril P. (forthcoming, 2015). “Performing the Bakla in The Care Divas: CrossDressing, Affective Labor and the Glimpse of the Cosmopolitan.” In Journal of
Homosexuality (Publisher: Taylor and Francis, Ltd).
Tiatco, Sir Anril P. (forthcoming, 2015). “LIFT: Love is Flower The (Performance Review).” In
Asian Theatre Journal 32 (1). Publisher: University of Hawaii Press for Association of
Asian Performances)
Tiatco, Sir Anril P. (forthcoming, 2014). “Performing the Global at IntelStar: Figuring the Call
Center on Manila Stage.” Kritika Kultura: A Refereed Electronic Journal of
Literary/Cultural and Language Studies 23 (Publisher: Department of English,
Ateneo de Manila University)
Tiatco, Sir Anril P. (With Gueverra, Shirley and Corazon Gatchalian). (Forthcoming, 2014).
“Performing Cosmopolitan Entanglement in the Philippine Pista: Sariaya Agawan Festival
as Example.” In Social Science Diliman: A Philippine Journal of Society and
Change 10 (2).
Tiatco, Sir Anril P. 2014. “Theatre, Entrapment, and Globalization in Welcome to IntelStar.” In
Humanities Diliman: A Journal on Philippine Humanities 11 (1): 57 - 84.
Tiatco, Sir Anril P. 2014. “The Philippine Komedya and the Recuperation of the Cosmopolitan:
From Colonial Legacy to Cross-Cultural Encounter.” In Modern Drama 57 (1): 94 –
121. (Publisher: University of Toronto Press).
Tiatco, Sir Anril P. 2013. “Lear Dreaming (Performance Review).” In Asian Theatre Journal 30
(2): 532 - 538. (Publisher: University of Hawaii Press for Association of Asian
Performances)
Tiatco, Sir Anril P. 2013. “The Silenced Body of The Silent Soprano: The Overseas Filipino Worker
as Silent and Erased in a Global City.” In Asian Theatre Journal 30 (2): 414 - 444.
(Publisher: University of Hawaii Press for Association of Asian Performances).
Tiatco, Sir Anril P. 2012. “Imag(in)ing St. Lucy: The Performative and Narrative Construction of
the Kuraldal in Sasmuan, Pampanga.” In Philippine Humanities Review 14 (1): 129 155. (Publisher: University of the Philippines Diliman College of Arts and Letters for the
Office of the Vice Chancellor for Research and Development).
Tiatco, Sir Anril P. 2011. “Situating Philippine Theatricals in Asia: A Critique on the Asian-ness /
Philippine-ness of Philippine Theatre(s).” In JATI: Journal of Southeast Asian
Studies, 16 (December Issue), 133 - 152. (Publisher: Department of Southeast Asian
Studies, University of Malaya, Kuala Lumpur, Malaysia)
Tiatco, Sir Anril P. 2010. “Libad nang Apung Iru and Pamamaku King Krus: Performances of
Ambivalences in Two Kapampangan Cultural Spectacles.” In TDR: The Drama
Review 54 (2), 91 - 102. (Publisher: Massachusetts Institute of Technology Press and
New York University TISCH School of the Arts)
Tiatco, Sir Anril P. and Amihan Bonifacio-Ramolete. 2010. “Performing the Nation Onstage: An
Afterthought on the University of the Philippines Sarsuwela Festival 2009.” In Asian
Theatre Journal, 27 (2), 307 – 332. (Publisher: University of Hawaii Press for the
Association of Asian Performance)
Tiatco, Sir Anril P. 2009. “Postscript to University of the Philippines Komedya Fiesta 2008:
Prelude to a Discourse on a National Theatre.” In Asian Theatre Journal 26 (2), 281 –
302. (Publisher: University of Hawaii Press for the Association of Asian Performance)
Tiatco, Sir Anril P. 2008. “Celebrating in the Water and Frolicking with St. Peter: Performance of
a Folk Narrative and a Catholic Church Narrative in a Kapampangan Community.” In
Philippine Humanities Review 10 (Special Issue on Philippine Performance Studies),
91 – 104. (Publisher: University of the Philippines College of Arts and Letters for the
Office of the Vice Chancellor for Research and Development)
Tiatco, Sir Anril P. and Amihan Bonifacio-Ramolete. 2008. “Cutud’s Ritual of Nailing on the
Cross: Performance of Pain and Suffering.” In Asian Theatre Journal 25 (1), 58 – 76.
(Publisher: University of Hawaii Press for the Association of Asian Performance)
Tiatco, Sir Anril P. 2002. “Wonder: The Beginning of Knowing (A Phenomenology of
Knowledge).” In CAS Digest 3 (2), 18 -22. (Publisher: Angeles University Foundation)
Others
Tiatco, Sir Anril P. 2009. “Miss Dulce Extranjera.” Carlos Palanca Memorial Award for
Literature Official Website.
http://www.palancaawards.com.ph/2009MISS%20DULCE%20EXTRANJERA3rd%20prize%20Full-length%20play%20filipino.php
PAPER AND LECTURE PRESENTATIONS
(Since 2008)
Tiatco, Sir Anril P. 2014. “Entangled or Contemporary Manila Theatre.” Paper presentation,
International Colloquium on the Modernization of Asian Theatre. Osaka University,
Japan, 14 – 18 March.
Tiatco, Sir Anril P. 2014. “The Possibilities and Problems of Dramaturgy in Contemporary
Manila Theatre.” Invited paper presentation, MNL X Theatre Festival. Cultural Center
of the Philippines, Pasay City, 21 February.
Tiatco, Sir Anril P. 2013. “Theatre and Cosmopolitanism: Towards and Against Ontology.”
Paper presentation, 56th International Federation for Theatre Research Annual
Conference. Institut del Teatre, Barcelona, Spain, 22 – 26 July.
Tiatco, Sir Anril P. 2013. “Contemporary Stage in Manila and the Glimpse of the Cosmopolitan:
A Prospectus.” Paper presentation, Research Institute for Cosmopolitan Cultures
Colloquium. University of Manchester, United Kingdom, 24 January.
Tiatco, Sir Anril P. 2012. “The Contemporary Stage in Manila: From the National and the
Postcolonial to the Glimpse of the Cosmopolitan.” Lecture presentation, the Philippine
Educational Theatre Association Theatre Symposium. PETA Theatre, Quezon City, 27
July.
Tiatco, Sir Anril P. 2012. “Panata: Pagtatanghal ng Transcendence / Ambivalence.” Lecture
presentation (Keynote), Opening Ceremony of ‘Panata: Images of Filipino Faith’
(Exhibit) organized by the United Artists for Cultural Conservation and Development,
Philippines, Inc. SM Sta. Rosa, Laguna, 11 March.
Tiatco, Sir Anril P. 2011. “Staging Cosmopolitanism: Perpetual Peace and Conviviality in the
Theatre of Josefina Estrella” Paper presentation, 4th International Conference on
Southeast Asia. University of Malaya, Kuala Lumpur, Malaysia, 6 – 7 December.
Tiatco, Sir Anril P. 2011. “Komedya and the (Re)making of Cosmopolitanism.” Paper
presentation, 54th International Federation for Theatre Research Annual Conference.
Osaka University, Japan, 9 – 12 August.
Tiatco, Sir Anril P. 2010. “Filipino Artists vs. President Arroyo’s Proclamation of 2009 National
Artists: Resonating Performances of Protests Against Colonization.” Paper presentation,
International Conference on Postcolonial Praxis. University of the Philippines, Diliman,
Quezon City, 21 – 23 July.
Tiatco, Sir Anril P. 2009. “Situating Philippine Theatrical(s) in Southeast Asia (and in Larger
Asia): A Critique on the Asian-ness / Philippine-ness of Philippine Theatre(s).” Paper
presentation, 3rd International Conference on Southeast Asia. University of Malaya,
Kuala Lumpur, Malaysia, 8 – 9 December.
Tiatco, Sir Anril P. 2009. “Critiquing Nicanor G. Tiongson’s Four Values in Filipino Drama and
Film: A Post-colonial Reading for Arts (Literary) Teachers.” Paper presentation, Visions
and Articulations: The Carolina U. Garcia Centennial Conference on the Teaching of
Literature. University of Sto. Tomas in Manila, Philippines, 18 – 20 November.
Tiatco, Sir Anril P. 2009. “Performance of (Un)dressing Masculinity in a Metropolitan Closet:
Kabaklaan, Gayety, etc. in a Philippine Bathhouse.” Paper presentation, 31st Ugnayang
Pang-Agham Tao / Anthropological Association of the Philippines Annual Conference.
Xavier University, Cagayan de Oro City, Philippines, 22 – 24 October.
Tiatco, Sir Anril P. 2009. “Libad nang Apung Iru and Pamamaku King Krus: Performances of
Ambivalences in Two Kapampangan Cultural Spectacles.” Professorial chair paper
presentation, Faculty Center, University of the Philippines, Quezon City, Philippines, 25
July.
Tiatco, Sir Anril P. 2009. “Publishing in International Refereed Journal.” Keynote paper
presentation, the National Book Development Board National Conference on
Publications. University of the Philippines Baguio, Baguio City, Philippines., 23 April.
Tiatco, Sir Anril P. 2008. “Postscript to UP Komedya Fiesta 2008: Preliminary Insights on
Komedya, National Theatre and Heritage.” Paper presentation, 30th Ugnayang Pangagham Tao / Anthropological Association of the Philippines Annual Conference.
Provincial Hall, San Fernando City, Pampanga, Philippines, 23 – 25 October.
Tiatco, Sir Anril P. 2008. “Apalit’s Fluvial Parade, Cutud’s Nailing on the Cross, and Calabanga’s
Funeral of the Dead Christ: Theatres of Ambivalences in Three Catholic Philippine
Communities.” Paper presentation, 51st International Federation for Theatre Research
Annual Conference. Chung-Ang University, Seoul, South Korea, 14 – 19 July.
MAJOR RESEARCH PROJECTS
(Since 2007)
Research Title:
Designation:
Project Leader:
Cluster Leader:
Duration/Status:
Funding:
Research Title:
Designation:
Duration / Status:
Funding:
Research Title:
Designation:
Preliminary Survey of the Philippine Creative and Cultural
Industries: An Inter-college Research Agenda for the Establishment
of the proposed UP Sentro ng mga Industriyang Likha ang Kultura
(UP SILK) and the N ational Arts Complex at UP Diliman
Performing Arts Cluster Researcher
Prof. Elena Mirano, Ph. D. (Dean – College of Arts and Letters)
Prof. Michie de la Cruz (College of Music)
Ongoing
UP OVCRD Open Grant (Php 2,000,000.00)
Contemporary M anila Theatre and the Glimpse of the Cosmopolitan
Primary Investigator
August 2012 – January 2013 / Finalizing Manuscript to be submitted as
a book, an essay published in Asian Theatre Journal, two essays under
review
SEP National University of Singapore and the University of Manchester
(SGD 12,000.00)
Buhol-Buhol: The Possibilities and Problems of Entanglement in
Contemporary M anila Theatre
Primary Investigator
Duration / Status:
Supervisor:
Funding:
Research Title:
Designation:
Duration / Status:
Funding:
Research Title:
Designation:
Duration / Status:
Funding:
Research Title:
Designation:
Project Leader:
Duration / Status:
Funding:
2011 – 2014 / completed, Ph. D. Thesis – submitted for examination,
an essay under review
Prof. Paul Alexander Rae, Ph. D.
National University of Singapore GRSS (SGD 6,000.00)
Imag(in)ing St. Lucy: The Performative and Narrative
Construction of the Kuraldal in a Small Fishing Village in
Pampanga
Project Leader
June 2009 – May 2010 / Published in Philippine Humanities Review
UP OVCRD Outright Grant (Php 300,000.00)
University of the Philippines Sarsuwela Festival 2009
Project Leader
April 2008 – July 2009 / Completed, with a published manuscript about
the festival in Asian Theatre Journal (Fall 2010 Issue)
UP Office of the President, UP Diliman Office of the Chancellor, UP
Diliman Office for Initiatives in Culture and the Arts, Senator Edgardo
Angara, National Commission for Culture and the Arts
(Php 7,000,000.00)
Interdisciplinary Research on Sustainable Tourism
University Research Associate (Food Tourism Cluster)
Prof. Shirley Guevarra, Ph. D.
January 2007 – December 2008 / Completed, essay co-authored with
project leader and Dr. Corazon Gatchalian under review
UP OVCRD Outright Grant (Php 300,000.00)
AWARDS, GRANTS AND FELLOWSHIPS
(Since 2008)
UP International Publication Award
for the research article “The Silenced Body
of the Silent Soprano: The Overseas Filipino
Worker as Silent and Erase in a Global City”
(Asian Theatre Journal 30.2)
UP System
February 2014
Bursary Award
International Federation for Theatre
Research for the essay “Theatre and
Cosmopolitanism: Towards and Against
Ontology”
Research, Barcelona, Spain
22 – 26 July 2013
Finalist / N ominee
Madrigal-Gonzalez First Book Award
Likhaan: UP Institute of Creative
Writing
7 December 2012
Bursary Award
Research for the essay “Komedya and the
(re)making of Cosmopolitanism”
Research, Osaka, Japan
8 – 12 August 2011
for the article, “Postscript to University of
the Philippines Komedya Fiesta 2008:
Prelude to a Discourse on a National
University of the Philippines System
2010
Theatre” (Asian Theatre Journal 26:2)
for the article, “Libad nang Apung Iru and
Pamamaku King Krus: Performances of
Ambivalence in Kapampangan Cultural
Spectacles” (TDR: The Drama Review 54:2)
2010
Research Scholar
Ph. D. Theatre Studies
National University of Singapore
January 2010 – present
UP Foundation Professorial Chair Award
for the research“Situating Philippine
Theatricals in Southeast Asia (and in Larger
Asia): A Critique on the Asian-ness /
Philippine-ness of Philippine Theatre(s)”
1 July 2009 – 30 June 2010
3 rd Prize
Dulang Ganap ang Haba (Filipino)
for the play “Miss Dulce Extranjera”
51st Carlos Palanca Memorial Award
for Literature
1 September 2009
W riting Fellow
1st J. Elizalde Navarro Writing Workshop on
the Arts and Humanities Criticism
Baguio City
The Varsitarian
University of Sto. Tomas
Manila
19 – 26 April 2009
UP Foundation Professorial Chair Award
for the research “Libad nang Apung Iru and
Pamamaku King Krus: Performances of
Ambivalences in Two Kapampangan Cultural
Spectacles”
1 July 2008 – 30 June 2009
for the article “Cutud’s Ritual of Nailing on
the Cross: Performance of Pain and
Suffering” (Asian Theatre Journal 25:1)
2008
THESIS ADVISING, PANELING, DEAN’S REPRESENTING
Adviser / Supervisor (Undergraduate)
Mendoza, Arkel. 2009. “110 The Musical: A Glimpse of Intercultural Music(al) Theatre.” B.A.
Thesis. University of the Philippines Diliman, Quezon City.
Sabatte, Katherine G. 2009. “110, the Musical: Mga Kuwento ng Theatre Practicum sa UP (Isang
Dramaturhikal na Pamamaraan ng Pagsulat ng Dula).” B.A. Thesis. University of the
Philippines Diliman, Quezon City.
Sayo, Lara Carmela R. 2009. “Communicative Performance in the Rehearsal of 110 The Musical:
A Descriptive Study on the Irregularity/ies of Power in Communication.” B.A. Thesis.
University of the Philippines Diliman, Quezon City.
De Guzman, Jezreel D. 2009. “110 Illuminated: The Narratives of the Lights Design for 110 the
Musical.” B.A. Thesis. University of the Philippines Diliman, Quezon City.
Jorda, Emerald Anne S. 2008. “Up Close with a Child Actor’s Performance: The Mental and
Physical Preparation and Stage Experience (The Case of Lance Reblando in Dulaang
UP’s “Shadows of the Reef”).” B.A. Thesis. University of the Philippines Diliman,
Quezon City.
Villasis, Trineth M. 2008. “Professional Theatre Empowering Barangay: A Study on the Impact
and Implications of Philippine Educational Theatre Association in Barangay Kalusugan
Community Theatre.” B.A. Thesis. University of the Philippines Diliman, Quezon City.
Pangilinan, Irish M. 2008. “Musica-Musika: (Re)inventing Komedya Through Trans/TranceDance-Like-World Fusion Music.” B.A. Thesis. University of the Philippines Diliman,
Quezon City.
Calingo, Emikah M. 2006. “The Aesthetics and Quintessence of Pain and Suffering in the
Philippine Domestic Drama.” B.A. Thesis. University of the Philippines Los Banos,
Laguna.
Panel Member (Undergraduate)
Mangahas, Micah B. 2009. “Dialectics in the Folkloric Functions of Gossip: Ethnography of
Communication in a UP Student Organization.” B.A. Thesis. University of the
Magsino, Emmanuel M. 2009. “Do Eat Well: A Study in the Perceived Effects of Persuasion
Techniques in a Nutrition Class in the Attitudes of High School Students Regarding
Their Proper Eating Habits.” B.A. Thesis. University of the Philippines Diliman,
Quezon City.
Quiros, Jo-Anne D. 2009. “Backstage Procedures in an Alternative Komedya: Stage Management
as Applied in Dulaang UP’s Orosman at Zafira.” B.A. Thesis. University of the
Dimabuyu, Sarah Jane. 2008. “Piyalben: Sarbey ng mga Kontemporanyong Produksiyon ng
Dulaang Kapampangan.” B.A. Thesis. University of the Philippines Diliman, Quezon
City.
Critic (Graduate)
Santos, Dexter. 2012. “Revitalized Komedya in Francisco Baltazar’s Orosman at Zafira: An Auto
Critique on the Process of a Director.” M.A. Thesis. University of the Philippines
Diliman, Quezon City.
Ting, Geofferson B. 2012. “Historicity of Philippine Theatre Criticism: Dulaang UP 1986
– 1996.” M.A. Thesis. University of the Philippines Diliman.
Dean’s Representative (Graduate)
Barrios, John E. 2014. “Kalibugan: Talinghaga ng Atras-Abante sa Sayaw ng Ibajay at Tradisyong
Pampanitikan ng Panay.” PhD Dissertation. University of the Philippines Diliman,
Quezon City.
Fujitz, Taeko. 2009. “Dynamism of the Self: A Two-World Reading of Selected Japan Fiction
from 1906 – 1924.” M.A. Thesis. University of the Philippines Diliman, Quezon City.
Gonzales, Vlademeir B. 2008. “Hyper-Kwento: Mga Imbestigasyon at Pagdadalawang-isip sa
Panahon ng Hypertext.” M.A. Thesis. University of the Philippines Diliman, Quezon
City.
Guinto, Paula Rosario A. 2008. “Towards Dissidence and Alternative Identities: A MaterialistFeminist Study of Selected Philippine Women Writer’s Short Fiction in English.” M.A.
Thesis. University of the Philippines Diliman, Quezon City.
THEATRE AND OTHER PERFORMANCE CREDITS
My Pren Named Gamlin
Playwright
Short+Sweet Festival Manila 2014
(February 2014)
Cuaresma, adaptasyon ng Makamisa
ni Jose Rizal
Adaptation and Direction
University of Sto. Tomas
Literature Week (2012)
Mutya ng Pilipinas 2011
Pageant, December 2011
Creative Consultant and Head
Writer
Mutya ng Pilipinas, Inc. (2011)
Sweet Stranger: The Untold Story of
Josephine Bracken (The M usical)
(Directed by Anton Juan, Jr.)
Playwright
Sama-Sama Productions (2011)
Miss Dulce Extranjera o ang
Paghahanap kay M iss B
(Directred by La Verne Lacap)
Playwright
UP Repertory Company, Inc. (2011)
Social W atch’s Cultural Programme
Concept and Writer
Social Watch International (2011)
Floy Quintos’ Atang, Isang Dulang
May Musika
(Directed by Alex Cortez)
Dramaturg
Dulaang UP (2008, 2010 and 2011
reruns)
Ramon Santos’ UP Dangal ng Bayan;
Dangal ng Lahi (A Centennial
Lecture)
Director – Speech Choir
UP Centennial Commission (2008)
Floy Quintos’ Isang Panaginip na Fili
(Music by Ceejay Manuel and directed by
Floy Quintos)
Actor (Pader Irene)
Dulaang UP (2008)
UAAP Season 71 Opening Ceremony
Concept, Dramaturg, Devise
UAAP Foundation /UP Diliman (2008)
Francisco Baltazar’s Orosman at Zafira
(Directed by Dexter Santos)
Devise, Dramaturg,
Additional Text
Dulaang UP (2008)
The W akefield Mystery Cycle Plays
(Pasyon ni Kristo / Passion of the Christ)
Associate Director, Additional
Translation, Additional Text
Dulaang UP (2007)

Detailed CV Updated August 2014 - Pages

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