Richard Meier - karinazarzar.com

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Source: http://architect.architecture.sk/richard-meier-architect/richard-meier-architect.php
THEMATICS
The three of the most significant concepts of Richard Meier ‘s work are Light, Color and Place. His architecture shows how plain geometry, layered definition of spaces and effects of light and shade, allow Richard Meier to create clear and
comprehensible spaces. The main issue Richard Meier is focusing on as an architect, is what Richard Meier termed placeness: “What is it that makes a space a place.” According to Richard Meier there are ten factors that connect a building to
its environment, one or more of which must be present for a space to be a place: factors which cause the Mode of Being; those which emphasize the presence of the building as an independent object; factors which emphasize the presence of
the building in its given environment; those which encourage fantasy and play; factors which encourage ecstatic exuberance; factors which preserve a sense of mystery and adventure; ingredients which connect us to reality; those which link
the building to its past; facilitate spontaneous exchanges; and affirm people’s identity.
173 - 176 Perry Street Condoleum, 1999
Neugebauer House, 1995
United States Courthouse, Islip, 1993
Source: http://architect.architecture.sk/richard-meier-architect/richard-meier-architect.php
Canal + Headquarters, 1988
Douglas House, 1971
Frankfurt Museum for the Decor. Arts, 1979
Barcelona Museum of Contemporary Art, 1987
Richard Meier was born in Newark, New Jersey in 1934. Richard Meier graduated from Cornell University in 1957 then worked with a series of architects, including Skidmore, Owings, and Merrill and Marcel Breuer. Richard Meier established
his own practice in 1963.
His practice has included housing and private residences, museums, high-tech and medical facilities, commercial buildings and such major civic commissions as courthouses and city halls in the United States and Europe: Among his most wellknown projects are the High Museum in Atlanta; the Frankfurt Museum for Decorative Arts In Germany; Canal+ Television Headquarters in Paris; the Hartford Seminary In Connecticut; the Atheneun in New Harmony, Indiana, and the Bronx
Developmental Center in New York. All of these have received National Honor Awards from the American Institute of Architects (AIA).
In 1984, Mr. Richard Meier was awarded the Pritzker Architecture Prize, considered the field’s highest honor and often equated with the Nobel Prize. In the same year, Mr. Richard Meier was selected architect for the prestigious commission to
design the new $1 billion Getty Center in Los Angeles, California.
Jubilee Church, 1996
Chris Schilder
Albert Mark
Werner Huizing
Marcel Mataheru
Theo Weijs
BIOGRAPHY
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North elevation
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Jubilee Church
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Barcelona Museum of Contemporary Art
Architect
Building analysis Realized works
Richard Meier
Richard Meier has maintained a specific and unalterable attitude toward the design of buildings from the moment Richard Meier first entered architecture. Although his later projects show a definite refinement from his earlier projects, Richard
Meier clearly authored both based on the same design concepts. With admirable consistency and dedication, Richard Meier has ignored the fashion trends of modern architecture and maintained his own design philosophy. Richard Meier has
created a series of striking, but related designs. Richard Meier usually designs white Neo-Corbusian forms with enameled panels and glass. These structure usually play with the linear relationships of ramps and handrails. Although all have a
similar look, Richard Meier manages to generate endless variations on his singular theme.
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Section through typical gallaries B-B
Ground floor plan
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First floor plan
East section A-A
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North section B-B
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Spatial relations
Circulation elements
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Ching
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D A F E Spatial organizations, linear
Clark & Pause
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Circulation elements
Approach, frontal
Plan to section
Form compositions
Repetitive to unique
Spatial organizations, linear
Circulation elements
Natural light
Circulation to use
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Unit to whole
Massing
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Second floor planH Employee rooms
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First floor plan
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A. Corridor
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Geometry
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A. Corridor
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Hierarchy
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Plan to section
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Circulation to use-space
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Conclusion
Conclusion
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First floor plan
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Conclusion
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Affords
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Form
Performance
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Museum of contemporary art
The museum in Barcelona is a unique case in a sense. For a museum light is a natural enemy. Sensitive artwork must be protected from harmful uvradiation. Therefore the light is always indirect. By placing horizontal panels on the façade Richard Meier creates the illusion of ‘horizontal’ sunrays.
As the day progresses the angle of the light changes, giving a very dynamic effect without threatening the delicate art.
In the case of the museum of contemporary art the color works great because it doesn’t distract from the featuring art. It’s a very neutral color which
works well with the play of light which occurs during the day.
In the museum several different things happen. Some spaces are defined by their geometry. Others are defined by entering light or half panels. The
circular exhibition space and the extruded free-form exhibition space are clearly defined by their geometry and placement. In the main part of the
building spaces are defined by entering light and panels which create ‘semi-closed’ spaces
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Comparison
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Church of the year 2000
light
The church is at the opposite end of the possibilities of light. The use of light in the church is more straightforward. The light enters vertically and direct.
In contrary to the museum the light is a natural friend to the church. It’s use creates a divine atmosphere suitable for contemplation and prayer.
color
In the church, the color works well for a different reason. White has always been associated with the divine, with cleanliness and serenity. Combined
with the direct light and the open space plan the color creates a sense of ‘heaven on earth’.
place
In contrast to the museum the spaces are not closed by panels. Instead the space breaks through their geometric shapes. The panels still serve to define
different areas, but not different spaces.
Richard Meier is known for his use of dynamic light. In the two analyzed projects we see two very different ways of using it.
When faced with the oeuvre of Richard Meier one immediately notices one thing: the color. White is the most pre-dominant color used by Richard
Meier.
The third theme of Richard Meier is place. Or maybe better, the things that make a space a place.
conclusion
In conclusion one can say that Richard Meier is a man who stands by his themes. He elegantly shows how a small set of principals can be used in very
different ways and produce two unique buildings while retaining the obvious hand of the architect.
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Jubilee Church
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Affords
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Hall plan
SecondJ.floor
K. Auditorium
L. Office
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A. Staircase
B. Church hall
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Geometry
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E. Office
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I. Office
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J. Hall
A. Staircase
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I. Office
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Form
Additive and subtractive
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Barcelona Museum
of Contemporary Art
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A. Corridor
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space C
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Symmetry and ballance
Repetitive to unique
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Massing
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Natural light
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Form compositions
Additive and subtractive
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Approach, frontal
Symmetry and balance
Structure
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Steadman
Circulation elements
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Conclusion Form Operation Performance
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Interlocking
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