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2001 Holiday Catalogue
photo-eye booklist
2001 Holiday Catalogue
Volume 23, Number 5, November 2001
As we approach the holiday season, our minds and hearts are still reeling from the attacks on Sept. 11 staged in our country, but that were, in essence, directed against humanity. On page 13 you will find a several titles that either memorialize
or contextualize the events of that day; we offer them for edification and in tribute. This is our largest Holiday catalogue
ever, and it’s filled with the best, new fine-art photography books on the market. Numerous publishers have advertised
their beautiful titles, all of which are available 24 hours/day from our website, photoeye.com, or by calling toll-free
800-227-6941. The image that graces our cover is Snowy Owl © Victor Schrager from the new title Bird Hand Book,
published by Graphis (Cat# WG193H, see below and the Graphis ad on page 13); it is kindly reprinted with permission.
Sale prices good through 2/28/2002. Many signed books are listed in this issue; they are all limited in quantity.
Richard Misrach: Golden Gate
Signed copies!
Texts by T.J. Clark and Richard Walker.
“For about twenty years I lived in an artist’s studio in California that had skylights but no windows. And I never thought much about that until we
bought a house in the Berkeley Hills, from which you can see the Golden
Gate Bridge. I started noticing how the light changed every day, every hour,
every minute...I was just stunned by the beauty. The change in atmosphere,
color and light quality was reminiscent of Monet’s wonderful studies.
Making these photographs has become an obsession over the last three
years.”—Richard Misrach. Signed copies of his Sky Book (Cat# AE028H) are
also available! Arena, Santa Fe, 2001. 132 pp., 60 four-color plates, 13×11 ″.
Cat# AE041H
Signed/Hardbound
$50.00
Michael Kenna: Easter Island
Signed copies!
Text by Bill Jay.
Michael Kenna photographed Easter Island over a two year period and created a
powerful body of work that pays tribute to the island, its raw, natural beauty and
the attendant mystery of its past. Forty images were selected from this project for
publication in Easter Island, the fourth volume on the work of Kenna by distinguished publisher Nazraeli Press (see their ads on page 5 and 26). Historian and
renowned critic Bill Jay discusses, in his introduction, Easter Island and the speculation surrounding its history. The first printing of this book is limited to 1000
copies. Each book is clothbound and slipcased and, for a limited time, signed.
Order early to ensure availability. Tucson, 2001. 72 pp., 40 duotones, 12×12 ″.
Cat# TR076H
Signed/Hardbound
$75.00
Signed copies!
Victor Schrager: Bird Hand Book
Text by A.S. Byatt.
The beauty of Schrager’s photographs lies not so much in the subject matter—
though there is an undeniable attractiveness to the feathered creatures portrayed—
as it does in his approach to the subject. It has been said that beauty is the persuasive
aspect of truth, a relationship that Schrager has imbibed and invested in the work.
The sincerity of the photographer coupled with the unabashed presence of these animals—perched as they are on the hands of faceless and countless handlers—is what
immediately grabs the viewer. These birds are not presented as commercial objects
nor as perfect specimens, isolated against a seamless backdrop in a spotless studio.
Rather, they squirm and resist, acquiesce and bide time, held as they are by the hands
of man; the dynamic at play between bird and hand greatly informs this work,
indeed, it speaks of life itself. Graphis, New York, 2001. 128 pp., 70 duotones, 8¾×12 ″.
Cat# WG193H
Signed/Hardbound
$60.00
Richard Avedon: Made in France
Made In France is a beautifully reproduced selection of work prints by one of the
world’s best-known photographers. Created in Paris for Harper’s Bazaar during the
50s, many of these images are now presented for the first time. This body of work is a
significant addition to the oeuvre of published Avedon images, complemented by
the history surrounding the production of these particular prints. Each was made for
the photographer by master printer Andre Gremola, and are reproduced to the exact
scale on their uncropped, original mounts. Avedon’s handwritten notations and crop
lines provide a rare glimpse at the working methods of this master. A truly stunning
book. New York, 2002. 56 pp., 40 quadratones, 12×14¾ ″.
Cat# PK703H
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$75.00
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3
MONOGRAPHS
Ansel Adams at 100
Text by John Szarkowski.
Ansel Adams passed away in 1984, leaving behind
an outstanding legacy as a consummate interpreter of the American West, an avid environmentalist, a driving force behind the photography
department at The Museum of Modern Art in New
York, and perhaps as America’s most loved photographer. Numerous books have been published on Adams, but Ansel Adams at
100 is different. As John Szarkowski explains in his text, this volume “is an attempt
to identify that work on which Adams’ claim as an important modern artist must rest.” The book is housed in a
clothbound slipcase and includes a reproduction print of an Adams image, with his facsimile signature and the
embossed seal of The Ansel Adams Trust. This is a truly magnificent Adams collectible and the penultimate Adams
book to own. Little, Brown & Company, Boston, 2001. 200 pp., 114 tritone and 25 duotone illustrations, 14×12½ ″.
Cat# LB081H
Hardbound
$150.00
Save 15%
$127.50
Helen Levitt: Crosstown
Text by Francine Prose.
Crosstown is the largest selection of Helen Levitt’s
work ever published. One of the twentieth century’s
most important photographers, Levitt has trained
her eye and camera on the streets of New York City
since the mid-1930s. The city’s joys and tragedies,
the playfulness and diversity of its people all take
center stage in her characteristically humane street
photographs. powerHouse, New York, 2001. 192 pp.,
48 four-color and 144 tritone illustrations, 9¾×11¼ ″.
Cat# PY038H
Hb
$75.00
Save 15% $63.75
Kate Breakey: Small Deaths
Signed copies!
Text by A.D. Coleman.
Since her childhood in South Australia, photographer-artist Kate Breakey has been
moved by the often unnoticed animals that live, and die, in our proximity. She has
taken care to memorialize these tiny creatures—young birds too small to fly, the
careless lizard—in her hand-colored, large format photographs. These delicate and
quite common animals—sensitively portrayed and vibrantly colored—seem, quite
paradoxically, to come alive on the page. Univ. of Texas Press, Austin, 2001. 168 pp.,
81 color illustrations, 9¾×11¾″.
Cat# UT111H
Signed/Hardbound
$65.00
Duane Michals:
Questions Without Answers
Signed copies!
“As my consciousness spirals to its predestined disappearance, age has
forced me to pay attention.” Long-recognized for his thoughtful, narrative photographic works, Michals has, at 60, become even more contemplative. In this gorgeous new book he explores a series of “unanswerable questions”, revealing a great deal of himself and his deepseated philosophy in the process. Twin Palms Publishers, Santa Fe, 2001.
96 pp., 65 black-and-white illustrations, 8×10″.
Cat# TT097H
Signed/Hardbound
$60.00
Sarah Moon: Coincidences
Text by Robert Delpire and Sarah Moon.
Moon’s first major retrospective contains a stunning
cross-section of the numerous genres she has explored
during her 30 year involvement with photography,
including 26 signature color images. “...On a rainy day, in
the morning light, I look back at all these photos I have
accumulated—moments of awakening, split seconds, a
slow motion rough cut from a film, which I have been living by proxy, more from
outside than inside... Is it dreams that my photographs are about? Or even better,
are they hallucinations?”—Sarah Moon. Arena Editions, Santa Fe, 2001. 288 pp., 178
duotone and 26 four-color illus., 12×11 ″.
Cat# AE042H
Hardbound
$65.00
Save 15%
$55.25
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Books & Prints
THE BOOK OF 101 BOOKS
Seminal Photography Books of the Twentieth Century
From the Introduction by Andrew Roth
“The Photographic medium is especially well suited
to the book, the most natural format for sequencing
reproductions. Photography is also one of the most
intimate mediums, not just because of its historically
small size, but because our encounter with it is
generally under a soft light and on our lap.
I’ve imagined a book like this for a long time...The
basis for my selection was simple. Foremost, a book
had to be a thoroughly considered production; the
content, the mise-en-page, choice of paper stock,
reproduction quality, text, typeface, binding, jacket
design, scale—all of these elements had to blend
together to fit naturally within the whole. Each publication had to embody originality and, ultimately, be
a thing of beauty, a work of art...In all but a few instances, I have focused on monographs
that the artists had an active role in producing. I was also generally drawn to publications
in which the photographs were meant to be seen in book form. In other words, not books
that are merely a place to exhibit images but books whose images were destined to be seen
printed in ink and bound between covers...My goal
was not to compile a selection of rare or precious
books, just great ones. In each case, I endeavored
to reproduce the finest example of the book I could
locate and then to print what I believe to be a
representative sampling of image-spreads...In an
attempt to give a broad overview, I have commissioned essays by individuals who are integrally
connected with the photographic book: art dealer,
artist, critic, curator, historian, publisher, and technician.
One motivation behind any project of this scope is
purely selfish—a curiosity to see what shape it will
take...how others will flesh out meaning on the
skeleton of an idea. I hope that the cumulative
complexity of these essays and images helps to
make The Books of 101 Books a useful scholarly
reference and an aesthetically compelling object.”
Cat# PK676H $85
Some of the 101 Books that are in-print
Dorothea Lange:
An American Exodus
Cat# ZB534S $39.95
Brassaï: Paris by Night
Cat# BF164H $50
Walker Evans: Let Us Now
Praise Famous Men
Cat# HM001S $16.95
Paul Strand: La France de Profil
Cat# AP415H $40
Robert Frank: The Americans
Cat# PK463H $35
Danny Lyon: The Bikeriders
Cat# TT071H $50
Lee Friedlander: Self Portrait
Cat# FR006S $35
Larry Clark: Tulsa
Cat# GV008H $39.95
in the form of reprints,
second editions or facsimile copies
Michael Lesy: Wisconsin Death Trip
Cat# NM158S $29.95
Bill Owens: Suburbia
Cat# FL028H $29.95
Robert Adams: The New West
Cat# PK619H $55
Lewis Baltz: The New Industrial
Parks Near Irvine California
Cat# MW073H $49.95
Ralph Eugene Meatyard:
The Family Album of Lucybelle Crater
Cat# PK677H $45
Gilles Peress: Telex Iran
Cat# PK366H $58
Joan Fontcuberta: Fauna
Cat# PV024H $35
David LaChapelle: LaChapelle Land
Cat# SS038H $50
NAZRAELI PRESS
is pleased to present
The 2002 Michael Kenna Wall Calendar
John Cohen:
There Is No Eye
Text by Greil Marcus.
“Be it in the Peruvian Andes,
Kentucky bluegrass country, the
Gospel churches of Brooklyn, or in
Greenwich Village with Bob Dylan
and the Beat Generation, famed
musician John Cohen’s vision transcends history, even when it distills
the spirit of a period and a place.
There is No Eye, Cohen’s first monograph, is a guided tour of the
worlds of outside artists, poets, and
musicians.”—the pub. powerHouse,
New York, 2001. 200 pp., 127 duotone
and 39 color illustrations, 8¼×11¼″.
Cat# PY047H Hb $45 Sale $40.50
Michael Kenna’s mysterious photographs, often made at dawn or in
the dark hours of the night, concentrate on the interaction
between natural landscape and
human-made structures. His photographs reflect a sense of refinement, respect for history, and thorough originality. For our 2002
Wall Calendar, Kenna has again
selected both well-known and previously unpublished photographs. 14 x 18 inches, 18 duotone
plates. A BESTSELLER EVERY YEAR.
Cat# TR086S
Text by Richard Whelan, Cornell
Capa, and Peter Fetterman.
Cornell Capa has had a truly amazing career. As the champion of his
brother Robert’s work, he deserves
undying gratitude; as the founder
and director of the International
Center of Photography in New York
he has undoubtedly brought the
power of photography to millions
of people. A consummate photojournalist in his own right, Capa has
worked for Life magazine during its
heyday and is a member of the
Magnum Agency. This clothbound
exhibition catalogue presents a
finely printed selection of his best
work. Santa Monica, 2001. Unpaged,
26 duotones, 8¾×10¼ ″.
Cat# PK727H Hardbound $35.00
$19.95
OTHER MICHAEL KENNA TITLES
from NAZRAELI PRESS
Nightwork (SIGNED COPIES AVAILABLE)
This beautiful monograph provides an overview of Michael
Kenna’s night photographs.
The book spans over two
decades of work, and confirms
Kenna’s position as one of the
most important landscape photographers working today.
Night Work comprises 86 plates
beautifully printed in duotone
on matt art paper. It opens with an introduction by Bill Jay
and an interview with Michael Kenna by Tim Baskerville.
Hardcover, 13 x 13 inches, 96 pages, 80 duotone plates.
Cat# TR061H
Cornell Capa
Wire-O
Signed/Hardcover $65.00
Impossible to Forget (SIGNED COPIES)
Michael Kenna first visited the
Matzweiler Struthof concentration
camp in France in 1986. Two years
later he returned, still marked by the
initial emotional impact, no doubt
the key to his decision to develop a
project about the Holocaust. Since
then, he has repeatedly returned to
Auschwitz, Sachsenhausen, LublinMajdanek, Ravensbruck, Buchenwald and many other
camps to photograph their restless emptiness. The photographs in Impossible to Forget are directly opposed to the
evil that continues to live in the camps, to nihilism and to
revisionism; they are bearers of peace and compassion.
Hardcover, 10 x 12 inches, 128 pages, 105 duotone plates.
Cat# TR075H
Signed/Hardbound
$60.00
MONOGRAPHS
6
Philip-Lorca diCorcia: Heads
diCorcia is best known for his elaborately staged photographs, meticulously planned productions that wear the guise of ‘real life.’ Conceptual photography with the veneer of the documentary, as one author puts it. His
new work, however, is a departure. Combining street photography and
theater, diCorcia rigs lights far above the New York sidewalk, unnoticed by
the passersby, and positions himself a distance. The results—an amalgam
of random individuals and unvarying lighting conditions—are stunning.
The anonymous, specimen-like quality to the subjects is heightened by the
theatrical lighting. This work successfully reinvigorates the entire genre of
street photography. Göttingen, 2001. 40 pp., 20 color illus., 12½×11½ ″.
Cat# PK710H
Hardbound
$35.00
Save 10%
$31.50
Larry Fink: Social Graces
Signed copies!
Text by Max Kozloff.
Fink’s famed first monograph has long been out-ofprint and hard to find. Reprinted by powerHouse, this
new edition features a completely new design, new
film separations, and a number of images that never
made it into the original printing. His work, as he
states, is political, but not polemical, revealing yet
never damning and embodies a search for self by way
of photographing ‘the others’. The afterword, written by Fink in 1982, is as
poignant as it was twenty years ago, offering insight into both his working
method and the emotional engagement and evolution that naturally attended the work. powerHouse, New York,
2001. 104 pp., 70 duotone illustrations, 11×11 ″.
Cat# PY035H
Signed/Hardbound
$55.00
Ed van der Elsken: Eye Love You
Paris, jazz, Amsterdam, love, and Japan in the 1950s are the
outward subjects of Van der Elsken’s gritty, black-and-white
photographs, considered by many to be true signs of hope
after the despair engendered by the second World War. Over
170 images are featured in this handsome volume, produced
by one of Spain’s premier photography publishers. Five
essays, plus a full exhibition biography and bibliography are
included. Barcelona, 2001. 134 pp., 170 b&w illustrations,
9½×11¾ ″. Text in Spanish and English.
Cat# ID553S
Roy DeCarava:
The Sound I Saw
Softbound
$35.00
Signed copies!
DeCarava has long been recognized as one of the great photographers of the 20th century, best known for his street photography and his soulful jazz images of the 50s and 60s. In the early
1960s he conceived, designed and hand bound a book mock-up
which included his own poetry and close to 200 of his photographs of jazz musicians. The Sound I Saw was never published,
and became a thing of legend among photographers, an unrealized work that embodied, on page and in image, the essence of jazz. Phaidon has
raised the work from relative obscurity and has published the entire book as DeCarava
originally intended it to be seen. London, 2001. 208 pp., 196 tritones, 13¼×10½ ″.
Cat# PI053H
Signed/Hardbound
$75.00
Dan Eldon: The Art of Life
Text by Jennifer New and Kathy Eldon.
In 1993 photojournalist Dan Eldon was brutally murdered by an incensed and griefstricken mob while covering the civil war and American military intervention in faminestruck Somalia. A tender but seasoned 22 years of age, he left behind not only his journals—the basis for the best-selling book The Journey is the Destination (Cat# CI113H)—
but a life of adventures and experiences that continue to inspire. Raised in Kenya,
Eldon deeply loved, and was intimately familiar with, the vast continent of Africa,
across which he had taken numerous expeditions. This beautiful new volume is an
illustrated biography that honors the young man whose life came to an end far too
soon. San Francisco, 2001. 288 pp., numerous color and b&w illus., 7½×9½″.
Cat# CI150H
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Hardbound
$27.50
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7
MONOGRAPHS
Don McCullin
Text by Harold Evans and Susan Sontag.
Don McCullin has been called one of the greatest photographers of human
conflict in our time. His career has covered much of the late twentieth century—a period steeped in conflicts between nations, tribes, and ideologies. This
retrospective volume begins with quiet work from his home in England, but
then quickly moves into work from Cyprus, the Congo, Vietnam, Biafra, Derry,
Cambodia, Bangladesh, Beirut, and Irian Jaya, before returning to his native
English countryside. This massive volume is serious, grand, and appropriate
for the range of subject matter with which it deals; a book to absorb over time.
North Pomfret, 2001. 296 pp., over 200 duotone illustrations, 11¾×12¼ ″.
Cat# TS018H
Hardbound
$75.00
Save 10%
$67.50
Chernobyl Legacy
Photographs by Paul Fusco and Magdalena Caris.
Photographers Fusco and Caris take the viewer on a journey
of unbelievable anguish through the devastated regions
immediately surrounding the now-entombed Chernobyl
nuclear power plant, located in the Ukraine. A witness to the
toll meted out by humanity’s worst technological disaster
and certainly one of the most powerful documentary books
published this year. This book recalls the stirring and intense
work of W. Eugene Smith decades earlier in the Japanese village of Minamata. New York, 2001. 226 pp., numerous blackand-white and color illustrations, 9×11¾″.
Cat# ZB883S
Softbound
$49.00
Robert Capa: The Definitive Collection
Text by Richard Whelan.
“Robert Capa, one of the greatest photographers of the twentieth century
and a founding member of the Magnum photographic agency, had the
mind of a passionate and committed journalist and the eye of an artist. His
lifework, consisting of more than 70,000 negative frames, constitutes an
unparalleled documentation of a crucial 22-year period (1932–54) encompassing some of the most catastrophic and dramatic events of the last century. This book represents the most definitive selection of Capa’s work ever
publisher, 937 photographs meticulously selected by his brother, Cornell Capa (himself a noted Life photographer,
see p. 5), and his biographer, Richard Whelan.”—the publisher. London, 2001. 572 pp., 937 duotones, 9¾×9¾ ″.
Cat# PI052H
Hardbound
$69.95
Save 10%
$62.95
Philip Jones Griffiths: Vietnam Inc.
Introduction to the new edition by Noam Chomsky.
This moving volume was first published in 1971 and was crucial in altering U.S. public opinion of the Vietnam war. Philip
Jones Griffiths’ telling account of the war was produced over a
three year period and is one of the most detailed photographic surveys of any conflict in history. This compelling book documents the horrors of the war and its toll on the Vietnamese
people and their rural way of life. London, 2001. 224 pp., 266
duotone illustrations, 11×8″.
Cat# PI056H
Hardbound
$39.95
Save 10% $35.95
Dream Street: W. Eugene Smith’s Pittsburgh Project
Text by Alan Trachtenberg.
In 1955 W. Eugene Smith was commissioned to spend three weeks in Pittsburgh to
produce 100 photographs for a book by author Stefan Lorant commemorating the
city’s bicentennial. Smith had just ended his tempestuous, long-term relationship
with Life magazine. He stayed in Pittsburgh for a year, far longer than his original
commitment, and produced over 16,000 photographs. It was his lifetime conviction that this was his greatest work. Surprisingly, the core group of images, asserted by Smith to be the ‘synthesis of the whole,’ have never been collected and published together. This book remedies that situation, offering a glimpse of America at
midcentury. New York, 2001. 176 pp., 175 duotones, 9½×11 ″.
Cat# NT112H
Hardbound
$39.95
Save 10%
376 Garcia Street, Santa Fe, New Mexico 87501 Orders: 800-227-6941 Info: 505-988-5152
Mon-Sat 9am–6pm MT
Fax: 505-988-4487
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$35.95
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Books & Prints
9
MONOGRAPHS
Mario Giacomelli
Text by Alistair Crawford and Alessandra Mauro.
The most comprehensive survey of Giacomelli’s work ever published, this massive volume contains over 600 images, all arranged by theme. Taken as a whole,
the book is a testament to Giacomelli’s highly personal and recognizable style in
which the artist’s fascination with his native Italy is delineated and explored. His
familiar, high-key, abstract landscapes are amply reproduced, along with rural
townscapes, streetscenes, still lifes, and portraits of everyday Italian life. His
absolute mastery of form and composition makes his work distinctive and
secures for him a well-deserved place among the great figures of the photographic medium. London, 2001. 448 pp., 600 duotones, 11½×9¾ ″.
Cat# PI057H
Hardbound
$69.95
Save 10%
$62.96
Jim Stone: Historiostomy
A Study in Repurposing Content
Signed copies!
“...Many of the classic images set out in Beaumont Newhall’s groundbreaking
1937 exhibition of photography’s history have achieved a recognition level, an
emblematic status, equal to that of the Mona Lisa. Jim Stone has taken the icons
of photography, symbols of its newfound respectability in the art world, and parodically folded them in on themselves to reveal hidden facets. Using sophisticated digital technology, he has altered, reworked or remade versions of photography’s classic images for ironic and often humorous effect.”—the publisher. The
individual prints are loose, and the entire folio is bound in red cloth. Each copy is
signed and numbered by the artist. Albuquerque, 2001. 28 pp., 24 color and blackand-white illustrations, 11½×14½″.
Cat# ZB917H
Signed/Hardbound
$75.00
Catherine Wagner: Cross Sections
For the past twenty years, Wagner has been exploring
the concepts of structure and order in an ongoing narrative that at times has addressed architecture, educational paradigms, and domestic arrangements. Cross
Sections continues this exploration by moving towards
the core of ‘life’: cellular replication. Historically, science
and art have generally been collaborative arenas of
endeavor; in the field of photography they are inextricably linked. These images, created over the past three years, were made using
medical imaging devices. They are an attempt to present what modern science
has begun to unravel: the mystery of life. Twin Palms Publishers, Santa Fe, 2001.
Unpaged, numerous duotone illustrations, 12½×12¼ ″.
Cat# TT100H
Cat# TT100L
Hardbound
Deluxe Edition
$60.00
$1000.00
Walter Chappell: Photographs of Sharon Tate
Text by Richard Howard.
This fine catalogue was published to coincide with the inaugural exhibition at Roth
Horowitz Anderson galleries in Los Angeles. The book is a beautiful vehicle for a set of
6 photographs made by the late Walter Chappell of the universally recognized,
though admittedly minor-actress, Sharon Tate. It is a fitting tribute to both photographer and actress, containing 2 fold-out pages and a gold embossed circle on the
cover, set against light blue, paper-wrapped boards. Los Angeles, 2001. Unpaged, 6
color and black-and-white illustrations, 8¼×10¼″.
Cat# PK729H
Hardbound
$50.00
Eliot Porter: The Color of Wildness
Text by John Rohrbach, Rebecca Solnit, and Jonathan Porter.
One of the more powerful aspects of Eliot Porter’s magnificent color photographs is their ability to educate. The sheer
vibrancy of his images seems to persuade their viewer to
slow down and pay close attention to the natural world. This
publication is the first in-depth retrospective of Porter’s
work, reflecting his measured and studious encounters with
a wide range of ecosystems around the globe. New York,
2001. 152 pp., 110 color and duotones, 10¼×13½ ″.
Cat# AP444H
Hardbound
$60.00
Save 10% $54.00
376 Garcia Street, Santa Fe, New Mexico 87501 Orders: 800-227-6941 Info: 505-988-5152
Mon-Sat 9am–6pm MT
Fax: 505-988-4487
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Books & Prints
LANDSCAPE
Kenro Izu:
Sacred Places
Signed copies!
Text by Clark Worswick.
Izu’s striking photographs have
long been valued for their subtlety,
grace, and power. Produced over
the past 20 years, Izu’s landscape
work is informed by a keen understanding of the aesthetics and
vision of the great 19th-century
travel photographers. He has travelled around the world, photographing lands and sites sacred
to their people. Also available as a
signed book is Light Over Ancient
Angkor (Cat# ZB105H). Arena Editions,
Santa Fe, 2001. 180 pp., 100 tritone
illustrations, 12×10″.
Cat# AE044H Hardbound $65.00
Vietnam: Portraits
and Landscapes
Photographs by Peter Steinhauer.
Steinhauer photographed in
Vietnam for seven years, completely
immersing himself in the local culture. These images represent a personal response to the geographic
diversity he encountered: from the
lush mountains and thick fogs of
the North, along the 1500 miles of
white sand coastline, to the intricate maze of the Mekong Delta.
Complementing his immaculate
black-and-white landscapes is a
selection of engaging portraits, also
realized with the same level of care
and insight. Stemmle, Zurich, 2001.
112 pp., 70 duotones, 11×11¾ ″.
Cat# ES074H Hb $55 Sale $50
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J A PA N E S E
Underground
Photographs by Naoya Hatakeyama.
There is a river that runs through, or
rather beneath, the teeming
metropolis of Tokyo. Pushed underground by encroaching skyscrapers,
and the housing required for
Tokyo’s millions, the river Shibuya
occupies a concrete nether world
that is bathed in half light.
Hatakeyama ventured into this
underground labyrinth and surfaced with remarkably sensitive
photographs. Tokyo, 2000. 70 pp.,
numerous color illus., 9¾×11 ″.
In Japanese and English.
Cat# ID555H Hardbound $49.00
21st: The Journal of
Contemporary Photography
Volume V Strange Genius
Deathtopia
Photographs by Shinchiro Kobayashi.
Broken-down factories, forgotten
schools, and abandoned power
plants are the subject matter of
Kobayashi’s photographs. The
graceful light that pours in from
broken windows and missing doors
is seemingly out of place, casting a
welcoming glow across the refuse
of an industrial society. Tokyo, 1998.
144 pp., 90 color illus., 10×9½″.
Cat# ID552S
Softbound $53.50
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The wide range of international artists
and writers give voice to the many
fascinating directions of contemporary
photography, illuminating the exciting
and challenging aesthetics that are
shaping the early 21st century. The
trade edition is limited to 1200 copies,
measures 11 x 14 inches, and is illustrated with 60 tritone and four-color
plates. Each edition is offered at a
special pre-publication price until Jan.
1st, 2002. Call for details about the
Deluxe and Museum editions.
Cat# ZB916H Hb $119/$150
Cat# ZB916L Deluxe $2600/$3000
Cat# ZB918L Museum $7500/$9000
photo-eye Gallery
Rosa and Guadalupe, Mexico © Debbie Fleming Caffery
photo-eye
Gallery proudly represents the following artists:
CATHERINE ANGEL
DEBBIE FLEMING CAFFERY *
KEITH CARTER *
WALTER CHAPPELL *
MARK CITRET *
BOBBIE CROSBY
IMOGEN CUNNINGHAM *
DAVID GIBSON *
ADAM JAHIEL
MARY ALICE JOHNSTON
MARK KLETT *
TED KUYKENDALL
ANNE ARDEN MCDONALD
KEVIN O’CONNELL
RONDAL PARTRIDGE
JAMES PITTS
EDWARD RANNEY *
PENTTI SAMMALLAHTI *
VOLKER SEDING
JOCK STURGES *
LAURIE TÜMER
TERRI WEIFENBACH *
ZOË ZIMMERMAN
Also a selection of prints by Laurent Millet*, Andrea Modica*,
Don Hong-Oai*, and Ariel Ruiz i Altaba*
* Monographs or catalogues available for purchase
photo-eye Gallery
Tuesday - Saturday 11-5pm
370 Garcia Street, Santa Fe NM gallery@photoeye.com tel 505.988.5152
BESTSELLERS
14
OF
2001
Hiroshi Sugimoto:
Theaters
Cat# ZB774H Hb $160
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Peter Beard:
28 Pieces
Cat# ID548S
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Wheatcountry
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James Fee:
1993-2000
Cat# PK631H Signed $75
Building a
Photographic Library
Cat# ZB789S
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Todd Hido:
House Hunting
David Heath:
Dialogue W/ Solitude
Cat# TR077H Signed $75
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Paul Strand:
La France De Profil
Cat# AP415H
Karl Blossfeldt:
Working Collages
Hb $40
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The Master Prints
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The Little Screens
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Hb $39.95
Hb $45.00
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Woman
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Instr. Manual No. 1
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Form and Fashion
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MONOGRAPHS
LEWIS BALTZ
The New Industrial Parks Near Irvine, California
Manuel Alvarez Bravo:
Thirty Photographs
Text by Aurelia Alvarez Urbajtel.
“When we were kids, we used to say
that Papa was in his darkroom
cooking poisons. From time to time,
we would sneak in there to see
what was going on. As we grew
older, we were allowed to help
swing the trays where the prints
floated. Within that darkness, under
the gloomy light of the coloured
bulb, we gazed at the great clock
hanging next to a sign beautifully
handwritten by my Father: ‘There is
time, there is time’...”—from the
introduction by Aurelia Alvarez
Urbajtel. London, 2000. Unpaged, 30
duotone illustrations, 5½×6¾ ″.
Cat# ZB888S
This milestone in the history of
America contemporary photography, is once again available in an
impeccable facsimile of the original publication. Three decades ago,
Lewis Baltz became fascinated by
the stark, manmade landscape
rolling over so much of California’s
agrarian terrain. This is the bestknown of his projects on the subject, published for the first time by Leo Castelli in 1974. The work
assured Baltz’s place in the influential New Topographic movement,
which stands for a cool, distanced yet critical view of the emerging,
man-altered landscape. Hardcover with slipcase, 11.75” x 10.75”, 112
pages, 51 duotone plates.
Retail Price: $49.95 Cat# MW073H
Signed copies available!
LEWIS BALTZ
The Politics of Bacteria, Docile Bodies, Ronde de Nuit
This important monograph tackles the job of
documenting the artists recent monumental
color works created from 1991–1995. Baltz
moves from the physical landscape into the
virtual and even more veiled landscapes of
contemporary global culture. Essay by curator Cornelia H. Butler. Hardcover, 7” x 11”, 60
pages, numerous full color plates.
Retail Price: $26.00 Cat# MW063H
Softbound $34.95
LE NOTRE’S GARDENS
Photographs by Michael Kenna
Huntington
Signed copies!
Witherill:
Botanical Dances
Botanical Dances represents a firm
departure from Witherill’s earlier
approach of working on location in
the landscape. He has placed various pressed plants—ferns, flowers,
and leaves—against a variety of
painted and textured surfaces of
paper and stone. His strategy “was
to combine the lyrical plant forms
with abstract fields to arrive at a
new textural unity as well as a sensitive and often witty figurative
expression.”—the
publisher.
Anacortes, 2001. 104 pp., 40 tritone
illustrations, 12¼×10¾″.
Cat# LQ013H Hardbound $65.00
Orders: 800-227-6941
www.photoeye.com
Kenna’s stunning landscapes of
light and shadow, carry the viewer
into the elegant world of French
18th-century garden designer
Andre Le Notre. This second
edition now features 20 new
plates. A visual feast for both the
lover of photography and the formal garden. Hardcover, 10” x 10.5”,
61 quadratone plates.
Retail Price: $49.95 Cat# MW058H
research art media r.a.m. publications + distribution
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Blind Spot #19
Edited by Kim Zorn Caputo.
Includes new work by William
Eggleston, Charles Lindsay,
Charles Matton, Richard
Misrach, Clifford Ross, Leo
Rubinfien, and Hellen Van
Meene. New York, 2001.
Unpaged, numerous b&w and
color illustrations, 9×10½″.
Cat# MZ111S
Sb $15.00
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2002 Calendar
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2002 Calendar:
Exploring The Land
Ventana Editions, Carmel Valley,
2001. 12 pp., 12 black-and-white
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Cat# TD103S
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You’ve always dreamed of having a global audience.
photo-eye launches
the Photographer’s Showcasesm
online now at photoeye.com
Be seen.You’ve earned it.
Explore our
Online Galleries
EDITION
STEMMLE
Important New Titles
from Edition Stemmle
Torero by Ruven Afanador
Cat# ES071H $75
Animal Portraits
by Walter Schels
Cat# ES061H $75
In Their Mother’s Eyes:
Women Photographers
and Their Children
edited by Martina Mettner
Cat# ES070H $65
MONOGRAPHS
Neil Folberg:
Celestial Nights
Essay by Timothy Ferris.
“I am drawn to landscapes and
ruins in my ancient and hallowed
land, lit by the soft, antique light of
stars that glow in the past and illuminate the present. These visions
were inspired by the hundreds of
nights I spent under the dome of
the stars in the Sinai desert, sometimes walking by starlight along the
dry riverbeds. The nights are dark
and nearly monochromatic, but
despite the murkiness, one can see
well enough to walk among the
mysterious, starlit landscapes.”—
Neil Folberg, Jerusalem, 2001.
Aperture, New York, 2001. 64 pp., 40
duotones, 9½×13 ″.
Cat# AP448H Hb $40 Sale $36
Memento Mori
Text by Bohdan Chlibec
and Mojmir Hornya.
This book documents the ossuary at
the church of All Saints in Sedlec,
one of the most remarkable
Baroque monuments in the Czech
Republic, shortly before its restoration in the 1990s. It houses some of
the world’s most spectacular examples of sculpture using human
bones. Prague, 2001. 180 pp., 47 tritone illustrations, 9×11¾″.
Cat# PK694H Hardbound $40.00
Orders: 800-227-6941
www.photoeye.com
MONOGRAPHS
Gandhi:
A Photo Biography
Text by Peter Ruhe.
Mahatma Gandhi (1869–1948) lived
during one of the most tumultuous
and despairing periods of modern
history, in a country that, to this
day, struggles to find it’s rightful
voice in the world. Yet amidst such
despair and poverty his voice
affected tremendous political
change and his sincere actions
transformed reticent hearts. Nearly
300 photographs, many never seen
before, have been reproduced in
this fitting volume, a tribute to a
man who envisioned peace, tempered that vision with wisdom, and
acted in a manner that was at once
sustainable and transcendent.
London, 2001. 320 pp., 294 duotone
illustrations, 10×10″.
Cat# PI060H Hb $39.95 Sale $36
John Heartfield
Text by Hans Richter, George Grosz,
Josep Salvador, and David Evans.
John Heartfield was a graphic
designer, artist, stage designer, and
cultural promoter, but he is best
known for his outspoken political
photomontages. The history of this
energetic and prolific man is
marked by unceasing political activity. “USE PHOTOGRAPHY AS A
WEAPON!” was the slogan over the
entrance to his exhibition in
Stuttgart in 1929. This catalogue
reproduces a generous sampling of
his potent artworks. Valencia, 2001.
168 pp., numerous color and b&w
illus., 9×10¼″. Spanish and English.
Cat# ID551S
Softbound $36.00
Orders: 800-227-6941
www.photoeye.com
NEW YORK:
SEPTEMBER 11
MAGNUM
P
H
O
T
O
S
as seen by Magnum photographers
From the introduction by David Halberstam
The date, September 11, 2001, now has a certain
permanence, graven on our collective memory,
like a very few others, December 7,1941, and
November 22, 1963, dates which seem to
separate yesterday from today, and then from
now. They become the rarest of moments; ordinary people will forever be able to tell you where
they were and what they were doing when they
first heard the news, as if the terrible deed had
happened to them, which in some ways it did.
Up until that moment America had been spared
the ravages of the last century of modern
warfare. The bombing of the World Trade Center
and the Pentagon ended an amazing historical
period in American life, one which I place at 87
years, beginning with World War 1 (we actually
entered it 3 years late) during which we rose to
unwanted superpower status, became the most
powerful nation in the world, and yet none of the
terrible carnage of that era took place on our
soil. We had come to believe as a people, protected as we were for so long by our two
great oceans, that we were immune to the awful dangers and cruelties and viruses of the
rest of the world. That sense of immunity, as these photographs so dramatically show,
ended on September 11, 2001...
144 pages Cat# PY049H
Hardbound $29.95
Gilles Peress:
Telex Iran
Larry Towell:
Then Palestine
C. Steele-Perkins:
Afghanistan
Cat# PK366H
Cat# AP380H Hb $45.00
Cat# WZ015H Hb $50.00
Hb $58.00
www.photoeye.com
800.227.6941
Fazal Sheikh:
The Victor Weeps
Cat# PK482H
Hb $60.00
Ed Grazda:
Afghanistan Diary
Cat# PY011H
Hb $29.95
photo-eye Books is pleased
to offer these select titles
in tribute to the victims
and as an attempt to
understand and contextualize the events of
that infamous day.
MONOGRAPHS
Gymnasium
Signed copies!
Photographs
by Luke Smalley.
“...to my boy readers, and to all
those who have boys under guidance, furnish good, wholesome
methods by which boys can be supplied with means of using up their
vital energies. The boy who...uses
his surplus energies in wholesome
games and in a temperate amount
of study, will avoid without the
slightest effort all that is evil.”—
Physical Culture Magazine, 1904.
Smalley’s photographs of teenage
athletes in turn-of-the-century
sporting attire are reminiscent, in
their playfulness, of Bruce Weber’s
work, but with a more studied
approach. Call for details on the
Deluxe Edition. Twin Palms, Santa
Fe, 2001. 96 pp., 80 b&w illus., 8×10″.
Cat# TT098H
Cat# TT098L
Hb $60.00
Deluxe $750.00
FotoFest 2002
Ninth International
Biennial of Photography
March 2002. Houston, Texas
The Fifth FotoFest International Fine Print Auction.
An unparalleled opportunity to find great
contemporary photography.
Latin America, Asia, Europe, and the U.S.
March 6, 2002. See FotoFest Web site in January 2002.
The Classical Eye and Beyond
Mixed Media/New Technology Exhibits
and Classical Photography
Photographer Workshops, Video Events,
DJ Performances, New Technology Symposia,
International Meeting Place
Securitas
Photographs by Joan Fontcuberta.
“Both mountains and keys invoke
symbolic values of protection and
safety. The mountain is a natural
defence. At the same time, to lock
something up with a key is to safeguard what is valuable to us...The
key is, therefore, another mechanism of defence against unwanted
intrusions. It is a curious fact that if
we look carefully at the serrated
edge of a Yale key we find that it
reproduces the morphology of a
mountain chain. What is the hidden
significance of this coincidence?”-Joan Fontcuberta. The artist
explores the theme of security
throughout this timely book.
Madrid, 2001. 190 pp., numerous
color and b&w illus., 10×9½″.
Cat# ID554H Hardbound $49.00
www.fotofest.org 713/ 223-5522 ext 19.
Orders: 800-227-6941
www.photoeye.com
NAZRAELI PRESS ONE PICTURE BOOKS
A growing series of artists’ books from Nazraeli Press
Introducing Nazraeli Press One Picture Books
Nazraeli Press One Picture Books is an ongoing series
of limited-edition artists’ books. Each hardcover book
measures 5½ x 7¼ inches, and contains 16 pages of text
and images, and one original print. Each title
is limited to 500 numbered & signed copies.
The artists selected for this series are asked to create a
book based on one image, or one group of related
images. The result is a uniform series of modestly
priced, eminently collectable books, each numbered
and signed by the artist and containing an original
work of art. Our first two books in this series, Instruction Manual No. 1 by Terri
Weifenbach and Four American Photographs by John Gossage, sold out upon
publication. Limited quantities are still available through photo-eye Books & Prints.
We are pleased to announce our newest One Picture Books by Chan Chao, Todd Hido,
Ron van Dongen, and Susan Hornbeak-Ortiz. Upcoming titles include books by Masao
Yamamoto, Reiner Leist, Julien Coulommier, Bill Jay, and others.
The first eight One Picture Books
Number One: Instruction Manual No. 1 by Terri Weifenbach
Weifenbach’s large-format, one-off prints come with a folio of unbound color copies
which function as operating instructions. Our Instruction Manuals are bound editions of
these. The first contains twelve details of “21. May 1995” and one original print.
Cat# TR067H
Hardcover
$100.00 while supplies last
Number Two: Four American Photographs by John Gossage
Comprising four “images” in the form of verbal descriptions of photographs, one of
which hides behind an original print of the particular image being described. The print is
hinged at the top, allowing access to the verbal description beneath.
Cat# TR070H
Hardcover
$100.00 while supplies last
Number Three: Instruction Manual No. 2 by Terri Weifenbach
Seven details of “21. April 1996” (“The Bee”) and one original print.
Cat# TR082H
Hardcover
$35.00 now shipping
Number Four: Instruction Manual No. 3 by Terri Weifenbach
Nine details of “25. June 1996” (“Blue Sky”) and one original print.
Cat# TR083H
Hardcover
$35.00 now shipping
Number Five: Letter from P.L.F. by Chan Chao
From the author of Burma: Something Went Wrong, this book is built around a single
letter of correspondence relaying news of a fighter’s death and a movement’s setbacks
and hopes. One letter of correspondence, one four-color plate, and two original prints.
Cat# TR087H
Hardcover
$35.00 now shipping
Number Six: Taft Street by Todd Hido
From the author of House Hunting, four photographs of the ubiquitous Taft Street in
four distinct seasons, and one original print. Specify Winter, Spring, Summer or Fall
when ordering. Also available: a slipcased set of all four versions, while supplies last.
Cat# TR088H
Cat# TR088L
Hardcover $35.00 now shipping
Slipcased Set $125.00 while supplies last
Number Seven: Rosa “Ferreus” by Ron van Dongen
From the author of Alba Nero, Vulgaris and Nudare, the digital documentation of the
apparent reincarnation of a pair of roses, culminating in a black-and-white print.
Cat# TR089H
Hardcover
$35.00 now shipping
Number Eight: t r u e by Susan Hornbeak-Ortiz
Twelve details of one frame from Hornbeak-Ortiz’s film Sacrifice embedded with the
poem t r u e, accompanied by an audio CD of true and Joy.
Cat# TR090H
Hardcover
$35.00 now shipping
THE BOOK OF
ALTERNATIVE
PHOTOGRAPHIC
PROCESSES
by Christopher James
Cat# ZB835S $46.95
Photographic artists and students will welcome this fullcolor, comprehensive technical
resource that explores every
aspect of alternative photography. With his highly accessible
writing style, Christopher
James covers the history and
processes of alternative and
non-silver photography and
details practical and clear guidance on how to make it work.
The book delves into a vast
array of alternative and traditional options including
cyanotype, POP, salted paper,
the Kallitypes, Ambrotype,
platinum/palladium, Ziatype,
hand applied emulsions,
papers, alternative imaging systems and digital.
Among the nearly 300 illustrations are images by historical
and contemporary artists
including Sally Mann, Luis
Gonzalez Palma, Jayne Hinds
Bidaut, George Tice, Bea
Nettles, and the author.
Delmar Thomson Learning, 2001
400 pages, 8½×11″.
Winner of The Golden
Light Technical Book of
the Year Award, 2001
“James brings the art of hand-coated
and alternative photography to a new
level...The Book of Alternative
Photographic Processes will become
the new standard text for alternative
hand-coated photography.” —Dick
Sullivan, Founder and Co-Owner,
Bostick & Sullivan
VIDEOS
Jan Saudek: Life, Love,
Death and Other Trifles
This video offers a revealing look at
the provocative yet honest work of
Czech photographer Jan Saudek.
Saudek’s hand-colored photographs draw heavily on metaphor
and theatre, blending eroticism
with tenderness, violence and
romanticism in an inspired manner
that at times approaches the
absurd. Chicago, 2001. 35 mins., VHS,
color and black-and-white, 4¾×8″.
Cat# FT009V
Barbara Morgan:
Everything Is Dancing
Video
$34.95
William Wegman:
Fay’s 12 Days of Christmas
A perfect Holiday gift. “Children will delight in watching
Fay, Batty, Chundo, and Crooky prepare for Christmas as
only they know how. Kids will experience the fun and the
excitement of the holidays as they watch Fay and her
family trim the tree, decorate the house, string popcorn
and much, much more! Count along as they hang stocking and bake cookies of all different shapes and sizes.
Take a quick trip to Santa’s workshop where Santa’s elves
make all the presents Crooky and Batty dream of.”—the publisher. New
York, 1995. VHS color, 30 minutes.
Cat# ZB259V
Video
$19.95
“A preeminent photographer, poet,
novelist, composer and filmmaker,
Gordon Parks is one of the most
prolific and diverse artists in
America today. His photography
spans from the social commentary
of ‘American Gothic,’ to Paris high
fashion for Vogue. Parks’ photos
chronicled the Civil Rights movement for Life magazine for two
decades, and his portraits of
celebrities like Ingrid Bergman
brought him additional levels of
fame and distinction. Narrated by
Alfred Woodard and vividly illustrated by Parks’ own masterful photographs, Half Past Autumn is a candid, revealing portrait of the artist
and his journey through the watershed moments in America’s social
history.”—the publisher. New York,
2001. 90 minutes, VHS, color, 4¾×8 ″.
Cat# FT008V
photo-eye
Books & Prints
$29.95
Half Past Autumn:
The Life and Works of
Gordon Parks
Photographs by Barbara Morgan.
In this delightfully candid video, photographer
Barbara Morgan discusses the importance of movement and dance to her work. It is a first-hand account
of creative inspiration from a talented, thoughtful, and
articulate artist. Chicago, 1999. 18 mins., VHS, color and
black-and-white, 4¾×8″.
Cat# FT005V
Video
Video
$29.95
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V I S UA L A N T H O LO G I E S & H I S TO R I E S
29
Stories on Glass and Paper: Pioneering
Photography at National Geographic
Text by Leah Bendavid-Val.
Over the past century, the National Geographic Society has
played an undeniably important role in the development of
how we view the physical world, its peoples, and ourselves.
Noted photography historian and curator Leah BendavidVal’s insightful text lucidly relates the evolution of the Society’s photography collection, focusing on the early years. “Pull out a picture—any picture...and the split
second of life it holds tells of times and people long ago, rich stories of a world that
may only exist here. That’s the magic of any good documentary photograph. And
National Geographic has millions of them.”—Leah Bendavid-Val. Washington, D.C.,
2001. 256 pp., 250 black-and-white and color illustrations, 10×11″.
Cat# ZB913H
Hardbound
$50.00
Save 10%
$45.00
Modern Photography in Japan, 1915–1940
Text by Ryuichi Kaneko,
Norihiko Matsumoto, and Deborah Klochko.
This volume presents images by 32 Japanese photographers whose work evolved from the Pictorialist tradition—prevalent at the turn of the century—to a striking,
Modernist aesthetic. The beauty and diversity of the work
reads like a cross-section of the history of photography
from around the world during these years. Fine examples
of collage, photograms, landscapes, still lifes, portraits, and nudes are included.
San Francisco, 2001. 136 pp., 82 color illustrations, 8½×10″.
Cat# PK714S
Softbound
$29.95
Save 10%
$26.95
Illusion: Japanese Photography
Numerous contributing photographers. Text by Min-Jung Jonsson.
Eleven of Japan’s most celebrated contemporary photographers present their work in
this European catalogue. The photographs are accompanied by the insightful texts of
curator Min-Jung Jonsson. A superb example of graphic design, the book features
unusual but luxurious, double-fold pages. Plates of the work are featured on the righthand page with a respectable white border, interviews with the photographers and
short descriptions are reproduced on the left. Stockholm, 2001. 76 pp., numerous color
and black-and-white illustrations, 7×11″. In Swedish and English.
Cat# ID556S
Softbound
$45.00
Sense of Space:
Noorderlicht Photo Festival 2001
The theme of this year’s international photography festival is ‘space’ and the human experience.
Photographers from around the world were
invited to participate. The work included produces a diverse, complex picture of the world’s
land, skies, and cities. Groningen, 2001. 156 pp., numerous color and b&w
illustrations, 11½×9½″. In Dutch and English.
Cat# ID559H
Hardbound
$31.00
Trade: Commodities, Communication, and Consciousness
Text by Urs Stahel, Thomas Seelig, and Martin Jaeggi.
A penetrating and fresh look at our global economy, as envisioned by photographers
at the end of the twentieth century. All aspects of trade are considered, ranging from
‘globalization’ to the New Economy, protests, the sex trade, and suburban sprawl.
Includes work by photographers from around the world, such as Massimo Vitali,
Andreas Gursky, Merry Alpern, Allan Sekula, Thomas Demand, Fischli & Weiss, Todd
Eberle, Marc Rader, Boris Mikhailov, Henry Bond, and others. This book was published
on the occasion of the exhibition at the Fotomuseum Winterthur, 2001. Zurich, 2001.
256 pp., 150 color and duotone illustrations, 8×10½ ″.
Cat# PK689H
Hardbound
$34.95
Save 10%
$31.45
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Books & Prints
E S S AY S & C R I T I C I S M
31
Bill Jay: Sun in the Blood of the Cat
The book’s title, as explained in the
introduction, has its roots in the
author’s dislike for typing. After
installing new voice recognition
software, Jay spoke into his computer: ‘I would like to produce a collection of articles called Something
Photographic, a seemingly bland
phrase but nevertheless one which
sounds rather jaunty.’ As Jay sat
back and watched, the computer typed: ‘I would like to
produce a collection of articles called sun in the blood
of the cat...’ Jay looked at that sentence and said to
himself: ‘Yes, I would!’ And thus the title to this inspiring
new collection of essays was born. It joins his previous
titles, Occam’s Razor (now back in print, Cat# TR007S) and
Cyanide & Spirits (just re-released this Fall, Cat# TR005S).
Nazraeli, Tucson, 2001. 160 pp., 27 b&w illus., 6×8½″.
Cat# TR084S
Softbound
$24.95
Teaching at the Bauhaus
Text by Rainer Wick.
The contributions made by the
Bauhaus movement and many of
its prominent figures to the
development of modern art and
architecture during the twentieth century cannot be understated. This dense volume examines
the varied pedagogical methods
of the Bauhaus teachers. In comprehensive individual
analyses, the author Rainer K. Wick presents the
approaches of the Bauhaus teachers Walter Gropius,
Hannes Meyer, Ludwig Mies van der Rohe, Johannes
Itten, Laszlo Moholy-Nagy, Josef Albers, Wassily
Kandinsky, and Paul Klee, who effected a profound revolution in art education. Wick also discusses the historical circumstances leading to the development of the
Bauhaus, while essayist Gabriele Grawe sketches the
reception of Bauhaus ideas in North America. New York,
2000. 404 pp., numerous illustrations, 7×9½″.
Cat# PK728H
Hardbound $38.95
Sale $35.00
Robert Adams: Beauty in Photography
Originally published in 1981, this
book is a collection of eight essays
on photography by one of its greatest proponents, Robert Adams.
Now a classic, the book is a rare
critical text: one that is alive to the
pleasures and mysteries of true
exploration. Aperture, New York,
1996. 116 pp., 23 black-and-white
illustrations, 5½×8¼ ″.
Cat# AP340S
Softbound
$14.95
Bill Jay and David Hurn:
On Being a Photographer
& On Looking at Photographs
Cat# ZB216S $12.95
Cat# LQ002S $12.95
B I L L JAY REVIEWS
AND THE PUZZLES OF PHOTOGRAPHIC LIFE
This Was the Photo League
Cat# ZB817H $70
Most of these
published images are
from the personal collection of Stephen
Daiter, who owns a
gallery in Chicago,
which acted as publisher for the book.
All that sounds rather
self-serving—book
sales enhanced by
gallery exhibitions,
and the commercial value of the images increased by
exposure in book form.
This is not an excuse for knee-jerk cynicism.
The history of photography, as we know it, is largely
based on the passions of individuals whose collections
were later acquired by major museums. In addition,
these images, which would be otherwise largely
unknown and therefore not available to revise
and expand our history, can now be seen, appreciated
and studied. Even the images by famous photographers—including W. Eugene Smith, Aaron Siskind,
Marion Palfi, Lisette Model, Jack Delano et al—are
surprising and fresh; the images by more ‘unknowns’
even more so.
For those equally interested in history, the most useful
section is a superb appendix by Claire Cass providing
detailed chronologies of exhibitions at the Photo League
(1936-1951), a comprehensive list of its courses (the
League was also a school), and biographies of members.
There is also a fine essay by the trustworthy Anne
Tucker which neatly defines the Photo League and
provides a context for its images.
But...As many will know, the Photo League was
disbanded as a direct result of being branded as a
‘subversive’ organisation and a Communist front, in
1947. This is the story that still needs to be written: the
political context of the Photo League, and documentary
photography in general, arising out of the
Communist/anti-Fascist groups which arose in Europe
during the 1920s and 30s. Tucker acknowledges that
this complex topic requires “...too long a discussion to
be covered here.” Perhaps so. This book is a celebration
of images, not ideas. Still, the wider political context
deserves an in-depth text treatment, if any American
scholar could jettison this
culture’s induced fear of
the red-under-the-bed
boogie-man.
Meanwhile, this
book is a valuable contribution to our knowledge of this fascinating,
talented but troubled
group.
Bill Jay is a noted critic, humorist, and historian of the medium of photography. His enthusiasm and tireless energy led many students to a deep appreciation of the history of their chosen craft during his tenure at ASU, Tempe.
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Books & Prints
TECHNICAL
32
Large Format Nature Photography
Photographs and text
by Jack Dykinga.
This is the only illustrated reference book available on
large format nature photography, complete with expert tips
from a master of the genre.
Pulitzer Prize-winning photographer Dykinga has garnered a following for his
detailed nature photographs. His beautiful and unique
photographic style merges photojournalism techniques with big-camera photography to create dynamic, spectacular images of nature and remote locations.
Watson-Guptill Publications, Lakewood, 2001. 144 pp.,
200 color illustrations, 9½×11″.
Cat# WG190S
Softbound
Text by Kathleen Thormod Carr.
The only publication of its type,
Polaroid Transfers explores the
techniques involved with using
Polaroid materials to make fineart transfers and emulsion lifts.
An indispensible addition to any
alternative processor’s library.
New York, 1997. 8½×11 ″.
Softbound
$35.00
Coming Into Focus: A Step-by-Step
Guide to Alternative Photographic
Printing Processes
Softbound
Cat# ZB835S
Softbound
$46.95
Primitive Photography:
A Guide to Making Cameras, Lenses,
and Photographs
Text by Earl Alan Greene.
Primitive Photography considers the hand-made photographic process in its entirety,
showing the reader how to
make box cameras, lenses,
paper negatives and salt
prints using inexpensive tools
and materials found in most
hardware and art-supply
stores. Simplified calotype procedures are demonstrated, featuring different paper negative processes and
overlooked, developing-out printing methods. Woburn,
2001. 192 pp., 94 color andb&w illus., 8½×11″.
Cat# FO171S
Edited by John Barnier.
This hefty book has highly
accessible text and page
lay-outs designed with the
practitioner in mind. It
outlines 20 separate
processes written by
skilled and experienced
photographers who have
devoted themselves to
perfecting their respective
crafts. If you thought your
library was complete, you shall have to reconsider, and
much to your advantage. San Francisco, 2000. 296 pp.,
numerous black-and-white and color illus., 8½×9¼″.
Cat# CI142S
Text by Christopher James.
A photo-eye bestseller!
This superb publication is
the most comprehensive
and
clearly
written
volume on alternative
processes available today.
James has taught workshops for 24 years, with 13 years
as a professor of photography at Harvard. This book
cannot come more highly recommended. See the ad
on p. 27. 2001. 400 pp., 300 color and b&w illus., 8½×11″.
$29.95
Polaroid Transfers:
A Complete Visual Guide to Creating
Image and Emulsion Transfers
Cat# WG153S
The Book of
Alternative
Photographic
Processes
$35.00
Softbound
$29.95
ASMP Business Practices
in Photography, 6th Ed.
The American Society
of Media Photographers.
This classic guide is the ultimate
source on key business practices
and industry standards from the
foremost authority in professional
photography. Allworth Press, 2001.
416 pp., 6¾×10 ″.
Cat# WG194S
Softbound
$29.95
Making Digital Negatives
2nd Edition
Text by Martin Evening.
Evening’s bestselling manuals
on the Adobe PhotoShop program are considered the industry-standard when it comes to
learning and understanding
the PhotoShop program. This
guide will prove indispensable
to all users of the program. Boston, 2000. 448 pp., numerous black-and-white illustrations, 8×10″.
Text by Dan Burkholder.
A photo-eye bestseller! Dan
Burkholder’s highly influential
Making Digital Negatives, 2nd
Edition has been a photo-eye
bestseller since it’s release. It is
the ultimate guide to creating
digitally enlarged negatives for
alternative processes, and
includes guidelines for making negatives on desktop
printers and tips for using the latest imaging software.
Includes 3.5 utility disks for both Mac and Windows and
a calibration print. San Antonio, 1998. 72 pp., numerous
black-and-white illustrations, 5½×8½ ″.
Cat# FO169S
Cat# ZB223S
Adobe Photoshop 6.0
For Photographers
photo-eye
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Softbound
$39.95
Softbound
$34.95
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NUDES
34
Rolf Koppel: Soliloquy
Artist Seeking Models
Signed copies!
Photographs by Lincoln Russell.
“With confidence, humor and unassailable technique,
Russell’s Artist Seeking Models weds two of art history’s
most visited traditions: the female nude and the artist’s
self-portrait.” “...wry elegance and a knack for showing
us intangible things like desire deferred, connection in
disconnection, a world that is surreal and silent yet
lusty and in-your-face at once.”—Marlena Donohue,
from the essay. Lunenberg, 2001. Unpaged, 31 tritone
illustrations, 16×10 ″.
Cat# ZB908H
Signed/Hb
$65.00
Sexy Girlfriends:
Absolute Amateurs
Cat# MW079H
Photographs by Simon Nikolai.
This volume launches a new
series by Goliath Books by
novice photographers: Absolute
Amateur. From the look of
things, with this first title, they
will be wildly successful, for who
doesn’t want to look at someone else’s sexy girlfriend?
San Francisco, 2001. 176 pp., 190 b&w illus., 6¾×8½″.
Cat# ZB860H
Hardbound
$32.95
Photographs by
Peter Gorman.
The title says it all: numerous beautiful women, one
at a time, posed naked
in photographer Peter
Gorman’s New York apartment. The style is bold, always black-and-white with
flash, creating a hard-edged, fashion photography feel
to this explicit work. Frankfurt, 2001. Unpaged, numerous black-and-white illustrations, 8½×8½″.
Cat# ZB871H
Hardbound
Piercing Illusions
$34.95
Signed copies!
Photographs by
Connie Imboden.
Imboden’s work with the
human body ranges from
the grotesque to the
angelic, evoking the full
range of emotions
between these two
poles. Her images are of
bodies, partially submerged in water, sometimes revealing the whole form,
but more often than not focussing on specific, abstract
parts. Most of the work in this volume was produced
during the past three years. “The human body is not
just the most magnificent form; it is the most mysterious as well.” New York, 2001. 106 pp., 65 duotones, 8×10½″.
photo-eye
Books & Prints
Signed/Sb
$26.00
Signed/Hb
$55.00
Sexy Girl Next Door
Photographs by Ralf Vulis.
The sexy girl next door is photographed by Vulis during a normal day at home and work.
Various states of undress are, of
course, involved. Munich, 2000.
250 pp., over 200 black-and-white
illustrations, 8×11¼″.
Cat# ZB911H
Naked in
Apartment 7
Cat# ZB853S
Signed copies!
Essay by Peter Weiermair.
Koppel’s highly sexualized
self-portraits are beautifully
reproduced in this new
monograph. “Central to the
underlying thematic orientation of Rolf Koppel’s opus are
the identity of the individual
and the examination of the
body as tools of expression,”
Peter Weiermair writes in the
essay. Koppel creates alternative identities for himself—alter egos, perhaps—in these photographs,
exploring characters and drawing from history and
mythology. Weiermair continues, “Eros and sex are the
dominant themes, an inevitable consequence of a noholds-barred approach to a critical examination of
human gender roles...His motivation derives instead
from a longing to become an ‘other’ in the visual
image, a desire to acquire a new identity, if not permanently, then at least in the photograph.” Santa Monica,
2000. 115 pp., 55 black-and-white illus., 10½×11½″.
Hardbound
$62.95
Cheek!
Photographs by
Trevor Watson.
“Nothing else in life—not even
the breast—quite prepares us
for the sheer audacity of the
female bottom. And no one
but Trevor Watson, by dint of
his boundless enthusiasm for
the impudent part as well as his
icy-coolness at the moment critique, is better qualified to capture it.”—the publisher.
London, 2000. Unpaged, 366 duotones, 6¼×8½ ″.
Cat# ZB887H
Hardbound
$29.95
Rankin: Male Nudes
“Male Nudes. It makes you
wonder, doesn’t it? It’s definitely intriguing. This is not
the smooth, rolling landscape of the female body—
this is a much bigger challenge—the awkward, jutting
affront of the male.
According to Rankin, ‘the
female form is much more
beautiful to photograph, which I think has something
to do with the history of images.” London, 2001. 110 pp.,
59 color and black-and-white illustrations, 10×13″.
Cat# ZB915H
Hardbound
$35.00
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Cat# ES041H $75.00
Kristin Capp
Hutterite
Cat# PY017H $60.00
Greg Gorman
As I See It
Sam Abell
Seeing Gardens
Cat# ZB859H $40.00
Joel-Peter Witkin:
Recent Oeuvres
Cat# CF020S $39.95
Mohamad Vejad:
Light Vision
Cat# ZB869H $50.00
Philip Jones Griffiths:
Dark Odyssey
Cat# AP348H $55.00
Robert Flynt:
Your Numbered Days
Cat# ZB867S $20.00
Robert Stivers:
Listening to Cement
Cat# AE032H $60.00
John Sexton:
Listen to the Trees
Cat# BF078H $55.00
limited availability on all signed books
Cat# ZB848S $55.00
Timothy Hearsum:
Road Trips
Cat# ZB617H $34.95
Tim Hixson:
Beach
Cat# ZB656H $60.00
Cat# ZB662H $50.00
Cat# AB225H $49.50
Ron Rosenstock:
Light of Ireland
Chris Honeysett:
Qualities of Light
Macduff Everton:
Western Horizon
For images of each book visit www.photoeye.com/stand/signedbooks.html
Exceptional Signed Books
Cat# PK516H $29.95
Eugenia Parry
Crime Album
Stories
Rixon Reed, Director
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