Ally Auditon Pack - Theatre Guild Glasgow

No. 10: Let's Get Married
rFu'It
(D"r.y,AIly & Fans)
*
Ready:INNES: Workup tae it.
CUE: DAITY: BUILD
):rc
W
(a bit of lnomentum.)
DAYI +ALIII
+FANS
Horns
m - gE- *6
go-lng
,w
INNES:
iG-
long-
be vague
wbo there's
"o-e
_
#.g
If
it's
uil
not
*ren
now
it's
so I'll-
rre
say
it suaight out
I
Lri
INNES + DAVY:
Irt's ga
no-
doubt,-
ANDY+ INNES:
I love
vou
and I-
want
to
stay
with you
Have kids,
L/
1a
No.
la:LetiGa"Vn;d
DAW+ANDY:
old-
and grey with
the
111
hands-
Hold
you
DAYI
walk-
lrrH
when we
+AlIIIf +IilHE&
IH
lr#
1",mil-ne
Pa+
IH
rF
mtr-r
ANDY:
42
ma - ried-
We
oth - er
Laow
peo
-
ple
who
INNF^S:
drift
-
erl
a -
Parr
who
broke
each-
oth
-
IA
LG
mar
er's
-
ried
rF
44
we arn t
otL - er peo-ple-
so we'll
do things- our
way
LG
DAW:
DAVY: More!
That's
it!
good
we're gon-na
be
o
kay,-
gon-na be MOREthan-
o
k"y
Let's
times.-
get
rF
46
DAVY+ INNES +ANDY:
let's
get
LG
bad
timt
No. 9:
(Local accents)
Fla(tt)
-
molto rall.
Ifurry
BOYS:
the vowels And
ened
Makt{1
we
SreT 6e
fly.=-
-
+ GIRLS:
W
iYr-ta=Bharrf
.)
l-J
lvl
by-
#n-##
-o----1------- lD r-:
No. 8a: Segue Playout
flhmwThe'R
l-'r
ne - Yer seem to
Away)
TACET
26
Affif-l:-r-
@p-?-ffi-]--J----l----r_-r-
No. 8b: Scene Change
birds-
(Mi'ry)
TACET
No. 9: Make My Heart Fly
(Aily, Davy, Yvonne 8<Liz)
CW: UZ: Dlou
thi*
that's really selfish?
right swing ) = se
'<-i
go_
LIZ: Yot
don',t have to wait, you
know.
ALLY:
I htow
DAW:
make my
No. 9: Make MY Heart
25
Fii
DA\{+ALLY
go-
fly.-
D-{\-t:
heart--
6y-
ne -
ver seem to know the
time--
rvhen
you're with me-
DAVY+ ALLY:
go-
bees._=-
birds===-
side=_-
FOur___-
door=_--
-__+-do..i
please
Sussnis: Or I rrru
2. VAVERLEY
STATIO\
noru in
Davy andLrry back in Edinburgh. Emergingfrom\Y'auer/e1' St,ttioa, 7he.1 are
ciuilian clothes with their gear in rucksacks / holdalls. They stop and look around'
Devv
Home
Arrv
Aye. And for good this time. I've had enough of flies and sand and
folk trying tae kill me.
.
-
No more days out in Portobello then?
Devv
-.-d.
a\ - a af
_'_ i-r
\ - L- !r
'
rF\
L
t
!i
!l
I il -T
--'-*,1
-
(Devv is looking around.)
After ali that.
Feels different'
Devv
Feels weird. Back here.
Anv
Looks just the same to me
Devv
Mibbe it's us.
Anv
Mibbe
Davv
\(/hat're we gonnae do now?
Arrv
A wee stroll down Leith \(alk. Blow all those armv cobwebs
Get ye in the right mood for civilian life.
.
Look. Castie's still there' The big clock's still flve
minutes fast. \Taverley Steps still smell of pishl
it's you.
Devv
I meant what
Arrv
\Well,
are
awaY.
-:-l
Devv
How?
Arlv
Cause
--- -:-
I know what I'm
gonnae do . . . but
i think I better spare
involves your sister!
2a.
back
\(AVERLEY ST,\TIO\
Atrv, who steps into the road' -4 L:" ::'';"
to auoid being run ouer. Intro t0 "I'nt C'i -^'i-"'
D-rr,'v tries to swipe
-,-rr )i
we gonnae do?
you the details.
rull:
-
Arlv
t,alk.
i \(-
,
SuNsnrNe Orv
could change it
Lrrru
65
(Ran gers up to go.)
Go and get some milk.
: after a certain
I've got news
(Reu ls relieued batJsliN isn't smiling- this isn't resolued.)
we have tae
23. BREAKING-UP
,egither.
ere
through all
,ke some vicious
lv
lrz
uisits
Arry.
I'm sorry, Ally.
It doesn't matter.
It
way. Ye had tae
does.
I mean it doesn't matter that you're sorry. It doesn't change
anything. The answer's still no, isn't it.
You should've warned me. You should've said something.
nking. \Vhy
dae
I did! All that stuff about the future. We talked about it.
I told you that it scares me. I don't want to know what
I'll be doing in thirty years time.
Yeah. And
You said it was what you wanted.
No I didn't.
t too frightened
You said it was what everybody wanted.
\Mell, maybe I'm not everybody.
Oh, not good enough for you, is that it?
Dinnae be stupid.
Cause you never complained before.
Surssrrrse Os
56
Lrz
l-rrnr
For God's sake, Ally. We hane a Sreat dme. I love being wi ye'
You're ma best pal. But it doesnae mean I'm ready to march down
the aisle.
Liz'
\flell what does it mean then? Cause it's
Ltz
Aye. Years when you've hardly eYer been here. Back for a couple
been,Years,
Arlv
Ltz
Years'
Arrv
Ltz
of
Alrv
weeks every now and then.
Arrv
I'm here now.
Ltz
And I'm supposed to just fall into line?
Arrv
You have to settle down sometime.
Lrz
I don't want to settle.
Arrv
You mean you don't want to settle for me.
Lrz
That's not what
Arrv
So what do yortwant, Liz?
l
Devv andY
I meant'
\fhat
do you want that's so much
better?
Lrz
Music No.
I want the world, Ally. I want skyscrapers and sunshine. I want
deserts and oceans. I want street signs I don't understand and
music I've never heard before.
YvouNn
THOUGH
GOING T(
LIVING L]
Davv
Arrv
Take a holiday.
Lrz
I don't want a holiday' I want a life.
THOUGH
THOUGH
THOUGH
INSTEAD
Arrv
That's not a life, it's a travel brochure!
Davv
Ltz
Don't laugh at me.
Arrv
\(/hy? Does it hurt? Go on, tell me' It's not as if I'd know is it!
Ltz
I'll talk to you when you've calmed down.
Arrv
\rhat's the point?
You've said your piece. You've made yourself
tX/hat's
left to talk about?
clear.
YvouNs
Davv
lvoNr.rr'
3
SuNsnrNe Os Lrrn+
You don't mean that.
being wi ye.
to march down
;,
Liz.
<
for
There's no going back.
Ally...?
Years.
a couple
Not now.
I don't want
of
tae be yer Pal, Lizzie.
(Beat.)
Okay. So that's it then? . . . Fine.
(She leaaes.)
lfnsic No. 14: THEN I MET YOU
24, MAKING UP
Devv andYvo:Ntts. Into
;so much
rine. I want
'stand and
"Ty'ten
I Met
You"'
YvoNNn
THOUGHT THAT I'D BE HAPPY
GOING TO BE SO HAPPY
LryING LIFE ALONE AND NEVER SHARING ANYTHING
Darrv
THOUGHT THAT I \TAS FINISHED
THOUGHT THAT I \TAS COMPLETE
THOUGHT THAT I \TAS \THOLE
TNSTEAD OF BEING HALF OF SOMETHING
Davv
know is it!
YvoNrNe
I was only looking out for Ally. I was just looking out for ma pal.
\fhat's wrong wi that?
\rhat's wrong? The red mist
descends, you start
hitting people and
you want to know what's wrong?
It wasn't like that.
le yourself
I
deal
with the consequences of that kind of behaviour every
dav.