Decorative Art Auction Tuesday April 28, 2015

Transcription

Decorative Art Auction
Tuesday
April 28, 2015
D e c o r at i v e A r t A u c t i o n
Tuesday, March 28, 2015
Preview opens 12:00 pm
Catalogued Sale 3:00 pm
Pasadena Convention Center
300 East Green Street Pasadena California 91101
Bidding available: live, via phone, absentee, or online at
liveauctioneers.com :: bidsquare.com
Inquiries welcome:
626 793 1833 :: info@johnmoran.com
735 West Woodbury Road Altadena California 91001 :: www.johnmoran.com
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JOHN MORAN AUCTIONEERS, INC.
FOUNDERS
President, Principal Auctioneer
Senior Vice President, Auctioneer
Vice President, Public Relations
John H. Moran
Jeffrey J. Moran
Madeleine Moran
SPECIALISTS
Vice President - Estates Auction Director
Roland Rynkiewicz
Antique & Decorative Art Specialist
Maranda Moran
Antique & Decorative Art Cataloguer
Kim Jarand
Estate SpecialistJohn Simon Taylor
jewelry Specialist - Sale Director
Mollie Burns Keith, G.G.
Jewelry SpecialistAna Wroblaski, G.G., A.J.P.
Fine Art specialistMorgana Blackwelder
Fine Art & Cataloging Consultant
Katherine Halligan
Fine Art CataloguerBobby Cullen
CLIENT SERVICES
Office Manager, Client Accounting
Betty Lanza
Client Services / Social Media
Jardine Bruce
Client ServicesJean Rapagna
OPERATIONS
Operations Director, AuctioneerGlenn Storey
Art Handlers / Property Control Larry Muradian
Padded Van ServicesMike Hook
DIGITAL DESIGN
Webmaster / Network Administrator
Oscar Tsao
Photographer Shane Strong
Advertising Director / Digital Design
Nathan Martinez
Assistant Photographer / Social Media
Ali Breen
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Conditions Of Sale
1. Lots Sold to The Highest Bidder: The highest bidder acknowledged by the auctioneer shall be the buyer. Under no circumstances are the
consignors or the consignors‚ agents or persons acting on behalf of the consignors permitted to bid at the auction on their consigned property. The
auctioneer has the right to reject any bid, to advance the bidding at his or her absolute discretion and, in the event of any dispute between bidders
or any other issue with respect to the highest bidder, to determine the successful bidder, to continue the bidding or to reoffer and resell the lot
in question. In the event of any dispute after the sale, John Moran Auctioneers.‚ Inc., a California Corporation (hereinafter referred to as, JMA),
record of final sale shall be conclusive.
2. Lots are Sold AS IS. ALL PROPERTY IS SOLD AS IS AND ALL IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS ARE
EXCLUDED. NEITHER WE NOR THE CONSIGNOR OR OUR ASSOCIATES MAKE ANY REPRESENTATION, EXPRESSED OR IMPLIED
WARRANTY, OR GUARANTEE IN CONDITION, SIZE, PROVENANCE, MEDIUM, SIGNATURE, INSCRIPTION, EXHIBITION (S),
IMPORTANCE, RARITY, COUNTRY OR ORIGIN, AGE, GENUINENESS, SUBJECT HISTORICAL RELEVANCE, MONETARY OR OTHER
VALUE, FRAMING OR LACK THEREOF, MOUNTING, CONSERVATION, COLOR (S), PALETTE, INSCRIPTION, EDITION, STYLE
LABEL OR OTHER DESCRIPTOR. NO STATEMENT IN THE CATALOGUE, BROCHURES OR IN THE BILL OF SALE OR INVOICE OR
BIOGRAPHIC INFORMATION OR STATEMENTS MADE BY THE AUCTIONEER DURING THE AUCTION OR ELSEWHERE SHALL
BE DEEMED SUCH A WARRANTY OR REPRESENTATION OR AN ASSUMPTION OF LIABILITY. NO EMPLOYEE OF JOHN MORAN
AUCTIONEERS IS AUTHORIZED TO MAKE, ON OUR BEHALF OR THAT OF THE CONSIGNOR, ANY REPRESENTATION OR
WARRANTY, ORAL OR WRITTEN, WITH RESPECT TO ANY PROPERTY.
3. Buyer’s obligation to inspect each item: Buyers are strongly encouraged to view all items auctioned on display before the auction to
determine the true condition and nature of any item(s) of interest. Although there is no legal requirement that each buyer inspect lots purchased
before the auction, the failure to inspect may constitute a waiver of that buyer’s complaint that the item was not delivered in a condition equal to
the existent condition at the auction as described in section 14 of these Conditions of Sale.
4. All Sales Final: Notwithstanding any other terms of these conditions, any and all refunds shall be given at the sole discretion of JMA. Refunds
requested on the grounds of authenticity must be made within 10 days of the auction date, and such requests must be accompanied by at least
one supporting statement in writing from a recognized authority stating that the painting or art sold is incorrect or not the work of the artist. A
recognized authority shall be defined as a person who has authored, edited, or substantially contributed to a monograph on the artist, a person
who has curated, organized or substantially contributed to a solo exhibition on the artist, a person who has represented the artists estate or
someone who represented or worked closely with the artist while they were alive and, in any of the above instances physically handled works of
the period, medium and subject matter in question during the course of their duties. Please note that dealers who advertise to buy a wide range of
artists, appraisers and representatives of other auction firms do not qualify as authenticators of individual artists unless they have had such specific
involvement with an artists work as specified above in addition to their daily duties. Any lot in question must be returned to JMA in the exact same
condition as when sold. Please be advised that JMA does not grant extensions to refund considerations based upon authenticity due to shipping
delays. There are no exceptions to this refund policy.
5. The Right to withdraw Lots: JMA reserves the right to withdraw any lot before or at the sale.
6. Buyer’s Premium: The buyer agrees to pay the sum of the hammer price plus a premium of 25.5% (of the hammer price). A discount of 2.5%
is applied if paying by check, cash or wire transfer, and a 3% discount will apply if bidding via the floor, telephone or absentee, together with any
applicable tax. Buyers outside of the United states must submit payment via wire transfer. Credit cards are not an accepted form of payment for
buyers outside of the United States.
7. Lots are Subject to a Reserve Price: Some lots in the auction are subject to a reserve, which is the confidential minimum price below which the
lot will not be sold (the reserve). In no event will the reserve price exceed the low estimate. JMA shall act to protect the reserve by bidding through
the auctioneer. The auctioneer may open bidding on any lot below the reserve by placing a bid on behalf of the seller. The auctioneer may continue
to bid on behalf of the seller up to the amount of the reserve, either by placing consecutive bids or by placing bids in response to other bidders.
The estimates provided by JMA concerning a given lot, are carefully considered opinions of the cataloguer and fine art staff. Any estimates given
are merely suggestive guidelines for interested buyers. Buyers must be aware that paintings and art are subject to fluctuating values depending on
the subjective interests of collectors and a wide variety of other uncontrollable factors. The lots auctioned may sell at prices either above or below
estimates.
8. Winning Bid Constitutes an Immediate Transfer of Title: Title to the offered lot shall pass to the buyer upon the fall of the auctioneer's
hammer and announcement by the auctioneer that the lot has been sold, subject to compliance by the buyer with all other Conditions of Sale.
The buyer shall forthwith assume full risk and responsibility for the lot and shall pay the full purchase price or such part thereof as JMA, in its sole
discretion, shall require. In addition, the buyer may be required to sign a confirmation of purchase or abide by any other financial terms that JMA
deems necessary to protect the interest of the consignors.
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Conditions Of Sale Continued
9. Removal of Purchased lots: All items sold may not be removed from JMA’s premises, or the premises of the auction, until the buyer has paid in
full the purchase price therefor or has satisfied such terms, as JMA, in its sole discretion, shall require. Subject to the foregoing, all lots are to be paid
for and removed from JMA premises at the buyer’s expense no later than the third calendar day following the sale, and, if not so removed, JMA may
transfer any such lot to its warehouse at the risk and expense of the buyer. If a lot has not been collected the third calendar day following the sale
and JMA does transfer the uncollected property to its warehouse, the buyer will be liable to JMA for storage and handling charges of $10.00 per
day for each lot. In addition to other remedies available by law, JMA reserves the right to impose a late charge of 1% per month or the maximum
permitted by law on the purchase price commencing on the day following the date on which payment is due if the buyer does not make payment in
full in accordance with these Conditions of Sale.
10. Absent Bidders: Bids which are submitted to JMA in writing or are otherwise left with JMA prior to an auction for execution at or below a
specified price (Absentee bids), as well as telephone bids, shall be entertained and executed by JMA for the convenience of bidders not present
at auction, but JMA shall not be responsible for failing to execute such bids or for errors relating to our execution of such bids. Bidding on any
article(s), whether in person, by agent, order bid, telephone or other means, constitutes the highest bidders acceptance of these Conditions of
Sale. All absentee bids must be received by JMA prior to the day of sale. Bidders by telephone are also encouraged to leave a cover bid in case of
technical failure.
11. Applicable taxes: Unless exempted by California law, the buyer shall be required to pay any applicable state and local sales tax or compensating
use tax on the purchase price.
12. Buyer’s Breach of Conditions of Sale: If the buyer fails to comply with any of these Conditions of Sale, JMA may, in addition to asserting all
remedies available by law, including the right to hold such defaulting buyer liable for the purchase price, (I) cancel the sale, retaining as liquidated
damages any payment made by the buyer, (II) resell the property without reserve at public auction or privately on seven days notice to the buyer,
or (iii) takesuch other action as we deem necessary or appropriate. If JMA resells the property, the original defaulting buyer shall be liable for
the payments of any deficiency in the purchase price and all costs and expenses, including warehousing, the expenses of both sales, reasonable
attorneys‚ fees, commissions, incidental damages and all other charges due hereunder. In the event that such buyer pays a portion of the purchase
price for any or all lots purchased, JMA shall apply the payment received to such lot or lots that JMA, in our sole discretion, deems appropriate.
JMA shall have the benefit of all rights of a secured party under the Uniform Commercial Code adopted in the State of California where the
auction is held.
13. Governing Law, Venue and Jurisdiction: The rights and obligations of the parties with respect to the Conditions of Sale and the conduct of the
auction shall be governed and interpreted by the laws of the State of California. By bidding at an auction, whether present in person or by agent, by
absentee bid, telephone or other means, the buyer shall be deemed to have consented to the exclusive jurisdiction of the courts of such state and
the federal courts sitting in such state. Further, the buyer agrees that the venue for any action arising out of the failure to abide by the Conditions
of Sale, or any conduct related to or arising out of the auction, shall be the Los Angeles Superior Court, Pasadena Branch located at 300 E. Walnut
Street, Pasadena, California 91101 or the Federal Court Central District located at 312 North Spring Street, Los Angeles, California, 90012-4793.
The buyer expressly agrees that (i) neither JMA nor the seller shall be liable, in whole or in part, for any special, indirect or consequential damages,
including, without limitation, loss of profits and (ii) the buyer’s damages, if any, are limited exclusively to the original purchase price paid for the lot.
14. Delivery of Lots Sold: The packing and handling of purchased lots by John Moran Auctioneer’s staff at the auction is undertaken solely as to
customers. There is no charge for packing material and labor supplied to you on the evening of the sale. In no event will JMA be liable damage to
painting, glass or frames regardless of cause in connection with this free service.
JMA may, in our discretion and as a service to buyers, arrange to have purchased lots packed, insured and forwarded at the request, expense risk of
the buyer. JMA assumes no responsibility for acts or omissions in such packing or shipping by other packers or carriers, whether recommended by
JMA. Nor does JMA assume any responsibility for any damage to picture frames or to the glass therein. In circumstances JMA arranges and bills
for such services via invoice or credit card, JMA will include an administration charge.
In the case of JMA personally delivering an item, if an item cannot be delivered in condition equal to the existent condition at the time of should
any item be mis delivered, stolen or lost prior to delivery, JMA‚s liability shall not exceed the amount paid by the buyer at the auction. Buyers are
strongly encouraged to view all items auctioned on display before the auction to determine the true condition of items of interest.
15. Notices, Demands and Refunds: Any demands for refunds, problems with the lot(s) sold or notices of any kind concerning the auction shall be
in writing and addressed to JMA at 735 West Woodbury, Altadena, California 91001.
16. Effect of any Unenforceable Provisions: Should any of the Conditions of Sale be deemed unenforceable by a competent court having
jurisdiction, such unenforceable provision shall have no effect on the enforcability of the remaining provisions contained in the Conditions of Sale.
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This catalogue is meant merely as a guide.
The Auctioneers do not warrant the accuracy, genuineness,
authenticity, description, weight, count or measure of any of the lots
specified herein.
Buyer’s Premiums
House Premium
25.5% (of the hammer price) when paying by credit card
23% when paying by check, cash or wire transfer
Reduced Premiums – Floor, Telephone or Absentee Bidders
22.5% if paying by credit card
20% when paying by check, cash or wire transfer
BIDDING INCREMENTS
$100 - $475 @ $25 increments
$500 - $950 @ $50 increments
$1,000 - $1,900 @ $100 increments
$2,000 - $4,750 @ $250 increments
$5,000 - $9,500 @ $500 increments
$10,000 - $19,000 @ $1,000 increments
$20,000 - $47,500 @ $2,500 increments
$50,000 - $95,000 @ $5,000 increments
$100,000 - $190,000 @ $10,000 increments
$200,000 - $480,000 @ $20,000 increments
$500,000 & above @ $50,000 increments,
or at Auctioneer's discretion.
View Illustrated Catalogue Online @
www.johnmoran.com
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1001 A Shreve & Co. sterling silver bowl after Paul Revere
First half 20th century, marked ''Shreve & Co / San Francisco / Sterling'', further marked
''10835'' and ''Paul Revere / Reproduction'', the flaring rim over a circular body raised on
a stepped domed foot, 6.125'' H x 12'' Dia., 45.770 oz troy approximately, est:$500/700
Provenance: Private Collection, Montecito, CA. Condition: Overall good condition.
General marks, scratches and tarnishing commensurate with age. Two minor dings to
one edge of bowl; the larger approximately .5'' x .5''. Your bid indicates acceptance of our
Conditions of Sale. AS-IS. ALL SALES FINAL.
1002 Bob Wood (1925-1999 Montana)
Inscribed and dated ''/50 (c) Bob Wood 1981'', titled on plaque ''Lincoln at Gettysburg'',
from the edition of 50, a bronze sculpture depicting a seated President Abraham Lincoln
deep in thought, holding a rolled manuscript in his right hand, raised on a beveled-edge
wooden plinth, overall: 29.75'' H x 17'' W x 23'' D, est:$800/1200
Note: The wooden plinth fitted with a plaque reading: ''Lincoln / at Gettysburg / Bob
Wood - 1981 / That from these honored dead we take increased devotion; to that
cause for which they here gave the last full measure of devotion; that we here highly
resolve that these dead shall not have died in vain; / -Abraham Lincoln''. Provenance:
Property from a Private Collection, Rancho Palos Verdes, CA. Condition: The bronze:
21'' H x 13.75'' W x 19'' D. Overall good condition. General light marks, scratches and
rubbed wear commensurate with age. A .75'' section of one corner of rolled parchment
bent in toward figure. The wooden plinth with minor scuffs and scratches. Your bid
indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES FINAL.
1003 Thomas Ridgeway Gould (1818-1881 Boston, MA)
Inscribed to base ''T. R. Gould So: / 1867'', a marble portrait bust of a young man,
17.5'' H x 14.5'' W x 8.5'' D, est:$3000/5000
Condition: Overall good condition. General scratches, scuffs, marks and rubbed wear
commensurate with age. Scattered minor chips and fleabites primarily concentrated to
verso base; the largest two .375'' x .125'' shallow chips to figure's hair. Your bid indicates
acceptance of our Conditions of Sale. AS-IS. ALL SALES FINAL.
1004 An Elias Robert gilt-bronze cartel clock for Tiffany
Mid / late 19th century, the two-train movement signed ''A. Brocot & Delettrez / Paris''
and numbered ''11138 / 16112'', the pendulum stamped ''5511'', the face signed ''Tiffany
& Co. / New-York'', chimes on the hour and on the half, the hinged glazed aperture
enclosing the scrolling pierced gilt hands over a white enamel face with applied blue
Roman numerals and black Arabic minutes track, centering a gilt-bronze sculptural
surround in the form of two angels signed ''L.V.E. Robert'' for Louis Valentin Elias Robert
(1821-1874 French), 22'' H x 21.5'' W x 5.75'' D, est:$4000/6000
Condition: With scattered chips and cracks to enameled face, primarily localized to
winding aperture, slow/fast adjustment and to lower left quadrant. Minor separation
to scattered gilt-bronze elements at joints. Rubbed wear to gilding commensurate with
age. Lacking key. Working condition unknown. Moran's does not guarantee working
condition of clocks. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL.
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1005 A Benjamin Pike 3'' refracting telescope with stand
Late 19th century, marked ''Pike Optician / 318 Broadway N'', of black enamel
and brass with original adjustable folding wood tripod, the telescope compacted:
38.5'' H, est:$2000/3000
Provenance: Private Collection, San Dimas, CA. Condition: Tripod compacted:
57'' H x 7.75'' Dia. Minor scratches and dust accumulation to lens commensurate
with age. Tarnishing and overall wear commensurate with age. A 3.25''-long shallow
dent to body before lens. Terminal end of body bent somewhat out-of-round; no
apparent damage to lens. Scattered stable shrinkage cracks and wear to tripod finish
commensurate with age. Tripod lacking one full and one half of one cap to ends of legs.
Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES FINAL.
1006 An American urn-form bronze lamp
Circa 1890, the twisted finial over a two-light standard issuing from a dual lion-headed
volute-handled urn with floral and foliate banding, decorated in relief with classically
draped Columbia figures to each side, over an acanthus-wrapped socle, raised on a black
slate columnar plinth on an octagonal scrolling foliate base, 38.5'' H x 8.5'' W x 7.25'' D,
est:$700/900
Condition: Overall good condition. General marks, scratches and rubbed wear
commensurate with age. Scattered fleabites to slate plinth. Two approximately 3''-long
cracks to standard. Verdigris to bottom .5'' section of base. Your bid indicates acceptance
of our Conditions of Sale. AS-IS. ALL SALES FINAL.
1007 A comemmorative sterling silver ewer, Galt & Bro.
Circa 1910, Washington D.C., marked to underside of foot ''Galt & Bro'', further marked
''Sterling'' and ''336'', of high-shouldered baluster form, all-over repousse-decorated
with grape clusters, leaves and vines forming reserves to each side; the first containing
the monogram ''GCP'' in script, the second inscribed ''To / Senator George C. Perkins,
/ From / Truxton Beale and his sister / In grateful acknowledgement of his / eloquent
tribute to their / father / Washington / May 31st 1910'', with a grape cordon-form handle
issuing clusters of grapes and twining shoots, raised on a waisted socle over a circular
domed foot, 17.75'' H x 9.5'' W x 7'' D, 58.085 oz troy approximately, est:$4000/6000
Note: The ''eloquent tribute'' mentioned in the inscription is in reference to Senator
George C. Perkins's speech memorializing General Edward Fitzgerald Beale (Truxton
Beale's father) at the Smithsonian Institute's dedication ceremony for New York artist
Isidore Konti's (1862-1938) bronze plaque honoring the heroic efforts of General Beale
and Kit Carson during the Mexican-American War. At the Battle of San Pascal, the two
men volunteered to crawl through the Mexican lines under cover of night and fetch
reinforcements from the fleet at San Diego, thereby emerging as heroes. Provenance:
Collection of California State Governor/US Senator George C. Perkins (1839-1923),
through descent in the family; Private Collection, San Marino, CA. Condition: Overall
good condition. General light scratches, marks and tarnishing commensurate with age.
Scattered dings to body; the largest a .75''-long shallow dent to body below spout. Your
bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES FINAL.
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1008 An American sterling silver tea & coffee service
Circa 1895-1898, Meriden, CT, each with maker's mark for Meriden Britannia
Company, further marked ''Sterling / 794 E'', a six-piece set, each of hexagonal form,
chased about the shoulders and upper bodies with floral festoons, comprising:
a wooden-handled tipping kettle with stand and burner (excluding handle:
9.5'' H x 8.5'' W x 5.75'' D), a wooden-handled coffee pot (8.5'' H x 10.5'' W x 4.25'' D), a
teapot (5.75'' H x 11'' W x 4.75'' D), a lidded sugar bowl (4.75'' H x 8'' W x 3.5'' D), a milk
jug (3'' H x 6.75'' W x 3.25'' D) and a waste bowl (3'' H x 5.25'' W x 3.25'' D), 6 pieces,
est:$1500/2500
Provenance: Property from the Footman Family Estate. Condition: Overall good
condition. General marks, minute dings, scratches and tarnishing commensurate with
age. Ebonized handles with some shrinkage; coffee pot handle with a split near lower
joint. Covered sugar bowl's finial bent and slightly off-center. A small repair to one
bottom corner of teapot base. Base of tipping kettle does not sit flush on a flat surface.
Not monogrammed. Your bid indicates acceptance of our Conditions of Sale. AS-IS.
ALL SALES FINAL.
1009 An ''Old Colonial'' sterling silver flatware service
20th century, each with Towle maker's marks and further marked ''Sterling'' or
''925/1000'', an assembled service comprising: 12 dinner forks (7.125''), 11 salad forks
(6.125''), 6 tablespoons (7.125''), 6 round bowl soup spoons (6''), 13 teaspoons (5.625''),
8 iced tea spoons (8''), 7 cocktail forks (6.25''), 6 hollow-handle stainless steel-bladed
dinner knives (9.25''), 6 hollow-handle stainless steel-bladed luncheon knives (8.625''),
1 master butter knife (7.5''), 8 hollow-handle stainless steel-bladed butter spreaders (6''),
1 hollow-handle stainless steel-bladed cheese knife (7''), 1 cold meat serving fork (7.25''),
1 trout serving fork (7.625''), 1 sugar spoon (5.75''), 1 gravy ladle (7.375''), 1 hollowhandle stainless steel-bladed carving knife (13.325'') and 1 hollow-handle stainless steelbladed pie/cake server (10.625''), variously monogrammed, 91 pieces, weighable sterling
85.235 oz troy approximately, est:$1200/1800
Condition: Overall good condition. General marks, scratches, rubbed wear and
tarnishing commensurate with age and moderate to heavy use. A few forks with tines
slightly bent. An assembled set, as stated. Variously monogrammed, as stated. Weight
does not include stainless steel-bladed articles. Your bid indicates acceptance of our
1010 A Handel painted art glass boudoir lamp
First quarter 20th century, the shade inscribed ''Handel 5624'', the base signed ''Handel''
and further affixed with ''Handel Lamps'' fabric tag to felt-lined base, the domical
gradated frosted gold to clear glass shade ''chipped'', ''sand finished'' and painted to the
exterior with bare trees and brush, on a patinated white metal baluster-form base with
a spreading circular foot molded with an all-over basket weave design, 14'' H x 7'' Dia.,
est:$1000/1500
Provenance: Private Collection, Santa Ana, CA. Condition: Overall good condition.
Patination to base a rich copper color. General light marks, scratches, rubbing and wear
commensurate with age and use. Scattered fleabite chips to rim of shade. Wiring should
be checked by a qualified electrician prior to use. Your bid indicates acceptance of our
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1011 A Gorham sterling silver mirrored plateau
1902, Providence, RI, with maker's mark, further marked ''Sterling'' and ''A3761 / 24 In'',
the oval mirror plate within a pierced and repousse wreath-decorated surround rising
to a slightly flaring scroll-and-medallion rim, on bun feet, monogrammed ''RCS(?)'',
3.5'' H x 24'' W x 18.75'' D, est:$1200/1800
Condition: Overall good condition. General marks, scratches, tarnishing and
rubbed wear commensurate with age. Mirror plate with wear and losses to silvering
around edges commensurate with age; the largest area approximately 1.5'' x 1.25''.
Monogrammed, as stated. Your bid indicates acceptance of our Conditions of Sale. ASIS. ALL SALES FINAL.
1012 A Chinese Chippendale style carved wood mirror
19th century, of carved and gessoed wood, with a pierced pagoda crest centering
dual Ho Ho birds over a serpentine scrolling foliate-overlaid segmented plate,
51.75'' H x 32.5'' W x 3.5'' D, est:$700/900
Provenance: Private Collection, Orange County, CA. Condition: Overall good
condition. Breaks and repairs to left bird and each column of pagoda. Scattered
shrinkage cracks commensurate with age. Your bid indicates acceptance of our
1013 Three pieces of American brilliant cut glass
Each early 20th century, the first: with Hawkes maker's mark, a fruit bowl in the
''Kensington'' pattern (4.375'' H x 10.375'' Dia.); the second: with Egginton maker's
mark, a platter in an unidentified pattern (1.125'' H x 14'' Dia.); the third: an apparently
unsigned diamond-shaped ice cream tray in the ''Harvard'' pattern, possibly T.B. Clark &
Co. (1.25'' H x 16.875'' W x 10.125'' D), 3 pieces, est:$300/500
Provenance: Private Estate, Pasadena, CA. Condition: Each in overall good condition,
with general light marks, scratches and wear commensurate with age. The first:
with fleabites and minor chips to interior and exterior rim. A minute raised blemish
to interior of bowl. Scattered minor chips and fleabites to exterior; the largest
approximately .25'' x .125''. The second: scattered chips and fleabites to rim and
underside; the largest including a .5'' x .25'' nick to rim and a 1'' x .25'' area of chipping to
underside. The third: scattered fleabites and minor chips. Your bid indicates acceptance
1014 A Gorham sterling silver ''Plymouth'' tea service
The 1 3/8 pint teapot dating to 1921, the rest dating 1972-1976, each with maker's
marks and further marked ''Sterling'', a six piece set in the ''Plymouth'' pattern
comprising: 1 teapot (1 3/8 pint) (6.25'' H x 10.375'' W x 4.375'' D), 1 teapot (2 pints)
(7'' H x 11.75'' W x 5.25'' D), 1 covered sugar bowl (6'' H x 8'' W x 4.375'' D), 1 waste bowl
(4.375'' H x 6.25'' W x 4.375'' D), 1 milk jug (6.25'' H x 5.75'' W x 3.125'' D) and 1 dualhandled serving tray (1.5'' H x 24.625'' W x 15.125'' D), 6 pieces, gross weight 157.355 oz
troy approximately, est:$2000/3000
tarnishing commensurate with age. Smaller teapot with two small dents to underside
of body; the larger approximately .75'' x .5''. Not monogrammed. Weight includes
reinforced handles and bone insulators. Your bid indicates acceptance of our Conditions
of Sale. AS-IS. ALL SALES FINAL.
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1015 Twelve Gorham silver-gilt & enamel dessert spoons
Last quarter 19th century, Providence, RI, with lion-anchor-'G' maker's mark, further
marked ''Sterling'', each with a shell-shaped bowl with matte finish issuing a spreading
handle decorated with scrolling foliage on a blue ground, extending to a trefoil-shaped
terminal in blue, yellow and white with circular and fan-shaped motifs, monogrammed
to reverse of terminal ''L'' (?), 12 pieces, each: 5.125'', gross weight 7.1 oz troy
approximately, est:$500/700
Provenance: Private Collection, Lake Elsinore, CA. Condition: Overall good condition,
with only very light rubbed wear to silver-gilt. Monogrammed, as stated. No case. Your
1016 12 Royal Doulton for Tiffany & Co. dessert plates
1916-1922, each with green underglaze maker's mark and pink overglaze ''Tiffany &
Company / New York'' mark, each further marked ''HB9647a / H75'', each with a white
ground reserve bordered by hand-painted gilt latticework and scrolling foliage over a
cobalt blue ground, 12 pieces, 8.25'' Dia., est:$2500/3500
Provenance: Private Collection, Los Angeles, CA. Condition: Overall good condition.
Each with general light scratches, marks and scattered rubbing to gilt decoration
commensurate with age. One plate with a 6'' x 1'' section of glaze crackle to underside
of rim. One plate with a 1.5'' x 3'' area of scratches to underside. Your bid indicates
1017 A Gorham sterling silver Melrose flatware service
Designed 1948, Providence, RI, an assembled partial flatware service for 12 in the
''Melrose'' pattern, all but the hollow-handle articles with maker's marks and further
marked ''Sterling'', comprising: 12 dinner forks (7.75''), 3 place size forks (7.5''), 12
dessert forks (7.125''), 12 individual salad forks (6.625''), 1 place size salad fork (6.75''),
5 tablespoons (8.375''), 12 round bowl soup spoons (6.25''), 24 teaspoons (5.875''), 6 iced
tea spoons (7.625''), 11 cocktail forks (5.625''), 12 new French hollow-handle stainless
steel-bladed dinner knives (9.625''), 12 new French hollow-handle stainless steel-bladed
luncheon knives (8.875''), 12 hollow-handle stainless steel-bladed butter spreaders (6''),
1 hollow-handle stainless steel-bladed cake/pie server with angled blade (10.625''), 1
hollow-handle stainless steel-bladed pie/cake server (10.25''), 2 hollow-handle stainless
steel-bladed cheese servers (6.625''), 2 hollow-handle carved wood salad servers (the
spoon: 11.25''; the fork: 10.875''), 2 hollow-handle stainless steel-bladed carving articles
(the knife: 10.5''; the fork: 8.75''), 1 tomato server (8.125''), 1 salad serving spoon (8.625''),
1 cold meat serving fork (8.125''), 1 gravy ladle (6.5''), 1 sugar shell spoon (6''), 1 bon bon
spoon (4.875''), and 1 demitasse spoon (4.375''), 149 pieces, weighable sterling 165.27 oz
Provenance: Collection of California State Governor/US Senator George C. Perkins
(1839-1923), through descent in the family; Private Collection, San Marino, CA.
Condition: Overall good condition. General marks, scratches, tarnishing and rubbed
wear commensurate with age and moderate to heavy use. Scattered forks with minor
bending to tines. Two individual salad forks and two teaspoons with gouging and more
extensive wear to terminals. Two tablespoons with scattered spots of tarnishing to bowl.
Dinner and butter knives with scattered shallow dents and dings to ends of handles;
a few luncheon knives with the same. Not monogrammed. Weight does not include
stainless steel-bladed pieces or articles with wooden elements. Your bid indicates
5
1018 A Pairpoint reverse-painted ''Puffy'' boudoir lamp
First quarter 20th century, marked to shade ''The Pairpoint Corp'n'', the base with factory
mark and further marked ''Pairpoint / C3064'', the molded circular frosted 'Stratford'
shade with reverse-painted floral and lattice design, the patinated white metal balusterform base all-over decorated with abstracted leaf designs, raised on a shaped circular
base, 14.5'' H x 8.75'' Dia., est:$900/1200
Provenance: Private Collection, Santa Ana, CA. Condition: Overall good condition.
General scuffs, scratches, rubbing and wear commensurate with age and use, including
dark spotting and wear to patinated base. Finial likely a later replacement. Scattered
fleabites to rim of shade. A localized .125'' x 1.5'' area of blue-gray paint spots to top
of shade. Wiring should be checked by a qualified electrician prior to use. Your bid
1019 A Hennegen, Bates & Co. sterling silver pedestal bowl
Late 19th / early 20th century, Baltimore, MD, marked ''Hennegen-Bates Co.'', ''Sterling''
and ''30'', the circular bowl all-over chased and repousse-decorated with flowers and
foliage on a stippled ground, over a waisted base supported on a similarly decorated
acanthus-bordered domed foot, monogrammed to bowl ''GCP'', 7.75'' H x 10'' Dia.,
tarnishing commensurate with age. Monogrammed as stated. Your bid indicates
1020 A Gorham sterling silver gentleman's dresser set
Circa 1911-1912, Providence, RI and San Francisco, CA, a collection of engraved sterling
silver gentleman's articles, 12 Gorham and 1 Shreve & Co., each with maker's marks and
further marked ''Sterling'', the Gorham pieces comprising: a sterling silver-lidded cut
glass powder jar, the jar with maker's mark ''Hawkes'', the lid marked ''587D'' (3.25'' H x
3.875'' W x 3.875'' D); a hand mirror with beveled-edge plate (10.125'' H x 5'' W x .375''
D); a nail buffer with caddy, marked ''3450B'' and ''3457B'' respectively (overall: 2.25'' H
x 8'' W x 3'' D); a hair brush marked ''1952C'' (8.75'' H x 2.875'' W x 1.5'' D); a garment
brush marked ''1956C'' (1.75'' H x 6.5'' W x 2'' D); a hat brush marked ''1960C'' (6.75''
H x 3.5'' W x .875'' D); a tray marked ''3452B'' (.375'' H x 6.125'' W x 3'' D); a weighted
bud vase marked ''1321A'' (7.125'' H x 2.375'' Dia.); nail scissors marked ''517B'' and
''Germany'' (4.125'' H x 1.875'' W x .25'' H); a nail file marked ''3448B'' (7.25'' H x .625'' W
x .5'' D); a cuticle pusher marked ''3447B'' (4.875'' H x .625'' W x .5'' D); and a button hook
marked ''772B'' (8.125'' H x .875'' W x .625'' D), together with a Shreve & Co. sterling
silver decanter caddy marked ''5126'' and two cut glass decanters (overall: 6.5'' H x 6.25''
W x 2.5'' D), all but the nail scissors monogrammed ''SLM'', 13 pieces, est:$500/700
Provenance: Private Collection, Pasadena, CA. Condition: Overall good condition.
General light marks, scratches, dings and tarnishing commensurate with age and use.
Cut glass articles with scattered scratches, nicks and chips; the largest a shallow .625'' x
.375'' chip to body of one decanter. One end of fitted lip of powder jar lid pushed in; lid
sits slightly askew. Hand mirror with handle bent slightly backward and scattered areas
of degradation to plate silvering primarily concentrated to edges. Clothing brush with
scattered dings around edges. Nail buffer with wear, repairs and damages to buffing
surface, including a 1'' x 1.625'' tear revealing filling. Nail scissors with scattered dents
to handles; the largest approximately .75'' x .125''. Nail file and cuticle pusher with spots
of rust to blades; the cuticle pusher with blade separating from handle and old glue
evident. Monogrammed, as stated. Your bid indicates acceptance of our Conditions of
Sale. AS-IS. ALL SALES FINAL.
6
1021 A Loetz iridescent ''oil spot'' art glass vase
Late 19th / early 20th century, unmarked, a double-gourd form art glass vase in the
''Candia Papillon'' decor, 8.5'' H x 6.25'' Dia., est:$800/1200
Condition: Overall good condition. With light marks and scratches commensurate with
age. A tiny inherent raised blemish to interior rim. Soiling to interior. Your bid indicates
1022 A Steuben gold Aurene art glass vase
1905-1933, etched ''Aurene'' and with model number ''2689'' to underside, the short
flaring neck over a bulbous tapering body, 10'' H x 9.5'' Dia., est:$600/900
condition. General marks, scratches and rubbed wear commensurate with age.
Concentrated areas of rubbing to the shoulders, rim and foot. Your bid indicates
1023 Angel Botello (1913-1986 Puerto Rican)
Portrait of a partially nude woman, signed lower right: Botello, oil on masonite,
24.5'' H x 18'' W, est:$6000/8000
Provenance: Private Collection, Southern California. Condition: Visual: Generally good
condition. Suface dirt. Blacklight: A 4'' x 2'' 'T'-shaped area of restoration lower right
above the signature to repair a crack in the board. A 1'' drip of residue fluoresces under
blacklight lower left. Your bid indicates acceptance of our Conditions of Sale. AS-IS.
ALL SALES FINAL.
Portrait of a hooded woman, incised signature with indistinct inscription lower right:
Botello, oil on masonite, 19.25'' H x 16'' W, est:$6000/8000
Provenance: Private Collection, Southern California. Condition: Visual: Generally
good condition. Four small spots of paint loss upper left corner. Surface dirt. Blacklight:
No evidence of restoration under blacklight. Your bid indicates acceptance of our
7
Portrait of a woman, signed lower right: Botello, oil on masonite, 14.25'' H x 18'' W,
est:$6000/8000
condition. Very small spots of paint loss upper left, lower center and lower right. A 1''
scratch with very minor paint loss lower center. Surface dirt. Blacklight: No evidence
of restoration under blacklight. Your bid indicates acceptance of our Conditions of Sale.
AS-IS. ALL SALES FINAL.
1026 Joaquin Chinas (20th Century- Mexican)
Portrait of a young girl, signed and dated lower right: J. Chinas 58, charcoal on paper
under glass, paper size: 27.75'' H x 20.75'' W, est:$500/700
good condition. Artist's pinholes in the four corners. Tape remnants from a previous
mounting along the upper and lower edges and in the four corners. A very small scratch
with very minor charcoal loss on the tip of the girl's nose. Your bid indicates acceptance
1027 Rufino Tamayo (1899-1991 Mexican)
''Cabeza con Sombrero (Head With Hat)'', 1980, signed in crayon lower right: R.
Tamayo, numbered in crayon lower left: 76/99, color etching on Guarro paper under
glass, paper size: 29.5'' H x 22'' W, est:$2500/3500
Literature: Editions Press, San Francisco, CA, pub. Pereda, 275. Provenance: Private
Collection, Fairfield, IA. Condition: Visual: Generally good condition. Fading
throughout. The paper with deckled edges. Framed floating and hinged to the back mat.
''Personaje en Gris (Personage in Gray)'', 1980, signed in crayon lower right: R. Tamayo,
numbered in crayon lower left: 76/99, color etching on Guarro paper under Plexiglas,
paper size: 29.5'' H x 22'' W, est:$2000/3000
8
''Bodegon (Still Life)'', 1980, signed in crayon lower right: R. Tamayo, numbered
in crayon lower left: 76/99, color etching on Guarro paper under glass, paper size:
22'' H x 29.5'' W, est:$2000/3000
1030 Rodolfo Nieto (1936-1988 Mexican)
Abstract, signed upper left: Nieto, mixed media on board laid to panel under glass,
31.5'' H x 24'' W, est:$6000/8000
condition. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL.
Yellow abstract, signed lower right: Nieto, unframed gouache on board,
19.5'' H x 25.5'' W, est:$4000/6000
good condition. Artist's pinholes with minor board and paint loss in the four corners.
Scratches with paint loss in the left corners and along the right edge. Minor cracks
and creases to the board along the lower portion of the painting. Your bid indicates
Magenta abstract, signed lower left: Nieto, unframed gouache on board,
19.5'' H x 25.5'' W, est:$4000/6000
condition. Artist's pinholes with minor board and paint loss in the four corners. Light
surface scratches throughout. Minor paint loss along the edges with a significant spot
of paint loss upper right edge. A small spot of paint loss upper left. Your bid indicates
9
1033 A Georg Jensen sterling silver compote
Circa 1926-1932, designed by Johan Rohde, with maker's mark and designer's mark,
further marked ''Sterling'', ''Denmark'' and ''Gi / 925 / s'', pattern number 17A, the slightly
flared circular body raised on foliate supports issuing from a stepped circular dome foot,
4'' H x 4.5'' Dia., 5.63 oz troy approximately, est:$400/600
Literature: This bowl illustrated, J. Drucker, ''Georg Jensen: A Tradition of Splendid
Silver'', 2nd ed., Schiffer Publishing Ltd., 1997, p. 215. Provenance: Private Collection
San Diego, CA, through descent in the family. Condition: Overall good condition.
General light scratches commensurate with age. Your bid indicates acceptance of our
1034 A large sterling silver footed bowl
20th century, marked ''Sterling'' and ''777'', of wide inverted bell form, raised on a tall ring
foot, 8'' H x 16.75'' Dia., 112.200 oz troy approximately, est:$1500/2000
Condition: Overall good condition. General marks, scratches and tarnishing
commensurate with age and use. Your bid indicates acceptance of our Conditions of
1035 A Steuben cut crystal lion
20th century, designed by Lloyd Atkins, signed ''Steuben'', depicting a reclining lion,
raised on a beveled-edge rectangular wooden plinth, together with original Steuben
case, the figure: 3.75'' H x 8.375'' W x 3.25'' D, est:$500/800
Provenance: Estate, Pasadena, CA. Condition: Overall: 6.25'' H x 9.75'' W x 4.25'' D.
Overall good condition. General minor scratches and fleabites to plinth. Your bid
1036 A Steuben ''Excalibur'' paperweight & paper knife
Mid 20th century, the cut crystal paperweight signed ''Steuben'', the hilt of the paper
knife marked ''Sterling'' and ''Steuben / 18K'', the sterling silver sword-form paper
knife with an 18k gold-wrapped handle, together with original fitted box, overall:
8.25'' H x 6'' W x 3.25'' D, the paper knife 3.445 oz troy approximately, est:$800/1200
Provenance: Private Collection, Rancho Palos Verdes, CA. Condition: The paper knife:
8.25''. Overall good condition. Paperweight with earthquake putty residue to underside.
The paper knife with general light scratches and tarnishing commensurate with age and
use; tip of knife slightly bent. Your bid indicates acceptance of our Conditions of Sale.
10
1037 A Steuben ''Arctic Fisherman'' art glass sculpture
Third quarter 20th century, from the Arctic Series designed by James Houston, 1970,
of clear and frosted glass, surmounted by a rhodium-plated sterling silver figure
of a fisherman plunging a spear through the ice, together with original fitted box,
6.5'' H x 5.75'' W x 2.375'' D, est:$1500/2500
Provenance: Private Collection, Rancho Palos Verdes, CA. Condition: Overall good
condition. Fisherman's spear end slightly bent. Circular traction pads applied to
underside. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL.
1038 Two Moser ''Amazon Warrior'' smoke art glass articles
Late 20th century, each signed to base ''Moser'' within an oval, the bowl retains original
Moser sticker, each of octagonal form with gilt frieze collar decoration in Leo Moser's
1914 ''Amazon Warrior'' pattern, 2 pieces, the vase: 11.5'' H x 7.5'' Dia., the bowl:
4.875'' H x 10.125'' Dia., est:$500/800
Condition: Overall good condition. General light scratches and minor rubbed wear
commensurate with occasional handling. The vase with scattered fleabites and felt pads
applied to underside. The bowl with scratches and scuffs to underside commensurate
with shelf abrasion. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL.
1039 A Murano art glass stork, Licio Zanetti
Third quarter 20th century, Murano, Italy, signed to underside ''Zanetti L'', an art
glass sculpture of a stork, of clear glass with white Reticello throughout the body and
head, raised on an integral wave-form clear glass base, 16.625'' H x 3.75'' W x 7.75'' D,
est:$400/600
Provenance: Private Collection, Riverside, CA. Condition: Overall good condition.
Some inherent roughness to tip of waves. A shallow .5''-long scratch to one side of body.
Scattered light scratches and a concentrated .25'' x .25'' area of shallow chipping to
underside. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL.
1040 Richard H. Pettibone (1938-* American)
''Woman with Flowered Hat, 1963 [After Roy Lichtenstein]'', signed, dated and
numbered verso: R Pettibone 1970, 7/100, acrylic silkscreen on canvas with artist frame,
7.25'' H x 6'' W, est:$8000/12,000
Note: This print was commissioned by the Men's Committee of the Pasadena Art
Museum. Six were created in the series and limited to an edition of 100. This image was
reproduced by Pop artist Lichtenstein after Picasso's ''Woman with a Flowered Hat''.
Provenance: Private Collection, Long Beach, CA. Condition: Visual: Generally good
condition. Lines of craquelure along the extreme upper and lower edges. Very minor
stretcher bar creases along the upper and lower edges. Your bid indicates acceptance of
our Conditions of Sale. AS-IS. ALL SALES FINAL.
11
1041 Alexander Calder (1898-1976 American)
Two stabiles from Derriere Le Miroir #141 (1963), signed in pencil lower right: Calder,
numbered in pencil lower left: 42/125, color lithograph on paper under glass, paper size:
18'' H x 24'' W, est:$1200/1800
Note: Stabiles VI and VII printed together. Provenance: Private Collection, Long Beach,
CA. Condition: Visual: Generally good condition. Toning to the paper. Tape remnants
from a previous mounting remain in the upper corners verso. Your bid indicates
1042 Earl Linderman (1931-* Phoenix, AZ)
Two works: ''Doktor Thrill And Snake Lady In A Quality Bar'' and Doktor Thrill smoking
a cigarette, the first: signed and dated lower left: Linderman / 1984, titled and dated
again on gallery label, with the hand holding a cigarette embossed seal lower left; the
second: signed upper left: Linderman, dated upper center: 1984, numbered upper right:
59/90, with the hand holding a cigarette embossed seal lower left, the first: pastel on
paper under glass. The second: color lithograph on paper under Plexiglas, the first: sight
size: 16.5'' H x 13.75'' W; the second: paper size: 20.25'' H x 15'' W, est:$1000/1500
Note: Paper size on the first: 17'' H x 14'' W. Provenance: Tally Richards Gallery, Palm
Desert, CA; Private Collection, Newhall, CA. Condition: Visual: The first: Generally
good condition. Toning to the paper. Mounted to the recto mat with linen tape along
the upper and lower edges. The second: Generally good condition. Framed floating and
hinged to the back mat. Your bid indicates acceptance of our Conditions of Sale. AS-IS.
ALL SALES FINAL.
1043 Sister Mary Corita Kent (1918-1986 Boston, MA)
Four floral / foliate works, the first, second and third with a poem or quote, each
signed in pencil lower right: Corita, the second numbered lower left: Ed 200, the third
numbered lower left: AP, the fourth numbered lower left: E 250, each: color serigraph on
paper under glass or Plexiglas, the first: sight size: 22.25'' H x 23'' W; the second: paper
size: 19.75'' H x 19.75'' W; the third: paper size: 12'' H x 12'' W; the fourth: paper size:
7'' H x 5'' W, est:$300/500
Provenance: Estate, Sherman Oaks, CA; by descent in the family from the above.
Condition: Visual: Each: Generally good condition. Not examined out of the frame.
Four works, each with a poem or quote, the first and second signed in pencil lower right:
Corita; the third signed in pencil lower right: Sister Mary Corita Kent; the fourth signed
in pencil lower center: Corita, each: color serigraph on paper under glass and Plexiglas,
the first: sight size: 22.5'' H x 22.5'' W; the second: sight size: 16.5'' H x 21'' W; the third:
sight size: 10'' H x 28.5'' W; the fourth: paper size: 15'' H x 4.25'' W, est:$300/500
Provenance: Estate, Sherman Oaks, CA; by descent in the family from the above.
Condition: Visual: Each: Generally good condition. Not examined out of the frame. The
third with a small stain to the paper lower left. Your bid indicates acceptance of our
12
Wildflowers, signed in pencil lower right: Corita, numbered verso: W-20, watercolor on
paper under Plexiglas, paper size: 12'' H x 9'' W, est:$300/500
Note: Together with an Affidavit of Authenticity signed by Micaela Myers, Artistic
Advisor to the Estate of Corita Kent. Provenance: Estate, Sherman Oaks, CA; by descent
in the family from the above. Condition: Visual: Generally good condition. Very minor
toning to the paper. Your bid indicates acceptance of our Conditions of Sale. AS-IS.
ALL SALES FINAL.
1046 Peter Max (1937-* New York, NY)
''Retro III: The Highest Mountain #51'', signed upper left: Max, signed again, inscribed,
dated and with personal drawing verso: For John. Love, Peter Max, 1999, titled on
a gallery label verso, acrylic over screen print on paper under Plexiglas, paper size:
11'' H x 11'' W, est:$800/1200
Provenance: Dyansen Gallery, San Francisco, CA; Estate, Los Angeles, CA. Condition:
Visual: Generally good condition. Framed floating and hinged to the back mat. Not
examined out of the frame. Your bid indicates acceptance of our Conditions of Sale.
1047 Ed Gilliam (1941-* American)
Abstract, unsigned, oil on canvas, 91'' H x 70'' W, est:$1000/2000
Note: With letter of authenticity from the artist. Provenance: Private Collection,
Murrieta, CA. Condition: Visual: Generally good condition. Craquelure scattered
throughout some of the white and maroon pigments. Blacklight: No evidence of
restoration under blacklight. Your bid indicates acceptance of our Conditions of Sale.
1048 Pablo Picasso (1881-1973 Spanish) for Madoura
Circa 1952, number 37 from the edition of 50, with impressed Madoura mark,
further impressed ''Edition Picasso'', inscribed ''Madoura / 37/50 / Edition Picasso'', a
polychrome-glazed and knife-engraved ''pichet a glace'' (ice-pitcher) in white, black, blue
and green, 13.75'' H x 14.75'' W x 7.75'' D, est:$12,000/18,000
Provenance: Private Collection, Beverly Hills, CA. Condition: Overall good condition.
General light marks and scratches commensurate with age and light handling. Larger
spout with craquelure to black interior glaze and light abrasions to a 5.5''-long section
of rim. Inscribed edition number ground down, engraved and inscribed again, likely a
factory renumber. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL.
13
1049 Pablo Picasso (1881-1973 Spanish) for Madoura
Circa 1956, impressed Madoura mark and ''Empreinte / Originale de / Picasso'', from the
edition of 500, a Madoura ceramic plate, ''Profil de Jacqueline'', the raised glazed white
design on a black ground, 1'' H x 7.375'' Dia., est:$3000/5000
Provenance: Private Collection, Newhall, CA. Condition: Overall good condition,
with a few light scratches and scuffs commensurate with age. A shallow .125'' x .125''
chip to raised white design on figure's eye. Three minor chips and scattered fleabites to
verso edge. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL.
1050 Ceramic plate designed by Pablo Picasso, Don Quixote
Circa 1960s, printed signature to verso ''Picasso'' and with black ''Salins / France'' mark,
the circular cream-ground ceramic plate printed to center with Picasso's ''Don Quixote''
in black, 1.25'' H x 13.25'' Dia., est:$500/700
Scattered light scuffs and scratches commensurate with age. Three minor firing
imperfections verso. Your bid indicates acceptance of our Conditions of Sale. AS-IS.
ALL SALES FINAL.
1051 Ceramic plate designed by Pablo Picasso, owl
Circa 1960s, printed signature to verso ''Picasso'' and with black ''Salins / France'' mark,
the circular cream-ground ceramic plate printed to center with a line drawing of an owl
in black, 0.875'' H x 9.625'' Dia., est:$300/500
Scattered light scuffs and scratches commensurate with age; areas of wear to printed
image, primarily concentrated in the lower half. Three minor firing imperfections verso.
1052 Pablo Picasso (1881-1973 Spanish)
''Exposition Vallauris 1958'', signed in blue pencil lower right: Picasso, numbered in
pencil lower left: 159/175, color linocut on paper under glass, image size: 25'' H x 21'' W,
est:$5000/7000
Note: Paper size: 31.5'' H x 25.5'' W. Provenance: Private Collection, Beverly Hills, CA.
Condition: Visual: Generally good condition. Minor toning to the paper, heavier toning
at the extreme edges. Color fading in the red pigment. Your bid indicates acceptance of
14
1053 After Pablo Picasso (1881-1973 Spanish)
''Young Spanish Peasant'', 1970, bears signature in pencil lower right: Picasso,
numbered in pencil lower left: E.A., lithograph on paper under Plexiglas, image size:
22'' H x 18.25'' W, est:$3000/5000
Note: Printed by Michel Casse, Paris, 1974. Provenance: Private Collection, Newport
Beach, CA. Condition: Visual: Generally good condition. Toning to the paper. A
1.75'' x 1.25'' area of damage to the paper in the figure's chin. A 1'' x 2'' scattered area
of damage to the paper lower center. A 2'' surface scratch left center. Small scratches
scattered throughout the lower left and lower center. Mounted to the back mat with
tape along the edges. The recto and back mat are taped together. Your bid indicates
''Exposition Ceramique, Vallauris, Paques'', 1958, signed in red crayon lower right:
Picasso, numbered in pencil lower left: 66/100, numbered again verso, linocut on paper
under glass, image size: 17.75'' H x 11.75'' W, est:$2000/3000
Note: Paper size: 25'' H x 17.25'' W. Provenance: Private Collection, Newhall, CA.
Condition: Visual: Generally good condition. Handling creases scattered throughout,
concentrated mainly in the center. Minor toning to the paper. Mounted to the recto mat
with linen hinge tape and paper tape. Your bid indicates acceptance of our Conditions
''Acrobats With A Horse'', From ''La Suite Vollard'', 12369, signed in pencil lower
right margin: Picasso, drypoint on paper under glass, plate size: 7.75'' H x 11'' W,
est:$2000/3000
Literature: M. Fox ed., ''Picasso For Vollard'', New York, NY, 1956, p. 17, no. 367. Note:
Paper size: 12'' H x 16'' W. Provenance: Private Collection, Newhall, CA. Condition:
Visual: Generally good condition. Minor toning to the paper, heavier toning along the
upper, lower and right edges. Your bid indicates acceptance of our Conditions of Sale.
1056 Jean Cocteau (1889-1963 French)
Man seated on a well, signed in pencil lower center: Jean Cocteau, signed again and
dated in the plate lower right: 53, numbered in pencil lower left: preuve d' artiste 15/15,
color lithograph on paper under glass, paper size: 19.5'' H x 15'' W, est:$800/1200
Provenance: Private Collection, Newhall, CA. Condition: Visual: Generally good
condition. A few spots of staining to the paper in the upper portion. Toning to the paper,
lighter toning on the recto areas backed by tape. The edges are deckled. Mounted to the
back mat with tape in the corners and upper center. Slight handling creases scattered
throughout. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL.
15
1057 A Lalique ''Hokkaido'' art glass veilleuse lamp
Designed 1990 by Marie-Claude Lalique, etched in script ''Lalique France'', the base
further etched ''Lalique'', a barrel-shaped reeded frosted glass light source surmounted
by a clear and frosted glass fan-shaped ''veil'' cut in relief with swans in flight,
accompanied by original Lalique, Paris fitted box, description card and European to
American outlet adapter, 16.5'' H x 21.75'' W x 5.5'' D, est:$3000/4000
Condition: Overall good condition. Wear to box commensurate with age. Your bid
1058 A Lalique ''Bacchantes'' art glass wine cooler / vase
Third quarter 20th century, numbered ''F016'' and etched in script ''Lalique France'' with
copyright symbol to foot, with ''Lalique / Paris'' sticker to underside, of clear and frosted
glass, the tapering cylindrical body decorated in high relief with a continuous scene of
dancing bacchantes, with original box, 9.75'' H x 8.75'' Dia., est:$1500/2500
condition. With scattered light marks and scratches commensurate with light handling.
1059 A group of four Lalique art glass objects
Second half 20th century, each etched in script ''Lalique France'', each of clear and
frosted glass, the first: a ''Royat'' vase, the notched, lobed rim over a channeled tapering
cylindrical body relief-cut with vertical rows of tapering triangles (6.25'' H x 7.75''
Dia.); the second: a ''Femmes Antiques'' decanter, the spherical stopper surmounting
a flask-form body relief-cut with classical female figures (9.5'' H x 5.5'' W x 4.25'' D);
the third: a ''Venise'' vase, with dual, outward facing lion's heads supporting a stretched
octagonal tapering vase (6.25'' H x 8.25'' W x 3.625'' D); the fourth: a ''Tete D'aigle'' eagle's
head mascot, with model number ''11808'' and ''Made in France'' white paper labels to
underside (4.5'' H x 3.25'' W x 5.5'' D), 4 pieces, est:$800/1200
Provenance: Property from the Footman Family Estate. Condition: Each in overall good
condition. Each with general light marks and scratches commensurate with age and light
handling. The second with a minute fleabite chip to shoulder. The third with a yellowish
residue to one end of base and a fleabite chip to inner rim of vase. The third and fourth
with earthquake putty residue to undersides. Your bid indicates acceptance of our
1060 A group of three Lalique vanity objects
Second half 20th century, each etched in script ''Lalique France'' with copyright symbol
to underside, two with ''Made in France'' paper labels, each of clear and frosted glass, the
first: a ''Dahlia'' powder jar, of cylindrical form with a black enamel-highlighted floriform
cover (2.75'' H x 4.625'' Dia.); the second: an ''Enfants'' powder jar, with model number
''11364'' white paper label to underside, the cylindrical body decorated in high relief
with a continuous scene of children supporting the jar's rim, surmounted by a stepped,
rosebud-banded cover (3.25'' H x 4.25'' Dia.); the third: a ''Grand Pomme'' perfume bottle,
with model number ''11646'' white paper label to underside, apple-form, with a stem and
leaf-form stopper (5.5'' H x 5'' Dia.), 3 pieces, est:$600/900
condition. Each with scattered light marks and scratches commensurate with age and
light handling. The third with a minute chip to tip of stem. Your bid indicates acceptance
16
1061 A group of three Lalique art glass nudes
Second half 20th century, each etched in script ''Lalique France'' with copyright symbol,
one with Lalique label affixed to underside, each of clear and frosted glass, the first:
''Chrysis'', a mascot depicting a kneeling female nude with flowing hair raised on an
integral circular base (5'' H x 6.25'' W x 2.75'' D); the second: ''Danseuse'', a standing
female nude raised on an integral naturalistic oval base (9.5'' H x 4.75'' W x 3.25'' D);
the third: ''Lady Leda'', depicting Leda kneeling beside the swan, raised on an integral
naturalistic circular base (4.5'' H x 2.5'' Dia.), 3 pieces, est:$500/800
light handling. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL.
1062 A group of three Lalique art glass lion figures
Second half 20th century, each etched in script ''Lalique France'' with copyright symbol
to underside, each of clear and frosted glass, the first: ''Bamara'', with model number
''11656'' and ''Made in France'' white paper labels to underside, depicting a seated male
lion (7.75'' H x 3.5'' W x 7.75'' D); the second: ''Simba'', depicting a lioness in repose
(5.5'' H x 9.75'' W x 4.25'' D''); the third: ''Tambwee'', with model number ''11667'' paper
label to underside, depicting two lion cubs in repose (3.125'' H x 3.75'' W x 5'' D), 3
pieces, est:$600/900
light handling. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL.
1063 Marc Chagall (1887-1985 French)
''Paysage Aux Isbas (Landscape With Huts)'', 1957, signed in pencil lower right: Marc
Chagall, inscribed lower left: HC, titled verso, titled again on backing paper, color
lithograph on paper under glass, image size: 9.5'' H x 17'' W, est:$2000/3000
Literature: Mourlot, 192. Note: Paper size: 16.5'' H x 24.25'' W. Provenance: Private
Collection, Newhall, CA. Condition: Visual: Generally good condition. Toning to the
paper. Mounted to the back mat with archival tape in the corners. Tape remnants from
a previous mounting remain. Your bid indicates acceptance of our Conditions of Sale.
''Le Village'', 1957, signed in pencil lower right: Marc Chagall, numbered in pencil lower
left: 82/90, unframed lithograph on paper, image size: 7.5'' H x 8'' W, est:$800/1200
Literature: Mourlot, 199. Note: Paper size: 12.5'' H x 12'' W. Provenance: Private
Collection, Los Angeles, CA. Condition: Visual: Generally good condition. The paper
rippled and creased upper left corner. A small area of staining to the paper upper
left. Very minor toning to the paper. The lower edge is deckled. Loose, not framed or
mounted. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL.
17
''Green Eiffel Tower'', 1957, signed in pencil lower right: Marc Chagall, numbered
in pencil lower left: 82/90, unframed color lithograph on paper, image size:
11.25'' H x 9'' W, est:$2000/3000
Literature: Mourlot, 201. Note: Paper size: 16.5'' H x 12.75'' W. Provenance: Private
Collection, Los Angeles, CA. Condition: Visual: Generally good condition. Two small
spots of staining lower left. Very minor toning to the paper. The lower and right edges
are deckled. Loose, not framed or mounted. Your bid indicates acceptance of our
''Le Coq Rouge'', 1957, signed in pencil lower right: Marc Chagall, numbered in pencil
lower left: 55/90, unframed color lithograph on paper, image size: 9.75'' H x 14.75'' W,
est:$2000/3000
Literature: Mourlot, 203. Note: Paper size: 14.75'' H x 19'' W. Provenance: Private
Collection, Los Angeles, CA. Condition: Visual: Generally good condition. Very
minor toning to the paper. The right and lower edges are deckled. Loose, not framed or
mounted. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL.
1067 Louis Icart (1888-1950 French)
''Awakening (La Lever)'', signed in pencil in the margin lower right: Louis Icart,
numbered in pencil in the margin lower center: 72, inscribed upper center: Edite par la
Ste' Les Graveurs Modernes 194 rue de Rivoli Paris, 1925, drypoint etching and aquatint
with gouache highlights on paper under glass, 14.75'' Dia., est:$500/800
Literature: W.R. Holland et al. "Louis Icart: The Complete Etchings." Atglen, PA: Schiffer,
1990, p. 112, fig. 228. Note: Paper size: 20.5'' Dia. Provenance: Private Collection,
Santa Ana, CA. Condition: Visual: Generally good condition. Minor toning to the
paper. Hinged to the recto mat with archival tape on the left edge. Your bid indicates
1068 Louis Icart (1888-1950 French)
''Ballerina (Repos)'', signed in pencil in the margin lower right: Louis Icart, with printed
inscription upper left: 'c' Copyright 1935 by L. Icart Sty. N.Y., and with windmill
embossed seal lower left, drypoint etching and aquatint with gouache highlights on
paper under glass, plate size: 14'' H x 18'' W, est:$500/700
Literature: W.R. Holland et al. "Louis Icart: The Complete Etchings." Atglen, PA: Schiffer,
1990, p. 207, fig. 439. Provenance: Private Collection, Newport Beach, CA. Condition:
Visual: Generally good condition. Small spots of loss to the top layer of paper scattered
throughout the upper two-thirds of the etching. Larger areas of paper loss in the upper
left corner margin. Toning to the paper. Hinged to the recto mat with glue along the
upper edge. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL.
18
1069 Anders Leonard Zorn (1860-1920 Swedish)
''Alder'', two nude figures walking by a stream, 1917, signed lower right: Zorn, titled by
repute, etching on paper under glass, plate size: 7'' H x 4.75'' W, est:$700/900
Condition: Visual: Generally good condition. Toning to the paper. Hinged to the back
mat with linen hinge tape at the upper corners. Your bid indicates acceptance of our
1070 Charles W. Bartlett (1860-1940 British)
''The Caravan, China'', signed in pencil lower left: Charles W. Bartlett, signed again in
the plate, numbered in pencil lower right: 61/75, titled verso, colored etching on paper
under glass, plate size: 5'' H x 8'' W, est:$600/900
Provenance: Treasure House LTD, Honolulu, HI; Private Collection, Long Beach, CA.
Condition: Visual: Generally good condition. Toning to the paper. Two small spots of
foxing in the margin lower left. Hinged to the back mat with brown paper tape in the
upper corners. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL.
1071 A large Persian Sarouk woolen rug
First half 20th century, wool on cotton foundation, the red field with scrolling floral
sprays and palmettes within a blue and cream-field border, 9'11'' H x 7'11.5'' W,
est:$1500/2500
Condition: Overall good condition. Even pile wear throughout; scattered minor lower
areas near selvedge edges. Scattered areas of minor knot pulling. Scattered minor areas
of light soiling, primarily concentrated to bottom end. Losses to ends of fringe along top
end; bottom end with no fringe to kilim. An approximately 2.5''-long break to bottom
end kilim edge. Rubber traction runners applied to underside along edges. Your bid
1072 Two Qashqai hand-woven bags
Late 19th century, Persian, each wool on wool foundation, with kilim backing, 2 pieces,
the first: 28.5'' H x 22.5'' W; the second: 27'' H x 23'' W, est:$1000/1500
Provenance: Private Collection, Los Angeles, CA. Condition: The first: General light
wear, fading and soiling commensurate with age and use. Scattered splits to seams at
bottom and sides. Scattered pulled threads and a few minor holes to face; the largest
approximately 1'' x .75'' in border. An approximately .75'' Dia. hole to edge of one lower
kilim band at edge. Kilim face with abrash and scattered minor holes, including a
2.25'' x 3'' area of scattered losses and tears near edge. The second: Overall good
condition. General light wear, fading and soiling commensurate with age and use. Bag
sewn shut, with an approximately 6''-long section of split seams along closure. Abrash to
kilim face. A 6'' x 3'' area of scattered spots of lightening to kilim left of center. Your bid
19
1073 A pair of demi-lune mahogany showcases
20th century, each with a curved glazed top over a conforming glazed mirrored-bottom
display set atop a molded mahogany cabinet, the first backed by double locking hinged
doors and with stationary shelf supports, the second with one upper and one lower set
of locking sliding doors and adjustable shelf supports, with one glass shelf included,
2 pieces, each: 36'' H x 53.5'' W x 27.5'' D, est:$1000/2000
Provenance: Harrods London, purchased by present owner from the above. Condition:
Overall good condition. General marks, scratches, rubbed wear and darkening to brass
commensurate with age. Scratches to glass and mirror plates commensurate with age
and use. Scattered chips to each; the largest a .25'' x 1'' loss to molding. One with glue
evident at joints of reeded molding at front corners. Your bid indicates acceptance of
1074 A pair of standing mahogany showcases
20th century, each beveled glazed top over three curved beveled glazed walls backed by
a flat locking glazed hinged door with dual brass pulls, enclosing three adjustable glass
shelves, 2 pieces, each: 66.5'' H x 38.25'' W x 35.5'' D, est:$2000/3000
Provenance: Harrods London, purchased by present owner from the above. Condition:
Overall good condition. Each with scattered scratches, rubbed wear and gouges; the
largest a 2'' x .25'' gouge to one case's front center cornice. Same case lacking bottom
knob to glazed door. Your bid indicates acceptance of our Conditions of Sale. AS-IS.
ALL SALES FINAL.
1075 A Burmese repousse silver bowl
Early 20th century, apparently unmarked, chased with an eight-point medallion to
underside, the circular bombe bowl chased and repousse-decorated in high relief
with a scrolling foliate border surmounting a continuous scene of fleeing figures,
4.5'' H x 7.5'' Dia., 19.785 oz troy approximately, est:$400/600
tarnishing commensurate with age. Scattered holes to body at thinnest points; the
largest .25'' x .125'' approximately. Your bid indicates acceptance of our Conditions of
1076 A Thai lacquered gilt-bronze Buddha Shakyamuni
Circa 17th / 18th century, Sukhothai style, the cast bronze and gilt figure depicting
the seated Buddha in dhyanasana, with hands in bhumisparsa mudra, raised on
an integral tripartite base with scroll feet, on a contemporary plinth, the Buddha:
27.5'' H x 16.5'' W x 9'' D, est:$4000/6000
Provenance: Private Collection, Northern California. Condition: Overall: 63'' H x 19''
W x 14'' D. General marks, scratches, chips and rubbed wear commensurate with age.
Scattered losses and chips to edges of integral base. A loss to top of wooden flameshaped ushnisha. Extensive losses to gilding throughout. Your bid indicates acceptance
20
1077 A partial Thai bronze Buddha Shakyamuni
Circa 17th century, Sukhothai style, the Buddha modeled seated, left hand on his
lap, palm facing upwards, raised overall on a contemporary plinth, the Buddha:
26'' H x 15'' W x 12.5'' D, est:$1000/2000
Provenance: Private Collection, Northern California. Condition: Overall:
66.25'' H x 22'' W x 22'' D. Chips and losses to bronze throughout; figure lacking
ushnisha, right arm at shoulder, body below lower back and integral base. Degradation
and damages to bronze revealing clay. Verdigris throughout. Your bid indicates
1078 A Chinese cloisonne enamel bowl
Late 19th / early 20th century, unmarked, the low circular bombe bowl all-over
decorated with blue and white foliage centered by a floral and geometric medallion to
the interior, 2.5'' H x 8'' Dia., est:$200/300
commensurate with age. Rubbed wear and lightening to cloisonne in the center interior.
1079 Manner of Giuseppe Castiglione (Lang Shining), late 19th / early 20th
Century scroll
Orchids in a raised planter, bears artist's seal lower left, paint on paper laid to paper with
silk border, paper size: 43'' H x 23.25'' W, est:$1000/1500
Provenance: Estate of Edwin ''Ted'' Nittler. Condition: Handling creases throughout.
Repairs to the paper throughout the upper quadrant. Scattered spots of soiling. Glue
from the process of laying paper to paper has seeped through the painting's paper in the
upper and lower edges. Your bid indicates acceptance of our Conditions of Sale. AS-IS.
ALL SALES FINAL.
1080 A pair of English silver-plated wall jardinieres
Early 20th century, unmarked, each of tapering demi-lune form with a gadrooned edge
over a chased and repousse-decorated body with flowers, rocaille, and scrolling foliage
within petal-form reserves, mounted with a length of chain to backing for hanging,
2 pieces, each: 10.75'' H x 20.75'' W x 8.25'' D, est:$1000/1500
Condition: Overall good condition. General marks, scratches, rubbed wear, scattered
dings and tarnishing commensurate with age and use. Interiors fitted with floral foam.
21
1081 A Royal Crown Derby ''Imari'' china service
Circa 1971-1985, with maker's marks to undersides, a service for 12 comprising:
16 dinner plates (10.5'' Dia.), 16 luncheon plates (8.5'' Dia.), 12 dual-handled cream soup
bowls (6.75'' W x 5'' D), 12 saucers for cream soup bowls (6.375'' Dia.), 20 bread plates
(6.25'' Dia.), 12 teacups (4.125'' W x 3.375'' D) and 12 saucers (5.75'' Dia.), 100 pieces,
est:$1200/1800
With scattered minor scratches and utensil wear commensurate with occasional use.
One saucer with a small pit to underside, likely a factory defect. One dinner plate with
two minor chips to underside rim. One teacup with fleabite to rim. Your bid indicates
1082 A Royal Crown Derby ''Imari'' china service
Circa 1975-1976, with maker's marks to undersides, a service for 12 comprising:
12 dinner plates (10.625'' Dia.), 12 luncheon plates (8.5'' Dia.), 12 bread plates
(6.25'' Dia.), 12 teacups (4.125'' W x 3.375'' D) and 12 saucers (5.75'' Dia.), 60 pieces,
est:$1000/1500
condition. General light scratches and scattered marks commensurate with age and very
minimal use. Dinner plates and a few luncheon plates with scratches and light wear to
centers. One teacup with slight darkening to interior. One saucer with minor wear to
gilding in center. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL.
1083 A pair of Queen Anne .958 silver plates
The first: 1712, London, with obliterated maker's mark and partially rubbed date and
Brittania standard marks, further marked with the partially rubbed royal arms of Queen
Anne centering the motto of the Order of the Garter ''Honi Soit Qui Mal Y Pense'', the
second: with rubbed lion's head erased and illegible date and standard marks, each
with an octagonal rim alternating shell clasps and gadrooning above a circular center,
each engraved to one side with a small armorial of a hand holding a star and numbered
to another (''1'' and ''2'', respectively), 2 pieces, each: 1'' H x 11.25'' Dia., 48.660 oz troy
Condition: Overall good condition. General marks, scratches, minor dings and rubbed
wear commensurate with age. Rubbing to marks and engraving, as stated. The second
with linear repairs running around a 7'' section of base of rim and extending upwards to
edge. Engraved, as stated. Your bid indicates acceptance of our Conditions of Sale. ASIS. ALL SALES FINAL.
1084 A George II sterling silver footed salver
1740, London, with maker's mark ''RA'' within a double circular shield for Robert
Abercromby, the piecrust molded rim with shell motif, the body chased with scrolling
foliage, rocaille and trellis designs centered by an engraved coat of arms, raised on
double C-scroll feet, 1.25'' H x 11'' Dia., 23.655 oz troy approximately, est:$1000/2000
Provenance: Collection of California State Governor/US Senator George C.
Perkins (1839-1923), through descent in the family; Private Collection, San Marino,
CA. Condition: Overall good condition. General marks, scratches and tarnishing
commensurate with age. Extensive rubbed wear to decoration, especially the engraved
coat of arms. Not monogrammed. Your bid indicates acceptance of our Conditions of
22
1085 A George II sterling silver footed salver
1741, London, with maker's mark ''RA'' within a double circular shield for Robert
Abercromby, the piecrust molded rim with shell motif, the body chased with rocaille
and trellising centered by a bull-headed armorial shield, raised on double C-scroll feet,
tarnishing commensurate with age. Your bid indicates acceptance of our Conditions of
1086 A George II sterling silver coffee pot, Henry Brind
1743, London, with maker's mark, the pear-shaped body raised on a domed foot, allover repousse-decorated and chased with foliage, stippling and seashells, with rocaillebordered reserves to each face, one centered by a bird perched on a seashell, mounted
with a wooden handle connecting to a hinged domed cover topped with a pear-shaped
finial, 9.5'' H x 8.5'' W x 4.75'' D, gross weight 25.650 oz troy approximately, est:$500/700
General marks, scratches, dings and rubbed wear commensurate with age. Scattered
minor repairs, including an approximately .5'' x .5'' section to body and a .25'' x .25'' area
to domed lid. An approximately 1'' section of foot slightly pushed in. Wooden handle
with some shrinkage; showing minor separation from upper joint. Not monogrammed.
Weight includes wooden handle. Your bid indicates acceptance of our Conditions of
1087 A pair of George II sterling silver repousse spoons
1748-1749, London, with maker's mark ''SH'' for Samuel Holmes, each repoussedecorated with fruit to scalloped-edge bowl, chased to bowl and handle with leaves and
flowers and further chased to rounded upturned terminal with rocaille front and verso,
2 pieces, the first: 8'' H x 1.75'' W; the second: 7.875'' H x 1.75'' W, est:$200/300
wear commensurate with age. Not monogrammed. Your bid indicates acceptance of our
1088 A pair of George II sterling silver candlesticks
1755, London, with partially obscured maker's mark ''TC''(?), each six-part shaped
stepped base rising to a baluster-form stem terminating in an armorial-engraved
light, 2 pieces, each: 9.375'' H x 5.375'' Dia., gross weight 38.385 oz troy approximately,
est:$800/1200
tarnishing commensurate with age and use. One with foot slightly bent; totters
somewhat. With reinforced/weighted cores. Your bid indicates acceptance of our
23
1089 Two Georgian silver footed salvers
The fist: 1791, Newcastle, sterling silver, with maker's mark ''IL'' over ''IR'' for John
Langlands & John Roberts, the circular beaded-rim body chased to interior with rocaille,
scrolling foliage and imbrication centered by an engraved unicorn armorial, raised on
three claw and ball feet; the second: Likely London, with obliterated maker's marks, the
shaped gadrooned rim over an imbricated edge, the body overall repousse-decorated
and chased with rocaille and foliage centered by an engraved armorial depicting a hand
holding a ring aloft, raised on three paw feet, monogrammed to underside ''RJ'', 2 pieces,
the first: .875'' H x 7.125'' Dia.; the second: 1.25'' H x 8'' Dia., 19.435 oz troy approximately,
est:$500/800
Condition: Overall good condition. General light marks, scratches and rubbed wear
commensurate with age. The first: with scattered sections of rim bent slightly out of
round. The second: with minor repairs to underside near feet. Monogrammed, as stated.
1090 A group of 3 Georgian sterling silver cream pots
Each London, the first: 1800, with partially rubbed maker's mark ''CF'' for Crispin
Fuller, a repousse-decorated barrel-form cream pot with chased laurel wreath reserves
to each side (4.125'' H x 5.75'' W x 2.875'' D); the second: 1777, with partially rubbed
unknown maker's mark ''W'', chased and repousse-decorated to the bulbous body
with a continuous rustic landscape, raised on a wasted socle over a stepped circular
foot (4.625'' H x 3.5'' W x 2.25'' D); the third: 1794, repousse-decorated to the slightly
bulbous body with flowers and rocaille, raised on a waisted socle over a domed foot
(4.5'' H x 3.75'' W x 2.5'' D), 3 pieces, 8.825 oz troy approximately, est:$500/800
Condition: Overall good condition. With general marks, scratches, scattered dings and
tarnishing commensurate with age. The first with a .75''-long section of base pushed
slightly upward and an approximately 1''-long repaired dent beneath spout. Not
monogrammed. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL.
1091 Frederick William Meyer (1869-1922 British)
Sailing ships at sunset, signed with conjoined initials lower right: FWM, oil on canvas,
14'' H x 24'' W, est:$500/800
Provenance: Private Collection, Long Beach, CA. Condition: Visual: Generally good
condition. Craquelure throughout. Stretcher bar creases. Frame abrasion in the four
corners. A tiny fleck of paint loss upper right. Blacklight: A .75'' x 1.5'' area of touchup lower center. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL.
1092 Jan Christianus Schotel (1787-1838 Dutch)
Dutch shipping boats in a calm sea, signed and dated lower left: J.C. Schotel / 1825, ink
and wash on paper under glass, paper size: 10.25'' H x 14'' W, est:$1000/2000
Provenance: sale: Sotheby's, 28 March 1968, lot 57; Private Collection, Altadena, CA,
through descent to the present owner, aquired from the above. Condition: Visual:
Generally good condition. Toning to the paper. Foxing scattered throughout. Your bid
24
1093 Willem Van de Velde I (1611-1693 Dutch)
Dutch ships at anchor off the coast, unsigned, paper with a cross watermark lower
center, grey wash and black chalk on paper, sight size: 7.5'' H x 11.5'' W, est:$2000/3000
Note: Paper size: 7.75'' H x 11.75'' W. Provenance: sale: Sotheby's, 28 March 1968, lot
133, illustrated; Private Collection, Altadena, CA, through descent to the present owner,
acquired from the above. Condition: Visual: Foxing throughout. Discoloration to the
paper throughout the upper portion. Toning to the paper except along the recto area
backed by tape along the upper edge, heavier toning along the extreme edges. Spots of
staining lower center. A very small spot of grime upper right. Mounted to the recto mat
with tape along the upper and lower edges. Tape remnants from a previous mounting
remain along the upper edge. Your bid indicates acceptance of our Conditions of Sale.
1094 Rembrandt Van Rijn (1606-1669 Dutch)
A ragged peasant with his hands behind him, holding a stick, circa 1630, unsigned,
etching and drypoint on paper under glass, paper size: 3.75'' H x 2.5'' W, est:$3000/5000
Edition: Third state (of six). Literature: Bartsch. Hollstein, 172. Provenance: Private
Collection, San Diego, CA, by descent in the family. Condition: Visual: Generally good
condition. Approximately .25'' of the right margin is missing. Light staining to the paper
throughout. Mounted to the backing board with glue along the upper edge. Your bid
1095 Albrecht Durer (1471-1528 German)
''The Cook and His Wife'', monogrammed lower center: AD, titled on a gallery label
affixed verso, etching on paper under glass, paper size: 4.25'' H x 3'' W, est:$1000/2000
Provenance: Private Collection, San Diego, CA, through descent in the family.
Condition: Visual: Generally good condition. Toning to the paper. Spots of staining to
the paper scattered throughout, concentrated mainly in the upper right. Repair to a
.5'' crescent-shaped tear in the paper lower left. Mounted to the back mat with tape in
the four corners. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL.
1096 A pair of French gilt-bronze candelabras
19th century, each surmounted by an arrangement of 13 cascading rocaille urnform lights with pierced drip trays supported on scrolling foliate arms issuing from a
naturalistic standard held aloft by a nereid supported on the shoulders of a triton, raised
on a naturalistic nautical base decorated with sea creatures, shells and foliage, on scroll
feet, 2 pieces, each: 36'' H x 19'' W x 15.5'' D, est:$12,000/18,000
condition. General marks, scratches, variations in gilding and wear commensurate with
age. One with standard leaning slightly askew and breaks and repairs to one nereid's
arms near shoulders. Scattered breaks and repairs to foliate arms. Some elements
somewhat loose. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL.
25
1097 A Sevres style gilt bronze-mounted lidded urn
Late 19th / early 20th century, signed to body ''Carperilier''(?), with a pineconeform finial atop a domed gilt-painted cobalt ground lid and collar, the oviform body
painted with a scene of Neptune accompanied by putti and his hippocampi; a draped
beauty reclining on the seashore nearby, with a landscape verso, raised on a wide
socle over a spreading circular base, raised overall on a beaded shaped square plinth,
39'' H x 12'' Dia., est:$4000/6000
Condition: Overall good condition. General marks, scratches and rubbed wear to gilt
paint commensurate with age. Craquelure to glaze throughout. Scattered spots of
verdigris to mount atop collar. Spots of darkening and wear to plinth. Your bid indicates
1098 A silvered metal and frosted glass centerpiece bowl
Early 20th century, likely French, apparently unsigned, the silvered cast-metal base in the
form of three dolphins supported on rectangular plinths flanking the tiered domed fruit,
foliage, and bead-and-reel bordered base, rising to a baluster-form standard bearing an
outswept pierced foliate support surmounted by an inset molded frosted glass bowl,
17.75'' H x 16'' Dia., est:$1500/2000
Condition: Overall good condition. General marks, scratches, scattered pitting,
tarnishing and rubbed wear commensurate with age. Scattered minor spots of oxidation.
Scattered fleabite chips to interior and exterior edges of bowl; the largest .125'' x .125''.
1099 Two carved and giltwood pedestal stands
Circa turn of the 20th century, each circular beaded platform raised on three voluted
supports centered by a channeled and festooned columnar standard, surmounting a
beveled tripartite base, 2 pieces, each: 43'' H x 16.25'' Dia., est:$800/1200
condition. Each refinished. Each with scattered scratches, rubbed wear, discoloration
and chipping to finish on platforms. One with a shrinkage crack across base; structurally
sound. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL.
1100 A mirrored gilt and black lacquer corner wall bracket
Early 20th century, the molded curved mirrored platform supported by dual curvilinear
mirror-inset brackets centered by an acanthus-leaf pendant at the lowest joint,
17'' H x 20.5'' W x 12.5'' D, est:$500/800
condition. With general marks, scratches, minor chips, shrinkage cracks and rubbing
commensurate with age. Scattered evidence of woodworm. Scattered chips and losses;
the largest a .75'' x .5'' loss to one corner of platform. Pendant with a 2'' crack to one side
and a loss to tip. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL.
26
1101 A German silver reticulated plate
Pre-1888, possibly Hanau, likely .800 silver, with partially rubbed maker's mark ''E [tree]
S'' within a heart, twice marked ''Germany'', the floral festooned waved reticulated
edge over a chased and repousse-decorated center depicting Cupid and Venus in relief,
1102 A Continental silver lidded urn with crystal liner
Post 1893, with illegible maker's marks and French non-treaty import swan mark
denoting minimum .800 fineness, the domed circular lid topped with a swan-form
finial, surmounting the pierced all-over diamond pattern cut glass-lined urn-form
body decorated to two faces with dolphins and seashells, flanked by dual scroll-form
handles, raised on a waisted socle over an integral beveled square base, on ball feet,
11'' H x 7.25'' W x 4.875'' D, 19.240 oz troy approximately, est:$500/800
wear commensurate with age. Rim of lid, rim of urn, and base with sections slightly out
of shape; totters slightly. Cut glass liner with numerous chips and losses to edge. Not
monogrammed. Weight does not include cut glass liner. Your bid indicates acceptance
1103 A silver-plated mirrored plateau
Late 19th / early 20th century, apparently unsigned, the circular mirror plate within
a grapevine-bordered surround over a molded egg and dart base, raised on scrolling
rocaille bracket feet, 3.625'' H x 15.5'' Dia., est:$500/700
tarnishing commensurate with age. Mirror plate with corrosion to silvering around
edges commensurate with age. Your bid indicates acceptance of our Conditions of Sale.
1104 Two German .800 silver rooster table ornaments
Late 19th century / early 20th century, Hanau, each with maker's mark ''n'' within a
shield for Ludwig Neresheimer & Co., further marked ''800'', ''Germany'' and with
National German Silver Mark, each modeled in a fighting stance, 2 pieces, the first: 9.5''
H x 8.25'' W x 7'' D; the second: 7.125'' H x 5.5'' W x 10'' D, 32.970 oz troy approximately,
est:$600/900
condition. Each with general scratches, minor dings, marks, rubbed wear and scattered
bending to feathers commensurate with age and handling. Each lacquered, with
scattered areas of dark tarnishing visible. Each with an approximately .25''-long break
to one tail feather. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL.
27
1105 A pierced dual-handled German sterling silver compote
20th century, each handle marked ''930'' and with further illegible marks, the foot
marked twice ''Sterling'', further marked ''Germany'', the pierced oblong body flanked
by eagle's heads each clutching a laurel wreath handle in its beak, overall repoussedecorated with scrolling foliage, foliate festoons and pairs of winged putti centering
bead and spindle-bordered reserves to each face; one monogrammed ''HME'', raised
overall on a conformingly decorated stepped, domed and pierced foot, with liner,
7.75'' H x 11.5'' W x 6.75'' D, 20.915 oz troy approximately, est:$500/700
condition. General marks, scratches, tarnishing, dings and rubbed wear commensurate
with age. One laurel wreath handle partially detached. An approximately 1.5''-long
section at one end of bowl pushed in below eagle's breast. An approximately .25'' x
.25'' repair to edge of foot. Liner with scratches and rubbed wear to interior, as well as
an approximately .5'' x 1'' shallow dent to bottom edge. Weight does not include liner.
1106 After A. de Michele Verrocchio (1435-1488, Italian)
Late 19th / early 20th century, Paris, inscribed to base ''Verrocchio'' after the model by
Andrea de Michele Verrocchio, with bronzer's pastille ''Jaboeuf & Rouard / Fondeurs / a
/ Paris / 10 & 12 / R. de l'Asile Popincourt'' a gilt-bronze sculpture depicting Bartolomeo
Colleoni clad in armor and mounted on horseback, raised on an integral rectangular
base, 24.5'' H x 12'' W x 19.5'' D, est:$3000/5000
Note: Bartolomeo Colleoni was a 15th century mercenary captain of the Republic of
Venice. The present sculpture is a model after the full-sized statue of Colleoni that stands
in Venice's Campo dei Santi Giovanni e Paolo square. Provenance: Private Collection,
Orange County, CA. Condition: Overall good condition. General scratches, rubbed
wear and spots of darkening to gilding commensurate with age. Lacking a connecting
ring to right side of reins near figure's hand. Replaced screw to right side of horse's bit.
1107 Conrad Beckmann (1846-1902 German)
''The Champion'', celebrating figures, signed and dated lower right: Conrad Beckmann
1869, titled on the frame plaque, oil on canvas laid to canvas, 44'' H x 62'' W,
est:$15,000/20,000
Literature: F. von Boetticher, ''Malewerke des Neunzehnten Jahrhunderts'', Leipzig,
1848, vol. 1, p. 64, no.1. Provenance: Collection of the University of Southern California,
Los Angeles, CA; sale, Sotheby's / Parke-Bernet, Los Angeles, CA, 3 May 1982, lot 51
($18,000); Fred Bruckmeier, San Gabriel, CA, acquired from the above, 1982; Estate of
Fred Bruckmeier, Oregon. Condition: Visual: Generally good condition. Craquelure
throughout. Blacklight: Two vertical lines of touch-up spanning the entire height of the
painting on the left and right edges due to the painting being re-stretched to its original
size after previously being reduced. A 2.5'' scattered line of touch-up lower right. A
dime-sized spot of touch-up lower left. Difficult to read under heavy uneven varnish.
1108 Richard Simkin (1840-1926 British)
''The 90th Perthshire Volunteers at the Battle of Mandora, March 13th, 1801'', signed
lower right: R. Simkin, titled and inscribed verso, watercolor on paper, paper size:
9.25'' H x 14.25'' W, est:$1500/2500
Note: With an extensive description of the battle inscribed verso in another hand. Sight
size: 8.75'' H x 13.75'' W. Condition: Visual: Generally good condition. Hinged to the
back mat with archival tape in the upper corners. The recto mat and back mat are hinged
together with brown paper tape along the upper edge. Your bid indicates acceptance of
28
1109 Charles Tanner (19th century- American)
Portrait of an Arabian horse with a dog, signed and dated lower right: C. Tanner 1840,
oil on canvas, 25'' H x 30'' W, est:$600/900
Provenance: Estate, San Marino, CA. Condition: Visual: Generally good condition.
Craquelure throughout. Areas of paint shrinkage scattered throughout. Blacklight: A
2'' line and a 1.5'' scattered line of touch-up lower left. A dime-sized spot and a pea-sized
spot of touch-up left center. A 3.5'' line of touch-up upper left. A 1.75'' x .75'' area of
touch-up upper center. A quarter-sized spot and a dime-sized spot of touch-up lower
right. Small spots of touch-up scattered throughout. Your bid indicates acceptance of
1110 After Isadore Jules Bonheur (1827-1901 French)
Late 19th / early 20th century, impressed to base ''I. Bonheur'', a patinated bronze
depicting a horse drinking from a bucket, 13.75'' H x 23.5'' W x 6.875'' D, est:$3000/4000
Condition: Overall good condition. With general light scratches, marks and rubbed
wear commensurate with age. Your bid indicates acceptance of our Conditions of Sale.
1111 Three Royal Worcester porcelain equestrian groups
Introduced 1963 - 1972, each with maker's marks, dated and titled to underside, three
polychrome painted porcelain models depicting a horse and rider modeled by Doris
Lindner, each with a wooden base and accompanied by COA, including: ''Merano and
Cap. Raimondo d'Inzeo'', numbered 447 of the edition of 500 (10'' H x 10.75'' W x 3.5'' W;
with base: 11'' H); ''H.R.H. The Princess Anne on Doublet'', numbered 87 of the edition
of 750 (11.375'' H x 12.25'' W x 4.5'' D; with base: 12.25'' H); and ''H.R.H. The Duke of
Edinburgh'', numbered 671 of the edition of 750 (14.375'' H x 11.5'' W x 5'' D; with base:
15.25'' H), 3 pieces, est:$1000/1500
condition. A minor scuff to end of Duke of Edinburgh's horse's tail. Your bid indicates
1112 Two Royal Worcester porcelain equestrian groups
Circa 1960s, each with maker's marks, dated and titled to underside, two porcelain
equestrian groups modeled by Doris Lindner, each with a wooden base and
accompanied by COA, the first: ''Galloping Ponies'', numbered 71 of the edition of 500
(14.25'' H x 16'' W x 8'' D; with base: 15'' H); the second: ''HRH The Duke of Edinburgh'',
numbered 418 of the edition of 750 (14.375'' H x 11.5'' W x 5'' D; with base: 15.25'' H),
2 pieces, est:$800/1200
condition. One galloping pony with a minor scuff to knee and muzzle, the other with a
minor scuff to hind leg. Your bid indicates acceptance of our Conditions of Sale. AS-IS.
ALL SALES FINAL.
29
1113 Four Royal Worcester porcelain equestrian models
Introduced 1964-1971, each with maker's marks, dated and titled to undersides, four
polychrome painted porcelain horses modeled by Doris Lindner, each with a wooden
base and accompanied by COA, including: ''Welsh Mountain Pony'', numbered 295 of
the edition of 500 (7.625'' H x 10.5'' W x 2.75'' D; including base: 8'' H); ''Shire Stallion'',
numbered 425 of the edition of 500 (9.25'' H x 10'' W x 3.25'' D; including base: 10'' H);
''Appaloosa Stallion'', numbered 665 of the edition of 750 (9.375'' H x 10.625'' W x 3'' D;
including base: 10.75'' H); and ''Palomino Stallion'', numbered 353 of the edition of 750
(8.75'' H x 11'' W x 3.5'' W; including base: 9.375'' H), 4 pieces, est:$1000/1500
condition. General light marks, scratches, scuffs and dust accumulation commensurate
with age. ''Welsh Mountain Pony'' with a small chip to girth at end of reins. ''Shire
Stallion'' with four ribbon knots to mane broken and reattached. Your bid indicates
1114 Three Royal Worcester porcelain models of bulls
Introduced 1965-1968, each with maker's marks, dated and titled to underside, three
polychrome painted porcelain bulls modeled by Doris Lindner, each with a wooden
base and accompanied by COA, including: ''Jersey Bull'', numbered 347 of the edition of
500 (7.25'' H x 11'' W x 3.25'' D; with base: 8'' H); ''Charolais Bull'', numbered 251 of the
edition of 500 (6.625'' H x 10.375'' W x 4.75'' D; with base: 7.625'' H); and ''Brahman Bull'',
numbered 424 of the edition of 500 (7.75'' H x 10'' W x 4'' D; with base: 8.5'' H), 3 pieces,
est:$700/1000
condition. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL.
1115 A George III sterling silver footed ''loving cup''
1761, London, with partially obliterated maker's marks ''W(?).P / ? P'' within a shaped
cartouche, the ovoid body engraved ''1761'' to one face and with monogram ''SPHB''
to the other, flanked by dual S-curve handles, raised on a stepped domed foot,
6.5'' H x 8.25'' W x 5'' D, 16.650 oz troy approximately, est:$500/700
With general light scratches, marks, shallow dings and rubbed wear commensurate
with age. An approximately 1''-long section of foot pushed slightly in. Your bid indicates
1116 A George III sterling silver cruet stand
1767, London, with maker's mark ''EA'' within a diamond for Elizabeth Aldridge, with
a bead and reel-topped handle over a twisted standard centering a five-part platform
with four pierced sides; the fifth enclosed and engraved with a speared boar armorial,
raised overall on pierced rocaille feet, together with five cut crystal cruets; one stopper
affixed with a mustard spoon, overall: 6.5'' H x 5.25'' Dia., 9.935 oz troy approximately,
est:$500/700
Condition: Overall good condition. General light marks, scratches and tarnishing
commensurate with age. A minor repair to handle at base. One foot pushed inward;
does not affect stability. Three replaced cruets with minor differences in style; one with
a different style of stopper. Cruets with scattered chips, nicks and losses commensurate
with age and use. Not monogrammed. Weight does not include crystal elements. Your
30
1117 A set of 8 Georgian sterling silver plates
1776, London, each with maker's mark ''W / GH / G'' within a shaped shield for
George Heming & William Chawner I and further inscribed numerically, each with
a shaped circular gadrooned-edge rim engraved with an armorial shield within a
rocaille surround, 8 pieces, each: 1'' H x 9.75'' Dia., 153.920 oz troy approximately,
est:$5000/7000
Condition: Overall good condition. Each with general marks, scratches and rubbed
wear commensurate with age. Scattered minor dings; the largest a .25'' diameter ding to
interior edge of one plate. Your bid indicates acceptance of our Conditions of Sale. ASIS. ALL SALES FINAL.
1118 A George III sterling silver footed salver
1782, London, with maker's mark ''IS'' within a double circular shield for John Schofield,
the beaded-edge reeded rim over a plain interior centered by a wreath and bow
armorial, raised on reeded feet, 1.125'' H x 14'' Dia., 39.230 oz troy approximately,
est:$1000/1500
tarnishing commensurate with age. One leg bent slightly outward, another bent slightly
inward. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL.
1119 Three George III sterling silver repousse spoons
Two dated 1791 with maker's mark ''TN'' for Thomas Northcote, one dated 1794 with
maker's mark ''SA'' for Stephen Adams I, each London, each repousse-decorated with
fruit to bowl, chased to bowl and handle with leaves and rocaille, one scalloped-edge
round-bowl slotted spoon (7.5'') and two scalloped-edge oval-bowl serving spoons
(8.625''), 3 pieces, together with a fitted case, 5.060 oz troy approximately, est:$300/500
1795, London, with maker's mark ''TR'' for Timothy Renou, the reeded rim encircling a
lightly chased interior centered by an eagle-topped armorial shield, raised on scrolled
bracket feet, 1.25'' H x 14.25'' Dia., 37.855 oz troy approximately, est:$600/900
tarnishing commensurate with age. An approximately 3''-long section of rim base
pushed slightly inward. Your bid indicates acceptance of our Conditions of Sale. AS-IS.
ALL SALES FINAL.
31
1121 A George III sterling silver tea set
1820, London, each with maker's mark for Benjamin Smith III, a three-piece set, each
with a gadrooned rim and shoulders, the sugar bowl and milk jug each engraved with
a swan armorial to one side, comprising: a teapot (5'' H x 10.125'' W x 6'' D), doublehandled sugar bowl (4.375'' H x 7.75'' W x 5.5'' D) and a milk jug (4'' H x 5.5'' W x 4.25''
D), 3 pieces, gross weight 44.855 oz troy approximately, est:$1000/1500
Condition: Overall good condition. General marks, scratches, scattered dings and
rubbed wear commensurate with age. The teapot's handle with minor repairs to two
pins, a tiny hole to verso of top joint and minor separation from body at base. Milk jug
with minor repairs to handle joints. Inscribed, as stated. Not monogrammed. Weight
includes bone insulators. Your bid indicates acceptance of our Conditions of Sale. AS-IS.
ALL SALES FINAL.
1122 A George III mahogany secretary cabinet
Early 19th century, constructed in two sections, the molded cornice above a reeded
frieze over two locking glazed mullioned doors enclosing three adjustable wood shelves,
over a locking drop front braced by two pull-out supports, enclosing a green tooled
and gilt leather writing surface, backed by a central locking cabinet door enclosing a
short drawer, flanked by two identical arrangements of four compartments over two
short drawers over one longer drawer, raised overall on a conforming bureau with
two short drawers over three long drawers, on bracket feet, 92.5'' H x 50.5'' W x 27'' D,
est:$3000/4000
Provenance: Private Collection, Pasadena, CA. Condition: Refinished. Hardware
possibly replaced; lock appears to be original. Upper and lower sections likely a
marriage; lower section with added supports verso. Drawer within hinged compartment
lacking pull. Minor bowing drop front and scattered shrinkage cracks commensurate
with age, including splits running the length of each lower side panel. Upper long
drawer lacking approximately 3'' of edge molding to drawer face; lower drawer lacking
approximately 1'' of the same. Your bid indicates acceptance of our Conditions of Sale.
1123 George Lance (1802-1864 British)
''Now Reigns Here a Very Very Peacock'', appears unsigned, titled on a gallery label
verso, oil on canvas laid to canvas, 68'' H x 52'' W, est:$30,000/40,000
Exhibited: Royal Academy, London,1855, no. 432; Centennial Exhibition, Philadelphia,
PA, 1876; Owen Edgar Gallery, London, ''Victorian Master Paintings'', May-June
1984. Provenance: Owen Edgar Gallery, London. Condition: Visual: Very fine stable
craquelure scattered throughout including a heavier horizontal line of cracking along
the upper left edge. A scratch in the paint layer in the lower right, approximately 1.5''.
Tacking edges removed when lined. New stretcher bars. Blacklight: Scattered dots of
touch-up on the peacock's chest and along the outline of the chest. Three scattered areas
of touch-up in the upper sky. A few scattered dots of touch-up in the upper right, a few
scattered spots of touch-up beneath the peacock near the fruit in the lower center. A
vertical area of scattered touch-up in the left center approximately 5'' x 2.5'' along with
a few other dime and quarter areas in the same vicinity. Scattered spots of touch-up
lower left. Crack-fill scattered on the fruit lower center. An area of possible touch-up or
paint reinforcement in the upper left approximately 2'' x 3''. Heavy varnish layer. Your bid
32
1124 Attributed to Bernard Lens III (1681-1740 British)
Springtime feast with figures, unsigned, tempera on vellum laid to panel under glass,
9.5'' H x 12'' W, est:$2000/3000
Provenance: Private Collection, Newport Beach, CA. Condition: Visual: Generally good
condition. Tiny flecks of paint loss scattered throughout. The paper lifting from the
panel in the upper left corner. Frame abrasion along the four edges. A small area of paper
loss lower left with paint restoration applied directly to the panel. A pea-sized area with
scattered paint loss upper center. Your bid indicates acceptance of our Conditions of
1125 Late 18th century Continental school
Group of figures at an outdoor party, unsigned, oil on canvas laid to canvas,
54'' H x 37'' W, est:$3000/5000
Provenance: Private Collection, Malibu, CA. Condition: Visual: Generally good
condition. Craquelure throughout. A .75'' x .25'' area of paint loss upper left corner.
Stretcher bar crease along the right edge. Blacklight: A 5.5'' x 2'' area of touch-up in the
center. A 4.5'' x 3'' area and a 12'' line of touch-up left center. A 2.5'' line and two 1.5'' lines
of touch-up lower center. Small spots of touch-up scattered throughout the center. A
quarter-sized spot of newer touch-up upper left corner. Difficult to read under varnish.
1126 Circle of George Romney (1734-1802 British)
A portrait of Anne, Marchioness Townshend, unsigned, titled on gallery labels affixed
verso, oil on canvas, 30'' H x 25'' W, est:$1500/2000
Exhibited: Los Angeles County Museum of Art, Los Angeles, CA, n.d. Provenance:
Private Collection, Chino Hills, CA. Condition: Visual: Generally good condition.
Craquelure throughout. Stretcher bar creases all four sides. Minor frame abrasion.
Blacklight: Apparently no restoration under blacklight. Difficult to read under varnish.
1127 Henry Pierce Bone (1779-1855 British)
''Frances Anne Georgiana'', portrait, unsigned, inscribed verso, oil on enamel over
copper, oval size: 4'' H x 3'' W, est:$3000/4000
Note: Inscribed verso: Born July 24 1817, Daughter of the Honorable W.F.S. & Lady
Barbara A.C. Ponsonby London June 1834, Painted From Life by Henry Pierce Bone,
Enamel Painter to Her Majesty & their Royal Highness, The Duchess of Kent & Princess
Victoria. Provenance: Private Collection, Beaumont, CA. Condition: Visual: Generally
good condition. Pinhole pitting scattered throughout, concentrated mainly in the
woman's neck. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL.
33
1128 Attributed to Jacques Charlier (1720-1790 French)
Two works: ''Amours Dans Les Nuages'' (Love In The Clouds), each: unsigned, titled
on a gallery label affixed verso, each: pastel on vellum under glass, oval size: each:
14.75'' H x 11.5'' W, est:$3000/5000
Note: The present works may be copies of pastels by Francois Boucher (1703-1770).
Paper size: each: 15.75'' H x 12.5'' W. Provenance: Private Collection, Los Angeles, CA.
Condition: Visual: The first: Generally good condition. Spots of discoloration scattered
throughout, concentrated mainly in the clouds and sky. The second: Generally good
condition. Spots of discoloration scattered throughout, concentrated mainly in the
clouds. Two 1'' tears in the vellum right center with corresponding patches verso. A
1.5'' tear in the vellum lower right. Each: With paper laid to the vellum along the edges
and in the corners not effecting the image. Your bid indicates acceptance of our
1129 Attributed to Marco d'Oggiono (c. 1475-1549 Italian)
''Virgin of the Rocks'', unsigned, oil on canvas laid to canvas, 60.5'' H x 50'' W,
est:$15,000/20,000
Note: The present work is a copy of Leonardo da Vinci's ''Virgin of the Rocks'' in
the collection of the Louvre, Paris. Provenance: Private Collection, La Verne, CA.
Condition: Visual: Craquelure throughout. Artist's pinholes along the upper edge. Long
drips of varnish discoloration lower left. A 1'' x 1'' scattered area of paint loss, a 1'' line
of paint loss and a 2'' line of paint loss lower right. Blacklight: Large areas of touch-up
throughout including a vertical line of touch-up along the length of the canvas left
center, a 3'' x 2.5'' 'H'-shaped area of touch-up left center with corresponding patch verso
and a 1'' x 1'' area of touch-up lower right with corresponding patch verso. Your bid
1130 Late 19th century Italian School
After Raphael, ''Madonna della seggiola'', signed and inscribed verso: copy by Louis
Pisani, titled and inscribed verso, oil on canvas in an ornate carved gilt frame, 28.5'' Dia.,
est:$2000/3000
Note: The original painting by Raphael is in the collection of the Pallazzo Pitti, Florence.
Canvas size: 29.25'' H x 29.25'' W. Provenance: Private Collection, Malibu, CA.
Condition: Visual: Craquelure throughout. A quarter-size area of varnish loss upper
center. Blacklight: Apparently no evidence of touch-up under blacklight. Difficult to
read under varnish. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL.
1131 After Auguste Henri Carli (1868-1930 French)
First quarter 20th century, Paris, incised signature to base ''A. Carli'', inscribed to verso
''Susse Fres Edts Paris'' and marked with Susse foundry pastille, a bronze sculpture, ''La
Lutte de Jacob avec l'ange'', also called ''La Lutte de l'Esprit pour triompher de la Matiere'',
depicting Jacob wrestling with an angel, the angel with one arm outstretched above
her head and wings furled around her body, raised on an integral naturalistic base,
27.5'' H x 10.25'' W x 11'' D, est:$1500/2500
Note: The plaster model of this sculpture was shown at the 1902 Paris Salon, where
it was purchased for the Marseille Musee des Beaux-Arts. The model served for the
full-scale stone sculpture of the same name which now stands in the Place Michel de
l'Hospital, Clermont-Ferrand, France. Provenance: Property from a Private Collection,
Rancho Palos Verdes, CA. Condition: Overall good condition. General marks, scratches
and rubbed wear commensurate with age. Scattered spots of white house paint to base
and verso. Scattered spots of verdigris. One .75'' x .125'' and one .25'' x .25'' section of
crack-fill to verso of angel's left wing, likely executed at time of casting; further patches
of fill to Jacob's left arm. Break and repair to lower 3.25'' section of angel's right wing
and a break and repair to angel's arm at shoulder. Your bid indicates acceptance of our
34
1132 A Russian Icon of Christ
Late 19th / early 20th century, painted on panel, a portrait of Christ surrounded by a
radiating gilt halo, within a polychrome-painted scrolling foliate gilt surround, mounted
within a gilt and carved gessoed frame, overall: 26'' H x 22'' W, est:$1000/2000
Condition: The icon: 12'' H x 10'' W. Overall good condition. Bowing to panel, scattered
shrinkage cracks and spots of rubbed wear to gilding commensurate with age. Scattered
chips and losses to carved frame; the largest a 1.75'' x .5'' loss at lower right corner. Your
1133 A Russian .875 silver ecclesiastical chalice
Circa 1898-1908, with ''84 / (left-facing woman)'' within an oval hallmark denoting
.875 fineness to bottom of cup, the base with multiple circular left-facing woman assay
marks, with maker's mark ''B.C'' within a rectangle, spurious ''925'' mark to rim, the
slightly flaring mouth over a heavily chased and repousse-decorated body with four
oval-shaped reserves depicting Christ, Joseph and the Virgin Mary, raised on a turned
standard over a domed similarly decorated stepped base with reserves depicting various
saints, 12.125'' H x 5.75'' Dia., gross weight 29.990 oz troy approximately, est:$1200/1800
Provenance: Private Collection, La Jolla, CA. Condition: Overall good condition.
General marks, scratches, tarnishing and rubbed wear commensurate with age. Weight
includes non-silver elements to interior. Your bid indicates acceptance of our Conditions
1134 A pair of Nicols & Plinke .875 silver candlesticks
Circa 1870s, St. Petersburg, Russia, each with maker's mark ''NP'' within a rectangle
for Nichols & Plinke surmounted by the Imperial Warrant Mark, further marked for
workmaster ''PK'', each cylindrical light over a thin turned stem raised on a stepped
and slightly domed circular base, 2 pieces, each: 7.25'' H x 3.625'' Dia., 16.685 oz troy
Condition: Overall good condition. General scratches and rubbed wear commensurate
with age. With slight stylistic differences to rim of light. One with a repair to rim of light;
the other with a repair to midpoint of turned stem. Your bid indicates acceptance of our
1135 An Italian polychrome-painted cabinet
Mid / late 19th century, of pine construction, the rectangular gilt and polychrome
painted top centered by a griffin armorial over two carved-front short drawers above
two sets of hinged double doors, each painted with a standing figure, enclosing a singleshelf interior, the lower frieze inscribed ''Mvltvm in Parvo'', raised overall on bracket feet,
41.5'' H x 63.5'' W x 15'' D, est:$1200/1800
condition. General marks, scratches, rubbed wear and chipping to paint commensurate
with age. Scattered shrinkage cracks, including vertical splits to each cabinet door. Right
side door of left double doors with bent hinges; door does not stay secured to frame
when opened. Evidence of woodworm to reverse. Your bid indicates acceptance of our
35
1136 After Antonin Mercie (1845-1916 French)
Early 20th century, signed to base ''A. Mercier'', a bronze sculpture depicting David
with the severed head of Goliath, raised on an integral stepped circular base,
27.75'' H x 15.5'' W x 11'' D, est:$1500/2500
General light marks and scratches commensurate with age. Circular base is somewhat
out of round. A minor inherent hairline crack to shoulder of David's right arm. Your bid
1789, London, with maker's mark ''IWS / WE'' for J. W .Story & W. Elliott, the shaped
gadrooned and shell-clasp rim encircling a plain interior centered by a chased wreath,
raised on acanthus-topped paw feet, 1.25'' H x 9.5'' Dia., 19.370 oz troy approximately,
est:$800/1200
1138 A George III sterling silver serving platter
1806, London, with maker's mark ''NH'' within a rectangle for Henry Nutting or Hannah
Northcote, the shaped oval gadrooned-edge rim with dual engraved armorial shields,
1'' H x 17.875'' W x 13.5'' D, 56.245 oz troy approximately, est:$1200/1800
1139 A pair of George III sterling silver goblets
1761, Dublin, with partially rubbed maker's marks ''I.I'' within a rectangle, each bowl
chased with foliate festoons connecting four stippled reserves; one centered by a
seal armorial, surmounting a beaded socle over a tapered stem raised on a domed
circular beaded base, 2 pieces, each: 7'' H x 3.625'' Dia., 14.785 oz troy approximately,
est:$1000/2000
Provenance: Property from a Pasadena, CA Estate. Condition: Overall good condition.
General marks, scratches rubbed wear and tarnishing commensurate with age. Your bid
36
1140 A George III brass-bound mahogany cellarette
The octagonal hinged top opening to reveal a brass-lined interior, the conforming,
slightly tapering body fitted with a spout to underside, raised on a later octagonal stand
with four tapering square legs, 26.5'' H x 19'' W x 18.5'' D, est:$1000/1500
Provenance: Property from a Pasadena, CA Estate. Condition: Overall good
condition. General scratches, marks, shrinkage cracks at joints, chips and rubbed wear
commensurate with age. Scattered areas of lifting to banding; a .75'' crack to banding
near one handle. Evidence of woodworm to underside. Stand totters slightly on a flat
surface. Lacking key. Your bid indicates acceptance of our Conditions of Sale. AS-IS.
ALL SALES FINAL.
1141 A pair of George III sterling silver wine coasters
1818, London, one with maker's mark ''PB'', possibly for Philip Batchelor, the other with
partially obliterated maker's marks, each with a flaring gadrooned edge over a circular
undulate body engraved to one side with an open book inscribed ''ODVI / ORTAE'',
centering a turned wooden center, 2 pieces, each: 1.875'' H x 5.375'' Dia., gross weight
Condition: Overall good condition. With general marks, scratches, tarnishing and
rubbed wear commensurate with age. The wooden bases dry. Undersides lined with
green felt. Inscribed, as stated. Not monogrammed. Weight includes wooden bases.
1142 A George IV sterling silver gravy boat
1823, London, with maker's mark ''GK'' within a double circular shield for George King,
the plain body set with an acanthus-topped S-scroll handle, raised on three C-form
legs with acanthus knees, 4.875'' H x 8.5'' W x 4.5'' D, 14.085 oz troy approximately,
est:$300/400
wear commensurate with age. One rear leg pushed slightly in towards body with foot
bent upwards. An approximately .25''-diameter ding to front side. Your bid indicates
1143 A George IV sterling silver serving platter
1825, London, with maker's mark ''IC'' within a rectangle for Joseph Craddock, inscribed
to verso ''47-7'', the shaped oval gadrooned-edge rim with dual engraved eagle's head
armorials, 1'' H x 16.875'' W x 12.25'' D, 46.360 oz troy approximately, est:$1000/1500
37
1144 A Victorian sterling silver footed salver
1899, London, with maker's mark ''WW / BT'' within a square shield for Walter Walker
& Brownfield Tolhurst, the shaped beaded acanthus-clasp rim over a chased interior
decorated with scrolling foliate reserves alternating fruit and flowers, centered by a lion
armorial surmounting a banner reading ''Deo Non Fortuna'', raised on claw and ball feet,
1145 A Victorian Renaissance Revival lady's slipper chair
Fourth quarter 19th century, of carved walnut and tufted red velvet upholstery, the
tripartite pierced backrail with curved, gently outswept side supports with pierced
scrolling terminals, raised on scrolling cabriole legs, 34.75'' H x 22'' W x 27'' D,
est:$500/700
Condition: Overall good condition. General marks, scratches, wear and separation at
joints commensurate with age. With 1.5'' of added length to each front foot and casters
applied to back feet. Upholstery with wear and spots of balding commensurate with age
and use. Evidence of woodworm. Your bid indicates acceptance of our Conditions of
1146 A marble pedestal stand
Early 20th century, of variegated white and grey marble, the square clipped-corner
platform over a cylindrical banded standard, on a stepped circular base raised on an
octagonal plinth, 40'' H x 16'' Dia., est:$500/700
Provenance: Property from a Private Collection, Rancho Palos Verdes, CA. Condition:
Overall good condition. General marks and scratches commensurate with age.
Abrasions to platform. Scattered nicks and chips; the largest approximately .25'' x .125''
on base. Scattered areas of fill, the largest a 5'' x 1'' section of standard beneath central
band. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL.
1147 A Victorian bracket clock
Late 19th / early 20th century, stamped to the twin train movement ''SF / M&H /
E'', further marked ''5070'', the domed cornice flanked by dual turned finials over
a rectangular walnut case, the shaped glazed hinged door enclosing a gilt-bronze
surround with scrolling foliage and espagnolette mounts, centered by a silvered dial
with Roman numeral hour markers and Arabic minute indices surmounted by a
subsidiary dial for speed adjustment, raised on a stepped beveled plinth, with key,
15'' H x 12.125'' W x 7.5'' D, est:$600/900
Provenance: Private Collection, Long Beach, CA. Condition: Overall good condition.
The case with general marks, scratches, wear, minor separation at joints and scattered
shrinkage cracks commensurate with age; the largest an approximately 2.5''-long crack
to left bottom side of case. Scattered gouges to case, primarily concentrated to left side
verso surrounding door. A 1.25'' x .25'' area of loss and fill to edge of verso door near lock.
Case refinished and lacquer applied to cornice; with lacquer drips to verso. Scattered
scuffs and scratches to silvered dials. A .375''-long scratch to glazed door. Works
complete, winds and runs. Moran's does not guarantee working condition of clocks.
38
1148 An Edwardian gilt bronze-mounted cabinet
Early 20th century, of mahogany with oak secondary wood, the circular mirror
mounted between dual turned standards over the rectangular green marble galleried
top surmounting a conforming body with two long drawers faced with pierced scrolling
foliate mounts, raised on scrolled cabriole legs joined by a beaded serpentine undershelf with paneled backing, on toupie feet, 71'' H x 31.5'' W x 16'' D, est:$1000/1500
condition. General marks and scratches commensurate with age. Marble top with a
linear break and subsequent fill to center and scattered minor chips to edge. Shrinkage
cracks to mirror backing and backboard of under-shelf. Lacking key. Your bid indicates
1149 A Continental gilt-bronze tantalus
Late 19th / early 20th century, the rectangular double-hinged glazed cover over
glazed sides opening to an associated fitted removable cast brass and wood interior
housing 4 gilt-decorated decanters (each: 7.5'' H x 3'' Dia.) and 11 cordial glasses (each:
3'' H x 1.625'' Dia.), raised on scroll-adorned toupie feet, overall: 12'' H x 15'' W x 11.75''
D, est:$600/900
condition. The housing with general light scratches, nicks, rubbed wear and areas of
scattered verdigris. The decanters and glasses with scattered minor wear and nicks to
gilding. One cordial glass with a fleabite to rim. Decanter stoppers with shallow chips
and fleabites to ends. Wear and losses to finish of wooden caddy. Your bid indicates
1150 A French gilt-bronze nautilus vase
Late 19th / early 20th century, the scrolled and strapwork-decorated nautilus
surmounted by a winged female half-figure, the whole raised aloft by a dualtailed mermaid, supported on a stepped circular plinth, on seahorse feet,
13'' H x 6.75'' W x 5.75'' D, est:$600/900
Condition: Overall good condition. General marks, scratches, rubbed wear and spots of
darkening to gilt-bronze commensurate with age. A break and repair to lower 1'' section
of mermaid's hair. Scattered areas of minor verdigris. An approximately 1'' section of
plinth pushed slightly inward. Your bid indicates acceptance of our Conditions of Sale.
1151 A framed Berlin / KPM plaque, ''Gypsy Portrait''
Late 19th / early 20th century, impressed ''KPM'' and scepter marks, further impressed
''F / 5'', apparently unsigned, the oval plaque hand-painted with a portrait of a ravenhaired gypsy, within a pierced carved giltwood frame, the plaque: 10.5'' H x 8.5'' W,
est:$6000/8000
Condition: Overall: 21'' H x 16.75'' W. Overall good condition. Scattered light scratches
to plaque commensurate with age. Cracks, repairs, and scattered rubbed wear and areas
of uneven gilding to frame. Your bid indicates acceptance of our Conditions of Sale. ASIS. ALL SALES FINAL.
39
1152 Giovanni Antonio Raggi (19th century- Italian)
''The Fortune Teller'', Orientalist interior with two figures, signed lower right:
Raggi, titled on the frame plaque, watercolor on paper laid to board under glass,
21.75'' H x 15'' W, est:$5000/7000
Provenance: Private Collection, Santa Barbara, CA. Condition: Visual: Generally good
condition. Minor paint shrinkage scattered in some dark pigments including a 1/4'' area
of instability in the upper left. Your bid indicates acceptance of our Conditions of Sale.
1153 Tranquillo Cremona (1837-1878 Italian)
''Confidenze (Le Amiche)'', two women socializing together, signed with conjoined
initials lower left: TC, oil on linen, 16'' H x 13.25'' W, est:$3000/5000
Exhibited: Exhibition of Italian Painting, Chicago, IL, May - November, 1934, no. 241.
Provenance: Private Collection, Los Alamitos, CA. Condition: Visual: Generally good
condition. Minor surface dirt. Blacklight: No evidence of restoration under blacklight.
1154 19th Century French school
Two works: Figures at a ball and at a dinner party, each signed lower left: Solar De Celta,
the first: oil on canvas laid to panel, the second: oil on canvas, each: 12'' H x 15.75'' W,
est:$1000/1500
Provenance: Private Collection, Beverly Hills, CA. Condition: Visual: The first: Fine
craquelure scattered throughout. Two small scratches with paint loss upper right.
Very small areas of the canvas lifting from the panel along the edges and left center.
The second: Craquelure throughout. A small spot of grime on the face of the woman
in the center. Blacklight: The first: Small spots of touch-up in the center. The second:
1155 19th century Italian school
Peasant girl with wheat and sickle, signed and inscribed right center: Pagani painted
/ Via Della Croce 78. B / Rome 1872, oil on canvas, oval size: 23.75'' H x 19.25'' W,
est:$2000/3000
condition. Fine craquelure scattered throughout. A .25'' hole in the canvas below the
girl's ear. Blacklight: Apparently no restoration under blacklight. Difficult to read under
varnish. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL.
40
1156 Antonietta Brandeis (1849-1920 Italian)
Italian canal scene with gondola and figures, signed with conjoined initials lower left:
ABrandeis, oil on canvas, 18'' H x 10'' W, est:$6000/9000
Provenance: Private Collection, Hesperia, CA. Condition: Visual: Generally good
condition. Areas of paint shrinkage in some of the darker pigments of the water and
the upper windows of the building on the right. The canvas is slightly rippled along
the upper edge. Small spots of paint loss upper center, lower center and left center.
Surface grime left center. Minor stretcher bar crease along the upper edge. Blacklight:
1157 Antonietta Brandeis (1849-1920 Italian)
Italian rural street scene with figures, signed with conjoined initials lower right:
ABrandeis, oil on canvas, 18'' H x 10'' W, est:$6000/9000
Provenance: Private Collection, Hesperia, CA. Condition: Visual: Generally good
condition. Very small areas of paint shrinkage in some of the darker green pigments left
center and right center. The canvas is slightly rippled along the upper edge and lower
left corner. Blacklight: No evidence of restoration under blacklight. Your bid indicates
1158 An Italian bronze figure of a seated man
Likely early 20th century, signed ''F. de Luca'' (Ferdinando De Luca, late 19th / early 20th
century Italian), depicting a seated man in Greco-Roman dress, on an integral square
base mounted on a marble plinth, 19.5'' H x 8.5'' W x 9.5'' D, est:$800/1200
Overall good condition. General marks, scratches and rubbed wear commensurate with
age. Marble plinth with scattered minor chips and fleabites to edges and corners. Your
1159 A Continental gilt-bronze box
Late 19th / early 20th century, stamped twice to interior ''3'', the stepped rectangular
hinged locking top enclosing a red velvet-lined interior, decorated overall with molded
foliate bands and relief-decorated to top and each face with rectangular reserves
centered by figural scenes of crop harvesting, raised on an outset beveled rectangular
base, on ball feet, with key, 7.25'' H x 11.875'' W x 9.25'' D, est:$800/1200
General marks, scratches minor dents and rubbed wear to gilding commensurate with
age. Some rubbed wear to raised decoration. Scattered areas of verdigris and darkening
to gilt bronze. Approximately .25'' of each corner at base bent upward. Your bid indicates
41
1160 A Rococo style carved gesso and giltwood wall mirror
Late 18th / early 19th century, the rectangular plate within a rocaille, vine-form and
trailing floral surround crested overall by a jutting Ho Ho bird, 71'' H x 65.5'' W x 8'' D,
est:$4000/6000
Overall good condition. Scattered cracks, minor losses and repairs, including a 1.5''long loss to bottom edge and a break and repair to bird's neck. Scattered areas of wear
and minor chipping throughout revealing gesso and red bole. Plate replaced. Your bid
1161 An Italian carved alabaster lamp
Late 19th / early 20th century, unsigned, carved and constructed in horizontal sections,
the stepped circular base surmounted by three young satyrs supporting a covered
amphora-form lamp on their shoulders, the body carved in relief with a continuous
scene of dancing satyrs and bacchantes, with espagnolette-flanked shoulders rising to a
foliate-wrapped neck, electrified, 25'' H x 11.25'' W x 8.75'' D, est:$1000/2000
An approximately 5''-long break and repair to lid and a 2'' break and repair to neck of
urn. Scattered hairline cracks throughout, the largest an approximately 17'' diagonal
crack circumventing urn body. Scattered minor chips and losses including a .25'' x .25''
loss to one espagnolette's nose and a .5'' x .5'' loss to edge of base. Scattered minute spots
of house paint. Wiring should be checked by a qualified electrician prior to use. Your bid
1162 A Continental carved giltwood console table
19th century, in the Rococo style, of gilt carved and gessoed wood construction, the
serpentine slate top over a pierced rocaille apron accented with rosebuds, raised on
four foliate-scrolled cabriole legs joined by a conforming X-form stretcher centered
by an acanthus-wrapped pomegranate, on scroll feet, 32.25'' H x 39.75'' W x 29'' D,
est:$800/1200
Overall good condition. With scattered chips and fleabites to edges of slate top; the
largest 1.5'' x .5''. Scattered breaks, repairs and cracks to timber. Evidence of woodworm.
1163 A ''Wedgwood'' sterling silver footed bowl
Mid-20th century, with maker's mark for International Silver Co., further marked
''Wedgwood / International / Sterling / V50 / Patented'', the rim repousse-decorated
with urns and scrolling foliage interspaced with cartouches centered by urns and
flowers, over a flaring body, raised on a beveled circular foot, 3.5'' H x 11.5'' Dia., 21.465
oz troy approximately, est:$400/600
condition. General marks and scratches commensurate with age and use. Two shallow
.25''-long dings to edge of rim; scattered shallow dings to bowl and underside of foot.
42
1164 A white marble bust of Minerva
Late 19th / early 20th century, unsigned, titled to base of bust ''Minerva'', depicting
Minerva clad in armor and a sphinx-topped battle helmet, raised on a marble plinth,
22.5'' H x 10.75'' W x 7'' D, est:$500/800
Overall good condition. With light marks, scuffs, scratches and dust accumulation
commensurate with age. An approximately .75'' x .5'' area of green house paint to the
end of Minerva's sash. Scattered chips and fleabites to bust primarily localized to edges
of base and shoulders; the largest a .5'' x .25'' loss to right lower edge of base. Two pits to
verso and one .125'' x .5'' pit to figure's jawline. Marble plinth with scattered chips and
cracking throughout. Your bid indicates acceptance of our Conditions of Sale. AS-IS.
ALL SALES FINAL.
1165 A gilt bronze-mounted marble pedestal stand
Late 19th / early 20th century, of pink marble, the square platform over an acanthuswrapped cylindrical standard set into a circular waisted channeled base over a square
beveled and stepped beaded plinth, raised on outset molded egg and dart bracket feet,
45.75'' H x 11.25'' W x 11.375'' D, est:$500/700
Scattered chips to edges and corners throughout. Column with breaks and repairs
near center point and to 5.5'' section at corner of platform. A 17.5''-long loss to beading
around base. Wear and darkening to gilt bronze commensurate with age. Your bid
1166 After Giambologna (1529-1608 Flemish)
Late 19th / early 20th century, unsigned, ''Flying Mercury'' a bronze depicting the
god holding his caduceus, poised with one foot atop a wind blown by Zephyrus,
raised overall on a stepped circular black stone plinth, overall: 65'' H x 18'' W x 27'' D,
est:$3000/4000
The bronze: 55'' H. Overall good condition. General marks, scuffs and rubbed wear
commensurate with age; spots of verdigris to Zephyrus. The caduceus broken at base
near hilt. Mercury's wings at each foot cracked at base; one loose. Scattered chips and
losses to plinth; the largest: a 3.5'' x .5'' loss to lower beveled edge. Your bid indicates
1167 A Continental gilt-bronze and copper box
Late 19th / early 20th century, apparently unsigned, the hinged circular laurel and beadbanded lid centering a repousse-decorated inset copper top depicting Olympian gods
and goddesses within a classical townscape, enclosing a modern red velvet-lined interior,
the gilt-bronze exterior decorated with stacked repousse arabesque, bead, and laurel
bands, 3.5'' H x 7'' Dia., est:$400/600
Overall good condition. General light scratches, dings and rubbed wear commensurate
with age and use. A 1.5''-long area of slightly pushed-in bead molding at base. Scattered
shallow dents to body; the largest 1'' x 1'' approximately. Your bid indicates acceptance of
43
1168 A pair of Austrian bronze and cut crystal parfumes
Late 19th/early 20th century, each stamped ''Made in Austria'', each slightly flaring
all-over diamond pattern circular cut crystal bowl raised on a molded base supported
by three caryatids in Egyptian dress, mounted to a tripartite stepped plinth, raised
on paw feet, 2 pieces, the first: 11.75'' H x 7.75'' Dia.; the second: 12'' H x 7.75'' Dia.,
est:$2000/3000
commensurate with age. Scattered minor fleabites to cut crystal bowls. Your bid
1169 A hand-painted porcelain vase, F. A. Mehlem
Late 19th / early 20th century, Bonn, Germany, with maker's brown underglaze ''Royal
Bonn / Germany'' mark, impressed circular mark, ''BP'', and ''2? 17'', painter signed ''K.
Apitz'', the slightly flared gold-painted neck over a broad-shouldered tapering body
hand-painted with a reclining fair-haired maiden among dense foliage, with a raised
gold-painted foliate border to base, 6.75'' H x 6'' Dia., est:$400/600
Condition: Overall good condition. General light scratches and minor rubbed wear
commensurate with occasional handling. Crazing to glaze. A .5''-long section of raised
base decoration lacking gold paint due to a factory oversight. Your bid indicates
1170 An International Silver Co. sterling silver bowl
20th century, Meriden, CT, with maker's mark, further marked ''Sterling'' and ''112'',
the oak-leaf-bordered rim repousse-decorated with shell and floral festoons, the bowl
chased to interior with scrolled foliate clasps, raised on a stepped circular base on an
oak-leaf-bordered foot, 4'' H x 12'' Dia., 21.315 oz troy approximately, est:$300/500
Provenance: Private Collection, Newport Beach, CA. Condition: Overall good
condition. General scratches, scuffs, marks and rubbed wear commensurate with age
and use. Scattered minor dings to bowl; the largest a .75'' x .25'' shallow dent near rim.
1171 Pair German carved ivory & sterling table ornaments
1913, Hanau, each with importer's mark for Berthold Hermann Muller, London &
Chester, further marked ''925'' and with London import mark, the first modeled after a
courtesan, the second a sheepherder, each carved ivory figure raised on a sterling silver
platform over a waisted socle surmounting a domed silver-mounted rock crystal base,
on paw feet, 2 pieces, the first: 11'' H x 4.5'' W x 5'' D; the second: 11.25'' H x 6'' W x 3.5''
D, est:$7000/9000
Note: Please be advised that this lot can only be sold to buyers within the United States.
Moran's does not provide shipping services; bidders are strongly encouraged to discuss
any relevant regulations regarding the shipment of items made of or containing ivory
with their preferred shipper. Provenance: Estate, Chicago, IL. Condition: Overall good
condition. General light marks, scratches and rubbed wear commensurate with age.
Scattered areas of light yellowing and spotting to figures. Silver elements lacquered, with
dark areas of tarnishing. The second: Lacking one small silver element to base between
feet and another to closure of coat. Break to figure's foot. Your bid indicates acceptance
44
1172 Wouterus Verschuur the Elder (1812-1874 Dutch)
Dutch barn interior with figures and animals, signed lower left: W. Verschuur, oil on
canvas laid to canvas, 22.5'' H x 30.25'' W, est:$5000/7000
Condition: Visual: Generally good condition. Craquelure throughout. Blacklight:
Apparent older restoration throughout. Difficult to read under varnish. Newer
restoration includes a 3'' x 2'' 'T'-shaped area of touch-up lower center, a 1'' line of touchup in the center and small spots of touch-up lower left, upper left, upper right and upper
center. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL.
1173 19th Century German school
Farm scene with figure and horses, signed and dated lower right: V. Schultz '98, oil on
canvas laid to waxed canvas, 22'' H x 27'' W, est:$500/700
Provenance: Private Collection, Los Angeles, CA. Condition: Visual: Generally good
condition. Craquelure scattered throughout the sky. A .5'' scratch with minor paint loss
left center. Blacklight: Touch-up scattered throughout the sky, the largest a 2'' x 4'' area
upper left. A pea-sized spot of touch-up lower left edge. Difficult to read under varnish.
1174 19th Century German school
House with figures seated in the garden, signed and dated lower right: V.S. 99, oil on
canvas laid to waxed canvas, 14'' H x 19.5'' W, est:$300/500
Provenance: Private Collection, Los Angeles, CA. Condition: Visual: Generally good
condition. Craquelure throughout the sky. Blacklight: A 1'' line of touch-up on the right
side of the roof. A pea-sized spot of touch-up in the flowers of the garden. Small spots
of touch-up along lower left edge. Difficult to read under varnish. Your bid indicates
1175 Late 19th century German school
Outdoor German market scene, unsigned, oil on panel, 19.5'' H x 14.75'' W,
est:$2500/3500
condition. An 8'' crack in the panel down the center of the painting. Paint loss
throughout the body of the chicken on the table. Tiny flecks of paint loss scattered
throughout. Frame abrasion. Blacklight: Touch-up scattered throughout the left, right
and lower edges. Possible older touch-up in the upper portion of the painting. Difficult
to read under varnish. Your bid indicates acceptance of our Conditions of Sale. AS-IS.
ALL SALES FINAL.
45
1176 Franz von Defregger (1835-1921 German)
''Der Zitherspieler'', zither player in a Bavarian interior scene, signed and dated lower
right: Fr. Defregger 1872, oil on canvas laid to board, 37.5'' H x 31.5'' W, est:$1000/2000
Provenance: Private Collection, La Verne, CA. Condition: Visual: Paint loss throughout.
Craquelure throughout. Creases to the canvas scattered throughout. Surface dirt. The
tacking edges removed when lined. Blacklight: Apparent touch-up and overpaint
throughout. Difficult to read under varnish. Your bid indicates acceptance of our
1177 A carved wood figure, Saint Francis of Assisi
Mid-20th century, unsigned, depicting a standing St. Francis of Assisi holding a bird in
his hands, raised on a square plinth surmounted by two additional birds, 39.5'' H x 10.75''
W x 9.25'' D, est:$600/800
condition. General marks, scratches and dust accumulation commensurate with age.
Scattered shrinkage cracks throughout, including a split to figure's right hand beneath
bird. Evidence of woodworm. Your bid indicates acceptance of our Conditions of Sale.
1178 A Swiss silver & enamel singing bird box with clock
Circa 1925, the case attributed to Charles-Armand Marguerat, the movement unsigned,
possibly E. Flajoulot as attributed by Antique Music Box Restoration, Costa Mesa, CA,
marked to base ''346B / Swiss Made / (shooting star) / 935 / Depose / (bird in a circle) /
CAM (?) in an oval'', similarly marked to edge of case and verso of clock, the rectangular
yellow guilloche enameled silver case hand-painted with pink roses, the inset hinged
rectangular cover decorated with a lakeside scene opening to reveal a moving, singing
bird, flanked by dual columns supporting a circular enameled clock with Arabic
numerals and subsidiary Alarm dial, with key, 6'' H x 4.25'' W x 2.25'' D, est:$6000/9000
Provenance: Private Collection, Pasadena, CA. Condition: Overall good condition.
Minor wear and tarnishing to case commensurate with age. Restoration by Antique
Music Box Restoration, Costa Mesa, CA; winds, runs and sings. Moran's does not
guarantee working condition of clocks or other mechanical objects. Your bid indicates
1179 Two caged automaton singing birds, one French
20th century, the first marked ''Made in France'' and ''132'', the second apparently
unmarked, each with a perch-mounted singing bird automaton within a gold-toned
metal cage, 2 pieces, each: 11.5'' H x 6.5'' Dia., est:$800/1200
Overall good condition. General marks, scratches, rubbed wear and dust accumulation
commensurate with age. Each winds and runs. Moran's does not guarantee working
condition of clocks or other mechanical objects. Your bid indicates acceptance of our
46
1180 A Swiss cased cylinder music box
Late 19th century, stamped ''Swiss'' to underside, marked on interior paper label for
retailer ''W. J. Dyer & Bro / St. Paul / Musical-Boxes'', works stamped ''18005'', playing
ten airs, the parcel-ebonized rosewood case with brass handles housing a hand crank
and controls for Change / Repeat and Stop / Start play, the cylinder and works further
contained within a hinged glazed lift-top compartment, 5.75'' H x 22'' W x 8.75'' D,
est:$500/800
Overall good condition. General marks, scratches, rubbed wear and scattered losses
to paint on case commensurate with age and use. Paper labels toned and worn. Works
somewhat dusty; would benefit from light cleaning. Case cover with hinges replaced.
Cranks and runs. Lacking key. Moran's does not guarantee working condition of clocks
or other mechanical objects. Your bid indicates acceptance of our Conditions of Sale.
1181 Photograph and handwritten letter, Charles Gounod
Second half 19th century, a photographic portrait of composer Charles Gounod
(1818-1893 French), along with a signed handwritten letter to an unnamed opera singer
of the period, framed under glass, overall: 9.625'' H x 11.25'' W, est:$300/500
Note: Charles Gounod was a celebrated French composer, famous for his operas
''Faust'' and ''Romeo et Juliette'', as well as for his composition ''Ave Maria'', after Bach's
Prelude in C Major from the ''Well-Tempered Clavier, Book 1''. Provenance: Private
Collection, Pasadena, CA. Condition: Sight sizes: photograph: 5.25'' H x 3.875'' W; letter:
7.25'' H x 4.5'' W. Each: Generally good condition. Photograph: Paper laid to cardstock.
Toning throughout with mat burn along edges. Scattered spots of surface residue
throughout. Hinged in the upper right and center left edge with paper label. Letter:
Toning throughout with mat burn. Vertical and horizontal folding creases extending the
length and width of the paper. Hinged in the upper right corner and upper right edge.
1182 A Continental gilt bronze-mounted marquetry cabinet
Mid-19th century, of mahogany and oak secondary wood, the outset rectangular
top over a floral marquetry-decorated frieze surmounting a locking glazed door
enclosing a velvet-lined single-shelf interior, raised on a beveled foliate-molded base,
44.25'' H x 31.25'' W x 13'' D, est:$500/700
Overall good condition. General marks, scratches, rubbed wear and scattered shrinkage
cracks commensurate with age. Evidence of woodworm verso. Lifting, chipping
and scattered losses to veneer at base. Sun fading to face. Scattered areas of lifting to
bronze mounts. Does not stand flush on a flat surface; rocks slightly. Your bid indicates
1183 Louis-Leopold Chambard (1811-1895 French)
Second half 19th century, signed to base ''Chambard'', titled to integral plaque ''Le
Bucheron / fable / de la Fontaine'', a bronze sculpture depicting a classical figure
breaking a bundle of kindling modeled after Jean de La Fontaine's fable ''Le Mort
et le bucheron (Death and the woodcutter)'', raised on an integral circular base,
34.5'' H x 13.5'' W x 11.5'' D, est:$2000/3000
Overall good condition. General light marks and scratches commensurate with age.
Base with an approximately 4''-long section pushed slightly in. Your bid indicates
47
1184 A Carl Thieme Dresden porcelain covered urn
Early 20th century, Potschappel, with blue underglaze entwined monogram and further
marked ''Dresden'', impressed ''D1568G'', the domed lid surmounted by a crown-topped
rocaille finial flanked by draped puttis, over a dual-handled inverted bell-form body with
seated putti at the shoulders, decorated overall with applied flowers and gold-painted
highlights, each face centered by a hand-painted reserve, raised on a similarly decorated
waisted foot, 24'' H x 13.75'' W x 11'' D, est:$800/1200
Provenance: Private Collection, Anaheim, CA. Condition: Overall good condition.
General light marks and scratches commensurate with age and light handling. Scattered
minor chips and losses to decorative elements primarily concentrated around base; the
largest an approximately .25'' x .25'' loss to tip of one flower petal. Your bid indicates
1185 A Continental carved wood figure of a cherub
Late 19th / early 20th century, signed to base ''J.E. Kobza'', depicting a cherub draped
in a floral garland, raised on a stepped beveled rectangular brass plinth, the figure:
20'' H x 8.75'' W x 5.25'' D, est:$1000/2000
Condition: Overall: 23.5'' H x 8.75'' W x 7.625'' D. Overall good condition. General
marks, scratches and rubbed wear commensurate with age. Scattered shrinkage cracks
commensurate with age, including an approximately .125''-wide separation at center
joint along left side and underside of base. An approximately .125'' x .5'' chip to ribbon
near center joint. Glue remnants to underside; figure was at one time affixed to base.
1186 A Royal Vienna style porcelain vase
Late 19th / early 20th century, Niedersalzbrunn, Poland, with green underglaze maker's
mark for Hermann Ohme partially obscured beneath gold paint, further marked with
spurious overglaze blue beehive mark, inscribed in red ''Germany'' and ''Sehnruchl(?)'',
with a slightly flaring rim over a ringed neck issuing dual pierced handles terminating
at the sloping shoulders, the teardrop-shaped body hand-painted with scenes of putti
playing instruments to one side and a seated maiden to the other, with gold-tone
highlights on a red ground, 7.5'' H x 4.25'' W x 3.5'' D, est:$400/600
Condition: Overall good condition. With general light marks, scratches and rubbed
wear commensurate with age. Light rubbing and scattered losses to gold-tone highlights
around base and neck. Your bid indicates acceptance of our Conditions of Sale. AS-IS.
ALL SALES FINAL.
1187 After Emile Louis Picault (1833-1915 French)
Circa 1920s, titled to base ''Scapin'', incised signature to base ''E. Picault'' and with
foundry pastille ''Ane Mon / Colin / Paris'', a bronze figure of a well-dressed man
carrying a staff, surmounting an integral rectangular base mounted to a stepped
rectangular green marble plinth, overall: 32'' H x 11.5'' W x 11'' D, est:$2000/4000
Note: The present bronze depicts the title character from the 17th century play ''Les
Fourberies de Scapin'', by Moliere (1622-1673 French). Provenance: Property from a
Private Collection, Rancho Palos Verdes, CA. Condition: The bronze: 30.5'' H. Overall
good condition. General light scratches, marks and rubbed wear commensurate with
age. Staff is bent, with a break near figure's hand; still secured but loose. A 2'' x 1.5'' area
of rubbing to patination on top of base behind figure. Scattered fleabites to edges of
marble base. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL.
48
1188 A Reed & Barton sterling silver flatware service
Designed 1941 by George L. Turner, with maker's marks, further marked ''Sterling'', a
six-piece service for sixteen in the ''French Renaissance'' pattern, comprising: 16 forks
(7.125''), 16 salad forks (6.125''), 16 round bowl soup spoons (5.875''), 24 teaspoons
(5.875''), 16 flat-handle butter spreaders (6'') and 16 hollow-handle stainless steel-bladed
knives (8.875''), not monogrammed, 104 pieces, weighable sterling 114.73 oz troy
Condition: Weight does not include stainless steel-bladed articles. Overall good
condition. General marks, scratches, rubbed wear and tarnishing commensurate with
age and moderate use. A few teaspoons with more tarnishing to bowls. A few knives
with rust to stainless blades. Your bid indicates acceptance of our Conditions of Sale.
1189 A .950 silver coffee and tea service, Cardeilhac
1904-1920, Paris, a seven piece service, each with Minerva first standard mark and
maker's marks for Maison Cardeilhac under the directorship of Amelie Cardeilhac, each
with a lobed gourd-form body raised on a spreading circular foot, the handled articles
with removable ebonized wood handles, comprising: a hot water urn on stand further
marked ''D'' (18'' H x 7.5'' W x 11'' D); a coffee pot further marked ''Z'' (10.75'' H x 4.5''
W x 7'' D); a chocolate pot with hinged finial further marked ''Z'' (10.75'' H x 4.5'' W x 7''
D); a teapot further marked ''X'' (9'' H x 5.5'' W x 9.25'' D); a demi teapot further marked
''Z'' (5.25'' H x 3.75'' W x 5.75'' D); a covered sugar bowl further marked ''Z'' (6.25'' H x 5''
W x 4.75'' D); and a cream pot further marked ''X'' (5.125'' H x 2.625'' W x 4.5'' D), with
an associated double-handled silver plate tray (2'' H x 29.5'' W x 18.25'' D) with maker's
marks for Birmingham Silver Co., Yalesville, CT, 8 pieces, gross weight 207.36 oz troy
Provenance: Private Collection, Orange County, CA. Condition: General marks,
scratches and scattered dents and dings (the largest a 1'' x 1'' dent to body of cream
pot and a .75'' x .5'' dent to hot water urn near spout) commensurate with age and use.
Cream pot and demi teapot with replaced handles. Spout of hot water urn pushed
slightly in towards body; lid with an approximately 2''-long section of edge bent
upwards and finial pushed in at top, with a .25'' x .25'' ding to one side. Coffee pot with
a minor bend to pin securing wooden handle and an approximately 3'' x 3'' section
of repaired dents and dings to one side. Coffee pot lacking connecting link between
chain and pin securing handle. Teapot with handle ring pushed in towards body, a
bend to pin securing handle and minor chips to upper handle terminal. Demi teapot
with an approximately 1''-long section of foot pushed slightly upwards. Cream pot
lacking lid, with an approximately .5''-long section of foot pushed slightly upwards. Not
monogrammed. Weight does not include silver plated tray or handles where removable.
1190 A gilt-bronze mantle clock, Deniere et Matelin
First half 19th century, in the Restoration style, signed to face ''Deniere & Matelin Fts de
Bronze'' and inscribed to verso cover ''LJ'', the two-train movement stamped to backplate
''L'', the pierced gilt clock face centered by a white enameled ring with applied Roman
numeral hour markers and minute indices, the whole forming the wheel of flying chariot
surmounted by Venus Triumphant attended by Cupid and two additional winged
cherubs, each raised on stylized clouds atop a stepped rectangular case decorated with a
reclining Venus, raised on bun feet, with key, 21.5'' H x 20'' W x 5.75'' D, est:$4000/6000
Note: Accompanied by a letter outlining restoration and cleaning and stating that the
clock is in working order. Provenance: Private Collection, Murrieta, CA. Condition:
Overall good condition. General light marks, scratches and scattered rubbed wear to
gilding. Has been professionally restored and re-gilt; winds and runs. Scattered breaks
and repairs to gilt-bronze elements including Venus's sash and Cupid's wings. Clock
face with hairline cracks to enamel and scattered minute chips to circumference, the
largest approximately .125'' x .125''. Minor losses to ends of foliate elements surrounding
decorative cartouche on case. A pinpoint-sized hole to beveled edge of case on right side
of face. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL.
49
1191 After Francois-Joseph Bosio (1768-1845 French)
Late 19th / early 20th century, signed to base ''Bosio'', a bronze sculpture, ''Henry IV as
a child'', the young prince depicted carrying a sword, raised on an integral rectangular
base, 48.5'' H x 17.5'' W x 27'' D, est:$3000/5000
age. Lacking connective elements attaching scabbard to sword belt. Scabbard somewhat
loose from hilt; would benefit from tightening. Your bid indicates acceptance of our
1192 A Regence style giltwood wall mirror
19th century, the arched rectangular plate within a surround of scrolled acanthus,
crested by a winged mask centering a broken scroll pediment, with phoenix birds
to each upper corner and sphinxes to each lower corner, 74'' H x 51'' W x 7'' D,
est:$3000/5000
Provenance: Property of an Estate, Montecito, CA. Condition: Overall good condition.
Re-gilt. Scattered shrinkage cracks and repairs to carved elements throughout. The
mirror plate a later replacement. Wooden planks attached to rear of mirror frame with
screws. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL.
1193 A Paul Sormani Louis XV style cabinet
Circa 1867-1877, drawer lock signed ''P. Sormani Paris / 10 r. Charlot'' for Paul Sormani
(1817-1887 Paris), of kingwood, walnut and mahogany, the galleried demi-lune top
over a conforming body faced with a cabinet door mounted with a flaming ram's head
urn within a scrolling foliate surround enclosing a single mirror-backed shelf, over a
locking drawer centered by frolicking winged putti with fruit and flowers, over an open
gallery front with fluted supports, raised on short sabot-clad cabriole legs, with key,
61'' H x 25.5'' W x 11.75'' D, est:$8000/12,000
condition. General light scratches, sun fading, rubbed wear and areas of minor
craquelure to finish commensurate with age. Key does not function in locks. Scattered
minor areas of verdigris to gilt bronze. Scattered spots of degradation to mirror silvering
commensurate with age. The upper section with replaced verso panels; each with a
vertical split near center due to shrinkage. Right side verso panel with a 3''-long diagonal
split to upper right corner, left side panel with a 2.75''-long diagonal split to lower left
corner. Each outermost channeled support lacking two vertical gilt bronze elements to
rear-most channels. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL.
1194 A Louis XV style carved giltwood canape
Third quarter 19th century, upholstered in a tapestry depicting maidens assisting
a nobleman in removing his armor, with an arched crestrail over a flat back
issuing scrolled arms on outcurved supports joining the rectangular seat, over a
serpentine seatrail supported on acanthus-headed cabriole legs, on scroll feet ,
43'' H x 68'' W x 28'' D, est:$1200/1800
Condition: Overall good condition. General marks, scratches, minor chips and losses to
gilding and shrinkage cracks at joints commensurate with age. Evidence of woodworm
throughout. Left arm detached from back and subsequently repaired; same arm's
support currently detached from seat. Glue evident at joint between seat and back at
left side. Right center leg somewhat loose. Repaired left back leg. Scattered small areas of
green paint to frame. Upholstery in overall good condition, with soiling commensurate
with age. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL.
50
1195 A Louis XV style gilt bronze-mounted jardiniere
Late 19th / early 20th century, marked to underside ''Made in France'', the kingwoodveneered pierced gallery-topped oval-shaped planter with liner, decorated with applied
bronze espagnolettes and foliate festoons to the shoulders, with hand-painted porcelain
plaques to each side, raised on four cabriole legs joined by a conforming under-shelf, on
foliate sabot feet, 31.5'' H x 21.25'' W x 16'' D, est:$500/700
Overall good condition. General marks, scratches, tarnishing, rubbed wear and slight
warping to under-shelf commensurate with age. Some fading, scattered shrinkage cracks
and chips to veneer commensurate with age. Darkening and scattered areas of lifting to
bronze elements. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL.
1196 Louis XV style gilt bronze-mounted marquetry commode
Early 20th century, the serpentine red and grey marble top over three drawers
flanked by rocaille and foliate scroll chutes extending to pierced foliate sabots,
33.75'' H x 50'' W x 23'' D, est:$1500/2500
Structurally sound. General marks, scratches and minor nicks commensurate with
age and use. Rubbed wear and darkening to mounts. A large scratch to one side panel.
Dryness, sun fading and oxidation to finish. Shrinkage cracks to veneer and joints,
including deep cracks to each end panel. Woodworm to rear panel. The marble top with
a few scratches and minute nicks along edges. The marble top a later replacement. No
key. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES FINAL.
1197 A polychrome dresser box, Marx Eugene Clauss
Last quarter 19th century, French, with maker's blue underglaze crossed swords and
initial mark, the hinged gilt bronze-mounted domed rectangular top hand-painted
with figures in a verdant landscape within an elaborate gold-painted rocaille surround,
over a similarly decorated rectangular body with painted landscapes to each side,
3.5'' H x 5.75'' W x 4'' D, est:$500/700
Condition: Overall good condition. General light scratches, rubbed wear and darkening
to gilt bronze commensurate with age and handling. Your bid indicates acceptance of
1198 A Louis XV style gilt-bronze mantle clock
19th century, the pendulum illegibly numerically stamped, further marked ''R H'' and
with illegible oval mark, marked to verso of bell with ''EB'' monogram with backwardfacing ''E'', the movement marked ''CHles MT / 28437'' and ''83'', attached to a circular
gilt-bronze dial centering a raised arabesque design inset with blue-painted shaped
white porcelain Roman numeral hour markers and incised Arabic minute indices,
within a hinged, circular glazed bezel in a waisted case with latticed interstices, a seated
putti with sundial surmounting a stepped domed scroll pediment centering an acanthus
spray, on scrolled acanthus-cast supports, atop a shaped rectangular rocaille base, on
bracket feet, 16.75'' H x 11.75'' W x 7'' D, est:$800/1200
Overall good condition. General marks, scratches and rubbed wear commensurate
with age. Lacking one screw to interior of case. Pendulum not original to movement.
With key. Works complete; working condition unknown. Moran's does not guarantee
working condition of clocks. Your bid indicates acceptance of our Conditions of Sale.
51
1199 A French gilt-bronze mirrored wall sconce
Late 19th / early 20th century, the beveled oval mirror plate within a reeded giltbronze surround issuing scrolling foliage and a rocaille pendant, centered by two
outswept candle arms each supporting an acanthus-wrapped light, surmounted
overall by a quiver of arrows crossed over a flaming torch, 30'' H x 21.75'' W x 6.25'' D,
est:$1500/2500
Condition: Overall good condition. General marks, scratches and wear to gilding
commensurate with age. Left candle arm somewhat loose; would benefit from
tightening. Scattered areas of verdigris. Your bid indicates acceptance of our Conditions
1200 Early 20th Century French School, After Paul Cezanne
'Bridge over the Marne'', near Creteil, France, circa 1900-1910, signed indistinctly lower
right, oil on canvas, 32'' H x 39.25'' W, est:$3000/5000
Note: The present work is a copy of Paul Cezanne's (1839-1906 French) ''Bridge over
the Marne'' in the collection of the Pushkin Museum of Fine Art, Moscow, Russia.
Provenance: Private Collection, Aptos, CA. Condition: Visual: Generally good
condition. Craquelure scattered throughout. Blacklight: Small areas of touch-up in the
upper right and lower right corners. Your bid indicates acceptance of our Conditions of
1201 19th Century French school
Portrait of a young girl, bears initials upper left: AR, oil on canvas, 5.75'' H x 4.5'' W,
est:$600/900
Provenance: Estate, Los Angeles, CA. Condition: Visual: Generally good condition.
Blacklight: No evidence of restoration under blacklight. Your bid indicates acceptance
1202 Margarite Rousseau (1888-1948 Belgian)
French seaside promenade, signed and dated lower left: M. Rousseau 18, oil on canvas
laid to panel, 23.5'' H x 36.25'' W, est:$1000/2000
Provenance: Estate, Los Angeles, CA. Condition: Visual: Generally good condition.
Blacklight: No evidence of restoration under blacklight. Your bid indicates acceptance of
52
1203 Max Savy (1918-2000 French)
''Neige en Corbieres'', figures working in a field, signed lower right: Max Savy, signed
again and titled verso, oil on canvas, 20'' H x 40'' W, est:$1000/2000
Provenance: Private Collection, Palos Verde, CA. Condition: Visual: Generally good
condition. Craquelure in the snow on the roofs of the homes. Blacklight: No evidence
of restoration under blacklight. Your bid indicates acceptance of our Conditions of Sale.
1204 Gaston Sebire (1920-2001 France)
''Les Cabines, le Soir (The Cabins at Night)'', signed lower right: G. Sebire, signed again
verso, titled and inscribed on the stretcher: New York, oil on canvas, 7.5'' H x 18.75'' W,
est:$1000/1500
Provenance: Wally F. Galleries, New York, NY (see labels attached verso); Private
Collection, Long Beach, CA. Condition: Visual: Generally good condition. Surface dirt
throughout, would benefit from cleaning. Blacklight: No evidence of restoration under
blacklight. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL.
1205 Dietz Edzard (1893-1963 German)
''Aux Loges'', woman sitting at a gaming table, signed lower right: D. Edzard, titled by
repute, oil on canvas, 10.75'' H x 8.75'' W, est:$1500/2000
Provenance: The Paris American Art Co., Paris, France. Condition: Visual: Generally
good condition. Blacklight: No evidence of restoration under blacklight. Your bid
1206 Flora MacDonald Reid (1861-1938 British)
''The Birthday Bouquet'', a mother and daughter selling flowers, signed and dated lower
right: Flora M. Reid-1923, signed again and titled on artist label affixed verso, oil on
canvas under glass, 10.5'' H x 14.5'' W, est:$1000/1500
Provenance: Dicksee & Co., Glasgow, 1923; Private Collection, Los Angeles, CA.
Condition: Visual: Generally good condition. Areas of paint shrinkage in some of the
brown pigments, concentrated mainly upper center. Drips of varnish upper right, upper
left, lower left and lower center. Blacklight: Touch-up in the faces of the woman and girl.
53
1207 Michel-Henry (1928-* French)
Still life with chrysanthemums, signed lower left: Michel Henry, oil on canvas,
24'' H x 31'' W, est:$800/1200
Provenance: Private Collection, Newcastle, CA. Condition: Visual: Generally good
condition. Blacklight: No evidence of restoration under blacklight. Your bid indicates
1208 Maria Szantho (1897-1998 Hungarian)
Seated nude, signed lower left: Szantho Maria, oil on masonite, 22.5'' H x 18'' W,
est:$800/1200
Condition: Visual: Generally good condition. A 8.5'' horizontal surface scratch across
the figure's forehead and extending into the landscape. Blacklight: No evidence of
restoration under blacklight. Your bid indicates acceptance of our Conditions of Sale.
1209 After Auguste Rodin (1840-1917 French)
Signed in the bronze ''A. Rodin'', numbered ''11'' and inscribed to verso ''G. Rudier /
Fondeur, Paris'', titled on paper label affixed to underside ''Hand No. 4'', a bronze model
of a hand, raised on a black slate base, overall: 5.25'' H x 3'' W x 3'' D, est:$3000/5000
Provenance: Private Collection, Newhall, CA. Condition: The bronze: 4.5'' H. Overall
good condition. Scattered chips and fleabites to base; the largest approximately .25''
x .125''. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL.
1210 Henri Louis Levasseur (1853-1934 French)
Late 19th / early 20th century, signed to base ''H.Levasseur'' with Societe des Bronzes
des Paris foundry pastille, further marked ''AP'' and stamped ''2466'', a patinated bronze
depicting a standing miner, slightly stooped, holding a pickaxe, on a naturalistic base,
22'' H x 9'' W x 7.5'' D, est:$1000/1500
Overall good condition. General marks, scratches and rubbing commensurate with age.
54
1211 A Louis XV style marquetry commode
Early 20th century, stamped twice under marble ''Daide F'' for Maison Francois Daide,
the serpentine beveled gray marble top over a conforming kingwood-veneered bombe
floral marquetry-decorated body, faced with two long drawers centered by scrolling
foliate gilt-bronze corner mounts, raised on slightly cabriole legs terminating in foliate
sabots, 36'' H x 59.5'' W x 22.25'' D, est:$1000/1500
With oak secondary wood. Overall good condition. General marks, scratches and
rubbed wear commensurate with age. A 1.5'' loss to verso of back left foot. Breaks,
repairs and fill to marble top. No key. Your bid indicates acceptance of our Conditions of
1212 An alabaster sculpture
Late 19th / early 20th century, unsigned, depicting a standing nude male youth raised on
an integral circular base, 25.5'' H x 12'' W x 8.25'' D, est:$600/800
Condition: Overall good condition. With scattered scuffs and rubbed wear
commensurate with age. Your bid indicates acceptance of our Conditions of Sale. AS-IS.
ALL SALES FINAL.
1213 A French champleve gilt-bronze vanity box
Late 19th / early 20th century, stamped ''France'' to lid interior, the hinged lobed cover
champleve-decorated with intertwining gilt-bronze foliage over a royal blue enamel
ground centering a riding scene in high relief, over a conforming festooned strapwork
body, lined to the interior with beige velvet, 1.75'' H x 3.25'' W x 3.625'' D, est:$400/600
condition. General marks, scratches and rubbed wear commensurate with age and use.
Three shallow dents to body; each approximately .5'' x .5''. Scattered minor pitting to
enamel. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL.
1214 A Louis XV style marquetry vitrine cabinet
Late 19th / early 20th century, the shaped breakfront demi-lune top over a conforming
foliate and espagnolette-mounted body centered by a floral marquetry-decorated
hinged door enclosing a pink velvet-lined single shelf interior, flanked by curved glazed
cabinet doors, each enclosing a similarly lined two-shelf interior, on bracket feet,
41.5'' H x 72.5'' W x 16.75'' D, est:$1500/2000
Overall good condition. General marks, scratches, rubbed wear, minor shrinkage cracks,
chips and losses to veneer commensurate with age. A 10.5''-long shrinkage crack to
top, with sun fading and areas of scratching and lifting to veneer. Drips from a previous
refinishing visible on interior cabinet bottoms. Scattered losses to verso panels; the
largest a 3''-wide loss to edge of center panel. Carcass with some modern reinforcements
added. Center cabinet with a second, unlined shelf currently unmounted. Evidence of
woodworm verso. No key. Your bid indicates acceptance of our Conditions of Sale. ASIS. ALL SALES FINAL.
55
1215 Albert Marionnet (1852-1910 French)
Late 19th century, each stamped to base ''A. Marionnet / Bronzer / Paris / France'' and
''Depose a Paris'', a pair of gilt-bronze lamps, each with a classically-dressed male figure
playing pipes seated atop an Aladdin-style lamp, raised on a rectangular green marble
base, 2 pieces, each overall: 24.5'' H x 8.5'' W x 4'' D, est:$500/700
condition. General marks, scratches and rubbed wear commensurate with age. Each
with pipes slightly bent. One with an inherent crack to back of figure's neck. Wiring
should be checked by a qualified electrician prior to use. Your bid indicates acceptance
1216 A French gilt-bronze and marble mantle clock
Circa mid-19th century, the dual train movement with Japy Freres Medaille d'honneur
seal and numbered ''11539'', further marked ''58'', attached to a white porcelain dial with
applied black Roman numeral hours beneath a glass aperture within a rounded case
surmounted by a book and knitting basket, aside a gilt-bronze figural group depicting
seated mother and child, over a shaped gilt bronze-mounted plinth, raised on bracket
feet, 13.75'' H x 17'' W x 6'' D, est:$500/700
age. An approximately 1'' x 1'' area of cracking and repair as well as scattered areas of
re-gilding to verso of female figure. Nicks and fleabites to marble plinth. Aperture likely
a later replacement; has been glued in. Lacking pendulum. With key. Moran's does not
guarantee working condition of clocks. Your bid indicates acceptance of our Conditions
1217 A Louis XV style gilt bronze-mounted vitrine cabinet
Late 19th century, central Vernis Martin panel faintly signed ''H. M?ss?'', the shaped
demi-lune peach marble-topped domed cornice surmounting the serpentine-outline
walnut-veneered glazed-panel cabinet, the locking glazed door with rocaille giltbronze mounts bordering a Vernis Martin scene of a courting couple at the lower
quarter, enclosing one mirrored and two glass interior shelves backed by a modern
green satin-lined interior, raised on two cabriole legs with paw sabots, electrified,
65.75'' H x 32'' W x 18.5'' D, est:$1000/1500
General marks, scratches, chips, shrinkage to timber and subsequent cracks to veneer
commensurate with age; the largest a 3'' x 2.5'' area of cracking and repair/fill to veneer
at upper right side of cabinet. A 3''-long split and repair to upper left side of cabinet
and an 11.5'' section of right side apron with splits, breaks and repairs. Evidence of
woodworm verso. Each side Vernis Martin panel with apparent liquid drips; one with
a 2'' x .25'' vertical section of darker discoloration. Central Vernis Martin panel with
spots of fugitive gold paint and scattered spots of touch-up. Lock replaced. Upholstery
and interior shelves modern replacements. Scattered areas of lifting to gilt bronze. One
small gilt-bronze element with a break near end. Your bid indicates acceptance of our
1218 A marble pedestal stand
Early 20th century, with a plain square platform over a banded cylindrical standard
raised on a plain square plinth, 37'' H x 14.25'' W x 14.675'' D, est:$600/900
Overall good condition. Scratches and wear commensurate with age. Scattered chips
and fleabites; the largest a 1'' x .75'' chip to banding near base of standard. Your bid
56
1219 A Louis XV style gilt bronze-mounted bureau en pente
Late 19th / early 20th century, walnut, the galleried top over a pierced rocaille and
foliate-mounted drop front opening to reveal three short curved-front drawers above
a tooled and gilt yellow leather writing surface, the lock and hinges engraved with
scrolling foliage, surmounting a long drawer with two compartments, one with a fitted
adjustable quatrefoil insert, raised on cherubic espagnolette-headed cabriole legs
terminating in foliate sabots, 37.5'' H x 32'' W x 22'' D, est:$1000/1500
commensurate with age. A 3'' length of detached banding to interior; retained. A
1'' x .25'' tooled notch to left interior side near leftmost drawer. Scattered shrinkage
cracks commensurate with age; the largest running across full length of carcass beneath
drawers. Scattered areas of lifting and minor areas of verdigris to gilt bronze. White
paint splatter to bottom 3'' section of back right leg. Your bid indicates acceptance of our
1220 After Emile Louis Picault (1833-1915 French)
Late 19th / early 20th century, signed to base ''Picault'' after Emile Louis Picault, ''Le
Livre'', a bronze allegorical sculpture depicting a winged male figure, the open tome at
his feet inscribed ''Aux / quatre vents / du ciel / il seme les / idees / germes de / l'avenir /
EP.'', 27.625'' H x 14.5'' W x 12.75'' D, est:$2000/4000
General marks, rubbed wear and scratches commensurate with age. Scattered spots of
verdigris. Figure's trumpet bent near hand. Lacking plaque to front of base; dual holes
visible. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL.
1221 A Louis XVI style bureau a cylindre, Sormani et Fils
Circa 1878-1914, signed to the lock plate ''Vve P. Sormani & Fils / 10 r. Charlot, Paris'' for
Sormani Vueve Paul et Fils (Paul Sormani Widow and Son), the gilt bronze-mounted
and brass-inlaid mahogany slant-front body backed with a mechanical tambour opening
to reveal three short drawers over a fold-out red velvet-lined writing surface, the upper
half further hinged to reveal an open compartment, raised on fluted tapering cylindrical
legs terminating in toupie feet, with key, 34'' H x 26.75'' W x 17.25'' D, est:$4000/6000
Provenance: Private Collection, Southern California. Condition: Scattered marks,
scratches, rubbed wear and lifting to gilt-bronze banding commensurate with age.
Scattered breaks and repairs to carcass including areas on underside, verso and sides
near legs. Legs have been reattached. Scattered losses to banding with corresponding
areas of fill and gilt overpaint. One band separating from flute on right rear leg. Wear to
velvet-lined writing surface commensurate with age and use. Key functions in lock. Your
1222 A Sevres biscuit porcelain bust of Marie Antoinette
1860-1899, signed to verso ''Pajou'' after the model by Augustin Pajou (1730-1809
French), incised ''Sevres'' within a lozenge, further incised ''ER.02.7'' with a backwardsfacing E for decorator Emile-Bernard Rejoux, raised on an integral waisted socle,
25'' H x 15.5'' W x 10'' D, est:$400/600
Provenance: Private Collection, Riverside, CA. Condition: Overall good condition.
General light marks, scratches and dust accumulation commensurate with age. Minute
losses to edges of lace at figure's bust. An approximately 6''-long firing crack to verso
beneath the figure's wrap. An approximately 4''-long tight hairline crack to top/verso
of figure's collar with a .25'' x .25'' area of fill near center point. A 3''-long linear mark to
underside of figure. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL.
57
1223 A marble and patinated bronze figural mantle clock
Circa 1860 - 1874, maker Samuel Marti et Cie, the dial marked for retailer ''Ball Black
& Co.'', the two-train movement with S. Marti Medaille de Bronze seal and stamped
''178'', the pendulum a later replacement, stamped ''Germany'', the convex waisted
white marble case centering a white porcelain dial with applied black Roman numeral
hour markers within a hinged glazed gilt-bronze bezel, surmounted by a patinated
bronze seated female figure holding an open tome, with key, 18.625'' H x 12'' W x 7.5'' D,
est:$500/700
Overall good condition. General light marks, scratches and rubbing commensurate with
age. Chips and fleabites to white marble base; the largest a .25'' loss to upper left corner.
Pendulum a later replacement, as stated. Works complete; working condition unknown.
Moran's does not guarantee working condition of clocks. Your bid indicates acceptance
1224 A pair of Louis XVI style gilt-bronze gueridons
Late 19th / early 20th century, each circular gray marble top over a guilloche banded
frieze with blue enameled centers, raised on four caryatid-topped tapering squared
legs connected by channeled stretchers centered by a seated putti, raised on acanthuswrapped feet, 2 pieces, each: 28'' H x 20.5'' Dia., est:$2000/3000
Condition: Overall good condition. General marks, scratches and wear to gilding
commensurate with age. Puttis likely later additions; one putti with an inherent crack to
shoulder. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL.
1225 Four Louis XVI style carved and gilt wood chairs
Late 19th / early 20th century, each distinctly upholstered in tapestries depicting figures
and animals, each with dual pomegranate finials surmounting the carved scrolling
foliate straight back over a similarly carved rectangular seat with corner rosettes
issuing four fluted and acanthus-wrapped legs, on tapering cylindrical feet, each:
37'' H x 20.5'' W x 20.5'' D, est:$800/1200
Condition: Overall good condition. Each with casters applied to front two legs. Each has
been re gilt, with wear and scattered chips to gilt finish commensurate with age. Soiling
and fading to tapestry upholstery commensurate with age. Upholstery with scattered
areas of pulling and minor tears; the largest a .25'' Dia. tear to front right corner of one
chair and a 1.25'' x .5'' tear to front left corner. Your bid indicates acceptance of our
1226 A French gilt bronze-mounted plant stand
Late 19th / early 20th century, the shaped circular red marble top inset into a
conforming guilloche-banded marquetry-decorated body, with oak leaf margents
heading the tapering squared legs terminating in fluted sabots, 28.25'' H x 16'' Dia.,
est:$700/900
commensurate with age. Scattered minor fleabites to edges of marble top. Your bid
58
1227 A sterling silver ''Marie Antoinette'' tea service
1914-1923, Mt. Vernon Company Silversmiths Inc., New York, NY, each with maker's
marks, further inscribed ''Schaefer'' and stamped ''Sterling'' and with pattern title ''Marie
Antoinette'', a four piece set comprising: a tea pot (11.125'' H x 6.75'' W x 3.5'' D), a sugar
bowl (4.75'' H x 5.5'' W x 3.125'' D), a milk jug (5.625'' H x 4.5'' W x 2'' D) and a serving
tray (1.125'' H x 15.5'' W x 9.75'' D), each repousse-decorated with acanthus, foliate
swags and urns, 4 pieces, gross weight 63.595 oz troy approximately, est:$1000/1500
condition. General marks, scratches, minor pitting and light rubbing commensurate
with age. Weight includes insulators. Not monogrammed. Your bid indicates acceptance
1228 A pierced-rim sterling silver bowl, Matthews Company
First third 20th century, Newark, NJ, with maker's mark ''M'' over a blade, further
marked ''Sterling'', ''1450\15CA'' and ''Hand Chased'', the shallow bowl surmounted by
a slightly flaring pierced 12-point rim set to each corner with an acanthus clasp and
chased throughout with scrolling foliage and flowers, 1.75'' H x 14.75'' Dia., 36.610 oz
commensurate with age. A .625'' x .25'' ding to bottom edge of bowl. Your bid indicates
1229 A Reed & Barton sterling silver flatware service
Second half 20th century, with maker's marks, a partial service for 12 in the ''Burgundy''
pattern, comprising: 12 forks (7.125''), 12 individual salad forks (6.5''), 13 teaspoons
(5.875''), 8 ice cream forks (5.375''), 12 hollow-handle stainless steel-bladed dinner
knives (9.25''), 11 hollow-handle butter spreaders (6.375''), 1 hollow-handle master
butter knife (6.875''), 1 hollow-handle carving knife (13.5''), 1 hollow-handle carving
fork (11.25''),1 pickle/olive fork (6''), 1 cold meat serving fork (7.875''), 1 serving/
tablespoon (8.375''), 1 pierced serving/tablespoon (8.375''), 1 gravy ladle (6.5''), 1 cream
ladle (5.75''), 1 jelly server (6.25''), 1 sugar shell spoon (6.25''), 1 sugar tongs (4.25''), and 1
infant feeding spoon (5.75''), 81 pieces, weighable sterling: 74.405 oz troy approximately,
est:$2000/3000
Provenance: Private Collection, Southern California. Condition: Overall good
condition. General marks, scratches, tarnishing and rubbed wear commensurate with
age and use. Not monogrammed. Weight does not include stainless steel-bladed articles.
1230 A Daum Nancy ''Verre de Jade'' art glass vase lamp
First quarter 20th century, etched signature to foot ''Daum Nancy'', the baluster-form
red glass vase with powder inclusions and gold foil, raised on a gilt-metal circular base,
electrified, overall: 35.5'' H x 6.25'' Dia., est:$600/800
Provenance: Property from the Footman Family Estate. Condition: The vase only:
17'' H x 5.75'' Dia. The vase drilled for mounting; top fittings apparently glued to rim.
Scattered light scratches and scuffs commensurate with age. Extensive rubbed wear to
metal base. Wiring should be checked by a qualified electrician prior to use. Your bid
59
1231 A cameo acid-etched art glass vase
Early 20th century, unsigned, possibly Laverre Francois, the baluster-form vase
decorated to the shoulders and upper body with trailing flowers over a translucent pink
''chipped ice'' ground, 11'' H x 6.25'' Dia., est:$600/900
Condition: Overall good condition. With general marks, scratches and rubbed wear
commensurate with age. Scattered minor surface chips primarily localized to foot; the
largest approximately .375'' x .125''. Scratches primarily localized to underside. Your bid
1232 Antione Blanchard (1910-1988 French)
Parisian street scene, Rue Royale, signed lower right: Antione Blanchard, oil on canvas,
16'' H x 20'' W, est:$5000/7000
Provenance: Private Collection, Beverly Hills, CA. Condition: Visual: Generally good
condition. Blacklight: No evidence of restoration under blacklight. Your bid indicates
1233 Francois Gall (1912-1987 French)
''Fleurs de Champs'', signed lower right: F. Gall, signed again and titled on stretcher, oil
on canvas under glass, 18'' H x 13'' W, est:$3000/5000
Provenance: Purchased from the artist in 1984, through descent to current owner,
Private Collection, Oxnard, CA. Condition: Visual: Generally good condition.
Blacklight: No evidence of restoration under blacklight. Your bid indicates acceptance of
1234 Andre Hambourg (1909-1999 French)
''Le Parasol … Maree Haute (The Umbrella At High Tide)'', signed lower left: A.
Hambourg, initialed and titled verso, oil on canvas, 6.5'' H x 8.5'' W, est:$3000/5000
Provenance: Wally Findlay Galleries, Beverly Hills, CA. Condition: Visual: Generally
good condition. Blacklight: No evidence of restoration under blacklight. Your bid
60
1235 Roland Strasser (1895-1974 Austrian)
''Bali'', Balinese beach scene with figure, signed and inscribed lower right: Strasser / Bali,
artist's name signed in paint in another hand lower left, signed and titled again verso,
titled again and numbered on secondary backing board verso: 10, gouache on paper
under glass, paper size: 20'' H x 14.75'' W, est:$900/1200
Note: Together with original 1973 check for purchase of painting by consignor, with
artist's check signature endorsement on reverse side. Provenance: Private Collection,
Pasadena, CA. Condition: Visual: Generally good condition. A 4.75'' vertical cut in
the paper upper right. A 15.75'' vertical cut in the paper along the left edge, not visible
under the matting. Mounted to the back mat with clear tape in the corners and the
center edges on the front of the painting over the painted edge but not visible under the
matting. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL.
1236 Pito (20th Century- )
French harbor scene with boats, signed lower right: Pito, watercolor on paper under
glass, image size: 14.5'' H x 19.25'' W, est:$800/1200
Note: Paper size: 20.5'' H x 25.25'' W. Provenance: Private Collection, Sacramento, CA.
Condition: Visual: Generally good condition. Very minor toning to the paper. Hinged to
the recto mat with linen hinge tape in the upper corners. Your bid indicates acceptance
French canal scene with shops and figures, signed lower right: Pito, watercolor on paper
under glass, image size: 14.5'' H x 19'' W, est:$800/1200
Note: Paper size: 20.25'' H x 25'' W. Provenance: Private Collection, Sacramento, CA.
Condition: Visual: Generally good condition. Very minor toning to the paper. Small
spots of staining throughout the margin and in the lower portion of the painting.
Hinged to the recto mat with linen hinge tape in the upper corners. Your bid indicates
French cafe scene, signed lower right: Pito, watercolor on paper under glass, image size:
15'' H x 21'' W, est:$800/1200
Note: Paper size: 19.75'' H x 25.5'' W. Provenance: Private Collection, Sacramento, CA.
Condition: Visual: Generally good condition. Minor toning to the paper. Small spots of
staining scattered throughout the margin. Hinged to the recto mat with linen hinge tape
in the upper corners. Your bid indicates acceptance of our Conditions of Sale. AS-IS.
ALL SALES FINAL.
61
1239 An Empire style table de mileau, Maison Krieger
19th century, marked to top ''Krieger'' for maker Maison Krieger (1826-1900 Paris), the
gilt-bronze mounted mahogany table surmounted by a beveled rectangular Patricia
green marble top over a conforming body raised on four voluted legs terminating in
hoof feet, each pair centered by turned and channeled baluster-form support with
spindle feet connected by a central stretcher, 31'' H x 43'' W x 24'' D, est:$5000/7000
Provenance: Private Collection, Southern California. Condition: Overall good
condition. Marble top with a break and line of subsequent professionally executed
fill across width of tabletop and end third and a .5'' x .25'' chip and fill to one corner.
Scattered marks and scratches commensurate with age. Breaks and repairs to turned
supports at either end of stretcher. Your bid indicates acceptance of our Conditions of
1240 An Empire style gilt-bronze mirrored surtout de table
Late 19th / early 20th century, apparently unmarked, the cartouche-form, laurel
garland molded mirrored plateau raised on four tapering cylinder and four paw feet,
surmounted by a pierced scrolling-foliate gallery, each side and end centered by a
pair of sphinxes facing a central female portrait medallion, 4.25'' H x 28'' W x 15'' D,
est:$1200/1800
Provenance: Property from the Footman Family Estate. Condition: Overall
good condition. General marks, scratches, rubbed wear and darkening to gilding
commensurate with age. Your bid indicates acceptance of our Conditions of Sale. ASIS. ALL SALES FINAL.
1241 A pair of mounted Sevres style Napoleonic lidded urns
Late 19th century, each with paper label under base reading ''343'' and signed to body
''H. Desprez'', the first: stamped ''343'' to neck, with red overglaze Sevres mark and
date mark for 1804, the base dated ''1806''; the second: the base dated ''1805'', each
gilt bronze-mounted, with a pinecone-form finial atop a domed gilt-painted cobalt
ground lid and collar, the oviform body painted with a continuous scene of Napoleon
on horseback surrounded by his troops, over a stepped socle above a spreading giltpainted base, raised overall on a beaded square plinth, 2 pieces, each: 38'' H x 12.5'' Dia.,
est:$12,000/18,000
condition. General marks, scratches and rubbed wear to gilt paint commensurate with
age. Each with craquelure to glaze throughout. The second urn lid with breaks, repairs
and overpaint. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL.
1242 An Empire style gilt bronze-mounted bibliotheque
Late 19th / early 20th century, of mahogany and walnut, the white marble top over
a beveled breakfront pediment, the central door set with grillage over a gilt bronzemounted lower panel, enclosing four adjustable wood shelves, flanked by two
similar doors each enclosing three adjustable shelves, raised on turned vasiform feet,
69.75'' H x 80.5'' W x 19.5'' D, est:$2000/4000
Scattered evidence of woodworm to bottom verso. Scattered scratches, rubbed wear
and chips to veneer commensurate with age; the largest a .25'' x .25'' gouge to front
right corner of pediment. Shrinkage cracks commensurate with age; the largest a split
running the length of one upper verso panel. A 3'' x 2'' cut hole to lower right back panel
with corresponding 6'' long split to panel. Scattered drips of white paint to marble top,
verso and left side of cabinet. Scattered areas of lifting to mounts. A break to left edge of
lower center door mount; missing portion replaced with a non-matching element. No
key. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES FINAL.
62
1243 Leon Bonduel (1857-1928 French), ''L'Alerte''
Dated 1889 and with incised signature ''Leon Bonduel'' to base, titled to lion-topped
reserve on base ''L'Alerte / Par Bonduel'', a bronze sculpture depicting a reclining male
nude, sword in hand, raised on an integral stepped oblong base, 22'' H x 32'' W x 13.5'' D,
est:$2000/3000
Overall good condition. General marks, scratches, rubbed wear and dust accumulation
commensurate with age. Sword bent slightly in towards figure. Two drips of white house
paint to base; the largest .75'' x .75''. Your bid indicates acceptance of our Conditions of
1244 A black marble pedestal stand
Late 19th / early 20th century, of black marble with grey and white veining, with
a circular platform atop a cylindrical standard raised on a stepped circular base
surmounting an octagonal plinth, 39.5'' H x 13'' Dia., est:$500/800
Overall good condition. General light marks, scratches and rubbed wear commensurate
with age. Scattered abrasions to platform. A small spot of white paint to base. Scattered
chips and minor losses; the largest a 2'' x .75'' loss to base. A 2'' x .75'' section of fill to
upper band on standard. Your bid indicates acceptance of our Conditions of Sale. AS-IS.
ALL SALES FINAL.
1245 A black lacquer and inlaid gilt bronze-mounted cabinet
Late 19th century, the mounts stamped ''RT'', the case apparently unsigned, the shaped
white marble demi-lune top over four baluster-form supports outset from the black
lacquered and brass inlaid body centered by a silvered and gilt-overlay locking cabinet
door enclosing two adjustable red velvet-lined shelves, flanked by curved glazed locking
doors each enclosing two lined shelves, on bun feet, with key, 43.25'' H x 62'' W x 18'' D,
est:$2000/3000
Overall good condition. General marks, scratches and scuffs commensurate with age.
Scattered shrinkage cracks; the largest including one 8''- and one 7'''-long crack to
cabinet door. Breaks and repairs to left side door near upper hinge and right side door at
upper edge. Scattered areas of chipping and losses to brass inlay, primarily localized to
apron. Right side door does not open; lock will not function. Mounts have been regilt.
1246 A gilt bronze-mounted Sevres style trumpet vase
Early 20th century, French, marked to interior with two interlaced 'L's centered by a
further 'L', signed to body ''Quentin'', the flared rim above a tapering cylindrical body
hand-painted with a scene of winged putti carving marble sculptures, over a turned
socle supported on a tripartite paw-footed base, raised overall on a tripartite plinth,
20.25'' H x 11'' Dia., est:$3000/5000
Condition: Overall good condition. General marks, scratches and light rubbed wear
commensurate with age. A .5'' x .125'' gilt-overpainted inherent firing flaw near center
point. Tripartite base has been re-gilt. Socle would benefit from tightening; leans slightly.
63
1247 A Sevres style gilt bronze-mounted lidded urn
Late 19th century, with overglaze blue intertwined ''L''s enclosing ''D'', signed to body
''M Laxant'', with a pinecone-form finial atop a domed gilt-painted cobalt ground lid
and collar, the oviform body painted with a reclining woman and winged putti within a
continuous landscape, raised on a banded socle over a spreading base, raised overall on a
beaded shaped square plinth, 46'' H x 15'' Dia., est:$8000/12,000
condition. General marks, scratches and scattered chips and scratches to gilt paint
commensurate with age. With craquelure to glaze throughout. Spots of darkening and
wear to plinth. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL.
1248 An opposing pair of gilt-bronze winged putti
Late 19th / early 20th century, unsigned, each reclining winged putti raised on a
malachite-veneered cylindrical base, 2 pieces, each: 14.5'' H x 13.75'' W x 10.25'' D,
est:$1500/2500
Overall good condition. General light marks, scratches, dust accumulation and rubbed
wear to gilding commensurate with age. Scattered areas of verdigris to figures. Bases
with scattered chips, scratches and scuffs, primarily to edges due to abrasion with
figures. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL.
1249 A pair of Napoleon III gilt metal-mounted cabinets
Third quarter 19th century, each of trapezoidal outline, of ''Boulle'' marquetry and
ebonized wood, with an eared black slate top within a palmette-cast border over a frieze
interrupted by rosettes heading foliate scroll-headed angled uprights flanking a pair of
hinged doors inset with arched panels, enclosing two wooden shelves, raised on toupie
feet, 2 pieces, each: 40'' H x 48'' W x 15.75'' D, est:$4000/6000
Oak secondary wood. Each with general rubbed wear, marks, minor nicks and scratches
commensurate with age and use. Structurally sound. Scattered stable shrinkage cracks
to joints and veneer. One cabinet with a shrinkage crack extending entire height of
marquetry panel on one side of case. No key. The slate tops possibly later replacements.
1250 Two framed miniature paintings
Late 19th century, the first: signed ''RoL(?)'', depicting a diaphanously draped female
nude bathing in a lake with two winged putti in attendance, under beveled glass in a
bone and mother of pearl frame; the second: signed ''Lebrun'', depicting a reclining
female nude and a well-dressed gentleman companion, under glass in a ''Boulle'' frame,
2 pieces, the first: 5.875'' H x 5.125'' W; the second: 4.75'' H x 5.5'' W, est:$400/600
Provenance: Private Collection, Rancho Palos Verdes, CA. Condition: Paintings not
removed from frames. Each in overall good condition. Frames with general scratches,
marks and gouges commensurate with age. The ''Boulle'' frame with scattered small
losses and cracks to inlay. Your bid indicates acceptance of our Conditions of Sale. ASIS. ALL SALES FINAL.
64
1251 A gilt-bronze figural group, Raingo Freres
Second half 19th century, Paris, stamped to verso ''Raingo Freres'', stamped to underside
''Raingo Fres / 8247'', a gilt-bronze figural group depicting three Bacchic putti, one
blowing a horn, two with baskets of grapes, raised on a stepped circular gilt bronze-lined
red marble plinth, 12'' H x 8.75'' W x 7.75'' D, est:$2000/3000
commensurate with age. Re-gilt. Your bid indicates acceptance of our Conditions of
1252 A Sevres style bronze-mounted porcelain platter
Late 19th / early 20th century, with blue overglaze double ''L''s enclosing ''A'' over ''2''
mark, further marked with rubbed overglaze red mark (possibly ''France''), the bronze
mounts stamped ''B'', the oblong platter hand-painted to reserve with a scene of a
courting couple and onlookers within a verdant landscape, the rim decorated with floral
festoons within gold-toned scrolling foliate cartouches over a yellow ground, within a
grape cluster and vine mount, raised on a guilloche-molded base issuing two bifurcated
foliate-scroll handles, raised overall on four pierced foliate outswept legs suspending
grape vine festoons, 9.5'' H x 24.25'' W x 15'' D, est:$1000/2000
Provenance: Property from an Estate, Pasadena, CA. Condition: Overall good
condition. General light marks, scratches and wear commensurate with age. Darkening
to bronze with extensive rubbed wear to gilding. Minor inherent cracks to underside of
bronze legs. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL.
1253 A Sevres style gilt bronze-mounted dresser box
Late 19th / early 20th century, the unglazed underside marked with blue intertwined
''L''s enclosing a dot over an ''S'' and additional mark, painter's signature partially
obscured by border ''???lo'', the circular hinged domed lid centered by a hand-painted
scene of a courting couple within a gold rocaille border on pink ground over a similarly
decorated cylindrical body, painted to the interior with pink roses on a white ground,
2.25'' H x 6.875'' Dia., est:$600/900
Condition: Overall good condition. Rubbed wear and darkening to gilt bronze
commensurate with age. Your bid indicates acceptance of our Conditions of Sale. AS-IS.
ALL SALES FINAL.
1254 A French gilt-bronze four face mantle clock
Second half 19th century, maker Jean Vincenti et Cie, the twin-train movement stamped
''Made in France'' and with Vincenti et Cie 1855 Medaille d'Argent seal, within an urntopped rectangular gilt-bronze case adorned with a foliate margent to each squaredoff corner, each face centering a differently functioning circular face, the first: a white
enamel clock face with applied black Arabic numeral hour markers and minute indices
within a beveled glazed hinged bezel; the second: arched Centigrade and Fahrenheit
thermometers mounted to a white enamel and black and gold-toned applied backing;
the third: a white enamel aneroid barometer with applied black text and indices beneath
a beveled glazed bezel inset within a hinged door enclosing the inner works; the fourth:
a hand-painted calendar with adjustable date, month and day of the week, raised overall
on an acanthus-cast base, on toupie feet, 9.5'' H x 5.75'' W x 5.5'' D, est:$600/800
General marks, scratches, rubbed wear and darkening to gilt bronze commensurate with
age. Clock face with a .5'' x .25'' chip to enamel near 4 o'clock hour marker; lacking three
adjacent minute indices. Scattered spots of minor touch-up to blue enamel on calendar
face. Lacking key; does not run. Moran's does not guarantee working condition of clocks
or other mechanical items. Your bid indicates acceptance of our Conditions of Sale. ASIS. ALL SALES FINAL.
65
1255 Guy Charles Revol (1912-1991 French)
Dated 1952, signed to base G. C. Revol, further marked ''Ex 3/x'' and with ''Cire /
M. Valsuani'' foundry mark, a bronze figure depicting a nude female discus thrower
standing contrapposto, raised on an integral naturalistic base, 22.5'' H x 6.5'' W x 5.25'' D,
est:$500/800
Provenance: Private Collection, Newhall, CA. Condition: Overall good condition.
General marks, scratches and rubbed wear commensurate with age. With scattered
patches of verdigris. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL.
1256 Pair of Moore / Tiffany & Co. sterling silver dishes
Circa 1854-1869, each with dual Old English ''m'' marks for the Moore Company under
John C. and Edward C. Moore, the first marked ''Tiffany & Co. / 2016 / English Sterling /
925-1000 / 5240 / 550 Broadway''; the second with nearly identical mark, order number
''3176'', each bead and Greek-key rimmed oval serving dish with a similarly decorated,
fitted domed cover surmounted by a removable leaf-wrapped bead handle on a
Greek key-bordered domed base, 2 pieces, each: 5.5'' H x 11'' W x 8.5'' D, 65.02 oz troy
Provenance: Private Collection San Diego, CA, through descent in the family.
Condition: Overall good condition. Not monogrammed. Each with scattered light
scratches, dings, and scattered dents to bodies and covers; the largest a repaired
1'' x 1.75'' dent to one end of one base. One cover with removable handle slightly
off-center; does not tighten to correct position. Your bid indicates acceptance of our
1257 A sterling silver coffee & tea service, Shreve & Co.
Late 19th century, San Francisco, CA, each with maker's marks, further marked
''Sterling'', a five-piece set, each with a scrolling foliate rim over a squat body inscribed
''Robert Henry Pratt / December 31, 1894'', comprising: a coffee pot (8.5'' H x 7.75'' W x
5'' D), a teapot (5.5'' H x 9.75'' W x 5.25'' D), a covered sugar bowl (4.5'' H x 6.75'' W x 4.5''
D), a waste bowl (2.625'' H x 4.75'' Dia.) and a milk jug (3'' H x 5.375'' W x 4'' D), 5 pieces,
gross weight 46.700 oz troy approximately, est:$800/1200
wear commensurate with age. Scattered minor dents and dings; the largest a 1'' x .75''
shallow dent to body of coffee pot and a .75''-diameter dent to waste bowl. Weight
includes items with bone insulators. Inscribed, as stated. Your bid indicates acceptance
1258 A group of Shreve & Co. sterling silver articles
20th century, each marked ''Shreve & Co. / San Francisco / Sterling'', including
two pieces in the ''Dolores'' pattern; 1 bowl (2'' H x 7.5'' Dia.) and 1 oval dish
(1.5'' H x 11.75'' W x 6.5'' D), and 12 nut dishes in the ''14th Century'' pattern (each:
.5'' H x 3.5'' Dia), each monogrammed ''P'', 14 pieces, 28.380 oz troy approximately,
est:$1000/1500
Condition: Overall good condition. General light marks, scratches and tarnishing
commensurate with age and use. The oval dish with scattered dings, primarily localized
around edge of base; the largest approximately .5'' x .5''. Your bid indicates acceptance of
66
1259 A sterling silver ''Queen Anne'' flatware service
Introduced 1910, designed by Gilbert L. Crowell, Jr., with maker's marks for Dominick
& Haff, further marked ''Sterling'', the teaspoons and dinner forks further marked ''M'',
in the ''Queen Anne Plain'' pattern, comprising: 12 dinner forks (7.625''), 12 round bowl
cream soup spoons (6.75''), 12 bouillon spoons (5.125''), 11 teaspoons (5.875''), 11 salad
forks (5.75''), 12 cocktail forks (5.5''), 12 ice cream spoons (5.375''), 12 flat handled butter
spreaders (5.875'') and 10 stainless steel-bladed dinner knives (9.75''), all but the salad
forks and one teaspoon monogrammed ''EMH'', the salad forks monogrammed ''H'', 104
pieces, weighable sterling 106.640 oz troy approximately, est:$1200/1800
Provenance: Property from the Footman Family Estate. Condition: General marks,
scratches, tarnishing, rubbed wear and minor bending to tines commensurate with age
and use. Steel-bladed knives with more extensive scratching and scattered areas of rust
primarily localized near handle joints. One salad fork with more extensive scratches
and gouges to ends of tines. Weight does not include stainless steel-bladed articles.
1260 A Roberts & Belk sterling silver flatware service
1972-1973, Sheffield, a partial service for 12 in the ''Queen Anne'' pattern, each with
maker's and standard marks, comprising: 6 tablespoons (7.875''), 12 dinner forks (7.625''),
12 salad/dessert forks (6.75''), 12 dessert spoons (7''), 12 round bowl soup spoons (6.75''),
11 demitasse spoons (4.75''), 12 hollow-handle stainless steel-bladed dinner knives
(9.625'') and 12 hollow-handle stainless steel-bladed luncheon/dessert knives (8.375''),
89 pieces, weighable sterling 111.080 oz troy approximately, est:$1000/1500
General marks, scratches and rubbed wear commensurate with age and moderate use.
Scattered forks with tines slightly bent. Not monogrammed. Weight does not include
stainless steel-bladed articles. Your bid indicates acceptance of our Conditions of Sale.
1261 An assembled sterling silver flatware service
Late 19th / early 20th century, American, each with maker's marks, further marked
''Sterling'', comprising pieces in the Alvin ''Orange Blossom'' pattern (designed by
Frederick Habensack), Simpson, Hall, Miller & Co. ''Frontenac Lily'' pattern, Whiting
Manufacturing Co. ''Lily'' pattern (designed by Charles Osborne) and Gorham ''Lily''
pattern, the Alvin ''Orange Blossom'' comprising: 1 fork (6.875'') and 8 teaspoons
(5.125''); the Simpson, Hall, Miller & Co ''Frontenac Lily'' comprising: 2 dinner forks
(7.25'') (1 monogrammed ''FS(?)''), 1 serving spoon (8.125'') and 1 sugar shell spoon
(6''); the Whiting Manufacturing Co. ''Lily'' comprising: 12 luncheon forks (6.75'')
(6 monogrammed ''B'', 1 monogrammed ''K'' and inscribed to verso ''Intermost''),
9 teaspoons (5.75''), 11 five o'clock teaspoons (5.375'') (6 monogrammed ''E'', 1
monogrammed ''B'' and 3 monogrammed ''R''), and 13 flat-handled butter spreaders
(5.125''); the Gorham ''Lily'' comprising: 14 dessert forks (6.125''), 2 stainless steel-bladed
dinner knives (9.875'') and 4 stainless steel-bladed luncheon knives (8.875''); together
with 1 Alvin ''Morning Glory'' pattern (designed by Frederick Habensack) serving spoon
(8.25''), 79 pieces, weighable sterling 78.830 oz troy approximately, est:$1000/1500
condition. An assembled service, as stated. General marks, scratches, rubbed wear,
tarnishing and slight bending to tines commensurate with age and use. Stainless steel
blades likely later replacements. Weight does not include stainless steel-bladed articles.
Variously monogrammed, as stated. Your bid indicates acceptance of our Conditions of
Sale. AS-IS. ALL SALES FINAL.LES FINAL
67
HQ Fine jewelry Auction
A curated Fine Jewelry Auction featuring selections from private Southern California collections and estates, including
Victorian, Art Deco and modern signed pieces by Van Cleef & Arpels, Marsh & Co., Patek Philippe and Cartier.
1.
2.
5.
6.
9.
10.
3.
7.
11.
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8.
12.
1. A gem-set flower brooch, Van Cleef & Arpels, est: $1500/2000 - 2. A pair of cultured pearl, diamond & blackened steel earclips, Marsh & Co., est: $800/1200
3. An Art Deco diamond and white gold ring , est: $7000/9000 - 4. A pear shape colored diamond and gold ring, est: $15,000/20,000
5. A Patek Philippe gold Gent's wristwatch, Calatrova, est: $4000/6000
6. An old European-cut diamond, 3.30 cts, with GIA report, J color and VS1 clarity, set in a platinum ring, est: $30,000/40,000
7. A pair of antique snake bangles, c.1860, est: $400/600 - 8. An Art Deco diamond, emerald and platinum brooch, est: $1000/1500
9. A gold Florentine finished bracelet, est: $1800/2500 - 10. A gold and green enamel lady’s Waltham pocket watch with matching chain, est: $1000/2000
11. A pair of flower brooches, Van Cleef & Arpels, est: $4000/6000 - 12. A gold spinning wheel pendant necklace, est: $2000/3000
Auction: May 5, 2015 - 6pm
Previews:
Monday May 4: 12pm-5pm
Tuesday May 5: 12pm
All events at 735 West Woodbury Road, Altadena CA 91001
Bid I n Pe rs on - A b se n t e e - Te l e phone - L i v e Onl ine at:
735 West Woodbury Road, Altadena CA 91001 | www.johnmoran.com - info@johnmoran.com - (626) 793-1833
inf o @ j ohn m or a n . c o m · ( 6 2 6 ) 7 9 3 - 1 8 3 3 · w w w. j oh n m or a n . c o m

Decorative Art Auction Tuesday April 28, 2015

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