KH 120 - Sweetwater.com

Transcription

KH 120 - Sweetwater.com
U 47 fet
The distinctive look of an old Polaroid photograph and the typical
sounds of the 1970s are immediately recognizable. Similarly to the
Polaroid esthetic, the sound concepts of that innovative period are
being rediscovered as an extremely enriching creative element in
today’s digital world.
KH
An icon120
of that era, the U 47 fet with its unmistakable sound, is now
The
KH 120again.
studioFor
monitor
is designed
for Edition U 47 fet,” Neumann
available
the new
“Collectors
use
a near-field
loudspeaker
or as
a rearmic, according to the original
has as
resumed
production
of this
classic
loudspeaker
in larger multi-channel
systems.
production documents
and schematics.
(800) 222-4700 | www.sweetwater.com
Sweetwater.com
LARGE-DIAPHRAGM CONDENSER MICROPHONES
279
M 147 Tube
True Tube Mic Goodness
The M 147 Tube delivers the incredibly transparent
sound that engineers everywhere trust to accurately capture
acoustic instruments. It’s a great mic for bass instruments,
yet it can also be used for delicate vocals. At the heart of this
cardioid tube condenser mic is the K 47/49 dual-diaphragm
capsule, inherited from the legendary U 47 and M 49 mics.
The M 147 Tube’s transformerless output circuit guarantees
extremely low self-noise. The flat frequency response in the
upper midrange, with a 3dB boost above 2kHz, adds shimmer to
sources that would sound dull with other mics.
Specs: cardioid • 20Hz–20kHz • Max SPL: 134dB
M147
Tube Condenser Mic...........................................
ONLY $109/mo.
289995
$
TLM 67 Set Z
Amazing U 67 Sound and Vibe — Without the Tubes
The number “67” carries a special meaning among studio
professionals all over the world. And there’s good reason why that
number appears on the TLM 67 Set Z: Neumann developed this
microphone to closely reproduce all of the sound characteristics
of the famous U 67. In fact, the TLM 67 Set Z uses the identical
K 67 capsule, just without the tubes — a design that has proved
extraordinarily successful with the amazing TLM 49 (below).
U47 FET
Collector’s Edition
One of the Most Recorded Mics Ever
The Neumann U47 FET Collector’s Edition brings
the epic sound of one of the most recorded microphones
in history into your studio. Neumann went back to
the original schematics and production notes from
the original U47 FET to bring you the wide dynamic
range, detailed sound, and fast transient response of
the original. The U47 FET lets you record kick drum
tracks with amazing power and punch, track vocals with
exceptional articulation and detail, and capture the full
dynamic range of delicate acoustic instruments.
Specs: cardioid • 40Hz–16kHz • Max SPL: 137dB
U47FET
Lg Diaphram Cond Mic................................
TLM67SetZ
Condenser Mic........................................
ONLY $90/mo.
2399
95
Inspired by the classic M 49 and M 50 microphones of the ’50s,
the Neumann TLM 49 is a large-diaphragm condenser
optimized for capturing vocal performances. Though it’s
perfect for voice, the wide frequency response of the TLM 49
makes it suitable for a number of tasks, such as recording
acoustic guitars or other instrumental applications,
including low-frequency sources. Voiced in the tradition
of Neumann’s M 49 and the U 47, the TLM 49 uses the K 47
capsule, with flat response up to the upper mids and a slight
boost above 2kHz. Shockmount is included.
TLM49
Condenser Mic...........................................
Specs: omni, cardioid, figure-8 • 20Hz–20kHz
• Max SPL: 127dB • bass roll-off • Pad: 10dB
ONLY $64/mo.
1699
95
U87SetZ
TLM 103
This versatile condenser
mic is what’s missing
from your mic collection!
Equally at home in pro
and project studios alike,
the TLM 107 gives you
ultra-clear and delightfully
smooth Neumann sound,
plus the multi-pattern
flexibility and flat response
you need to tackle any recording
situation. Available in black
(shown) or nickel.
The cardioid TLM 103 uses a tried-and-true
transformerless circuit found in
high-end Neumann microphones
to achieve low self-noise and
incredibly high SPL tolerance.
That makes it perfect on
everything from
vocals to guitar
cabs. Also available
is the TLM 103
Anniversary
Edition, with an
aluminum case and a
matching shockmount.
Specs: cardioid/wide cardioid/omni/
hypercardioid/fig-8 • 20Hz–20kHz • Max SPL:
141dB
ONLY $64/mo.
TLM107MTCondenser Mic...........................................
TLM107
24
TLM 107
A Workhorse Mic with
World-class Sound
Condenser Mic...........................................
1699
$
95
1699
$
95
399995
Here’s a legend! The U 87, arguably the most famous mic
in the Neumann line, has been used for vocals on countless
hit records. It also excels for instrumental close-miking and
in capturing orchestral ensembles
and solo performances. Its large
MONTHS
dual-diaphragm capsule (drawn
FINANCING
on
from Neumann’s famed K 67)
can capture both the body
and the air of a performance
without sounding harsh.
Classic Voice, Modern Performance
$
ONLY $150/mo.
Your Chance to Own the Classic Condenser
Mic
TLM 49
Specs: cardioid • 20Hz–20kHz • Max SPL: 129dB
$
U 87
Specs: cardioid, omni, figure-8 • 20Hz–20kHz
$
NEW!
Condenser Mic................................
Affordable, Compact Neumann
Finally, an amazing
Neumann microphone that
project-studio owners can
afford! The TLM 102 is a fine
example of a large-diaphragm
condenser mic — you’re going
to love it on vocals, guitar
cabinets, or anything that
makes noise! In fact, you don’t
have to baby this Neumann when
it comes to louder instruments; it
can handle SPLs up to 144dB! That
means you can park the TLM 102 in
front of everything from kick drums to
amps to strings. Available in a nickel or
black finish.
Specs: cardioid • 20Hz–20kHz • Max SPL: 138dB
TLM103
Condenser Mic............................................
TLM103Anniv Condenser Mic w/Aluminum Case......................
ONLY $135/mo.
359995
$
TLM 102
This Neumann Delivers in the Studio
and Onstage
Specs: cardioid • 20Hz–20kHz • Max SPL: 144dB
ONLY $27/mo.
ONLY $42/mo.
1099
$
For more info call or go to
Sweetwater.com/financing
95
1299
$
95
TLM102
TLM102MT
Condenser Mic, Nickel................................
Condenser Mic, Blk.....................................
69995
$
69995
$
A masterpiece
of brilliance and beauty
Call a Sweetwater Sales Engineer to learn more.
(800) 222-4700 www.sweetwater.com
ADV731/1/E
The C414 XLS maintains the sonic character of the legendary C414 B-ULS, the most popular AKG C414
version since 1971.
If your taste runs more toward the classic C12, the C414 XLS’s brother, the C414 XLII, will get you there.
If you are on a budget or simply need a quality cardioid pair of microphones, the C214 maintains much
of the character of the C414 XLS at a more modest price.
Sweetwater.com
LARGE-DIAPHRAGM CONDENSER MICROPHONES
C 414 XLS
C 214
We couldn’t wait to get our hands
on the upgraded C 414 XL II. AKG
has made this legendary mic even
better! It still has the distinctive
timbre that adds presence to closemiked vocals and instruments,
such as acoustic guitars. It’s got a
slight high-frequency boost that
captures the “air” around the notes,
so this mic now sounds closer to the
legendary C 12 than ever before. The
C 414 XL II can also add depth to a thinsounding soprano or any other source
that needs a little more body. Its nine
selectable polar patterns give you plenty
of placement options, so you’ll be ready
for any source or session need. You can
even lock the settings, so performers won’t accidentally
change them onstage!
Though the C 414 XL II is a superior
vocal mic, the C 414 XLS is ideal
for reference-quality capture of
the details of acoustic sources,
including string sections, brass,
woodwinds, and vocal solos or
ensembles. The C 414 XLS offers
nine pickup patterns, enabling you
to choose the perfect setting for every
application. In addition to the five
patterns traditionally offered by the C
414 (omnidirectional, wide cardioid,
cardioid, hypercardioid, and figure-8), you
also get four intermediate settings that let
you dial in the best pattern to suit your
environment. This mic produces clear,
transparent, open highs, without a hint
of harshness. An internal shockmount
protects the capsule, and its high sensitivity and low
self-noise ensure uncompromised reproduction of the
most delicate sounds.
Here’s a real workhorse mic for
stage, studio, or broadcast, and
it’s amazingly budget friendly!
With a lineage that extends from
the legendary C 414 family,
AKG’s C 214 gives you great
all-around performance while
handling high SPLs. It features
quality low-noise operation, an
attenuation pad, and a low-cut
switch to handle a range of sound
sources.
Specs: 9 pickup patterns • 20Hz–20kHz • Max SPL: 158dB • Bass roll-off:
40Hz/80Hz/160Hz • Pad: 6dB/12dB/18dB
ONLY $42/mo.
Specs: 9 pickup patterns • 20Hz–20kHz • Max SPL: 158dB • Bass roll-off:
40Hz/80Hz/160Hz • Pad: 6dB/12dB/18dB
ONLY $40/mo.
C414XLII
C414XLS
C 414 XL II
Your Pick for Referencegrade Sound
Vocals, Acoustic Guitar,
Overheads — Use It
Everywhere
Condenser Mic.........................List 1549
$
00
1099
$
00
Awesome All-around
Studio Microphone
Condenser Mic.........................List 1499
$
00
The cardioid-only C 214 maintains the
high-quality sound associated with the
C 414 series. By being cardioid only, the
C 214 is an easy fit into many studio and
live sound situations, where minimizing
bleed is desired. For a big-studio drum
sound for relatively little money, park a pair
of C 214s over an acoustic drum kit.
1049
$
Specs: cardioid • 20Hz–20kHz • Max SPL: 158dB • Bass
roll-off: 160Hz • Pad: 20dB
00
C214
Condenser Mic...........................List 469
$
00
ONLY $15/mo.
39900
$
P820 Tube
P420
Flagship of AKG’s Project Studio line, the P820 Tube condenser
makes quality tube mic performance affordable, delivering rich
sonics as only a tube mic can. The P820 Tube gives you excellent
versatility, offering a choice of cardioid, omni, and figure-8 polar
patterns, along with a low-cut filter and 20dB attenuation pad,
both accessible from the supplied remote power supply.
AKG’s P420 large-diaphragm condenser microphone gives
you high sensitivity, a robust SPL capacity, and multiple pickup
patterns; in short, it’s a versatile, affordable addition to any pro
facility where uncompromising quality is standard.
A Must-have Mic for Any Studio
Versatile Multi-pattern Condenser
The P420 features a 20dB pad and pristine sound quality. You
can select between cardioid, omni, and figure-8 pickup patterns
for a variety of miking applications. This mic is ruggedly
constructed and includes a spider-style shockmount and
aluminum carrying case. AKG means quality, and the P420 is
no exception!
With its 1" dual-capsule design and advanced ECC83 dual-triode
circuitry, the P820 Tube gives you a smooth, dimensional sound.
And although it excels on vocals, its ability to withstand high
sound pressure levels make the P820 Tube an all-around studio
workhorse. A metal carrying case and a spider shockmount are
included.
Specs: cardioid, omni, figure-8 • 20Hz–20kHz • Max SPL: 155dB
• Bass roll-off: 80Hz • Pad: 20dB
P820T
Tube Condenser Mic...................List 999
$
00
Specs: cardioid, omni, figure-8 • 20Hz–20kHz • Max SPL: 155dB • Bass roll-off:
300Hz • Pad: 20dB
ONLY $27/mo.
ONLY $10/mo.
699
$
00
P420
Condenser Mic...........................List 399
$
P220
P120
The AKG P220 large-diaphragm condenser microphone gives
you the kind of versatile performance and reliability you need,
whether you’re capturing sources in a pro studio, tracking at
home, or even going after great live sound.
Need an affordable mic you can use on almost anything?
Sporting a 2/3" diaphragm capsule, a fixed cardioid pickup
pattern, and the ability to withstand high SPLs, the AKG P120
works great on just about any source — instrumental or vocal.
Featuring a cardioid pickup pattern, a switchable 20dB
attenuation pad, and a bass roll-off switch, the P220 has what
you need to get great sound anywhere — it’s built rugged enough
to take the stage while being sensitive and accurate enough to
find a home in any studio mic locker. The P220 comes with an
aluminium carrying case and a spider shockmount.
A bass roll-off switch and a 20dB pad add to this mic’s
versatility. When you consider its super-affordable price tag,
the P120 becomes a logical choice for project and home studio
multi-mic applications such as drums.
Value-packed Large-diaphragm from AKG
Proving That Accuracy Is Affordable
Specs: cardioid • 20Hz–20kHz • Max SPL: 150dB • Bass roll-off: 300Hz • Pad: 20dB
Specs: cardioid • 20Hz–20kHz • Max SPL: 155dB • Bass roll-off: 300Hz • Pad: 20dB
ONLY $10/mo.
P220
281
Condenser Mic...........................List $29900
14900
$
P120
Condenser Mic...........................List $17900
9900
$
00
19900
$
20 Years. 4 Mics. 2 Companies. 1 Legend.
The new NT1 is the fourth generation of this legendary microphone, and
since the very first release we’ve partnered with the team at Sweetwater to
ensure NT1 users get the very best before and after sales service.
Featuring an entirely new capsule, electronics and ceramic-coated body,
the NT1 is an entirely new microphone and the quietest studio microphone
we’ve ever created. Combine it with the revolutionary SMR shock mount
and there’s no debate that the legend will live on for years to come.
Speak to your Sweetwater Sales Engineer today and find out why the
NT1 is so very special.
(800) 222-4700
www.sweetwater.com
Sweetwater.com
LARGE-DIAPHRAGM CONDENSER MICROPHONES
NT1 Kit
NT1000
Incredible Low-noise Condenser Mic
plus Accessories
Need Accuracy?
Here’s Your Microphone
Over the RØDE NT1’s 20-plus-year history, Sweetwater Sales
Engineers have helped countless recording engineers discover this
amazing cardioid condenser microphone — and this latest NT1 model
is by far the most impressive one yet! Sporting a mere 4.5dB of self
noise, the NT1 isn’t just the quietest studio condenser microphone
RØDE has produced to date; it’s one of the quietest mics of its type in
the world.
Patented Lyre capsule suspension technology from Rycote further
enhance the sound of the NT1, isolating it from even the natural
harmonic resonance of its aluminum body. And with the bundled
SRM combination shockmount and pop filter, this NT1 Kit is a truly
amazing deal. Call us today and make an instant improvement to the
way your projects sound.
Specs: cardioid • 20Hz–20kHz • Max SPL: 132dB
NT1Kit
Clear and accurate! As great as they sound,
mics with a lot of sonic character aren’t
always the best ones to use on a given sound
source. Sometimes you need maximum
accuracy. That’s why RØDE makes the
NT1000. This is the mic you need for a
natural, uncolored studio sound — and
it’s available at an amazingly low price!
Perfect for both close-miking and ambient
applications, the NT1000 makes a great
all-around mic for your studio.
24
MONTHS
FINANCING on
For more info call or go to
Sweetwater.com/financing
Specs: cardioid • 20Hz–20kHz • Max SPL: 140dB
ONLY $11/mo.
Condenser Mic...........................List $39500
269
$
ONLY $13/mo.
00
32900
$
NT1000 Condenser Mic....List 599
$
00
K2
NTK
NT3
You’ll love the classic tube condenser
character of the K2, and you’ll appreciate
its low-noise performance and versatility.
Dial in exactly the pattern you want
(from omni to cardioid to figure-8),
thanks to a continuously variable
pickup-pattern selector. And don’t worry
about putting the K2 on loud sources, as
it can handle big SPLs! Call today and
find out more.
The RØDE NTK large-diaphragm tube
condenser mic can hold its own against
sought-after vintage microphones
that cost several times as much! This
mic’s gentle presence boost makes
everything sound good, especially
vocals. A matching SM2 shockmount
is available.
Here’s one studio-quality mic that doesn’t
have to be stuck in the studio! The NT3
sounds great on instruments and vocals.
It’s phantom powered and battery powered,
so it’s perfect for your mobile studio or
field-recording rig! The NT3 is a road-tough
microphone that’s built to last, and it’s your
go-to mic when it’s time to pull out the
laptop and capture sound sources on the fly.
Specs: cardioid • 20Hz–20kHz • Max SPL: 158dB
Specs: cardioid • 20Hz–20kHz • Max SPL: 140dB
This Versatile Tube Mic
Does It All
Premium Tube Mic
Performance, Great Price
Specs: variable pattern • 20Hz–20kHz
• Max SPL: 162dB
ONLY $27/mo.
K2Tube
283
Tube Condenser Mic...................List 999
$
00
699
$
00
Versatile Cardioid Condenser
ONLY $20/mo.
NTK
SM2
Tube Condenser Mic...................List $99900
Shockmount...............................................
52900
$
ONLY $11/mo.
49
$
NT3
00
NT2-A Studio Solution
NT1-A Bundle
RØDE’s NT2-A Studio Solution includes the popular
NT2-A condenser mic plus a complete accessory
package. The NT2-A features switchable pickup patterns,
a highpass filter, and a pad. The bundle also includes an
SM6 shockmount with a detachable pop filter, an XLR cable,
a dust cover, and a recording techniques DVD featuring
accomplished music producer John Merchant.
RØDE put together this value-loaded NT1-A Bundle
to celebrate their 15-year anniversary. Inside, you
get the fantastic NT1-A, which works great on even
loud sources. Its combination of astonishingly low
self-noise and high SPL handling (not to mention its very
approachable price) makes the NT1-A your next studio
essential. With the bundle, you also get a pop shield, a
shockmount, and an XLR cable, so you’re ready to record.
Incredible Condenser Bundle
NT2AStuBun Condenser Mic Package.......List 699
00
00
RØDE Video Mics
VideoMic Pro
Studio-quality Audio for Your Video
Get broadcast-quality audio for your video recordings,
with the RØDE VideoMic Pro. This compact mic
includes a three-position level control, so you can
instantly respond to
changes in your recording
environment. An integrated
shockmount minimizes
camera-handling noise, while an 80Hz
highpass filter helps cut out wind noise.
Specs: supercardioid • 40Hz–20kHz • Max SPL: 134dB
• Bass roll-off: 80Hz • Pad: 10dB • Boost: 20dB
VideoMicPro
SprCard Shotgun Mic........List 329
$
00
ONLY $10/mo.
229
$
00
ONLY $10/mo.
Specs: cardioid • 20Hz–20kHz • Max SPL: 137dB
399
$
00
First-class Recording Solution
Specs: cardioid/omni/fig-8 • 20Hz–20kHz • Max SPL: 147dB–157dB • Bass
roll-off: 80Hz, 40Hz • Pad: 5dB/10dB
ONLY $15/mo.
$
26900
$
Condenser Mic............List 349
$
NT1AAnniv
Condenser Mic Package...........List 369
$
00
22900
$
VideoMic
Stereo VideoMic Pro
Upgrade the Audio Quality of Your Videos
Capture Impeccable Stereo Audio for Video
The RØDE VideoMic is a professional-grade shotgun
microphone. Based on the latest film industry technology,
the VideoMic is designed specifically for use with highquality digital video cameras. It gives you exceptionally
low noise and an unusually wide bandwidth for its
compact size.
Compact, professional, essential! RØDE’s outstanding
Stereo VideoMic Pro gives you a
matched pair of condenser mic
capsules, mounted in an XY stereo
configuration. You also get a threeposition level control, a two-step
highpass filter, an integrated shockmount,
a built-in foam windscreen, and more.
Specs: supercardioid
• 40Hz–20kHz • Max
SPL: 134dB • Bass
roll-off: 80Hz • Pad:
10dB/20dB
VideoMic
SprCard Shotgun Mic..................List $24900
ONLY $10/mo.
$
149
00
Specs: supercardioid • 40Hz–20kHz • Max SPL: 130dB
• Bass roll-off: 80Hz • Pad: 10dB • Boost: 20dB
ONLY $12/mo.
VideoMProST Stereo SprCard XY Mic..........List 399
$
00
29900
$
284
(800) 222–4700
LARGE-DIAPHRAGM CONDENSER MICROPHONES
24
MONTHS
FINANCING on
Bottle Rocket Stage One
Gives You Nearly Any Classic Mic Sound
The solid-state Bottle Rocket Stage One is compatible with the
Bottle Caps system of interchangeable capsules that lets you change
the mic’s tonal characteristics and pickup patterns. For vintage-style S3
Shock tube warmth with modern speed and transparency, choose the
Bottle Rocket Stage Two. Both mics ship with a shockmount, case,
and Blue’s versatile B8 cardioid capsule.
Specs: Stage One/Stage Two cardioid • 20Hz–20kHz • Max SPL: 138dB/139dB
ONLY $38/mo.
BottleRktS1
BottleRktS2
Condenser Mic......................................
Tube Condenser Mic...............................
99999
$
249999
$
Kiwi
Great-sounding Multi-pattern Mic for Any
Recording Situation
The Kiwi gives life to any recording! Vocals, acoustic
instruments, pianos, and drums will take on a life of their own
when touched by the Kiwi’s modern tone and sparkling top
end. Class A electronics ensure an output stage with virtually
no coloration, and the precision B6 capsule borrowed from the
Bottle has multiple polar patterns for supercharged versatility.
Though it’s great for an array of recording applications, the
Kiwi is really sweet on vocals, adding punch, clarity, and unique
low-end warmth on both spoken and singing tracks.
For more info call or go to
Sweetwater.com/financing
Bottle
Build an Entire Mic Locker
Around This Blue Beauty
Incredible sound, outstanding
flexibility! Blue’s Bottle tube mic
makes an amazingly versatile
recording tool, thanks to its use
of optional interchangeable
capsules in the Bottle Caps kit.
Just exchange a capsule whenever
you want to change the sound.
Switching capsules takes just seconds (in our studio, we were
able to swap capsules in under a minute), so you can avoid
interrupting the session to set up a new mic — very cool! The
Bottle combines the sonic magic of high-grade electronics and
hand-selected tubes with a vibe that harkens back to the earliest
European mics, making it a must-have mic for any serious
studio.
Specs: multiple patterns via optional capsules • 30Hz–20kHz
• Max SPL: 134dB
ONLY $225/mo.
Bottle
Tube Condenser Mic...................................
BottleCapKit Bottle Capsule Kit.......................................
599999
$
419999
$
Specs: multiple patterns via pattern-selector switch • 20Hz–20kHz • Max SPL: 133dB
ONLY $75/mo.
Kiwi
Condenser Mic...................
$
199900 Dragonfly
Easy-to-position Mic Shines on Everything
Blueberry
Put Your Vocals Right up Front
Fantastic vocals and more! The Blueberry provides the kind of
commanding vocal presence associated with sought-after classic mics,
in a unique-looking package. You get an airy top end and smooth
midrange characteristics to help you put your vocals right in the front
of the mix. It also works great on instruments. Includes a custom
shockmount and a wooden storage box.
Specs: cardioid •
35Hz–20kHz • Max SPL:133dB
For detailed vocals, percussion, electric guitar, bass, saxophone,
and strings, the Dragonfly soars. It delivers tight, punchy low
end as well as contoured midrange and extended top end. The
Dragonfly features Blue’s handbuilt single-membrane largediaphragm capsule, coated with pure gold and aluminum, and
enclosed in a rotating spherical grille for precise positioning.
This mic includes an integrated shockmount and a storage box.
Specs: cardioid • 20Hz–20kHz • Max SPL: 132dB
ONLY $38/mo.
ONLY $38/mo.
Blueberry
99999
$
Condenser Mic....................
Dragonfly
Condenser Mic...........................................
Spark
Baby Bottle
The Spark is Blue’s latest addition, and despite
its modest price tag, you get everything you’d
expect from Blue. Sonically, the Spark
uses Blue’s premium medium-diaphragm
condenser capsule and proprietary custom
preamp design to great effect, giving your
tracks a professional sound. But the Spark’s
bag of tricks doesn’t end there. Push the
Focus button, and the Spark shifts from
its full-range response (great for general
recording tasks) to a more upfront sound that
really lets your tracks sit forward in the mix.
The Baby Bottle offers a great example
of Blue’s commitment to maximum
bang for the buck. This large-diaphragm
condenser features discrete Class A
circuitry and a cardioid pickup pattern,
and it’s great for everything from vocals to
drums to amps. The Baby Bottle’s unique
sonic signature has rich and present
midrange response, a smooth top end, and
a neutral bottom end, creating a classic
and contemporary sound — ideal for
recording vocals, electric guitar amps,
and such difficult brass instruments as
saxophones and horns. It comes with
a custom pop filter, a shockmount, and a
wooden storage box.
Versatile and
Affordable Condenser
Ignite Your Next Recording with
This Affordable Beauty
Bluebird
The Value-packed Workhorse Under $300
Blue’s tribute to all-around sound and value. The
Bluebird works great on practically anything you
want to record. It’s robust enough for drums, horns,
and amplifiers, but it’s accurate and clear enough to
bring out the subtle sonic details you want from vocals,
acoustic guitars, and piano. It comes equipped with a
custom shockmount and a pop filter.
Specs: cardioid • 20Hz–20kHz • Max SPL: 138dB
Bluebird
Condenser Mic...........................................
ONLY $12/mo.
299
$
99
99999
$
The Spark Digital mic gives you the Spark’s
great performance plus direct USB and Lightning
connectivity for your computer or iOS device.
Specs: cardioid • 20Hz–20kHz • Max SPL: 128dB
Spark
SparkDigL
Condenser Mic...........................................
USB/iOS Condenser Mic.............................
ONLY $10/mo.
$
19999
19999
$
Specs: cardioid • 20Hz–20kHz • Max SPL: 133dB
BabyBottle
Condenser Mic........................................
ONLY $15/mo.
$
39999
Sweetwater.com
LARGE-DIAPHRAGM CONDENSER MICROPHONES
285
24
MONTHS
FINANCING on
AT5045
AT4047MP
Compact Large-diaphragm
Condenser Mic
The Audio-Technica AT5045 side-address
condenser mic is primed to be a workhorse
onstage or in your studio. With a natural,
smooth sound, the convenience of a slim
body, and the side-address design, it’s easy
to position in tight places. Put it under a
snare drum to capture just the right crackle.
Or inside a piano to harness every last nuance
of the soundboard. With wide-ranging response,
a wide dynamic range, and exceptional detail, the
Audio-Technica AT5045 is simply an outstanding
large-diaphragm condenser mic. Available
singularly or as a stereo matched pair.
Specs: cardioid• 20Hz–20kHz
• Max SPL: 149dB
AT5045
AT5045SP
For more info call or go to
Sweetwater.com/financing
NEW!
Condenser Mic...........................................
Condenser Mic (pr).....................................
AT4050
Transparent Sound,
Versatile Features
$
ONLY $53/mo.
1399
00
2499
$
00
Excellent Mic for Broadcast and
Studio Recording Applications
With the AT4047MP, you get the vintage
sound of a large-diaphragm condenser with
FET circuitry — the sound responsible for
countless classic vocal recordings. This mic
is absolutely smooth on vocals, treating
them with a natural presence boost that
is perfect for when you want the singer to
stand out in the mix. And if you don’t need
the AT4047MP’s multiple polar patterns,
the AT4047 gives you cardioid-only
performance at a great price.
Specs: AT4047MP omni/cardioid/fig-8 • 20Hz–18kHz
• Max SPL: 155dB • Bass roll-off: 80Hz • Pad: 10dB
AT4047 cardioid • 20Hz–18kHz • Max SPL: 149dB • Bass
roll-off: 80Hz • Pad: 10dB
AT4047MP Multipat Condenser Mic............List 1055
$
AT4047
Condenser Mic............................List 895
$
AT4050
The versatile AT4040, with a smart
design and precision engineering,
provides an eloquent, well-focused,
musical sound. You’ll be amazed by
the AT4040’s impressive low-frequency
reproduction and detailed capture
of high-speed transients — great
for percussive sources. The AT4040’s
2-micron-thick diaphragm provides
accurate reproduction of even the
subtlest sounds, without sacrificing highfrequency performance. It captures all the
resonance and body from anything from
a fine acoustic guitar to a male vocal.
A Smart Choice for Your Studio
Specs: cardioid • 20Hz–20kHz • Max SPL: 145dB
Condenser Mic...........................List 895
00
699
$
00
AT2050
ONLY $15/mo.
AT4033CL
Condenser Mic...........................List 595
$
00
00
ONLY $10/mo.
22900
$
Condenser Mic...........................List 495
The AT2020 sports a remarkably
wide dynamic range and a high
SPL capacity, making it a versatile
studio performer. It’s the Swiss Army
knife of affordable condensers! And
at this incredible price, you can put
together your own stereo mic pair!
Specs: cardioid • 20Hz–20kHz • Max SPL: 144dB
ONLY $10/mo.
AT2035
Condenser Mic...........................List $24900
29900
$
Stellar A-T performance, outstanding
value! The fantastic AT2020 gives
you a great way to enter the world
of studio condenser mics. This
microphone is a true performer. Its
low-mass diaphragm is tailored for
extended frequency response and
outstanding transient response.
Specs: cardioid • 20Hz–20kHz • Max SPL: 148dB
Specs: cardioid/omni/fig-8 • 20Hz–20kHz • Max SPL: 149dB
AT4040
00
Amazingly Affordable Largediaphragm Condenser
The Audio-Technica AT2035 largediaphragm condenser microphone
gives you great performance at
an amazingly low price! The
cardioid AT2035 features a
switchable 80Hz highpass
filter and a 10dB pad, and
it ships with a shockmount and
a protective pouch. A great choice
for everything from project-studio
work to live applications, this mic
gives you smooth, natural sound
quality, and its capability to handle
high sound-pressure levels makes it
perfect for drums, stringed acoustic
instruments, amps, and more.
The AT2050 gives you great performance
in both studio and live applications as
well as on a wide range of sound sources.
It’s a great addition to any mic locker!
ONLY $12/mo.
$
AT2020
Great Instrument Mic
The Audio-Technica AT2050 largediaphragm condenser microphone
gives you premium performance
and incredible versatility!
The AT2050 includes three
switchable pickup patterns
(cardioid, omni, and figure-8)
and features an 80Hz highpass
filter and a 10dB pad. It comes complete
with a custom shockmount and a
protective pouch.
Condenser Mic...........................List $36900
399
$
AT2035
Reliable Performance with
Multiple Patterns
AT2050
69900
$
A strong up-front presence characterizes
the sonic signature of this versatile proaudio classic! The AT4033/CL features
a transformerless circuitry that virtually
eliminates low-frequency distortion
and provides superior correlation of
high-speed transients. The AT4033/CL’s
specially treated diaphragm goes through
a 5-step aging process for a natural sound
that won’t change its tone over years of
use. Comes with a shockmount, a dust
screen, and a protective case.
ONLY $27/mo.
$
84900
AT4040
Specs: cardioid • 30Hz–20kHz • Max SPL: 145dB
• Bass roll-off: 80Hz • Pad: 10dB
Specs: omni/cardioid/fig-8 • 20Hz–18kHz • Max SPL:
149dB • Bass roll-off: 80Hz • Pad: 10dB
00
ONLY $32/mo.
$
AT4033/CL
Go-to Workhorse Condenser
The AT4050 is a top-selling vocal
mic – and for good reason!
Utilizing a low-noise
transformerless design and
multiple polar patterns,
the AT4050 is ideal for use
in the most demanding recording
situations. Dual gold-plated, aged
large-diaphragm elements provide
extended frequency response, and
floating construction elements provide
isolation from noise and vibration.
00
$
14900
AT2020
Condenser Mic...........................List $16900
9900
$
286
(800) 222–4700
LARGE-DIAPHRAGM CONDENSER MICROPHONES
CU-29 Copperhead
Stellar Tube Mic, Down-to-earth Price
Exquisite sonic detail and openness! The CU-29
Copperhead tube condenser features a gold-sputtered
capsule with a cardioid pickup pattern — perfect for
a range of applications. This mic comes equipped with
a genuine NOS EF-95 tube onboard. You also get a
dedicated power supply, a shockmount, a wooden box,
and a 7-pin microphone cable.
Specs: cardioid • 20Hz–20kHz • Max SPL: 130dB
CU29
Condenser Mic.........................List $152500
ONLY $49/mo.
129500
$
AR-51
Put This Tube Mic
to Work in
Your Studio
Telefunken’s AR-51 tube
condenser mic works
well on an array of sources,
including vocals, stringed instruments, drums, and even
saxophones. The AR-51 gives you nine polar-pattern
settings (cardioid, omnidirectional, figure-8, and six
intermediate stages), so you’ll always be able to find the
perfect setting. It includes a power supply, a shockmount,
a wooden box, and a 7-pin mic cable.
Specs: card/omni/fig-8 • 20Hz–20kHz • Max SPL: 128dB
AR51
Multi-pattern Condenser Mic....List $222900
AK-47 MkII
Classic Tube-mic Character, in a Dependable Modern Mic
Want to add classic tube-mic character to your studio? Then you owe it to
yourself to check out Telefunken’s AK-47 MkII. Nine polar-pattern settings
(cardioid, omni, figure-8, and six intermediate stages) make the AK-47 MkII a
real studio workhorse. This tube mic sports the fantastic BV8 transformer, so you
know you’re getting authentic performance. The AK-47 MkII ships with a power
supply, a shockmount, a wooden box, and a 7-pin mic cable.
Specs: card/omni/fig-8 • 20Hz–20kHz • Max SPL: 125dB
ONLY $72/mo.
189500
$
AK47MKII
Multi-pattern Condenser Mic....List $222900
$
ONLY $72/mo.
189500
Gold Reference Reference Cardioid
Tube Warmth and Clarity
For uncompromised recording,
the multi-pattern Manley Gold
Reference mic is it. The tube and
custom-wound transformer reveal
every whisper, breath, and nuance.
The polar pattern of the Gold
Reference is also continuously
variable, so it fits any solo,
section, or room situation. Call
your Sweetwater Sales Engineer
today and find out more about this
stellar microphone.
24
MONTHS
FINANCING on
For more info call or go to
Sweetwater.com/financing
Specs: cardioid/omni/fig-8 • 10Hz–30kHz • Max SPL: 150dB •
Pad: 10dB
ONLY $186/mo.
RefMicGold Tube Condenser Mic.............List $550000
$
495000
Fantastic Tube Microphone by the
Tube Experts
Ever wonder how the top engineers achieve that
“finished” vocal sound? Simple: they start with the
best mics available. No amount of signal processing
will make a good mic sound like a great mic; that’s
why real performers stand the test of time. Here’s a
perfect example! The Manley Reference Cardioid
microphone simply requires nothing extra. A handselected tube and custom-wound transformer design
provide a rich tonal balance that’s perfect for guitars,
drums, saxophones, and especially vocals. Plug in the
Reference Cardioid and prepare to be amazed!
Specs: cardioid • 10Hz–30kHz • Max SPL: 150dB • Pad: 10dB
ONLY $102/mo.
RefMic
Tube Condenser Mic.................List 3000
$
00
$
270000
MIC COMPARISONS MADE SIMPLE!
Gold Digger
In the studio, you often need to compare the sound of several mics on, say, a lead vocal. Enter the Gold Digger. Its straight-wire
passive circuit design employs sealed military-grade gold relays, maintaining your mic signal integrity without introducing distortion,
ONLY $14/mo.
colorations, or artifacts.
GoldDigger
Gold Digger............................List $40000
$
34999
Sweetwater.com
LARGE-DIAPHRAGM CONDENSER MICROPHONES
4-ZERO-7
251
A Meticulous Rendition of a Classic
Experience Legendary Tube Mic Sound
Introduced in 1949, the legendary tube U47 has been used on
countless recordings, from jazz to rock to classical. Flat is not what this
large-diaphragm condenser mic is about. With its signature presence
peak and pronounced proximity effect, it’s about punchy, in-your-face
vocals and drums that make your mixes sound like hits. For well
under half of what you’d pay for a vintage ’47 (if you could find one
in decent condition), Bock Audio’s 4-ZERO-7 gives you the coveted
sound of the original, along with the consistency, reliability, and
long-term serviceability you require. Spec’d with a versatile cardioid
polar pattern, the 4-ZERO-7 includes a remote power supply and spider
shockmount.
407
This microphone masterpiece re-creates the sonic beauty of the
fabled Telefunken ELA M 251! The Bock Audio 251 brings you that
“magic” sound that’s so elusive in the world of modern audio. It has
a strong, powerful bottom and an airy, nonabrasive top that puts
this mic in a class with only the finest vocal microphones. You’ll
hear the difference immediately, as it transforms your vocals with its
extra-smooth touch. For clarity, full sound, and premium handbuilt
quality, the 251 simply can’t be beat.
Specs: cardioid/omni/fig-8 • 10Hz–20kHz • Max SPL: 129dB
ONLY $255/mo.
Specs: cardioid • 10Hz–18kHz • Max SPL: 129dB
Tube Condenser Mic.................List 7175
$
00
$
287
6795
00
251
Tube Condenser Mic................................List 6495
$
00
ONLY $225/mo.
599500
$
241
iFet
Dual FET Amplifiers in a Single Mic
Bring Out the Magic of Your Vocals
The dual-voiced Bock Audio iFet mic makes a perfect choice for
space-challenged studios. The iFet gives you the big sound of a
large-diaphragm mic — with two separate sets of electronics.
You can select between the different Class A amplifiers via the
switch labeled “V” and “I.” The I mode is perfect for drums, bass
amps, and loud vocalists, while the V mode captures intimate
vocals with a warm, vintage vibe. In addition to its “two-in-one”
versatility, the iFet gives you that rock-solid quality you expect
from a Bock Audio mic.
The 241 is a redesigned cardioid-only version of
the Bock 251, delivering the same smoothness at
a significantly reduced price. It features a Bright/
Normal switch, which makes this mic highly
versatile. The Normal mode will reduce sibilance;
the Bright mode is excellent on dark stringed
instruments and deep male vocals. The Bock 241’s
point-to-point construction gives you the kind
of handmade craftsmanship that your ears will
instantly recognize.
Specs: cardioid • 20Hz–16kHz • Max SPL: 111dB
iFet
Condenser Mic.........................List 2350
$
00
$
Specs: cardioid • 30Hz–18kHz • Max SPL: 94dB
ONLY $81/mo.
2150
00
241
Tube Condenser Mic...........List 4495
$
00
ONLY $161/mo.
427500
$
HAND BUILT FOR
THE STUDIO BY THE
LA’s BEST KNOWN
MIC EXPERT
Bock Microphones use the best parts in the world with
inspired designs to recreate the sound sought by LA’s
recording elite. German capsules in tube mics, NOS
tubes, inductor-based remote power supplies, hand
wired, not too bright with excellent low end, wonderful
midrange: all these are features of the Bock mic that
will astound you with its one-of-kind sound.
241
Call your Sweetwater Sales Engineer today.
800-222-4700
Sweetwater.com
Two distinct voicings
make this affordable
cardioid tube condenser a
real vocal workhorse.
251
The versatility of this
classic multi-pattern
tube mic is ideal for
instruments and female
vocals.
iFet
Timeless FET flavor and
a switchable V mode let
this cardioid mic perfect
for vocals and more.
407
Perfect for male vocals,
this tube mic delivers the
classic 47-style sound
every engineer needs.
288
(800) 222–4700
LARGE-DIAPHRAGM CONDENSER MICROPHONES
Gemini II
Z5600a II
A Mic You’ll Love to Sing Into
sE4400a
Get More Out of Your Studio
We’ve all heard tube mics on some of
the most famous vocal recordings
of all time, but you’ve never
heard a tube mic like this. The
Gemini II puts a cool spin on the
traditional tube mic, using both
a 12AX7 at the input stage
and a 12AU7 at the output.
This arrangement gives you
the body and warmth of a
tube mic coupled with the
top-end response of the
“best of the best” solid-state
condensers.
A Must-have Mic for Stage and
Studio
The Z5600a II gives you a
uniquely modern sound with a
classic tube vibe. Switch among
omni, cardioid, and figure-8
polar patterns, with patterns in
between. Whatever you’re miking,
the warm, rich-sounding
Z5600a II has a setting
that’s perfect for your
recording needs.
A perfect all-around performer! The
sE4400a is at home above a drum
kit as well as in front of a screaming
tube amp, and it can still handle
more-subdued sources, such as
vocals. Using a twin-diaphragm
design, the sE4400a sports cardioid,
hypercardioid, omnidirectional, and
figure-8 polar patterns. What’s more,
the sE4400a is one of the smallest
large-diaphragm mics around, letting
you slip it into places most other mics
can’t go. Shockmount and case are
included.
Specs: 9 polar patterns •
20Hz–20kHz • Max SPL: 135dB •
Bass roll-off: 100Hz • Pad: 10dB
Specs: cardioid • 20Hz–20kHz •
Max SPL: 125dB • Pad: 10dB
Gemini2
Tube Condenser Mic.................List $189900
ONLY $38/mo.
ONLY $60/mo.
159900
$
Z5600a2
Specs: cardioid • 20Hz–20kHz • Pad: 10dB • Bass roll-off
ONLY $15/mo.
39900
$
Perfect on All Kinds of Sources
Specs: 3 polar patterns (sE2200a
II)/ cardioid (sE2200a II C) •
20Hz–20kHz • Max SPL: 125dB • Pad: 10dB
ONLY $15/mo.
sE2200a2C
sEX1KD
Condenser Mic...........................List 349
$
00
64900
The X1 Vocal Pack gives
you everything you need
to start recording in
your project or home
studio. This pack
includes all of the
recording essentials:
an sE X1 condenser
microphone, a
shockmount, an sE metal
pop filter, and a high-quality
3m mic cable. The unique
shockmount mounting system
makes for quick and easy setup.
Sweetwater knows that value is
important to you, and the sE X1
Vocal Pack delivers!
ONLY $10/mo.
ONLY $12/mo.
Specs: cardioid • Pad: 10dB • Bass roll-off
$
Great Sound, Incredible Value
You’ll capture all the thump and
snap of your kick drum right at the
source with the sE Electronics
sE X1 D large-diaphragm
condenser microphone. With a
titanium capsule designed to
be stiffer for better transient
response, the sE X1 D delivers
outstanding detail and clarity
with acoustic drum kits and other
percussion. When you’re recording
percussive sound sources like drums, or
even piano for that matter, you need a
microphone that can react extremely fast to
the transients.
299
$
00
39900
The X1 Studio Bundle gives you everything you
need for professional-sounding vocals. At the heart of
this incredibly affordable bundle is the fantastic X1
condenser microphone (also available separately). This
mic features a custom handmade 1" diaphragm, which
imparts a clear,
rich sound. A 10dB
pad and a bass-cut
switch add versatility.
You also get a
shockmount, 3m
cable, an adjustable
pop filter, and sE’s
ultra-effective
Reflexion Filter X.
sEX1VocalPk
sEX1 Vocal Pack.................List $29900
Check out the other
19900
$
Reflexion filters on pg. 335
299
00
Reflexion Filter X
Portable, Affordable Acoustic Treatment
Make your mic sound great — even in untreated rooms.
The Reflexion Filter X gives you access to sE’s patented
acoustic filter technology at an incredibly affordable
price. An outer composite panel, a wool fabric layer, an
air gap layer, and an
inner acoustic-foam
layer form a 4-layer
design that imparts
near-zero sonic
coloration to your
tracks.
Specs: cardioid •
20Hz–20kHz • Max SPL:
125dB • Pad: 10dB
$
$
Condenser Mic...........................List $89900
Pro-quality Vocals Made Affordable
Amazing workhorse microphone! From the
subtle dynamics of a bowed viola to the
extreme high SPL of a full guitar tube
amplifier stack, this impressive mic will
give you the sound quality and detail
your music demands. The sE2200a II
includes a pair of onboard diaphragms
plus selectable cardioid, omni, and figure-8
polar patterns. You also get a highpass
filter and a 10dB pad (both functions are
switchable). The even more
affordable cardioid-only
sE2200a II C is also
available.
Condenser Mic....................List $49900
Condenser Mic.....................List $39900
SE4400a
X1 Vocal Pack
X1 Studio Bundle
sE2200a II
sE2200aMK2
99900
$
Perfect for Drums and
Percussion
The sE Electronics sE X1 T takes the
same gold-sputtered diaphragm from
the acclaimed X1 condenser mic
and adds high-quality analog tube
circuitry for exceptional harmonic
richness. You’ll be able to add a
sense of body to “thin” vocalists or
put a vibrant highlight on acoustic
instruments. A 10dB pad and a Bass
Cut switch still give you the flexibility
you need to record a wide range of
sources, from delicate acoustic instruments
to pounding percussion.
Tube Condenser Mic...................List $49900
Tube Condenser Mic.................List $124900
sE X1 D
sE X1 T
Value-packed Tube
Condenser Mic
sEX1T
Specs: 4 polar patterns • 20Hz–20kHz • Max SPL: 130dB •
Bass roll-off: 60Hz/120Hz • Pad: 10dB/20dB
ONLY $25/mo.
ONLY $12/mo.
sEX1StuBun Mic/Filter Bundle...................List 399
$
00
319
$
00
ONLY $10/mo.
ReflexionX Reflexion Filter X........................List 149
$
00
11900
$
Sweetwater.com
LARGE-DIAPHRAGM CONDENSER MICROPHONES
289
“I recently used this mic on a live recording of a
female jazz singer. Incredibly warm lows and fresh
air on the high end combined with that classic FET
vibe. This mic is ridiculously fun to use.”
—Simon Picazo, Sales Engineer, Ext. 1251
MA-300
MA-200
Phenomenal Studio
Microphone
Stunning on Vocals and
Acoustic Guitar
Grab the MA-300, put it up on
the first vocalist or instrument
you see, and prepare to be
amazed. This tube condenser
mic features a sweet, warm
character that’s ideal for
vocals. The MA-300 adds
multiple polar patterns to
the original MA-200’s fixed
cardioid design, increasing
its versatility but preserving
its sound. In fact, the
MA-300’s polar patterns are
continuously variable, from
omnidirectional to figure-8,
so you’ll be able to capture a
wide range of instruments and
sources.
We can’t say enough about
this tube mic. In fact, our
in-house studio — with a
massive vintage/modern mic
locker — regularly chooses
the MA-200 over mics that
are three and four times its
price. The reason is obvious:
the MA-200 sounds amazing.
Every studio should have one,
and every home-studio singer/
songwriter must have one.
Through the MA-200, vocals
are surprisingly smooth,
rich, and full. You’re not
going to have that edginess
or harshness associated with
many modern condensers. You
simply cannot go wrong with
the MA-200.
Specs: continuously variable polar
pattern • 20Hz–20kHz • Max SPL: 135dB
• Bass roll-off: 100Hz • Pad: 15dB
MA300
Tube Condenser Mic......................
$
Specs: cardioid • 20Hz–20kHz • Max
SPL: 120dB
ONLY $42/mo.
ONLY $49/mo.
1295
00
MA200
Tube Condenser Mic...................................
$
1095
00
MA-301fet
A True Studio Workhorse
The FET-based counterparts to
the MA-200, Mojave’s MA-301fet
and MA-201fet represent two
more home runs for Mojave
Audio. Whether you put them
on a guitar cabinet or a kick
drum, or park them in front of a
vocalist, these mics simply shine.
The MA-301fet features cardioid,
omni, and figure-8 polar patterns
plus a 15dB pad. The MA-201fet is
cardioid only.
Specs: MA-301fet
cardioid/omni/
fig-8 • 20Hz–20kHz
• Max SPL: 120dB
• Pad: 15dB
MA-201fet cardioid
• 20Hz–20kHz •
Max SPL: 125dB
24
MONTHS
FINANCING on
For more info call or go to
Sweetwater.com/financing
ONLY $34/mo.
MA301FET Multipat Condenser Mic........................
MA201FET
Condenser Mic.....................................
$
89500
69500
$
Shhh...
Donʼt tell
David
When famed microphone designer
David Royer
designs microphones,
heʼs having visions of orchestras and choirs. He wants to pick up every detail
with dimension, depth and dynamics. But then we take them and put them
on screaming vocals, loud guitars and slamminʼ drums. From the most
sensitive singer to the most rockinʼof bands, Mojave Audio microphones
excel at capturing every detail. So use them any way you see fit. Ask your
Sweetwater Sales Engineer - there's a good chance he has a Mojave or two
in his home studio. Just donʼt tell David. And, by the way, they do rock on
orchestras and choirs!
Let your Sweetwater Sales
Engineer help you put a
Mojave Audio Microphone in
your mic locker.
290
(800) 222–4700
LARGE-DIAPHRAGM CONDENSER MICROPHONES
Oceanus
LT-381
Atlantis FC-387
Clarion FC-357
If you’re looking for extreme versatility,
the Atlantis FC-387 will knock your
socks off. This amazing largediaphragm FET condenser mic gives
you three distinct voicing switches that
bring out the richness in your lows,
the character in your mids, and the
smoothness in your highs. Plus, the
FC-387 gives you cardioid, omni, and
figure-8 pickup patterns, allowing you
to record any source, in nearly any
environment.
The Lauten Audio Clarion FC-357
FET condenser microphone makes a
great addition to any studio. If you dig
the smooth, natural character of FET
condenser mics but still want a touch
of airiness, then you’ll love the Clarion
FC-357. You get three pickup patterns
and a 3-position gain switch, so you’ll
be ready for a range of applications.
Engage the 10dB gain switch to boost
the Clarion FC-357’s output before it
hits your preamp. You can also kick in the 10dB pad to
tackle louder sources.
A FET Mic You Can Use on
Anything
Richness, Depth, and
Clarity
Looking for a tube mic that
really shines on vocals? Check
out the Lauten Audio Oceanus
LT-381, a large-diaphragm mic
with dual-tube transformerless
capsules. This high-performance
design gives you incredible detail
while imparting subtle tube character. The Oceanus
LT-381 has a distinctly vintage sound that’s perfect for
warming up vocals.
Fantastic FET Condenser Mic
Specs: cardioid/omni/fig-8 • 20Hz–20kHz • Max SPL: 120dB
ONLY $68/mo.
Specs: cardioid/omni/fig-8 • 20Hz–20kHz • Max SPL: 130dB • Pad: 10dB
Oceanus
Atlantis
Multi-pattern Condenser Mic....List $189900
179900
$
ONLY $10/mo.
Multi-pattern Condenser Mic......List $19999
Condenser Mic............................List $14999
$
15999
119
$
99
ONLY $10/mo.
C1Mic
Condenser Mic...........................List 299
$
99
Specs: C7e cardioid/omni/fig-8 • 20Hz–20kHz • Max
SPL: 127dB • Bass roll-off: 100Hz • Pad: 10dB C1 cardioid • 20Hz–20kHz • Max SPL: 127dB • Bass
roll-off: 100Hz • Pad: 10dB
Specs: 9 polar patterns • 20Hz–20kHz • Max SPL:
133dB
ONLY $38/mo.
Tube Condenser Mic.................List 2299
$
00
$
999
00
C7e
$
249
99
C1Fet
CV4
Tube Condenser Mic.................List 2299
$
00
$
ONLY $57/mo.
149900
MK 8
Quality and Versatility
The MK 8’s versatility makes it a
great addition to the mic closets of
home recordists and project studios
alike. A quality metal exterior houses
two, 24-carat gold plated diaphragms
in a shockmounted capsule. Switch
between five polar patterns, and
use the 3-position low cut filter and
3-position pad switch to create the
perfect mic for any source.
Specs: 5 polar patterns • 20Hz–20kHz • Max SPL:
140dB • Bass roll-off: Variable • Pad: Variable
ONLY $34/mo.
Multi-pattern Condenser...........List 1499
Cardioid Condenser......................List $99900
$
89900
Specs: 9 polar patterns • 20Hz–20kHz • Max SPL:
127dB
Specs: cardioid • 30Hz–20kHz • Max SPL: 131dB • Bass
roll-off: 75Hz/150Hz • Pad: 10dB/20dB
Miktek’s C7e FET condenser features
cardioid, omni, and figure-8 pickup
patterns. You’ll love being able to capture
two backing vocalists at once or get an
amazing live duet recording. The C7e
is warm on the bottom and silky on the
top, and its midrange is both natural and
open. It may be a first-call pick for vocals,
but the C7e also shines on guitar amps, as
an overhead on a drum kit, or on acoustic
instruments. Includes an aluminum
carry case, a wooden presentation box,
a swivel mount, and a shockmount. The
cardioid-only C1 is also available.
Miktek’s CV3 large-diaphragm tube
condenser microphone gives you
the natural warmth and incredible
versatility studio engineers everywhere
long for. Unlike many boutique
microphones that sound good on some
sources but not on others, the CV3
covers all bases remarkably well. As you
cycle through the CV3’s nine distinct
pickup patterns, you’ll notice not only
how well it rejects off-axis noise but also
subtle variances in its tone that add to
its natural range and character.
$
Multi-pattern Condenser Mic........List $99900
When you invest in the CV4 tube mic,
you’re getting a multipurpose studio
workhorse. The versatility comes from
the CV4’s nine selectable pickup patterns,
easily selectable to tailor your sound to
any source. You’ll love the CV4 on the
usual suspects, including vocals and
acoustic guitar. And you’ll be surprised
at how well the CV4 works in a pair, as
overheads or as ambient room mics. The
CV4 comes with a wooden box, a swivel
mount, a shockmount, a 7-pin XLR
cable, and a high-quality power supply.
C7e
Classic Tube Mic Mojo
Clarion
CV4
Fantastic FET Condenser
CV3
Specs: cardioid/omni/fig-8 • 25Hz–20kHz • Max SPL: 130dB • Pad: 10dB •
Gain switch: 10dB
ONLY $34/mo.
This Tube Mic Does It All
When we first heard the Studio Projects
C1, we couldn’t believe our ears. The C1
performs and sounds like a microphone
10 times its price! For vocals, this
large-diaphragm cardioid microphone
rivals some of the better-known, more
high-profile vocal microphones out there.
Its flexibility is also ideal for close-miking
amplifiers as well as for broadcast
applications and a wide variety of other
recording tasks. Included with the C1 are
a spider-web shockmount, a windscreen,
and a case.
Specs: B3 cardioid/omni/fig-8 • 20Hz–20kHz • Max
SPL: 148dB • Bass roll-off: 150Hz • Pad: 10dB B1
cardioid • 20Hz–20kHz • Max SPL: 148dB • Bass roll-off:
75Hz/150Hz • Pad: 10dB/20dB
CV3
149900
Studio-quality Sound at a Low
Price
The Studio Projects B3 has all the
technical refinements to be an enduring
classic. You get three pickup patterns
(cardioid, omni, and true figure-8), a
pad, and a highpass filter for maximum
control over your sound. Don’t need
the flexibility of extra pickup patterns?
Grab the Studio Projects B1 cardioid
condenser for the same precise sound at
an even lower price.
B1Mic
$
C1
B3
An All-around Performer
B3Mic
Multi-pattern Condenser Mic.....List $159900
ONLY $57/mo.
00
$
89900
599
$
00
ONLY $27/mo.
MK8
Dual-diaphragm Condenser Mic..................
69995
$
®
MIC TECH TIPS
TECH TIP
291
TECH TIP
1
SEE OUR
FULL SELECTION
of
MICROPHONES
Sweetwater.com
2
Matched Pairs of
Microphones
Microphone matching is on the mind of this inSync reader. “I am wondering
what the real benefits are of having a matched pair of mics over just having
two of the same mic.”
What’s the Difference
Between an Active
Ribbon Mic and a
Regular Ribbon Mic?
Q: Lately I’ve seen several ribbon mics that are “active.” What does this
mean, and what’s the advantage?
A: Active ribbon mics have been gaining in popularity over the past few
years. An active ribbon includes onboard electronics that “condition”
the mic’s signal before it is sent out to a mic preamp, in the same way
that a condenser mic’s onboard electronics work. The big advantage
is that active ribbon mics aren’t sensitive to the impedance of the mic
preamp they’re feeding, making them more consistent with a range
of preamps, with more robust output levels than passive ribbons, and
greater sensitivity.
A passive ribbon sounds incredible, especially when matched to a
complementary preamp. An active ribbon resolves any issues with
preamps, such as impedance matching and gain levels.
© Sweetwater Sound Inc.
Looking for the right
Studio Microphone?
See our Studio Mic Buying Guide
Sweetwater.com/insync/studio-microphone-buying-guide/
More
®
There seems to be a lot of mystique around the concept of matched
microphones, matched tubes, or matched anything audio for that matter.
Also like many things in audio the exact definition of what constitutes
matching differs from manufacturer to manufacturer as well. Opinions
about this topic are highly varied. The whole concept of matching arises
out of a need to have things be matched.
Back in the old days when most things audio, including microphones, were
hand made the variances from one unit to another could be significant.
Even the raw components had very wide tolerances in some cases. It was
possible to pick up two “identical” microphones from the same assembly
line and have them sound noticeably different. Once people recognized
a need to have consistency between two microphones manufacturers
began matching up like mics and making pairs. Matching was basically
just a series of steps where the characteristics of each mic off the line were
tested and their measurable sonic/electrical characteristics recorded. This
data could be used to find microphones that were “alike” within some more
or less arbitrary tolerance level as specified by the company. In some cases
matched microphones were then subjected to listening tests to ensure the
matching. Groove tubes made a business of this with their tubes. They
don’t make tubes. They buy the same tubes everyone else does, but they
put them into matched sets and charge a premium for them. And given the
wide tolerance of some tubes matched sets can be a good thing.
The benefits of matched microphones are that a pair would perform exactly
alike, thus making a stereo pair behave in a way that makes a very accurate
stereo recording (that’s just one example). If the microphones acted
differently your left and right channels would not sound exactly the same,
which could result in timbre anomalies between them and a smearing of the
stereo image. The sad thing about many of the old matched microphones is
that even though they were matched at the factory they would still drift away
from each other over time. It’s just the nature of the beast.
Nowadays with modern manufacturing techniques products, including
microphones, can roll off an assembly line for hours and all of them will be
as closely matched as the “matched” pairs of yesteryear, and they stay
that way. Most manufacturers do not even offer “matched” pairs of mics
anymore because of this. Some that do use it as a marketing tool, but it is
arguably unnecessary. Matching is only needed when the tolerances are
so wide in the first place that there are noticeable differences from one unit
to another, which just isn’t the case with most modern designs.
© Sweetwater Sound Inc.
Buying Guides at Sweetwater.com/insync
Shhh...
Producer/Engineer/Mixer Joe Chiccarelli had a sleepless past year or so, recording
Jason Mraz, Spoon, Morrissey, Saints of Valory, Young The Giant, The Strokes,
Alanis Morissette, Christina Perri, Boy & Bear, Dwight Yoakum, The Madden Brothers, The Killers, Cafe Tacuba and NeedToBreathe. His Royers were on every session.
Letʼs give them this one blessed moment of downtime...
“I couldn't be without my Royers. I use them on every album project. If it's jazz, it's on a
trumpet or piano. If it's rock, it's on the electric guitar. If it's classical, it's on a violin or a
woodwind instrument. Royer ribbons just seem to work. Most importantly, the musicians
respond positively to their sound, and that's always a major indicator to me. These mics
positively make my job easier and yield tones that the artist is pleased with.”
“The modern recording studio is not complete without at least a pair of Royers in it.”
Joe Chiccarelli
Producer/Engineer/Mixer
"I've been recommending Royer mics for over 13 years now, originally
from hearing the R-121 on a guitar cab in a studio session and just
falling over in love with the tone. Royer really does provide you with an
amazing palette of ribbon mic solutions now, covering all of the bases
including live situations. Every Royer mic purchase I've ever helped
with has had nothing but a very happy customer at the end of it."
Paul Allen - Sweetwater Sales Engineer
Royer Ribbons
Handcrafted in Burbank, CA
(800) 222-4700 www.sweetwater.com
Sweetwater.com
RIBBON MICROPHONES
R-101
R-121
Legendary Royer Sound, Friendly Price
Versatile Dynamic Ribbon Microphone
They don’t get more industry-standard than this! When the R-121 burst
onto the scene, it was an instant hit, finding its way in front of guitar
amps and over drum kits the world over. Why? Quite simply, the sound
of a Royer is exactly what you hear in the room. There’s no hype, just
natural sound.
Priced to be more attainable than the famous R-121, the
R-101 is a sleek black beauty of a mic. The sound is warm
and natural — just as you’d expect from a Royer — and
it’s built like a tank, so even the loudest guitar amps won’t
make a dent! The R-101 also rocks over drum kits, on horns,
and on virtually anything else you can throw at it. But you
don’t just get a mic at this price. Royer also includes a case, a
shockmount, and a mic sock. Also available in a matched pair.
R101
R101MP
As do most ribbons, the R-121 sports a figure-8 pickup pattern. This mic
also delivers a slightly brighter pickup on the back side of the mic, which
is perfect for acoustic instruments and vocals.
ONLY $34/mo.
Specs: fig-8 • 30Hz–15kHz • Max SPL: 135dB
Ribbon Mic................................List 995
Ribbon Mic (pr).........................List $204000
$
00
Specs: fig-8 • 30Hz–15kHz • Max SPL: 135dB
89500
$
R121
1840
$
00
SF-12
$
ONLY $49/mo.
129500
24
MONTHS
FINANCING on
A Studio-standard Ribbon Mic, with the Gain
You Need
This Stereo Ribbon Mic Gives You
Gorgeous Imaging
Why choose a Royer ribbon mic for your critical projects? Because
the sound of a Royer is exactly what you hear in the room. Now,
you can enjoy this outstanding ribbon-mic performance from a
phantom-powered mic that delivers more gain (14dB more, in
fact) than the non-phantom-powered model. If you enjoy that
smooth, natural ribbon response but want to add just a touch of
sparkle to your sound, then you’re in luck. The R-122 delivers
a slightly brighter pickup on the back side of the mic, which is
perfect for acoustic instruments and vocals.
The SF-12 stereo ribbon microphone combines
premium-quality audio performance with outstanding
stereo separation and imaging. It actually has two
matched ribbons mounted together in the same body.
Because ribbons don’t pick up from their sides at all, each
ribbon captures exactly what the other doesn’t. That’s why
the SF-12 provides beautifully wide stereo images without
suffering from the phase issues of other stereo pairs.
Specs: dual fig-8 • 30Hz–15kHz • Max SPL: 130dB
SF12
Ribbon Mic..............................List $139500
R-122
Stereo Ribbon Mic....................List 2895
$
00
ONLY $102/mo.
Specs: fig-8 • 30Hz–15kHz • Max SPL: 135dB
2695
$
293
00
R122
Active Ribbon Mic....................List $189500
$
For more info call or go to
Sweetwater.com/financing
ONLY $66/mo.
175000
44-A
CR-14
New Take on a Legend
An Incredibly Affordable Ribbon Mic
The 44-A serves up the legendary RCA 44’s coveted
sonics — in a state-of-the-art ribbon mic designed
for today’s applications. Cloud Microphones didn’t
change the ribbon itself; it’s still handcrafted to
RCA’s original 1930s specs. But everything else
has been re-engineered to the highest modern
standards. Sporting unique features such as
acclaimed Cloudlifter circuitry and unique
switchable Voice and Music response curves, the
44-A gives you smooth, response, in an active
ribbon mic with vintage vibe.
Here’s an exceptional ribbon mic, at a price that makes it easy
to put to work in any studio. The CR-14 ribbon mic gives
you smooth sound, vintage looks, and high SPL handling.
Top-notch construction with low-mass dual-ribbon elements.
This studio performer comes complete with a shockmount,
a wooden box, and even a metal transport case. Call you
Sweetwater Sales Engineer and find out more!
Specs: fig-8 • 30Hz–8kHz • Max SPL: 145dB
ONLY $10/mo.
CR14
25900
$
Ribbon Mic..................................
Specs: fig-8 • 20Hz–20kHz • Max SPL: 138dB
M 160
24
MONTHS
FINANCING on
Perfect for Stringed Instruments
This venerable ribbon mic excels on a wide variety of acoustic stringed
instruments — everything from violins and violas to acoustic guitars
and zithers. The M 160 also delivers impressive results with typically
hard-to-mic acoustic instruments in general. This is a must-have mic for
any serious pro or project studio.
For more info call or go to
Sweetwater.com/financing
Specs: hypercardioid • 40Hz–20kHz
Cloud44A
44-A.......................................List 2099
$
00
$
ONLY $72/mo.
ONLY $27/mo.
1899
00
M160
HypCard Ribbon Mic.......... List 799
GIVES YOUR RIBBON MICROPHONES A BOOST!
Cloudlifter CL-Z
The Cloudlifter CL-Z mic activator uses phantom power from your preamp to clear up a host of common
dynamic and ribbon mic problems while maintaining the best possible signal quality. Get the extra gain you need to make
that ribbon mic a perfect match for your favorite preamp. Optimize the true sound of your mics and get more out of your
ONLY $12/mo.
mic locker, with the simple-to use Cloudlifter CL-Z.
CLZCloud
CL-Z .........................................List $36900
29900
$
$
00
69900
$
Sweetwater.com
RIBBON MICROPHONES
N22
R44CE
A New Take on a
Classic Design
Truly Classic
Sound
AEA’s phantom-powered N22 ribbon
microphone is a member of their NUVO
series, a range of modern mics rooted
firmly in the RCA design tradition. With
its increased upper midrange presence,
the N22 provides the frequency
response you need to make instruments
and other sources jump out in dense
and busy mixes. At the same time, the
reduced proximity effect makes this
a great option for close miking. And
thanks to the added layer of protection,
you can comfortably use the N22 up
close without worrying about ribbon
blowouts. Call us for more details.
You’ll absolutely love the
R44CE’s smoothness, forgiving
nature, and unique tonal
balance. Unlike modern ribbon
mic designs, AEA’s R44CE is a
faithful reproduction of the
classic RCA44, complete with
large, heavy magnets and a long
ribbon that’s tuned to capture
even the lowest bass with absolute
clarity. For a hotter signal and
incredibly low noise, look to the
phantom-powered A440.
ONLY $34/mo.
Ribbon Mic................................List $99900
89900
$
R44CE
A440
Phantom-powered Big
Ribbon Performance
Ribbon Mic..............................List 2800
Active Ribbon Mic.....................List $580000
$
00
$
ONLY $95/mo.
252000
522000
$
R84
Natural-sounding Big-ribbon Mic
Versatile medium-distance mic! It’s difficult to find an application where the R84 doesn’t
shine. Sharing many key elements with the iconic 44 microphone, the R84 features similar
sonic characteristics, but with far less proximity effect and a more pronounced high end.
With its active electronics, the phantom-powered A840 adds extra clarity to the top end
of the R84’s sound. The stereo R88 is
ONLY $39/mo.
$
00 also available.
R84
A840
R88
Ribbon Mic.................List $115000
Ribbon Mic.................List $172500
Stereo Ribbon Mic......List $199500
1035
155300
179500
$
$
N8mic
Specs: R84 fig-8 • 20Hz–20kHz • Max SPL: 165dB
A840 fig-8 • 20Hz–20kHz • Max SPL: 141dB R88
stereo • fig-8 • 20Hz–20kHz • Max SPL: 165dB
N8 Ribbon Mic.........................List 1220
$
00
ONLY $42/mo.
109800
$
Voodoo VR1
Incredible Ribbon Mic at
an Awesome Price
Inspired by the world-famous RNR1 ribbon
mic, the affordable passive Voodoo VR1
ribbon microphone works wonders on
guitar amps, and as a drum overhead,
you’ll love how it rounds off the harsher
frequencies from cymbals.
Large Ribbon for Close-miking
Put the R92 on your amplifier cabinets, vocals, and percussion — any situation where high
SPL handling is needed. AEA designed the R92 to have slightly different tones on the front
and rear pickup lobes of the microphone, so you get great results for both vocals and
instruments. The front lobe is crisp, offering clean and realistic high-end detail on voices.
The rear lobe is smooth, with a silky tone — perfect for amps. A flexible positioning system
and an integrated shockmount make the R92 a breeze to set up.
ONLY $29/mo.
Ribbon Mic...................List 850
$
00
76500
$
ONLY $27/mo.
Specs: fig-8 • 20Hz–20kHz • Max SPL: 165dB
VoodooVR1 Ribbon Mic....List $79900
Avantone’s CV-12 brings classic tube mic
sound to professional and project studios
everywhere — at a price that truly means
anyone can own one. The CV-12 has nine
polar patterns to handle a variety of sources,
and it does that with the style and sound
often found in much pricier tube mics.
Specs: 9 polar patterns • 25Hz–20kHz • Max SPL: 146dB
• Bass roll-off: 80Hz • Pad: 10dB
ONLY $19/mo.
49900
$
Vintage Ribbon Sound
at a Musician-friendly
Price
Shure’s KSM44A provides great results
on just about any project. The dualdiaphragm design lets you select among
cardioid, omnidirectional, and figure-8
pickup patterns. An internal pop
filter adds an important layer of
protection when you record vocals
or need to contend with air movement.
Ultra-low-noise performance makes this mic
perfect for modern recording applications.
The X1R passive ribbon microphone
offers the rich, colorful sound of a
vintage ribbon mic with low noise, high
SPL handling, and more definition
than vintage ribbons while retaining
the character that ribbon mics are
known for.
Specs: cardioid/omni/fig-8 • 20Hz–20kHz • Max SPL: 131dB
• Bass roll-off: 80Hz/115Hz • Pad: 15dB
ONLY $38/mo.
KSM44A
Condenser Mic.........................List $124900
69900
$
X1R
Low-noise, Versatile Condenser
Pro Sound at a Reasonable Price
Tube Condenser Mic..................
Specs: fig-8 • 20Hz–20kHz • Max SPL: 135dB
KSM44A
CV-12
CV12
AEA’s impressive N8 features
the same Big Ribbon as does the
legendary R44, so you can be sure
that you are getting true, quality
ribbon transducer response and
behavior. But the N8 is more than
just an “R44 lite” — it has a voice
that’s truly its own. Using phantompowered electronics and a custom
German transformer, the N8 gives
you extraordinary detail without
distortion. It doesn’t just make
great-sounding recordings; it’s a mic
that gives you the same sound you
hear when you’re standing next to
your source! The aluminum ribbon
gives you clear, warm sound for your
recordings while giving you plenty of
output for effective processing.
Specs: fig-8 • 20Hz–20kHz • Max SPL: 141dB
R92
R92
NEW!
N8
Specs: R44CE fig-8 • 20Hz–20kHz • Max
SPL: 165dB A440 fig-8 • 20Hz–20kHz • Max
SPL: 136dB
Specs: fig-8 • 20Hz–20kHz • Max SPL: 141dB
N22
295
$
99900
Specs: fig-8 • 20Hz–16kHz • Max SPL: 135dB
ONLY $10/mo.
X1R
Ribbon Mic...................List $24900
19900
$
296
(800) 222–4700
SMALL-DIAPHRAGM CONDENSER MICROPHONES
KM 184
C5
Classic Neumann Sound
QTC40
A Sweet-sounding Pencil Mic
Need a microphone to record percussion,
cymbals, or brass instruments? The KM 184 is
capable of handling high sound-pressure levels
with ease. But it’s also extremely quiet, making
it an excellent choice for capturing the subtle
nuances of acoustic guitars and orchestral
instruments. The KM 184 is small enough to
place correctly in those hard-to-reach areas too.
This transformerless mic gives you accurate,
uncolored sound reproduction, perfect for
everything from orchestral instruments to rock
drums. Want some phenomenal overheads? A
KM 184 Pair is also available.
Otherworldly Transparency
and Accuracy
The pencil condenser is a critical
studio tool — and the C5 is just the
microphone for the important job.
Miktek fitted this mic with Miktek’s MK5a
1/2" capsule, which offers a full-bodied,
super-linear response — just what
you want. For added versatility, the
MK5b omni directional capsule is now
included as well. This is a stellar pick for
recording a number of nuanced acoustic
instruments, including violin, acoustic
guitar, and piano. A C5 Matched
Pair is also available to handle your
stereo-miking chores.
Specs: supercardioid • 20Hz–20kHz • Max SPL: 138dB
Designed for recording quieter sources such as
vocals, strings, and distant-miked orchestras or
choirs, the exceptionally transparent QTC40
will provide you with a true and accurate
picture of whatever you’re recording. Able
to handle sound levels up to 142dB with no
proximity effect or handling noise, a pair
of these whisper-quiet omnis also makes an
excellent choice for drum overheads. Boasting
a super-flat frequency response, fast impulse
response, and ultra-low noise floor, the QTC40
is the mic of choice when you want to capture a
source with the upmost realism and detail.
Specs: cardioid • 20Hz–20kHz • Max SPL: 126dB
ONLY $32/mo.
KM184
KM184Pair
84995
$
Condenser Mic...........................................
Condenser Mic (pr).....................................
1599
$
95
Specs: omni • 4Hz–40kHz • Max SPL: 142dB
ONLY $27/mo.
C5miktek
C5MP
Condenser Mic.........................List $117900
Condenser Mic (pr)....................List $239600
69900
$
1399
$
00
MA-101 Stereo Pair
MA-100 Stereo Pair
The MA-101 Stereo Pair combines the cardioid and
omni capsules from the MA-100 with the circuitry of
the MA-201fet to give the pencil condenser a new twist.
Made to David Royer’s specs, it sports a beefy Jensen
transformer and a switchable 15dB pad, for recording
sources as loud as 140dB! Includes flight case and stereo
bar. Single MA-101 microphones are also available.
Mojave Audio’s MA-100 Stereo Pair features a unique
design that uses interchangeable capsules, a militarygrade NOS vacuum tube, and a Jensen transformerbalanced output. New this year: a 12dB pad for ultra-high
SPL capacity. These detailed, multi-capsule mics are very
versatile. Includes dual power supply, stereo bar, and
flight case. Also available as a single MA-100.
Specs: cardioid/omni • 20Hz–20kHz • Max SPL: 140dB
Specs: cardioid/omni • 20Hz–20kHz • Max SPL: 142dB
A Combination of Two Classic Mojave Mics
MA101SP
MA101FET
Condenser Mic (pr).....................................
Condenser Mic...........................................
ONLY $45/mo.
1195
$
00
59500
$
Uniquely Suited to Capture Incredible Sound
MA100SP
MA100
Tube Condenser Mic (pr).............................
Tube Condenser Mic...................................
$
79500
A professional-level performer that’s priced
to fit the budget of any studio. Plus, it’s
built tough enough to handle live work. The
P170 is great for use as an overhead, on
vocals, on band and orchestral instruments,
and more.
Do you take your studio with you? Then
you need this amazingly versatile mic!
AKG’s C1000 S MK4 sounds fantastic
on everything from drums to acoustic
instruments to vocals. It’s road tough and
ultra-quiet, and it gives you the option of
battery- or phantom-powered operation. Use
this versatile condenser to get great sounds
in the studio. You can even switch between
cardioid and hypercardioid pickup patterns
to minimize outside noise bleed. The C1000
S MK4 also includes an onboard presence
booster to enhance overall vocal clarity.
Specs: cardioid • 20Hz–20kHz • Max SPL: 155dB
79
$
00
99900
ELA M 260 Stereo Set
Exceptionally Smooth Tube Tone
Capture any acoustic source in all its vibrant glory with
the ELA M 260 Stereo Set. As soon as you put a pair
of these up, you’ll fall instantly in love. Sounding great
on everything from vocals to drum overheads, you can’t
go wrong with the smooth tube tone of Telefunken ELA
M 260s!.
Specs: cardioid/hypercardioid/omni • 20Hz–20kHz • Max SPL: 120dB
ONLY $109/mo.
ELAM260STTube Condenser Mic (pr).........List $327500
289500
$
For more than 30 years, AKG’s C 451, with the
CK1 capsule, was the industry-standard pencil
microphone. Their latest incarnation, the
incredible C 451 B, has ultra-fast transient
response made just for recording acoustic
guitars and percussion — as well as for use
as a drum overhead. The C 451 B is almost
totally immune to handling noise, thanks to its
feather-light diaphragm. Switchable pads and
bass roll-off filters help you to tailor the mic to
its environment. The AKG C 451 B microphone
makes a great addition to any professional studio
or recording setup. Looking to mic something in
stereo? A C 451 B Stereo Pair is also available.
Specs: cardioid/hypercardioid • 50Hz–20kHz • Max SPL:
ONLY $10/mo.
137dB
C1000Smk4Condenser Mic...........................List $27900
Condenser Mic.........................List 1249
Small-diaphragm Condenser Mic
Go-anywhere Cardioid/
Hypercardioid Condenser Mic
As a stage mic, the P170 takes your live
sound to crystal-clear new heights. It’s a
versatile mic that’s built to last, even on
the road. And at this super-affordable price,
you can pick up a pair of P170 mics for
exceptional stereo recording.
QTC40
$
00
C 451 B
C1000 S MK4
AKG Quality in an Affordable
Small-diaphragm Mic
Condenser Mic...........................List $14900
1595
00
$
P170
P170
ONLY $60/mo.
ONLY $38/mo.
$
199
$
00
Specs: cardioid • 20Hz–20kHz • Max SPL: 155dB • Bass roll-off:
75Hz, 150Hz
ONLY $19/mo.
C451B
C451BST
Condenser Mic...........................List $69900
Condenser Mic (pr)....................List $159900
$
49900
109900
$
Sweetwater.com
SMALL-DIAPHRAGM CONDENSER MICROPHONES
297
M3
Electret Condenser Mic with Filter and Pads
Put a genuine RØDE mic into your mobile studio or video setup for an
incredibly low price! You can use phantom power for the M3 or switch to
internal battery power — a real plus in the field! This electret condenser mic’s
capsule is internally shockmounted, so handling noise is kept to a minimum.
Switchable attenuation pads and a highpass filter make this great-sounding
mic a versatile performer, whether you’re using it in your studio space, at a live
performance, or as part of your broadcast rig!
Specs: cardioid • 40Hz–20kHz
• Max SPL: 142dB • Bass roll-off:
80Hz • Pad: 10dB, 20dB
ONLY $10/mo.
M3Rode Condenser Mic.............. List $29900
$
14900
M5 Matched Pair
A Matched Pair of Studio Workhorses
The exceptionally clear-sounding and affordable RØDE M5 Matched
Pair is ideal in the studio and onstage. A typical use of the M5 Matched
Pair would be as drum overheads or recording high-hats. They’re
excellent mics for recording practically any instrument: guitar, flute,
violin, saxophone, drums, you name it! And this precision matched
pair of condenser microphones is perfect for stereo XY and other stereo
recording configurations. These cardioid condenser mics give you the
kind of performance that exceeds what you’d expect from condensers at
this price point. M5 Matched Pair mics are ideal for recording and sound
reinforcement.
Specs: cardioid • 20Hz–20kHz •
Max SPL: 140dB
ONLY $10/mo.
M5MP
Condenser Mic (pr).........List 325
$
00
$
19900
RN17
World-class Audio Quality
The sE RN17 is the latest addition to the sE Rupert Neve-series of
mics, and is the first pencil mic to sport a large-scale high-performance Rupert
Neve designed transformer. This transformer works in tandem with a 17mm
gold-sputtered Mylar capsule to give you jaw-dropping definition and detail, which
are enhanced by the headroom afforded by the Neve transformer.
With it’s Rupert Neve designed electronics, the RN17 will elevate your studio!
The RN17 Stereo Pair is available as well.
RN17
RN17MP
Condenser Mic.........................List $149900
Condenser Mic..........................List $279900
$
ONLY $45/mo.
119900
239900
$
sE5 Small Diaphram
Condenser Mic
Value-priced and Versatile
Every studio needs at least one condenser microphone. The sE5 gives you
smooth, full-range frequency response with excellent on-axis sensitivity and
off-axis rejection for a clean, clear sound. The sE5’s impressive transient
handling makes it a go-to mic for gentle sources like acoustic stringed
instruments, yet an sE5P stereo pair is rugged enough to do duty as drum
overheads.
ONLY $12/mo.
sE5
NT4
sE5SP
Stereo Miking Made Easy
Stereo recording from RØDE! To capture natural stereo sound, you need
to avoid phase issues, unmatched mics, and space-hogging multiple
stands. The solution? The NT4 stereo condenser. This cool-looking
stereo condenser’s capsules are mounted in an XY configuration,
ensuring premium sound capture no matter where you are. You’ll love
how the NT4 sounds on acoustic guitars and ensembles — it even works
great as an overhead drum mic! Special dual-XLR and 1/8" mini cables
are included with the NT4, so it’s ready to go, right out of the box! It also
includes a carrying case.
Specs: cardioid • 20Hz–20kHz • Max SPL: 143dB
NT4
Condenser Mic...........................List 399
Condenser Mic (pr)......................List $69900
$
Condenser Mic............................................List $89900
52900
$
NT5Sing
NT5
Condenser Mic...........................List 349
Condenser Mic (pr)......................List $69900
AT4041SP
Condenser Mic...........................List $40500
Condenser Mic (pr)......................List $79500
299
49900
$
ONLY $10/mo.
Pro37
Condenser Mic...........................List $24900
21900
$
42900
$
Compact, Easy-to-position Mic
Specs: cardioid • 30Hz–15kHz • Max SPL: 141dB
AT4041
00
ATM450
Specs: cardioid • 20Hz–20kHz • Max SPL: 145dB
00
ONLY $10/mo.
$
The AT4041 from Audio-Technica ranks among the
industry’s most acclaimed bang-for-buck microphones.
An exceptionally versatile cardioid condenser, the AT4041
is noted for its warm, delicate, sweet sound. It excels
on such sources as acoustic guitars, pianos, and horns.
What’s more, the AT4041 features a highpass filter for
switching from a flat response to a low-end roll-off.
ONLY $12/mo.
59900
$
Specs: cardioid •
20Hz–20kHz • Max
SPL: 170dB
Serious bang for the buck! If you want to capture amazing sonic detail,
you can’t go wrong with RØDE’s NT5-S. Use this great-sounding
small-diaphragm condenser as a drum overhead, on acoustic
instruments, or even as an ambient room mic — you’ll be amazed!
RØDE builds quality into all their mics, and the NT5-S is no exception.
You can count on having this go-to mic at the ready for years to come.
The Audio-Technica PRO 37 is made to
handle the high sound-pressure levels rocking
drummers throw its way. Yet this versatile
microphone is also ready to accurately pick
up the nuanced sounds of a choral ensemble
or a piano. You’ll dig its low-profile design,
which makes it easy to place in some of
those difficult miking positions. At this low
price, you’ll want to grab two for incredible
stereo-miking options. A maximum input SPL
of 141dB means the PRO 37 can stand up to
close-miked vocals or amplified instruments.
AT4041
29900
NT5-S
Holds Up to Loud Sounds
Small-diaphragm Condenser Microphone
$
A Small Mic Built for Acoustic Instruments and Drums
PRO 37
$
00
Specs: cardioid • 20Hz–20kHz • Max SPL: 143dB
ONLY $20/mo.
Specs: cardioid • 20Hz–20kHz •
Max SPL: 150dB
12900
$
The ATM450 measures just five inches long,
with a unique feature: it’s a side-address mic.
The benefit of a side-address condenser of
this size is that it will fit into spots that typical
front-address condenser mics won’t. You can
easily position the ATM450 on drums (for
both close-miking and as an overhead) and
acoustic guitars. You can even drape it over
a blaring guitar cabinet for an extremely
low-profile miking job, thanks to its capability
of handling 152dB. The 80Hz highpass filter
reduces ambient rumbles, and the cardioid
pickup pattern excels at isolating the ATM450
from other sound sources.
Specs: cardioid • 40Hz–20kHz • Max SPL: 152dB
ATM450
Condenser Mic...........................List $44900
ONLY $10/mo.
24900
$
298
(800) 222–4700
SMALL-DIAPHRAGM CONDENSER MICROPHONES
SM81
KSM137
PG81-XLR
A Great Small-diaphragm Mic for
Acoustic Instruments
With consistent sensitivity throughout its
entire frequency range, the PG81-XLR really
excels on delicate acoustic instruments. The
PG81-XLR’s cardioid polar pattern picks up
every detail from in front of the microphone,
as well as some sound from the sides. Great
for onstage miking, the PG81-XLR
resists feedback, even at high
volume settings.
Specs: cardioid • 40Hz–18kHz • Max SPL:
127–131dB
Great in the Studio and Live
Extremely Popular Do-it-all Mic
The Shure KSM137 is a pencil condenser
microphone with a cardioid pattern. Designed
for studio use yet rugged enough for live
applications, the KSM137 can withstand
extremely high SPLs. The KSM137 is excellent
for ambient room miking and overhead drum
miking, as well as for miking any low-frequency
instrument, such as a double bass, an electric
bass, or a kick drum. The 3-position pad offers
up to a 25dB cut, and the switchable lowfrequency filter reduces unwanted background
noise. Need two? The KSM137 Stereo Pair is
also available.
The SM81 makes your life easy. Just put it
up near a source, and you’re pretty much
guaranteed a record-ready sound. Though
totally versatile, the SM81 shines on acoustic
guitars. It’s going to capture all of the subtle
nuances of playing lightly, but it’ll also easily
handle the full sound of the pick tearing
through the strings. Apart from capturing
acoustic guitar, the SM81 is great for studio
and onstage overhead cymbal miking, room
miking, and choral ensemble miking. That’s
because it offers an incredibly flat frequency
response, so what comes out of the mic is what
went into it.
Specs: cardioid • 20Hz–20kHz • Max SPL: 145dB •
Bass roll-off: 80Hz, 115Hz
Specs: cardioid • 20Hz–20kHz • Max SPL: 146dB
ONLY $12/mo.
ONLY $10/mo.
PG81XLR
Condenser Inst Mic.....................List $16100
12900
$
KSM141
Condenser Mic...........................List 374
Condenser Mic (pr)......................List $83200
29900
$
66500
$
Condenser Mic...........................List $49900
Condenser Mic (pr)....................List $108800
39900
87000
Specs: hypercardioid/omni/cardioid •
40Hz–20kHz • Max SPL: 150dB
ONLY $10/mo.
ADX51
Condenser Mic...........................List $25000
22900
$
Specs: cardioid/hypercardioid/omni • 25Hz–20kHz • Max
SPL: 138dB
ONLY $10/mo.
Condenser Mic (Pr).....................List 174
$
99
139
$
99
Condenser Mic (pr).....................List 499
Specs: supercardioid • 40Hz–20kHz • Max SPL: 139dB
ONLY $10/mo.
ONLY $10/mo.
CK1
Condenser Mic...........................................
34999
$
To capture the sizzle of a cymbal or the
detail of an acoustic instrument, you need
a mic with a wide dynamic range and a
superior transient response. Sennheiser’s
e614 condenser mic is specially designed to
capture detail — it’s perfect for professional
applications and affordable enough for home
recording. It has an extended frequency
response, high SPL capacity, and a fast
transient response — and the supercardioid
pattern helps to reduce bleed. It’s great for
overhead miking of drums, and it also works
well on string instruments, flute, and sax.
It’s an unbelievable performer as a drum
overhead, as well as for percussion in
general. You get cardioid, hypercardioid, and
omnidirectional capsules for total versatility
in whatever miking method you want to
pursue in the future.
Specs: supercardioid • 50Hz–20kHz • Max
SPL: 134dB
C4mic
99
Supercardioid Condenser Mic
Avantone worked magic with the CK-1,
creating a fine FET microphone with the
performance of an expensive mic, but priced
to fit into any project studio’s budget. Once
you hear the CK-1, you’ll absolutely want it
in your mic locker, regardless of what you
paid for it.
The Samson C02 offers a pair of
quality small-diaphragm cardioid
condenser microphones. They are
ideal for both studio and stage
use. With their sensitive, low-mass
elements and high SPL handling,
the C02 microphones excel at
recording every nuance of sources
such as drums, pianos, cymbals, and
acoustic instruments.
ONLY $14/mo.
$
e614
Pick Up This High-performance
Mic for an Amazing Low Price
Incredible Value with This
Stereo Pair
34900
You don’t have to give up sound
quality to stay within your budget!
Studio Projects’ C4 small-diaphragm
condenser microphone pair gives you
clean and highly accurate sound.
Complete with interchangeable omni,
cardioid, and hypercardioid capsules,
and equipped with a switchable pad
and a highpass filter, these useful
multipurpose mics are a great
matched mic pair for all-around use.
CK-1
C02
$
Specs: cardioid • 40Hz–18kHz • Max SPL: 132dB • Pad:
10dB • Bass roll-off: 150Hz
$
$
Condenser Mic...........................List $43600
Matched Condenser Microphone
Pair
Perfect for onstage or studio use, the Audix
ADX51 excels at many tasks facing the
modern engineer. The high SPL handling
lets you point the ADX51 at loud sources,
such as snare drums, with no worries about
distortion, and the sleek low-reflective black
finish is very stage friendly. This microphone
is a great choice for acoustic instruments. It’s
also stellar as a drum overhead or a hi-hat
mic. Audix makes excellent instrumentspecific mics, but the ADX51 shows they
know a thing or two about all-around
workhorses too!
Specs: cardioid/omni • 20Hz–20kHz • Max SPL: 139dB • Bass
roll-off: 80Hz, 115Hz
ONLY $15/mo.
C02
ONLY $14/mo.
SM81
C4
A Superb All-around Performer
The KSM141 is a versatile mic that excels
at capturing “in your face” sound. With two
mechanically switching polar patterns, the
KSM141 is designed for studio use, yet is
rugged enough for live work. It can withstand
extremely high SPLs for close-miking loud
instruments. In cardioid, the sound is very
focused and forward in nature. In omni, the
mic sounds totally different, with more low
end and a smooth, open top. The KSM141
Stereo Pair is perfect parked above a drum
kit or in a stereo-recording situation.
KSM141ST
KSM137ST
00
ADX51
Small-diaphragm Cardioid/
Omni Mic
KSM141
KSM137
$
$
149
00
e614
Condenser Mic...........................................
21995
$
Sweetwater.com
INSTRUMENT MICROPHONES
Beta 52A
SM57
Beta 181/C
Go-to Mic for Bass and Kick
Studio- and Stage-essential Mic
There are several good reasons why
you’ll find an SM57 in just about every
professional mic locker on earth. It’s one
of the standard mics for amplifying
guitar cabinets, able to withstand
intense sound pressure while still
responding quickly enough to capture
the high end with clarity. It’s also
great for miking drums, where high
sound-pressure levels are unavoidable.
Fortunately, the SM57 is heroically
rugged and can easily shrug off the
routine stray drumstick whacks.
This outstanding dynamic microphone is specially
designed for all kinds of bass sources, from kick drums
to bass guitars. The Shure Beta 52A will make your
bass boom instead of getting lost in a swampy thud. The
Beta 52A’s frequency response
is 20Hz–10kHz, and this
mic is built to withstand the
daily abuse of road work. Its
supercardioid pattern aids
isolation, so the Beta 52A
is perfectly suited for both the
stage and the studio. This robust mic can
handle up to 174dB SPL, so it’s ready for
pretty much anything you can throw at it.
Side-address Smalldiaphragm Condenser
The Shure Beta 181/C ultra-compact
small-diaphragm side-address condenser
microphone comes with a cardioid capsule
for close-miking. This super-flexible
microphone fits in places that traditional
pencil condensers simply don’t, giving you
the same tight and focused sound, plus
the flexibility to position your mics exactly
where you need them — even in tight,
hard-to-mic spots. The Beta 181/C has a
switchable capsule, so you can pick up
additional polar patterns to suit your needs.
Specs: supercardioid • 20Hz–10kHz • Max SPL: 174dB
Specs: cardioid • 20Hz–20kHz • Max SPL: 151.5dB
Specs: cardioid • 40Hz–15kHz • Max SPL: 140dB
SM57
Dynamic Mic...................................List 124
$
00
99
$
00
Beta52
e 609 Silver
Dynamic Kick/Bass Mic..............List $23600
189
00
Get your hands on one of the
industry’s most popular guitar-amp
mics. The Sennheiser e 609 Silver
is engineered specifically to accurately
capture the wide range of tones that
come out of guitar amps. Perfect for live
applications, the e 609 Silver serves you
equally well in the studio. It works great on
those hard-to-mic instruments, such as
snare drums and toms; the e 609 Silver’s
side-address styling and compact size keep
it out of a drummer’s way when placed on toms — you
can even place it flat against an amp grille!
Specs: supercardioid • 40Hz–15kHz • Max SPL: 150dB
Need a versatile mic to handle
drums, percussion, amplifiers, and
other instrumental sources? Sennheiser
has the answer: the e 906, a supercardioid
dynamic mic that’s custom-designed for
great instrument reproduction. It sports
very fast transient response, which makes it ideal for guitar leads and percussive
sounds. And its 40Hz–18kHz frequency
response means it can handle a wide
range of instruments. The e 906 features a
switchable presence filter, which allows you to tailor the
mic for different sources.
Specs: supercardioid • 40Hz–18kHz • 3-position presence filter
ONLY $10/mo.
10995
$
e906
i5
In the studio or onstage, you can put
the i5 on just about anything and expect
professional results! It sports a cardioid
polar pattern to minimize bleed from
off-axis sources, giving you loads of sound
before feeding back. Stick the i5 on your
snare, toms, guitar cabs, and even vocals,
and bask in its incredible definition and lucid
tone. The CabGrabber and CabGrabber XL
clamps make perfect amp-miking companions
for your i5 or any other
guitar-cab mic. Lock either of
these clamps to your amp, clip
on a mic, and you’ll get instant
spot-on mic placement.
Specs: cardioid • 50Hz–16kHz • Max SPL: 140dB
Dynamic Mic..............................List $15000
CabGrabber Mic Clamp for Amps......................List $6500
CabGrabXL Mic Clamp for Amps......................List $7500
Dynamic Mic w/Switch..............................
$
18995
9900
$
49
$
5995
$
49900
$
00
The D4 is optimized for instruments
that require precise low frequency
capture, such as floor toms, tympani,
bari sax, trombone, acoustic bass,
and bass cabs. Its robust SPL rating
lets the D4 handle just about any sound
source, while the hypercardioid pickup
pattern gives you excellent isolation. The
D2 accurately reproduces the warmth
and punch of percussion instruments. The
D-Vice gooseneck allows most any microphone to be
quickly and securely attached to rim of most drums.
Specs: D4 hypercardioid • 40Hz-18kHz • Max SPL: 144dB
ONLY $10/mo.
D2 hypercardioid • 80Hz-18kHz • Max SPL: 144dB
D2
DVICE
Dynamic Tom Mic.......................List $26500
Dynamic Tom Mic........................List $19500
Gooseneck Drum Mic Clip...........................
Proven Performer for Stage and Studio
Put the Sennheiser MD 421 II on toms or in front of
a guitar amp, and you’ll understand why you need this
mic! Because of its reliability and impressive low end, it’s
been one of the most widely used mics in the world for
over 50 years. It can withstand amazingly high SPLs, so
you never have to worry about putting it on a loud sound
source. Features a 5-position bass roll-off switch.
Specs: cardioid • 30Hz–17kHz • Max SPL: 160dB • Bass roll-off: 5-position
ONLY $15/mo.
MD421
Dynamic Mic..............................................
37995
$
Purpose Built for Kick
The Mic for Clear, Punchy
Low-frequency Capture
D4Mic
MD 421 II
D6
D4
This Mic Is Versatile
i5
Condenser Mic...........................List 624
00
A Super Mic for Amps and Drums
ONLY $10/mo.
CabGrabber
Beta181C
$
e 906
Great on Guitar Amps
E609Silver Dynamic Mic..............................................
ONLY $19/mo.
ONLY $10/mo.
$
299
16900
$
12900
$
2795
$
The Audix D6 is the perfect
choice for solid kick drum
sounds. The cardioid pickup
pattern does an excellent job
rejecting sound from external
sound sources to keep the sound
of the kick drum pure and clean.
The D6 boasts a VLM (Very Low Mass)
diaphragm to react quickly to the attack
of the beater, and the 30Hz–15kHz frequency
response sports big bumps right where you
need it for earth-shaking lows without sacrificing the
attack. The D6 fares equally well on other low-frequency
instruments such as bass. The Audix Stand-KD provides
a heavy duty solution for getting your kick drum mic or
guitar amp mic in the perfect spot.
Specs: cardioid • 30Hz–15kHz • Max SPL: 144dB
D6
KDStand
ONLY $10/mo.
Dynamic Kick Mic......................List 310
MicroBoom Stand..........................List $4900
$
00
19900
$
3995
$
300
(800) 222–4700
INSTRUMENT MICROPHONES
RE320
RE20
The RE320 is mainly designed for recording music; it’s ideal for
vocals, horns, guitar amps, bass amps, and drums. Use the RE320’s
2-position “Dual Personality” frequency response switch for either a
flat response or a specifically tailored kick drum EQ (perfect for that
sought-after “punch”). An integrated humbucking coil keeps hum
and buzz to a minimum.
Both a broadcast legend and a studio favorite, the
RE20 has a home in any mic locker. The smooth way it
handles spoken voice has long established the RE20 as
a broadcasting mainstay. It’s also a great choice for bass
cabinets and kick drums.
Fantastic Mic for All Kinds of Sources
Specs: cardioid • 30Hz–18kHz
ONLY $12/mo.
RE320
Dynamic Mic..............................List $42350
Perfect Mic for Both Broadcast and
Recording
Specs: cardioid • 45Hz–18kHz
299
$
00
ONLY $17/mo.
RE20
Dynamic Mic..............................List 765
$
PM11
PM10
The Miktek PM11 is purpose-built for kick, but
it’s not so pre-EQed that every bass drum sounds
the same through it. It’s also great on bass guitar
cabinets and other bass-heavy instruments. Pair
the PM11 with the PM10 on snare and toms, for a
killer drum mic kit.
In Nashville, where Miktek mics are assembled, recording
engineers are raving about the Miktek PM10 dynamic
supercardioid mic on snare drum. We can add that the PM10
also does a great job on toms. With its PM series mics, Miktek
has taken its renowned studio mic technology and packaged
it tough for the road. But the PM10 is at home in the studio
as well. Tight and punchy, the PM10’s versatility makes it a
great general-purpose mic. Use it to tame guitar cabs, congas,
or almost anything else that emits high SPLs.
Specs: PM11 supercardioid • 50Hz–10kHz PM10 supercardioid
• 50Hz-16kHz
ONLY $10/mo.
PM10mic
Dynamic Kick Mic......................List 419
Dynamic Mic...............................List $32900
$
00
24900
$
ONLY $10/mo.
PM10mic
00
Dynamic Mic..............................List $32900
18900
$
M80-SH
M82
A Dynamic Mic with Condenser-like Performance
Outfitted with an oversized 1.37" diaphragm, the Telefunken
M82 provides you with superb low-frequency response. But,
although Telefunken designed it for kick drums, this fat and
punchy mic is also ideal for bass cabinets, voiceover work, and
many other applications. A switchable Kick EQ filter and a
separate switchable High Boost function provide a total of four
distinct sounds in one.
Specs: cardioid • 25Hz–18kHz
ONLY $15/mo.
Dynamic Kick Mic......................List $43900
Specs: supercardioid •
50Hz–16kHz
189
$
Four Kick Tones
M82
44900
$
Great Snare Mic and More
Killer Kick
PM11mic
00
The Telefunken M80-SH dynamic microphone delivers
condenser-like performance, with the convenience and
robustness of a dynamic mic. Unlike the midrange-heavy
tone of many popular handheld mics, the M80-SH employs
a low-mass capsule with an ultra-thin membrane to capture
every nuance of your performance with amazing balance and
detail. The diaphragm on the M80-SH is super thin, which gives
it a fast, un-colored response that captures your sound with
incredible detail.
Specs: cardioid • 30Hz–18kHz
399
$
00
M80SHB
M80SH
ONLY $10/mo.
Cardioid Dynamic Mic, Black.......List 279
Cardioid Dynamic Mic, Silver........List $27900
$
00
24900
$
24900
$
granelli
au dio labs
D112
A Time-tested Favorite for Drums and Bass
Amps
You want to get great sound plus high SPL handling out of
your go-to kick drum and bass mic, and AKG’s largediaphragm D112 dynamic delivers! It gives you definition
plus rich low-frequency reproduction, making it great for
miking kick drums and bass amp cabinets.
Specs: cardioid • 20Hz–17kHz • Max SPL: 160dB
G5790
The Famous SM57 with a
Very Useful Twist
The G5790 gives you a real
Shure SM57 with a custom-made
aluminum elbow that gives it a
90-degree bend, without altering its
original internal sound path. The
result is a microphone that sounds just like an SM57 but is effectively smaller
and much easier to use on amplifiers and drums.
Specs: cardioid • 40Hz–15kHz • Max SPL: 140dB
ONLY $10/mo.
ONLY $10/mo.
D112
Dynamic Kick Mic......................List $24900
199
$
00
G5790
Dynamic Mic..............................List 199
$
00
14999
$
Sweetwater.com
PGD Series
PGDMK6XLR
PGDMK4XLR
6-pc Drum Mic Kit.............List $49900
4-pc Drum Mic Kit..............List $31100
Complete 4-mic Kit
for Drums
Make great drum recordings with Shure! The
DMK57-52 gives you three industrystandard SM57s. Known for its stellar
sound on snares, the SM57 is also
excellent on toms, guitar amps, vocals,
and beyond. The fourth mic in this pack is the Beta
52A, which has a presence boost at 4kHz that can
really help a kick drum
stand out in the mix.
ONLY $15/mo.
39900
$
DMK5752
249
$
00
Fusion Series
FP7A
FP5A
ONLY $15/mo.
4-pc Drum Mic Kit......................List $53600
Versatile Drum Mic Systems
The Audix FP7 bundle comes with everything you need to
mic your kick, snare, cymbals, and three toms. If you already
have a pair of go-to condenser microphones for your
overheads, then the 5-piece FP5 bundle is a great
choice. Both of these value-packed bundles
come with microphone clips for each mic, plus
a rugged aluminum carry case. All of Audix’s
Fusion series mics are also available individually.
Call your Sales Engineer
ONLY $19/mo.
today and find out more.
$
00
$
00
Looking for a stellar drum mic package and an
incredible value? The DP7 kit gives you seven all-star
Audix mics, including the renowned D6 for kick. You
get the versatile i5 for your snare, a D4 for
your floor toms, a pair of D2s for your toms,
and two ADX51s for overheads. The DP5A
package gives you the same great collection,
minus the overhead mics. D series microphones
included in Audix’s DP series bundles are also available
individually (see pg. ###).
499
DP7
349
$
00
Great Drum Mic Bundle
699
7-pc Drum Mic Kit.....................List $319900
189900
$
DD5 Drum
Microphone Set
00
65900
$
8Kit
Samson’s 8Kit is an affordable
solution with the right mix of
mics! The Q Kick has a deep resonant
quality that sounds comparable to
mics costing much more, and the Q
Snare is an impressive dynamic mic
voiced for snare drums. The 8Kit
also has three rim-mountable Q
Tom dynamic mics. For cymbals or
overheads, there are two C01 mics and a C02H. The 8Kit
gives you all the mics you need to set up a standard drum
kit for studio recording or stage miking. The 7-piece 7Kit ONLY $12/mo.
and the 5-piece
$
99
8DrumMicKit 8-pc Drum Mic Kit.....List $40499
5Kit are also
$
99
$
99
7DrumMicKit
7-pc
Drum
Mic
Kit......List
314
199
available.
$
99
299
5DrumMicKit
149
5-pc Drum Mic Kit......List $19999
e600 Drum Pack
Sennheiser Has Been Crafting
Great Drum Sounds for Decades
Premium Mic Kit for Stage and Studio
If you need to mic up a 5-piece kit, then Telefunken
has the microphone pack for you. The DD5 Drum
Microphone Set comes with five of the most popular
Telefunken dynamic drum microphones, including an
M82 kick drum mic, a M80-SHB for your snare drum, and a trio of M81-SH microphones that bring
out the best in your toms. In addition to these wonderful microphones, you also get a set of five rim
mounts and XLR cables to go with them. Each of these cables has a right-angle female connector,
which makes mic placement easy. Top it all off with a flight case, and you’re ready to take your DD5
ONLY $51/mo.
Drum Microphone Set anywhere. The
$
00
4-piece DD4 Drum Microphone Set is
$
00
DD5pack 5-piece Drum Mic Kit...............List 1650
also available.
$
00
$
00
DD4pack
89900
$
7-pc Drum Mic Kit....................List 1245
5-pc Drum Mic Kit.......................List $86500
8-piece Drum Mic Kit
Amazing drum recordings are easy with Miktek microphones! The
PMD4 drum mic bundle gives you a roadworthy aluminum case
with four of Miktek’s great-sounding PM series drum mics. You get
three Miktek PM10 snare/tom mics and one PM11 kick drum mic.
Tight and punchy, the PM10’s versatility also makes it a wonderful
general purpose mic: use it to tame guitar cabs, congas, or almost
anything else that emits high SPLs. The PM11 is purpose-built for
kick, so it’s tough-as-nails and has mountains of meat — but it’s
not so pre-EQed that every bass drum sounds the same through it.
Everything is protected by foam inserts and secure latches. If you’ve
been looking for drum mics that are ready for the stage and sound
ONLY $27/mo.
great in the studio too, you’ve found your
$
00
solution! The 5-piece PMD5 and 7-piece
PMD4
4-pc Drum Mic Kit....................List $119900
PMD7 bundles are also available.
$
00
$
00
PMD5
5-pc Drum Mic Kit.....................List 1499
849
ONLY $34/mo.
$
DP5A
PMD4
PMD7
39900
$
DP Series
An Amazing Value in Drum Mics
7-pc Drum Mic Kit......................List 550
5-pc Drum Mic Kit.......................List $45000
301
DMK57-52
Affordable Complete Drum Mic Kits
The PGDMK6 microphone kit from
Shure is a 6-mic bundle that gives you
everything you need to get great drum
sounds — two PG81 overhead mics,
one PG52 kick mic, and three PG56
snare/tom mics. The PGDMK4 offers
the same collection without the PG81
overheads.
INSTRUMENT MICROPHONES
1349
4-piece Drum Mic Kit................List 1395
1149
Inside the e600 Drum Pack, you’ll
find a mic tuned specifically for low
frequencies, a quartet of tom- and
snare-friendly mics, and a pair
of condensers for overheads and
cymbals. In all, you get seven mics, each
specifically chosen for the e600 Drum Pack
to handle a specific task. And with a rugged aluminum case
for reliable transport, it’s perfect for live use!
DrumKit600
7-pc Drum Mic Kit...............................
ONLY $38/mo.
99995
$
302
(800) 222–4700
INSTRUMENT MICROPHONES
Beta 91A
PianoMic System
Great Kick Mic
Shure’s Beta 91A
half-cardioid boundary
mic lets you capture a kick
drum’s true punch without
taking up a lot of real estate
onstage. In fact, the Beta 91A
excels at picking up all kinds
of low-frequency-intensive
instruments. Its capability to handle high SPLs means
worry-free use in any environment (even with the loudest
drummers). A handy mid-scoop switch adds an element
of tonal control. You’ll love what the Beta 91A does for
your live sound.
Stereo Piano Microphone System
Elegant, great-sounding solution! You know
how difficult it can be to get consistently good
sounds from pianos by using conventional
microphones. That’s why Earthworks designed the
PianoMic System, which uses two specialized
omnidirectional mics mounted to an adjustable bar
— the entire rig goes right inside the piano! These
amazingly transparent microphones provide highly
detailed sound and can handle high SPLs, while
their flexible mounts allow you to position them
precisely for optimal results. Move the bar mount to
reduce or emphasize certain tonal characteristics.
And the convenient PianoMic System works
flawlessly with the piano lid up or down!
Specs: half-cardioid • 20Hz–20kHz • Max SPL: 155dB
Beta91A
Specs: random-incidence omni • 9Hz–40kHz • Max SPL: 148dB
PianoMicSys Condenser Mic (pr)...........List $374900
$
23900
$
e901
ONLY $113/mo.
299900
A Great Way to Capture Your
Kick Drum’s Thump
SMK4061
Here’s a mic that makes it
easy to capture the deep,
punchy lows you’ve
been trying to get out
of your kick drum (and
other low-frequency
instruments) and into
your recordings. The
wild-looking e901 is a halfcardioid boundary-layer microphone.
It rests right on the floor, so you don’t need a stand.
The e901 can handle extremely high SPLs and is
specifically voiced for low frequencies. Use it on your
favorite kick drums, bass amps, or even Leslie speakers.
You’ll love the results you get from this unique-looking,
great-sounding microphone.
The Headache-free Way to Capture Sound
in Stereo
Here’s an excellent and simple way for you to record in
clearly defined stereo. DPA’s SMK4061 stereo miking kit
is perfect for capturing the full stereo image of any sound
source, without the setup fuss. The SMK4061 consists of two
DPA omnidirectional miniature 4061 condenser microphones
plus all of the mounting accessories you need to set them up
for a variety of applications. You’ll be ready to meet a wide
range of miking situations — with finesse and ease. Included
in the kit are accessories for miking everything from pianos to
acoustic guitar to strings to drums. Looking for stereo miking
flexibility at a great value? You simply can’t go wrong with the
SMK4061 from DPA.
Specs: omni • 20Hz–20kHz • Max SPL: 144dB
SMK4061
ONLY $10/mo.
Condenser Boundary Mic............List $29900
Specs: half-cardioid • 20Hz–20kHz • Max SPL: 124dB
ONLY $36/mo.
Stereo-miking Kit ......................................
94995
$
e901
ONLY $10/mo.
Unidirectional Boundary Mic.......................
23995
$
ADX10FLP
This Mini Condenser Mic Is Perfect for
Standard Flutes
d:vote 4099
The Mighty Miniature Mic for Onstage Acoustic Instruments
DPA’s d:vote 4099 mics help you achieve studio-grade instrument sound onstage. The d:vote 4099
uses a special clip system that attaches directly to your instrument, freeing you to roam the stage while
ONLY $23/mo.
you play. Discreet, elegant, and lightweight, this miking
$
95
VO4099B Double Bass Mic........................................
system is also rugged, and the gooseneck provides both
$
95
VO4099C
Cello Mic...................................................
599
stable and repeatable positioning. Available for double
$
VO4099S
Saxophone Mic..........................................
59995
bass, cello, sax, violin, and guitar.
$
95
599
Specs: supercardioid • 80Hz–15kHz • Max SPL: 142dB
VO4099V
VO4099G
Violin Mic..................................................
Guitar Mic..................................................
599
59995
$
When you need consistent high-quality sound
reproduction from wind instruments, you need a
microphone that’s made specifically for the job. Meet
the ADX10FLP from Audix. This mini condenser mic
includes a very handy mount that’s made to attach to
your flute’s head joint — it’s an elegantly simple way to
get great sound! The ADX10FLP’s wide frequency range
and smooth response allow this little mic to give you a
surprisingly full and
rich sound. It comes
complete with a preamp
module, and it can also
be used with wireless
systems. Plus, it can run
on phantom power or AA
batteries, thanks to the
included APS911 power
supply.
ONLY $10/mo.
Specs: cardioid • 40Hz–20kHz • Max SPL: 120dB
ADX10FLP
Flute Mic...................................List 275
$
00
22900
$
Sweetwater.com
PRESENTER & ENSEMBLE MICROPHONES
U853R
FlexWand 730
Ultra-clear Sound, Unobtrusive Mic
All-in-one Miking Solution
The U853R hanging condenser microphone gives
you an unobtrusive, clear-sounding way to capture
overhead audio from choral, orchestral, and worship
applications. The UniGuard design shields against
RF interference. This mic gives you great sound and
excellent outside noise rejection, and it includes an 80Hz
low-cut filter, a power module with an XLR-M connector,
and a foam windscreen. A steel hanger and a stand
adapter are included. Also available in white.
Extremely discreet, supremely flexible, high-quality miking system! Earthworks
has taken their knowledge of first-class microphone design and introduced it in
a system that’s perfect for picking up choirs, acoustic instruments, drums, and
more. The FlexWand 730 can easily be positioned at a variety of heights to
meet your needs. It features an integrated stand with a boom arm that has an
innovative low-profile cabling system.
ONLY $50/mo.
Specs: cardioid •
30Hz–30kHz • Max SPL: 145dB
U853R
U853RW
Condenser Mic...........................List 260
Condenser Mic, Wht....................List $26000
00
189
$
18900
Perfect for choirs, conferences, and more, the MicroBoom MB8455
cardioid condenser microphone with 84" boom leaves the bulk behind. Audix’s
MicroBoom MB8455HC uses a hypercardioid capsule with 84" boom for
maximum sound isolation. The MicroBoom MB8450 mic/boom system pairs
a long-reach 84" MicroBoom arm with a high-quality M1250B cardioid condenser
mic. The MicroBoom MB8450HC system features the M1250B-HC hypercardioid
element, for outstanding outside-noise rejection. The MicroBoom MB5050
system includes the M1250B cardioid condenser element, paired with a 50" boom.
The MicroBoom MB5055 includes a high-output cardioid mic capsule and a 50"
boom. A custom MicroBoom Stand is also available for these mics.
$
Pro 45
When you hang microphones over choirs or
orchestras, you want the mics to be as unobtrusive
as possible. Here’s an economical and greatsounding solution for the task: the Pro 45, a
miniature cardioid condenser mic with its own
adjustable hanger. All electronics are built into the
unit, so no external power module is needed. The
Pro 45’s wide dynamic range can handle high
SPLs without breaking up. It’s an ideal mic for
school auditoriums and houses of worship.
ONLY $25/mo.
MB8455
Condenser Mic, 84” Boom..................... List $71000
MB8455HC HypCard Condenser Mic, 84” Boom....... List $73000
MB8450
Condenser Mic, 84” Boom.................... List $69000
MB8450HC HypCard Condenser Mic, 84” Boom....... List $71000
MB5050
Condenser Mic, 50” Boom.................... List $59000
MB5055
Condenser Mic, 50” Boom.................... List $61000
MBstand MicroBoom Mic Stand.........................................
Specs: cardioid • 70Hz–16kHz • Max SPL: 155dB
9900
$
Condenser Mic...........................List $14500
MX412/C
Position This Condenser Mic Right Where You Need It
Shure’s Microflex gooseneck microphones give new meaning to the word
flexible. The MX412/C 12" gooseneck condenser microphone comes with
an attached XLR preamp, a shockmount, and a foam windscreen.
64900
$
66900
59900
$
64900
$
49900
$
54900
$
2995
$
$
Specs: MB8455/MB8455HC
cardioid/hypercardioid •
50Hz–19kHz • Max SPL:
130dB MB8450/MB8450HC
cardioid/hypercardioid •
50Hz–18kHz • Max SPL: 140dB
MB5050/MB5055 cardioid •
80Hz–20kHz • Max SPL: 150dB
MEG 14-40
Discreet, Flexible Condenser
This versatile mic features high sensitivity and transformerless output,
for immunity to hum and RF interference. Each Microflex gooseneck
microphone comes with a complete installation kit and a flange mount,
allowing for table attachment to pulpits, lecterns, and conference tables.
The Sennheiser MEG 14-40 gooseneck microphone offers the unobtrusive
flexibility you need for lectures and seminars. A streamlined 15.75"
gooseneck brings the MEG 14-40’s condenser element close to your face,
allowing you to maintain an upright posture while speaking. The MEG
14-40 also features Sennheiser’s high-performance KE10 mic capsule. Its
cardioid pickup pattern provides excellent unidirectional reception while
also preventing off-axis noise and keeping feedback at bay.
Specs: cardioid • 50Hz–17kHz • Max SPL: 124.2dB
Specs: cardioid • 50Hz–20kHz • Max SPL: 130dB
ONLY $10/mo.
ONLY $10/mo.
MX412C
Condenser Mic...........................List 237
$
00
206
$
00
PRO 44
MEG1440
Condenser Mic...........................................
Sound Grabber II
There’s a reason this mic looks
so stealthy: it’s made to provide great sound, with minimal
visual impact. It’s perfect for theater and house of worship
applications. The PRO 44 gives you excellent gain before
feedback and includes a wide-range condenser element,
a half-cardioid pickup pattern, and a 25' detachable mic
cable. A rubber nonslip pad on the bottom reduces the
amount of surface vibration translating to the mic.
It’s easy to get great sound from this compact mic. The
Sound Grabber II has a very wide-angled pickup
pattern. That way, it will pick up sound from any
direction, so speakers or vocalists can move freely around
with no change in tone quality. This distinctive mic is
a worthy addition to any theater, church, or recording
application — at a great price!
A Set-it-and-forget-it Miking Solution
Pro44
Unidirectional Boundary Mic.......List 145
$
Specs: hemispherical • 50Hz–16kHz • Max SPL: 120dB
ONLY $10/mo.
ONLY $10/mo.
00
$
119
00
SoundGrabber
Unidirectional Boundary Mic.... List 159
$
00
$
$
17995
4000: Planar
Wave System
This Stealthy Mic
Delivers Great Sound
Specs: half-cardioid • 70Hz–16kHz • Max SPL: 155dB
132900
$
Ensemble Miking Systems
00
Super-affordable Hanging Mic
Pro45
FlexWand730CCondenser Mic................List $166100
MicroBoom Series
Specs: cardioid • 30Hz–20kHz • Max SPL: 139dB • Bass
roll-off: 80Hz
$
303
119
00
Perfect Pickup/Preamp for
Piano and Harp
The 4000: Planar Wave
System pairs a handy
preamp with a piezo pickup that
attaches to a harp or a piano. It
effectively manages to capture sound
from instruments that have long troubled even the most
experienced engineers.
ONLY $12/mo.
Specs: hemispherical • 5Hz–30kHz • Max SPL: 110dB
4000XL
Piano/Harp Pickup.....................List 461
$
99
30900
$
304
(800) 222–4700
BROADCAST MICROPHONES
NTG-2
MKH 416
MKE 600
Excellent sound, compact design! Add Sennheiser’s
MKH 416 to your broadcast, film, or video
arsenal, and you’ll hear an instant improvement!
This industry-standard short shotgun offers
superior immunity to moisture and humidity,
as well as outstanding rejection of outside
noise and feedback. Capture the sounds you
want with exceptional quality! Call your
Sales Engineer to find out more about this
stellar-sounding (and impressively compact)
shotgun mic.
Sennheiser’s MKE 600 supercardioid
short shotgun mic is your ticket to great
professional production sound, with
amazing ease of use. The MKE 600’s
diminutive size lets you boom or camera
mount, as the shot dictates. The MKE
400, with lightning shoe mount and
external mic input, is also available.
Premium Short Shotgun Mic
Short Shotgun, Big Performer
Specs: supercardioid • 40Hz–20kHz • Max SPL: 130dB
MKH416
Convenient, Affordable
Video Shotgun Condenser Mic
Shotgun Mic...............................................
Specs: MKE 600 supercardioid • 40Hz–20kHz
• Max SPL: 132dB MKE 400 supercardioid •
40Hz–20kHz • Max SPL: 126dB
ONLY $38/mo.
999
$
95
MKE600
MKE400
RØDE’s NTG-2 is great for pro film, video, television,
and ENG applications. For convenience, it can be
powered by phantom power or AA batteries. A handy
bass roll-off switch helps keep out those muddy
low frequencies and rumbles. If you’re exposed
to the elements, choose the NTG-3. It’s moisture
resistent, and works in the most damp and
humid conditions!
Specs: NTG-2 supercardioid • 20Hz–20kHz • Max SPL:
131dB NTG-3 supercardioid • 40Hz-20kHz • Max SPL: 130dB
ONLY $13/mo.
Shotgun Mic...............................List 399
SprCard Shotgun Mic..................................
$
95
329
$
95
199
$
95
Record great sound on location, with the
iShotgun mic for your smartphone,
tablet, or DSLR camera. The iShotgun’s
supercardioid pickup pattern and
excellent rejection of off-axis noise
let you zero in on the sounds you
need to capture. You get the mic plus
a windscreen, a mini boom pole, a
shockmount, and cables and splitters.
Both a broadcast legend and a studio
favorite, the RE20 has a home in any mic
locker. The smooth way it handles spoken
voice has long established the RE20 as a
broadcasting mainstay. When you take
it into the recording studio, that same smoothness
allows the RE20 to handle low-end sounds, preventing
boominess. It’s also a great choice for bass cabinets and
kick drums.
Perfect Mic for Both
Broadcast and Recording
Specs: cardioid • 45Hz–18kHz
ONLY $10/mo.
iShotgunKit
Shotgun Mic Kit............List 299
199
$
00
RE20
309A
In the past few years, the SM7B has
appeared on countless groundbreaking
albums, adding its unmistakable impact to
the voices of many top artists. Though the
SM7B is known best as either a voice-over mic or a
vocal mic, its rugged design and transient-subduing qualities
make it an excellent choice for many applications. You’ll be amazed at how
well this studio-classic mic smooths out high-gain amp cabinets and tames
the harsh transients of picked bass.
ONLY $14/mo.
SM7B
Dynamic Mic.....................List 436
00
349
$
00
Specs: cardioid • 50Hz–20kHz
• Bass roll-off: 300Hz
Procaster
Rich-sounding Dynamic
Broadcast Mic
RØDE’s Procaster has the sound, the performance,
and the price you’ll love! It gives you deep, rich tones for
voice-over work and also limits bleed from other voices in
the room. The Procaster is built to minimize handling noise,
and breath plosives are no problem, thanks to its built-in
pop filter. The Procaster has a high-output capsule that
ensures you always have enough gain to be heard.
Specs: cardioid • 75Hz–18kHz
Procaster
Dynamic Mic..............................List $36900
69900
$
sE Electronics gave the sE X1 USB
mic the tried-and-true design of
their acclaimed sE X1 mic, with
a gold-sputtered diaphragm that
gives you a crisp, detailed response.
Then they went to work to minimize
any coloring from the built-in
24-bit/192kHz converter and USB
interface. The result is the smooth
sound of an extremely popular studio
condenser mic, with the recordanywhere convenience of USB!
ONLY $10/mo.
22900
$
ONLY $17/mo.
Dynamic Mic..............................List $76500
Shockmount for RE20.................................
SM7B
This Broadcast Standard Is a Studio Legend
$
NTG3
26900
Specs: cardioid • 20Hz–20kHz • Max SPL: 135dB
Specs: supercardioid • 100Hz–18kHz • Max SPL: 106dB
00
Shotgun Mic...............................List 369
Shotgun Mic................................List $89900
$
sE X1 USB
RE20
$
NTG2
00
Studio Sound in a USB Mic
iShotgun
A Shotgun Mic for
Your Smartphone
ONLY $11/mo.
$
44900
$
172
$
50
ONLY $12/mo.
sEX1USB
USB Condenser Mic....................List 349
ProCast SST
Broadcast-style Simplicity for Your Desktop
Whether you’re looking for a pro rig for podcasting or
a killer desktop microphone for when the muse strikes,
check out the ProCast SST from Miktek. The ProCast
SST combines an excellent condenser mic, a radio boom
arm, and a broadcast mixer all into a 2-channel USB
audio interface. There’s a second input plus monitoring
options for two, for when you want to get collaborative in
the control room.
ONLY $12/mo.
ProCastSST
Condenser Mic......................List $49900
29900
$
PSA1
Affordable Pro Boom Arm
Perfect for radio, broadcast, or home use! Designed
to fit unobtrusively into your studio, this continuously
adjustable boom arm gives you full 360-degree access to
your microphone, with a stable horizontal and vertical
reach of up to 3'. The PSA1 can easily accommodate
microphones weighing up to 2.4 lbs., making it an ideal
desk stand for most broadcast-style microphones. Hookand-loop wraps keep your cables out of the way.
PSA1Rode Studio Boom Arm.......................List $10900
$
9900
$
00
$
29900
Sweetwater.com
Ultra-versatile USB/XLR Mic
Recording Has Never Been Easier
Plug Apogee’s MiC 96k USB microphone
into your Mac, iPad, or iPhone, and
you’ll get studio-quality results wherever
you go — in up to 24-bit/96kHz
resolution! It’s perfect for everything
from live recordings to podcasts to
ultra-mobile studio work. This condenser
microphone works great on both vocals
and instruments, and its USB connection
makes it incredibly easy to use.
USB Condenser Mic....................................
ONLY $10/mo.
22900
$
305
Yeti Pro
AT2020USB+
MiC 96k
Capture Your Best Take —
Anywhere You Want
MiC96K
USB MICROPHONES
Audio-Technica’s updated AT2020USB+
provides great sound in a cardioid condenser
mic that connects directly to your computer.
The AT2020USB+ gives you the clean,
clear performance you want, with
the convenience of a handy USB
connection. This easy-to-use
mic includes an onboard
mix control plus a built-in
headphone connection, for
easy monitoring.
AT2020USBP USB Condenser Mic..............List 279
$
00
Blue’s monster microphone has evolved!
The Yeti Pro lets you capture amazing
recordings directly to your computer
in up to 24-bit/192kHz quality. You can
also plug in an XLR cable and use your
favorite mic pres. Just as the original
USB-only Yeti does, the Yeti Pro uses an
innovative triple-capsule array, so you can
record in stereo or choose among three
different mono patterns.
ONLY $10/mo.
ONLY $10/mo.
169
$
00
YetiPro
Yeti
USB/XLR Condenser Mic............................
USB Condenser Mic.....................List $14999
24999
$
12900
$
Mikey Digital
Blue Quality for Your iOS Devices
The Mikey Digital iOS interface brings convenient
stereo recording to your Lightning-equipped iPod Touch,
iPhone, and iPad. It connects
to the base of your iOS device
for go-anywhere recording with
“point and shoot” simplicity.
Capture song ideas on the go,
record interviews at a moment’s
notice, or even connect your
guitar to the auto-sensing 1/8"
input with an adapter to play
with your favorite guitar apps!
MikeyDigitalL
99
$
iOS Mic, Lightning...........................
99
iRig Mic
Cast
Record songs, interviews, podcasts,
and more, right on your favorite
iOS device. The iRig Mic Cast
plugs directly into your iOS device,
freeing up its 30-pin dockconnector jack. A headphone jack
built into the iRig Mic Cast even lets you monitor as you
record, and an included tabletop stand provides you with
hands-free operation.
iRig Mic Cast..................................
3999
$
Your Go-anywhere USB Mic
Stereo Field Mic for iOS
Designed for field-recording,
iRig Mic Field is a powerful microphone
that fits easily in your pocket. Also, thanks to its
innovative rotating enclosure, it can perform doubleduty as a stereo microphone. Loaded with high-quality
mic capsules and a 24-bit A/D converter, iRig Mic Field
connects digitally to your iOS device’s Lightning port.
iRigMicField
iRig Mic Field..................................
$
99
99
Here’s a microphone you can pretty
much plug into anything and
start recording right away! The
IK Multimedia iRig Mic HD is
universally compatible with Mac and
Windows PCs; iOS devices including
iPhone, iPad, and iPod touch models;
and even Android devices — with up
to 24-bit/96kHz quality!
ONLY $10/mo.
iRigMicHD
Put Great Vocals into
Your Computer
Tailored for vocal performances, Shure’s
PG42USB boasts a wide frequency
response for capturing every nuance
of your voice. This condenser mic has
a built-in USB interface (plus built-in
monitoring and mic-trim control)
for plug-and-play connection to a
computer — perfect for podcasting or
vocal recording.
00
249
$
00
12999
Go Mic
Clip This USB Mic to Your Laptop or Monitor
The Meteorite USB mic makes it easy to capture
high-quality vocals for Skype, FaceTime, and other tasks.
It’s easy to set up and has a removable magnetic base
for easy positioning. We’re all musicians at Sweetwater,
and we know that having a compact, portable USB mic
for your laptop or iPad can sometimes
determine whether you capture an
inspiring musical idea or not. Whether
you’re at home or on the road, you’ll
appreciate having the Samson Meteorite
USB microphone handy!
Podcasting made easy! Just clip Samson’s Go Mic to the
top of your screen, or use the built-in stand to place it
on your desktop — you’re ready to record. This
little microphone is perfect for podcasting,
Skyping, and music recording. Best of all, you
can choose between omni and cardioid pickup
patterns, helping
you achieve the
best sound in any
environment.
Meteorite
USB Condenser Mic......................List $5999
3999
$
GoMic
USB Condenser Mic......................List $6499
3999
$
iXY-L
Ready to Record on All
Platforms
XY Recording for
Your iOS Device
The NT-USB is ready to record
via USB with your Mac, PC, iPad,
and most Android tablets. You get
everything you need to record,
including a tripod base, mic
stand mount, pop shield, USB
cable, and a padded carrying
case. There’s even a built-in
headphone amp for monitoring!
Transform your iPhone or
iPad into a full-fledged stereo
recorder! Just plug the iXY-L
into the Lightning connector
of your compatible device, and
you’ll get impressively detailed XY stereo sound in up to
24-bit/96kHz resolution. Adjustable input level gives you
the ideal volume no matter what you’re trying to record,
and an onboard highpass filter blocks out unwanted
low-frequency noise.
ONLY $10/mo.
USB Condenser Mic....................List 311
$
USB Condenser Mic...............................
$
A Smart Solution for Desktop Recording
NT-USB
PG42USB
PG42USB
iRig Mic HD
NEW!
Meteorite
Ultra-affordable iOS Mic
iRigMicCast
iRig Mic
Field
ONLY $10/mo.
NTUSB
USB Condenser Mic....................List 299
$
00
16900
$
ONLY $10/mo.
iXYL
iXY-L.........................................List $29900
19900
$
306
(800) 222–4700
HANDHELD MICROPHONES
M80 Gold
OM Series
A Dynamic Mic with the
Response of a Condenser
N/D767a
Take the Stage
The Electro-Voice N/D767a
has become a first-call mic for
singers and engineers looking for
amazing onstage vocal clarity. The
supercardioid pickup pattern limits
interference from other onstage
sound sources, and the N/D767a’s
low handling noise means you can
snatch it out of the stand, and the
audience will never hear a difference.
The N/D767a’s black finish further
bolsters its suitability for the live
stage. And thanks to its rugged
contstruction, you can take it out
on the road with confidence. Need
condenser-like performance from a
dynamic mic? Look to the N/D767a.
Specs: supercardioid • 35Hz–22kHz • Max SPL:
144dB
Singers Love This Microphone
The Audix OM Series are high-quality
workhorse microphones designed for live vocal
performances. Live sound engineers swear by
them, and performers love what they do for
their voices. These mics give you a natural,
“studio-like” sound, with minimal coloration
and extreme durability that stands up to the
day-in, day-out abuse of pro touring.
The wider frequency range and higher SPL
handling of the dynamic Telefunken M80 Gold
delivers performance typically associated with
condenser microphones. This versatile mic is
great for vocals, instruments, or drums. The M80
is available in many eye-catching finishes.
Specs: cardioid • 30Hz–18kHz
ONLY $15/mo.
M80Gld
Cardioid HH Dynamic Mic, Gold.......List 429
M80Chr
Cardioid HH Dynamic Mic, Chrome....List $42900
M80Oak
Cardioid HH Dynamic Mic, Oak.........List $35900
M80Cherry Cardioid HH Dynamic Mic, Cherry.....List $35900
M80Blk
Cardioid HH Dynamic Mic, Black.......List $27900
M80Std
Cardioid HH Dynamic Mic................List $27900
$
00
37900
$
379
29900
$
29900
$
24900
$
24900
$
Specs: OM7 hypercardioid • 48Hz–19kHz • Max SPL: 144dB
OM5 hypercardioid • 48Hz–19kHz • Max SPL: 144dB
OM2 hypercardioid • 50Hz–16kHz • Max SPL: 140dB
ONLY $10/mo.
00
$
OM7
OM5
OM2
12900
$
$
Specs: D 5 supercardioid • 70Hz–20kHz
• Max SPL: 156dB ONLY $10/mo.
PM9mic
15900
9900
$
The D 5 is an extremely rugged dynamic mic
that works well for lead and background vocals,
with a dual shockmount to reduce handling
noise. It features AKG’s unique Laminated
Varimotion diaphragm design, which helps
capture the natural sound of your voice with
minimal coloration or distortion.
The PM9’s supercardioid pickup pattern gives
you excellent isolation onstage, letting your
vocals sail through loud and clear. Assembled
in Nashville, the PM9 utilizes American-made
custom transformers in its roadworthy build,
and it puts out a big bottom end and a sweet top
end, with amazing midrange clarity and punch
— just what you want from your live vocal mic.
HH Dynamic Mic........................List 339
$
22900
Your Tour-proof Vocal Mic
ONLY $10/mo.
HH Dynamic Mic........................List $18300
$
D5
PM9
Great Live Vocal Mic
Specs: PM9 supercardioid • 50Hz–19kHz
ND767A
HypCard HH Dynamic Mic...........List $31000
HypCard HH Dynamic Mic............List $23500
HypCard HH Dynamic Mic............List $13300
00
19900
$
D5
HH Dynamic Mic........................List $13900
9900
$
Sweetwater.com
HANDHELD MICROPHONES
SM58
KSM9
Road-ready Handheld Condenser Mic
Legendary Handheld Vocal Mic for the Live Stage
Take studio-grade condenser quality onstage! Shure’s handheld
KSM9 gives you the kind of sonic detail only a premium condenser
mic can deliver, built into a durable handheld microphone that’s
made to handle the rigors of the road. Its internal shockmount system
minimizes handling noise, and selectable cardioid/supercardioid
pickup patterns give you both excellent gain before feedback and great
isolation from outside sound sources.
This workhorse is the world’s most popular vocal mic! If you’re a live
vocalist or a live sound engineer, then you already know what an absolute
necessity the SM58 is for your setup! This legendary (and astoundingly
affordable) microphone has been used onstage by a “who’s who” of popular
music for decades, and it remains a favorite. The SM58’s frequency response is
specially tailored for vocals and speech, with emphasized midrange and bass
roll-off. A highly effective built-in ball filter minimizes wind and breath “pop”
noise. You want durability? This mic is renowned for its capability to withstand
ridiculous amounts of abuse and keep on working! The SM58S adds an on/off
switch, and the SM58-X2u comes bundled with a handy XLR-to-USB adapter.
Specs: cardioid/supercardioid • 50Hz–20kHz • Max SPL: 153dB
ONLY $27/mo.
KSM9CG
69900
$
HH Condenser Mic......................List $87400
Beta 87A
SM58
SM58S
SM58X2u
Supercardioid Handheld Electret
Condenser Mic
Studio sound onstage! The Beta 87A is a premium-quality
supercardioid handheld electret condenser vocal microphone
with high SPL capability. Perfect for professional sound
reinforcement, broadcasting, and studio recording, the Beta
87A has an aggressive presence that cuts through loud stage
monitors. Its supercardioid pickup pattern provides maximum
isolation from nearby vocalists, instruments, and monitors. The
Beta 87C is a cardioid version.
Specs: Beta 87A supercardioid • 50Hz–20kHz • Max SPL: 140.5dB Beta 87C
cardioid • 50Hz–20kHz • Max SPL: 139dB
ONLY $10/mo.
Beta87A
Beta87C
SprCard HH Condenser Mic.........List $31100
Cardioid HH Condenser Mic..........List $31100
24900
$
249
$
Specs: SM58/SM58S/SM58-X2u cardioid • 50Hz–15kHz • Max SPL: 140dB
00
Looking for the rugged reliability of Shure’s SM series mics — the
same mics countless audio pros rely on daily in a variety of
applications — but want the sound quality only a condenser can
provide? The SM86 is just the mic for you. Everything that you want
from a condenser is here, including improved transient response and
detail, but it has a sturdy steel casing to stand up to the rigors of the
road. As does any great live vocal mic, the SM86 has a focused pickup
pattern, so you can easily manage onstage bleed.
Specs: cardioid • 50Hz–18kHz • Max SPL: 147dB
ONLY $10/mo.
SM86
HH Condenser Mic......List 224
$
00
$
179
00
ATM510
10400
19900
$
$
Beta 58A
Quality Live Performance Vocal Mic
You need top performance from your live vocal mic. It has to sound
great every time. In other words, you need a Shure Beta 58A. Perfect for
vocals, its supercardioid pickup pattern excels at keeping outside sound
sources at bay. The Beta 58A has a very smooth frequency response, so it
works well on all kinds of voices — both male and female. When clean,
clear, detailed stage sound is a requirement and not a goal, choose the Beta
58A.
ONLY $10/mo.
Specs: supercardioid • 50Hz–16kHz
Beta58a
15900
$
HH Dynamic Mic......List 199
$
SM86
Handheld Cardioid Condenser Mic for the Stage
9900
$
HH Dynamic Mic........................List $12400
HH Dynamic Mic w/Switch..........List $13000
HH Dynamic Mic/USB Interface....List $24900
00
PG Series
Value-priced Dynamic Vocal Microphones
Astonishing value! Looking for a mic that sounds great but won’t break the
bank? Check out Shure’s PG Series vocal mics. These road-ready dynamic
microphones provide the clarity you need for vocals onstage, and they work
great for public-address use too. Convenient on/off switches let you silence
your mic when it’s not in use. As an added bonus, each of these PG Series mics
comes with a cable.
PG58XLR
PG48XLR
PG48QTR
HH Dynamic Mic, XLR ........List 74
HH Dynamic Mic, XLR ........List $4900
HH Dynamic Mic, XLR-TS...List $4900
$
00
59
$
00
Specs: cardioid • 60Hz–15kHz
3900
3900
$
$
AT2010
Affordable and Reliable Live Performer
Make the Stage Sound Like the Studio
Need a great-sounding handheld stage mic that’s built to last?
Choose Audio-Technica’s ATM510. From its quality components to its
rugged construction, this road-ready dynamic mic gives you the kind
of day-in, day-out performance you’re looking for. Its cardioid pickup
pattern does an excellent job of keeping outside noise out, so you can
make those onstage vocals shine.
Studio-quality sound onstage? You can get it with this great handheld condenser mic from Audio-Technica! The AT2010 provides the kind of onstage
performance you’d expect to get from a quality dynamic mic, such as effective
rejection of outside noise, high SPL handling, and roadworthy construction —
in a smooth, natural-sounding condenser design that’s amazingly affordable.
Mic clip included.
Specs: cardioid • 90Hz–16kHz
Specs: cardioid • 40Hz–20kHz • Max SPL: 136dB
ATM510
HH Dynamic Mic............. List $16900
9900
$
AT2010
$
HH Condenser Mic......................List $16900
GET THE MOST OUT OF YOUR DYNAMIC MIC!
9900
STARTING AT
14900
Cloudlifter CL-2
$
The phantom-powered Cloudlifter CL-2 instantly adds 25dB of super-clean gain to your mic signal. The result? Your
dynamic mic sounds better, and you get lower-noise performance from your preamps and interfaces. If you require long
cable runs, then this box is an absolute essential for retaining signal strength, quality, and clarity. You’ll even see an
ONLY $10/mo.
instant improvement in gain-before-feedback performance! The even more
$
00
$
00
CL2Cloud
Cloudlifter
CL-2.
.
........................List
299
affordable single-channel Cloudlifter CL-1 is also available.
$
00
CL1Cloud
249
Cloudlifter CL-1...........................List $17900
149
307
308
(800) 222–4700
HANDHELD MICROPHONES
KMS 105
Luxurious Sound with High-class Looks
e835
The elegant KMS 105 handheld condenser looks great and lets you
take that fantastic Neumann vocal sound to the stage! The outstanding
KMS 105’s tri-layered basket shields your sound from plosives, and the
basket is all metal, so you don’t have the muffling associated with foam.
An interior shockmounted capsule frees you from the handling noise
that plagues many stage mics, especially condensers. The KMS 105’s tight
supercardioid polar pattern and coloration-free off-axis response allow for
impressive gain before feedback. It’s available in either a matte black or a
nickel finish. The cardioid KMS 104 is also available.
ONLY $27/mo.
KMS105MT HH Condenser Mic, Blk..................
KMS105Nickel HH Condenser Mic, Nickel..............
KMS104MT
Cardioid HH Condenser Mic, Blk.....
69995
$
69995
69995
$
$
A Best-selling Handheld
Vocal Mic
Specs: KMS 105
supercardioid •
20Hz–20kHz • Max SPL:
150dB KMS 104 cardioid
• 20Hz–20kHz • Max
SPL: 150dB
enCORE Series
Blue Innovation for the Stage
You want a great-sounding stage mic you can depend on show after
show, and the road-ready enCORE 300 condenser mic is definitely
up to the job! The enCORE 300 uses Blue’s proprietary floating-capsule
design, which gives you a great combination of detail and feedback
rejection. The even more affordable enCORE 200, enCORE 100,
and enCORE 100i dynamic mics also offer outstanding onstage
performance and reliability. Step up to Blue quality onstage!
Specs: enCORE 300 cardioid • 35Hz–20kHz • Max SPL: 140dB enCORE 200 cardioid
• 50Hz–16kHz • Max SPL: 147dB enCORE 100 cardioid • 50Hz–15kHz • Max SPL: 147dB
enCORE 100i cardioid • 50Hz–16kHz • Max SPL: 154dB
ONLY $10/mo.
enCORE300HH Condenser Mic......................List $19999
enCORE200 HH Active Dynamic Mic...............List $14999
enCORE100 HH Dynamic Mic...........................List $9999
enCORE100i HH Dynamic Mic...........................List $8999
19999
$
14999
$
9999
$
8999
$
The e835 is one of the hottestsounding cardioid dynamic mics
at its price, and now you can get
it in a money-saving 3-pack! Its
slight presence boost gives your
voice clarity and extra projection.
And it’s got exceptionally high SPL
handling at over 150dB. That means
you could practically put it directly
in front of a race car engine and not
hear one bit of distortion. So, you’ll
have no problem — perfect for miking
up a singer who goes from a whisper
to a scream. Another bonus is that the
e835 boasts great feedback rejection.
You can also get the e835 individually.
24
MONTHS
FINANCING on
For even greater resistance to feedback,
For more info call or go to
check out the nearly feedback-proof
Sweetwater.com/financing
e845, which has a supercardioid
pattern. The e935 cardioid dynamic
mic helps your vocals cut through any
mix, and the supercardioid e945 is
ONLY $10/mo.
perfect for cutting out off-axis
$
95
noise.
E835Pack HH Dynamic Mic 3-pk..................
Specs: e835 cardioid • 40Hz–16kHz
• Max SPL: 150dB e845 supercardioid
• 40Hz–16kHz • Max SPL: 150dB e935
cardioid • 40Hz–18kHz • Max SPL: 154dB
e945 supercardioid • 40Hz–18kHz
E835
E845
E935
E945
249
HH Dynamic Mic.........................
SprCard HH Dynamic Mic.............
HH Dynamic Mic.........................
SprCard HH Dynamic Mic.............
9995
13995
$
16995
$
21995
$
$
For some, music is a passion - for others, it’s
also a profession. The evolution series has
the right microphone for every application.
Whether you’re a weekend warrior or a
seasoned professional touring the globe,
we’ve got what you need. And as you
evolve as a musician, you need a line of
microphones that can keep up. Let us be a
part of your evolution.
(800) 222-4700
www.sweetwater.com
Sweetwater.com
VOCAL PROCESSORS
309
Play Acoustic
VoiceLive Play
Want to turn that solo acoustic set
into something unforgettable? The
Play Acoustic processer makes
it happen! Stellar TC-Helicon
effects and a BodyRez give your
acoustic guitar a fuller sound and
professional polish. For your vocals,
the Play Acoustic adds natural-sounding vocal harmonies, which are guided either by
your guitar or the onboard RoomSense microphones. A built-in looper expands your
performance possibilities even further. You can even use the headphone out with your
own earbuds, for an excellent in-ear monitoring system you can control. Call your
Sweetwater Sales Engineer today and find out more!
Guitar players get to enhance their tone
and sound with effects pedals, why
shouldn’t you? Now you can have studiograde EQ and effects in a floor pedal, with
the VoiceLive Play vocal processor.
Quickly select presets by genre or
effects type and start singing. The
great-sounding effects in the VoiceLive
Play come from TC-Helicon’s wildly popular VoiceLive vocal processors. Smart pitch
correction and harmonizing effects automatically detect the key of your music and
adjust everything automatically. A built-in looper and the new Hit function make
your live performances sound better than ever. Take studio-quality vocals everywhere
ONLY $10/mo.
you go!
A Game Changer for Solo
Acoustic Performers
Put Studio-quality Vocal
Effects at Your Feet
ONLY $12/mo.
VLPlayAc
Vocal-FX Processor....................List 419
$
99
29999
$
VLPlay
Vocal-FX Processor....................List $34500
24999
$
VoiceLive 3
A Flagship Vocal Processor
VoiceLive Rack
The Ultimate Vocal Rig
If you’re a vocalist, then you know that great singing technique is only the beginning.
Onstage and in the studio, TC-Helicon’s VoiceLive Rack gives you everything you
need for state-of-the-art vocal processing, all in one roadworthy rackmount unit. You
get a pristine, digitally controlled microphone preamp and a complete suite of adaptive
pre-effects, plus TC-Helicon’s acclaimed vocal effects path, which lets you craft any vocal
sound you’ve ever heard — or imagined. The VoiceLive Rack comes with TC-Helicon’s
MP75 Modern Performance Mic, so you can control your vocal effects with a flick of your
thumb. With the VoiceLive Rack’s studio-grade adaptive EQ, compression, and de-essing,
you can both maximize clarity and control your dynamics like never before — all while
an adaptive gate minimizes ambient leakage between phrases. Add just the right effects
to put the finishing touches on your signature vocal sound.
ONLY $28/mo.
VoiceLiveR
Vocal-FX Processor.................List 945
$
00
$
Built on its predecessor’s strengths,
the VoiceLive 3 brings nextgeneration hardware processing
and an upgraded vocal effects
path, unlike anything else on the
market. A complete vocal suite
delivers the EQs, effects, and harmony processing you need. You can create up to eight
harmony voices and control them from your guitar, MIDI keyboard, or even your MP3
player. Six effects blocks provide reverb, delay, doubling, pitch-shifting, distortion, and
megaphone effects. The sturdy floor-based VoiceLive 3 also includes a digitally controlled
mic preamp that lets you adjust its gain even while you’re singing, and its tone algorithm
automatically adjusts EQ, de-essing, and compression functions for you. A built-in looper
is perfect for song creation, loop jams, and creating back up tracks. VoiceLive 3 also
includes a complete selection of popular guitar effects taken directly from TC Electronic’s
popular line of TonePrint pedals.
ONLY $30/mo.
736
76
VoiceLive3 Vocal-FX Processor..................List 1099
$
VoiceLive Touch
VoiceLive Touch 2
The VoiceLive Touch takes singers out of the
world of strictly stompbox-style control, offering a
new level of performance possibilities. You’ll find
first-class delays, reverbs, pitch correction, doubling,
and much more. And the harmonies here are extra
cool. If you play guitar or keyboard, then you can
hook up those instruments to your VoiceLive Touch
and let the guitar or MIDI keyboard drive the
auto-sensing harmony feature. And here’s something
cool: VLOOP technology. Now you can loop vocal
parts (guitar too) — up to 30 seconds stereo or 60
seconds mono!
The VoiceLive Touch 2 takes singers out of the
world of stompbox-style control and gives you a
new level of hands-on performance possibilities.
Get your fingertips on the VoiceLive Touch 2 and
take charge of harmonies, effects, and even looping.
The intuitive display screen puts you in touch with
all the controls you need. You can easily navigate
through 200+ presets to find the perfect sound. And
you can also store your favorite combinations/edited
presets to 25 fast-access memory locations.
Great addition
to any of these
TC products!
Vocal-FX Processor..................List $59900
)))
79999
$
Vocal Processing and Looping, Right at
Your Fingertips
Vocal Processing and Looping
VoiceLiveT
99
ONLY $18/mo.
45999
$
)))
VoiceLiveT2
Vocal-FX Processor.........List $83500
ONLY $19/mo.
49999
$
MP75 Modern Performance Mic
A Microphone with Hands-on Vocal Effects Control
The TC-Helicon MP75 Modern Performance Mic gives you outstanding 2-in-1
value. Not only is it a great-sounding feedback-resistant vocal mic, but it’s also a
high-tech hands-on controller for TC-Helicon’s live vocal effects units — letting you
instantly change presets on any of TC’s VoiceTone and VoiceLive series effects units.
ONLY $10/mo.
MP75
Dynamic Mic..............................List 210
$
00
16900
$
Sweetwater.com
VOCAL PROCESSORS
311
NEW!
Ditto Mic Looper
Looping Made Possible for Vocals and Acoustic Instruments
TC-Helicon’s Ditto Mic Looper is a straightforward looper pedal for your vocals or any other instrument you mic up. Vocalists — use
the stop/erase and loop buttons for unlimited overdubbing, undo, and redo features to add a deeper level of musical interest to your songs
with just your voice by looping your own harmonies and vocal percussion tracks. Drummers and percussionists, you can use the Ditto
Mic to keep the beat while adding flourish for your solos. And now musicians who want the expressiveness only a pedal offers can harness
the power of looping using their vintage acoustic guitars, banjos, and other instruments that aren’t equipped with electronic outputs. The
USB connection lets you plug into your computer to access TC-Helicon’s app, VoiceSupport. With this free app you’ll get tips for getting the
most out of your Ditto Mic pedal along with updates that keep your pedal performing its best, and you’ll be able to access any new features
TC-Helicon designs for the pedal. Despite its form factor, regarding the Mic Looper a mere stompbox would be misleading. As a member
of TC Helicon’s vocal processor line, the Ditto Mic is strictly studio grade ONLY $10/mo.
$
99
complete with a clean, quiet mic preamp and studio-quality A/D conversion.
$
99
DittoMic
Harmony Singer
The VoiceTone Harmony-G XT is the perfect vocal harmony effect for
any singing guitarist. It analyzes both your voice and the chords you play on
your guitar to produce fluid, natural-sounding, and musically correct 3-part
harmonies. It also automatically mixes effects, EQ, dynamics, and levels.
TC-Helicon puts incredible vocal tools right at your feet.
The Harmony Singer pedal gives you two harmony
voices, eight voicing combinations,
onboard effects, handy mix controls,
and more. This pedal polishes your
vocals to a high-gloss shine with its
1-button Adaptive Tone processing
that adds EQ, compression, and more
to your mic. Plug in your guitar and
take control of your harmonies.
Get the Most Out of Your Vocal
If you want to take a little studio magic with you onstage, look to the
VoiceTone Correct XT pedal. This powerful multipurpose vocal pedal
lets you dial in everything from discreet chromatic pitch correction to the
dynamic EQ shaping responsible for de-essing and tonal balance. On top of
that, you get feedback suppression, compression, and more.
ONLY $10/mo.
VTHarmonyGXT Vocal-FX Proc, Guitar................List 375
VTCorrectXT
149
VoiceTone Harmony-G XT
Studio-grade Live Vocal Effects
$
Mic-FX, Looper..........................List 224
00
19800
$
Vocal-FX Proc, Pitch Correct .....List $34500
ONLY $10/mo.
22999
HarmonySing Harmony Singer.................List $27500
$
19900
$
Mic Mechanic
VoiceTone E1
VoiceTone C1
Big Delays in a Little Pedal
Pitch Correction in a Stompbox
The VoiceTone Mic Mechanic gives you a powerful
vocal toolbox in an easy-to-use pedal. Whether you’re
blessed with a great voice or struggle
just to get through a song, Mic
Mechanic adds that extra bit of
magic that every vocal performance
needs. You get studio-grade reverb,
delay, and natural-sounding pitch
correction, as well as adaptive tone,
which tweaks EQ, compression,
de-essing, and gating on the fly.
When it comes to vocal echoes and delays, TC-Helicon’s
VoiceTone E1 is the pedal you need. It puts 12 flavors of
echo and delay right at your feet. You
can even set the delay to match your
song’s tempo! Although it fits the
form factor, the “stompbox” moniker
is actually misleading: VoiceTone E1
is strictly studio-grade — complete
with a clean, quiet mic preamp and
studio-quality A/D conversion.
If you’re looking for a simple way to get that (in)famous
hard-tuned pitch-correction effect (the one popularized
by Cher and T-Pain), then you
need a VoiceTone C1 pedal. This
surprisingly versatile vocal stompbox
lets you dial in anything from mild
pitch correction to extreme, vocoderstyle effects. You can even connect a
guitar or another instrument to key
the correction!
Get the Most Out of Your Performances
ONLY $10/mo.
VTMM
Vocal-FX Proc, Multi-FX.............List $20500
149
$
99
ONLY $10/mo.
VTE1
Vocal-FX Proc, Echo and Delay.............List $20500
12999
$
VoiceTone D1
Looking for harmony effects? Check out the TC-Helicon
VoiceTone H1. The H1 lets you add up to two realistic
harmonies to your voice. You can use the key selector to
dial in harmonies to fit a song, while
the cool guitar-sensing feature keeps
your harmonies in tune. Thanks to
the high-quality signal path and
quality enclosure, you’ll sound great
with a pedal that can take the abuse
of the road.
The VoiceTone D1 doubles your voice so that you can
nail those cool detuned effects. It also gives you an octave
harmony above or below your voice. It’s a great way to
create unique, rich textures with your
voice. You can also use it to generate
octaves (up or down), thicken up
your vocal sound, get an interesting
“de-tuned” effect, create a “shoutstyle” sound, and much more.
Vocal-FX Proc, Harmonizer..........List $20500
14900
$
With your vocal mic plugged into the VoiceTone R1,
you get control over a range of savory studio-grade
reverbs to spice up your live performances. This
professional reverb effect has been
fine tuned for vocalists. Switch
between a range of essential reverb
flavors and use the Wet/Dry knob to
dial in just the right amount. The
R1 gives you the flexibility to change
your sound whenever you want,
making you even more of the “take
charge” vocalist you already are.
ONLY $10/mo.
ONLY $10/mo.
VTD1
Vocal-FX Proc, Double/Detune....List $20500
12999
$
Pro-level Reverb Tweaked for Vocals
Vocal Doubling Made Easy
ONLY $10/mo.
VTH1
Vocal-FX Proc, Pitch Correct ......List $23500
VoiceTone R1
VoiceTone H1
Gorgeous Harmonies in a Little Pedal
ONLY $10/mo.
VTC1
14900
$
VTR1
Vocal-FX Proc, Reverb................List $20500
14900
$
312
(800) 222–4700
VOCAL PROCESSORS
NEW!
VE-1
VE-20
Stellar Vocal Effects
With seven different
presets, pitch correction,
and a special “enhance”
function, the VE-1 gives
you front-of-house engineer power over your vocal effects — and does it in a convenient
stompbox format. Great for live performances, but in the studio the VE-1 also acts a USB
interface for recording your vocals! The VE-2 Vocal Harmonist effects processor lets
you add impeccable harmonies and studio-style effects to your vocals. Plug in a guitar,
and the VE-2 becomes more impressive still, using the chords you play to determine the
ONLY $10/mo.
harmonies it creates.
VE-1
Vocal Echo.................................List $20650
Vocal-FX Processor.....................List $27900
VE2
14900
Supercharge Your Live
Vocals
An amazing pedal made
specifically for vocalists,
the VE-20 packs harmony,
double tracking, reverb, delay,
dynamics, EQ, and pitch correction into its dual-pedal chassis. Create big-sounding
3-part harmonies and turn a solo performance into an ensemble showcase. The VE-20’s
onboard phrase looper gives you a full 38 seconds of recording time, so you can assemble
amazing loops of layered vocals.
$
19900
$
Vocalist Live Harmony
ONLY $11/mo.
VE20
Vocal-FX Processor....................List $38150
Vocalist Live FX
Multiply Your Stage Persona
Take Studio-quality Vocal Effects Onstage
Plug in your guitar and a microphone, and the Vocalist
Live Harmony will transform your performances
by adding up to two separate vocal harmonies to your
voice. DigiTech’s patented musIQ technology senses your
guitar chords and instantly generates natural-sounding,
pitch-perfect harmonies. The Live Harmony sports a host
of features including a built-in guitar tuner, sound check
phrase repeater, and a vocal phrase looper with unlimited
overdubs.
The Vocalist Live FX gives you the tools you need to
make your vocals sound their best, and it’s incredibly
easy to operate. You also get licensed Lexicon reverb plus
dbx compression and one-button automatic feedback
suppression. Live Adapt Technology automatically detects a
song’s tempo and scale, and sets noise gate levels, harmony
settings, and more. And the Gold Channel lets you engage
your own tailored sound settings instantly.
ONLY $10/mo.
ONLY $12/mo.
VLHM
Vocal FX Processor.....................List $40995
299
$
27900
$
95
VLFX
Vocal-FX Processor....................List 379
$
95
24995
$
Voice Box
V256 Vocoder
Vocal-harmony Processor/Vocoder —
in a Pedal
Manipulate your vocals stompbox-style! The
V256 Vocoder is packed with a ton of vocoding
functions as well as gender adjustments, Reflex
Tune automatic pitch correction, and even pitch-replacement capabilities. Nine
programmable memory locations let you store your favorite settings. Plug in your mic
and your guitar or keyboard, and get ready for mind-blowing vocal effects. ONLY $10/mo.
The Voice Box makes it easy to get a variety
of cool vocal effects and multiple harmonies,
effortlessly. Plus, it’s packed into a stage-friendly
stompbox chassis. Generate 2- to 4-part vocal
harmonies by keying off of your guitar or
keyboard. Blend effects, add the onboard reverb, and even dial in male or female
character to your liking. A phantom-powered XLR input is included.
Dial Up Retro-futuristic Vocals
Vocoder
Vocal-FX Processor....................List $29373
22030
$
ONLY $10/mo.
VoiceBox
Vocal-FX Processor....................List $29373
22030
$
Voco-Loco
Add Effects to Your Voice
Iron Lung
Pedalboard-friendly Vocal Effects
The Iron Lung is so easy to use. Just plug your guitar or
keyboard and mic into the inputs, connect to your amp
or mixer, and you’re ready to go. The XLR mic input has
three independent gain controls that let you use a variety of
dynamic or condenser mics. The tone control integrates with
the Gender Bender to dial in exactly the tone you want. It
revives a classic sound from the past and makes it available
to you at a classic price.
IronLung
ONLY $10/mo.
Iron Lung....................................List 179
$
99
135
$
00
Radial’s Voco-Loco is a foot-controlled
effects loop that lets you integrate guitar
effects pedals into your vocal or instrument
sound. A 2-band EQ lets you add warmth
and shimmer to your sound. The signal
then goes to your effects pedals via an
effects loop with individual send/receive
controls. A tone control on the return path
lets you tweak your effects, while the blend
control lets you mix the original dry signal
with your effects.
VocoLoco
ONLY $10/mo.
Voco Loco..................................List 300
$
00
25999
$
GLX-D GUITAR PEDAL
WIRELESS SYSTEM
RECHARGE IN MINUTES
PLAY FOR HOURS
EXCEPTIONAL DIGITAL
AUDIO CLARITY + RUGGED
METAL CONSTRUCTION
•
•
•
•
•
•
Integrated Tuner
(strobe and needle)
Easy Setup and
Seamless Operation
Automatic Frequency
Uses Lithium-Ion
Rechargeable Batteries
Up to 16 hours of Use
from a Single Charge
Operates in the
2.4 GHz Spectrum
No one knows Shure better than the experts at Sweetwater. Contact the highly trained Sweetwater
Sales Engineers at (800) 222-4700 to learn more about the GLXD6 — the first wireless guitar pedal
tuner and receiver from Shure.
www.sweetwater.com (800) 222-4700
© 2015 Shure Incorporated
NEW
A WIRELESS SOLUTION FOR EVERY NEED.
PERFORM WITH CONFIDENCE AND FREEDOM.
BLX®
Wireless Systems
ANALOG
GLX-D®
Wireless Systems
DIGITAL
SLX®
Wireless Systems
ANALOG
Transmitter Configurations
Handheld, Headworn, Lavalier,
Guitar/Bass, Instrument
Handheld, Headworn, Lavalier,
Guitar/Bass, Instrument
Handheld, Headworn, Lavalier,
Guitar/Bass, Instrument
Receiver Options
Single, Half-Rack, Dual
Single
Single
GUITAR PEDAL
Compatible Systems Per Band*
Compatible Systems Using
Multiple Bands
Selectable Frequencies
Auto Setup Features
Audio Reference Companding
Dante
Audio Summing
Furnished Antennas
Up to 12
Up to 8
Up to 12
23
Up to 4 Typical; 8 Maximum
42
Group Channel Only
Group Channel Only
Tune in 25KHz
Quickscan
LINKFREQ
Scan / Sync
Yes
No
Yes
No
No
No
No
No
No
BLX4/BLX88 = internal
BLX4R = removable 1/4 wave
GLXD4 = attached 1/4 wave
GLXD6 = Internal Monopole
Detachable ¼-wave
Receiver Networking
No
No
No
Computer Monitoring & Control
Rack Hardware
No
No
No
Optional (URT2)
Half Rack: Included
Optional (URT2)
Included
Transmitter Display
Battery: BiColor LED
G/CH: 7 Segment LED
Tri-Color LED
Backlit LCD + Multi-color LED
Encryption
No
No
No
Batteries, Battery Life
2 AA > 14 hrs
RECHARGEABLE
Lithium Ion Rechargable
up to 16 hrs
(800) 222-4700
www.sweetwater.com
2 AA > 8 hrs
NEW
QLX-DTM
ULX-D®
DIGITAL
DIGITAL
Digital Systems
Digital Systems
Handheld, Headworn, Lavalier,
Guitar/Bass, Instrument
Handheld, Headworn, Lavalier,
Guitar/Bass, Instrument
Single
Single, Dual, Quad
Up to 60
Up to 60
129
149
Tune in 25KHz
Tune in 25KHz
Scan / Group Scan / Sync
Scan / Group Scan / Sync
N/A
N/A
No
Yes
No
Dual and Quad Only
Detachable ½-wave
Remoteable ½-wave
Yes
Yes (Single)
Yes (Dual and Quad)
YES
(WWB6 only)
YES
(WWB6 only)
Included
Included
Backlit Multi-function LCD
Backlit Multi-function LCD
Yes; AES-256
Yes; AES-256
2 AA > 9 hrs
(1 mW / 10mW RF power)
2 AA > 11 hrs
(1 mW / 10mW RF power)
or > 5 hrs (20 mW RF power)
RECHARGEABLE
SB900 > 10 hrs
RECHARGEABLE
SB900 > 12 hrs
(1 mW / 10mW RF power)
or 8 hrs (20 mW RF power)
SELECTING A
WIRELESS SYSTEM
Shure wireless systems feature uncompromising sound,
rock-solid reliability, and ease of use for any application or
budget. But which system is right for you?
Application: Shure wireless transmitters are available in
hands-on or hands-free form factors. This makes it easy to
find the right option, whether you’re presenting, teaching,
singing, or playing an instrument. Multiple receiver options
are also available: portable and rack-mountable, and
single-, dual- and quad-channel.
Channel Count & Environment: If you know how many
channels you’ll need to operate simultaneously, and in
what type of environment, then you can easily find a Shure
wireless solution that will help you avoid dropouts. Review
the Compatible Systems section of the chart.
Analog or Digital: Analog systems use the most reliable
frequency spectrum, operate at long ranges, and experience
no audio latency. Digital systems feature exceptionally
clear audio and have no geographical limitations. QLX-D
and ULX-D, our high-tier digital systems, offer the highest
number of compatible systems. At the entry level, analog
BLX and SLX offer a higher number of compatible systems
than digital GLX-D.
Actual number of compatible systems will vary depending on setup and environment
*
Contact your Sweetwater Sales Engineer at (800) 222-4700 for
expert help with designing the most efficient and cost-effective
system for your needs.
© 2015 Shure Incorporated
316
(800) 222–4700
WIRELESS MICROPHONE SYSTEMS
The Shure name is synonymous with quality, reliability, and great sound. You’ll find
Shure products on stages everywhere, and it doesn’t end with their time-tested mic
designs. Shure wireless systems are built from the ground up to give you rock-solid
performance, day-in, day-out reliability, and the kind of sound quality you need
onstage, on the worship platform, in the conference hall, or in the meeting room.
Shure’s Wireless Systems deliver exceptional digital audio clarity and high-tech
innovations that make your life easier.
QLX-D Series
An Ultra-reliable Wireless Systems That’s Easy to Use
Thanks to its streamlined operation, the Shure QLX-D Series wireless microphone systems are perfect
for permanent installations and musicians on the road. These reliable systems give you pristine 24-bit
digital audio and remarkably efficient RF spectrum usage. The result? QLX-D Series system provide
clear, uninterrupted, worry-free performance — with incredibly simple setup.
DIGITAL
For great sounding, hands-free vocal performances you can count on night after night, the Shure
QLXD14/SM35 headworn mic system, is the way to go. The QLXD24/SM58 system uses a handheld
transmitter, which is integrated with Shure’s legendary SM58 microphone. Utilizing transparent 24-bit
digital audio, AES-256 encryption, and networked control options, Shure QLX-D wireless systems
provide you with defined, streamlined performance.
Equipped with a handy clip-on lavalier microphone, the QXLD14/93 system is very effective for
speakers, instructors, and more. Already have a lavalier or headset mic? Then pair it with the QLXD14
bodypack transmitter/receiver package.
QLXD14SM35-J50
QLXD14SM35-J50 QLXD14/SM35 HW Sys......................List 1340
$
QLXD24SM58-J50
QLXD1493-J50
QLXD14-J50
QLXD24SM58-J50
QLXD1493-J50
QLXD14-J50
00
ONLY $41/mo.
107200
$
QLXD24/SM58 HH Sys................................. List 124900
QLXD14/93 Lav Sys..................................... List $131000
QLXD14 Bdypk Sys....................................... List $121600
$
ULXD24/SM58
99900
104700
$
97300
$
$
DIGITAL
The Pinnacle of Shure’s Digital Wireless Technology
The Shure ULXD14 digital instrument wireless system is just what you need when you
demand absolute reliability and impeccable sound quality from your guitar or bass. This
top-quality wireless system from Shure includes a ULXD4 digital wireless receiver, a ULXD1
digital wireless bodypack transmitter, and a WA302 instrument adapter cable — everything you
need to make your bass or guitar cable free and crystal clear. From its professional 24-bit/48kHz
digital resolution to its amazingly reliable performance, the Shure ULXD14 gives you top-notch
sound and performance digital instrument wireless system.
Do you need the same world-class wireless performance in a handheld microphone? Get the
ULXD24/SM58 handheld system that includes an SM58 wireless microphone or the ULXD24/
B58 handheld system with the Beta 58 wireless microphone.
ULXD24SM58-G50
24
MONTHS
FINANCING on
For more info call or go to
Sweetwater.com/financing
ULXD24SM58-G50 ULXD24/SM58 HH Sys.........List $168700
ULXD1483-G50
ULXD14-G50
ULXD1498H-G50
ULXD1483-G50
ULXD14-G50
ULXD1498H-G50
$
ONLY $51/mo.
134900
ULXD14/83 Lav Sys - G50..............List $175600
ULXD14 Inst Sys.............................List $165000
ULXD14/98H-G50 Inst Sys - G50....List $182300
139750
132000
$
146675
$
$
Sweetwater.com
WIRELESS MICROPHONE SYSTEMS
BLX Series
317
ANALOG
Perform Untethered, with Genuine Shure Quality
When you use a Shure BLX series wireless system, you know you’re getting a world-class design and
rock-solid build quality — at an amazingly affordable price. You can depend on these systems day
in and day out, in small rooms and auditorium stages alike. Thanks to Shure’s cutting-edge QuickScan
technology, frequency-selection hassles are a thing of the past. The BLX24/SM58 system includes the
BLX4 receiver. This unit’s internal receiver antenna makes it easy to carry in your gig bag. You also get
the BLX2/SM58 handheld transmitter with integrated SM58 cardioid dynamic microphone capsule, while
the BLX24R/SM58 rackmount setup features an SM 58 cardioid capsule. The BLX14/PGA31 system gives you the
ONLY $14/mo.
BLX4 receiver, a compact BLX1 bodypack transmitter, and a comfortable PGA31 headset mic. Equipped with
$
00 the same bodypack transmitter and BLX4 receiver, the BLX14/CVL lavalier system is perfect for speech and
BLX24SM58-J10 BLX24/SM58 HH Sys........List $43600
interview situations. Plug into the BLX14 Guitar Wireless System and avoid cable tangles onstage,
$
BLX14PG31-J10
BLX14/PGA31 HW Sys....List $37400
29900
without sacrificing your instrument’s sound quality. If you’re ready to perform untethered, Shure’s BLX
$
BLX14CVL-J10
BLX14/CVL Lav Sys.........List $37400
29900
series wireless systems make a smart, budget-friendly choice.
$
BLX14-J10
BLX14 Inst Sys................List $37400
29900
349
GLX-D Digital Wireless System
Professional-grade Wireless Mic System
Shure’s affordable GLX-D digital wireless systems deliver exceptional digital audio clarity and high-tech innovations
that make performance sound easier. GLX-D systems feature Shure’s sophisticated LINKFREQ automatic frequency
management and bidirectional communication that lets your transmitter automatically link to your receiver and
follow any frequency changes. The units include the GLXD4 wireless receiver and a choice of transmitter systems.
The innovative GLXD16 guitar and bass unit features an ultra-compact receiver housed in a stompbox-style
chassis — and it even includes a built-in chromatic tuner and mute function — making it an excellent choice for
any pedalboard! If you’re using wireless for singing, then you’ll love the sound of the GLXD24/BETA58A, GLXD24/
SM58, or the GLXD24/SM87, which includes the SM87 supercardioid microphone. For hands-free convenience,
you’ll love the GLXD14/1493 lavalier system. Call your Sweetwater Sales Engineer to find the perfect Shure GLX-D
digital wireless system for your rig.
ONLY $17/mo.
GLXD16G
GLX-D Pedal Gtr Sys..................List $56100
GLXD24SM58 GLX-D HH Sys............................List $62400
GLXD14PGA31GLX-D HW Sys, PGA31...............List $64900
GLXD1493
GLX-D Lav Sys............................List $64900
Includes intelligent,
rechargeable
lithium-ion battery
44900
$
49900
51900
$
51900
$
$
DIGITAL
SLX Series
Versatile Wireless Performance for Any Venue
Sometimes you want hands-free convenience, and sometimes you’d like a handheld mic you can pass around.
The SLX14/93 lavalier bundle includes the WL93 lavalier microphone for discreet placement and excellent
sound. Just plug it into the included lightweight bodypack transmitter, and you’ve got a solution for your
house of worship, school, business meeting space — or anywhere you need to have vocals heard. For handheld
use the SLX24/SM58 includes the SLX2/SM58 cardioid dynamic microphone with a built-in transmitter.
There are 960 selectable frequencies, and you can run up to 12 systems simultaneously on a single band.
Also is the rugged SLX14 instrument system. The SLX14 package comes complete with a wireless receiver,
a bodypack transmitter, and a WA302 instrument to bodypack cable. The WA302 locks into the bodypack
transmitter’s TA4F mini XLR-style jack to give you a secure connection. The easy-to-use receiver makes setting
up a snap with features like Auto Frequency
ONLY $23/mo.
Selection and Auto Transmitter Setup. Call
$
00
SLX1493-J3 SLX14/93 Lav Sys................List $81400
Sweetwater and we’ll help you find the Shure
$
00
SLX24SM58-J3 SLX24/SM58 - J3.................List $74900
599
wireless system that works best for you!
598
SLX14-J3
SLX14 Inst Sys.......................List $74200
55900
$
ANALOG
BE D1 TO COME TO TOWN
BE D1 TO BURN IT DOWN
Take your band to the next stage . With
evolution wireless D1 – the easiest and most
reliable digital system. Featuring adaptive
high-power transmission, superior live sound
and exceptional ease of use. Be D1 to have it.
D1
BE ON
LY
AND
D1
Sweetwater.com
WIRELESS MICROPHONE SYSTEMS
EW D1 Series
Affordable, Flexible, and Great Sounding
The extreme clarity and reliability of digital transmission is only the beginning with the Sennheiser EW D1
Series wireless microphones. Operating in the 2.4GHz range, this digital wireless platform comfortably
supports up to eight simultaneous systems. And thanks to its automatic frequency management, EW
D1 systems not only set themselves up, they continuously scan for the clearest frequencies and change
channels when necessary on the fly. In the same manner, EW D1 systems feature Sennheiser’s adaptive
high-power transmission technology, which continuously monitors signal strength and adjusts
power accordingly to provide reliable performance. Loaded with 100mW of transmission capability,
ONLY $27/mo.
you’ll have plenty of power to spare. Finally, there’s the
$
95
automatic sensitivity adjustment feature, which
EWD1835S EW D1-835S HH Sys.................List $84900
$
optimizes your input for maximum dynamics.
EWD1845S EW D1-845S HH Sys..................List $89900
74995
$
Whether you’re talking to a quiet audience
EWD1ME2 EW D1-ME2 Lav Sys...................List $84900
69995
$
or screaming over a metal ensemble, EW D1
EWD1ME3 EW D1-ME3 HW Sys..................List $89900
74995
$
transmitters will keep up.
EWD1CI1
EW D1-CI1 Inst Sys.....................List $79900
64995
699
XSW Series
Affordable, Flexible, and Great Sounding
NEW!
24
MONTHS
FINANCING on
Sturdy, affordable, easy to use, and great sounding — you get it all with Sennheiser’s new entry-level XSW Series
wireless systems. Available in handheld, instrument, headworn, and lavalier configurations, XSW wireless systems are
ideal for musicians, singers, and bands, as well as small venues and houses of worship.
Designed to be easily operated from intuitive, user-friendly menus, XSW Series wireless systems automatically search
for available frequencies and synchronize at a distance via wireless link. With 960 freely tunable frequencies
within a switching bandwidth of 24MHz, XSW Series systems give you quick and easy operation of up to 12
simultaneous wireless systems, letting you handle a wide range of applications.
For more info call or go to
Sweetwater.com/financing
ONLY $15/mo.
XSW35-A
XSW65-A
XSW72-A
XSW52-A
XSW12-A
XSW 35 HH Sys.........................................
XSW 65 HH Sys.........................................
XSW 72 Inst Sys.........................List $39995
XSW 52 HW Sys.......................................
XSW 12 Lav Sys........................................
39995
$
44995
29995
$
44995
$
39995
$
$
EW 135 G3
Move Freely Onstage
If you’re a vocalist who needs superior sound quality plus the ability to move freely onstage, then the
EW 135 G3 may be the perfect wireless system for you. This handheld system features Sennheiser’s
SKM 100-835 G3 cardioid dynamic mic/transmitter and EM 100 G3 rackmount receiver. The handheld
transmitter includes an infrared sync function, which lets it tune to the receiver with a simple push of
the receiver’s sync button. The mic features a tight cardioid pickup pattern, so it captures your voice
while rejecting off-axis sound. And with its 1,680 tunable UHF frequencies across a 42MHz bandwidth,
you get clear, interference-free reception.
No matter the stage or environment, you can trust Sennheiser’s EW 135 G3 wireless system for accurate
vocal reproduction. Not sure if this is the best wireless system for your present and future needs? Give
your Sweetwater Sales Engineer a call, and we’ll make sure you’re getting the best wireless solution.
ONLY $23/mo.
EW135G3-A
EW 135 G3 HH Sys................................
59995
$
EW 172 G3
Guitar-friendly Wireless
Are you a guitarist who moves around onstage? Avoid the hassle of onstage cable tangles. The EW 172 G3 wireless instrument system uses a compact
bodypack transmitter and a reliable rackmountable receiver, giving you total freedom to get into your performance. This system provides easy setup
and clear, natural sound, and you can even choose a “virtual cable length” to get the response you prefer. A built-in EQ and tuner add to this system’s
convenience, and bass players will love the extended frequency response.
Sennheiser packed many useful features into the lightweight SK 100 G3 bodypack transmitter that comes with the EW 172 G3 system. This transmitter
has an easy-to-read graphic display, infrared sync, charging contacts, RF mute, an
intuitive menu, and much more. The rugged EM 100 G3 rack receiver is ready for the
road with its proven transmission reliability and inspiring flexibility. A soundcheck
mode allows you to check the audio and RF signal at any time during setup. Twenty
frequency banks with 12 preset frequencies each — plus a user-programmable bank
— mean you can easily run multiple channels of G3 wireless, simultaneously.
ONLY $19/mo.
EW172G3-A
EW 172 G3 Inst Sys...............................
49995
$
319
TOP PERFORMERS
CHOOSE LINE 6
DIGITAL WIRELESS
“I HAVE NEVER HAD A BETTER MIC”
—ART ALEXAKIS, EVERCLEAR
XD-V75
RELAY G90
A. JAY POPOFF,
TONY IOMMI,
WILL LEE,
XD-V75
RELAY G90
RELAY G50
LIT
BLACK SABBATH
LATE SHOW WITH DAVID LETTERMAN
More musicians choose Line 6 digital wireless because they sound better than
© 2014 Line 6, Inc. Line 6 is a trademark of Line 6, Inc. All rights reserved.
other wireless systems. XD-V and Relay are the only wireless systems that offer
full dynamic range and unparalleled audio quality—without companding or data
compression—so your sound stays pure and strong. Line 6 has been making
digital wireless systems longer than anyone else, so you can trust your voice
Uncompressed 24-bit audio and
10Hz–20kHz frequency range
Up to 300-foot transmission range
License-free operation, worldwide
or instrument to the most advanced technology on the planet.
RELAY G30
XD-V75
NOW
JUST
$199.99
RELAY G50
RELAY G90
$399.99 $349.99
Call your Sweetwater Sales Engineer today and discover why top performers
like Art Alexakis choose Line 6 digital wireless.
(800)-222-4700
www.sweetwater.com
Sweetwater.com
FEATURES
Line 6’s XD-V75 Series digital wireless systems deliver unmatched digital wireless performance, simplicity, and
sound on every stage around the world — license free. Exclusive digital technologies protect you against all types
of audio interference, and setup and operation couldn’t be simpler. Just power up, pick a channel, and go — with
no hoops to jump through and no required adjustments to make. Best of all, the XD-V75 Series takes Line 6’s digital
microphone modeling to the next level. Choose among 10 emulations of the world’s most popular live microphones
to get the best-possible live vocal sound for your voice and style.
• Emulations of 10 popular
vocal microphones
FEATURES
XD-V75 Series
Digital Wireless Series with 10 Amazing Mic Sounds
• Emulations of 4 popular vocal microphones
FEATURES
WIRELESS MICROPHONE SYSTEMS
• Emulates the sound of a
world-famous vocal mic
321
• Vibrant 24-bit, 10Hz–20kHz
sound quality
• License-free 2.4GHz
worldwide operation
If you want the pinnacle of digital wireless microphone technology, Line 6’s XD-V75 Series digital wireless systems
have everything you’re looking for. The system is available in handheld, lavalier, and headset versions, as well as a
bodypack system sans mic.
ONLY $23/mo.
XDV75
XDV75L
XDV75HSB
XDV75TR
XD-V75 HH Sys.........................List $83999
XD-V75L Lav Sys.......................List $83999
XD-V75HS HW Sys....................List $90999
XD-V75TR Inst Sys.....................List $76999
59999
$
59999
64999
$
54999
$
$
XD-V55 Series
Exceptional Wireless Performance on Any Stage, Anywhere
If you’re ready to move up to digital wireless quality, the Line 6 XD-V55 Series of digital wireless systems is
the place to start. The XD-V55 Series gives you the same clean, clear, and ultra-reliable performance as its big
sibling, the XD-V75 Series — in a more affordable, more compact setup that’s unbelievably easy to use.
Instantly switch among 12 channels on both the mic and the elegantly simple-to-operate receiver. Roam the
stage with a range of up to 300 feet, knowing that you’ll sound great — with no dropouts, RF interference,
or noise. You owe it to yourself (and your audience) to get the absolute best performance out of your wireless
microphone system. You’ll get it with the Line 6 XD-V55. This exceptional wireless performance is available in
handheld, lavalier, and headset versions.
• Vibrant 24-bit, 10Hz–20kHz
sound quality
• License-free 2.4GHz
worldwide operation
ONLY $17/mo.
XDV55
XDV55L
XDV55HS
XDV55HST
XD-V55 HH Sys.........................List 629
XD-V55L Lav Sys.......................List $62999
XD-V55HS HW Sys....................List $62999
XD-V55HS HW Sys....................List $62999
$
99
44999
$
44999
$
44999
$
44999
$
XD-V35 Series
“Wired” Performance Without the Wires
24
MONTHS
FINANCING on
For more info call or go to
Sweetwater.com/financing
The Line 6 XD-V35 Series of digital wireless microphone systems serves up clear, strong signals. Sporting the
same cutting-edge technology that drives Line 6’s flagship wireless system, the XD-V35 mic’s “signature” sound
is modeled on the industry-standard wired live vocal mic — a stage favorite cherished for its natural sound
characteristics and versatility. The XD-V35 operates in the 2.4GHz band, giving you clean signals that are free of
interference from TV stations and other high-powered sources.
• Vibrant 24-bit, 10Hz–20kHz
sound quality
• License-free 2.4GHz
worldwide operation
Using the XD-V35 couldn’t be simpler — just power it on and select one of six always-available channels. You’re
ready to rock in seconds, with absolutely no tweaking or frequency scanning! Enjoy “wired” performance without
the wires, with a Line 6 XD-V35 Series digital wireless system. The same great technology is available in both a
handheld system and a lavalier system.
ONLY $12/mo.
XDV35L
XD-V35 HH Sys.........................List 419
XD-V35L Lav Sys.......................List $41999
99
29999
$
29999
$
Relay G Series
Wired Tone, Wireless Freedom
You’re a guitarist. So, what do you want from a wireless system? You want your rig to feel and sound as though
you’re playing through a cable. Well, Line 6 gets that, and that’s why the Relay G Series is for you. Each
member of the Relay G Series offers up Line 6’s impressive Virtual Wire Transmission technology. That means
you’ll get the full-range sound and response you expect from your guitar rig. Digital Channel Lock technology
keeps interference at bay, so you’ll hear the pure sound of your rig.
Relay G Series digital systems broadcast in the 2.4GHz band, so you’ll avoid all those pesky
ONLY $19/mo.
interference sources.
$
99
There’s a Relay G Series
RelayG70 Guitar Wireless System .............List $69999
system that’s perfect for
$
99
$
99
RelayG75
Guitar Wireless System...............List 699
499
the way you play. Call
$
RelayG90
Relay G90 Inst Sys......................List $83999
59999
$
your Sweetwater Sales
RelayG55
Relay G55 Inst Sys......................List $62999
44999
$
Engineer to find out which one
RelayG50
Relay G50 Inst Sys......................List $55999
39999
$
fits you best.
RelayG30
Relay G30 Inst Sys......................List $41999
19999
499
FEATURES
XDV35
$
• Virtual Wire Transmission
maintains your tone
• Cable Tone Simulation
emulates the sound of
a cable
• License-free 2.4GHz
worldwide operation
NEW!
WE’VE TAKEN
DIGITAL WIRELESS
TO THE NEXT LEVEL . . .
THE FLOOR
SYSTEM
STOMPBOX
DIGITAL 2.4 GHz HIGH-F IDELITY WIRELESS
Combining advanced 24-bit, field-proven performance, easy setup and clear, natural sound quality, our System 10 Stompbox
delivers the ultimate wireless experience. With the tap of a foot on the rugged, metal Stompbox receiver, guitarists can
toggle between dual ¼" balanced outputs or mute one output without affecting the other. And, since the System operates
in the 2.4 GHz range, it’s free from TV and DTV interference. You can also pair multiple UniPak® body-pack transmitters with
a single receiver to easily change guitars. So go ahead, give it a try – we think you’ll be floored.
(800) 222-4700
www.sweetwater.com
2000 Series
Affordable All-in-one Handheld Systems
Audio-Technica’s second-generation ATW-2120a
wireless system offers all the advantages of a
professional system, at a very friendly price. With
10 selectable frequencies and true-diversity UHF
wireless technology, the ATW-2120a also features
automatic frequency scanning. Any of the ATW2120a’s 10 channels may be used together, without
frequency-coordination problems or group-selection
issues. You also get A-T’s digital Tone Lock squelch
plus an easy-to-read LCD display. The ATW-2120a
handheld dynamic mic system includes the
ATW-R2100a receiver and the ATW-T220a handheld
microphone/transmitter. The ATW-2110a bodypack
system is also available.
System 10 Series
FEATURES
Sweetwater.com
WIRELESS MICROPHONE SYSTEMS
323
• 10 selectable frequencies
• Automatic frequency
scanning
• True-diversity operation
• Rackmount kit included
ONLY $14/mo.
24
MONTHS
FINANCING on
ATW2120
ATW2110
ATW-2120 HH Sys.....................List 499
ATW-2110 Bdypk Sys.................List $42900
$
00
34900
$
29900
$
For more info call or go to
Sweetwater.com/financing
Step into the World of
Digital Wireless
These digital wireless systems are perfect for seasoned pros and audio novices
alike! System 10 Series microphone systems give you the crystal-clear sound
quality and rock-solid reliability you expect from A-T, at prices that fit any budget.
Installing a system for your business or church? System 10 Series systems are up
to the task. Automatic frequency scanning makes for incredibly easy setup. Need a
flexible system that works with a variety of gear? You’ll appreciate the balanced XLR
and unbalanced 1/4" outputs. Up to eight channels can be used simultaneously, and
3-level diversity assurance means clear and dependable communication.
These systems are available in handheld, lavalier, headset, and instrument versions.
There’s even a special System 10 setup made especially for guitarists that puts the
receiver in a pedalboard-friendly, stompbox-sized unit — complete with a handy
mute switch. Call us today for all the details on these dependable, affordable
wireless systems!
System 10 PRO Series
Dependable Digital Wireless Systems That are Easy to Set up
Anywhere
ONLY $12/mo.
ATW-1501
ATW1102
ATW1101L
ATW1101H
ATW1101G
ATW1501
ATW-1102 HH Sys.....................List 524
ATW-1101/L Lav Sys..................List $61495
ATW-1101/H HW Sys.................List $61495
ATW-1101/G Inst Sys.................List $52495
ATW-1501 Inst Sys.....................List $61495
$
95
29995
$
34995
34995
$
29995
$
34995
$
$
NEW!
Audio-Technica’s innovative System 10 PRO Series digital wireless systems offer a
remotely mountable receiver that functions at an advanced 24-bit/48 kHz in the 2.4GHz
range. The receiver simply ejects from the the chassis and connects via Ethernet cable
up to 300' from your mix position, allowing for ideal placement and ensuring reliable
wireless microphone signal. Offering all the advantages of high-quality, professional gear
at an extremely affordable price makes System 10 PRO setups ideal for a wide range of of
live performance applications
This incredible, flexible system is available several configurations. Choose a receiver/bodypack transmitter combo or a
receiver and bodypack transmitter plus a lavalier mic. You can also choose a receiver plus a handheld mic/transmitter
or a receiver with a pair of handheld mic/transmitters. Call your Sweetwater Sales Engineer today, and find the system
that suits you perfectly!
ONLY $17/mo.
ATW1301
ATW1301L
ATW1302
ATW1322
GUITAR WIRELESS? YOU NEED THIS!
Tonebone Dragster
Beef Up Your Wireless Guitar Tone
Onstage wireless technology is great, isn’t it? Unfortunately, the penalty you sometimes pay for a wireless connection is a change in
the “loading” of the signal, which makes your axe sound noticeably different than it does when you plug straight into your amplifier.
Here’s a great fix: Radial’s Tonebone Dragster. It keeps your guitar’s
natural tone intact, even when you’re using a wireless system!
$
99
Dragster
Tonebone Dragster........................List $6000
49
42900
$
Bodypack Wireless System.........List $59900
Wireless Lav System...........................List $69900
Wireless Handheld..............................List $62900
ATW-1322 Dual Handheld System.....List $111900
49900
44900
$
79900
$
$
MULTIFUNCTIONAL DISPLAY
CUSTOMIZABLE SETUP
The Wireless Future
Samson’s new Synth 7 raises the standard for premium UHF wireless
performance. It features rugged all-metal construction, as well as dynamic
LCD setup and monitoring options. Together with advanced system features
and flawless operation, Synth 7 is the future of professional wireless.
Call your Sweetwater Sales Engineer at (800) 222-4700 or visit
sweetwater.com to learn more about Samson’s Synth 7 Wireless Systems.
© 2014 Samson | sweetwater.com
100 CHANNEL OPTIONS
SPECTRUM ANALYZER
Sweetwater.com
WIRELESS MICROPHONE SYSTEMS
24
MONTHS
FINANCING on
Synth 7 Series
Wireless Performance That’s Built to Last
Based around durable, high-performance receivers and transmitters, Synth 7 Series
systems offers day-in/day-out reliability plus cable-free convenience at any gig or installed
at a facility. You can run up to 20 wireless systems simultaneously without any issues. No
matter what your microphone needs are, we offer a Synth 7 Series model that can handle the
job. The Synth 7 Handheld Q8 System includes Samson’s rugged UR7 wireless receiver
plus a UH7 transmitter/Q8 microphone. The Synth 7 Presentation System gives you
the same great receiver plus the tough, lightweight UB7 beltpack transmitter and a clip-on
lavalier microphone. Want an unobtrusive headworn solution? Choose the Synth 7 Earset
System, which features a low-profile earset mic that is perfect for educators, lecturers, fitness
instructors, and more. Guitarists
and bassists will appreciate the
Synth 7 Guitar System,
which uses an ultra-compact,
all-in-one plug-in transmitter.
ONLY $14/mo.
Synth7HH
Synth7Lav
Synth7Ear
Synth7Gtr
Synth 7 HH Sys..........................List 419
Synth 7 Lav Sys..........................List $41999
Synth 7 HW Sys..........................List $41999
Synth 7 Inst Sys..........................List $41999
$
99
34999
$
34999
34999
$
34999
$
$
Concert 88 Series
Go Pro Wireless for Your Vocal and Instrument Performances
Samson’s Concert 88 Series wireless systems give you the wireless freedom you need, without
the high price tag. No matter which system you choose, the included receiver sets up quickly, so
you won’t waste time during your soundcheck. Run up to 16 Concert 88 systems at once across
two different frequency bands for maximum bandwidth. Infrared technology makes setup a
snap, and with up to eight hours of battery life, you’ll never have to worry about your Samson
Concert 88 system cutting out in the middle of a set. The CR88 is rugged, durable, and crystal
clear, with an impressive range.
The Concert 88 Series brings you sophisticated wireless
technology at a great price. Even better, there’s a system for
every application. The handheld system gives you the clear,
articulate sound of Samson’s Q6 vocal microphone, perfect
for singing and performance. The lavalier and headworn
systems are available for presentations, aerobics, and other
hands-free applications. And there’s an instrument system
available as well.
ONLY $10/mo.
SWC88CL6D
Concert 88 HH Sys................List $19999
SWC88BLM5D Concert 88 Lav Sys................List $19999
SWC88BHS5D Concert 88 HW Sys...............List $19999
SWC88BGTD
Concert 88 Inst Sys................List $19999
16999
$
16999
16999
$
16999
$
$
Stage 55 Series
Affordable VHF Wireless Systems
Samson’s Stage 55 Series VHF systems are so affordable that anyone can go
wireless. They offer great reception and signal clarity at an entry-level price. Each
system is based on the VR5 Super Heterodyne VHF receiver, with a tuned antenna,
squelch control, a half-rack design, and XLR and 1/4" outputs, as well as battery-,
audio-, and signal-level meters.
Stage 55 systems are available in three different configurations: handheld, which
excels at handling lead vocals; lavalier, which works great for public speaking or stage
use; or headworn, which is perfect for dancers and aerobics instructors. These systems
are also a great wireless solution for schools and houses of worship. No matter which
system you choose, you can expect reliable performance and superb
sound from the Stage 55 Series.
ONLY $10/mo.
SW55SHQ7Stage 55 HH Sys........................List $15999
SW55VSLM10 Stage 55 Lav Sys........................List 159
SW55VSCS Stage 55 HW Sys........................List $16999
$
99
11999
$
11999
12999
$
$
For more info call or go to
Sweetwater.com/financing
325
(800) 222–4700
WIRELESS MICROPHONE SYSTEMS
WMS470 Series
Powerful and Flexible for Any Application
Enjoy easy operation, dependable performance, and fantastic audio quality.
Even if you need 20 wireless systems running simultaneously in the same
frequency band, the WMS470 Series is up to the task. And even if you’re
not running a lot of wireless systems at the same time, the precise tuning
means you’re much less likely to get interference from other RF sources.
FEATURES
326
• Up to 48 simultaneous systems
• Infrared transmitter setup
• Up to 14-hour transmitter life from 1 x AA battery
The compact SR 470 receiver that comes with WMS470 wireless systems takes up a half rack
space and comes with a handy rackmount kit. Even better, the WMS470 is compatible with
AKG’s antenna splitters, power supplies, and antennas, so it’s perfect for expanding your
ONLY $24/mo.
existing wireless rig. Available in lavalier, instrument, and
$
00
$
00
handheld systems.
WMS470P-8 WMS 470 Lav Sys............List 749
WMS420 Series
Wireless Flexibility with Rechargeable Transmitter Packs
Go wireless and green with the AKG WMS420 Series. You get AKG quality
and sound in an affordable unit. You can even run up to eight wireless
systems in the same frequency band! The WMS420 Series transmitters have
charging contacts, so you can use them with money-saving and earthfriendly rechargeable batteries.
629
WMS 470 Inst Sys.............List $60900
WMS 470 D5 HH Sys.........List $60900
FEATURES
WMS470G-8
WMS470HH-8
49900
49900
$
$
24
MONTHS
FINANCING on
• Transmitters have charging contacts
for use with rechargeable batteries
• Up to 8-hour transmitter
life from 1 x AA battery
For more info call or go to
Sweetwater.com/financing
Perfect for mobile rigs and installations, the dual-diversity receivers feature a small footprint
ONLY $12/mo.
and powerful features. And when it’s time to optimize
$
00
your wireless rig, the WMS420 Series transmitters are
$
00
WMS420V-A WMS420 HH Sys.......................List 599
$
00
compatible with AKG’s antenna splitters, power supplies,
WMS420P-A
WMS420 Lav Sys......................List $59900
299
$
and antennas. The WMS420 Series comes in handheld,
WMS420H-A WMS420 HW Sys......................List $59900
34900
$
lavalier, headworn, and instrument systems.
WMS420I-A
WMS420 Inst Sys......................List $59900
29900
0
299
%
INTEREST FOR 24 MONTHS!
*
On purchases of select manufacturers’ products made with your Sweetwater Musician’s All Access
Platinum Card between now and May 31, 2015 – 24 equal monthly payments required.
*Offer applies only to single-receipt qualifying purchases. No interest will be charged on promo purchase and equal monthly
payments are required equal to initial promo purchase amount divided equally by the number of months in promo period
until promo is paid in full. The equal monthly payment will be rounded to the next highest whole dollar and may be higher
than the minimum payment that would be required if the purchase was a non-promotional purchase. Regular account terms
apply to non-promotional purchases. For new accounts: Purchase APR is 29.99%; Minimum Interest Charge is $2. Existing
cardholders should see their credit card agreement for their applicable terms. Subject to credit approval. For more information, go to Sweetwater.com/financing or call (800) 222-4700.
NEW BRANDS ARE ADDED ALL THE TIME!
Go to Sweetwater.com/financing or call (800) 222-4700 for the latest manufacturer list.
Sweetwater.com
HEADWORN MICROPHONES
327
Microflex MX153
Incredibly Small Mic, Outstanding Mic Sound
Shure’s Microflex MX153 professional electret condenser earset mic is so small that it’s
practically invisible. And it’s so comfortable that you might even forget you have it on! Shure
has packed the MX153 with very sophisticated technology, including CommShield, which gives you a
clean signal that’s free of RF interference. The MX153’s Kevlar-reinforced soft-flex cable design minimizes
handling noise while giving you first-class flexibility for routing and placement. The MX153 is terminated
with a secure-locking TQG connector for use with Shure bodypacks.
WBH53
Whether you’re involved in broadcasting, corporate lectures, teleconferencing, church audio, or live sound
reinforcement, the Microflex MX153 delivers the goods. Call your Sweetwater Sales Engineer to find out
more about this outstanding earset mic.
If you’re looking for Shure quality in a headworn
mic, then check out the WBH53, a fully adjustable
omnidirectional condenser microphone built for
impeccable sound, inconspicuous appearance, and
extreme comfort. Its lightweight, adjustable, modular
headband as well as its flexible wire frame and soft
earpieces provide a stable and secure fit while still
allowing the onboard Beta 53 mic to be positioned as
close to the left or right corner of the mouth as possible,
ensuring maximum voice pickup.
Specs: omni • 20Hz–20kHz • Max SPL: 107dB
Comfortable and Discreet Headworn Mic
Specs: omni • 20Hz–20kHz • Max SPL: 143dB
WBH53T
ONLY $12/mo.
HW Mic.....................................List 374
$
00
29900
$
MX153TOT
HW Mic..................................List 249
$
00
ONLY $10/mo.
19900
$
PGA31-TQG
Shure Quality, in a Performer-friendly Mic
If you’re active onstage, then you need a comfortable and
reliable headset mic — and the ultra-comfortable PGA31TQG definitely fits the bill. A flexible gooseneck makes it
easy to put the mic capsule in the best position for your
vocals. A cardioid pickup pattern provides excellent rejection
of outside sound sources, so you get clear, focused sound.
PGA31TQG HW Mic.......................................List $4900
Specs: cardioid • 60Hz–20kHz • Max SPL: 145dB
3900
$
SE50
Lightweight and Comfortable Omnidirectional
Headworn Mic
HS1-P
Hands-free Mic Solution
The Samson SE50 can be easily shaped to comfortably
fit your left or right ear. A special retaining band securely
holds it in place, making it perfect for fitness applications
and energetic performances. There’s even a water-resistant
coating that provides extra protection against sweat and
moisture. A cable clip, a carrying case, and three different
windscreens come with the SE50. Plus, you get four cable
adapters, so the SE50 is compatible with all the most
popular wireless systems. Available in beige or black.
Specs: omni • 20Hz–20kHz • Max SPL: 140dB
The RØDE HS1-P makes a grand entrance into
the world of comfortable headset microphones.
RØDE, a recognized value leader in the studio
microphone world, has designed the HS1-P with
an omnidirectional pickup pattern and a dual-ear
bracing system to deliver an extraordinarily
detailed, clear vocal sound while remaining nearly
unnoticeable. The comfortable design and malleable,
ultra-light tube arm and headband make the HS1-P
extremely easy to fit. RØDE’s MiCon terminator lets
you instantly integrate with almost any wireless or
wired system. Available in pink or black.
Specs: omni • 60Hz–18kHz • Max SPL: 110dB
HS1P
HS1B
HW Mic, Pink.............................List $44900
HW Mic, Blk...............................List $44900
A Comfortable Fit and a Natural Sound
Lightweight, durable, and very affordable, AKG’s C 520
headworn condenser microphone is great for singers
who need their hands free to play instruments or to
dance. The C 520’s miniature gooseneck gives you
easy, precise placement of the mic. The mic arm can
be placed on the right or left, while the mic’s cardioid
polar pattern provides superior sound isolation. What’s
more, the C 520’s natural-sounding, highly accurate
condenser element is externally shockmounted for
effective rejection of mechanical noise, so you can freely
move without worry.
ONLY $10/mo.
ONLY $12/mo.
299
$
00
299
$
00
C 520
SE50tan
SE50blk
HW Mic, Beige...........................List 249
HW Mic, Blk...............................List $24900
$
00
19999
$
19999
$
Specs: cardioid • 60Hz–20kHz • Max SPL: 130dB
ONLY $10/mo.
C520
HW Mic.....................................List 299
DA-12
Incredibly Low-profile Mic That Works with Your System
Exclusive Sweetwater bundle! This DA-12 package includes a totally discreet and great-sounding Cue Audio DA-12 headworn mic plus adapters for
Shure, A-T, and other bodypack transmitters. The adjustable earpiece provides a comfy fit for just about any ear, and thanks to the adapters, you can
use your DA-12 with virtually any wireless bodypack. You get great sound, reliable performance, and a great mic that won’t distract your audience.
Call your Sweetwater Sales Engineer for all the details!
ONLY $15/mo.
DA12BESW
HW Mic..............................List $53000
37900
$
Specs: omni • 20Hz–20kHz • Max
SPL: 140dB
$
00
21900
$
H6 HEADSET
Countryman Sound. Sweetwater Experience.
Impossibly small.
At 2.5mm diameter—the size of a No. 2
pencil lead—the H6 virtually disappears.
Incredibly rugged.
A custom connector double seals
against moisture (and whatever else you
throw at it). The new aramid-reinforced
cable delivers 20 kg of break strength.
Unrivaled Experience.
“The Sweetwater Difference”—the
outstanding customer service,
after-sale support, and experience
of Sweetwater’s staff—may be
the best feature of all.
www.sweetwater.com
Sweetwater.com
HEADWORN MICROPHONES
329
BP894 MicroSet
Easy Fit, Fantastic Mic Performance
H6 Omnidirectional
Headset
Omnidirectional Miniature Earset Mic
You can have clean, crisp microphone sound plus
amazingly low-profile looks! The lightweight, nearly
invisible Countryman H6 Omnidirectional Headset
mic keeps the audience’s attention where it belongs: on
the performer, not the mic. When quality sound is a must,
you’ll love how this mic performs. And, it won’t interfere
with hats, hairstyles, or headphones! You can shape the
H6 to fit you perfectly, so it’s always comfortable and
placed right where you need it. In fact, you’ll probably
forget that you’re even wearing it! This model terminates
in a Hirose 4-pin connector.
Specs: omni • 20Hz–20kHz • Max SPL: 120dB
ONLY $18/mo.
H6OW5TATHW Mic.....................................List $67000
47500
$
E6 EarSet
Nearly Invisible, Omnidirectional Miniature
Earset Mic
Your high-quality,
low-profile vocal
mic solution.
Countryman’s
E6 EarSet
microphone
gives you clear,
clean audio
performance
in an ultralightweight mic
that’s practically
invisible. This
headset mic is
perfect for houses
of worship, live theater work, or any other situation
where you need the appearance of not being miked up.
Light and springy, the E6 EarSet clips around your ear,
not around your head. The E6 will never interfere with
your hairstyle, your headphones, or your hat; in fact, it’s
so light that you might forget you have it on! The E6’s
omnidirectional pickup pattern practically eliminates the
bass boost caused by proximity effect, letting the natural
character of your voice shine through.
There are a variety of wireless systems in use these days,
and the E6 can work with many of the popular ones. The
more pliable E6i EarSet is also available — perfect for
when there are multiple users of the microphone. The
original E6 is designed to form-fit a single user’s ear.
Specs: omni • 20Hz–20kHz • Max SPL: 135dB
E6OW5T1SL
E6iOW6T2SL
ONLY $15/mo.
HW Mic, Shure....................List 495
HW Mic, Shure......................List $48850
$
00
38900
$
38900
$
Audio-Technica’s BP894 MicroSet balances
the need for impeccable sound quality with
the requirements of comfort and style. Its
comfortable under-ear design and light weight
make this mic enjoyable to wear, and the
flexible boom is nearly invisible — a real plus on camera or in front of audiences. Plus, this mic works under either
ear, and those who wear glasses will appreciate its unobtrusive design. You get all the accessories you need, including
a carrying case, a dual-ear mount, extra foam windscreens, and a moisture guard. The combination of stellar sound
quality and functional design makes the BP894 MicroSet ideal for theater productions, worship sound, and public
ONLY $14/mo.
speaking. Available in black or beige, with a UniPak, a
$
00
$
00
Sennheiser, or a Shure connector. Call us today and find
BP894cW Card HW Mic, UniPak, Bk............List 499
$
out more.
BP894cWTH Card HW Mic, UniPak, Beige........List $49900
34900
349
37900
37900
$
37900
$
37900
$
BP894cLM3THCard HW Mic, Senn, Beige...........List $53900
BP894cLM3 Card HW Mic, Senn, Bk................List $53900
BP894cT4TH Card HW Mic, Shure, Beige..........List $53900
BP894cT4
Card HW Mic, Shure, Bk...............List $53900
Specs: cardioid • 20Hz–20kHz • Max SPL: 135dB
$
BP893 MicroSet
This Low-profile Earset Mic Delivers Premium Sound
Need a great-sounding headworn mic that doesn’t draw unwanted attention?
Audio-Technica’s BP893 MicroSet definitely fits the bill. Its low-profile, over-ear
design makes it incredibly easy to wear. Plus, its slim boom is visually unobtrusive. To
ensure that your voice comes through clearly, the built-in UniSteep filter offers fantastic
low-frequency attenuation. Audio-Technica also has you covered when it comes to
accessories; the BP893 includes a carrying case, extra foam windscreens, a moisture
guard, and a cable clip.
Once you’ve tried the BP893 MicroSet, you won’t want
to perform without it. This mic is perfect for both public
speakers and active performers. Available in black or
beige, with a UniPak, a Sennheiser, or a Shure connector.
Specs: omni • 20Hz–20kHz • Max SPL: 114dB
ONLY $10/mo.
BP893cW
HW Mic, AT, Blk.........................List 359
BP893cWTH HW Mic, AT, Beige.......................List $35900
BP893cLM3THHW Mic, 1/8”, Beige...................List $37900
BP893cLM3 HW Mic, 1/8”, Blk.......................List $37900
BP893cT4TH HW Mic, Shure, Beige..................List $37900
BP893cT4
HW Mic, Shure, Blk.....................List $37900
$
00
24900
$
24900
27900
$
27900
$
27900
$
27900
$
$
BP892 MicroSet
Low-profile, Headworn Omnidirectional Mic
Make yourself heard clearly without drawing attention to a bulky mic. The A-T
BP892 MicroSet features a condenser capsule with a diameter of 2.5mm, perfect for
applications requiring minimal visibility. It includes a UniPak connector. You can also
get the BP892cLM3 model with a locking 3.5mm connector for Sennheiser bodypacks,
ONLY $12/mo.
or the BP892cT4 with
$
00
a Shure TA4F connector.
$
00
BP892cW HW Mic, AT, Blk.........................List 439
All of these mics come in
$
00
BP892CWTH HW Mic, AT, Beige.......................List $43900
299
$
either beige or black and
BP892cLM3THHW Mic, 1/8”, Beige...................List $45900
32900
$
include accessories.
BP892cLM3 HW Mic, 1/8”, Blk.......................List $45900
32900
299
Specs: omni • 20Hz–20kHz • Max
SPL: 135dB
32900
32900
$
BP892cT4TH HW Mic, Shure, Beige..................List $45900
BP892cT4
HW Mic, Shure, Blk.....................List $45900
$
ME 3
This Headworn Microphone Stays on No
Matter What
Does your show require dancing and singing? Do you play
guitar, drums, or keyboards as you sing? If so, the ME 3
by Sennheiser is the mic for you.
A headset microphone with exceptional sound quality, the ME 3 is specifically designed for music and speech
applications that require maximum movement and close-proximity signal reproduction. And it has a comfortable,
adjustable headstrap that’s designed to stay securely in place while you give it your all. The ME 3 sports a supercardioid
capsule for outstanding feedback rejection, so high onstage sound levels are no problem. Call your Sales Engineer to
ONLY $10/mo.
find out more about the Sennheiser ME 3.
Specs: supercardioid • Max SPL: 150dB
ME3
HW Mic.....................................................
14995
$
330
(800) 222–4700
HEADWORN MICROPHONES
d:fine
High-performance Mic, Low-visibility Design
4088F
Tiny Mic, Comfy Fit, Fantastic Sound
Sounds great and stays put! The DPA 4088F gives you a great-sounding directional
headworn mic for any performance situation. It delivers the same sound, whether the
performer is looking up, down, straight ahead, or to the side. Unlike omnidirectional
headset mics, the 4088F is designed with a cardioid polar pattern that rejects sound
coming from behind.
Require an omnidirectional pickup pattern? No worries. DPA has you covered with the
4066F. Both mics offer superb durability, comfort, and audio performance.
Made to fit you perfectly, d:fine headworn microphones also give you incredibly
clear-sounding performance. You’ll love the incredibly comfortable, visually unobtrusive
design. The d:fine headset mics are ergonomically designed to fit any ear and head
shape, and can be mounted on either the right or left side of the head. They can handle
sound pressure levels up to 144dB before clipping occurs — good to know if you perform
on loud stages.
These premium mics are available in both omnidirectional and cardioid versions in
either black or beige, so you’ll be sure to find the d:fine model that fits your speech or
musical needs perfectly. Call your Sales Engineer and find out more.
Specs: d:fine Omni omni • 20Hz–20kHz • Max SPL: 144dB d:fine Directional cardioid • 20Hz–20kHz • Max
SPL: 144dB
ONLY $22/mo.
Specs: 4088F cardioid • 100Hz–20kHz • Max SPL: 144dB 4066F omni • 100Hz–20kHz • Max SPL: 144dB
dfineOmniBk
ONLY $27/mo.
4088F
HW Mic, Beige...........................................
HW Mic, Beige...........................................
4066F
dfineOmniT
dfineCardBk
dfineCardT
69995
$
64995
$
Omni HW Mic, Blk..............................
Omni HW Mic, Beige..........................
Cardioid HW Mic, Blk.........................
Cardioid HW Mic, Beige......................
57995
$
57995
62995
$
62995
$
$
24
MONTHS
FINANCING on
CM-311A
Get Mobile When You Get
Vocal
For more info call or go to
Sweetwater.com/financing
The Crown CM-311A is a
comfortable headset microphone that is both lightweight
and able to stand up to the wear and tear of clinging
to your head as you perform. The CM-311A’s electret
condenser provides full, clean sound, and the headband
and mic boom can adjust to any head size. Designed
for the stage, the CM311A headset mic is a must for any
vocalist who needs a headworn mic!
ONLY $17/mo.
Specs: cardioid • 50Hz–17kHz • Max SPL: 148dB
CM311A
C 520
Specs: cardioid • 60Hz–20kHz • Max SPL: 130dB
ONLY $10/mo.
C520
HW Mic.....................................List 299
$
00
$
21900
00
43900
$
24
MONTHS
FINANCING on
A Comfortable Fit and a Natural Sound
Lightweight, durable, and very affordable, AKG’s C 520
headworn condenser microphone is great for singers who
need their hands free to play instruments or to dance.
The C 520’s miniature gooseneck gives you easy, precise
placement of the mic. The mic arm can be placed on
the right or left, while the mic’s cardioid polar pattern
provides superior sound isolation. What’s more, the
C 520’s natural-sounding, highly accurate condenser
element is externally shockmounted for effective rejection
of mechanical noise, so you can freely move without
worry.
HW Mic.....................................List 499
$
DA-12
For more info call or go to
Sweetwater.com/financing
Incredibly Low-profile Mic That Works with Your System
Exclusive Sweetwater bundle! This DA-12 package includes a totally discreet and great-sounding Cue Audio DA-12
headworn mic plus adapters for Shure, A-T, and other bodypack transmitters. The adjustable earpiece provides a comfy
fit for just about any ear, and thanks to the adapters, you can use your DA-12 with virtually any wireless bodypack. You
get great sound, reliable performance, and a great mic that won’t distract your audience. Call your Sweetwater Sales
Engineer for all the details!
ONLY $15/mo.
Specs: omni • 20Hz–20kHz • Max SPL: 140dB
DA12BESW.HW Mic.....................................List $53000
37900
$
Sweetwater.com
MICROPHONE CASES & ACCESSORIES
331
MIC CASES
GM-1 WEVA
GX-33
Convenient Mic-stand/Mic Bag
Mic/Mic-stand Bag......................List $7999
4999
$
Use your wireless system while it’s still in this case! The
GM-1WP wireless system case allows your antenna to
be extended inside the case. Front and rear access makes
setup easy, and there’s plenty of room for your mic,
cables, and other accessories inside.
ONLY $10/mo.
GM1WP
Wireless Mic Sys Case...............List $23999
Handy Bag for Two Wireless Systems
Waterproof Mic Case
Designed to carry two complete wireless systems, the
GM-2W also offers plenty
of space for your cables,
lavaliers, and other
accessories. For rugged
mic transport, the GM-4
holds four mics, while the
GM-12B holds 12.
Waterproof protection for six
handheld mics! The GM-06MIC-WP offers proven protection
against the toughest conditions. To
protect up to 16 mics, choose the
GM-16-MIC-WP. And both
are ready to fly, thanks to
ATA-300 certification!
Wireless Mic Sys Bag................List $10499
4-slot Mic Bag..............................List $5499
12-slot Mic Bag............................List $8999
GM4
GM12B
14999
$
6499
$
3499
5499
$
$
GM06MICWP 6-slot Mic Case.................List $12999
GM16MICWP
Lightweight 6-mic
Hardshell Case
7999
$
13499
$
16-slot Mic Case....................List 209
$
99
G-Tour M15
GM-30-TSA
6499
$
GM1WEVA Wireless Mic Sys Bag................List $10499
GM-6 PE
GM-06-MIC-WP
GM-2W
GM2W
The GM-1 WEVA is a great
carrying case for your
half-rack wireless system.
Constructed of 5mm EVA
rubber foam, this case gives you
access to the antenna, so you can use
your system while it’s still in the bag!
Rugged Case for Your Wireless System
Tough and convenient! Made from high-density nylon,
the GX-33 holds up to five mics and three mic stands,
in one bag! The mic section has five mic drops made of
thick foam to keep mics safe.
GX33
Perfect for Wireless
GM-1WP
Fit 30 Mics in One Case
Protection Touring Acts Can Count On
The road-tough GM-30-TSA has 30 mic drops for
maximum storage.
If you need to haul
wireless mics and
extra batteries, get
the GM-6W-TSA. It’s
got room for up to six
wireless handheld mics
and your accessories.
Incredibly strong construction, generous storage, recessed
latches, and heavy-duty hardware. When you need
maximum protection for up to 15 microphones, the Gator
G-Tour M15 is
well equipped.
You can trust your
most sensitive
equipment with
Gator tour cases!
Protect those mics! When you
invest in great stage mics, you
need to keep them working.
That’s why Gator created
the tough GM-6 PE!
This affordable molded
polyethylene hardshell
case locks for secure travel, and it
holds up to six microphones. Inside, thick surround foam
keeps each mic safely in place.
GM6
6-slot Mic Case..........................List $10499
6499
$
i Series
Waterproof Mic Case
Armored Mic Transport
SKB’s renowned i Series
Waterproof Mic Cases
are made of injection
molded high-strength
polypropylene copolymer
resin and feature a gasketed
waterproof and dustproof seal.
ONLY $10/mo.
ONLY $10/mo.
GM30TSA
GM6WTSA
30-slot Mic Case........................List $26999
6-slot Mic Case...........................List $20999
$
16999
12999
$
ONLY $10/mo.
GTourM15
15-slot Mic Case........................List $24999
$
15499
MicCase24
MicCase12
MicCase6
24-slot Mic Case ..................List 359
12-slot Mic Case....................List $21999
6-slot Mic Case......................List $11999
$
99
21999
$
12999
7499
$
$
POP FILTERS
GM-POP FILTER
Proscreen XL
Dual-layer Pop Protection
A Truly Pro Pop Filter
The flexible, easy-to-clean
Proscreen XL stops plosives in
their tracks all while leaving your
sound uncolored. This is a pro
pop filter for truly pro results!
PopGard 2000
Protect Your Mic — And Your Recordings
Weighing in at less than one ounce, the PopGard 2000
is unique in that it attaches directly to the microphone
using elastic bands — no more goosenecks or clamps!
StedmanXL
Pop Filter.........................List $7900
6900
$
PopGard2000
Mic Windscreen..................List $3995
$
2995
Stop those plosives! Fix the Gator
GM-POP FILTER to any standard
mic stand, with two layers of mesh
to protect your recordings. It
comes with an 11.5" gooseneck
and a C-clamp to fit most
standard microphone stands.
GMPOPFILTER
Pop Filter.......................List $2999
1899
$
332
(800) 222–4700
MICROPHONE STANDS
Triad-Orbit’s mic stands, boom arms, and Quick-Change hardware
work together as a modular mic stand system — learn more online
in our inSync Triad-Orbit Buying Guide! Sweetwater.com/triad-mic
ADVANCED MICROPHONE STAND SYSTEMS
OrbitalBm1
$
00
109
OrbitalBm2
$
00
199
O2 Orbital Boom
Stand not
included
The Triad-Orbit O2 Orbital Boom
dual-arm orbital boom system
offers a double dose of their Orbit
ball-swivel mechanism, providing
you with two microphone booms
and limitless positioning flexibility.
It’s the perfect boom attachment
for miking grand pianos, singer/
songwriters, acoustic drums, or pretty
much anything else. For use with
Triad-Orbit microphone stands.
36"–71"
T3MicStd
$
00
219
TESStdExt
$
00
49
31.5"–78.5"
33"
T2 Standard Tripod
You’ll wonder how you ever got along
without the Triad-Orbit T2 Standard
Tripod mic stand. The articulating
base gives you more flexible positioning
options than you ever thought possible,
with the amazing stability you’d expect
from a weighted-base stand. QuickChange couplers let you swap mics in
seconds, and heavy-duty clutches let
you make adjustments with one hand.
17"–29.5"
T2MicStd
$
00
179
T1MicStd
$
00
139
Sweetwater.com
MICROPHONE STANDS
Pro-T-T
Live-T
Ulti-Boom-TB
This workhorse of a stand is
strong, reliable, and easy to
use. The Pro-T-T gives you
a comfortable quarter-turn
clutch that won’t slip in
the middle of a show. Plus,
you can collapse the highly
stable tripod base to store
the Pro-T-T in
ProTT
limited spaces.
The Live-T gives you
unflinching support
during your stage
performances and also
unlocks and folds up
for compact storage —
ideal for touring and
on-the-go performers!
Ultimate Support designed the
Ulti-Boom-TB arm to be easy to set up,
flexible to position, and rock-solid reliable.
The Ulti-Boom-TB’s counterweight offers
true balance and stability and is up to
30 times stronger than plastic, ABS, or
nylon counterweights.
89
$
LiveT
99
$
Pro-T-Short-T
Perfect for miking up guitar
amps, kick drums, and a wide
range of acoustic instruments,
the Pro-T-Short-T is a
workhorse-quality stand
that’s strong, reliable, and easy
to use.
Ulti-Boom-FB
The Pro-SB microphone stand
uses an innovative interlocking
weighted base design that allows
you to stack up to six stands in
the space of one stand’s footprint
— highly space efficient!
We know you need your mic booms to be
easy to set up, flexible to position, and
rock-solid reliable — the Ultimate Support
Ulti-Boom-FB checks all of those boxes!
ProSB
$
99
79
A studio essential! You
need to know that your
studio stands are up to
the challenge of keeping
your premium mics from
hitting the floor. Ultimate
Support’s MC-125 is a
very well-balanced
and sturdy
professional
boom with a
handy counterweight.
In addition, it’s on
locking in-line-style
wheels, so you can easily
move it around the
studio. It’s perfect for
drum overheads, pianos,
room mics, and
virtually any
other recording
application.
39
Pro-SB
ProTshortT
$ 99
MC-125
UltiBoomTB
$
99
79
99
UltiBoomFB
$
99
69
24
®
®
Live-SB
A round-base mic stand with a
cast-iron base, the MC-05B’s
clutch is ultra-reliable, so
your mic stays right where
you put it.
The Live-SB stand features
Ultimate Support’s Ergo onehanded clutch operation, which
lets you make quick height
adjustments on the fly.
MC05B
$ 99
®
®
MicStdDeskBm
$
95
®
®
MS7701TB
Why use more mic
stand than you
actually need? When
a short, sturdy stand
is all that’s called for,
grab the On-Stage
Stands DS7200B.
®
®
23
®
®
DS7200B
When you need to mic
up a kick drum, combo
amplifier, or other low-level
sound source, you can
count on the MS7920B
mic stand from
On-Stage Stands.
MicStdRound
$
95
24
®
®
MS7920B
26
The MS7201B features a weighted
round base that’s compact enough
to take up minimum space onstage
or in your studio, yet it provides
plenty of stable support.
®
®
MicStdFBoomL
$
95
79
®
®
MS7201B
One of the most popular
mic stands on earth! The
MS7701B’s midpoint-locking
clutch makes adjustments quick,
easy, and secure.
LiveSB
$ 99
27
®
®
MS7701B
®
MS7411B
With a maximum height of 63"
and an easily adjustable boom
arm, the MS7701TB is a smart
choice for elevated miking
applications such as drum
overheads and choir mics.
®
®
MC125
99
199
$
®
MC-05B
333
MicStdDesk
$ 95
This short boom stand is ideal
for low-level applications such
as guitar amps and
kick drums. The rugged
MS7411B has a 26" tripod
base for exceptional stability.
®
®
MicStdBoomLt
$
95
12
MicStdShortBm
$
95
29
29
®
®
®
®
MS7700B
®
The MS7700B sports a
stable and sturdy folding
tripod base and a lightweight
design for easy portability.
®
®
MS9701TB+
®
®
MicStdLt
$ 95
19
MSA7040TB
The MSA7040TB telescoping boom arm
gives you the extra reach your mic needs.
You also get a metal counterweight for
just the right balance.
®
BoomTele
$ 95
18
The MS9701TB+ is built
tough for the road or the studio,
using thicker tubing and a
heavier die-cast leg housing for
heavy-duty performance.
®
®
MSA9508
®
®
MicStdBoom
$
95
49
A smart solution! The MSA9508
adjustable side-mount boom grips to
any standard mic stand, as a base to mic
multiple instruments such as a hi-hat
and snare or toms and
BoomSide
a kick drum.
®
®
$
1495
334
(800) 222–4700
MICROPHONE STANDS
Deluxe Round
Base Mic Stand
Featuring a deluxe soft-grip
one-handed clutch and a 10”
weighted base, this sturdy
stand from Gator is ready for
the stage or studio. Highly
versatile, this stand fits both
US and Euro mic clips.
Deluxe Tripod
Mic Stand with
Boom
GFWMIC2120
$
99
49
Rocking a soft-grip twist
clutch, this Gator mic stand’s
collapsible tripod base makes
for convenient transport and
storage.
Employing a standard
twist clutch and single
section boom, this Gator
mic stand’s tripod base
is collapsible for easy
transport and storage.
This deluxe stand
from Gator features a
telescoping boom and
deluxe one-handed clutch.
GFWMIC1001
$
99
Standard Tripod
Mic Stand
Standard Tripod
Mic Stand with
Boom
Standard Round
Base Mic Stand
This stand features
a telescoping boom
and an ultra-stable
tripod base that folds
for compact storage.
Featuring a standard twist
clutch and an ultra-stable 12”
round base, this mic stand from
Gator is ready for your next
gig!
FWMIC2621
$
99
GFWMIC1200
$
99
49
This desktop mic stand
from Gator features a
6” weighted base that is
specially-designed for a
no-slip, vibration-free
GFWMIC0600
performance.
This stable stand from
Gator is perfect for vocal
mics, miking drums, or just
about anything!
MicStdBoomF
$
99
19
$
59
99
25900
210/2
The 25900 boom
stand makes it
easy to mic low- to
mid-height sound
sources.
The 210/2 stand and boom
arm combo has been a
standard for 30 years!
KM21020BK
$
99
KM25900B
$
99
84
89
MS25E
The heavy-duty MS25E mic
stand features an integral
air-suspension system that
helps protect your sensitive
mics. This stand can extend up
to 62" in height.
MS25E
$
99
129
micKing 2200
Both the micKing 2200 and
the micKing 2200B can
position large mics
at practically any
micKing2200
angle with amazing
$
00
stability.
450
micKing2200B
46500
$
39
Adjustable
Desktop Mic
Stand
Giving you a 6” weighted base
and a standard twist clutch,
this Gator stand is perfect for
any desktop.
GFWMIC0601
$
99
49
Tripod Mic Stand Bass Drum/Amp Mic
Stand with Boom
with Boom
Desktop Mic
Stand
GFWMIC2100
$
99
46
Tripod Bass Drum and
Amp Mic Stand
29
Employing a deluxe soft-grip
one-handed clutch, this
Gator mic stand is a solid
performer. Its heavy duty steel
construction makes it just as
useful on stage as it is in the
studio.
GFWMIC2010
$
99
69
GFWMIC2000
$
99
Deluxe Tripod Mic
Stand
26075
Equipped with a sturdy
metal base, this stand gives
you an ideal platform for
miking amps and kick
drums. Includes a
telescoping boom.
MicStdDeskBF
$
24
The 26075 Stackable
One-Hand Microphone
Stand is an ideal solution for
churches, auditoriums, and
theaters where storage space is
limited
KM26075
$
99
34
84
99
PB21XEB
MS-10C
The PB21XEB boasts a threaded
end cap with a fixed 2-pound
counterweight for stability. The
boom extends from 25.25" to
38.5", adding exceptional reach
to your existing mic
stands.
PB21XEB
The MS-10C all-purpose
stand includes Atlas’s famous
clutch, which won’t slip under
pressure, and lock-nut rings at
the top and bottom.
MS10C
$ 99
54
$
41
99
D-Vice
CabGrabber
The Audix D-Vice is the
easy way to attach Audix
Micro Series, D Series, and
most other mics to your
drums. Speeds up setup
time both onstage and in
the studio!
The CabGrabber and CabGrabber
XL let you conveniently mic a guitar
amplifier or speaker cabinet without the
use of a bulky mic stand.
DVICE
$ 95
27
CabGrabber
$
00
49
CabGrabXL
5995
$
Sweetwater.com
Reflexion Filter Pro
The Reflexion Filter Pro
is the affordable, portable
solution for improving the
sound of your acoustic space,
with nine layers of semiabsorbent material to diffuse
sound waves around the mic.
Reflexion
IRF
Reflexion Filter...........................List 349
Instrument Reflexion Filter 2........List $19900
00
ONLY $10/mo.
9900
IsolationPk Shockmount/Pop Screen.............List $5900
249
$
00
$
MudGuard
10999
$
NEW!
BabyGRAMMAII
$
4900
Mount Primacoustic’s VoxGuard Vu on your mic stand
and keep room reflections to a minimum. The window
cutout lets you maintain a
sight line between vocalist
and engineer. It features a
15" x 18" curved absorption
panel with pressurerelease slots to eliminate
resonance. The VoxGuard
also includes an adjustable
mic-clamp slider.
ONLY $10/mo.
MudGuard MudGuard..................................List $12999
Decrease live stage volume and increase the quality of
your guitar and bass recordings! The GRAMMA Series
of amp risers yield nearly total acoustic sound isolation,
for a remarkable purity of
tone that’s free from floor
resonance. Available in
three sizes — call
for more info!
GRAMMAII
GreatGRAMMAII
VoxGuard Vu
Don’t let muddy sound ruin your mixes. The Auralex
MudGuard lets you isolate your microphones and keep
unwanted noise
out. Easy to use
and simple to set
up, the MudGuard
mounts right on
your standard mic
stand — no extra
hardware needed!
VoxGuard
VoxGuard...................................List $12000
335
GRAMMA Series
Isolation Pack
Get a full set of must-have
accessories for your sE Electronics
microphone with the Isolation
Pack. The Isolation Pack includes
one of sE’s upgraded shockmounts,
which perfectly fits your sE X1 or
similar-style condenser microphones. A
handy quick release also lets you swap out
your mics in a hurry. On top of that, the
sE Isolation Pack includes an integrated
pop shield that packs heroic plosiveblocking power.
The Instrument Reflexion
Filter 2 works just like its big
brother but fits in tighter spaces.
$
ACOUSTIC TREATMENT
$
9999
4999
$
Isolation Riser, Sm......List $5999
Isolation Riser, Med.....List $7999
Isolation Riser, Lg......List $10999
6999
9999
$
$
CrashGuard
Does cymbal bleed cause you to pull your toms down
in the mix? Primacoustic’s CrashGuard helps you get
great drum sounds while keeping overbearing cymbals at
bay. This ultra-portable acoustic treatment actually
mounts directly onto the mic stand
and minimizes cymbal bleed
with its open-cell foam
construction.
3499
$
CrashGuard CrashGuard............................................
Hear The Sweet Tone.
Get All The Sound You Paid For!
:
cludesed
res In
Featu Profile For Increa
er
• Lowbility
LowSta
Mid- &ion
Better
nit
en
• Ev uency Defi
dle
Freq
rab Han
Easy-G
• New
The Auralex GRAMMA® v2 Series of patented Isolation
Platforms INSTANTLY improve the sound of any amp, subwoofer or
loudspeaker. Whether in use in the studio or on-stage, GRAMMA
v2 isolation platforms acoustically decouple equipment from the
supporting surface for improved purity of tone.
• The BabyGRAMMA® v2 is designed for compact
guitar, bass and keyboard amplifiers.
• The GRAMMA® v2 is designed for mid-sized
amps and speaker cabinets.
• The GreatGRAMMA® v2 is almost 30% bigger
to float large speaker cabinets.
Call your Sweetwater Sales Engineer today
for more information about the complete line of
ISO™ Series: Instant Sound Optimizers from Auralex
Acoustics and get that Sweet Tone from your rig!
GRAMMA® v2 Series
Product Selection Chart
BabyGRAMMA® v2
GRAMMA® v2
GreatGRAMMA® v2
Sweetwater.com | (800) 222-4700
Names and logos are trademarks or registered trademarks of their respective holders. This advertisement’s content are ©Copyright 2011-2015, Auralex Acoustics, Inc. All rights reserved.
Sweetwater.com
ACOUSTIC TREATMENT
337
FREE Acousti
PLEASE PRINT
CLEARLY AND
USE ONE (1)
SHEET PER ROOM.
Send your complet
Use black pen
ed form to Sweetwa
or dark pencil.
➊ Fax: 260-432
ter
FREE Acoustical Analysis!
24
MONTHS
FINANCING on
on our website
at www.sweet
water.com/room_analys
is
Facility Name:
__________
__________
__________
Your Name: __________
__________
__________
__________
__________
__________
_
__________
Phone: (______)
__________
_________-_
__________
__________
E-mail: __________
Fax: (______)
__________
_________-_
@________
Budget (Check
__________
__________
one)
Zip Code: __________
_____
________-__
 $1,000 - $5,000
_______
Worship Emphasis
 $5,000 - $10,000
 Speech
Type of Music
 $10,000 $20,000
 Music
 Contemporar
 $20,000 +
y (e.g. Full Band)
 Even Mix
of Both
 Traditional
(e.g. Organ,
Choir, etc.)
Type of Room
 Both
(Check all that
apply)
 Sanctuary/N
Is This Facility?
ave
(Check one)
 Multi-Purpos
 New Construction
e/Gymnasium
Room Dimensions
 Restaurant
(Inches or feet)
 Renovation
Length: __________
 Dance Studio
__________
__
Width: __________
 Auditorium
__________
__
Height: __________
 Club/Venue
__________
_
 Other
Analysis Form
our FREE Acoustical
Someone beat
Roominators
Pro Plus Kit
at:
-1758 -orCall today to
➋ Mail To: 5501
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speak to a Sweet
Wayne, IN 46818
water Sales
Engineer at (800)
222-4700
Facility Info
you to it? Find
Did you know that you can get a complete professional
acoustical analysis for free from our friends at Auralex? Go to Sweetwater.
com/shop/studio/acoustic-treatment/room_analysis.php, download the appropriate form, and answer a few simple questions about your studio. When
you’re finished, just send your form to Sweetwater, and we’ll take care of the rest. Turnaround is fast, and the advice you get is priceless.
cal Analysis Form
Sweetwater 3
For best possible
results please
include:
Surface Types
 CAD Drawings
(Please use back
of sheet if more
detail is required)
 Drywall/Shee
tRock ®/Gypsum
Board
 Brick
 Plaster
 Blueprints
Walls:
 Digital Photos
 Wood Paneling
 Unfinished
 Concrete (Block
or Poured)
 Drywall/Shee
 Other: __________
tRock ®/Gypsum
__________
Board
_
 Other: __________
 Exposed Joists
__________
 Drop Tile
__________
Ceiling (“T”
__________
bar, “grid”, etc.)
__________
__________
 Metal Deck/Trusses
_______
 Concrete
 Vinyl/Tile
__________
__________
 Unfinished
Capacity:
__________
Subfloor
# of seats __________
_________
__________
__________
______
Type of Seating:
 Pews with...
— OR —
 Hard Backs/Hard
 Chairs with...
Seats
 Hard Backs/Padde
 Hard Backs/Hard
d Seats
Seats
 Padded Backs/Padde
 Hard Backs/Padde
d Seats
d Seats
Observed or
 Padded Backs/Padde
Measured Acoustical
Problem(s)
d Seats
 Poor Speech
(Check all that
Intelligibilit
apply)
y
 Poor Musical
 Excessive
Clarity
Reverberatio
n
 Lack of Ensemble
 Feedback
 Flutter Echo
with Group Singing
 Too Dead
 Drums are
Other Details,
“Boomy,” “Muddy,”
if any: (e.g.
or too loud
existing treatments,
 Other: __________
 No  Yes,
loudspeaker
Describe: __________
__________
and/or sound
__________
system details)
__________
______
__________
__________
__________
__________
__________
__________
__________
__________
__________
__________
__________
__________
__________
__________
__________
_________
__________
__________
®
__________
__________
__________
_______
Ceiling:
Floor:
pg ad.indd 2
 Carpet
 Hardwood
 Other: __________
__________
Auralex Acoust
ics | Total
Sound Contro ®
l | www.sweetw
ater.com
11/20/2009
2:07:46 PM
Auralex ® Acoust
Don’t spend your time “dialing in” your room. Tame your space with this kit and get the
most out of your audio and recording equipment. Get the Roominators Pro Plus
Kit for spaces from 250 to 400 sq. ft., with the shortest room
dimension being 12–16 sq. ft. The Pro Plus Kit includes 36
Studiofoam 2' x 2' x 2" wedge panels, 12 LENRD
bass traps, eight T’Fusor 3D sound diffusors, and
224 EZ-Stick™ Pro Tabs. Available in charcoal gray.
For projects in a smaller space (100–250 sq.
ft.), check out the Roominators Deluxe
Plus Kit.
RoomProPlus Room Pro Plus Kit, Char.....List 1589
$
RoomDelPlus
99
Room Dlx Plus Kit, Char......List $109999
$
ONLY $55/mo.
144999
99999
$
For more info call or go to
Sweetwater.com/financing
Roominators Project 2
Don’t try to work around your room’s acoustic issues
and struggle to get merely adequate results. Use Auralex
Roominators packages to make your recording environment
as acoustically sound as a big-time studio! The Auralex
Roominators Project 2 is a complete acoustic soundcontrol kit for average-sized rooms. It’s affordable and
incredibly easy to install.
Our best-selling kit, the Project 2 tames sound problems
that stem from uncontrolled
ambience. The result? Greater
clarity in your listening
environment, better
sound, and more of your
time spent on making and
recording music.
Take control of your room’s sound! Auralex Roominators
DST kits improve your room’s acoustics by reducing
uncontrolled ambience. Perfect for spot treatment and
that designer look, the Roominators D36 offers you
a professional starter kit to reduce unwanted slap and
flutter echo in your room, making the environment
much friendlier for recording and mixing. The D36 kit
contains 18 DST-112 panels and 18 DST-114 panels, in
your choice of three great colors; 72 EZ Stick™ Pro Tabs
are also included.
ONLY $10/mo.
RoomDST36BRoom D36, Burg/Char.......................List $18999
ONLY $29/mo.
Project2KitRoom Project 2, Char..................List $81999
Roominators D36
74999
RoomDST36C
RoomDST36P
$
16999
$
16999
16999
$
Room D36, Char/Char...................List $18999
Room D36, Purp/Char...................List $18999
$
London 8
London 12
Stand in the middle of your room,
clap your hands, and listen. The
ringing sound you probably hear is a
combination of flutter echo, reflections,
standing waves, and other acoustic
anomalies that will impact the quality
of your recordings and color what
you hear when you’re mixing. Luckily,
these common problems are easy to
fix. The Primacoustic London 8 room
kit is designed for rooms up to 100
square feet, and it tames most acoustic issues. This kit is made up of Broadway acoustic
panels, which are made from high-density 6-pound-per-cubic-foot fiberglass. This denser
material provides almost five times greater absorption than typical foam. That means
you’ll add less material on your walls and get more absorption for the effort, resulting
ONLY $10/mo.
in a clean look and greatly
$
99
improved acoustics. This
$
00
London8BkLondon 8, Blk.............................List 250
room kit is available in
$
London8Bg London 8, Beige..........................List $25000
22999
black, beige, or grey.
$
London8Gy London 8, Grey............................List $25000
22999
Most rooms in either
commercial facilities or
residential dwellings have
parallel walls. These parallel
walls are great for aesthetics
and floor plans, but they
introduce a world of problems
in recording or mixing rooms.
Intended for rooms up to 150 square feet in size, Primacoustic’s London 12 room kit
uses a combination of Control Columns and Broadband Panels to tame early reflections,
the main source of frequency imbalances that can make accurate monitoring in these
spaces next to impossible. Positioned near the sound source, this absorptive material helps
to “define” the listening area, making it easier to discern what is really happening versus
hearing the reflections, which makes mixing and recording easier. To break up additional
reflections, you also get a set of 12 Scatter Blocks, which diffuse remaining reflections.
ONLY $29/mo.
The London 12 room kit is
$
99
available in beige, black,
London12Bg London 12, Beige..................List $80000
$
99
or grey.
$
00
London12Bk
London 12, Blk......................List 800
769
229
769
London12Gy
London 12, Grey....................List $80000
76999
$
ics | Total Sound