KH 120 - Sweetwater.com
Transcription
KH 120 - Sweetwater.com
U 47 fet The distinctive look of an old Polaroid photograph and the typical sounds of the 1970s are immediately recognizable. Similarly to the Polaroid esthetic, the sound concepts of that innovative period are being rediscovered as an extremely enriching creative element in today’s digital world. KH An icon120 of that era, the U 47 fet with its unmistakable sound, is now The KH 120again. studioFor monitor is designed for Edition U 47 fet,” Neumann available the new “Collectors use a near-field loudspeaker or as a rearmic, according to the original has as resumed production of this classic loudspeaker in larger multi-channel systems. production documents and schematics. (800) 222-4700 | www.sweetwater.com Sweetwater.com LARGE-DIAPHRAGM CONDENSER MICROPHONES 279 M 147 Tube True Tube Mic Goodness The M 147 Tube delivers the incredibly transparent sound that engineers everywhere trust to accurately capture acoustic instruments. It’s a great mic for bass instruments, yet it can also be used for delicate vocals. At the heart of this cardioid tube condenser mic is the K 47/49 dual-diaphragm capsule, inherited from the legendary U 47 and M 49 mics. The M 147 Tube’s transformerless output circuit guarantees extremely low self-noise. The flat frequency response in the upper midrange, with a 3dB boost above 2kHz, adds shimmer to sources that would sound dull with other mics. Specs: cardioid • 20Hz–20kHz • Max SPL: 134dB M147 Tube Condenser Mic........................................... ONLY $109/mo. 289995 $ TLM 67 Set Z Amazing U 67 Sound and Vibe — Without the Tubes The number “67” carries a special meaning among studio professionals all over the world. And there’s good reason why that number appears on the TLM 67 Set Z: Neumann developed this microphone to closely reproduce all of the sound characteristics of the famous U 67. In fact, the TLM 67 Set Z uses the identical K 67 capsule, just without the tubes — a design that has proved extraordinarily successful with the amazing TLM 49 (below). U47 FET Collector’s Edition One of the Most Recorded Mics Ever The Neumann U47 FET Collector’s Edition brings the epic sound of one of the most recorded microphones in history into your studio. Neumann went back to the original schematics and production notes from the original U47 FET to bring you the wide dynamic range, detailed sound, and fast transient response of the original. The U47 FET lets you record kick drum tracks with amazing power and punch, track vocals with exceptional articulation and detail, and capture the full dynamic range of delicate acoustic instruments. Specs: cardioid • 40Hz–16kHz • Max SPL: 137dB U47FET Lg Diaphram Cond Mic................................ TLM67SetZ Condenser Mic........................................ ONLY $90/mo. 2399 95 Inspired by the classic M 49 and M 50 microphones of the ’50s, the Neumann TLM 49 is a large-diaphragm condenser optimized for capturing vocal performances. Though it’s perfect for voice, the wide frequency response of the TLM 49 makes it suitable for a number of tasks, such as recording acoustic guitars or other instrumental applications, including low-frequency sources. Voiced in the tradition of Neumann’s M 49 and the U 47, the TLM 49 uses the K 47 capsule, with flat response up to the upper mids and a slight boost above 2kHz. Shockmount is included. TLM49 Condenser Mic........................................... Specs: omni, cardioid, figure-8 • 20Hz–20kHz • Max SPL: 127dB • bass roll-off • Pad: 10dB ONLY $64/mo. 1699 95 U87SetZ TLM 103 This versatile condenser mic is what’s missing from your mic collection! Equally at home in pro and project studios alike, the TLM 107 gives you ultra-clear and delightfully smooth Neumann sound, plus the multi-pattern flexibility and flat response you need to tackle any recording situation. Available in black (shown) or nickel. The cardioid TLM 103 uses a tried-and-true transformerless circuit found in high-end Neumann microphones to achieve low self-noise and incredibly high SPL tolerance. That makes it perfect on everything from vocals to guitar cabs. Also available is the TLM 103 Anniversary Edition, with an aluminum case and a matching shockmount. Specs: cardioid/wide cardioid/omni/ hypercardioid/fig-8 • 20Hz–20kHz • Max SPL: 141dB ONLY $64/mo. TLM107MTCondenser Mic........................................... TLM107 24 TLM 107 A Workhorse Mic with World-class Sound Condenser Mic........................................... 1699 $ 95 1699 $ 95 399995 Here’s a legend! The U 87, arguably the most famous mic in the Neumann line, has been used for vocals on countless hit records. It also excels for instrumental close-miking and in capturing orchestral ensembles and solo performances. Its large MONTHS dual-diaphragm capsule (drawn FINANCING on from Neumann’s famed K 67) can capture both the body and the air of a performance without sounding harsh. Classic Voice, Modern Performance $ ONLY $150/mo. Your Chance to Own the Classic Condenser Mic TLM 49 Specs: cardioid • 20Hz–20kHz • Max SPL: 129dB $ U 87 Specs: cardioid, omni, figure-8 • 20Hz–20kHz $ NEW! Condenser Mic................................ Affordable, Compact Neumann Finally, an amazing Neumann microphone that project-studio owners can afford! The TLM 102 is a fine example of a large-diaphragm condenser mic — you’re going to love it on vocals, guitar cabinets, or anything that makes noise! In fact, you don’t have to baby this Neumann when it comes to louder instruments; it can handle SPLs up to 144dB! That means you can park the TLM 102 in front of everything from kick drums to amps to strings. Available in a nickel or black finish. Specs: cardioid • 20Hz–20kHz • Max SPL: 138dB TLM103 Condenser Mic............................................ TLM103Anniv Condenser Mic w/Aluminum Case...................... ONLY $135/mo. 359995 $ TLM 102 This Neumann Delivers in the Studio and Onstage Specs: cardioid • 20Hz–20kHz • Max SPL: 144dB ONLY $27/mo. ONLY $42/mo. 1099 $ For more info call or go to Sweetwater.com/financing 95 1299 $ 95 TLM102 TLM102MT Condenser Mic, Nickel................................ Condenser Mic, Blk..................................... 69995 $ 69995 $ A masterpiece of brilliance and beauty Call a Sweetwater Sales Engineer to learn more. (800) 222-4700 www.sweetwater.com ADV731/1/E The C414 XLS maintains the sonic character of the legendary C414 B-ULS, the most popular AKG C414 version since 1971. If your taste runs more toward the classic C12, the C414 XLS’s brother, the C414 XLII, will get you there. If you are on a budget or simply need a quality cardioid pair of microphones, the C214 maintains much of the character of the C414 XLS at a more modest price. Sweetwater.com LARGE-DIAPHRAGM CONDENSER MICROPHONES C 414 XLS C 214 We couldn’t wait to get our hands on the upgraded C 414 XL II. AKG has made this legendary mic even better! It still has the distinctive timbre that adds presence to closemiked vocals and instruments, such as acoustic guitars. It’s got a slight high-frequency boost that captures the “air” around the notes, so this mic now sounds closer to the legendary C 12 than ever before. The C 414 XL II can also add depth to a thinsounding soprano or any other source that needs a little more body. Its nine selectable polar patterns give you plenty of placement options, so you’ll be ready for any source or session need. You can even lock the settings, so performers won’t accidentally change them onstage! Though the C 414 XL II is a superior vocal mic, the C 414 XLS is ideal for reference-quality capture of the details of acoustic sources, including string sections, brass, woodwinds, and vocal solos or ensembles. The C 414 XLS offers nine pickup patterns, enabling you to choose the perfect setting for every application. In addition to the five patterns traditionally offered by the C 414 (omnidirectional, wide cardioid, cardioid, hypercardioid, and figure-8), you also get four intermediate settings that let you dial in the best pattern to suit your environment. This mic produces clear, transparent, open highs, without a hint of harshness. An internal shockmount protects the capsule, and its high sensitivity and low self-noise ensure uncompromised reproduction of the most delicate sounds. Here’s a real workhorse mic for stage, studio, or broadcast, and it’s amazingly budget friendly! With a lineage that extends from the legendary C 414 family, AKG’s C 214 gives you great all-around performance while handling high SPLs. It features quality low-noise operation, an attenuation pad, and a low-cut switch to handle a range of sound sources. Specs: 9 pickup patterns • 20Hz–20kHz • Max SPL: 158dB • Bass roll-off: 40Hz/80Hz/160Hz • Pad: 6dB/12dB/18dB ONLY $42/mo. Specs: 9 pickup patterns • 20Hz–20kHz • Max SPL: 158dB • Bass roll-off: 40Hz/80Hz/160Hz • Pad: 6dB/12dB/18dB ONLY $40/mo. C414XLII C414XLS C 414 XL II Your Pick for Referencegrade Sound Vocals, Acoustic Guitar, Overheads — Use It Everywhere Condenser Mic.........................List 1549 $ 00 1099 $ 00 Awesome All-around Studio Microphone Condenser Mic.........................List 1499 $ 00 The cardioid-only C 214 maintains the high-quality sound associated with the C 414 series. By being cardioid only, the C 214 is an easy fit into many studio and live sound situations, where minimizing bleed is desired. For a big-studio drum sound for relatively little money, park a pair of C 214s over an acoustic drum kit. 1049 $ Specs: cardioid • 20Hz–20kHz • Max SPL: 158dB • Bass roll-off: 160Hz • Pad: 20dB 00 C214 Condenser Mic...........................List 469 $ 00 ONLY $15/mo. 39900 $ P820 Tube P420 Flagship of AKG’s Project Studio line, the P820 Tube condenser makes quality tube mic performance affordable, delivering rich sonics as only a tube mic can. The P820 Tube gives you excellent versatility, offering a choice of cardioid, omni, and figure-8 polar patterns, along with a low-cut filter and 20dB attenuation pad, both accessible from the supplied remote power supply. AKG’s P420 large-diaphragm condenser microphone gives you high sensitivity, a robust SPL capacity, and multiple pickup patterns; in short, it’s a versatile, affordable addition to any pro facility where uncompromising quality is standard. A Must-have Mic for Any Studio Versatile Multi-pattern Condenser The P420 features a 20dB pad and pristine sound quality. You can select between cardioid, omni, and figure-8 pickup patterns for a variety of miking applications. This mic is ruggedly constructed and includes a spider-style shockmount and aluminum carrying case. AKG means quality, and the P420 is no exception! With its 1" dual-capsule design and advanced ECC83 dual-triode circuitry, the P820 Tube gives you a smooth, dimensional sound. And although it excels on vocals, its ability to withstand high sound pressure levels make the P820 Tube an all-around studio workhorse. A metal carrying case and a spider shockmount are included. Specs: cardioid, omni, figure-8 • 20Hz–20kHz • Max SPL: 155dB • Bass roll-off: 80Hz • Pad: 20dB P820T Tube Condenser Mic...................List 999 $ 00 Specs: cardioid, omni, figure-8 • 20Hz–20kHz • Max SPL: 155dB • Bass roll-off: 300Hz • Pad: 20dB ONLY $27/mo. ONLY $10/mo. 699 $ 00 P420 Condenser Mic...........................List 399 $ P220 P120 The AKG P220 large-diaphragm condenser microphone gives you the kind of versatile performance and reliability you need, whether you’re capturing sources in a pro studio, tracking at home, or even going after great live sound. Need an affordable mic you can use on almost anything? Sporting a 2/3" diaphragm capsule, a fixed cardioid pickup pattern, and the ability to withstand high SPLs, the AKG P120 works great on just about any source — instrumental or vocal. Featuring a cardioid pickup pattern, a switchable 20dB attenuation pad, and a bass roll-off switch, the P220 has what you need to get great sound anywhere — it’s built rugged enough to take the stage while being sensitive and accurate enough to find a home in any studio mic locker. The P220 comes with an aluminium carrying case and a spider shockmount. A bass roll-off switch and a 20dB pad add to this mic’s versatility. When you consider its super-affordable price tag, the P120 becomes a logical choice for project and home studio multi-mic applications such as drums. Value-packed Large-diaphragm from AKG Proving That Accuracy Is Affordable Specs: cardioid • 20Hz–20kHz • Max SPL: 150dB • Bass roll-off: 300Hz • Pad: 20dB Specs: cardioid • 20Hz–20kHz • Max SPL: 155dB • Bass roll-off: 300Hz • Pad: 20dB ONLY $10/mo. P220 281 Condenser Mic...........................List $29900 14900 $ P120 Condenser Mic...........................List $17900 9900 $ 00 19900 $ 20 Years. 4 Mics. 2 Companies. 1 Legend. The new NT1 is the fourth generation of this legendary microphone, and since the very first release we’ve partnered with the team at Sweetwater to ensure NT1 users get the very best before and after sales service. Featuring an entirely new capsule, electronics and ceramic-coated body, the NT1 is an entirely new microphone and the quietest studio microphone we’ve ever created. Combine it with the revolutionary SMR shock mount and there’s no debate that the legend will live on for years to come. Speak to your Sweetwater Sales Engineer today and find out why the NT1 is so very special. (800) 222-4700 www.sweetwater.com Sweetwater.com LARGE-DIAPHRAGM CONDENSER MICROPHONES NT1 Kit NT1000 Incredible Low-noise Condenser Mic plus Accessories Need Accuracy? Here’s Your Microphone Over the RØDE NT1’s 20-plus-year history, Sweetwater Sales Engineers have helped countless recording engineers discover this amazing cardioid condenser microphone — and this latest NT1 model is by far the most impressive one yet! Sporting a mere 4.5dB of self noise, the NT1 isn’t just the quietest studio condenser microphone RØDE has produced to date; it’s one of the quietest mics of its type in the world. Patented Lyre capsule suspension technology from Rycote further enhance the sound of the NT1, isolating it from even the natural harmonic resonance of its aluminum body. And with the bundled SRM combination shockmount and pop filter, this NT1 Kit is a truly amazing deal. Call us today and make an instant improvement to the way your projects sound. Specs: cardioid • 20Hz–20kHz • Max SPL: 132dB NT1Kit Clear and accurate! As great as they sound, mics with a lot of sonic character aren’t always the best ones to use on a given sound source. Sometimes you need maximum accuracy. That’s why RØDE makes the NT1000. This is the mic you need for a natural, uncolored studio sound — and it’s available at an amazingly low price! Perfect for both close-miking and ambient applications, the NT1000 makes a great all-around mic for your studio. 24 MONTHS FINANCING on For more info call or go to Sweetwater.com/financing Specs: cardioid • 20Hz–20kHz • Max SPL: 140dB ONLY $11/mo. Condenser Mic...........................List $39500 269 $ ONLY $13/mo. 00 32900 $ NT1000 Condenser Mic....List 599 $ 00 K2 NTK NT3 You’ll love the classic tube condenser character of the K2, and you’ll appreciate its low-noise performance and versatility. Dial in exactly the pattern you want (from omni to cardioid to figure-8), thanks to a continuously variable pickup-pattern selector. And don’t worry about putting the K2 on loud sources, as it can handle big SPLs! Call today and find out more. The RØDE NTK large-diaphragm tube condenser mic can hold its own against sought-after vintage microphones that cost several times as much! This mic’s gentle presence boost makes everything sound good, especially vocals. A matching SM2 shockmount is available. Here’s one studio-quality mic that doesn’t have to be stuck in the studio! The NT3 sounds great on instruments and vocals. It’s phantom powered and battery powered, so it’s perfect for your mobile studio or field-recording rig! The NT3 is a road-tough microphone that’s built to last, and it’s your go-to mic when it’s time to pull out the laptop and capture sound sources on the fly. Specs: cardioid • 20Hz–20kHz • Max SPL: 158dB Specs: cardioid • 20Hz–20kHz • Max SPL: 140dB This Versatile Tube Mic Does It All Premium Tube Mic Performance, Great Price Specs: variable pattern • 20Hz–20kHz • Max SPL: 162dB ONLY $27/mo. K2Tube 283 Tube Condenser Mic...................List 999 $ 00 699 $ 00 Versatile Cardioid Condenser ONLY $20/mo. NTK SM2 Tube Condenser Mic...................List $99900 Shockmount............................................... 52900 $ ONLY $11/mo. 49 $ NT3 00 NT2-A Studio Solution NT1-A Bundle RØDE’s NT2-A Studio Solution includes the popular NT2-A condenser mic plus a complete accessory package. The NT2-A features switchable pickup patterns, a highpass filter, and a pad. The bundle also includes an SM6 shockmount with a detachable pop filter, an XLR cable, a dust cover, and a recording techniques DVD featuring accomplished music producer John Merchant. RØDE put together this value-loaded NT1-A Bundle to celebrate their 15-year anniversary. Inside, you get the fantastic NT1-A, which works great on even loud sources. Its combination of astonishingly low self-noise and high SPL handling (not to mention its very approachable price) makes the NT1-A your next studio essential. With the bundle, you also get a pop shield, a shockmount, and an XLR cable, so you’re ready to record. Incredible Condenser Bundle NT2AStuBun Condenser Mic Package.......List 699 00 00 RØDE Video Mics VideoMic Pro Studio-quality Audio for Your Video Get broadcast-quality audio for your video recordings, with the RØDE VideoMic Pro. This compact mic includes a three-position level control, so you can instantly respond to changes in your recording environment. An integrated shockmount minimizes camera-handling noise, while an 80Hz highpass filter helps cut out wind noise. Specs: supercardioid • 40Hz–20kHz • Max SPL: 134dB • Bass roll-off: 80Hz • Pad: 10dB • Boost: 20dB VideoMicPro SprCard Shotgun Mic........List 329 $ 00 ONLY $10/mo. 229 $ 00 ONLY $10/mo. Specs: cardioid • 20Hz–20kHz • Max SPL: 137dB 399 $ 00 First-class Recording Solution Specs: cardioid/omni/fig-8 • 20Hz–20kHz • Max SPL: 147dB–157dB • Bass roll-off: 80Hz, 40Hz • Pad: 5dB/10dB ONLY $15/mo. $ 26900 $ Condenser Mic............List 349 $ NT1AAnniv Condenser Mic Package...........List 369 $ 00 22900 $ VideoMic Stereo VideoMic Pro Upgrade the Audio Quality of Your Videos Capture Impeccable Stereo Audio for Video The RØDE VideoMic is a professional-grade shotgun microphone. Based on the latest film industry technology, the VideoMic is designed specifically for use with highquality digital video cameras. It gives you exceptionally low noise and an unusually wide bandwidth for its compact size. Compact, professional, essential! RØDE’s outstanding Stereo VideoMic Pro gives you a matched pair of condenser mic capsules, mounted in an XY stereo configuration. You also get a threeposition level control, a two-step highpass filter, an integrated shockmount, a built-in foam windscreen, and more. Specs: supercardioid • 40Hz–20kHz • Max SPL: 134dB • Bass roll-off: 80Hz • Pad: 10dB/20dB VideoMic SprCard Shotgun Mic..................List $24900 ONLY $10/mo. $ 149 00 Specs: supercardioid • 40Hz–20kHz • Max SPL: 130dB • Bass roll-off: 80Hz • Pad: 10dB • Boost: 20dB ONLY $12/mo. VideoMProST Stereo SprCard XY Mic..........List 399 $ 00 29900 $ 284 (800) 222–4700 LARGE-DIAPHRAGM CONDENSER MICROPHONES 24 MONTHS FINANCING on Bottle Rocket Stage One Gives You Nearly Any Classic Mic Sound The solid-state Bottle Rocket Stage One is compatible with the Bottle Caps system of interchangeable capsules that lets you change the mic’s tonal characteristics and pickup patterns. For vintage-style S3 Shock tube warmth with modern speed and transparency, choose the Bottle Rocket Stage Two. Both mics ship with a shockmount, case, and Blue’s versatile B8 cardioid capsule. Specs: Stage One/Stage Two cardioid • 20Hz–20kHz • Max SPL: 138dB/139dB ONLY $38/mo. BottleRktS1 BottleRktS2 Condenser Mic...................................... Tube Condenser Mic............................... 99999 $ 249999 $ Kiwi Great-sounding Multi-pattern Mic for Any Recording Situation The Kiwi gives life to any recording! Vocals, acoustic instruments, pianos, and drums will take on a life of their own when touched by the Kiwi’s modern tone and sparkling top end. Class A electronics ensure an output stage with virtually no coloration, and the precision B6 capsule borrowed from the Bottle has multiple polar patterns for supercharged versatility. Though it’s great for an array of recording applications, the Kiwi is really sweet on vocals, adding punch, clarity, and unique low-end warmth on both spoken and singing tracks. For more info call or go to Sweetwater.com/financing Bottle Build an Entire Mic Locker Around This Blue Beauty Incredible sound, outstanding flexibility! Blue’s Bottle tube mic makes an amazingly versatile recording tool, thanks to its use of optional interchangeable capsules in the Bottle Caps kit. Just exchange a capsule whenever you want to change the sound. Switching capsules takes just seconds (in our studio, we were able to swap capsules in under a minute), so you can avoid interrupting the session to set up a new mic — very cool! The Bottle combines the sonic magic of high-grade electronics and hand-selected tubes with a vibe that harkens back to the earliest European mics, making it a must-have mic for any serious studio. Specs: multiple patterns via optional capsules • 30Hz–20kHz • Max SPL: 134dB ONLY $225/mo. Bottle Tube Condenser Mic................................... BottleCapKit Bottle Capsule Kit....................................... 599999 $ 419999 $ Specs: multiple patterns via pattern-selector switch • 20Hz–20kHz • Max SPL: 133dB ONLY $75/mo. Kiwi Condenser Mic................... $ 199900 Dragonfly Easy-to-position Mic Shines on Everything Blueberry Put Your Vocals Right up Front Fantastic vocals and more! The Blueberry provides the kind of commanding vocal presence associated with sought-after classic mics, in a unique-looking package. You get an airy top end and smooth midrange characteristics to help you put your vocals right in the front of the mix. It also works great on instruments. Includes a custom shockmount and a wooden storage box. Specs: cardioid • 35Hz–20kHz • Max SPL:133dB For detailed vocals, percussion, electric guitar, bass, saxophone, and strings, the Dragonfly soars. It delivers tight, punchy low end as well as contoured midrange and extended top end. The Dragonfly features Blue’s handbuilt single-membrane largediaphragm capsule, coated with pure gold and aluminum, and enclosed in a rotating spherical grille for precise positioning. This mic includes an integrated shockmount and a storage box. Specs: cardioid • 20Hz–20kHz • Max SPL: 132dB ONLY $38/mo. ONLY $38/mo. Blueberry 99999 $ Condenser Mic.................... Dragonfly Condenser Mic........................................... Spark Baby Bottle The Spark is Blue’s latest addition, and despite its modest price tag, you get everything you’d expect from Blue. Sonically, the Spark uses Blue’s premium medium-diaphragm condenser capsule and proprietary custom preamp design to great effect, giving your tracks a professional sound. But the Spark’s bag of tricks doesn’t end there. Push the Focus button, and the Spark shifts from its full-range response (great for general recording tasks) to a more upfront sound that really lets your tracks sit forward in the mix. The Baby Bottle offers a great example of Blue’s commitment to maximum bang for the buck. This large-diaphragm condenser features discrete Class A circuitry and a cardioid pickup pattern, and it’s great for everything from vocals to drums to amps. The Baby Bottle’s unique sonic signature has rich and present midrange response, a smooth top end, and a neutral bottom end, creating a classic and contemporary sound — ideal for recording vocals, electric guitar amps, and such difficult brass instruments as saxophones and horns. It comes with a custom pop filter, a shockmount, and a wooden storage box. Versatile and Affordable Condenser Ignite Your Next Recording with This Affordable Beauty Bluebird The Value-packed Workhorse Under $300 Blue’s tribute to all-around sound and value. The Bluebird works great on practically anything you want to record. It’s robust enough for drums, horns, and amplifiers, but it’s accurate and clear enough to bring out the subtle sonic details you want from vocals, acoustic guitars, and piano. It comes equipped with a custom shockmount and a pop filter. Specs: cardioid • 20Hz–20kHz • Max SPL: 138dB Bluebird Condenser Mic........................................... ONLY $12/mo. 299 $ 99 99999 $ The Spark Digital mic gives you the Spark’s great performance plus direct USB and Lightning connectivity for your computer or iOS device. Specs: cardioid • 20Hz–20kHz • Max SPL: 128dB Spark SparkDigL Condenser Mic........................................... USB/iOS Condenser Mic............................. ONLY $10/mo. $ 19999 19999 $ Specs: cardioid • 20Hz–20kHz • Max SPL: 133dB BabyBottle Condenser Mic........................................ ONLY $15/mo. $ 39999 Sweetwater.com LARGE-DIAPHRAGM CONDENSER MICROPHONES 285 24 MONTHS FINANCING on AT5045 AT4047MP Compact Large-diaphragm Condenser Mic The Audio-Technica AT5045 side-address condenser mic is primed to be a workhorse onstage or in your studio. With a natural, smooth sound, the convenience of a slim body, and the side-address design, it’s easy to position in tight places. Put it under a snare drum to capture just the right crackle. Or inside a piano to harness every last nuance of the soundboard. With wide-ranging response, a wide dynamic range, and exceptional detail, the Audio-Technica AT5045 is simply an outstanding large-diaphragm condenser mic. Available singularly or as a stereo matched pair. Specs: cardioid• 20Hz–20kHz • Max SPL: 149dB AT5045 AT5045SP For more info call or go to Sweetwater.com/financing NEW! Condenser Mic........................................... Condenser Mic (pr)..................................... AT4050 Transparent Sound, Versatile Features $ ONLY $53/mo. 1399 00 2499 $ 00 Excellent Mic for Broadcast and Studio Recording Applications With the AT4047MP, you get the vintage sound of a large-diaphragm condenser with FET circuitry — the sound responsible for countless classic vocal recordings. This mic is absolutely smooth on vocals, treating them with a natural presence boost that is perfect for when you want the singer to stand out in the mix. And if you don’t need the AT4047MP’s multiple polar patterns, the AT4047 gives you cardioid-only performance at a great price. Specs: AT4047MP omni/cardioid/fig-8 • 20Hz–18kHz • Max SPL: 155dB • Bass roll-off: 80Hz • Pad: 10dB AT4047 cardioid • 20Hz–18kHz • Max SPL: 149dB • Bass roll-off: 80Hz • Pad: 10dB AT4047MP Multipat Condenser Mic............List 1055 $ AT4047 Condenser Mic............................List 895 $ AT4050 The versatile AT4040, with a smart design and precision engineering, provides an eloquent, well-focused, musical sound. You’ll be amazed by the AT4040’s impressive low-frequency reproduction and detailed capture of high-speed transients — great for percussive sources. The AT4040’s 2-micron-thick diaphragm provides accurate reproduction of even the subtlest sounds, without sacrificing highfrequency performance. It captures all the resonance and body from anything from a fine acoustic guitar to a male vocal. A Smart Choice for Your Studio Specs: cardioid • 20Hz–20kHz • Max SPL: 145dB Condenser Mic...........................List 895 00 699 $ 00 AT2050 ONLY $15/mo. AT4033CL Condenser Mic...........................List 595 $ 00 00 ONLY $10/mo. 22900 $ Condenser Mic...........................List 495 The AT2020 sports a remarkably wide dynamic range and a high SPL capacity, making it a versatile studio performer. It’s the Swiss Army knife of affordable condensers! And at this incredible price, you can put together your own stereo mic pair! Specs: cardioid • 20Hz–20kHz • Max SPL: 144dB ONLY $10/mo. AT2035 Condenser Mic...........................List $24900 29900 $ Stellar A-T performance, outstanding value! The fantastic AT2020 gives you a great way to enter the world of studio condenser mics. This microphone is a true performer. Its low-mass diaphragm is tailored for extended frequency response and outstanding transient response. Specs: cardioid • 20Hz–20kHz • Max SPL: 148dB Specs: cardioid/omni/fig-8 • 20Hz–20kHz • Max SPL: 149dB AT4040 00 Amazingly Affordable Largediaphragm Condenser The Audio-Technica AT2035 largediaphragm condenser microphone gives you great performance at an amazingly low price! The cardioid AT2035 features a switchable 80Hz highpass filter and a 10dB pad, and it ships with a shockmount and a protective pouch. A great choice for everything from project-studio work to live applications, this mic gives you smooth, natural sound quality, and its capability to handle high sound-pressure levels makes it perfect for drums, stringed acoustic instruments, amps, and more. The AT2050 gives you great performance in both studio and live applications as well as on a wide range of sound sources. It’s a great addition to any mic locker! ONLY $12/mo. $ AT2020 Great Instrument Mic The Audio-Technica AT2050 largediaphragm condenser microphone gives you premium performance and incredible versatility! The AT2050 includes three switchable pickup patterns (cardioid, omni, and figure-8) and features an 80Hz highpass filter and a 10dB pad. It comes complete with a custom shockmount and a protective pouch. Condenser Mic...........................List $36900 399 $ AT2035 Reliable Performance with Multiple Patterns AT2050 69900 $ A strong up-front presence characterizes the sonic signature of this versatile proaudio classic! The AT4033/CL features a transformerless circuitry that virtually eliminates low-frequency distortion and provides superior correlation of high-speed transients. The AT4033/CL’s specially treated diaphragm goes through a 5-step aging process for a natural sound that won’t change its tone over years of use. Comes with a shockmount, a dust screen, and a protective case. ONLY $27/mo. $ 84900 AT4040 Specs: cardioid • 30Hz–20kHz • Max SPL: 145dB • Bass roll-off: 80Hz • Pad: 10dB Specs: omni/cardioid/fig-8 • 20Hz–18kHz • Max SPL: 149dB • Bass roll-off: 80Hz • Pad: 10dB 00 ONLY $32/mo. $ AT4033/CL Go-to Workhorse Condenser The AT4050 is a top-selling vocal mic – and for good reason! Utilizing a low-noise transformerless design and multiple polar patterns, the AT4050 is ideal for use in the most demanding recording situations. Dual gold-plated, aged large-diaphragm elements provide extended frequency response, and floating construction elements provide isolation from noise and vibration. 00 $ 14900 AT2020 Condenser Mic...........................List $16900 9900 $ 286 (800) 222–4700 LARGE-DIAPHRAGM CONDENSER MICROPHONES CU-29 Copperhead Stellar Tube Mic, Down-to-earth Price Exquisite sonic detail and openness! The CU-29 Copperhead tube condenser features a gold-sputtered capsule with a cardioid pickup pattern — perfect for a range of applications. This mic comes equipped with a genuine NOS EF-95 tube onboard. You also get a dedicated power supply, a shockmount, a wooden box, and a 7-pin microphone cable. Specs: cardioid • 20Hz–20kHz • Max SPL: 130dB CU29 Condenser Mic.........................List $152500 ONLY $49/mo. 129500 $ AR-51 Put This Tube Mic to Work in Your Studio Telefunken’s AR-51 tube condenser mic works well on an array of sources, including vocals, stringed instruments, drums, and even saxophones. The AR-51 gives you nine polar-pattern settings (cardioid, omnidirectional, figure-8, and six intermediate stages), so you’ll always be able to find the perfect setting. It includes a power supply, a shockmount, a wooden box, and a 7-pin mic cable. Specs: card/omni/fig-8 • 20Hz–20kHz • Max SPL: 128dB AR51 Multi-pattern Condenser Mic....List $222900 AK-47 MkII Classic Tube-mic Character, in a Dependable Modern Mic Want to add classic tube-mic character to your studio? Then you owe it to yourself to check out Telefunken’s AK-47 MkII. Nine polar-pattern settings (cardioid, omni, figure-8, and six intermediate stages) make the AK-47 MkII a real studio workhorse. This tube mic sports the fantastic BV8 transformer, so you know you’re getting authentic performance. The AK-47 MkII ships with a power supply, a shockmount, a wooden box, and a 7-pin mic cable. Specs: card/omni/fig-8 • 20Hz–20kHz • Max SPL: 125dB ONLY $72/mo. 189500 $ AK47MKII Multi-pattern Condenser Mic....List $222900 $ ONLY $72/mo. 189500 Gold Reference Reference Cardioid Tube Warmth and Clarity For uncompromised recording, the multi-pattern Manley Gold Reference mic is it. The tube and custom-wound transformer reveal every whisper, breath, and nuance. The polar pattern of the Gold Reference is also continuously variable, so it fits any solo, section, or room situation. Call your Sweetwater Sales Engineer today and find out more about this stellar microphone. 24 MONTHS FINANCING on For more info call or go to Sweetwater.com/financing Specs: cardioid/omni/fig-8 • 10Hz–30kHz • Max SPL: 150dB • Pad: 10dB ONLY $186/mo. RefMicGold Tube Condenser Mic.............List $550000 $ 495000 Fantastic Tube Microphone by the Tube Experts Ever wonder how the top engineers achieve that “finished” vocal sound? Simple: they start with the best mics available. No amount of signal processing will make a good mic sound like a great mic; that’s why real performers stand the test of time. Here’s a perfect example! The Manley Reference Cardioid microphone simply requires nothing extra. A handselected tube and custom-wound transformer design provide a rich tonal balance that’s perfect for guitars, drums, saxophones, and especially vocals. Plug in the Reference Cardioid and prepare to be amazed! Specs: cardioid • 10Hz–30kHz • Max SPL: 150dB • Pad: 10dB ONLY $102/mo. RefMic Tube Condenser Mic.................List 3000 $ 00 $ 270000 MIC COMPARISONS MADE SIMPLE! Gold Digger In the studio, you often need to compare the sound of several mics on, say, a lead vocal. Enter the Gold Digger. Its straight-wire passive circuit design employs sealed military-grade gold relays, maintaining your mic signal integrity without introducing distortion, ONLY $14/mo. colorations, or artifacts. GoldDigger Gold Digger............................List $40000 $ 34999 Sweetwater.com LARGE-DIAPHRAGM CONDENSER MICROPHONES 4-ZERO-7 251 A Meticulous Rendition of a Classic Experience Legendary Tube Mic Sound Introduced in 1949, the legendary tube U47 has been used on countless recordings, from jazz to rock to classical. Flat is not what this large-diaphragm condenser mic is about. With its signature presence peak and pronounced proximity effect, it’s about punchy, in-your-face vocals and drums that make your mixes sound like hits. For well under half of what you’d pay for a vintage ’47 (if you could find one in decent condition), Bock Audio’s 4-ZERO-7 gives you the coveted sound of the original, along with the consistency, reliability, and long-term serviceability you require. Spec’d with a versatile cardioid polar pattern, the 4-ZERO-7 includes a remote power supply and spider shockmount. 407 This microphone masterpiece re-creates the sonic beauty of the fabled Telefunken ELA M 251! The Bock Audio 251 brings you that “magic” sound that’s so elusive in the world of modern audio. It has a strong, powerful bottom and an airy, nonabrasive top that puts this mic in a class with only the finest vocal microphones. You’ll hear the difference immediately, as it transforms your vocals with its extra-smooth touch. For clarity, full sound, and premium handbuilt quality, the 251 simply can’t be beat. Specs: cardioid/omni/fig-8 • 10Hz–20kHz • Max SPL: 129dB ONLY $255/mo. Specs: cardioid • 10Hz–18kHz • Max SPL: 129dB Tube Condenser Mic.................List 7175 $ 00 $ 287 6795 00 251 Tube Condenser Mic................................List 6495 $ 00 ONLY $225/mo. 599500 $ 241 iFet Dual FET Amplifiers in a Single Mic Bring Out the Magic of Your Vocals The dual-voiced Bock Audio iFet mic makes a perfect choice for space-challenged studios. The iFet gives you the big sound of a large-diaphragm mic — with two separate sets of electronics. You can select between the different Class A amplifiers via the switch labeled “V” and “I.” The I mode is perfect for drums, bass amps, and loud vocalists, while the V mode captures intimate vocals with a warm, vintage vibe. In addition to its “two-in-one” versatility, the iFet gives you that rock-solid quality you expect from a Bock Audio mic. The 241 is a redesigned cardioid-only version of the Bock 251, delivering the same smoothness at a significantly reduced price. It features a Bright/ Normal switch, which makes this mic highly versatile. The Normal mode will reduce sibilance; the Bright mode is excellent on dark stringed instruments and deep male vocals. The Bock 241’s point-to-point construction gives you the kind of handmade craftsmanship that your ears will instantly recognize. Specs: cardioid • 20Hz–16kHz • Max SPL: 111dB iFet Condenser Mic.........................List 2350 $ 00 $ Specs: cardioid • 30Hz–18kHz • Max SPL: 94dB ONLY $81/mo. 2150 00 241 Tube Condenser Mic...........List 4495 $ 00 ONLY $161/mo. 427500 $ HAND BUILT FOR THE STUDIO BY THE LA’s BEST KNOWN MIC EXPERT Bock Microphones use the best parts in the world with inspired designs to recreate the sound sought by LA’s recording elite. German capsules in tube mics, NOS tubes, inductor-based remote power supplies, hand wired, not too bright with excellent low end, wonderful midrange: all these are features of the Bock mic that will astound you with its one-of-kind sound. 241 Call your Sweetwater Sales Engineer today. 800-222-4700 Sweetwater.com Two distinct voicings make this affordable cardioid tube condenser a real vocal workhorse. 251 The versatility of this classic multi-pattern tube mic is ideal for instruments and female vocals. iFet Timeless FET flavor and a switchable V mode let this cardioid mic perfect for vocals and more. 407 Perfect for male vocals, this tube mic delivers the classic 47-style sound every engineer needs. 288 (800) 222–4700 LARGE-DIAPHRAGM CONDENSER MICROPHONES Gemini II Z5600a II A Mic You’ll Love to Sing Into sE4400a Get More Out of Your Studio We’ve all heard tube mics on some of the most famous vocal recordings of all time, but you’ve never heard a tube mic like this. The Gemini II puts a cool spin on the traditional tube mic, using both a 12AX7 at the input stage and a 12AU7 at the output. This arrangement gives you the body and warmth of a tube mic coupled with the top-end response of the “best of the best” solid-state condensers. A Must-have Mic for Stage and Studio The Z5600a II gives you a uniquely modern sound with a classic tube vibe. Switch among omni, cardioid, and figure-8 polar patterns, with patterns in between. Whatever you’re miking, the warm, rich-sounding Z5600a II has a setting that’s perfect for your recording needs. A perfect all-around performer! The sE4400a is at home above a drum kit as well as in front of a screaming tube amp, and it can still handle more-subdued sources, such as vocals. Using a twin-diaphragm design, the sE4400a sports cardioid, hypercardioid, omnidirectional, and figure-8 polar patterns. What’s more, the sE4400a is one of the smallest large-diaphragm mics around, letting you slip it into places most other mics can’t go. Shockmount and case are included. Specs: 9 polar patterns • 20Hz–20kHz • Max SPL: 135dB • Bass roll-off: 100Hz • Pad: 10dB Specs: cardioid • 20Hz–20kHz • Max SPL: 125dB • Pad: 10dB Gemini2 Tube Condenser Mic.................List $189900 ONLY $38/mo. ONLY $60/mo. 159900 $ Z5600a2 Specs: cardioid • 20Hz–20kHz • Pad: 10dB • Bass roll-off ONLY $15/mo. 39900 $ Perfect on All Kinds of Sources Specs: 3 polar patterns (sE2200a II)/ cardioid (sE2200a II C) • 20Hz–20kHz • Max SPL: 125dB • Pad: 10dB ONLY $15/mo. sE2200a2C sEX1KD Condenser Mic...........................List 349 $ 00 64900 The X1 Vocal Pack gives you everything you need to start recording in your project or home studio. This pack includes all of the recording essentials: an sE X1 condenser microphone, a shockmount, an sE metal pop filter, and a high-quality 3m mic cable. The unique shockmount mounting system makes for quick and easy setup. Sweetwater knows that value is important to you, and the sE X1 Vocal Pack delivers! ONLY $10/mo. ONLY $12/mo. Specs: cardioid • Pad: 10dB • Bass roll-off $ Great Sound, Incredible Value You’ll capture all the thump and snap of your kick drum right at the source with the sE Electronics sE X1 D large-diaphragm condenser microphone. With a titanium capsule designed to be stiffer for better transient response, the sE X1 D delivers outstanding detail and clarity with acoustic drum kits and other percussion. When you’re recording percussive sound sources like drums, or even piano for that matter, you need a microphone that can react extremely fast to the transients. 299 $ 00 39900 The X1 Studio Bundle gives you everything you need for professional-sounding vocals. At the heart of this incredibly affordable bundle is the fantastic X1 condenser microphone (also available separately). This mic features a custom handmade 1" diaphragm, which imparts a clear, rich sound. A 10dB pad and a bass-cut switch add versatility. You also get a shockmount, 3m cable, an adjustable pop filter, and sE’s ultra-effective Reflexion Filter X. sEX1VocalPk sEX1 Vocal Pack.................List $29900 Check out the other 19900 $ Reflexion filters on pg. 335 299 00 Reflexion Filter X Portable, Affordable Acoustic Treatment Make your mic sound great — even in untreated rooms. The Reflexion Filter X gives you access to sE’s patented acoustic filter technology at an incredibly affordable price. An outer composite panel, a wool fabric layer, an air gap layer, and an inner acoustic-foam layer form a 4-layer design that imparts near-zero sonic coloration to your tracks. Specs: cardioid • 20Hz–20kHz • Max SPL: 125dB • Pad: 10dB $ $ Condenser Mic...........................List $89900 Pro-quality Vocals Made Affordable Amazing workhorse microphone! From the subtle dynamics of a bowed viola to the extreme high SPL of a full guitar tube amplifier stack, this impressive mic will give you the sound quality and detail your music demands. The sE2200a II includes a pair of onboard diaphragms plus selectable cardioid, omni, and figure-8 polar patterns. You also get a highpass filter and a 10dB pad (both functions are switchable). The even more affordable cardioid-only sE2200a II C is also available. Condenser Mic....................List $49900 Condenser Mic.....................List $39900 SE4400a X1 Vocal Pack X1 Studio Bundle sE2200a II sE2200aMK2 99900 $ Perfect for Drums and Percussion The sE Electronics sE X1 T takes the same gold-sputtered diaphragm from the acclaimed X1 condenser mic and adds high-quality analog tube circuitry for exceptional harmonic richness. You’ll be able to add a sense of body to “thin” vocalists or put a vibrant highlight on acoustic instruments. A 10dB pad and a Bass Cut switch still give you the flexibility you need to record a wide range of sources, from delicate acoustic instruments to pounding percussion. Tube Condenser Mic...................List $49900 Tube Condenser Mic.................List $124900 sE X1 D sE X1 T Value-packed Tube Condenser Mic sEX1T Specs: 4 polar patterns • 20Hz–20kHz • Max SPL: 130dB • Bass roll-off: 60Hz/120Hz • Pad: 10dB/20dB ONLY $25/mo. ONLY $12/mo. sEX1StuBun Mic/Filter Bundle...................List 399 $ 00 319 $ 00 ONLY $10/mo. ReflexionX Reflexion Filter X........................List 149 $ 00 11900 $ Sweetwater.com LARGE-DIAPHRAGM CONDENSER MICROPHONES 289 “I recently used this mic on a live recording of a female jazz singer. Incredibly warm lows and fresh air on the high end combined with that classic FET vibe. This mic is ridiculously fun to use.” —Simon Picazo, Sales Engineer, Ext. 1251 MA-300 MA-200 Phenomenal Studio Microphone Stunning on Vocals and Acoustic Guitar Grab the MA-300, put it up on the first vocalist or instrument you see, and prepare to be amazed. This tube condenser mic features a sweet, warm character that’s ideal for vocals. The MA-300 adds multiple polar patterns to the original MA-200’s fixed cardioid design, increasing its versatility but preserving its sound. In fact, the MA-300’s polar patterns are continuously variable, from omnidirectional to figure-8, so you’ll be able to capture a wide range of instruments and sources. We can’t say enough about this tube mic. In fact, our in-house studio — with a massive vintage/modern mic locker — regularly chooses the MA-200 over mics that are three and four times its price. The reason is obvious: the MA-200 sounds amazing. Every studio should have one, and every home-studio singer/ songwriter must have one. Through the MA-200, vocals are surprisingly smooth, rich, and full. You’re not going to have that edginess or harshness associated with many modern condensers. You simply cannot go wrong with the MA-200. Specs: continuously variable polar pattern • 20Hz–20kHz • Max SPL: 135dB • Bass roll-off: 100Hz • Pad: 15dB MA300 Tube Condenser Mic...................... $ Specs: cardioid • 20Hz–20kHz • Max SPL: 120dB ONLY $42/mo. ONLY $49/mo. 1295 00 MA200 Tube Condenser Mic................................... $ 1095 00 MA-301fet A True Studio Workhorse The FET-based counterparts to the MA-200, Mojave’s MA-301fet and MA-201fet represent two more home runs for Mojave Audio. Whether you put them on a guitar cabinet or a kick drum, or park them in front of a vocalist, these mics simply shine. The MA-301fet features cardioid, omni, and figure-8 polar patterns plus a 15dB pad. The MA-201fet is cardioid only. Specs: MA-301fet cardioid/omni/ fig-8 • 20Hz–20kHz • Max SPL: 120dB • Pad: 15dB MA-201fet cardioid • 20Hz–20kHz • Max SPL: 125dB 24 MONTHS FINANCING on For more info call or go to Sweetwater.com/financing ONLY $34/mo. MA301FET Multipat Condenser Mic........................ MA201FET Condenser Mic..................................... $ 89500 69500 $ Shhh... Donʼt tell David When famed microphone designer David Royer designs microphones, heʼs having visions of orchestras and choirs. He wants to pick up every detail with dimension, depth and dynamics. But then we take them and put them on screaming vocals, loud guitars and slamminʼ drums. From the most sensitive singer to the most rockinʼof bands, Mojave Audio microphones excel at capturing every detail. So use them any way you see fit. Ask your Sweetwater Sales Engineer - there's a good chance he has a Mojave or two in his home studio. Just donʼt tell David. And, by the way, they do rock on orchestras and choirs! Let your Sweetwater Sales Engineer help you put a Mojave Audio Microphone in your mic locker. 290 (800) 222–4700 LARGE-DIAPHRAGM CONDENSER MICROPHONES Oceanus LT-381 Atlantis FC-387 Clarion FC-357 If you’re looking for extreme versatility, the Atlantis FC-387 will knock your socks off. This amazing largediaphragm FET condenser mic gives you three distinct voicing switches that bring out the richness in your lows, the character in your mids, and the smoothness in your highs. Plus, the FC-387 gives you cardioid, omni, and figure-8 pickup patterns, allowing you to record any source, in nearly any environment. The Lauten Audio Clarion FC-357 FET condenser microphone makes a great addition to any studio. If you dig the smooth, natural character of FET condenser mics but still want a touch of airiness, then you’ll love the Clarion FC-357. You get three pickup patterns and a 3-position gain switch, so you’ll be ready for a range of applications. Engage the 10dB gain switch to boost the Clarion FC-357’s output before it hits your preamp. You can also kick in the 10dB pad to tackle louder sources. A FET Mic You Can Use on Anything Richness, Depth, and Clarity Looking for a tube mic that really shines on vocals? Check out the Lauten Audio Oceanus LT-381, a large-diaphragm mic with dual-tube transformerless capsules. This high-performance design gives you incredible detail while imparting subtle tube character. The Oceanus LT-381 has a distinctly vintage sound that’s perfect for warming up vocals. Fantastic FET Condenser Mic Specs: cardioid/omni/fig-8 • 20Hz–20kHz • Max SPL: 120dB ONLY $68/mo. Specs: cardioid/omni/fig-8 • 20Hz–20kHz • Max SPL: 130dB • Pad: 10dB Oceanus Atlantis Multi-pattern Condenser Mic....List $189900 179900 $ ONLY $10/mo. Multi-pattern Condenser Mic......List $19999 Condenser Mic............................List $14999 $ 15999 119 $ 99 ONLY $10/mo. C1Mic Condenser Mic...........................List 299 $ 99 Specs: C7e cardioid/omni/fig-8 • 20Hz–20kHz • Max SPL: 127dB • Bass roll-off: 100Hz • Pad: 10dB C1 cardioid • 20Hz–20kHz • Max SPL: 127dB • Bass roll-off: 100Hz • Pad: 10dB Specs: 9 polar patterns • 20Hz–20kHz • Max SPL: 133dB ONLY $38/mo. Tube Condenser Mic.................List 2299 $ 00 $ 999 00 C7e $ 249 99 C1Fet CV4 Tube Condenser Mic.................List 2299 $ 00 $ ONLY $57/mo. 149900 MK 8 Quality and Versatility The MK 8’s versatility makes it a great addition to the mic closets of home recordists and project studios alike. A quality metal exterior houses two, 24-carat gold plated diaphragms in a shockmounted capsule. Switch between five polar patterns, and use the 3-position low cut filter and 3-position pad switch to create the perfect mic for any source. Specs: 5 polar patterns • 20Hz–20kHz • Max SPL: 140dB • Bass roll-off: Variable • Pad: Variable ONLY $34/mo. Multi-pattern Condenser...........List 1499 Cardioid Condenser......................List $99900 $ 89900 Specs: 9 polar patterns • 20Hz–20kHz • Max SPL: 127dB Specs: cardioid • 30Hz–20kHz • Max SPL: 131dB • Bass roll-off: 75Hz/150Hz • Pad: 10dB/20dB Miktek’s C7e FET condenser features cardioid, omni, and figure-8 pickup patterns. You’ll love being able to capture two backing vocalists at once or get an amazing live duet recording. The C7e is warm on the bottom and silky on the top, and its midrange is both natural and open. It may be a first-call pick for vocals, but the C7e also shines on guitar amps, as an overhead on a drum kit, or on acoustic instruments. Includes an aluminum carry case, a wooden presentation box, a swivel mount, and a shockmount. The cardioid-only C1 is also available. Miktek’s CV3 large-diaphragm tube condenser microphone gives you the natural warmth and incredible versatility studio engineers everywhere long for. Unlike many boutique microphones that sound good on some sources but not on others, the CV3 covers all bases remarkably well. As you cycle through the CV3’s nine distinct pickup patterns, you’ll notice not only how well it rejects off-axis noise but also subtle variances in its tone that add to its natural range and character. $ Multi-pattern Condenser Mic........List $99900 When you invest in the CV4 tube mic, you’re getting a multipurpose studio workhorse. The versatility comes from the CV4’s nine selectable pickup patterns, easily selectable to tailor your sound to any source. You’ll love the CV4 on the usual suspects, including vocals and acoustic guitar. And you’ll be surprised at how well the CV4 works in a pair, as overheads or as ambient room mics. The CV4 comes with a wooden box, a swivel mount, a shockmount, a 7-pin XLR cable, and a high-quality power supply. C7e Classic Tube Mic Mojo Clarion CV4 Fantastic FET Condenser CV3 Specs: cardioid/omni/fig-8 • 25Hz–20kHz • Max SPL: 130dB • Pad: 10dB • Gain switch: 10dB ONLY $34/mo. This Tube Mic Does It All When we first heard the Studio Projects C1, we couldn’t believe our ears. The C1 performs and sounds like a microphone 10 times its price! For vocals, this large-diaphragm cardioid microphone rivals some of the better-known, more high-profile vocal microphones out there. Its flexibility is also ideal for close-miking amplifiers as well as for broadcast applications and a wide variety of other recording tasks. Included with the C1 are a spider-web shockmount, a windscreen, and a case. Specs: B3 cardioid/omni/fig-8 • 20Hz–20kHz • Max SPL: 148dB • Bass roll-off: 150Hz • Pad: 10dB B1 cardioid • 20Hz–20kHz • Max SPL: 148dB • Bass roll-off: 75Hz/150Hz • Pad: 10dB/20dB CV3 149900 Studio-quality Sound at a Low Price The Studio Projects B3 has all the technical refinements to be an enduring classic. You get three pickup patterns (cardioid, omni, and true figure-8), a pad, and a highpass filter for maximum control over your sound. Don’t need the flexibility of extra pickup patterns? Grab the Studio Projects B1 cardioid condenser for the same precise sound at an even lower price. B1Mic $ C1 B3 An All-around Performer B3Mic Multi-pattern Condenser Mic.....List $159900 ONLY $57/mo. 00 $ 89900 599 $ 00 ONLY $27/mo. MK8 Dual-diaphragm Condenser Mic.................. 69995 $ ® MIC TECH TIPS TECH TIP 291 TECH TIP 1 SEE OUR FULL SELECTION of MICROPHONES Sweetwater.com 2 Matched Pairs of Microphones Microphone matching is on the mind of this inSync reader. “I am wondering what the real benefits are of having a matched pair of mics over just having two of the same mic.” What’s the Difference Between an Active Ribbon Mic and a Regular Ribbon Mic? Q: Lately I’ve seen several ribbon mics that are “active.” What does this mean, and what’s the advantage? A: Active ribbon mics have been gaining in popularity over the past few years. An active ribbon includes onboard electronics that “condition” the mic’s signal before it is sent out to a mic preamp, in the same way that a condenser mic’s onboard electronics work. The big advantage is that active ribbon mics aren’t sensitive to the impedance of the mic preamp they’re feeding, making them more consistent with a range of preamps, with more robust output levels than passive ribbons, and greater sensitivity. A passive ribbon sounds incredible, especially when matched to a complementary preamp. An active ribbon resolves any issues with preamps, such as impedance matching and gain levels. © Sweetwater Sound Inc. Looking for the right Studio Microphone? See our Studio Mic Buying Guide Sweetwater.com/insync/studio-microphone-buying-guide/ More ® There seems to be a lot of mystique around the concept of matched microphones, matched tubes, or matched anything audio for that matter. Also like many things in audio the exact definition of what constitutes matching differs from manufacturer to manufacturer as well. Opinions about this topic are highly varied. The whole concept of matching arises out of a need to have things be matched. Back in the old days when most things audio, including microphones, were hand made the variances from one unit to another could be significant. Even the raw components had very wide tolerances in some cases. It was possible to pick up two “identical” microphones from the same assembly line and have them sound noticeably different. Once people recognized a need to have consistency between two microphones manufacturers began matching up like mics and making pairs. Matching was basically just a series of steps where the characteristics of each mic off the line were tested and their measurable sonic/electrical characteristics recorded. This data could be used to find microphones that were “alike” within some more or less arbitrary tolerance level as specified by the company. In some cases matched microphones were then subjected to listening tests to ensure the matching. Groove tubes made a business of this with their tubes. They don’t make tubes. They buy the same tubes everyone else does, but they put them into matched sets and charge a premium for them. And given the wide tolerance of some tubes matched sets can be a good thing. The benefits of matched microphones are that a pair would perform exactly alike, thus making a stereo pair behave in a way that makes a very accurate stereo recording (that’s just one example). If the microphones acted differently your left and right channels would not sound exactly the same, which could result in timbre anomalies between them and a smearing of the stereo image. The sad thing about many of the old matched microphones is that even though they were matched at the factory they would still drift away from each other over time. It’s just the nature of the beast. Nowadays with modern manufacturing techniques products, including microphones, can roll off an assembly line for hours and all of them will be as closely matched as the “matched” pairs of yesteryear, and they stay that way. Most manufacturers do not even offer “matched” pairs of mics anymore because of this. Some that do use it as a marketing tool, but it is arguably unnecessary. Matching is only needed when the tolerances are so wide in the first place that there are noticeable differences from one unit to another, which just isn’t the case with most modern designs. © Sweetwater Sound Inc. Buying Guides at Sweetwater.com/insync Shhh... Producer/Engineer/Mixer Joe Chiccarelli had a sleepless past year or so, recording Jason Mraz, Spoon, Morrissey, Saints of Valory, Young The Giant, The Strokes, Alanis Morissette, Christina Perri, Boy & Bear, Dwight Yoakum, The Madden Brothers, The Killers, Cafe Tacuba and NeedToBreathe. His Royers were on every session. Letʼs give them this one blessed moment of downtime... “I couldn't be without my Royers. I use them on every album project. If it's jazz, it's on a trumpet or piano. If it's rock, it's on the electric guitar. If it's classical, it's on a violin or a woodwind instrument. Royer ribbons just seem to work. Most importantly, the musicians respond positively to their sound, and that's always a major indicator to me. These mics positively make my job easier and yield tones that the artist is pleased with.” “The modern recording studio is not complete without at least a pair of Royers in it.” Joe Chiccarelli Producer/Engineer/Mixer "I've been recommending Royer mics for over 13 years now, originally from hearing the R-121 on a guitar cab in a studio session and just falling over in love with the tone. Royer really does provide you with an amazing palette of ribbon mic solutions now, covering all of the bases including live situations. Every Royer mic purchase I've ever helped with has had nothing but a very happy customer at the end of it." Paul Allen - Sweetwater Sales Engineer Royer Ribbons Handcrafted in Burbank, CA (800) 222-4700 www.sweetwater.com Sweetwater.com RIBBON MICROPHONES R-101 R-121 Legendary Royer Sound, Friendly Price Versatile Dynamic Ribbon Microphone They don’t get more industry-standard than this! When the R-121 burst onto the scene, it was an instant hit, finding its way in front of guitar amps and over drum kits the world over. Why? Quite simply, the sound of a Royer is exactly what you hear in the room. There’s no hype, just natural sound. Priced to be more attainable than the famous R-121, the R-101 is a sleek black beauty of a mic. The sound is warm and natural — just as you’d expect from a Royer — and it’s built like a tank, so even the loudest guitar amps won’t make a dent! The R-101 also rocks over drum kits, on horns, and on virtually anything else you can throw at it. But you don’t just get a mic at this price. Royer also includes a case, a shockmount, and a mic sock. Also available in a matched pair. R101 R101MP As do most ribbons, the R-121 sports a figure-8 pickup pattern. This mic also delivers a slightly brighter pickup on the back side of the mic, which is perfect for acoustic instruments and vocals. ONLY $34/mo. Specs: fig-8 • 30Hz–15kHz • Max SPL: 135dB Ribbon Mic................................List 995 Ribbon Mic (pr).........................List $204000 $ 00 Specs: fig-8 • 30Hz–15kHz • Max SPL: 135dB 89500 $ R121 1840 $ 00 SF-12 $ ONLY $49/mo. 129500 24 MONTHS FINANCING on A Studio-standard Ribbon Mic, with the Gain You Need This Stereo Ribbon Mic Gives You Gorgeous Imaging Why choose a Royer ribbon mic for your critical projects? Because the sound of a Royer is exactly what you hear in the room. Now, you can enjoy this outstanding ribbon-mic performance from a phantom-powered mic that delivers more gain (14dB more, in fact) than the non-phantom-powered model. If you enjoy that smooth, natural ribbon response but want to add just a touch of sparkle to your sound, then you’re in luck. The R-122 delivers a slightly brighter pickup on the back side of the mic, which is perfect for acoustic instruments and vocals. The SF-12 stereo ribbon microphone combines premium-quality audio performance with outstanding stereo separation and imaging. It actually has two matched ribbons mounted together in the same body. Because ribbons don’t pick up from their sides at all, each ribbon captures exactly what the other doesn’t. That’s why the SF-12 provides beautifully wide stereo images without suffering from the phase issues of other stereo pairs. Specs: dual fig-8 • 30Hz–15kHz • Max SPL: 130dB SF12 Ribbon Mic..............................List $139500 R-122 Stereo Ribbon Mic....................List 2895 $ 00 ONLY $102/mo. Specs: fig-8 • 30Hz–15kHz • Max SPL: 135dB 2695 $ 293 00 R122 Active Ribbon Mic....................List $189500 $ For more info call or go to Sweetwater.com/financing ONLY $66/mo. 175000 44-A CR-14 New Take on a Legend An Incredibly Affordable Ribbon Mic The 44-A serves up the legendary RCA 44’s coveted sonics — in a state-of-the-art ribbon mic designed for today’s applications. Cloud Microphones didn’t change the ribbon itself; it’s still handcrafted to RCA’s original 1930s specs. But everything else has been re-engineered to the highest modern standards. Sporting unique features such as acclaimed Cloudlifter circuitry and unique switchable Voice and Music response curves, the 44-A gives you smooth, response, in an active ribbon mic with vintage vibe. Here’s an exceptional ribbon mic, at a price that makes it easy to put to work in any studio. The CR-14 ribbon mic gives you smooth sound, vintage looks, and high SPL handling. Top-notch construction with low-mass dual-ribbon elements. This studio performer comes complete with a shockmount, a wooden box, and even a metal transport case. Call you Sweetwater Sales Engineer and find out more! Specs: fig-8 • 30Hz–8kHz • Max SPL: 145dB ONLY $10/mo. CR14 25900 $ Ribbon Mic.................................. Specs: fig-8 • 20Hz–20kHz • Max SPL: 138dB M 160 24 MONTHS FINANCING on Perfect for Stringed Instruments This venerable ribbon mic excels on a wide variety of acoustic stringed instruments — everything from violins and violas to acoustic guitars and zithers. The M 160 also delivers impressive results with typically hard-to-mic acoustic instruments in general. This is a must-have mic for any serious pro or project studio. For more info call or go to Sweetwater.com/financing Specs: hypercardioid • 40Hz–20kHz Cloud44A 44-A.......................................List 2099 $ 00 $ ONLY $72/mo. ONLY $27/mo. 1899 00 M160 HypCard Ribbon Mic.......... List 799 GIVES YOUR RIBBON MICROPHONES A BOOST! Cloudlifter CL-Z The Cloudlifter CL-Z mic activator uses phantom power from your preamp to clear up a host of common dynamic and ribbon mic problems while maintaining the best possible signal quality. Get the extra gain you need to make that ribbon mic a perfect match for your favorite preamp. Optimize the true sound of your mics and get more out of your ONLY $12/mo. mic locker, with the simple-to use Cloudlifter CL-Z. CLZCloud CL-Z .........................................List $36900 29900 $ $ 00 69900 $ Sweetwater.com RIBBON MICROPHONES N22 R44CE A New Take on a Classic Design Truly Classic Sound AEA’s phantom-powered N22 ribbon microphone is a member of their NUVO series, a range of modern mics rooted firmly in the RCA design tradition. With its increased upper midrange presence, the N22 provides the frequency response you need to make instruments and other sources jump out in dense and busy mixes. At the same time, the reduced proximity effect makes this a great option for close miking. And thanks to the added layer of protection, you can comfortably use the N22 up close without worrying about ribbon blowouts. Call us for more details. You’ll absolutely love the R44CE’s smoothness, forgiving nature, and unique tonal balance. Unlike modern ribbon mic designs, AEA’s R44CE is a faithful reproduction of the classic RCA44, complete with large, heavy magnets and a long ribbon that’s tuned to capture even the lowest bass with absolute clarity. For a hotter signal and incredibly low noise, look to the phantom-powered A440. ONLY $34/mo. Ribbon Mic................................List $99900 89900 $ R44CE A440 Phantom-powered Big Ribbon Performance Ribbon Mic..............................List 2800 Active Ribbon Mic.....................List $580000 $ 00 $ ONLY $95/mo. 252000 522000 $ R84 Natural-sounding Big-ribbon Mic Versatile medium-distance mic! It’s difficult to find an application where the R84 doesn’t shine. Sharing many key elements with the iconic 44 microphone, the R84 features similar sonic characteristics, but with far less proximity effect and a more pronounced high end. With its active electronics, the phantom-powered A840 adds extra clarity to the top end of the R84’s sound. The stereo R88 is ONLY $39/mo. $ 00 also available. R84 A840 R88 Ribbon Mic.................List $115000 Ribbon Mic.................List $172500 Stereo Ribbon Mic......List $199500 1035 155300 179500 $ $ N8mic Specs: R84 fig-8 • 20Hz–20kHz • Max SPL: 165dB A840 fig-8 • 20Hz–20kHz • Max SPL: 141dB R88 stereo • fig-8 • 20Hz–20kHz • Max SPL: 165dB N8 Ribbon Mic.........................List 1220 $ 00 ONLY $42/mo. 109800 $ Voodoo VR1 Incredible Ribbon Mic at an Awesome Price Inspired by the world-famous RNR1 ribbon mic, the affordable passive Voodoo VR1 ribbon microphone works wonders on guitar amps, and as a drum overhead, you’ll love how it rounds off the harsher frequencies from cymbals. Large Ribbon for Close-miking Put the R92 on your amplifier cabinets, vocals, and percussion — any situation where high SPL handling is needed. AEA designed the R92 to have slightly different tones on the front and rear pickup lobes of the microphone, so you get great results for both vocals and instruments. The front lobe is crisp, offering clean and realistic high-end detail on voices. The rear lobe is smooth, with a silky tone — perfect for amps. A flexible positioning system and an integrated shockmount make the R92 a breeze to set up. ONLY $29/mo. Ribbon Mic...................List 850 $ 00 76500 $ ONLY $27/mo. Specs: fig-8 • 20Hz–20kHz • Max SPL: 165dB VoodooVR1 Ribbon Mic....List $79900 Avantone’s CV-12 brings classic tube mic sound to professional and project studios everywhere — at a price that truly means anyone can own one. The CV-12 has nine polar patterns to handle a variety of sources, and it does that with the style and sound often found in much pricier tube mics. Specs: 9 polar patterns • 25Hz–20kHz • Max SPL: 146dB • Bass roll-off: 80Hz • Pad: 10dB ONLY $19/mo. 49900 $ Vintage Ribbon Sound at a Musician-friendly Price Shure’s KSM44A provides great results on just about any project. The dualdiaphragm design lets you select among cardioid, omnidirectional, and figure-8 pickup patterns. An internal pop filter adds an important layer of protection when you record vocals or need to contend with air movement. Ultra-low-noise performance makes this mic perfect for modern recording applications. The X1R passive ribbon microphone offers the rich, colorful sound of a vintage ribbon mic with low noise, high SPL handling, and more definition than vintage ribbons while retaining the character that ribbon mics are known for. Specs: cardioid/omni/fig-8 • 20Hz–20kHz • Max SPL: 131dB • Bass roll-off: 80Hz/115Hz • Pad: 15dB ONLY $38/mo. KSM44A Condenser Mic.........................List $124900 69900 $ X1R Low-noise, Versatile Condenser Pro Sound at a Reasonable Price Tube Condenser Mic.................. Specs: fig-8 • 20Hz–20kHz • Max SPL: 135dB KSM44A CV-12 CV12 AEA’s impressive N8 features the same Big Ribbon as does the legendary R44, so you can be sure that you are getting true, quality ribbon transducer response and behavior. But the N8 is more than just an “R44 lite” — it has a voice that’s truly its own. Using phantompowered electronics and a custom German transformer, the N8 gives you extraordinary detail without distortion. It doesn’t just make great-sounding recordings; it’s a mic that gives you the same sound you hear when you’re standing next to your source! The aluminum ribbon gives you clear, warm sound for your recordings while giving you plenty of output for effective processing. Specs: fig-8 • 20Hz–20kHz • Max SPL: 141dB R92 R92 NEW! N8 Specs: R44CE fig-8 • 20Hz–20kHz • Max SPL: 165dB A440 fig-8 • 20Hz–20kHz • Max SPL: 136dB Specs: fig-8 • 20Hz–20kHz • Max SPL: 141dB N22 295 $ 99900 Specs: fig-8 • 20Hz–16kHz • Max SPL: 135dB ONLY $10/mo. X1R Ribbon Mic...................List $24900 19900 $ 296 (800) 222–4700 SMALL-DIAPHRAGM CONDENSER MICROPHONES KM 184 C5 Classic Neumann Sound QTC40 A Sweet-sounding Pencil Mic Need a microphone to record percussion, cymbals, or brass instruments? The KM 184 is capable of handling high sound-pressure levels with ease. But it’s also extremely quiet, making it an excellent choice for capturing the subtle nuances of acoustic guitars and orchestral instruments. The KM 184 is small enough to place correctly in those hard-to-reach areas too. This transformerless mic gives you accurate, uncolored sound reproduction, perfect for everything from orchestral instruments to rock drums. Want some phenomenal overheads? A KM 184 Pair is also available. Otherworldly Transparency and Accuracy The pencil condenser is a critical studio tool — and the C5 is just the microphone for the important job. Miktek fitted this mic with Miktek’s MK5a 1/2" capsule, which offers a full-bodied, super-linear response — just what you want. For added versatility, the MK5b omni directional capsule is now included as well. This is a stellar pick for recording a number of nuanced acoustic instruments, including violin, acoustic guitar, and piano. A C5 Matched Pair is also available to handle your stereo-miking chores. Specs: supercardioid • 20Hz–20kHz • Max SPL: 138dB Designed for recording quieter sources such as vocals, strings, and distant-miked orchestras or choirs, the exceptionally transparent QTC40 will provide you with a true and accurate picture of whatever you’re recording. Able to handle sound levels up to 142dB with no proximity effect or handling noise, a pair of these whisper-quiet omnis also makes an excellent choice for drum overheads. Boasting a super-flat frequency response, fast impulse response, and ultra-low noise floor, the QTC40 is the mic of choice when you want to capture a source with the upmost realism and detail. Specs: cardioid • 20Hz–20kHz • Max SPL: 126dB ONLY $32/mo. KM184 KM184Pair 84995 $ Condenser Mic........................................... Condenser Mic (pr)..................................... 1599 $ 95 Specs: omni • 4Hz–40kHz • Max SPL: 142dB ONLY $27/mo. C5miktek C5MP Condenser Mic.........................List $117900 Condenser Mic (pr)....................List $239600 69900 $ 1399 $ 00 MA-101 Stereo Pair MA-100 Stereo Pair The MA-101 Stereo Pair combines the cardioid and omni capsules from the MA-100 with the circuitry of the MA-201fet to give the pencil condenser a new twist. Made to David Royer’s specs, it sports a beefy Jensen transformer and a switchable 15dB pad, for recording sources as loud as 140dB! Includes flight case and stereo bar. Single MA-101 microphones are also available. Mojave Audio’s MA-100 Stereo Pair features a unique design that uses interchangeable capsules, a militarygrade NOS vacuum tube, and a Jensen transformerbalanced output. New this year: a 12dB pad for ultra-high SPL capacity. These detailed, multi-capsule mics are very versatile. Includes dual power supply, stereo bar, and flight case. Also available as a single MA-100. Specs: cardioid/omni • 20Hz–20kHz • Max SPL: 140dB Specs: cardioid/omni • 20Hz–20kHz • Max SPL: 142dB A Combination of Two Classic Mojave Mics MA101SP MA101FET Condenser Mic (pr)..................................... Condenser Mic........................................... ONLY $45/mo. 1195 $ 00 59500 $ Uniquely Suited to Capture Incredible Sound MA100SP MA100 Tube Condenser Mic (pr)............................. Tube Condenser Mic................................... $ 79500 A professional-level performer that’s priced to fit the budget of any studio. Plus, it’s built tough enough to handle live work. The P170 is great for use as an overhead, on vocals, on band and orchestral instruments, and more. Do you take your studio with you? Then you need this amazingly versatile mic! AKG’s C1000 S MK4 sounds fantastic on everything from drums to acoustic instruments to vocals. It’s road tough and ultra-quiet, and it gives you the option of battery- or phantom-powered operation. Use this versatile condenser to get great sounds in the studio. You can even switch between cardioid and hypercardioid pickup patterns to minimize outside noise bleed. The C1000 S MK4 also includes an onboard presence booster to enhance overall vocal clarity. Specs: cardioid • 20Hz–20kHz • Max SPL: 155dB 79 $ 00 99900 ELA M 260 Stereo Set Exceptionally Smooth Tube Tone Capture any acoustic source in all its vibrant glory with the ELA M 260 Stereo Set. As soon as you put a pair of these up, you’ll fall instantly in love. Sounding great on everything from vocals to drum overheads, you can’t go wrong with the smooth tube tone of Telefunken ELA M 260s!. Specs: cardioid/hypercardioid/omni • 20Hz–20kHz • Max SPL: 120dB ONLY $109/mo. ELAM260STTube Condenser Mic (pr).........List $327500 289500 $ For more than 30 years, AKG’s C 451, with the CK1 capsule, was the industry-standard pencil microphone. Their latest incarnation, the incredible C 451 B, has ultra-fast transient response made just for recording acoustic guitars and percussion — as well as for use as a drum overhead. The C 451 B is almost totally immune to handling noise, thanks to its feather-light diaphragm. Switchable pads and bass roll-off filters help you to tailor the mic to its environment. The AKG C 451 B microphone makes a great addition to any professional studio or recording setup. Looking to mic something in stereo? A C 451 B Stereo Pair is also available. Specs: cardioid/hypercardioid • 50Hz–20kHz • Max SPL: ONLY $10/mo. 137dB C1000Smk4Condenser Mic...........................List $27900 Condenser Mic.........................List 1249 Small-diaphragm Condenser Mic Go-anywhere Cardioid/ Hypercardioid Condenser Mic As a stage mic, the P170 takes your live sound to crystal-clear new heights. It’s a versatile mic that’s built to last, even on the road. And at this super-affordable price, you can pick up a pair of P170 mics for exceptional stereo recording. QTC40 $ 00 C 451 B C1000 S MK4 AKG Quality in an Affordable Small-diaphragm Mic Condenser Mic...........................List $14900 1595 00 $ P170 P170 ONLY $60/mo. ONLY $38/mo. $ 199 $ 00 Specs: cardioid • 20Hz–20kHz • Max SPL: 155dB • Bass roll-off: 75Hz, 150Hz ONLY $19/mo. C451B C451BST Condenser Mic...........................List $69900 Condenser Mic (pr)....................List $159900 $ 49900 109900 $ Sweetwater.com SMALL-DIAPHRAGM CONDENSER MICROPHONES 297 M3 Electret Condenser Mic with Filter and Pads Put a genuine RØDE mic into your mobile studio or video setup for an incredibly low price! You can use phantom power for the M3 or switch to internal battery power — a real plus in the field! This electret condenser mic’s capsule is internally shockmounted, so handling noise is kept to a minimum. Switchable attenuation pads and a highpass filter make this great-sounding mic a versatile performer, whether you’re using it in your studio space, at a live performance, or as part of your broadcast rig! Specs: cardioid • 40Hz–20kHz • Max SPL: 142dB • Bass roll-off: 80Hz • Pad: 10dB, 20dB ONLY $10/mo. M3Rode Condenser Mic.............. List $29900 $ 14900 M5 Matched Pair A Matched Pair of Studio Workhorses The exceptionally clear-sounding and affordable RØDE M5 Matched Pair is ideal in the studio and onstage. A typical use of the M5 Matched Pair would be as drum overheads or recording high-hats. They’re excellent mics for recording practically any instrument: guitar, flute, violin, saxophone, drums, you name it! And this precision matched pair of condenser microphones is perfect for stereo XY and other stereo recording configurations. These cardioid condenser mics give you the kind of performance that exceeds what you’d expect from condensers at this price point. M5 Matched Pair mics are ideal for recording and sound reinforcement. Specs: cardioid • 20Hz–20kHz • Max SPL: 140dB ONLY $10/mo. M5MP Condenser Mic (pr).........List 325 $ 00 $ 19900 RN17 World-class Audio Quality The sE RN17 is the latest addition to the sE Rupert Neve-series of mics, and is the first pencil mic to sport a large-scale high-performance Rupert Neve designed transformer. This transformer works in tandem with a 17mm gold-sputtered Mylar capsule to give you jaw-dropping definition and detail, which are enhanced by the headroom afforded by the Neve transformer. With it’s Rupert Neve designed electronics, the RN17 will elevate your studio! The RN17 Stereo Pair is available as well. RN17 RN17MP Condenser Mic.........................List $149900 Condenser Mic..........................List $279900 $ ONLY $45/mo. 119900 239900 $ sE5 Small Diaphram Condenser Mic Value-priced and Versatile Every studio needs at least one condenser microphone. The sE5 gives you smooth, full-range frequency response with excellent on-axis sensitivity and off-axis rejection for a clean, clear sound. The sE5’s impressive transient handling makes it a go-to mic for gentle sources like acoustic stringed instruments, yet an sE5P stereo pair is rugged enough to do duty as drum overheads. ONLY $12/mo. sE5 NT4 sE5SP Stereo Miking Made Easy Stereo recording from RØDE! To capture natural stereo sound, you need to avoid phase issues, unmatched mics, and space-hogging multiple stands. The solution? The NT4 stereo condenser. This cool-looking stereo condenser’s capsules are mounted in an XY configuration, ensuring premium sound capture no matter where you are. You’ll love how the NT4 sounds on acoustic guitars and ensembles — it even works great as an overhead drum mic! Special dual-XLR and 1/8" mini cables are included with the NT4, so it’s ready to go, right out of the box! It also includes a carrying case. Specs: cardioid • 20Hz–20kHz • Max SPL: 143dB NT4 Condenser Mic...........................List 399 Condenser Mic (pr)......................List $69900 $ Condenser Mic............................................List $89900 52900 $ NT5Sing NT5 Condenser Mic...........................List 349 Condenser Mic (pr)......................List $69900 AT4041SP Condenser Mic...........................List $40500 Condenser Mic (pr)......................List $79500 299 49900 $ ONLY $10/mo. Pro37 Condenser Mic...........................List $24900 21900 $ 42900 $ Compact, Easy-to-position Mic Specs: cardioid • 30Hz–15kHz • Max SPL: 141dB AT4041 00 ATM450 Specs: cardioid • 20Hz–20kHz • Max SPL: 145dB 00 ONLY $10/mo. $ The AT4041 from Audio-Technica ranks among the industry’s most acclaimed bang-for-buck microphones. An exceptionally versatile cardioid condenser, the AT4041 is noted for its warm, delicate, sweet sound. It excels on such sources as acoustic guitars, pianos, and horns. What’s more, the AT4041 features a highpass filter for switching from a flat response to a low-end roll-off. ONLY $12/mo. 59900 $ Specs: cardioid • 20Hz–20kHz • Max SPL: 170dB Serious bang for the buck! If you want to capture amazing sonic detail, you can’t go wrong with RØDE’s NT5-S. Use this great-sounding small-diaphragm condenser as a drum overhead, on acoustic instruments, or even as an ambient room mic — you’ll be amazed! RØDE builds quality into all their mics, and the NT5-S is no exception. You can count on having this go-to mic at the ready for years to come. The Audio-Technica PRO 37 is made to handle the high sound-pressure levels rocking drummers throw its way. Yet this versatile microphone is also ready to accurately pick up the nuanced sounds of a choral ensemble or a piano. You’ll dig its low-profile design, which makes it easy to place in some of those difficult miking positions. At this low price, you’ll want to grab two for incredible stereo-miking options. A maximum input SPL of 141dB means the PRO 37 can stand up to close-miked vocals or amplified instruments. AT4041 29900 NT5-S Holds Up to Loud Sounds Small-diaphragm Condenser Microphone $ A Small Mic Built for Acoustic Instruments and Drums PRO 37 $ 00 Specs: cardioid • 20Hz–20kHz • Max SPL: 143dB ONLY $20/mo. Specs: cardioid • 20Hz–20kHz • Max SPL: 150dB 12900 $ The ATM450 measures just five inches long, with a unique feature: it’s a side-address mic. The benefit of a side-address condenser of this size is that it will fit into spots that typical front-address condenser mics won’t. You can easily position the ATM450 on drums (for both close-miking and as an overhead) and acoustic guitars. You can even drape it over a blaring guitar cabinet for an extremely low-profile miking job, thanks to its capability of handling 152dB. The 80Hz highpass filter reduces ambient rumbles, and the cardioid pickup pattern excels at isolating the ATM450 from other sound sources. Specs: cardioid • 40Hz–20kHz • Max SPL: 152dB ATM450 Condenser Mic...........................List $44900 ONLY $10/mo. 24900 $ 298 (800) 222–4700 SMALL-DIAPHRAGM CONDENSER MICROPHONES SM81 KSM137 PG81-XLR A Great Small-diaphragm Mic for Acoustic Instruments With consistent sensitivity throughout its entire frequency range, the PG81-XLR really excels on delicate acoustic instruments. The PG81-XLR’s cardioid polar pattern picks up every detail from in front of the microphone, as well as some sound from the sides. Great for onstage miking, the PG81-XLR resists feedback, even at high volume settings. Specs: cardioid • 40Hz–18kHz • Max SPL: 127–131dB Great in the Studio and Live Extremely Popular Do-it-all Mic The Shure KSM137 is a pencil condenser microphone with a cardioid pattern. Designed for studio use yet rugged enough for live applications, the KSM137 can withstand extremely high SPLs. The KSM137 is excellent for ambient room miking and overhead drum miking, as well as for miking any low-frequency instrument, such as a double bass, an electric bass, or a kick drum. The 3-position pad offers up to a 25dB cut, and the switchable lowfrequency filter reduces unwanted background noise. Need two? The KSM137 Stereo Pair is also available. The SM81 makes your life easy. Just put it up near a source, and you’re pretty much guaranteed a record-ready sound. Though totally versatile, the SM81 shines on acoustic guitars. It’s going to capture all of the subtle nuances of playing lightly, but it’ll also easily handle the full sound of the pick tearing through the strings. Apart from capturing acoustic guitar, the SM81 is great for studio and onstage overhead cymbal miking, room miking, and choral ensemble miking. That’s because it offers an incredibly flat frequency response, so what comes out of the mic is what went into it. Specs: cardioid • 20Hz–20kHz • Max SPL: 145dB • Bass roll-off: 80Hz, 115Hz Specs: cardioid • 20Hz–20kHz • Max SPL: 146dB ONLY $12/mo. ONLY $10/mo. PG81XLR Condenser Inst Mic.....................List $16100 12900 $ KSM141 Condenser Mic...........................List 374 Condenser Mic (pr)......................List $83200 29900 $ 66500 $ Condenser Mic...........................List $49900 Condenser Mic (pr)....................List $108800 39900 87000 Specs: hypercardioid/omni/cardioid • 40Hz–20kHz • Max SPL: 150dB ONLY $10/mo. ADX51 Condenser Mic...........................List $25000 22900 $ Specs: cardioid/hypercardioid/omni • 25Hz–20kHz • Max SPL: 138dB ONLY $10/mo. Condenser Mic (Pr).....................List 174 $ 99 139 $ 99 Condenser Mic (pr).....................List 499 Specs: supercardioid • 40Hz–20kHz • Max SPL: 139dB ONLY $10/mo. ONLY $10/mo. CK1 Condenser Mic........................................... 34999 $ To capture the sizzle of a cymbal or the detail of an acoustic instrument, you need a mic with a wide dynamic range and a superior transient response. Sennheiser’s e614 condenser mic is specially designed to capture detail — it’s perfect for professional applications and affordable enough for home recording. It has an extended frequency response, high SPL capacity, and a fast transient response — and the supercardioid pattern helps to reduce bleed. It’s great for overhead miking of drums, and it also works well on string instruments, flute, and sax. It’s an unbelievable performer as a drum overhead, as well as for percussion in general. You get cardioid, hypercardioid, and omnidirectional capsules for total versatility in whatever miking method you want to pursue in the future. Specs: supercardioid • 50Hz–20kHz • Max SPL: 134dB C4mic 99 Supercardioid Condenser Mic Avantone worked magic with the CK-1, creating a fine FET microphone with the performance of an expensive mic, but priced to fit into any project studio’s budget. Once you hear the CK-1, you’ll absolutely want it in your mic locker, regardless of what you paid for it. The Samson C02 offers a pair of quality small-diaphragm cardioid condenser microphones. They are ideal for both studio and stage use. With their sensitive, low-mass elements and high SPL handling, the C02 microphones excel at recording every nuance of sources such as drums, pianos, cymbals, and acoustic instruments. ONLY $14/mo. $ e614 Pick Up This High-performance Mic for an Amazing Low Price Incredible Value with This Stereo Pair 34900 You don’t have to give up sound quality to stay within your budget! Studio Projects’ C4 small-diaphragm condenser microphone pair gives you clean and highly accurate sound. Complete with interchangeable omni, cardioid, and hypercardioid capsules, and equipped with a switchable pad and a highpass filter, these useful multipurpose mics are a great matched mic pair for all-around use. CK-1 C02 $ Specs: cardioid • 40Hz–18kHz • Max SPL: 132dB • Pad: 10dB • Bass roll-off: 150Hz $ $ Condenser Mic...........................List $43600 Matched Condenser Microphone Pair Perfect for onstage or studio use, the Audix ADX51 excels at many tasks facing the modern engineer. The high SPL handling lets you point the ADX51 at loud sources, such as snare drums, with no worries about distortion, and the sleek low-reflective black finish is very stage friendly. This microphone is a great choice for acoustic instruments. It’s also stellar as a drum overhead or a hi-hat mic. Audix makes excellent instrumentspecific mics, but the ADX51 shows they know a thing or two about all-around workhorses too! Specs: cardioid/omni • 20Hz–20kHz • Max SPL: 139dB • Bass roll-off: 80Hz, 115Hz ONLY $15/mo. C02 ONLY $14/mo. SM81 C4 A Superb All-around Performer The KSM141 is a versatile mic that excels at capturing “in your face” sound. With two mechanically switching polar patterns, the KSM141 is designed for studio use, yet is rugged enough for live work. It can withstand extremely high SPLs for close-miking loud instruments. In cardioid, the sound is very focused and forward in nature. In omni, the mic sounds totally different, with more low end and a smooth, open top. The KSM141 Stereo Pair is perfect parked above a drum kit or in a stereo-recording situation. KSM141ST KSM137ST 00 ADX51 Small-diaphragm Cardioid/ Omni Mic KSM141 KSM137 $ $ 149 00 e614 Condenser Mic........................................... 21995 $ Sweetwater.com INSTRUMENT MICROPHONES Beta 52A SM57 Beta 181/C Go-to Mic for Bass and Kick Studio- and Stage-essential Mic There are several good reasons why you’ll find an SM57 in just about every professional mic locker on earth. It’s one of the standard mics for amplifying guitar cabinets, able to withstand intense sound pressure while still responding quickly enough to capture the high end with clarity. It’s also great for miking drums, where high sound-pressure levels are unavoidable. Fortunately, the SM57 is heroically rugged and can easily shrug off the routine stray drumstick whacks. This outstanding dynamic microphone is specially designed for all kinds of bass sources, from kick drums to bass guitars. The Shure Beta 52A will make your bass boom instead of getting lost in a swampy thud. The Beta 52A’s frequency response is 20Hz–10kHz, and this mic is built to withstand the daily abuse of road work. Its supercardioid pattern aids isolation, so the Beta 52A is perfectly suited for both the stage and the studio. This robust mic can handle up to 174dB SPL, so it’s ready for pretty much anything you can throw at it. Side-address Smalldiaphragm Condenser The Shure Beta 181/C ultra-compact small-diaphragm side-address condenser microphone comes with a cardioid capsule for close-miking. This super-flexible microphone fits in places that traditional pencil condensers simply don’t, giving you the same tight and focused sound, plus the flexibility to position your mics exactly where you need them — even in tight, hard-to-mic spots. The Beta 181/C has a switchable capsule, so you can pick up additional polar patterns to suit your needs. Specs: supercardioid • 20Hz–10kHz • Max SPL: 174dB Specs: cardioid • 20Hz–20kHz • Max SPL: 151.5dB Specs: cardioid • 40Hz–15kHz • Max SPL: 140dB SM57 Dynamic Mic...................................List 124 $ 00 99 $ 00 Beta52 e 609 Silver Dynamic Kick/Bass Mic..............List $23600 189 00 Get your hands on one of the industry’s most popular guitar-amp mics. The Sennheiser e 609 Silver is engineered specifically to accurately capture the wide range of tones that come out of guitar amps. Perfect for live applications, the e 609 Silver serves you equally well in the studio. It works great on those hard-to-mic instruments, such as snare drums and toms; the e 609 Silver’s side-address styling and compact size keep it out of a drummer’s way when placed on toms — you can even place it flat against an amp grille! Specs: supercardioid • 40Hz–15kHz • Max SPL: 150dB Need a versatile mic to handle drums, percussion, amplifiers, and other instrumental sources? Sennheiser has the answer: the e 906, a supercardioid dynamic mic that’s custom-designed for great instrument reproduction. It sports very fast transient response, which makes it ideal for guitar leads and percussive sounds. And its 40Hz–18kHz frequency response means it can handle a wide range of instruments. The e 906 features a switchable presence filter, which allows you to tailor the mic for different sources. Specs: supercardioid • 40Hz–18kHz • 3-position presence filter ONLY $10/mo. 10995 $ e906 i5 In the studio or onstage, you can put the i5 on just about anything and expect professional results! It sports a cardioid polar pattern to minimize bleed from off-axis sources, giving you loads of sound before feeding back. Stick the i5 on your snare, toms, guitar cabs, and even vocals, and bask in its incredible definition and lucid tone. The CabGrabber and CabGrabber XL clamps make perfect amp-miking companions for your i5 or any other guitar-cab mic. Lock either of these clamps to your amp, clip on a mic, and you’ll get instant spot-on mic placement. Specs: cardioid • 50Hz–16kHz • Max SPL: 140dB Dynamic Mic..............................List $15000 CabGrabber Mic Clamp for Amps......................List $6500 CabGrabXL Mic Clamp for Amps......................List $7500 Dynamic Mic w/Switch.............................. $ 18995 9900 $ 49 $ 5995 $ 49900 $ 00 The D4 is optimized for instruments that require precise low frequency capture, such as floor toms, tympani, bari sax, trombone, acoustic bass, and bass cabs. Its robust SPL rating lets the D4 handle just about any sound source, while the hypercardioid pickup pattern gives you excellent isolation. The D2 accurately reproduces the warmth and punch of percussion instruments. The D-Vice gooseneck allows most any microphone to be quickly and securely attached to rim of most drums. Specs: D4 hypercardioid • 40Hz-18kHz • Max SPL: 144dB ONLY $10/mo. D2 hypercardioid • 80Hz-18kHz • Max SPL: 144dB D2 DVICE Dynamic Tom Mic.......................List $26500 Dynamic Tom Mic........................List $19500 Gooseneck Drum Mic Clip........................... Proven Performer for Stage and Studio Put the Sennheiser MD 421 II on toms or in front of a guitar amp, and you’ll understand why you need this mic! Because of its reliability and impressive low end, it’s been one of the most widely used mics in the world for over 50 years. It can withstand amazingly high SPLs, so you never have to worry about putting it on a loud sound source. Features a 5-position bass roll-off switch. Specs: cardioid • 30Hz–17kHz • Max SPL: 160dB • Bass roll-off: 5-position ONLY $15/mo. MD421 Dynamic Mic.............................................. 37995 $ Purpose Built for Kick The Mic for Clear, Punchy Low-frequency Capture D4Mic MD 421 II D6 D4 This Mic Is Versatile i5 Condenser Mic...........................List 624 00 A Super Mic for Amps and Drums ONLY $10/mo. CabGrabber Beta181C $ e 906 Great on Guitar Amps E609Silver Dynamic Mic.............................................. ONLY $19/mo. ONLY $10/mo. $ 299 16900 $ 12900 $ 2795 $ The Audix D6 is the perfect choice for solid kick drum sounds. The cardioid pickup pattern does an excellent job rejecting sound from external sound sources to keep the sound of the kick drum pure and clean. The D6 boasts a VLM (Very Low Mass) diaphragm to react quickly to the attack of the beater, and the 30Hz–15kHz frequency response sports big bumps right where you need it for earth-shaking lows without sacrificing the attack. The D6 fares equally well on other low-frequency instruments such as bass. The Audix Stand-KD provides a heavy duty solution for getting your kick drum mic or guitar amp mic in the perfect spot. Specs: cardioid • 30Hz–15kHz • Max SPL: 144dB D6 KDStand ONLY $10/mo. Dynamic Kick Mic......................List 310 MicroBoom Stand..........................List $4900 $ 00 19900 $ 3995 $ 300 (800) 222–4700 INSTRUMENT MICROPHONES RE320 RE20 The RE320 is mainly designed for recording music; it’s ideal for vocals, horns, guitar amps, bass amps, and drums. Use the RE320’s 2-position “Dual Personality” frequency response switch for either a flat response or a specifically tailored kick drum EQ (perfect for that sought-after “punch”). An integrated humbucking coil keeps hum and buzz to a minimum. Both a broadcast legend and a studio favorite, the RE20 has a home in any mic locker. The smooth way it handles spoken voice has long established the RE20 as a broadcasting mainstay. It’s also a great choice for bass cabinets and kick drums. Fantastic Mic for All Kinds of Sources Specs: cardioid • 30Hz–18kHz ONLY $12/mo. RE320 Dynamic Mic..............................List $42350 Perfect Mic for Both Broadcast and Recording Specs: cardioid • 45Hz–18kHz 299 $ 00 ONLY $17/mo. RE20 Dynamic Mic..............................List 765 $ PM11 PM10 The Miktek PM11 is purpose-built for kick, but it’s not so pre-EQed that every bass drum sounds the same through it. It’s also great on bass guitar cabinets and other bass-heavy instruments. Pair the PM11 with the PM10 on snare and toms, for a killer drum mic kit. In Nashville, where Miktek mics are assembled, recording engineers are raving about the Miktek PM10 dynamic supercardioid mic on snare drum. We can add that the PM10 also does a great job on toms. With its PM series mics, Miktek has taken its renowned studio mic technology and packaged it tough for the road. But the PM10 is at home in the studio as well. Tight and punchy, the PM10’s versatility makes it a great general-purpose mic. Use it to tame guitar cabs, congas, or almost anything else that emits high SPLs. Specs: PM11 supercardioid • 50Hz–10kHz PM10 supercardioid • 50Hz-16kHz ONLY $10/mo. PM10mic Dynamic Kick Mic......................List 419 Dynamic Mic...............................List $32900 $ 00 24900 $ ONLY $10/mo. PM10mic 00 Dynamic Mic..............................List $32900 18900 $ M80-SH M82 A Dynamic Mic with Condenser-like Performance Outfitted with an oversized 1.37" diaphragm, the Telefunken M82 provides you with superb low-frequency response. But, although Telefunken designed it for kick drums, this fat and punchy mic is also ideal for bass cabinets, voiceover work, and many other applications. A switchable Kick EQ filter and a separate switchable High Boost function provide a total of four distinct sounds in one. Specs: cardioid • 25Hz–18kHz ONLY $15/mo. Dynamic Kick Mic......................List $43900 Specs: supercardioid • 50Hz–16kHz 189 $ Four Kick Tones M82 44900 $ Great Snare Mic and More Killer Kick PM11mic 00 The Telefunken M80-SH dynamic microphone delivers condenser-like performance, with the convenience and robustness of a dynamic mic. Unlike the midrange-heavy tone of many popular handheld mics, the M80-SH employs a low-mass capsule with an ultra-thin membrane to capture every nuance of your performance with amazing balance and detail. The diaphragm on the M80-SH is super thin, which gives it a fast, un-colored response that captures your sound with incredible detail. Specs: cardioid • 30Hz–18kHz 399 $ 00 M80SHB M80SH ONLY $10/mo. Cardioid Dynamic Mic, Black.......List 279 Cardioid Dynamic Mic, Silver........List $27900 $ 00 24900 $ 24900 $ granelli au dio labs D112 A Time-tested Favorite for Drums and Bass Amps You want to get great sound plus high SPL handling out of your go-to kick drum and bass mic, and AKG’s largediaphragm D112 dynamic delivers! It gives you definition plus rich low-frequency reproduction, making it great for miking kick drums and bass amp cabinets. Specs: cardioid • 20Hz–17kHz • Max SPL: 160dB G5790 The Famous SM57 with a Very Useful Twist The G5790 gives you a real Shure SM57 with a custom-made aluminum elbow that gives it a 90-degree bend, without altering its original internal sound path. The result is a microphone that sounds just like an SM57 but is effectively smaller and much easier to use on amplifiers and drums. Specs: cardioid • 40Hz–15kHz • Max SPL: 140dB ONLY $10/mo. ONLY $10/mo. D112 Dynamic Kick Mic......................List $24900 199 $ 00 G5790 Dynamic Mic..............................List 199 $ 00 14999 $ Sweetwater.com PGD Series PGDMK6XLR PGDMK4XLR 6-pc Drum Mic Kit.............List $49900 4-pc Drum Mic Kit..............List $31100 Complete 4-mic Kit for Drums Make great drum recordings with Shure! The DMK57-52 gives you three industrystandard SM57s. Known for its stellar sound on snares, the SM57 is also excellent on toms, guitar amps, vocals, and beyond. The fourth mic in this pack is the Beta 52A, which has a presence boost at 4kHz that can really help a kick drum stand out in the mix. ONLY $15/mo. 39900 $ DMK5752 249 $ 00 Fusion Series FP7A FP5A ONLY $15/mo. 4-pc Drum Mic Kit......................List $53600 Versatile Drum Mic Systems The Audix FP7 bundle comes with everything you need to mic your kick, snare, cymbals, and three toms. If you already have a pair of go-to condenser microphones for your overheads, then the 5-piece FP5 bundle is a great choice. Both of these value-packed bundles come with microphone clips for each mic, plus a rugged aluminum carry case. All of Audix’s Fusion series mics are also available individually. Call your Sales Engineer ONLY $19/mo. today and find out more. $ 00 $ 00 Looking for a stellar drum mic package and an incredible value? The DP7 kit gives you seven all-star Audix mics, including the renowned D6 for kick. You get the versatile i5 for your snare, a D4 for your floor toms, a pair of D2s for your toms, and two ADX51s for overheads. The DP5A package gives you the same great collection, minus the overhead mics. D series microphones included in Audix’s DP series bundles are also available individually (see pg. ###). 499 DP7 349 $ 00 Great Drum Mic Bundle 699 7-pc Drum Mic Kit.....................List $319900 189900 $ DD5 Drum Microphone Set 00 65900 $ 8Kit Samson’s 8Kit is an affordable solution with the right mix of mics! The Q Kick has a deep resonant quality that sounds comparable to mics costing much more, and the Q Snare is an impressive dynamic mic voiced for snare drums. The 8Kit also has three rim-mountable Q Tom dynamic mics. For cymbals or overheads, there are two C01 mics and a C02H. The 8Kit gives you all the mics you need to set up a standard drum kit for studio recording or stage miking. The 7-piece 7Kit ONLY $12/mo. and the 5-piece $ 99 8DrumMicKit 8-pc Drum Mic Kit.....List $40499 5Kit are also $ 99 $ 99 7DrumMicKit 7-pc Drum Mic Kit......List 314 199 available. $ 99 299 5DrumMicKit 149 5-pc Drum Mic Kit......List $19999 e600 Drum Pack Sennheiser Has Been Crafting Great Drum Sounds for Decades Premium Mic Kit for Stage and Studio If you need to mic up a 5-piece kit, then Telefunken has the microphone pack for you. The DD5 Drum Microphone Set comes with five of the most popular Telefunken dynamic drum microphones, including an M82 kick drum mic, a M80-SHB for your snare drum, and a trio of M81-SH microphones that bring out the best in your toms. In addition to these wonderful microphones, you also get a set of five rim mounts and XLR cables to go with them. Each of these cables has a right-angle female connector, which makes mic placement easy. Top it all off with a flight case, and you’re ready to take your DD5 ONLY $51/mo. Drum Microphone Set anywhere. The $ 00 4-piece DD4 Drum Microphone Set is $ 00 DD5pack 5-piece Drum Mic Kit...............List 1650 also available. $ 00 $ 00 DD4pack 89900 $ 7-pc Drum Mic Kit....................List 1245 5-pc Drum Mic Kit.......................List $86500 8-piece Drum Mic Kit Amazing drum recordings are easy with Miktek microphones! The PMD4 drum mic bundle gives you a roadworthy aluminum case with four of Miktek’s great-sounding PM series drum mics. You get three Miktek PM10 snare/tom mics and one PM11 kick drum mic. Tight and punchy, the PM10’s versatility also makes it a wonderful general purpose mic: use it to tame guitar cabs, congas, or almost anything else that emits high SPLs. The PM11 is purpose-built for kick, so it’s tough-as-nails and has mountains of meat — but it’s not so pre-EQed that every bass drum sounds the same through it. Everything is protected by foam inserts and secure latches. If you’ve been looking for drum mics that are ready for the stage and sound ONLY $27/mo. great in the studio too, you’ve found your $ 00 solution! The 5-piece PMD5 and 7-piece PMD4 4-pc Drum Mic Kit....................List $119900 PMD7 bundles are also available. $ 00 $ 00 PMD5 5-pc Drum Mic Kit.....................List 1499 849 ONLY $34/mo. $ DP5A PMD4 PMD7 39900 $ DP Series An Amazing Value in Drum Mics 7-pc Drum Mic Kit......................List 550 5-pc Drum Mic Kit.......................List $45000 301 DMK57-52 Affordable Complete Drum Mic Kits The PGDMK6 microphone kit from Shure is a 6-mic bundle that gives you everything you need to get great drum sounds — two PG81 overhead mics, one PG52 kick mic, and three PG56 snare/tom mics. The PGDMK4 offers the same collection without the PG81 overheads. INSTRUMENT MICROPHONES 1349 4-piece Drum Mic Kit................List 1395 1149 Inside the e600 Drum Pack, you’ll find a mic tuned specifically for low frequencies, a quartet of tom- and snare-friendly mics, and a pair of condensers for overheads and cymbals. In all, you get seven mics, each specifically chosen for the e600 Drum Pack to handle a specific task. And with a rugged aluminum case for reliable transport, it’s perfect for live use! DrumKit600 7-pc Drum Mic Kit............................... ONLY $38/mo. 99995 $ 302 (800) 222–4700 INSTRUMENT MICROPHONES Beta 91A PianoMic System Great Kick Mic Shure’s Beta 91A half-cardioid boundary mic lets you capture a kick drum’s true punch without taking up a lot of real estate onstage. In fact, the Beta 91A excels at picking up all kinds of low-frequency-intensive instruments. Its capability to handle high SPLs means worry-free use in any environment (even with the loudest drummers). A handy mid-scoop switch adds an element of tonal control. You’ll love what the Beta 91A does for your live sound. Stereo Piano Microphone System Elegant, great-sounding solution! You know how difficult it can be to get consistently good sounds from pianos by using conventional microphones. That’s why Earthworks designed the PianoMic System, which uses two specialized omnidirectional mics mounted to an adjustable bar — the entire rig goes right inside the piano! These amazingly transparent microphones provide highly detailed sound and can handle high SPLs, while their flexible mounts allow you to position them precisely for optimal results. Move the bar mount to reduce or emphasize certain tonal characteristics. And the convenient PianoMic System works flawlessly with the piano lid up or down! Specs: half-cardioid • 20Hz–20kHz • Max SPL: 155dB Beta91A Specs: random-incidence omni • 9Hz–40kHz • Max SPL: 148dB PianoMicSys Condenser Mic (pr)...........List $374900 $ 23900 $ e901 ONLY $113/mo. 299900 A Great Way to Capture Your Kick Drum’s Thump SMK4061 Here’s a mic that makes it easy to capture the deep, punchy lows you’ve been trying to get out of your kick drum (and other low-frequency instruments) and into your recordings. The wild-looking e901 is a halfcardioid boundary-layer microphone. It rests right on the floor, so you don’t need a stand. The e901 can handle extremely high SPLs and is specifically voiced for low frequencies. Use it on your favorite kick drums, bass amps, or even Leslie speakers. You’ll love the results you get from this unique-looking, great-sounding microphone. The Headache-free Way to Capture Sound in Stereo Here’s an excellent and simple way for you to record in clearly defined stereo. DPA’s SMK4061 stereo miking kit is perfect for capturing the full stereo image of any sound source, without the setup fuss. The SMK4061 consists of two DPA omnidirectional miniature 4061 condenser microphones plus all of the mounting accessories you need to set them up for a variety of applications. You’ll be ready to meet a wide range of miking situations — with finesse and ease. Included in the kit are accessories for miking everything from pianos to acoustic guitar to strings to drums. Looking for stereo miking flexibility at a great value? You simply can’t go wrong with the SMK4061 from DPA. Specs: omni • 20Hz–20kHz • Max SPL: 144dB SMK4061 ONLY $10/mo. Condenser Boundary Mic............List $29900 Specs: half-cardioid • 20Hz–20kHz • Max SPL: 124dB ONLY $36/mo. Stereo-miking Kit ...................................... 94995 $ e901 ONLY $10/mo. Unidirectional Boundary Mic....................... 23995 $ ADX10FLP This Mini Condenser Mic Is Perfect for Standard Flutes d:vote 4099 The Mighty Miniature Mic for Onstage Acoustic Instruments DPA’s d:vote 4099 mics help you achieve studio-grade instrument sound onstage. The d:vote 4099 uses a special clip system that attaches directly to your instrument, freeing you to roam the stage while ONLY $23/mo. you play. Discreet, elegant, and lightweight, this miking $ 95 VO4099B Double Bass Mic........................................ system is also rugged, and the gooseneck provides both $ 95 VO4099C Cello Mic................................................... 599 stable and repeatable positioning. Available for double $ VO4099S Saxophone Mic.......................................... 59995 bass, cello, sax, violin, and guitar. $ 95 599 Specs: supercardioid • 80Hz–15kHz • Max SPL: 142dB VO4099V VO4099G Violin Mic.................................................. Guitar Mic.................................................. 599 59995 $ When you need consistent high-quality sound reproduction from wind instruments, you need a microphone that’s made specifically for the job. Meet the ADX10FLP from Audix. This mini condenser mic includes a very handy mount that’s made to attach to your flute’s head joint — it’s an elegantly simple way to get great sound! The ADX10FLP’s wide frequency range and smooth response allow this little mic to give you a surprisingly full and rich sound. It comes complete with a preamp module, and it can also be used with wireless systems. Plus, it can run on phantom power or AA batteries, thanks to the included APS911 power supply. ONLY $10/mo. Specs: cardioid • 40Hz–20kHz • Max SPL: 120dB ADX10FLP Flute Mic...................................List 275 $ 00 22900 $ Sweetwater.com PRESENTER & ENSEMBLE MICROPHONES U853R FlexWand 730 Ultra-clear Sound, Unobtrusive Mic All-in-one Miking Solution The U853R hanging condenser microphone gives you an unobtrusive, clear-sounding way to capture overhead audio from choral, orchestral, and worship applications. The UniGuard design shields against RF interference. This mic gives you great sound and excellent outside noise rejection, and it includes an 80Hz low-cut filter, a power module with an XLR-M connector, and a foam windscreen. A steel hanger and a stand adapter are included. Also available in white. Extremely discreet, supremely flexible, high-quality miking system! Earthworks has taken their knowledge of first-class microphone design and introduced it in a system that’s perfect for picking up choirs, acoustic instruments, drums, and more. The FlexWand 730 can easily be positioned at a variety of heights to meet your needs. It features an integrated stand with a boom arm that has an innovative low-profile cabling system. ONLY $50/mo. Specs: cardioid • 30Hz–30kHz • Max SPL: 145dB U853R U853RW Condenser Mic...........................List 260 Condenser Mic, Wht....................List $26000 00 189 $ 18900 Perfect for choirs, conferences, and more, the MicroBoom MB8455 cardioid condenser microphone with 84" boom leaves the bulk behind. Audix’s MicroBoom MB8455HC uses a hypercardioid capsule with 84" boom for maximum sound isolation. The MicroBoom MB8450 mic/boom system pairs a long-reach 84" MicroBoom arm with a high-quality M1250B cardioid condenser mic. The MicroBoom MB8450HC system features the M1250B-HC hypercardioid element, for outstanding outside-noise rejection. The MicroBoom MB5050 system includes the M1250B cardioid condenser element, paired with a 50" boom. The MicroBoom MB5055 includes a high-output cardioid mic capsule and a 50" boom. A custom MicroBoom Stand is also available for these mics. $ Pro 45 When you hang microphones over choirs or orchestras, you want the mics to be as unobtrusive as possible. Here’s an economical and greatsounding solution for the task: the Pro 45, a miniature cardioid condenser mic with its own adjustable hanger. All electronics are built into the unit, so no external power module is needed. The Pro 45’s wide dynamic range can handle high SPLs without breaking up. It’s an ideal mic for school auditoriums and houses of worship. ONLY $25/mo. MB8455 Condenser Mic, 84” Boom..................... List $71000 MB8455HC HypCard Condenser Mic, 84” Boom....... List $73000 MB8450 Condenser Mic, 84” Boom.................... List $69000 MB8450HC HypCard Condenser Mic, 84” Boom....... List $71000 MB5050 Condenser Mic, 50” Boom.................... List $59000 MB5055 Condenser Mic, 50” Boom.................... List $61000 MBstand MicroBoom Mic Stand......................................... Specs: cardioid • 70Hz–16kHz • Max SPL: 155dB 9900 $ Condenser Mic...........................List $14500 MX412/C Position This Condenser Mic Right Where You Need It Shure’s Microflex gooseneck microphones give new meaning to the word flexible. The MX412/C 12" gooseneck condenser microphone comes with an attached XLR preamp, a shockmount, and a foam windscreen. 64900 $ 66900 59900 $ 64900 $ 49900 $ 54900 $ 2995 $ $ Specs: MB8455/MB8455HC cardioid/hypercardioid • 50Hz–19kHz • Max SPL: 130dB MB8450/MB8450HC cardioid/hypercardioid • 50Hz–18kHz • Max SPL: 140dB MB5050/MB5055 cardioid • 80Hz–20kHz • Max SPL: 150dB MEG 14-40 Discreet, Flexible Condenser This versatile mic features high sensitivity and transformerless output, for immunity to hum and RF interference. Each Microflex gooseneck microphone comes with a complete installation kit and a flange mount, allowing for table attachment to pulpits, lecterns, and conference tables. The Sennheiser MEG 14-40 gooseneck microphone offers the unobtrusive flexibility you need for lectures and seminars. A streamlined 15.75" gooseneck brings the MEG 14-40’s condenser element close to your face, allowing you to maintain an upright posture while speaking. The MEG 14-40 also features Sennheiser’s high-performance KE10 mic capsule. Its cardioid pickup pattern provides excellent unidirectional reception while also preventing off-axis noise and keeping feedback at bay. Specs: cardioid • 50Hz–17kHz • Max SPL: 124.2dB Specs: cardioid • 50Hz–20kHz • Max SPL: 130dB ONLY $10/mo. ONLY $10/mo. MX412C Condenser Mic...........................List 237 $ 00 206 $ 00 PRO 44 MEG1440 Condenser Mic........................................... Sound Grabber II There’s a reason this mic looks so stealthy: it’s made to provide great sound, with minimal visual impact. It’s perfect for theater and house of worship applications. The PRO 44 gives you excellent gain before feedback and includes a wide-range condenser element, a half-cardioid pickup pattern, and a 25' detachable mic cable. A rubber nonslip pad on the bottom reduces the amount of surface vibration translating to the mic. It’s easy to get great sound from this compact mic. The Sound Grabber II has a very wide-angled pickup pattern. That way, it will pick up sound from any direction, so speakers or vocalists can move freely around with no change in tone quality. This distinctive mic is a worthy addition to any theater, church, or recording application — at a great price! A Set-it-and-forget-it Miking Solution Pro44 Unidirectional Boundary Mic.......List 145 $ Specs: hemispherical • 50Hz–16kHz • Max SPL: 120dB ONLY $10/mo. ONLY $10/mo. 00 $ 119 00 SoundGrabber Unidirectional Boundary Mic.... List 159 $ 00 $ $ 17995 4000: Planar Wave System This Stealthy Mic Delivers Great Sound Specs: half-cardioid • 70Hz–16kHz • Max SPL: 155dB 132900 $ Ensemble Miking Systems 00 Super-affordable Hanging Mic Pro45 FlexWand730CCondenser Mic................List $166100 MicroBoom Series Specs: cardioid • 30Hz–20kHz • Max SPL: 139dB • Bass roll-off: 80Hz $ 303 119 00 Perfect Pickup/Preamp for Piano and Harp The 4000: Planar Wave System pairs a handy preamp with a piezo pickup that attaches to a harp or a piano. It effectively manages to capture sound from instruments that have long troubled even the most experienced engineers. ONLY $12/mo. Specs: hemispherical • 5Hz–30kHz • Max SPL: 110dB 4000XL Piano/Harp Pickup.....................List 461 $ 99 30900 $ 304 (800) 222–4700 BROADCAST MICROPHONES NTG-2 MKH 416 MKE 600 Excellent sound, compact design! Add Sennheiser’s MKH 416 to your broadcast, film, or video arsenal, and you’ll hear an instant improvement! This industry-standard short shotgun offers superior immunity to moisture and humidity, as well as outstanding rejection of outside noise and feedback. Capture the sounds you want with exceptional quality! Call your Sales Engineer to find out more about this stellar-sounding (and impressively compact) shotgun mic. Sennheiser’s MKE 600 supercardioid short shotgun mic is your ticket to great professional production sound, with amazing ease of use. The MKE 600’s diminutive size lets you boom or camera mount, as the shot dictates. The MKE 400, with lightning shoe mount and external mic input, is also available. Premium Short Shotgun Mic Short Shotgun, Big Performer Specs: supercardioid • 40Hz–20kHz • Max SPL: 130dB MKH416 Convenient, Affordable Video Shotgun Condenser Mic Shotgun Mic............................................... Specs: MKE 600 supercardioid • 40Hz–20kHz • Max SPL: 132dB MKE 400 supercardioid • 40Hz–20kHz • Max SPL: 126dB ONLY $38/mo. 999 $ 95 MKE600 MKE400 RØDE’s NTG-2 is great for pro film, video, television, and ENG applications. For convenience, it can be powered by phantom power or AA batteries. A handy bass roll-off switch helps keep out those muddy low frequencies and rumbles. If you’re exposed to the elements, choose the NTG-3. It’s moisture resistent, and works in the most damp and humid conditions! Specs: NTG-2 supercardioid • 20Hz–20kHz • Max SPL: 131dB NTG-3 supercardioid • 40Hz-20kHz • Max SPL: 130dB ONLY $13/mo. Shotgun Mic...............................List 399 SprCard Shotgun Mic.................................. $ 95 329 $ 95 199 $ 95 Record great sound on location, with the iShotgun mic for your smartphone, tablet, or DSLR camera. The iShotgun’s supercardioid pickup pattern and excellent rejection of off-axis noise let you zero in on the sounds you need to capture. You get the mic plus a windscreen, a mini boom pole, a shockmount, and cables and splitters. Both a broadcast legend and a studio favorite, the RE20 has a home in any mic locker. The smooth way it handles spoken voice has long established the RE20 as a broadcasting mainstay. When you take it into the recording studio, that same smoothness allows the RE20 to handle low-end sounds, preventing boominess. It’s also a great choice for bass cabinets and kick drums. Perfect Mic for Both Broadcast and Recording Specs: cardioid • 45Hz–18kHz ONLY $10/mo. iShotgunKit Shotgun Mic Kit............List 299 199 $ 00 RE20 309A In the past few years, the SM7B has appeared on countless groundbreaking albums, adding its unmistakable impact to the voices of many top artists. Though the SM7B is known best as either a voice-over mic or a vocal mic, its rugged design and transient-subduing qualities make it an excellent choice for many applications. You’ll be amazed at how well this studio-classic mic smooths out high-gain amp cabinets and tames the harsh transients of picked bass. ONLY $14/mo. SM7B Dynamic Mic.....................List 436 00 349 $ 00 Specs: cardioid • 50Hz–20kHz • Bass roll-off: 300Hz Procaster Rich-sounding Dynamic Broadcast Mic RØDE’s Procaster has the sound, the performance, and the price you’ll love! It gives you deep, rich tones for voice-over work and also limits bleed from other voices in the room. The Procaster is built to minimize handling noise, and breath plosives are no problem, thanks to its built-in pop filter. The Procaster has a high-output capsule that ensures you always have enough gain to be heard. Specs: cardioid • 75Hz–18kHz Procaster Dynamic Mic..............................List $36900 69900 $ sE Electronics gave the sE X1 USB mic the tried-and-true design of their acclaimed sE X1 mic, with a gold-sputtered diaphragm that gives you a crisp, detailed response. Then they went to work to minimize any coloring from the built-in 24-bit/192kHz converter and USB interface. The result is the smooth sound of an extremely popular studio condenser mic, with the recordanywhere convenience of USB! ONLY $10/mo. 22900 $ ONLY $17/mo. Dynamic Mic..............................List $76500 Shockmount for RE20................................. SM7B This Broadcast Standard Is a Studio Legend $ NTG3 26900 Specs: cardioid • 20Hz–20kHz • Max SPL: 135dB Specs: supercardioid • 100Hz–18kHz • Max SPL: 106dB 00 Shotgun Mic...............................List 369 Shotgun Mic................................List $89900 $ sE X1 USB RE20 $ NTG2 00 Studio Sound in a USB Mic iShotgun A Shotgun Mic for Your Smartphone ONLY $11/mo. $ 44900 $ 172 $ 50 ONLY $12/mo. sEX1USB USB Condenser Mic....................List 349 ProCast SST Broadcast-style Simplicity for Your Desktop Whether you’re looking for a pro rig for podcasting or a killer desktop microphone for when the muse strikes, check out the ProCast SST from Miktek. The ProCast SST combines an excellent condenser mic, a radio boom arm, and a broadcast mixer all into a 2-channel USB audio interface. There’s a second input plus monitoring options for two, for when you want to get collaborative in the control room. ONLY $12/mo. ProCastSST Condenser Mic......................List $49900 29900 $ PSA1 Affordable Pro Boom Arm Perfect for radio, broadcast, or home use! Designed to fit unobtrusively into your studio, this continuously adjustable boom arm gives you full 360-degree access to your microphone, with a stable horizontal and vertical reach of up to 3'. The PSA1 can easily accommodate microphones weighing up to 2.4 lbs., making it an ideal desk stand for most broadcast-style microphones. Hookand-loop wraps keep your cables out of the way. PSA1Rode Studio Boom Arm.......................List $10900 $ 9900 $ 00 $ 29900 Sweetwater.com Ultra-versatile USB/XLR Mic Recording Has Never Been Easier Plug Apogee’s MiC 96k USB microphone into your Mac, iPad, or iPhone, and you’ll get studio-quality results wherever you go — in up to 24-bit/96kHz resolution! It’s perfect for everything from live recordings to podcasts to ultra-mobile studio work. This condenser microphone works great on both vocals and instruments, and its USB connection makes it incredibly easy to use. USB Condenser Mic.................................... ONLY $10/mo. 22900 $ 305 Yeti Pro AT2020USB+ MiC 96k Capture Your Best Take — Anywhere You Want MiC96K USB MICROPHONES Audio-Technica’s updated AT2020USB+ provides great sound in a cardioid condenser mic that connects directly to your computer. The AT2020USB+ gives you the clean, clear performance you want, with the convenience of a handy USB connection. This easy-to-use mic includes an onboard mix control plus a built-in headphone connection, for easy monitoring. AT2020USBP USB Condenser Mic..............List 279 $ 00 Blue’s monster microphone has evolved! The Yeti Pro lets you capture amazing recordings directly to your computer in up to 24-bit/192kHz quality. You can also plug in an XLR cable and use your favorite mic pres. Just as the original USB-only Yeti does, the Yeti Pro uses an innovative triple-capsule array, so you can record in stereo or choose among three different mono patterns. ONLY $10/mo. ONLY $10/mo. 169 $ 00 YetiPro Yeti USB/XLR Condenser Mic............................ USB Condenser Mic.....................List $14999 24999 $ 12900 $ Mikey Digital Blue Quality for Your iOS Devices The Mikey Digital iOS interface brings convenient stereo recording to your Lightning-equipped iPod Touch, iPhone, and iPad. It connects to the base of your iOS device for go-anywhere recording with “point and shoot” simplicity. Capture song ideas on the go, record interviews at a moment’s notice, or even connect your guitar to the auto-sensing 1/8" input with an adapter to play with your favorite guitar apps! MikeyDigitalL 99 $ iOS Mic, Lightning........................... 99 iRig Mic Cast Record songs, interviews, podcasts, and more, right on your favorite iOS device. The iRig Mic Cast plugs directly into your iOS device, freeing up its 30-pin dockconnector jack. A headphone jack built into the iRig Mic Cast even lets you monitor as you record, and an included tabletop stand provides you with hands-free operation. iRig Mic Cast.................................. 3999 $ Your Go-anywhere USB Mic Stereo Field Mic for iOS Designed for field-recording, iRig Mic Field is a powerful microphone that fits easily in your pocket. Also, thanks to its innovative rotating enclosure, it can perform doubleduty as a stereo microphone. Loaded with high-quality mic capsules and a 24-bit A/D converter, iRig Mic Field connects digitally to your iOS device’s Lightning port. iRigMicField iRig Mic Field.................................. $ 99 99 Here’s a microphone you can pretty much plug into anything and start recording right away! The IK Multimedia iRig Mic HD is universally compatible with Mac and Windows PCs; iOS devices including iPhone, iPad, and iPod touch models; and even Android devices — with up to 24-bit/96kHz quality! ONLY $10/mo. iRigMicHD Put Great Vocals into Your Computer Tailored for vocal performances, Shure’s PG42USB boasts a wide frequency response for capturing every nuance of your voice. This condenser mic has a built-in USB interface (plus built-in monitoring and mic-trim control) for plug-and-play connection to a computer — perfect for podcasting or vocal recording. 00 249 $ 00 12999 Go Mic Clip This USB Mic to Your Laptop or Monitor The Meteorite USB mic makes it easy to capture high-quality vocals for Skype, FaceTime, and other tasks. It’s easy to set up and has a removable magnetic base for easy positioning. We’re all musicians at Sweetwater, and we know that having a compact, portable USB mic for your laptop or iPad can sometimes determine whether you capture an inspiring musical idea or not. Whether you’re at home or on the road, you’ll appreciate having the Samson Meteorite USB microphone handy! Podcasting made easy! Just clip Samson’s Go Mic to the top of your screen, or use the built-in stand to place it on your desktop — you’re ready to record. This little microphone is perfect for podcasting, Skyping, and music recording. Best of all, you can choose between omni and cardioid pickup patterns, helping you achieve the best sound in any environment. Meteorite USB Condenser Mic......................List $5999 3999 $ GoMic USB Condenser Mic......................List $6499 3999 $ iXY-L Ready to Record on All Platforms XY Recording for Your iOS Device The NT-USB is ready to record via USB with your Mac, PC, iPad, and most Android tablets. You get everything you need to record, including a tripod base, mic stand mount, pop shield, USB cable, and a padded carrying case. There’s even a built-in headphone amp for monitoring! Transform your iPhone or iPad into a full-fledged stereo recorder! Just plug the iXY-L into the Lightning connector of your compatible device, and you’ll get impressively detailed XY stereo sound in up to 24-bit/96kHz resolution. Adjustable input level gives you the ideal volume no matter what you’re trying to record, and an onboard highpass filter blocks out unwanted low-frequency noise. ONLY $10/mo. USB Condenser Mic....................List 311 $ USB Condenser Mic............................... $ A Smart Solution for Desktop Recording NT-USB PG42USB PG42USB iRig Mic HD NEW! Meteorite Ultra-affordable iOS Mic iRigMicCast iRig Mic Field ONLY $10/mo. NTUSB USB Condenser Mic....................List 299 $ 00 16900 $ ONLY $10/mo. iXYL iXY-L.........................................List $29900 19900 $ 306 (800) 222–4700 HANDHELD MICROPHONES M80 Gold OM Series A Dynamic Mic with the Response of a Condenser N/D767a Take the Stage The Electro-Voice N/D767a has become a first-call mic for singers and engineers looking for amazing onstage vocal clarity. The supercardioid pickup pattern limits interference from other onstage sound sources, and the N/D767a’s low handling noise means you can snatch it out of the stand, and the audience will never hear a difference. The N/D767a’s black finish further bolsters its suitability for the live stage. And thanks to its rugged contstruction, you can take it out on the road with confidence. Need condenser-like performance from a dynamic mic? Look to the N/D767a. Specs: supercardioid • 35Hz–22kHz • Max SPL: 144dB Singers Love This Microphone The Audix OM Series are high-quality workhorse microphones designed for live vocal performances. Live sound engineers swear by them, and performers love what they do for their voices. These mics give you a natural, “studio-like” sound, with minimal coloration and extreme durability that stands up to the day-in, day-out abuse of pro touring. The wider frequency range and higher SPL handling of the dynamic Telefunken M80 Gold delivers performance typically associated with condenser microphones. This versatile mic is great for vocals, instruments, or drums. The M80 is available in many eye-catching finishes. Specs: cardioid • 30Hz–18kHz ONLY $15/mo. M80Gld Cardioid HH Dynamic Mic, Gold.......List 429 M80Chr Cardioid HH Dynamic Mic, Chrome....List $42900 M80Oak Cardioid HH Dynamic Mic, Oak.........List $35900 M80Cherry Cardioid HH Dynamic Mic, Cherry.....List $35900 M80Blk Cardioid HH Dynamic Mic, Black.......List $27900 M80Std Cardioid HH Dynamic Mic................List $27900 $ 00 37900 $ 379 29900 $ 29900 $ 24900 $ 24900 $ Specs: OM7 hypercardioid • 48Hz–19kHz • Max SPL: 144dB OM5 hypercardioid • 48Hz–19kHz • Max SPL: 144dB OM2 hypercardioid • 50Hz–16kHz • Max SPL: 140dB ONLY $10/mo. 00 $ OM7 OM5 OM2 12900 $ $ Specs: D 5 supercardioid • 70Hz–20kHz • Max SPL: 156dB ONLY $10/mo. PM9mic 15900 9900 $ The D 5 is an extremely rugged dynamic mic that works well for lead and background vocals, with a dual shockmount to reduce handling noise. It features AKG’s unique Laminated Varimotion diaphragm design, which helps capture the natural sound of your voice with minimal coloration or distortion. The PM9’s supercardioid pickup pattern gives you excellent isolation onstage, letting your vocals sail through loud and clear. Assembled in Nashville, the PM9 utilizes American-made custom transformers in its roadworthy build, and it puts out a big bottom end and a sweet top end, with amazing midrange clarity and punch — just what you want from your live vocal mic. HH Dynamic Mic........................List 339 $ 22900 Your Tour-proof Vocal Mic ONLY $10/mo. HH Dynamic Mic........................List $18300 $ D5 PM9 Great Live Vocal Mic Specs: PM9 supercardioid • 50Hz–19kHz ND767A HypCard HH Dynamic Mic...........List $31000 HypCard HH Dynamic Mic............List $23500 HypCard HH Dynamic Mic............List $13300 00 19900 $ D5 HH Dynamic Mic........................List $13900 9900 $ Sweetwater.com HANDHELD MICROPHONES SM58 KSM9 Road-ready Handheld Condenser Mic Legendary Handheld Vocal Mic for the Live Stage Take studio-grade condenser quality onstage! Shure’s handheld KSM9 gives you the kind of sonic detail only a premium condenser mic can deliver, built into a durable handheld microphone that’s made to handle the rigors of the road. Its internal shockmount system minimizes handling noise, and selectable cardioid/supercardioid pickup patterns give you both excellent gain before feedback and great isolation from outside sound sources. This workhorse is the world’s most popular vocal mic! If you’re a live vocalist or a live sound engineer, then you already know what an absolute necessity the SM58 is for your setup! This legendary (and astoundingly affordable) microphone has been used onstage by a “who’s who” of popular music for decades, and it remains a favorite. The SM58’s frequency response is specially tailored for vocals and speech, with emphasized midrange and bass roll-off. A highly effective built-in ball filter minimizes wind and breath “pop” noise. You want durability? This mic is renowned for its capability to withstand ridiculous amounts of abuse and keep on working! The SM58S adds an on/off switch, and the SM58-X2u comes bundled with a handy XLR-to-USB adapter. Specs: cardioid/supercardioid • 50Hz–20kHz • Max SPL: 153dB ONLY $27/mo. KSM9CG 69900 $ HH Condenser Mic......................List $87400 Beta 87A SM58 SM58S SM58X2u Supercardioid Handheld Electret Condenser Mic Studio sound onstage! The Beta 87A is a premium-quality supercardioid handheld electret condenser vocal microphone with high SPL capability. Perfect for professional sound reinforcement, broadcasting, and studio recording, the Beta 87A has an aggressive presence that cuts through loud stage monitors. Its supercardioid pickup pattern provides maximum isolation from nearby vocalists, instruments, and monitors. The Beta 87C is a cardioid version. Specs: Beta 87A supercardioid • 50Hz–20kHz • Max SPL: 140.5dB Beta 87C cardioid • 50Hz–20kHz • Max SPL: 139dB ONLY $10/mo. Beta87A Beta87C SprCard HH Condenser Mic.........List $31100 Cardioid HH Condenser Mic..........List $31100 24900 $ 249 $ Specs: SM58/SM58S/SM58-X2u cardioid • 50Hz–15kHz • Max SPL: 140dB 00 Looking for the rugged reliability of Shure’s SM series mics — the same mics countless audio pros rely on daily in a variety of applications — but want the sound quality only a condenser can provide? The SM86 is just the mic for you. Everything that you want from a condenser is here, including improved transient response and detail, but it has a sturdy steel casing to stand up to the rigors of the road. As does any great live vocal mic, the SM86 has a focused pickup pattern, so you can easily manage onstage bleed. Specs: cardioid • 50Hz–18kHz • Max SPL: 147dB ONLY $10/mo. SM86 HH Condenser Mic......List 224 $ 00 $ 179 00 ATM510 10400 19900 $ $ Beta 58A Quality Live Performance Vocal Mic You need top performance from your live vocal mic. It has to sound great every time. In other words, you need a Shure Beta 58A. Perfect for vocals, its supercardioid pickup pattern excels at keeping outside sound sources at bay. The Beta 58A has a very smooth frequency response, so it works well on all kinds of voices — both male and female. When clean, clear, detailed stage sound is a requirement and not a goal, choose the Beta 58A. ONLY $10/mo. Specs: supercardioid • 50Hz–16kHz Beta58a 15900 $ HH Dynamic Mic......List 199 $ SM86 Handheld Cardioid Condenser Mic for the Stage 9900 $ HH Dynamic Mic........................List $12400 HH Dynamic Mic w/Switch..........List $13000 HH Dynamic Mic/USB Interface....List $24900 00 PG Series Value-priced Dynamic Vocal Microphones Astonishing value! Looking for a mic that sounds great but won’t break the bank? Check out Shure’s PG Series vocal mics. These road-ready dynamic microphones provide the clarity you need for vocals onstage, and they work great for public-address use too. Convenient on/off switches let you silence your mic when it’s not in use. As an added bonus, each of these PG Series mics comes with a cable. PG58XLR PG48XLR PG48QTR HH Dynamic Mic, XLR ........List 74 HH Dynamic Mic, XLR ........List $4900 HH Dynamic Mic, XLR-TS...List $4900 $ 00 59 $ 00 Specs: cardioid • 60Hz–15kHz 3900 3900 $ $ AT2010 Affordable and Reliable Live Performer Make the Stage Sound Like the Studio Need a great-sounding handheld stage mic that’s built to last? Choose Audio-Technica’s ATM510. From its quality components to its rugged construction, this road-ready dynamic mic gives you the kind of day-in, day-out performance you’re looking for. Its cardioid pickup pattern does an excellent job of keeping outside noise out, so you can make those onstage vocals shine. Studio-quality sound onstage? You can get it with this great handheld condenser mic from Audio-Technica! The AT2010 provides the kind of onstage performance you’d expect to get from a quality dynamic mic, such as effective rejection of outside noise, high SPL handling, and roadworthy construction — in a smooth, natural-sounding condenser design that’s amazingly affordable. Mic clip included. Specs: cardioid • 90Hz–16kHz Specs: cardioid • 40Hz–20kHz • Max SPL: 136dB ATM510 HH Dynamic Mic............. List $16900 9900 $ AT2010 $ HH Condenser Mic......................List $16900 GET THE MOST OUT OF YOUR DYNAMIC MIC! 9900 STARTING AT 14900 Cloudlifter CL-2 $ The phantom-powered Cloudlifter CL-2 instantly adds 25dB of super-clean gain to your mic signal. The result? Your dynamic mic sounds better, and you get lower-noise performance from your preamps and interfaces. If you require long cable runs, then this box is an absolute essential for retaining signal strength, quality, and clarity. You’ll even see an ONLY $10/mo. instant improvement in gain-before-feedback performance! The even more $ 00 $ 00 CL2Cloud Cloudlifter CL-2. . ........................List 299 affordable single-channel Cloudlifter CL-1 is also available. $ 00 CL1Cloud 249 Cloudlifter CL-1...........................List $17900 149 307 308 (800) 222–4700 HANDHELD MICROPHONES KMS 105 Luxurious Sound with High-class Looks e835 The elegant KMS 105 handheld condenser looks great and lets you take that fantastic Neumann vocal sound to the stage! The outstanding KMS 105’s tri-layered basket shields your sound from plosives, and the basket is all metal, so you don’t have the muffling associated with foam. An interior shockmounted capsule frees you from the handling noise that plagues many stage mics, especially condensers. The KMS 105’s tight supercardioid polar pattern and coloration-free off-axis response allow for impressive gain before feedback. It’s available in either a matte black or a nickel finish. The cardioid KMS 104 is also available. ONLY $27/mo. KMS105MT HH Condenser Mic, Blk.................. KMS105Nickel HH Condenser Mic, Nickel.............. KMS104MT Cardioid HH Condenser Mic, Blk..... 69995 $ 69995 69995 $ $ A Best-selling Handheld Vocal Mic Specs: KMS 105 supercardioid • 20Hz–20kHz • Max SPL: 150dB KMS 104 cardioid • 20Hz–20kHz • Max SPL: 150dB enCORE Series Blue Innovation for the Stage You want a great-sounding stage mic you can depend on show after show, and the road-ready enCORE 300 condenser mic is definitely up to the job! The enCORE 300 uses Blue’s proprietary floating-capsule design, which gives you a great combination of detail and feedback rejection. The even more affordable enCORE 200, enCORE 100, and enCORE 100i dynamic mics also offer outstanding onstage performance and reliability. Step up to Blue quality onstage! Specs: enCORE 300 cardioid • 35Hz–20kHz • Max SPL: 140dB enCORE 200 cardioid • 50Hz–16kHz • Max SPL: 147dB enCORE 100 cardioid • 50Hz–15kHz • Max SPL: 147dB enCORE 100i cardioid • 50Hz–16kHz • Max SPL: 154dB ONLY $10/mo. enCORE300HH Condenser Mic......................List $19999 enCORE200 HH Active Dynamic Mic...............List $14999 enCORE100 HH Dynamic Mic...........................List $9999 enCORE100i HH Dynamic Mic...........................List $8999 19999 $ 14999 $ 9999 $ 8999 $ The e835 is one of the hottestsounding cardioid dynamic mics at its price, and now you can get it in a money-saving 3-pack! Its slight presence boost gives your voice clarity and extra projection. And it’s got exceptionally high SPL handling at over 150dB. That means you could practically put it directly in front of a race car engine and not hear one bit of distortion. So, you’ll have no problem — perfect for miking up a singer who goes from a whisper to a scream. Another bonus is that the e835 boasts great feedback rejection. You can also get the e835 individually. 24 MONTHS FINANCING on For even greater resistance to feedback, For more info call or go to check out the nearly feedback-proof Sweetwater.com/financing e845, which has a supercardioid pattern. The e935 cardioid dynamic mic helps your vocals cut through any mix, and the supercardioid e945 is ONLY $10/mo. perfect for cutting out off-axis $ 95 noise. E835Pack HH Dynamic Mic 3-pk.................. Specs: e835 cardioid • 40Hz–16kHz • Max SPL: 150dB e845 supercardioid • 40Hz–16kHz • Max SPL: 150dB e935 cardioid • 40Hz–18kHz • Max SPL: 154dB e945 supercardioid • 40Hz–18kHz E835 E845 E935 E945 249 HH Dynamic Mic......................... SprCard HH Dynamic Mic............. HH Dynamic Mic......................... SprCard HH Dynamic Mic............. 9995 13995 $ 16995 $ 21995 $ $ For some, music is a passion - for others, it’s also a profession. The evolution series has the right microphone for every application. Whether you’re a weekend warrior or a seasoned professional touring the globe, we’ve got what you need. And as you evolve as a musician, you need a line of microphones that can keep up. Let us be a part of your evolution. (800) 222-4700 www.sweetwater.com Sweetwater.com VOCAL PROCESSORS 309 Play Acoustic VoiceLive Play Want to turn that solo acoustic set into something unforgettable? The Play Acoustic processer makes it happen! Stellar TC-Helicon effects and a BodyRez give your acoustic guitar a fuller sound and professional polish. For your vocals, the Play Acoustic adds natural-sounding vocal harmonies, which are guided either by your guitar or the onboard RoomSense microphones. A built-in looper expands your performance possibilities even further. You can even use the headphone out with your own earbuds, for an excellent in-ear monitoring system you can control. Call your Sweetwater Sales Engineer today and find out more! Guitar players get to enhance their tone and sound with effects pedals, why shouldn’t you? Now you can have studiograde EQ and effects in a floor pedal, with the VoiceLive Play vocal processor. Quickly select presets by genre or effects type and start singing. The great-sounding effects in the VoiceLive Play come from TC-Helicon’s wildly popular VoiceLive vocal processors. Smart pitch correction and harmonizing effects automatically detect the key of your music and adjust everything automatically. A built-in looper and the new Hit function make your live performances sound better than ever. Take studio-quality vocals everywhere ONLY $10/mo. you go! A Game Changer for Solo Acoustic Performers Put Studio-quality Vocal Effects at Your Feet ONLY $12/mo. VLPlayAc Vocal-FX Processor....................List 419 $ 99 29999 $ VLPlay Vocal-FX Processor....................List $34500 24999 $ VoiceLive 3 A Flagship Vocal Processor VoiceLive Rack The Ultimate Vocal Rig If you’re a vocalist, then you know that great singing technique is only the beginning. Onstage and in the studio, TC-Helicon’s VoiceLive Rack gives you everything you need for state-of-the-art vocal processing, all in one roadworthy rackmount unit. You get a pristine, digitally controlled microphone preamp and a complete suite of adaptive pre-effects, plus TC-Helicon’s acclaimed vocal effects path, which lets you craft any vocal sound you’ve ever heard — or imagined. The VoiceLive Rack comes with TC-Helicon’s MP75 Modern Performance Mic, so you can control your vocal effects with a flick of your thumb. With the VoiceLive Rack’s studio-grade adaptive EQ, compression, and de-essing, you can both maximize clarity and control your dynamics like never before — all while an adaptive gate minimizes ambient leakage between phrases. Add just the right effects to put the finishing touches on your signature vocal sound. ONLY $28/mo. VoiceLiveR Vocal-FX Processor.................List 945 $ 00 $ Built on its predecessor’s strengths, the VoiceLive 3 brings nextgeneration hardware processing and an upgraded vocal effects path, unlike anything else on the market. A complete vocal suite delivers the EQs, effects, and harmony processing you need. You can create up to eight harmony voices and control them from your guitar, MIDI keyboard, or even your MP3 player. Six effects blocks provide reverb, delay, doubling, pitch-shifting, distortion, and megaphone effects. The sturdy floor-based VoiceLive 3 also includes a digitally controlled mic preamp that lets you adjust its gain even while you’re singing, and its tone algorithm automatically adjusts EQ, de-essing, and compression functions for you. A built-in looper is perfect for song creation, loop jams, and creating back up tracks. VoiceLive 3 also includes a complete selection of popular guitar effects taken directly from TC Electronic’s popular line of TonePrint pedals. ONLY $30/mo. 736 76 VoiceLive3 Vocal-FX Processor..................List 1099 $ VoiceLive Touch VoiceLive Touch 2 The VoiceLive Touch takes singers out of the world of strictly stompbox-style control, offering a new level of performance possibilities. You’ll find first-class delays, reverbs, pitch correction, doubling, and much more. And the harmonies here are extra cool. If you play guitar or keyboard, then you can hook up those instruments to your VoiceLive Touch and let the guitar or MIDI keyboard drive the auto-sensing harmony feature. And here’s something cool: VLOOP technology. Now you can loop vocal parts (guitar too) — up to 30 seconds stereo or 60 seconds mono! The VoiceLive Touch 2 takes singers out of the world of stompbox-style control and gives you a new level of hands-on performance possibilities. Get your fingertips on the VoiceLive Touch 2 and take charge of harmonies, effects, and even looping. The intuitive display screen puts you in touch with all the controls you need. You can easily navigate through 200+ presets to find the perfect sound. And you can also store your favorite combinations/edited presets to 25 fast-access memory locations. Great addition to any of these TC products! Vocal-FX Processor..................List $59900 ))) 79999 $ Vocal Processing and Looping, Right at Your Fingertips Vocal Processing and Looping VoiceLiveT 99 ONLY $18/mo. 45999 $ ))) VoiceLiveT2 Vocal-FX Processor.........List $83500 ONLY $19/mo. 49999 $ MP75 Modern Performance Mic A Microphone with Hands-on Vocal Effects Control The TC-Helicon MP75 Modern Performance Mic gives you outstanding 2-in-1 value. Not only is it a great-sounding feedback-resistant vocal mic, but it’s also a high-tech hands-on controller for TC-Helicon’s live vocal effects units — letting you instantly change presets on any of TC’s VoiceTone and VoiceLive series effects units. ONLY $10/mo. MP75 Dynamic Mic..............................List 210 $ 00 16900 $ Sweetwater.com VOCAL PROCESSORS 311 NEW! Ditto Mic Looper Looping Made Possible for Vocals and Acoustic Instruments TC-Helicon’s Ditto Mic Looper is a straightforward looper pedal for your vocals or any other instrument you mic up. Vocalists — use the stop/erase and loop buttons for unlimited overdubbing, undo, and redo features to add a deeper level of musical interest to your songs with just your voice by looping your own harmonies and vocal percussion tracks. Drummers and percussionists, you can use the Ditto Mic to keep the beat while adding flourish for your solos. And now musicians who want the expressiveness only a pedal offers can harness the power of looping using their vintage acoustic guitars, banjos, and other instruments that aren’t equipped with electronic outputs. The USB connection lets you plug into your computer to access TC-Helicon’s app, VoiceSupport. With this free app you’ll get tips for getting the most out of your Ditto Mic pedal along with updates that keep your pedal performing its best, and you’ll be able to access any new features TC-Helicon designs for the pedal. Despite its form factor, regarding the Mic Looper a mere stompbox would be misleading. As a member of TC Helicon’s vocal processor line, the Ditto Mic is strictly studio grade ONLY $10/mo. $ 99 complete with a clean, quiet mic preamp and studio-quality A/D conversion. $ 99 DittoMic Harmony Singer The VoiceTone Harmony-G XT is the perfect vocal harmony effect for any singing guitarist. It analyzes both your voice and the chords you play on your guitar to produce fluid, natural-sounding, and musically correct 3-part harmonies. It also automatically mixes effects, EQ, dynamics, and levels. TC-Helicon puts incredible vocal tools right at your feet. The Harmony Singer pedal gives you two harmony voices, eight voicing combinations, onboard effects, handy mix controls, and more. This pedal polishes your vocals to a high-gloss shine with its 1-button Adaptive Tone processing that adds EQ, compression, and more to your mic. Plug in your guitar and take control of your harmonies. Get the Most Out of Your Vocal If you want to take a little studio magic with you onstage, look to the VoiceTone Correct XT pedal. This powerful multipurpose vocal pedal lets you dial in everything from discreet chromatic pitch correction to the dynamic EQ shaping responsible for de-essing and tonal balance. On top of that, you get feedback suppression, compression, and more. ONLY $10/mo. VTHarmonyGXT Vocal-FX Proc, Guitar................List 375 VTCorrectXT 149 VoiceTone Harmony-G XT Studio-grade Live Vocal Effects $ Mic-FX, Looper..........................List 224 00 19800 $ Vocal-FX Proc, Pitch Correct .....List $34500 ONLY $10/mo. 22999 HarmonySing Harmony Singer.................List $27500 $ 19900 $ Mic Mechanic VoiceTone E1 VoiceTone C1 Big Delays in a Little Pedal Pitch Correction in a Stompbox The VoiceTone Mic Mechanic gives you a powerful vocal toolbox in an easy-to-use pedal. Whether you’re blessed with a great voice or struggle just to get through a song, Mic Mechanic adds that extra bit of magic that every vocal performance needs. You get studio-grade reverb, delay, and natural-sounding pitch correction, as well as adaptive tone, which tweaks EQ, compression, de-essing, and gating on the fly. When it comes to vocal echoes and delays, TC-Helicon’s VoiceTone E1 is the pedal you need. It puts 12 flavors of echo and delay right at your feet. You can even set the delay to match your song’s tempo! Although it fits the form factor, the “stompbox” moniker is actually misleading: VoiceTone E1 is strictly studio-grade — complete with a clean, quiet mic preamp and studio-quality A/D conversion. If you’re looking for a simple way to get that (in)famous hard-tuned pitch-correction effect (the one popularized by Cher and T-Pain), then you need a VoiceTone C1 pedal. This surprisingly versatile vocal stompbox lets you dial in anything from mild pitch correction to extreme, vocoderstyle effects. You can even connect a guitar or another instrument to key the correction! Get the Most Out of Your Performances ONLY $10/mo. VTMM Vocal-FX Proc, Multi-FX.............List $20500 149 $ 99 ONLY $10/mo. VTE1 Vocal-FX Proc, Echo and Delay.............List $20500 12999 $ VoiceTone D1 Looking for harmony effects? Check out the TC-Helicon VoiceTone H1. The H1 lets you add up to two realistic harmonies to your voice. You can use the key selector to dial in harmonies to fit a song, while the cool guitar-sensing feature keeps your harmonies in tune. Thanks to the high-quality signal path and quality enclosure, you’ll sound great with a pedal that can take the abuse of the road. The VoiceTone D1 doubles your voice so that you can nail those cool detuned effects. It also gives you an octave harmony above or below your voice. It’s a great way to create unique, rich textures with your voice. You can also use it to generate octaves (up or down), thicken up your vocal sound, get an interesting “de-tuned” effect, create a “shoutstyle” sound, and much more. Vocal-FX Proc, Harmonizer..........List $20500 14900 $ With your vocal mic plugged into the VoiceTone R1, you get control over a range of savory studio-grade reverbs to spice up your live performances. This professional reverb effect has been fine tuned for vocalists. Switch between a range of essential reverb flavors and use the Wet/Dry knob to dial in just the right amount. The R1 gives you the flexibility to change your sound whenever you want, making you even more of the “take charge” vocalist you already are. ONLY $10/mo. ONLY $10/mo. VTD1 Vocal-FX Proc, Double/Detune....List $20500 12999 $ Pro-level Reverb Tweaked for Vocals Vocal Doubling Made Easy ONLY $10/mo. VTH1 Vocal-FX Proc, Pitch Correct ......List $23500 VoiceTone R1 VoiceTone H1 Gorgeous Harmonies in a Little Pedal ONLY $10/mo. VTC1 14900 $ VTR1 Vocal-FX Proc, Reverb................List $20500 14900 $ 312 (800) 222–4700 VOCAL PROCESSORS NEW! VE-1 VE-20 Stellar Vocal Effects With seven different presets, pitch correction, and a special “enhance” function, the VE-1 gives you front-of-house engineer power over your vocal effects — and does it in a convenient stompbox format. Great for live performances, but in the studio the VE-1 also acts a USB interface for recording your vocals! The VE-2 Vocal Harmonist effects processor lets you add impeccable harmonies and studio-style effects to your vocals. Plug in a guitar, and the VE-2 becomes more impressive still, using the chords you play to determine the ONLY $10/mo. harmonies it creates. VE-1 Vocal Echo.................................List $20650 Vocal-FX Processor.....................List $27900 VE2 14900 Supercharge Your Live Vocals An amazing pedal made specifically for vocalists, the VE-20 packs harmony, double tracking, reverb, delay, dynamics, EQ, and pitch correction into its dual-pedal chassis. Create big-sounding 3-part harmonies and turn a solo performance into an ensemble showcase. The VE-20’s onboard phrase looper gives you a full 38 seconds of recording time, so you can assemble amazing loops of layered vocals. $ 19900 $ Vocalist Live Harmony ONLY $11/mo. VE20 Vocal-FX Processor....................List $38150 Vocalist Live FX Multiply Your Stage Persona Take Studio-quality Vocal Effects Onstage Plug in your guitar and a microphone, and the Vocalist Live Harmony will transform your performances by adding up to two separate vocal harmonies to your voice. DigiTech’s patented musIQ technology senses your guitar chords and instantly generates natural-sounding, pitch-perfect harmonies. The Live Harmony sports a host of features including a built-in guitar tuner, sound check phrase repeater, and a vocal phrase looper with unlimited overdubs. The Vocalist Live FX gives you the tools you need to make your vocals sound their best, and it’s incredibly easy to operate. You also get licensed Lexicon reverb plus dbx compression and one-button automatic feedback suppression. Live Adapt Technology automatically detects a song’s tempo and scale, and sets noise gate levels, harmony settings, and more. And the Gold Channel lets you engage your own tailored sound settings instantly. ONLY $10/mo. ONLY $12/mo. VLHM Vocal FX Processor.....................List $40995 299 $ 27900 $ 95 VLFX Vocal-FX Processor....................List 379 $ 95 24995 $ Voice Box V256 Vocoder Vocal-harmony Processor/Vocoder — in a Pedal Manipulate your vocals stompbox-style! The V256 Vocoder is packed with a ton of vocoding functions as well as gender adjustments, Reflex Tune automatic pitch correction, and even pitch-replacement capabilities. Nine programmable memory locations let you store your favorite settings. Plug in your mic and your guitar or keyboard, and get ready for mind-blowing vocal effects. ONLY $10/mo. The Voice Box makes it easy to get a variety of cool vocal effects and multiple harmonies, effortlessly. Plus, it’s packed into a stage-friendly stompbox chassis. Generate 2- to 4-part vocal harmonies by keying off of your guitar or keyboard. Blend effects, add the onboard reverb, and even dial in male or female character to your liking. A phantom-powered XLR input is included. Dial Up Retro-futuristic Vocals Vocoder Vocal-FX Processor....................List $29373 22030 $ ONLY $10/mo. VoiceBox Vocal-FX Processor....................List $29373 22030 $ Voco-Loco Add Effects to Your Voice Iron Lung Pedalboard-friendly Vocal Effects The Iron Lung is so easy to use. Just plug your guitar or keyboard and mic into the inputs, connect to your amp or mixer, and you’re ready to go. The XLR mic input has three independent gain controls that let you use a variety of dynamic or condenser mics. The tone control integrates with the Gender Bender to dial in exactly the tone you want. It revives a classic sound from the past and makes it available to you at a classic price. IronLung ONLY $10/mo. Iron Lung....................................List 179 $ 99 135 $ 00 Radial’s Voco-Loco is a foot-controlled effects loop that lets you integrate guitar effects pedals into your vocal or instrument sound. A 2-band EQ lets you add warmth and shimmer to your sound. The signal then goes to your effects pedals via an effects loop with individual send/receive controls. A tone control on the return path lets you tweak your effects, while the blend control lets you mix the original dry signal with your effects. VocoLoco ONLY $10/mo. Voco Loco..................................List 300 $ 00 25999 $ GLX-D GUITAR PEDAL WIRELESS SYSTEM RECHARGE IN MINUTES PLAY FOR HOURS EXCEPTIONAL DIGITAL AUDIO CLARITY + RUGGED METAL CONSTRUCTION • • • • • • Integrated Tuner (strobe and needle) Easy Setup and Seamless Operation Automatic Frequency Uses Lithium-Ion Rechargeable Batteries Up to 16 hours of Use from a Single Charge Operates in the 2.4 GHz Spectrum No one knows Shure better than the experts at Sweetwater. Contact the highly trained Sweetwater Sales Engineers at (800) 222-4700 to learn more about the GLXD6 — the first wireless guitar pedal tuner and receiver from Shure. www.sweetwater.com (800) 222-4700 © 2015 Shure Incorporated NEW A WIRELESS SOLUTION FOR EVERY NEED. PERFORM WITH CONFIDENCE AND FREEDOM. BLX® Wireless Systems ANALOG GLX-D® Wireless Systems DIGITAL SLX® Wireless Systems ANALOG Transmitter Configurations Handheld, Headworn, Lavalier, Guitar/Bass, Instrument Handheld, Headworn, Lavalier, Guitar/Bass, Instrument Handheld, Headworn, Lavalier, Guitar/Bass, Instrument Receiver Options Single, Half-Rack, Dual Single Single GUITAR PEDAL Compatible Systems Per Band* Compatible Systems Using Multiple Bands Selectable Frequencies Auto Setup Features Audio Reference Companding Dante Audio Summing Furnished Antennas Up to 12 Up to 8 Up to 12 23 Up to 4 Typical; 8 Maximum 42 Group Channel Only Group Channel Only Tune in 25KHz Quickscan LINKFREQ Scan / Sync Yes No Yes No No No No No No BLX4/BLX88 = internal BLX4R = removable 1/4 wave GLXD4 = attached 1/4 wave GLXD6 = Internal Monopole Detachable ¼-wave Receiver Networking No No No Computer Monitoring & Control Rack Hardware No No No Optional (URT2) Half Rack: Included Optional (URT2) Included Transmitter Display Battery: BiColor LED G/CH: 7 Segment LED Tri-Color LED Backlit LCD + Multi-color LED Encryption No No No Batteries, Battery Life 2 AA > 14 hrs RECHARGEABLE Lithium Ion Rechargable up to 16 hrs (800) 222-4700 www.sweetwater.com 2 AA > 8 hrs NEW QLX-DTM ULX-D® DIGITAL DIGITAL Digital Systems Digital Systems Handheld, Headworn, Lavalier, Guitar/Bass, Instrument Handheld, Headworn, Lavalier, Guitar/Bass, Instrument Single Single, Dual, Quad Up to 60 Up to 60 129 149 Tune in 25KHz Tune in 25KHz Scan / Group Scan / Sync Scan / Group Scan / Sync N/A N/A No Yes No Dual and Quad Only Detachable ½-wave Remoteable ½-wave Yes Yes (Single) Yes (Dual and Quad) YES (WWB6 only) YES (WWB6 only) Included Included Backlit Multi-function LCD Backlit Multi-function LCD Yes; AES-256 Yes; AES-256 2 AA > 9 hrs (1 mW / 10mW RF power) 2 AA > 11 hrs (1 mW / 10mW RF power) or > 5 hrs (20 mW RF power) RECHARGEABLE SB900 > 10 hrs RECHARGEABLE SB900 > 12 hrs (1 mW / 10mW RF power) or 8 hrs (20 mW RF power) SELECTING A WIRELESS SYSTEM Shure wireless systems feature uncompromising sound, rock-solid reliability, and ease of use for any application or budget. But which system is right for you? Application: Shure wireless transmitters are available in hands-on or hands-free form factors. This makes it easy to find the right option, whether you’re presenting, teaching, singing, or playing an instrument. Multiple receiver options are also available: portable and rack-mountable, and single-, dual- and quad-channel. Channel Count & Environment: If you know how many channels you’ll need to operate simultaneously, and in what type of environment, then you can easily find a Shure wireless solution that will help you avoid dropouts. Review the Compatible Systems section of the chart. Analog or Digital: Analog systems use the most reliable frequency spectrum, operate at long ranges, and experience no audio latency. Digital systems feature exceptionally clear audio and have no geographical limitations. QLX-D and ULX-D, our high-tier digital systems, offer the highest number of compatible systems. At the entry level, analog BLX and SLX offer a higher number of compatible systems than digital GLX-D. Actual number of compatible systems will vary depending on setup and environment * Contact your Sweetwater Sales Engineer at (800) 222-4700 for expert help with designing the most efficient and cost-effective system for your needs. © 2015 Shure Incorporated 316 (800) 222–4700 WIRELESS MICROPHONE SYSTEMS The Shure name is synonymous with quality, reliability, and great sound. You’ll find Shure products on stages everywhere, and it doesn’t end with their time-tested mic designs. Shure wireless systems are built from the ground up to give you rock-solid performance, day-in, day-out reliability, and the kind of sound quality you need onstage, on the worship platform, in the conference hall, or in the meeting room. Shure’s Wireless Systems deliver exceptional digital audio clarity and high-tech innovations that make your life easier. QLX-D Series An Ultra-reliable Wireless Systems That’s Easy to Use Thanks to its streamlined operation, the Shure QLX-D Series wireless microphone systems are perfect for permanent installations and musicians on the road. These reliable systems give you pristine 24-bit digital audio and remarkably efficient RF spectrum usage. The result? QLX-D Series system provide clear, uninterrupted, worry-free performance — with incredibly simple setup. DIGITAL For great sounding, hands-free vocal performances you can count on night after night, the Shure QLXD14/SM35 headworn mic system, is the way to go. The QLXD24/SM58 system uses a handheld transmitter, which is integrated with Shure’s legendary SM58 microphone. Utilizing transparent 24-bit digital audio, AES-256 encryption, and networked control options, Shure QLX-D wireless systems provide you with defined, streamlined performance. Equipped with a handy clip-on lavalier microphone, the QXLD14/93 system is very effective for speakers, instructors, and more. Already have a lavalier or headset mic? Then pair it with the QLXD14 bodypack transmitter/receiver package. QLXD14SM35-J50 QLXD14SM35-J50 QLXD14/SM35 HW Sys......................List 1340 $ QLXD24SM58-J50 QLXD1493-J50 QLXD14-J50 QLXD24SM58-J50 QLXD1493-J50 QLXD14-J50 00 ONLY $41/mo. 107200 $ QLXD24/SM58 HH Sys................................. List 124900 QLXD14/93 Lav Sys..................................... List $131000 QLXD14 Bdypk Sys....................................... List $121600 $ ULXD24/SM58 99900 104700 $ 97300 $ $ DIGITAL The Pinnacle of Shure’s Digital Wireless Technology The Shure ULXD14 digital instrument wireless system is just what you need when you demand absolute reliability and impeccable sound quality from your guitar or bass. This top-quality wireless system from Shure includes a ULXD4 digital wireless receiver, a ULXD1 digital wireless bodypack transmitter, and a WA302 instrument adapter cable — everything you need to make your bass or guitar cable free and crystal clear. From its professional 24-bit/48kHz digital resolution to its amazingly reliable performance, the Shure ULXD14 gives you top-notch sound and performance digital instrument wireless system. Do you need the same world-class wireless performance in a handheld microphone? Get the ULXD24/SM58 handheld system that includes an SM58 wireless microphone or the ULXD24/ B58 handheld system with the Beta 58 wireless microphone. ULXD24SM58-G50 24 MONTHS FINANCING on For more info call or go to Sweetwater.com/financing ULXD24SM58-G50 ULXD24/SM58 HH Sys.........List $168700 ULXD1483-G50 ULXD14-G50 ULXD1498H-G50 ULXD1483-G50 ULXD14-G50 ULXD1498H-G50 $ ONLY $51/mo. 134900 ULXD14/83 Lav Sys - G50..............List $175600 ULXD14 Inst Sys.............................List $165000 ULXD14/98H-G50 Inst Sys - G50....List $182300 139750 132000 $ 146675 $ $ Sweetwater.com WIRELESS MICROPHONE SYSTEMS BLX Series 317 ANALOG Perform Untethered, with Genuine Shure Quality When you use a Shure BLX series wireless system, you know you’re getting a world-class design and rock-solid build quality — at an amazingly affordable price. You can depend on these systems day in and day out, in small rooms and auditorium stages alike. Thanks to Shure’s cutting-edge QuickScan technology, frequency-selection hassles are a thing of the past. The BLX24/SM58 system includes the BLX4 receiver. This unit’s internal receiver antenna makes it easy to carry in your gig bag. You also get the BLX2/SM58 handheld transmitter with integrated SM58 cardioid dynamic microphone capsule, while the BLX24R/SM58 rackmount setup features an SM 58 cardioid capsule. The BLX14/PGA31 system gives you the ONLY $14/mo. BLX4 receiver, a compact BLX1 bodypack transmitter, and a comfortable PGA31 headset mic. Equipped with $ 00 the same bodypack transmitter and BLX4 receiver, the BLX14/CVL lavalier system is perfect for speech and BLX24SM58-J10 BLX24/SM58 HH Sys........List $43600 interview situations. Plug into the BLX14 Guitar Wireless System and avoid cable tangles onstage, $ BLX14PG31-J10 BLX14/PGA31 HW Sys....List $37400 29900 without sacrificing your instrument’s sound quality. If you’re ready to perform untethered, Shure’s BLX $ BLX14CVL-J10 BLX14/CVL Lav Sys.........List $37400 29900 series wireless systems make a smart, budget-friendly choice. $ BLX14-J10 BLX14 Inst Sys................List $37400 29900 349 GLX-D Digital Wireless System Professional-grade Wireless Mic System Shure’s affordable GLX-D digital wireless systems deliver exceptional digital audio clarity and high-tech innovations that make performance sound easier. GLX-D systems feature Shure’s sophisticated LINKFREQ automatic frequency management and bidirectional communication that lets your transmitter automatically link to your receiver and follow any frequency changes. The units include the GLXD4 wireless receiver and a choice of transmitter systems. The innovative GLXD16 guitar and bass unit features an ultra-compact receiver housed in a stompbox-style chassis — and it even includes a built-in chromatic tuner and mute function — making it an excellent choice for any pedalboard! If you’re using wireless for singing, then you’ll love the sound of the GLXD24/BETA58A, GLXD24/ SM58, or the GLXD24/SM87, which includes the SM87 supercardioid microphone. For hands-free convenience, you’ll love the GLXD14/1493 lavalier system. Call your Sweetwater Sales Engineer to find the perfect Shure GLX-D digital wireless system for your rig. ONLY $17/mo. GLXD16G GLX-D Pedal Gtr Sys..................List $56100 GLXD24SM58 GLX-D HH Sys............................List $62400 GLXD14PGA31GLX-D HW Sys, PGA31...............List $64900 GLXD1493 GLX-D Lav Sys............................List $64900 Includes intelligent, rechargeable lithium-ion battery 44900 $ 49900 51900 $ 51900 $ $ DIGITAL SLX Series Versatile Wireless Performance for Any Venue Sometimes you want hands-free convenience, and sometimes you’d like a handheld mic you can pass around. The SLX14/93 lavalier bundle includes the WL93 lavalier microphone for discreet placement and excellent sound. Just plug it into the included lightweight bodypack transmitter, and you’ve got a solution for your house of worship, school, business meeting space — or anywhere you need to have vocals heard. For handheld use the SLX24/SM58 includes the SLX2/SM58 cardioid dynamic microphone with a built-in transmitter. There are 960 selectable frequencies, and you can run up to 12 systems simultaneously on a single band. Also is the rugged SLX14 instrument system. The SLX14 package comes complete with a wireless receiver, a bodypack transmitter, and a WA302 instrument to bodypack cable. The WA302 locks into the bodypack transmitter’s TA4F mini XLR-style jack to give you a secure connection. The easy-to-use receiver makes setting up a snap with features like Auto Frequency ONLY $23/mo. Selection and Auto Transmitter Setup. Call $ 00 SLX1493-J3 SLX14/93 Lav Sys................List $81400 Sweetwater and we’ll help you find the Shure $ 00 SLX24SM58-J3 SLX24/SM58 - J3.................List $74900 599 wireless system that works best for you! 598 SLX14-J3 SLX14 Inst Sys.......................List $74200 55900 $ ANALOG BE D1 TO COME TO TOWN BE D1 TO BURN IT DOWN Take your band to the next stage . With evolution wireless D1 – the easiest and most reliable digital system. Featuring adaptive high-power transmission, superior live sound and exceptional ease of use. Be D1 to have it. D1 BE ON LY AND D1 Sweetwater.com WIRELESS MICROPHONE SYSTEMS EW D1 Series Affordable, Flexible, and Great Sounding The extreme clarity and reliability of digital transmission is only the beginning with the Sennheiser EW D1 Series wireless microphones. Operating in the 2.4GHz range, this digital wireless platform comfortably supports up to eight simultaneous systems. And thanks to its automatic frequency management, EW D1 systems not only set themselves up, they continuously scan for the clearest frequencies and change channels when necessary on the fly. In the same manner, EW D1 systems feature Sennheiser’s adaptive high-power transmission technology, which continuously monitors signal strength and adjusts power accordingly to provide reliable performance. Loaded with 100mW of transmission capability, ONLY $27/mo. you’ll have plenty of power to spare. Finally, there’s the $ 95 automatic sensitivity adjustment feature, which EWD1835S EW D1-835S HH Sys.................List $84900 $ optimizes your input for maximum dynamics. EWD1845S EW D1-845S HH Sys..................List $89900 74995 $ Whether you’re talking to a quiet audience EWD1ME2 EW D1-ME2 Lav Sys...................List $84900 69995 $ or screaming over a metal ensemble, EW D1 EWD1ME3 EW D1-ME3 HW Sys..................List $89900 74995 $ transmitters will keep up. EWD1CI1 EW D1-CI1 Inst Sys.....................List $79900 64995 699 XSW Series Affordable, Flexible, and Great Sounding NEW! 24 MONTHS FINANCING on Sturdy, affordable, easy to use, and great sounding — you get it all with Sennheiser’s new entry-level XSW Series wireless systems. Available in handheld, instrument, headworn, and lavalier configurations, XSW wireless systems are ideal for musicians, singers, and bands, as well as small venues and houses of worship. Designed to be easily operated from intuitive, user-friendly menus, XSW Series wireless systems automatically search for available frequencies and synchronize at a distance via wireless link. With 960 freely tunable frequencies within a switching bandwidth of 24MHz, XSW Series systems give you quick and easy operation of up to 12 simultaneous wireless systems, letting you handle a wide range of applications. For more info call or go to Sweetwater.com/financing ONLY $15/mo. XSW35-A XSW65-A XSW72-A XSW52-A XSW12-A XSW 35 HH Sys......................................... XSW 65 HH Sys......................................... XSW 72 Inst Sys.........................List $39995 XSW 52 HW Sys....................................... XSW 12 Lav Sys........................................ 39995 $ 44995 29995 $ 44995 $ 39995 $ $ EW 135 G3 Move Freely Onstage If you’re a vocalist who needs superior sound quality plus the ability to move freely onstage, then the EW 135 G3 may be the perfect wireless system for you. This handheld system features Sennheiser’s SKM 100-835 G3 cardioid dynamic mic/transmitter and EM 100 G3 rackmount receiver. The handheld transmitter includes an infrared sync function, which lets it tune to the receiver with a simple push of the receiver’s sync button. The mic features a tight cardioid pickup pattern, so it captures your voice while rejecting off-axis sound. And with its 1,680 tunable UHF frequencies across a 42MHz bandwidth, you get clear, interference-free reception. No matter the stage or environment, you can trust Sennheiser’s EW 135 G3 wireless system for accurate vocal reproduction. Not sure if this is the best wireless system for your present and future needs? Give your Sweetwater Sales Engineer a call, and we’ll make sure you’re getting the best wireless solution. ONLY $23/mo. EW135G3-A EW 135 G3 HH Sys................................ 59995 $ EW 172 G3 Guitar-friendly Wireless Are you a guitarist who moves around onstage? Avoid the hassle of onstage cable tangles. The EW 172 G3 wireless instrument system uses a compact bodypack transmitter and a reliable rackmountable receiver, giving you total freedom to get into your performance. This system provides easy setup and clear, natural sound, and you can even choose a “virtual cable length” to get the response you prefer. A built-in EQ and tuner add to this system’s convenience, and bass players will love the extended frequency response. Sennheiser packed many useful features into the lightweight SK 100 G3 bodypack transmitter that comes with the EW 172 G3 system. This transmitter has an easy-to-read graphic display, infrared sync, charging contacts, RF mute, an intuitive menu, and much more. The rugged EM 100 G3 rack receiver is ready for the road with its proven transmission reliability and inspiring flexibility. A soundcheck mode allows you to check the audio and RF signal at any time during setup. Twenty frequency banks with 12 preset frequencies each — plus a user-programmable bank — mean you can easily run multiple channels of G3 wireless, simultaneously. ONLY $19/mo. EW172G3-A EW 172 G3 Inst Sys............................... 49995 $ 319 TOP PERFORMERS CHOOSE LINE 6 DIGITAL WIRELESS “I HAVE NEVER HAD A BETTER MIC” —ART ALEXAKIS, EVERCLEAR XD-V75 RELAY G90 A. JAY POPOFF, TONY IOMMI, WILL LEE, XD-V75 RELAY G90 RELAY G50 LIT BLACK SABBATH LATE SHOW WITH DAVID LETTERMAN More musicians choose Line 6 digital wireless because they sound better than © 2014 Line 6, Inc. Line 6 is a trademark of Line 6, Inc. All rights reserved. other wireless systems. XD-V and Relay are the only wireless systems that offer full dynamic range and unparalleled audio quality—without companding or data compression—so your sound stays pure and strong. Line 6 has been making digital wireless systems longer than anyone else, so you can trust your voice Uncompressed 24-bit audio and 10Hz–20kHz frequency range Up to 300-foot transmission range License-free operation, worldwide or instrument to the most advanced technology on the planet. RELAY G30 XD-V75 NOW JUST $199.99 RELAY G50 RELAY G90 $399.99 $349.99 Call your Sweetwater Sales Engineer today and discover why top performers like Art Alexakis choose Line 6 digital wireless. (800)-222-4700 www.sweetwater.com Sweetwater.com FEATURES Line 6’s XD-V75 Series digital wireless systems deliver unmatched digital wireless performance, simplicity, and sound on every stage around the world — license free. Exclusive digital technologies protect you against all types of audio interference, and setup and operation couldn’t be simpler. Just power up, pick a channel, and go — with no hoops to jump through and no required adjustments to make. Best of all, the XD-V75 Series takes Line 6’s digital microphone modeling to the next level. Choose among 10 emulations of the world’s most popular live microphones to get the best-possible live vocal sound for your voice and style. • Emulations of 10 popular vocal microphones FEATURES XD-V75 Series Digital Wireless Series with 10 Amazing Mic Sounds • Emulations of 4 popular vocal microphones FEATURES WIRELESS MICROPHONE SYSTEMS • Emulates the sound of a world-famous vocal mic 321 • Vibrant 24-bit, 10Hz–20kHz sound quality • License-free 2.4GHz worldwide operation If you want the pinnacle of digital wireless microphone technology, Line 6’s XD-V75 Series digital wireless systems have everything you’re looking for. The system is available in handheld, lavalier, and headset versions, as well as a bodypack system sans mic. ONLY $23/mo. XDV75 XDV75L XDV75HSB XDV75TR XD-V75 HH Sys.........................List $83999 XD-V75L Lav Sys.......................List $83999 XD-V75HS HW Sys....................List $90999 XD-V75TR Inst Sys.....................List $76999 59999 $ 59999 64999 $ 54999 $ $ XD-V55 Series Exceptional Wireless Performance on Any Stage, Anywhere If you’re ready to move up to digital wireless quality, the Line 6 XD-V55 Series of digital wireless systems is the place to start. The XD-V55 Series gives you the same clean, clear, and ultra-reliable performance as its big sibling, the XD-V75 Series — in a more affordable, more compact setup that’s unbelievably easy to use. Instantly switch among 12 channels on both the mic and the elegantly simple-to-operate receiver. Roam the stage with a range of up to 300 feet, knowing that you’ll sound great — with no dropouts, RF interference, or noise. You owe it to yourself (and your audience) to get the absolute best performance out of your wireless microphone system. You’ll get it with the Line 6 XD-V55. This exceptional wireless performance is available in handheld, lavalier, and headset versions. • Vibrant 24-bit, 10Hz–20kHz sound quality • License-free 2.4GHz worldwide operation ONLY $17/mo. XDV55 XDV55L XDV55HS XDV55HST XD-V55 HH Sys.........................List 629 XD-V55L Lav Sys.......................List $62999 XD-V55HS HW Sys....................List $62999 XD-V55HS HW Sys....................List $62999 $ 99 44999 $ 44999 $ 44999 $ 44999 $ XD-V35 Series “Wired” Performance Without the Wires 24 MONTHS FINANCING on For more info call or go to Sweetwater.com/financing The Line 6 XD-V35 Series of digital wireless microphone systems serves up clear, strong signals. Sporting the same cutting-edge technology that drives Line 6’s flagship wireless system, the XD-V35 mic’s “signature” sound is modeled on the industry-standard wired live vocal mic — a stage favorite cherished for its natural sound characteristics and versatility. The XD-V35 operates in the 2.4GHz band, giving you clean signals that are free of interference from TV stations and other high-powered sources. • Vibrant 24-bit, 10Hz–20kHz sound quality • License-free 2.4GHz worldwide operation Using the XD-V35 couldn’t be simpler — just power it on and select one of six always-available channels. You’re ready to rock in seconds, with absolutely no tweaking or frequency scanning! Enjoy “wired” performance without the wires, with a Line 6 XD-V35 Series digital wireless system. The same great technology is available in both a handheld system and a lavalier system. ONLY $12/mo. XDV35L XD-V35 HH Sys.........................List 419 XD-V35L Lav Sys.......................List $41999 99 29999 $ 29999 $ Relay G Series Wired Tone, Wireless Freedom You’re a guitarist. So, what do you want from a wireless system? You want your rig to feel and sound as though you’re playing through a cable. Well, Line 6 gets that, and that’s why the Relay G Series is for you. Each member of the Relay G Series offers up Line 6’s impressive Virtual Wire Transmission technology. That means you’ll get the full-range sound and response you expect from your guitar rig. Digital Channel Lock technology keeps interference at bay, so you’ll hear the pure sound of your rig. Relay G Series digital systems broadcast in the 2.4GHz band, so you’ll avoid all those pesky ONLY $19/mo. interference sources. $ 99 There’s a Relay G Series RelayG70 Guitar Wireless System .............List $69999 system that’s perfect for $ 99 $ 99 RelayG75 Guitar Wireless System...............List 699 499 the way you play. Call $ RelayG90 Relay G90 Inst Sys......................List $83999 59999 $ your Sweetwater Sales RelayG55 Relay G55 Inst Sys......................List $62999 44999 $ Engineer to find out which one RelayG50 Relay G50 Inst Sys......................List $55999 39999 $ fits you best. RelayG30 Relay G30 Inst Sys......................List $41999 19999 499 FEATURES XDV35 $ • Virtual Wire Transmission maintains your tone • Cable Tone Simulation emulates the sound of a cable • License-free 2.4GHz worldwide operation NEW! WE’VE TAKEN DIGITAL WIRELESS TO THE NEXT LEVEL . . . THE FLOOR SYSTEM STOMPBOX DIGITAL 2.4 GHz HIGH-F IDELITY WIRELESS Combining advanced 24-bit, field-proven performance, easy setup and clear, natural sound quality, our System 10 Stompbox delivers the ultimate wireless experience. With the tap of a foot on the rugged, metal Stompbox receiver, guitarists can toggle between dual ¼" balanced outputs or mute one output without affecting the other. And, since the System operates in the 2.4 GHz range, it’s free from TV and DTV interference. You can also pair multiple UniPak® body-pack transmitters with a single receiver to easily change guitars. So go ahead, give it a try – we think you’ll be floored. (800) 222-4700 www.sweetwater.com 2000 Series Affordable All-in-one Handheld Systems Audio-Technica’s second-generation ATW-2120a wireless system offers all the advantages of a professional system, at a very friendly price. With 10 selectable frequencies and true-diversity UHF wireless technology, the ATW-2120a also features automatic frequency scanning. Any of the ATW2120a’s 10 channels may be used together, without frequency-coordination problems or group-selection issues. You also get A-T’s digital Tone Lock squelch plus an easy-to-read LCD display. The ATW-2120a handheld dynamic mic system includes the ATW-R2100a receiver and the ATW-T220a handheld microphone/transmitter. The ATW-2110a bodypack system is also available. System 10 Series FEATURES Sweetwater.com WIRELESS MICROPHONE SYSTEMS 323 • 10 selectable frequencies • Automatic frequency scanning • True-diversity operation • Rackmount kit included ONLY $14/mo. 24 MONTHS FINANCING on ATW2120 ATW2110 ATW-2120 HH Sys.....................List 499 ATW-2110 Bdypk Sys.................List $42900 $ 00 34900 $ 29900 $ For more info call or go to Sweetwater.com/financing Step into the World of Digital Wireless These digital wireless systems are perfect for seasoned pros and audio novices alike! System 10 Series microphone systems give you the crystal-clear sound quality and rock-solid reliability you expect from A-T, at prices that fit any budget. Installing a system for your business or church? System 10 Series systems are up to the task. Automatic frequency scanning makes for incredibly easy setup. Need a flexible system that works with a variety of gear? You’ll appreciate the balanced XLR and unbalanced 1/4" outputs. Up to eight channels can be used simultaneously, and 3-level diversity assurance means clear and dependable communication. These systems are available in handheld, lavalier, headset, and instrument versions. There’s even a special System 10 setup made especially for guitarists that puts the receiver in a pedalboard-friendly, stompbox-sized unit — complete with a handy mute switch. Call us today for all the details on these dependable, affordable wireless systems! System 10 PRO Series Dependable Digital Wireless Systems That are Easy to Set up Anywhere ONLY $12/mo. ATW-1501 ATW1102 ATW1101L ATW1101H ATW1101G ATW1501 ATW-1102 HH Sys.....................List 524 ATW-1101/L Lav Sys..................List $61495 ATW-1101/H HW Sys.................List $61495 ATW-1101/G Inst Sys.................List $52495 ATW-1501 Inst Sys.....................List $61495 $ 95 29995 $ 34995 34995 $ 29995 $ 34995 $ $ NEW! Audio-Technica’s innovative System 10 PRO Series digital wireless systems offer a remotely mountable receiver that functions at an advanced 24-bit/48 kHz in the 2.4GHz range. The receiver simply ejects from the the chassis and connects via Ethernet cable up to 300' from your mix position, allowing for ideal placement and ensuring reliable wireless microphone signal. Offering all the advantages of high-quality, professional gear at an extremely affordable price makes System 10 PRO setups ideal for a wide range of of live performance applications This incredible, flexible system is available several configurations. Choose a receiver/bodypack transmitter combo or a receiver and bodypack transmitter plus a lavalier mic. You can also choose a receiver plus a handheld mic/transmitter or a receiver with a pair of handheld mic/transmitters. Call your Sweetwater Sales Engineer today, and find the system that suits you perfectly! ONLY $17/mo. ATW1301 ATW1301L ATW1302 ATW1322 GUITAR WIRELESS? YOU NEED THIS! Tonebone Dragster Beef Up Your Wireless Guitar Tone Onstage wireless technology is great, isn’t it? Unfortunately, the penalty you sometimes pay for a wireless connection is a change in the “loading” of the signal, which makes your axe sound noticeably different than it does when you plug straight into your amplifier. Here’s a great fix: Radial’s Tonebone Dragster. It keeps your guitar’s natural tone intact, even when you’re using a wireless system! $ 99 Dragster Tonebone Dragster........................List $6000 49 42900 $ Bodypack Wireless System.........List $59900 Wireless Lav System...........................List $69900 Wireless Handheld..............................List $62900 ATW-1322 Dual Handheld System.....List $111900 49900 44900 $ 79900 $ $ MULTIFUNCTIONAL DISPLAY CUSTOMIZABLE SETUP The Wireless Future Samson’s new Synth 7 raises the standard for premium UHF wireless performance. It features rugged all-metal construction, as well as dynamic LCD setup and monitoring options. Together with advanced system features and flawless operation, Synth 7 is the future of professional wireless. Call your Sweetwater Sales Engineer at (800) 222-4700 or visit sweetwater.com to learn more about Samson’s Synth 7 Wireless Systems. © 2014 Samson | sweetwater.com 100 CHANNEL OPTIONS SPECTRUM ANALYZER Sweetwater.com WIRELESS MICROPHONE SYSTEMS 24 MONTHS FINANCING on Synth 7 Series Wireless Performance That’s Built to Last Based around durable, high-performance receivers and transmitters, Synth 7 Series systems offers day-in/day-out reliability plus cable-free convenience at any gig or installed at a facility. You can run up to 20 wireless systems simultaneously without any issues. No matter what your microphone needs are, we offer a Synth 7 Series model that can handle the job. The Synth 7 Handheld Q8 System includes Samson’s rugged UR7 wireless receiver plus a UH7 transmitter/Q8 microphone. The Synth 7 Presentation System gives you the same great receiver plus the tough, lightweight UB7 beltpack transmitter and a clip-on lavalier microphone. Want an unobtrusive headworn solution? Choose the Synth 7 Earset System, which features a low-profile earset mic that is perfect for educators, lecturers, fitness instructors, and more. Guitarists and bassists will appreciate the Synth 7 Guitar System, which uses an ultra-compact, all-in-one plug-in transmitter. ONLY $14/mo. Synth7HH Synth7Lav Synth7Ear Synth7Gtr Synth 7 HH Sys..........................List 419 Synth 7 Lav Sys..........................List $41999 Synth 7 HW Sys..........................List $41999 Synth 7 Inst Sys..........................List $41999 $ 99 34999 $ 34999 34999 $ 34999 $ $ Concert 88 Series Go Pro Wireless for Your Vocal and Instrument Performances Samson’s Concert 88 Series wireless systems give you the wireless freedom you need, without the high price tag. No matter which system you choose, the included receiver sets up quickly, so you won’t waste time during your soundcheck. Run up to 16 Concert 88 systems at once across two different frequency bands for maximum bandwidth. Infrared technology makes setup a snap, and with up to eight hours of battery life, you’ll never have to worry about your Samson Concert 88 system cutting out in the middle of a set. The CR88 is rugged, durable, and crystal clear, with an impressive range. The Concert 88 Series brings you sophisticated wireless technology at a great price. Even better, there’s a system for every application. The handheld system gives you the clear, articulate sound of Samson’s Q6 vocal microphone, perfect for singing and performance. The lavalier and headworn systems are available for presentations, aerobics, and other hands-free applications. And there’s an instrument system available as well. ONLY $10/mo. SWC88CL6D Concert 88 HH Sys................List $19999 SWC88BLM5D Concert 88 Lav Sys................List $19999 SWC88BHS5D Concert 88 HW Sys...............List $19999 SWC88BGTD Concert 88 Inst Sys................List $19999 16999 $ 16999 16999 $ 16999 $ $ Stage 55 Series Affordable VHF Wireless Systems Samson’s Stage 55 Series VHF systems are so affordable that anyone can go wireless. They offer great reception and signal clarity at an entry-level price. Each system is based on the VR5 Super Heterodyne VHF receiver, with a tuned antenna, squelch control, a half-rack design, and XLR and 1/4" outputs, as well as battery-, audio-, and signal-level meters. Stage 55 systems are available in three different configurations: handheld, which excels at handling lead vocals; lavalier, which works great for public speaking or stage use; or headworn, which is perfect for dancers and aerobics instructors. These systems are also a great wireless solution for schools and houses of worship. No matter which system you choose, you can expect reliable performance and superb sound from the Stage 55 Series. ONLY $10/mo. SW55SHQ7Stage 55 HH Sys........................List $15999 SW55VSLM10 Stage 55 Lav Sys........................List 159 SW55VSCS Stage 55 HW Sys........................List $16999 $ 99 11999 $ 11999 12999 $ $ For more info call or go to Sweetwater.com/financing 325 (800) 222–4700 WIRELESS MICROPHONE SYSTEMS WMS470 Series Powerful and Flexible for Any Application Enjoy easy operation, dependable performance, and fantastic audio quality. Even if you need 20 wireless systems running simultaneously in the same frequency band, the WMS470 Series is up to the task. And even if you’re not running a lot of wireless systems at the same time, the precise tuning means you’re much less likely to get interference from other RF sources. FEATURES 326 • Up to 48 simultaneous systems • Infrared transmitter setup • Up to 14-hour transmitter life from 1 x AA battery The compact SR 470 receiver that comes with WMS470 wireless systems takes up a half rack space and comes with a handy rackmount kit. Even better, the WMS470 is compatible with AKG’s antenna splitters, power supplies, and antennas, so it’s perfect for expanding your ONLY $24/mo. existing wireless rig. Available in lavalier, instrument, and $ 00 $ 00 handheld systems. WMS470P-8 WMS 470 Lav Sys............List 749 WMS420 Series Wireless Flexibility with Rechargeable Transmitter Packs Go wireless and green with the AKG WMS420 Series. You get AKG quality and sound in an affordable unit. You can even run up to eight wireless systems in the same frequency band! The WMS420 Series transmitters have charging contacts, so you can use them with money-saving and earthfriendly rechargeable batteries. 629 WMS 470 Inst Sys.............List $60900 WMS 470 D5 HH Sys.........List $60900 FEATURES WMS470G-8 WMS470HH-8 49900 49900 $ $ 24 MONTHS FINANCING on • Transmitters have charging contacts for use with rechargeable batteries • Up to 8-hour transmitter life from 1 x AA battery For more info call or go to Sweetwater.com/financing Perfect for mobile rigs and installations, the dual-diversity receivers feature a small footprint ONLY $12/mo. and powerful features. And when it’s time to optimize $ 00 your wireless rig, the WMS420 Series transmitters are $ 00 WMS420V-A WMS420 HH Sys.......................List 599 $ 00 compatible with AKG’s antenna splitters, power supplies, WMS420P-A WMS420 Lav Sys......................List $59900 299 $ and antennas. The WMS420 Series comes in handheld, WMS420H-A WMS420 HW Sys......................List $59900 34900 $ lavalier, headworn, and instrument systems. WMS420I-A WMS420 Inst Sys......................List $59900 29900 0 299 % INTEREST FOR 24 MONTHS! * On purchases of select manufacturers’ products made with your Sweetwater Musician’s All Access Platinum Card between now and May 31, 2015 – 24 equal monthly payments required. *Offer applies only to single-receipt qualifying purchases. No interest will be charged on promo purchase and equal monthly payments are required equal to initial promo purchase amount divided equally by the number of months in promo period until promo is paid in full. The equal monthly payment will be rounded to the next highest whole dollar and may be higher than the minimum payment that would be required if the purchase was a non-promotional purchase. Regular account terms apply to non-promotional purchases. For new accounts: Purchase APR is 29.99%; Minimum Interest Charge is $2. Existing cardholders should see their credit card agreement for their applicable terms. Subject to credit approval. For more information, go to Sweetwater.com/financing or call (800) 222-4700. NEW BRANDS ARE ADDED ALL THE TIME! Go to Sweetwater.com/financing or call (800) 222-4700 for the latest manufacturer list. Sweetwater.com HEADWORN MICROPHONES 327 Microflex MX153 Incredibly Small Mic, Outstanding Mic Sound Shure’s Microflex MX153 professional electret condenser earset mic is so small that it’s practically invisible. And it’s so comfortable that you might even forget you have it on! Shure has packed the MX153 with very sophisticated technology, including CommShield, which gives you a clean signal that’s free of RF interference. The MX153’s Kevlar-reinforced soft-flex cable design minimizes handling noise while giving you first-class flexibility for routing and placement. The MX153 is terminated with a secure-locking TQG connector for use with Shure bodypacks. WBH53 Whether you’re involved in broadcasting, corporate lectures, teleconferencing, church audio, or live sound reinforcement, the Microflex MX153 delivers the goods. Call your Sweetwater Sales Engineer to find out more about this outstanding earset mic. If you’re looking for Shure quality in a headworn mic, then check out the WBH53, a fully adjustable omnidirectional condenser microphone built for impeccable sound, inconspicuous appearance, and extreme comfort. Its lightweight, adjustable, modular headband as well as its flexible wire frame and soft earpieces provide a stable and secure fit while still allowing the onboard Beta 53 mic to be positioned as close to the left or right corner of the mouth as possible, ensuring maximum voice pickup. Specs: omni • 20Hz–20kHz • Max SPL: 107dB Comfortable and Discreet Headworn Mic Specs: omni • 20Hz–20kHz • Max SPL: 143dB WBH53T ONLY $12/mo. HW Mic.....................................List 374 $ 00 29900 $ MX153TOT HW Mic..................................List 249 $ 00 ONLY $10/mo. 19900 $ PGA31-TQG Shure Quality, in a Performer-friendly Mic If you’re active onstage, then you need a comfortable and reliable headset mic — and the ultra-comfortable PGA31TQG definitely fits the bill. A flexible gooseneck makes it easy to put the mic capsule in the best position for your vocals. A cardioid pickup pattern provides excellent rejection of outside sound sources, so you get clear, focused sound. PGA31TQG HW Mic.......................................List $4900 Specs: cardioid • 60Hz–20kHz • Max SPL: 145dB 3900 $ SE50 Lightweight and Comfortable Omnidirectional Headworn Mic HS1-P Hands-free Mic Solution The Samson SE50 can be easily shaped to comfortably fit your left or right ear. A special retaining band securely holds it in place, making it perfect for fitness applications and energetic performances. There’s even a water-resistant coating that provides extra protection against sweat and moisture. A cable clip, a carrying case, and three different windscreens come with the SE50. Plus, you get four cable adapters, so the SE50 is compatible with all the most popular wireless systems. Available in beige or black. Specs: omni • 20Hz–20kHz • Max SPL: 140dB The RØDE HS1-P makes a grand entrance into the world of comfortable headset microphones. RØDE, a recognized value leader in the studio microphone world, has designed the HS1-P with an omnidirectional pickup pattern and a dual-ear bracing system to deliver an extraordinarily detailed, clear vocal sound while remaining nearly unnoticeable. The comfortable design and malleable, ultra-light tube arm and headband make the HS1-P extremely easy to fit. RØDE’s MiCon terminator lets you instantly integrate with almost any wireless or wired system. Available in pink or black. Specs: omni • 60Hz–18kHz • Max SPL: 110dB HS1P HS1B HW Mic, Pink.............................List $44900 HW Mic, Blk...............................List $44900 A Comfortable Fit and a Natural Sound Lightweight, durable, and very affordable, AKG’s C 520 headworn condenser microphone is great for singers who need their hands free to play instruments or to dance. The C 520’s miniature gooseneck gives you easy, precise placement of the mic. The mic arm can be placed on the right or left, while the mic’s cardioid polar pattern provides superior sound isolation. What’s more, the C 520’s natural-sounding, highly accurate condenser element is externally shockmounted for effective rejection of mechanical noise, so you can freely move without worry. ONLY $10/mo. ONLY $12/mo. 299 $ 00 299 $ 00 C 520 SE50tan SE50blk HW Mic, Beige...........................List 249 HW Mic, Blk...............................List $24900 $ 00 19999 $ 19999 $ Specs: cardioid • 60Hz–20kHz • Max SPL: 130dB ONLY $10/mo. C520 HW Mic.....................................List 299 DA-12 Incredibly Low-profile Mic That Works with Your System Exclusive Sweetwater bundle! This DA-12 package includes a totally discreet and great-sounding Cue Audio DA-12 headworn mic plus adapters for Shure, A-T, and other bodypack transmitters. The adjustable earpiece provides a comfy fit for just about any ear, and thanks to the adapters, you can use your DA-12 with virtually any wireless bodypack. You get great sound, reliable performance, and a great mic that won’t distract your audience. Call your Sweetwater Sales Engineer for all the details! ONLY $15/mo. DA12BESW HW Mic..............................List $53000 37900 $ Specs: omni • 20Hz–20kHz • Max SPL: 140dB $ 00 21900 $ H6 HEADSET Countryman Sound. Sweetwater Experience. Impossibly small. At 2.5mm diameter—the size of a No. 2 pencil lead—the H6 virtually disappears. Incredibly rugged. A custom connector double seals against moisture (and whatever else you throw at it). The new aramid-reinforced cable delivers 20 kg of break strength. Unrivaled Experience. “The Sweetwater Difference”—the outstanding customer service, after-sale support, and experience of Sweetwater’s staff—may be the best feature of all. www.sweetwater.com Sweetwater.com HEADWORN MICROPHONES 329 BP894 MicroSet Easy Fit, Fantastic Mic Performance H6 Omnidirectional Headset Omnidirectional Miniature Earset Mic You can have clean, crisp microphone sound plus amazingly low-profile looks! The lightweight, nearly invisible Countryman H6 Omnidirectional Headset mic keeps the audience’s attention where it belongs: on the performer, not the mic. When quality sound is a must, you’ll love how this mic performs. And, it won’t interfere with hats, hairstyles, or headphones! You can shape the H6 to fit you perfectly, so it’s always comfortable and placed right where you need it. In fact, you’ll probably forget that you’re even wearing it! This model terminates in a Hirose 4-pin connector. Specs: omni • 20Hz–20kHz • Max SPL: 120dB ONLY $18/mo. H6OW5TATHW Mic.....................................List $67000 47500 $ E6 EarSet Nearly Invisible, Omnidirectional Miniature Earset Mic Your high-quality, low-profile vocal mic solution. Countryman’s E6 EarSet microphone gives you clear, clean audio performance in an ultralightweight mic that’s practically invisible. This headset mic is perfect for houses of worship, live theater work, or any other situation where you need the appearance of not being miked up. Light and springy, the E6 EarSet clips around your ear, not around your head. The E6 will never interfere with your hairstyle, your headphones, or your hat; in fact, it’s so light that you might forget you have it on! The E6’s omnidirectional pickup pattern practically eliminates the bass boost caused by proximity effect, letting the natural character of your voice shine through. There are a variety of wireless systems in use these days, and the E6 can work with many of the popular ones. The more pliable E6i EarSet is also available — perfect for when there are multiple users of the microphone. The original E6 is designed to form-fit a single user’s ear. Specs: omni • 20Hz–20kHz • Max SPL: 135dB E6OW5T1SL E6iOW6T2SL ONLY $15/mo. HW Mic, Shure....................List 495 HW Mic, Shure......................List $48850 $ 00 38900 $ 38900 $ Audio-Technica’s BP894 MicroSet balances the need for impeccable sound quality with the requirements of comfort and style. Its comfortable under-ear design and light weight make this mic enjoyable to wear, and the flexible boom is nearly invisible — a real plus on camera or in front of audiences. Plus, this mic works under either ear, and those who wear glasses will appreciate its unobtrusive design. You get all the accessories you need, including a carrying case, a dual-ear mount, extra foam windscreens, and a moisture guard. The combination of stellar sound quality and functional design makes the BP894 MicroSet ideal for theater productions, worship sound, and public ONLY $14/mo. speaking. Available in black or beige, with a UniPak, a $ 00 $ 00 Sennheiser, or a Shure connector. Call us today and find BP894cW Card HW Mic, UniPak, Bk............List 499 $ out more. BP894cWTH Card HW Mic, UniPak, Beige........List $49900 34900 349 37900 37900 $ 37900 $ 37900 $ BP894cLM3THCard HW Mic, Senn, Beige...........List $53900 BP894cLM3 Card HW Mic, Senn, Bk................List $53900 BP894cT4TH Card HW Mic, Shure, Beige..........List $53900 BP894cT4 Card HW Mic, Shure, Bk...............List $53900 Specs: cardioid • 20Hz–20kHz • Max SPL: 135dB $ BP893 MicroSet This Low-profile Earset Mic Delivers Premium Sound Need a great-sounding headworn mic that doesn’t draw unwanted attention? Audio-Technica’s BP893 MicroSet definitely fits the bill. Its low-profile, over-ear design makes it incredibly easy to wear. Plus, its slim boom is visually unobtrusive. To ensure that your voice comes through clearly, the built-in UniSteep filter offers fantastic low-frequency attenuation. Audio-Technica also has you covered when it comes to accessories; the BP893 includes a carrying case, extra foam windscreens, a moisture guard, and a cable clip. Once you’ve tried the BP893 MicroSet, you won’t want to perform without it. This mic is perfect for both public speakers and active performers. Available in black or beige, with a UniPak, a Sennheiser, or a Shure connector. Specs: omni • 20Hz–20kHz • Max SPL: 114dB ONLY $10/mo. BP893cW HW Mic, AT, Blk.........................List 359 BP893cWTH HW Mic, AT, Beige.......................List $35900 BP893cLM3THHW Mic, 1/8”, Beige...................List $37900 BP893cLM3 HW Mic, 1/8”, Blk.......................List $37900 BP893cT4TH HW Mic, Shure, Beige..................List $37900 BP893cT4 HW Mic, Shure, Blk.....................List $37900 $ 00 24900 $ 24900 27900 $ 27900 $ 27900 $ 27900 $ $ BP892 MicroSet Low-profile, Headworn Omnidirectional Mic Make yourself heard clearly without drawing attention to a bulky mic. The A-T BP892 MicroSet features a condenser capsule with a diameter of 2.5mm, perfect for applications requiring minimal visibility. It includes a UniPak connector. You can also get the BP892cLM3 model with a locking 3.5mm connector for Sennheiser bodypacks, ONLY $12/mo. or the BP892cT4 with $ 00 a Shure TA4F connector. $ 00 BP892cW HW Mic, AT, Blk.........................List 439 All of these mics come in $ 00 BP892CWTH HW Mic, AT, Beige.......................List $43900 299 $ either beige or black and BP892cLM3THHW Mic, 1/8”, Beige...................List $45900 32900 $ include accessories. BP892cLM3 HW Mic, 1/8”, Blk.......................List $45900 32900 299 Specs: omni • 20Hz–20kHz • Max SPL: 135dB 32900 32900 $ BP892cT4TH HW Mic, Shure, Beige..................List $45900 BP892cT4 HW Mic, Shure, Blk.....................List $45900 $ ME 3 This Headworn Microphone Stays on No Matter What Does your show require dancing and singing? Do you play guitar, drums, or keyboards as you sing? If so, the ME 3 by Sennheiser is the mic for you. A headset microphone with exceptional sound quality, the ME 3 is specifically designed for music and speech applications that require maximum movement and close-proximity signal reproduction. And it has a comfortable, adjustable headstrap that’s designed to stay securely in place while you give it your all. The ME 3 sports a supercardioid capsule for outstanding feedback rejection, so high onstage sound levels are no problem. Call your Sales Engineer to ONLY $10/mo. find out more about the Sennheiser ME 3. Specs: supercardioid • Max SPL: 150dB ME3 HW Mic..................................................... 14995 $ 330 (800) 222–4700 HEADWORN MICROPHONES d:fine High-performance Mic, Low-visibility Design 4088F Tiny Mic, Comfy Fit, Fantastic Sound Sounds great and stays put! The DPA 4088F gives you a great-sounding directional headworn mic for any performance situation. It delivers the same sound, whether the performer is looking up, down, straight ahead, or to the side. Unlike omnidirectional headset mics, the 4088F is designed with a cardioid polar pattern that rejects sound coming from behind. Require an omnidirectional pickup pattern? No worries. DPA has you covered with the 4066F. Both mics offer superb durability, comfort, and audio performance. Made to fit you perfectly, d:fine headworn microphones also give you incredibly clear-sounding performance. You’ll love the incredibly comfortable, visually unobtrusive design. The d:fine headset mics are ergonomically designed to fit any ear and head shape, and can be mounted on either the right or left side of the head. They can handle sound pressure levels up to 144dB before clipping occurs — good to know if you perform on loud stages. These premium mics are available in both omnidirectional and cardioid versions in either black or beige, so you’ll be sure to find the d:fine model that fits your speech or musical needs perfectly. Call your Sales Engineer and find out more. Specs: d:fine Omni omni • 20Hz–20kHz • Max SPL: 144dB d:fine Directional cardioid • 20Hz–20kHz • Max SPL: 144dB ONLY $22/mo. Specs: 4088F cardioid • 100Hz–20kHz • Max SPL: 144dB 4066F omni • 100Hz–20kHz • Max SPL: 144dB dfineOmniBk ONLY $27/mo. 4088F HW Mic, Beige........................................... HW Mic, Beige........................................... 4066F dfineOmniT dfineCardBk dfineCardT 69995 $ 64995 $ Omni HW Mic, Blk.............................. Omni HW Mic, Beige.......................... Cardioid HW Mic, Blk......................... Cardioid HW Mic, Beige...................... 57995 $ 57995 62995 $ 62995 $ $ 24 MONTHS FINANCING on CM-311A Get Mobile When You Get Vocal For more info call or go to Sweetwater.com/financing The Crown CM-311A is a comfortable headset microphone that is both lightweight and able to stand up to the wear and tear of clinging to your head as you perform. The CM-311A’s electret condenser provides full, clean sound, and the headband and mic boom can adjust to any head size. Designed for the stage, the CM311A headset mic is a must for any vocalist who needs a headworn mic! ONLY $17/mo. Specs: cardioid • 50Hz–17kHz • Max SPL: 148dB CM311A C 520 Specs: cardioid • 60Hz–20kHz • Max SPL: 130dB ONLY $10/mo. C520 HW Mic.....................................List 299 $ 00 $ 21900 00 43900 $ 24 MONTHS FINANCING on A Comfortable Fit and a Natural Sound Lightweight, durable, and very affordable, AKG’s C 520 headworn condenser microphone is great for singers who need their hands free to play instruments or to dance. The C 520’s miniature gooseneck gives you easy, precise placement of the mic. The mic arm can be placed on the right or left, while the mic’s cardioid polar pattern provides superior sound isolation. What’s more, the C 520’s natural-sounding, highly accurate condenser element is externally shockmounted for effective rejection of mechanical noise, so you can freely move without worry. HW Mic.....................................List 499 $ DA-12 For more info call or go to Sweetwater.com/financing Incredibly Low-profile Mic That Works with Your System Exclusive Sweetwater bundle! This DA-12 package includes a totally discreet and great-sounding Cue Audio DA-12 headworn mic plus adapters for Shure, A-T, and other bodypack transmitters. The adjustable earpiece provides a comfy fit for just about any ear, and thanks to the adapters, you can use your DA-12 with virtually any wireless bodypack. You get great sound, reliable performance, and a great mic that won’t distract your audience. Call your Sweetwater Sales Engineer for all the details! ONLY $15/mo. Specs: omni • 20Hz–20kHz • Max SPL: 140dB DA12BESW.HW Mic.....................................List $53000 37900 $ Sweetwater.com MICROPHONE CASES & ACCESSORIES 331 MIC CASES GM-1 WEVA GX-33 Convenient Mic-stand/Mic Bag Mic/Mic-stand Bag......................List $7999 4999 $ Use your wireless system while it’s still in this case! The GM-1WP wireless system case allows your antenna to be extended inside the case. Front and rear access makes setup easy, and there’s plenty of room for your mic, cables, and other accessories inside. ONLY $10/mo. GM1WP Wireless Mic Sys Case...............List $23999 Handy Bag for Two Wireless Systems Waterproof Mic Case Designed to carry two complete wireless systems, the GM-2W also offers plenty of space for your cables, lavaliers, and other accessories. For rugged mic transport, the GM-4 holds four mics, while the GM-12B holds 12. Waterproof protection for six handheld mics! The GM-06MIC-WP offers proven protection against the toughest conditions. To protect up to 16 mics, choose the GM-16-MIC-WP. And both are ready to fly, thanks to ATA-300 certification! Wireless Mic Sys Bag................List $10499 4-slot Mic Bag..............................List $5499 12-slot Mic Bag............................List $8999 GM4 GM12B 14999 $ 6499 $ 3499 5499 $ $ GM06MICWP 6-slot Mic Case.................List $12999 GM16MICWP Lightweight 6-mic Hardshell Case 7999 $ 13499 $ 16-slot Mic Case....................List 209 $ 99 G-Tour M15 GM-30-TSA 6499 $ GM1WEVA Wireless Mic Sys Bag................List $10499 GM-6 PE GM-06-MIC-WP GM-2W GM2W The GM-1 WEVA is a great carrying case for your half-rack wireless system. Constructed of 5mm EVA rubber foam, this case gives you access to the antenna, so you can use your system while it’s still in the bag! Rugged Case for Your Wireless System Tough and convenient! Made from high-density nylon, the GX-33 holds up to five mics and three mic stands, in one bag! The mic section has five mic drops made of thick foam to keep mics safe. GX33 Perfect for Wireless GM-1WP Fit 30 Mics in One Case Protection Touring Acts Can Count On The road-tough GM-30-TSA has 30 mic drops for maximum storage. If you need to haul wireless mics and extra batteries, get the GM-6W-TSA. It’s got room for up to six wireless handheld mics and your accessories. Incredibly strong construction, generous storage, recessed latches, and heavy-duty hardware. When you need maximum protection for up to 15 microphones, the Gator G-Tour M15 is well equipped. You can trust your most sensitive equipment with Gator tour cases! Protect those mics! When you invest in great stage mics, you need to keep them working. That’s why Gator created the tough GM-6 PE! This affordable molded polyethylene hardshell case locks for secure travel, and it holds up to six microphones. Inside, thick surround foam keeps each mic safely in place. GM6 6-slot Mic Case..........................List $10499 6499 $ i Series Waterproof Mic Case Armored Mic Transport SKB’s renowned i Series Waterproof Mic Cases are made of injection molded high-strength polypropylene copolymer resin and feature a gasketed waterproof and dustproof seal. ONLY $10/mo. ONLY $10/mo. GM30TSA GM6WTSA 30-slot Mic Case........................List $26999 6-slot Mic Case...........................List $20999 $ 16999 12999 $ ONLY $10/mo. GTourM15 15-slot Mic Case........................List $24999 $ 15499 MicCase24 MicCase12 MicCase6 24-slot Mic Case ..................List 359 12-slot Mic Case....................List $21999 6-slot Mic Case......................List $11999 $ 99 21999 $ 12999 7499 $ $ POP FILTERS GM-POP FILTER Proscreen XL Dual-layer Pop Protection A Truly Pro Pop Filter The flexible, easy-to-clean Proscreen XL stops plosives in their tracks all while leaving your sound uncolored. This is a pro pop filter for truly pro results! PopGard 2000 Protect Your Mic — And Your Recordings Weighing in at less than one ounce, the PopGard 2000 is unique in that it attaches directly to the microphone using elastic bands — no more goosenecks or clamps! StedmanXL Pop Filter.........................List $7900 6900 $ PopGard2000 Mic Windscreen..................List $3995 $ 2995 Stop those plosives! Fix the Gator GM-POP FILTER to any standard mic stand, with two layers of mesh to protect your recordings. It comes with an 11.5" gooseneck and a C-clamp to fit most standard microphone stands. GMPOPFILTER Pop Filter.......................List $2999 1899 $ 332 (800) 222–4700 MICROPHONE STANDS Triad-Orbit’s mic stands, boom arms, and Quick-Change hardware work together as a modular mic stand system — learn more online in our inSync Triad-Orbit Buying Guide! Sweetwater.com/triad-mic ADVANCED MICROPHONE STAND SYSTEMS OrbitalBm1 $ 00 109 OrbitalBm2 $ 00 199 O2 Orbital Boom Stand not included The Triad-Orbit O2 Orbital Boom dual-arm orbital boom system offers a double dose of their Orbit ball-swivel mechanism, providing you with two microphone booms and limitless positioning flexibility. It’s the perfect boom attachment for miking grand pianos, singer/ songwriters, acoustic drums, or pretty much anything else. For use with Triad-Orbit microphone stands. 36"–71" T3MicStd $ 00 219 TESStdExt $ 00 49 31.5"–78.5" 33" T2 Standard Tripod You’ll wonder how you ever got along without the Triad-Orbit T2 Standard Tripod mic stand. The articulating base gives you more flexible positioning options than you ever thought possible, with the amazing stability you’d expect from a weighted-base stand. QuickChange couplers let you swap mics in seconds, and heavy-duty clutches let you make adjustments with one hand. 17"–29.5" T2MicStd $ 00 179 T1MicStd $ 00 139 Sweetwater.com MICROPHONE STANDS Pro-T-T Live-T Ulti-Boom-TB This workhorse of a stand is strong, reliable, and easy to use. The Pro-T-T gives you a comfortable quarter-turn clutch that won’t slip in the middle of a show. Plus, you can collapse the highly stable tripod base to store the Pro-T-T in ProTT limited spaces. The Live-T gives you unflinching support during your stage performances and also unlocks and folds up for compact storage — ideal for touring and on-the-go performers! Ultimate Support designed the Ulti-Boom-TB arm to be easy to set up, flexible to position, and rock-solid reliable. The Ulti-Boom-TB’s counterweight offers true balance and stability and is up to 30 times stronger than plastic, ABS, or nylon counterweights. 89 $ LiveT 99 $ Pro-T-Short-T Perfect for miking up guitar amps, kick drums, and a wide range of acoustic instruments, the Pro-T-Short-T is a workhorse-quality stand that’s strong, reliable, and easy to use. Ulti-Boom-FB The Pro-SB microphone stand uses an innovative interlocking weighted base design that allows you to stack up to six stands in the space of one stand’s footprint — highly space efficient! We know you need your mic booms to be easy to set up, flexible to position, and rock-solid reliable — the Ultimate Support Ulti-Boom-FB checks all of those boxes! ProSB $ 99 79 A studio essential! You need to know that your studio stands are up to the challenge of keeping your premium mics from hitting the floor. Ultimate Support’s MC-125 is a very well-balanced and sturdy professional boom with a handy counterweight. In addition, it’s on locking in-line-style wheels, so you can easily move it around the studio. It’s perfect for drum overheads, pianos, room mics, and virtually any other recording application. 39 Pro-SB ProTshortT $ 99 MC-125 UltiBoomTB $ 99 79 99 UltiBoomFB $ 99 69 24 ® ® Live-SB A round-base mic stand with a cast-iron base, the MC-05B’s clutch is ultra-reliable, so your mic stays right where you put it. The Live-SB stand features Ultimate Support’s Ergo onehanded clutch operation, which lets you make quick height adjustments on the fly. MC05B $ 99 ® ® MicStdDeskBm $ 95 ® ® MS7701TB Why use more mic stand than you actually need? When a short, sturdy stand is all that’s called for, grab the On-Stage Stands DS7200B. ® ® 23 ® ® DS7200B When you need to mic up a kick drum, combo amplifier, or other low-level sound source, you can count on the MS7920B mic stand from On-Stage Stands. MicStdRound $ 95 24 ® ® MS7920B 26 The MS7201B features a weighted round base that’s compact enough to take up minimum space onstage or in your studio, yet it provides plenty of stable support. ® ® MicStdFBoomL $ 95 79 ® ® MS7201B One of the most popular mic stands on earth! The MS7701B’s midpoint-locking clutch makes adjustments quick, easy, and secure. LiveSB $ 99 27 ® ® MS7701B ® MS7411B With a maximum height of 63" and an easily adjustable boom arm, the MS7701TB is a smart choice for elevated miking applications such as drum overheads and choir mics. ® ® MC125 99 199 $ ® MC-05B 333 MicStdDesk $ 95 This short boom stand is ideal for low-level applications such as guitar amps and kick drums. The rugged MS7411B has a 26" tripod base for exceptional stability. ® ® MicStdBoomLt $ 95 12 MicStdShortBm $ 95 29 29 ® ® ® ® MS7700B ® The MS7700B sports a stable and sturdy folding tripod base and a lightweight design for easy portability. ® ® MS9701TB+ ® ® MicStdLt $ 95 19 MSA7040TB The MSA7040TB telescoping boom arm gives you the extra reach your mic needs. You also get a metal counterweight for just the right balance. ® BoomTele $ 95 18 The MS9701TB+ is built tough for the road or the studio, using thicker tubing and a heavier die-cast leg housing for heavy-duty performance. ® ® MSA9508 ® ® MicStdBoom $ 95 49 A smart solution! The MSA9508 adjustable side-mount boom grips to any standard mic stand, as a base to mic multiple instruments such as a hi-hat and snare or toms and BoomSide a kick drum. ® ® $ 1495 334 (800) 222–4700 MICROPHONE STANDS Deluxe Round Base Mic Stand Featuring a deluxe soft-grip one-handed clutch and a 10” weighted base, this sturdy stand from Gator is ready for the stage or studio. Highly versatile, this stand fits both US and Euro mic clips. Deluxe Tripod Mic Stand with Boom GFWMIC2120 $ 99 49 Rocking a soft-grip twist clutch, this Gator mic stand’s collapsible tripod base makes for convenient transport and storage. Employing a standard twist clutch and single section boom, this Gator mic stand’s tripod base is collapsible for easy transport and storage. This deluxe stand from Gator features a telescoping boom and deluxe one-handed clutch. GFWMIC1001 $ 99 Standard Tripod Mic Stand Standard Tripod Mic Stand with Boom Standard Round Base Mic Stand This stand features a telescoping boom and an ultra-stable tripod base that folds for compact storage. Featuring a standard twist clutch and an ultra-stable 12” round base, this mic stand from Gator is ready for your next gig! FWMIC2621 $ 99 GFWMIC1200 $ 99 49 This desktop mic stand from Gator features a 6” weighted base that is specially-designed for a no-slip, vibration-free GFWMIC0600 performance. This stable stand from Gator is perfect for vocal mics, miking drums, or just about anything! MicStdBoomF $ 99 19 $ 59 99 25900 210/2 The 25900 boom stand makes it easy to mic low- to mid-height sound sources. The 210/2 stand and boom arm combo has been a standard for 30 years! KM21020BK $ 99 KM25900B $ 99 84 89 MS25E The heavy-duty MS25E mic stand features an integral air-suspension system that helps protect your sensitive mics. This stand can extend up to 62" in height. MS25E $ 99 129 micKing 2200 Both the micKing 2200 and the micKing 2200B can position large mics at practically any micKing2200 angle with amazing $ 00 stability. 450 micKing2200B 46500 $ 39 Adjustable Desktop Mic Stand Giving you a 6” weighted base and a standard twist clutch, this Gator stand is perfect for any desktop. GFWMIC0601 $ 99 49 Tripod Mic Stand Bass Drum/Amp Mic Stand with Boom with Boom Desktop Mic Stand GFWMIC2100 $ 99 46 Tripod Bass Drum and Amp Mic Stand 29 Employing a deluxe soft-grip one-handed clutch, this Gator mic stand is a solid performer. Its heavy duty steel construction makes it just as useful on stage as it is in the studio. GFWMIC2010 $ 99 69 GFWMIC2000 $ 99 Deluxe Tripod Mic Stand 26075 Equipped with a sturdy metal base, this stand gives you an ideal platform for miking amps and kick drums. Includes a telescoping boom. MicStdDeskBF $ 24 The 26075 Stackable One-Hand Microphone Stand is an ideal solution for churches, auditoriums, and theaters where storage space is limited KM26075 $ 99 34 84 99 PB21XEB MS-10C The PB21XEB boasts a threaded end cap with a fixed 2-pound counterweight for stability. The boom extends from 25.25" to 38.5", adding exceptional reach to your existing mic stands. PB21XEB The MS-10C all-purpose stand includes Atlas’s famous clutch, which won’t slip under pressure, and lock-nut rings at the top and bottom. MS10C $ 99 54 $ 41 99 D-Vice CabGrabber The Audix D-Vice is the easy way to attach Audix Micro Series, D Series, and most other mics to your drums. Speeds up setup time both onstage and in the studio! The CabGrabber and CabGrabber XL let you conveniently mic a guitar amplifier or speaker cabinet without the use of a bulky mic stand. DVICE $ 95 27 CabGrabber $ 00 49 CabGrabXL 5995 $ Sweetwater.com Reflexion Filter Pro The Reflexion Filter Pro is the affordable, portable solution for improving the sound of your acoustic space, with nine layers of semiabsorbent material to diffuse sound waves around the mic. Reflexion IRF Reflexion Filter...........................List 349 Instrument Reflexion Filter 2........List $19900 00 ONLY $10/mo. 9900 IsolationPk Shockmount/Pop Screen.............List $5900 249 $ 00 $ MudGuard 10999 $ NEW! BabyGRAMMAII $ 4900 Mount Primacoustic’s VoxGuard Vu on your mic stand and keep room reflections to a minimum. The window cutout lets you maintain a sight line between vocalist and engineer. It features a 15" x 18" curved absorption panel with pressurerelease slots to eliminate resonance. The VoxGuard also includes an adjustable mic-clamp slider. ONLY $10/mo. MudGuard MudGuard..................................List $12999 Decrease live stage volume and increase the quality of your guitar and bass recordings! The GRAMMA Series of amp risers yield nearly total acoustic sound isolation, for a remarkable purity of tone that’s free from floor resonance. Available in three sizes — call for more info! GRAMMAII GreatGRAMMAII VoxGuard Vu Don’t let muddy sound ruin your mixes. The Auralex MudGuard lets you isolate your microphones and keep unwanted noise out. Easy to use and simple to set up, the MudGuard mounts right on your standard mic stand — no extra hardware needed! VoxGuard VoxGuard...................................List $12000 335 GRAMMA Series Isolation Pack Get a full set of must-have accessories for your sE Electronics microphone with the Isolation Pack. The Isolation Pack includes one of sE’s upgraded shockmounts, which perfectly fits your sE X1 or similar-style condenser microphones. A handy quick release also lets you swap out your mics in a hurry. On top of that, the sE Isolation Pack includes an integrated pop shield that packs heroic plosiveblocking power. The Instrument Reflexion Filter 2 works just like its big brother but fits in tighter spaces. $ ACOUSTIC TREATMENT $ 9999 4999 $ Isolation Riser, Sm......List $5999 Isolation Riser, Med.....List $7999 Isolation Riser, Lg......List $10999 6999 9999 $ $ CrashGuard Does cymbal bleed cause you to pull your toms down in the mix? Primacoustic’s CrashGuard helps you get great drum sounds while keeping overbearing cymbals at bay. This ultra-portable acoustic treatment actually mounts directly onto the mic stand and minimizes cymbal bleed with its open-cell foam construction. 3499 $ CrashGuard CrashGuard............................................ Hear The Sweet Tone. Get All The Sound You Paid For! : cludesed res In Featu Profile For Increa er • Lowbility LowSta Mid- &ion Better nit en • Ev uency Defi dle Freq rab Han Easy-G • New The Auralex GRAMMA® v2 Series of patented Isolation Platforms INSTANTLY improve the sound of any amp, subwoofer or loudspeaker. Whether in use in the studio or on-stage, GRAMMA v2 isolation platforms acoustically decouple equipment from the supporting surface for improved purity of tone. • The BabyGRAMMA® v2 is designed for compact guitar, bass and keyboard amplifiers. • The GRAMMA® v2 is designed for mid-sized amps and speaker cabinets. • The GreatGRAMMA® v2 is almost 30% bigger to float large speaker cabinets. Call your Sweetwater Sales Engineer today for more information about the complete line of ISO™ Series: Instant Sound Optimizers from Auralex Acoustics and get that Sweet Tone from your rig! GRAMMA® v2 Series Product Selection Chart BabyGRAMMA® v2 GRAMMA® v2 GreatGRAMMA® v2 Sweetwater.com | (800) 222-4700 Names and logos are trademarks or registered trademarks of their respective holders. This advertisement’s content are ©Copyright 2011-2015, Auralex Acoustics, Inc. All rights reserved. Sweetwater.com ACOUSTIC TREATMENT 337 FREE Acousti PLEASE PRINT CLEARLY AND USE ONE (1) SHEET PER ROOM. Send your complet Use black pen ed form to Sweetwa or dark pencil. ➊ Fax: 260-432 ter FREE Acoustical Analysis! 24 MONTHS FINANCING on on our website at www.sweet water.com/room_analys is Facility Name: __________ __________ __________ Your Name: __________ __________ __________ __________ __________ __________ _ __________ Phone: (______) __________ _________-_ __________ __________ E-mail: __________ Fax: (______) __________ _________-_ @________ Budget (Check __________ __________ one) Zip Code: __________ _____ ________-__ $1,000 - $5,000 _______ Worship Emphasis $5,000 - $10,000 Speech Type of Music $10,000 $20,000 Music Contemporar $20,000 + y (e.g. Full Band) Even Mix of Both Traditional (e.g. Organ, Choir, etc.) Type of Room Both (Check all that apply) Sanctuary/N Is This Facility? ave (Check one) Multi-Purpos New Construction e/Gymnasium Room Dimensions Restaurant (Inches or feet) Renovation Length: __________ Dance Studio __________ __ Width: __________ Auditorium __________ __ Height: __________ Club/Venue __________ _ Other Analysis Form our FREE Acoustical Someone beat Roominators Pro Plus Kit at: -1758 -orCall today to ➋ Mail To: 5501 US Hwy W, Fort speak to a Sweet Wayne, IN 46818 water Sales Engineer at (800) 222-4700 Facility Info you to it? Find Did you know that you can get a complete professional acoustical analysis for free from our friends at Auralex? Go to Sweetwater. com/shop/studio/acoustic-treatment/room_analysis.php, download the appropriate form, and answer a few simple questions about your studio. When you’re finished, just send your form to Sweetwater, and we’ll take care of the rest. Turnaround is fast, and the advice you get is priceless. cal Analysis Form Sweetwater 3 For best possible results please include: Surface Types CAD Drawings (Please use back of sheet if more detail is required) Drywall/Shee tRock ®/Gypsum Board Brick Plaster Blueprints Walls: Digital Photos Wood Paneling Unfinished Concrete (Block or Poured) Drywall/Shee Other: __________ tRock ®/Gypsum __________ Board _ Other: __________ Exposed Joists __________ Drop Tile __________ Ceiling (“T” __________ bar, “grid”, etc.) __________ __________ Metal Deck/Trusses _______ Concrete Vinyl/Tile __________ __________ Unfinished Capacity: __________ Subfloor # of seats __________ _________ __________ __________ ______ Type of Seating: Pews with... — OR — Hard Backs/Hard Chairs with... Seats Hard Backs/Padde Hard Backs/Hard d Seats Seats Padded Backs/Padde Hard Backs/Padde d Seats d Seats Observed or Padded Backs/Padde Measured Acoustical Problem(s) d Seats Poor Speech (Check all that Intelligibilit apply) y Poor Musical Excessive Clarity Reverberatio n Lack of Ensemble Feedback Flutter Echo with Group Singing Too Dead Drums are Other Details, “Boomy,” “Muddy,” if any: (e.g. or too loud existing treatments, Other: __________ No Yes, loudspeaker Describe: __________ __________ and/or sound __________ system details) __________ ______ __________ __________ __________ __________ __________ __________ __________ __________ __________ __________ __________ __________ __________ __________ __________ _________ __________ __________ ® __________ __________ __________ _______ Ceiling: Floor: pg ad.indd 2 Carpet Hardwood Other: __________ __________ Auralex Acoust ics | Total Sound Contro ® l | www.sweetw ater.com 11/20/2009 2:07:46 PM Auralex ® Acoust Don’t spend your time “dialing in” your room. Tame your space with this kit and get the most out of your audio and recording equipment. Get the Roominators Pro Plus Kit for spaces from 250 to 400 sq. ft., with the shortest room dimension being 12–16 sq. ft. The Pro Plus Kit includes 36 Studiofoam 2' x 2' x 2" wedge panels, 12 LENRD bass traps, eight T’Fusor 3D sound diffusors, and 224 EZ-Stick™ Pro Tabs. Available in charcoal gray. For projects in a smaller space (100–250 sq. ft.), check out the Roominators Deluxe Plus Kit. RoomProPlus Room Pro Plus Kit, Char.....List 1589 $ RoomDelPlus 99 Room Dlx Plus Kit, Char......List $109999 $ ONLY $55/mo. 144999 99999 $ For more info call or go to Sweetwater.com/financing Roominators Project 2 Don’t try to work around your room’s acoustic issues and struggle to get merely adequate results. Use Auralex Roominators packages to make your recording environment as acoustically sound as a big-time studio! The Auralex Roominators Project 2 is a complete acoustic soundcontrol kit for average-sized rooms. It’s affordable and incredibly easy to install. Our best-selling kit, the Project 2 tames sound problems that stem from uncontrolled ambience. The result? Greater clarity in your listening environment, better sound, and more of your time spent on making and recording music. Take control of your room’s sound! Auralex Roominators DST kits improve your room’s acoustics by reducing uncontrolled ambience. Perfect for spot treatment and that designer look, the Roominators D36 offers you a professional starter kit to reduce unwanted slap and flutter echo in your room, making the environment much friendlier for recording and mixing. The D36 kit contains 18 DST-112 panels and 18 DST-114 panels, in your choice of three great colors; 72 EZ Stick™ Pro Tabs are also included. ONLY $10/mo. RoomDST36BRoom D36, Burg/Char.......................List $18999 ONLY $29/mo. Project2KitRoom Project 2, Char..................List $81999 Roominators D36 74999 RoomDST36C RoomDST36P $ 16999 $ 16999 16999 $ Room D36, Char/Char...................List $18999 Room D36, Purp/Char...................List $18999 $ London 8 London 12 Stand in the middle of your room, clap your hands, and listen. The ringing sound you probably hear is a combination of flutter echo, reflections, standing waves, and other acoustic anomalies that will impact the quality of your recordings and color what you hear when you’re mixing. Luckily, these common problems are easy to fix. The Primacoustic London 8 room kit is designed for rooms up to 100 square feet, and it tames most acoustic issues. This kit is made up of Broadway acoustic panels, which are made from high-density 6-pound-per-cubic-foot fiberglass. This denser material provides almost five times greater absorption than typical foam. That means you’ll add less material on your walls and get more absorption for the effort, resulting ONLY $10/mo. in a clean look and greatly $ 99 improved acoustics. This $ 00 London8BkLondon 8, Blk.............................List 250 room kit is available in $ London8Bg London 8, Beige..........................List $25000 22999 black, beige, or grey. $ London8Gy London 8, Grey............................List $25000 22999 Most rooms in either commercial facilities or residential dwellings have parallel walls. These parallel walls are great for aesthetics and floor plans, but they introduce a world of problems in recording or mixing rooms. Intended for rooms up to 150 square feet in size, Primacoustic’s London 12 room kit uses a combination of Control Columns and Broadband Panels to tame early reflections, the main source of frequency imbalances that can make accurate monitoring in these spaces next to impossible. Positioned near the sound source, this absorptive material helps to “define” the listening area, making it easier to discern what is really happening versus hearing the reflections, which makes mixing and recording easier. To break up additional reflections, you also get a set of 12 Scatter Blocks, which diffuse remaining reflections. ONLY $29/mo. The London 12 room kit is $ 99 available in beige, black, London12Bg London 12, Beige..................List $80000 $ 99 or grey. $ 00 London12Bk London 12, Blk......................List 800 769 229 769 London12Gy London 12, Grey....................List $80000 76999 $ ics | Total Sound