Untitled - Brit Floyd

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the music of david gilmour, roger waters,
rick wright, nick mason and syd barrett
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a brand new show celebrating the amazing
musical legacy of pink floyd
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F
R
T
IBU
D
Y
O
OUR 2011 T E
T
L LD
W
O
R
S
HO
W
THE P
IN
K
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created by producer chas cole
and musical director damian darlington
includes
shine on you crazy diamond, learning to fly
high hopes, welcome to the machine, mother
one of these days, pigs, time, great gig in the sky
wish you were here, keep talking, nobody home
us and them, money, another brick in the wall part two
astronomy domine, comfortably numb & run like hell
plus a special full length version of echoes!
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liverpool
rehearsals 2011
Liverpool Rehersals 2011
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Damian Darlington I just managed to be a child of the 60's
and I was born in Middlesbrough, Teesside, in the North
East of England. I got my first guitar for Christmas when I
was 11 years old, a steel string acoustic. I had a few lessons
at school, but didn’t really start playing seriously until I was
13. From the age of 15 I was performing round pubs and
clubs with various bands playing all sorts of music. I joined
The Australian Pink Floyd Show at the beginning of 1994 and
over a period of almost 17 years, recently as the musical
director, I went on to play in every show, close to 1,300
shows all over the world. I also became increasingly
interested in the visual aspects of staging a rock concert and
worked closely with Bryan Kolupski and helped him
produce and direct all the video content for the TAPFS and,
now, Brit Floyd shows. Working with my brother Gareth
Darlington I also directed and recorded all the soundscape
programming. I acted as director for both the TAPFS DVD
releases and in 2007 I had the privilege of directing John
Martyn’s Live at the Round House DVD. One of John’s last
live performances before his untimely death. In between the
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busy touring schedule I’ve also developed an ensemble called
Acoustic Unlimited www.myspace.com/acousticunlimited which
features my brother Gareth Darlington, my sister Johanna
Darlington, Rob Stringer and Steve Gaffney my musical mentor.
We play an eclectic mix of jazz, Celtic, classical and rock music
including some of my own tunes. I’m hoping to go out on the
road with that at some point; after all, man cannot live by Pink
Floyd alone! I have lots and lots of influences – too many to
mention here unfortunately but I think my top 6 albums have a
lot to do with the musician that I am today. Mike Oldfield –
Ommadawn. Al Di Meola, Paco Delucia & John McLaughlin Friday Night in San Francisco. Pink Floyd – The Wall. First Floyd
album I ever heard when I was 14. Thought it was amazing then
and still do. Rush - Exit Stage Left. Pat Metheny Group – Travels
and Tears for Fears – The Seeds of Love. For all the gear
anoraks, instruments wise I use a Fender Strat Plus Deluxe, an
Ovation Custom Legend acoustic, a Variax Acoustic 700, a
Variax Acoustic 300 Nylon and 2 Fouke Industrial Guitar lap
steels, 1 tuned to Em and the other tuned to G. For effects and
amplification I use a Roland VG-8, a Roland VG-88, a Boss GT
Pro, an Alesis DEQ-230 graphic, a BBE Acoustimax preamp for
the acoustic instruments, a Rocktron Banshee talkbox and a pair
of Roland VGA-7 amps. For vocals I use an AKG D7 microphone
and Ultimate Ears UE11 in ear monitors. My scary moment… I
had the amazing experience of performing Comfortably Numb
alongside Rick Wright at David Gilmour's 50th birthday party!
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Ian Cattell July, 1969 in upstate NY. I started the violin and
piano at 4, the trumpet at 11, the bass at 18, and began
singing outside the shower at 25. As a trumpet player in
high school and later at the Fredonia School of Music I
played more jazz and classical gigs than I can count. I
began gigging around Syracuse NY on bass in the early
90's with various classic rock and original bands. In 1994 I
was approached to join a new Genesis tribute and began
an 8 year stint with Seconds Out - The Sights and Sounds
of Genesis, performing in New York, Ohio, and
Pennsylvania. In late 1994 I joined Crazy Diamond. In 2002
I co-founded Childhood's End - a Tribute to Pink Floyd
with Steve Schad, Eric Garboushian, and Gregory John. In
2005, I then took the opportunity to tour the world when I
was contacted by Damian and Chas from The Australian
Pink Floyd Show. After over 500 shows in over 5 years with
TAPFS, I'm excited to be working with Damian, Carl,
Bobby, Rob, Arran, Emily, Rick, Jacquie, Ola, Gareth and
Bryan to bring the new Brit Floyd show to PF fans around
the world. An interesting fact! As a member of the chorus, I
performed Beethoven's 9th symphony in Carnegie Hall in
New York City.
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Bobby Harrison Harlow, Essex, England.
Nineteen-seventy-several. Started to play guitar the age of
13. I spent a number of years playing original material in
many bands. Several of these projects secured recording
contracts. In recent years, I have toured the USA and
Canada extensively with The Australian Pink Floyd Show
and have played guitar for the hit Queen show We Will
Rock You in London’s West End, as well as in Zurich,
Stuttgart and Vienna - where I also performed with Brian
May. In 2009, I toured Europe with Richard O’Brien’s
Rocky Horror Show. Studio work includes sessions for the
late composer Michael Kamen on the song Jubilation: a
piece written for Queen Elizabeth’s Golden Jubilee and
recorded at Abbey Road studios, featuring Westlife, The
Lighthouse Family and Dame Kiri Te Kanawa. I love Led
Zeppelin II. The outro section on "What Is and What Should
Never Be" is one of the greatest moments in recorded rock
music, in my opinion. Even the hairs on the hairs on the
back of my neck stand up when I hear it. The core of my
rig is a Cornford MK50 mkII head, an RJM RG-16 Switcher
and Keeley Electronics Effects Pedals. Guitar-wise, I use
Ernie Ball Musicman, Gibson and Fender electric guitars
(depending on the nature of the gig) and various acoustic
guitars.
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Arran Ahmun Born Cardiff Docks, 1956. I started playing
drums at the age of 16. I turned pro at 19 while working
the American bases in Germany. After working with Andy
Fairweather Low, I moved to London and spent two years
playing in West End shows. Following this I joined the
Dave Knopfler Band recording and touring Europe then
spent some time recording with Squeeze. I also
performed regularly on the Jools Holland 'Happening'
series. In ‘87 I recorded with Clannad and did two world
tours with the band. Around this time I joined Julia
Fordham. During the late 80's I toured with Andy Summers
in the USA followed by a spell touring with Gerry Rafferty.
In ‘86 I began a long association with John Martyn, joining
his band for the 'Piece by Piece' tour. Throughout the 90's
I continued extensive touring and recording with artists
such as Alison Moyet, Linda Lewis, The Proclaimers
(including two No. 1 hits), Robbie Robertson and the Jools
Holland Big Band. Influenced by Early Genesis, late Led
Zeppelin, Billy Cobham band, Alan Holdsworth Band, King
Crimson, Larry Graham (Graham central station).
Yamaha 9000 recording kit.
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Rob Stringer Worcester, November 1978. 6 years old on a
honky-tonk piano in in my parents utility room, I can
remember the smell of washing powder. Played the theme
from the Incredible Hulk about 1000 times on it and
boogie-woogie as fast as possible with the least musicality
possible. Played keyboards on 2 previous Aussie Floyd
US/Canadian tours. I have also worked as a jazz pianist on
the North West UK scene, playing in various groups and now
have my own group, The Bobby Swing Trio in which I sing
(or croon...) and play piano. Was a chorister as a boy - was
lucky to tour Europe, US/Canada and South Africa between
9-13. Wasn't that angelic though... Miles Davis 'Kind Of Blue'
- absolute perfection. Wonderful tunes, beautiful sound, such
great players, there's enough in it to last a lifetime...I
Nord Stage 88, Yamaha ANiX (for all the minimoog stuff!),
Alesis QSR, Leslie 145 speaker. I once performed piano in
front of an audience where in the front row, sitting next to
each other were Sir Paul McCartney, Yoko Ono, Sir George
Martin, Olivia Harrison and Sir Peter Blake. I didn't know
they were there and when I saw them all I nearly fell off the
keyboard stool and my hands were shaking. Took a week to
recover...
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TOUR & FILMING CREDITS
BRIT FLOYD
Damian Darlington
Ian Cattell
Bobby Harrison
Arran Ahmun
Carl Brunsdon
Rob Stringer
Rick Benbow
Ola Bienkowska
Emily Jollands
Jacquie Williams
Amy Smith
Guitars and Vocals
Bass and Vocals
Guitars and Vocals
Drums
Saxophones, Percussion and Guitars
Keyboards and Vocals
Keyboards
Backing Vocals
Backing Vocals
Backing Vocals
Backing Vocals
LIGHTING PRODUCTION
Dave Hill
Neil Trenell
Paul Nichols
Adrian Paddy Newley
Caroline Hill
Kester McClure
Bryan Kolupski
Damian Darlington
Adrian Nelly
Sven Knight
Richard Hutton
Ryan Brown
John Lahiffe
Stephen Sven Jolly
Mark Wood
Lighting for Tour
Many Thanks to
Lighting for DVD
Many Thanks to
Inflatables
Many Thanks to
Lasers
Many Thanks to
Lighting Designer
Lighting Designer & Operator
Lighting Technician
Lighting Technician
Lighting Technician
Laser Operator
Concert Screen Animation
Concert Screen Director
Video Projections Operator
Head Rigger
Lighting Technician & Rigger
Crew Chief
Dimmer Technician
Moving Lighting Technician
Lighting & Inflatables Technician
HSL
Simon Stuart & Mike Oates
Entec
Noreen O’Riordan & Adam Stevenson
Air Artists
Arthur Harries
Coloursound
Haydn Cruickshank
SOUND PRODUCTION
Gareth Darlington
Gary Brookes
Nick Mooney
Simon Hall
Matt Latham
Joe Murphy
Front of House Sound Engineer
Monitor Engineer
System Technician
FOH Technician
PA Technician
PA Technician
Richard Baker
Andy Greenwood
Bill Keown
Sound for Tour
Many Thanks to
Sound for DVD
Many Thanks to
FOH Sound
Monitors
FOH Sound
ESS
Richard John & Phil McDaniel
Wigwam
Geoff Muir
TOUR PRODUCTION
Roger Middlecoate
Sean McFetridge
Dave Jollands
Jose Armada
Stan Ryan
Michael Gaunt
Production & Stage Manager
Tour Manager
Guitar Technician
Drum Technician
Drum Technician
Merchandise
FILM PRODUCTION
Gavin Taylor
Bryan Kolupski
Gareth Darlington
Damian Darlington
Chas Cole
NEP Cymru
Ed Everest
Dave Pollock
Vince Strawson
Ronan Macosar
Peter Johnson
Barrie Dodd
Director
Assistant Director & Editor
Audio Mixer
Producer
Executive Producer
Outside Broadcast Facilities
OB Unit Manager
Sound Engineer
Vision Engineer
VT Engineer
Camera Supervisor
Camera Operator
Richard Shaylor
Dave Roberts
Phil Pierce
John Archer
Alwyn Davies
Chris Hatcher
Iwan Thomas
Camera Operator
Camera Operator
Camera Operator
Camera Operator
Jib Operator
Jib Operator
Rigging Supervisor
DVD PRODUCTION
Damian Darlington
Bryan Kolupski
Gareth Darlington
Editing Supervisor
Menu & Title Design
Sound Design
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TRANSPORT
Nick Watson at Fluid Mastering
A Special Thanks to
Venue
Many Thanks to
Audio Mastering
Larry Hartke
Roe St Runners
Echo Arena, Liverpool
Bob Prattey
Tim Banfield
Ian Congdon
Darren Booth
Emma McHarrie
Linda Turner
Tracey Wooler
Michelle Barrett
Robbie Owen
Eric Taylor
Sean Knight
Graham Campbell
Buses provided by
CMP & Y-Not
Many Thanks to
Tony Moule
Brian Ireland
Chris Overton
Trucking by
Fly By Nite
Many Thanks to
David Coumbe
CATERING
Heidi Valser
Henny Collins
PHOTOGRAPHY
Many Thanks to
David Munn
Sakura
Sandra Jackson
Paul Tsanos
Nick Cassidy
Bryan Kolupski
Steve Trager
Robin Stockdale
Yolanda Lopez
Saucery
Many Thanks to
Alison Taylor
Rachel Rogers
CHOIRS
Choirs by
Greenbank Primary School, Liverpool
& St Mary’s RC Primary School, London
SPECIAL THANKS
TOUR ADMINISTRATION
Chas Cole
Rob Stringer
Jan Owen
Susan Barnes
Louise McKenna
Jenni Lyon
Amy McMullin
David Munn
Randy Salcedo/CAA
Megan Ubovich/CAA
Chris Dalston/CAA
Emma Banks/CAA
David Nichols/Mazars
Martin Dacre/Edge
Martin Goebbels/Apex
Nick Cassidy
Music By Appointment
Many Thanks to
Tour Catering by
Producer
Promoter
Merchandise & Administration
Accounts Manager
Box Office Manager
Marketing & Tour Administration
Tour Administration
Design & Website
Booking Agent
Booking Agent Assistant
Booking Agent
Booking Agent
Accountant
Legal
Insurance
Website Management
Travel Agent
Jo Baker, Trish Ward
& Caroline McCann
Ben Scott
SFL
Michelle Kelly & Sean Fergusson
Branded Media
Neil Murray
Synergy 4 Print
Bruce Fisher & Simon Collett
Tour Design
Faye Robertson & Adrian Francis
Sold Out
Lauren White
Firebrand
James Cole
Racestar
VERY SPECIAL THANKS
David Gilmour, Roger Waters, Rick Wright, Nick Mason, Syd Barrett
and their respective management.
© CMP Entertainment 2011
Whilst every effort has been made to ensure that all information is correct at time of going to print,
the editors or CMP cannot take responsibility for errors or omissions in the programme.
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Rick Benbow Gloucester 1959. I started piano at the age of 4
and never stopped lessons until I left college. I bought my first
electronic organ at age 14 and built my first synthesiser at age
15. After my baptism into the church of rock hearing Moving
Waves by Focus, I did the usual apprenticeship playing village
halls trying to recreate something close to Topographic
Ocean. I was in a few bands in Cambridge as New Wave
broke, then toured for a short while with a folk rock group. I
signed a record deal to Rough Trade with Simon Warner and
made one album which had 100% rave reviews. This led to a
lot of work with other artists - Jewel, Sneaker Pimps, The
Mighty Wah!, Ishtar, Francis Maggiulli, Save Ferris, Emmer
Swimming, Scarlet, Default, Bender. Since 1998 I have toured
live with Think Floyd, The Spirit of Pink Floyd and most recently
The Australian Pink Floyd as well as other tribute shows
dedicated to Beatles and Prog Rock. Anyone who stretches the
boundaries is good with me: The Cardiacs, King Crimson,Yes,
Early Genesis, Focus, Gentle Giant, Gong, Supergrass, Pink
Floyd, Mars Volta, Frank Zappa, Mike Oldfield, ELP, Van der
Graaf Generator, Webern, Messiaen ... I take a controller
keyboard and plug it into my laptop with Mainstage installed
which provides all the Hammonds, Leslie Cabinets, Wurlitzers,
Mellotrons, Rhodes, Mini-Moogs, Pro-soloists, Polysynths and
string machines I could ever want.
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Carl Brunsdon Cambridge UK, 1973. I started playing sax
age 11 and bass at 23. I've recently been playing sax,
bass, percussion, guitar and keyboards with The
Australian Pink Floyd Show. I dig everything that is funky
and run a number of my own funk/groove bands via my
website: www.regroovemusic.co.uk. I'm passionate about
music education and am regularly employed as an
associate lecturer for the PGCE Secondary Music Course
at Manchester Metropolitan University. I am also currently
employed by Roland to write online teaching support
materials. Influences are too many to mention but there's a
fairly hefty chunk of Maceo Parker with some smatterings
of Kenny Garrett. It's all finished off with a light dusting of
New Orleans Second Line. Bass: Bootsy! Spirit Of Eden by
Talk Talk. For me, the album is timeless and it's intensity is
compelling. The sounds used are incredible - they all
work together expressively to create an amazing
soundscape. There is also an enchanting edginess
throughout that is particularly highlighted in the key
tracks: I Believe in You and Desire. I am completely and
unashamedly addicted to Adidas Gazelles.
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Ola Bienkowska I was born in Warsaw, Poland. I started
taking piano lessons at six, but always preferred to sing.
After high school I trained at the Frederic Chopin Music
School in Warsaw. Afterwards I’ve studied at the Liverpool
Institute for Performing Arts. My latest solo credits include
two large scale orchestral projects - “Listy z Placu Zgody”
(Letters From Concord Square) and “Oratorium
Kalwaryjskie” (Kalwaria Oratorio), which were performed
and recorded live before an audience of nearly 50
thousand. This year I’ve also provided lead and backing
vocals for Oscar nominated animator Tomasz Bagiński’s
“An Animated History Of Poland”. I’m also looking
forward to Polish crooner Wojciech Gassowski’s big band
album release in November, as our duet – a rendition of
“Dream A Little Dream Of Me” – will be the first single of
the album. When not on tour with Brit Floyd, I do a lot of
dubbing and voice-overs, record TV adverts and jingles
for radio stations. I will also be in the studio to finally
record my own music in early 2011. I love Joni Mitchell –
Both Sides Now, Billy Holliday – Lady in Satin, John Mayer –
Continuum and Dvořák’s Symphony No. 9 in E Minor
"From the New World"
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Jacquie Williams Wolverhampton sometime in the 60's.
Hush hush! I started singing professionally at the age of
14. I have performed Backing Vocal's for Musicians such
as Michael Buble, Martin Fry, Jason Donovan, Thelma
Houston, Richard Derbyshire (Living in a box), Tony
Christie, Blue, Kim Sledge (Sister Sledge), Ultravox, Edwin
Starr, and many others. In addition I have Solo releases
with EMI/Sony/Logic, and Dance hits with
"Deconstruction", "Release", "Lies" and "Feel the Love". I
also wrote a song that reached the UK chart position no. 6
in 2005 for US Diva Kathy Brown with a song called
"Stronger on my Own", oh the list goes on... If I had to pick
a favourite song, it would be "Waiting in Vain" by Bob
Marley, because it marks a part of my life that conjures up
happy times and memories...innocence. Three interesting
facts about myself! I sang the theme tune for the game
show "The Gladiators" in 90's. My family won on Family
Fortunes and Les Dennis asked me to sing live. Also I was
a live model for a Christian Dior range of tights and
leggings.
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Emily Jollands Lower Hutt, near Wellington, New Zealand,
in June 1981. I started off playing the piano, when I was
four. I was surrounded by music from a very young age.
Aside from playing Cinderella at age 12, running a girls'
Gospel Choir and performing in musical theatre
productions whilst at school, my professional singing life
didn't really begin until I left university in 2003, and got a
one-off gig with a certain Australian tribute band who
played Pink Floyd. After that first show in Liverpool, the
rest, as they say, is history... I have, let's say, a very wide
taste in music; I love Led Zeppelin, 'Nick Drake, and Derek
and the Dominos to name just a few. Apart from the fact I
was born in New Zealand, which is always a good
ice-breaker, I can do a pretty convincing Scouse accent. I
have this on good authority. Also, whilst working as a
waitress at a family friend's party, aged about fifteen, I
managed to sing impromptu backing vocals for Steve
Winwood. Four years passed before somebody told me
who he was!
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Amy Smith I was born in the 80’s and we’ll leave it at that.
I grew up in Liverpool. I was very little when I started
playing piano and was always singing as a child. I come
from a musical household. I started performing in public
at about 11 years old. I graduated from LIPA in 2003. I
started working with Damian and Chas and The Australian
Pink Floyd Show in autumn 2003 and worked with them on
various tours until 2009. In between that I had a record and
publishing deal and toured with my own band playing
support slots for artists such as KD Lang, Ray Lamontagne,
Jamie Cullum and Simply Red. As a little girl I loved
Dionne Warwick, Peggy Lee and Karen Carpenter. Later
on in college I spent time listening to Aretha Franklin, Ella
Fitzgerald and Sandy Denny. I also love ‘Coles Corner’ by
Richard Hawley. It’s just a beautifully written, produced
and performed album that reminds me of a very special
person, place and time in my life.
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Gareth Darlington Crewe, Cheshire, England. 1977.
I'm the youngest of 3 brother's and 2 sisters, 5 of us being
musicians. When I was about 4, my mother caught me
banging out the theme tune from 'The Wombles' on my
brothers keyboard and said something along the lines of
"Oh s**t! Not another one..." And so I started my inevitable
journey into the euphonious and strangely compelling
world of music. I trained as a classical pianist at the age of
10, then picked up the guitar, and finally ended up
learning the Violin. I always had a keen interest in
computers as well as music, and ended up combining the
two and learned how to work with DAW's (Cubase/logic
etc.). I started performing in bands and mixing in my late
teens. Then finally I got into live sound professionally, and
found it to be a natural progression from the studio.In 1998
I began working with Damian, mu brother, and the “The
Australian Pink Floyd” doing various audio
programming/sequencing and sound production jobs,
FOH mixing and keyboard tech'ing. The rest is history. I’m
really excited about the new Brit Floyd project and
working with the guys at ESS. They helped us out big time
on the recent Classic Rock Show tour.
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Bryan Kolupski Rochester, New York, 1976. At a very early age
I began by decorating my Mother’s expensive collection of
Encyclopaedia Britannica’s with red crayon. After which I
received a proper slapping and decided I should probably
expand my horizons and develop my skills in other forms of
artistic expression. All kidding aside, in regard to the current
work I provide for these concert shows - it all comes down to
the experience I had when my Father first took me along to see
Pink Floyd's Pulse tour in 1994. Needless to say, it blew me
away on such an immense level, musically and visually. To now
be in a place where we can expand on the framework the
original Pink Floyd shows had laid down before us, gives us so
many fantastic ideas to indulge in for the future.
In addition to the video animations I have worked on a great
number of projects. including Video and Film Production,
Interactive Media Development, Graphic Design and
Photography. I also like to doodle, as I am a cartoonist at heart.
I have so many influences. There is the obvious; Storm
Thorgerson and Gerald Scarfe, however I’m also a huge
Salvador Dali fan (needless trivia fact - we actually share the
same birthday). I need to mention cartoonists Chuck Jones and
Matt Groening, 3D artist & animator Tomasz Bagiński (Fallen
Art), stop-motion artists such as Adam Jones and film directors
Jean-Pierre Jeunet and Michel Gondry are also quite inspiring.
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