fine and antique jewelry auction

Transcription

RAGO
FINE AND ANTIQUE JEWELRY AUCTION
S U N D AY , D E C E M B E R 6 , 2 0 1 5
GREAT ESTATES
Saturday December 5, 2015 at 10am
COINS & CURRENCY
Saturday December 5, 2015 at 5:30pm
FINE AND ANTIQUE JEWELRY
Featuring the Collection of Dora Jane Janson
Sunday December 6, 2015 at 11am
FINE FURS – ONLINE ONLY AT BIDSQUARE.COM
Register online or at the auction house
Sunday December 6, 2015 at 6pm
PREVIEWS:
November 28 – December 3, 12 noon–5:00 pm • December 4, 12 noon–7:00 pm • By appointment
Doors open December 5/6 at 9:00 am • Preview online at www.ragoarts.com
“The Triumph of Design: Modernism & Elitism in France, 1914–1939”
Derek Ostergard, renowned expert in the history of European decorative arts and design
Wednesday, December 2 at 6 pm
The auction house opens on December 2 at noon. A reception begins at 5 pm.
RSVP to 609.397.9374 ext. 119 or raac@ragoarts.com. If you unable to rsvp in advance, please join us if you can. All are welcome.
IMPORTANT NOTICE TO ALL BUYERS:
The buyer’s premium for each lot purchased is 25% on the first $200,000 of the hammer price, 20% on the value between $200,000 and
$3 million.
For purchases made in the room or by phone or by absentee bid and paid for by Visa, MasterCard, Discover or PayPal: A 2% surcharge will be
added to the total invoice (hammer price, buyer’s premium as above, any applicable taxes).
For purchases made through any online bidding platform, regardless of means of payment: A buyer’s premium will be applied to the hammer
price of each lot equal to 28% on the first $200,000; 23% between $200,000 and $3 million.
AUCTIONEER’S NOTES:
If you have questions on the condition of a work, we would be glad to provide our opinion, but all works are sold according to our Terms of
Sale. Please call the Auction House for complete condition reports if you cannot view in person.
IMPORTANT INFORMATION FOR PHONE BIDDERS:
Rago guarantees you a line and a phone agent for bidding until 4 PM on the day prior to an auction. After that time, we will gladly accept
your absentee bids, even during the auction (up to 30 minutes before a lot goes on the block). Changes to bid lists left with us prior to the
deadline will always be accommodated as best we can, as will follow-up phone bids for those who attend/must leave the auction and other
exceptional cases.
O N L I N E B I D D I N G A V A I L A B L E A T B I D S Q U A R E . C O M and other aggregators
CONDITION REPORTS ARE NOT LISTED IN THE CATALOGUE:
Up-to-date condition reports can be accessed by:
• Going online to www.ragoarts.com – all available condition reports will be posted along with the lot descriptions.
• Calling us at 609.397.9374
• Faxing us at 609.397.9377
• E-mailing us at info@ragoarts.com
• Speaking directly with us on the phone or in person, at the auction house from November 28.
C O V E R I L L U S T R A T I O N S : lot 1012 (front), lot 1381 (back)
CONTENTS:
Fine and Antique Jewelry, lots 1000–1520, page 1
Shipping Information, page 193
Fine Furs (online – bidsquare.com), lots 2000-2038, p. 184
Condition Report Form, page 195
Terms of Sale, page 188
Absentee Bid Form, page 196
Auction Staff, page 192
INQUIRIES/INFORMATION:
Specialist in Charge:
Payments / Shipping:
Sarah Churgin
609.397.9374, ext. 162 or sarah@ragoarts.com
Karen Davies
609.397.9374, ext. 145
Specialist:
Catalogue Subscriptions and Single Orders:
Katherine Van Dell
609.397.9374, ext. 149 or katherinev@ragoarts.com
1.866.724.6278
ragoarts.com
Partner in Charge:
Auction and Exhibition Information:
Miriam Tucker
609.566.7224
1.866.724.6278
ragoarts.com
Absentee Bids:
Up to the Minute Information:
Eliane Talec
609.566.7225 or bids@ragoarts.com
1.866.724.6278
ragoarts.com
Telephone Bids:
Fax Line for Bids/Condition Reports:
Guy Benthin
609.397.9374, ext. 124 or bids@ragoarts.com
609.397.9377
E-mail for Bid Forms:
Condition Reports:
Robin Harris
609.397.9374, ext. 119 or robin@ragoarts.com
New Bidder Registration:
Eliane Talec
609.566.7225 or eliane@ragoarts.com
bids@ragoarts.com
1003
1010
1013
1025
1090
1107
1134
1140
1151
1160
1167
1185
1205
1229
1235
1280
1369
1380
1389
1392
1412
1426
1427
1499
COMMON ABBREVIATIONS:
Carat(s): ct(s).
European-cut: OEC
Gold-filled: GF
Grams: gs.
Gross weight: GW
Karat gold: k
Millimeters: mm.
Old mine-cut: OMC
Ounce(s) troy: OT
Pennyweights: dwt.
Platinum: pt.
Round Brilliant Cut Diamond: RBC
Rose gold: rg.
Sterling: sterl.
Total Weight: TW, listed in carats (cts.)
White gold: wg.
Yellow gold: yg.
CONVERSIONS:
1 carat = .20 grams = ct.
1 ounce troy = 31.1 grams = 20 DWT
GLOSSARY OF PERIODS:
Georgian: (1714–1830)
Victorian: (1837–1901)
Art Nouveau: (1890–1905)
Belle Epoque / Edwardian: (1901–1914)
Art Déco: (1918–1939)
Retro: (1935–1945)
Antique: (more than 100 years old)
TABLE OF CONTENTS
Buccellati: 1279, 1280, 1282, 1289, 1290, 1292, 1293, 1296, 1297,
1298
Tiffany, Louis Comfort: 1023, 1024, 1025
Cartier: 1071, 1078, 1205, 1347, 1356, 1363, 1376, 11427, 1429,
1430, 1431
Webb, David: 1186, 1188, 1191, 1195, 1197, 1202, 1203, 1224,
1227, 1369, 1370
Chanel, Coco: 1287
Wiese, Jules & Froment, Meurice: 1132, 1150, 1152
Colonna, Edward : 1014
Significant Jade and Coral: 1050, 1123, 1146, 1218, 1222, 1229,
1233, 1243, 1338, 1340, 1341, 1342
Dunay, Henry: 1249
Giuliano, Carlo: 1004, 1005, 1148
Hermès: 1481
Jensen, Georg: 1042, 1047
Lalique, Réne: 1003, 1008 (attr.), 1013, 1049
Leiber, Judith: 1512, 1513, 1514, 1515, 1516, 1517, 1518
Loloma, Charles: 1231, 1232, 1234, 1235
Marcus & Co.: 1010 (attr.), 1016, 1017, 1018, 1257A
Schlumberger, Jean: 1201 (attr.)
Tiffany & Co.: 1027, 1062, 1110, 1158, 1160, 1201, 1206, 1265,
1281, 1300, 1336, 1355, 1359, 1390, 1394, 1396, 1399, 1454,
1456, 1457, 1468, 1475, 1487
Van Cleef & Arpels: 1276, 1283, 1284, 1476
Timepieces: 1016, 1067, 1074, 1080, 1113, 1154, 1165, 1343,
1354, 1357, 1359, 1366, 1368, 1430, 1462, 1463, 1466, 14831505
Certified Diamonds: 1268, 1353, 1380, 1439, 1440, 1441, 1443,
1445, 1448, 1449, 1450, 1451, 1460
Significant Gemstones and Natural Pearls: 1314, 1315, 1329,
1330, 1401, 1402, 1405, 1410, 1412, 1414, 1415, 1421, 1422, 1423,
1426, 1433, 1437, 1439, 1453
Vertu: 1049, 1050, 1051, 1052, 1054, 1071, 1073, 1297, 1299,
1301, 1302, 1304, 1367, 1387, 1388
1000: ANDRE KAUFFER DIAMOND THISTLE
CORSAGE ORNAMENT
A large Lorraine thistle jewel rendered in silver-topped gold, frosted
with rose cut diamonds in original case. Marked Andre Kauffer. Ft
(farbricane) Joaillier-Orfevre, Nancy. French marks for 18k and silver.
Maker marks of Francois Fleuret and A. Kauffer, Nancy, ca. 1890.
8”, transforms to 6” by removing longest drop. 63.7 dwt. Note: The
Lorraine Thistle, a favorite of Andre Kauffer, adorns his letter paper
and repeats in the silver punch bowls he designed for presentation
to the Russian Squadron in 1893. His work appears in the collection
of Museum of Decorative Arts, Paris, Ecole de Nancy.” Provenance:
Collection of Dora Jane Janson.
$9,000–12,000
RAGO ARTS AND AUCTION CENTER >
1
1001
1001: FRENCH ART NOUVEAU CARVED HORN JEWELRY
1002
Two pieces: Carved and tinted horn ornamental hair comb in the form of
wild roses, one blossom centers a blue sapphire in yellow gold, scratch
maker mark ENK, 5 1/4”, in original case “Hosaka, Paris”; Georges Pierre
carved and tinted Cicadid necklace with art glass pendant, on original
cord with amber beads, 4 1/4” ornament. Provenance: Collection of Dora
Jane Janson. Literature: Dora Jane Janson. From Slave to Siren. The Duke
University Museum of Art. 1971. Cat. #101, 102.
$2,000–3,000
1002: FRENCH JAPANESQUE GOLD CICADA BROOCH
1002 detail
Highly realistic 18k gold insect with ruby eyes, ca. 1890. Eagle mark
for 18k, half struck and indistinct maker mark. 2”. 6.8 dwt. Note: The
cicada represents music and the sun and is a symbol of Provence, France.
Provenance: Collection of Dora Jane Janson. Literature: Janson, Dora Jane.
From Slave to Siren. The Duke University Museum of Art. 1971. Cat. #111.
$1,200–1,800
2
updated catalogue and condition information on ragoarts.com
Author and scholar Dora Jane Janson was a woman who knew and loved jewelry. Born Dora Jane Heineberg in Philadelphia
in 1902, she met her future husband, Horst W. Janson, while an undergraduate at Radcliffe College in Cambridge, MA. They
married after his Ph.D. was completed at Harvard in 1941. She helped shape, and is credited as co-author, on a number of
his books, notably The Story of Painting for Young People (1954) and the seminal History of Art (1962). In 1971 she curated
an innovative exhibition of jewelry at Duke University’s Nasher Museum of Art entitled From Slave to Siren: The Victorian
Woman and Her Jewelry from Neoclassic to Art Nouveau. The catalog of the same name, which she wrote to accompany the
exhibition, was one of the first books on the subject of antique jewelry for the lay reader, upholding the Janson tradition of
writing prose both lucid and learned.
1003: RENE LALIQUE “OMBELLES” HORN AND DIAMOND HAIR COMB
White horn carved as umbel blossoms with rose cut diamond dew drops, ca. 1900.
Incused mark Lalique. 3 3/8” x 4 3/4”. 31.4 gs. Note: Pencil sketch with color
described as “design drawing without deviation”: Barton, Sigrid. Rene Lalique
Schmuck und Objets d’Art . Cat.# 103A, pg. 104. Provenance: Collection of Dora Jane
Janson.
$7,000–9,000
3
1004
1005
1004: GIULIANO ENAMELED 18K GOLD IVY VINE TIARA
Nine naturalistic variegated ivy leaves of shaded translucent enameled
gold supported by gold stems and vine, 1895-1915. Marks for Carlo and
Arthur Giulliano. 2 1/2” x 4 1/4” x 4 1/2”. 34.8 dwt. GW
$1,000–1,000
1005: GIULIANO JAPANESQUE WATERFOWL BROOCH
Painted enamel marshland with herons, 18k gold frame with rows of enamel
shot, granulation and wirework, ca. 1880 (as found). Retailed by S.J.
Phillips LTD, with box. Marked tag CG, Carlo Giuliano, below hinge. 1 1/2”.
8.8 dwt.
$2,500–3,000
4
1006: THREE FRENCH ART NOUVEAU COMBS: VEVER, GAILLARD, ETC.
Blonde horn carved as stylized twin peacock feathers with enameled gold eyes,
marked L. Gaillard (cat. #109); Carved wood as a cluster of violets set with
a pearl “dew drop”, marked VEVER (cat. #101); Carved horn with silver fascia
depicting flowing haired woman and flowers, French mark for silver, indistinct
maker mark (poss. Albert Marionnet). Longest 5 1/2”. Provenance: Collection of
Dora Jane Janson. Literature: Janson, Dora Jane. From Slave to Siren. The Duke
University Museum of Art. 1971.
$2,000–3,000
5
1007
1008
1009
1007: ART NOUVEAU ENAMEL, GOLD AND DIAMOND BROOCH AFTER MUCHA
Enameled gold maple leaves and seed pods with rose cut diamond platinum spines eclipses a diamond crescent
moon, two OEC diamonds accents, approx. .75 ct. and .33 ct., diamonds approx. 1.75 cts. TW throughout. Probably
Australian, ca. 1905. Czech import mark, 14k. 1 1/2” x 1 5/8”. 8.4 dwt. Provenance: Collection of Dora Jane Janson.
Literature: Janson, Dora Jane. From Slave to Siren. The Duke University Museum of Art. 1971.
$3,500–4,500
1008: ART NOUVEAU “WISTERIA” OPAL AND DIAMOND PANEL BROOCH
Carved opal wisteria frutescens on gold branches with draping OMC diamond foliage, within a rectangular,
curved frame. Unmarked 18k yg. with early locking clasp and flange pin. ca. 1900, attributed to René Lalique. 2”
x 1”. 10.6 dwt. Provenance: Collection of Dora Jane Janson. Reference: Zorn Karlin, Elyse. Maker & Muse: Women
and Early Twentieth Century Art Jewelry. Collection of Richard H. Driehaus, pg. 111. (exhibition publications).
Provenance: Collection of Dora Jane Janson.
$8,000–12,000
1009: ART NOUVEAU PLIQUE-A-JOUR PRESSED GLASS GOLD JEWEL
In the form of stylized wheat ears and ribbons, translucent pâte de verre seeds over shaded enamel, opalescent
plique-à-jour beards, translucent copper-tone enamel ribbon spirals, ca. 1903-1905. Possibly by René Lalique.
Unmarked 18k gold corsage ornament fragment remade as a brooch, tubular hinge ground down, replaced
pin stem. 2 1/2” x 3”. 30.5 dwt. Note: Wheat Stalks Bracelet, Museum of Arts and Design, Paris. Cat. #57, pg.
201, “René Lalique” Musée des Arts Décoratifs. Lalique Necklace, “Epis De Ble Et Volutes”. Lot 148, Artcurial,
7/26/2011.
$3,000–5,000
6
1010
1010: ART NOUVEAU PLIQUE-A-JOUR MORNING
GLORY NECKLACE
Naturalistic morning glory cluster rendered in the feminine
form, shaded pink/yellow buds open to diamond centered
blossoms, plique-à-jour leaves. Detachable chain composed
of shaded pink tubular links and green plique-à-jour leafform links. Cased by Shaw & Brown Co., Washington, DC,
ca. 1900. Unmarked. Attributed to Marcus & Co., New York.
Evidence of an original brooch fitting, now lost.
2 1/2” x 2 1/2”, 17” chain. 19.9 dwt.
$15,000–20,000
1011:
ART NOUVEAU PLIQUE-A-JOUR JEWELED GOLD
DRAGONFLY
Gossamer light, green enameled wings with rose cut
diamond edges en tremblant, ruby cabochon thorax,
OMC diamond abdominal segments, chalcedony face,
enameled eyes. 14k-15k. Flange Unmarked. 2” x 3 1/2”. 10
dwt. Reference: Similar example: Sataloff, Dr. Joseph. Art
Nouveau Jewelry. Dorrance. 1984. Child & Child, pg. 60.
1011
$2,000–3,000
7
1012:
PLIQUE-A-JOUR WISTERIA BROOCH, ATTR. VEVER
18k yg. articulated brooch with plique-à-jour enamel foliage and dogtooth pearl
wisteria blossoms, ca. 1900. Attr. to Vever, possibly after a design by René Lalique.
French eagle mark for 18k, no maker mark evident. 5 1/4” x 3”. 24 dwt. Provenance:
Collection of Dora Jane Janson. Reference: Comb and brooch by Rene Lalique.
Bartan, Sigrid. Rene Lalique. Collection of Museum of Applied Art, Vienna, cat. #68A.
Provenance: From the Collection of Dora Jane Janson. Literature: Janson, Dora Jane.
From Slave to Siren. The Duke University Museum of Art. 1971. Cat. #134.
$10,000–20,000
8
1013: RENE LALIQUE PINNED DRAGONFLY WOMAN GOLD CANE HANDLE
Modeled as nude nymph tacked through torso and one draped wing, the other wing
folded beneath her body, her countenance expressing ecstatic agony, ca. 1900.
Maker mark of René Lalique, French eagle mark for 18k, incused Lalique.
4 1/2” x 4 5/8”. 116.5 dwt. Provenance: Collection of Dora Jane Janson.
$50,000–75,000
9
1014
1015
1016
1014: EDWARD COLONNA ENAMELED GOLD ART NOUVEAU PENDANT
18k gold with green enamel, sinuous leafy tendrils and an abalone blister pearl blossom.
Possibly retailed by S. Bing’s “Maison de l’Art Nouveau”, ca. 1897. French marks for gold and
maker mark. 1 7/8” x 1 5/8”. 12.7 dwt. Provenance: Collection of Dora Jane Janson. Literature:
Janson, Dora Jane. From Slave to Siren. The Duke University Museum of Art. 1971. Cat. #122.
$3,000–4,000
1015:
ART NOUVEAU OPAL AND DIAMOND GOLD INDEX FINGER RING
14k, American ca. 1905. Probably from a design by E. Colona. Size 6 1/2. 2 1/8” x 7/8”. 6.2 dwt.
Provenance: Collection of Dora Jane Janson. Literature: Janson, Dora Jane. From Slave to
Siren. The Duke University Museum of Art. 1971. Cat. #139.
$3,000–4,000
1016: MARCUS & CO. ART NOUVEAU ENAMELED GOLD LAPEL WATCH
18k, embossed case back with pierced foliate design set with diamonds and emeralds, reveals
green guilloche cuvette, emerald set bezel, white dial with gold Arabic hours and hands, sub
seconds, unsigned Swiss jeweled movement #1148, 28 mm., companion lapel brooch with cast
and chased violets and foliage over guilloche enamel ground, scroll border laps over edge.
Back cover with Marcus cypher and 18k. 2 7/16”. 20.7 dwt. GW
$4,000–6,000
10
1017
1018
1017:
MARCUS & CO. ART NOUVEAU JEWELED
ENAMELED GOLD BROOCH
1018:
MARCUS & CO. PLIQUE-A-JOUR AND JEWELED
GOLD PENDANT/BROOCH
Sarpech form set with ten semispherical pearls and
diamonds among tendrils on leaf green enameled ground,
diamond capped emerald drop, 15.93 x 14 x 7.9 mm.,
15 diamonds approx. 1.26 cts. TW. Incused mark M+Co.
Retailed by Frank Pollak & Sons, New York, May 18th 1968.
3” x 1 5/8”. 22.8 dwt.
In the Persian style, 18k gold arabesque and drop set with
opal and chrysoprase floriforms on green translucent
enamel ground, detachable brooch findings and hinged bail
for pendant wear, ca. 1910. Arched label marked Marcus &
Co. Retailed by Frank Pollak & Sons, New York, November
9th, 1967. 3 1/2” x 2”. 20 dwt.
$5,000–7,000
$5,000–7,000
11
1019
1020
1019: ARTS & CRAFTS TOURMALINE AND PEARL 18K
GOLD NECKLACE
Octagonal mixed cut green tourmaline, 19.9 x 9.8 x 8.24
mm., 6.0 cts. by formula, and three blister pearls, 6.6 mm.,
in notched bezels among leaves and tendrils on fetter link
chain, later 14k spring clasp. 1920-1930. Unmarked. Attr. to
Edward Oakes. 17”. 8.9 dwt.
$1,500–2,500
1020: ART NOUVEAU 18K GOLD PEARL MISTLETOE
NECKLACE
18k gold and river pearls, ca. 1901. Possibly the work of
Leopold Van Strydonck, Belgian Court Jeweler. Unsigned.
Inscribed and dated on reverse. 17 3/4” x 1 1/2”. 22.8 dwt.
Provenance: Collection of Dora Jane Janson. Literature:
Janson, Dora Jane. From Slave to Siren. The Duke University
Museum of Art. 1971. Cat. #195.
$3,500–5,500
1021:
EARLY 20TH C. GEM-SET OR ENAMELED GOLD
JEWELRY
Three pieces: B.M. Shanley, Jr. Company 14k yellow gold
Art Nouveau belt buckle with bezel set amethyst accents;
Blue and white enameled 14k yg. forget-me-not flower motif
watch fob; Silver topped gold circlet brooch with rose cut
diamond foliage, central pearl trefoil. 1900-1915. Circlet
brooch unmarked, buckle with B.M. Shanley Jr. Company
cypher. 27.9 dwt. Brooch in London and Ryder Goldsmiths
Antique box. Provenance: Collection of Dora Jane Janson.
$1,200–1,800
1021
12
1023
1022
1024
1025
1022: LOUIS COMFORT TIFFANY GEM-SET ENAMELED GOLD BROOCH/PENDANT
Circular, in the Persian style, central faceted peridot and four moonstone double cabochons, caged by gold scroll
with green plique-à-jour accents, hinged bail, ca. 1910. Incused Tiffany & Co. 1 1/16”. 6.1 dwt.
$5,000–7,000
1023: LOUIS COMFORT TIFFANY AQUAMARINE AND PEARL PLATINUM PENDANT NECKLACE
Double chain of small filigree links join a scrolling filigree ornament centrally set with an oval aquamarine,
suspending a similar oval aquamarine drop, six pastel colored seed pearl accents, oval filigree and mauve pearl
clasp, ca. 1920. Applied tag marked Tiffany & Co. 15”, drops 2 3/4”. 9.5 dwt. In period box. Reference: Phillips,
Claire, Bejewelled by Tiffany, 1837-1987, pg. 247; Loring, John. “Tiffany Jewels,” pg. 179.
$16,000–22,000
1024: LOUIS COMFORT TIFFANY MOONSTONE SAPPHIRE BROOCH
Oval cabochon cut moonstone, 13.7 x 9.64 x 3.91 mm., flanked by three-stone sapphire rows in platinum
openwork, bordered by platinum 18k and rosettes, 1910-1914. Signed Tiffany & Co. 1 1/8” x 15/16”. 4.7 dwt.
$3,500–5,500
1025: LOUIS COMFORT TIFFANY ENAMELED GOLD PENDANT BROOCH
Convex disk chased with confronted scrolls and geometric motifs enameled in shades of green with blue accents,
centrally set with a circular faceted peridot, approx. 9.2 mm. 18k. ca. 1910. 1 1/16”. Signed Tiffany & Co., scratch
mark L.8H130. 6.4 dwt
$6,000–8,000
13
1026
1027
1028
1029
1026: TWO YELLOW GOLD JAPANESQUE BRACELETS
Hinged cuff bracelet with applied tricolor gold figural water birds and bamboo, ornamental flanged edges; Hinged bypass bangle
with applied tricolor bird and butterfly motif fan form, suspending horseshoe and engraved monogram charms. Late 19th c. Charm
engraved 1881; Bangle cuff stamped Pat. Oct. 14 1879. 24.3 dwt. Provenance: Collection of Dora Jane Janson.
$1,200–1,800
1027: TIFFANY & CO. GOLD, PLATINUM JAPANESQUE CHATELAINE
Tricolor 18k gold and platinum mixed metal segmented clip depicts songbird on flowering branch above basket weave textured
ground, ca. 1880, 4”. 19.4 dwt.
$1,000–1,200
1028: PIEL FRERE ENAMELED PEACOCK FEATHER BELT BUCKLE
Shaded opaque and translucent cloisonné enamel with shaped cobalt glass “eye” on gilt bronze, ca. 1890. Marked. 4 1/4”. Note:
Design attrib. to Gabriel Stalin, first exhibited at the Paris International Exhibition, 1900. Provenance: Collection of Dora Jane
Janson. Literature: Janson, Dora Jane. From Slave to Siren. The Duke University Museum of Art. 1971. Cat. #119; Koch, Michael. The
Belle Epoque of French Jewelry 1850-1910. T. Heneage & Co. Ltd. Pg. 275.
$400–600
1029: A.J. HEDGES MIXED METAL JAPANESQUE GOLD BRACELET
Flexible links in the form of pinned fabric swatches, tricolor 14k gold and platinum patterning, central panels set with a ruby,
a diamond, and a sapphire, 1879-1890. Pat. Nov. 4, 1879. Unsigned. 7”. 13.4 dwt. Provenance: Collection of Dora Jane Janson.
Literature: Dietz, Joselet, Smead, Zapata. The Glitter and the Gold. Newark Museum. 2006. Illustration #106.
$1,800–2,400
14
1030
1031
1032
1033
1030: WALTON & CO BLACK OPAL, DEMANTOID AND GOLD PEACOCK RING
Art Nouveau peacock with black opal body, demantoid garnet feathers, ca. 1910. Partial marks (due to sizing) 14k and Walton. Size
7. 5.2 dwt. Note: A companion necklace by Walton & Co. sold, 4/20/2010, lot 67, Sotheby’s, NY, “150 Years of Artistic Jewels.”
$1,000–1,500
1031: MEIJI PEACOCK FEATHER CLOISONNE BOX, K. SHIBATARO (ATTR.)
Cushion shaped box and cover, decorated with peacock feathers of tapered wires and foiled eyes, on celadon ground. Four pillar
shaped legs with daisy and dotted brown decorations, ca. 1900. Unsigned, attributed to Kawade Shibataro. 6 3/4” x 4 7/8” x 3 7/8”.
Note: This box speaks to the relationship between Meiji decorative arts and French Art Nouveau. Provenance: Collection of Dora
Jane Janson.
$2,000–4,000
1032: FRENCH ART NOUVEAU 18K PLIQUE-A-JOUR BIRD BROOCH
Sculptural bird of paradise with polychrome plique-à-jour tail, diamond accents on crest and branch. French marks for 18k, incised
signature possibly Alphonse Auger. 4”. 6.6 dwt.
$1,200–1,500
1033: TWO ENAMELED GOLD PENDANTS, ALEXIS FALIZE
Circular disk with beaded edge, cloisonné decorated in the Japanesque style, one face a heron on russet ground with marsh grass,
obverse with songbirds on turquoise ground, marks of Falize and French control marks; Oval locket cloisonné decorated in the
Persian style, unmarked. Ca. 1867. Disk 1 1/4”, locket 2” beyond bail. 14.5 dwt. GW. Provenance: Collection of Dora Jane Janson.
$1,500–2,000
15
1035
1034
1036
1034: JAPANESQUE MIXED METAL JEWELRY AND ACCESSORIES
Nine pieces: Pair of 18k gold hairpins, engraved on each trifid, top inset with rose cut
diamonds, ruby, sapphire, unmarked; Bicolor 14k gold and platinum chatelaine clip in
three hammered sections depicts birds and marshland, unmarked; Patinated silver
necklace and earrings depict single fruit wisteria pods and insects; Shiebler crescent
moon brooch #401 with applied bat; Shiebler crescent cufflinks with applied gold insect
of fish and pine bough. Ca. 1900. Pair of hairpins 4 3/4”, chatelaine 2 3/4”. Chatelaine
11.3 dwt.; Hairpins 9.9 dwt.; Six silver elements 58.8 gs. Provenance: Collection of Dora
Jane Janson.
$1,400–1,800
1035: EIGHT ART NOUVEAU GOLD FLOWER BROOCHES
Five American 14k enameled flower brooches include: Three-pansy cluster by
Hammerman Brothers, three-leaf and pearl knot by Carter & Howe, unsigned diamond
wreath, and two others. 14k Continental framed leaf and pearl; 10k pansy with opal, 9 ct.;
Framed five-leaf and pearls. Largest: 1” around. 19.2 dwt.
$800–1,000
1036: AMERICAN ART NOUVEAU JEWELED GOLD PANSY BRACELET
14k sculpted gold and seed pearl pansy links joined by cabochon pink tourmaline links,
Bippart, Griscom & Osborn, ca. 1910. Marked 14k with makers cypher. 6 5/8” x 1/2”.
10.8 dwt.
$900–1,200
16
1037
1038
1039
1040
1037: THREE 18K GOLD GARDEN CREATURE BROOCHES
Edwardian jeweled butterfly brooch, OEC diamonds, sapphires, rubies, demantoid garnets; Diamond and
ruby frog brooch #12245; Italian salamander. Diamonds approx. 2.80 cts. TW. Butterfly 1 3/4”, Frog 7/8”,
salamander 1 7/8”. 16.9 dwt.
$1,400–1,800
1038: VICTORIAN GOLD, MULTI-GEM BUTTERFLY LOCKET BROOCH
Realistically rendered hinged wings tipped by turquoise, pearls, garnets and pink tourmaline, with
applied green and yellow gold decoration and black enameling open to reveal two photo reserves, black
enameled abdomen with opal and garnet cabochon eyes, ca. 1890. Unmarked. 2 1/4” x 1 1/2”. 9.8 dwt.
GW (weighed with glass) Provenance: Collection of Dora Jane Janson.
$1,200–1,800
1039: 18K YELLOW GOLD AND RUBY SERPENT BRACELET
Open wrapped cuff with bright and textured embossed head and neck, bezel set ruby trefoil and eyes,
open mouth and fangs. First quarter 20th c. Stamped 750, “B3”. Accommodates 7 1/2”. 25.3 dwt.
$1,400–1,800
1040: TWO PIECES EARLY 20TH C. YELLOW GOLD JEWELRY
Art Nouveau pendant featuring the profile of a lady with rose cut diamond necklace, hairpiece, plique-àjour enameled foliate background; Rosebud pendant with translucent green and opaque pink enameled
bud enclosing loose freshwater pearl. 1900-1915. Unmarked. Largest 2 1/4”. 9 dwt. Provenance:
$1,200–1,800
17
1041
1042
1043
1044
1041: FRENCH ART NOUVEAU PLIQUE-A-JOUR 18K GOLD BROOCH
Shield form depicts flowing haired smiling woman among leafy fronds and berries on translucent
shaded enamel ground, suspended pearl, ca. 1900. French eagle mark, half struck indistinct maker
mark. 2 1/2” x 1 1/2”. 14.9 dwt. Provenance: Collection of Dora Jane Janson.
$1,500–2,500
1042: GEORG JENSEN CARNELIAN NECKLACE #158, EARRINGS #4
Rare silver pendant necklace with carnelian cabochons #158; Silver and carnelian earrings #4, for
pierced ears. Embossed oval mark 1915-1927, 925, Denmark. 2” pendant suspends from two 15” lengths
of chain joined by toggle clasp. Earrings 1 1/4”. 45.4 gs. GW
$1,500–2,500
1043: FRENCH ART NOUVEAU 18K YELLOW GOLD SLIDE MIRROR PENDANT
Engraved profile of ethereal woman in nature with rose cut diamond accents, surrounded by platinum
topped rose cut diamond frame, bail on antique 10k rolo link chain. France, ca. 1910. Stamped with
French control marks for 18k, illegible maker mark, engraver’s mark “B” at front. 1 5/8”. 25.1 dwt. GW
$1,200–1,800
1044: AVENTURINE AND YELLOW GOLD FESTOON NECKLACE
Oval cabochons and acanthus scroll links suspend oval and teardrop cabochons in roped gold frames,
ca. 1900. Unmarked. 15”. 17.6 dwt. Provenance: Collection of Dora Jane Janson.
$800–1,200
18
1045
1046
1047
1048
1045: EDWARDIAN 14K GOLD CITRINE FESTOON NECKLACE
In the Rococo style with circular oval and pear shaped faceted citrines, ca. 1910. Marked D (possibly James C. Durham & Sons,
Providence, RI). 18” x 2 1/4”. 15.2 dwt.
$900–1,200
1046: EDWARDIAN 14K GOLD JEWELRY
Three pieces: Two tubular clover or neoclassical motif hinged bracelets with diamonds; Amethyst sugarloaf water lily motif ring,
unsigned, size 7. 21.7 dwt.
$1,000–1,200
1047: GEORG JENSEN #1 NECKLACE 830 SILVER AND CORAL
Eleven foliate links with bezel set orange coral joined by toggle clasp. Raised bead oval mark, #1, Denmark, 1915-1927. 16 1/2”.
43.7 gs.
$1,800–2,400
1048: JEWELRY COLLECTION, CA. 1900
Seven pieces: Carved coral Masks of Tragedy g.f. fringe necklace; 14k gold Indian chief brooch with diamond; Carter & Howe
enameled 14k gold leaf pin with diamond and pearl accents; 14k gold diamond circle pin by J. Faber; Oval citrine and seed pearl 14k
gold pin; Krementz 14k sapphire pin; Enameled pansy 800 silver ring. Necklace: Indian brooch #A8062. 12.1 dwt. (gold elements)
$1,000–1,500
19
1049
1050
1049 detail
1049: OPULENT ACCESSORIES: RUSSIAN SILVER/
SUSSFIELD-2
Three pieces: German gilt sterling and pink guilloche
enamel egg shaped thimble case with matching thimble,
ca. 1910, 2”; Russian 84 silver and mother of pearl sewing
kit, fitted interior with needle case, 2 bobbins thread pick,
scissors, yarn bobbin, crystal vial, 18k French thimble,
unid. maker Cyrillic FV, Moscow 1850, rococo exterior, leafy
monogram JN below coronet, 4 7/8” x 3 7/8”; René Lalique
Atomizer Sussfiled-2, cylinder blue tinted colorless glass
flowers, marked R. Lalique, Made in France. 4 1/8”.
$1,000–1,500
1050: CARVED CORAL AND AMBER GOLD MOUNTED
PARASOL HANDLE
Striated orange and pink coral carved putti and dolphin
frolic on waves, 3”; Above 6 1/2” amber rod, 14k gold
junctures, ca. 1895. Marked 14k. 11”. 118.8 gs.
$1,500–2,500
1051
1051:
FRENCH 18K GOLD MESH EVENING BAG AND
PURSE
Long supple mesh pouch with tassels on angular frame,
sapphire bullet snap closure suspends from rows of gold
rope to a mesh strap, ca. 1920. French eagle marks. 14 1/2”
overall; Change purse 2 1/2” x 2 1/4”. 137.5 dwt.
$4,500–5,500
20
1051A
1052
1051A:SECESSIONIST GOLD-MOUNTED
PORTRAIT MINIATURE
Oval portrait of a young woman against a
colorful ground with gilt highlights, behind
shaped crystal in 14k gold frame, ca. 1917.
Indistinct Continental marks. 2 1/2” x 1
1/4”. 18.2 dwt. Provenance: Collection of
Dora Jane Janson.
$600–800
1052: GORHAM/HAWKES 14K GOLD
VANITY VESSELS AND FRAME
Five pieces for the vanity, Rococo engraved
14k gold mounts by Gorham on Hawkes
“Rock Crystal” pattern vessels include:
Cologne bottle, 7 1/2” above stopper;
Powder jar with gold mounted down puff,
4 3/4” x 6”; Jar with hinged cover, the
interior stopper with gold finial, 4”; Salve
jar, 1 3/4” x 2 1/4”; Oval photo frame on
bead feet, 8 1/4” x 6 3/8”. Ca. 1910. Vessels
#X440, X441, X443, X444, Frame XBOL,
ribbon monograms AAMcN. Weighable and
calculated gold approx. 160 dwt.
$4,500–6,500
1053: EDWARDIAN FIRE OPAL SUITE,
A. MARX & CO., LONDON
Lavaliere necklace, pendant earrings and
bracelet in silver-topped gold with buff
top-cut, octagonal and oval cabochon,
orange fire opals and paste accents.
Unmarked. Necklace 19”, earrings 2 1/4”,
bracelet 6 1/2”. In original case by A. Marx
& Co., with royal warrant. Provenance:
$5,000–7,000
1053
21
1055
1054
1054: THREE EDWARDIAN GOLD MESH PURSES
Two section 14k pierced frame depicts clover leaves among
scrolls interior inscribed A.G.R. Xmas, 1900; 14k pierced
frame with foliate motif; 9 ct. foliate engraved frame.
Largest 3” x 2 1/2”. 94.7 dwt. TW (57.3 dwt. 14k)
$2,200–2,800
1055: EQUESTRIAN GOLD JEWELRY, 1879-1908
1056
Three pieces: T.B. Starr, NY, 18k bent horseshoe nail
brooch with diamond head; Fritzsche & Co., Newark, 14k
and diamond coiled horseshoe nail hinged bracelet; 14k
coiled crop ring with garnet set horseshoe, dated 1879.
Two diamonds approx. .45 ct. TW. Brooch 2”. Ring size 4
1/4. 14 dwt. Provenance: Collection of Dora Jane Janson.
Literature: Dietz, Joselit, Smead, Zapata. The Glitter and the
Gold. Newark Museum. 2006. Pg. 77 (bracelet).
$1,200–1,800
1056: FRENCH BELLE EPOQUE GOLD, RUBY AND
DIAMOND BRACELET
Elliptical 18k links joined by four tubular set ruby gold links
and four tubular set diamond platinum links, approx. .72 ct.
TW. French assay marks on tongue. 6 3/4”. 12.9 dwt.
$1,000–1,500
1057: EDWARDIAN EQUESTRIAN DIAMOND
HORSESHOE BROOCH
25 graduated OMC diamonds in platinum-topped 14k gold,
diamonds approx. 3.25 cts. TW, ca. 1905. Unmarked.
1 3/8” x 1 3/8”. 6.1 dwt.
$1,000–1,500
1057
22
1058
1059
1060
1058: DIAMOND PLATINUM INITIAL BROOCH
Millegrained platinum OEC diamond set scripted “MP”, 14k yg. pin stem, diamonds approx.
3 cts. TW, Early 20th c. 1 1/2” x 1 1/2”. 5.9 dwt.
$700–900
1059: TWO DEMANTOID GARNET AND DIAMOND BANGLE BRACELETS
Oval faceted demantoid garnets alternate with OMC diamonds, approx. .86 ct. TW, crown set
in silver on yellow gold, hinged, 14k, ca. 1900. Unmarked. Accommodates 6 1/2”. 16.7 dwt.
$1,400–1,800
1060: EDWARDIAN DIAMOND PLATINUM BAR BROOCH
Twenty-one scientifically cut OEC diamonds, bead set, millegrain, filigree and knife edge
borders, scalloped ajouré, diamonds approx. 2.75 cts. TW. Unmarked. 2 13/16”. 5.5 dwt.
$2,000–3,000
1061: DIAMOND PLATINUM BAR PIN
OEC diamonds, approx. 3.2 cts. TW, square set in platinum. First quarter 20th c. Unmarked.
3 1/4”. 5.3 dwt.
$1,000–1,500
1061
23
1063
1062
1062: TIFFANY & CO. ART DECO DIAMOND PLATINUM
BAR PIN
Central marquise shaped diamond, approx. .50 ct.,
geometric piercings, stylized foliate details, and OEC
diamond accents, approx. 1.35 cts. TW, millegrained details
throughout, ca. 1920. Marked Tiffany & Co., #8306. 2 3/4”.
7.3 dwt. In original box
$2,000–3,000
1063: ART DECO DIAMOND PLATINUM FILIGREE
BROOCH
Shaped openwork bisymmetric bar, central OEC diamond,
approx. 1 cts., with two OEC diamonds, approx. .90 ct. TW
and eight accent diamonds. Diamonds approx. 3.10 cts.
throughout. 2 5/8”. 4.9 dwt.
$1,000–1,500
1064
1064: T.B. STARR DIAMOND AND PEARL PLATINUM
BOW BROOCH
Fixed ribbon bow suspends flexible tails with pearl
terminals, 63 OEC diamonds, approx. 4.96 cts. TW, bails for
pendant wear. Pin stem marked T.B. Starr Inc. Retailed by
Frank Pollak & Sons, New York, June 5th, 1968. 2 1/8” x 2
1/2”. 10.5 dwt.
$2,000–3,000
1065: THREE SAPPHIRE AND DIAMOND RINGS
1065
Edwardian five-stone sapphire ring with diamond loops in
platinum-topped 18k gold; Art Nouveau three-stone ring in
platinum-topped 18k gold; Art Deco three-stone ring in 18k
wg. Diamonds approx. 1.62 cts. TW, sapphires approx. 1.50
cts. TW. Sizes 3 1/2 - 8 1/2. 8.2 dwt.
$1,400–1,800
1066: THREE ART DECO PLATINUM DIAMOND RINGS
OEC diamond, approx. .80 ct., octagonally set in platinum
mount with pierced and diamond set gallery, shoulders;
Diamond navette ring; Three stone diamond filigree ring;
Smaller diamonds, approx. 2 cts. TW throughout, ca. 19201930. Unmarked, indistinct engravings. Sizes 5 1/2 - 7 3/4.
6.1 dwt.
$2,500–3,000
106
24
1068
1067
1069
1067: LONGINES ART DECO DIAMOND PLATINUM BRACELET WATCH
Lozenge shaped case and lozenge link bracelet with engraved edges, RBC, square and rectangular step cut diamonds, approx. 3.25
cts. TW. 17 jeweled movement #5298206, case #23014. 6 5/8”. 16 dwt. (excludes movement)
$3,000–5,000
1068: FOUR ART DECO DIAMOND OR SAPPHIRE RINGS
Yellow gold bezel set oval faceted sapphire in pierced platinum topped OEC diamond set octagonal frame, yg. scrolling filigree
gallery; 18k wg. OEC diamond, approx. .75 ct., square set in rectangular mount with diamond band accents, engraved gallery, hoop;
Platinum and diamond “steps of love” engagement ring with central square set diamond, approx .75 ct., in millegrained diamond set
mount with diamond and platinum wedding band. Diamond melee approx. 3 cts. TW throughout. 1920-1935. Sizes 5 1/4 - 6 1/2. 9.2
dwt. In original boxes.
$2,500–3,500
1069: RAYMOND YARD DIAMOND BROOCH AND AQUAMARINE EARRINGS
Art Deco diamond and sapphire platinum brooch, geometric openwork set with RBC, baguette and triangular diamonds, approx. 1.58
cts. TW, and calibrated cut sapphires; Aquamarine briolette and diamond earrings in 18k yg. and platinum. 1925-1960. Both marked
Yard of Yard Inc. Brooch 1 1/2”. 9.3 dwt. In original boxes.
$2,500–3,500
25
1070
1071
1070: ART DECO STAR SAPPHIRE RING AND SAPPHIRE
BRACELET
Art Deco ring with round double cabochon lilac star
sapphire, 8 x 6.53 mm., 5 cts. by formula, RBC and emerald
cut diamonds and shaped onyx accents, unmarked; Line
bracelet with struck filigree panels alternating square
faceted emeralds and round faceted sapphires. 1925-1930.
Ring size 5 1/2, bracelet 7” x 1/4”. 10.6 dwt. Ring cased by
J.W. Weeks, 5 Maiden Lane, NY.
$1,500–2,000
1071:
ENAMELED SILVER COMPACT BY ANSORENA FOR
CARTIER
Art Deco cylindrical 935 silver compact, black enamel with
geometric white enamel edges, parcel gilt interior fitted
with three chambers and silver pen, ca. 1935. Marked
Cartier, Paris, Ansorena (Gallery de Ansorena, Madrid).
1 7/8” x 1 1/8” x 3 1/4”. 5.375 OT GW
$1,200–1,800
1072: BELLE EPOQUE AND ART DECO DIAMOND
PLATINUM JEWELRY
Three pieces: Octagonal onyx sautoir on cord with diamond
platinum ornaments and joints; Platinum seed pearl chain
suspends 14.5 x 9.8 mm. pear shaped river pearl; 9 x 8.8
mm. button pearl platinum ring with diamond shoulders.
Sautoir retailed by Bowler & Burdick Co., Cleveland.
Platinum chain 18”, ring size 5 1/2. 7.7 dwt. (excludes onyx)
$1,000–1,500
1072
26
1073
1074
1075
1076
1073: MARZO, PARIS, DIAMOND AND ENAMELED GOLD/SILVER COMPACT
Art Deco rectangular compact, black enameled exterior with geometric white gold ornament and diamond
details, gilt interior with mirror, lipstick case and powder chamber. Marked Marzo, Paris, French control
marks for 18k gold and silver. 2 5/8” x 1 3/4”. 121.2 gs.
$800–1,200
1074: LEBOLT ART DECO DIAMOND PLATINUM WRISTWATCH
Rectangular case to stirrup lugs, set with baguette and RBC diamonds, approx. 1.60 cts. TW, 18 jeweled,
5 adj. Swiss movement #40525, sapphire crown, grosgrain ribbon strap with original snap closure. Marked
Lebolt on movement, case, clasp. Case marked Plat. 1 1/2” x 7 1/6”. In original box
$1,500–2,000
1075: ART DECO DIAMOND PLATINUM BROOCH
Revised panel bracelet link with central marquise, approx. .50 ct., between horizontal baguette cut strap,
geometric RBC diamond set form tipped by graduated baguettes, diamond melee approx. 2.0 cts. TW,
ca. 1925. Unmarked. 1 1/2” x 3/4”. 6.1 dwt.
$1,500–2,000
1076: TWO ART DECO PLATINUM BROOCHES WITH ONYX OR ENAMEL
Bow shaped brooch with onyx OEC diamonds in Greek key openwork; Octagonal scissor cut amethyst
quartered by black enamel and diamond pairs. Unmarked. Largest 2 1/2”. 13.8 dwt. With Bowler & Burdick
Co., Cleveland box
$1,000–1,500
27
1077
1078A
1078
1079
1077:
EDWARDIAN DIAMOND AND SAPPHIRE PLATINUM STRAP BRACELET
Stylized foliate open design with meandering diamond ribbons and channels of French cut
sapphires, OEC diamonds, approx. 4.30 cts. TW, ca. 1915. 7 1/8” x 3/8”. 10.6 dwt.
$9,000–12,000
1078: CARTIER, PARIS, DIAMOND AND SAPPHIRE PLATINUM CLIP
Stepped shield set with square and rectangular step cut sapphires, approx. 10.40 cts. TW, RBC
and baguette cut diamonds, approx. 5.90 cts. TW, ca. 1937. Marked Cartier OCC, Paris, #C4760
+ #10020. 1 3/4” x 1 3/8”. 17.5 dwt.
$5,000–7,000
1078 A : A R T D E C O D I A M O N D A N D G E M S T O N E P L A T I N U M P A N E L B R O O C H
OEC diamond, approx. .33 ct., centers bisymmetric diamond geometry highlighted by
channels of ruby, sapphire, onyx calibre and shaped emeralds. Diamonds approx. 2.50 cts. TW.
Unmarked. 1 1/2” x 1/2”. 4.1 dwt.
$1,200–1,800
1079: ART DECO DIAMOND AND RUBY STRAP BRACELET
Concentric diamond design of articulated stirrup links with bellflower piercings and square or
rectangular French cut rubies, marquise cut diamond, .50 ct., and RBC diamonds, approx.
6.80 cts. TW, ca. 1935. Marked 10% irrid. plat. 7 1/8” x 9/16”. 25.8 dwt.
$8,000–9,000
28
1080
1081
1080: HAMILTON ART DECO DIAMOND, PLATINUM DRESS WATCH
Square cream dial with Arabic numerals, Hamilton movement, 17 jewels
within diamond case, tipped by two bullet cut diamonds, approx. .50 ct.
and .49 ct. each, taper to scrolling bezel prong set OEC diamond lugs,
square set diamond bracelet, approx. 3.9 cts. TW, ca. 1925. Case and
bracelet marked 10% irid. plat. Accommodates 6 1/2”. 15.9 dwt. (excludes
movement)
1082
$2,500–3,500
1081: ART DECO DIAMOND PLATINUM DOUBLE CLIP BROOCH
Stirrup-form, RBC, baguette cut, kite-shaped and trapezoidal cut
diamonds approx. 6.80 cts. TW, ca. 1938. Unmarked. 2 5/8” x 1 3/8”.
17.6 dwt.
$7,500–8,500
1082:
SEED PEARL DIAMOND MESH CHAIN WITH RUBY ACCENTS
18k wg. sautoir strap in the Edwardian style, diamond and RBC ruby
stations, diamond and heart shaped ruby central ornament, diamonds
approx. 4 cts. TW. Mid 20th c. 19 1/2”, drops 3/4”. 16.1 dwt. Provenance:
Property from the Estate of a New York City Collector.
$1,200–1,800
1083
1083: ART DECO DIAMOND AND PLATINUM NAVETTE RING
Central OEC diamond, 3.16 cts. by formula, flanked vertically by two OEC
diamonds, approx. .50 ct. each, surrounded by diamond melee shoulders,
approx. .26 ct. TW, set in millegrained platinum navette contour with
pierced and millegrained gallery on engraved hoop, ca. 1920. Size 4.
3.5 dwt.
$4,000–6,000
29
1084
1085
1084: TWO GEORGIAN PASTE SILVER BROOCHES
Girandole brooch with colorless and green or yellow foil
backed gems, inked collets, bubble backed settings, bail for
pendant wear, unmarked, 2 5/8” x 2 3/4”; Lozenge shaped
brooch, blue rose cut pastes in closed settings, gold applied
highlights, replaced findings, 2 7/8”. 61 gs. Provenance:
$1,200–1,800
1085: TWO TOPAZ COLORED GEORGIAN PASTE SILVER
JEWELS
Girandole brooch suspends pear shaped paste clusters
below ribbon and floral motif brooch, bubble back
closed settings, ca. 1770, with 19th c. pin fitting; Oval
portrait clasp in two parts with “topaz” pastes surrounds,
French marks, 2 1/4”. Brooch 2 1/4” x 2 5/8”, fitted case.
$1,500–2,000
1086: TWO GEORGIAN PASTE SILVER PORTRAIT
NECKLACES
1086
A painted portrait behind shaped crystal joins paste link
necklace with applied bright cut gold lozenges, pastes
with inked culets; Enameled copper portrait miniature oval
cluster pendant suspends from three-loop ribbon bow and
bail, ca. 1790. 2 1/2”. Necklace 14”. Provenance: Collection
of Dora Jane Janson.
$2,000–3,000
30
1088
1089
1087
1087: GEORGIAN DIAMOND, MOONSTONE AND CITRINE SEVIGNE BROOCH
Old mine cut diamonds and central cushion shaped moonstone in closed back settings designed as a sevigne
bow and blossom, suspends a detachable briolette cut citrine concentrically suspended by diamond pendant,
diamonds approx. 1.70 cts. TW, moonstone 10.5 x 10.5 mm., silver with gold joints, ca. 1790. Revised findings,
possibly pendant drop, ca. 1890. Cased by Parkes, 12 + 13 Vigo Street, Regent St., London. 2 1/4”. 17.3 gs. Note:
Parkes & Co., founded in 1777, dealt in fine jewelry, antiques, silver and curiosities, frequented by James McNeill
Whistler.
$2,500–4,500
1088: GEORGIAN DIAMOND AND NATURAL PEARL PEACOCK EARRINGS
Stylized peacock with old mine cut and rose cut diamond plumage and tails and natural untreated near round
saltwater drilled pearls, 6.62 x 6.48 mm. and 6.92 mm. (GIA report #6177208643). Diamonds approx. 2 cts. TW,
in silver-topped gold, later post backs. In James Robinson box.
$4,000–6,000
1089: TWO LATE GEORGIAN DIAMOND AND GEMSTONE BROOCHES
Foil backed diamond silver bow and wreath with emerald pendant drop; Stylized diamond and ruby serpents
guard an amethyst among diamond and emerald foliage, silver-topped gold. Old mine cut diamonds, approx.
4.50 cts. TW. Largest 2”. 27 gs. GW
$1,500–2,500
31
1090
1091
1092
1090: THREE PAIRS GEORGIAN OR VICTORIAN PASTE EARRINGS
French silver chandelier and fringe earrings with patented post and clutch findings; French silver chandelier
earrings inked culets French screw back for unpierced ears, 3 1/2”; Unmarked yellow pastes in silver with early
screw back for unpierced ears. Drop 3” - 3 5/8” Provenance: Collection of Dora Jane Janson.
$2,000–3,000
1091: COLLECTION OF GEORGIAN PASTE JEWELRY
Silver foil backed clear paste dove and bow motif stomacher; Yellow gold and silver foil backed clear paste bow
brooch with round cluster drops; Gold tone comb with scrolling foliate paste decoration. Second half 18th early 19th c. Unmarked. Comb 4 1/2” x 7”. 12.9 dwt. Provenance: Collection of Dora Jane Janson.
$1,000–1,500
1092: LATE GEORGIAN AMETHYST BLOOMED GOLD NECKLACE
Seven oval faceted amethysts in beaded cut-down collets joined by seven-strand multi-chain with cannetille
details and foil-backed amethyst box clasp. 15k bloomed gold, unmarked. 16”. 37.9 dwt. Retailed by Marshall Field
& Company, Antique Jewelry Collection, box with description.
$1,000–1,500
32
1093
1093: GEORGIAN FLAT CUT GARNET GOLD NECKLACE
Leafy links suspend a cruciform ornament detachable for
brooch wear. Unmarked, approx. 10k. 13 1/2”. 18 dwt. GW.
Fitted case, marked for Ares Antiques, NY. Provenance:
$1,500–2,500
1094: 18TH CENTURY FRENCH PASTE SILVER CROSS
NECKLACE
Circular and cushion cut pastes in closed settings, foil
backed with inked culets, ca. 1784. French silver marks. 17”,
drops 4”. Provenance: Collection of Dora Jane Janson.
$1,000–1,500
1094
33
1095: COLLECTION OF GEORGIAN,
VICTORIAN AND ART DECO PASTE
JEWELRY
Nine pieces: Two necklaces, five brooches, a
revised shoe buckle and finding. Pieces of note
include Art Deco carved glass “emerald” and
“diamond” pendant on link chain; Edwardian
foil backed clear paste scrolling floral and
foliate link necklace; Three giardinetto clear
paste brooches; Blue foil backed paste spray
bow brooch with drop; Multicolored paste
giardinetto brooch; Revised shoe buckle
brooch; Paste finding mounted in gold toned
metal; Others mounted in silver. 1780-1920.
Unmarked. Largest 16 1/2”. 203.9 gs. GW (silver
items). Provenance: Collection of Dora Jane
Janson.
$1,200–1,800
1095
1096: GEORGIAN OR VICTORIAN PASTE OR
STEEL JEWELRY
Seven pieces: Four necklaces, two pendants
and a ring. French silver and cut steel necklace
with cobalt blue enamel; English paste and blue
enamel necklace, sterling, 1778; Floriform link
paste necklace, silver topped gold; Floral link
paste necklace; French paste ring, silver topped
gold, size 5 3/4”; Silver jointed pendant with
pastes and turquoise, 2 3/4”; Multicolored paste
floral bouquet pendant, 1 1/2”. Necklaces 15 1/4”
- 15 1/2”. 188 gs. Provenance: Collection of Dora
Jane Janson.
$1,500–2,000
1096
34
1097
1098
1097: GEORGIAN AND VICTORIAN GREEN PASTE SILVER JEWELRY
Four pieces: Necklace separable to three bracelets; Necklace suspends dove motif pendant; Circular
cluster and crescent link necklace; Articulated brooch, later clasp. All unmarked. 21” necklace separates
to three 7” bracelets. 164.6 gs. Provenance: Collection of Dora Jane Janson.
$2,000–3,000
1098: TWO GEORGIAN BERLIN CAST IRON BRACELETS
Gothic link example with floral bosse above mirror steel clasp, unmarked, attributed A.F. Lehman;
Rococo example with circular central ornament of delicate grillwork. 1800-1830. Unmarked. 7 1/4”.
$1,000–1,500
35
1099: UNCOMMONLY LONG GEORGIAN KNITTED GOLD
ROPE AND SLIDE
Tubular knitted 18k gold rope suspends oblate cannetille
beads, triple loop bow-form cannetille slide centers heart
shaped cartouche, monogrammed (conjoined) AM and RF.
18th c. 60”, 1” beads. 71.6 dwt. Provenance: Collection of
Dora Jane Janson. Literature: Redington, Ginny. Georgian
Jewelry, 1714-1880. Antique Collectors Club Dist. 2007. Pg.
112; Dietz, Joselit, Smead, Zapata. The Glitter and the Gold.
Newark Museum. 2006. Pg 76. (Similar examples)
$4,000–6,000
1100: THREE GEORGIAN YELLOW GOLD STRAP
BRACELETS
1099
Hand painted portrait miniature of a young girl with woven
blonde hair closure; Paste cluster with monogrammed
closure “E.R.M.”; Floral engraved plaque, closure on
engraved strap; All on flat link bracelet. Late 18th-early
19th c. Portrait stamped “C. Steward” on reverse. Largest
6 3/4”. 35 dwt. GW. Provenance: Collection of Dora Jane
Janson.
$1,800–2,400
1100
36
1101
1101:
LATE GEORGIAN JEWELED GOLD HAIR
ORNAMENT IN CASE
Designed as a floral and wheat spray in bird headed posy
holder. En tremblant blossoms set with aquamarines,
pink and yellow topaz and enamel, steel aigrette pin.
Probably Vienna, ca. 1820. 18k, unmarked. 8”. 22.6 dwt.
In original fitted case. Provenance: Collection of Dora
Jane Janson. Literature: Janson, Dora Jane. From Slave
to Siren. The Duke University Museum of Art. 1971. Cat.
#52.
$4,000–6,000
1102:
GEORGIAN WOVEN HIGH CARAT YELLOW
GOLD NECKLACE
Finely woven wire chain apportioned by cannetille
stations and closure, join girandole ornament
suspending three drops, two with later shepherd’s hook
wire backs for use as earrings, ca. 1880. Unmarked. 17”.
21 dwt. Literature: Redington, Ginny. Georgian Jewelry,
1714-1880. Antique Collectors Club Dist. 2007. Pg. 112.
(Similar example).
$2,500–3,500
1102
37
1104
1103
1105
1103: NINE PIECES OF 18TH OR 19TH C. MOURNING JEWELRY, INCL. GOLD
Woven blonde hair necklace and earring suite with yellow gold findings; Blue enameled and gold ring reading “c’est pour la vie”,
framed by paste in yg. mount; Oval pendant brooch with hand painted macerated hair classical scene reading “To Bliss” and “Not
lost but gone before”, mounted in yellow gold; Yellow gold portrait miniature frame with scrolling foliate grapevine surround
and applied figural dove, Emu and Kangaroo; Hand chased yg. buckle ring with hinged opening to reveal woven hair; Two hand
painted unmounted portrait miniatures under glass. Late 18th - mid 19th c. Pendant brooch inscribed on reverse “Cha. Greenwood
died 1 January 1788 Aged 45”. Hair ring with interesting faux English marks for 15ct. Hair necklace 18”. 38.4 dwt. GW (items with
gold). Hair suite in original “E. Jackson Goldsmith Jeweler & Fancy Hair Worker” box. Provenance: Collection of Dora Jane Janson.
Literature: Redington, Ginny. Georgian Jewelry, 1714-1880. Antique Collectors Club Dist. 2007. Pg. 165. (Similar example)
$2,000–3,000
1104: TWO 18TH CENTURY MOURNING JEWELS WITH DIAMONDS
Cushion shaped blue enamel ring top centers rose cut diamond urn, diamond surround; French pinchbeck portrait miniature of a
woman on velum, the obverse a diamond motto “C’est tout ce qui me reste” (that’s all I have left) on a ground of hair; Unmarked.
Pendant: 1 5/8” x 1 1/8”, Ring: Size 6 to base of bail. Provenance: Collection of Dora Jane Janson.
$1,500–2,000
1105:
TWO GEORGIAN HAIR AND WHITE ENAMEL GOLD MOURNING RINGS
Reserves with woven blonde hair or painted hair urn and weeping willow scene both under shaped crystals, mounted in yg., white
enameled band describing deceased. Dated 1776, 1777. 4.2 dwt.
$2,200–2,800
38
1106
1107
1106: GEORGIAN ENAMEL AND SEED PEARL SWAG NECKLACE
Circular and navette shaped enameled yg. panels, closure depict classical ladies and garden scenes
framed by strung seed pearls, joined en esclavage by three rows of ornamental yellow gold chain,
ca. 1820. French or Swiss enamels. Unmarked. Shortest row 18”. 38.6 dwt.
$2,500–3,500
1107:
GEORGIAN MASQUERADE JEWELED AND ENAMELED GOLD RING
Masked woman’s face with diamond eyes and rose cut diamond border hinges to reveal enameled
heart and message “Pour Vous”, ca. 1760, replaced shank. Unmarked. Size 6 1/2. 1.6 dwt. Provenance:
$1,200–1,800
39
1109
1108
1110
1111
1108: CENTENNIAL EXHIBITION CAMEO AND WEDGWOOD CAMEO
George Washington bust shell cameo gold brooch, the reverse inscribed “Julia T. Curltin from R.G.C. cut in the Italian Dept.
Centennial, 1876”, 1 5/8” x 1 3/8”; Gold pendant mounted Wedgwood memorial cameo of English poet Edward Young, date mark
1878, 3” x 1 15/16”. Provenance: Collection of Dora Jane Janson.
$600–800
1109: JAMES TASSIE GLASS PASTE CAMEO, GLASGOW UNIVERSITY
Glass paste cameo by James Tassie in gilt silver Anderson prize medal for Natural Philosophy, University of Glasgow, presented
to Archibaldo Arthur, M.A., 1770. Fitted with bail, brooch and findings. 2” x 1 3/4”. Note: Similar example REF. H.1982.24 National
Museums Scotland. Provenance: Collection of Dora Jane Janson.
$600–800
1110:
TWO GENTLEMAN’S HARDSTONE RINGS, INCL. TIFFANY & CO
Tiffany & Co. 18k yg. and lapis ring; Black and white carved hardstone cameo of two men in 14k yg. mount. Early to mid 20th c. Lapis
ruby stamped Tiffany & Co. Sizes 8 1/2 and 10 3/4. 17.7 dwt.
$1,200–1,800
1111:
FIVE CAMEOS FOR THE COLLECTOR
Four cameo brooches, and one unmounted cameo: Carved agate Medusa cabinet cameo in deep relief, ca. 1880, 1 5/8” x 1 3/8” x 1”;
Silver mounted Edwardian amethyst glass cameo brooch with baroque pearl pendant by Bill Tendler, made for Dora Jane Janson
after an Art Nouveau design by René Lalique, signed Tendler, 3 1/4”; White onyx profile portrait of Napoleon as Caesar, modern
gold frames, 2 3/8”; Head of Medusa carved shell in Italian Archaeological Revival style 18k brooch mount, 19th c., 2 1/2”. Two gold
cameos: 48.9 dwt. GW. Provenance: Collection of Dora Jane Janson. Literature: Janson, Dora Jane. From Slave to Siren. The Duke
University Museum of Art. 1971. Cat. #4, 5, 11.
$1,800–2,400
40
1113
1112
1112:
SEVEN PRECIOUS GEMSTONE AND DIAMOND
STICKPINS
Pear shaped emerald, 10.8 x 7 mm., in diamond platinum
cap gold stem; Pear shaped pearl, 12 x 8 mm., in diamond
cap silver-topped gold; RBC red spinel, 7.2 mm., and
diamonds in gold; RBC sapphire 5 mm., framed by diamonds
in platinum on gold; RBC diamond, .45 ct., in gold Belcher
setting; RBC diamond, approx. .50 ct., and four accent
diamonds in platinum; Diamond platinum pinwheel on gold.
Diamonds approx. 2.50 cts. TW. Ca. 1890-1930. 10.3 dwt.
$1,500–2,000
1113:
CONRAD HECKEL AUSTRIAN CRYSTAL CASED
SILVER WATCH
Faceted crystal coffer and polychrome enameled silver
reveals a verge movement, signed Conrad Heckel, Wien
#640, 1750-1785, key wound and set, 65 x 35 x 25 mm.,
case bears assay office strike for Vienna.
1114
$3,000–4,000
1114:
BURNS CLUB OF BALTIMORE GOLD SNUFF BOX
18k gold engraved with thistles and foliate borders,
Presented to A. Hussey. The obverse inscribed stanza
from “Epistle to J. Lapraik, An Old Scottish Bard” by Robert
Burns. 1839. 2 5/8” x 1 5/8” x 5/8”. 47.1 dwt. Provenance:
$1,400–1,800
1115:
NATURAL BLUE SAPPHIRE INTAGLIO SIGNET
RING
Buff-top cut sapphire, 11.47 x 10.48 x 4.67 mm., 6.5 cts. by
formula, quartered armorial crest. Tapered 14k yg. mount,
20th c. Size 8. 8.7 dwt.
1115
$1,500–2,500
41
1116
1116:
COLLECTION OF 32 STICKPINS, MOST GOLD
14k and 10k examples includes the moon, a devil, 1860 gold
dollar on g.f. stem, oyster and seed pearl, gold nugget, coral
cameo, cat’s eye chrysoberyl, aquamarine, diamond, etc.
Enameled silver strawberry vinaigrette with g.f. mount,
ca. 1850. 1850-1960 (most ca. 1900-1930). 33.8 dwt. (gold
elements)
$1,000–1,500
1117
1117:
ANTIQUE GOLD NOVELTIES AND STICKPINS,
INCL. GOLD
Twenty-two pieces: Eight stickpins, four brooches, two
safety pins, a single cufflink, an enhancer, two pendants
and four loose scarabs. Pieces of note include four green
enameled brooches in Egyptian Revival style, foliate and
floral motifs, some set with seed pearls, diamond or coral;
Two lingerie pins with seed pearls; Single Krementz terrier
cufflink; Hummingbird head in roped gold pendant; Carved
ebony Blackamoor enhancer gem-set with emeralds,
seed pearls, ruby and coral hat; Victorian silver pendant
locket with garnets; Whiteside and Blank amethyst and
seed pearl Art Nouveau stickpin; Insect, seahorse, dragon
and classical motif stickpins, some with gems including
diamonds, sapphires and pearls; Etc. 10k-14k. Late 19th
- early 20th c. Hummingbird inscribed on reverse “12th
May 1870”, Whiteside & Blank cypher on stickpin. 10k-18k.
Hummingbird pendant 1 1/2” x 1”. 34.5 dwt. GW (items with
gold). Provenance: Collection of Dora Jane Janson.
$1,500–2,000
42
1118
1118:
ARCHAEOLOGICAL REVIVAL GOLD, EMERALD
AND PEARL COLLAR
Central element formed in two parts, granulated bloomed
gold set with a bright emerald cabochon, suspends 12.2
mm. pear shaped river pearl, four-row woven gold braid
joins a similar emerald set back ornament, emeralds approx.
5.80 cts. TW, twice clasped, ca. 1880. Unmarked, approx.
15k. 14 1/4”. 29.5 dwt. In original fitted leather case.
1119
$3,250–3,750
1119:
TWO 14K GOLD BEAD NECKLACES AND A
SERPENT BROOCH
Two Victorian 14k yg. necklaces with graduated beads,
3.7 - 7.5 mm., applied rope work decoration, late 19th c. 15”;
Egyptian Revival 14k gold serpent lapel brooch suspends
serpent framed carved opal scarab pendant on serpent bail,
Allsopp & Allsopp, ca. 1925, 2 1/4”. 28.0 dwt.
$1,400–1,800
1120:
COLLECTION OF ANTIQUE CAMEOS, INCL. GOLD
Eight Cameos: Includes shell, glass and vulcanite carved or
molded in classical scenes or portraits, some mounted in
gold. Pieces of note include carved hardstone Medusa head
cameo, cat. #6; Molded glass Bacchus cameo, cat. #12;
Carved shell carting scene cameo mounted in gold filled
frame, etc. Late 19th-20th c. Largest 2” x 2 3/4”. 38.3 dwt.
GW (items with gold). Provenance: Collection of Dora Jane
Janson. Literature: Janson, Dora Jane. From Slave to Siren.
The Duke University Museum of Art. 1971.
$1,000–1,500
1120
43
1121
1122
1121:
COLLECTION OF ANCIENT JEWELRY OR FRAGMENTS
Nine pieces: Victorian 14k gold double cufflinks set with antique Roman stone seals; 22k
earring set with ancient glass tablets; Egyptian tubular faience bead necklace with 18k gold
wine jar pendants and ancient glass beads; Victorian g.f. necklace with demilune Venetian
glass tablets; Persian carved and gilt seal in silver brooch, ancient faience in silver pendant;
14k gold fringe necklace with ancient Egyptian scarabs, turquoise and lapis fringe, ca. 1900.
35.7 dwt. GW (gold elements)
$1,000–1,500
1122:
CARNELIAN INTAGLIO 18K GRAND TOUR SOUVENIR BRACELET
Seven cushion shaped carnelian intaglios depict mythological subjects, chased gold, half bead
joints and clasp, safety chain, ca. 1880. Unmarked. 7” x 9/16”. 16.9 dwt.
$1,000–1,500
44
1123
1124
1123:
VICTORIAN CORAL 18K GOLD FRINGE NECKLACE
Button shaped coral and gold links suspend graduated
baton shaped coral drops, ca. 1880. Unmarked. 14” x 1 7/16”.
64.8 gs. GW.
$3,500–4,500
1124:
VICTORIAN OR ARCHAEOLOGICAL REVIVAL
GOLD JEWELRY
Citrine and white enameled pendant with applied rope work
and granulation on carved coral and roped yellow gold link
chain; Bangle bracelet with ornamental flanged edges,
applied rope work and granulation. 10k-14k. Mid 19th c.
Bracelet accommodates 7”, necklace 16”. 29.3 dwt. GW.
1125
$1,000–1,500
1125:
ARCHAEOLOGICAL REVIVAL CAMEO GOLD
PENDANT BROOCH
Large carved shell cameo depicts a cluster of floating
sprites with diaphanous veils, signed B. Read. 18k
bloomed gold oval setting and unique detachable bail with
granulation and roped gold details, ca. 1880. Unmarked.
2 1/2” x 2 1/4” plus 1 1/8”. 24.5 dwt.
$900–1,200
45
1126
1127
1126:
TWO VICTORIAN LARGE MYTHOLOGICAL CAMEO BROOCHES
Both depict Nike and Goddesses leading the four horses of the sun. Carved helmet shell example in bloomed 15k gold
Archaeological Revival frame, ca. 1875; Conch shell example in engraved scroll and blue enameled 14k gold, ca. 1850. Unmarked,
retailed by Cameo Corner, London. Largest 2 7/8” x 2 5/16”. 43.3 dwt. GW. One in original box.
$1,400–1,800
1127:
TWO ITALIAN GRAND TOUR GOLD BROOCHES
Very fine Roman floral bouquet micromosaic on black ground, 18k gold mount; Deeply carved Sardonyx cameo of a man with oak
laurel and pelt, 10k gold mount. Ca. 1850-1870. Both 2” x 1 1/2”. Both unsigned.
$800–1,200
1128:
VICTORIAN MICROMOSAIC BRACELET AND BROOCH
Oval link bracelet depicts flower basket and butterflies on graduated micromosaic panels in yg. scrolling acanthus frames; Oval
micromosaic brooch depicts snake eating dove mounted in yellow gold. Italian, ca. 1870. Unmarked. Bracelet 7 1/4” x 1 1/2”, brooch
1 1/4” x 1 1/2”. 23.2 dwt. GW. Provenance: Collection of Dora Jane Janson.
$1,500–2,000
1128
46
1129
1130
1129:
FRENCH CORAL CAMEO AND ENAMELED SILVER IVY
BRACELET
Six oval carved coral Neoclassical female busts among scrolling green
enameled silver and applied yellow gold naturalistic ivy vine. Mid-late
19th c. French control marks for 800 silver, unidentified maker mark “AL”
7” x 1 1/4”. 66.3 gs. Provenance: Collection of Dora Jane Janson.
$1,000–1,500
1130: GEORGIAN AND VICTORIAN CAMEO AND GOLD JEWELRY
Three pieces: Victorian enameled 15k gold bracelet with three portrait
cameos en esclavage; Two 14k Georgian shell cameo brooches include
deeply carved and undercut Cybele on a chariot pulled by lions, and
bearded Greek philosopher. Bracelet retailed by Cameo Corner, Ltd.,
London, Bracelet 7” x 1 5/8”, Brooches 3”, 1 1//8”. 25 dwt. Bracelet in
original box.
1131
$1,500–2,000
1131:
VICTORIAN WOVEN YELLOW GOLD GEM-SET SERPENT
ARMLET
Flexible coiled serpent set with turquoise and ruby head, open mouth
with protruding tongue. Mid 19th c. Unmarked. Accommodates 8”.
19.6 dwt. Provenance: Collection of Dora Jane Janson.
$1,400–1,800
47
1133
1132
1135
1134
1132:
ANCIENT STONE PORTRAIT CAMEO PENDANT, JULES WIESE
Cameo Roman noble woman, second century AD, worked 18k gold oval pendant mount, ca. 1860. Marked Wiese, French import mark
for 18k, minimum assay, ca. 1893. 2” x 1 3/8”. 17.5 dwt. On later silver chain. Provenance: Collection of Dora Jane Janson. Literature:
Janson, Dora Jane. From Slave to Siren. The Duke University Museum of Art. 1971. Cat. #1.
$2,000–3,000
1133:
ARCHAEOLOGICAL REVIVAL GOLD BULLA, LEO. INNOCENTI
18k hinged oval form with applied wirework and granulation, a naturalistic beetle centers the dished cover, applied gold monogram
JLE on reverse reveals glazed chamber, ca. 1875. Applied mark Innocenti, for Leopoldo Innocenti, Piazza Trinita Dei Monti, Rome.
2 1/8”. 18.8 dwt.
$2,400–2,800
1134:
ARCHAEOLOGICAL REVIVAL GOLD BROOCH, MELILLO ATTR.
Designed in the “Campana” style, a square sectioned panel with nine intricately granulated beads and wirework flanked by circular
elements with granulated blossoms. Unsigned. 1 3/4” x 11/16”. 6.4 dwt. Literature: Christie’s, Magnificent Jewels, May 16, 2012,
Geneva, lot 136 (similar work by Giacinto Melillo).
$1,000–2,000
1135:
INSECT MICROMOSAIC GOLD EARRINGS AND BROOCH
Revival style earrings with conical drops, shepherd’s hook backs and gold mounted circular brooch with antique Italian beetle
micromosaics. 20th c. mounts. Earrings stamped 750 with unidentified makers mark, brooch pin stamped with illegible European
gold control mark. Earrings drop 2’, brooch 1 1/4” around. 17.0 dwt. Provenance: Collection of Dora Jane Janson.
$1,200–1,800
48
1136
1136:
ETRUSCAN REVIVAL 18K GOLD AND LAPIS
FRINGE NECKLACE
Loop in loop chain with tubular and round beads
suspending oval links with applied twist wire decorations
and granulation alternating with openwork florette links
with lapis beads, ca. 1880. Later spring clasp. Unmarked.
14”. 20.8 dwt.
$5,000–7,000
1137:
ASSYRIAN REVIVAL ENAMELED GOLD MERMAID
EARRINGS
Hollow formed as arched mermaids, jewel toned enamel
headdress and necklace and black enamel details, ca. 1850.
Approx. 15k. Unmarked. 7.6 dwt. In fitted case. Provenance:
$2,500–3,500
1137
49
1138
1138:
SET OF 24 MICROMOSAIC GOLD BUTTON, PAPAL
STATES
24 round buttons with floral motifs 18k gold, 1815-1850.
Papal States marks. 5/8”. 37.7 dwt. GW. In original case.
$8,000–10,000
1139:
VICTORIAN ITALIAN MICROMOSAIC SPANIEL
BROOCH
Rectangular micromosaic of shaped and multi-colored
tesserae, engraved 18k gold frame, gold filled pin stem,
ca. 1840. 1 1/8” x 1 5/8”
$2,800–3,200
1139
50
1140
1140: OLD MASTERS ROMAN LANDSCAPE
MICROMOSAIC BRACELET
Five exceptional Roman landscape micromosaics on blue
ground in 18k yellow gold conforming links, souvenir of
Rome, depicts five Italian landscape paintings, 17th and
18th c. Each reverse inscribed with the artist’s name and
exhibition location, incl.: Salvator Rosa at the National
Gallery of Londres, and the Academy of St. Luca; Claude de
Lorraine at the Galleries of Prince Canino and Prince Doria;
Vernet at the Gallery of Prince Borghese, 1828. 7 1/8” x 1
1/4”. 81.3 dwt. GW. In original box embossed with coronet
and gothic PE below coronet. Provenance: Collection of Dora
Jane Janson.
$7,000–9,000
1141:
PERSIAN TURQUOISE AND DIAMOND 18K GOLD
LOCKET
Archeological Revival locket and bail set with turquoise
cabochons and rose cut diamonds, roped gold details,
bloomed finish, ca. 1870, probably English. Unmarked.
2 3/4” (above bail) x 1 5/8”. 24.1 dwt.
$1,200–1,800
1141
51
1142
1144
1143
1142:
TWO MIXED METAL HUNT MOTIF WATCH CHAINS
Both rusticated branch links 18k gold and silver, one depicts six hounds cornering a boar, two gold swivels; One depicts three
hounds chasing a stag, gilt metal swivel. Join to form a necklace. Ca. 1848. 11 1/4” and 9”. 48.2 dwt. GW. Provenance: Collection of
Dora Jane Janson. Literature: Janson, Dora Jane. From Slave to Siren. The Duke University Museum of Art. 1971. Cat #34; Vever,
Henri. Henri Vever: French Jewelry of the Nineteenth Century. Thames & Hudson. 2001. Pgs. 370, 414 (possibly designed by Hubert
Obry or Neville).
$1,800–2,800
1143:
FIVE VICTORIAN HUNT OR ANIMAL JEWELS
Enameled 18k and sterling enhancer depicts a stag and three hounds (revision); Silver and 10k gold boar brooch, after Hubert
Obry; Fob, 14k ruby eyed monkey mother and child with pot, vacant carnelian seal; Fob in the form of a hound, 18k sterling, vacant
carnelian seal; Patinated bronze brooch depicts hound among ivy bower, gold and silver enhancer. All unmarked. Longest 2 1/2”.
10.6 dwt. GW. Reference: Vever, Henri. Henri Vever: French Jewelry of the Nineteenth Century. Thames & Hudson. 2001. Pg. 44
(Animal studies for charms and pins by Hubert Obry). Provenance: Collection of Dora Jane Janson.
$1,500–2,000
1144:
ENAMELED YELLOW GOLD DOVE AMONG IVY PENDANT
Oval pendant with applied green enameled ivy vine and foliage surrounding perched figural dove with outstretched wings in shaded
pink and white enameling, blue ribbon tied at neck. 18k. Late 19th c. Unmarked. 2 1/2” x 1 1/2”. 13.6 dwt. Provenance: Collection of
Dora Jane Janson.
$1,000–1,500
52
1145
1146
1145:
ELABORATE GOLD AND SILVER RENAISSANCE REVIVAL JEWEL
Assembled necklace composed of a Hungarian gilt silver enameled and jeweled festoon necklace, ca.
1880, suspends anthropomorphic 18k gold monkey in green enameled hood with fife and drum, astride
a prancing purple enameled 18k gold steed, monkey and horse embellished with rubies. Necklace with
French import marks for silver, 1893-1984, 19”, gold ornament 2”. Gold approx. 12 dwt. Provenance:
$1,000–1,500
1146:
VICTORIAN NATURAL CORAL TIARA AND BROOCH
Polished coral branches and beads post set and arranged on gilt metal frame, ca. 1860, likely Italian.
Unmarked. Tiara 18 3/8”, brooch 2 1/2” x 1 7/8”. 99.1 gs. Provenance: Collection of Dora Jane Janson.
Literature: Janson, Dora Jane. From Slave to Siren. The Duke University Museum of Art. 1971. Cat #52.
(Similar example).
$1,000–2,000
53
1147
1148
1147:
RENAISSANCE REVIVAL SAPPHIRE ENAMELED NECKLACE
Fret cut gilt silver links with turquoise and oxblood enamel join graduated
natural blue sapphires in closed settings, enameled obverse green
quatrefoils on black ground, sapphires 12.7 x 12.4 mm - 5 x 3.4 mm.,
ca. 1900. Unmarked. 20”. 42.6 gs.
$2,000–3,000
1148:
ENAMEL, GOLD, DIAMOND AND PEARL NECKLACE,
AFTER GIULIANO
Enameled pendant with seed pearls and rose cut diamond cluster suspend
from five strands of cultured pearls, Florentine style enameled gold and
diamond terminals and clasp, ca. 1938. Later pearls. Unmarked. 16”, drops 2”.
38.4 dwt.
$3,500–4,500
1149:
TWO RENAISSANCE REVIVAL BROOCHES WITH FRENCH
MARKS
Glazed cartouche and hair chamber flanked by angels between a pearl
embellished coronet and multi-hued gold floral garland, French import marks
18k and silver, non-treaty country after 1893; Gilt silver brooch, AustroHungarian 1867-1872, depicts Joan of Arc, flanked by harpies and a cherub
(losses). 57.7 gs. GW. Provenance: Collection of Dora Jane Janson.
1149
$1,200–1,800
54
1150
1151
1152
1150:
FROMENT-MEURICE RENAISSANCE REVIVAL BRACELET
Parcel gilt and enameled silver strap bracelet, “Musician Angel of Paradise” stands within an oval blue enamel window flanked by
white trifid armed crosses, scroll links with gilt half-bead joints, ca. 1847. Marked Froment Meurice, French import mark for silver,
after 1893. 7” x 2” - 1”. 60.4 gs. Note: Francois-Desire Froment Meurice (1802-1855) appointed goldsmith jeweler to the City of Paris
in 1839, gold medalist in French industrial Exposition of 1844, this bracelet was likely purchased at the Great Exhibition, Crystal
Palace, London, 1856. Provenance: Collection of Dora Jane Janson.
$4,000–6,000
1151:
RENAISSANCE REVIVAL MIXED METAL AND GOLD BRACELET
Semi-rigid hinged bracelet. Central gold cartouche flanked by reclining semi-nude female figures the openwork and chased strap
with vegetal motifs. Realistic applied floral garland of four color gold and platinum. French import mark for 18k and silver, after
1893, unid. poincon (L/Goblet/P). 7” internal circumference, 1 7/8”, tapers. 87 gs. Provenance: Collection of Dora Jane Janson.
Literature: Janson, Dora Jane. From Slave to Siren. The Duke University Museum of Art. 1971. Cat. #36.
$2,000–3,000
1152:
RENAISSANCE REVIVAL SILVER BRACELET, JULES WIESE
French silver gilt and garnet bracelet by Jules Wiese / Froment-Meurice, embossed central ornament depicts harpist and angel
musician, leafy broad strap, foil backed garnet cabochons, ca. 1850. French marks for silver and Jules Wiese. 6 5/8” x 2 5/16”.
80.2 gs. Literature: Dora Jane Janson. From Slave to Siren. The Duke University Museum of Art. 1971. Cat. #36.
$3,000–5,000
55
1153
1155
1153:
RENAISSANCE REVIVAL JEWELED 18K GOLD
BRACELET
Flexible fancy links, central oval cat’s eye chrysoberyl,
approx. 10 cts., framed by rose cut diamonds on rose cut
diamond accented millegrained wires, .76 diamonds approx.
1.25 cts. TW, late 19th c. Unmarked. 1 5/8” x 7/8” x 7”.
60.8 dwt.
1154
$4,000–6,000
1154:
CARVED MOONSTONE GRIMACE CAMEO AND
DIAMOND WATCH
Cabochon moonstone carved as a scowling mask, open face
watch on reverse, rose cut diamond bezels on both sides,
diamond stem and bail, silver-topped gold, pin set, Swiss
movement, ca. 1890. Unmarked, cuvette #12873. 3/4”
diameter, 1 1/4” over bail. 6.1 dwt.
$6,500–7,500
1155:
VICTORIAN ENAMELED 14K GOLD, EMERALD
AND DIAMOND HINGED CUFF
Broad tapered bracelet centrally set with an oval faceted
emerald, 15 x 9 mm., and pearl triplets, rose cut diamond
and enamel rows. Retailed by Frank Pollak & Sons, New
York, February 24th, 1968. 6 1/2” x 1 5/8”. 34.2 dwt..
$2,000–3,000
1156
1156:
ITALIAN GOLD/SILVER, DIAMOND AND PEARL
DRAGON BROOCH
Bloomed 18k gold dragon after a 16th century design,
granulated and ornamented with applied wirework,
patinated silver wings and tail set with circular cut
diamonds, its breast shielded by blister pearl and diamond
cluster, suspending a large pear shaped baroque saltwater
pearl. GIA report #16255488 describes Natural Baroque
pearl, 16.57 x 14.90 x 11.56 mm. OEC, OMC RBC diamonds,
approx. 4.15 cts. TW, ca. 1930. Unmarked. 23.7 dwt.
$10,000–12,000
56
1157
1158
1159
1157:
PAIR OF DIAMOND ANGEL WINGS BROOCHES
Old mine cut and rose cut diamonds, approx. 6 cts. TW, in silver topped gold,
ca. 1880. Detachable brooch and findings (later clasps). 2 5/8” each. 17.6 dwt.
1160
$2,000–3,000
1158:
TIFFANY & CO. BONNET BABY CARVED MOONSTONE BROOCH
A chubby cheeked baby wearing a diamond and ruby-set bonnet, a large diamond
bow below the chin, silver-topped gold, ca. 1890. Marked Tiffany & Co., scratched
#3001. 1” x 7/8”. 4.2 dwt.
$15,000–18,000
1159:
TWO EDWARDIAN GEMSTONE NOVELTY CAMEO GOLD RINGS
Carved amethyst terrier with enameled eyes and tongue; Carved moonstone cherub
mask in onyx surround with OEC diamond quarters, ca. 1900. Both size 7. 7 dwt.
$1,200–1,800
1160: TIFFANY & CO. BONNET BABY CARVED MOONSTONE BROOCH
Jovial baby in a broad ribbon tied bonnet with hatpin, rose cut diamond bonnet with
red enameled stripes, diamond bow, pearl pin, ca. 1890. Marked Tiffany & Co.
1 1/8” x 1 1/4”. 4.2 dwt.
$12,000–15,000
57
1162
1163
1161
1161:
FRENCH DIAMOND AND PEARL GOLD PARURE IN FITTED CASE
Four piece suite consists of a hinged bangle, chandelier girandole earrings and a transformable
pendant/brooch, with two appliances, geometric and floral garland decorations with old mine cut
diamonds, seed pearls and black enamel, approx. 1.75 cts. TW throughout. 1838-1847. French horse and
rhino head marks, for 18k. Longest 3 1/4”. 43 dwt.
$3,000–4,000
1162:
LATE VICTORIAN DIAMOND WILD ROSE BOUQUET BROOCH
Open blossoms, buds, foliage and ribbons full-set with plump old mine cut diamonds, rose cut diamond
stem, brooch fittings with trombone clasp, hooks for pendant wear, approx. 10.63 cts. TW. Ca. 1880.
3” x 1 3/4”. 11.4 dwt.
$2,500–3,500
1163:
MID-VICTORIAN DIAMOND BOUQUET BROOCH
Silver-topped 14k gold designed as a floral spray, set with foil-backed OMC and rose cut diamonds in
closed settings, diamonds approx. 3 cts. TW. Ca.1855. Unmarked. 2 3/4”. 14.9 dwt.
$1,000–1,500
58
1164
1164:
VICTORIAN DIAMOND ANEMONE NECKLACE AND
EARRING SUITE
Silver-topped gold OMC diamond set graduated anemone
flower heads joined by leafy vining links, earrings designed
in the same manner, revised from necklace links, approx.
17.25cts. TW throughout, ca. 1840. Unmarked. 15 1/2”.
66.7 dwt. Note: In the language of flowers, anemones can
symbolize anticipation or expectation.
1165
$13,000–15,000
1165:
LATE VICTORIAN DIAMOND AND RUBY 18K GOLD
LAPEL WATCH
Oval brooch with rose cut diamond and ruby silver foliage,
suspends round watch with rose cut diamond and ruby
floriform cover, Neoclassical ornaments. Unmarked Swiss
stem wound, pin set movement, white porcelain Roman dial
with Arabic hours, rose cut and OMC diamonds approx. 3.40
cts. TW, principal cushion cut ruby, approx. .50 ct., ruby
accents approx. .50 ct. TW, ca. 1895. 4 5/8”. 29.4 dwt. GW
$3,000–5,000
1166:
FRENCH 18K DIAMOND AND PEARL BRACELET
One hinged bangle with engraved strap work centrally
ornamented with a circular cluster of old mine cut diamonds
and pearls, black enamel details. Diamonds approx. 1.50 cts.
TW. 1840-1879. French export mark, maker mark A/L. Fits up
to 6 3/4”. 30.4 dwt.
1166
$1,500–2,500
59
1167:
MAUVE PEARL, EMERALD AND GOLD JEWELRY ATTR. J.V. MOREL
Gold grapevine bracelet and brooch with emerald pavé leaves and mauve pearl grape
clusters, white pearl and diamond accents, attr. to Jean-Valentin Morel, London, ca.
1850. Similar example: Vever, “French Jewelry of the 19th Cent.”, pg. 352. French
import mark, ca. 1893. Hinged bracelet fits 7”, brooch 1 3/4”. 30.2 dwt. Provenance:
Collection of Dora Jane Janson, Literature: Janson, Dora Jane. From Slave to Siren.
The Duke University Museum of Art. 1971. Cat. #34.
$5,000–7,000
1168:
JEWELED GOLD GRAPEVINE NECKLACE ATTR. J.V. MOREL
Rusticated vine links the central elements with emerald pavé leaves, mauve pearl
grape clusters, the balance with green enameled foliage gray and white pearl
accents. Attr. to Jean-Valentin Morel, London, ca. 1850. Similar example: Vever,
“French Jewelry of the 19th Cent.”, pg. 352. French importation mark, ca. 1894. 19
1/2”. 44.2 dwt. Provenance: Collection of Dora Jane Janson, Literature: Janson, Dora
Jane. From Slave to Siren. The Duke University Museum of Art. 1971. Cat #34.
$8,000–10,000
60
61
1169
1170
1171
1169:
SWISS SCENIC ENAMEL 18K BRACELET RETAILED BY BIRKS
Five oval links, each luminous enamel Alpine scene within engraved rings and loop, chased box
clasp and v-spring, ca. 1890. Most scenes identified on reverse. Clasp incused 18k, Birks.
7 3/4” x 1 3/4”. 37 dwt. GW.
$2,000–3,000
1170:
LATE VICTORIAN 14K GOLD AND PEARL MOURNING SUITE
Four pieces: Necklace and bracelet of oval onyx dishes centered by split pearl and gold forget-menots; Oval brooch similarly made in quatrefoil design; Ring with similar floriform cluster motif.
Ca. 1905. Marked 14k. Necklace 15 1/2”, bracelet 7”, ring size 6 3/4. 56.8 dwt. GW
$1,500–2,500
1171:
THREE PIECES OF VICTORIAN GOLD JEWELRY
Transformable gold and shell cameo pendant/bracelet; Hollow link necklace suspends blue
enameled pendant with hair chamber obverse; Gold girandole brooch with pearl accented
“Chinese Fan”, black enamel and drop fringes. 10k-18k. Unmarked. Chain:19”, drops 4 3/4”
75.7 dwt. Provenance: Collection of Dora Jane Janson, Literature: Janson, Dora Jane. From Slave
to Siren. The Duke University Museum of Art. 1971. Cat. #86.
$1,800–2,400
62
1172
1172:
VICTORIAN TRICOLOR GOLD LOCKET BRACELET
Complex hinged bangle with central hinged compartment
that opens to reveal three photo reserves and suspends
slide locket from woven chains which conceal two
additional photo reserves, applied green or pink gold on
engraved Neoclassical geometric and acanthus decorations
throughout, 14k yg., ca. 1865. Unmarked. Accommodates
7”. 42.3 dwt. GW. Original box/packaging/papers: Intact
with four original tinted portrait photographs. Provenance:
1173
$1,500–2,000
1173:
CARRINGTON & CO. QUEEN VICTORIA
MOURNING PENDANT
Navette shaped crystal protects photographic miniature
of the late queen, enameled with years of reign, 18371901, and illegible initials on mother of pearl ground, black
enamel frame and bail star set with rose cut diamonds. G.F.
or low karat gold. 1 3/4”. In original Carrington & Co. leather
case
$1,400–1,800
1174:
JEWELED 18K RIBBON BOW BROOCH WITH
DIAMONDS
Bloomed 18k gold ribbon brooch with platinum accents,
set with colorless and fancy color diamonds, emeralds and
rubies. Twelve old mine cut or table cut diamonds, approx.
2.0 cts. TW, five rose cut diamonds, approx. .15 ct. TW.
Probably Italian, ca. 1885. 2” x 2 1/2”. 10.5 dwt.
$3,000–5,000
1174
63
1175
1176
1175:
COLLECTION OF VICTORIAN MOURNING JEWELRY, INCL. GOLD
Seventeen pieces: Ten brooches, one necklace, four bracelets, a pendant and a hair comb. Pieces of note include a carved onyx and
rolled gold bead necklace suspending black enameled oval locket with gold tone engraved foliate and seed pearl flower motif; Six
brooches with woven hair in enameled, pearl or onyx set mounts; Pair of black lacquered cuffs with engraved gold tone panels;
Woven hair bracelet; Taille d’epargne enameled gold filled brooch, bangle bracelet; Silver hair comb with graduated beads; Blue
enameled yg. locket with early photograph interior; Two carved onyx brooches, one with seed pearl buckle; Unmounted Grand
Tour micromosaic of Pantheon; Gutta Percha brooch with seed pearls, etc. Early-late 19th c. Some pieces engraved for deceased.
Necklace 30”. Provenance: Collection of Dora Jane Janson.
$1,000–1,500
1176:
ANTIQUE JEWELRY IN VARIOUS MATERIALS, INCL. GOLD
Fourteen pieces: Five brooches, three bracelets, three necklaces, locket on chain and a portrait miniature frame. Pieces of note
include aluminum and gold tone metal brooch with turquoise accents; Gold tone coiled snake bracelet with branch “gem” set eyes,
head; Machine engraved portrait miniature gold filled frame; Fancy two-tone foliate link necklace; Engraved gold filled locket
with glass cabochon accents on antique chain; Bangle bracelet with steel panels, faceted steel center; Gold filled locket with duel
tintype photo on antique stag head watch chain; Silver articulated fish form snuff; Archaeological Revival blue enameled brooch
with seed pearls; Enameled yg. coiled serpent brooch with ruby eyes and suspended tassels; Blue and white enameled yg. foliate
brooch. 18th-early 19th c. Largest 16”. 33.8 dwt GW (items with gold). Provenance: Collection of Dora Jane Janson.
$1,000–1,500
64
1177
1178
1177:
VICTORIAN AND EDWARDIAN GOLD JEWELRY
1178:
RENAISSANCE REVIVAL SILVER JEWELRY
Three pieces: Victorian mesh garter bracelet and companion
brooch with carved coral cameo, foxtail fringe, black incised
enamel details, brooch fitted for necklace wear; Woven
mesh bracelet with amethyst and four OMC diamonds,
approx. .70 ct. TW. 1875-1905. Bracelets 7”, brooch 4 1/8”.
58.8 dwt.
Five pieces: Two Hungarian jeweled and enameled gilt
silver necklaces with amethysts and pearls or chrysoprase
and pearls; A lapel pin suspends three enameled swans
on a pond of green pastes; Cherubs and garnet brooch,
French marks; Gilt silver with pearls brooch depicts a lute
playing woman and musical angels. 19th-20th c. Unmarked.
Necklaces: 17” - 18”, longest brooch 2 1/8”. 170.7 gs. GW.
$2,000–2,500
$900–1,200
65
1179
1179:
VICTORIAN TURQUOISE PAVE OR GARNET PAVE
JEWELRY
Eight pieces: Two necklaces, two bracelets, two brooches,
and a pair of earrings. Turquoise pavé bombé link necklace
and similar teardrop earrings gold filled; hollow-formed
gold brooch with turquoise, seed pearls; Two gold filled
Bohemian garnet hinged bracelets; Star motif garnet
brooch; Five-row bicolor gold filled ribbon necklace with
garnet clasp. Late 19th century. Turquoise necklace 15”.
$1,500–2,000
1180: VICTORIAN BLONDE BANDED AGATE AND SEED
PEARL SUITE
Necklace with graduated gold framed links suspending
seed pearl fringe, earrings and brooch designed in the same
manner, ca. 1875. Unmarked. Necklace 17”, earrings drop
2 1/2”, brooch 1 1/8” x 1 1/2”. 29.1 dwt. GW. Provenance:
$1,400–1,800
1180
66
1181
1181:
INDIAN SCHOOL PORTRAIT BRACELET OF
PROMINENT WOMEN
Largest and central of seven glazed miniatures,
depicts Mumtaz Mahal beloved wife of Shah Jahan.
Silver, glass, applied enameled gold monogram
D.M. on clasp. 19th c. 7 1/2” x 2”. 71.7 dwt. GW.
$1,500–2,500
1182:
VICTORIAN PERSIAN TURQUOISE GOLD
JEWELRY
Four pieces: Turquoise mosaic and 18k pendant
with cannetille edge and glazed obverse; 14k seed
pearl and turquoise fringe necklace; Detachable 18k
matching pendant brooch; Round pavé earrings,
14k, for pierced ears. Unmarked. Necklace:
1 5/8” x 1 1/4”. 36.7 dwt. GW
$1,000–1,500
1183:
ENAMELED SARPECH BROOCH WITH
DIAMONDS
Enameled 18k brooch in the form of a turban
ornament with OMC and rose cut diamonds, approx.
2.25 cts. TW, in silver-topped gold, ca. 1885.
Unmarked. 2 1/2”. 13.2 dwt.
$1,000–1,500
1182
1183
67
1184:
JEWELED SERPENT ON BRANCH BROOCH/EARRINGS
Turquoise pavé serpent with cushion cut diamond crown entwines rusticated branch
with spinel and pearl blossoms. Brooch with diamond, approx. .90 ct.; Earrings with
diamonds, approx. .35 ct. TW. Ca. 1845. Silver, unmarked. Brooch 3” x 2”, earrings
drop 1 3/4”. 57.5 gs. Provenance: Collection of Dora Jane Janson.
$5,000–7,000
68
1185:
JEWELED SERPENT AND BRANCH BRACELET
Turquoise pavé serpent with cushion cut diamond crown entwines rusticated
branches with faceted red spinel and pearl blossoms. Oval cushion cut diamond
approx. 1.30 cts. Silver unmarked. Ca. 1845. Ornamental bosse 3” x 2 1/8”,
accommodates up to 6 3/4”. 54.1 gs. Provenance: Collection of Dora Jane Janson.
$5,000–7,000
69
1187
1186
1189
1188
1186:
DAVID WEBB TURQUOISE 18K RING AND BRACELET
Rope textured ring set with oval turquoise cabochon and four old mine cut diamonds, approx. .90 ct. TW; Hinged bangle
concentrically prong set with turquoise beads in roped edge concavity. Ca. 1965. Both marked Webb 18k. Ring size 8, bracelet 8”
internal circumference. 43.1 dwt.
$3,000–4,000
1187:DIAMOND AND PERSIAN TURQUOISE PLATINUM PENDANT/BROOCH
Oval cluster of 24 prong set baguette cut and RBC diamonds on radial wires, approx. 5.5 cts. TW, hinged bail and detachable fur clip
findings. #V9099. No maker mark noted. Retailed by Frank Pollak & Sons, New York, February 12th, 1968. 2” x 1 7/8”. 31.5 dwt.
$2,000–3,000
1188:
DAVID WEBB DIAMOND, 18K AND PLATINUM BROOCH
Stylized leaf, textured 18k with diamond platinum spine, 14 RBC diamonds approx. .56 ct. TW, ca. 1960. Hinged double pin back,
marked Webb 18k Platinum. 2 15/16”. 13.5 dwt.
$1,500–2,500
1189:
18K ROPED GOLD/PLATINUM DIAMOND RING AND EAR CLIPS
Turban form ring with central diamond pavé dome and diamond ribbons, size 7; Chandelier ear clips with diamond ribbons and
accents, 1 1/2”. Diamonds approx. 2.30 cts. TW. Indistinctly marked. 23.1 dwt.
$900–1,200
70
1190
1191
1190: TWISTED 18K WIRE AND DIAMOND HINGED BRACELET
Semi-rigid tapered design of twisted wire filigree hinged sections, central
diamond platinum bypass, approx. 2.70 cts. TW, in the style of Sterle. Tongue
marked Tiffany 18k. Accommodates 6 1/2”. 54.5 dwt. In Tiffany & Co. box.
$3,500–5,500
1191:
DAVID WEBB DIAMOND PLATINUM 18K GOLD RING
Hexagonal platinum panel and tapered bars set with 24 fine RBC diamonds,
approx. 1.35 cts. TW, in fluted yellow gold, ca. 1970. Marked Plat 18k Webb. Size
7 3/4. 14.1 dwt.
$2,500–3,500
71
1193
1192
1195
1194
1192:
GROUP OF YELLOW GOLD DIAMOND OR GEM-SET EARRINGS
Four pairs: Circular radial design with applied granulation and central bezel set RBC diamond, approx. .50 ct. each; Convex discs
with burnished blue and pink sapphire, citrine, peridot and diamonds on matte ground; Huggie with wg. star set diamonds, textured
ground; Kieselstein & Cord circular with central dome diamond surround. Diamond melee approx. .45 ct. TW throughout. Second
half 20th c. 14k-18k. Largest 7/8”. 31.2 dwt.
$1,500–2,000
1193:
18K GOLD EARRINGS, INCL. HAMMERMAN BROS.
Gold “flame” and diamond ear clips by Hammerman Bros., diamonds approx. 1.32 cts. TW, marked 18k, Des in France, HB cypher,
1 1/8”; Lapis and gold geometric earrings for pierced ears, marked 18k, 750, maker mark L, 1”. 22.5 dwt.
$1,000–1,500
1194:
TURQUOISE, DIAMOND, SILVER AND GOLD EAR PENDANTS
Spherical drops with bands of circular turquoise cabochons and rose cut diamonds in silver, silver and rose diamond foliate cap
surrounds from shepherd’s hook wire backs for pierced ears. Unmarked. Drops 1 1/2”. 12.0 dwt.
$1,200–1,500
1195:
DAVID WEBB LAPIS 18K GOLD RING
Bombé ring designed as an asteroid inset with lapis cabochons, ca. 1965. Marked Webb 18k. Size 7. 12.2 dwt.
$1,000–1,500
72
1196
1197
1198
1196:
ITALIAN 18K GOLD, LAPIS PASSEMENTRIE LINK BRACELET
Substantial solid links join to form an uninterrupted rope, ca. 1960. Italian control
marks 15VI and 750. 8” x 7/8” x 1/2”. 67.2 dwt.
$2,000–2,500
1197:
DAVID WEBB CULTURED PEARL 18K GOLD BROOCH
Roped gold and post set Japanese saltwater cultivated pearls, 7.6 - 7.05 mm., in the
form of a square knot, ca. 1965. Hinged double pin back, marked Webb 18k.
1 15/16” x 1 15/16”. 31.1 dwt.
$1,500–2,500
1198:
DIAMOND AND GEM-SET 14K GOLD EARRING SUITE
Twelve piece transformable earrings. Floriform diamond cluster yellow gold
surmount with detachable pear-shaped drops, coral drops, lapis drops, emerald
drops, sapphire and diamond cluster links. Diamonds approx. 1.53 cts. TW. Clip backs
for unpierced ears. 25.2 dwt.
$1,200–1,800
73
1199
1201
1200
1202
1203
1199:
ENAMELED JEWELED 18K SERPENT RING, AFTER BULGARI
18k yg. flexible open coiled stylized serpent, with variegated green enamel scales, white gold head and tail tip set with fine RBC
diamonds, approx. .47 ct. TW. Marked 750. Fits size 5 and above. 10.7 dwt.
$1,800–2,400
1200: TWO PAIRS DIAMOND OR GEMSTONE GOLD EARRINGS
Circular 14k white gold diamond open crosshatch motif earrings; Oval coral center with single cut diamond and turquoise surround,
18k yg. Diamond melee approx. 2.5 cts. TW throughout. Post backs for pierced ears. Second half 20th c. Unmarked. Larger 1” x 3/4”.
17.8 dwt.
$1,500–2,000
1201:
TIFFANY & CO. YELLOW GOLD BRACELET, ENAMELED EARRINGS
18k braided bracelet; 18k blue enameled oval earrings, 14k screw backs for unpierced ears, attributed to Schlumberger for Tiffany &
Co. 14k-18k. Bracelet stamped “T & Co.”, earrings unmarked. Bracelet 17/32” x 7 3/4”, earrings 5/8” x 1/2”. 27.6 dwt.
$1,500–2,000
1202: DAVID WEBB BLUE ENAMELED 18K GOLD EARRINGS
Designed as three tiers of fluted enamel navettes. Marked Webb, 18k. 1 1/32” x 3/4”. 20.4 dwt.
$900–1,200
1203: DAVID WEBB ENAMELED 18K GOLD RING
Steep bombé ring, concentric reeded gold rows alternate with translucent emerald green enamel, ca. 1965. Marked Webb 18k.
Size 7. 13.5 dwt.
$1,500–2,500
74
1205
1204
1206
1204: JEWELED ENAMELED GOLD SUITE, BORIS LEBEAU
Four pieces: Trefoil brooch, 2 1/4”; Shrimp shaped clip earrings, 1” x 1/2”; Bombé ring, size 7 1/2. All embellished with diamonds,
approx. 2.15 cts. TW, the brooch with five ruby cabochons, approx. 6 cts. TW. Ca. 1960. All elements marked Boris 18k. 63.1 dwt. GW.
(Enamel restorations). Provenance: Property from the Estate of a New York City Collector.
$2,500–4,500
1205: CARTIER GEM-SET ENAMELED GOLD BLACKAMOOR BROOCH
Black enameled head with cream color enameled turban, Persian turquoise topknot, rose cut diamond sarpech and articulated pearl
earrings, ca. 1938. Hinged double pin-back. French marks for 18k gold, signed Cartier, Paris, Depose #05980. 1 1/2”. 7 dwt.
$3,000–5,000
1206: LAPIS 18K GOLD JEWELRY, INCL. TIFFANY & CO.
Two substantial 14-strand lapis and gold bead torsade bracelets with articulated 18k gold joints, join to form a torsade necklace.
Tiffany & Co., Italy, sealife form brooch, lapis pavé bombé with two yg. and sapphire floriforms and platinum and 18k diamond
floriform, diamonds approx. .40 ct. TW. Second half 20th c. Necklace 18”, brooch 1” x 1 1/4” x 3/8”. 14.2 dwt. Brooch in box.
$2,500–3,500
75
1208
1207
1209
1210
1207: ELIZABETH GAGE TOURMALINE AND SAPPHIRE 18K RING
Wide tapered band of textured bloomed gold, applied shot and cut work, roped and bright edge, centrally set with tourmaline
cabochon, 17.33 x 13.9 x 8.55 mm., 17 cts. by formula, four sapphire cabochons. Signed Gage, English hallmarks, 18k. Size 7. 13.2
dwt. In original box.
$1,200–1,800
1208: ANGELA CUMMINGS RUBELLITE AND ONYX 18K EARRINGS
Each oval earring centrally set with an oval rubellite tourmaline cabochon, 2.5 x 8.3 mm., approx. 9.0 cts. TW, onyx and gold
granulation, ca. 1990. Marked Angela Cummings, 18k. 15/16” x 3/4”. 11.6 dwt.
$1,000–2,000
1209: ARTISANAL RUBELLITE AND DIAMOND 18K GOLD RING
Fantasy cut deep red rubellite tourmaline, approx. 35.0 cts., claw set in diamond strapped 18k gold, diamonds approx. 1.40 cts. TW,
ca. 1980. Unmarked. Size 7 1/2. 15.3 dwt.
$5,000–7,000
1210:
GOLD JEWELRY WITH DIAMONDS
Four pieces: Tourmaline and diamond 18k yg. ring in the style of Sepkus, size 7 1/2; Cat’s eye chrysoberyl and diamond 14k yg.
beehive-form earrings for pierced ears; Bicolored gold and diamond link bracelet, marked 14k, 7”. Diamonds approx. 1.25 cts. TW
throughout. 34.8 dwt.
$1,500–2,500
76
1211:
SUBSTANTIAL BLUE SAPPHIRE AND DIAMOND
18K GOLD NECKLACE
Oval sapphire cabochon, 21.2 cts. (17.44 x 13.92 x 8.45
mm.), framed by 24 RBC diamonds, .58 ct. TW Weights
inscribed. 17”. 95.2 dwt.
$9,000–12,000
1212:
18K YELLOW GOLD CHAIN AND GEM-SET HEART
MOTIF PENDANT
Tubogas chain with pink tourmaline heart pendant, RBC
diamond hinged enhancer bail, melee approx. .15 ct. 20th c.
15 1/2”. 61.7 dwt.
$2,000–3,000
1211
1212
77
1213
1214
1213:
THREE 18K GOLD OPEN BANGLES FOPE GIOIELLI
Sprung bangles of brick link style with spherical terminals. Rose gold with white
and yellow gold terminals, yellow gold with white and yellow terminals, matte
white gold with white gold terminals, ca. 2000. Marked Fope, Mod. Dep., Italian
control marks, 750. Resting size 6 1/2”. 70.4 dwt. GW
$2,500–3,500
1214:
TWO 14K YELLOW GOLD HINGED BANGLE BRACELETS
Heavy gauge concentric roped design, concealed v-spring closure. Italian, late
20th c. Italian maker mark “MF”. Accommodates 7”. 40.9 dwt.
$1,200–1,800
1215:
CORAL, ONYX AND DIAMOND WHITE GOLD EARRINGS
Art Deco style cushion shaped coral links suspended by carved onyx rings and
white gold and diamond straps, terminate in pear shaped coral drop, diamond
melee, approx. .50 ct. TW throughout, 18k wg., back posts for pierced ears,
ca. 2000. Italian control marks. Drop 3 5/8”. 11.2 dwt.
$1,000–1,500
1215
78
1216
1217
1218
1216:
MODERNIST 14K GOLD NECKLACE
Supple textured ribbon, ca. 1960. Indistinct maker mark, 585 West Germany. 17” x 3/8” x 2/8”. 44.8 dwt.
$1,500–2,000
1217:
CORAL BEAD YELLOW GOLD LION MASK TORSADE BRACELET
Twelve strands of 3 mm. coral beads join figural tiger heads set with ruby eyes, white gold and diamond
accents, concealed lever releases, ring closure, 18k. Late 20th c. 8 1/4”. 72.1 gs. Gold elements: 20 dwt.
$1,000–1,500
1218:
LARGE CORAL AND DIAMOND BUDDHA GOLD PENDANT/BROOCH
Orange coral carved as Buddha meditative radiating diamond and white gold, green gold or onyx rays,
resinous frame, diamonds approx. .75 ct. TW, ca. 1960. Double pin back, marked 585, 14k. 2 15/16” x 2”,
hinged bail 1/2”. 53.8 dwt. GW
$2,400–2,800
79
1219
1220
1219:
ITALIAN 18K ROPED GOLD NECKLACE AND
BRACELET
Textured broad cord of gold links entwined by smaller cord
forms supple 15 1/2” necklace, 7 1/2” bracelet. Third quarter
20th c. Both marked Italy 18k. 76.6 dwt.
$2,500–3,500
1220: YELLOW GOLD WHEAT CHAIN NECKLACE AND
BRACELET
18k matte gold bracelet; 14k textured gold link necklace.
Bracelet with European control marks. Necklace 19”.
52.8 dwt.
$1,500–2,500
1221
1221:
COLLECTION OF YELLOW GOLD OR GEM-SET
EARRINGS
Six pairs: Carved coral heart drop earrings; Strung faceted
tourmaline and onyx bead flower motif earrings; Ovals with
pierced two tone chevron design; Triangular drops with
RBC diamond line, approx. .80 ct. TW throughout; Stylized
foliate motif in bright and matte finish; Mesh ribbons. Post
backs for pierced ears. 14k-18k. 20th c. Four with Italian
marks, ribbon earrings with French control mark. Largest
drop: 2 1/2”. 34.1 dwt.
$2,500–3,500
80
1222
1222: OXBLOOD CORAL 18K DOUBLE STRAND
NECKLACE, BRACELET
Deep red coral double strand necklace, 15.5 - 6 mm.,
shortest length, 18”, coral bead and chased 18k gold clasp,
113.2 gs. GW; Hinged bangle, lush pierced chasings in the
Florentine style, set with three oval red coral cabochons,
19.58 x 14.87 x 8.2 mm. - 11 x 9 mm., ruby floral clusters,
6 1/2” internal diameter, 26.7 dwt. Ca. 1960. Bracelet
marked 750, necklace unmarked
$2,000–3,000
1223: HIGH CARAT GOLD FILIGREE BROAD CUFF
Hinged cuff of hand built leaf and scroll filigree and
enamel accents inset with four replica King George
1911 Sovereigns. Unmarked. 2 3/8” tall, 2 1/4” internal
diameter. 89.5 dwt. Provenance: Gifted to Princess
Marcella Borghese by Sheik Yamani, 1979, through the
Borghese family.
1223
$3,500–4,500
81
1224
1225
1227
1226
1224: DAVID WEBB MODERN GEOMETRIC PLATINUM AND 18K RING
Steep facets rise to a high plateau with stepped triangle, hammered surface, ca. 1970. Marked Webb Plat 18k. Size 7 3/4. 16.7 dwt.
$1,500–2,000
1225: ROBERT INDIANA 18K YELLOW GOLD “LOVE” RING
Attributed to Joan Kron, ca. 1965-1970. Marks lost due to sizing. Size 8 1/2. 21.9 dwt.
$1,000–1,500
1226: ARTISANAL GOLD NECKLACE AND BRACELET
14k yellow gold fetter chain with spherical stations, 38” x 3/4”; Sinuous 18k matte gold bracelet of beaded and smooth sections,
integral clasp, Italy, 8”. Late 20th c. 55.2 dwt.
$1,800–2,400
1227:
DAVID WEBB MODERN SCULPTED 18K GOLD RING
Stylized stepped knot, planished surface, ca. 1970. Incused Webb, 18k. Size 8. 15.4 dwt.
$1,400–1,800
82
1228
1229
1228: ABSTRACT 14K YELLOW GOLD DIAMOND BROOCH
Converging linear yellow gold rods accented by and suspending baguette and RBC diamonds,
approx. 1.65 cts. TW. 20th c. Stamped by the maker “March”. 3” x 3 3/4”. 18.5 dwt.
$3,500–4,000
1229: STRAND OF BARREL OR DRUM SHAPED CORAL BEADS
29 beads, 23 x 17.5 - 9 mm., hues of orange and salmon, most with white mottling, gilt silver
toggle. 16”. 168.4 gs.
$1,500–2,500
83
1230
1231
1232
1230: LARGE LAPIS LAZULI BEAD 18K YELLOW GOLD NECKLACE
Strand of 20 lapis beads, 20 mm., with bright conforming gold caps and hexagonal spacers, integral clasp.
Marked 18k. 19 1/2”. 358.8 gs. GW
$1,500–2,000
1231:
SONWAI, HOPI, GEOMETRIC STONE AND CORAL SILVER CUFF
Silver tapered open cuff inlaid with shaped slabs of coral, turquoise, lapis, sugalite, 18k, onyx. Purchased from
the artist. Marked Somwai and Butterfly for Sherian Honhongva, Granddaughter of Charles Loloma, ca. 1990.
5 3/8” x 1/2” - 1/8” (tapers). 22.6 dwt.
$1,000–2,000
1232: CHARLES LOLOMA HARDSTONE AND CORAL MOSAIC PENDANT
Silver in the form of a stylized bird inlaid with orange and red coral, lapis, onyx, 18k yellow gold. Purchased from
the artist, ca. 1990. Signed Loloma. 3 1/16” x 3/4” (tapers). 11.4 dwt.
$1,500–2,500
84
1233
1234
1235
1233: SIX STRAND RED CORAL 18K ARTISANAL NECKLACE
Textural six-strand torsade of randomized red coral branch segments, 24 - 5 mm., unique toggle closure with 2”
polished coral branch. Unsigned. 19”. 432 gs. GW
$2,000–3,000
1234: CHARLES LOLOMA HARDSTONE GOLD AND SILVER MOSAIC CUFF
Silver tapered open cuff with geometric mosaic, Hopi inlay includes lapis, turquoise, coral, bone and 18k gold.
Purchased from the artist, ca. 1990. Signed Laloma. 5 1/4” (open), tapers 7/16” - 2/16”. 23.7 dwt.
$4,000–5,000
1235: CHARLES LOLOMA, HOPI, HARDSTONE MOSAIC GOLD RING
Geometric stepped concentric inlay in 18k yellow gold includes lapis, coral, turquoise. Purchased from the artist,
ca. 1990. Signed Loloma. Size 6. 12.5 dwt.
$2,000–3,000
85
1236
1238
1237
1239
1236: DE VROOMEN ENAMEL, 18K GOLD AND CITRINE BRACELET
Broad hinged bracelet set with two faceted and one sugarloaf citrine in strapped design on
russet guilloche enamel ground, 1997. Signed DeVroom with English marks for 18k.
6 3/4” x 1 1/8”. 65.4 dwt.
$3,500–4,500
1237:ENAMELED AND JEWELED 18K GOLD SERPENT RING
Flexible open coil, black and white enameled scales, diamond crown, ruby eyes, open mouth,
diamonds approx. .32 ct. Marked 750. Fits size 7 and above. 10.1 dwt.
$1,800–2,400
1238: ENAMELED 865 GOLD HINGED BANGLE BRACELET, THAILAND
Yellow gold with oxblood red translucent enamel with etched flame scroll and engraved scroll
edge, ca. 1980. Marked Thip 865 G. Internal circumference 7” x 5/8”. 37.8 dwt.
$1,500–2,000
1239: SEAMAN SCHEPPS TURBO SHELL CORAL AND GOLD EARRINGS
Lustrous white shells with deep orange coral, Fourth quarter 20th c. Marked Seaman Schepps,
750, #15910. 1 1/8”. 12.9 dwt. GW
$1,000–2,000
86
1240
1241
1242
1243
1240: SCULPTURAL 18K GOLD, CORAL AND DIAMOND FUR CLIP
Textured yellow gold floriform with diamond, white gold accents, button shaped deep orange coral center, 22.77 x 22.92 mm. 2 1/4”.
32.5 dwt.
$2,800–3,400
1241:
CORAL AND BICOLOR DIAMOND 18K WHITE GOLD PENDANT EARRINGS
Articulated button shaped orange coral surmount, 13.07 mm., within a halo of colorless diamonds, suspends two champagne
diamond links and 35 mm. deep orange coral baton in colorless diamond cap. Diamonds, approx. .76 ct. TW, 18k white gold
eurowires for pierced ears. 2 1/2”. 19 dwt. GW
$2,500–3,500
1242: CORAL AND DIAMOND PAVE BEAD NECKLACE
Graduated strand of salmon colored coral beads, 14.7 - 4.8 mm., interspersed with twelve rose cut diamond pavé beads and caps,
7 - 6.5 mm., approx. 3.24 cts. TW, 18k clasp. 26”. 58.3 gs.
$3,500–4,500
1243: STEPHEN DWECK CARVED CORAL, SILVER AND BRASS BROOCH
Antique Chinese carved coral chrysanthemum bloom, 69 x 56 mm., mounted in sterling with verdigris patina brass conifer leaves,
applied signature sterling beetle. Copyrighted 1990. Stamped with Stephen Dweck signature. 3” x 5 1/4”. 127.7 gs.
$1,000–1,500
87
1245
1244
1247
1244: NARDI MOONSTONE, AMBER, CITRINE AND DIAMOND
18K EARRINGS
Moonstone cabochon and tapered baguette cut citrine cluster surmounts
suspend detachable amber drops in platinum diamond caps, ca. 1985.
Inscribed 750 Nardi. 1 1/6” surmount for unpierced ear, 1 3/4” amber
drop. 22.8 dwt. GW
$1,500–2,000
1245: CITRINE BRIOLETTE 18K GOLD FRINGE NECKLACE
Lattice of lenticular 18k beads suspends graduated briolette cut citrines,
30 x 18.6 x 12 mm. - 16.4 x 12.6 x 8.63 mm. Marked 18k. 15”. 47.4 dwt.
$1,000–1,500
1246: 35” WHITE SOUTH SEA PEARL NECKLACE
58 semi-baroque lustrous white South Sea pearls, 16.5 - 13 mm., sterling
spring clasp.
$3,500–4,500
1246
1247: CARVED CORAL AND DIAMOND GOLD CHRYSANTHEMUM
BROOCH
Carved angel skin coral chrysanthemum blossom accented by RBC
dewdrop, approx. .35 ct., stylized foliage, hinged double pin closure,
ca. 1960. Marked 14k, 585. 2 1/2”. 33.3 dwt. GW
$800–1,200
88
1248
1249
1251
1250
1248: SOUTH SEA PEARL AND DIAMOND ASSEMBLED SUITE
Five pieces. 19” strand of 33 near round or oblate white South Sea
pearls, 17 x 14 mm. - 13.8 x 12 mm., mystery clasp joins diamond pavé
bicolor 14k gold pear shaped ornament, 1 7/8” x 1 1/2”; Bicolor 14k gold
diamond and sapphire heart-shaped enhancer, 1 3/4” x 1”; Mabé pearl
14k gold clip earrings, 1”. Diamonds approx. 3.50 cts. TW. Ca. 1995.
35.3 dwt. GW (four gold elements)
$2,000–3,000
1249: HENRY DUNAY KUNZITE AND DIAMOND 18K PENDANT
BROOCH
Fancy step cut kunzite, approx. 100 cts., within scrolling yellow gold
wirework mount, tipped by platinum set RBC diamond accents, melee
approx. 1 cts. TW throughout. Stamped with Dunay cypher.
2 1/4” x 1 1/2”. 36.7 dwt.
$4,250–4,750
1250: MILKY AQUAMARINE 18K GOLD JEWELRY, INCL. TRIANON
Cowrie shell and milky aquamarine ear clips by Trianon, #38810, 7/8” x 3/4”; Zwikker & Zacher milky aquamarine cabochon ring,
size 6. 18.7 dwt. GW
$1,500–2,000
1251:
SHADES OF GRAY AND BLACK TAHITIAN PEARL NECKLACE
25 spherical lustrous Tahitian pearls in shades of gray-black, 17.5 - 15 mm., 17 1/2”. Sleek silver clasp.
$1,200–1,800
89
1252
1253
1254
1252:
14K JEWELED GOLD ACCESSORIES
Four pieces: Three scent vials, dauber lids set with rubies or sapphires; Two chambered pill box set with emeralds. Ca. 1960. Most
marked 14k. Tallest 1 3/8”. 48.9 dwt.
$1,200–1,500
1253: THREE WHIMSICAL 18K YELLOW GOLD, GEM-SET BROOCHES OR PIN
Yellow and white 18k gold toy soldier brooch with diamond accented eyes, hat; Blue and white enameled beetle brooch with white
gold and diamond accent; Stylized plume jabot pin with oval cabochon ruby and white gold and diamond accents. Diamond melee
approx. .38 ct. TW throughout. 20th c. Brooch and jabot pin with Italian marks. Largest 2 1/4” x 1 1/4”. 25.7 dwt.
$1,000–1,200
1254: TWO GOLD AND DIAMOND “LOVE” JEWELS
14k diamond bombé heart on 16” omega necklace; 14k wg. motto “I love you” yg. charm, 18k link bracelet, 8”. Diamonds approx.
.75 ct. TW. 44.5 dwt. Property from the Estate of a New York City Collector.
$1,400–1,800
90
1255
1256
1255: TWO 14K GOLD LINK BRACELETS WITH FIGURAL CHARMS OR FOBS
Eleven gold souvenir charms (14k and 18k) includes enamels; Ten gold or gold filled charms (most 10k-18k)
include fobs, lockets, diamonds, a compass-drum. 1890-1960. 7 3/4”. 73.9 dwt. GW
$2,000–2,500
1256: ORNATE GOLD CHARM BRACELET
Fancy link 14k gold chain suspends seven large 14k or 18k charms: Hand, mezuzah, carriage lantern with garnets,
hat, multi-photo locket, clover, multi-gem lantern, ca. 1960. 7”. 58.5 dwt.
$1,800–2,400
91
1257
1258
1257A
1257:
GOLD AND BLACK “OPAL” MERMAID PENDANT ON CHAIN
Entwined figural yg. mermaids grasping freshwater pearls separated by and suspending oval Gilson
“black opals” on rolo link chain. Post 1984. Unmarked. Pendant 1 1/4” x 3” on 16” chain. 19 dwt.
$1,400–1,800
1257A:ART NOUVEAU JEWELED 18K BROOCH STYLE OF MARCUS & CO.
Scrolling tendrils with faceted amethyst and two pale green gem cabochons in gold saw tooth settings,
pale blue faceted gem in silver saw tooth setting, ca. 1900. Unmarked. 2” x 2”. 14 dwt.
$1,200–1,800
1258: OPAL, BLUE ENAMEL AND YELLOW GOLD JEWELRY
Abstracted dark blue enameled links center teardrop shaped or oval opals, necklace designed in the
same manner with opal drop, ca. 1905. Stamped 14k. Bracelet 7 1/2”, chain 15 1/2”. 13.6 dwt. Literature:
Dora Jane Janson. From Slave to Siren. The Duke University Museum of Art. 1971. Cat. #119-122.
$1,400–1,800
92
1259
1259: MOONSTONE, DIAMOND AND SAPPHIRE GOLD
SWAG NECKLACE
Contemporary necklace in the Edwardian style, two rows
of oval cabochon cut moonstones in millegrained bezels
join cable link chain to a central vertical articulated
arrangement of moonstones and two OEC diamonds, approx.
.66 ct. TW, blue sapphire accents. Unmarked. 16 1/2”, drops
2 7/8”. 20.8 dwt.
1260
$2,800–3,200
1260: MASRIERA Y CARRERAS ENAMELED GOLD
DIAMOND EARRINGS
1261
Articulated pendant earrings in the Art Nouveau style with
green and blue plique-à-jour enamel and diamonds, 18k,
ca. 1995. Marked with maker’s cypher B-273, 15/22. 1 7/16”.
6.3 dwt.
$1,000–1,500
1261:
MASRIERA Y CARRERAS DRAGONFLY BROOCH
AND RING
18k gold dragonfly brooch in the Art Nouveau style
with shaded blue and green plique-à-jour enamel wings,
diamond head and abdomen, sapphire tail, 2 3/4” x 1 3/4”;
Bisymmetric ring with central diamonds, approx. .50 ct.,
foliate diamond shoulders, translucent enamel butterflies,
framed by undulating diamond ribbon, size 9 1/2. Diamonds
approx. 1.10 cts. TW throughout. Brooch with maker’s
cypher #B723, ring marked 18k, 212.33. 14.1 dwt.
$1,800–2,400
93
1262
1264
1263
1262: 18K YELLOW GOLD CIRCLING FISH COLLAR NECKLACE
Figural engraved fish links join in concentric design. 20th c. Unmarked. Accommodates 7”.
78.5 dwt.
$2,800–3,800
1263: 18K YELLOW GOLD SEAHORSE BRACELET
Open hinged cuff designed as skeletal seahorse with emerald eye. Second half 20th c.
Unmarked. Accommodates 6 1/2”. 19 dwt. Provenance: Collection of Dora Jane Janson.
$1,000–1,500
1264: ZOLOTAS 18K YELLOW GOLD, GEM-SET OCTOPUS BRACELET
Hinged cuff with two conjoined figural octopodes set with emerald eyes, central cabochon
and round faceted sapphire “bubbles”, entangled tentacles with applied shot work conform to
tapered design. Greece, 20th c. Stamped Zolotus. Accommodates 6 1/2”. 40.1 dwt.
$2,000–3,000
94
1265
1266
1267
1268
1265:
TIFFANY & CO. EGYPTIAN COIL 18K GOLD NECKLACE
Coiled gold links. Second half 20th c. Marked Tiffany & Co., 18k. 22 3/4”. 32.1 dwt.
$1,500–2,500
1266: ANGELA CUMMINGS 18K GOLD LEAF SKELETON NECKLACE
14 links with concealed hook closure. Marked 1985 Cummings 18k. 17” x 1 1/4”. 48.2 dwt.
$1,400–1,800
1267:
THREE NATHAN LEVY ARTISANAL ETERNITY BANDS
Contemporary art jewels hand built in platinum and 18k gold using ancient techniques: Seven diamond scroll ring, 5.4 mm., size
6; Scroll ring, 8.4 mm., size 7; “Heart to Heart” band in platinum and 18k gold with five diamonds, 5.6 mm., size 7 1/2. .55 cts. TW
throughout. All signed Nathan Levy. 13.8 dwt.
$1,800–2,400
1268: NATHAN LEVY 1.21 CTS DIAMOND WEDDING RINGS SET
Artisanal hand built diamond engagement ring and diamond eternity band of 18k gold and platinum employing ancient techniques.
“Cupcake” engagement ring set with RBC diamond, GIA report #8483699 describes round brilliant cut, E, VVS2 diamond
6.98 - 7.04 x 4.15 mm. set to diamond scroll shoulders, matching band, 16 smaller diamonds, approx. .66 ct. TW. Both signed
Nathan Levy. Size 6. 10.1 dwt.
$6,000–8,000
95
1269
1270
1271
1272
1269: SAPPHIRE, GREEN GARNET AND DIAMOND TRIMMED BELT RING
Wrapped belt of tsavorite garnets, 3.20 cts. TW, and sapphires, 1.43 cts. TW, in black rhodium patinated 14k wg., white gold buckle
hardware set with .16 ct. micro pavé diamonds. Marked with maker cypher, 14k, 585. Size 7. 7.1 dwt.
$1,500–2,500
1270: LALAOUNIS HAMMERED 18K STYLIZED SERPENT NECKLACE
Substantial minimalist hinged collar designed as a coiled serpent, ca. 1980. Marked #35, Lalaounis cypher, 750, Greece. Internal
circumference 14 1/2”. 41.1 dwt. Original suede pouch
$1,800–2,400
1271:
MARINA B TRICOLOR 18K GOLD SPRUNG NECKLACE, FRANCE
Bright triangular rose, white and yellow gold elements on open steel band, ca. 1979. Marked Marina B, #W164, French assay
and maker marks. 13 1/2” x 3/8”. 50.1 dwt. GW. Provenance: Given by Marina Bulgari to Princess Marcella Borghese, through the
Borghese family.
$3,000–5,000
1272:
ITALIAN PARCEL PATINATED 18K GOLD DIAMOND COLLAR
Graduated flat gaspipe composed of rows of bright yellow and patinated white 18k gold. Four yellow gold accent straps, the central
two set with RBC diamonds, approx. 1.56 cts. TW, ca. 1980. Italian control marks for 750 and maker mark. 15” x 7/8” - 3/8”. 43.5 dwt.
$1,500–2,500
96
1273
1274
1275
1273:
18K GOLD NECKLACE, KOSTAS ANTONIOU, SANTORINI, GREECE
Long “Y” shaped sautoir of textured, stylized Greek key links, bottom 6” portion is detachable, ca. 1995. Struck
with makers cypher and 750. 21”, drops 7”. 96.1 dwt. In original blue sueded folio
$3,000–5,000
1274: LALAOUNIS HAMMERED 18K GOLD HINGED BRACELET
Substantial stylized stirrup motif double hinged, ca. 1980. Marked #A21, Lalaounis cypher, 750, Greece.
Accommodates 6 1/2”. 38.6 dwt.
$1,800–2,400
1275:
18K YELLOW GOLD AND BROWN ZIRCON BRACELET
Conforming rectangular panels bezel set with round faceted brown zircons join to form hinged cuff design.
Second half 20th c. Stamped with illegible maker mark. Accommodates 7”. 59 dwt.
$1,500–2,500
97
1276
1277
1278
1279
1276:
VAN CLEEF & ARPELS ALHAMBRA GOLD DIAMOND RING
Mother of pearl quatrefoil with diamond center, beaded edge. Incused VCA 750, #51 GL 91984,
shank exterior with French maker and assay mark. Size 6. 4.2 dwt.
$1,600–2,400
1277:
DIAMOND AND GEMSTONE PAVE 18K WHITE GOLD RING
Contemporary asymmetric design in the form of sea foam, set with rose cut and RBC colorless and
champagne diamonds, approx. 1.30 cts. TW, blue sapphires and amethysts. Marked 750. Size 6 1/2.
8.7 dwt.
$2,000–3,000
1278: TWO PAIRS GEM AND DIAMOND YELLOW GOLD FLOWER EARRINGS
Clusters of three overlapping flower heads centered by RBC diamonds in pink and purple
tourmaline or peridot, diamond melee approx. .84 ct. TW, 14k. Late 20th c. Unmarked. 1 1/4”.
21.5 dwt.
$1,500–2,000
1279:
BUCCELLATI DIAMOND 18K GOLD FLORAL ETERNITY BAND
Six engraved yellow gold flower heads with diamonds, approx. .24 ct. TW, in fluted white gold
bezels form an endless daisy chain, 10.7 mm. Inscribed Buccellati, Italy, 18k, N706, Italian registry
marks. Size 6 1/2. 6.4 dwt. Original box.
$1,500–2,500
98
1280
1281
1283
1282
1280: BUCCELLATI FANCY AND COLORLESS DIAMOND HEART RING
Convex white gold diamond pavé heart centrally set with a heart shaped fancy colored diamond, 7 x 7.5 x 3.63 mm., 1.31 cts. by
formula, white gold ornato hoop, engraved yellow gold edges, colorless diamonds approx. 1.80 cts. TW, ca. 1994. Signed Gianmaria
Buccellati, Italy, 18k, T2027. Size 61/2. 6.0 dwt. Original Box.
$5,000–7,000
1281:
TIFFANY & CO. BICOLOR DIAMOND BUTTERFLY BROOCH
Designed as a butterfly in flight from The Nature Collection, 65 RBC fancy intense yellow diamonds from the Ellendale Mine (closed
2014), approx. 2.20 cts. TW, set in 18k yg., and 35 RBC colorless diamonds in platinum, approx. .54 ct. TW. Marked 1996 Tiffany &
Co., 750. 1 1/2”. 5.5 dwt. In original box. Note: This brooch depicted in 1997 Blue Book.
$4,000–6,000
1282: BUCCELLATI BOTANICAL ASSEMBLED 18K GOLD SUITE
Sunflower earrings of chased white or yellow gold petals and green gold center, #P2347, 7/8”, and yellow gold two oak leaf brooches
with white gold veins, #W905, 1 3/4”, both marked Buccellati; Gianmaria Buccellati engraved yellow gold blossom ring with white
gold center, #Z464, size 7. Second half 20th c. Italy, 18k. 18.8 dwt. In original box.
$2,500–3,500
1283: VAN CLEEF & ARPELS 18K AND CORAL BUTTERFLY BRACELET
18k yellow gold, angel skin coral butterfly with diamond accent. French assay marks, tag marked VCA (c) 18KT 1003, B2052J8.
5.1 dwt.
$1,800–2,400
99
1284
1286
1285
1284: VAN CLEEF & ARPELS DIAMOND, LAPIS, GOLD LONG CHAIN
18k yellow gold curb link chain with four oval lapis cabochon stations and four RBC
diamond pavé oval platinum bombé stations, diamonds approx. .40 ct. TW. Second half
20th c. Marked VCA NY, 4K28-25, 18k. 36”. 28.9 dwt.
$3,800–4,800
1285: TWO PAIRS DIAMOND WHITE GOLD BRACELETS
Hinged 18k bangles centered by navette shaped turquoise in single cut diamond thread
bypass, ca. 1950; Two baguette cut diamond 18k wg. chain bracelets, diamonds approx.
1.40 cts. TW, 6 1/4”. 15.8 dwt.
$1,500–2,500
1287
1286: IPPOLITA 18K BANGLES WITH DIAMONDS OR SAPPHIRES
Diamond “stardust” bangle with RBC diamonds, 2 cts. TW; “Tiny Bubbles” bangle set with
4.30 cts. TW blue sapphires. Marked Ippolita 18k or Ippolita 18k ROSE GOLD.
2 1/4” x 2 5/8”. Both rose gold, 13.3 dwt.
$1,400–1,800
1287: FRENCH DIAMOND, SAPPHIRE AND RUBY 18K RING BY CHANEL
18k wg. formed as three rows of bezel set RBC diamonds, pink and purple sapphires and
rubies, five diamonds, approx. .40 ct. TW, 13 corundum, approx. 1.0 cts. TW. French assay
marks, interior incused (c) Chanel 17L 1942 750 55. Size 8, 13/16” wide. 9.9 dwt.
$5,000–6,000
100
1288
1289
1290
1291
1288: SAPPHIRE AND DIAMOND 18K WHITE GOLD EARRINGS
Each matte earring laterally set with an oval faceted blue sapphire, suspends square set diamond, fluted edge,
two sapphires approx. 4 cts. TW, four diamond accents, approx. .11 ct. TW, hinged wires, ca. 2010. Marked 750.
1 1/8”. 7.5 dwt.
$1,200–1,800
1289: BUCCELLATI SAPPHIRE AND DIAMOND BICOLOR 18K GOLD BAND
Oval cabochon cut sapphire, approx. 1.45 cts., centrally set in engraved yellow gold on pierced white gold floral
pattern “Eternelle” diamond band, diamonds approx. .45 ct. TW, the back telato engraved with ornato details,
engraved gold edges. Inscribed Buccellati, Italy, 18k, #W502. Size 7. 4.5 dwt. In original box.
$2,000–3,000
1290: BUCCELLATI SAPPHIRE BICOLOR 18K GOLD RING
Concentric pierced and engraved floral motif “Eternelle” ribbon centrally set with rose cut blue sapphire, 3 cts. by
formula, ca. 1993. Purchased in Paris. Signed Gianmaria Buccellati, Italy, 18k, Q756, Italian registry marks. Size 8,
9.3 mm. 5.1 dwt. In original box.
$2,500–4,500
1291:
DIAMOND AND SAPPHIRE 18K WHITE GOLD PANSY FUR CLIP
Realistically rendered pansy with invisibly set sapphires and RBC diamond petals, centered by RBC diamond,
approx. .25 ct., and three bezel set round faceted sapphires, diamonds approx. 2.72 cts. TW, sapphires, approx.
16.88 cts. TW. Weights incised on reverse. 2” x 1 3/4”. 17.4 dwt.
$2,000–3,000
101
1293
1292
1294
1295
1292: BUCCELLATI 18K GOLD DIAMOND CLASSICA HOOP EARRINGS
Textured yellow gold set with 8 RBC diamonds, .34 ct. TW, in 18k wg., ca. 1995. Signed Buccellati, H4154, Italy, 18k. 5/8”. 6 dwt.
In original box
$2,000–3,000
1293: TWO PAIRS BUCCELLATI 18K GOLD CONVEX EARRINGS
The larger pair with ornato detail on silken telato ground, Mario Buccellati, 25 x 8 mm.; Yellow gold telato button earrings centrally
set with sapphires framed by white gold diamond lace, Gianmaria Buccellati, 15.3 x 9.4 mm. Hinged backs, the larger pair with posts
for pierced ears. 1980-1990. 17.6 dwt. Original boxes.
$2,000–3,000
1294: DIAMOND, RED CORAL, GOLD AND PLATINUM EARRINGS
Leaf-form surmounts of diamonds in platinum and roped 18k yg., suspend detachable red coral and diamond drops, RBC diamonds
approx. 2.90 cts. TW, hinged backs for pierced ears. Unmarked. 2 1/4”. 15.6 dwt.
$1,500–2,000
1295: WOVEN HIGH KARAT YELLOW GOLD BRACELET
Wide supple ribbon with hand chased closure. At least 18k. 20th c., possibly Greek. 8 1/4” x 1 3/4”. 57.1 dwt. Provenance: Collection
of Dora Jane Janson.
$3,000–5,000
102
1296
1298
1297
1296: MARIO BUCCELLATI TEXTURED 18K GOLD NECKLACE
Flexible necklace of concave telato links arranged as overlapping petals, ca. 1980. Marked M. Buccellati, 750,
Italian registry mark. 17”. 39.4 dwt.
$3,500–5,500
1297:
MARIO BUCCELLATI 18K GOLD AND DIAMOND PHOTO FRAME
Oval with easel back, lacy scalloped telato textured frame set with ten RBC diamonds, approx. .30 ct. TW, floral
engraved reverse. Marked M. Buccellati, Italy, 18k. 2 7/8” x 2 3/8”. 25 dwt. (weighable gold)
$3,200–3,800
1298: BUCCELLATI BICOLOR 18K GOLD AND CITRINE RING
Sugarloaf cognac citrine emerges from segrinato yellow gold oak leaves with white gold veins, ca. 1980. Signed
Buccellati, Italy, scratched #12247. Size 6 1/2. 7.2 dwt. In original box.
$2,500–3,500
103
1299
1300
1299: EDWARDIAN 14K GOLD MESH EVENING
BAG
Rectangular frame with sapphire thumb press,
15” paperclip chain. 5” - 8” x 4”. 77.9 dwt.
$1,500–2,000
1300: TIFFANY & CO. ELSA PERETTI 18K
MESH NECKLACE
Supple tapered yellow gold chain mail mesh, ca.
2005. Stamped on attached tag, “Tiffany & Co,
18k, Peretti”. 26.5”. 20.3 dwt.
$2,000–4,000
1301: TWO FRENCH 18K GOLD MESH PURSES
1301
Both with arched frames, jump rings to join
evening bags, snap closures, bead fringe. French
eagle marks. Longest 3 3/4” overall. 43.9 dwt.
With chamois storage pouch.
$1,400–1,800
104
1302
1304
1303
1302: ART DECO 18K GOLD EVENING BAG FOR FRENCH MARKET
Rectangular frame supports two-section evening bag, sapphire bullet snap closure, 5” x 5 3/4”, with
13 5/4” oval link chain. French import marks for 18k, 1893-1984. 240 dwt. In chamois storage pouch.
$8,000–10,000
1303: HAMMERMAN BROTHERS ARTICULATED FLOWER BROOCH
Textured 18k gold with diamonds designed as an unfolding blossom, 16 post set diamond stamens
tremble, approx. 1.12 cts. TW. Mark of Hammerman Bros, 18k, #28. 2”. 19.6 dwt.
$2,000–3,000
1304: 14K YELLOW GOLD COMPACT
Slim rectangular case with hand engraved Florentine design, onyx thumb press, interior engraved
9 Septembre 1941, conceals two WWII German train tickets. Unmarked. 3” x 2 5/8”. 49.7 dwt.
$1,200–1,800
105
1305
1306
1307
1308
1305: LARGE OCTAGONAL CUT AMETHYST AND DIAMOND RING
Octagonal step cut deep purple amethyst, 23.19 x 21.31 x 11.68 mm., 41.5 cts. by formula, flanked by six RBC diamonds, .72 ct. TW,
14k yg. Marked 14k and indistinct maker mark. Size 8 1/2. 10.7 dwt.
$800–1,000
1306: TWO VICTORIAN REVIVAL YELLOW GOLD ENAMEL JEWELS
Baroque style pendant with figural putti and woman with violin over blue enameled background in the style of Francois-Desire
Froment-Meurice on 18k knot motif link chain; Opal and RBC diamond cluster pendant brooch outlined in blue enamel. ca. 1950.
Pendant stamped with #30402. Pendant 2” x 1”, brooch 1 1/2” around. 30 dwt. Provenance: Collection of Dora Jane Janson.
$1,000–1,500
1307: GRAY TAHITIAN PEARL AND DIAMOND GOLD NECKLACE AND EARRINGS
Necklace with baroque and semi-baroque pearls separated by yg. and diamond rondelles, accent links and large lobster clasp;
Spherical pearl drops suspend from yellow gold and diamond findings, ruby cabochon post, earrings for pierced ears. 18k. Melee
approx. 3.5 cts. TW throughout. Late 20th c. Unmarked. Necklace 17 1/2”, earrings drop 1 1/2”.
$1,000–1,500
1308: GOLDEN AND WHITE SOUTH SEA PEARL AND DIAMOND CHAIN
37 button shaped pearls and 19 RBC diamond highlights, approx. .70 ct. TW, joined by 14k yg. curblink, spring ring clasp.
72.5 dwt. GW
$1,800–2,400
106
1309
1310
1311
1309: TWO MULTI-GEM 14K GOLD RAINBOW LINE BRACELETS
Calibrated gemstones include spectral colors of tourmaline, quartz and aquamarine.
Mid 20th c. Engraved edges, incised mark 14 ct. 7 1/8”. 26.2 dwt.
$2,000–3,000
1310: DIAMOND, ENAMELED 14K YELLOW GOLD LINK BRACELET
Open Florentine cluster links of prong set RBC diamonds, approx. 8 cts. TW with scalloped
cobalt blue enamel trim, ca. 1950. Marked 14k on spring ring. 7” x 1”. 32.6 dwt.
$2,000–3,000
1311:
SAPPHIRE AND DIAMOND 18K GOLD STRAP BRACELET
Baguette cut natural blue sapphire, yellow gold links joined by arched white gold diamond
links, sapphires approx. 12.0 cts. TW, diamonds approx. 1.20 cts. TW, ca. 1980. Marked 18k
MAG. 7” x 7/16”. 20.3 dwt.
$1,200–1,800
107
1312
1313
1315
1314
1316
1312:
ART DECO STAR SAPPHIRE AND DIAMOND PLATINUM RING
Oval star sapphire, 31 cts. by formula, with baguette and single cut diamond strapped shoulders, melee approx.
.45 ct. TW, ca. 1935. Size 8 3/4. 8.5 dwt.
$2,500–3,500
1313:
17.11 CTS STAR SAPPHIRE AND DIAMOND CLUSTER RING
GIA report #5151886173 describes natural, unheated, oval cabochon transparent blue star sapphire,
14.35 x 10.80 x 10.60 mm., originating from Sri Lanka, framed by 16 RBC diamonds, diamond shoulders, approx.
1.50 cts. TW, 14k wg . Size 6 1/2. 6.4 dwt.
$4,000–5,000
1314:
8.46 CTS UNTREATED BURMA SAPPHIRE AND DIAMOND RING
AGL Report #CS 66581 describes natural, untreated, oval mixed cut, blue sapphire, 11.56 x 9.41 x 8.47mm
originating from Burma (Myanmar) within turban of RBC diamonds, approx. .60 ct. TW, 14k wg. Size 6 1/2.
5.0 dwt.
$4,000–6,000
1315:
UNTREATED 5.02 CTS BLUE SAPPHIRE AND DIAMOND RING
AGL report #CS 65337 describes natural, untreated, oval pyramidal cabochon sapphire, 10.2 x 8.3 x 6.68
originating from Cambodia (Pailin) flanked by two triangular cut diamonds, approx. .80 ct. TW. 14k wg.
Unmarked. Size 5. 2.1 dwt.
$3,500–5,500
1316:
ART DECO OPAL AND DIAMOND PLATINUM RING
Round cabochon opal, 13.46 x 8.24 mm., approx. 8 cts., flanked by diamond volute shoulders with onyx bullets,
tapered hoop with diamond accents, approx. .60 ct. TW, ca. 1938. Size 9 1/2. 7.7 dwt.
$1,500–2,500
108
1318
1317
1319
1317:
AQUAMARINE AND DIAMOND “POOL OF LIGHT” NECKLACE
16 oval cabochon cut aquamarines, 350 cts. TW, in 14k wg. spectacle settings joined by
diamond links, diamonds 2.60 cts. TW. 17 1/2”. 55.1 dwt. GW
$3,250–4,250
1318:
OPAL AND DIAMOND 14K WHITE GOLD PENDANT EARRINGS
Oval cabochon opal and RBC diamond cluster surmounts and drops joined by three diamond
links. Four opals, approx. 10.3 cts. TW, 70 single cut and RBC diamonds, approx. 2.50 cts. TW,
hinged backs for pierced ears, ca. 1955. Marked 14k. 1 3/4”. 8.8 dwt.
$2,000–4,000
1319:
AQUAMARINE, SAPPHIRE AND DIAMOND EARRINGS, ZWIKKER & ZACHER
Four oval milky aquamarines, approx. 34 cts. TW, 28 oval faceted blue sapphires, approx.
10 cts. TW, 34 RBC diamonds, approx. .68 ct. TW, pendants detach for day/night wear, hinged
backs and posts for universal wear. Marked 18k, 750. Unsigned. 2”. 17.7 dwt. In original box.
$2,000–3,000
109
1321
1320
1322
1320: GEM-SET 18K GOLD NECKLACE AND EARRINGS
Bezel set oval cabochon cut gemstones include moonstones, pink tourmaline, carnelian,
amethyst, citrines, and rock crystal. Joined by heavy oval link chain to form 17 3/4” necklace,
clusters of three for ear clips, for unpierced ears. 33.4 dwt.
$1,200–1,600
1321:
DIAMOND, PLATINUM AND CHATHAM EMERALD PINWHEEL RING
Bright baguette, RBC and marquise shaped diamonds, approx. 2.40 cts. TW, 10 mm. RBC lab
created emerald. Size 6. 10.4 dwt.
$1,200–1,800
1322: CABOCHON SAPPHIRE AND DIAMOND PLATINUM PENDANT EARRINGS
Articulated drop earrings. Four cabochon cut sapphires, approx. 12.50 cts. TW, two baguette
cut diamonds, approx. .50 ct. TW, threaded posts for pierced ears. Indistinct maker mark,
PT 950. 1 1/4”. 6.5 dwt.
$2,500–3,500
110
1323
1324
1325
1323: GREEN TOURMALINE AND DIAMOND 14K WHITE GOLD EARRINGS
Cushion cut faceted green tourmalines, 10.3 cts. each, surrounded by RBC diamonds, approx.
2.3 cts. TW throughout, shepherd’s hook wire backs for pierced ears. Late 20th c. Stamped
14k. Drops 1 1/8”. 9.6 dwt.
$3,000–4,000
1324:
H. STERN BRAZILIAN MULTI-GEM 18K BRACELET
Eleven textured rectangular links, each set with an emerald cut gem, includes colors of
tourmaline, citrines, amethyst, aquamarine, ca. 1970. Maker mark H. Stern, 750.
7” x 3/4”. 40 dwt.
$1,400–1,800
1325: GREEN TOURMALINE AND DIAMOND ROSE GOLD SUITE
Four pieces with rectangular step cut green tourmalines, a ring and ear clips with diamond
accents, a link bracelet. Ten tourmalines, approx. 42 cts. TW, the largest 7.9 x 12.6 x 8.6 mm.,
16 cts. by formula, ca. 1948. Unmarked. Ring size 7, bracelet 8”. 20.7 dwt.
$2,500–3,500
111
1326
1327
1326: TANZANITE AND DIAMOND PLATINUM RING
Round faceted tanzanite, 3 cts. by formula, in Art Deco style
“Steps of Love” diamond setting, RBC diamonds, approx. .55
cts. Second half 20th century. Unmarked. 6 3/4”. 7.5 dwt.
$1,200–1,800
1327:
RUBY AND DIAMOND 18K WHITE GOLD
EARRINGS
Circular cluster earring pendants suspend from diamond
accented hinged wires, two cushion shaped rubies, 2.59 cts.
by formula, 16 RBC diamonds, approx. 2.88 cts. TW, two RBC
diamonds, approx. .16 ct. TW. Marked 750. 1”. 4.9 dwt. Note:
Rubies probably Burma, origin untested.
$5,000–7,000
1328: FACETED TANZANITES AND DIAMONDS BY THE
YARD
62” chain of 58 faceted tanzanites, approx. 181 cts. TW,
and 27 RBC diamonds, approx. 3.5 cts. TW, in spectacle
settings, joined by cable link chain, lobster claw clasp, 14k
wg. Unmarked. 19 dwt. GW
$5,500–8,500
1328
112
1329
1330
1329: 3.02 CTS BURMA STAR RUBY AND DIAMOND
PLATINUM RING
AGL report #CS 67643 describes natural, untreated, oval,
double cabochon, pink-red star ruby, 7.89 x 5.98 x 6.44mm
originating from Burma (Myanmar) within “ballerina” setting
of 20 tapered baguette cut diamonds, approx. 1 cts. TW,
ca. 1960. Marked 10% irrid. Size 7 1/4. 4.0 dwt.
$1,500–2,500
1330:RUBY AND DIAMOND THREE-STONE RING,
HAMMERMAN BROS.
2.78 cts. mixed cushion cut ruby flanked by two oval-cut
diamonds in platinum prongs, approx. .95 ct. TW. AGL
report CS67646. Ca. 1965. Mark of Hammerman Bros.
#25266, 18k, Plat. Size 6 1/2. 3.3 dwt.
$3,500–5,500
1331:
OPULENT MULTICOLORED SAPPHIRE AND
DIAMOND ROPE
Comprising approx. 265 cts. TW of faceted blue and fancy
colored sapphires and approx. 6 cts. TW colorless and
yellow diamonds, accumulated by a gem dealer. Spectacle
set in 14k wg. 18k wg. lobster claw clasp. 80”. 44.8 dwt. GW
$30,000–40,000
1331
113
1333
1334
1335
1336
1332: NO LOT
1333: RETRO STAR SAPPHIRE AND DIAMOND 18K GOLD RING
Round blue star sapphire cabochon, approx. 12.75 cts., in octagonal yellow gold seting paired with diamond platinum corners,
diamonds approx. .12 ct. TW. Size 6. 8.2 dwt.
$1,000–1,500
1334: BLACK OPAL AND JEWELED 18K GOLD PLATINUM BROOCH
Oval gray black, semi-crystal opal with red/yellow/blue/green fire, 30 x 11 x 4.5 mm., 10.7 cts. by formula, and .25 ct. blue sapphire,
in platinum bezel and rippled openwork ,18k yg. set with diamonds, pearls and aquamarines, ca. 1995. Marked 18k, pendant bail.
1 3/4” x 1 1/4”. 10.2 dwt.
$4,000–6,000
1335:
AQUAMARINE AND DIAMOND 14K WHITE GOLD RING
Step cut aquamarine, 22.5 cts. by formula, flanked by two RBC diamonds, approx. .20 ct. each, 14k wg. Mid 20th c. Size 9 1/2.
8.8 dwt.
$1,500–2,500
1336:
TIFFANY & CO. INLAID GOLD CAMILLIA BROOCH
Mother of pearl and blue chalcedony petals, black jade stamens. Designed by Angela Cummings. Marked Tiffany & Co., 750. 1 15/16”.
19 dwt.
$1,500–2,000
114
1337: 3 3/4 YARDS OF AQUAMARINES AND DIAMONDS
14k white gold rope of 142 oval faceted aquamarines, approx. 255 cts. TW, and 142 RBC
diamonds, approx. 8.52 cts. TW, lobster claw closure, ca. 2005. 136”. 43.3 dwt.
$8,000–10,000
115
1338
1339
1340
1338: JADEITE JADE AND DIAMOND 18K YELLOW GOLD RING
Mason-Kay report #150515-4 describes “A” type undyed oval jadeite cabochon 12.95 x 18.35 x 7.18, 15 cts. by formula framed by
24 RBC diamonds, approx. 1.50 cts. TW. Ca. 1965. Maker cypher for Walter McTeigue, Inc. NY. Size 6 1/2. 10.9 dwt.
$2,000–3,000
1339: ART DECO CHINESE TOURMALINE SEED PEARL NECKLACE
Pink tourmaline tablet pierced and carved depicts courtesans in a boat below willows suspends from platinum shou for longevity,
tourmaline bead strand with platinum seed pearl barrels and vegetal carved tourmaline stations, ca. 1925. 2 3/4” tablet, 32” strand.
110.6 gs.
$1,200–1,800
1340: CHINESE CARVED CORAL OR JADE UNMOUNTED OR JEWELRY
Thirteen pieces: Two carved coral panels, larger 38.1 x 25.4 mm.; “A” green jade elongated cabochon, 46.65 x 11.09 x 3.44 mm.,
brooch. Mason-Kay report #151006-3, “A” jade carving, 68.7 x 33.4 x 1.98 mm. brooch, with Mason-Kay report 151006-2; Three
unmounted “A” jade carvings; Two unmounted cabochon jade carvings; Two jade pendants; Two “A” jade discs. Note: Six elements
chosen at random have verbal reports for “A” jade (natural jadeite jade).
$1,000–2,000
116
1341
1342
1343
1341:
CHINESE EXPORT UNTREATED JADEITE 18K GOLD RING
Mason Kay report #150514-2 describes “A” type untreated oval jadeite cabochon, 14.55 x 11.82 x 5.67 mm., supported by two
dragons. Marked 18 and HK (probably Shanghai, 1880-1920). Size 5 1/2. 5.6 dwt.
$1,500–2,500
1342: PEARL AND JADEITE NECKLACE BY TRIO PEARL CO. LTD.
51 highly lustrous round and near round Akoya pearls, 11 - 10 mm., join 18k yellow gold diamond cluster clasp centrally set with
an “A” type green jadeite cabochon, 9.20 cts. by formula. 14 RBC diamonds and two pear shaped diamonds, approx. 1.80 cts. TW,
ca. 1960. At least 18k. Unmarked. Retailed by Trio Pearl Co., Hong Kong. Mason-Kay report #151019-1 describes a green jadeite
cabochon, 15.55 x 10.80 x 6.12 mm., no dye or polymer detected, 91.29 gs. 24”. Note: Trio Pearl Co. Ltd., Peninsula Hotel Kowloon, is
renowned for selling the finest quality jade jewelry.
$2,000–3,000
1343: DUO TIME BROAD STRAP GOLD BRACELET WATCH
Substantial and supple woven gold strap inset with two Swiss 17 jeweled unadjusted mechanical movements by Wakmann, one dial
trimmed with 22 RBC diamonds, approx. 1.10 cts. TW, the other with emeralds, ca. 1960. Unmarked. 7” x 2”. 73.4 dwt. Provenance:
Property from the Estate of a New York City Collector.
$2,000–3,000
117
1344
1345
1346
1344: THREE STRAND CULTURED PEARL AND DIAMOND NECKLACE
Graduated Akoya saltwater cultured pearls, 10.5 - 7.8 mm. with RBC diamond, pearl button and platinum clasp, melee approx.
2.75 cts. TW. Second half 20th c. Unmarked. Longest strand 14 1/2”. 74.8 dwt.
$1,200–1,500
1345: DIAMOND PLATINUM FOUR STRAND CULTURED PEARL BRACELET
Rows of lustrous spherical saltwater cultivated pearls, 7 - 6.3 mm., RBC and marquise cut diamond platinum clasp and spacers,
approx. 3.50 cts. TW, ca. 1955. Unmarked. 7 1/4” x 1 1/4”. 57.2 gs. GW. Provenance: Property from the Estate of a New York City
Collector.
$2,000–3,000
1346: JADE, DIAMOND AND ONYX PATINATED GOLD PENDANT EARRINGS
Each articulated black patinated 18k gold earring suspends two onyx ringed jade disks with diamond centers, diamond pavé wg.
trefoils and hinged hoop surmounts, diamonds approx. 1.56 cts. TW, ca. 2008. Marked 750. 3 5/8”. 16.6 dwt.
$1,800–2,400
118
1348
1347
1349
1347: CARTIER AMETHYST CAMEO AND DIAMOND FUR CLIP
Central oval faceted dished cameo topped amethyst, within radiating OMC and OEC diamond
palladium frame in the Victorian style, diamonds approx. 6.15 cts. TW, ca. 1940-1945.
Inscribed “Cartier, PALL 45 66498”. 1 3/4” x 1 1/8”. 10.7 dwt.
$4,000–6,000
1348: TENAGRO AND OTHER JEWELED GOLD EAR CLIPS
Pearl and diamond 18k gold cluster ear clips by Tenagro, in the style of Suzanne Belperron,
signed Tenagro, 1 3/8”; 18k volute ear clips set with aquamarines and blue topaz, sapphire and
ruby accents, unmarked, 1 1/2”. Second half 20th c. 38.2 dwt.
$2,000–3,000
1349: RETRO OPAL AND DIAMOND ASSEMBLED SUITE
18k yg. brooch set with carved opal songbird, 38.1 mm., with ruby eye, set among 14k yg.
ribbons and volutes with channels of French cut aquamarines and diamond platinum accents;
14k yg. ear clips with round cabochon opals, 14.83 x 7.80 mm., smaller opal and diamond
platinum accents, for unpierced ears, marked 14k Pat. Pending. Ca. 1948. Brooch
2 1/2” x 1 1/2”, earrings 1” x 3/4”. 26.1 dwt.
$1,200–1,800
119
1350
1351
1352
1350: ITALIAN BICOLOR 18K GOLD FRINGED STRAP BRACELET
Playful bead link fringe and supple pink gold ribbon with textured yellow gold quatrefoils.
Italian registry mark 2 BO and 750. 7 1/2” x 1 3/4”. 66.1 dwt.
$2,500–3,500
1351:
MASSIVE RETRO SMOKY TOPAZ 14K GOLD BRACELET
Six conforming links joined by barrel hinges, each supports an octagonal step cut coffee
colored quartz gem, 31 x 23 mm. - 20.8 x 17.3 mm. Unmarked. 7” x 1 3/8” (tapers). 101.2 dwt.
$1,500–2,500
1352: RETRO 18K GOLD LINK BRACELET
Modified brick link bracelet of convex and concave rows, ca. 1945. Marked 750, E.W. (in
square). 7 1/2” x 13/16”. 47.5 dwt.
$1,500–2,000
120
1353
1355
1354
1353: GIA FANCY VIVID YELLOW DIAMOND RETRO RING
Retro 18k yellow gold bow ring, centrally set with round brilliant cut, natural fancy vivid
yellow diamond, 6.14-6.19 x 3.57mm, .81ct. by formula, fans of colorless baguette cut
diamonds, approx. 1.25 cts. TW, volute shoulders. Accompanied by GIA report #2171330695.
Unmarked. Size 7. 8.4 dwt.
$2,000–3,000
1354: RETRO BROAD GOLD STRAP BRACELET WATCH
Brick link ribbon with oblate gas pipe borders, octagonal watch, gold dial, 17 jewels Swiss
movement. Strap marked 14k, NARD. 6 3/4” x 1 1/4”. 57.6 dwt. (excludes movement)
$2,000–3,000
1355: RETRO CARVED CITRINE GOLD RING, TIFFANY EARRINGS
Fluted cabochon citrine with faceted base on octagonal table, banded by buff top cut cognac
citrines, marks absent; Matching pair of screw back earrings, marked 14k Tiffany & Co. Ring
resized to 6. 21.6 dwt.
$900–1,200
121
1356
1357
1356: CARTIER DIAMOND AND SAPPHIRE MESH BRACELET AND 18K STRAP
Chevron mesh strap ornamented by diamonds and sapphires, diamonds approx. .35
ct. TW, sapphires, approx. 1.10 cts. TW, marked Cartier Inc, 18kts, Made in France
#2078, French assay marks. Accompanied by similar strap bracelet, marked 18k.
Second half 20th c. Both 6 1/2” x 3/8”. 38.6 dwt.
$1,400–1,800
1357: YELLOW GOLD JEWELRY WITH RUBIES AND DIAMONDS
Four pieces: Large retro tricolor 14k gold volute fur clip; Ruby cabochon diamond
pavé 14k gold ring; Jeweled 10k disk charm; Enicar Swiss mechanical 14k “belt”
watch with hidden dial; Diamonds approx. 4.80 cts. TW, rubies approx. 8 cts. TW.
Brooch 2 1/4” x 2 1/2”, watch: 6 1/4”. 70.6 dwt. GW. Provenance: Property from the
Estate of a New York City Collector.
$2,000–3,000
122
1358
1359
1360
1358: THREE-STRAND 14K GOLD GAS PIPE NECKLACE
Ca. 1950. Marked 14k. Shortest concentric strand 15 1/4”. 89.8 dwt.
$2,000–3,000
1359: TIFFANY & CO./OSCAR HEYMAN GEM-SET RETRO DRESS
WATCH
Rectangular platinum case and lugs set with RBC diamonds and two
deep purple rectangular step cut amethysts in 18k yg., diamonds
approx. .86 ct. TW, amethysts approx. 11.0 cts. TW, double 18k gold
snake chain strap, Movado 17 jeweled Swiss movement, ca. 1948.
Marked Tiffany & Co. on dial, case interior, #8277, Oscar Heyman
cypher. 6 3/4”. 22.4 dwt. GW
$2,000–3,000
1360: RETRO DIAMOND PLATINUM COCKTAIL RING
Volute design centrally set with RBC diamond, approx. 1.35 cts., RBC
and baguette cut diamonds, approx. .80 ct. TW, ca.1948. Unmarked.
Size 6. 6.2 dwt.
$3,000–5,000
123
1361
1363
1364
1361:
DOUBLE STRAND AKOYA PEARL ROPE, DIAMOND PT. CLASP
37” and 36” strands of lustrous spherical saltwater cultured pearls, 9 - 8.1 mm., join diamond pavé platinum ring-form clasp,
marquise and RBC diamond pendant earrings suspend pearls, ca. 1960. Diamonds approx. 2.50 cts. TW. 177 gs., earrings 2.8 dwt.
Provenance: Property from the Estate of a New York City Collector.
$2,400–3,200
1362: NO LOT
1363: CARTIER BICOLOR GOLD, DIAMOND AND SAPPHIRE BOW BROOCH
Textured ribbon bow joined by platinum and diamond or sapphire center, melee approx. .10 ct. TW, 14k, ca. 1945. Engraved Cartier,
3351. 3” x 1 1/4”. 14 dwt.
$1,800–2,200
1364: BICOLOR GOLD RUBY AND DIAMOND FLOWER BROOCH
Two textural overlapping primroses, matte rose gold with central diamond and ruby clusters among conforming matte yellow gold
foliage and ruby and diamond sprays, diamonds approx. 1 cts. TW, 14k, ca. 1940. 3” x 1 1/2”. 14.1 dwt.
$1,200–1,800
124
1365
1366
1365:
FRENCH 18K DIAMOND FERN MOTIF BROOCH AND RING
Everted circle brooch with three fern leaves and fine RBC diamonds, hinged double pin back,
marked Depose SSM; Companion ring with three OEC diamonds in platinum. 36 diamonds,
approx. 3.32 cts. TW throughout. Ca. 1950. Indistinct mark on ring, eagle marks on brooch.
Ring size 6 1/2, brooch 2”. 27.3 dwt.
$3,500–5,500
1366: ROLEX 18K PINK GOLD DIAMOND RETRO BRACELET WATCH
Graduated demilune links, hinged cover star set with approx. .76 ct. TW diamonds, Rolex
Precision 17 jeweled movement, Rolex case #4940. Marked Rolex on dial and movement,
Continental gold marks. 7” x 3/4”. 49.1 dwt. (excludes movement)
$2,000–4,000
125
1367: FRENCH TRICOLOR 18K GOLD MESH EVENING BAG
Square frame, ornamental flap, woven yellow, green and white gold or platinum mesh
in Persian pattern, acorn finials. Eagle marks and #1408 24 C. 4 3/4” x 4 1/4”; 9” oval
link chain. 95.6 dwt. With chamois pouch.
$3,500–4,500
126
1368
1370
1369
1368: BLANCPAIN SUPERB DIAMOND PLATINUM BRACELET WATCH
Blancpain 17 jeweled, 6.9 mm., movement #7555, cal R-55, case #7665, dazzling diamond
hinged cover and strap set with RBC and marquise cut diamonds, approx. 12.50 cts. TW.
6 1/4”. 27.2 dwt.
$6,000–8,000
1369: DAVID WEBB SOUTH SEA PEARL AND DIAMOND EARRINGS
Mirrored pair composed of contrasting black and white South Sea baroque pear-shaped pearls,
18 x 14.5 mm. and 19.4 x 14.6 mm., in platinum with marquise cut diamonds and RBC diamond
tendrils, diamonds approx. 4.26 cts. TW, ca. 1965. Clip backs for unpierced ears. Marked Webb
Plat. 1 1/4”. 15.4 dwt.
$3,500–5,500
1370: DAVID WEBB SOUTH SEA PEARL AND DIAMOND RING
Bypass design of contrasting white and black pear-shaped South Sea pearls, 15.5 x 13.3 mm.
and 15 x 13.1 mm., set to roped wired tipped by marquise cut diamonds and rows of prong-set
RBC diamonds, approx. 4.0 cts. TW, ca. 1965. Marked Webb Plat 14k. Size 6. 13.3 dwt.
$3,500–5,500
127
1371
1372
1374
1373
1371:
SOUTH SEA PEARL AND DIAMOND YELLOW GOLD RING
Spherical lustrous white South Sea pearl, 13.2 mm., post set in turban style pavé
set diamond and yg. mount, diamonds approx. 4 cts. TW. Late 20th/early 21st c.
Stamped with unidentified arrow maker mark. Size 7. 14.4 dwt.
$2,000–3,000
1372:
LARGE WHITE SOUTH SEA PEARL AND DIAMOND EARRINGS
Each spherical silvery white South Sea pearl, average diameter 16.2 mm., set below
a prong set RBC diamond, 18k white gold Eurowire backs for pierced ears. Diamonds
approx. .80 ct. TW. 10 dwt.
$1,500–2,500
1373: DIAMOND PAVE 18K WHITE GOLD HOOP EARRINGS AND RING
Oblate inside-outside hinged hoop earrings, 1 3/8” x 7/8”; Ring, size 7 1/2. RBC
diamonds approx. 5.23 cts. TW. 11.7 dwt.
$1,200–1,600
1374: LARGE SOUTH SEA PEARL AND DIAMOND PLATINUM RING
Spherical white South Sea pearl, average diameter 18.78 mm., post set in bypass
style to flush mounted baguette and princess cut diamond shoulders, approx.
1.08 cts. TW, ca. 2000. Marked H.B., PT 950. Size 7. 17.4 dwt.
$3,000–4,000
128
1375
1376
1375: 18K WHITE GOLD DIAMOND MULTI-STRAND SWAG NECKLACE
Seven concentric rows of textured links and fixed diamond bars finished by three
rows to the box clasp, twelve RBC diamonds, approx. 1.30 cts. TW, ca. 1950.
Unmarked. 14 1/2”. 43 dwt.
$1,500–2,000
1376: CARTIER DIAMOND PLATINUM LINK BRACELET
Concentric design of stylized ribbon links. 168 RBC and baguette cut diamonds,
approx. 6.20 cts. TW, NY, ca. 1950. Incised mark Cartier, #9665, Platinum.
6 3/4” x 2/5”. 18.2 dwt.
$8,000–10,000
129
1377
1378
1379
1377:
KURT WAYNE DIAMOND 18K GOLD EARRINGS
Circular buttons with fine RBC diamonds, approx. 3 cts. TW, hinged backs for
unpierced ears, ca. 1980’s. Marked KW 750 #46654. 3/5”. 6.4 dwt.
$3,000–4,000
1378: DIAMOND 14K YELLOW GOLD BOMBÉ RING
RBC diamond bombé, approx. 6.5 cts., diamonds TW inset in yellow gold tapered
hoop. Second half 20th c. Unmarked. Size 7. 8.8 dwt.
$3,000–4,000
1379: DIAMOND AND 14K YELLOW GOLD LEAF BROOCHES
Matched pair of bright yellow gold dimensional leaves encrusted with 168 RBC
diamonds, approx. 4.60 cts. TW, ca. 1960. Marked 14k. 2 1/8”. 23.1 dwt.
$2,500–3,500
130
1380
1381
1380: HARRY WINSTON 2.24 CTS DIAMOND GOLD BYPASS RING
GIA report #5151547340 describes round brilliant cut, D, VVS2, diamond,
8.74 - 8.76 x 4.87 mm., bezel mounted in 18k yg. set with 109 RBC diamonds, approx.
3.80 cts. TW. Signed Winston. Size 10. 6.5 dwt. In original box.
$32,000–38,000
1381:
SWANS IN FLIGHT DIAMOND DOUBLE CLIP BROOCHES
Male and female mated pair, rendered in platinum with 18k yg. feathers and beaks,
ruby eyes, 329 round brilliant cut diamonds, approx. 21.25 cts. TW, join an 18k
white gold armature to form an oval brooch, second half 20th c. Marked 18k, Plat.,
unsigned. Retailed by Frank Pollak & Sons, New York, June 26th, 1968. 2 5/8” x 2
1/2”. 37.9 dwt. Note: Similar example signed Tiffany, Sotheby’s Magnificent Jewels,
12/4/2007, lot 337
$10,000–15,000
131
1382
1383
1384
1382: DIAMOND PLATINUM FLORAL SPRAY BROOCH
Central RBC flower head among channel set baguette and tapered baguette cut diamond leafy spray, diamonds
approx. 4.75 cts. TW, fixed bail on reverse for use as pendant, ca. 1950-1960. Unmarked. 2 1/2” x 1 1/2”. 15.0 dwt.
$2,000–3,000
1383: DIAMOND PLATINUM SPRAY AND FRINGE DROP EARRINGS
Radial baguette cut surmount suspends detachable baguette cut diamond waterfall with RBC and pear-shaped
diamond fringe, diamonds approx. 10.8 cts. TW throughout, for pierced ears, ca. 1950-1960. Unmarked. 2” with
drops, 1” without drops. 20.5 dwt.
$8,500–10,500
1384: MARQUISE DIAMOND PLATINUM ETERNITY BAND
19 graduated fine marquise shaped diamonds, the largest approx. .75 ct., approx. 5.50 cts. TW, and plain spacer
on reverse. Size 7. 5.2 dwt.
$2,500–3,500
132
1385
1386
1385: GIOVANE OPULENT DIAMOND 18K WHITE GOLD BRACELET
Flexible broad strap of conforming marquise clusters and RBC diamond Florentine
scrolls accented by channel set baguette diamond straps, approx. 45 cts. TW. Late
20th/early 21st c. Stamped on plate Giovane, Italy. 6 1/2” x 1 1/2” (tapers). 51.8 dwt.
$20,000–30,000
1386: MARQUISE AND BAGUETTE CUT DIAMOND ETERNITY BAND
Twelve graduated fine marquise cut diamonds and 24 tapered baguette cut
diamonds, approx. 6.10 cts. TW, in platinum. Unmarked. Size 6. 5.5 dwt.
$4,000–6,000
133
1387 detail
1387
1388
1387: FRENCH 18K GOLD, PLATINUM AND DIAMOND EVENING BAG
Basket woven bicolor gold oblong hinged evening bag with diamond and platinum
edge, mirror on interior flap, black sueded kidskin half-cover, diamonds approx. 4 cts.
TW. French maker marks, eagle head, dog head. 6 3/4” x 4” x 2”, 10” rope chain strap.
285.7 dwt. GW.
$7,000–9,000
1388: WOVEN 18K GOLD EVENING BAG WITH DIAMONDS
Envelope shaped hinged clutch with teardrop profile, scalloped diamond platinum
edge, 53 single cut diamond, approx. .75 ct. TW, ca. 1958. Unmarked.
3 1/2” x 4 3/4” x 1 3/8” (tapers). 142.2 dwt.
$4,250–5,250
134
1389: NADJA BUCKLEY PINK TOURMALINE AND DIAMOND NECKLACE
Platinum fringe of sixty-two well matched graduated rectangular step cut pink tourmalines suspends from
zipper-teeth shaped diamond pavé links, principal gem 25 cts. by formula, tourmalines approx. 150 cts. TW, RBC
diamonds approx. 5.90 cts. TW, ca. 1956. Signed Nadja Buckley on rail of principal gem setting. 16”, 1 1/2” drop.
79.8 dwt. Provenance: Sotheby’s, Geneva, Magnificent Jewelry, 1996, lot 409. Note: A Van Cleef & Arpels zipper
necklace signed by Nadja Buckley sold, lot 169, Christie’s Geneva, May 19, 2004. Nadja Buckley, born Countess
Nadja Ostrovska, designed and made jewelry in NYC from 1940 to 1979. Retailed by Georg Jensen, Inc., 1948, and
Bonwit Teller. The remaining stock of her retail establishment at 30 E. 54th Street sold at Park-Bernet Galleries
in 1955 after which time she concentrated on commissions.
$25,000–35,000
135
1390: THREE ART DECO GOLD ACCESSORIES, INCL. TIFFANY & CO.
Two 14k pieces by Tiffany & Co.: Round black enameled compact with platinum diamond lace
ornament, mirrored interior, 2”; Glass beaded evening bag on enameled gold frame and fetter
link chain, snap closure with sapphire bullets, 6” x 5” (beyond fringe), 12 1/2” fetter link chain
includes mirror and purse. 14k gold and platinum compact by Veinus & Co., NY, faux malachite
and black enamel, rose cut diamond ornament, sapphire thumb presses, mirrored interior with
two compartments, 3 1/2” x 2 1/8”. Two compacts 101.7 dwt. GW. In Tiffany & Co. box.
$2,000–2,500
136
1391
1392
1393
1391:
IMPRESSIVE EMERALD AND DIAMOND CLUSTER EARRINGS
Bright rectangular step cut emeralds, each approx. 13 x 9.9 mm., approx. 15.5 cts. TW, framed
by fine RBC diamonds, 32 diamonds, approx. 6.40 cts. TW, 14k wg. 7/8” x 11/16”. 10.6 dwt.
Note: Certification report will be posted online.
$15,000–20,000
1392: 9.45 CTS COLUMBIAN EMERALD AND DIAMOND RING
Gubelin report #14021035 describes natural step cut emerald, 15.27 x 12.60 x 6.60 mm. with
characteristics consistent with those emeralds originating from Columbia with indications of
minor clarity enhancement flanked by calf’s head faceted diamond, approx. .85 ct. each, set in
18k wg. ring. Size 6 3/4. 4.5 dwt.
$50,000–70,000
1393: ART DECO DIAMOND AND EMERALD PLATINUM STRAP BRACELET
Broad ribbon of OEC diamonds and shaped emeralds designed as a meandering vine.
Diamonds approx. 10 cts. TW, ca. 1935. Unmarked. 7” x 13/16”. 32.5 dwt.
$20,000–25,000
137
1394
1395
1396
1397
1394: TIFFANY & CO. DIAMOND AND SAPPHIRE PLATINUM RING
Designed as a tapered bombé, 19 RBC diamonds, approx. 1.10 cts. TW, 14 baguette cut blue
sapphires, approx. 1.75 cts. TW, ca. 1960. Signed “Tiffany & Co.”, marked “irrid. plat.” Size 7.
6.6 dwt.
$3,000–4,000
1395: DIAMOND AND SAPPHIRE PLATINUM EARRINGS
Oval bombé set with lines of prong set RBC diamonds and round faceted sapphires, diamonds
approx. 3.45 cts. TW throughout, post backs for pierced ears, ca. 2000. Stamped with
unidentified maker mark “M”. 3/4” x 1/2”. 7.7 dwt.
$3,000–4,500
1396: TIFFANY & CO. RUBY, SAPPHIRE AND DIAMOND FLAG BROOCH
Billowing American flag in platinum with calibrated ruby or diamond stripes, diamond stars
on calibrated sapphire field, pear-shaped and RBC diamond flagpole finial. Mid 20th c. Signed
Tiffany & Co. 1 58” x 1 3/8”. 10 dwt.
$7,000–9,000
1397: INVISIBLY SET RUBY AND DIAMOND FLOWER EARRINGS
Naturalistic blossoms composed of calibrated ruby petals, approx. 35.26 cts. TW, central
diamond clusters, .76 ct. TW, 18k wg., transformable for pierced or unpierced ears, reverse
fitted with a hook to suspend a pendant, ca. 2000. Marked 750, weights inscribed. 1 1/8’.
11.9 dwt.
$5,500–6,500
138
1398
1398A
1398:
FRENCH DIAMOND AND SAPPHIRE 18K GOLD NECKLACE
Flexible and slightly graduated designed as twisted ribbons of fine RBC diamonds, approx. 27.12 cts.
TW, and RBC royal blue sapphires, approx. 13 cts. TW, ca. 1955. French eagle mark for 18k and indistinct
maker mark. 15 3/4”. 49.9 dwt.
$25,000–30,000
13 98 A : F R E N C H D I A M O N D A N D S A P P H I R E 1 8 K G O L D B R A C E L E T
Flexible, concentrically designed as twisted ribbons of fine RBC diamonds, approx. 8.40 cts. TW, and
RBC royal blue sapphires, approx. 6 cts. TW, ca. 1955. French eagle mark for 18k and indistinct maker
mark. 6 1/2”. 16.5 dwt.
$8,000–10,000
139
1399
1399: TIFFANY & CO. ART DECO ENAMELED GOLD NECESSARY
Flask-form, in the Chinese style, suspends from lipstick tube, opens to mirrored interior and two hinged chambers, replete with
original cake rouge and powder with puffs. Emerald green guilloche and black enamel trimmed with rose cut diamonds in platinum.
Enameled fetter link chain with jade stations. Marked Tiffany & Co., 14k. 6 1/4”. 67.8 dwt.
$1,500–2,000
1400: FRENCH ART DECO SAPPHIRE AND DIAMOND RING
Square emerald sapphire, approx. 3.5 cts. by formula, in strapped single cut diamond and platinum head on 18k white gold hoop,
diamond melee approx. .55 ct. TW, France, ca. 1930. French control marks for platinum, 18k. Size 9. 3.0 dwt. Note: Sapphire
probably Ceylon, untreated, untested.
$2,500–3,500
1401: COLUMBIAN EMERALD AND DIAMOND PLATINUM RING
AGL report #CS 66169 describes natural, insignificant traditional clarity enhanced, rectangular step cut emerald, approx.
9.50 x 8.70 x 5.23 mm., 3.17 cts. by formula, originating from Columbia, centrally set in the odeonesque style between baguette cut
diamond channels. Diamonds approx. 1 cts. TW, ca. 1948. Unmarked. Size 7 1/2. 6.2 dwt. Cased by Sanz, Madrid.
$4,000–6,000
1402: 2.46 CTS COLUMBIAN EMERALD AND DIAMOND PLATINUM RING
AGL report #CS 65116 describes natural, insignificant traditional clarity enhanced, rectangular emerald cut emerald,
10.95 x 9.92 x 3.63 mm., originating from Columbia, flanked by two tapered baguette cut diamonds, approx. .80 ct. TW. Marked
platinum, worn maker mark, possibly WM Wise. Size 4. 3.7 dwt.
$3,000–5,000
140
1400
1401
1402
1403
1404
1403: ART DECO DIAMOND AND EMERALD PLATINUM STRAP BRACELET
Bisymmetric, central laterally set marquise cut diamond, approx. 1.48 cts., and
rectangular step cut diamonds, framed by emerald calibre channels, 196 diamond
melee, approx. 11.3 cts. TW, ca. 1935. Unmarked. 7”. 21 dwt.
$12,000–18,000
1404:
ART DECO DIAMOND AND SAPPHIRE PLATINUM LINE BRACELET
Articulated diamond strap, approx. 3.24 cts. TW, with meandering channel of French
cut blue sapphires, approx. 4.20 cts. TW, ca. 1930. Unmarked. 7” x 1/4”. 10.6 dwt.
$6,500–7,500
141
1406
1405
1407
1405: ART DECO BURMA SAPPHIRE AND DIAMOND PLATINUM BRACELET
Five cushion cut well matched blue sapphires, 11.5 cts. TW by formula, adorn geometrically
pierced full-set diamond strap. 330 circular brilliant or rose cut diamonds, approx. 6 cts.
TW. AGL report #CS 67084 describes five natural, untreated, cushion and oval mixed cut
blue sapphires, approx. 9.6 x 8 x 3.57 mm. to 8.9 x 7.5 x 3.48 mm., originating from Burma
(Myanmar). Incused #83284, unsigned. 7” x 1/2”. 25.3 dwt.
$15,000–25,000
1406: ART DECO LARGE DIAMOND PLATINUM LAVALIERE/BROOCH
Hinged passementrie form. Three OEC principal diamonds, approx. 2.40 cts., 2.40 cts.,
1.90 cts. OEC and OMC diamond melee, approx. 1.76 cts. TW, ribbons of French cut sapphires.
2 5/8”. 12.2 dwt. Detachable, 14k wg. and seed pearl fetter link chain, ca. 1925, unmarked, 23”
$10,000–15,000
1407: ART DECO DIAMOND PLATINUM RING, SAPPHIRE ACCENTS
Fine OEC diamond, approx. 1.05 cts., flanked by tapered rows of French cut sapphires, centrally
set to bead-set diamond bombé, chased details, ca. 1930. Size 7 1/2. 3.3 dwt.
$5,000–7,000
142
1408
1408A
1409
1410
1408: ART DECO BLUE SAPPHIRE AND DIAMOND PLATINUM RING
Oval faceted sapphire, 11.65 x 8.4 x 4.8 mm., 3.95 cts. by formula, above French cut sapphire banded openwork diamond gallery and
diamond shoulders. Unmarked. Size 7. 2.7 dwt.
$7,000–9,000
1408A:ART DECO OPAL AND DIAMOND PLATINUM LAVALIERE
Octagonal cut blue-green opal tablet, onyx backed, in platinum open work quatrefoil, strapped corners with green garnet calibre,
framed by French cut onyx rows, on original cord with bail, slide and clasp, opal 20.5 x 15.7 mm., ca. 1925. Unmarked. Pendant
1 1/8” x 1”, drops 1 5/8”. Weighs approx. 5.9 dwt. (excludes cord)
$2,000–4,000
1409: BELLE EPOQUE CEYLON SAPPHIRE AND DIAMOND PLATINUM RING
Faceted cushion cut lively blue sapphire, 12.61 x 10.94 x 7.10 mm., 9.75 cts. by formula, strapped motif shoulders with RBC and
baguette cut diamonds, RBC diamond rails, approx. 1.0 cts. TW. Setting marked 146 JM. Size 6. 4.1 dwt.
$10,000–14,000
1410: 4.43 CTS KASHMIR SAPPHIRE AND DIAMOND PLATINUM RING
Platinum and diamond set acanthus shoulders, fret cut gallery centers sapphire, AGL report # CS 60352 describes as natural,
untreated, cushion faceted base cabochon, 7.90 x 7.54 x 7.57mm originating from Kashmir. London marks for platinum 1927, maker
mark WT Ltd. Size 5. 3.9 dwt.
$30,000–40,000
143
1411
1412
1413
1411:
DIAMOND AND CARVED GEM PLATINUM GIARDINETTO BROOCH
Diamond set reticulated platinum overflowing basket, colorless diamond foliage and
blossoms with fancy color diamond centers, Tutti-frutti accents of carved rubies and
emeralds. RBC, marquise and baguette cut diamonds approx. 2.90 cts. TW, telescoping
bail. Mid 20th c. Marked 10% irrid plat, #5915, unsigned. 1 3/4” x 1 1/8”. 11.6 dwt.
$4,000–6,000
1412:
11.91 CTS CEYLON SAPPHIRE AND DIAMOND
GIA report# 15872844 describes natural, oval, modified brilliant cut (crown), step cut
(pavilion) blue sapphire 4.53 x 12.10 x 8.51mm with indications of heating, no residue.
Gemresearch Swisslab report #GRS2015-028618 describes Sri Lanka origin, framed by
14k fine RBC diamonds, approx. 2.80 cts. TW, 18k wg., with internal guard. Size 5 1/4.
8.5 dwt.
$24,000–34,000
1413:
SAPPHIRE AND DIAMOND CHANDELIER EARRINGS
Articulated earrings in the Persian style, 14 faceted oval and pear shaped blue
sapphires, approx. 6.50 cts. TW, RBC diamonds, approx. 1.56 cts. TW. Mid 20th c.
Unmarked. 2”. 8.6 dwt.
$4,000–5,000
144
1414
1415
1417
1416
1414:
4.36 CTS UNTREATED BURMA SAPPHIRE AND DIAMOND RING
AGL report #CS 64730 describes natural, untreated oval mixed cut sapphire,
11.05 x 8.05 x 4.83 mm., originating from Burma (Myanmar), flanked by four square
brilliant cut diamonds, approx. 1.11 cts. TW. Plat. Size 7 3/4. 6.8 dwt.
$20,000–30,000
1415:
GEM-SET GIARDINETTO BROOCH WITH LARGE CONCH PEARL
Abundant floral bouquet of 14k yellow gold flowers set with two faceted sapphires,
approx. 3 cts. TW, emeralds, rubies, rose cut diamonds and cabochon cut rubies,
platinum blossoms and foliage set with OMC, cushion cut and rose cut diamonds, twist
wire basket supports a very light pink natural semi-baroque conch pearl, 19.36 x 17.2
x 14.88 mm., 33.22 cts. (132.88 grains). GIA report #5171052805. Diamonds approx.
1.35 cts. TW. Hinged double pin back. Ca. 1940. Unmarked. 2” x 1 7/8”. 16.5 dwt.
$10,000–15,000
1416:
DIAMOND AND CARVED RUBY PLATINUM EARRINGS
Foliate surmounts suspend detachable carved ruby and diamond clusters, RBC
diamonds approx. 2.64 cts. TW, hinged for pierced ears. Unmarked. 1 1/8”. 11.0 dwt.
$1,200–1,800
1417:
ART DECO DIAMOND AND CARVED SAPPHIRE GIARDINETTO RING
Platinum flower basket set with RBC and baguette cut diamonds, carved sapphire
blossoms, button pearl accents, diamond shoulders, platinum hoop, diamonds, approx.
.90 ct. TW, ca. 1930. Unmarked. Size 5. 3.8 dwt. Provenance: Estate of Rudy Dusek,
wrestler, who, with his brother was known as the “Dusek Riot Squad”.
$1,200–1,800
145
1418
1419
1420
1421
1418:
ART DECO ROCK CRYSTAL, DIAMOND AND JADE EAR PENDANTS
Platinum pendant earrings, coggled crystal disk with diamond and green enamel
surmount suspends two diamond links to oval crystal tablet set with OEC diamonds
and carved jade, diamonds approx. 6.0 cts. TW, 14k shepherd’s hook wires, ca. 1938.
Unmarked. 2 1/2” x 1 3/16”. 19.9 dwt. GW
$7,500–8,500
1419:
FRENCH DIAMOND PLATINUM DOUBLE CLIP BROOCH
Two hand built wing-form clips, the dimensional leading edges full set with fine old
mine cushion cut and RBC diamonds, sinusoidal row of prong set diamond “feather tips”
implies flight with 18k wg. fur clip appliance. Diamonds approx. 12.0 cts. TW. French
assay marks for platinum, 18k, clip marked Depose, no maker mark apparent, possibly
by Sterlé, 1930’s. Each clip 2 1/8” x 1 3/16”, join to form brooch 2 1/2” x 2 1/4”. 25 dwt.
$5,000–7,000
1420: DIAMOND PLATINUM BOMBE RING
RBC diamond bombé within graduated baguette cut diamond bypass with tapering
strapped shoulders, diamonds approx. 2.2 cts. TW, ca. 1950. Size 6. 6.7 dwt.
$1,200–1,800
1421:
1.69 CTS UNTREATED BURMA RUBY AND DIAMOND RING
AGL report #CS 67644 describes natural, untreated, mixed cushion cut, ruby,
7.86 x 6.98 x 3.23 mm., originating from Burma (Myanmar), centrally set among RBC
and marquise shaped diamonds, approx. 1.50 cts. TW, in platinum. Ca. 1960. Marked
PLAT. Size 7 1/4. 5.7 dwt.
$7,000–9,000
146
1422
1423
1422: ART DECO DIAMOND AND BURMA RUBY PLATINUM STRAP
Conforming central panel and stirrup links join five-row ribbon of ruby beads,
approx. 28 cts. TW and diamond platinum links. Three marquise shaped diamonds,
approx. 2 cts. TW, and 412 similar marquise, baguette and circular cut diamonds,
approx. 11 cts. TW. AGL report #CS 67541 describes 80 natural, untreated round to
oval, purplish red, drilled ruby beads, approx. 5.1-5.0 x 4.0 mm to 4.3-4.2 x 3.4mm,
originating from Burma (Myanmar). Unmarked. 7” x 1 7/8”. 42.6 dwt.
$25,000–35,000
1423: 14.65 CTS UNTREATED BURMA RUBY AND DIAMOND RING
AGL report #CS 67953 describes natural, untreated oval mixed cut ruby,
14.21 x 12.47 x 9.42 mm., originating from Burma (Myanmar) origin, flanked by two
half-moon diamonds, approx. 1.38 cts. TW, 18k yg. Size 7 1/2
$60,000–80,000
147
1424
1425
1426
1424: ART DECO DIAMOND, ONYX AND RUBY PLATINUM STRAP BRACELET
Designed as two tapered flexible diamond sections trimmed with rows of calibrated
rubies and onyx, joined by shaped onyx links. Transitional and OEC diamonds, approx.
10.05 cts. TW. 7 1/4” x 3/8”. August 8th, 1968. 16.4 dwt. Companion to lot 1427.
$8,000–12,000
1425: ART DECO DIAMOND AND PLATINUM EAR PENDANTS
Pierced millegrained platinum and diamond articulated stylized bell flowers suspend
bezel set OEC diamonds, 1.36 cts. and 1.41 cts. by formula, approx. 6.4 cts. TW
throughout, ca. 1920. Unmarked. Drops 2 3/8”. 7.6 dwt.
$7,000–9,000
1426: BURMA RUBY AND DIAMOND THREE-STONE PLATINUM RING
AGL report #CS 66170 describes natural, minor heat treated, oval mixed cut ruby,
10.70 x 8.78 x 3.25 mm. 2.56 cts. by formula, originating from Burma (Myanmar) set in
18k yellow gold, flanked by two OEC diamonds, approx. 5 cts. TW, in platinum. 4.1 dwt.
$35,000–45,000
148
1427: CARTIER PINECONE DIAMOND PLATINUM SHOULDER BROOCH
Paris, designed in 1922. Executed with onyx and pearls. Detachable articulated pinecone form
pendant, with 9 mm. saltwater pearl, seed pearl and diamond icicle fringe, suspends from
seven onyx or diamond platinum links (the largest two are hinged), below a panel brooch
in the Persian style. Diamond melee, approx. 12 cts. TW. Inscribed Cartier #0420, French
marks for platinum. Revised and additionally set with an OEC diamond, approx. 2.90 cts.,
and two pear shaped diamonds, approx. 2 cts. TW. Retailed by Frank Pollak & Sons, New York,
December 21, 1962. 5 5/8” x 3 3/8”. 37.7 dwt. Literature: Rudoe, Judy, Cartier: 1900-1939,
Harry N. Abrams, Inc. & The Metropolitan Museum of Art, 1997, pgs. 312-313; Vassallo, Nuno,
Silva, E., et al. Cartier 1899-1949; Skira, The Journey of a Style, 2007, pgs. 198-199.
$40,000–60,000
149
1428
1429
1430
1428: ART DECO DIAMOND AND ONYX PLATINUM STRAP BRACELET
Designed as four flexible panels joined by onyx calibre links. Four OEC diamonds,
approx. 2.40 cts. TW, and diamond melee, approx. 6.56 cts. TW, 8.96 cts. TW
throughout. Indistinct patent marks at clasp. 7 1/4” x 1/2”. 29.6 dwt.
$8,000–12,000
1429: MONTRE CARTIER ART MODERNE DIAMOND PLATINUM RING
OEC diamond, approx. 2.0 cts. hexagonally bezel set with six chamfered baguette cut
diamonds, approx. 1.60 cts. TW, in brushed platinum. Indistinct maker mark on back of
hoop. Size 6 1/2. 15 dwt.
$11,000–13,000
1430: CARTIER HEXAGONAL ART DECO DIAMOND PLATINUM WATCH
Ladies dress watch, engine turned cream dial with Roman hours, hexagonal case with
rose cut diamond border, diamond lugs to expandable baton link bracelet with rose
cut diamond accents, rose cut diamond crown, 20 mm., Agassiz, 17 jeweled movement
#218255. Diamonds are approx. .40 ct. TW. Case exterior with French mark for
platinum (worn), case back interior struck Cartier. Bracelet #598, WIL-IXO (?), ca. 1920.
Length expands 5 3/4” - 6 1/4”. 14.1 dwt. GW. Note: Similar watch formerly property of
HRH Princess Margaret, Lot 99, Fellows, Dec. 11, 2014.
$2,000–4,000
150
1431
1432
1431:
CARTIER ART DECO DIAMOND PLATINUM STRAP BRACELET
Concentric design of three wavy rows, eleven OEC diamonds, approx. 3 cts. TW, 154 OEC and
transitional cut diamonds, approx. 13 cts. TW. Signed Cartier, #692. Retailed by Frank Pollak & Sons,
New York, June 18th, 1968. 6 3/8” x 1/2”. 18.4 dwt.
$10,000–15,000
1432: ART DECO EGYPTIAN REVIVAL DIAMOND PLATINUM BROOCH
Designed as stylized cobras, principal OEC diamond, 8.23 x 4.95 mm., approx. 2.14 cts., three pear
shaped diamonds, approx. 2.55 cts. TW, 24 baguette cut diamonds, approx. 2.75 cts. TW, and 122 OEC
melee, approx. 4.71 cts. TW, replaced findings, fixed pendant bail possibly later. Metal incised #61, no
maker mark noted. Retailed by Frank Pollak & Sons, New York, June 26th, 1968. 2 1/8” x 1 1/2”.
13.7 dwt..
$14,000–18,000
151
1434
1435
1433:
NATURAL PEARL AND DIAMOND GEORGIAN PENDANT,
NECKLACE
Georgian pendant centrally set with large heart shaped natural pearl, OMC and
various antique cut diamond cluster surround, mounted in silver topped yellow
gold suspended from later OEC diamond ribbon heart with central natural
button pearl on antique French silver-topped yellow gold and diamond link
chain. Heart shaped pearl described by GIA report #6177328174 as natural,
baroque, partially drilled, pinkish brown, pinctada margaritifera pearl,
23.51 x 21.05 mm, button pearl described as natural, button, partially drilled,
white, saltwater pinctada species pearl, 8.70 x 7.30 mm. Antique diamonds,
approx. 14.6 cts. TW. Early-late 19th c. Chain stamped with French control
marks for 18k, unidentified maker mark. Necklace 17”, pendant drops 2 1/4”.
29.9 dwt.
$30,000–35,000
1434: CHAMPAGNE AND COLORLESS DIAMOND PLATINUM NECKLACE
Fine Art Deco octagonal cluster, OEC champagne diamond, approx. 2 cts.,
32 colorless OEC diamonds, approx. 1.44 cts. TW, millegrained. 3/4”. Later 18k
wg. chain, 18”. 6.1 dwt.
$2,000–4,000
1435: ART DECO DIAMOND AND PLATINUM TOPPED GOLD PENDANT
Three square set OEC white diamond links terminated by pendant with central
OEC cognac diamond, 1.4 cts. by formula, suspended from circular white
diamond frame within larger circular white diamond frame, smaller diamonds,
approx. 2.75 cts. TW, on later 14k white gold chain, ca. 1925. Unmarked. Drops
2”, chain 21 1/4”. 6.0 dwt.
$3,500–5,500
1433
152
1436
1437
1438
1436: ART DECO DIAMOND AND PEARL PLATINUM EAR PENDANTS
Acanthus shaped surmount suspends articulated diamond links to a 8.7 mm. button
pearl with diamond fringe. OEC diamond melee approx. 1 cts. TW, threaded posts for
pierced ears. Retailed by Frank Pollak & Sons, New York, August 9th, 1963. Drop
2 1/16”. 7.4 dwt.
$1,000–2,000
1437: EDWARDIAN NATURAL SALTWATER PEARL AND DIAMOND NECKLACE
GIA report #5171206679 describes semi-baroque drop-shaped natural white saltwater
pearl with orient overtone, 11.88 x 11.50 mm., depth unmeasurable, (visible depth 14
mm.), no indications of treatment, suspended from conical diamond platinum cap and
enhancer bail. Diamonds approx. .72 ct. TW. Unmarked. 1 1/4”, on 10k curblink chain.
5 dwt.
$6,000–8,000
1438: FRENCH ART DECO DIAMOND PLATINUM LACE STRAP BRACELET
Concentric ribbon of OEC diamonds in open filigree sections, approx. 12 cts. TW.
Retailed by J.E. Caldwell. French owl hallmark and makers mark (A over P).
6 1/2” x 3/8”. 19.2 dwt. In original box.
$10,000–15,000
153
1439 - partial
1440
1441
1442
1439: 1.70 CTS FANCY INTENSE YELLOW DIAMOND AND SETTING
GIA report #2175130285 describes, round brilliant cut, natural, fancy intense yellow,
SI1, diamond., 7.38-7.54 x 4.94mm with retro modified bow setting channel set with
baguette cut rubies and six RBC diamonds, .44 ct. TW, ca. 1948. Mark of Maurice
Tishman, Inc., NY, Platinum. Size 6 1/4. 4.4 dwt.
$4,000–6,000
1440: UNMOUNTED 2.51 CTS EMERALD CUT DIAMOND
GIA report #2175249821 describes emerald cut, I, VS1, diamond 9.15 x 6.92 x 4.43mm
$6,000–9,000
1441:
3.89 CTS DIAMOND PLATINUM RING
GIA report #5172226534 describes round brilliant cut, K, SI1, diamond,
10.23 x 10.3 x 6.13 mm., in platinum six-prong setting, ca. 1960. Size 8 3/4. 4.9 dwt.
$10,000–15,000
1442: UNMOUNTED 4.10 CTS ROUND BRILLIANT CUT DIAMOND
10.26 X 6.26 mm.
$12,000–16,000
154
1443: 8.00 CTS FANCY LIGHT YELLOW DIAMOND RING
GIA report #1162080366 describes oval modified brilliant cut, natural, fancy light
yellow, even, VVS2 diamond, 14.97 x 10.67 x 6.27mm. flanked by two trapezoidal cut
colorless diamonds, approx. 1.34 cts. TW, in platinum and 18k yg. Piranesi setting.
Size 5 3/4. 4.2 dwt.
$60,000–80,000
155
1444A
1444
1445
1446
1447
1444: DIAMOND 14K WHITE GOLD SOLITAIRE NECKLACE
Lively OEC diamond, approx. 1 cts., in spectacle setting on 16” cable link chain. 2.4 dwt.
$1,500–2,500
1444A:ANTIQUE DIAMOND EARRINGS
Two bright OEC diamonds, approx. 2.15 cts. TW, in twelve-prong knife edge gold baskets.
Foliate wire surmount, ca. 1890. 3/4”. 1.8 dwt.
$6,500–8,500
1445: 1.30 CTS ASSCHER CUT DIAMOND ART DECO RING
GIA report #3030072 describes square emerald cut, G, SI2 diamond, 5.80 x 5.77 x 4.34 mm.,
in original delicate platinum setting, OEC cut diamond shoulders. Size 6 1/4. 1.8 dwt.
$3,500–4,5000
1446: EDWARDIAN DIAMOND PLATINUM THREE-STONE RING
OEC diamond, approx. 1.60 cts., flanked by two OEC diamonds, approx. 1.50 cts. TW, sinuous
chasings. Marked irrid. plat. Size 8. 3.3 dwt.
$3,000–4,000
1447: DIAMOND WEDDING RING SET
RBC diamond, approx. 1.10 cts., and diamond shoulders in platinum, joined to five-stone
diamond 14k wg. guard, melee .68 ct. TW. Size 7. 3.2 dwt.
$1,800–2,400
156
1448
1449
1450
1451
1448: 2.87 CTS PEAR CUT DIAMOND PLATINUM ENGAGEMENT RING
GIA Report #2175030183 describes pear, brilliant cut, J, VS2 diamond,
12.70 x 8.04 x 4.99 mm., mounted in platinum to tapered baguette cut diamond
shoulders, ca. 1960. Size 5 3/4. 1.80 dwt.
$7,000–9,000
1449: 1.17 CTS OVAL DIAMOND SOLITAIRE, GIA COLOR GRADE F
GIA report #6177330769 describes oval brilliant cut, F, SI1 diamond
8.03 x 6.05 x 3.73 mm. in 14k wg. Size 6 1/2. 1.3 dwt.
$2,000–3,000
1450: UNMOUNTED 1.38 CTS ROUND BRILLIANT CUT DIAMOND
GIA report #31138701 describes round brilliant cut, G,SI2 diamond,
7.12-7.28 x 4.38mm., accompanied by original 14k yg. solitaire setting.
Size 7 1/4. 1.4 dwt.
$3,500–5,500
1451:
2.38 CTS PEAR SHAPED DIAMOND PLATINUM SOLITAIRE RING
GIA report #1176352714 describes G, SI1, OEC pear shaped diamond and tapered
baguette cut diamond shoulders, approx. .20 ct. TW. Size 6 1/2. 2.9 dwt. Note: Full GIA
report will be posted online.
$6,000–7,000
157
1452
1453
1454
1452: PENNY PREVILLE 18K WHITE GOLD DIAMOND NECKLACE
Reversible granulated link necklace, one side with diamond accents, 108 RBC
diamonds, approx. 1 cts. TW. Struck with maker’s PP signature. 16”. 18.3 dwt.
$1,000–2,000
1453: 3.48 CTS SAPPHIRE AND DIAMOND PLATINUM ENGAGEMENT RING
GIA report #2165362729 describes natural, untreated, oval sapphire, 9.67 x 7.73 x 5.25
mm., tapered baguette cut diamond shoulders, approx. .30 ct. TW, in platinum. Size 6.
4.1 dwt.
$4,000–6,000
1454: TIFFANY & CO. DIAMOND PLATINUM PETALS KEY PENDANT
Bead-set bright RBC diamonds, 1.18 cts. TW, ca. 2010. Marked Tiffany + Co., PT 950.
2 1/4”. 7.3 dwt.
$1,000–2,000
158
1455
1456
1457
1458
1455: EMERALD CUT DIAMOND AND EMERALD ENGAGEMENT RING
Rectangular step cut emerald, 7.92 x 6.54 x 4.64, 2.02 cts. by formula, flanked by two
rectangular step cut bright green emeralds, approx. .90 ct. TW, in platinum. Size 7.
4.8 dwt.
$5,000–7,000
1456: TIFFANY & CO. DIAMOND PLATINUM WOVEN RING
950 platinum designed as two corset stitched eternity bands, fine RBC diamonds pavé
set, approx. 2 cts. TW, ca. 2000. Marked Tiffany & Co., PT 950, France. Size 5 1/2.
6.4 dwt.
$4,500–5,50 0
1457: TIFFANY & CO. FRENCH CUT DIAMOND ETERNITY BAND
Art Deco platinum band set with 31 French cut diamonds, approx. 1.20 cts. TW. Marked
Tiffany & Co. Size 5 1/4. 1.2 dwt. In original box.
$800–1,200
1458: DIAMOND PENDANT EARRINGS
Two OEC diamonds, 1.80 cts. TW, of yellow hue set in 18k gold within a cushion shaped
colorless diamond halo, diamond thread surmount, 14k wg., diamonds 2.38 cts. TW
throughout. 2.6 dwt.
$2,000–2,500
159
1459
1460
1461
1462
1459: DIAMOND AND RUBY KITE SHAPED COCKTAIL RING
Round brilliant cut diamond, 5 cts. by formula, framed by 22 bright red rubies, approx. 1.25 cts. TW, 28 RBC diamonds, approx.
1.40 cts. TW. Mid-20th century. Size 7 1/2. 6.6 dwt.
$6,500–7,500
1460: GENTLEMAN’S FANCY COLOR DIAMOND 18K GOLD RING
Engraved strapped cruciform in the Celtic style, centrally bezel set with round brilliant cut, natural brownish yellow diamond, 5.30 5.40 x 3.40 mm., .70ct. by formula, ca. 1995. Accompanied by GIA report #2175330661. Unidentified maker mark. Size 10. 9.5 dwt.
$1,800–2,400
1461:
BELCHER SET OLD EUROPEAN CUT DIAMOND GOLD RING
OEC diamond, 7.7 x 4.6 mm., 1.84 cts. by formula, supported by six cusped prongs, 14k yg., ca. 1895. Unmarked. Size 7 1/2. 4.7 dwt.
$3,500–5,500
1462: FOUR GOLD CASED MECHANICAL POCKET WATCHES
Vacheron Constantin for J.E. Caldwell & Co., 18k, 45 mm., 3 bodied O.F., white dial with sunk sub seconds, 17 jewels, 3 adjust. and
temperature, #348606, case #213582 by V+C, movement and dial marked for J.E. Caldwell; Elgin National “Gail Borden”, 14k,
44 mm., 4 bodied, key wind and key set, engraved case #229872, 1873; Lady of Lyons, 14k, 42 mm., 4 bodied engraved case with
superior scenic and maternal engravings, movement #87966; French Royal Exchange, London, 18k, 38 mm., 4 bodied O.F. with gold
dial, key wind and key set, movement #12907, 1853. 155.3 dwt. GW
$1,800–2,400
160
1463
1464
1465
1463: PATEK PHILIPPE 14K GOLD HUNT CASE POCKET WATCH
Stem wound, four bodied, porcelain dial with Roman hours, and sunk sub seconds, 48 mm.,
marked on dial and movement, movement and case #60297, 1880-1885. No monograms, no
erasures. 54.8 dwt. GW
$1,800–2,400
1464: VICTORIAN 14K GOLD “LIBERTY GEMSTONE” JEWELRY
Two pieces: Fancy link neck chain set with rubies, sapphires, half-pearls; 14k bloomed
gold Orientalist chatelaine clip set with OMC diamonds, cushion cut rubies and sapphires,
unmarked. Ca. 1890. Chain marked 585. Neck chain 16 1/2”, converts to 14”, clip 2 5/8”.
40.2 dwt. Provenance: Collection of Dora Jane Janson.
$1,400–1,800
1465: VICTORIAN FANCY LINK 14K GOLD WATCH CHAIN
Hand built with applied shot and roped details, toggle bar and swivel. Swivel marked 14k,
ca. 1880, 15 1/2”. 28.2 dwt.
$900–1,200
161
1466
1467
1468
1466: FIVE GOLD POCKET WATCHES
Four American 14k gold watches: Elgin hunt case with fancy enameled porcelain dial, 15 jewels, #10756020, 40 mm.; Elgin H.C.,
stepped porcelain dial, 15 jewels #11497193, 48 mm.; American Watch Co., H.C., stem wound, lever set, Royal model #2464178,
42 mm.; American Watch Co. 15 jewels #10145976, 34 mm.; Clemente 18k h.c. Swiss, key wind and set, #56387, 40 mm. 178.4 dwt.
GW
$1,600–1,900
1467: COLLECTION OF GOLD PROSPECTOR JEWELRY
Six pieces: Two brooches, three rings and a stickpin. Brooch ornamented with prospector tools, foliate motif surround; Shovel, pick
and pail brooch with roped nugget, embossed “South Africa”; Colorado gold bicolor “Colorado” ring; Bezel set pyrite ring; Figural
ring with two men; Shreve & Co. shamrock stickpin with gold bearing quartz. 10-18k. Late 19th c. Shovel brooch stamped “LP”, 18k,
Colorado ring stamped “Colorado Gold”. Largest 1 3/4” x 2”. 26.7 dwt. Provenance: Collection of Dora Jane Janson.
$1,000–1,500
1468: COLLECTION OF MEDALS, TOKENS AND BADGES, INCL. GOLD
Nine pieces: Four badges, a bracelet and four tokens or medals. Tiffany & Co. 18k yg. Military Athletic League medal; Gold plated
“California Gold, 1856” coin token bracelet; Silver “The Gift of Franklin” scholastic merit metal; Dallas Academy, First Grade
enameled yg. badge; Waltham Training School for Nursing yg. graduation medal; Hand engraved yg. scholastic merit badge; Silver
and yg. love tokens with gold tone heart locket; Silver and gold toned F.O.B. Knights of Pythias Supreme Lodge Badge. 10k-18k. 19th
and 20th c. Most engraved. Largest 2” x 3 1/4”. 44.4 dwt.GW (gold items) Provenance: Collection of Dora Jane Janson.
$1,000–1,500
162
1469
1470
1471
1472
1469: IMPRESSIVE GOLD COIN 18K CHARM BRACELET
18k solid fancy link chain suspends eight Mexican gold coins in a variety of gold
numismatic settings: two 50 Peso coins, two 20 Peso coins, three 10 Peso coins, one half Peso coin. 7”. 154.6 dwt.
$5,500–6,500
1470: GENTLEMAN’S INDIAN HEAD FIVE DOLLAR GOLD COIN RING
Mounted in tapered yg. setting, 22k and 18k, coin dated 1909. Size 11. 22.3 dwt.
$800–1,000
1471:
MEXICAN 50 PESO/ENGLISH SOVEREIGN GOLD PENDANTS
Mexican 50 peso, 1947, 37.5 gr. coin in 14k floriform setting; Queen Victoria 1974 gold sovereign in 14k numismatic setting.
Largest 2 1/2”. 48.2 dwt. Provenance: Property from the Estate of a New York City Collector.
$1,500–1,700
1472: COLLECTION OF GOLD COIN JEWELRY AND A CHARM
Ten pieces: American gold Indian head $10 1909 ring; American gold Indian head $5 coin ring; American Liberty $5 gold coin
pendant; Sovereign 1959 pendant; Mexican Maximilian 1 Peso ring and 2 Peso ring; Islamic coin ring; 18k cotton anniversary charm
pendant; Pair of Austria 20 Corona Franz Josef cufflinks, 1915. 14k and 18k gold settings.19th/20th c. 70.9.dwt.
$1,800–2,400
163
1474
1473
1475
1473: FIVE PAIRS GOLD CUFFLINKS AND A GENTLEMAN’S DRESS SET
Fifteen pieces: Four pairs of 14k yg. cufflinks with hinged 14k backs; Dragons with diamond eyes, retailed by Ruth Satsky; Black
enameled bars with diamond accents; Brown enameled domes with pearls and white gold diamond accents; Sardonyx cameos;
Italian 18k gold, black enamel, diamond five piece suite retailed by Ruth Satsky. Freeform 10k gold and synthetic star ruby cufflinks
with hinged g.f. backs. Dragons, 1”, cameos 1 1/16”. 68.9 dwt. GW
$1,500–2,000
1474: GENTLEMAN’S DIAMOND 14K YELLOW GOLD RING
OEC diamond, approx. 1.50 cts., three RBC diamonds, approx. .75 ct. TW, geometrically set. Unmarked. Size 8. 8.1 dwt.
$2,000–3,000
1475: GENTLEMAN’S 20TH CENTURY GOLD DRESS JEWELRY
Nineteen pieces. Two five-piece dress sets: 18k hammered knots with diamonds; Diamond studded onyx beads on 14k; Tiffany & Co.
14k wishbone tie tack. Four pairs cufflinks include: Tiffany & Co. 14k stippled knots with diamonds; Black enameled 18k stirrup style
hinged cufflinks (unmarked); 18k and lapis freeform cufflinks; Matte 18k beaded square knot cufflinks. Diamonds approx. 1.87 cts.
TW. 74 dwt.
$2,500–3,500
164
1476
1477
1478
1479
1476: VAN CLEEF & ARPELS AND OTHER GOLD CUFFLINKS
Two pairs includes: Van Cleef & Arpels, France, woven 18k cufflinks, wire woven grates chained to
similar bars, ca. 1965, marked VCA, Made in France, #12V236-1; Figural tiger cufflinks of enameled 14k
gold with hinged bars, ca. 1965. 17.1 dwt.
$1,200–1,800
1477:
DIAMOND PLATINUM GENTLEMAN’S RING
OEC diamond, approx. 1.45 cts., mounted in platinum gypsy setting. First quarter 20th c. Size 11.
9.4 dwt. Provenance: Estate of Rudy Dusek, wrestler, who, with his brother was known as the “Dusek
Riot Squad”.
$3,750–5,500
1478: GENTLEMAN’S GOLD BELT BUCKLE AND CUFFLINKS
Basket weave textured 14k gold belt buckle by Larter & Son, 1 7/8” x 1 1/16”; Rickrack textured
enameled 18k gold cufflinks with hinged bar, 3/4” x 3/4”. 42.9 dwt.
$1,400–1,800
1479: 18K YELLOW GOLD AND DIAMOND HINGED BANGLE BRACELET
Matte 18k yg. with bright white gold screws and three bezel set RBC diamonds, approx. .75 ct. TW, in
the style of Aldo Cipullo for Cartier “Love Bracelet”. Late 20th c. Unmarked. Accommodates 8”.
53.6 dwt.
$3,000–4,000
165
1480
1482
1481
1480: GOLD JEWELRY/ACCESSORIES WITH DIAMONDS
Three pieces: Liberty $10, 1881 American gold coin, 14k octagonal setting with diamond
clusters; Bicolor 18k gold triple key fob with paisley motif; 14k yg. mesh flexible belt ring, size
7. Diamonds approx. 1.20 cts. TW. 58.6 dwt. Provenance: Property from the Estate of a New
York City Collector.
$2,000–3,000
1481:
HERMES 18K YELLOW GOLD “CHAINE D’ANCRE” BRACELET
Substantial bracelet with signature links, toggle closure, ca. 2000. 18k. Inscribed on toggle,
“Hermès, Paris”, stamped with French control marks for 18k. 9”. 62.1 dwt.
$5,000–7,000
1482: KIESELSTEIN-CORD BICOLOR 18K GOLD TOGGLE NECKLACE
Solid matte 18k gold oval links, three groups of ten white gold links alternate with four groups
of four yellow gold links, bicolor toggle bar. Marked Kieselstein-Cord, 1984, Star and crescent
symbols, 750. 17 1/2”. 76.5 dwt.
$3,000–4,500
166
1483
1484
1485
1483: LADIES 18K GOLD ROLEX OYSTER BRACELET WATCH
“Date Just” perpetual chronometer, “President” bracelet, gold dial bar markers and
hands, sweep seconds, ref. #69178, serial #S713229, 29 jewels, self-winding, cal.
#2135, deployment clasp #8570, ca. 1994. 26 mm. 49.1 dwt. GW. In original box
$3,000–5,000
1484:LADIES 18K GOLD ROLEX OYSTER DIAMOND BRACELET WATCH
Diamond markers, bezel and bracelet, gold dial, sweep seconds, 26 mm., ref. #6917,
serial #8162882, ca. 1984, original plexiglass crystal. 6”. 44.9 dwt. GW. Original box.
$4,000–6,000
1485: LADIES CHOPARD “HAPPY DIAMOND” 18K GOLD WATCH
Quartz, electric push button setting, diamonds approx. 1.03 cts. TW. 25 - 23 mm.
11 dwt. GW. Leather strap. In original box.
$2,000–2,500
167
1486
1487
1486: TWO LADIES GOLD DRESS WATCHES
Tiffany & Co., France, textured 18k gold and diamond bracelet watch, 40 diamonds, approx.
1 cts. TW, curved case, later quartz movement, 35.2 dwt. (weight without movement); 14k
gold and onyx hidden watch on black suede strap, Swiss 17 jewel movement, 1 1/8”. Both
accommodate 6 3/4” - 7”. 19.9 dwt. GW
$1,500–2,500
1487: GENTLEMAN’S ROLLS ROYCE GRILL 18K WHITE GOLD WRISTWATCH
Black dial with white hands, Corum stem wound, 40 x 29 mm., 18 jewels, adj. 3 positions,
movement #158642, case #307269, Corum black leather strap and buckle. Adjusts to 7 1/2”.
31.6 dwt. GW
$1,500–2,000
1488: PATEK PHILIPPE GOLD MECHANICAL WRISTWATCH
Rectangular steel case with rose gold lugs, rose gold dial with sub seconds, rose gold hands,
18 jewels, three adjustments for temperature, five positions, movement #837676, case
#628218, ca. 1951, 14k conforming box link bracelet, accommodates 7 - 7 1/2”, 30 x 23 mm.
23.4 dwt. GW
$1,500–2,000
1488
168
1489
1490
1491
1489: GENTLEMAN’S PIAGET 18K YELLOW GOLD BRACELET WATCH
Broad, bright woven strap with round white dial, dash markers and arrow hands, ca. 1980.
Ultrathin manual wind #9025B2, 231987, 9p caliber, 18 jewels, adjusts to five positions, serial
#7312642, 35 mm. dial, 8” strap. Swiss control marks. 47.6 dwt. GW. In original box.
$1,500–2,000
1490: GENTLEMAN’S AUDEMARS PIGUET 18K WHITE GOLD WRISTWATCH
White dial with dash markers, manual wind, cal. #AP2003, 17 jewels, adj. 4 positions, case
#24236, engraved case back, 31 mm. 7 5/8”, after market 18k wg. bracelet. 37.6 dwt. GW
$1,000–1,500
1491:
GENTLEMAN’S IWC LARGE SIZE 18K GOLD BRACELET WATCH
36 mm. manual wind wristwatch, Schaffhausen, ca. 1950. Gold dial with gold batons and
dagger hands, sweep center seconds, cal #c.89, movement #1475304, case #1518864, after
market textured 18k deployment bracelet, adjusts to 8”. 51.5 dwt. GW
$2,000–3,000
169
1492
1492: SEVEN GENTLEMAN’S GOLD WRISTWATCHES
Three round cases: Bulova Accutron with quartz conversion, 18k, 38 mm., Speidel bracelet; Wittnauer
manual wind, 14k, 17 jewels, cal. #11BG3, 38 mm., Speidel bracelet; Longines, manual wind, 14k,
17 jewels, cal. #370, #13090894, 40 mm., g.f. bracelet. Four square cases: Bailey, Banks & Biddle,
manual wind, 14k, Concord case #88863, 17 jeweled Concord movement, cal. 245B, Tonneau movement
with cover, 30 mm., gray leather strap, engraved; Hamilton manual wind, 14k, cal. 770, 22 jewels,
28 mm., leather strap; Lyceum, manual wind, 14k, 17 jewels, 29 mm., Speidel bracelet; Zodiac, manual
wind, diamond accents on dial, 14k, cal. 37, 17 jewels, 25 mm., leather strap. Second half 20th c.
$1,800–2,400
1493
1493: TWO QUARTZ WRISTWATCHES ON 18K GOLD BRACELETS
Eterna 18k white gold bracelet watch, silver dial with black line markers, accommodates 6 1/2”; GirardPerregaux gold-filled tank watch on substantial 18k gold bracelet, accommodates 6 3/4” - 7”. 79.4 dwt.
GW. Note: Both were gentleman’s watches, which have been remade for a lady.
$2,000–3,000
170
1494
1495
1494: TWO GENTLEMAN’S 14K GOLD TIMEPIECES
Baume & Mercier slim quartz profile textured bracelet watch with matching dial, 32 mm.,
6 3/4” strap, ca. 1960; Movado for Tiffany & Co. open face mechanical pocket watch, 17 jewels,
46 mm., ca. 1940. 64.4 dwt. GW
$1,500–2,000
1495: TWO RAYMOND WEIL GENTLEMAN’S STEEL WRISTWATCHES
Freelancer Automatic chronograph, 42 mm., white dial with rose gold accents, stick markers,
water resistant to 100 meters, cal. RW 5000, case #7730, K350429, exhibition back, brown
leather strap, deployment buckle, new in box with book and packer, purchased 12/18/13;
Tradition quartz bracelet watch, ref. #5456-T-00608, rectangular case #S456,E356676, slate
gray Roman dial, date aperture, water resistant to 50 meters, 35 x 30 mm., 7 1/2”. New in box
with books.
$2,000–3,000
171
1496
1497
1498
1496: GENTLEMAN’S ROLEX DATE JUST STEEL AND GOLD BRACELET WATCH
After market mother of pearl and diamond dial, cal. #1570, ref. #1601, serial #3322277,
ca. 1972. Jubilee bracelet, after market sapphire crystal, case #1601. 36 mm. Accommodates
7 1/2”. Two spare links.
$1,500–2,000
1497: ROLEX PRESIDENT 18K GOLD OYSTER PERPETUAL WATCH
Gentleman’s 18k yellow gold case and president bracelet, white Roman dial, day-date, serial
#E287381, ca. 1991, ref. #18238, bubble crystal, 46 mm. 7”. 85.9 dwt. GW. In original box.
$6,500–8,500
1498: GENTLEMAN’S ROLEX OYSTER PERPETUAL AIR KING 14K AND STEEL
Two-tone self-winding mechanical wristwatch, 34 mm., silver dial with gold bar markers,
sweep seconds, ca. 1964, movement ref. #1003, serial #1127139, “Precision Automatic”,
cal. #1560, non-hacking mechanism, case back ref. #1005, gold and stainless steel oyster
bracelet, 6 3/4”
$1,400–1,800
172
1499
1500
1499: GENTLEMAN’S ROLEX COSMOGRAPH DAYTONA 18K AND STEEL
Two-tone 18k gold and stainless steel automatic chronograph, 38 mm., with slate dial, gold
bullet markers with white enamel trim, triple registers, sweep seconds, gold tachometer,
bezel. Reference #116523, Serial #K449196, caliber 4130. 18k gold and stainless steel oyster
bracelet #78493 with Rolex deployment clasp #DT1 7493, fits 7 1/2”. Ca. 2001.
$8,000–12,000
1500: IWC TOP GUN MIRAMAR AUTOMATIC CHRONOGRAPH WATCH
Titanium cased Pilot’s watch with steel inner case, bronze dial with cream Arabic minutes and
dash markers, ref. IW388002, case #3899975, sapphire crystal, 45 mm., sage green fabric and
leather IWC strap adjustable to 9”. New in box with packer and books, purchased 11/26/2013.
$4,000–7,000
173
1501
1502
1503
1501:
GENTLEMAN’S EBEL AUTOMATIC S.S. CHRONOGRAPH/CHRONOMETER
1911 Discovery, white dial with silver dash markers, gray sub dials, black bezel, ref. #9750L62, case
#A1346991, water resistant to 10ATM, 46 mm., 8”. New in box with book and packer.
$1,000–1,500
1502: TAG HEUER LINK AUTOMATIC CHRONOGRAPH STEEL WATCH
Gentleman’s stainless steel bracelet watch with flip-lock clasp, silver dial, caliber 16, Ref. CJF2111-0,
ca. 2008. 42 mm., open exhibition back, 16 mm. thick, accommodates 7 1/2”. With original box and
packer, with three spare Chevron links.
$1,400–1,800
1503: TAG HEUER LINKS S.S. AUTOMATIC CHRONOMETER WATCH
Gentleman’s stainless steel bracelet watch, white lined dial with steel markers, cal. 16, ref. #CAT 2011,
case #EB7696, 43 mm. 7 1/2”. New in box with packer.
$1,000–1,500
174
1504
1504: BREITLING BENTLEY STEEL CHRONOGRAPH WRISTWATCH
Gentleman’s 48 mm. self-winding wristwatch, sateen dial with triple registers, sweep
seconds, date aperture, bidirectional rotating bezel, steel bracelet with deployment
clasp, water resistant to 100 meters, #A25362, #712821. Fits up to 8” wrist.
$2,500–3,500
1505: TAG HEUER AQUA RACER CAL. 16 AUTOMATIC CHRONOGRAPH
Gentleman’s 44 mm. stainless steel wristwatch, black lined dial with luminous
markers and hands, ref. #CAK2111 / RUZ9362, water resistant to 500 meters,
44 mm., 8”, and two extra links. New in box with booklet and packer, purchased
10/14/13.
$1,500–2,000
1505
175
1506
1507
1508
1506: THEODOR FAHRNER FOUR STERLING BROOCHES
Early and rare filigree and faceted hematite bar brooch, ca. 1908, with spot hammered band, 4”*; Two matte enamel brooches with
stones and corded wire: orange with turquoise, hematite and marcasite, and brown with turquoise and citrine, ca. 1927; Gilt sterling
and marcasite stylized orchid brooch, ca. 1927. Most marked. 47.1 gs. Note: Hase-Schmundt, Weber, Becker, Theodor Fahrner
Jewelry, pg. 139 (similar example)
$1,500–2,000
1507: WILLIAM SPRATLING AND MARGOT OF TAXCO SILVER JEWELRY
Four pieces: Two bracelets by William Spratling and two-piece suite by Margot Van Voorhies. Spratling silver and carved amethyst
hand and tulip open cuff, 1940-1944, second period marks; Spratling successors, applied disk link bracelet; Margot of Taxco silver
and green glass cabochon volute link half-suite. 1940-1980. Necklace 16 1/2”, and bracelet, 7 3/4”, both #5513A. 377.2 gs. GW
$1,000–1,500
1508: DAVID YURMAN STERLING, GOLD AND GEMSTONE JEWELRY
Five pieces: “Renaissance” collar necklace with bezel set faceted and cabochon tourmaline; “Cable Classics” bangle with mabé
pearl terminals; “Confetti” bangle bracelet bezel set with faceted peridot, amethyst, tourmaline, quartz and cabachon green gems;
Half hoop earrings designed in a similar manner with amethyst, green gems. All with yellow gold accents. Sterling silver and 14k.
Stamped with David Yurman cypher. ca. 2000-2010. Necklace accommodates: 17”. 214.8 gs.
$1,000–1,500
176
1509
1509: LAGOS “CAVIAR” STERLING AND 18K JEWELRY
COLLECTION
Fourteen pieces: Two necklaces, three bracelets, two pairs
of earrings, four enhancers, and a ring. 18-strand bead
necklace joined by five interchangeable jeweled enhancers,
bracelet en suite; Wheat archive gold trimmed link bracelet,
pairs of moonstone or citrine earrings en suite; Signature
Caviar two tone sprung bracelet with citrine cabochons;
Citrine ring, size 6 1/2; Amethyst and citrine link necklace,
16”. 603 gs.
$1,500–2,000
1510:
JOHN HARDY STERLING JEWELRY COLLECTION
Ten pieces: “Wheat chain” bracelet with 18k gold trim;
“Wheat chain” necklace; “Kali” hoop earrings; “Jaisalmer”
18k and sterling drop earrings with blue topaz; Huggies
with green gems; Blue topaz ring; 18k and sterling “wheat”
ring. Ca. 2008. Bracelet 8”, necklace 18”, rings sizes 7 and 8.
373.2 gs.
$1,200–1,800
1510
177
1511:
OPULENT JEWELRY COLLECTION BY IRADJ
MOINI
Eight pieces: Faceted emerald and Indian faceted ruby
sautoir with pink tourmaline and emerald joints, 41”,
companion ruby and paste ear clips; Aubergine freshwater
pearl, 12-strand torsade and 14-strand fringe with iolite
briolettes, silver toned lavender and colorless paste
Edwardian style juncture and clasp, 22”, suspends 9 1/2”;
Citrine and coral gold toned “Shrimp” ear clips; Chandelier
gold toned earrings with citrine, coral, pearl and pastes,
2 1/2”. Late 20th c. All elements signed Iradj Moini.
1511
$1,800–2,400
1512:
FOUR JUDITH LEIBER EVENING BAGS
Gold crystal encrusted cushion shape with drop-in chain
and accessories; Tapered oblong silver crystal encrusted
box with drop chain and accessories; Black satin reembroidered evening bag with gold frame, gold cherry
blossom motif, accessories; Oblate satin evening bag silver
encased with “black pearls” and diamonds, “black pearl”
strap. Largest 7 3/4”. Includes 3 boxes.
$1,500–2,000
1512
178
1513
1514
1513:THREE JUDITH LEIBER CRYSTAL ENCRUSTED MINAUDIERES
Oblong Secessionist style with ruby and metallic flashed iridescent crystals and half pearls; Oblong flower garden on black ground;
Rectangular padded cushion with blue and iridescent crystals. All with drop-in chain, coordinating leather snap-purse, comb, mirror.
Longest 7”. Includes 3 boxes.
$1,500–2,000
1514:
TWO JUDITH LEIBER CRYSTAL ENCRUSTED MINAUDIERES
“Precious Miniature” gold tone swan with silver crystal accents; Cushion shaped box with cherry blossom design in pink, red, jonquil,
green and gold on silver crystal ground. Both with drop in-chains, coordinating gold leather interior and snap purse, comb, mirror.
Ca. 1995. 5 3/4” x 5 1/2”. Includes boxes.
$1,200–1,800
179
1515
1516
1515:TWO JUDITH LEIBER CRYSTAL ENCRUSTED MINAUDIERES
Jonquil Rose; Red star-shaped box. Both with drop-in chain, gold snap-purse, comb, mirror, 1994. 5 1/2”. Includes 2 boxes.
$1,200–1,800
1516:
TWO JUDITH LEIBER “PRECIOUS MINIATURE” CRYSTAL MINAUDIERES
Crystal encrusted figural seal in shaded gray tones; White crystal encrusted figural polar bear. Both with drop-in chains,
coordinating gold leather interior, snap purse, comb, mirror, ca. 1995. 4 3/4” x 5 3/4”. Includes original boxes.
$2,000–3,000
180
1517
1518
1517:TWO JUDITH LEIBER CRYSTAL ENCRUSTED MINAUDIERES
Fantasy stack of books in gold and bronze tones, copper color cord; Black and gold cello with drop-in handle. Both with gold leather
interiors and coordinating snap purse, comb, mirror. Longest 7 1/2”. Includes boxes.
$1,500–2,000
1518:
JUDITH LEIBER CRYSTAL ENCRUSTED PEACOCK MINAUDIERE
Figural precious miniature in blue and green tones with pear shaped “sapphire” cabochons, drop-in chain, coordinating gold leather
interior and snap purse, comb, mirror. 9”. Includes box.
$1,500–2,500
181
1519:
JEWELRY BOOKS FROM THE LIBRARY OF DORA JANE JANSON
Eleven jewelry books and two others, includes: “Jewelry, 1789-1910, The International Era, Vol.
I”, first edition by Shirley Bury, signed and inscribed to Mrs. Janson with handwritten letter
by Author; Two three volume sets, “La Bijouterie Francaise” by Henri Vever S.P.E.S. editions,
one boxed; Mrs. Janson’s “Radcliffe College Yearbook, 1938”; “Louis C. Tiffany’s Glass-BronzeLamps” by Robert Kock; Etc. Complete listing posted online.
$400–600
182
partial
1520: LIBRARY OF JEWELRY, DECORATIVE ARTS, FASHION BOOKS
154 volumes, many out of print: Includes but not limited to books, catalogues and assorted publications, articles, papers and hand
written notes from the collection of Dora Jane Janson. Pieces of note include (Hardcover books): “ENAMELS,” Little Books on Art,
Mrs. Nelson Dawson, 1906; “Livre D’ Aneaux D’ Orfevrerie,” Pierre Woeiriot, 1978 (French); “Juwelen und Preziosen,” Heinz Biehn,
1965 (German); “La Bijouterie,” Roger Miles, 1895 (French); “Edelsteinschliff und Fassungsformen,” Fritz Falk, 1975 (German);
“Western Asiatic Jewellry c. 3000-612 B.C.” K.R Maxwell-Hyslop, 1971; “Buccellati,” Vincent- Emmanuel Ragot; “Goldschiedekunst
Und Die Sculptur Von Benvenuto Cellini,” Justus Brinckmann, 1867 (German); “Ambra oro del Nord,” Umberto Franzoi, 1978
(Italian); “Jewellery,” H. Clifford Smith, 1908; “Histoire de La Verrerie et de L’Maillerie,” Edouard Garnier, 1886 (French); “Der
Appensell- Innerrhodiche Trachtenschmuck,” Dr. Carl Rusch, 1974; “Modern Design in Jewellery and Fans,” Charles Holme, 1902;
“The Triumph of Love; Jewelry 1530-1930,” Geoffrey C. Munn; “El Arte Modernista Catalan,” A. Cirici Pellicer, 1951 (Spanish);
“Schmuck; der 20er und 30er Jahre in Deutschland,” Chistianne Weber, 1989; “Artists’ Jewellry, Pre-Raphaelite to Arts and Crafts,”
Charlotte Gere and Geoffrey C. Munn, 1989; “Coupe et Assemblage,”Mme Berge, 1907 (French); “Henry van de Velde, 1863-1975,”
1970 (French); Musee du Louvre “Orfevrerie Emaillerie et Gemmes,” J.J Marquet De Vasselot, Gaston Braun (French); Dictionnaire
des Poincons de Maitres- Orfevres Frencais, E. Beuque et M. Frapsauce and Emile Beuque with Tome I and Tome II, 1964 (French);
“Indian Jewellery, Ornaments and Decorative Designs,” Jamila Brij Bhushan, 1964; “Italian Jeweled Arts, Chalices, Reliquaries,
Jewelry, Vases, Candelabra, Altarpieces, in Gold, Silver, Crystal, Jade, Lapis Lazuli, Precious and Semiprecious Stones,” Filippo
Rossi, 1954; “Renaissance Jewelllery,” Yvonne Hackenbroch, 1979; “Theophrastus De Lapidibus,” D.E. Eichholz, 1965; “Fashions
in Hair,” Richard Corson, 1965; “Ivories, Enamels and Other Objects, Fitzwilliam Museum,” O.M. Dalton, 1912; “Ruhlmann, Master
of Art Deco,” Florence Camard, 1983; “The Book of Pearls,” Joan Younger Dickinson, 1968; “Gaudi, His Life, His Theories, His
Work,” Cesar Martinell, 1967; “Daghestan Decorative Art,” D. Chircov, 1971; “Art Nouveau, 1900,” Petr Wittlich, 1975; “Des Berrn
Delacroiz Talchenbucb fur Raturliebhaber,” Johann Zadarias Logan, St. Petersburg, 1782. (Softcover books): “Die Pforzheimer
Schmuckindultrie,” R. Rucklin ( German); “The Fashionable Lady in the 19th Century, Victoria and Albert Museum,” Charles H.
Gibbs-Smith, 1960; “El Modernismo en Espana,” Cason Del Buen Retiro, Madrid, 1969 (Spanish); “Europa 1900,” Oostende (foreign
language); “Schmuck aus Zentraliasien,” Sammlung Ing Prokot. Complete listing posted online.
$1,000–2,000
183
2000: NEW SHEARED BEAVER HOODED JACKET WITH FOX TRIM
Black with slit pockets, fox trim at hood and cuffs, collar button, three concealed hooks. Unmarked.
33” length, 18” shoulder, 28” sleeve.
$250–350
2001: NEW SEMI-SHEARED COGNAC DYED MINK HOODED JACKET
Chevron pieced, brown-black ombre, zipper front, fixed hood, scarf printed silk interior, velvet linked slit
pocket. 27” length, 18” shoulder, 24” sleeve. Retail $5,990.
$250–350
2002: NEW SILVER FOX TUXEDO FRONT ART DECO STYLE JACKET
Slit pocket, dolman sleeve, generous size. 32” length, 24” shoulder, 29” sleeve. Retail $1,000.
$250–350
2003: BLUE FOX CAR COAT
Banded sleeve, velvet lined slit pocket, three concealed hooks, tagged Hertzberg Furs, American Fur
Awards, American select fox. 32” length, 22” shoulder, 23” sleeve.
$250–350
2004: NEW DARK BROWN SHEARED BOMBER STYLE REVERSIBLE JACKET
Concealed zipper, velvet lined slit pocket, Bishop sleeve, reverses to black cashmere. 36” length,
18” shoulder, 28” sleeve. Retail $2,500.
$300–500
2005: NEW CHINCHILLA TRIMMED REVERSIBLE RAIN JACKET
Swing style with cuff sleeve, black reverses to silver, fixed hood, slit pocket. 32” length, 23” shoulder,
22” sleeve. Retail $4,800
$300–500
2006: TAUPE SHEARED BEAVER SWING STYLE CAR COAT
Dark brown geometric inlay, drawstring waist, two concealed snap closures, gathered cuff, printed
interior. 34” length, 19” shoulder, 22” sleeve. Retail $6,500.
$200–400
2007: NEW BLACK CASHMERE MINK DAY COAT
Generously sized mink shawl collar, hood semi-lining and cuffs, slit pockets, jacquard silk lining.
36” length, 17” shoulder, 27” sleeve. Retail $8,500.
$300–500
2008: NEW GENTLEMAN’S BROWN LEATHER SHEARLING JACKET
Dark brown leather exterior with natural interior, slit pockets, three button closure. 33” length,
23” shoulder, 26” sleeve.
$150–250
2009: SHEARED MINK THREE-QUARTER LENGTH COAT
Black with black unsheared mink collar, velvet lined slit pockets, silk interior, button collar, three
concealed hook closures, J. Kudra tag. 37” length, 16” shoulder, 25” sleeve.
$400–600
2010: NEW COGNAC MINK SEMI-SHEARED SWING JACKET
Ombre colors, bell sleeve, shawl collar, single button, envelope pockets, scarf silk printed interior.
$400–600
2011:
NEW BLONDE SHEARED MINK THREE-QUARTER LENGTH COAT
Zipper front, drawstring bottom, elasticized cuff, wide collar, flap pockets, G. Kudra tag. 33” length,
$250–350
2012: NEW LEATHER TRIMMED SHEARED MINK JACKET
Black mink with stitched black leather corset waist, cuffs and flap pockets, two hook closures, black silk
interior. 26” length, 16” shoulder, 24” sleeve. Retail $3,500.
$300–400
184
FINE FURS
A Rago Online Only Auction
Sunday December 6, 2015 at 6pm
View/Register at
bidsquare.com
or at the auction house
during previews
lot 2029
185
2013: NEW NAVY/BLACK BROCADE DRESS COAT, BLACK FOX TRIMMED
Vermiculated brocade, A-line, envelope pockets, three leather buttons with spare. 39” length,
14” shoulder, 25” sleeve.
$200–300
2014: GOLDEN ISLAND SHADOW FULL LENGTH FOX FUR COAT
Generously sized with tuxedo front, Tarnopol’s, Phil. tag, three concealed hooks. 50” length,
21” shoulders, 27” sleeves, 62” hem. Cons. $4,200.
$400–600
2015: FULL LENGTH CANADIAN MINK COAT
Undyed, shawl collar, velvet lined slit pockets, three hidden hooks. 47” length, 16” shoulder, 23” sleeve,
71” hem.
$300–500
2016: BROWN WOVEN SHEARED BEAVER RUFFLED JACKET
Three hook closures, slit pockets, mocha paisley jacquard lining. 22” length, 15” shoulder, 22” sleeve,
with 3” extra everted at cuff. Retail $5,600.
$300–500
2017: NEW BROWN STRIPED SHEARED MINK JACKET
Three hook closures, velvet lined slit pockets, G. Kudra, Buck County. 28” length, 16” shoulder,
23” sleeve. Retail $6,500.
$300–500
2018: NEW LEOPARD DYED SHEARED MINK TRENCH COAT
With self belt and black mink trim at collar and cuff. Three hook closures, slit pockets, leopard pattern
scarf interior. 36” length, 17” shoulders, 25” sleeve. Retail $4,500.
$300–500
2019: NEW REVERSIBLE SHEARED BEAVER/LAMB OR LEATHER COAT
Dark brown sheared beaver with matching Persian lamb trim, reverses to dark brown leather with
Persian lamb and suede laced trim, four horn buttons on each face, velvet lined slit pockets. 50” length,
16” shoulder, 26” sleeve, 66” hem. Retail $6,500.
$500–700
2020: BLUE FOXTAIL CAR COAT
Joined with sueded cream leather, three hook closures, interior envelope pocket, silver silk lining.
$300–500
2021: NEW BLACK RANCH MINK THREE-QUARTER LENGTH COAT
Zipper closure, yoke shoulder, velvet lined slit pocket, cuffed sleeve, interior vest pocket, black interior,
G. Kudra, Bucks County. 30” length, 19” shoulder, 28” sleeve. Retail $7,500.
$500–700
2022: NEW BLACK SHEARED MINK COAT
Mink collar button, three black buttons, velvet lined slit pockets. 37” length, 18” shoulder, 27” cuffed
sleeve.
$400–600
2023: NEW SHEARED BEAVER INLAID HOUSE COAT
Umber with shaded mosaic patterned inlaid trim, tied belt with six belt loops, four hook closures, velvet
lined slit pockets, mocha satin lining, and waist sash in interior. 54” length, 18” shoulder, 26” sleeves.
$600–800
2024: NEW PIECED PASTEL SHEARED MINK THREE-QUARTER COAT
Houndstooth pattern, double breasted with eight abalone buttons, three cuff buttons on each sleeve,
velvet lined slit pockets, white interior. 37” length, 18” shoulder, 24” sleeves. Retail $9,500.
$300–500
2025: WHITE MINK AND FOXTAIL COAT
Tuxedo front with lush foxtail trim, three hook closures, velvet lined slit pockets. 45” length,
19” shoulder, 24” Bishop sleeves.
$300–500
186
2026: SABLE THREE-QUARTER LENGTH COAT
Two hook closures, velvet lined slit pockets, printed satin interior. 24” length, 18 shoulder, 27” sleeves,
47” hem.
$700–1,000
2027: NATURAL CHAMPAGNE MINK COAT
With ornamental collar button and three hook closures, cuff sleeves, satin lined slit pocket, one interior
pocket. 54” length, 20” shoulder, 25” sleeve, let out hem 80”. Retail $15,500.
$1,000–1,500
2028: NEW NATURAL MINK DEMI-BUFF THREE-QUARTER COAT
Shawl collar with black shirred inlay and ornamental buttons, Bishop sleeves, three closures, slip
pockets. 34” length, 18” shoulder, 25”.
$250–350
2029: SHEARED BLONDE MINK THREE-QUARTER LENGTH COAT
Carved trim and cuff, two hook closures, velvet lined slit pocket, brown interior. 37” length, 18” shoulder,
25” sleeve.
$500–700
2030: NATURAL TUNIKI FUR COAT
Shawl collar with three hook closures, velvet lined slit pockets, brown paisley jacquard lining, G. Kudra
tag. 42’ length, 21” shoulder, 23” sleeve. Retail $1,900.
$400–600
2031: NEW NATURAL DIAMOND MINK FUR COAT
Shawl collar, three hooks, velvet lined slit pockets, brown satin interior, Michael Kudra Signature Furs,
Trenton, NJ. 54” length, 19” shoulder, 29” cuffed sleeve, 69” hem. Retail $12,300.
$1,500–2,000
2032: ELABORATELY DECORATED ITALIAN SUEDE SHEARLING COAT
Taupe with gold embroideries, mica sequins and half beads, peasant sleeves, shawl collar, slit pockets
and sash belt with loops. 47” length, 18” shoulder, 20” sleeve. Retail $3,500.
$300–500
2033: MINK JACKET AND SHAWL
Golden buff full let out mink jacket with hood and ornamental collar button, four closures, velvet lined
slit pockets, reptile printed scarf silk interior, 25” length, 19” shoulder, 24” sleeve; Black woven mink
tapered cape with envelope pockets and deep fringe, 6”, 140” over fringe x 18”. Cape retail $3,200; Coat
retail $7,800.
$600–800
2034: SUEDED SHEARLING COAT WITH LEATHER TRIM
Single toggle closure, envelope pockets, rouched leather cuffs with snap with kick slit and horn toggle
closure. 44” length, 16” shoulder, 28” sleeve. Retail $4,500.
$300–500
2035: LADIES NEW DARK BROWN SPANISH SHEARLING COAT
Four front buttons and collar button, slit pockets, notched collar and cuff. 44” length, 16” shoulder,
24” sleeve.
$150–250
2036: BLACK WOVEN SHEARED BEAVER JACKET, BLACK FOX TRIM
New jacket with two front buttons, slit pockets, black fox broad collar and cuffs. G. Kudra Furs, Bucks
County. 22” length, 18” shoulder, 24” sleeve. Retail $4,500.
$150–250
2037: NEW BROWN WOVEN SHEARED BEAVER SWEATER, FOX TRIM
Medium brown, two button closures, slit pockets, dark brown fox fur broad collar and cuffs. 21” length,
$200–400
2038: BLACK MINK COAT
Sash belt, mink collar, button and three hooks, velvet lined slit pockets, labeled “Black Gold, exclusively
at Dialle Furs”. 43” length, 17” shoulder, 21” cuff sleeve.
$1,000–1,500
187
TERMS OF SALE
Questions? Contact Miriam Tucker, Managing Partner
miriam@ragoarts.com
Rago Arts and Auction Center (Hereafter referred to as “the Auction
House”). 609-397-9374 (p) / 609-397-9377 (f)
All bidders are responsible for reading and understanding these
Terms of Sale, as well as any supplemental notices. If you have any
questions after having read the Terms of Sale, please contact the
C.E.O., Miriam Tucker, at mtucker@ragoarts.com or 609.397.9374,
extension 141.
All items in our Unreserved Auctions are “As-Is, Where-Is.”
1. General
Each lot in this catalogue is offered for sale subject to the terms set
out below, as changed or supplemented by provisions a) written in
other places within these Terms of Sale, b) in written supplements to
this Catalogue or other materials prepared by us and c) as stated by
the auctioneer or posted in writing at the auction, prior to a bid being
accepted for a lot. No other communications by any employee of the
Auction House is intended to be binding, and such communications
are made for informational purposes only. By bidding at the auction
the buyer and all bidders agree to be bound by these terms or those
changed and supplemented, whether bidding in person, through a
representative, by phone, by internet, or other absentee bid.
Upon the fall of the auctioneer’s hammer, the successful bidder
becomes the buyer and owner of the property and is responsible for
the property, the amount of the successful bid, the buyer’s premium,
applicable taxes, and other charges provided for in the Terms of Sale
in U.S. Dollars, payable immediately.
The thirty (30) day warranty shall commence on the date of sale and
continue to run without any tolling even if the Buyer within that
thirty (30) day period 1) fails to inspect or pay, 2) requests delay in
shipment, 3) provides incorrect shipping address or information or 4)
is unavailable to receive shipment.
Sales Results: Preliminary results will be available online shortly
after each sale at www.ragoarts.com. Final sales results will be
available as soon as the Auction House has audited and verified all
sales, usually within one day of the auction.
The Auction House retains all rights to photographs and other
intellectual property contained in this catalogue.
2. Auctioneer’s Determination Final
A lot will be sold to the highest bidder as determined in the sole and
exclusive judgment of the auctioneer. The auctioneer will also have
the sole and exclusive power and authority to a) resolve any disputes
between bidders, b) determine whether to pass or re-offer a lot for
sale, c) reject or challenge any bid or advance in the bidding, d)
exclude any bidder from the premises and e) otherwise regulate the
bidders, the bidding and its increments.
3. Buyer’s Premium, Purchase Price, Taxes, and Billing
For purchases made in the room or by phone or by absentee bid
and paid for by check, cash, money order or wire transfer: A buyer’s
premium will be applied to the hammer price of each lot equal to 25%
on the first $200,000; 20% between $200,000 and $3 million.
For purchases made in the room or by phone or by absentee bid and
paid for by Visa, MasterCard, Discover or PayPal: A 2% surcharge
will be added to the total invoice (hammer price, buyer’s premium as
above, any applicable taxes).
For purchases made through any online bidding platform, regardless
of means of payment: A buyer’s premium will be applied to the
hammer price of each lot equal to 28% on the first $200,000; 23%
between $200,000 and $3 million.
Taxes: If you are shipping to a New Jersey address or if you pick up
the lots you have won at our New Jersey location, you must pay the
State’s 7% sales tax. The only exception is for those who hold a valid
resale license and file the completed New Jersey State Sales Tax
Form (New Jersey Seller’s Certificate Form ST3 or Non New Jersey
Seller’s Certificate Form ST-3NR) with Rago at time of payment. No
New Jersey sales tax is charged for purchases shipped out of state.
Billing: All successful bidders will be sent invoices by e-mail or mail
(if we do not have an email address on file) within the two business
days that follow the auction.
4. Methods of Payment and Fees
Cash. Check. Wire Transfers. Money Order. Visa. MasterCard. Discover.
PayPal. (NOTE: A 2% surcharge will be added for payments made by
Visa, MasterCard, Discover or PayPal. See Terms of Sale paragraph
3.)
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All payments are due immediately upon receipt of invoice. We
reserve the right to hold all goods paid for by check until payment
has cleared.
If payment is not received within fifteen (15) days, the Auction
House reserves the right to impose from the date of sale a late
charge of 1 1/2% a month of the total purchase price.
5. Payment, Collection, and Shipping Responsibilities of Buyer
Buyer Obligations: On the fall of the auctioneer’s hammer, title to
the property immediately transfers to the successful bidder who,
in turn, becomes the buyer of the Property. The buyer immediately
assumes full risk and responsibility for the purchased Property,
including all costs and expenses of handling, shipping, insurance,
taxes, export, and otherwise, and is liable for the full purchase price,
plus the buyer’s premium, applicable taxes, and any other associated
expenses.
Collection of Property and Storage Charges: The buyer will pay for the
purchased Property immediately and remove it from the premises of
the Auction House within fourteen (14) days of the sale. We are not
responsible for any damage or loss on property purchased but not
removed from premises. If the purchased Property is not removed
within thirty (30) days of the sale, the buyer will thereafter be
assessed a $10 per lot storage charge per day. The Auction House
may, at its discretion, remove the purchased Property to public
storage at the buyer’s risk and expense. All associated charges will
be added to the total invoice and must be paid in full before the
Property will be released.
Those who choose to pick up their property from the Auction House
following the sale must call 24 hours in advance to arrange pick-up.
Regular hours for pick up are Monday – Friday, from 9:00 a.m. – 11:30
a.m. and from 1:30 p.m. to 5:00 p.m. Please bring your own packing
materials. The Auction House is closed on Federal holidays and on
Mondays following full auction weekends. Weekend pick-ups are
made by special arrangement and/or by appointment only. Note: New
Jersey sales tax of 7% must be added to your invoice when picking up
merchandise unless you have a valid resale number on file.
The buyer is responsible for the shipment of all purchased property.
We will work with any shipper of your choosing. If you have any
shipping preference for any reason, please make sure your shipper
carries insurance. We are not responsible for any damage or loss
that occurs while your objects are in another’s care. We will also not
be responsible for any damage or loss that occurs if you choose a
shipping method that we have advised against and we will require a
waiver from you acknowledging this.
As a convenience to the buyer, the Auction House will, if requested,
give your property to a third party shipper. This company will pack
and ship or arrange shipment for you via UPS, FedEx or other carrier,
fully insured, for a fee payable in advance by credit card. Shipments
are made within a few days after payment has been received.
All international customs, duties, and other tariffs are the
responsibility of the Buyer. The Auction House and all third party
shippers will declare the selling price as the value in all cases.
Shipping larger items: Larger items are objects such as furniture,
andirons, floor vases, or any other item whose safe packing will
exceed the limits of common carriers. The Auction House can arrange
delivery by freight almost anywhere in the United States, fully
insured, for a fee. The delivery of large, heavy, or expensive objects
is not an inexpensive proposition and we urge you to consider this
before bidding.
Firearms: Rago sells only antique firearms as defined by the U.S.
Bureau of Alcohol, Tobacco and Firearms. Due to New Jersey firearms
regulations, all handguns, pistols, and revolvers will only be shipped
via Federal Express and will only be delivered to a person who holds
a Federal Firearms License or a Curios and Relics License. Handguns,
pistols, and revolvers can only be picked up at Auction House by
a person who holds a Federal Firearms License or the proper New
Jersey handgun permits, which must be shown and logged. There are
no exceptions. No firearms will be sold or shipped internationally.
Property purchased and left at the auction house for 90 days will be
sold or donated for you.
6. Buyer Default
Remedies: If any of the Terms of Sale are not fully complied with by
the buyer, the buyer will be in default without need of notice by the
Auction House. The buyer shall be liable to the Auction House and
the consignor for the total purchase price, including all premiums,
charges, and expenses specified in the Terms of Sale. Interest shall
accrue at the rate of 18% per annum commencing with the date of
the auction. In addition to other remedies available to the Auction
House by law, the Auction House may, at its option, a) cancel the
sale of the lot(s) on which the buyer defaulted and of any other lots
sold to the defaulting buyer at the same or any other auction(s) and
retain as liquidated damages all payments made by the buyer, b)
resell the purchased Property, whether at public auction or private
sale, or c) pursue any combination of a) and b) above. In event of
default, the buyer will be responsible to the Auction House and
the consignor for any deficiency, any and all costs and expenses,
including reasonable attorneys’ fees, collection fees and expenses,
late charges, and other damages. The Auction House may, at its
discretion, apply any proceeds of sale otherwise due to the buyer or
monies of the buyer in the Auction House’s possession to reduce or
satisfy the buyer’s obligations.
Security Interest: As security for full payment to the Auction
House and the consignor of all amounts due, the buyer grants the
Auction House the right to retain a security interest in the Property
purchased at auction and in any other property or money of buyer
in the Auction House’s possession or coming the Auction House’s
possession (collectively, ’collateral’). The Auction House shall
have the rights of a secured creditor as provided by the Uniform
Commercial Code and other applicable law. Such security interest
in the Property or other collateral will cease when the Property is
physically delivered to the buyer or the buyer’s agent.
7. Warranties and Guarantees
All items are served “As-Is, Where-Is,” except as expressly stated
otherwise in the following paragraph:
All information in the catalogue concerning authenticity is
guaranteed for a period of thirty (30) days from the date of sale.
In that time, prior to payment to the consignor of the work, the
Auction House will allow the buyer to submit, at his own expense,
an opinion in writing from a recognized expert, pre-approved by
the Auction House and the purchaser, regarding authenticity. In
the event the work is judged inauthentic by the expert, the work
may be returned in the same condition as at time of sale and the
buyer’s full purchase price will be refunded. Refunds shall not include
costs of transportation, insurance, or other expenses that may have
been incurred by the buyer. It is the buyer’s responsibility to make
payment in a timely fashion such that the property can be released
and inspected within this thirty (30) day time frame. Should the
buyer not do so, or should the buyer request the auction house to
delay shipment, should he give an incorrect shipping address, or
be unavailable to receive shipment, the thirty (30) day warranty
shall still apply. If the Auction House has paid the consignor the
amounts due consignor as a result of the sale, the Auction House
will (i) refund to the buyer the amount of the buyer’s premium and
applicable taxes received from the buyer, and (ii) make written
demand upon the consignor for the payment of the balance of the
purchase price. If the consignor fails to honor the written demand for
a refund of the balance of the purchase price, the Auction House will
furnish buyer the name and address of the consignor, and assign to
buyer all of the Auction House’s rights for the return of the balance
of the purchase price of the affected lot. Upon this disclosure and
assignment, the Auction House will have no further liability to
buyer or responsibility to pursue the buyer’s claim. The Auction
House will extend reasonable cooperation to buyer, provided that
such cooperation does not require out-of-pocket expenditures by
the Auction House. This limited right of rescission is available only
to the original buyer and may not be relied upon by any heir, agent,
transferee, assign, or other third party or assigned to any subsequent
transferee of the Property which gives rise to the claim.
This Warranty does not cover any description that states there is
a conflict of specialist opinion; any description that states (or is
bracketed in a section described as) “as-is“ or “not guaranteed.”
This Warranty does not cover any typographical errors. This Warranty
does not cover wear on furniture. This Warranty does not cover
flakes, surface scratches, or manufacturing flaws in glass or ceramics.
The description of clocks and lighting devices, whether in catalogues
or condition reports, may be incomplete and not identify every
mechanical replacement, repair, or defect. The absence of reference
to the condition of a clock or lighting device does not imply it to
be in working condition or without defects, repairs, restorations, or
replacement parts.
The description of jewelry, whether in catalogues, condition reports,
or any other form, is rendered as opinion, including, but not limited
to, specialist opinion as to authenticity, the enhancement or
treatment of gemstones, the weight of gemstones, the country of
origin, the authorship or origin (manufacture) of an item, its period
(or c.) or the authenticity of its marks.
No warranty is made that any watch is in working condition or
without defects, restorations, or working parts.
Buyers are advised to check watch works prior to auction.
All measurements are approximate.
This disclaimer of liability on our part applies whether the
information is included in the catalogue, advertisements,
announcements, or communicated through our representatives, bills
of sale, or elsewhere, and whether written or oral.
No Warranty of Reproduction: Neither the consignor nor we make any
warranty or representation, express or implied, as to whether a buyer
will acquire any reproduction rights, copyrights or other intellectual
property rights in, or with respect to, the Property.
The Auction House makes no warranties, express or implied, as to the
merchantability or fitness for purpose except as otherwise expressly
stated in these Terms of Sale.
8. Qualifying to Bid
As a security measure for our consignors and our company,
all bidders must establish credit. You will be asked to furnish
identification and a valid credit card number, credit references and/
or (for absentee, phone and online bidders) an initial deposit in the
form of a pre-authorization hold equal to 10% of the low estimate
of the total number of lots on which you are bidding. First time and
international buyers bidding on Asian lots with a total low estimate
of $5,000 or greater will be asked to a) furnish an initial deposit
in the form of a pre-authorization hold equal to 30% and b) grant
the Auction House the right to charge your credit card 30% of the
selling price on the day of sale. If you are acting as another’s agent
or principal, we may request a letter of authorization. If you are
successful and do not remit payment as specified, the amount owed
will be charged to your credit card together with such charges set
forth in these terms of sale. If you have any questions, contact Eliane
Talec, ext. 118.
Bidding Numbers: All bidders must register and receive a bidding
number from the Auction House prior to bidding at the auction.
9. Bidding Increments
All unreserved bidding starts at 50% of the low estimate unless
there are two or more competing absentee bids in excess of this
figure. The auctioneer has the sole and exclusive power, discretion,
and authority to regulate the bidding and its increments.
Increments
• $10 until $100 is reached
• $25 until $500 is reached
• $50 until $1,000 is reached
• $1,000 until $30,000 is reached
• $10,000 over $100,000
10. Absentee Bids
Absentee bids are requested by no later than 6:00 p.m. on the
business day before the auction. We accept absentee bids by
phone, by mail, in person, or by fax. Absentee bidders are emailed
bid confirmations – If you do not receive a bid confirmation by the
afternoon prior to the auction, please call us. When you do receive a
bid confirmation, please double check for accuracy.
All absentee bidding is handled as though you are in attendance. We
buy all designated lots for you one bidding increment above where
competition stops. Please check and comply with these increments.
In case of failure to comply, we will reduce each off-increment bid to
the next lower figure.
“Plus” bids: Because of our structured bidding increments, it is more
likely that several people will leave identical bids. Since an earlier bid
left with the auction house wins in the event of a tie, a later bid with
an added “plus” bid to the next increment would win the piece.
Absentee bids left with third party online bidding platforms are sent
to the auction house as the lot comes up for auction and not before.
There is no time advantage to absentee bids left with third party
online bidding platforms.
All absentee bidder names and bids are held in strictest confidence,
disclosed only in the event of a question after the sale.
Absentee bidding is a convenience offered to our customers and,
while we will make every effort to execute your instructions, the
Auction House is not liable or responsible for any errors or failure
to do so. If you place absentee bids with the Auction House, then
choose to attend in person, bid by phone or any other means, it is
solely your responsibility to cancel any or all absentee bids prior to
the start of the auction.
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11. Telephone Bids
Rago guarantees you a line and a phone agent for bidding until 4 PM
on the day prior to an auction. After that time, we will gladly accept
your absentee bids, even during the auction (up to 30 minutes before
a lot goes on the block). Changes to bid lists left with us prior to the
deadline will always be accommodated as best we can, as will followup phone bids for those who attend/must leave the auction and
other exceptional cases.
If you need condition reports, please request and review them prior
to reserving phone lines.
Telephone bidders are emailed bid confirmations – If you do not
receive a bid confirmation by the afternoon prior to the auction,
please call us. When you do receive a bid confirmation, please double
check for accuracy.
We can call you at two phone numbers ONLY during the auction. If
you are unsure of where you or your agent will be during the sale, we
recommend you leave absentee bids.
Please do not change your phone number after your phone lines have
been confirmed; if you do, the Auction House will not be responsible
for any breakdown in communications. Overseas phone numbers only
will be confirmed the day before the auction.
We do not have the capacity to assign phone agents to clients who
want to listen only or who will not bid the minimum selling price.
Therefore, if you bid by phone, you must be willing to open bidding
and bid to within 2/3 of the low estimate should the bidding go that
far. You may, however, leave absentee bids for any amount.
Bids are placed on the telephone at the discretion of the Auction
House and at the caller’s risk. Telephone bidding is a convenience
offered to our customers and, while we will make every effort
to execute your instructions, the Auction House is not liable or
responsible for any errors or failure to do so.
If you place absentee bids with the Auction House or Live
Auctioneers and also bid in person, by phone or any other means, it
is solely your responsibility to cancel any or all absentee bids prior to
the start of the auction. If you do not or cannot, regardless of reason,
you will be held responsible for the property’s purchase.
12. Internet Bids
The Auction House has also engaged the services of third party
online bidding platforms called Bidsquare and Live Auctioneers.
Please proceed to these sites for all necessary information on how
to bid and buy online using this system. The user of Bidsquare
and/or Live Auctioneers indemnifies and holds the Auction House
and its consignors harmless against any claim arising out of or
resulting from your use of the Bidsquare and/or Live Auctioneers
sites, including all losses, damages, liabilities, and all fees (including
attorney’s fees), costs, and expenses incurred in connection with
any claim. Under no circumstances, including, but not limited to,
negligence, shall the Auction House and its consignors be liable for
lost profits or any special, incidental, or consequential damages that
result from the use of, or the inability to use, this site.
If you place absentee bids with the Auction House and/or a third
party site and also bid in person, by phone or any other means, it is
solely your responsibility to cancel these absentee bids prior to the
start of the auction. If you do not or cannot, regardless of reason, you
will be held responsible for the property’s purchase.
Absentee bids left with third party online bidding platforms are
released to the Auction House when a lot comes up for sale. The
Auction House cannot distinguish these from bids made in real time.
They have no timed advantage.
13. Condition Reports
Condition reports are rendered as specialist opinion by the staff
of the Auction House and/or independent consultants and not as
statements of fact. We do not guarantee the content of written or
verbal condition reports.
Up-to-date condition reports can be accessed online at ragoarts.com.
If you would like additional information, please call (609) 397-9374,
fax condition report requests to (609) 397-9377 or e-mail them
to info@ragoarts.com. Our specialists will respond to requests as
quickly as possible.
Please be patient. We get many requests and we make every effort to
respond to all of them in a timely fashion. The Auction House is not
liable or responsible for any errors or failure to do so.
14. Reserves
A reserve is the confidential minimum price established by the
Auction House and the consignor. The reserve will never exceed the
low estimate of the lot. The Auction House prohibits consignors from
bidding on their own property, but may implement the reserve by
190
bidding on behalf of the consignor at the auction up to the reserve.
15. Estimates
The estimates provided in this catalogue are our opinion of the
price that a willing buyer would pay for the property at auction,
based, where possible, on prices paid for comparable items sold in
the past. They are neither a representation nor a prediction of the
actual selling price that will be realized at auction, post-auction
sale, or upon resale, which may be substantially different from these
estimates. We shall not be liable in any way for such a difference.
16. Withdrawal of Property from Sale
The Auction House reserves the right to withdraw property from
the sale for any reason and with no liability whatsoever for such
withdrawal.
17. Rescission by Buyer
All items are served “As-Is, Where-Is,” except as expressly stated
otherwise in Paragraph 7. Buyer acknowledges and expressly agrees
that the provisions of this Paragraph state the sole and exclusive
remedy available to a buyer in the event of non-conformity in
Property purchased. The buyer understands and agrees that the
exclusive remedy for any breach of the warranty shall be a rescission
of the sale and a refund of the original purchase price (bid plus
buyer’s premium), as well as any applicable taxes paid. Neither the
Auction House nor its Consignor shall be liable for damages beyond
the remedy expressly provided for herein, such as, but not limited
to, direct, indirect, special, incidental, punitive, or consequential,
including the loss of profit or revenue, cost of obtaining alternative
property, claims of customers of the buyer or otherwise.
18. Rescission by the Auction House
In the event the Auction House receives notice of an adverse claim
with respect to purchased Property, the Auction House shall have the
right (but not the obligation), in its sole and absolute discretion, to
rescind the sale to the buyer, upon written notice to the buyer. Upon
such notice, the buyer will promptly return the purchased property
to the Auction House’s premises in the same condition as when
purchased.
The Auction House will then promptly refund the purchase price,
including the buyer’s premium and applicable taxes paid. Buyer will
have no further recourse against the Auction House or the consignor,
and the Auction House and the consignor shall not be liable for any
damages of any nature suffered by the buyer.
19. Governing Law and Forum for Disputes
The laws of New Jersey shall govern the auctions of the Auction
House. Any disputes that may arise in connection with the auction
and/or any auction purchase, and all of the terms and conditions set
forth herein above, shall be governed by and construed in accordance
with New Jersey law. Anyone who participates in the auction and/or
makes auction purchases agrees to submit to the jurisdiction of the
courts of the State of New Jersey with respect to any dispute arising
in connection with the auction and/or any auction purchases. In the
event that the Auction House needs to bring an action to enforce the
terms and conditions herein and/or to collect any sum due and owing
to it the Auction House shall be entitled in addition to collect its
reasonable attorney’s fees, collection agency fees, and cost of suit.
20. Limitations of Liability
The Auction House acts only as the agent for the consignor and in no
event will be liable for any breach or default by the consignor.
21. Severability and Waiver
If any provision of portion of these Terms of Sale shall be deemed
unlawful, void, or unenforceable under applicable law, that provision
or portion shall be stricken and severed from the remaining
provisions, which shall remain in full force and effect. Failure to
enforce any of the provisions in these Terms of Sale shall not be
deemed a waiver of the right to enforce any other provisions of these
Terms of Sale.
22. No Assignment
Unless the Auction House consents in writing, buyers may not assign
their rights or any of their obligations related to an auction or other
sale by the Auction House.
23. No Modifications
These Terms of Sale may not be changed unless the Auction House
and buyer have agreed to do so in a written agreement signed by
both parties.
24. Export or Import - Endangered/Threatened/Prohibited Species
The State of New Jersey prohibits the import, sale, purchase,
barter, or possession with intent to sell of any ivory, ivory product,
rhinoceros horn, or rhinoceros horn product with exceptions that are
irrelevant to commercial sale. As used in this act “Ivory” means tooth
or tusk from any animal, including, but not limited to an elephant,
hippopotamus, mammoth, narwhal, walrus, or whale, or any piece
thereof, whether raw ivory or worked ivory, or made into, or part of,
an ivory product. As concerns worked products made of species legal
to sell under current Federal guidelines, it is the sole responsibility
of buyers to familiarize themselves with International and U.S.
state laws or requirements for import and export; to identify and
obtain any necessary export, import, endangered species or other
permit prior to bidding; and to abide by International and U.S. laws
and requirements. The Auction House and the Consignor make
no representations or warranties as to whether any lot is or is not
subject to export or import restrictions or any embargoes and will
have no responsibility with regard to these matters. a) International:
Several countries do not allow the importation of lots containing
materials made from endangered species. This includes, but is not
limited to coral and tortoiseshell. An export license may be required
for the export of certain materials, as well. b) State of California:
California Penal Code sections 653o - 653r make it illegal to import
into California for commercial purposes, to possess with intent to
sell, or to sell within the state, the dead body, or any part or product
thereof, of any polar bear, leopard, ocelot, tiger, cheetah, jaguar, sable
antelope, wolf (Canis lupus), zebra, whale, cobra, python, sea turtle,
colobus monkey, kangaroo, vicuna, sea otter, free-roaming feral
horse, dolphin or porpoise (Delphinidae), Spanish lynx, or elephant.
Starting in 2015, it will be unlawful to import into this state for
commercial purposes, to possess with intent to sell, or to sell within
the state, the dead body, or any part or product thereof, of any
crocodile or alligator. Should a buyer in California state an intent to
sell the certain animal parts named in California Penal Code sections
653o - 653r, the Auction House reserves the right to reject bids and
refuse to ship.
25. Firearms
Rago sells only antique firearms as defined by the U.S. Bureau of
Alcohol, Tobacco and Firearms. All Firearms will be sold in accordance
with State of New Jersey and Federal firearms laws and any relevant
State of New Jersey and Federal laws. It is the sole responsibility
of buyers to familiarize themselves with their local laws and
requirements for the possession of firearms; to identify and obtain
any necessary license or permit prior to bidding; and to abide by
all Federal, State and local laws and requirements. The Auction
House and the Consignor make no representations or warranties as
to whether any lot is or is not subject to such restrictions and will
have no responsibility with regard to these matters. Rago sells only
antique firearms as defined by the U.S. Bureau of Alcohol, Tobacco
and Firearms. Due to New Jersey firearms regulations, all handguns,
pistols, and revolvers will only be shipped via Federal Express and will
only be delivered to a person who holds a Federal Firearms License
or a Curios and Relics License. Handguns, pistols, and revolvers can
only be picked up at Auction House by a person who holds a Federal
Firearms License or the proper New Jersey handgun permits, which
must be shown and logged. There are no exceptions. No firearms will
be sold or shipped internationally.
26. Miscellaneous
Private Sales: These Terms of Sale shall apply to both auction and
private sales of property.
Paragraph Headings: Paragraph and subheadings are included in
these Terms of Sale for ease of reference and should not be used to
interpret the meaning of the substantive provisions.
stone offered through the Auction House. Buyers wishing to have
a grading or gemological report from an independent recognized
laboratory such as the Gemological Institute of America, the
European
Gemological Laboratories or the American Gemological Institute may
request one at their own expense or hire an independent adviser of
their choosing.
Weights given are based solely on measurements and known
gemological formulae; they are approximate, not exact. Weight may
differ once a stone is removed from its setting. Buyers are advised to
verify weight estimates prior to auction
ADDENDUM TO TERMS OF SALE: COINS AND CURRENCY
Grading is a not an exact science. It is a matter of opinion as
to condition and other attributes. Because of this, grading can
and will differ among third party grading services (even though
consensus grading is employed by most), independent experts,
dealers, collectors and auction houses, including our own. Due to the
subjectivity of coin and currency grading, a given piece evaluated
twice by the same expert may be assigned a different grade each
time. Opinion as to the grading, condition or other attributes of any
property may have a material effect on value.
Therefore all coins and currency are served “As-Is, Where-Is,” by
the Auction House except as to authenticity, as expressly stated in
the Terms of Sale. They are sold without any additional express or
implied warranty, including, but not limited to, grade. This includes
all coins and currency, including, but not limited to, those:
• Referencing the opinion of a third-party grading service;
• With no reference to the opinion of a third-party grading
service;
• With reference to the opinion of Auction House as to grading;
• Subsequently submitted to a third-party grading service for
determination or certification;
• Encapsulated and therefore unable to be physically examined.
The Auction House reserves the right to differ with the grades
assigned to property, by certificate or otherwise, regardless of the
grading service and will not be bound by any prior or subsequent
opinion, determination or certification by third-party grading
services including, but not limited to, National Guaranty Company
(NGC), Professional Coin Grading Service (PCGS), Paper Money
Guaranty (PMG) and Currency Grading and Authentication (CGA)
or any other any grading service, third party organization or dealer.
There is no guarantee or warranty implied or expressed that the
grading standards utilized by the Auction House will meet the
standards of any grading service at any time in the future.
The Auction House has graded uncertified coins and currency with
reference to the current interpretation of the American Numismatic
Association’s standards at the time of grading.
The Auction House reserves the right to re-grade property reconsigned for any reasons, including, but not limited to a change of
grading standards, differences in opinion, mishandling over time.
The Auction House will not be liable for any patent or latent defect
or controversy pertaining to or arising from any encapsulated coins
or currency. In any such instance, purchaser’s remedy, if any, shall be
solely against the service certifying.
Please note:
• Certain types of plastic may react with a coin’s metal or
transfer plasticizer to notes, causing damage. Avoid storage in
materials that are not inert.
• Catalog illustrations may not be to scale or reflect the
depicted property’s actual size.
ADDENDUM TO TERMS OF SALE: JEWELRY
For centuries, natural gemstones have been enhanced in a variety of
ways, including heating, oiling and other methods. These treatments
are accepted by the international jewelry and gemstone trade. The
Auction House makes no representations or warranties, express or
implied, as to whether natural stones have been treated or enhanced,
whether specifically referenced or not.
All stones have been identified by standard gemological field tests
as the mounting permits and the Auction House will make available
to prospective buyers any gemological certificates in its possession.
It will not always be feasible to obtain a qualified lab report on every
191
RAGO JEWELRY DEPARTMENT
Auction Management: Miriam Tucker
Director: Sarah Churgin
Specialist: Katherine Van Dell
Cataloguer: Robin Harris
Thanks to Greg Kettle, horologist.
RAGO ARTS AND AUCTION CENTER
Partners-in-Charge: David Rago, Suzanne Perrault, Miriam Tucker
Chief Operating Officer: Michael Ingham
Chief Administrative Officer: Eliane M. Talec
Director, Estate Services: Sebastian Clarke
Director, Appraisal Services: Laurel Porcelli
Art Director: Anthony Barnes
Photography Studio Director: Lynnette Mager Wynn
Photographer: Jared Kramer
Client Services Manager: Karen Davies
Client Services: Martine Webber
Foreman of Operations: Croix Leadem
Art Handlers and Movers:
Casey Kochis (crew chief), Charles Chamberlin, Jason Kwon, Sean Leslie, Richard Palleschi, Justin Thomas
Controller: Lisa Kolva
Marketing Associate: Adrienne Lieberman
Digital Content Creator: Nicholas Fonteix
Public Relations/Marketing Assistant: Robin Harris
Auction Administration: Rebecca Schild
Administrative Staff: Kathy Buscavage, Guy Benthin
Our thanks to the entire auction staff.
192
SHIPPING/RECEIPT OF PURCHASED PROPERTY
A bid is a contract to buy. So on the fall of the auctioneer’s hammer, the successful bidder becomes the owner and assumes full responsibility
for the purchased property. This includes all costs and the expenses of any handling, shipping, insurance, taxes, or export.
When the Auction Center receives and processes your payment, your property is released - for shipping, delivery by freight, or pick-up. Please
allow up to three weeks.
NOTE: Some property in this sale may require specialized shipping. Please call us for our recommendations.
S H I P P I N G S M A L L I T E M S B Y C O M M O N C A R R I E R (UPS, FedEx, DHL or USPS):
We have engaged shippers to pick up several times a week from the auction house. Our recommended shippers for small items are
Masterpiece Shipping and The Flemington UPS Store. Once we receive your payment and the completed shipping form authorizing the
release of your property to the shipper, we will add your lot(s) to the list for the next pick up. You will receive a shipping quote for your
approval within 48 hours after the shipper has picked up your lot(s). If for any reason the quote is not acceptable to you, your property will be
returned to the auction house so that you can make alternate arrangements.
Masterpiece Shipping
David and Vicki Child, Owners-Operators
Buckingham Green
4950-C Old York Road
Buckingham, PA 18912-2000
T: 215-794-1199
F: 215-794-1177
The UPS Store #1752
203 Main Street
Flemington, NJ 08822
T: 908-806-4842
F: 908-806-4843
SHIPPING LARGER ITEMS BY FREIGHT:
(for example: furniture, bulky or odd shaped items) that exceed allowable dimensions or weight restrictions of UPS, Fed Ex and similar
carriers. The auction house can provide assistance in arranging for delivery by freight. Depending on the location, we can recommend a
variety of third party shippers. We are also happy to work with the freight company of your choosing. Please keep in mind that delivery
of these types of items can be an expensive proposition and we urge you to consider this before bidding. Please remember that it is your
responsibility to pay for all deliveries.
PICK UP AT RAGO:
Hours for pick up are Monday – Friday, from 9:00 a.m. – 11:30 a.m. and from 1:30 p.m. to 5:00 p.m. The shipping department closes each
day from 11:30 – 1:30. The Auction House is closed on Federal holidays and on Mondays following two and three day auctions. We require 24
hours’ notice in advance of pick up. Please bring your own packing materials.
IMPORTANT NOTES:
• Weekend pick ups are made by special arrangement and/or by appointment only.
• New Jersey sales tax of 7% must be added to your invoice when picking up merchandise unless you have a valid resale number on file.
• All property must be paid for and removed from Rago Arts & Auction Center within 15 business days of the auction. Unless special
arrangements are agreed upon in writing before the sale. Storage fees are charged beginning on day 16. For more details see our Terms
of Sale.
193
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Live and timed auctions. New property added daily. Easy to navigate. Reliable. Private. Secure.
Bid live online for all Rago Auctions. Register Today.
RAGO
CONDITION REPORT FORM
phone: 609.397.9374
fax: 609.397.9377
We are happy to provide you with condition reports on all lots as requested. We are neither professional restorers nor conservators
and specialist opinions are subjective and not a statement of fact. Therefore, we do not guarantee the content of the written or verbal
condition report. Not withstanding this report, all lots are offered and sold in accordance with the Terms of Sale listed in print and online
at ragoarts.com.
Lot#
Description
Specific Questions
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Name ______________________________________________________________________________________________________
Telephone _________________________________________________________________________________________________
E-mail _____________________________________________________________________________________________________
I N T E R N A L U S E O N LY
Check Condition Online
Print Initials:_______________________
Add to/confirm in AuctionFlex
Date _______________________________________________________________
BIDDING FORM
RAGO
Buyer Number
ABSENTEE BID
PHONE BID
phone: 609.397.9374
fax: 609.397.9377
e-mail: bids@ragoarts.com
Name ______________________________________________________________________
Business Name ___________________________________________________
Address ___________________________________________________________________________________________________
City _________________________________________________
State _____________________________________________
Zip Code ____________________________________________
E-mail ____________________________________________
Telephone __________________________________________
Fax ________________________________________________
CC # (Visa/MC/Disc.) ______________________________________________
If using Resale ID, a copy must accompany this form.
Exp. Date ______________
Country ____________________
CSV code (from back) ________________
Resale ID Number ______________________________________
Lot#
Description
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State __________________
Absentee/Contigency Phone
PLEASE ADHERE TO
THE BIDDING INCREMENTS
$10 until $100 is reached
$25 until $500 is reached
$50 until $1,000 is reached
$1,000 until $30,000 is reached
$10,000 over $100,000
Rago’s guarantees you a line
and a phone agent for bidding
until 4 PM on the day prior to
an auction. After that time,
we will gladly accept your
absentee bids, even during the
auction and will do our best to
accomodate before the lot goes
on the block.
T E L E P H O N E B I D P H O N E N U M B E R – D AY O F S A L E :
1).
________________________________________________________________________
2).
________________________________________________________________________
C H E C K , S I G N A N D D AT E B E L O W O R B I D S W I L L N O T B E E X E C U T E D
I
I
I
I
am bound by Terms of Sale
I have read the condition report(s) online / requested all needed information
am responsible to contact Rago if bid confirmation is not received by 5pm on the day prior to the auction
am responsible for canceling Absentee Bid if I choose to bid in person/by phone
understand the buyer’s premium (see below)
The buyer’s premium for each lot purchased is 25% on the first $200,000 of the hammer price, 20% on the portion from $200,000 through $3,000,000
Signature _____________________________________________________________
Date _____________________________________________________________
I N T E R N A L U S E O N LY
Check Boxes Above
Absentee/Plus
Print Initials:_______________________
New/Hold
AF: confirm contact info/check notes
Date/Time _________________________________________________________
Addendum
Increments
333 NORTH MAIN STREET
LAMBERTVILLE, NJ 08530
INFO@RAGOARTS.COM
RAGOARTS.COM
609.397.9374

fine and antique jewelry auction

Transcription

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