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New Music Titles from
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Nicholas Maw: Odyssey
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Landmarks in Music Since 1950
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It Was Forty Years Ago Today
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Includes 2 tables, 6 musical examples
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Aug 2008. 208 pgs. Hbk. 978-0-7546-6249-5
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Desire, Drink and Death in
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Guilhermina Suggia: Cellist
Society for Music Theory
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Nashville 2008 6-9 November
Advertising
New Music Titles from
Ashgate Publishing…
Nicholas Maw: Odyssey
Sgt. Pepper and the Beatles
Landmarks in Music Since 1950
Edited by Olivier Julien
Kenneth Gloag
Includes 31 music examples
Jun 2008. 148 pgs. Hbk. 978-0-7546-3855-1
The Ashgate
Research Companion
to Japanese Music
It Was Forty Years Ago Today
Ashgate Popular and Folk Music Series
Includes 2 tables, 6 musical examples
and 5 musical figures
Aug 2008. 208 pgs. Hbk. 978-0-7546-6249-5
Musicological Identities
Essays in Honor of Susan McClary
Includes 81 b&w illustrations
and 112 music examples
Oct 2008. 472 pgs. Hbk. 978-0-7546-5699-9
May 2008. 288 pgs. Hbk. 978-0-7546-6302-7
Edited by George Odam
Guildhall Research Studies: 6
Includes 36 b&w illustrations
and 35 music examples
Jul 2008. 276 pgs. Pbk. 978-0-7546-5816-0
Dark Side of the Tune:
Popular Music and Violence
Bruce Johnson and Martin Cloonan,
Ashgate Popular and Folk Music Series
Includes 12 b&w illustrations
Nov 2008. 260 pgs. Hbk. 978-0-7546-5872-6
Kevin Holm-Hudson
Ashgate Popular and Folk Music Series
Includes 10 musical examples
Nov 2008. 210 pgs. Hbk. 978-0-7546-6139-9
Pbk. 978-0-7546-6147-4
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Includes 10 b&w illustrations
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Oct 2008. 182 pgs. Hbk. 978-0-7546-6479-6
Pbk. 978-0-7546-6482-6
Infant Musicality
New Research
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Johannella Tafuri
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The Rock Canon
Genesis and The Lamb
Lies Down on Broadway
Thresholds: Rethinking
Spirituality Through Music
Program & Abstracts
Landscapes of the Mind: The
Music of John McCabe
Edited by Jacqueline Warwick,
Steven Baur and Raymond Knapp
Edited by Alison Tokita
and David W. Hughes
SOAS Musicology Series
AMS/SMT
ASHGATE
Canonical Values in the
Reception of Rock Albums
Carys Wyn Jones
Ashgate Popular and Folk Music Series
Sep 2008. 182 pgs. Hbk. 978-0-7546-6244-0
Music, Informal Learning
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Lucy Green
Ashgate Popular and Folk Music Series
May 2008. 226 pgs. Hbk. 978-0-7546-6242-6
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Includes 6 b&w illustrations
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Come visit our booth in the book exhibit!
Anita Mercier
Includes 20 b&w illustrations
and 1 music example
Sep 2008. 186 pgs. Hbk. 978-0-7546-6169-6
From Pac-Man to Pop Music
Interactive Audio in Games
and New Media
Edited by Karen Collins
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Includes 7 b&w illustrations and 17 line drawings
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www.ashgate.com
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Desire, Drink and Death in
English Folk and Vernacular
Song, 1600–1900
Guilhermina Suggia: Cellist
Society for Music Theory
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paper $14.95 cloth $25.00
^
A Documentary Companion
John Henry, the Untold Story of an American Legend
DVORÁK TO DUKE ELLINGTON
A Conductor Explores America’s Music and Its African
American Roots
MUSIC AND COPYRIGHT
MAURICE PERESS
2008 658 pp. paper $165.00
THAT MOANING SAXOPHONE
HAROLD ROSEN, JUDITH TICK, Editor,
with PAUL BEAUDOIN, Assistant Editor
THE MUSIC OF JONI MITCHELL
LLOYD WHITESELL
2008 288 pp.; 75 music examples
cloth $99.00 paper $21.95
1
2004 (paper 2008) 272 pp. paper $24.95 cloth $53.00
The Six Brown Brothers and the Dawning of a
Musical Craze
BRUCE VERMAZEN
2004 (paper 2008) 320 pp.; 19 halftones
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2
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Page 1
New, Recent, and Forthcoming from
H IGHER E DUCATION G ROUP
THE POP, ROCK, AND SOUL READER
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Second Edition
David Brackett
The second edition of this richly-textured anthology includes
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Nov. 2008 608 pp. paper $29.95
THINKING MUSICALLY
Experiencing Music, Expressing Culture
Second Edition
Bonnie C. Wade
The second edition of this text incorporates music from
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(Global Music Series)
Nov. 2008 208 pp. paper $27.95
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The Art of Communication
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HEARING THE MOVIES
Music and Sound in Film History
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Jan. 2009 448 pp. paper $50.00
MUSIC RESEARCH
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FROM SOUND TO SYMBOL
Fundamentals of Music
Micheál Houlahan and Philip Tacka
Designed for a one-semester music fundamentals course,
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TEACHING MUSIC IN HIGHER EDUCATION
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GRADUATE REVIEW OF TONAL THEORY
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
LISTEN
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Liber Amicorum: Music Festschriften, 1785–1966
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C O M I N G FA L L 2 0 0 8
Music of the Peoples of the World, Second Edition
William Alves
ISBN-10: 0-495-50384-3 | ISBN-13: 978-0-495-50384-2
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Popular Music in America: The Beat Goes On,
Third Edition
Michael Campbell
ISBN-10: 0-495-50530-7 | ISBN-13: 978-0-495-50530-3
© 2009
AVA I L A B L E J A N U A RY 2 0 0 9
A Creative Approach to Music Fundamentals, TenthEdition
William Duckworth
w w w. c e n g a g e . c o m / m u s i c
ISBN-10: 0-495-57220-9 | ISBN-13: 978-0-495-57220-6
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Music Listening Today, Fourth Edition
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Charles Hoffer
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Western Music Listening Today, Fourth Edition
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Charles Hoffer
ISBN-10: 0-495-57199-7 | ISBN-13: 978-0-495-57199-5
© 2010
Worlds of Music: An Introduction to the Music of the
World’s Peoples, Shorter Version, Third Edition
Jeff Todd Titon, et al.
ISBN-10: 0-495-57010-9 | ISBN-13: 978-0-495-57010-3
© 2010
Music in Western Civilization: Media Update
Craig Wright and Bryan R. Simms
ISBN-10: 0-495-57273-X | ISBN-13: 978-0-495-57273-2
© 2010
10EMU0003
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New from UC Press
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Alton Augustus Adams, Sr.
Bill Ivey
First Black Bandmaster of
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How Greed and Neglect
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Augustus Adams, Sr.
Mark Clague, Editor
Foreword by Samuel Floyd, Jr.
Music of the African Diaspora
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David W. Bernstein, Editor
The San Francisco
Tape Music Center
1960s Counterculture
and the Avant-Garde
Foreword by John Rockwell
Preface by Johannes Goebel
$27.50 paper, $65.00 cloth, with DVD
Joy H. Calico
Brecht at the Opera
Arts, Inc.
Michael Long
Beautiful Monsters
Imagining the Classic
in Musical Media
California Studies in 20th-Century Music
$24.95 paper, $60.00 cloth
Klára Móricz
Jewish Identities
Nationalism, Racism,
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California Studies in 20th-Century Music
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California Studies in 20th-Century Music
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Jacob Smith
John Deathridge
Performance and
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Wagner Beyond
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Struggling to Define
a Nation
American Music and the
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Richard Taruskin
The Danger of
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On Russian Music
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Bach’s Cycle,
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An Essay on the Origins
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Mary E. Davis
Classic Chic
Music, Fashion, and
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California Studies in 20th-Century Music
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Writing about Music
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Why Classical Music
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Stravinsky
The Second Exile: France
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Selections for Every Music Library
UC Press journals stand on the leading edge of music scholarship.
From provocative theoretical studies to analysis of pioneering breakthroughs in music cognition, UC Press journals are at the forefront of
music research. For more information, please visit our website.
Music Theory Spectrum
19th-Century Music
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The Journal of
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Journal of the
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ISSN: 0003-0139
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The Supernatural in Eighteenth-Century
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David J. Buch
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Victoria Johnson
Giuseppe Verdi
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The Works of Giuseppe Verdi, Series V: Chamber Music
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Forthcoming in 2009
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Chicago Studies in Ethnomusicology
Paper w/CD $22.00
Re-announcing
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Steven M. Friedson
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OTHER AWARDWINNING
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Lennie Tristano
His Life in Music
Eunmi Shim
Old Roots, New Routes
The Cultural Politics of
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Pamela Fox and
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Hazel Scott
New Orleans Style and
the Writing of American
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Bruce Boyd Raeburn
Ellington Uptown
The Pioneering Journey
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Karen Chilton
Duke Ellington, James P.
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John Howland
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The Life and Music
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Jeffery S. McMillan
Counterculture
Kaleidoscope
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Nadya Zimmerman
Don’t Deny My Name
Words and Music and the
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Lorenzo Thomas
Lee Konitz
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Linda Dahl
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Jimmie Lunceford and the
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Head Hunters
The Making of Jazz’s
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Steven F. Pond
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ALSO FROM
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Listening to
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Joseph Lanza
André Hodeir
Jazz Reader
André Hodeir
How Sondheim
Found His Sound
Steve Swayne
the university of michigan press
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ESSENTIAL JOURNALS FROM
Wiley-Blackwell
The Journal of Aesthetics
and Art Criticism
Published on behalf of the
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Edited by: SUSAN L. FEAGIN
The Journal of Aesthetics and Art Criticism
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Journal of Popular
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Music Analysis
Published in association with the
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Edited by: ALAN STREET
Journal of Popular Music Studies is a peerreviewed journal dedicated to research on
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ŠTeaching Assistantships
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Post-Doctoral Fellowships
Musicology
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Ethnomusicology
Composition
The Department of Music at the University of Alberta offers graduate students the opportunity to
pursue an M.A. or Ph.D in ethnomusicology, musicology or music theory within an active
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Our program encourages interdisciplinary research and learning in music, and is home to the
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student body, individual attention, and multiple-year award packages. We also offer M.Mus. and
D.Mus. programs in composition and applied music studies.
Faculty:
Howard Bashaw
Mustafa Bor
Michael Frishkopf
Christina Gier
David Gramit
Mark Hannesson
Mary Ingraham
Henry Klumpenhouwer
Maryam Moshaver
Regula Qureshi
Federico Spinetti
20th Century, Composition and Analysis
Aural Skills, Theory
Arab World, Islam, Africa, Music Media
20th Century, Gender Studies, Film Music
19th Century, Social and Cultural History
Composition and Music Technology
Canadian Music, Choral Music, Culture and Politics
Theory
History of Theory, Analysis and Aesthetics
Professor Emerita, Director CCE, South Asia, Islam
Iran, Central Asia, Social and Political History
www.music.ualberta.ca
University of Alberta • Department of Music • 3-82 Fine Arts Building
Edmonton Alberta T6G 2C9 Canada
780-492-3263 music@ualberta.ca
Graduate Coordinator: Howard Bashaw (hbashaw@ualberta.ca)

FACULT Y OF FINE ARTS - DEPARTMENT OF MUSIC
STUDYING
COMPOSITION • MUSICOLOGY • THEORY
DEGREES
-!-ASTEROF-USICAL!RTS-USICOLOGY
--US-ASTEROF-USIC#OMPOSITION
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William Jordan: (ISTORYOF4HEORY!DORNOONMUSIC#OMPOSITIONVOCAL
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Friedemann Sallis:-USICOLOGY3KETCH3TUDIES2ECEPTION(ISTORY4HE
)NTERACTIONOF(ISTORICALAND4HEORETICAL0ERSPECTIVESINTH#ENTURY-USIC
Joelle Welling:4HEORY!NALYSISTHEARLYTH#ENTURY3ONG4EXT
-USIC2ELATIONS-USIC4HEORY0EDAGOGY
*Les travaux rédigés en français peuvent être acceptés au Département de musique.
Graduate Admission Deadline: January 15, 2009
For more information, please contact:
Fine Arts Student Success Team (FASST)
Phone (403) 220-5313 • Fax (403) 282-6925 • E-mail: fasst@ucalgary.ca
www.finearts.ucalgary.ca

JJ-AMS directory.pdf
8/26/08
3:39:45 PM
musicology and music theory at CCM
“One of this country’s leading conservatories”
– The New York Times
Distinguished Faculty
David Carson Berry: Schenkerian topics, American
popular music, post-tonal analysis, Stravinsky, history
of theory (1750-1950)
Mary Sue Morrow: 18th-century topics (including
the symphony), sociology of music, nationalism,
music criticism & aesthetics
Steven J. Cahn: Schoenberg, aesthetics, theories of
history, imaging of musical phenomena,
behavioral-neural correlations of musicality
Samuel Ng: Brahms, metrical dissonance, phrase
rhythm, music perception, analysis & performance
Jeongwon Joe: 20th-century music, opera-cinema
studies, film music, cultural studies
Matthew Peattie: Medieval music, Beneventan
chant, modality, sources & transcription, musical
change
Jonathan Kregor: 19th-century aesthetics, Liszt,
music & memory, virtuosity & gender, art songs,
musical reproductions
Miguel Roig-Francoli: history of theory
(Renaissance), analysis of early music, 20th-century
topics, music theory pedagogy
Catherine Losada: post-tonal music,
transformational theory, musical collage, music after
1950
Stephanie P. Schlagel: Renaissance studies,
Josquin des Prez, the motet, reception history,
editing early music
bruce d. mcclung: American music, musical theater,
mass entertainment, manuscript studies, critical
editing
C
M
Y
CM
MY
CY
CMY
K
For details about graduate programs:
www.ccm.uc.edu/comp_theory_hist
For admissions & financial aid info:
www.ccm.uc.edu/admissions

EASTMAN SCHOOL OF MUSIC
The Eastman School of Music
offers graduate students in
musicology the opportunity to
pursue a PhD in the context
of a thriving music school
with an incomparable research
library. Thanks to a large and
distinguished faculty, students
enjoy exposure to all areas of
the discipline, with additional
opportunities for advanced study
in ethnomusicology (including
a new Master of Arts degree),
early music, music theory, and
performance. Graduate students
receive generous stipends, with
support normally assured for five
years. Alumni of the program
hold positions at top-ranked
institutions and have become
leaders in the field.
ADMISSIONS DEADLINE DECEMBER 1
FULL-TIME FACULTY
Patrick Macey, Chair
Renaissance music and culture
in Italy and France, Josquin,
music and rhetoric
Michael Alan Anderson
Medieval and Renaissance
music, Saints, the Divine
Office, Popular ritual, politics
Melina Esse
19th-century opera and
melodrama, film music, gender
and performance studies
Roger Freitas
17th-century music (especially
the cantata), performance
practices, the castrato
Holly Watkins
19th- and 20th-century music,
historical and contemporary
aesthetics, ecocriticism,
popular music
Daniel Zager
Renaissance and Baroque
music, Lassus, church music
history
SENIOR FACULTY
ASSOCIATES
Jürgen Thym
19th-century music,
German Lieder, 19th-century
symphony, music and text
relations
Gretchen Wheelock
Ellen Koskoff
18th-century music, Haydn
and Mozart, historical
performance practices,
reception history
Kim Kowalke
AFFILIATE FACULTY
Ethnomusicology, American
musics, women and music,
Balinese music and culture
20th-century musical
theater and opera, Sondheim,
Hindemith, and Weill
Ralph P. Locke
Exoticism and nationalism,
music culture in 19th-century
France and Italy, opera,
gender issues
Malcolm Bilson
Hans Davidsson
Robert D. Morris
Paul O’Dette
EMERITA
Kerala Snyder
Honey Meconi
Medieval and Renaissance
music, manuscript culture,
Hildegard, musical borrowing
800 388 9695 or 585 274 1060
admissions@esm.rochester.edu
www.esm.rochester.edu/musicology
08ESM_AMA_Conference.indd 1
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8/20/08 1:18:03 PM
MusicologyAd-08.qxd:Layout 1
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Page 1
AT I L L I N O I S
w w w. m u s i c . u i u c . e d u
KARL KRAMER, DIRECTOR
Christina Bashford
social and cultural history, 19th-century Britain, chamber music,
reception history, research methodology
Donna A. Buchanan
Balkan, Russian, and Mediterranean musics; indigenous peoples;
music & power; music & cosmology; music in aesthetic systems
William Kinderman
18th to early 20th-century music, Mozart, Beethoven, Wagner,
aesthetics, creative process
Gayle Sherwood Magee
20th-century music, film music, Charles Ives, hymnody,
Music in the U.S.
Jeffrey Magee, chair
Music in the U.S., jazz, musical theater, African American
traditions, black-Jewish intersections
Gabriel Solis
jazz, rock, ethnomusicology, Australian indigenous music,
historiography, cultural memory
Katherine Syer
19th- & early 20th-century music, Wagner, opera production
history, contemporary theater
Tom Turino
Latin American and African musics, social theory, semiotics,
"folk revivals"
Tom R. Ward
Medieval and Renaissance, music and liturgy, 14th- & 15thcentury music theory, music in central European institutions
Emeritus Faculty
Resources
Affiliated Faculty
Visiting Faculty 2008-9
Charles Capwell, Lawrence Gushee, John Walter Hill,
Herbert Kellman, Bruno Nettl, Nicholas Temperley
Center for World Music, Philip Yampolsky, director
Hymn Tune Index Project, Nicholas Temperley, director
Sousa Archives and American Music Center, Scott Schwartz, archivist
Renaissance Archives, Herbert Kellman, director
Charlotte Mattax, harpsichord, historical performance
Anne Prescott, music of Japan
Dana Hall, jazz, African American traditions
I Ketut Gede Asnawa
Julia Byl
Mary Paquette-Abt
For more information, please contact Music Admissions Office
Phone: 217-244-7899, E-mail: musicadmissions@illinois.edu
Accredited institutional member of the National Association of Schools of Music since 1933.

PEABODY INSTITUTE
THE
OF THE JOHNS HOPKINS UNIVERSITY
PEABODY CONS E RVATORY
THE
OF THE JOHNS HOPKINS UNIVERSITY
PEABODY PREPAR ATORY
THE
OF THE JOHNS HOPKINS UNIVERSITY
PEABODY INSTITUTE
THE
OF THE JOHNS HOPKINS UNIVERSITY
M U S I C O L O G Y FA C U LT Y
Suhnne Ahn
Elam Ray Sprenkle
TRobert
H E Follet
PEABODY
E RVATORY
Andrew Talle,CONS
Chair
O
F
T
H
E
J
O
H
N
S
H
O
P
K
I
N
S
U
N
I
V
ERSITY
Richard Giarusso Elizabeth Tolbert
David Hildebrand Piero Weiss
John Moran
Susan Weiss
PEABODY PREPAR ATORY
THE
OF THE JOHNS HOPKINS UNIVERSITY
Compose your future…
whatever your passion.
www.peabody.jhu.edu
For information, contact the Office of Admissions
Toll Free 800-368-2521, in Maryland 410-659-8110
1 East Mount Vernon Place, Baltimore, MD 21202

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

the university of texas at austin
butler
school
of music
presents
,GLSIWSJ,PPMRKXSR
The Music and Life of Duke Ellington
April 15 - 17, 2009
-,(;<905.
James Lincoln Collier,
John Franceschina, the Butler Opera
Center’s opening night performance of Ellington’s
rarely performed comic opera Queenie Pie,
invited papers, and an all-Ellington concert by the UT
Jazz Orchestra.
Keynote speakers
*(33-697(7,9:
The conference organizers welcome submissions that address
Ellington’s music, life and times from any perspective, including
historical, sociological, analytical, theoretical, and performance.
Papers concerning Ellington’s music for the theater and for film
are especially welcomed. Proposals for round tables, lecture
recitals or novel formats will also be considered. Presentations
for individual papers should be approximately 30 minutes.
Abstracts of no more than 500 words and author biographies of
no more than 150 words should be sent to Prof. James Buhler
at jbuhler@mail.utexas.edu or fax 512/471-7836 by Monday,
November 3, 2008. Decision notification will be no later than
Monday, December 1, 2008.
Further information about the conference may be found by
visiting www.music.utexas.edu/campsconferences or by
contacting Prof. Jeff Hellmer, Director of Jazz Studies:
jhellmer@mail.utexas.edu

