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1980s
Z e it geist
Redux
Starlight memories of
the go-go days.
I
By Olivia Gunn
Sid Tripp
t’s a Saturday night in 1985. In
his weekend best pulled together
from Material Objects, 25-yearold Sid Tripp locks the door of his Exchange Street apartment at the Old
Port Arms and heads down to see
what the rest of Portland has been doing since Friday.
The golden age of Three Dollar Deweys, according to Sid
Tripp–back when it was on Fore Street, not Commercial.
October 2015 27
Stevie Nicks
From BILLBOARD
Magazine’s Boxscores:
The 28th show on The Wild Heart Tour
September 8, 1983, Portland, Maine
Venue: Cumberland County Civic Center
Headliner: Stevie Nicks
Opening Act: Joe Walsh
Produced by: Frank J. Russo
Ticket Price: $12.50
Available Tickets: 9,415
Tickets Sold: SELLOUT
Concert Gross: $117,687
Funny Gal
Portland’s comedic actress
Andrea Martin got her start on
SCTV in the ’70s and is still a
force in film (My Big Fat Greek
Wedding) and on stage, where
she won a Tony award for her
role in Pippin in 2013.
Bad News Bears
Here’s a painful blast from the past: On
January 26, 1986, in New Orleans, the New
England Patriots–led by Tony Eason & Steve
Grogan–lost Super Bowl XX to the Chicago
Bears–led by Jim McMahon (above) and
Refrigerator Perry. The score? 46-10. The
Bears added insult to injury by recording
“The Superbowl Shuffle,” which turned into a
sleeper hit and Grammy nominee.
2 8 p o r t l a n d m o n t h ly m a g a z i n e
“We went out almost every night of the week,” Sid says
during our interview in his
West End townhouse. “Sunday, Tuesday, Thursday, Friday, Saturday, Sunday. On
Monday we’d do laundry.
Wednesdays we’d stay home
to watch Dynasty…”
Sid is a graduate of the University of Maine who, like many
of his friends, made a bee-line
for Portland after graduation.
He first took a job at F. Parker Reidy’s, where you could go
for a great steak. Today, Sonny’s sits in its place.
It wasn’t long before Sid
was working on Congress
at an advertising agency,
making more money than a
20-something knew what to do
with, and simply going out on the town.
“We all had full-time jobs. And we’d be
out until one, two in the morning. We’d be
drinking all day. Drinks were cheap, food
was cheap.”
Hot Spot
F
or their first stop, Sid’s group, which
from what I can gather was the group,
would first head downstairs and hit
HuShang on Exchange Street for appetizers.
The Szechuan- and Hunan-style restaurant originated on Congress and was owned
by the Ng brothers, Ken and Henry. With a
line outside every night, Eddie Fitzpatrick,
former editor of the Maine Sunday Telegram once told Portland Magazine it was “…
the first good Chinese restaurant in Portland. Ken
Ng had the ability to remember names. You’d dine
there and then go back a
year later, and he’d call you
by name. HuShang was always full.”
Susan Hellier, who arrived
in Portland in 1981, tended bar there after
having worked her way up the ranks in Ken
Ng’s troops.
“I started as a dishwasher [at the Congress Street location], and I’d get stoned every day between work. I’d leave one job, go
behind the dumpster, take a couple hits of a
joint, get into my overalls and do dishes at
HuShang.” She sighs. “HuShang. I’m sorry
you missed it.”
Though Sue would one day manage the
Lewiston location, she laughs at the thought
of her first promotion. “I wanted to bus tables, but Ken said, ‘No. You are number one
dish girl. Plus, you don’t dress good.’”
After a promise of finding another supreme dishwasher and taking a comb to
her curly hair, Sue was promoted to bussing
at the second HuShang on Brown Street,
where she eventually became a server before
tending bar on Exchange.
“Oh, Sue poured me thousands of drinks,”
says Sid at the mention of her name.
Lure of the
Bright Lights
Sue first came to Portland when she was 21
years old, for a house-sitting job and a helluva good time as promised by a friend from
Clockwise from top left: Billboard magazine; sid tripp(2) courtesy Purpoodock golf club; ebay; sid tripp; youtube; goldinauctions.com; zoomer
Cheers!
@ the Civic Center!
Z e it geist
Orono. “I was going to go to Boston, but
Julie said, ‘It’s going to cost us 70 bucks a
month to live in Portland between the three
of us.’ You say ‘yes’ to that.”
But when the girls arrived, the woman
they were to house-sit for had postponed
her trip–leaving them no job, nowhere to
live, but a future wide open.
They rented a room at the Eastland Hotel, which in Sue’s words was the skeeviest
place in the ’80s. “It was a lot of people just
moving through. When you flushed the toilet, it sounded like the room had exploded.”
Even so, her eyes light up talking about the
summer it all began.
The Way It Was
As Sue would pour to the sounds of DJ Kris
Clark, Sid and friends would decide whether to stay or move on to Squire Morgan’s for
free chicken wings and then to Moose Al-
Comedian George Hamm working the door at
Three Dollar Deweys in his salad days.
ley or Kayo’s for one of the many live bands
Portland had to offer.
“You could go anywhere and see friends
of yours playing,” says Sue. “All of my
friends at the time were musicians. Charlie Brown, he was an amazing keyboardist, he had a band called Vito and The Groove
Kings.” She stops to make a mental checklist.
“The Clouds, Buffalo Chip Tea. See, now I’m
going to forget someone’s band and they’re going to be pissed.”
If you were truly in in the music scene,
you might find yourself at a tiny hole in the
wall on Brown Street called Geno’s.
“You had to know somebody to get in,
and if they didn’t know you, you’d have to
say who you were with,” says Sid. “Punk
rock had a home there at that point–the really early punk rock.”
Sid adds a fun fact. “Where they are now
used to be a porn theater. The State Theater
was a porn place, too.”
Wait–according to Google Maps, the city
had two porno spots 230 feet apart. Does
that mean Portlanders only had two dirty
movie houses to choose from?
A visit from
Arnold Palmer
Art-House Heaven
O
bviously, pornography wasn’t the
only thing available in the cinemas.
In 1980, Steve and Judy Halpert took
over the Movies on Exchange, which offered independent, foreign, and documentary films to a town that craved it.
“There was a real need for it,” says Steve.
“There was a group of people who wanted to
see those movies, so we could really do just
about anything we wanted to do. There was
no competition.”
Films such as 1985’s Buddies, said to be
the first to tackle the topic of the AIDS pandemic, brought the Exchange Street audiences the same films that were current in
New York and L.A. Portland welcomed films
that touched on controversial subjects–and
foreign films. The Halperts sought the “richer films with sophisticated characters.”
“I came to the theater, and an hour early,
they’re lined up Exchange Street to see The
Seven Samurai,” Steve recalls. “I thought how
starved people are–how many are lined up to
see Kurosawa, and it’s not even a new movie.”
[The Japanese classic dates to 1954.]
The Halperts ran the Movies for more
than three decades.
Purpoodock Golf Club, Cape Elizabeth,
October 3-7, 1984. Arnold Palmer headlines a group of senior golf tour stars at
the UnionMutual Seniors Golf Classic,
including Don January, Billy Casper, and
Doug Sanders. The event was the inspiration of [UNUM] president Colin C. Hampton, UNUM VP Bud Guthrie, and Maine
golf great John Mills. Two years later, in
September 1986, Palmer shot an eagle on
the 16th hole to win the tournament and
a $38,000 first prize, with coverage by the
New York Times. Palmer said his 65 in the
opening round “put me in position” for
the victory.
High design…next to Portland Stage
The Swan Dive on Forest Avenue
harks back to the smoky days when
every decent place had its own
matchbook.
October 2015 29
Zeit geist
at one point during our drinking years.
Cheesy maybe, but it was the place where
everybody knew your name. And if no one
knew your address, they could send your
post to Deweys.
“Do you know the old Deweys?” Sue asks
me over a beer at Sonny’s. I shake my head.
“Oh, my God,” she says. “Deweys was awesome. It was all benches. You were forced to
sit next to people you didn’t really know.”
Live Music
Siri, take me to
Memory Lane
Kayo’s
Shown during a 1981 performance at Kayo’s on Middle
Street in Portland, Fashion Jungle was one of several
Portland bands embracing the punk aesthetic of “faster,
louder, more fun.” The short-lived original lineup of the
band consisted of (from left) Doug Hubley, Mike Piscopo, Ken Reynolds, and Jim Sullivan.
Geno’s
Before Styxx, there was the Underground. Photos from
facebook.com/pages/The-Underground-Portland-Maine.
“Every six months, you could play Casablanca or The Maltese Falcon. You could still
get an audience because there was no other
source. You couldn’t watch them on television, you couldn’t rent them and take them
home,” says Steve. “The big, big change
came when cable and videotape made these
[films] readily accessible.”
hat may once have been a threat to
movie theaters in Portland–video
rentals–has had to face its own obsolescence. In recent weeks, Portland said
goodbye to a long-standing landmark, Videoport. Owner Bill Duggan acknowledged
online streaming and a changing market as
contributions to the closure.
Movies on Exchange survives in the
form of PMA Movies at the Portland Museum of Art, where Steve runs the weekend
screenings. And today you can find 18,000
former Videoport relics available to rent at
the Portland Public Library.
W
Richard Julio, also known as Geets Romo, booked
bands at Geno’s from 1983 to 1993. That’s at the original Geno’s, 13 Brown Street, literally underground in
the former Pickle Barrell Deli. Cover charge? “Two or
three dollars,” says Julio. Rent in Julio’s record shop in
the Mariner’s Church on Fore Street? “$75 a month.”
Bands he booked included The Brood (above), Chesterfield Kings, The Kopterz, The Del Fuegos, and BeBe
Buell (below, a.k.a. Liv Tyler’s mom). To hear BeBe at the
mic singing “Normal Girl” visit: bit.ly/NormalGirl.
Finishing Out The Night
By 11:30 p.m., Sid Tripp and his crew would
have been making their way down to the
place close to all of their hearts, Three Dollar Deweys.
Deweys wasn’t at its current spot on
Commercial Street then. Once upon a time,
at the spot where the nightclub Pearl sits today, Three Dollar Deweys was the place to
be if you were anyone in Portland…
“We’d always try to make it there before
11 o’clock, because there’d be a line out the
door,” Sid says.
He describes a bar we all hope to know
3 0 p o r t l a n d m o n t h ly m a g a z i n e
“It was Cheers before Cheers,” says Sandy Flanagan, a bright, warm woman with red hair
to match. She’s brought out a giant scrapbook created by Dewey’s regular Roland
Waddington Jr., who’d visit every Saturday
and sit at the back table and hold court.
“He was kind, wonderful, interesting,
and he loved people. Roland drew everyone
together.” The book is filled with pictures of
Roland’s friends, postcards, newspaper clippings–and not a single selfie.
She points out a note written on a napkin from local writer Al Diamon, promising
to bring Roland back a bottle from England.
Susan Hellier then & now: partying in the ’80s (above)
and strolling the waterfront today.
Sandy flips through the pages, inviting me into a warm, friendly, bygone bar to
meet the likes of Manny Verzosa, Claude
Von Schmutz, even Breakfast Club star Judd
Nelson. Also floating in: rockers like Tom
Clockwise from top left: Jeff Stanton; joe Breggia; todd ionta; Nina Fuller; courtesy Susan Hellier; Meaghan Maurice; file photos; Nina Fuller; the brood-courtesy geets romo
Greetings from Maine! An unusual 1980s postcard.
T
Petty, Metallica, and a kilt-wearing French
artist who’d left his goose farm behind for a
new start in Portland.
Deweys was opened by a man named
Alan Eames, who Sandy describes as a brilliant shyster.
“He made up these fantastic stories,”
Sandy laughs. “‘This is the story. I know it’s
not true,’ he’d say. Or, ‘This is all a lie.’” She
grins. “Three Dollar Deweys came from the
Gold Rush. It was the name of a bar whore
house. One dollar lookey, two dollar touchy,
three dollar dewey. Completely made up by
Alan Eames.”
Though Eames was the owner and mastermind behind Portland’s favorite bar, he
wasn’t often seen there. Sandy says Eames
would come in, clean, make chili, and return upstairs to his loft and hit his punching bag. That is until one Sunday morning
a U-Haul pulled up front of the bar. “He left
Portland with a U-Haul, basically escaping.”
[Eames ended up in Brattleboro, opened
another bar, and became known as the Beer
King. He died at age 59 in 2007.]
The Eames-era Deweys was filled with
welcoming faces. “The employees ran the
place. And that’s what was so good about
it. People trusted one another, people were
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Musician Manny Verzosa was a name
most everyone knew. He’s described as a
“rising star” in a worn Press Herald clipping Sandy proffers. Manny died in a car
accident at 30 on his way home from California.
Sandy’s voice still carries a twinge of pain
when talking about him.
“He wrote a song, and I have it here,” she
taps her heart. The song is about Portland
and the Longfellow monument. “When I
come home to my city by the sea, I’ll sit by
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A younger scene? Walk along Wharf Street
and you’ll find 20-somethings with their
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Cocktails–Hunt+Alpine, Sur Lie. Craft
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“But we looked good,” says Sandy.
In those days, we’d get dressed to the
nines,” says Nancy. “You weren’t allowed
in if you weren’t.” They reminisce about
their get-ups and walking down fire escapes in platforms. “We might fall, but we looked good going down.”
Oasis, The Underground, Page 1, The
Maxx, the list goes on. All places to go and
dance. Imagine that. People actually dressed
up, went out, and danced. Together.
“I’m so glad I grew up then,” Nancy sighs as
front 10.19.10_BRADY 11/2/10 12:09 PM Page 1
the two come down from their laughter high.
Sid, Sue, Sandy, and Nancy–each offers
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just as hard.
“It was a young person’s town,” Sue
smiles before we wrap our interview. “It still
is, but I mean, in the ’80s it was great to be 20
in Portland, Maine.”
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October 2015 33
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