Issue 51 - February 2013

February 2013
Issue #51
EOS e -news
eosmusic.com.au
Each month we present new releases, reviews & insightful information
We welcome 2013 with a new partnership
Germany's exclusive distribution
of selected classic labels from the
Bayer Music Group is a network of independent classical labels. On the following pages you will find general
information on each label . As always we provide a soupçon of highlights from each label.
Founded in 1984 and led since the beginning of Rudolf Bayer. In the nearly twenty years publishing large series
of editions and important projects have been realized. Take, for the major project of the Bohemian and Czech
string quartet culture with complete recordings of the quartets by Stamitz, Dvorák, Smetana, Janáček, Martinü
and Alois Haba with Prague Stamitz Quartet, or the number of "Atlantis" with premiere recordings of works of
composers persecuted the first half of the 20th century, the discovery of the vocal quintet resistance culture by
standard-setting recordings of Carus Quintet, or the documentation of the historical series. In addition, Bayer
Records is now the publisher of the largest recorded music variety from the spectrum of women's music / composers and develop in other areas of expertise to the competent forum.
With a large number of ensembles, the publisher is working closely for many years: Wolfgang Gönnenwein and
his Ludwigsburg Festival ensemble, Consortium Classicum, the Rennquintett, the Windsbach Boys Choir, the
Aurelian Sängerknaben Calw, the clarinetist Luigi Magistrelli, Nicol Matt and the Nordic Chamber Choir and
many more CDs, starting with new releases belowRichard Wagner: Siegfried Idyll
Anton Bruckner: String Quintet in F major (arranged for string orchestra
by Hans Stadlmair)
Both composers, Wagner as well as Bruckner, are not known for their take
on chamber music. Nevertheless did they compose a couple of extraordinary pieces.
Wüttembergische Chamber Orchestra
Heilbronn conducted by Ruben Gazarian.
BR100391 | 4011563103912 | $22.00 rrp
Rhapsodie -Works for oboe/english horn and Cimbalon, String trio, piano, soprano,
string quartet.
Béla Bartók: Three folk songs from Csik
Miklós Rózsa: Sonata for Oboe solo Op.43 / Ferenc Farkas: Ricordanze
Sándor Balassa: Nyári Intermezzo Op.71 / György Kurtág: In Memoriam
György Kroó Bánk Sáry: Chorus / László Sáry: Invocáció
The genre "Rhapsody" seems to be as closely related to Hungarian music as the aria
to Italian music. On this CD the Hungarian oboist Lajos Lencsés assembled a few
works for his instrument by Hungarian composers.
BR100392 | 4011563103929 | $22.00 rrp
Luigi Nono: Intolleranza 1960
One-act opera in two parts German translation by Alfred Andersch
Libretto with texts of Angelo Maria Rippelino, Julius Fucik, Jean-Paul
Sartre, Paul Eluard, Wladimir Majakowskij, Henri Alleg and Bertolt Brecht
Intolleranza 1960 was Luigi Nono's first work for the opera stage and is a flaming
protest against intolerance and oppression and the violation of human dignity. The
year in the title refers to the time of the work's origin. It was commissioned for the
1969 Venice Biennale by its director Mario Labroca. The first performance was conducted by Bruno Maderna on 13 April 1961 at the Teatro La Fenice in Venice. The
premiere was disrupted by neo-fascists, who shouted "Viva la polizia" during the
torture scene.
Wolfgang Neumann, Maria Kowollik, Judy Berry, Ina Schlingensiepen, Armin Kolarczyk, Bartholomeus
Driessen / Bremen Philharmonic Orchestra, Bremen Theatre Choir, Conducted by Gabriel Feltz
DGCD21030 | 426001487303 | $22.00 rrp
A co-production with Radio Bremen
EOS MUSIC p | 02 4886 4336 f | 02 4886 4337 e | info@eosmusic.com.au
ABN 69 848 632 885
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DGCD21030
EOS e -news
THE POPE BENEDICT ORGAN —
J.S. Bach: Praeludium et Fuga e-Moll BWV 548
Rheinberger: aus der Sonate e-Moll op. 132,8: IV. Passacaglia. Molto moderato
Gerhard Weinberger, Organ
TXA13018
Dreyer (1747 – 1824): aus der Sonate für Orgel B-Dur: Rondo. Allegretto / Johann Kaspar Kerll $22.00 rrp
(1627 – 1693): Capriccio sopra il Cucu (2. Fassung), Norbert Düchtel, Organ
Mendelssohn: Sonate c-Moll op. 65,2 Grave – Adagio, Allegro maestoso e vivace, Fuga. Allegro moderato
Johann Pachelbel (1653 – 1706): Ciacona f-Moll, Edgar Krapp, Organ
Orgelimprovisation und Gregorianischer Choral (alternatim) Aus den Orgelversetten (im romantischen Stil)
zum Magnificat im 8. Ton: - Präludium * / - Magnificat alternatim * / Symphonische Phantasie und Fuge für
Schola und Orgel über die Marianische Antiphon „Regina caeli, laetare alleluja“ / kombiniert mit der
deutschen Paraphrase „Freu dich, du Himmelskönigin“ *
Wolfgang Seifen, Organ, Choral Schola former Regensburg Domspatzen, Josef Kohlhäufl, Conductor
A Soupçon
France’s Departure to Modern Age
Albert Roussel (1869-1937): Deuxième Sonate op.28 A-Dur 1924/25
André Jolivet (1905-1974): Sonate pour Piano et Violon 1932
Olivier Messiaen (1908-1992): Thème et Variations 1932
Jean Martinon (1910-1976): Duo op.47 Musique en forme de Sonate 1956
Felicia Terpitz - Violine, Berhard Fograscher - Klavier
AMI2101
$22.00 rrp
Quintets for Clarinet of the German Romantic Period
AMI2104
Anton Reicha (1770 - 1836): Quintett für Klarinette und Streichquartett B-Dur op. 89
$22.00 rrp
Andreas Romberg (1767 - 1821): Quintett für Klarinette und Streichquartett Es-Dur op. 57
Louis Spohr (1784 - 1859): Fantasie und Variationen über ein Thema von Danzi op. 81 für Klarinette und
Streichquartett
Eduard Brunner, clarinet
RODIN QUARTET: Sonja Korkeala & Gerhard Urban, violins, Martin Wandel, viola – Clemens Weigel,
violoncello
Jean Françaix (1912 -1997)
AMI2304
$22.00 rrp
Quadruple Concerto für Flöte, Oboe, Klarinette, Fagott und Orchester 1935
Doppelkonzert für Flöte, Klarinette und Orchester 1991
Divertimento für Flöte und Orchester 1974
Thema und Variationen für Klarinette und Orchester 1978
Sechs Préludes für Streicher 1963
Dagmar Becker - Flöte, Wolfgang Meyer - Klarinette, Maurice Bourgue - Oboe, Dag Jensen - Fagott
Württembergische Kammerorchester Heilbronn, Jörg Faerber - Leitung
Georg Philipp Telemann (1681-1767): St. Johannes-Passion 1749 World Premiere Recording!
AMI2503
Britta Schwarz - Mezzosopran / Michael Zabanoff - Tenor / Thomas Fröb - Tenor /
$40.00 rrp
2CD Edition
Tobias Wollner - Tenor / Sören von Billerbeck - Bariton
Kammerchor der Biederitzer Kantorei telemann-consort-magdeburg (auf historischen Instrumenten), Michael Scholl - Leitung
The telemann-consort-magdeburg, founded in 1976, can now look back on a decades-old tradition of engaging
itself in the work of Georg Philipp Telemann in his native city Magdeburg. Originally founded as a chamber music
ensemble, the profile of the ensemble changed to a Baroque orchestra at the beginning of the 21st century. Concerts
in Germany and abroad and CD recordings of previously unreleased works like Telemann’s St. Mark Passion are
strengthening the orchestra’s good reputation as well as its claim to develop a unique style for the musical performance of Telemann’s work
und Baroque music in general. The earlier recording of Telemann’s St John Passion 1733 (AMI2601)
Die schönsten Oboenkonzerte Vol.1 & 2
Domenico Cimarosa (1749-1801): Concerto für Oboe und Streicher C-Dur
Bernhard Henrik Crusell (1775 - 1838): Divertimento C-Dur für Oboe und Streicher op.9
Johann Sebastian Bach (1685-1750): Konzert A-Dur für Oboe d'amore und Streicher BWV 1055
Tomaso Albioni (1671-1751): Concerto d-moll op.9 Nr.2 für Oboe und Streicher
Wolfgang Amadeus Mozart (1756-1791): Konzert für Oboe und Orchester C-Dur KV 314
Simon Dent - Oboe, Südwestdeutsches Kammerorchester Pforzheim, Dirigent - Vladislav Czarnecki
Johann Sebastian Bach (1685-1750): Sinfonia D-Dur zu BWV 156 für Oboe d'amore
Konzert für Oboe, Violine und Streicher d-moll BWV 1060
Alessandro Marcello (1669-1747): Konzert für Oboe und Streicher d-moll op.1
Joseph Haydn(1732-1809): Konzert für Oboe und Orchester C-Dur Hob.VIIg:C1
Ermanno Wolff-Ferrari: Idillio Concertino A-Dur op.15
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AMI9103
$22.00 rrp
AMI9502
$22.00 rrp
EOS e -news
John Rutter: I my Best Beloveds am
Five sacred Pieces / Birthday Madrigals / Five traditional Songs / Five Childhood Lyrics
Nordic Chamber Choir, Leitung Nicol Matt
“Fans of John Rutter will find much to enjoy here...because the exemplary performances
and terrific music will have you wishing the program were longer. More, please!”
BR100334
$22.00 rrp
Hans Werner Henze: Pollicino, opera for children and adults
BR501001
fairy tale for music by Collodi, Grimm and Perrauld libretto by Giuseppe di Leva / German
$35.00 rrp
version of Hans Werner Henze's Pollicino - Dominik Flower Clotilde - Corinna Blaich father Andreas Kramer mother - Alexandra Kirschner ogre - Jacques Does cannibal woman - Birgit Sehon Pollicinos
brothers, the animals of the forest, forest-Cast, flow-Cast, ogre slaves - Aurelius Sängerknaben Calw Clotilde's
sisters - Girls Choirs of LiLo Calw (chorus master Hans-Jörg Kalmbach)
A production of the Music School Calw for the monastery games Hirsau 2003 Hans-Werner Henze 80th birthday to
director - Frank Martin Widmaier set / Herbert Teschner orchestra of the music school
Calw Aurelius Sängerknaben Calw Gerd-Uwe Klein - solo violin Conductor: John Sorg
http://www.youtube.com/watch?v=_AvaxvHU1Uo
Dmitri Schostakowitsch (1906-1975): Kammersymphonien
Streichquartett Nr. 8 in c-Moll op. 110 (1960), Bearbeitung für Streichorchester von Rudolf Barshai als
Kammersymphonie op. 110a
Adagio (nach der Arie der Katerina aus der Oper "Lady Macbeth von Mzensk")
Bearbeitung für Streichorchester von Christian Sikorski
Streichquartett Nr. 10 As-Dur op. 118 (1964), Bearbeitung für Streichorchester von Rudolf Barshai als
Kammersymphonie op. 118a
Württembergisches Kammerorchester Heilbronn, Ruben Gazarian - Leitung
BR100328
$22.00 rrp
Hildegard von Bingen (1098-1179)-aus dem Hildegard-Liederband:
BR100116
Cum processit factura / Cum erubuerit infelices / O frondens virgo /
$22.00 rrp
Ave, generosa, gloriosa / O virga ac diadema purpurae regis / Caritas abundat / O pastor animarum /
O quam pretiosa est / Kyrie aus "Ordo Virtutum" / Patriarchae et Prophetae Gregorianischen / Antiphona ad Magnificat Hildegardis prophetissa Magnificat / Antiphona ad Benedictus Sponsa Christi Hildegardis Hymnus ex Officio in hon.S.Hildegardis
Schola der Benediktinerinnenabtei St.Hildegard Rüdesheim-Eibingen
Leitung · M.-Immaculata Ritscher OSB
Christoph Willibald Gluck (1714-1787): Don Juan, Ballettmusik Gesamtaufnahme
Arcata-Ensemble Stuttgart
Leitung · Patrick Strub
BR100016
$22.00 rrp
The Art of Castrati
BR100062
Luigi Rossi (1597-1653): Patienza tocca a me / Ombre fuggite e voi notturni orrori / Marc 'Antonio
$22.00 rrp
Pasqualini (1614-1691): Quel cor ch'a te gia diedi / Si ch'io voglio sperare Lasciamente o pensieri
Pietro Benedetti (ca.1585-1649): Non più d'amore / Filli mia filli dolce / Attilio Melani (1626-1714): Fileno idolo
mio / Io voglio esser infelice / Alessandro Melani (1639-1703): No Io so ma sallo amore / A ricalcare il tebro /
Stefano Landi (ca.1590-1655): Sinfonia aus "Il San Alesso"/ Non è più tempo nò / Quasi intrepida amazzone
Rosina Sonnenschmidt · Soprano
Sephira Ensemble Stuttgart, Leitung Harald Knauss
Classical Clarinet Rarities-Bernhard Romberg (1767-1841): *Sonate für Klarinette und Klavier
BR100335
Beethoven (1770-1827): *Solo della Signora Cassentini”Nr.14 aus dem Ballett "Die Geschöpfe des Pro- $22.00 rrp
metheus" op.43 für Oboe, Bassetthorn und Klavier / Louis Spohr (1784-1859): *Recitativo und Adagio
für Klarinette und Klavier” / Giuseppe Acerbi (1773-1846): *Sonate für Klarinette und Klavier / Anton Stadler
(1753-1812): Zwei Duos für zwei Klarinetten / Conradin Kreutzer (1780-1849): Trio für zwei Klarinetten und
Viola KWV 5206 /
Luigi Magistrelli - Klarinette, Laura Magistrelli und Jiri Krejci - Klarinette, Marco Di Giacomo - Viola
Guido Toschi - Oboe, Claudia Bracco - Klavier
*First world recordings
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EOS e -news
Max Reger (1873-1916): Chamber Music Complete, Volume 23
Klavierquintett o.O. c-moll / Klavierquintett Nr. 1 c-moll op.64
DACA77523
$15.00 rrp
Kurt Seibert · Klavier - Wührer Quartett
Peter Schmalfuß · Klavier - Pfeifer-Quartett
DACA77074
Robert Schumann (1810-1856)
$15.00 rrp
Märchenbilder op.113 für Viola und Klavier / Fantasiestücke op.73 für Klarinette und Klavier
Märchenerzählungen op.132 für Klarinette, Viola und Klavier / Drei Romanzen op.94 für Oboe und Klavier
Werner Kloor - Viola / Hans Pfeifer - Klarinette / Adolf Meidhof - Oboe / Peter Jansen - Klavier
The Heidelberger Kammerorchester (= HKO) was created in 1960. Since then the HKO has played regularly in concerts in all continents
(more than 90 countries). The repertoire of the HKO includes mainly compositions from the 18th Century. Beside the popular works of J.S.
Bach and Antonio Vivaldi the orchestra performs works of W.A. Mozart and particularly of Georg Philipp Telemann. Besides also less well
-known composers are considered, like Henry Purcell, Tomaso Albinoni, Johann Pachelbel, Pietro Antonio Locatelli, Arcangelo Corelli,
Henricus Albicastro, William Boyce, Johan Helmich Roman, Jean-Baptiste Lully, Benedetto Marcello, Jean Marie Leclair and many others.
Händel (1685-1759)
Feuerwerksmusik HV 351
Johann Sebastian Bach (1685-1750)
Orchestersuite Nr.3 D-Dur BWV 1068
Heidelberger Kammerorchester,
Dirigent Jean Jakus
Telemann (1681-1767): Oboe Concertos
Frank van Koten, Miriam Hannecart Enrico Raphaelis · Oboe, Ernst Prappacher · Fagott
Heidelberger Kammerorchester
DACA77007 - $15.00 rrp
DACA77001 - $15.00 rrp
Vivaldi (1678-1741):Piccolo Concerti
Concerto C-Dur für Ottavino PV 78 R 444
Concerto a-moll für Ottavino PV 80 R 445
Concerto c-moll für Altblockflöte PV 440 R 441
Concerto C-Dur für Ottavino PV 79 R 443
Caren van Herden · Blockflöte
Telemann - Horn Concertos
Bodo Kunth, Siegfried Machata, Paul
Rey Klecka, Gottfried Roth · Horn Heidelberger Kammerorchester
Cembalo und Leitung Klaus Preis
DACA77039 - $15.00 rrp
DACA77008 - $15.00 rrp
Purcell (1659-1695)
Sonate für Trompete Nr.2
Suite aus "The Fairy Queen"
Suiten Nr.1 und Nr. 2 aus "King Arthur"
Christian Götting, Rüdiger Bröhl - Trompete
Heidelberger Kammerorchester
Purcell: 6 Trio Sonatas for Two Violins
and Continuo
Heidelberger Kammerorchester
Cembalo und Leitung Klaus Preis
DACA77002 - $15.00 rrp
DACA77014 - $15.00 rrp
Vivaldi (1678-1741) Concerto No. 16 in D major
PV 181 R 403 / No. 18 in A minor, PV 35 R 418
No. 11 in F major PV 283 R 412 / No. 12 in G major
PV 120 R 413 / No. 5 in E flat major PV 424 R 408
Philippe Muller · Cello / Heidelberg Chamber Orch.
conductor and harpsichord · Klaus Price
Telemann - Concerto Galante
Heidelberger Kammerorchester
Cembalo und Leitung Klaus Preis
DACA77055 - $15.00 rrp
DACA77043 - $15.00 rrp
Pachelbel (1653-1706): Sacred Works
What God does is well done / comforted us God
Now Thank We All Our God / Christ lay in the
bonds of death , the Lord is King (Psalm 93) /
Magnificat The Lord is King (Psalm 99) God is
our refuge and Strength
Renate Brosch · soprano - Herbert Klein ·
Altus Paul Mühlschlegel · tenor bass Bernhard Jäger · Mottetenchor
Pforzheim Youth Choir singing the
Evangelical School Pforzheim, Pforzheim Bachorchester
DACA77011 - $15.00 rrp
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Mozart: "A Musical Joke" F major
KV 522
Telemann: Allegro "Tzigane" (from
"Tafelmusik")
Handel: Passacaglia in G minor (arr.
Johan Halvorsen)
Scott Joplin: ragtime Two
Henry Lodge: Temptation Rag
Thaddeus Watson - Flute
Heidelberg Chamber Orchestra
DACA77012 - $15.00 rrp
EOS e -news
Female composers’ works
Emilie Mayer (1812-1883): Symphonie Nr. 5 f-minor / Fanny Hensel (1805-1847): "Hero und
Leander" Luise Adolpha Le Beau (1850-1927): Piano Concerto in d-minor op.37
Maacha Deubner, soprano / Katia Tchemberdji, piano/ Kammersymphonie Berlin, JürDGCD21015
gen Bruns
$22.00 rrp
“An ambitious project and the resulting concert programme are reflected on this CD which
also contains a carefully put together and informative booklet with numerous details about the female composers portrayed. The Kammersymphonie Berlin conducted by Jürgen Bruns plays with great engagement
and verve - the bravos from the audience at the end, which can be heard on the recording, are justly deserved. This CD points us down a long-forgotten path of music history and is, above all, commendable for
the recording of the 5th Symphony.” Sven Kerkhoff in “musikansich“
Intimate dialogue-Alim & Fargana Qasimov Ensemble
Press releases and audiences reactions are enthusiastic when talking about Alim Qasimov, the DGCD21060
$22.00 rrp
singer from Azerbaijan. This was also the case with the concert which this extraordinary musician gave at the Morgenland Festival Osnabrück, now available on this recording.
Oriental music between the Levant and northwest China is based on modes called maqam, shashmaqam,
muqam or mugham according to the region.
There is no music more complicated and or requiring more virtuosity than the mugam of Azerbaijan. These
mugam have also spread into jazz, opera and symphonic music, something quite unique.
Alim Qasimov is the most outstanding exponent of traditional mugham. For several years now he has been
performing together with his daughter Fargana, who was also his pupil. Concerts with the Kronos Quartet and the cooperation with Yo Yo Ma on his Silk Road Project have brought Qasimov an increasing
audience in the west.
German Record Critics’ Award 4/2010
“One of the greatest voices in the world” - Le Monde
“Qasimov is simply one of the greatest singers alive” - New York Times
“One of the greatest voices of the century: If you want to make a real discovery, listen to Alim Qasimov’s voice. Very occasionally, very very occasionally, a recording arrives that so transfixes that work stops and pleasure, enlightenment and education take
over. Intimate dialogue is one of those. If there is any finer vocal duo performing art music anywhere on the planet right now, please send
the details to the usual address. Intimate dialogue is the sort of stuff to send shivers down your spine.“ Ken Hunt in FRoots
“ ... and the results are spellbinding. ... what I heard on this CD really turned my head. Qasimov and his daughter perform with
what devotees of flamenco often refer to as duende . (The English word “soul” approaches the meaning, but does not come
close enough.) Both of these performers have remarkable voices - remarkable both in terms of range, flexibility, and expression - and when
they get on a roll, it sounds as if their souls are being rent in two. Qasimov, a tenor by operatic standards, has an especially remarkable set
of vocal cords. The highly melismatic vocal style might take some getting used to, but stick with it, and I think you will have a listening
experience unlike any you have had before. ... The booklet notes tell you everything you need to know, and the English translations of the
lyrics are blessedly provided. The live recording is atmospheric, and will involve you even more deeply in the performances.“
Raymond Tuttle in Fanfare Magazine
EASTERN VOICES
Alim & Fargana Qasimov, Yulduz Turdieva, Ibrahim Keivo, Ayshemgul Memet, Salar Aghili
DGCD21069
$22.00 rrp
"A listening experience unlike any you have had before." (Fanfare magazine, US)
In 2010 Dreyer.Gaido Musikproduktionen started the new series EASTERN VOICES. The series is featuring outstanding musicians from the Middle East and Central Asia. Recordings with Alim Qasimov, Yulduz Turdieva and
Ibrahim Keivo received an outstanding echo between the US and Australia. The compilation "Eastern Voices" presents highlights of the first productions. A vocal culture that is "spellbinding" (FRoots), also for lovers of classical
music.
Friedhelm Döhl Edition Vol. 6
DGCD21028
Symphonie for cello and orchestra / Sommereise Piano concerto
$22.00 rrp
ZORCH. Sound-Scene for bigband and three open grand pianos
Heinrich Schiff, cello, Rundfunk-Sinfonieorchester Saarbrücken / Hans Zender
Rudolf Buchbinder, piano, Bamberger Symphoniker / Horst Stein
RIAS BIG-BAND/ Klaus Martin Ziegler
”It is the dark side of the Romantic era which is above all invoked by the ‘Symphony for Cello and Orchestra’. Döhl
writes strong and expressive music. The piano concerto ‘Sommerreise’ is much lighter and has a rather happy,
rhythmically-pointed quality. The virtuoso-playful character of the first movement is in stark contrast to the
richly-coloured sounds with which the second and third movements open. Döhl himself speaks in this context of a summer sky-scape.”
Martin Demmler in Fono Forum
"Edition of the year" - Tilmann Urbach, Fono Forum 12/2009
"Performances and supporting documentation are admirable." Cambridge University Press
“Une voix des profondeurs dans le désert du présent“ Fred Audin/ ClassiqueInfo-Disque, 2/2009
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EOS e -news
A Soupçon
“The Bayer Music Group and their label EBS have a good track record when it comes to the music of Max Bruch. Surprisingly
they still issue an LP, although it has been transferred to CD (EBS 6071), which includes the Overture to the opera Die Loreley and
the viola Romance Op.85, while the other two works on it - albeit with different conductor and orchestra - appear on the discs under
review, the Suite on Russian folksongs Op.79b and the First Symphony Op.28. In both discs, the orchestra produces gloriously
sumptuous sounds with fine tone and many stylishly shaped solos...Read more from Christopher Fifield
Max Bruch(1838-1920): Konzert für Violine und Orchester Nr. 2 d-moll op.44
Suite für Orchester und Orgel op.88b* World Premiere Recording
Jochen Brusch - Violine / Sven-Ingvart Mikkelsen - Orgel
Tübinger Ärzteorchester, Norbert Kirchmann - Dirigent
Max Bruch(1838-1920): Kol Nidrei-Adagio nach hebräischen Melodien für Violoncello & Orchester op.47
Kanzone für Violoncello und Orchester B-Dur op.55
Adagio nach keltischen Motiven für Violoncello und Orchester e-moll op.56*
Ave Maria für Violoncello und Orchester op.61*
World Premiere Recording
Julius Berger - Violoncello
Nationales Rundfunk-Sinfonieorchester Polen, Dirigent - Antoni Wit
Max Bruch (1838-1920)
Ouvertüre zur Oper "Die Loreley" / Sinfonie Nr. 1 Es-Dur op.28
Suite für großes Orchester op.79b*
Romanze für Bratsche (viola) und Orchester op. 85*
World Premiere Recording
Rainer Moog - Bratsche (viola)
Rheinische Philharmonie, Dirigent - Wolfgang Balzer
Max Bruch (1838-1920)-Der romantische Sinfoniker II
Serenade Op.75 (1899) / Romanze Op.42 (1874) /
Suite für grosses Orchester nach russischen Volksliedern Op.79b (1903)
Premiere SACD Recording
EBS6049
$22.00 rrp
EBS6060
$22.00 rrp
EBS6071
$22.00 rrp
EBS6142
$22.00 rrp
Ursula Schoch (violin)
Neue Philharmonie Westfalen/Theo Wolters
Max Bruch (1838-1920)
Violinkonzert Nr. 3 d-moll op.58
Violinkonzert Nr. 1 g-moll op.26
Torsten Janicke - Violine
Gürzenich Orchester Köln
Dirigent Markus Stenz
EBS6143
$22.00 rrp
Ernest Bloch (1880-1959)
"Schelomo", Hebräisches Rhapsodie für Violoncello und Orchester
"Voice in the Wilderness", Sinfonische Dichtung für Violoncello und Orchester
"Prayer" aus "From Jewish Life"
Julius Berger - Violoncello
Nationales Rundfunk-Sinfonieorchester Polen
Dirigent - Antoni Wit
EBS6070
$22.00 rrp
EBS6145
Othmar Schoeck (1886-1957): Cello Concerto Op.61 (1947) / Suite in A flat major Op.59 (1945)
$22.00 rrp
Julius Berger (cello), South West German Chamber Orchestra, Pforzheim/Vladislav Czarnecki
"Both these works followed hard on the heels of the ending of the Second World War. The Cello Concerto
was begun at the start of 1947 and finished quickly...Those who know and admire the somewhat earlier
Violin Concerto...will perhaps find the Cello Concerto less immediately impressive. The earlier string concerto contains themes of palpable warmth and great lyrical beauty. But the charm of the Cello Concerto increases with each
hearing and there are things in it of real significance." Read more from Jonathan Woolf
As you like it - English strings and oboe music of the 20th Century
EBS6112
John Ireland (1879-1962): Concertino Pastorale | Edward Elgar (1857-1934): Serenade in E minor Op.20
$22.00 rrp
for string orchestra | Ralph Vaughan Williams (1872-1958): Concerto for Oboe and String Orchestra |
Benjamin Britten (1913-1976): Six Metamorphoses after Ovid op .49 for solo oboe | William Walton (1902-1982):
soundtrack to "Henry V"
Stefan Schilli - Oboe principal oboist in the Bavarian Radio Symphony Orchestra,
Southwest German Chamber Orchestra Pforzheim, Sebastian Tewinkel conductor
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EOS e -news
Carl Ditters von Dittersdorf (1739 - 1799): Konzert für Harfe und Streicher A-Dur
Johann Georg Albrechtsberger (1736 - 1809): Konzert für Harfe und Orchester C-Dur / Partita in F-Dur
Georg Christoph Wagenseil (1715 - 1777): Konzert für Harfe zwei Violinen und Violoncello G-Dur
Jana Bouskova - Harp
Südwestdeutsches Kammerorchester Pforzheim
Dirigent - Vladislav Czarnecki
EBS6085
$22.00 rrp
Robert Schumann (1810-1856): Pilgrimage of the Rose - Fairytale after a poem by Maurice Horn
EBS6075
Rosina Bacher - Soprano / Scot Weir - Tenor / Roberto Szidon - Piano / Südfunk Choir Stuttgart
$22.00 rrp
Conductor - Rupert Huber
Besides "Paradise and the Peri", "Faust Scenes" and "Manfred" this is the first recording of another prominent attempt to reinvent the secular oratorio as a new genus. Not religious, but raised to be the new genre, so Schumann
chooses a "fashionable" fairytale. Compositionally, the work is the Schumann Lieder closer than oratorical traditions.
Instead of recitatives Schumann experimented with a new-song-singing style ariosem and replaced the stereotyped
sequence of recitatives, arias and choruses by large-scale relationships.
Oscar Shumsky playing Pierre Rode (1774—1830) 24 Caprices for Solo Violin
A world-premiere recording (first complete recording) of the Rode Caprices revealing
Oscar Shumsky plays the Stradivari of Jacques Pierre Joseph Rode and was one of the few
composers whose works Paganini played other than his own.
Oscar Shumsky as one of the best soloists the world has ever known, see 9 Caprices on
EBS6007
$22.00 rrp
Virtuoso Channel
Max Bruch (1838-1920) recording of the complete symphonies
CD1-Symphony No.1 in E flat major op.28 (1868) / Concerto for Violin & Orchestra No.2 in D minor
CD2-Symphony No.2 in F minor, op.36 (1870) / Concert Piece for Violin and Orchestra sharp minor,
CD3-Symphony No.3 in E flat major op.51 (1882 ., rev 1886) Swedish Dances op.63
Ursula Schoch - violin, Johannes Wildner - Neue Philharmonie Westfalen
"Recommended by klassik.com"
EBS6141
$55.00 rrp
3CD Edition
Estonian Record Productions
Arvo Pärt: Pilgrim’s Song / Magnificat / Summa / Nunc dimittis / Te Deum
Choir Voces Musicales and Tallinn Sinfonietta, conductor Risto Joost
ERP2309
$22.00 rrp
"With the exception of the final Te Deum, each of the works is based on a single musical
idea or texture. There is surprising variety between them. They are all unmistakably Arvo Pärt, of
course, but there are many moods here. Summa, given here in the choral rather than the string version, is flowing
yet serene, Ein Wallfahrtslied is questing and exploratory, albeit in an introverted way, and the Nunc dimittis is –
believe it or not – outright dramatic."Read more from Gavin Dixon
Performance 5/5, Recording 5/5 (Barry Witherden, BBC Music Magazine)
Eduard Tubin (1905-1982): Works for Violin & Piano Vol. 1
ERP3009
Capriccio for Violin & Piano No. 1 ETW 56 – Sonata for Violin & Piano in Phrygian Mode
$22.00 rrp
ETW 56 – Ballade for Violin & Piano ETW 52 – Dance Tunes for Violin & Piano ETW 53
Sigrid Kuulmann, violin / Marko Martin, piano
“Having listened to this disc several times the overriding impression I’ve been left with is that Tubin’s music is
highly infectious...Both Sigrid Kuulmann and Marko Martin do a superb job in bringing these great works to life
in a really thrilling way and are clearly musicians to look out for.” MusicWeb International
Hortus Musicus-Early Music of the 3rd Millennium
Kancheli: Helesa / Knaifel: O Spirit of Truth, O Comforter, O Heavenly King / Pärt: Face to Face
Silvestrov: Icon, Barcarolle, Lullaby / Tüür: Salve Regina for male choir & ensemble
Vähi: In Memoriam HM
Hortus Musicus, Andres Mustonen
ERP4611
$22.00 rrp
This collection will appeal to all the modern music collectors. The album is dedicated to the memory of the founder of Hortus Musicus (and Andre’s wife ) Helle Mustonen. The majority of the works were composed in 2005
and were performed at Helle’s Memorial Concert on Oct 2nd in that year. As well and directing the whole album,
Andres also performs on the violin.
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The philosophy of the label Ludi Musici is to bring to the attention of the public unusual and varied repertoire from
the fields of early music and world music, performed by outstanding artists, accompanied by scholarly and engaging
articles, elegant packaging, a substantial and lavishly illustrated booklet, all presented in a sumptuous book/CD format that makes each release an eminently collectable objet d’art that will give its owner hours of pleasure.
One God: Psalms & Hymns from Orient & Occident
Works by: Ali Ufki, Neva Taksim, Neva Ilahiler, Nayi Ali Dede, Nicolas Vallet, Claude Gaudimel,
Alessandro Grandi, Louis Bourgois & Salomone Rossi
Ahment Ozhan (voice) & Robert Crowe (male soprano)
Vocal Consort Berlin, Members of l’Arte del Mondo & Pera Ensemble Instanbul,
Mehmet Cemal Yesilcay
LM-003
$25.00 rrp
Named after an area of Istanbul in which people of different origins, races, religions and cultures have rubbed
shoulders since time immemorial, the Pera Ensemble was founded in 2005 by two Istanbul musicians, Mehmet
Cemal Yesilcay und Ihsan Özer. Pera concerts combine the musical tradition of Ottoman music (with its vocal
and instrumental virtuosity) with historical and contemporary European music; their performances are informed
by musicological and historical research. The new CD One God presents Psalms and Hymns from Orient and
Occident.
Cavalli: La Rosinda
LM-005
Emanuela Galli (Nerea), Francesca Lombardi Mazzulli (Rosinda), Makoto Sakurada
$60.00 rrp
(Clitofonte), Nicola Ebau (Thisandro / Pluto / Meandro), Fulvio Bettini (Rudione),
3CD Edition
Silvia Vajente (Proserpina / Aurilla), Milena Storti (Cilena) & Roberto Romagnino (Vafrillo)
Ensemble La Sfera Armoniosa, Mike Fentross
In Venice 1651, Cavalli presented his new opera “La Rosinda” at the Teatro San Apolinaire. It is a story of
love and magic and is one of the least performed 17th century operas, which is a tragedy in itself. Mike Fentross conducts a cast of known and young singers in this spectacular performance. This is a 3cd set and
represents great value. The last recording of La Rosinda was in 1973 so enjoy every moment and indulge
yourself in the 212-page booklet that accompanies this deluxe version.
“the overall dramatic spirit is strong, the words are delivered convincingly and idiomatically, and the continuo accompaniments and ensemble dances are intelligently scored and realised...The strongest all-round vocal performance comes from Emanuela Galli as the opera's
most interesting character...In short, this is an account with all the urgency and variety required to realise this rare work as a drama.”
Gramophone February 2013
Harem – Les Fêtes du Seraïlles
Works by Cannabich, W. A. Mozart, Sultan Selim Han III, Sultan, Bayazit Han II, Şâkir Ağa,
Uşşak Gazel, Tanburi Mustafa Çavuş a.o.
Ensemble L’ARTE DEL MONDO, Pera Ensemble, Werner Ehrhardt, direction
LM-002
$25.00 rrp
The Ensemble L’Arte del Mondo, founded in 2004, has made within a short period a name by offering innovative
programs. Together with the Turkish musicians of the Pera Ensemble (Istanbul) L’Arte del Mondo invites us to
join for a musical journey through one of Orient’s most fascinating phenomenons: the harem.
Glittering parties, pleasant fragrances and luxury: oriental harems and Serail have fascinated the imagination of
people all over Europe in the 18th century. During this period, harem ladies received a high profile education in
music, literature, rhetoric and science – they were not only an object of desire, but contributed to intellectual and
artistic education and way of life of the Ottoman princes.
In the Christian Europe nobody knew what was really happening in the harem. This lack of information about one
of the most secret parts of the Palace is the origin of all sort of fantasies and myths – a fascination, which is still
nowadays linked with the Harem. Both occidental works, the ballet music “Les Fêtes du Sérailles” by Christian
Cannabich, here recorded for the very first time and Mozart’s opera “Zaide” deal with this subject.
George Frideric Handel (1685-1759): La Lucrezia
Italian Cantatas for contralto & B.c.: Dolce pur d’amor l’affanno HWV 109 – Siete rose rugiadose
HWV 162 – Qualor crudele HWV 151 – Fra pensieri quel pensiero HWV 115 – Stanco di più soffrire
HWV 167 – La Lucrezia (O Numi Eterni) HWV 145
Sonia Prina, contralto, Ensemble LA SFERA ARMONICA, Mike Fentross, leader
LM-004
$25.00 rrp
The new CD La Lucrezia presents Italian cantatas by George Frideric Handel and brings together
musicians – contralto Sonia Prina, the ensemble La Sfera Armonica and the conductor Mike
Fentross – who are established international artists and offer fresh insights into the repertoire.
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Tudor Church Music
PHU005
Gibbons, O: Praise the Lord, O my Soul / Lord, we beseech thee / Hymns and Songs
$22.00 rrp
for the Church: Song 1 / Hymns and Songs for the Church: Song 20 / Hymns and
3CD Edition
Songs for the Church: Song 31 / Hymns and Songs for the Church: Song 5 / Hymns
and Songs for the Church: Song 22 / O Lord, in thy wrath rebuke me not / I am the
Resurrection / Hymns and Songs for the Church: Song 9 / Hymns and Songs for the Church: Song 13 / Hymns
and Songs for the Church: Song 67 / Hymns and Songs for the Church: Song 47 / Hymns and Songs for the
Church: Song 24 / Hymns and Songs for the Church: Song 3 Hymns and Songs for the Church: Song 4 / See,
see, the Word is incarnate / Hosanna to the son of David / Sing unto the Lord / Blessed are all they that fear the
Lord / O Lord, how do my woes increase / Preces and Psalm 145 / O Lord, I Lift My Heart To Thee / Hymns
and Songs for the Church: Song 18 | Sheppard: Mass 'Spiritus Sanctus' | Tallis: Missa Puer natus est nobis / White: Lamentations 5vv
The Clerkes of Oxenford, David Wulstan
“The Gibbons recording ..... is unmatched in terms of purity and vocal finesse” Gramophone
Schoenberg: Verklärte Nacht & Dvorak: Sextet for Strings
Dvorák: String Sextet in A major, Op. 48
PHU011
$22.00 rrp
Vaclav Bernasek (cello), Jiri Najnar (viola), Talich Quartett
Fantasy and Metamorphosen for Oboe Solo
RBM463057
Telemann: Fantasies No.1 A major TWV 40: 2 / No. 2 a minor TWV 40:3
$20.00 rrp
No. 3 h minor TWV 40:4 / No.4 b flat major TWV 40:5 / No. 5 C major TWV
40:6 / No. 6 d minor TWV 40:;7 No. 7 D major TWV 40:8 / No. 8 e minor TWV 40:9 / No. 9 E major TWV 4:10
No. 10 f sharp minor TWV 40:11 No. 11 G major TWV 40:12 / No.12 g minor TWV 40:13
Britten: Six Metamorphosen after Ovid for Oboe solo Op.49
Miklós Barta, Oboe
Georg Philipp Telemann allowed a broad spectrum in his extensive creations for wind instruments (from his
writings exist not only numerous solo concerti for flute (s) with oboe (d'amore) and violin (viola d'amore)). On
the other hand he used wind instruments in an extensive way in his chamber music. It is no wonder that Telemann wrote also works for unaccompanied flute/oboe. Six Metamorphoses after Ovid op. 49 after a Phantasy Quartet is the most played
chamber music work of Benjamin Britten for oboe. Miklós Barta shows the technical and expressive possibilities of his instrument.
Oboe Concertos
Mozart: Konzert für Oboe und Orchester C-Dur KV 314
Strauss, Richard: Konzert für Oboe und Kleines Orchester D-Dur op. 144
Miklós Barta, Oboe
Alain Lombard conducting the Orchestra della Svizzera Italiana
RBM463041
$20.00 rrp
Ay, amor - about Love, Desire and Passion
TYX13021
Sephardic Songs / Sephardische Lieder (Arr. / Bearb.: U. Merk)-Los Bilbili$22.00 rrp
cos / Adío querido / Yo m'enamori d'un aire / Como la rosa en la güerta / A la
una yo nací | Federico García Lorca (1898–1936): from / aus: Canciones españolas antiguas-Las morillas de
Jaén / El Café de Chinitas / Las trés hojas / Nana de Sevilla / La Tarara / Zorongo / Sevillanas del siglo XVIII |
Joaquín Rodrigo (1901–1999): Tres canciones españolas / En Jerez de la Frontera / Adela / De ronda | Federico Mompou (1893–1987): Canción y Danza (Sobre dos Cantigas del Rey Alfonso X) para guitarra | Juan
Vásquez (1500–ca.1560): De los álamos vengo, madreLuys de Narváez (ca.1500–1555) / Paseábase el Rey
moro (Arr. / Bearb.: U. Merk)
Duo Arcadie - Franziska Markowitsch Mezzo-soprano / Ulrike Merk Classical Guitar
In the Middle Ages members of three world religions lived together in Spain under Arab occupation in a multicultural community; the cultures
exchanged views and profited from one another. In 1492, all non Christian inhabitants were expelled from the Iberian peninsula.
The Sefaradim - as the Jewish refugees call themselves - could often only take their songs with them, as their most important cultural possession. They provide a "missing link" in Spanish musical tradition since the Renaissance and harmonize with the music for vihuela, the traditionally influenced songs by Joaquín Rodrigo, Federico García Lorca’s songs, and even the Siete Canciones by de Falla, like long lost sisters.
The surrealistic imagery and the harsh musical language in the flamenco-flavoured Canciones españolas antiguas by Federico García Lorca
(1898-1936), or the seguidilla, flageolets und lamento basses in the Tres canciones españolas by Joaquín Rodrigo (1901-1999)Manuel de Falla
(1876-1946) added an exotic Spa-nish touch to the French impressionism of his Siete Canciones and, in Canción y Danza No. 1, Antonio Ruiz
-Pipó (1934-1997) paid homage to this typical form in a song with-out words. The "Cantigas de Santa Maria" tell tales from the past. They
were created at the court of Alfons the Wise (1221-1284), in cooperation between Arab and Jewish musicians. It is most probable that Alfons
the Wise composed some of the 400 Marian songs in this collection. Federico Mompou (1893-1987) takes up two melodies and uses them in
Canción y Danza No. 10 for piano and solo guitar. So, typically Spanish proves to be a kaleidoscope from the past and present, from the
Renaissance to the 21st century.
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