grandprairie-tx

A
nschutz Entertainment Group, the parent company to NOKIA Theatre
at Grand Prairie, is one of the world’s leading sports and entertainment presenters. A
subsidiary of the Anschutz Corporation, AEG is committed to building and operating a global live
entertainment company and differentiating from competitors by providing a synergistic approach
to live entertainment by supplying a full service, one-stop relationship to artists, teams, sponsors,
venues, fans and others with whom we do business.
A number of entertainment related companies, professional sports franchises and facilities are
currently controlled by AEG including the STAPLES Center, the Los Angeles Forum,
HEALTHSOUTH Training Center the Kodak Theatre, the Los Angeles Lakers (NBA), the Los
Angeles Kings (NHL), the Manchester Monarchs (AHL), Reading Royals (ECHL), five hockey
franchises operated in Europe; the Los Angeles Galaxy(MLS), the Chicago Fire (MLS), the New
York Metrostars (MLS), the D.C. United (MLS), the San Jose Earthquakes (MLS); AEG TV, devoted
to the creation and marketing of live events for pay-per-view and other electronic media; AEG
Marketing, a full-service marketing and advertising agency; Concerts West and Goldenvoice, live
entertainment promotion and touring companies and most recently NOKIA Theatre at Grand
Prairie.
Other projects AEG is currently overseeing include the development of the L.A. Sports and
Entertainment District, a proposed 4 million square foot development featuring LA Live, a 7000seat state-of-the-art live theatre, a 1200-room convention “headquarters” hotel along with
entertainment, restaurant and office space all adjacent to STAPLES Center. In addition, AEG has
recently spearheaded the creation of the Home Depot Center in Carson, CA that includes major
facilities for soccer, tennis, track & field, cycling, basketball and other sports in Southern
California.
concerts west
NOKIA Theatre at Grand Prairie
Technical Specs
Theatre Location: 1001 Performance Place
Grand Prairie TX 75050
Phone: 972-854-5050
Fax: 972-854-5100
Venue Website: www.NOKIAtheatreDFW.com
NOKIA Theatre at Grand Prairie is conveniently located one half-mile north of I-30 on Beltline Drive, adjacent to Lone Star Park
NOKIA Theatre at Grand Prairie is only 15 minutes from the DFW Airport and 15minutes from Downtown Dallas.
NOKIA Theatre Venue Staff:
General Manager:
Larry Fontana
972-854-5087 Email: lfontana@NOKIAtheatreDFW.com
Senior Talent Buyer:
Danny Eaton
972-343-2424 Email: danny@aeg-sw.com
Production Manager:
Billy Morgan
972-854-5068 Email: bmorgan@NOKIAtheatreDFW.com
Asst. Prod. Manager:
FlorianaTorres 972-854-5070 Email: ftorres@NOKIAtheatreDFW.com
House Manager:
Keith Odom
Box Office Manager:
MirandaGamez 972-854-5074 Email: mgamez@NOKIAtheatreDFW.com
Facility Supervisor:
Ron Alee
Sr. Building Engineer:
972-854-5089 Email: kodom@NOKIAtheatreDFW.com
972-854-5090 Email: ralee@NOKIAtheatreDFW.com
Full House Configuration
Randy Presley 972-854-5072 Email: rpresley@NOKIAtheatreDFW.com
View from the Stage
Seating Capacities:
6,350 full capacity; House reduction system allows 1838, 3500, 4500
Stage House:
Stage:
Trap:
Pit:
120’wide x 63’deep x 42”high from floor
56’long x 28’wide
13’deep at center by 84’wide 745 Sq. ft automated (Spiralift 25,000
lb capacity) plus fixed section at pit level additnl 560 Sq. ft (80’x 7’)
Proscenium opening:100’x 52’reduces incrementally to 40’x 30’
Grid Height: 84’6”above deck
House Curtain 1: Traveler operates from deck stage left (Motorized)
House Curtain 2: Guillotine from fly rail(s) (manual)
Soft Goods: Full inventory of theatrical drapes, legs, borders White Cyclorama
Rigging System:
•Single Purchase Counterweight
•Double lock rails: deck and fly gallery
•60,000 lbs. Available
•Initially 60 sets on 6”centers with (7) lift lines per set
•2,500 lbs. Capacity arbors•78’long with 75’of travel from 4’off deck
•Line sets are movable with advance notice
•(20) Spot wheels and 1000’of rope available
•Chain hoists available
•Full grid over stage 84’6”above deck –Beams on 7’(Up and downstage) x 12’(cross stage) centers. Load capacity
150 psf or 4,000 lbs UDL per 5’x 12’grid section
•Forestage Grid (appx50’into house) Beams on 10’x 10’centers. Load capacity 150psfor 4,000 lbs UDL per 10’x
10’grid section.
Loading Dock:
•4 dock doors directly behind stage (dock height) with 3 truck seals.
•3,000 lb capacity forklift.
•1 dock with yard ramp Sound:
•Three main speaker clusters-The left and right clusters each consist of (4) Eastern Acoustics Works KF750 and Four
(4) Eastern Acoustics Works KF 755 loudspeakers
•The Center cluster is comprised of (3) Eastern Acoustics KF 755 loudspeakers
•The sub-base is handled by left and right line arrays, each consisting of (4) Eastern Acoustics Works SB850
subwoofers
•This system is supplemented by (8) Eastern Acoustic Works KF650 loudspeakers arrayed for balcony coverage.
•Processing –(6) BSS 9088SoundwebDigital Processors
•Amplification –QSC CX series power amplifiers
•A four channel Clear-Com system is provided to facilitate communication between FOH, Stage, Catwalk, Orchestra
Pit, and other areas requiring technical closed loop communications
•A back of house paging and monitor system is also provided, with push to talk microphones available on stage and
at the FOH positions requiring technical loop communications
•Front of House signal processing including 2 channels lark Teknik DN 360 stereo 31 band equalizer, 8-12
channelsDrawmerDS201/404 noise gate, 8-12 channels DBX, BSS or Klark Teknik comp/limiter, 2 channels Summit
Audio tube comp/limiter.
Full House Configuration
View from the Stage
•1 TC Electronics 2290ddl, 2 Yamaha SPX 990, 2 Lexicon PCM 70/80, 1Tascamcassette recorder, 1 Panasonic DAT
recorder, 1 Sony CD recorder, 1 Sony CD player
•All necessary monitor signal processing including 12 channels of Klark Teknik DN 360 stereo 31 band equalizer, 4
channels DrawmerDS201 noise gate, 4 channels DBX comp/limiter, 2 Yamaha SPX 90II/900/1000, 1 Roland
SDE3000ddl, 1ClearcomMain Station
•Generic complement of professional wired microphones and stands
•5 Channels Shure UHF wireless handheld systems with antenna distribution
•All necessary control electronics, cabling, amplifiers, A/C power distribution, and ancillary equipment associated with
the above sound system
•(56) Microphone lines will be provided to connect a touring to an input box on stage. The input box is a portable
disconnect, equipped with female XLR connectors and a Whirlwind MassW4 output.
•(26) Microphone lines are supplied to connect the stage to the orchestra pit, which in turn can be cross-patched to
the (56) pair cable that connects the stage to FOH mix position.
•Traveling consoles can be connect to the system by way of permanent cabling (provided) or by using tour supplied
snakes.
Electric’s:
•7Electronic Theatre Controls(ETC)SR48 Dimmer enclosures w/272D20 Dual 20A dimmer modules (544 dimmers)
•10 D50AF Single 50A dimmer modules (10 dimmers) for stage lighting
•54 D20E Dual 20A dimmer modules (108 dimmers) with 500µs-rise time provide for house light control, virtually
eliminating lamp filament hum in the house light system. 12 circuits are protected by an automatic emergency
lighting transfer system providing UL1008 life safety protection.
•An ETC Expression 3-1200 memory lighting control console providing 1200 control channels patchable to 1536
dimmers provides stage lighting control.
•The Facility is wired with a CAT5 Ethernet distribution system providing 3 permanently mounted ETC network nodes
and 12 Ethernet tap stations where the user can plug in up to 1 portable Ethernet node for DMX512 and Remote
Focus Unit distribution.
•An ETC Unison system featuring 1 LCD and 9 pushbutton control stations as well as 1 portable LCD display provides
house light control.
•The dimming system circuit distribution utilizes 78 outlet boxes conveniently located through out the facility so you
are sure to never be far from a dimmer outlet. The connectors utilized through out the facility are industry standard
2P+G (both 20A and 50A). Additionally, many of the outlet boxes employ 6-circuitmulticableoutlets, greatly reducing
the need for breakout adapters.
•Follow Spots: (4) RobertJulliat“Aramis”2500 watt HMI’s (additional matching spotlights available with advance
notice)
•House lights: Source 4 Pars on dimmers
•Lobby lights: Source 4 Pars on dimmers
Company Switches:
7
1
1
1
1
1
1
1
x
x
x
x
x
x
x
x
3
3
3
3
3
3
3
3
phase/400 amp for lighting located SR
phase/200 amp for Sound located SR (ISO)
phase/200 amp for Sound located SL (ISO)
phase/200 amp USR
phase/60 amp USR
phase/100 amp at mix position
phase/400 amp at grid level USR
phase/100 amp at grid level USR
•Shore Power: (7) separate 60 amp services w/NEMA 14-50 R connector
Full House Configuration
View
from the Stage
•Large dressing rooms w/showers and private
bathrooms.
Dressing Rooms:
•Green Room and Blue rooms (multi-purpose room –meet & greet, orchestra rehearsal, chorus dressing room, etc.).
•Large wardrobe room w/washers & dryers. •Large visiting production office (24 dedicated telephone lines available).
•Wireless telephone and wireless Internet available to visiting production.
•Television (cable and/or stage monitoring) hookups available in all rooms.
•Large production dining room/break room w/36”TV.
•Excellent gourmet catering w/large, diverse menu.
Additional:
•Building is equipped with CAT5 cable and termination throughout.
Television monitor positions throughout the building with Magenta Technologies system.
•Building is fully equipped for video conferencing and/or teleconferencing in various rooms simultaneously with
capacities from 2 to 6,350 people.
•15,000 Sq. ft lobby with rigging capabilities. 16 x 16 person Luxury Suites and 2 x 90 person super suites
Risers:
•10 @ 4’wide by 8’deep by 10.25”Rolling Riser
Stair Units:
•2 @ 4’High by 2’wide stairs
•4 @ 2’High by 2’wide stairs
Visiting Production
Phone Numbers
• (972) 854.5130
• (972) 854.5131
• (972) 854.5132
• (972) 854.5133
• (972) 854.5140 FAX
Seating Configurations
Seating Capacity
Capacity
Summary
Section 100's *
Section 200's
Total 300's
Super Suites
SW Flt Deck
Total 400's
Sellable Capacity
Adjustments for
900 Capcity PIT
Remove
Deduct
Rows A-N
from
(sec 100's)
100's
Concert
Full
No Upper
Configuration
Theatre
Full
No Upper
Broadway
Full
No Upper
6,333
3,534
4,435
2,503
3,254
1,940
941
1,794
651
148
143
2,656
6,333
941
1,794
651
148
3,534
749
1,303
451
89
1,843
4,435
749
1,303
451
2,503
607
1,009
324
69
1,245
3,254
607
1,009
324
1,940
(409)
(409)
(409)
(409)
(409)
(409)
900
6,924
900
4,025
900
4,926
(1)
900
2,994
(1)
900
3,745
(2)
900
2,431
(2)
(212)
(212)
(212)
(212)
(212)
(212)
300
6,421
300
3,622
300
4,522
300
2,590
300
3,340
300
2,026
(51)
(51)
(51)
(51)
(51)
(51)
130
6,412
130
3,613
130
4,514
130
2,582
130
3,333
130
2,019
Capacity
GA PIT Capacity
A djus t e d S e lla ble C a pa c it y
Adjustments for
300 Capcity PIT
Remove
Deduct
Rows A-G
from
(sec 100's)
100's
Capacity
GA PIT Capacity
A djus t e d S e lla ble C a pa c it y
Adjustments for
130 Capcity PIT
Remove
Deduct
Rows A-C
from
(sec 100's)
100's
Capacity
GA PIT Capacity
A djus t e d S e lla ble C a pa c it y
LINE SCHEDULE
Set#
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
Description
From Plaster
Blue Guillotine
3' 10"
Blue House Curtain
4' 5"
Black Legs
5' 5"
6' 4"
#1 House LX
6' 11"
7' 7"
7' 11"
8' 5"
House Audio
8' 11"
9' 11"
American Flag
10' 5"
11' 5"
Black Border
11' 11"
Black Legs
12' 5"
13' 5"
13' 11 "
#2 House LX
14' 5"
15' 5"
15' 11"
16' 6"
17' 5"
Black Border
18' 5"
Black Legs
18' 11"
20' 5"
21' 5"
22' 5"
23' 5"
23' 11"
24' 5"
24' 11"
Set#
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
Description
Black Border
Black Legs
#3 House LX
Black Border
Black Legs
Black Traveler
White Cyc
Black Border
Black Legs
Black Border
From Plaster
25' 11"
26' 5"
27' 5"
28' 5"
29' 5"
30' 5"
31' 5"
31' 11"
32' 5"
32' 11"
33' 5"
34' 5"
34' 11"
35' 11"
36' 11"
37' 11"
38' 11"
39' 11"
40' 5"
41' 5"
41' 11"
42' 11"
43' 11"
44' 5"
45' 5"
46' 5"
47' 5"
48' 5"
49' 5"
52' 5"
Broadway Configuration
View from the Stage
Broadway
Broadway Configuration
Configuration
View
View from
from the
the Balcony
Balcony
Full
Theatre
HouseConfiguration
Configuration
View from the Stage
Theatre Configuration
Full House Configuration
View from the Stage
View from the Balcony
Full House Configuration
View from the Stage
Full House Configuration
View from the Balcony