Louise Irvine, the renowned Royal Doulton expert and author
Transcription
Louise Irvine, the renowned Royal Doulton expert and author
Pascoe & Company 1871 NW North River Drive Miami, FL 33125 Call your Pascoe Sales Advisor to add these pieces to your collection. www.pascoeandcompany.com Call Toll Free United States Australia United Kingdom New Zealand South Africa 1-800-872-0195 1-800-628-359 0-808-234-3472 0-800-440-031 0-800-982-448 The King of Collectibles Louise Irvine, the renowned Royal Doulton expert and author, highlights a treasure from the Pascoe & Company Collection. King’s Ware, as it was first known, was perfected by Charles Noke in the late 1890s. For some years Noke had been experimenting with sepia tones for slip-decorated wares which he named Holbein and Rembrandt after the old master painters. However, the ingenious new decorating technique that he developed for Kingsware made it economically viable for larger scale production. Instead of the traditional method of handpainting on the surface of a vase, the interiors of the plaster molds were painted in light colored slips (liquid clay). Dark brown slip was then poured in to the molds and fused with the painting to create an effective design in relief. Collectors enjoy the rich color variations that occur with the mingling of the slips from a dark treacle brown to a greenish hue. The white lettering was slip-trailed by hand so interesting variations also occur. McCallum Character Jug H. & Here’s a Health Unto His Majesty Flask H. 9 in. LE. 900 Bill Sykes Flask H. 7.25 in. Leather Bottle Flask H. 6.25 in. Tavern Barrel L. 7 in. Dick Turpin Flask H. 8 in. Bacchus Flask H. 8.5 in. Kingsware became one of Doulton’s most lucrative products when Noke was commissioned to design whisky flasks for famous distillers, such as Dewars of Perth, and these are avidly collected today. Each year at Christmas time distillers would order new containers to be sold with their blended whiskies. Dickens characters conjured up the spirit of the festive season and Scottish subjects were often chosen to reflect the origin of the flask contents. Other popular themes included the traditional British field sports of hunting, shooting and fishing. Swashbuckling heroes and characters from literature and folklore were subjects dear to Noke’s heart and they were inspiration for Kingsware as well as his Series Ware and figurative designs. Hooked Flask H. 6.5 in. Huntsman Fox Flask H. 6.75 in. Coachman Flask H. 10.5 in. Kingsware catalog Jester Jug H. 6.75 in Golfing Jug H. 9 in The tavern trade led to many other drinking and smoking accessories, including tobacco jars, ashtrays, barrels, tankards and toby jugs. Some of Noke’s flasks incorporate modeled heads and some are full figures fashioned into bottle form, as with the rare Bacchus flask. Noke used the Kingsware body for two toby jugs in 1910 and his commission to model McCallum’s Highlander logo (cover) led him to the launch of his famous character jug and toby collection in 1934. In addition to the whisky advertising flasks, Kingsware designs were also produced as luxury gifts for gentlemen’s studies. Silver mounts were often added in the early 1900s by prestigious retailers, such as George Betjemann & Sons of London. Queensware Dickens Jug H. 7.5 in. Kingsware Dickens Jug H. 7.5 in. Airbrush Brown Dickens Jug H. 7 in. Queensware Elizabeth I Jug H. 6.5 in. Collecting Doulton Kingsware book. Order from Pascoe & Company Kingsware Flask collection in a bar setting Arthur Eaton was one of the leading artists in the slip painting department which produced Kingsware, Holbein and Rembrandt wares. In 1927, young Fred Moore joined as an assistant and learned how to pipe the raised lettering on to the Kingsware to create titles or quotes, a bit like icing a cake. Such were the orders for Kingsware whisky flasks in the 1930s that more decorators joined the slip painting department and extra hands were brought in from other studios. Queensware was made by the same process as Kingsware but with an ivory slip body. The muted color scheme was not as popular making Queensware designs harder to find today. At first glance, it is sometimes difficult for collectors to distinguish Queensware from the typical underglaze airbrushed decoration employed by Doulton for similar subjects in the 1930s. This is often described as ‘Air Brush Brown’ and is generally crisper in color and definition.