Dear Playhouse Friends - The Pasadena Playhouse

Transcription

Dear Playhouse Friends - The Pasadena Playhouse
Dear Playhouse Friends,
Sheldon Epps
Artistic Director
Elizabeth Doran
Executive Director
Certainly The Pasadena Playhouse is a
theatre that celebrates great artists. Over
the years we have honored playwrights,
directors, actors, and even great painters in
our work. On frequent occasions, we have
also paid homage to those who have lifted
our spirits with their musical gifts. We have
done that with a full range of work that
celebrated such gifted musical artists as
Irving Berlin, George Gershwin, Scott Joplin,
Chopin, Duke Ellington, and Stephen
Sondheim among others. We happily and
excitedly expand that impressive canon of
creations for the theatre that bring great
music to our stage with this production, as we honor the legendary rock icon
Janis Joplin.
As many of you know, when we announce each new season here at The
Playhouse, I always hold out a slot in the calendar for what we sometimes
describe as “A Theatrical Surprise.” Because a number of factors necessitate
our announcing the titles in the season long in advance of the actual production
dates, this allows me to keep my radar alive for something new and exciting that
may emerge over the many months between the announcement of the season
and the end of our theatrical year. That is exactly the case with this late
addition to our season.
Many months ago, I began to hear about the excitement that was being created
at some of our colleague theatres where Janis was rockin’ and filling the houses
with a special kind of energy and theatrical verve. Research quickly led me to
discover that Randy Johnson had created an homage called One Night With
Janis Joplin, which was being greeted with tremendous enthusiasm by
theatres in Portland, Cleveland, and Washington, D.C. Conversations with
fellow artistic directors at some of those theatres were overwhelmingly
encouraging about the concept of bringing this show to Pasadena. We were
fortunate that all things allowed this to happen and that both our producing
partners and Randy, the creator/director/writer of the show, felt that Miss
Joplin would be very much at home on the stage of our theatre. I am grateful
to all of them, and to the artists that you will see on stage at this performance
for bringing Janis’ incredible energy, musicality, verve, and hard rock energy to
our stage. And by the way, I should tell you that for this particular production,
dancing in the aisles is not just permitted, it is encouraged!
By the time you read this, we will be on the verge of announcing yet another
new season for our 2013-14 theatrical year. In addition to yet another exciting
“theatrical surprise,” next season will include plays and musicals both new and
old that hold the possibility of bringing to The Playhouse the theatrical diversity,
eclectic energy, and magical journeys that we hope to achieve year after year in
our theatre. I hope that those of you who are already subscribers will quickly
renew, and I invite those of you who are not to consider jumping on board the
train for each of those journeys by supporting us with your new subscription.
We greatly appreciate all of you who connect with The Playhouse in this way.
Your support is vital to our ability to keep the surprises coming, to keep the
magic happening, and to making this Playhouse rock year after year!
Sincerely,
Sheldon Epps
Artistic Director of The Pasadena Playhouse
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CAST OF CHARACTERS
(In Alphabetical Order)
Sheldon Epps
Elizabeth Doran
Artistic Director
Executive Director
In Association with Daniel Chilewich and Todd Gershwin of One Night Productions, LLC
presents
Blues Singer................................................................................................................ Sabrina Elayne Carten
Janis Joplin .................................................................................................................... Mary Bridget Davies
JOPLINAIRE, Janis Alternate . ................................................................................................ Tricia Kelly
JOPLINAIRE, blues singer u/s ................................................................................... Shay Saint-Victor
JOPLINAIRE, Blues Singer Alternate ........................................................... Kimberly Yarbrough
The Band
One Night With Janis Joplin
One Night with Janis Joplin is presented in further association with
The Estate of Janis Joplin and Jeffrey Jampol of JAM, Inc.
starring
Music Supervisor/ Bandleader/ Guitar............................................................. Ross Seligman
Guitar.............................................................................................................................................. Stephen Flakus
Bass . ..................................................................................................................................................... Patrick Harry
Keyboard . ........................................................................................................................................... Tyler Evans
Drums .................................................................................................................................................. Mitch Wilson
Saxophone . ..................................................................................................................................... David Milne
Trumpet, Flugelhorn, trombone .......................................................................... Lee Thornburg
Trumpet ............................................................................................................................................ Pete DiSiena
Sabrina Elayne Carten Mary Bridget Davies
Tricia Kelly Shay Saint-Victor Kimberly Yarbrough
Scenic and Lighting Design
Justin Townsend Costume Design Jeff Cone
Sound Design
Carl Casella
Casting Manager
Associate Lighting Design
Music Supervisor
Laura Stanczyk Production Manager
Joe Witt
Dan Ozminkowski
Technical Director
Brad Enlow
Ross Seligman
Company Manager
Kristen Hammack
Projection Design
Darrel Maloney
One Night With Janis Joplin runs approximately 2 hours and 10 minutes including one intermission
Musical Arranger and
Original Music Director
The role of Janis Joplin will be played by Tricia Kelly on Saturday matinees and Sunday evenings
(excluding Sunday, April 7th and Sunday, March 17)
Len Rhodes
Production Stage Manager
Hethyr (Red) Verhoef
The role of Blues Singer will be played by Kimberly Yarbrough on Tuesday evenings and Sunday
matinees (excluding Sunday, April 7th)
This production of One Night With Janis Joplin contains mature language and special effects including haze, fog, and strobe lights
Created, Written, and Directed by
Randy Johnson
OPENING NIGHT March 17, 2013
The Actors and Stage Managers employed in this production are members of Actors’ Equity Association, the
Union of Professional Actors and Stage Managers in the United States
Produced in 2012 by Cleveland Play House
Michael Bloom, Artistic Director Kevin Moore, Managing Director
Produced in 2012 by Arena Stage
Molly Smith, Artistic Director Edgar Dobie, Executive Director
The 2011 World Premiere of One Night With Janis Joplin was produced by and performed at Portland Center Stage, Portland, OR
Chris Coleman, Artistic Director
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A Note From
Musical Numbers
SET ONE
Combination of the Two/Tell Mama
“Tell Mama” published as “Tell Daddy”
Written by Terrell, Clarence Carter and Marcus Daniel
All rights administered by EMI Music Publishing LLC
“Combination of the Two”
All rights reserved
Used by permission
My Baby
Written by Jerry Ragovoy and Mort Shuman
1966 (Renewed) Unichappell Music Inc. (BMI) and Mort Shuman Songs
(BMI)
All rights on behalf of Mort Shuman Songs
Administered by Warner-Tamerlane Publishing Corp.
All rights reserved
Used by permission
Maybe
Written by Richard Barrett
All rights administered by EMI Music Publishing LLC
All rights reserved
Used by permission
Summertime
Written by George Gershwin, DuBose Heyward, Borothy Heyward and Ira
Gershwin
1935 (Renewed) George Gershwin Music (ASCAP), DuBose and Dorothy
Heyward Memorial Fund Pub (ASCAP) and Ira Gershwin Music (ASCAP)
All rights administered by Wb Music Corp.
All rights reserved
Used by permission
Bye Bye Baby
Written by Powell St. John
Published by Mainspring Watchworks Music (ASCAP)
Under license from The Bicycle Music Company
Turtle Blues
Written by Janis Joplin
Published by Strong Arm Music (ASCAP)
All rights reserved
Used by permission
Down on Me
Written by Janis Joplin
Published by Strong Arm Music (ASCAP)
All rights reserved
Used by permission
Piece of My Heart
Written by Bert Berns and Jerry Ragovoy
1967 Sony/ATV Music Publishing LLC, Sloopy II Music, Warner Tamerlane
All Rights on Behalf of Sony/ATV Music Publishing LLC
Administered by Sony/ATV Music Publishing LLC, 8 Music Square West,
Nashville, Tennessee 37203
All rights reserved
Used by permission
Today I Sing the Blues
Written By Curtis Lewis
Published by Bess Music Company
All rights reserved
Used by permission
Nobody Knows When You’re Down and Out
Written by James Cox
Published by Universal Music Publishing Group
All rights reserved
Used by permission
A Woman Left Lonely
Composed by Dewey Lindon Oldham and Dan Penn
1971 Embassy Music Corporation (BMI) and Dan Penn Music (BMI)
All rights reserved
Used by permission
SET TWO
Raise Your Hand
Written by Eddie Floyd, Alvertis Isbell and Stephen Cropper
Published by Universal Music Publishing Group
All rights reserved
Used by permission
Try (Just a Little Bit Harder)
Written by Jerry Ragovoy and Chip Taylor
1968 (Renewed) Unichappell Music Inc. (BMI)
All rights reserved
Used by permission
Maybe
Written by Richard Barrett
All rights administered by EMI Music Publishing LLC
All rights reserved
Used by permission
Little Girl Blue
Music by Richard Rodgers, Lyrics by Lorenz Hart
This selection is used by special arrangement with Rodgers & Hammerstein:
An Imagem Company, www.rnh.com
All rights reserved
Used by permission
Cry Baby
Written by Bert Berns and Norman Meade
1963 Sony/ATV Music Publishing LLC, Sloopy II Music, Warner Tamerlane
All Rights on Behalf of Sony/ATV Music Publishing LLC
Administered by Sony/ATV Music Publishing LLC, 8 Music Square West,
Nashville, Tennessee 37203
All rights reserved
Used by permission
Kozmic Blues
Written by Janis Joplin and Gabriel Mekler
Published by Strong Arm Music (ASCAP)
All rights reserved
Used by Permission
I Shall be Released
Written by Bob Dylan
Published by Dwarf Music
All rights reserved
Used by Permission
Mercedes Benz
Written by Janis Joplin, Michael McClure and Robert Neuwirth
Published by Strong Arm Music (ASCAP)
All rights reserved
Used by Permission
Ball and Chain
Written by Willie Mae “Big Mama” Thornton
Bro ‘N Sis Music Inc.
All rights reserved
Used by Permission
Stay with Me
Words and music by George David Weiss and Jerry Ragovoy
1966 Published by Warner Chappell Music
Renewed 1994 and assigned to Abilene Music LLC
c/o Larry Spier Music LLC, New York, New York
International Copyright secured
All rights reserved including public performance
Used by permission
The Playwright and director
I
n these days where fame is instant and true
musicianship rare, the word "artist" is an oftenmisused statement. As we are held hostage to a
manufactured pop culture on a daily basis, I feel
we must constantly revisit our history and explore the
authentic forces that have shaped the landscape of
our lives. One of those authentic forces is Janis
Joplin. There never has been and never will be
another Janis Joplin. Her fame was earned - her
following grew as she grew - people were drawn to
her and she was drawn to them. Janis Joplin was a
true artist without contrivance or artifice. She was
an extraordinary woman. People like to say "ahead of
her time." I happen to believe she was right on time. After immersing myself in the culture of Janis
Joplin with Michael Joplin, Laura Joplin and Janis herself, the one prevailing message that kept
coming back to me was the commonality of the paths and influences that guide and shape all of us
and our spirit every day.
I am constantly astonished and inspired by the depth of the wisdom she imparted in her
music, her interviews, her writings, and her art. All of us are influenced and shaped by artists,
poets, musicians, thinkers and ordinary people. That's what creates new thought every day. Janis
provoked a lot of thought by simply being herself. At 3a.m., one week after I had spent time with
the Joplin family, I knew that this play would simply be One Night With Janis Joplin. It's a night
where Janis (one more time) could share her music, truths, influences, art, philosophy and spirit.
Janis lives on as most great artists eventually do, forever in the conscious collective. This isn't just
Janis' story: it's all of our stories in one way or another. We all touch and inform each other as we
travel this life. I trust that you, the audience, will take away with you a piece of Janis' heart.
The world is a better place because she was here for a moment.
Randy Johnson
I’m Gonna Rock My Way to Heaven
Words and music by Jerry Ragovoy and Jenny Dean
Published by The Tune Room Inc.
All rights reserved
Used by Permission
Spirit in the Dark
Written by Aretha Fanklin
Published by Springtime Music Inc.
All rights reserved
Used by permission
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Introducing
JANIS JOPLIN
“I think I sound like a white chick singing the “blues.”…There was just something about
that ache I heard that got me bad. After all, the blues is just a bad women feeling good.”
T
hat voice – high, husky, earthy, explosive – remains
among the most distinctive and galvanizing in pop
history. But Janis Joplin didn’t merely possess a
great instrument; she threw herself into every syllable, testifying from the very core of her being. She claimed
the blues, soul, gospel, country and rock with unquestionable
authority and verve, fearlessly inhabiting psychedelic guitar
jams, back-porch roots and everything in between. Her volcanic
performances left audiences stunned and speechless, while
her sexual magnetism, world-wise demeanor and flamboyant
style shattered every stereotype about female artists – and essentially invented the “rock mama” paradigm.
Born in Port Arthur, Texas, in 1943, Joplin fell under the sway of
Leadbelly, Bessie Smith and Big Mama Thornton in her teens,
and the authenticity of these voices strongly influenced her
decision to become a singer. A self-described “misfit” in high
school, she suffered virtual ostracism, but dabbled in folk music
with her friends and painted. She briefly attended college in
Beaumont and Austin but was more drawn to blues legends
and beat poetry than her studies; soon she dropped out and,
in 1963, headed for San Francisco, eventually finding herself in
the notoriously drug-fueled Haight Ashbury neighborhood. She met up with guitarist Jorma Kaukonen (later
of the legendary San Francisco rock outfit Jefferson Airplane) and the pair recorded a suite of songs with his
wife, Margareta, providing the beat on her typewriter. These tracks – including blues standards like “Trouble
in Mind” and “Nobody Knows You When You’re Down and Out” – would later surface as the infamous “Typewriter Tapes” bootleg.
She returned to Texas to escape the excesses of the Haight, enrolling as a sociology student at Lamar University, adopting a beehive hairdo and living a generally “straight” life despite occasional forays to perform
in Austin. But California drew her back into its glittering embrace in 1966, when she joined the Haight-based
psychedelic-rock band Big Brother and the Holding Company. Her adoption of a wild sartorial style – with
granny glasses, frizzed-out hair and extravagant attire that winked, hippie-style, at the burlesque era – further
spiked her burgeoning reputation.
The band’s increasingly high-profile shows earned them a devoted fan base and serious industry attention;
they signed with Columbia Records and released their major-label debut in 1967. Of course, it was Joplin’s
seismic presence that caused all the commotion, as evidenced by her shattering
performance at the Monterey Pop Festival,
which was captured for posterity by filmmaker D.A. Pennebaker; in the film, fellow
pop star Mama Cass can be seen mouthing
the word “Wow” as Joplin tears her way
through “Ball And Chain.”
Big Brother’s “Piece of My Heart,” on 1968’s
Cheap Thrills LP, shot to the #1 spot, the
album sold a million copies in a month, and
Joplin became a sensation – earning rapturous praise from Time and Vogue, appearing
on The Dick Cavett Show and capturing
the imagination of audiences that had
never experienced such fiery intensity in a
female rock singer. Her departure from Big
Brother and emergence as a solo star were
inevitable; she put together her own outfit,
the Kozmic Blues Band, and in 1969
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released I Got Dem Ol' Kozmic
Blues Again Mama!, which went gold.
That year also saw her perform at
the Woodstock festival.
Joplin assembled a new backup
group, the Full Tilt Boogie Band, in
1970; she also joined the Grateful
Dead, the Band and other artists for
the “Festival Express” railroad tour
through Canada. Her musical evolution followed the earthier, rootsier
direction of the new decade, as reflected in her final studio album, the
landmark Pearl. Embracing material
such as Kris Kristofferson’s gorgeous
country ballad “Me and Bobby
McGee” and her own a cappella
plaint, “Mercedes Benz,” the disc
showcased Joplin’s mastery of virtually all pop genres. The latter song
was, along with a phone-message
birthday greeting for John Lennon,
the last thing she recorded; she died
in October of 1970, and Pearl was
released posthumously the following year. The quadruple-platinum
set became the top-selling release
of Joplin’s career and, in 2003, was
ranked #122 on Rolling Stone’s “500
Greatest Albums of All Time.”
In the years since, Janis Joplin’s
recordings and filmed performances
have cemented her status as an icon, inspiring countless imitators and musical devotees. Myriad hit collections,
live anthologies and other repackaged releases have kept her legend alive, as have one-woman shows such as
the hit Love, Janis (which Joplin’s sister, Laura, helped create) and 2009’s Edinburgh Festival Fringe “Best Solo
Performance” nominee Janis. A documentary film, produced by Jeff Jampol in tandem with Spitfire Films, is currently in development. In 1988, the Janis Joplin Memorial, featuring a bronze sculpture by artist Douglas Clark,
was unveiled in Port Arthur.
Joplin was inducted into the Rock and Roll Hall of Fame in 1995 and posthumously given a Grammy Lifetime
Achievement Award in 2005. But such honors only made official what rock fans already knew: that she was
among the greatest, most powerful singers the form had ever known – and that she’d opened the door for countless artists across the musical spectrum.
Bibliography
Piece Of My Heart (Da Capo Paperback)
By David Dalton
Scars Of Sweet Paradise: The Life And
Times Of Janis Joplin
By Alice Echols
The Biography of Janis Joplin: Buried
Alive
By Myra Friedman
Love, Janis
By Laura Joplin
Discography
Big Brother & The Holding Company
Released: 1967
Label: Sony Legacy
Cheap Thrills
Released: December 1, 1968
Label: Sony Legacy
Award: 2X Multi Platinum, March 13, 2001
I Got Dem Ol' Kozmic Blues Again Mama!
Released: January 1, 1969
Label: Sony Legacy
Award: Platinum, July 20, 2000
Pearl
Released: March 1, 1971
Label: Sony Legacy
Award: 4X Multi Platinum, July 20, 2000
Live At Winterland '68
Released: 1998
Label: Sony Legacy
Videography
Big Brother & The Holding Company
Feat.Janis Joplin - Ball & Chain – 1967
The Complete Monterey Pop Festival
(The Criterion Collection)
Starring Otis Redding, Jimi Hendrix, Ravi
Shankar, Et Al. (2002)
Festival Express
Starring Jerry Garcia, Janis Joplin, Robbie
Robertson And Buddy Guy (2004)
Woodstock: 3 Days Of Peace & Music
Director's Cut (Ultimate Collector's
Edition 4-DVD Set With Deluxe
Packaging)
Starring Jimi Hendrix, Jefferson Airplane,
Janis Joplin And Mountain (2009)
The Best Of Janis Joplin
Starring Janis Joplin
(2013)
Information
provided by
PErFORMANCEs MAGAZINE P7
Ladies sing the blues
Janis Joplin shares the stage with the Blues Singer, who represents the artists that
influenced her. The blues evolved out of African-American work songs and is the basis of jazz,
rock, R&B and hip-hop.
BESSIE SMITH (1894 –1937) earned the title of “Empress of the Blues”
by virtue of her forceful vocal delivery and command of the genre.
Her singing displayed a soulfully phrased, boldly delivered and nearly
definitive grasp of the blues. In addition, she was an all-around entertainer who danced, acted and performed comedy routines with her
touring company. She was the highest-paid black performer of her
day and arguably reached a level of success greater than that of any
African-American entertainer before her.
ETTA JAMES (1938 – 2012)
Blues, soul, jazz, R&B, and rock vocalist Etta James
forged a five-decade career with an alternately powerful
and poignant voice gracing over a dozen hit singles and
earning her four Grammys and a prominent place in the
Rock and Roll Hall of Fame.
NINA SIMONE (1933 - 2003) was one of the most gifted vocalists of her
generation, and also one of the most eclectic. An American songwriter, pianist and arranger, Simone sang a mix of jazz, blues and folk
music in the 1950s and ‘60s. A civil rights activist, she wrote songs
promoting the movement.
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who's who
SABRINA ELAYNE
CARTEN (Blues Singer)
began her career with
Chautauqua Symphony
Orchestra as the
Strawberry Woman
in Porgy and Bess. She
has since performed in
this opera at notable
opera houses around the
world. Her portrayal of Maria is considered one
of the best. She played Tituba in The Crucible at
Chautauqua Opera and Mobile Opera. She
understudied and performed Queenie in Hal
Prince’s Showboat on the first national tour
across the U.S. and Canada. She recently
appeared with Mike Tyson in Mike Tyson:
Undisputed Truth at MGM Grand in Las Vegas.
She is a member of The American Spiritual
Ensemble. Having performed in the Portland
Center Stage (world premiere) and Cleveland
Play House productions, she is excited to reprise
the Blues Singer in One Night With Janis Joplin.
MARY BRIDGET
DAVIES (Janis Joplin)
starred as Janis Joplin in
the national tour of Love,
Janis; was awarded Best
Actress by the Cleveland
Critic's Circle for One
Night with Janis Joplin.
Nominated for Best
Actress in a musical by
Broadway World for One Night with Janis Joplin. Other favorites include the Broadway show
It Ain’t Nothin’ But the Blues, Reno Sweeney
in Anything Goes and being a member of
Something Dada Improvisational Comedy Co.
Davies has received numerous awards for her
voice and band. Most recently her new album
was nominated for a 2013 Blues Music Award
for Best New Artist Debut and she was a 2013
Helen Hayes Award nominee for Oustanding
Lead Actress in a resident musical for her role in
One Night With Janis Joplin at Arena Stage. For
more information, please visit www.marybridgetdavies.com.
TRICIA KELLY
(Joplinaire, Janis Joplin
Alternate) a Boston
native and a performer
all her life! In 2005, after
opening The Cape Cod
Melody Tent for KCSB,
she moved to LA. Her
first big gig in LA was with
Bill Medley at The OC Pavilion in 50 Years of
Rock & Roll. She played Roger’s Mom in RENT
at the Hollywood Bowl, directed by Neil Patrick
Harris. Tricia was honored to pay tribute to Janis
Joplin in 3 different productions of Beehive and
was nominated for both the LADCC and The
Ovation Awards. She is thrilled to be part of this
production! Many thanks!
SHAY SAINT-VICTOR
(Joplinaire, Blues Singer
U/S) is honored to join
the cast of One Night with
Janis Joplin. Recently she
toured singing gospel with
the Change Experience.
Theatre credits include
Freeda in Freeda Peoples
(Billie Holiday Theatre),
Angel in A Garfield Christmas Story (tour).
Televison credits include "All My Children." A
singer/songwriter and native Detroiter, she is
also a graduate of SUNY Purchase with a BFA
in Theatre.
KIMBERLY YARBROUGH
(Joplinaire, Blues Singer
Alternate) A veteran
actress originally from
Memphis, Tennessee, Kim
Yarbrough captivated
TV audiences the world
over during her splash
on Season 2 of NBC's
"The Voice." She has
been a native Angeleno since the year 2000,
enjoying a dream career performing alongside
Dennis Quaid, Danny DeVito, Loretta Devine,
Jim Belushi, Katey Sagal, Kenny Loggins, Tyler
Perry, Della Reese and Stevie Wonder. TV
credits: "Southland," "2 Broke Girls," "Vegas,"
"Bones" and recurring appearances on "Dexter"
and "Conan." Kim's vocals are regularly featured
on the hit TV show "Sons of Anarchy." Major
stage credits: Aint' Misbehavin', Once on This
Island, the original cast of Nuncrackers and The
Women of Brewster Place, for which she won
an Ovation Award, and NAACP Nomination for
Best Lead Actress.
ROSS SELIGMAN (Music Supervisor, Bandleader,
Guitar) returns to One Night with Janis
Joplin after performing in the show at Portland
Center Stage (world premiere), Cleveland
Play House and Arena Stage in Washington,
D.C. Oregon regional theater credits include:
Bat Boy: The Musical, The Fantasticks, West
Side Story, Cabaret and It Ain't Nothin' But
The Blues; with Broadway Rose Theatre
Company, Jekyll and Hyde, They're Playing Our
Song and Chicago; and with Artists Repertory
Theatre, Susannah Mars' Mars on Life. In addition
to composing music for national commercials,
Seligman appears regularly on the Portland
jazz scene with his group, Echo Jazz Trio, and
he just released his new record, Run with Me,
with symphonic rock group Echo Helstrom. Run
with Me is available on iTunes, Spotify and
everywhere else online. He currently lives in
Portland, Oregon.
STEPHEN FLAKUS (Guitar) Is just jazzed to
return to the theater with One Night with Janis
Joplin. A native of Oregon, Stephen grew up
in Jacksonville, Florida, where he attended the
University of North Florida, earning a bachelor’s
in classical guitar. Recent work includes One
Night with Janis Joplin at the Cleveland Play
House and at Arena Stage in Washington, D.C.
guitarist for Mike Tyson: Undisputed Truth at
the MGM Grand in Las Vegas and Pump Boys
and Dinettes in the role of Jim at Broadway
Rose Theatre in Portland, Oregon. Stephen calls
Portland home, where he gigs, teaches, writes
music and records with his band, The Someday
Tricycle.
PATRICK HARRY (Bass) was the bassist for One
Night with Janis Joplin at Portland Center
Stage (world premiere), Cleveland Play House
and Arena Stage. Most of Patrick’s work is
as a freelance bassist in Portland, Oregon.
Portland credits include The Wild Party, Eating
Raoul and Spring Awakening, Live On
Stage; Annie, Willie Wonka and the Chocolate
Factory and Richard Scarry’s BusyTown,
Northwest Children’s Theater; ‘69, The Sexual
Revolution, Triangle Productions; Always...Patsy
Cline, and The Winter Wonderettes, Broadway
Rose Theatre; and numerous other local shows.
TYLER EVANS (Keyboard) returns to One
Night with Janis Joplin after its debut at
Portland Center Stage and subsequent run
at Cleveland Play House, and Arena Stage in
Washington, D.C. He has music-directed and
performed in various other Portland productions
including Spring Awakening, Live On Stage; West
Side Story - piano, Cabaret - keyboard and
accordion, Sunset Boulevard - keyboard,
and Oklahoma! - piano, Portland Center Stage;
and Joseph and the Amazing Technicolor
Dreamcoat, Broadway Rose. He is a Washington
State University Master's alum.
MITCH WILSON (Drums) After completing his
degree in music performance from The New
School in New York, Mitch has been performing
up and down the West Coast, including his
hometown of Portland, Oregon. Working
alongside A&R directors from EMI and Capitol
Records, Mitch has acted as Band Leader for
various pop singers including European import
Ruth-Anne Cunningham. In early 2012, he
helped jump-start the Mike Tyson: Undisputed
Truth production at the MGM Grand in Las
Vegas, which then moved to Broadway under the
direction of Spike Lee. Mitch has worked with a
wide range of industry heavyweights, including
Branford Marsalis and Wynton Marsalis, Jerry
Naylor, Bernard Purdie, Mick Gillette, Terell
Stafford, Benny Golson, David Sonnenberg, Rob
Stevenson and The Pretty Reckless featuring
Taylor Momsen, among others. Mitch has
recently relocated to New York City and is
currently playing with the group Kid Confidence.
He is so excited to be back with the Janis
Joplin cast. He would like to thank The Pasadena
Playhouse and Randy Johnson for this wonderful
opportunity.
DAVID MILNE (Saxophone) had the honor of
playing saxophone in One Night with Janis
Joplin at Portland Center Stage (world premiere)
and Cleveland Play House. He recently appeared
in Mike Tyson: Undisputed Truth, directed by
Randy Johnson, at the MGM Grand in Las
Vegas. He has performed in the following shows
at Portland Center Stage: It Ain’t Nothin’ But
the Blues and the all African-American cast
production of Oklahoma!. A product of DePaul
University’s renowned music program in Chicago,
David has been active in Portland, Oregon for
over a decade as an educator, teaching privately
and working within the local school system.
When not onstage running his own band or
performing as a sideman, he can be found in the
studio producing, arranging, engineering and
mixing with the creative team Board & Batten.
LEE THORNBURG (Trumpet, Flugelhorn,
Trombone) Trumpeter Lee Thornburg has been
playing with the best of the best throughout
his career. He toured with legendary Wayne
Cochran and the C.C. Riders and Supertramp,
then found himself on the road with Nicolette
Larson’s band, and with Lowell George of Little
Feat. He was also a member of the group Tower
of Power for almost a decade in the 80's and
90's. His list of recording credits spanning 4
decades reads like a who's who from the ranks
of soul, R&B and pop. He has performed on
hundreds of recordings; with a diverse group
PErFORMANCEs MAGAZINE P9
of artist including that it Engelbert
Humperdinck, Ledisi, John Mayall, Art
Garfunkel, Toto, Josh Groban, Carly
Simon, Edgar Winter, Lalah Hathaway, Pink, Etta
James, Glenn Frey, Heart, Michael McDonald
and Ray Charles naming just a few. Thornburg
has toured and performed with numerous music
legends including Rod Stewart, Tom Petty, Aaron
Neville, Ray Charles, Bonnie Raitt, Huey Lewis,
Dwight Yoakam and Clint Black. Lee was an
original and founding member of the blue-eyed
soul band Jack Mack and the Heart Attack and
a member of the famed Tonight Show band from
2001 to 2006.
PETE DISIENA (Trumpet) Pete is an active
musician in the Los Angeles area. He has
played the lead trumpet chair for some of Los
Angeles, best big bands such as the Bill Holman
Orchestra, Johnny Mandel Big Band and Bill
Watrous’ Refugee West. He has worked and
recorded with artists such as Michael Buble,
Natalie Cole, Michael Bolton, Muse and others.
Pete has worked on the musical reality T.V shows
of “The Voice” and “American Idol.” He has also
recorded on various motion picture soundtracks,
most recently being Ice Age 4 and Parental
Guidance. Past shows that Pete has been in the
pit for here at The Pasadena Playhouse include
South Street, Twist, and Stormy Weather.
Janis Joplin Janis' brother and sister, Laura
and Michael Joplin, took over the Janis Joplin
Estate in 1975. "Neither my brother nor I were
involved in the entertainment industry. We were
isolated from connections,' says Laura. Handling
the licensing and other assets of their late
sister's work and career, however, it's been a very
productive partnership. Teaming up with JAM,
Inc. in 2007 to carry their sister's legacy forward,
the Estate has a theatrical documentary now
in production, a Star on the Hollywood Walk of
Fame, a full retail apparel line, new releases, two
books on the way, and much more coming.
ONE NIGHT PRODUCTIONS, LLC/ DANIEL
CHILEWICH / TODD GERSHWIN (Producer) is a
New York-based entertainment production
company that produces the national tour of One
Night With Janis Joplin. Additional properties
produced by Gershwin and Chilewich include a
number of unique musical productions revolving
around the iconic music and legacies of George
and Ira Gershwin, including Here to Stay – The
Gershwin Experience, and the successful
musical, ‘S Wonderful. Other recent productions
include the national tour of the Tony Awardwinning show Blast, the Broadway production
of Godspell, the Harold Arlen celebration Over
the Rainbow, and the new gospel musical being
developed with multiple Grammy award winning
recording artist BeBe Winans. In addition to
his theater producing work, Todd Gershwin also
has a diverse background in managing sports
events, public relations, and marketing. Todd has
helped to manage numerous opportunities for
the George Gershwin music business, spanning
musical theater, symphonic, motion picture,
and television projects. Todd has also worked
with a diverse group of corporate clients such
as Reebok, Pepsi, Geico, TIAA-CREF, Allstate
Insurance and Nike. Todd’s event background
includes managing numerous events at venues
such as Madison Square Garden, Nassau
Coliseum, and the Waldorf Astoria. Previously,
Todd was a founding partner at Clutch
Media and Marketing as well as Worldwide
Marketing & Media Group, two leading New
York marketing agencies. Todd holds a B.A.
in Management & Communications from the
P10 PERFORMANCES MAGAZINe
University of Michigan, where he was recently
awarded an alumni career achievement award.
Daniel Chilewich has extensive experience
in international trade, business, law and
entertainment development. Having spent
years developing complex joint venture projects
with partners in China, Russia and Europe,
he has most recently been concentrating on
development, production and marketing of live
events, theatrical performances and recorded
media projects with various artists and music
catalogs. Dan is a founding partner of Premiere
Media, LLC, an events marketing and production
company located in New York. Formerly, Dan
was a partner at Clutch Media and Marketing, a
leading New York media and marketing agency. Dan holds a B.S. in Economics from the Boston
University School of Management and a J.D.
from the American University Washington
College of Law. He continues to practice in the
entertainment and intellectual property fields.
RANDY JOHNSON (Creator/Writer/Director) is
a graduate of the USC School of Theatre in
Los Angeles. For over three decades, he has
produced, directed, or written some of the most
groundbreaking and landmark theatre, events,
and concerts on the world stage. Randy's work
and direction has been seen in such diverse
venues as regional theaters across the US and
Canada, Off Broadway, the West End in London,
Carnegie Hall, Radio City Music Hall, Wembley
Arena, the Gibson Amphitheatre, Madison
Square Garden, the Grand Ole Opry, L'Olympia
in Paris, and Le Sporting Club in Monte Carlo,
Monaco. Randy began his career as co-producer
of Larry Kramer's The Normal Heart starring
Kathy Bates and Richard Dreyfus at the Las
Palmas Theatre in Hollywood. He is the force
behind theatrical stage portraits of such musical
icons as Janis Joplin, Elvis Presley, Conway
Twitty, Louis Prima and Keely Smith. Randy is
the original producer of Always...Patsy Cline,
which under his aegis became one of the most
produced musicals in the United States - he
produced over 500 productions, six national
tours and the record-breaking run at the Ryman
Auditorium in Nashville and the off-broadway
production featuring Margo Marindale. He also
executive produced the MCA cast album. Samuel French, Inc. has published Randy's playwright
work. He directed such diverse artists as Audrey
Hepburn, Katharine Hepburn, Carly Simon, Mike
Tyson, Liza Minnelli, Tammy Wynette, Melissa
Manchester, Barbra Streisand, Elton John, Little
Richard, Sandra Bernhard, Marianne Faithful,
Michael Bolton, Garth Brooks, Shania Twain,
and John Mitchell. He directed Pope Benedict's
recent New York appearance featuring a special
performance by Kelly Clarkson. He is the director of the historic Elvis in Concert, which has
toured the world for almost 15 years and is in
the Guinness Book of World Records. Elvis the
Concert and Carly Simon's Moonlight Serenade
aboard the Queen Mary 2 are available on DVD
and are seen on PBS, BBC and ITV annually. For
Steven Spielberg, he directed the Olympic scale
Grand Opening of Universal Studios Islands of
Adventure. He also directed Bernie Taupin's
Commitments to Life at the Universal Amphitheatre, raising over 7 million dollars for AIDS
Project Los Angeles. Recipient of the Crystal
Apple Award for his work with AIDS Project Los
Angeles, Volunteer of the Year for LA Shanti and
two ISES Awards as Best Director for his aerial
ballets/events with Cirque du Soleil's choregrapher Debra Brown. For One Night with Janis
Joplin, he has been nominated as Best Director
for two Broadway World Awards in Cleveland
and Washington, D.C. Randy is a member of the
Dramatists Guild, the Society of Stage Directors
and Choreograhers and Canadian Actors' Equity
Association (as a director). His autobiography
Adventures in Hotel Crazy will be published in
the fall of 2014. For Arena Stage in Washington,
D.C he is directing Smokey Joes Cafe in the
spring of 2014. He dedicates this production at
The Pasadena Playhouse to the enduring inspiration, guidance, legacy and memory of Professor
John Blankenchip of the School of Theatre at
the University of Southern California. For more
information: www.randyjohnson1.com.
JAMPOL ARTIST MANAGEMENT, INC. (Manager –
Estate of Janis Joplin) Grammy Award-Winning
and Emmy-Nominated Jeffrey JampoL is the
President of JAM, Inc., manages The Doors, and
the Estates of Jim Morrison, Janis Joplin, Tupac
Shakur, Otis Redding, Peter Tosh, Henry Mancini
and Rick James, and is a consultant to the Estate
of Michael Jackson. Jampol, along with Dick
Wolf, won the 2011 Grammy for producing the
Doors film, “When You’re Strange,” narrated by
Johnny Depp, and helped create, produce and
present the Janis Joplin Musical, “One Night
With Janis Joplin.” A voting member of The
Recording Academy® since 1985, Jampol sat on
the LA Chapter Board Of Governors from 20072009. He is in his 16th year at UCLA, teaching
advanced music business courses sponsored by
UCLA and The Recording Academy®.
JUSTIN TOWNSEND (Set and Lighting Designer)
On Broadway, he designed Bloody Bloody
Andrew Jackson. Other New York City design
work includes Galileo and Unnatural Acts, Classic Stage Company; The Other Place, Manhattan
Class Company; Milk Like Sugar, Playwrights Horizons; On The Levee, Lincoln Center Theatre’s
LCT3; Opus, Primary Stages; Speech and Debate, Roundabout Theatre Company; and Beauty
on the Vine and Palace of the End, Epic Theatre
Ensemble. Regional theater credits include
Alliance Theatre, American Repertory Theater,
Arden Theatre, Baltimore Centerstage, Cincinnati Playhouse in the Park, Folger Shakespeare,
Hartford Stage, Center Theatre Group, Intiman
Theatre, La Jolla Playhouse, Old Globe, Playmakers and Portland Center Stage. He is an assistant
professor at Northeastern University and has
been nominated for numerous awards for his
work, including Outer Critics Circle, Lucille Lortel, Henry Hewes, Helen Hayes, Elliot Norton and
Independent Reviewers of New England Awards.
www.justintownsend.com
JEFF CONE (Costume Designer) has been designing costumes for over 30 years. He worked at
Atlanta’s Alliance Theatre for 12 seasons followed
by a five-year stint at Seattle Opera. For the
last 15 years, he has been in Portland, Oregon
at Portland Center Stage. In that time he has
designed costumes for 60 productions. Of those
shows, 38 have been in the last five seasons at
the Gerding Theater at the Armory. Favorite
productions include West Side Story, Cabaret,
Alfred Hitchcock’s The 39 Steps, One Flew Over
the Cuckoo’s Nest, Sometimes a Great Notion, Snow Falling on Cedars and, of course, One
Night with Janis Joplin. Jeff has received
Portland Theater Community and Critics Award
for Outstanding Achievement in Costume Design
(“Drammy”) for his costume designs for Dirty
Blonde, Act a Lady and Shakespeare’s Amazing
Cymbeline. In addition to his resident costume
designer duties, he is happy to manage the costume shop at Portland Center Stage.
CARL CASELLA (Sound Designer) has worked as
an audio designer, engineer and producer in
some of New York’s busiest recording studios
and live venues in a career spanning more than
thirty years, but his passion is designing original
musicals. A member of Sound Associates Inc.,
his Broadway and Off-Broadway credits include Triassic Parq, Relatively Speaking, Baby It’s
You!, The City Club, Silence! The Musical, Story
of My Life, Unchain My Heart, the Ray Charles
Musical, American Buffalo, A Tale of Two Cities, Xanadu, A Moon for the Misbegotten, My
Mother is Italian, Ring of Fire, Sly Fox, Little Shop
of Horrors, Raisin in the Sun, Sexaholix and Adult
Entertainment.
DARREL MALONEY (Projection Designer) has designed for broadcast, commercials, concerts, film
and theater. His projection and video designs for
Broadway include Green Day’s American Idiot at
St. James Theatre and Everyday Rapture for
Roundabout Theatre Company. Other projection designs include Surf the Musical, Planet
Hollywood Resort and Casino, Las Vegas; Karen
O’s Stop the Virgens, St. Ann’s Warehouse; Masks
Outrageous and Austere, Culture Project;Tokio
Confidential, Atlantic Theater Company; The
Submission, Manhattan Class Company, One
Night with Janis Joplin, Portland Center Stage
(world premiere); SCKBSTD, Virginia Stage Company; The Elephant Man, Minnesota Opera; as
well as lighting and projections for Peer Gynt at
La Jolla Playhouse and Kansas City Repertory
Theatre.
DAN OZMINKOWSKI (Associate Lighting
Designer) Regional: Treasure Island – A New
Musical (Arkansas Repertory Theatre); Let Me
Down Easy (Arena Stage, Wexner Center for
the Arts, Philadelphia Theatre Company, San
Diego Repertory Theatre, Berkeley Repertory Theatre). Tour: Spirit of Uganda 2010,
2012 (North American); Treehouse Shakers (US). NYC: A Celebration of Maurice Sendak with
Tony Kushner (92Y); If You Could See (Off
Broadway); Amanda Selwyn Dance Theatre (Resident Designer, 3 Seasons); To Walk in Darkness and B*tch (Off Broadway). Summer: MerryGo-Round Playhouse (Four Musicals). Associate/
Assistant: One Night with Janis Joplin (Regional
Tour); Impressionism (Broadway), Le Reve (Wynn
Las Vegas). Nominated, Barrymore PECO
Award 2011. USA 829. Alumnus, Purchase College.
LEN RHODES (Music Arranger and Original Music
Director) received diplomas from the Royal
Academy of Music and the London College of
Music. Credits as musical director and arranger
in the U.S. and the U.K. One Night With Janis Joplin (Portland Center Stage debut, May2011 and
Cleveland Play House, August 2012); Mike Tyson:
The Undisputed Truth at the MGM Grand's Hollywood Theatre; Leader Of The Pack; The Rocky
Horror Show; Beehive; The Lion, The Witch and
The Wardrobe; and I Do, I Do. Commissions and
arranging credits include Stage West, Calgary;
BBC Radio; Trinity College London and Virginia
Shakespeare Festival. Performances include
Edinburgh International Festival; Cathedral of St.
Sulpice, Paris and London's Banqueting House.
He is artistic director of Pikes Peak Young Composers, and Summit Music and Arts, Colorado.
He is on the board of the Breckenridge Music
Festival. Affiliations include the Incorporated Society of Musicians (U.K.), ASCAP and The Royal
College of Organists. www.lenrhodesmusic.com
HETHYR (RED) VERHOEF (Production Stage
Manager) A native Angeleno, Hethyr has always
been entranced by the power of art and all the
elements it takes to create it. She adores being a
spec in the whole. She is grateful for the guiding
hand of Peter Ballenger and Sheldon Epps who
watched and nurtured her fascination with the art
of theatre. She has worked on numerous productions over the years, gaining beauty and experience from each one. Her credits include: Production Stage Manager: The Real Love for Pasadena
Civic Auditorium. Intimate Apparel, The Heiress,
Blues for an Alabama Sky at The Pasadena
Playhouse. A Year with Frog and Toad, Cinderella,
and The Gingerbread Man at Main Street Theatre.
Assistant Stage Manager: Art, The Night is a Child,
The Little Foxes, Mauritius, The Lady With All
the Answers, Looped, Of Mice and Men, Orson’s
Shadow, A Matter of Honor, The Constant Wife,
Defiance, Fences at The Pasadena Playhouse.
The Prisoner of Second Avenue at the El Portal
Theatre. Parade at the Mark Taper Forum. A
Funny Thing Happened on the Way to the Forum
and They’re Playing Our Song at Reprise Theatre
Company "Comicon" for VH1. Hethyr has worked
on numerous productions as lead flyman and deck
lead. Some of her favorites include Side Man,
The Old Settler, Looking Over the President’s
Shoulder, Play On, Mask, Sisterella, Sister Act,
Ray Charles Live, The Importance of Being Ernest,
The Old Settler, Doubt, Purlie, Victorious. Muchos
besos para Isara Naya. Hethyr would like to thank
the amazing crew, without which there would be
no show! Let the show begin! * AEA member
JESSICA R. AGUILAR (Assistant Stage Manager)
is thrilled to return to The Pasadena Playhouse
for One Night with Janis Joplin. Previous
works include: Pasadena Playhouse: Intimate
Apparel, Blues for an Alabama Sky; Los
Angeles Theatre Center: Devil’s Advocate,
Dementia; Center Theatre Group: Ken Roht’s
Nutcracker Workshops; Geffen Playhouse: By the
Waters of Babylon; Reprise: Once On This Island;
Marin Theatre Company: Tiny Alice, In the Red
and Brown Water; Cygnet Theater: Man of La
Mancha, Hedwig and the Angry Inch. Ms. Aguilar
is a graduate of UCLA, proud member of AEA
and an avid SF Giants fan. Thanks to her F&F, HV,
HW, PA, ML, TW, & MQH. Kisses to TB!
JOE WITT (Production Manager) is entering his
second season as Production Manager of The
Pasadena Playhouse. Other Production Manager
credits include Eric Idle’s An Evening Without
Monty Python (LA and NYC), Mr. Idle’s What
About Dick?, the original production of Baby
It’s You! (before transferring to The Pasadena
Playhouse, then Broadway). He managed the
stage of the music/stand-up venue Largo at the
Coronet, working with artists such as Eddie Izzard,
Sarah Silverman, Patton Oswalt, Louis C.K, Fred
Armison, Fionna Apple, Jackson Browne, and
Aimee Mann, and helped to develop Will Farrell’s
Broadway debut You’re Welcome, America. A
Final Night with George W. Bush, as well as the
incredibly puppeteered Stuffed & Unstrung with
the Jim Henson Company (LA and NY). His
Stage Manager credits include George Gershwin
Alone on Broadway, the original off-Broadway
productions of Hedwig and the Angry Inch, Four
Guys Named José, Stonewall Jackson’s House,
Blown Sideways Through Life, and the Lucille
Lortel Awards. Los Angeles credits include:
The Pee-wee Herman Show Live, The Vagina
Monologues, Culture Clash’s Zorro in Hell!, Mask
(The Pasadena Playhouse), Lydia (Mark Taper
Forum), Much Ado About Nothing (featuring
Lyle Lovett and Helen Hunt), and the original LA
production of the off-Broadway hit Jewtopia. He
simply can’t thank his wife, Blythe, enough for
watching the kids all those long nights while he’s
off playing at The Playhouse.
Brad Enlow (Technical Director) hails from
Cleveland, Ohio where he began his career in
technical theater. His experience has taken him
across the country working in theaters throughout. He worked as the TD for University of the
Pacific for six years as well as several other
theater and opera companies before moving to
LA three years ago. In LA, he became the TD for
several small companies including Reprise Theatre
Company, Broadway's best. He has been here at
the historic Pasadena Playhouse since January 2012 and is excited to return for his first full
season. He wishes his family well and hopes you
enjoy the show.
ELIZABETH DORAN (Executive Director) hails
from Patchogue, New York, where she began
her career in theatre as a writer and performer.
After earning her B.A in theatre arts at SUNY
Fredonia, she became interested in building and
sustaining great theatre companies. She earned
her MBA in Entrepreneurship and Strategy
at Rensselaer in Troy, NY. She has served as
Director of Finance and Planning for the La Jolla
Playhouse, was Managing Director for Capital
Repertory Theatre (a LORT regional theatre
in Albany, NY) and most recently as Managing
Director of Los Angeles' own The Actors' Gang
since October 2008, where in partnership
with Oscar winner Tim Robbins, she expanded
international touring, outreach programming
and raised major gifts in support of artistic
development. She and her husband, Kwinn
Doran, a college professor and historian, have
made themselves at home in South Pasadena
with their two young sons, Giacomo and Ely and
welcomed a third child, Calypso.
SHELDON EPPS (Artistic Director) has been Artistic
Director of the renowned Pasadena Playhouse
since 1997. Before beginning his tenure at The
Playhouse, he served as Associate Artistic Director
of the Old Globe Theatre for four years. He was
also a co-founder of the Off-Broadway theatre,
The Production Company. Mr. Epps has directed
both plays and musicals at many of the country’s
major theatres including the Roundabout Theatre
Company, Manhattan Theatre Club, the Guthrie
Theatre, Playwrights Horizons, Seattle Repertory
Theatre, Arena Stage, and the Goodman Theatre.
He conceived the highly acclaimed musicals
Play On! and Blues In the Night, which both
received Tony Award nominations. He directed
productions of both of those shows on Broadway,
in London, and at theatres throughout the world.
Mr. Epps also has had a busy career as a television
director, helming episodes of shows such as
"Frasier," "Friends," "Everybody Loves Raymond,"
"Girlfriends" and many others. For more than a
decade, he served as a member of the Executive
Board of the Society of Stage Directors and
Choreographers. Mr. Epps received the James
Irvine Foundation Leadership Award for his efforts
and accomplishments at The Pasadena Playhouse.
Under his leadership, The Playhouse has earned
distinction for productions of artistic excellence,
critical and box office success and highly praised
theatrical diversity. Recently he Co-Directed
the Broadway production of Baby It’s You!, which
premiered at The Pasadena Playhouse.
PErFORMANCEs MAGAZINE P11
Congratulates
The Pasadena Playhouse, One Night Productions,
The Estate of Janis Joplin and Jeff Jampol/JAM, Inc.
on the Los Angeles Premiere of
One Night With Janis Joplin
Call for Tickets
626-356-7529
P12 PERFORMANCES MAGAZINe
PErFORMANCEs MAGAZINE P13
Board of
Directors
Sheila Grether-Marion
Chair of the Board
David DiCristofaro
Vice-Chair of the Board
C. Anthony Phillips
Treasurer
Linda Boyd Griffey
Secretary
Daniel Chilewich and Todd Gershwin of One Night
Pr0ductions, LLC. thank The Pasadena Playhouse for
supporting One Night with Janis Joplin.
Congratulates The Pasadena
Playhouse on the Opening of
One Night with Janis Joplin.
Lenore Almanzar
Valerie Amidon
Sheri Ball
Elizabeth Doran
Peggy Ebright
Michele Dedeaux Engemann
Sheldon Epps
George A. Henning
Teena Hostovich
Brad King
Darrell D. Miller
Abel Ramirez
Bingo Roncelli
Lilah Stangeland
Corky Hale Stoller
Mike Stoller
Martha Williamson
Dear Playhouse Friends,
Thank you for joining us for this wonderful performance of One
Night With Janis Joplin. I hope you really rock the night away!
Next month will be the world premiere of Sleepless in Seattle The Musical, directed by our own Sheldon Epps. I hope you will
join us for that show as well.
Please also mark your calendar for our Premiere Gala: " Destination". An Affair to Remember, our annual fundraiser on Saturday,
June 1, 2013. This event's theme was inspired by the classic
Deborah Kerr and Cary Grant movie, which is also a vital part of
the play Sleepless in Seattle.
Sincerely,
Sheila Grether-Marion
The Pasadena Playhouse Board of Directors Chair
emeriti list
A Message from Sheila Grether-Marion, Chair of the Board:
I am pleased to list the following people who have been elected by the Board of Directors to our Emeritus Board, in recognition
of their extraordinary service as past members of our Board of Directors, and in many cases for their continued commitment and
service to The Pasadena Playhouse.
Chair Emeriti: David M. Davis, Albert Lowe, Kerry McCluggage, Margaret Sedenquist
Board Members Emeriti: Kathy Arntzen Roat, Carol Burnett, Ralph Hirschmann, Frank Kleeman, Dennis Lowe, Tad Lowrey,
Rao Makineni, Abel Ramirez, Lyn Spector, Elliot Stahler, Greg Stone, Leslie Tolan, James Watterson
In Memoriam: David Angell, Betty Ann Koen Brooks, Theodore Fitch Behr, Roger Stangeland
P14 PERFORMANCES MAGAZINe
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Dear Playhouse Friends,
Director’s Circle – $10,000-$24,999
There is a new girl in Pasadena – and her name
is Janis! I can remember her presence vividly in
the 60’s, and while I never had the opportunity
to watch her perform live, I was definitely a fan
(as so many of us were), and very appreciative
of her extraordinary talents, electric following,
and soulful presence. Having a legend like Janis
Joplin at the legendary Playhouse is a perfect
fit in a fabulously outfitted setting for a concert
– get ready for some joyful noise. Actually
“noises” since Janis’ powerful presence will be
accompanied by a character representing the
muse and inspiration of Janis, an infamous yet
anonymously named Blues Singer wrapping up
the inspiration of the likes of Etta James and
Aretha Franklin all in one package. This show guarantees a memorable life experience
of an “out-of-the-park” rock concert for the young, the old, the young at heart – and all
those in-between.
Playwright’s Circle – $5,000-$9,999
With One Night With Janis Joplin, I am reminded of the mission and breadth of The
Playhouse and what we do best. Whether our stage is welcoming a Noël Coward play
or a regional premier of one of America’s greatest rock 'n roll icons, all feel like home
here. We pride ourselves in bringing in and believing in all kinds of eclectic and powerful
works of the theatre, and with that mission, the power to further, preserve and amplify
all voices to assure its vitality for generations to come.
2012/2013 Annual Fund
Donor Benefits
Executive Director’s Circle – $100,000+
All benefits of Artistic Director’s Circle plus:
• Access to rehearsals of productions on Mainstage (at discretion of Director)
Artistic Director’s Circle – $25,000-$99,999
All benefits of Director’s Circle, plus
• Concierge Services for house seats at other local
and nationwide theatres, including Broadway
All benefits of Playwright’s Circle, plus:
• Annual exclusive event hosted by Board of
Directors along with key Playhouse leadership
• Parking pass for every Mainstage production in
the 2012/2013 season
All benefits of Performer’s Circle, plus:
• Invitations to select events throughout the season
Performer’s Circle – $2,500-$4,999
All benefits of Stage Manager’s Circle, plus:
• Invitations to every Pasadena Playhouse Opening Night for 2 people
Stage Manager’s Circle – $1,000-$2,499
All benefits of Supporter, plus:
• Personal VIP ticketing and subscription services
• Season long admission to the exclusive VIP
Lounge at the Makineni Library, which offers
complimentary snacks and beverages before
the show and during intermission at every
Mainstage performance
Supporter – $500-$999
All benefits of Friend, plus:
• Treats at your seats throughout the season
Friend – $250-$499
All benefits of Contributor, plus:
• Recognition in the program
Janis Joplin will not be the only young performer on the stage with us this spring. On
her heels, we will welcome the 3rd Annual High School Theatre Festival on April 27th,
which has exponentially expanded since its inception thanks to the passion of Founder
Mary Lea Carroll and dedicated community support. This year, participating students
will take the stage to belt out their songs and share their acting talents among fellow
students and appreciative audience members in a non-competitive environment to
celebrate the magic of the theatre, and for us, to embrace our mission of nurturing the
talent of future generations. We hope you will all join us for this special event! (Please
see more information on p.21.)
It is your tremendous commitment and support that allows The Playhouse to develop
extraordinary plays and musicals, provide Outreach & Education, and foster new minds
and artists. It is hard to believe that Janis Joplin would have been 70 years old this
year. And it is tremendous how significant her influence still impacts us to this day. The
Playhouse shares the mantle of significant influence, and has for almost the past 100
years, and will continue to do so for many generations to come, thanks to all of you and
your generosity, and assurance of continued generosity.
We all look forward to your enjoyment of this very special show - and like The Playhouse,
it is quite a ride. Let’s hold on to every moment of it.
In closing, and as Janis would say (and has said)...Rock on out.
Contributor – $1-$249
•
Recognition on the website
To take advantage of your 2012/2013 season
donor benefits or for more information, please
call the Development office at 626-921-1156.
Bingo Roncelli
Development and Outreach & Education Chair
Our thanks to the following individuals and companies who donated gifts-in-kind to The Playhouse since February 1, 2012. Any giftsin-kind received after February 10, 2013 will be acknowledged in the next program.
P16 PERFORMANCES MAGAZINe
The Friends of The Pasadena Playhouse
Glass Bee Partners Hospitality Consulting
Courtney Harper
Doris Kao, Steve Bickel and Bluelounge Design
Patti La Marr
Le Cordon Bleu College of Culinary Arts
Lerman, Pointer & Spritz, LLP
O’Melveny & Myers
ll roads lead to real estate” is a Piken motto. Herbert and Marilyn know a good investment when they see one and this is why
they have been long time subscribers and supporters of their beloved Pasadena Playhouse. Based in Studio City, the Pikens
have enjoyed attending performances Downtown, on the Westside, in Hollywood and in Orange County...but they adore
their Row D seats here in Pasadena… “truly the best real estate in town!”.
For nearly fifty-four years, Herbert and Marilyn Piken have shared a deep love for each other, for their sons, for traveling, for
tennis, for dogs, for horses, for real-estate and of course, the theatre!
This young man from New Jersey met his
Brooklyn bride-to-be while vacationing in
Florida. Herbert was a quietly assertive
salesman, selling vacuum cleaners to people
who didn’t even have carpet! He later followed
in his father’s footsteps in the commercial real
estate business. Marilyn was known for her
great sense of humor and her serious
appreciation for the theatre which began at an
early age. They were meant for each other… “She
is the olive in my martini”.
While working for a Manhattan investor, Herbert
built relationships with many chain stores. It is
these contacts that would be the roots of his
success on the West Coast. Herbert decided he
needed to be where “the action was”…he didn’t
want to just broker deals, he wanted to buy the
land, build the buildings and lease the space.
The couple headed for California in the early
1960’s. The Piken Company took on the charge
of opening a total of 34 shopping centers,
beginning in 1965. He is credited with
bringing Albertsons to Southern California
and for creating deals with companies such as
GEMCO, Thrifty Mart, and Vons. He used his
negotiating and problem solving skills to build
responsibly and develop stores in controversial
areas. Herbert’s charm, honest eyes and
integrity won him the reputation of being a
“Developer with a Conscience”.
The real estate ‘road’ to California certainly did
pay off. The Piken Company is in good hands.
As President, son Robert is maintaining the Piken reputation and the company continues to be a leader in the commercial real estate
business. You don’t have to drive far to spot a PIKEN sign…a reminder of the entrepreneurial spirit that drove the family west.
Their son, Harry, manages a different type of real estate…Aquariums! His company, Coral Kingdom, provides aquarium set-up and
services for both freshwater and saltwater wildlife. His specialty is African and South American Cichlids, he breeds and raises these rare
tropical fish. As a fish enthusiast, he writes articles and provides photos for magazines such as, Tropical Fish Hobbyist.
Now retired, their oldest son Richard, did not stray far from the real estate industry. He found himself on the construction side of the
business. As a contractor, he focused his energy on building homes. Without a doubt, the Pikens have land and sea investments covered.
Herbert and Marilyn are a joyful couple who have always balanced business and home. They are still very active, although backgammon
has replaced their competitive tennis matches. Their dogs, Muffin and Lacey, keep them entertained. However, when it’s ‘show time’, the
couple will be found at The Pasadena Playhouse, enjoying a performance. We applaud their generosity…supporters like the Pikens help
keep the magic alive for audiences of all ages.
WAYS TO GIVE
Cash, Check, Credit Card Gift or Online Donation
The easiest, most direct way to support The Playhouse.
GIFT-IN-KIND DONATIONS
Chantal and Steve Bennett
Mr. and Mrs. Kevin Blake
Corner Bakery Cafe
Laura Diaz, Anchor/Producer
Kevin Dunn
Easy Parking Service
Michele and Roger Engemann
FramePros
A
Herbert
and Marilyn Piken
Featured Pasadena Playhouse Donor Profile
Pacific Global Investment Management
Company
David Rambo and Ted Heyck
Rosebud Floral Design
TechFirmation
Ross Clark
little junebugs
Securities
A gift of appreciated stock or other securities allows you to make a tax deduction for the full fair-market value without
realizing capital gain.
Matching Gifts
Your employer may match your donation to The Pasadena Playhouse, thereby doubling or even tripling its impact.
Honorary or Memorial Gifts
Gifts may be given in honor or memory of a friend, family member, Playhouse staff member or anyone of your choosing.
For more information on ways to give, please contact Beth Lewis, Annual Giving Manager, at
blewis@pasadenaplayhouse.org or (626) 921-1156.
PErFORMANCEs MAGAZINE P17
xecutive Director’s Circle –
E
$100,000 - $1,000,000+
Connie and Ed Foster
Sheila Grether-Marion and Mark Marion
Wells Fargo Bank
Artistic Director’s Circle –
$25,000 - $99,999
Jon Andersen and Martha Williamson
Avery and Andrew Barth
Chantal and Steve Bennett
Marilyn and Don Conlan
Michele and Roger Engemann
The Green Foundation
Julie and Don Hopf
Sally and Bill Hurt and Bernadette
Glenn Pam and Brad King
Terri and Jerry Kohl
Randy and Candy Renick
Bingo and Gino Roncelli
Rick Saveri
The Shubert Foundation
Lilah Stangeland
U.S. Bank
Frank Williams
Director’s Circle – $10,000 - $24,999
Ann Peppers Foundation
Bill and Mary Lea Carroll
Ann and Paul Demartini
Patti and Jim Dolan
Sheldon Epps and Monette Magrath
Friends of The Pasadena Playhouse
Gesner-Johnson Foundation
Sumi and Bill Hughes
Ellen and Harvey Knell
David Lee and Mark Nichols
Lily Lee and Tom Chang
Gayle and Tad Lowrey
The Kenneth T. and Eileen L. Norris
Foundation
Pacific Global Investment Management
Company
Gayle and Edward P. Roski, Jr. –
Majestic Realty
Betty Sandford
Anne Taubman and David Boyle
Sid and Betsey Tyler
Cindy Vail and Greg Stone
Jinny and Scott Wilcott
Playwright’s Circle – $5,000 - $9,999
Anonymous (2)
Dan and Sandy Bane
The Bank of America Charitable
Foundation
Bea and Paul Bennett
Julieta and Jeffrey Bennett
Meta and Jay Berger
Diane and Fred Blum
Marty and Bruce Coffey
The Dedeaux Family – Justin & Mary
Lin, Terry & Christine and Denise
Gail and Jim Ellis
St. Paul and Kathryn Epps
In Memory of Willette Foster
Brenda and Bill Galloway
Susan and Gary Gerstenslager
Jay and Linda Griffey
Helen and Steven Kerstein
Jennifer and Michael LaRocco
Lindemann Foundation
Linden Optometry, a P.C.
Diane and Craig Martin
Stephanie and Greg McLemore
Edith P. Mehlinger
Merrill Lynch
Shannon and Darrell Miller
Milo W. Bekins Foundation
Ovation
Parenting Magazine
Herbert and Marilyn Piken
Kay and Bob Rehme
Michael Roney
P18 PERFORMANCES MAGAZINe
Thank you
Thomas Safran
Laney and Tom Techentin
Martha Tolles
Judy and Robert Waller
Performer’s Circle – $2,500 - $4,999
Anonymous
Ars Viva Symphony Orchestra
Cynthia Bennett and Ed de Beixedon
Claire and Bill Bogaard
Lesley Brander
Z Clark Branson
Frank Brooks, in loving memory of Betty
Ann Brooks
The Capital Group Companies
Charitable Foundation
Hilary and Richard Clark
Lynn and Carl Cooper
Gary Dahle and Derek Whitefield
David DiCristofaro
Peggy Ebright
Fox Rothschild, LLP
Rose Ann Hall – California Custom Fruits
& Flavors
Tracy and Richard Hirrel
Marcia L. Hoffman
Teena Hostovich
Greta and Peter Mandell
Liz and David McFadzean
Susan McGuirl and Bob Musselman
Sharon and Sam Muir
Gaylord Nichols
Deidra Norman Schumann
Skip Ober
Elizabeth Pankey
Barbara and Tony Phillips
Jane and Kris Popovich
Martin Salvin
Elliot and Danielle Stahler
Vivien Stanley Foran and William Foran
Sidney Stern Memorial Trust
Southern California Gas Company
Mindy and Gene Stein
Alison and Steve Trytten
Mary and William Urquhart
Stage Manager’s Circle –
$1,000 - $2,499
Sara and George Abdo
Harry Abrams
Tracy Alderson
JoJeanne and Dann Angeloff
Anonymous (2)
Mrs. William E. Ballard
William Barney
The Beggs Family
Sue and Richard Biggar
Brian Bissell
Darrell Brown
John and Tami Brown
Michael Budd
John Casani
Brent Chang
Catherine “Tink” Cheney
Jim and Marty Childs
Karen and Tim Chrisman
Carol Chua
Dottie Clougherty
Adam and Janette Cochran
Barbara and Wesley Coleman
Martin L. Cohen, M.D. and Sharleen
Cooper Cohen
Carol Ann Collins
Corky and Marilyn Conzonire
Stephen Courtney
Carlos and Julio Cruz
Ginny and John Cushman
Faye and Robert Davidson
David and Holly Davis
Mike Deasy
Richard and Bryn DeBeikes
Darrell Done
Barbara and Tom Dukes
Dennis Ellis
Frank W. Epinger
Dorothy Falcinella
Margaret Foley Jagels
Henri and Donna Ford
Helen Franke
Jim Franke
Tim Garrity
Richard Gilman
Audrea Golding
Kelly Gonda
Don Gorsch
Heather and Paul Haaga
Beth and Rob Hansen
Arlene and Robert Harder
Kristin and Berkeley Harrison
Ellen and Michael Hatch
Susan Hauk
Virginia Hawkins and James C. Kenaga,
M.D.
Wende and Jon Headley
LeAnn and Michael Healy
Felicia D. Henderson
John and Barbara House
June and Gareth Hughes
Colin Hurren
Paulie Jenkins
Patti Johns Eisenberg
Donna and Lou Jones
Marcia and Gordon Kanofsky
Kelton Fund Inc./David and Lenora
Kelton
John and Nancy Killen
Willette and Manu Klausner
Lena L. Kennedy
Jeffrey Kravitz
Evans Lam
Helen Lambros
Sally Jean Lash
Mattie and Michael Lawson
Leigh Leshner
Shelly and Dennis Lowe
Michael Mackness
Melba Macneil
Sandra Martin
Donald and Judy Matthews
Deborah Maxson
Vicki and Kerry McCluggage
Linda McManus and Prof. Bill Bridges
Jessie Milano
Susan and Bradley Mohr
Mr. and Mrs. Chase Morgan
Ceil and Wendell Mortimer
Michael Naples
Nickelodeon
Mark Ogden and Brad Froehle
William and Judy Opel
Cathie and David Partridge
Pasadena Playhouse Alumni &
Associates
Amy Pascal and Bernard Weinraub
Anita Pemstein
Julian K. Petty
Derek and Susan Pippert
Gloria and Don Pitzer
Carol and Glenn Pomerantz
Jeffrey Porter
Preciosa Entertainment Corp.
Greg and Louise Probert
Anette and Edward Pumphrey
Dean Madeline Puzo, USC School of
Dramatic Arts
Charles Reardon
The Redhill Group, Inc.
Lorna and Chuck Reed
Debby and Bill Richards
Joi Rideout
Terrence and Rita Roberts
Steven Robman and Kathy Baker
Rotary Club of Pasadena
Saks, Inc.
Sossi and Norman Sarafian
Michael Schwartz, M.D.
The Seaver Institute
Margaret H. Sedenquist
Sherry and Charles Sheppard
Andre Sherman
Bernadette and Russell Sherman
Judy and Bill Shupper
John Singleton and Shelia Ward
Ronald Slates
Boyd Smith
Mr. and Mrs. Jeffrey M. Smith
Phillip Sotel
Anthony Stein
Amy and Charles Stephens
Susan Sullivan and Connell Cowan
Philip Swan
In Memory of Roy Tolles
Roslyn Towler
Dr. Mario Tse
USC Alumni Association
Mary and Michael Veselich
Lin Vlacich
Richard von Ernst and Thomas
Castaneda
Darrell and Laura Walker
In Memory of Neva Ward Wallace
J. Patrick Whaley and Lynda L. Jenner
Lyla White
Jeph Willis
James Wilson
Mark Withers
Molly and Ralph Wolveck
William H. Wright, Jr.
Supporter – $500 - $999
Sushma and Ashwin Adarkar
Les and Celeste Allan
Malcolm Axon
Meghan and Monte Baier
Aline and Danny Bakewell, Sr.
Kathryn and Michael Balale
Sheri and Andy Ball
Neil Bauman
Jennifer and John Berger
Elizabeth Besch
Barrett and Carol Bingaman
John Brende
William Cunningham
Dorothy and William Davila
Janet and Edgar Davis
Mr. and Mrs. Leo Dencik
Mark and Victoria Eaton
Dr. Thomas Edwards and Sally Edwards
Robert Ellis
Fishbein Family Foundation
Carol Fox
Robert and Bridget Furiga
Robert Galvan
Scott and Barbara Gantz
Margie and Paul Grossman
Corky Hale Stoller and Mike Stoller
Courtney Harper and Family
Juliette Harrhy and Mike Gunter
JP and Diane Harris
Mary Ann Heidsman
Sue Haynie Horn
Susan Hoffman
Schuyler and Deborah Hollingsworth
Gregory and Samantha Jessner
April and Kelly Johnson
Larry L. Johnson
Helga Johnstone
Lena and Mark Labowe
Emilie and Allen Lanstra
Sherry and Al Lapides
Mr. and Mrs. Les Lazar
Penelope and Steven Ledbetter
Jeehyun Lee and Mark Kim
Sue and John Leisner
Amy, Martha, and Fidel Leos
Victor and Karen Limongelli
Ralph and Linda Malmquist
Millicent Martin-Alexander and Marc
Alexander
Pamela and J.C. Massar
Dreux McNairy
Roger C. Memos, in memory of Carrie
Hamilton
Debbie Mitchell
Susan and Allan Mohrman
Elly and Jim Morgan
Cheryl and Judd Morris
Kenneth and Richel Nash
Christine Marie Ofiesh
Janice Ohta
Mr. and Mrs. A.F. Osterloh, III
Mr. and Mrs. Bruce Palumbo
John Pasquin and JoBeth Williams
Lucile and John Penido
Sandra Piller, in memory of Michael
Piller
Jack Pollock
Rancho Book Club
Winnie and Lynn Reitnouer
Phong and Marcela Rock
Isi Russ and Liz Fitzgerald-Russ
Jeff Scofield
Jean Scott and Kent Keller
Katharine Sickel Higgins
Mr. and Mrs. Frank Simmons
Ellen Simon
Janis and Stuart Simon
Drs. Neil and Sonia Singla
Lew and Vicki Snow
Gail and David Snyder
Shigeyoshi Takagi
Frank Taylor
Janet Thomasser
Ashana and Tom Thorman
June Thurber Paine and Garrett Paine
Martin Pierce Udell
Sheran and David Voigt
Carolyn and Robert Volk
Vroman’s Bookstore
James and Mary Weidner
Nita Whitaker LaFontaine
Betty Whitehead, in honor of Harry M.
Double
Ralyn and Nate Wolfstein
Friend – $250 - $499
Joan and Andreas Aebi
Kerby Alvy
Mr. and Mrs. Robert Banning
Gale and Jane Bensussen
Paula Brand
Esthere Brutsch
Jean Burdge
Jacqueline and Arthur Burdorf
Patty and Byron Capps
Mary Castillo
Suzanne and Walter Cochran-Bond
Patricia A. Cuneo
Christina and Richard Doren
D. Bello Associates
Allan Edmiston
Mary Ann and Thomas Fell
Christopher and Natalia Fierro
Valerie Foster Hoffman
Dan Gilbert and Kate Rogers
S. Beryl and Graham Gosling
Elizabeth and David Hasbrouck
Sylvia Hernandez
Marguerite Hougasian, in memory of
Victoria Hougasian
Gary Hunter
Marie Ida
Mr. and Mrs. George Inadomi
Dr. James Johnson
Leonard and Barbara Kolod
Donald Kottler
Marilyn and Michael Kezirian
Mr. and Mrs. Michael Korney
Sandy Leonardis
Kenneth Lin
Clark Linstone
Ruth Linnick
Mary Lyon
Joan Madsen
Kenneth and Ruby Maya
Jeanie McCarthy
Dorothy McVann
Fritz and Angie Miller
Paula J. Miller
Gloria and Accie Mitchell
Janet Mitsui Brown and Roger Aaron
Brown
Mr. and Mrs. Richard Moak
Rio and Frank P. Morse
Mr. and Mrs. Millard Murphy
Dr. Ejike and Mrs. Victoria Ndefo
Robert and Sharon Novell
Diana Palmer
Edward Parker
Paula G. Pitzer
Stewart and Amy Powell
George Prothro Coulter
Florence Reese
Robert and Shelly Reisch
Susan and Ed Richmond
Leo and Sonya Roos
Loretta Savery
Lou and Nancy Schweiner
Phylis Silberman
Warren Stout, M.D.
Dottie and Walt Sumner
Eileen T’Kaye and David Bischoff
Janet and Robert Tranquada
Timothy Vient
Marion and Michael Westmore
Edgar and Peggy Whitmore
Leilani and Larry Wilmore
Harvey and Sharon Zaslaw
Erik and Tanya Zommers
Bob and Patty Zuber
All donors listed gave $250 since February 1,
2012. Contributions received after February 10,
2013 will be acknowledged in the next program.
The Gilmor Brown Society
The Gilmor Brown Society, dedicated to a legacy of live theatre and thus named after The Playhouse founder, was established to recognize, honor
and thank those individuals for provisions they have made through thoughtful estate planning to further the mission of The Pasadena Playhouse:
Ellen Bailey
Estate of Evelyn Bray
Marjorie Cates
Estate of Angus Duncan
Estate of Shirley Filiatrault
Estate of Harriet L. Freeman
Estate of Ada Gory
Sheila Grether-Marion
Adele F. Morse
Shirli Nielsen
Estate of Charles Pierce
Estate of Constance Ropolo
Lyn Spector
Lilah and Roger* Stangeland
Estate of Bill Watters
Jim Watterson
*Deceased
If you have included The Playhouse in your estate plans and your name is not currently listed, please notify the Development Office so we may
acknowledge you for your support and add your name to the Gilmor Brown Society. For further information or questions about other gift opportunities,
please contact Jennifer Berger, Director of Development/Outreach & Education at 626.921.1164 or by email at jberger@pasadenaplayhouse.org.
PErFORMANCEs MAGAZINE P19
Outreach & Education
We want to thank the entire company of Fallen Angels for their participation and making our programs and events
such a huge success during the run. Please take a look at our set list below for a rocking good time as we share One
Night with Janis Joplin.
Outreach & Education
Saturday, April 27, 2013
3rd Annual High School Theatre Festival
We’ve doubled in size since last year and are now
ready to share a full day of celebrating natural
theatrical talent with you! Join us from 9am to 5pm
while local schools perform selections and excerpts
from some of your favorite works of art!
UPCOMING EVENTS
Take a look at these photos from last year!
Wednesday, March 20, 6:30-7:15pm
Featuring Artistic Director, Sheldon Epps, and others discussing the art behind
One Night with Janis Joplin
Wednesday, March 27, 6:30-7:15pm
Come watch as a cast member of One Night with Janis Joplin is put on the
HOTSEAT in an intimate pre-show discussion
Sunday, April 7 after the 2pm showing of One Night with Janis Joplin on the
Mainstage
Wednesday, April 10 after the 8pm showing of One Night with Janis Joplin on
the Mainstage
Join us for a talk-back, question and answer session with cast members of One
Night with Janis Joplin.
Polytechnic School performing Sweeny
Todd: The Demon Barber of Fleet Street
La Salle High School performing 15 Minute
Hamlet by Tom Stoppard
La Salle High School performing 15 Minute
Hamlet by Tom Stoppard
Rosemead High School performing Alice
and Wonderland
Outreach & Education Manager/Artistic Associate Courtney Harper,
John C. Riley, Founder and Chair of the Annual High School Theatre
Festival Mary Lea Carroll, Bradley Whitford, 2011-2012 Chair of the
Board Michele Dedeaux Engemann, and Director of Development/
Outreach & Education Jennifer Berger
All events take place in The Carrie Hamilton Theatre and are free and open to the public unless otherwise noted.
Up Next!
IAGO
By James McClure
with Creative Consultant Beth Henley
Directed by Art Manke
Tuesday, April 16 at 8pm
Wednesday, April 17 at 8pm in the Carrie Hamilton
Theatre
been produced in major productions at
The Pasadena Playhouse, other theatre
companies throughout the country, and
even Broadway and London’s West End.
Current projects grown in HOTHOUSE
include the world premiere of our next
Mainstage show Sleepless In Seattle - The
watch plays grow.
Musical, the national tour of Looped, the US
Presented by special arrangement with Liza Vann and
and UK touring productions of Sister Act, A
Virginia McLure Schroeder, Trustee of James McClure Literary Divine Musical Comedy, and the recently announced Broadway
Productions, LLC.
bound Can-Can with Music & Lyrics by Cole Porter, Book by
Abe Burrows, Revised in HOTHOUSE Book by Joel Fields &
Good friend of James McClure, Liza Vann, who also represents David Lee. The production of Can-Can was originally seen on
the late author describes the show as "a very special play by our Mainstage in 2008 and garnered 4 LA Stage Alliance Ovation
the late Jim McClure where Vivian Leigh, Laurence Oliver, Peter Awards. We’re thrilled for director David Lee and congratulate
Finch, and Noël Coward are the inspiration for this drama about him on high-kicking all along the Great White Way!
love, betrayal and slipping away through the guise of a production
of Shakespeare's Othello."
HOTHOUSE at The Playhouse was started in 2005 and is vital
to the continued success of The Playhouse and theatre as an art
Thank you to those who joined us for the righteous fun of Aunt form.
Stossie’s Coming for Five Days by Ellen Simon and Directed by
Dámaso Rodriguez, and the star gazing of Dear Galileo by Claire Join us as we watch plays grow!
Willett and Directed by Courtney Harper.
HOTHOUSE at The Playhouse is free but there are a limited
HOTHOUSEatThePlayhouse,ournewplayand musical development number of seats. To reserve your seat, please call the box office or
program, has proven its success by developing material in early visit our website at www.pasadenaplayhouse.org/outreach-andstages and nurturing that material and those who write it to such education/hothouse.html.
a degree that a huge percentage of the work has subsequently
Please contact Outreach & Education Manager/Artistic Associate Courtney Harper at charper@pasadenaplayhouse.org or 626-204-7388 for more information.
The Pasadena Playhouse Outreach & Education programs are made possible in part by the support of the Wells Fargo Theatrical Diversity Project.
P20 PERFORMANCES MAGAZINe
Mayfield Senior School performing selections from
William Shakespeare's Romeo & Juliet
A Special Thanks to Our HSTF Sponsors:
Official Media Sponsor
New Generations is an educational program that provides a
theatrical experience to groups that include many members
of our community who have never been to the theatre
before in their life. These groups have included It’s Time
for Kids, the Boys and Girls Club, Pasadena Unified School
District, and others. Every New Generations group is paired
with The Pasadena Playhouse Teaching Artists who guide
the group through an evening that includes a concessions
voucher for each participant and enriching discussions
prior to and following the performance. These unique and
key components of the program actively engage these
participants in their night out, get them thinking about what
they are seeing, processing the experience as a whole, and
opening a door that hopefully leads to life in which the arts are appreciated and important.
PErFORMANCEs MAGAZINE P21
Save The Date
Pasadena Playhouse Alumni & Associates
Some people may be surprised to discover there once had been an accredited college associated
with The Pasadena Playhouse. Many more might be amazed to know that even though the school
closed in 1969, The Pasadena Playhouse Alumni & Associates is still a vital organization with
nearly 350 members around the world. The PPA&A publishes a quarterly newsletter to help our
members stay in touch with their classmates and keep up to date with the events at The Playhouse.
Our yearly Brunch meeting - the 60th annual Diamond Jubilee gathering to take place June 9,
2013 – provides another opportunity to keep the bonds strong. Over all, the Alumni Association is
most proud of our scholarship program for needy students of the theatre. Thanks to a generous endowment from
alumnus Henry Sumid (‘40), the PPA&A has bestowed college scholarships over the last six years with an aggregate
value of $130,000.00. For more information on our scholarship program for theatre students, please visit www.
sumidscholarship.com.
www.ppa-a.org
THE AMBASSADORS OF The Pasadena Playhouse
The Ambassador of the Month is Colin Barnes. He and his family are the
founders of Presidio, a company which finds the right caregivers for elderly
people in need. His enthusiasm for the Ambassador program is infectious and
he is alive with ideas about how to make the Ambassadors even more effective
and widespread. He especially loves sharing the stories of the rich history of The
Playhouse with his guests.
The Ambassadors are happily greeting new friends attracted by the amazing One
Night with Janis Joplin and hope they join the rest of our loyal subscribers and
supporters who enjoy the work at The Pasadena Playhouse.
The Friends of The Pasadena Playhouse
The Friends of The Pasadena Playhouse, The Playhouse’s volunteer corps, currently have a membership of over
400. Whether serving as ushers, cooks, archivists, tour guides, merchandise sellers, gardeners, or
envelope stuffers, the group is known for its commitment to helping The Playhouse in any way it can. As the
support group of The Playhouse, they are extremely active in the day-to-day operations of the theatre. Although
mainly a service organization they also have several fund raising efforts. The money earned from these events
is used to purchase items needed by the staff to help with the daily operations at the theatre. Since they were
founded in 1979, the Friends have continued to be an effective and valuable asset to The Pasadena Playhouse.
To join this active and fun-loving organization or for information, please check our website at www.friendsofthepasadenaplayhouse.org.
This year's event will be held at a private club in Pasadena on Saturday, June 1st, 2013. This
fundraising event will include dinner, dancing and cocktails. We will be honoring Kathleen K.
Johnson, Tony award-winning Broadway producer (Hair, Who's Afraid of Virginia Woolf, Glengarry
Glen Ross, The Lyons) who has had a love affair with The Pasadena Playhouse since she attended
the school as a teenager. We hope you join us for "The Best Party in Pasadena". For more
information, please call (626) 204-7383 or send an email to gala@pasadenaplayhouse.org
P22 PERFORMANCES MAGAZINe
BACKSTAGE TOURS
The Pasadena Playhouse is the oldest regional theatre in the nation occupying its original building. A fascinating
and informative tour behind the scenes will divulge what makes it so unique and special. There is much more on
the other side of the curtain than you’d imagine. Your visit will include the extraordinary scene shop, the
impressive Green Room, the beautiful library and more.
For additional information or to book a tour, contact Ellen Bailey at (626) 921-1162 or email archives@pasadenaplayhouse.org.
PErFORMANCEs MAGAZINE P23
Sheldon Epps
Artistic Director
Elizabeth Doran
Executive Director
ADMINISTRATION AND FINANCE
Controller. ...............................................Stephanie Surabian
Executive Assistant...............................Whitney Fortmueller
Staff Accountant.......................................................... Chris Lu
Union Liaison........................................................Angela Sidlow
Accounting Consultant......................Mary Ann Heidsman
IT Consulting Firm. ........................................... TechFirmation
DEVELOPMENT/OUTREACH & EDUCATION
Development/Outreach &
Education Director.........................................Jennifer Berger
Major Gifts Officer..............................................Christine Franke
Outreach & Education Manager/
Artistic Associate. ..............................................Courtney Harper
Annual Giving Manager............................................Beth Lewis
Special Events Coordinator. ..................Kimberly Ruppert
MARKETING & COMMUNICATIONS
Marketing & Communications Director. .........Patty Onagan
Public Relations Director...........................................Joel Hile
Marketing &
Communications Coordinator......................Jewel E. Moore
Subscriptions Manager..................................Jonathan White
Group Sales Associate.................................. Susan von Tress
Public Relations Consultant. ................. Todd Brodginski/
.
Aaron Feterl of Mitch Schneider Organization
Makrketing/Public
Relations Intern..................................................Katrina Nairne
Marketing/Public Relations
Proofreader...........................................................Nicole Fanning
Broadcast Advertising............................ Nancy’s Media Buys,
Nancy Pank
Graphic Design..................................................Melissa Hughes
Program Design.........................................................Tara James
Photography.....................................................................Jim Cox
Subscription Designer...........................................Blue Lounge
Telemarketing.......................................................Theatre Direct
LEGAL COUNSEL
Pamela M. Golinski, Esq. Beigelman, Feiner & Feldman P.C.
PATRON SERVICES
Patron Services Manager. ..............Lemuel H. Thornton III
Patron Services Assistant Manager. ..... Whitney LaBarge
Box Office Manager............................................ Doug Jacobs
Hospitality Manager........................................Stacey Castillo
Subsriptions Services Manager.............Frank Ensenberger
Patron Services Senior Associate.....................Shelby Page
Patron Services Associates...............................Kenia Brown,
Kareem Cervantes, Elias Feghali,
Deborah Geer, Rafael Goldstein, Ben Torres, Bonnie
Williams, Brandon Massey, Sean Renzetti and Ally
Caldicott-Levit
House Managers............................... Lenore Bond Almanzar,
Sue Haynie-Horn, Patrick J. Oliva
PRODUCTION
Production Manager....................................................Joe Witt
Operations Manager...................................Kristen Hammack
Technical Director..................................................Brad Enlow
Master Electrician.......................................... Cameron Zetty
Props Master................................................ Shannon Dedman
Sound Engineer..................................................Eric Thompson
Crew Chief................................................................Matt Petosa
Wardrobe Supervisor. ................................... Marie Growden
Facilities/Maintenance Manager.............Mark Maldonado
Facilities/Maintenance. . Sal Fariaz, Danilo Ramos, Jesus
"Chuy" Garcia
warninG: The photographic or sound recording of any
performance or the possession of any device for such
photographing or sound recording inside the theatre, without
written permission of the management, is prohibited by law.
Violators may be punished by ejection and violations may render
the offender liable for money damages.
P24 PERFORMANCES MAGAZINe
Friends of The Pasadena Playhouse
Executive Board
President. .............................................Lenore Bond Almanzar
1st Vice-President..........................................Sue Haynie-Horn
2nd Vice-President...........................................Nancy Ashcraft
Treasurer. ....................................................................Nola Widin
Recording Secretary.........................................Sharon Zaslaw
GENERAL BOARD
Eugenia Amodei, Doris Arima, Ellen Bailey, Mary Basile,
Evey Brown, Chip Browning, Virginia Browning, Bonnie
Davis, Bob De Wees, Eva Hanloser, Ruthe Kilburn, Gloria
Klaparda, Patti La Marr, Yvonne Lai, Beverly Meissner,
Shirley Miller, Patrick Oliva, Betty Parnell, Beverly
Simone, Jayne Thomas
One night with janis
joplin SPONSORS
THE PASADENA PLAYHOUSE ALUMNI &
ASSOCIATES
Executive Board
President. ............................................................Valerie Amidon
1st Vice-President................................................ Anne La Rose
2nd Vice-President..............................................Bridget Furiga
Administrator...................................................RJ Muehlhausen
Corresponding Secretary. ......................Charlyn d'Anconia
Treasurer. ..................................................................... Eric Johns
BOARD OF DIRECTORS
Lenore Almanzar, Ellen Bailey, Marje Cates,
Ross Clark, Jaclyn Palmer, Jack Scott
EMERITUS — PAST PRESIDENTS
Ross Eastty, Jim Kent, John McElveney, Pete Parkin
One Night With Janis Joplin production
staff
Production Stage Manager..............Hethyr (Red) Verhoef
Assistant Stage Manager............................Jessica R. Aguilar
Assistant Director............................................. David Mancini
Assistant Costume Designer........Barry Bishop, Catherine
Esera
Assistant Lighting Designer......................Dan Ozminkowski
Assistant Sound Designer.................................... Josh Liebert
Orchestra Contractor.........................................Wally Minko
Deck Head/Flyman. ................................................Matt Petosa
Props Master.................................................Shannon Dedman
Master Electricians. ................Cameron Zetty, Hilda Kane
Light Board Operator...................................Mark Dougherty
Spot Operators............................. Lauren Tyler, Mike Turner
Production Sound Engineer..........................Eric Thompson
Sound A2.......................................................................Ryan Wells
Wardrobe Supervisor/Dresser....................Marie Growden
Wardrobe. ...........................................................Jana Morimoto
Wig/Makeup Supervisor....................................Raenae Kuaea
Lead House Rigger.....................................................Tim Moore
Master Carpenter.................................................Isa Mitsuharu
Carpenters......................... Mike Askew, Christopher Cook,
Sean Lewellyn, Ryan Shull, Takuji "Clutch" Kuramoto,
Joel Schlessinger, Juan G. Holguin, Ty Zenter
*This Theatre operates under an agreement
between the League Of Resident Theatres and
Actors’ EquityAssociation, the Union of Professional
Actors and Stage Managers in the United States.
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The actors and stage managers employed in this
production are members of actors’ equity association, the union of professional actors and
stage managers in the United States.