1370 Bunken™ Tech SanS wide

Transcription

buMtype
vy
a
e
H
5
2
2
M
kx
p
t
+
aesi
| Bold 45 pt
QUINTAR
+
Book 85 pt |
177
+
| heavy 100 pt
1370
Bunken™ Tech Sans wide
OT® / 10 Styles /small caps / OSF+TabFig / Web
© 2014 by Ralf Sander and Petra Niedernolte
Other Members of the
Bunken Superfamily:
Bunken Tech Sans condensed
Bunken Tech Sans
Bunken Tech Slab Condensed
Bunken Tech Slab
Bunken Tech Slab wide
| heavy 190 pt
01 // Overview
02 // language support
Bunken Tech Sans Wide: A reminiscence of constructed
fonts of the modern age designed with considerably cleaner forms.
Bunken Tech Sans Wide follows in the best tradition of
the straight-lined and somewhat angular structures of its
predecessors while offering a much more open and mild
design.
The shapes of the letters are therefore reduced to the
most essential elements: The spurs on a, b, n and other
lower case letters occur just as little as decorative or style
details, the lightly rounded inside edges are more pleasing
to the eye than certain historic role models and make for a
harmonic, flowing style.
OpenType® language support
By using the OpenType ® format, a single font can support
many languages. But not everyone wants to communicate
with the whole world. Therefore, our editions differ not only
by the number of supported layout features but also by
the number of supported languages.
Designer
Ralf Sander and Petra Niedernolte
Use
In particular Bunken Tech Sans Wide stands out as an
easy, distinctive headline font with its straight-lined, technical design. Open counters and large x-height make it
equally suited for use in shorter texts.
It is also perfectly complemented by Bunken Sans or
Bunken Slab in longer texts (available soon).
Features
Available in 10 styles with widths ranging from Light to
ExtraBold with associated Italics. All of the styles are
very extensive: Support for at least 58 languages, Small
Capitals, 9 number sets (e.g. Lining, Oldstyle, Tabular and
Small Cap Figures), ligatures, alternate characters, numerous Opentype functions, and lots of other small features
that make it more pleasant to work with the font on a daily
basis as well as fulfilling typographic desires. Each style
contains more than 870 characters!
Each style is available in a professional (Pro) and standard (Std) edition with a reduced range of functions. (Language support, OpenType features and number of glyphs).
Details can be found on the respective pages.
Standard Editions
Buntype Standard Edition fonts contain an extended Latin character set and support least the 21 most important
latin languages: Afrikaans, Danish, Basque, Breton, Catalan,
Dutch, English, Finnish, French, German, Icelandic, Indonesian, Irish, Italian, Norwegian, Portuguese, Scottish Gaelic,
Irish Gaelic, Spanish, Swahili and Swedish.
Professional Editions
Buntype Professional Edition fonts contain the Latin and
additionally the Latin+TM glyph sets and support at least
58 latin languages including eastern- (Baltic) central(CE)and southern european (Turk) as well as many regional
languages (e.g. Catalan, Corsian): Afrikaans, Albanian, Alsatian, Arumanian, Asturian, Basque, Bosnian, Breton, Catalan, Cebuano, Chichewa, Cornish, Corsican, Croatian, Czech,
Danish, Dutch, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Frisian, Friulian, Gaelic, Gagauz (Latin),
Galician, German, Greenlandic, Hawaijan, Hungarian, Icelandic, Indonesian, Irish, Irish Gaelic, Italian, Japanese (Rōmaji),
Karelian, Ladin, Latin (Lingua Latina), Latvian, Lithuanian,
Luba, Maltese, Moldavian (Latin), Norwegian, Occitan, Polish, Portuguese, Rheto-Romance, Romanian, Sámi (Lule),
Sámi (Northern), Sámi (Southern), Samoan, Scottish Gaelic,
Serbian, Slovak, Slovenian, Sorbian, Spanish, Swahili, Swedish, Turkish, Turkmen (Latin), Vepsian, Wolof, Zulu
Web Editions
Buntype Web Edition fonts contain an extended Latin
character set and support at least the 21 most important
latin languages: Afrikaans, Danish, Basque, Breton, Catalan,
Dutch, English, Finnish, French, German, Icelandic, Indonesian, Irish, Italian, Norwegian, Portuguese, Scottish Gaelic,
Irish Gaelic, Spanish, Swahili and Swedish.
Bunken Tech Sans Wide is part of the Bunken Tech superfamily.
Additional Languages are possible.
Buntype / Bunken Superfamily / BTC 1380 Bunken Tech Sans wide
Buntype // Bunken Superfamily //
BTC 1380 Bunken Tech Sans wide
03 // compilation
03 // compilation
10.446 glyph
Clean And Straight
spurless
sqUare
carefully drawn
*/ ExtraBold 39 pt
*/ Light Italic 70 pt
*/ ExtraBold 110 pt
Over 870 characters per style
*/ Medium 36 pt
very technical appearance
Adjusted
*/ ExtraBold 118 pt
constructed under laws of optical illusions
*/ Medium Italic 23 pt
architectural
*/ ExtraBold 61 pt
apparently geometric
Extra Wide
*/ Medium 33 pt
reduced Letterforms
*/ Medium 33 pt
*/ SemiBold Italic 52 pt
/ SemiBold 60 pt
part of bunken superfamily
/ Book 32 pt
*/ ExtraBold 125 pt
tough
Contemporary & Timeless
*/ Medium 41 pt
*/ Bold 82 pt
194.856 Nodes in the family
straight
*/ ExtraBold 132 pt
at least 58 languages
*/ Light 26 pt
classical details
*/ ExtraBold 44 pt
ligatures, small caps, alternate characters
*/ Book Italic 25 pt
04 // individualisation
04 // Individualisation
Rounded Capitals
A,E,F and L
*/ Heavy Italic 45 pt ( Alternate Characters )
Alternate Characters
Bunken Tech Sans Wide offers a range of alternate characters for customizing typographic effect such as rounded A E F L, alternative s-forms,
or f and t without a left bar, as made popular in
geometric fonts.
AA
*/ No stylistic set – standard
*/ Stylistic Set 01 - alternate A,E,F,L
Individu
*/ Book Italic 72 pt ( Alternate Characters )
alisation
*/ Bold 86 pt ( Alternate Characters )
*/ Light 71 pt ( Alternate Characters )
is possible with
Alternate
*/ Book Italic 42 pt ( Alternate Characters )
*/ Bold 91 pt ( Alternate Characters )
lowercase f and l with a clean left side
letter
forms
*/ Heavy 104 pt ( Alternate Characters )
05 // Styles
05 // Styles
AbcdeFghijklMnQprostUVwxyz 01234567
abcdefghijklmnopqrstuvwxyz 0123456789
abcdefghijklmnopqvrstuvwxyz 0123456789
Light 16 pt
Light 16 pt
Book 16 pt
Medium 16 pt
Semibold 16 pt
Bold 16 pt
extrabold 16 pt
Book 16 pt
Medium 16 pt
Semibold 16 pt
Bold 16 pt
extrabold 16 pt
ultrabold 16 pt
ultrabold 16 pt
heavy 16 pt
heavy 16 pt
06 // Waterfall
07 // text sample
Hamburgefontskovic
The Tragedy of Hamlet;
Prince of Denmark (Shakespeare, England 1523; Act 3,
Scene 2) Nay, do not think I
flatter. For what advancement
may I hope from thee that no
revenue hast but thy good
spirits, to feed and clothe
thee? Why should the poor
be flatter‘d? No, let the candied tongue lick absurd pomp,
and crook the pregnant hinges of the knee where thrift
may follow fawning. Dost thou
hear? Since my dear soul was
mistress of her choice and
could of men distinguish, her
election hath seal‘d thee for
Hamburgefontskovic
Hamburgefontskovic
Hamburgefontskovic
Hamburgefontskovic
Hamburgefontskovic
Hamburgefontskovic
Hamburgefontskovic
Hamburgefontskovic
Waterfall Book
Hamburgefontskovic
Hamburgefontskovic
Hamburgefontskovic
Hamburgefontskovic
Hamburgefontskovic
Hamburgefontskovic
Hamburgefontskovic
Hamburgefontskovic
Hamburgefontskovic
Waterfall Book Italic
10
11
08 // Glyphs
A B C D EF G H I J KLMN O P Q R S TU V W XY Z
08 // Glyphs
ÀÁÂÃÄ
AEFLS
ÅÆÇÐÈÉÊËÌÍÎÏŁÑÒÓÔÕÖØŒŠÞÙÚÛÜÝŸŽ
ÀÁÂÃÄĀĂÅĄǍÆǼÈÉÊĚËĒĔĖĘĹĽĻŁĿŚŠŜŞȘSS
Std / Uppercase characters
Pro / Small Capitals Alternate Characters
ĀĂĄǍȦǼĆĈČĊĎĐĚĒĔĖĘĜĞĠĢĤĦĨĪĬİĮĲĴĶĹĽĻĿŃ
00123456789 $€£¢¥ &&
ŇŅŊŌŎŐǾŔŘŖŚŜŞȘẞŤŢŦȚŨŪŬŮŰŲẀẂẄŴŶŹ
Pro / Uppercase language extension
AEFLS
ÀÁÂÃÄĀĂÅĄǍ
?¿!¡
00123456789 $€£¢¥ 00123456789
%‰¼¾½
Std / Proportional Lining Figures
Pro / Tabular Lining Figures
Æ Ǽ È É Ê Ě Ë Ē Ĕ Ė Ę Ĺ Ľ Ļ Ł Ŀ Ś Š Ŝ Ş Ș SS
00123456789 00123456789
Pro / Uppercase alternate characters
Pro / Oldstyle Figures and Tabular oldstyle Figures
abcdefghijklmnopqrstuvwxyz
àáâãäåæçèéêëıìíîïłñòóôõöøùúûüšžÿýßðþ
Std / Lowercase characters
āăąǎȧǽəćĉčċďđðěēĕėęəĝğġģĥħĩīĭįiĳȷĵķĺľļŀńňņŉō
ŏőǿœŕŗřśŝşșťţŧțũūŭůűųẁẃẅŵŷźžżŋþ
Pro / Lowercase language extension
flsty
Std / Standard Fractions
&&&
Std / Ampersand
Pro / Alternate Ampersands
←↓↑→
Std / Arrows
ªº abdeh�lmⁿorst
Pro / Ordninals and Superior Characters
₀₁₂₃₄₅₆₇₈₉€$¢+-=₍₎,.<>/
⁰¹²³⁴⁵⁶⁷⁸⁹€$¢⁺⁻⁼⁽⁾,.<>/
Pro / Superiors and Inferiors
fb ff fh fi ffi fj ffj fk fl ffl ft ĺ ľ ļ ł ŀ ś ŝ š ş ș ť ţ ŧ ý ŷ ÿ
0123456789€$¢+-=(),.<>/
Pro / Lowercase alternate characters
Pro / Numerators and Denominators
ABCDEFGHIJKLMNOPQRSTUVWXYZ
‘’“”/"'()[]{}|\
Pro / Small Capitals Additions
0123456789€$¢+-=(),.<>/
ˇ˘˙˚˝´˜·`˛¸
Std / Accents
ÀÁÂÃÄÅÆÇÐÈÉÊËÌÍÎÏŁÑÒÓÔÕÖØŒŠÞÙÚÛÜÝŸŽ
Pro / Small cap characters
ĀĂĄǍȦǼĆĈČĊĎĐĚĒĔĖĘĜĞĠĢĤĦĨĪĬİĮĲĴĶĹĽĻĿŃŇŅŊŌ
ŎŐǾŔŘŖŚŜŞȘẞŤŢŦȚŨŪŬŮŰŲẀẂẄŴŶŹ
Pro / Small cap language extension
+−±×÷=≠≈<>≤≥¬μ°∞∂∫ƒ√∑∏◊℮Ωπμ∆¤
Std / Mathematical Operators
! ¡ ? ¿ , ; : . . . . - – — ‘ ’ “ ” ‚ „ ‹ › « » / | ¦ \ _ • · ( ) [ ] { } ( ) * † ‡ §
¶^~"'@©℗®™¤#№ſ
Std / Diverse Characters
12
13
Pro / Uppercase Extensions
09 // OpenType® Features
09 // OpenType® Features
AERFLOS > AERFLOS – A E F L S À …
Hg 26€ – € 1 2 3 4 5 6 7 8 9
flow styxes > flow styxes – flsty�
ĺļľłŀ…
1629249538€
1629249538€
AEROFLOS > AEROFLOS – A E F L S À Á Â …
1629249538€
1629249538€
fin > fin – ff ﬁ fj fl ﬃ ffj fbo > fbo – fb fh…
HO01 > HO01 – 0 0 � 0 0
Pro / Capital Stylistic Alternates / Features Set 01 and 04
Pro / Lowercase Stylistic Alternates / Feature Sets 02, 03, 05 and 07
Pro / Small Capitals Stylistic Alternates / Features Set 01 and 04
Std / Ligatures Pro / Additional Ligatures / Ligatures are designed to correct awkward combinations where letters may collide. Allthough this font was designed without collisions, ligatures were added for a traditionally outlook.
Anta > Anta – a b c d e f g h i j k l m …
Pro / Proportional Old Style Figures / This feature replaces the standard figures with proportional oldstyle figures
and monetary symbols.
Pro / Abular Lining Figures And Tabular Oldstyle Figures / This features replaces proportional figures with figures
that are built on a fixed width through all styles to ensure that columns of data align correctly.
Pro / Slashed Zero / Naturaly, the letter O and the figure 0 have very similar shapes. For a better differentiation, a
zero with slash has been designed and is available in all sets of figures as an additional feature.
¿ha- > �Ha- – ��- – —
Pro / Small Capitals / Replaces the standard lowercase letters with small capitals which were designed to be visually compatible with the lowercase characters.
Pro / Case Sensitive Forms / This feature mooves various punctuation marks up to a position that look better with
all-capital sequences or sets of lining figures.
Fty > Fty – a b c d e f g h i j k l m …
straße > STRAẞE – ẞ
¿(TA 172€)? > ¿(TA 172€)? – 1 2 3 4 5 6 7 …
Esens > Eſens – ſ
Pro / All Small Capitals / This Feature replaces all Characters to Small Capitals, even the first letter of a word.
Pro / Addition To All Small Capitals / The „All Small Capitals“ feature contains also the numbers and the most important punctuation marks adjusted to the Small Capitals.
Std / German Capital Sharp S / Feature Set 06. Replaces german letter sharp s with German capital letter sharp S
( Versales Esszett ).
Pro / Historical Forms/
1st > 1st / 1a > 1a – ao abdehiolmnorst
Pro / Ordinals / Replaces default alphabetic glyphs with the corresponding ordinal forms for use after figures.
3/42 > 3/42 – 0123456789€$¢+-=(),.<>/ / 012345…
Pro / Fractions / In addition to the standard diagonal fractions 1/4, 1/2 and 3/4, this feature supports the automatic
creation of arbitrary fractions.
m2 > m2 – $123456789...
Pro / Superscript and Inferiors / This features creates sientific formulars with adjusted inferiors.
CO2 > CO2 – $123456789…
Pro / Subscript and Superiors / This features creates sientific formulars with adjusted superiors.
HG 26€ – € 1 2 3 4 5 6 7 8 9
Pro / Proportional Lining Figures / This is the standard setting for figures
.
14
15
10 // text sample
Book 8/10 pt:
Nay, do not think I flatter. For what advancement
may I hope from thee that no revenue hast but thy
good spirits, to feed and clothe thee? Why should
the poor be flatter‘d? No, let the candied tongue
lick absurd pomp, and crook the pregnant hinges
of the knee where thrift may follow fawning. Dost
thou hear? Since my dear soul was mistress of her
Book Italic 8/10 pt:
Medium 8/10 pt:
may I hope from thee that no revenue hast but
thy good spirits, to feed and clothe thee? Why
should the poor be flatter‘d? No, let the candied
tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow
fawning. Dost thou hear? Since my dear soul was
Medium Italic 8/10 pt:
tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow
fawning. Dost thou hear? Since my dear soul was
SemiBold 8/10 pt:
SemiBold Italic 8/10 pt:
Bold 8/10 pt:
tongue lick absurd pomp, and crook the pregnant
hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mi-
Bold Italic 8/10 pt:
hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mi-
ExtraBold 8/10 pt:
The Tragedy of Hamlet; Prince of Denmark
(Shakespeare, England 1523; Act 3, Scene 2)
Bold Italic 8/10 pt:
UltraBold 8/10 pt:
UltraBold Italic 8/10 pt:
Heavy 8/10 pt:
Heavy Italic 8/10 pt:
16
10 // text sample
Light/SemiBold 16/20 pt:
The Tragedy of Hamlet;
Prince of Denmark (Shakespeare, England 1523;
Act 3, Scene 2) A hall
in the castle. Hamlet)
Nay, do not think I flatter.
For what advancement may
I hope from thee that no
revenue hast but thy good
spirits, to feed and clothe
Light/SemiBold 14/17,5 pt:
The Tragedy of Hamlet; Prince
of Denmark (Shakespeare,
England 1523; Act 3, Scene
2) Nay, do not think I flatter.
For what advancement may I
hope from thee that no revenue hast but thy good spirits,
to feed and clothe thee? Why
should the poor be flatter ‘d?
No, let the candied tongue lick
The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act
3, Scene 2) Nay, do not think I flatter. For
what advancement may I hope from thee
that no revenue hast but thy good spirits, to feed and clothe thee? Why should
the poor be flatter ‘d? No, let the candied
tongue lick absurd pomp, and crook the
pregnant hinges of the knee where thrift
may follow fawning. Dost thou hear? Since
my dear soul was mistress of her choice
and could of men distinguish, her election
17
The Tragedy of Hamlet; Prince of
Denmark (Shakespeare, England
1523; Act 3, Scene 2) Nay, do not
think I flatter. For what advancement may I hope from thee that no
revenue hast but thy good spirits, to feed and clothe thee? Why
should the poor be flatter ‘d? No,
let the candied tongue lick absurd
pomp, and crook the pregnant hingLight/SemiBold 8/10 pt:
The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3,
Scene 2) Nay, do not think I flatter. For what
advancement may I hope from thee that no
revenue hast but thy good spirits, to feed
and clothe thee? Why should the poor be
flatter ‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was
mistress of her choice and could of men distinguish, her election hath seal‘d thee for
the poor be flatter ‘d? No, let the candied tongue
thou hear? Since my dear soul was mistress of
her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been
as one, in suffering all, that suffers nothing, a man
that fortune‘s buffets and rewards hast ta‘en with
The Tragedy of Hamlet; Prince of Denmark (Shakespeare,
England 1523; Act 3, Scene 2) Nay, do not think I flatter.
For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee?
Why should the poor be flatter ‘d? No, let the candied
tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou
hear? Since my dear soul was mistress of her choice and
could of men distinguish, her election hath seal‘d thee for
herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast
ta‘en with equal thanks: and blest are those whose blood
and judgment are so well commingled, that they are not
a pipe for fortune‘s finger to sound what stop she please.
Give me that man that is not passion‘s slave, and I will wear
10 // text sample
10 // text sample
Book/Bold 12/15 pt:
Book/Bold 8/10 pt:
Medium/Bold 14/17,5 pt:
Medium/Bold 8/10 pt:
should the poor be flatter ‘d? No,
pomp, and crook the pregnant hinges of the knee where thrift may fol-
(Shakespeare, England 1523; Act 3, Scene
2) Nay, do not think I flatter. For what advancement may I hope from thee that no
flatter ‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges
of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was
mistress of her choice and could of men distinguish, her election hath seal‘d thee for
The Tragedy of Hamlet; Prince
of Denmark (Shakespeare,
England 1523; Act 3, Scene
2) Nay, do not think I flatter.
For what advancement may I
hope from thee that no revenue hast but thy good spirits,
to feed and clothe thee? Why
should the poor be flatter‘d?
No, let the candied tongue lick
The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3,
Scene 2) Nay, do not think I flatter. For what
advancement may I hope from thee that no
flatter‘d? No, let the candied tongue lick
absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul
was mistress of her choice and could of men
distinguish, her election hath seal‘d thee for
Book/Bold 11/13,75 pt:
Medium/Bold 12/1525% pt:
The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523;
Act 3, Scene 2) Nay, do not think I
flatter. For what advancement may I
hope from thee that no revenue hast
but thy good spirits, to feed and
clothe thee? Why should the poor be
flatter ‘d? No, let the candied tongue
lick absurd pomp, and crook the pregnant hinges of the knee where thrift
may follow fawning. Dost thou hear?
Since my dear soul was mistress of her
the poor be flatter ‘d? No, let the candied tongue
thou hear? Since my dear soul was mistress of
her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been
as one, in suffering all, that suffers nothing, a man
should the poor be flatter‘d? No,
pomp, and crook the pregnant hinges of the knee where thrift may fol-
choice and could of men distinguish, her election
hath seal‘d thee for herself; for thou hast been as
one, in suffering all, that suffers nothing, a man
Book/Bold 6/7,5 pt:
hath seal‘d thee for herself; for thou hast
Why should the poor be flatter ‘d? No, let the candied
Give me that man that is not passion‘s slave, and I will wear
the poor be flatter‘d? No, let the candied
hath seal‘d thee for herself; for thou hast
Why should the poor be flatter‘d? No, let the candied
Give me that man that is not passion‘s slave, and I will
18
19
10 // text sample
10 // text sample
Book/Bold 16/20 pt:
The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not
think I flatter. For what advancement may I hope from
thee that no revenue hast but thy good spirits, to feed
and clothe thee? Why should the poor be flatter ‘d?
No, let the candied tongue lick absurd pomp, and
crook the pregnant hinges of the knee where thrift may
follow fawning. Dost thou hear? Since my dear soul
and clothe thee? Why should the poor be flatter ‘d?
crook the pregnant hinges of the knee where thrift
may follow fawning. Dost thou hear? Since my dear
Book/Bold 20/25 pt:
Book/Bold 24/30 pt:
revenue hast but thy good spir-
20
21
10 // text sample
10 // text sample
Medium/ExtraBold 16/20 pt:
SemiBold/ExtraBold 16/20 pt:
and clothe thee? Why should the poor be flatter‘d?
crook the pregnant hinges of the knee where thrift
may follow fawning. Dost thou hear? Since my dear
The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do
not think I flatter. For what advancement may I hope
from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor
be flatter‘d? No, let the candied tongue lick absurd
pomp, and crook the pregnant hinges of the knee
where thrift may follow fawning. Dost thou hear?
22
23
© Buntype 2014. All rights reserved.
Bunken and Bunken Tech are either
registered trademarks or trademarks of
Buntype.
All information in this document is provided “AS IS” without warranty of any
kind, either expressed or implied, and is
subject to change without notice.
All other trademarks mentioned in this
document are the trademarks or registered trademarks of their respective
holders.
You may reproduce and distribute this
document as long as you do not remove
Buntypes copyright information, do not
make any changes in the document and
leave it complete.
All Images and Artwork © by Petra Niedernolte and Ralf Sander.
Dummy text from “The Tragedy of Hamlet; Prince of Denmark” W. Shakespeare,
England 1523;
Source: wikisource.org
Buntype
Eckendorfer Strasse 109
D-33609 Bielefeld
(Germany)
www.buntype.com
team@buntype.com
buMtype

1370 Bunken™ Tech SanS wide

Transcription

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