catalog

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catalog

Early 20th C. Design | Mid-Mod
Saturday, February 27, 2016
RAGO
2.27.16
Early 20th C. Design 11:00 PM
Mid-Mod 3:30 PM
IMPORTANT NOTICE TO ALL BUYERS:
Previews:
The buyer’s premium for each lot purchased is 25% on the first
$200,000 of the hammer price, 20% on the value between $200,000
and $3 million.
February 20–24, 12 noon–5:00 pm
February 25, 12 noon–7:00 pm
By appointment
Doors open days of sale at 9:00 am
Preview online at www.ragoarts.com
For purchases made in the room or by phone or by absentee bid and
paid for by Visa, MasterCard, Discover or PayPal: A 2% surcharge will be
added to the total invoice (hammer price, buyer’s premium as above,
any applicable taxes).
For purchases made through any online bidding platform, regardless of
means of payment: A buyer’s premium will be applied to the hammer
price of each lot equal to 28% on the first $200,000; 23% between
$200,000 and $3 million.
IMPORTANT INFORMATION FOR PHONE BIDDERS:
Rago guarantees you a line and a phone agent for bidding until 4 PM
on the day prior to an auction. After that time, we will gladly accept
your absentee bids, even during the auction (up to 30 minutes before
a lot goes on the block). Changes to bid lists left with us prior to the
deadline will always be accommodated as best we can, as will followup phone bids for those who attend/must leave the auction and other
exceptional cases.
AUCTIONEERS NOTES:
If you have questions on the condition of a work, we would be glad to
provide our opinion, but all works are sold according to our Terms of
Sale. Please call the Auction House for complete condition reports if
you cannot view in person.
Condition reports are not listed in the catalogue.
ONLINE BIDDING AVAILABLE:
at bidsquare.com and other aggregators
RAGO LECTURE SERIES:
Open House with Jim Hamilton and friends
Wednesday, February 24 at 6 pm.
The auction house opens on February 24 at
noon. A reception begins at 5 pm.
Seating is limited and by advanced
reservation only.
RSVP to 609.397.9374 ext. 119 or
raac@ragoarts.com.
RAGO ARTS AND AUCTION CENTER
333 North Main Street
Lambertville, NJ 08530
CONTENTS
Early 20th C.: Lots 200–521, p. 1
INQUIRIES/INFORMATION
SPECIALISTS IN CHARGE:
David Rago 609.397.9374 or info@ragoarts.com
Mid-Mod: Lots 500–823, p. 145
Suzanne Perrault 609.397.1802 or info@ragoarts.com
Terms of Sale, page 215
SPECIALISTS:
Jerry Cohen 609.397.9374 or jerrycohen@mac.com
Auction Staff, page 219
Frank Maraschiello 609.397.9374 or frank@ragoarts.com
Shipping Information, page 219
ABSENTEE BIDS:
Eliane Talec 609.566.7225 or eliane@ragoarts.com
Condition Report Form, page 221
TELEPHONE BIDS:
Absentee Bid Form, page 222
Guy Benthin 609.397.9374, ext. 124 or bids@ragoarts.com
CONDITION REPORTS:
Sarah Dziamba 609.397.9374, ext. 123 or sarahd@ragoarts.com
NEW BIDDER REGISTRATION:
Eliane Talec 609.566.7225 or eliane@ragoarts.com
PAYMENTS & SHIPPING:
Karen Davies 609.397.9374, ext. 145 or karen@ragoarts.com
UP TO THE MINUTE AUCTION & EXHIBITION INFORMATION:
1.866.RAGOARTS (724.6278) or ragoarts.com
FAX LINE FOR BIDS & CONDITION REPORTS:
609.397.9377
E-MAIL FOR BID FORMS:
bids@ragoarts.com
2.27.16
Early 20th C. Design 11:00 AM
200
GEORGE OHR (1857 - 1918)
Important bisque vessel with thirteen ear handles, “Progeny,” Biloxi, MS, 1898-1910
Script signature, illegible handwriting to most handles
9 1/4” x 10 1/2”
Handles bear the names and birthdates of Ohr’s children.
$15,000–20,000
1
view all updated condition reports | ragoarts.com
201
202
203
GEORGE OHR (1857 - 1918)
GEORGE OHR (1857 - 1918)
GEORGE OHR (1857 - 1918)
Vase with ruffled rim, ochre and brown speckled glaze, Biloxi, MS,
1897-1900
Stamped G.E. OHR Biloxi, Miss.
4” x 4 1/4”
Squat pitcher with folded rim, gunmetal over ochre glaze,
Biloxi, MS, 1898-1910
Script signature
3 3/4” x 6 1/2” x 4”
Fine large vase with ruffles, in-body twist, and pedestal base,
green, brown, and gunmetal speckled glaze, Biloxi, MS, 1897-1900
6 1/2” x 4”
$3,000–4,000
$2,500–3,500
PUBLISHED
Blasberg, George E. Ohr and His Biloxi Art Pottery, 1973, p. 37
$7,500–10,000
view all updated condition reports | ragoarts.com2
3
204
205
206
GEORGE OHR (1857 - 1918)
GEORGE OHR (1857 - 1918)
GEORGE OHR (1857 - 1918)
Large pitcher, indigo blue and green sponged-on glaze, Biloxi, MS,
1897-1900
6” x 6 1/2”
Tall vase with in-body twist, orange, green, and brown
speckled glaze, Biloxi, MS, 1897-1900
7 1/2” x 4 1/4”
Large bowl with in-body twist, exceptional raspberry, green, ochre,
and gunmetal sponged-on glaze, Biloxi, MS, 1895-96
Stamped GEO. E. OHR BILOXI, MISS
4” x 6 1/2”
$2,500–3,500
$3,000–4,000
$9,000–12,000
5
207
208
211
GEORGE OHR (1857 - 1918)
GEORGE OHR (1857 - 1918)
GEORGE OHR (1857 - 1918)
Large sculptural bisque vase with ruffled rim, Biloxi, MS,
1898-1910
Script signature
7 3/4” x 10” x 8”
Tall corseted vase, indigo glaze, Biloxi, MS, 1897-1900
7 1/2” x 3 1/2”
Bisque pitcher with in-body twists, Biloxi, MS, 1898-1910
Script signature
7” x 6 1/2”
$1,500–2,000
$2,000–3,00
$2,500–3,500
209
210
212
213
GEORGE OHR (1857 - 1918)
GEORGE OHR (1857 - 1918)
GEORGE OHR (1857 - 1918)
GEORGE OHR (1857 - 1918)
Cabinet vase, purple glaze, Biloxi, MS, 1897-1900
Stamped G.E. OHR, Biloxi Miss.
4” x 2”
Vessel with pinched rim and sides, green and brown speckled
glaze, Biloxi, MS, 1897-1900
2 1/2” x 5” x 4”
Exceptional Jefferson mug with in-body twist, raspberry and
indigo sponged-on glaze, Biloxi, MS, 1896
Incised “Rear Admiral Schley at Santiago July 3rd -1898 Here’s
to your good health and your family’s and may they live long and
prosper - J. Jefferson,” base incised 3-18-96 and stamped G.E.
OHR Biloxi, Miss.
3” x 5”
Vase with ruffled rim, raspberry glaze, Biloxi, MS, 1897-1900
Stamped G.E. OHR Biloxi, Miss., incised MOBILE ALABAMA CLAY
3 1/4” x 4”
PROVENANCE
Rago Auctions, Early 20th C., June 2014, lot 161
$1,250–1,750
$1,500–2,000
$3,000–4,000
$2,000–3,000
7
214
215
ATWOOD & GRUEBY
RUTH ERICKSON
GRUEBY
UNIQUE
Exceptional, large and early vase with sang-de-boeuf
flambé glaze, Boston, MA, ca. 1898
Stamped ATWOOD GRUEBY
11 1/4” x 9”
$5,000–7,000
Fine and rare table lamp, Unique apple blossom shade on Grueby
base with daffodils, Boston, MA/Brooklyn, NY, ca. 1905
Shade unmarked, base with circular Pottery stamp, original paper
label and price tag, and incised RE
Base only: 11 1/2” x 7”, overall: 22” x 16”
$20,000–30,000
9
216
217
GRUEBY
GRUEBY
Fine tall vase with yellow buds, Boston, MA, ca. 1905
Circular Faience stamp, incised N inside circle
10 3/4” x 5 1/4”
Fine early floor vase with leaves and buds, Boston, MA,
ca. 1905
Partial circular Faience stamp
23” x 8”
$5,000–7,500
PROVENANCE
Rago Auctions, April 30, 1989, lot 15 (illus. back cover)
$8,500–12,500
11
218
219
GRUEBY
GRUEBY
Glazed ceramic tile decorated in cuerda seca with penguins,
Boston, MA, 1910s
Brass frame
Tile monogrammed O.C.
Tile: 4” sq., overall: 1 1/2” x 5” sq.
Copper-mounted tile decorated in cuenca with seagulls,
Boston, MA, ca. 1905
Probable mark obscured by mount
4” sq.
$1,000–1,500
$1,000–1,500
220
221
222
GRUEBY
GRUEBY
GRUEBY
Bud vase and tile with tiger, Boston, MA, ca. 1905
Bud vase with circular Pottery stamp, tile monogrammed
Tile: 4” sq., bud vase: 4” x 2”
Tile with goat and flowers, Boston, MA, ca. 1905
Original paper label
6” sq.
$850–1,250
$1,000–1,500
Two-color lamp base with leaves and buds, Boston, MA, ca. 1905
Glazed ceramic, patinated metal
Circular Faience stamp, original paper label and price tag, metal base stamped GORHAM CO.
Vase only: 7” x 12”, overall: 12” x 12”
PROVENANCE
Skinner’s, Bolton, MA
PUBLISHED
Montgomery, The Ceramics of William H. Grueby, 1993, plate LX
$9,500–12,500
13
223
224
GRUEBY
GRUEBY
Gourd vase with leaves, Boston, MA, ca. 1905
Circular Pottery stamp/224/artist initials
7 3/4” x 4 1/2”
Cabinet vase with leaves, Boston, MA, ca. 1905
Glazed-over mark
3” x 4”
$4,000–6,000
$1,500–2,000
227
GRUEBY
Lamp base with leaves, Boston, MA, ca. 1905
Circular Faience stamp and rare paper label “GRUEBY
POTTERY PAN AMERICAN EXPOSITION 1901”
Vase only: 6 1/2” x 8”
$4,500–6,500
225
226
228
EDITH FELTON
GRUEBY
GRUEBY
GRUEBY
Rare tall humidor, Boston, MA, ca. 1905
Circular Pottery stamp
9 1/2” x 3 3/4”
Early bulbous vase carved with leaves, Boston, MA, ca. 1900
Circular Faience stamp/152, artist cipher
12” x 9”
Vase with leaves, Boston, MA, ca. 1905
Circular Pottery stamp, incised ERF 4-6
8 1/2” x 5 1/2”
$2,000–3,000
$1,500–2,000
PROVENANCE
Rago Auctions, Early 20th, June 2013, lot 2
$2,500–3,500
15
229
230
MAZIE T. RYAN (d. 1946)
NEWCOMB COLLEGE
MARIE DE HOA LeBLANC (1874 - 1954)
NEWCOMB COLLEGE
Fine early vase with viburnum, New Orleans, LA, 1903
NC/V80/MTRyan
9” x 8”
Fine large early three-handled vase with Cherokee roses, New Orleans, LA, 1906
NC/MHLeB/BJ72/JM/Q
8 1/4” x 8 1/4”
$15,000–20,000
$17,500–22,500
17
231
232
233
ANNA FRANCES SIMPSON (1880 - 1930)
NEWCOMB COLLEGE
NEWCOMB COLLEGE
NEWCOMB COLLEGE
Rare scenic covered jar with live oaks, Spanish moss, and full
moon, New Orleans, LA, 1925
NC/OP41/309/AFS/original paper label
8 1/4” x 5 1/2”
Scenic vase with live oaks, Spanish moss, and full moon,
New Orleans, LA, 1926
NC/PN90/184/JM/AFS
8 1/4” x 6 3/4”
Large vase with pink irises, New Orleans, LA, 1919
NC/AFS/KL36/150/JM
9” x 7”
$4,500–6,500
$4,500–6,500
Rago Auctions, Early 20th C., January 2005, lot 54
PROVENANCE
$5,000–7,500
19
234
235
NEWCOMB COLLEGE
NEWCOMB COLLEGE
Vase with paperwhites, New Orleans, LA, 1927
NC/AFS/147/JM/QB37
6 3/4” x 4 3/4”
$2,000–3,000
Vase with live oaks, Spanish moss, and sunset, New Orleans, LA,
1928
NC/4/RA72/JM, partial paper label covering other markings
5 1/2” x 3”
PROVENANCE
Rago Auctions, Early 20th C., March 2006, lot 298
$3,000–4,000
236
237
238
CORINNA LURIA (1890 - 1975)
NEWCOMB COLLEGE
SADIE IRVINE (1887 - 1970)
NEWCOMB COLLEGE
ADA LONNEGAN (d. 1963)
NEWCOMB COLLEGE
Rare vase with four handles and abstracted lotus design,
NC/C.L./192/192/KD18
6 1/2” x 5”
Small scenic vase with live oaks and Spanish moss,
NC/SI/4/RS51
5 1/2” x 3”
Fine early vase with oleander, New Orleans, LA, 1904
NC/AB51/Lonnegan
8” x 4”
PROVENANCE
$2,000–3,000
Rago Auctions, Early 20th C., September 2007, lot 48
$7,000–10,000
$2,000–3,000
21
239
240
241
242
NEWCOMB COLLEGE
NEWCOMB COLLEGE
NEWCOMB COLLEGE
MARY SUMMEY (d. 1980)
NEWCOMB COLLEGE
Scenic vase with live oaks and Spanish moss, New Orleans, LA,
1917
NC/JM/SI/245/IR73
7 1/2” x 4”
Transitional vase with wild roses, New Orleans, LA, 1911
NC/B/SI/EV49/JM
8” x 6”
Fine scenic Transitional vase with pine trees, New Orleans, LA,
1913
NC/AFS/FV77/JM/B/illegible numbers
9 1/4” x 5”
Early vase with freesia, New Orleans, LA, 1909
NC/W/CW46/MWS
5 3/4” x 3”
PROVENANCE
Rago Auctions, Early 20th C., March 2007, lot 118
Sotheby’s New York, American Renaissance, December 15, 2006,
lot 449
$4,500–6,500
$4,500–6,500
$4,000–6,000
$3,000–4,000
PROVENANCE
23
243
CYNTHIA LITTLEJOHN (1890 - 1959)
NEWCOMB COLLEGE
Transitional vase with dogwood, New Orleans, LA, 1913
On original carved stand
Vase marked NC/JM/7/CL/FQ67, stand incised 1 inside circle
Vase only: 7 1/4” x 4 1/4”, on stand: 8 1/4” x 4 1/4”
$2,500–3,500
244
245
246
247
NEWCOMB COLLEGE
HENRIETTA BAILEY (1874 - 1950)
NEWCOMB COLLEGE
NEWCOMB COLLEGE
NEWCOMB COLLEGE
Small Transitional pitcher with freesia, New Orleans, LA, 1917
NC/IX41/JM/AFS
4” x 5”
Español vase, New Orleans, LA, 1927
NC/PV49/84/HBH
5 1/4” x 4”
Transitional vase with irises, New Orleans, LA, 1913
NC/SI/JM/FW8/B/179
8 3/4” x 5”
Vase with jonquil, New Orleans, LA, 1928
NC/RD10/JH/AFS/148
8 3/4” x 5 1/4”
PROVENANCE
$3,000–4,000
$3,000–4,000
PROVENANCE
Rago Auctions, Early 20th C., September 2006, lot 201a
$1,500–2,000
$1,500–2,000
25
The following twelve lots are from the Collection of Robert A. Ellison, New York
248
248a
NEWCOMB COLLEGE
AURELIA ARBO (1909 - 1933)
NEWCOMB COLLEGE
Transitional corseted vase with freesia, New Orleans, LA, 1913
NC/B/JM/AFS/69/170/GI63
8” x 3 1/4”
Scenic vase with live oaks, Spanish moss, and full moon,
NC/T53/F/AA
6” x 5 1/2”
PROVENANCE
$1,800–2,200
$2,000–3,000
249
250
251
NEWCOMB COLLEGE
LEONA NICHOLSON (1875 - 1966)
NEWCOMB COLLEGE
FULPER
Vase with tobacco flowers, New Orleans, LA, 1925
NC/PH44/79/JM and illegible artist mark
7 1/4” x 4”
$1,750–2,250
Glazed ceramic tile with banjo-playing frog, New Orleans, LA
NC/LM/H/M/B
4 1/2” sq.
$1,000–1,500
Massive melon vase, fine Green Matte crystalline glaze, Flemington, NJ, 1915-20s
Raised racetrack mark
14” x 10”
$2,000–3,000
27
252
253
FULPER
FULPER
Rare Vasekraft spherical vase with handles, Café au Lait glaze, Flemington,
NJ, 1910s
Rectangular ink stamp
9 1/2” x 10 1/2”
Large hand-thrown vase, Famille Rose glaze (a unique piece),
Flemington, NJ, 1915-20s
Raised racetrack mark, original Vasekraft paper label
13 1/2” x 6 1/4”
$1,500–2,000
$1,500–2,500
29
254
FULPER
Large vase, Copperdust Crystalline glaze, Flemington, NJ,
1915-20s
11 1/2” x 8 1/2”
$1,000–1,500
255
256
FULPER
FULPER
Large urn, Mission Verde glaze, Flemington, NJ, 1915-20s
10 3/4” x 11”
Rare early Vasekraft vessel, Café au Lait flambé glaze, Flemington, NJ, 1910s
Rectangular ink stamp, 1915 San Francisco Exposition label to body, remnants of original
Fulper paper label to body
12 1/4” x 5”
$1,000–1,500
PROVENANCE
Rago Auctions
EXHIBITED
Panama-Pacific International Exposition, San Francisco, CA, 1915. Fulper won a gold medal.
$2,000–3,000
31
257
258
260
261
FULPER
FULPER
FULPER
FULPER
Large urn, Mirror Black glaze, Flemington, NJ, 1910s
Vertical racetrack ink stamp
12” x 11”
Rare large vase, Blue Matte flambé glaze, Flemington, NJ, 1910s
Rectangular ink stamp
13” x 9 1/2”
$800–1,200
$750–1,000
Two-handled vase, Cat’s-Eye flambé glaze, Flemington, NJ,
1915-20s
9” x 9”
Two-handled vase, Copperdust Crystalline and green flambé glaze,
Flemington, NJ, 1915-20s
Incised racetrack mark
6 1/2” x 10”
$600–900
$600–900
259
262
FULPER
FULPER
Three vases, Leopard Skin Crystalline glaze, Flemington, NJ, 1910s-20s
All marked
Largest: 9 1/2” x 6”
Squat vase and bowl with flower frog, flambé glazes, Flemington, NJ, 1910s
Rectangular ink stamp to both
3 3/4” x 11 1/4” x 10”, 4” x 10”
$600–900
$500–750
33
The following seventeen lots, along with several thereafter, are from the
collection of Ms. Penny Marshall, Los Angeles, California.
263
264
267
ALBINA MANGINI
TILLIE BLOCK
SATURDAY EVENING GIRLS
FANNIE LEVINE
Glazed ceramic creamer, trivet, and plate decorated in cuerda
seca with rabbits, Boston, MA, 1910s
Creamer signed S.E.G./TB/81-5-11, trivet signed AM/5-13/S.E.G.,
plate signed AM/2-15/S.E.G.
2 3/4” x 4 1/2”, 5 1/2” dia., 7 3/4” dia.
Glazed ceramic bowl and plate decorated in cuerda seca with
geese, Boston, MA, 1910/20
Bowl signed FL 429-1-10/S.E.G., plate signed S.E.G./4-20/FL
2 1/4” x 5 1/4”, 7 1/2” dia.
$1,250–1,750
Forty-six piece glazed ceramic assembled dining set for six (incomplete) decorated in
cuerda seca with assorted landscape medallions, Boston, MA, 1921/28
All pieces signed, dated, and monogrammed RGH
Largest plate: 1 1/2” x 12”
PROVENANCE
Skinner’s, Boston, MA
$3,000–4,000
$2,000–3,000
265
266
268
SARA GALNER
FANNIE LEVINE
IDA GOLDSTEIN
TILLIE BLOCK
Glazed ceramic bowl and pitcher decorated in cuerda seca with
bears, Boston, MA, 1912/14
Bowl signed 40-7-12/S.E.G./S.G., pitcher signed FL/S.E.G./6.14
4 1/4” x 4 1/2”, 2 1/4” x 5 1/2”
Glazed ceramic bowl and plate decorated in cuerda seca with
rabbits, Boston, MA, 1911
Bowl signed 311-1-11/TB/S.E.G., plate signed 358-4-11/S.E.G./IG
2 1/4” x 5 1/2”, 6 1/4” dia.
$1,500–2,000
$1,000–1,500
Assembled nineteen-piece glazed ceramic dinnerware grouping decorated in cuerda seca
with rabbits, squirrels, ducks, chickens, and various monograms, Boston, MA, 1915-26
Eighteen pieces marked, some with stamps, five by Fannie Levine and two by Edith
Guerrier
Casserole dish: 5” x 10 1/2” x 7”
$3,000–4,000
35
269
270
272
273
ALBINA MANGINI
FANNIE LEVINE
IDA GOLDSTEIN
EDITH GUERRIER
ALBINA MANGINI
Glazed ceramic bowl decorated in cuerda seca with turtle and
hare, Boston, MA, 1910
Body incised: “THE RACE IS NOT TO THE SWIFT,” base signed
352.10.10/S.E.G./IG
2 1/4” x 5 1/2”
Fine glazed ceramic mug decorated in cuerda seca with roosters,
Boston, MA, 1911
Body incised: “If I sing faithfully, sonorously & if long after me
& long after that in every farmyard its cock sings faithfully
sonorously I truly believe there will be no more night,” base signed
276.12.11/S.E.G./EDITH GUERRIER/HER OWN/I.G
4” x 4 1/2”
Large glazed ceramic mug decorated in cuerda seca with ships
and monogram C.R.S., Boston, MA, 1912
Signed AM/224-4-12/S.E.G.
4 3/4” x 5 1/2”
Glazed ceramic plate, bowl, and creamer decorated in cuerda seca
with swans, Boston, MA, 1911-12
Bowl and plate signed AM/S.E.G. 93-5-11 and 206-5-11, creamer
signed FL 216-5-12/S.E.G.
7 3/4” dia., 2 1/4” x 5 1/2”, 2 3/4” x 4 3/4”
$1,250–1,750
$1,000–1,500
$2,500–3,500
$2,500–3,500
271
274
275
ALBINA MANGINI
ROSE BACCHINI
ROSE BACCHINI
Six-piece glazed ceramic desk set decorated in cuerda seca with
holly, Boston, MA, 1917: letter holder, perpetual calendar, pencil
holder, vase, stamp box, and inkwell
All pieces signed AM/12-17 SEG, original Bowl Shop label to base
of calendar
Largest: 3 3/4” x 7 3/4” x 3 1/2”
Glazed ceramic pitcher decorated in cuerda seca with squirrels by
Rose Bacchini and small bowl painted with fish, Boston, MA, 1911/
undated
Pitcher signed 384.2.11/S.E.G./RB, bowl signed S.E.G./G.G./BB
4 3/4” x 4”, 1 3/4” x 3 1/2”
Rare glazed ceramic milk pitcher decorated in cuerda seca with
turtle and hare, Boston, MA, 1910
Body incised: “SLOW BUT SURE,” base signed 333 6/10 S.E.G./R.B.
5” x 4 1/4”
$1,000–1,500
$1,800–2,200
PROVENANCE
Rago Auctions, Early 20th, May 2005, lot 196
$2,000–3,000
37
276
277
ROSE BACCHINI
LILI SHAPIRO
ALBINA MANGINI
Three glazed ceramic tiles, Boston, MA: Mather Eliot House
(Shapiro, 1909), Bennet & Salem Streets (Bacchini, 1911), The
Badger House (Unknown, 1920s)
All marked, one with early bowl mark
3 3/4” sq. ea.
Rare glazed ceramic trivet decorated in cuerda seca with lake
scene, Boston, MA, 1910
Signed AM/11-10/S.E.G.
5 1/2” dia.
$1,000–1,500
$1,500–2,000
278
279
280
281
TILLIE BLOCK
SARA GALNER
SARA GALNER
SARA GALNER
Tall vase decorated in cuerda seca with wooded landscape,
Boston, MA, 1917
Signed SEG 21-17/S.G.
10” x 5 1/4”
Tall vase decorated in cuerda seca with daffodils, Boston, MA,
1915
Signed 5-15/S.E.G./S.G.
10 3/4” x 5 1/2”
$1,500–2,000
$1,000–1,500
Five glazed ceramic paperweights, Boston, MA, 1910s-20s
Three marked
2 1/2” dia. ea.
$1,000–1,500
Four circular glazed ceramic trivets, Boston, MA, 1920s
All marked, two glazed-over markings
4 1/4” dia. ea.
$1,000–1,500
39
282
HANDEL
Table lamp, Venetian scene on stylized leaf base, Meriden, CT,
1910s-20s
Reverse-painted frosted glass, patinated metal, two sockets
Shade signed HANDEL 7135 and stamped HANDEL Lamps PAT’D NO.
979664, partial HANDEL stamp to base
20 1/2” x 16”
$2,500–3,500
283
284
HANDEL
HANDEL
Table lamp, daffodil shade, Meriden, CT, 1910s-20s
Acid-etched reverse-painted glass, patinated metal, three sockets
Shade signed HANDEL 6191 HH and stamped HANDEL PAT’D NO.
979664, base stamped HANDEL 3218
22” x 15”
Treasure Island table lamp, Meriden, CT, 1910s-20s
Shade stamped HANDEL Lamps PAT’D NO. 979664 and signed HANDEL 8090 RUNGE,
base stamped HANDEL
24 1/2” x 18”
$2,000–3,000
$5,000–7,000
41
285
286
PAIRPOINT
HANDEL
Fine table lamp, Seville shade with Spanish galleon on Dolphin
base, Bedford, MA, 1910s-20s
Acid-etched reverse-painted glass, patinated metal, two sockets
Shade marked THE PAIRPOINT CORP’N F. CHADD, base stamped
PAIRPOINT D3073 1/2
21 1/2” x 16”
Large table lamp, swirling peony shade on foliate base,
Meriden, CT, 1910s-20s
Leaded slag glass, patinated metal, three sockets
Base stamped HANDEL
27” x 22”
$2,500–3,500
PROVENANCE
Collection of Penny Marshall, Los Angeles, CA
$2,000–3,000
287
288
289
HANDEL
HANDEL
Boudoir lamp, exotic bird shade on plain base, Meriden, CT,
1910s-20s
Acid-etched reverse-painted glass, patinated metal, single socket
Shade signed HANDEL 6905, base stamped HANDEL
14” x 7”
Table lamp, Persian border shade, Meriden, CT, 1910s-20s
Shade stamped HANDEL Lamps PAT’D NO. and signed Handel
6942
24 1/4” x 17 3/4”
DUFFNER & KIMBERLY
WHALEY
PROVENANCE
$2,500–3,500
$2,000–3,000
Fine Duffner & Kimberly dogwood shade on Whaley quatrefoil base, New York, 1900s
Leaded slag glass, patinated bronze, four sockets
Unmarked
27 1/2” x 18”
LITERATURE
Crist, Mosaic Shades II, 2005, p. 91 (base) and 182 (shade)
$10,000–15,000
43
290
291
HANDEL
HANDEL
Adjustable Treasure Island desk lamp, Meriden, CT, 1910s-20s
Shade signed HANDEL 6975, cloth label to base
11” x 10”
Boudoir lamp, cornflower shade on floral base, Meriden, CT,
1910s-20s
13” x 7”
PROVENANCE
$1,250–1,750
PROVENANCE
$1,000–1,500
292
293
294
295
PAIRPOINT
HANDEL
GUSTAV STICKLEY
GUSTAV STICKLEY
Table lamp, Puffy shade with irises on classical base, Bedford, MA,
1910s-20s
Reverse-painted frosted glass, gilt metal, two sockets
Base stamped PAIRPOINT MF’G CO. P B3040
20” x 14”
Adjustable desk lamp, brown Mosserine shade, Meriden, CT,
1910s-20s
Acid-etched obverse-painted glass, patinated metal, single socket
Shade stamped HANDEL 6998 1/2, base stamped HANDEL
As shown: 16 1/2” tall, shade: 5” x 7 1/2”
Early single-door bookcase with mitered mullions, Eastwood, NY,
ca. 1904
Large red decal
56” x 31” x 12”
Music cabinet with leaded glass panels, Eastwood, NY, ca. 1905
Red decal and paper label
47” x 20” x 17”
PROVENANCE
$1,500–2,000
$5,000–7,000
$3,500–5,500
$1,500–2,000
45
298
GUSTAV STICKLEY
Five-leg dining table, Eastwood, NY, ca. 1905
Red decal
29” x 54”, six leaves: 11” ea.
$3,500–5,500
296
297
299
300
HARVEY ELLIS (1852 - 1904)
GUSTAV STICKLEY
HARVEY ELLIS (1852 - 1904)
GUSTAV STICKLEY
GUSTAV STICKLEY
GUSTAV STICKLEY
Double-door china cabinet, Eastwood, NY, ca. 1908
Ghost of paper label
64 1/2” x 39 1/2” x 14 3/4”
Double-door china cabinet, Eastwood, NY, ca. 1908
Red decal
63 3/4” x 45 1/2” x 15 1/2”
Server, Eastwood, NY, ca. 1912
Branded
39 1/4” x 48” x 20”
Pair of V-back side chairs, Eastwood, NY, ca. 1912
Paper labels and branded marks
35 1/4” x 18 1/2” x 17”
$2,500–3,500
$700–900
PROVENANCE
PROVENANCE
$3,500–5,500
$3,000–5,500
47
301
302
GUSTAV STICKLEY
ROYCROFT
Rare massive sideboard (no. 840), Eastwood, NY, ca. 1910
No visible markings
55 3/4” x 84” x 24”
Bookcase (no. 84), East Aurora, NY, ca. 1905
Carved Roycroft
67” x 33 3/4” x 16”
$12,000–18,000
$6,000–9,000
49
303
304
305
308
L. & J.G. STICKLEY
L. & J.G. STICKLEY
L. & J.G. STICKLEY
CHARLES ROHLFS (1853 - 1936)
Magazine stand, Fayetteville, NY, ca. 1912
Unmarked
42 1/4” x 15” x 19 3/4”
Unmarked
45 1/2” x 19” x 12”
Handcraft decal
45 1/2” x 18 3/4” x 12”
Fine bench, Buffalo, NY, 1903
Branded signature and date
20” x 30” x 13”
PROVENANCE
$2,800–4,500
$1,200–1,800
PROVENANCE
Collection of Penny Marshall,
Los Angeles, CA
Los Angeles, CA
$800–1,200
$1,200–1,800
306
307
309
LIMBERT
LIMBERT
GUSTAV STICKLEY
Rocker, Grand Rapids, MI, ca. 1908
Branded
31 1/2” x 32” x 32 3/4”
Armchair, Grand Rapids, MI, ca. 1908
Branded
32” x 31 1/2” x 32 1/2”
Library table, Eastwood, NY, ca. 1907
Red decal
30” x 42” x 29 1/4”
$1,200–1,800
$1,200–1,800
$1,200–1,800
51
310
GUSTAV STICKLEY
Dresser (no. 909), Eastwood, NY, ca. 1905
Paper label and red decal
42” x 37” x 19 1/4”
$1,500–2,500
311
312
L. & J.G. STICKLEY
OLD HICKORY
Dresser, Fayetteville, NY, ca. 1910
Unmarked
40” x 38” x 19”
Dining table (no. 939) and six chairs (no. 938), Martinsville, IN, 1950s
Unmarked
Table: 30” x 53”, chairs: 34 1/2” x 19” x 17”
$1,000–1,500
LITERATURE
Old Hickory Home Furniture Catalog No. 75, 1953, p. 41
$2,000–3,000
53
313
314
GUSTAV STICKLEY
GUSTAV STICKLEY
Drop arm settle, Eastwood, NY, ca. 1910
Unmarked
37 1/2” x 70 1/2” x 26”
Open-arm Morris chair, Eastwood, NY, ca. 1912
Branded
38” x 30 3/4” x 34”
$900–1,400
PROVENANCE
$900–1,400
315
316
317
STICKLEY BROTHERS
L. & J.G. STICKLEY
Lamp table, Grand Rapids, MI, ca. 1910
Unmarked
28” x 20”
Clip-corner table, Fayetteville, NY, ca. 1917
Conjoined decal
29” x 24”
MOORCROFT
SHREVE
PROVENANCE
PROVENANCE
$650–950
$600–800
Large Moonlit Blue Landscape jar with sterling silver finial, England, 1918-26
Base impressed MADE IN ENGLAND MOORCROFT 769 J with green script signature, lid
impressed MOORCROFT, silver stamped SHREVE & CO. STERLING 9800
12 3/4” x 7 1/2”
$4,000–6,000
55
318
319
322
323
MOORCROFT
MacINTYRE
MOORCROFT
MacINTYRE
CHRISTOPHER DRESSER (1834 - 1904)
HUKIN & HEATH
HUKIN & HEATH
Florian Ware jar with cornflowers, England, 1904-13
Brown MacIntyre stamp and green Moorcroft signature
5” x 5 1/4”
Florian Ware vase squeezebag-decorated with cornflowers,
England, 1898-1905
Brown MacIntyre stamp, incised WM des., and marked
M743 in blue
10 3/4” x 5 1/2”
Letter rack, England, ca. 1880
Silver-plated brass
Stamped H&H 2555 with touchmarks
5” x 7” x 3 3/4”
Teapot on stand with burner, England, ca. 1880
Silver-plated brass, ebony
All stamped 3, teapot stamped 1878, and burner stamped with
registration mark
Teapot only: 6 1/4” x 9 1/2” x 5 1/2”, height on stand: 8 3/4”
$1,000–1,500
$1,500–2,000
$800–1,200
$2,000–3,000
320
321
324
325
MOORCROFT
MOORCROFT
Large Pomegranate center bowl, England, 1918-26
Impressed MOORCROFT MADE IN ENGLAND with blue script
signature
3 1/4” x 12 1/2”
Large landscape vase, flambé glaze, England, 1918-20
Stamped MOORCROFT MADE IN ENGLAND with blue script
signature
12 1/4” x 8”
HUKIN & HEATH
HUKIN & HEATH
$1,000–1,500
$1,500–2,000
Egg coddler, England, ca. 1880
Silver-plated brass, ebony
7 3/4” x 6 1/2” x 4 1/4”
Biscuit box, England, ca. 1880
Silver-plated brass, ebony, glass
5 1/2” x 7” x 7 1/2”
$600–900
$500–750
57
326
327
MINTON
ETC.
MINTON
Four enamel-decorated bud vases and one glazed ceramic pitcher,
England, ca. 1880
Two bud vases stamped MINTON with numbers, pitcher signed
Dresden
Tallest: 8 1/2” x 3”
Majolica centerpiece with putti holding a bucket, England, 1860s
Stamped MINTON
11” x 10 1/2” x 5”
$1,500–2,000
$800–1,200
328
329
330
PAUL DACHSEL (b. 1880)
KUNSTKERAMIK PAUL DACHSEL
ROYAL COPENHAGEN
ZSOLNAY
Amphora vase with stylized trees, Turn-Teplitz, Bohemia, ca. 1908
Purple PD MADE IN AUSTRIA stamp, impressed 1071/7
6” x 5”
Large porcelain vase with silver overlay of maple leaves, Denmark,
ca. 1900
Marked 3918, other markings possibly obscured by silver
18 3/4” x 9”
Massive vase with maidens picking apples, eosin glaze, Pecs, Hungary, 1906-10
Raised five churches seal, stamped 7937/36
19 3/4” x 11”
$1,000–1,500
$1,500–2,000
$4,500–6,500
59
331
332
334
FREDERIC KIEFER (1894 - 1977)
ERNEST CHAPLET (1835 - 1909)
HAVILAND & CO.
AUGUSTE DELAHERCHE (1857 - 1940)
Tall footed porcelain vase with applied decoration, fine oxblood
glaze, France, 1920s
Obscured mark
15 1/2” x 9”
PROVENANCE
Collection of Robert A. Ellison, New York
$800–1,200
Porcelain vase, oxblood glaze, France, 1880s
Rosary stamp
11 1/2” x 7 1/2”
$2,500–3,500
Fine large stoneware vase, blue over oxblood flambé glaze, France, ca. 1892
Circular impressed mark/3912
17 1/2” x 9”
PROVENANCE
$4,500–6,500
333
NO LOT
61
335
336
Large flaring stoneware vase, flambé crystalline drip glaze, France, ca. 1902
Impressed AUGUSTE DELAHERCHE 7023
11 1/4” x 12 1/4”
Tall glazed stoneware vessel with four handles and applied decoration, France, ca. 1890
Circular impressed mark/1924
14” x 8 1/2”
PROVENANCE
PROVENANCE
$3,750–4,750
$3,750–4,750
63
337
338
EMILE GALLE
WILLY WUILLEUMIER (b. 1898)
MARCEL GUILLARD
Glazed faience cat with whimsical motifs, France, ca. 1890
Signed E. Gallé Nancy
13” x 10 1/2” x 6”
$1,500–2,000
Glazed ceramic Art Deco vase, France, ca. 1930
Impressed marks
11 1/2” x 9 1/4”
$2,000–2,500
340
EMILE LENOBLE (1875 - 1940)
Glazed stoneware vase with incised decoration,
Choisy-le-Roi, ca. 1930
Impressed mark
8” x 8”
$2,000–3,000
339
341
SARREGUEMINES
THEODORE DECK (1823 - 1891)
Tall glazed stoneware vase with stylized berries and leaves,
France, 1900s
Impressed marks
15 3/4” x 5 1/2”
Fine and large glazed earthenware jardinière with flowers
and butterflies in classical metal mount, France, 1880s
Impressed TH DECK+
12 3/4” x 15”
$800–1,000
$2,000–3,000
65
342
343
MAURICE DIEHL
NORTH DAKOTA SCHOOL OF MINES
NORTH DAKOTA SCHOOL OF MINES
Vase with stylized papyrus, Grand Forks, ND, 1926
Blue NDSM stamp, incised artist signature and date
9” x 5”
Glazed ceramic vase with stylized trees, Grand Forks, ND,
after 1913
Blue NDSM stamp, incised artist cipher
6 1/2” x 5”
$2,000–2,500
$1,500–2,000
344
345
346
JUGTOWN
NONCONNAH
CHARLES F. BINNS (1857 - 1935)
Fine Chinese Blue urn, North Carolina, after 1922
Jugtown Ware stamp
10 1/2” x 9”
Bisque marbleized clay cabinet vase, North Carolina, ca. 1914
Incised NONCONNAH, impressed 6
3 3/4” x 2 1/2”
Fine glazed stoneware baluster vase, Alfred, NY, 1921
Incised CFB 1921
8 1/2” x 7”
$1,500–2,000
$1,000–1,500
$6,000–9,000
67
349
350
ARTHUR HENNESSEY (b. 1882)
SARAH TUTT (1859 - 1947)
HUGH C. ROBERTSON (1845 - 1908)
CHELSEA KERAMIC ART WORKS
Vase with geometric design, Marblehead, MA, 1910s
Impressed ship mark MP, incised HT
6” x 3 1/4”
Experimental stoneware vase, oxblood glaze, Chelsea, MA, 1880s
CKAW stamp
7 1/2” x 4”
$3,000–4,000
$1,000–1,500
347
348
351
352
UNION PORCELAIN WORKS
UNION PORCELAIN WORKS
Glazed and gilded porcelain vase with flowers, Greenpoint, NY,
ca. 1900
Spurious mark
11” x 4”
ADELAIDE ROBINEAU (1865 - 1929)
UNIVERSITY CITY
PEWABIC
Glazed porcelain vase with monkeys and landscape, birds, flowers,
and name “Elizabeth Maurer,” Greenpoint, NY, ca. 1900
Green stamp to base
12” x 8”
$1,500–2,000
$1,500–2,000
Porcelain cabinet vase with fine peachblow glaze,
University City, MO, ca. 1910
Carved U.C. AR 145
3 1/4” x 2”
$2,000–3,000
Glazed ceramic plate with houses in landscape, Detroit, MI
Stamped PEWABIC
8 3/4” dia.
PROVENANCE
Rago Auctions
$800–1,200
69
353
354
FREDERICK H. RHEAD (1880 - 1942)
RHEAD (Santa Barbara)
FREDERICK H. RHEAD (1880 - 1942)
RHEAD (Santa Barbara)
Fine glazed ceramic vase, Santa Barbara, CA, 1913-17
Impressed potter at wheel mark
8 3/4” x 5”
Vessel decorated in cuerda seca with peacocks, Santa Barbara, CA, 1914-17
Potter at wheel stamp, incised RHEAD
5” x 9 1/2”
EXHIBITED
The Art and Crafts Movement in California: Living the Good Life, The Oakland Museum,
Oakland, CA, February 27 - August 15, 1993
This lot is accompanied by a copy of the exhibition book
PROVENANCE
Purchased from the Santa Barbara home where Rhead’s studio was located.
$12,000–15,000
PUBLISHED
Trapp, The Art and Crafts Movement in California: Living the Good Life, 1993, p. 196
$4,000–6,000
71
355
MERRIMAC
Large vase, gunmetal over green glaze,
Newburyport, MA, ca. 1905
Impressed sturgeon mark
12 3/4” x 11”
$2,000–3,000
357
358
TECO
TECO
Two-handled vase, Terra Cotta, IL, ca. 1910
Impressed TECO, incised 293
9 1/2” x 5”
Rare reticulated vase, blue glaze, Terra Cotta, IL, ca. 1910
Stamped TECO
11 3/4” x 4 1/2”
$1,200–1,500
PROVENANCE
The James and Diane Cook Collection
$1,500–2,000
356
359
MERRIMAC
TECO
Massive ribbed vase, gunmetal over green
glaze, Newburyport, MA, ca. 1905
Unmarked
15” x 11 1/2”
Rare large jardinière with irises,
Terra Cotta, IL, ca. 1910
Stamped TECO
9 3/4” x 14 1/2”
PROVENANCE
PROVENANCE
$1,250–1,750
$1,500–2,000
73
360
361
364
VAN BRIGGLE
VAN BRIGGLE
Rare early tall vase with roses, variegated green glaze,
Colorado Springs, CO, 1903
Incised AA VAN BRIGGLE 1903/III, stamped 61
12 3/4” x 5”
Early vase with blossoms, variegated green glaze,
Incised AA VAN BRIGGLE 172/1904/V
12” x 5”
KATARO SHIRAYAMADANI (1865 - 1948)
ROOKWOOD
$1,000–1,500
$1,500–2,000
362
363
365
366
VAN BRIGGLE
VAN BRIGGLE
Early vase with poppy pods, mocha glaze,
Incised AA VAN BRIGGLE 1902/III
3 1/2” x 3 3/4”
Large vase with leaves, fine green glaze,
Colorado Springs, CO, 1908-11
Incised AA VAN BRIGGLE Colo. Spgs. 699
11” x 5”
ROOKWOOD
FRED ROTHENBUSCH
ROOKWOOD
Banded Vellum vase with crow on a branch, Cincinnati, OH, 1909
Flame mark/IX/952E/V/artist cipher
7 3/4” x 3 1/4”
Marine Scenic Vellum vase, Cincinnati, OH, 1910
Flame mark/X1357D/V/artist cipher
8 3/4” x 4”
$1,000–1,500
$700–1,000
$1,500–2,000
$1,000–1,500
Decorated Mat vase with wild roses, Cincinnati, OH, 1936
Flame mark/XXXVI/6184C/artist cipher
9 1/4” x 6”
$1,250–1,750
75
367
ROOKWOOD
Rare faience tile with geese in landscape, Cincinnati, OH, 1900s
Impressed ROOKWOOD FAIENCE 13967
4 1/2” x 8 7/8”
$1,000–1,500
368
369
370
ROOKWOOD
ROOKWOOD
UNIQUE
Squat vase with flowers, Cincinnati, OH, 1924
Flame mark/XXIV/2760/artist cipher
3 1/4” x 7”
Rare glazed ceramic tile with stylized irises, Cincinnati, OH,
ca. 1915
Impressed ROOKWOOD 1749Y
9” x 6”
Wisteria table lamp, Brooklyn, NY, ca. 1910
Leaded slag glass, patinated metal, three sockets
Unmarked
26” x 18 1/2”
$1,500–2,000
$1,000–1,500
LITERATURE
Crist, Mosaic Shades: Volume II, 2005, p. 40 and 60
$6,000–8,000
77
371
372
373
374
HANDEL
PAIRPOINT
PAIRPOINT
HANDEL
Table lamp, maple leaf shade on Arts & Crafts style base with faux
rivets, Meriden, CT, 1910s-20s
Shade signed HANDEL 6730 PC and stamped HANDEL Lamps
PAT’D NO. 979664, base stamped HANDEL
22 1/2” x 15”
Table lamp, Egyptian scene on Exeter shade with classical fluted
base, New Bedford, MA, 1910s-20s
Frosted reverse-painted glass, patinated metal, three sockets
Base stamped with paper label
22 1/2” x 17”
Table lamp, Venetian harbor scene on Carlisle shade,
New Bedford, MA, 1910s-20s
Frosted reverse-painted glass, patinated metal, three sockets
Shade signed W. Macy and stamped THE PAIRPOINT CORP., base
stamped with paper label
24” x 17 3/4”
Table lamp, poppy border shade, Meriden, CT, 1910s-20s
Acid-etched obverse- and reverse-painted glass, patinated metal,
three sockets
Stamped HANDEL PAT’D NO. and signed Handel 6518D, base
stamped HANDEL
21 1/2” x 16”
$2,500–3,500
$2,500–3,500
PROVENANCE
$1,750–2,250
$2,000–3,000
79
375
378
HANDEL
HANDEL
Boudoir lamp, Venetian shade, Meriden, CT, 1910s-20s
Reverse-painted glass, patinated metal, single socket
Cloth label to base, shade signed HANDEL 6356
14 1/4” x 8”
Treasure Island boudoir lamp, Meriden, CT, 1910s-20s
Base stamped HANDEL, shade signed HANDEL 6558
14 1/2” x 7”
$2,000–3,000
$2,000–3,000
376
377
379
380
HANDEL
PAIRPOINT
HANDEL
Table lamp, berry shade on fluted base, Meriden, CT, 1910s-20s
Shade signed HANDEL 6400 and stamped HANDEL PAT’D NO.
979664, base stamped HANDEL
22 1/2” x 13 3/4”
Puffy boudoir lamp, Lilac tree shade with butterflies, Bedford, MA,
1910s-20s
Reverse-painted frosted glass, patinated and enameled metal,
single socket
Shade marked THE PAIRPOINT CORP, base stamped PAIRPOINT
MFG CO
16 3/4” x 9”
Table lamp, basketweave overlay shade, Meriden, CT, 1910s-20s
Patinated metal, slag glass, three sockets
Shade stamped HANDEL Lamps PAT’D NO., base stamped
HANDEL
26” x 19 1/2”
HANDEL
STEUBEN
PROVENANCE
$2,000–3,000
$2,750–3,750
Adjustable double student lamp with gold Aurene intarsia shades,
Meriden, CT/New York, 1910s-20s
Patinated metal, blown glass, two sockets
Base stamped HANDEL, shades marked STEUBEN
Max: 25” x 19”
$2,500–3,500
PROVENANCE
$2,000–3,000
81
381
384
PITTSBURGH
PAIRPOINT
Table lamp, heart shade on classical base, Pittsburgh, PA, 1910s
Acid-etched reverse- and obverse-painted glass, patinated metal,
single socket
Unmarked
21” x 14”
Table lamp, Bombay shade with New Bedford harbor scene on
fluted base, Bedford, MA, 1910s-20s
Base stamped MADE IN U.S.A. PAIRPOINT P D3058
22 1/2” x 17 1/2”
$1,000–1,500
PROVENANCE
PUBLISHED
Malakoff, Pairpoint Lamps, 1990, p. 104
$1,500–2,000
385
386
HANDEL
HANDEL
HANDEL
Rare molten glass boudoir lamp, Meriden, CT, 1910s-20s
Glass, marble, patinated metal, single socket
Cloth label to base, shade signed Handel 7554
14 1/2” x 9 1/2”
Table lamp, rose shade, Meriden, CT, 1910s-20s
Shade stamped HANDEL, PAT’D NO. and painted Handel 6983
20” x 14”
$1,250–1,750
$1,500–2,000
Table lamp, Scottish rose overlay shade, Meriden, CT, 1910s-20s
Patinated metal, painted slag glass, two sockets
Shade stamped HANDEL Lamps PAT’D NO., base stamped
HANDEL
20 1/2” x 14”
382
383
HANDEL
Table lamp, poppy border shade, Meriden, CT, 1910s-20s
Acid-etched obverse- and reverse-painted glass, patinated metal,
two sockets
Shade stamped HANDEL Lamps PAT’D NO. and signed HANDEL
7149 with artist signature, base stamped HANDEL
20 1/2” x 14”
$1,500–2,000
$1,500–2,000
83
387
388
GUSTAVE BAUMANN (1881 - 1971)
GUSTAVE BAUMANN (1881 - 1971)
Color woodblock print, “Taos Placita,” Santa Fe, NM, 1947
Matted and framed
Pencil signed, titled, dated, and numbered I/125/47 with chop mark
Image: 9 1/2” x 11”
Color woodblock print, “Windswept Eucalyptus,” Santa Fe, NM, 1936
Matted and framed
Pencil signed, titled, and numbered II/29/125 with chop mark
Image: 9 1/2” x 11 1/4”
$3,000–4,000
$4,000–6,000
85
389
390
393
394
CAUCASIAN KAZAK
PERSIAN HERIZ
OUSHAK STYLE
OUSHAK STYLE
Hand-knotted wool rug, ca. 1920
Unmarked
5’ x 8’ 1”
Hand-knotted wool rug, ca. 1940
Unmarked
7’ x 9’ 5”
Contemporary hand-knotted wool rug, India
Unmarked
10’ 3” x 13’ 7”
Unmarked
9’ 4” x 11’ 9”
$1,000–1,500
$1,000–1,500
$1,250–1,750
$1,000–1,500
391
392
395
396
DONEGAL STYLE
STYLE OF WILLIAM MORRIS
STYLE OF WILLIAM MORRIS
PESHAWAR SULTANABAD
Contemporary hand-knotted Donegal style wool rug, Turkey
Embroidered F.A.
9’ 2” x 11’ 10”
Unmarked
9’ 10” x 13’ 7”
Unmarked
10’ x 13’ 10”
Contemporary hand-knotted wool rug, Pakistan
Unmarked
8’ 4” x 9’ 4”
$1,800–2,200
$1,500–2,000
$1,250–1,750
$1,000–1,500
87
397
398
ELIZABETH BURTON (1869 - 1937)
JOSEPH HEINRICHS (Attr.)
BAILEY, BANKS & BIDDLE
Fine table lamp, California, early 20th C.
Snail shell, patinated bronze, single socket
Stamped mark
12” x 6 1/2”
$2,250–2,750
Fine tray with antlers and pine cones, New York, 1900s
Patinated copper, sterling silver, deer antlers
Stamped THE BAILEY BANKS & BIDDLE COMPANY 925/1000
STERLING AND OTHER METALS
8 1/4” x 20” x 12”
$6,000–8,000
399
400
401
JOSEPH HEINRICHS (Attr.)
THE COWELL & HUBBARD CO.
DIRK VAN ERP (1860 - 1933)
FRANK LLOYD WRIGHT (1867 - 1959)
Table lamp, San Francisco, CA, 1915-29
Hammered copper, mica, single socket
Open box windmill stamp
12 1/2” x 12”
Pair of windows for the J.J. Walser, Jr. house, Chicago, IL, ca. 1903
Leaded stained glass
Unmarked
39” x 10 3/4” ea.
Meat tray with bears, New York, 1900s
Hammered copper, carved oak insert
Stamped THE COWELL & HUBBARD CO.
3 1/4” x 23” x 14 1/2”
$2,000–3,000
$2,500–3,500
PROVENANCE
Christie’s, Important 20th Century Decorative Arts, New York, December 9, 2003, lot 66
Harry Lunn, Washington, D.C.
$10,000–15,000
89
402
GUSTAV STICKLEY
Rare Magnolia table runner, Eastwood, NY, ca. 1908
Linen, wool
Unmarked
83” x 16”
$2,200–2,800
The following six lots come to us from the W.T. Johnson residence, an original Craftsman
bungalow in Lyons, New York. Several of the light fixtures offered here appear in period
photographs illustrating an article about the property in the June 1913 issue of The Craftsman
magazine (“The Little House in the Orchard,” pp. 331-333). They remained in their original
location for over one hundred years.
They have also been featured in Ray Stubblebine’s Stickley’s Craftsman Homes: Plans,
Drawings, Photographs, 2006, p. 277-79.
403
GUSTAV STICKLEY
Rare Magnolia table runner, Eastwood, NY, ca. 1908
Linen, wool
Unmarked
83” x 16”
$1,800–2,500
Photo from Stickley’s Craftsman Home by Ray Stubblebine
91
404
405
406
407
GUSTAV STICKLEY
GUSTAV STICKLEY
GUSTAV STICKLEY
GUSTAV STICKLEY
Pair of lanterns (no. 673), Eastwood, NY,
ca. 1910
Patinated iron, hammered amber glass,
single sockets
Unmarked
24 1/4” x 7” ea.
Exceptional log holder, Eastwood, NY,
ca. 1910
Patinated iron
Unmarked
14” x 30” x 19”
Wall sconce, Eastwood, NY, ca. 1910
Patinated iron, hammered amber glass, single socket
Unmarked
Sconce only: 9” x 7”, overall: 16” x 7” x 11”
Wall sconce, Eastwood, NY, ca. 1910
Unmarked
Sconce only: 9” x 7”, overall: 16” x 7” x 11”
$1,500–2,500
$1,500–2,500
$2,500–3,500
$3,500–4,500
408
GUSTAV STICKLEY
Windowpane lantern, Eastwood, NY, ca. 1910
Impressed Als Ik Kan mark
14” x 6” x 9”
$1,800–2,500
93
409
410
411
GUSTAV STICKLEY
L. & J.G. STICKLEY
STICKLEY BROTHERS
Rare chandelier (no. 598), Eastwood, NY, ca. 1910
Patinated iron, oak, hammered amber glass
Impressed Als Ik Kan mark
24 1/2” x 16 1/2” x 9”
Narrow double-door bookcase, Fayetteville, NY, ca. 1912
“The Work Of…” decal label
55” x 39 1/2” x 12”
Double-door bookcase, Grand Rapids, MI, ca. 1910
Metal label
52” x 36” x 12”
$3,000–4,500
$2,000–3,000
$4,000–6,000
95
412
413
416
L. & J.G. STICKLEY
STICKLEY BROTHERS
L. & J.G. STICKLEY
Library table, Fayetteville, NY, ca. 1912
“The Work Of…” decal label
29” x 48” x 30”
Spindle side magazine stand, Grand Rapids, MI, ca. 1905
Paper label
40” x 26” x 12 1/2”
China cabinet, Fayetteville, NY, ca. 1910
Unmarked
54 1/4” x 48” x 15”
PROVENANCE
$2,700–3,500
$900–1,400
$800–1,200
two of four
414
415
417
GUSTAV STICKLEY
L. & J.G. STICKLEY
GUSTAV STICKLEY
Sideboard, Eastwood, NY, ca. 1910
Unmarked
45 1/2” x 48” x 18”
Four dining chairs (no. 800), Fayetteville, NY, ca. 1908
Handcraft decals to two
36” x 18” x 17”
Dining table, Eastwood, NY, ca. 1910
Unmarked
30” x 54”, five leaves
$1,500–2,500
$800–1,200
$1,500–2,500
97
420
GUSTAV STICKLEY
Early crib settle, Eastwood, NY, ca. 1902
Unmarked
38 3/4” x 69 1/2” x 33 1/2”
$6,000–9,000
418
419
421
ARTS & CRAFTS
SHOP OF THE CRAFTERS
GUSTAV STICKLEY
Grandfather clock, USA, ca. 1910
Unmarked
75” x 22” x 15”
Tall case clock, Cincinnati, OH, ca. 1908
Paper label
77 1/2” x 22 1/2” x 15 1/2”
$1,500–2,000
$2,800–4,500
Rare early Bow Arm Morris chair with flaring
legs, Eastwood, NY, ca. 1901
Early red decal
38 1/2” x 31 3/4” x 34”
$6,000–9,000
99
422
423
426
427
GUSTAV STICKLEY
STICKLEY BROTHERS
GUSTAV STICKLEY
CHARLES STICKLEY
Dresser, Eastwood, NY, ca. 1915
Faint branded mark
47” x 32” x 19”
Morris chair, Grand Rapids, MI, ca. 1910
Unmarked
35” x 30 3/4” x 40”
Dining table, Eastwood, NY, ca. 1912
Branded
29” x 54” dia., four leaves: 10 1/2” ea.
China cabinet, Binghamton, NY, ca. 1910
Partial decal label
63” x 36 1/2” x 15 1/2”
PROVENANCE
$800–1,200
$1,200–1,800
$1,500–2,500
424
425
428
429
GUSTAV STICKLEY
GUSTAV STICKLEY
LIFETIME
GUSTAV STICKLEY
Nightstand, Eastwood, NY, ca. 1907
Red decal
29” x 20” x 15”
Unusual bar cabinet with copper-inset flip-top, Eastwood, NY,
ca. 1908
Large red decal
Open: 49” x 24” x 17”
Even-arm settle, Grand Rapids, MI, ca. 1910
Paper label
36” x 73 1/4” x 27 1/2”
Two rockers, Eastwood, NY, 1905
Red decal to taller
Tall: 37” x 27” x 22 1/2”, 33” x 19” x 21”
$1,200–1,800
$650–950
$1,100–1,700
PROVENANCE
$2,800–4,500
$1,000–1,500
101
“The influence he exerted upon Minneapolis, and, through it, upon the entire Northwest, by the exercise of his art and
the faithful persistent performance of his true craftsmanship cannot be overestimated. He was an apostle of beauty...”
– John Scott Bradstreet obituary, The Bellman, August 15, 1914, p. 216
Just as Louis C. Tiffany and Gustav Stickley were titans of Art & Crafts design in the Northeast, so was John Scott
Bradstreet in the Midwest. Born and raised in Massachusetts, he moved to Minneapolis in 1872 and opened his own
self-named furniture company with Edmund J. Phelps in 1878. The rapidly growing city provided a fertile market for
savvy designers like Bradstreet. He built a reputation reproducing Modern Gothic, Queen Anne, and Aesthetic Movement
furniture, catering to fashionable tastes across the United States. By 1900 he had begun designing what would define
his legacy: the Crafthouse.
In 1903 he purchased the property at 327 South Seventh Street to fulfill his vision. Originally conceived as an Italian
villa, Bradstreet redesigned the property as an Oriental retreat influenced by his travels: England, Italy, Spain, and
especially Japan. It opened for business in January 1904 with the sole purpose of hand-crafting fine home furnishings.
The Crafthouse’s extensive gardens were complete with a central pool full of white lilies and pink and purple lotuses –
perhaps the inspiration for Lot 434’s elegant decoration. At its height in 1910, Bradstreet had over eighty craftsmen in his
employ, many of them using techniques that he had brought back from his journeys, such as jin-di-sugi (lot 435).
A believer in the finest of esoteric aesthetics and taste, Bradstreet successfully combined Arts & Crafts precepts with
Aesthetic Movement and Japanese design. The care and attention he lavished on every aspect of a project is manifest in
the two lots presented here.
430
431
GUSTAV STICKLEY
GUSTAV STICKLEY
Piano bench, Eastwood, NY, ca. 1905
Unmarked
22” x 36” x 12 3/4”
Bookends, Eastwood, NY, ca. 1912
Oak, leather
One branded
6” x 6 1/2” x 2”
$1,000–1,500
$600–900
432
433
434
GUSTAV STICKLEY
CHARLES STICKLEY
ARTS & CRAFTS
JOHN SCOTT BRADSTREET (1845 - 1914)
MINNEAPOLIS CRAFTHOUSE
Library table and armchair, Eastwood, NY/Binghamton, NY,
ca. 1912
Desk branded, chair unmarked
Table: 33” x 42” x 28”, chair: 36 1/2” x 24 1/2” x 21”
Pair of grain-painted cube chairs, USA, ca. 1910
Unmarked
31 1/2” x 25” x 25 3/4”
$1,000–1,500
$900–1,400
Pair of cabinet doors with lotus flowers, Minneapolis, MN, 1904-14
Painted cypress wood
Unmarked
27 1/4” x 26 3/4” ea.
EXHIBITION
For a similar example see Mina Merrill Prindle residence, at the Minneapolis Institute of Art.
$8,000–12,000
103
435
JOHN SCOTT BRADSTREET (1845 - 1914)
MINNEAPOLIS CRAFTHOUSE
Jin-di-sugi frame, Minneapolis, MN, 1904-14
Carved and painted cypress, decorative pierced brass rondel
Unmarked
31 3/4” x 24”
Bradstreet’s jin-di-sugi process was inspired by jindai-sugi,
“cedar of God’s age” panels that he had seen at Japanese
temples. Crafted from cedar trees that had been submerged
in water and mud for centuries, these exposed the raised
hard grain which artisans then utilized for carving intricate
designs. After much trial and error, Bradstreet was able to
reproduce the effect, which Louis Tiffany praised as the
most unique and artistic wood treatment he had ever seen.
It involved scorching cypress wood, then wire-brushing it to
reveal the raised hard fiber grain, followed by washing and
waxing, and then carving, painting, and/or staining it as the
artisan desired.
$2,500–3,500
436
McHUGH
Log holder, New York, 1910s
Stained oak
Unmarked
18” x 23 1/2” x 24”
LITERATURE
D’Ambrosio and Bowman, The Distinction of
Being Different - Joseph P. McHugh and the
American Arts & Crafts Movement, 1993, p. 55
and cover illustration
Joseph P. McHugh Company catalog, 1900,
unpaginated
437
JAMES LAMB (1816 - 1903)
LAMB OF MANCHESTER
Asthetic Movement cabinet, England, late 19th C.
Ebonized mahogany, brass, gilt wood, velvet
Impressed mark on drawer
69” x 60” x 18”
$7,500–10,000
$2,000–3,000
105
Kingsford, T., & Son, Oswego, N.Y., Exhibit 210, Agricultural Hall Bldg., 1876 (albumen print),
American Photographer, (19th century) / Free Library of Philadelphia / Bridgeman Images
438
PHILADELPHIA CENTENNIAL EXHIBITION
Two hand-carved columns from the T. Kingsford & Son, Oswego Starch stand,
Agricultural Hall Building, Philadelphia, PA, 1876
Carved and polychromed wood
98” x 10” ea.
$75,000–100,000
107
439
JOSEF HOFFMANN (1870 - 1956)
KOLOMAN MOSER (1868 - 1918)
J. & J. KOHN
Rare chair, model 422, Austria, ca. 1907
Beechwood, marquetry, leather
Original paper label
32” x 26” x 24”
LITERATURE
J. & J. Kohn, Der Katalog von 1916, production
catalog, p. 54
J.& J. Kohn, 1908 production catalog
This rare and unusual inlaid armchair has been
attributed to both Koloman Moser and Josef
Hoffmann. A line drawing of it, attributed to
Moser, appears on the cover of the J.& J. Kohn
production catalog of 1908 and in the 1916
catalogue as well. The side panels were later
altered for production.
$7,000–10,000
440
441
RICHARD RIEMERSCHMID (1868 - 1957)
ODOR REIMANN
ADOLF LOOS (1870 - 1933)
F.O. SCHMIDT
Armchair, Germany, 1904-06
Wicker, pine
Unmarked
33” x 22” x 24”
Dining chair, Austria, ca. 1900
Walnut, leather, brass
Unmarked
35” x 20” x 24”
PROVENANCE
PROVENANCE
Phillips New York, December 11, 2002, lot 111
Christies, London, May 11, 1999, lot 46
LITERATURE
$10,000–15,000
DIE KUNST, IX, 1906, p. 286
Charlotte and Peter Fiell, 1000 CHAIRS, Taschen,
Cologne, 1997, p. 97, for another example
This model was originally designed for the Kaiser
class breakfast room of the S.S. Kronprinzessin
Cecilie
$3,000–5,000
109
442
444
WIENER WERKSTATTE
WIENER WERKSTATTE
Dressing mirror, Austria, ca. 1905
Carved wood, original silk cord and
silvered mirror
Unmarked
14” x 9 3/4”
Fluted bowl, Austria, ca. 1925
Hammered silverplated brass
Impressed WIENER WERKSTATTE MADE IN AUSTRIA JH
2 3/4” x 9 3/4” x 8”
PROVENANCE
Phillips, New York
Dorotheum, Vienna
$3,000–5,000
$2,500–3,500
443
445
WIENER WERKSTATTE
WIENER WERKSTATTE
Side table, Austria, ca. 1905
Stained wood, marble
Unmarked
13” x 13”
Two footed bowls, Austria, ca. 1926
Hammered brass
Both impressed WIENER WERKSTATTE JH MADE IN
AUSTRIA
3 1/2” x 8 1/2”, 3 1/4” x 8 3/4”
PROVENANCE
Dorotheum, Vienna, 1990s
$3,000–5,000
PROVENANCE
PROVENANCE
Henry Demner, New York and Historical Design, New York
$4,000–6,000
111
446
448
WIENER WERKSTATTE
WIENER WERKSTATTE
Fluted tray, Austria, ca. 1923
Impressed WIENER WERKSTATTE MADE IN AUSTRIA JH
1 1/4” x 13 1/2” x 7 1/4”
Faceted vessel, Austria, ca. 1923
Impressed WIENER WERKSTATTE JH MADE IN AUSTRIA
4 1/2” x 5”
$2,000–2,500
PROVENANCE
Bonham’s New York, December 19, 2007, lot 6254
$1,000–1,500
447
449
UNKNOWN ARTIST
WIENER WERKSTATTE
WIENER WERKSTATTE
Two fluted trays, Austria, 1920s
Hammered brass
One impressed WIENER WERKSTATTE JH, one
impressed with unknown artist mark, and smaller also
impressed MADE IN AUSTRIA
3/4” x 8 1/2”, 1” x 8”
PROVENANCE
Phillips, New York
Sotheby’s, New York
Two footed bowls, Austria, 1920s
Hammered brass
Both impressed WIENER WERKSTATTE JH, shorter also
impressed MADE IN AUSTRIA
1 3/4” x 4”, 2 3/4” x 4”
PROVENANCE
Historical Design, New York
$2,500–3,500
$2,000–3,000
113
450
453
WIENER WERKSTATTE
STYLE OF OTTO PRUTSCHER
MEYERS NEFFE
Bottle top with cork, Austria, ca. 1922
Impressed WW MADE IN AUSTRIA JH
Silverplate only: 2” x 2”
Two wine glasses, Austria, ca. 1910
Unmarked
8 1/2” x 3” ea.
$1,000–1,500
$700–900
451
452
454
JOSEF HOFFMANN (Attr.) (1870 - 1956)
WIENER WERKSTATTE
GUDRUN BAUDISCH (1907 - 1982)
KITTY RIX (b. 1901)
WIENER WERKSTATTE
Small decorative box with bird and flowers, Austria, ca. 1920
.750 silver
Impressed WIENER WERKSTATTE WW with silver assay mark
1 1/4” x 2 1/4”
$2,500–3,500
Lidded box, Austria, 1920s
Brass, silverplate
Impressed WIENER WERKSTATTE JH with workshop mark
1” x 2 1/4”
$1,000–1,500
Two glazed ceramic vases, Austria, 1920s
Both with impressed WW and artist marks
Rix: 10” x 5 1/2”, Baudisch: 4 1/4” x 3”
$1,500–2,000
115
455
456
LOETZ
LOUIS MAJORELLE
Rare three-handled Medici glass vase, Austria, ca. 1900
Unmarked
5 1/4” x 4 3/4”
Fine Art Nouveau mantel clock with irises and seaside scene,
France, ca. 1900
Mahogany, gilt and enameled bronze, glass
Unmarked
15 1/2” x 7 1/2” x 5 1/2”
$3,000–4,000
LITERATURE
Duncan, Louis Majorelle: Master of Art Nouveau Design, 1991, p. 95
for an identical example
$1,800–2,000
457
458
ART NOUVEAU
ALPHONSE MUCHA (1860 - 1939)
Nightstand, France, ca. 1900
Unmarked
51 1/2” x 20” x 13”
Color lithograph, “Flirt - Biscuits Lefèvre-Utile,” France, 1899
Matted and framed
Signed Mucha in image and Imp. F. Champenois - Paris
Sight: 23 1/8” x 10”
$700–1,000
$4,000–6,000
117
459
462
LOUIS MAJORELLE
MAJORELLE
DAUM
Art Nouveau two-tiered marquetry table with
orchids and ormolu mounts, France, ca. 1900
Unmarked
28” x 31” x 24”
$2,500–3,500
460
NO LOT
Fine and rare “Monnaie du Pape” lamp with Daum glass shades,
France, ca. 1903
Gilt metal, cameo glass, two sockets
Base molded L. Majorelle, shades etched DAUM NANCY with Croix
de Lorraine
26 1/2” x 10”
LITERATURE
Duncan, Louis Majorelle: Master of Art Nouveau Design, 1991, ill. 128
Majorelle-Nancy catalog, Décorations d’Intérieurs, ca. 1922, ill. p. 3
Hilschenz-Mlynek and Ricke, Glas, Vol. 1, 1985, p. 88, no. 57
Kat. Daum, Collection du Musée des Beaux-Arts de Nancy, ParisNancy 2000, n.p., no. 264, colour plate and color ill. on dust-jacket
$20,000–30,000
461
LOUIS MAJORELLE
Art Nouveau marquetry tea table with
flowers, France, ca. 1900
Inlaid signature
31 1/2” x 28” x 16 1/2”
$3,000–4,000
119
463
464
465
EMILE GALLE
DEGUE
Art Nouveau tiered marquetry table with lotus flowers, France,
ca. 1900
Inlaid signature
48 1/2” x 17”
Chandelier with rose bouquet shades, France, ca. 1930
Enameled wrought iron, frosted glass, four sockets
Shades molded Degue
To ceiling cap: 30 1/2” x 21”
MAJORELLE
DAUM
$3,000–4,000
$2,000–3,000
Fine and rare “Fleurs de Pissenlits” lamp with Daum glass shades, France, ca. 1902
Wrought iron, acid-etched glass, three sockets
All shades etched DAUM NANCY with Croix de Lorraine
23 3/4” x 10 1/2”
LITERATURE
Duncan, Louis Majorelle: Master of Art Nouveau Design, 1991, ill. 111
Majorelle-Nancy catalog, Décorations d’Intérieurs, ca. 1922, p. 17 pl. 3
$15,000–20,000
121
466
467
468
DAUM
DAUM
Silver-mounted cameo glass vase wheel-carved with azaleas,
France, ca. 1900
Silver stamped with hallmarks, base acid-etched Daum Nancy
with Croix de Lorraine
7 1/4” x 4 1/2”
Tall enameled cameo glass vase with cherry blossoms, France,
ca. 1900
Signed DAUM NANCY on body with Croix de Lorraine
17” x 6”
J. JACQUEMARD
GALLE (Attr.)
$2,500–3,500
$3,500–4,500
Exceptional verrerie parlante vase wheel-carved with grasshopper, colchicum, and martelé detail
and inscribed “Dis aux petits que les étés sont couverts le colchiqué des Alpes,” France, 1895
Incised artist signature on body, based incised Emile Gallé fct 1895
7 1/4” x 3 1/2” x 2 1/2”
$9,000–12,000
123
469
470
DAUM
DAUM
Vase with tulips, France, ca. 1900
Enameled and martelé glass
Signed Daum Nancy with Croix de Lorraine/No. 32
8” x 7 3/4”
Enameled cameo glass bowl with grapes and applied snail, France,
ca. 1900
Raised signature DAUM NANCY with Croix de Lorraine
2 3/4” x 5 3/4”
$1,500–2,000
$1,500–2,000
471
472
LEGRAS
DAUM
Tall glass vase with birds in flight, France
Blown, enameled, and etched glass
Signed Legras to body
21” x 9”
Acid-etched cameo glass lamp with landscape, France, 1900s
Base and shade signed Daum Nancy with Croix de Lorraine
20” x 11”
$1,000–1,500
$5,000–8,000
125
473
475
LALIQUE
LALIQUE
“Gregoire” perfume bottle, clear glass, France, des. 1927
M p. 337 no. 521
Molded LALIQUE FRANCE, etched R. Lalique France No. 521
4” x 2 1/2”
“Hirondelles” perfume bottle, frosted clear glass with sepia patina,
France, des. 1920
M p. 332 no. 503
Etched R. Lalique France No. 503
3 1/2” x 3 1/4” x 3/4”
$900–1,200
$1,500–1,800
476
477
478
LALIQUE
HOUBIGANT
LALIQUE
HOUBIGANT
LALIQUE
“La Belle Saison” perfume bottle, clear glass with sepia patina,
France, des. 1925
In original box
M p. 941 no. 3
Box marked HOUBIGANT FRANCE, bottle molded MADE IN
FRANCE, base etched 10 and 19
Bottle: 4” x 2 3/4” x 1”, box: 4 1/2” x 3 1/4” x 1 1/8”
“La Belle Saison” perfume bottle, clear glass with sepia patina,
France, des. 1925
In original box
M p. 941 no. 3
Box marked HOUBIGANT FRANCE, bottle molded MADE IN
FRANCE, base and stopper etched 12 and 14
Bottle: 4” x 2 3/4” x 1”, box: 4 1/2” x 3 1/4” x 1 1/8”
$2,000–3,000
$2,000–3,000
“Noisetier” chandelier, France, des. 1924
M p. 645 no. 2269
Frosted glass, seven sockets
Unmarked
30” x 32”
$15,000–20,000
127
479
480
483
484
LALIQUE
LALIQUE
LALIQUE
LALIQUE
Large rooster sculpture, France, des. 1953
Clear crystal
Etched LALIQUE
18 1/2” x 14” x 7”
“Muguet” pendant with original silk cord and tassel, opalescent
glass, France, des. 1921
M p. 582 no. 1667
Molded LALIQUE
Pendant: 2 5/8” x 1 1/8”
“Bacchantes” vase, frosted clear glass, France, 1945-78
Etched Lalique France, CRISTAL LALIQUE PARIS label
9 3/4” x 8 3/4”
“Tête d’Aigle” hood ornament, frosted clear glass, France,
des. 1928
M p. 499 no. 1138
Molded R. LALIQUE FRANCE
4 1/2” x 5 1/2”
$3,000–4,000
$1,500–2,000
$2,000–2,500
$1,200–1,500
481
482
485
486
LALIQUE
LALIQUE
LALIQUE
LALIQUE
“Lutteurs” vase, frosted clear glass, France, des. 1914
M p. 415 no. 890
Etched R. Lalique France
5 1/4” x 7”
Rare “Cep” stemware, partial set of fifty-nine pieces, France,
des. 1937: twelve water glasses, eleven burgundy glasses, nine
bordeaux glasses, eleven Madeira glasses, ten liquor glasses, six
champagne glasses
M p. 855 nos. 5386-5391
All acid-etched R. LALIQUE FRANCE
Water glasses: 5 1/2” x 3 1/2”
“Champs Elysees” chandelier, France, after 1978
Frosted and clear glass, chromed metal, six sockets
Etched Lalique France with copyright
23” x 22”
Five “Coquilles” bowls, opalescent glass, France, des. 1924
M p. 748 no. 3201 and 3204
All etched R LALIQUE FRANCE, one marked no. 3201, four marked
no. 3204
3 1/8” x 8 1/4”, 2 1/8” x 5 1/4”
$2,000–3,000
$2,000–3,000
$1,000–1,500
$2,500–3,500
129
487
488
LALIQUE
LALIQUE
“Muguets” box, opalescent glass, France, des. 1921
M p. 230 no. 41
Molded R. LALIQUE and etched France No. 41
2 1/4” x 10”
“Salamandres” perfume bottle, clear glass with gray patina,
France, des. 1914
M p. 328 no. 491
Base etched 722/2
3 3/4” x 3” x 1”
$1,200–1,500
$1,200–1,500
489
490
491
LALIQUE
LALIQUE
TIFFANY STUDIOS
“Masque de Femme” frosted clear glass panel, France, after 1978
Etched Lalique France with registered trademark symbol
3” x 12 1/2” sq.
Eleven “Ricquewihr” finger bowls, France, des. 1931
M p. 728 no. 3110
All acid-etched R. LALIQUE FRANCE
2 1/8” x 4 3/4”
Decorative Moorish panel, New York, 1900s
Opalescent slag glass, patinated metal
Unmarked
30” x 25”
$800–1,200
$9,000–12,000
LITERATURE
Marie Claude Lalique, Lalique, 1988, p. 391
$1,000–1,500
131
492
493
TIFFANY STUDIOS
TIFFANY & CO.
TIFFANY STUDIOS
Mantel clock, New York, 1920s
Acid-etched gilt bronze, enameled metal, glass, silk
Face marked TIFFANY & CO. NEW YORK, base stamped TIFFANY
STUDIOS NEW YORK 2073, works stamped CHELSEA CLOCK CO.
BOSTON U.S.A. 182249
7 3/4” x 11 3/4” x 3 1/2”
Pair of bud candlesticks, New York, 1920s
Acid-etched gilt bronze
Both stamped TIFFANY STUDIOS NEW YORK 1230
9” x 7 1/2” ea.
$1,500–2,000
$2,000–3,000
494
495
TIFFANY STUDIOS
TIFFANY STUDIOS
Pair of low candlesticks, New York, 1920s
Acid-etched gilt bronze, enamel
Both stamped LOUIS C. TIFFANY FURNACES, INC. 41A with
circular Tiffany Studios cipher
3 1/4” x 4 1/4” ea.
Six desk accessories, New York, 1900s-20s: American Indian
stamp box and letter holder, Graduate paperclip, Bookmark blotter
ends, and miscellaneous letter opener
Gilt and silvered bronze
All marked
Letter holder: 4 1/2” x 6 1/2” x 2 1/2”
$900–1,200
496
TIFFANY STUDIOS
Large gold Favrile glass Jack-in-the-Pulpit vase, New York, 1910
Etched L.C. Tiffany - Favrile 6084E
20” x 10 1/2”
$7,000–10,000
$1,000–1,500
133
497
498
499
500
TIFFANY STUDIOS
TIFFANY STUDIOS
TIFFANY STUDIOS
TIFFANY STUDIOS
Floriform Favrile glass vase, New York, 1902
Etched L.C.T. Q2223
11 3/4” x 4 1/4”
Gold Favrile glass Jack-in-the-Pulpit vase, New York, 1919
Etched 1532-4800N L.C. Tiffany - Inc. Favrile
15” x 6”
Gold Favrile glass Jack-in-the-Pulpit vase, New York, 1905
Etched L.C.T. W6685
13” x 8”
$1,800–2,200
$3,000–5,000
Four-arm candelabrum with jeweled base, New York, 1900s
Patinated bronze, blown glass
Stamped TGDCO TIFFANY STUDIOS NEW YORK D 887
12 1/4” x 8”
$2,000–3,000
$2,750–3,250
135
501
502
TIFFANY STUDIOS
TIFFANY STUDIOS
Experimental blue Favrile glass jar, New York,1917
Base etched x236 8274L L.C. Tiffany - Favrile B, lid etched x236
9408L A
9 3/4” x 4”
Large gold Favrile glass vase, New York, 1908
Etched 2448C L.C. Tiffany - Favrile
16 1/4” x 9 1/2”
$900–1,200
$2,000–3,000
503
504
505
TIFFANY STUDIOS
QUEZAL
TIFFANY STUDIOS
Tall Favrile glass vase with leaves, New York, 1917
Etched 1970L L.C. Tiffany - Favrile
20” x 6”
Fine large glass vase with gold swirls, New York, 1900s
Etched QUEZAL C910
10” x 8 1/2”
Pair of candlelamps, pulled feather shades and cat’s paw bases, New York, 1920s
Bases stamped TIFFANY STUDIOS NEW YORK 1201, shades etched L.C.T.
16 1/2” x 5 3/4”
$1,800–2,400
$2,500–3,500
$3,000–4,000
137
506
TIFFANY STUDIOS
Pastel Favrile glass goblet, New York, 1900s
Etched L.C.T. Favrile
9” x 3 1/2”
$800–1,200
507
508
511
TIFFANY STUDIOS
TIFFANY STUDIOS
TIFFANY STUDIOS
Gold Favrile glass vase, New York, 1905
Etched L.C.T. W7560
2” x 8 3/4” x 5 1/2”
Pair of Favrile glass Stalactite shades, New York, 1900s
Both etched L.C.T. Favrile
8 1/4” x 5 1/2” ea.
$700–900
$2,000–3,000
Chainlink ceiling fixture, New York, 1920s
Gilt bronze, Favrile glass, single socket
No visible marks
4” x 14 1/2”
509
510
TIFFANY STUDIOS
TIFFANY STUDIOS
Two turtleback glass tiles, New York, 1900s
Unmarked
Approx. 5 3/4” x 4 1/4” ea.
Two turtleback glass tiles, New York, 1900s
Unmarked
Approx. 5 1/2” x 4 1/2” ea.
$800–1,200
$1,500–2,000
$7,000–10,000
139
512
513
TIFFANY STUDIOS
TIFFANY STUDIOS
Fine adjustable table lamp base, New York, 1900s
Patinated bronze, single socket
Stamped TGDCO TIFFANY STUDIOS NEW YORK D744
26” x 14”
Large adjustable desk lamp, two Wave pattern shades, New York,
1900s
Patinated bronze, Favrile glass, two sockets
One shade etched L.C.T., base stamped TIFFANY STUDIOS NEW
YORK 318
26” x 29”, shades: 5” x 10”
$3,000–4,000
$5,000–7,500
514
516
517
TIFFANY STUDIOS
TIFFANY STUDIOS
TIFFANY STUDIOS
Counterbalance floor lamp base,
New York, 1900s
Foot stamped TIFFANY STUDIOS
NEW YORK 468
As shown: 55” x 16”
Floor lamp base, New York, 1900s
Base stamped TIFFANY STUDIOS
NEW YORK 423
55 1/2” x 11 1/2”
Fine table lamp, Wave pattern shade, New York, 1900s
Patinated bronze, Favrile glass, three sockets
Base stamped TIFFANY STUDIOS NEW YORK 25881 TGDCO
24” x 15”
$1,500–2,000
$1,000–1,500
$12,000–14,000
141
518
519
520
521
TIFFANY STUDIOS
QUEZAL
TIFFANY STUDIOS
TIFFANY STUDIOS
TIFFANY STUDIOS
Floor lamp with Quezal pulled-feather
shade, New York, 1900s
Patinated bronze, glass, single socket
Shade etched QUEZAL, base stamped
TIFFANY STUDIOS NEW YORK 423
55 1/2” x 12”, shade: 4 1/2” x 7”
Split harp floor lamp, pulled feather shade,
New York, 1900s
Patinated bronze, Favrile glass, single
socket
Base stamped TIFFANY STUDIOS NEW
YORK 423H, shade etched L.C.T.
58” x 15”, shade: 12” dia.
Counterbalance floor lamp, Wave pattern
shade, New York, 1920s
Acid-etched gilt bronze, Favrile glass,
single socket
Base stamped TIFFANY STUDIOS NEW
YORK 468, shade etched L.C.T. Favrile
54” x 17”, shade: 10” dia.
Fine Daffodil table lamp, New York, 1900s
Patinated bronze, leaded slag glass, three sockets
Metal TIFFANY STUDIOS NEW YORK 1449 tag to shade,
base stamped TIFFANY STUDIOS NEW YORK 444
21 1/2” x 16”
$2,500–2,500
$6,500–7,500
$6,000–8,000
$75,000–95,000
143
2.27.16
Mid-Mod 3:30 PM
145
550
551
552
556
557
558
GEORGE OHR (1857 - 1918)
GEORGE OHR (1857 - 1918)
GEORGE OHR (1857 - 1918)
FULPER
FULPER
FULPER
Large inkwell with ruffled rim, green and
ochre glaze, Biloxi, MS, 1897-1900
3” x 10” x 4”
Novelty chamberpot and vase, Biloxi, MS,
1895-96
Both marked, one partially obscured by
glaze
Larger: 3 1/2” x 4” x 3”
Bisque candlestick with in-body twist,
Biloxi, MS, 1898-1910
Script signature
5 3/4” x 4 1/2”
Buttressed vase, Cats-Eye Flambé glaze,
Flemington, NJ, 1910s-20s
Vertical rectangular ink stamp
11” x 8”
Large four-handled vase, blue crystalline
glaze, Flemington, NJ, 1915-20s
Incised racetrack mark
13” x 12”
$1,000–1,500
$800–1,200
Large vase, fine Mission Verde or Leopard
Skin Crystalline glaze, Flemington, NJ,
1910s
Vertical racetrack stamp
12” x 8 1/2”
$1,000–1,500
$1,500–2,000
$1,000–1,500
PROVENANCE
$600–900
553
554
555
559
560
561
GEORGE OHR (1857 - 1918)
HENRIETTA BAILEY (1874 - 1950)
NEWCOMB COLLEGE
NEWCOMB COLLEGE
FULPER
FULPER
FULPER
Small creamer with blossoms,
NC/PM64/HBH
3 1/2” x 3 1/2”
Trivet with moths, New Orleans, LA, 1926
NC/SI/PK77/original paper label
1/2” x 5 1/2”
Two vases, Mulberry and Moss to Rose
flambé glazes, Flemington, NJ, 1910s
Incised racetrack mark to one, original
paper label to other
Taller: 10” x 8”
Two vases, multicolor flambé glazes,
Flemington, NJ, 1910s
Rectangular ink stamp to both
Taller: 11 3/4” x 7”
Large buttressed vase, Flemington Green
Flambé glaze, Flemington, NJ, 1910s
Vertical rectangular ink stamp
13 1/4” x 10”
PROVENANCE
$1,000–1,500
PROVENANCE
Bisque teapot, Biloxi, MS, 1895-96
Stamped GEO. E OHR BILOXI, MISS
4 1/2” x 7 1/2”
$1,250–1,750
$1,000–1,500
$1,250–1,750
$450–650
$500–750
147
562
563
564
568
569
570
SARA GALNER
TILLIE BLOCK
EDITH GUERRIER
FANNIE LEVINE
IDA GOLDSTEIN
ALBINA MANGINI
EDITH GUERRIER
SARA GALNER
MARBLEHEAD
Eight glazed ceramic egg cups and two
salts, some decorated in cuerda seca with
hens, chicks, tulips, flowers, rabbits, and
trees, Boston, MA, 1910s-20s
Six signed, one by Tillie Block and one by
Edith Guerrier
Largest: 1 3/4” x 1 3/4”
Five glazed ceramic milk pitchers, one for
“Jane” and one “Joseph,” some decorated in
cuerda seca with rabbits, ducks, trees, and
hen with chick, Boston, MA, 1910s-20s
All marked, one by Fannie Levine and one
by Ida Goldstein
Approx. 4 1/4” x 4 1/2” ea.
Four glazed ceramic lidded jars and one
small plate, some decorated in cuerda seca
with tulip, swans, ducks, and trees, Boston,
MA, 1910s-20s
All marked, one by Albina Mangini, two by
Edith Guerrier
Largest: 4 1/4” x 3 1/2”
Two glazed ceramic cups, two bowls, one
creamer, some decorated in cuerda seca
with squirrels, Boston, MA, 1910s
Cups signed SG/S.E.G./97-7-12 and 22810-11, bowls signed TM/S.E.G./2-13 and
JG/S.E.G./5-15, creamer signed IK/21-7-12/
SEG
Cups: 4” x 3 1/4”
PROVENANCE
PROVENANCE
PROVENANCE
PROVENANCE
$800–1,200
$1,000–1,500
$1,000–1,500
$800–1,200
565
566
567
571
572
573
LILI SHAPIRO
SARA GALNER
EDITH GUERRIER
VAN BRIGGLE
CALIFORNIA FAIENCE
TECO
Glazed ceramic bowl decorated in cuerda
seca with “The Midnight Ride of Paul
Revere,” Boston, MA, 1941
Inside of bowl incised “A VOICE IN THE
DARKNESS A KNOCK AT THE DOOR AND
A WORD THAT SHALL ECHO FOREVER
MORE,” base signed LS/P.R.P./6-41
3” x 7”
Six glazed ceramic creamers some
decorated in cuerda seca with rabbits,
ducks, chicks, hens, and trees, Boston, MA,
1910s-20s
All marked, one by Sara Galner
Approx. 3 1/4” x 3 3/4” ea.
Glazed ceramic inkwell, trivet, and
paperweight decorated in cuerda seca
with wooded landscape, Boston, MA, 1917
Inkwell signed S.E.G./5-17/EG, trivet signed
S.E.G./10-17/RL, paperweight unmarked
Inkwell: 1 1/2” x 4” x 3”
Vase with flowers, variegated green glaze,
Colorado Springs, CO, 1907-11
Incised AA VAN BRIGGLE COLO. SPGS,
illegible numbers
6 1/2” x 3”
Vase with moths, Berkeley, CA, 1920s
Incised California Faience
5” x 4 3/4”
Tall rare Aventurine vase, Terra Cotta, IL,
ca. 1910
Stamped TECO, incised X
14 3/4” x 7”
PROVENANCE
PROVENANCE
$1,000–1,500
$1,000–1,500
Glazed ceramic honey jar decorated in
cuerda seca with wooded landscape,
Boston, MA, 1912
Signed S.G./S.E.G./66-7-12
5” x 5 1/4”
PROVENANCE
Los Angeles, CA
$1,000–1,500
PROVENANCE
Los Angeles, CA
Los Angeles, CA
Los Angeles, CA
Los Angeles, CA
Los Angeles, CA
Two small vases, Boston, MA
Both marked, one partially obscured by
glaze
4 1/2” x 4”, 4” x 4”
$400–600
Los Angeles, CA
$800–1,200
PROVENANCE
$800–1,200
$500–750
Los Angeles, CA
$800–1,200
149
574
575
576
580
581
582
MARIE LONGWORTH NICHOLS
(1849 - 1932)
ROOKWOOD
WILLIAM HENTSCHEL (1892 - 1962)
ROOKWOOD
WILLIAM HENTSCHEL (1892 - 1962)
ROOKWOOD
WELLER
WELLER
WELLER
Large Decorated Mat vase with flowers,
Cincinnati, OH, 1915
Flame mark/XV/164/WEH
10” x 11 1/2”
Large Jewel Porcelain urn with fish,
Cincinnati, OH, 1928
Flame mark/XXVIII/6010C/WEH/seconded
mark
11 3/4” x 10”
Massive L’Art Nouveau pitcher,
Zanesville, OH, 1903-04
Stamped WELLER ART NOUVEAU MAT
22” x 7 1/2” sq.
Tall L’Art Nouveau lamped vase,
Unmarked
21 3/4” x 7” x 6”
Massive L’Art Nouveau pitcher,
Incised WELLER MATT WARE
22 1/2” x 8”
PROVENANCE
PROVENANCE
PROVENANCE
$500–750
$500–750
$600–800
Early Limoges Style lamp base with bats,
period Aesthetic Movement fittings and
brass base, Cincinnati, OH, 1882
Impressed ROOKWOOD 1882, incised MLN
Overall: 15 1/4” x 7 1/2”,
vase only: 5 1/2” x 6 1/2”
$800–1,200
PROVENANCE
$500–750
PROVENANCE
$500–750
577
578
579
583
584
585
SALLIE COYNE (1876 - 1939)
ROOKWOOD
WAYLANDE GREGORY (1905 - 1971)
COWAN
WAYLANDE GREGORY (1905 - 1971)
COWAN
JACQUES SICARD (1863 - 1925)
WELLER
A.L. WILSON
WELLER
OWENS
Scenic Vellum vase, Cincinnati, OH, 1915
Flame mark/XV/952E/V/SC
7 3/4” x 3 1/2”
Glazed ceramic bust, Cincinnati, OH, 1930
Incised Waylande Gregory 1930
16” x 5 1/2”
$600–900
PROVENANCE
Figural ceramic sculpture of a nude,
Cincinnati, OH, 1920s
Incised WAYLANDE GREGORY
17” x 5”
Tall vase with flowers, Zanesville, OH,
1903-17
Glazed-over marks
16 3/4” x 4 3/4”
PROVENANCE
PROVENANCE
Louwelsa vase with terrier portrait,
Weller Louwelsa stamp/485/X, artist
signature to body
11” x 7 1/2”
$500–750
$800–1,200
$1,250–1,750
PROVENANCE
Utopian floor vase with horse portrait,
Zanesville, OH, ca. 1900
JB stamp/782, incised XL with artist initials
18” x 6”
PROVENANCE
$500–750
$500–750
151
586
587
588
ROSEVILLE
ROSEVILLE
Large Rozane Azurean vase with water
lilies, Zanesville, OH, 1902
Stamped 3 8 2, artist signature to body
14” x 7”
Two vases, one Egypto and one Chloron,
Zanesville, OH, 1905
One with ROZANE WARE Egypto raised
seal
5 1/2” x 5 1/2” ea.
RAMOS REJANO
ENGLISH
PROVENANCE
one of two
Two tiles, one framed (Rejano), Spain/
England, early 20th C.
Smaller marked
Larger (tile only): 10 3/4” sq.
592
593
594
BRETBY
CAMILLE FAURE (1874 - 1956)
ROYAL DOULTON
Two jeweled vases, England, ca. 1900
Impressed marks to both
Larger: 8 1/2” x 9”
Enameled brass vase with roses and
ribbons, Limoges, France, second half
20th c.
Signed C. FAURE Limoges.FRANCE
5 1/2” x 5”
Pair of glazed ceramic vases, England,
1900s
Stamped marks
8” x 7 3/4”
PROVENANCE
$800–1,200
$800–1,200
$200–400
589
590
591
595
596
597
BENNINGTON
ERNST WAHLISS (1837 - 1900)
SPANISH
ROYAL COPENHAGEN
Amphora wall-hanging plaque with maiden,
Turn-Teplitz, Bohemia, 1890s
Stamped Made in Austria Ernst Wahliss
Turn-Wien, incised 349
17 1/2” x 17 1/2”
Glazed lustreware ceramic plate, 16th C.
Unmarked
4” x 15”
PETER BEHRENS (1868 - 1940)
GERZ
ANDRE FAU (1896 - 1982)
Flint enamel water cooler with Gothic
window design, Bennington, VT, 1849
Impressed mark
16” x 13”
Two Art Nouveau glazed stoneware
pitchers, Germany, 1900s
Both marked
9 1/2” x 5” ea.
Glazed ceramic Art Deco rabbit sculpture,
Boulogne, France, 1920s
Stamped Andre Fau/G. RIDET/MADE IN
FRANCE/BOULOGNE and illegible numbers
10” x 18 1/2” x 3 1/2”
$600–900
$600–900
Large glazed porcelain vase with geese in a
seaside landscape, Denmark, early 20th C.
Stamped ROYAL COPENHAGEN DENMARK,
and signed 1508 35B with three-line wavy
blue mark
12 1/4” x 9 1/2”
$500–750
PROVENANCE
$800–1,200
$400–600
PROVENANCE
NOTE
$600–800
$1,000–1,500
$500–1,000
Similar examples can be found in the
Metropolitan Museum of Art’s permanent
collection.
$$400–600
153
598
599
600
604
605
606
GUSTAV GURSCHNER (1873 - 1970)
GUSTAV GURSCHNER (1873 - 1970)
SECESSIONIST
LALIQUE
LALIQUE
LALIQUE
Secessionist beetle vase, Austria, early
20th C.
Patinated bronze
Stamped H 111 Z to base, partial
GURSCHNER stamp to body
7 1/4” x 7 1/4” x 3 3/4”
Secessionist jardinière with pelican
medallions, Austria, early 20th C.
Patinated and enameled bronze
Stamped GURSCHNER to body, base
stamped KUNST-ERZGEISSEREI WIEN
1433b
8 1/4” x 12”
Pair of patinated bronze candlesticks
One stamped 550/103, the other stamped
550/104
11” x 7 1/2” ea.
“Guêpes” pendant, amethyst glass with
white patina, France, des. 1920
M p. 578 no. 1650
Etched Lalique
2 1/4” x 1 7/8”
“Champs Elysees” bowl, clear and frosted
glass, France, 1945-78
Etched Lalique France
7” x 18” x 10”
“Roger” smokey topaz box and Nina Ricci
“L’Air du Temps” perfume bottle, France,
des. 1926/1948
M p. 237 no. 75 (box)
Perfume in original box
Roger molded LALIQUE and etched R.
Lalique France, bottle etched NINA RICCI
FRANCE BOTTLE MADE BY Lalique
Box: 1 3/4” x 5 1/4”, perfume: 4” x 2 1/2”
$1,500–2,500
$1,000–1,500
$700–900
$800–1,200
$1,000–1,500
$700–1,000
601
602
603
607
608
609
WIENER WERKSTATTE
LOETZ
LOETZ
LALIQUE
Large brown Metallin vase with peonies,
Austria, ca. 1900
Blown glass, silver overlay
Unmarked
12” x 8 1/2”
Opalescent “Coquilles” plate and clear (des.
1924) “Marguerites” bowl with sepia patina
(1945-78), France
Plate etched R LALIQUE FRANCE N. 3009,
bowl etched LALIQUE FRANCE
Bowl: 2 3/4” x 14 1/2”, plate: 1 1/2” x 11 3/4”
LALIQUE
ARYS
DAUM
Glass vase with silver overlay, Austria,
ca. 1900
Silver stamped STERLING
5 3/4” x 5”
Ashtray, Austria, 1920s
Alpaca silver
Stamped WIENER WERKSTATTE MADE IN
AUSTRIA with artist monogram
1 1/4” x 4 1/2” x 3 1/2”
$1,000–1,500
$600–900
$2,000–3,000
$800–1,200
“Rose Sans Fin” perfume bottle, frosted
clear glass, France, des. 1919
M p. 923 no. 6
Base molded ARYS LALIQUE, base and
stopper etched 408
3 1/4” x 2 1/8”
Art Deco bowl, Nancy, France, 1920s
Acid-etched and frosted glass
Etched Daum Nancy FRANCE with Croix de
Lorraine
3 1/4” x 12”
$900–1,200
$700–900
155
610
611
LOETZ
LOETZ
Glass vase with copper overlay of
chestnuts, Austria, ca. 1900
Unmarked
5 1/4” x 8 1/4”
Small Papillon glass vase with silver overlay,
Austria, ca. 1900
Silver stamped STERLING
4 1/2” x 4”
615
616
$400–600
$600–900
HANDEL
PAIRPOINT
Pair of mantel lamps with snowy landscapes, Meriden, CT,
1910s-20s
Acid-etched reverse-painted iridized glass, patinated metal, single
sockets
Shades signed HANDEL 6990, cloth label to one base
15” x 5 1/4”
Table lamp, Lansdowne shade with bucolic scene on fluted base,
Bedford, MA, 1910s-20s
Shade signed H. Hisher and The Pairpoint Corp’n, base stamped
PAIRPOINT P D3058
22” x 18”
PROVENANCE
$800–1,200
612
613
614
LIBBEY GLASS CO.
ART DECO
HANDEL
Tall Amberina Jack-in-the-Pulpit vase,
Toledo, OH, 1920s
Libbey acid stamp
16 3/4” x 5 1/2”
Two desk lamps, USA, early 20th C.
Patinated metal, glass, single socket
Unmarked
Bird: 11 1/2” x 10” x 4”, snake: 10 1/4” x 6 1/2”
PROVENANCE
$800–1,200
Adjustable floor lamp, Meriden, CT, ca. 1910
Patinated metal, obverse-painted acidetched glass, single socket
Cloth label to base, shade signed HANDEL
3910
60” x 14 1/2”
Early Auction Co., Milford, OH, lot 94
$500–700
$1,000–2,000
PROVENANCE
$1,000–1,500
617
618
HANDEL
PITTSBURGH
MOE-BRIDGES CO.
Handel lamp base with Pittsburgh forest shade, Meriden, CT/
Pittsburgh, PA, 1910s
Acid-etched reverse- and obverse-painted glass, patinated metal,
three sockets
Unmarked
22” x 18”
PROVENANCE
Table lamp, snowy winter mountain landscape shade on classical
base, Milwaukee, WI, 1920s
Base stamped MOE-BRIDGES CO. MILWAUKEE WIS
23 1/2” x 18”
PROVENANCE
$1,000–1,500
$1,000–1,500
157
619
620
623
624
PAIRPOINT
HANDEL
DUFFNER & KIMBERLY
ARTS & CRAFTS
Table and boudoir lamps, Palm shades decorated with bucolic
scenes, Bedford, MA, 1910s-20s
Reverse-painted frosted glass, gilt metal, single sockets
Bases stamped PAIRPOINT MFG CO
18” x 9”, 16” x 9”
Adjustable desk lamp with mountain landscape, Meriden, CT,
1910s-20s
11 1/2” x 14 1/2” x 10”
Chandelier, New York, 1900s
Leaded slag glass, gilt metal, four sockets
Unmarked
To ceiling cap: 58” x 22”, shade only: 12” x 22”
Chandelier, USA, early 20th C.
Leaded slag glass, gilt metal, four sockets
Unmarked
To top of chain: 48” x 25”, shade only: 12” x 25”
LITERATURE
PROVENANCE
Crist, Mosaic Shades Volume II, 2005, p. 240
$1,500–2,500
PROVENANCE
$1,500–2,000
$850–1,250
621
622
625
626
HANDEL
HANDEL
Boudoir lamp, floral shade on basketweave base, Meriden, CT,
1910s-20s
Shade signed HANDEL 6452, base stamped HANDEL
14” x 7”
MOE-BRIDGES CO.
CLASSIQUE
HANDEL
Table lamp with berries, Meriden, CT, 1910s-20s
Obverse-painted frosted glass, patinated metal, single socket
Shade signed HANDEL CO2663
19 1/2” x 11”
PROVENANCE
$1,500–2,000
PROVENANCE
$1,000–1,500
$1,000–1,500
Moe-Bridges boudoir lamp base, Classique shade with parrot and
cockatoo, Milwaukee, WI/Chicago, IL, 1920s
Shade signed CLASSIQUE 2011, base stamped MOE-BRIDGES
MILWAUKEE
14” x 8”
PROVENANCE
Desk lamp with wild rose shade, Meriden, CT, 1910s-20s
Shade signed HANDEL 7076
14” x 11”
PROVENANCE
$1,250–1,750
$500–750
159
627
628
632
633
634
GUSTAV STICKLEY
TAYLOR
STYLE OF KALO
DIRK VAN ERP (1860 - 1933)
Rare wall sconce, Eastwood, NY, 1900s
Hammered copper
Als Ik Kan stamp
15” x 7”
Tile-top table with six-tile panel of parrots,
California, 1920s
Unmarked
Table: 18 1/4” x 27” x 18 1/4”,
tile panel: 18” x 12”
Fine Arts & Crafts necklace, USA, ca. 1908
14k bloomed yellow gold, aventurine,
freshwater pearls
Etched “E.M.W. to A.P.I. June 17-’08”
18” (chain length), 1 3/4” x 1” (pendant)
MATTHIAS WILLIAM HANCK (Attr.)
(1883 - 1955)
$800–1,200
$1,500–2,000
Footed serving dish, San Francisco, CA,
1930s
Silver-plated hammered copper, ebony
Open box windmill stamp SAN FRANCISCO
HANDWROUGHT
2 3/4” x 16 3/4” x 11 1/4”
$800–1,200
Fine Arts & Crafts necklace, USA, early
20th C.
14k yellow gold, river pearls, turquoise
Etched MWH
15” (chain length), 2 1/8” x 1 1/4” (pendant)
$750–950
$3,000–4,000
629
630
631
635
636
637
AMERICAN
EUROPEAN ART NOUVEAU
PRAIRIE SCHOOL
HEINRICH LEVINGER
MORGAN COLT (Attr.) (1876 - 1926)
MURRLE BENNETT & CO.
Beveled glass window, early 20th C.
Unmarked
38” x 26 1/2”
Oak cabinet with stained glass doors, early
20th C.
Unmarked
55” x 35 1/4” x 11 1/4”
Zinc and phased slag glass window with
stylized tulips, USA, 1900s
In original frame
Unmarked
36 1/2” x 19 1/4”
Jugendstil butterfly necklace, Germany,
ca. 1900
Plique-à-jour enamel, .900 silver, river
pearls
Impressed maker’s mark/DEPOSE/900
Length: 17”
Swan doorstop, New Hope, PA, ca. 1920
Wrought iron, lead
Unmarked
17 1/4” x 8 1/2”
Enameled silver necklace, England,
ca. 1900
Impressed maker’s mark and 950
Length: 16 1/2”
PROVENANCE
$700–1,000
$400–600
$900–1,400
$850–1,250
$700–1,000
Private collection, Pennington, NJ
Roy Pedersen, Lambertville, NJ
Isaac Wallwork Estate
$800–1,200
161
638
639
642
643
TOMMI PARZINGER (1903 - 1981)
CHARAK MODERN
CHARAK MODERN
PARZINGER ORIGINALS
PARZINGER ORIGINALS
Console table, USA, 1950s
Lacquered and silvered wood, nickeled brass
Manufacturer and retailer labels
36” x 32” x 11”
Pair of nightstands, USA, 1950s
Lacquered wood, brass
Unmarked
27” x 18 1/2” x 18”
Étagère, New York, 1960s
Polychromed iron, white oak
Unmarked
82” x 24” sq.
$2,500–3,500
$2,000–3,000
Seating, New York, 1960s: lounge chair, two armchairs, and stool
Stained mahogany, upholstery
Unmarked
Lounge: 29” x 27” x 27”, arm-: 35” x 22” x 25”,
stool: 15 1/2” x 16 1/2” sq.
640
641
644
645
PARZINGER ORIGINALS
PARZINGER ORIGINALS
PARZINGER ORIGINALS
Three illuminating pedestals, New York, 1960s
Lacquered wood, four sockets
Two stamped PARZINGER ORIGINALS with model numbers
Tallest: 57 1/4” x 12” x 9”
Cabinet, New York, 1960s
Bleached mahogany, brass
Unmarked
37” x 49” x 18 1/2”
$3,000–5,000
$2,000–3,000
$1,500–2,000
Oil on canvas painting #98, New York, 1973
Framed
Signed “Michael/Fall Festival September 29/Parzinger/1973”
30” x 40”
$2,000–3,000
$1,500–2,000
Pair of side tables, New York, 1960s
Bleached and stained mahogany, lacewood inlay
Unmarked
22 1/2” x 28 1/2” sq.
$2,000–3,000
163
646
647
650
GERALD THURSTON
LIGHTOLIER
PARZINGER ORIGINALS
PAUL EVANS (1931 - 1987)
DIRECTIONAL
Pair of large table lamps, USA, 1950s
Glazed ceramic, brass-plated and enameled metal, original linen
shades, three sockets
Unmarked
Overall: 40” x 18”
Lamp table, New York, 1960s
Maple, brass, silk shade, three sockets
Branded
67 1/2” x 16 1/2”, height to table: 17”
Double-pedestal dining table (PE-411), USA, 1980s
Laminated wood, crotch mahogany
Unmarked
30 1/2” x 55 1/2”, one leaf: 24”
$2,000–3,000
Authenticated by Dorsey Reading
$1,200–1,800
$3,000–5,000
648
649
651
PHIL POWELL (1919 - 2008)
PAUL EVANS (1931 - 1987)
PHIL POWELL (1919 - 2008)
DESIGNERS INC.
PAUL EVANS (1931 - 1987)
DIRECTIONAL
Wall-hanging mirror, New Hope, PA, 1960s
Gilt walnut, mirrored glass
Unmarked
46 1/2” x 18 1/4”
PROVENANCE
Original owner, commissioned from the artist
$1,500–2,000
Six-piece smoking set: four ashtrays, lighter, and cigarette box,
New Hope, PA, 1960s
Walnut, pewter, brass
Three pieces stamped Designers Inc. Paul Evans
Largest ashtrays: 2 1/4” x 6 3/4”
Cityscape desk (PE-7396), USA, 1970s
Chromed steel, walnut
Unmarked
29 1/2” x 72” x 37”
$2,000–3,000
PROVENANCE
Original owner, Pennsylvania
$1,000–1,500
165
652
655
GEORGE NAKASHIMA (1905 - 1990)
NAKASHIMA STUDIOS
WIDDICOMB
Bench, New Hope, PA
Walnut
Unmarked
15” x 59” x 19”
Sundra coffee table (no. 200), Grand Rapids, MI, 1959
Carpathian elm, rosewood, walnut
Decal label and stenciled date and markings
13” x 84” x 31 1/2”
$3,000–5,000
$2,500–3,500
653
654
656
NAKASHIMA STUDIOS
NAKASHIMA STUDIOS
NAKASHIMA STUDIOS
Possibly unique shogi table, New Hope, PA
Scored walnut
Table unmarked, shogi box ink-stamped
Table: 9” x 15” sq., box: 2” x 4 1/2” x 3 1/2”
Side table, New Hope, PA, 1971
Cherry, walnut
Unmarked
17” x 28 1/2” x 19”
Pair of twin headboards, New Hope, PA, 1967
Walnut
Unmarked
Each: 36” x 39” x 3”
Accompanied by wood box with incised and painted game pieces
PROVENANCE
PROVENANCE
$1,800–2,400
Letter of authentication from Mira Nakashima and copy of original
receipt
$1,500–2,500
Copy of original order card
$1,500–2,000
167
657
658
WHARTON ESHERICK (1887 - 1970)
Woodblock print, “Breaking the Young Colt,” Paoli, PA
Matted
Pencil signed, titled, and numbered 18, chop mark in image
Image: 10 3/4” x 15”
Woodblock print, “Moonlight and Meadows,” Paoli, PA, 1964
Matted
Pencil signed, titled, and dated
Image: 7 1/2” x 8”
$1,000–1,500
$1,000–1,500
659
660
661
Woodblock print, “The Lee Rail,” Paoli, PA, 1921
Matted
Pencil signed, titled, dated, and numbered 40/59
Image: 9 3/4” x 9 1/4”
Illustrated soft-cover book, “As I Watch’d the
Ploughman Ploughing” by Walt Whitman with
music by Philip Dalmas, Franklin Printing,
Philadelphia, 1927
Woodcut prints on Kalmar paper
Signed Wharton Esherick on last page, one of
200 copies
13 3/4” x 12”
WHARTON ESHERICK
(1887 - 1970)
D.H. LAWRENCEA.E.
COPPARD
$1,000–1,500
$1,000–1,500
Four books with Wharton
Esherick illustrations: Song of
the Broad-Axe by Walt Whitman,
Reflections on the Death of a
Porcupine by D.H. Lawrence,
Rhymes of Early Jungle Folk by
Mary E. Marcy, and Yokohama
Garland and Other Poems by A.E.
Coppard, USA, 1920s
$800–1,000
662
663
ROBERT WHITLEY (b. 1925)
ROBERT WHITLEY (b. 1925)
Wall shelf, Solebury, PA
Sculpted walnut
Signed
12” x 18” x 9”
Rocker and side table, Solebury, PA, 1964/undated
Sculpted walnut
Rocker incised Whitley 8/64, side table incised Whitley
Rocker: 40 1/2” x 25” x 32”, side table: 19” x 10 1/2” x 10 1/2”
$500–700
$1,500–2,000
664
665
JOE PEPE (b. 1954)
JOE PEPE (b. 1954)
Coffee table/bench, New Hope, PA, 2015
Figured walnut, three zebrawood butterflies
Signed Joseph Pepe New Hope, PA WORKS IN WOOD 2015 with
branded mark JFP 2015
17” x 47” x 22 1/2”
Coffee table, New Hope, PA, 2015
Figured walnut
Signed Joseph Pepe New Hope, PA WORKS IN WOOD 2015 with
branded mark JFP 2015
16 1/2” x 47” x 26 1/2”
$1,800–2,400
Exhibited: Works in Wood, New Hope Arts, New Hope, PA,
November 13 - December 13, 2015
$1,500–2,000
169
666
667
668
671
672
KENNETH FISHER (b. 1950)
JEROME ABEL SEGUIN (b. 1950)
TRIPP CARPENTER (b. 1955)
MARIO DAL FABBRO (1913 - 1990)
“Structural Cabinet,” USA, 1980
Oak, stained oak, walnut, maple
Unmarked
75” x 53” x 16 1/2”
Tall sculpture, “Teak Leaf,” France, ca. 1990
Carved teak
Signed, JAS
86” x 54” x 31 1/2”
$1,500–2,000
Two sculptures, Fairfield, CT, 1980-1981:
Untitled and “Image of Penguin #2”
Various woods
One titled, both signed and dated
19 1/2” x 6 1/2” x 4”, 18” x 9” x 9 1/2”
Three sculptures, Fairfield, CT, ca. 1983
Various woods
All signed
19 1/2” x 4 1/2” x 3”, 16” x 5” x 4” and 4” x 4” x 3”
PROVENANCE
Wall mounting jewelry box, Bolinas, CA,
2000s
Old growth fir, natural and dyed
Signed Espenet III 1309
30” x 4 1/4” x 6”
$1,000–1,500
$1,500–2,000
Estate of friend of artist
$1,500–2,000
$1,500–2,500
669
670
TRIPP CARPENTER (b. 1955)
Spider coffee/side table, Bolinas, CA, 1970s
Redwood burl, ebonized wood
Signed, Espenet III 1303
15” x 31 1/2” x 24”
Two sculptures, “Duality” and “Dimensions,”
Fairfield, CT, 1968/undated
Mahogany, stained mahogany
Both signed and titled, one dated
28” x 15” x 12”, 18” x 20” x 20 1/2”
$1,200–1,600
$2,000–3,000
673
674
Three sculptures, Fairfield, CT, ca. 1983: “Hope with Hole” and two
Untitled
Various woods
All signed, one dated and titled
15 1/2” x 15” x 6”, 13 1/2” x 3 1/2” sq., and 8” x 19” x 3 3/4”
Two sculptures, Fairfield, CT, 1989-1990
Various woods
Signed and dated
17 1/4” x 6” x 4”, 12” x 14” x 7”
$2,000–3,000
$1,500–2,000
171
675
676
677
681
682
MARY MERKEL-HESS (b. 1949)
Basket, Iowa
Papier-mâché, twigs
No visible signature
3 1/2” x 15” sq.
Basket, Iowa
Papier-mâché, bamboo, twine
Signed
5 1/2” x 18 1/2” sq.
Basket, Iowa
Papier-mâché, bamboo, twine
Unmarked
5” x 16” sq.
C. JERE
ARTISAN HOUSE
C. JERE
ARTISAN HOUSE
$1,000–1,500
$800–1,200
$1,000–1,500
Wall-hanging mirror, “Raindrops,” Los Angeles, CA, 1970s
Mixed patinated metals, mirrored glass
Unmarked
7” x 30”
Wall-hanging mirror, “Raindrops,” Los Angeles, CA, 1970s
Mixed patinated metals, mirrored glass
Original hang tag
35” x 5 1/2”
$2,000–3,000
$2,000–3,000
One of two
678
679
680
683
684
RENE FUMERON
AUBUSSON
DIANE ITTER (1946 - 1989)
THEODORE ROSZAK (1907 - 1981)
VAL BERTOIA
VAL BERTOIA
Belt, USA, ca. 1972
Polychrome woven linen, wooden beads
Unmarked
52” x 2”
Two abstract ink drawings on paper,
Stamford, CT, 1956
Matted and framed
Signed and dated
Sight: 7 3/4” x 10 1/2”, 8” x 10 1/2”
Sonambient sculpture (B-884), “Four
Corners of Sound,” Pennsylvania, 1994
Brass, silicon bronze
Signed B-884
44 1/2” x 6” x 11 5/8”
These sketches depict door handles
that Roszak designed for his supervisor,
American designer Van Day Truex, at Yale
& Towne Manufacturing.
PROVENANCE
Sonambient sculpture (B-1907), “Gently
Swaying Touch of Sound,” Pennsylvania,
2015
Bronze, beryllium copper, brass
Stamped B-1907
44” x 6” x 12”
Wool wall-hanging tapestry, France,
mid-20th C.
Signed in weave, original fabric label to
back
45 1/2” x 64”
$1,000–1,500
$800–1,200
Both pictured online
Certificate of authenticity from the artist
$3,000–5,000
PROVENANCE
Certificate of authenticity from the artist
$3,000–5,000
$800–1,200
173
685
686
689
690
JAMES BEARDEN (b. 1964)
ERIC SNOWDEN (b. 1944)
ERIC SNOWDEN (b. 1944)
Two tabletop sculptures, “Moonwalker” and “Windwalker,”
Des Moines, IA, 2013
Blackened steel, fused bronze, copper
Unmarked
29” x 10”, 27 1/2” x 20”
Three tabletop kinetic sculptures, “Lunar Bloom Garden,”
Planetary Examples series, Des Moines, IA, 2012-13
Painted steel, clear coat
Unmarked
Largest: 30” x 16”
Massive kinetic sculpture, “Cock of the Walk,” New Paltz, NY,
ca. 1990
Polychromed welded steel
Signed and numbered 2/8
76” x 70” x 60”
Massive steel sculpture, New Paltz, NY, 2000s
Unmarked
73” x 40” x 38”
$1,000–1,500
$1,000–2,000
$2,000–3,000
687
688
691
692
LEONARD NELSON (1912 - 1993)
“Mystical Galaxy Chimes,” Cathedral Series,
Blackened steel, fused bronze, glass enamel,
clear coat
Etched signature
79” x 12” sq.
Three Tropical Birds, Des Moines, IA, 2015
Blackened, torch-cut, and welded steel, fused bronze
All signed
20” x 18” x 3 1/4”, 21” x 14” x 3”, 17” x 12 1/2” x 3”
Patinated steel sculpture, “Flight,”
Voids series, Des Moines, IA, 2013
Welded B
67” x 43 1/2” x 23”
Wall-hanging sculpture, Philadelphia
Painted wire, glass
Unmarked
60” x 18” x 15”
$1,500–2,000
$1,200–1,800
$1,000–1,500
One of a series inspired by the artist’s experience living in a
West African village.
$2,000–3,000
W$1,500–2,000
175
693
694
695
698
699
JONATHAN SINGLETON
Harry Box, Des Moines, IA, 2015
Blackened, torch-cut, and welded steel,
fused bronze, metallic wash
Etched signature
11 1/2” x 12”
Three wall sculptures, Segments series,
Blackened steel, fused bronze, solvent dyes
Signed
Largest: 20” x 14” x 3”
Easy Number One chair and Unflat
coffee table, Spain, 1990s
Stainless steel, leather
Unmarked
31” x 41” x 33”, 15 1/2” x 46” x 29 91/2”
$900–1,400
$900–1,400
“Portal Mirror,” Cathedral series,
Blackened steel, fused bronze, copper,
mirror
Signed
33 1/2” x 20 1/2” x 2 1/2”
JAY STANGER (b. 1956)
SCOTT KNOX
$800–1,000
$2,500–3,500
Pair of tables/benches, S. Easton, MA,
ca. 1990
Aniline-dyed mixed woods, purpleheart,
maple
One signed “Built by Scott B. Knox”, the
other initialed SBK
14 3/4” x 45” x 15”, 14 3/4” x 45” x 13”
$1,500–2,000
696
697
700
BROWNING
CHRISTOPHER POEHLMANN (b. 1964)
Sculpture, “Passengers,” Des Moines, IA, 2015
Blackened, torch-cut, welded, and polished steel, fused bronze,
enamel
Signed
13” x 36” x 6”
Browning M1919 AC working model, USA, des. 1919
Patinated and enameled steel, plastic, painted wood
Base marked Mfg. THE REFLECTONE CORP. STAMFORD CONN./
WORKING MODEL BMC CAL. 30 M1919A6, metal NATIONAL
GUARD OF THE UNITED STATES label with device and serial
number
19” x 78” x 13”
Tall clock, Philadelphia, PA, 1995
Torch-cut and welded diamond-plate steel, brass, quartz and battery movement
Signed and dated
87 1/2” x 14” x 14”
$1,000–1,500
$1,000–1,500
PROVENANCE
Original owner, purchased from the artist.
$2,000–3,000
177
701
702
705
SLAGELSE MØBELVAERK
SEVERIN HANSEN JR.
HASLEV MØBELSNEDKERI
HANS WEGNER (1914 - 2007)
JOHANNES HANSEN
Floor lamp, Denmark, 1960s
Stained beech, brass, single socket, linen shade
Unmarked
60” x 18 1/2” x 24”
Set of four The Chair, Denmark, 1960s
Oak, vinyl
All branded
30” x 24 3/4” x 20”
$2,000–3,000
$3,000–4,000
Loveseat, Denmark, 1950s
Stained wood, upholstery
Unmarked
27 1/2” x 62” x 33”
$3,000–5,000
703
704
706
707
GETAMA
FINN JUHL (Attr.) (1912 - 1989)
MIKAEL LAURSEN
POUL KJÆRHOLM (1929 - 1980)
E. KOLD CHRISTENSEN
Rocking chair, Denmark, 1940s
Sculpted oak, leather
Unmarked
31” x 24 1/4” x 29”
Set of three nesting tables, Denmark, 1950s
Matte-chromed steel, acrylic
Unmarked
Largest: 11 1/4” sq.
$1,500–2,000
$1,200–1,800
Lounge chair and ottoman, Denmark, 1960s
Oak, brass, upholstery
Both branded
Chair: 37 1/2” x 30” x 35”, ottoman: 16” x 22” x 23 1/2”
$2,000–3,000
Lounge chair and ottoman, Denmark,1960s
Rosewood, leather
Unmarked
Chair: 30 1/2” x 33” x 37”, ottoman: 16” x 23 1/2” sq.”
$2,500–3,500
179
708
709
711
POUL HENNINGSEN (1894 - 1967)
LOUIS POULSEN
KAY BOJESEN (1886 - 1958)
FINN JUHL (1912 - 1989)
BAKER
Snowball hanging light fixture, Denmark, late 20th C.
Chromed steel and enameled aluminum
Unmarked
Fixture only: 15” x 15 3/4” dia.
Large articulated monkey, Denmark, 1950s
Teak, stained oak
Stamped KAY BOJESEN DENMARK
Head to hands: 18” x 15 1/2”
Set of six dining chairs, two arm-, four side-, Denmark/USA, 1950s
Walnut, leather
Unmarked
Armchairs: 32” x 27 1/2” x 20”, side chairs
31 1/2” x 22” x 21”
$1,000–1,500
LITERATURE
$3,500–4,500
Fiell, 1000 Lights: 1879-1959, p. 537
$1,200–1,600
710
712
713
BERNHARD PEDERSEN & SON
PERCIVAL LAFER
LAFER S.A. IND. COM.
FINN JUHL (1912 - 1989)
FRANCE & SONS
Pair of lounge chairs, Brazil, 1960s
Rosewood, chromed steel, leather
Manufacturer labels
27” x 38” x 37”
Japanese loveseat, Denmark, des. 1953
Teak, brass, upholstery
Metal manufacturer label
29” x 50” x 28”
$2,000–3,000
This model was inspired by the Itsukushima Shrine off the coast
of Hiroshima
Rosewood tambour cabinet, Denmark, 1970s
Unmarked
32” x 83” x 19 1/2”
$2,000–3,000
$1,500–2,000
181
714
715
717a
718
FALSTER
THORALD MADSEN
CARL AUBOCK (1900 - 1957)
Pair of rosewood nightstands, Denmark, 1970s
Manufacturer labels
22” x 21 1/2” x 17 1/2”
Pair of nightstands, Denmark, 1960s
Rosewood, brass
Brass manufacturer label
25 3/4” x 21 3/4” x 12 1/2”
Wall-mounting coat rack, Austria, 1950s
Pine, twelve brass hooks
Eight hooks stamped Aubock
20” x 79” x 5 3/4”
FRITZ HANSEN
$1,500–2,000
$2,500–3,500
$1,200–1,800
716
717
EDMUND SPENCE
EDMUND SPENCE
Tall Wavy Front dresser (no. 14), Sweden, 1960s
Stained birch
Stenciled markings
48” x 38 1/2” x 20”
Wavy Front dresser, Sweden, 1960s
Birch
Unmarked
31 1/2” x 48” x 20”
$1,200–1,800
$2,000–3,000
Eight Heart chairs, Denmark, 1960s
Stained oak, teak plywood
All stamped
28 1/4” x 20 1/2” x 18”
$2,000–3,000
719
720
FRITZ HANSEN
IB KOFOD-LARSEN (1921 - 2003)
SELIG
Sofa and lounge chair (nos. 1594 and 1595), Denmark, 1940s
Stained beech, upholstery
Sofa has original label wth model number
Sofa: 31” x 70” x 33”, chair: 31” x 30” x 33”
LITERATURE
Fritz Hansen Production Catalog 4202 (1942), p. 7
$3,000–4,000
King David desk and King Solomon chair from The Megiddo
Collection of Israel, Denmark/Israel, ca. 1972
Wenge, hammered and patinated brass, leather, vinyl upholstery
Unmarked
Desk: 30” x 71” x 36”, chair: 45 1/2” x 30” x 32”
LITERATURE
The Pittsburgh Press, Solomon’s Carpenter Creates Modern Israeli
Furniture, 7/20/1972.
$3,500–4,500
183
721
722
725
GEORG JENSEN
JOHAN ROHDE (1856 - 1935)
GEORGE JENSEN
BJORN WIINBLAD (1918 - 2006)
ROSENTHAL
29 pieces of sterling silver flatware in the Acorn pattern,
Denmark, after 1945
All stamped GEORG JENSEN STERLING DENMARK
(Post-war mark)
48.6 OT
Dining table and six chairs, “The Four Cardinal
Points,” Denmark, 1970s
Lacquered wood and acrylic, upholstery
Table and chairs signed and numbered 72/300
Table: 29” x 57 1/2” dia.,
chairs: 43 1/2” x 17” x 20”
Twelve assembled early sterling silver lobster picks, Denmark,
1910s-20s
In original box
Eight stamped GEORG JENSEN STERLING DENMARK, four
stamped DENMARK STERLING with circular GJ mark
7 1/4” x 3/4” ea., box: 2” x 9” x 10” 15.57 OT
$1,200–1,500
$1,200–1,800
723
724
726
HANS-AGNE JAKOBSSON (b. 1919)
HANS-AGNE JAKOBSSON A/B
ÖSTEN KRISTIANSSON
LUXUS
PETER LOVIG NIELSEN
LOVIG/DANSK
Two pivoting table lamps, Markaryd, Sweden, 1960s
Teak, enameled metal, brass, single socket
One stamped, the other with manufacturer label
24” x 8 1/2” x 22 1/2” ea.
Floor lamp, Sweden, 1960s
Teak, enameled aluminum, single socket
Manufacturer label to base
55” x 17 3/4”
Flip-top partner’s desk, Denmark, 1970s
Teak
Branded
Closed: 34” x 64” x 28 3/4”, open: 38” deep
$2,500–3,500
$2,500–3,500
$2,000–3,000
$3,500–4,500
185
727
728
731
732
MURANO
ARTELUCE
Chandelier, Italy, after 1950
Blown glass, eight sockets
Unmarked
37 1/2” x 38”
Chandelier, Italy, 1950s
Enameled iron and aluminum, brass, three sockets
Unmarked
37” x 26” dia.
GAETANO PESCE (b. 1939)
FISH DESIGN
FISH DESIGN
$1,500–2,000
$2,500–3,500
Massive vase, “Spaghetti Special XXL,” Italy, 2000s
Resin
Impressed FISH DESIGN
24 1/4” x 16”
Massive footed bowl, “Big Collina,” Italy, 2004
Resin
Unmarked
11 3/4” x 26”
PROVENANCE
PROVENANCE
Certificate of authentication from Fish Design (indicating that
it is number 5 of an edition of 5) as well as cleaning instructions
and Fish Design catalogue.
$2,000–3,000
Certificate of authentication from Fish Design as well as cleaning
instructions and Fish Design catalogue.
$1,200–1,800
729
730
733
734
TOMMASO BARBI
ALDO TURA
Floor lamp, Italy, 1970s
Nickel-plated steel
Unmarked
64” x 20 1/2” dia.
Illuminated bar cabinet, Italy, 1950s
Lacquered parchment and wood, stenciled decoration, stained
wood, mirror, glass, brass
Unmarked
49 1/4” x 21” dia.
Alda table lamp, Italy, 2003
Cast resin, plastic, bells, two sockets
Unmarked
23 3/4” x 20 3/4”
Open Sky table lamp, Italy, 1990s
Resin, enameled metal, two sockets
Unmarked
27” x 26 1/2” x 8”
$1,800–2,400
$900–1,200
$2,000–3,000
$1,500–2,500
187
735
736
739
740
FULVIO BIANCONI (1915 - 1996)
VENINI
ANGELO LELLI
ARREDOLUCE
PIERO FORNASETTI (1913 - 1988)
GIO PONTI (1891 - 1979)
REED & BARTON
Two fasce orrizontali table lamps, Italy, 1950s
Blown glass, brass, wiring, single socket
Both with three-line acid stamp, one with original paper label and
retailer label
To top of glass: 12 1/2” x 4”,
Adjustable table lamp, Italy, 1970s
Chromed and enameled brass, single socket
Manufacturer label
As shown: 13 3/4” x 3 1/2” x 6 1/2”
$2,000–3,000
$1,200–1,800
Twelve plates, Italy, 1953/second half of the 20th C.: seven Tema
e Variazioni, one Mongolfiere, three Specialità Torinesi per la Fiat,
and one Specialità Torinesi per Carrara & Matta
Transfer-decorated, enameled, and gilt porcelain
All marked, Mongolfiere plate dated 1953
Four plates: 10” dia., eight plates: 9 1/4” dia.
$1,000–1,500
62-piece sterling silver flatware set for twelve in the Diamond
pattern with extras, Taunton, MA, des. 1958
In custom wood box
Knife blades stamped REED & BARTON MIRRORSTELE STERLING
HDLE, all other pieces stamped Reed & Barton STERLING
Knives: 9 1/2” 76.93 OT (excluding knives)
$2,500–3,500
737
738
741
742
JOE COLOMBO (1930 - 1971)
KARTELL
STYLE OF FELIX AGOSTINI
STYLE OF FONTANA ARTE
VITTORIO VALABREGA (1861 - 1952)
Pair of sconces, later 20th C.
Patinated brass, vellum shades, two sockets each
Unmarked
17” x 23” x 5”
Coffee table, Italy
Plate glass, blown glass, brushed chrome
Unmarked
15” x 49” x 29”
Coffee table, Italy, 1930s
Lacquered birch and mahogany, glass
Unmarked
18” x 36”
$1,000–1,500
$800–1,200
$3,000–5,000
KD29 table lamp, Italy, 1960s
Plastic, single socket
Manufacturer label
12 1/2” x 9 1/2”
$700–900
189
743
744
746a
747
ICO PARISI (1916 - 1996)
LUISA PARISI (1914 - 1990)
COLOMBO
ERWIN BURGER (d. 1982)
FONTANA ARTE
GIO PONTI (1891 - 1979)
BERTHA SCHAEFER (1895 - 1971)
SINGER & SONS
BERTHA SCHAEFER (1895 - 1971)
SINGER & SONS
Set of six dining chairs, Italy, 1940s
Beech, upholstery
Unmarked
37” x 17” x 20”
$2,000–3,000
Coffee table, Italy, ca. 1962
Chromed steel, cast and frosted glass
Etched manufacturer mark to base and top
15 1/4” x 47 1/2” x 24”
$2,500–3,500
Coffee table (no. 2109), Italy, 1950s
Italian walnut
Unmarked
17 1/2” x 50 1/2” x 24”
$1,500–2,000
Nesting tables (no. 2112), Italy, 1950s
Walnut
Manufacturer label
Large table: 24” x 24” x 17 1/2”, small table: 23” x 16 1/2” dia.
LITERATURE
Singer & Sons showroom catalogue
$1,500–2,000
745
746
748
749
STYLE OF ICO PARISI
STYLE OF ICO PARISI
JACQUES ADNET (Attr.) (1901 - 1984)
GIO PONTI (1891 - 1979)
Single-pedestal desk, Italy, 1950s
Enameled steel, brass, laminate, stained wood
Unmarked
30” x 39 1/2” x 27”
Single-pedestal desk, Italy, 1950s
Enameled steel, brass, laminate, stained wood
Unmarked
30” x 39 1/2” x 27”
Occasional table with clock, France, 1960s
Brass, glass, leather, felt
Unmarked
18” x 23”
Manager’s desk, Italy, 1950s
Walnut, laminate, brass
Metal Cooperativa tag
31” x 59” x 29
$1,500–2,000
$1,500–2,000
$2,000–3,000
PROVENANCE
Cooperative Falenami Reggio Emilia
Certificate of authenticity from the Ponti Archives
$2,000–3,000
191
750
751
754
755
CAROL SUMMERS
MODERN MASTER TAPESTRIES
SAUL STEINBERG (1914 - 1999)
WALTER GROPIUS (1883 - 1969)
THONET
HERITAGE HENREDON
Untitled wall-hanging tapestry, India, 1970s
Hand-knotted wool
Embroidered SUMMERS with copright to reverse
8’ x 8’
Wall-hanging tapestry, “Persian Rug,” India, 1970s
Hand-knotted wool
Embroidered STEINBERG PERSIAN RUG 1/20 with copyright to
reverse, signed STEINBERG to front
7’ 1” x 9’
Eight W199 armchairs, USA, 1950s
Sculpted solid wood, plywood
Factory markings
30” x 23 1/2” x 20”
Pair of mahogany side tables (no. 452-0), USA, 1950s
Branded and stenciled marks to both
12 3/4” x 26 1/2” sq.
$1,000–1,500
$1,500–2,500
$3,000–5,000
$2,000–3,000
752
753
756
757
RICHARD LINDNER (1901 - 1978)
ROBERT INDIANA (b. 1928)
LLYOD WRIGHT (1890 - 1978)
PAUL FRANKL (1886 - 1958)
JOHNSON FURNITURE CO.
Wall-hanging tapestry, “Earth Mother,” India, 1970s
Hand-knotted wool
Signed R. LINDNER to front
6’ 10” x 4’ 3”
Wall-hanging tapestry, “Love Wall,” India, 1970s
Hand-knotted silk
Embroidered INDIANA to reverse with original Modern Master
Tapestries label
10’ x 10’
Six blueprints for the Hollywood Play Resort and Stables for
Huntingdon Hartford, ca. 1948
Each signed in print FRANK LLOYD WRIGHT, LLOYD WRIGHT
ASSOCIATE and chop mark
Most: 36” x 36 3/4”
Coffee table (no. 5003), Grand Rapids, 1950s
Rosewood
Stenciled marks
14” x 72” x 18 1/2”
$2,000–3,000
$1,500–2,500
$1,000–1,500
$2,500–3,500
193
758
761
VLADIMIR KAGAN (b. 1927)
VLADIMIR KAGAN DESIGNS INC.
VLADIMIR KAGAN COUTURE
Pair of Sling armchairs and Trisymmetric game table, New York, 1970s
Sculpted walnut, upholstery, glass
Table base signed “For IMRA + ANDY VLADIMIR KAGAN”
Chairs: 37 1/2” x 24” x 26”, table: 27 1/2” x 41 1/2”
Embrace sofa, New York, 2000s
Walnut, upholstery
Metal label
33” x 114” x 47”, seat depth: 31”
$3,000–5,000
$3,000–5,000
759
760
762
VLADIMIR KAGAN DESIGNS INC.
KAGAN NEW YORK COLLECTION
VLADIMIR KAGAN COUTURE
Revolving stool, New York, 1970s
Sculpted walnut, upholstery
Unmarked
22” x 21”
Wing chair and ottoman, New York, 1990s
Aluminum, upholstery
Metal labels to both
Chair: 37” x 31” x 35”, ottoman: 18” x 28 1/2” x 22 1/2”
Key West sectional sofa and lounge chair, New York, 2000s
Chromed steel, upholstery
Metal label
Overall: 31” x 144” x 96”, seat depth: 25 1/2”, chair: 28 1/2” x 38 1/2” x 39”
$1,500–2,000
Provenance (chair): Collection of the artist
$4,000–6,000
$2,500–3,500
195
763
764
767
768
EDWARD WORMLEY (1907 - 1995)
DUNBAR
DUNBAR
EMIL STEJNAR
EMIL STEJNAR
Pair of lounge chairs (no. 5000), Berne, IN, 1960s
Mahogany, upholstery
Unmarked
32” x 23” x 34”
Pair of side tables/nightstands, Berne, IN, 1950s
Stained mahogany, patinated brass
Branded
23” x 23” sq.
Radiating chandelier, Austria, 1960s
Nickeled brass, enameled metal, glass, acrylic
Unmarked
To ceiling cap: 40” x 24”
Radiating chandelier, Austria, 1960s
Brass, enameled metal, glass, acrylic
Unmarked
$2,000–3,000
$2,000–3,000
$1,500–2,000
$1,500–2,000
765
766
769
770
DUNBAR
DUNBAR
DUNBAR
KARL SPRINGER (1931 - 1991)
KARL SPRINGER LTD.
Bracket-back sofa, Berne, IN, 1960s
Walnut, upholstery
Embroidered decking
28” x 109” x 32”
Shell console, Berne, IN, 1950s
Carved pine
Brass label
30” x 32” x 12”
Sofa (no. 5305), Berne, IN, 1950s
Mahogany, leather, upholstery
Unmarked
32” x 123” x 32”, depth of curve: 37”
Two side tables, New York, 1980s
Lacquered parchment, painted wood
Unmarked
Round: 20” x 24”dia., square: 19 1/2” x 24” sq.
$2,000–3,000
$1,800–2,400
$3,000–4,000
$1,800–2,400
197
771
771a
775
776
LOUIS W. RICE (1840 - 1909)
BERNARD RICE’S SONS, INC.
RUSSEL WRIGHT (1904 - 1976)
CHARLES EAMES (1907 - 1978)
RAY EAMES (1912 - 1988)
HERMAN MILLER
EERO SAARINEN (1910 - 1961)
KNOLL INC.
“Skyscraper” covered sugar from the Apollo Studio line, New York,
1920s
Silver-plated brass
Base stamped, SKYSCRAPER/DES. PAT.PENDING/APOLLO E.P.N.S./
MADE IN U.S.A. BY BERNARD RICE’S SONS, INC/5259
4 1/2” x 5 1/2” x 3”
“Whoozoo” seal sculpture, USA, ca. 1930
Bronze
Unmarked
3” x 2 1/4” x 2 3/4”
$800 – 1,000
Lounge chair and ottoman, Zeeland, MI, 1960s
Rosewood, leather, enameled aluminum, enameled steel, rubber
Manufacturer label to chair
Chair: 31 1/2” x 32 1/2” x 35”, ottoman: 17” x 26” x 21 1/2”
$3,000–4,000
$700–1,000
772
773
774
777
EARL PARDON (1926 - 1991)
ED WIENER (1918 - 1991)
BENT KNUDSEN (1924 - 1996)
Ring, New York
Sterling silver, gold, enamel,
amethyst
Stamped STERLING 14K
Pardon, etched 1128
Size 7.5
Sterling silver cuff, New York,
1950s
Stamped ED WIENER STERLING
2 1/2” x 2 1/4” 1.3 OT
Four-piece suite: necklace, bracelet, and earrings, Denmark,
1950s
Sterling silver, amethyst
Earrings impressed DENMARK BENT K 7, necklace and bracelet
impressed STERLING DENMARK BENT K 5 and 7
Necklace: 1/2” x 6” x 5 1/2”
CHARLES EAMES (1907 - 1978)
RAY EAMES (1912 - 1988)
EVANS/HERMAN MILLER
$1,000–1,500
$600–800
$1,000–2,000
Womb chair and ottoman, USA, 1990s
Manufacturer labels
Chair: 31” x 41” x 37”, ottoman: 15” x 25” x 21”
$1,500–2,500
Two DCWs, two LCMs, and one Time Life stool, Zeeland, MI, 1950s
Ash and walnut plywood, chromed steel, turned walnut
Manufacturer labels to all chairs, stool unmarked
DCWs: 29” x 19 1/2” x 21 1/2”, LCMs: 27” x 22” x 25”, stool: 15” x 13” dia.
$2,000–3,000
199
778
779
782
INDUSTRIAL LIGHTING
LIGHTOLIER
Twelve-arm chandelier, USA, late 20th C.
Brushed metal, twenty four sockets
Unmarked
To ceiling cap: 35” x 28 1/2”
Ceiling fixture, USA, 1970s
Bronzed and enameled metal, acrylic, four sockets
Manufacturer label
15” x 24” sq.
FLORENCE KNOLL (b. 1917)
KNOLL INC.
$1,500–2,500
Accompanied by manufacturer assembly diagrams.
$2,500–3,500
Sofa, USA, 2000s
Chromed steel, microfiber
Manufacturer labels, embroidered decking
31” x 90 1/2” x 33”
$3,000–5,000
780
781
783
784
MASTERCRAFT
MASTERCRAFT
Pair of armchairs, USA, 1980s
Patinated brass, upholstery
Unmarked
27” x 27” x 26”
Cabinet decorated with abstract graphics, USA, 1980s
Etched, patinated, and enameled bronze
Unmarked
29 3/4” x 78” x 21 1/4”
LUDWIG MIES VAN DER ROHE (1886 - 1969)
KNOLL INC.
KNOLL STUDIO
$1,400–1,800
$2,500–3,500
Pair of Barcelona chairs, USA, 2000s
Chromed steel, leather
Upholstery labels
30 1/2” x 30” x 30” ea.
Pair of benches, USA, 2000s
Manufacturer labels
17” x 36” x 20”
$3,000–5,000
$1,500–2,500
201
787
GEORGE NELSON (Attr.) (1908 - 1986)
HERMAN MILLER
Miniature cabinet, Zeeland, MI, 1950s
Walnut, painted metal
Unmarked
9” x 18” x 12”
$1,500–2,000
785
786
788
WARREN PLATNER (1919 - 2006)
KNOLL INTERNATIONAL
KNOLL INTERNATIONAL
GEORGE NELSON (1908 - 1986)
HERMAN MILLER
Settee, New York, 1970s
Nickeled steel, upholstery
Upholstery label
32” x 68” x 30”
Pair of lounge chairs and side table, New York,
1970s
Nickeled steel, upholstery, marble
Upholstery labels to chairs
Chairs: 30 1/2” x 36” x 26”, table: 19” x 24” dia.
Thin Edge cabinet, Zeeland, MI, 1950s
Aluminum, walnut
Metal label
33 1/2” x 80” x 18 1/2”
$3,000–5,000
$2,000–3,000
$3,000–4,000
789
KNOLL ASSOCIATES
Cabinet, New York, 1960s
Chromed steel, rosewood, marble
Unmarked
25 1/2” x 74 1/2” x 18”
$3,000–4,000
203
790
791
794
795
LIGHTOLIER
MAURIZIO TEMPESTINI (1908 - 1960)
LAUREL LAMP CO.
JANE McALLISTER DART (d. 2008)
PHILLIP ENFIELD (Attr.) (1914 - 2004)
Wall sculpture, USA, 1964
Glazed ceramic, rough-hewn lumber
Signed, 1964 exhibition label
72” x 32 1/2” x 3”
Chandelier, New York, 1970s
Aluminum, plastic, fifty-nine sockets
Unmarked
As shown: 17” x 58”
$2,500–3,500
$2,500–3,500
Massive Sputnik chandelier, USA, 1960s
Chromed steel, glass, forty-three sockets
Manufacturer label
$2,500–3,500
Pair of brutalist table lamps, Newark, NJ, 1960s
Bronzed and enameled metal, original fabric shadesl, single
socket
Unmarked
Overall: 51” x 18”, base only: 51” x 7”
$1,800–2,400
792
793
796
797
HERMAN MILLER
PEPE MENDOZA
LUDWIG MIES VAN DER ROHE (1886 - 1969)
KNOLL INC.
KIPP STEWART (b. 1928)
DIRECTIONAL
Four Pretzel chairs, Zeeland, MI, 1950s
Laminated bent plywood
Unmarked
30” x 20” x 19”
Three cabinet door pulls, Mexico, 1968
Enameled bronze
All stamped MENDOZA PAT-59443 MAYO 7-68 HECHO EN
MEXICO
5” dia., 4” dia.
$3,000–4,000
$700–800
Pair of MR20 armchairs and side table, USA/Italy, 2000s
Chromed and nickeled steel, leather, marble
Made in Italy labels
Chairs: 31” x 20 1/2” x 29”, table: 18 1/2” x 15 3/4”
$1,200–1,800
Pair of lounge chairs, USA, 1970s
Unmarked
32” x 26” x 36”
$2,500–3,500
205
798
801
802
FRENCH ACCENTS
FRENCH ACCENTS
ART DECO STYLE
Contemporary hand-knotted wool rug, Turkey
Embroidered F.A.
10’ x 13’ 8”
Embroidered F.A.
6’ x 8’
Contemporary Chinese-style hand-knotted wool rug
Unmarked
9’ x 12’
$1,500–2,000
$800–1,200
$1,000–1,500
799
800
803
804
FRENCH ACCENTS
FRENCH ACCENTS
CONTEMPORARY
FRENCH ACCENTS
Flatweave wool rug, Turkey
Embroidered F.A.
6’ x 8’
Embroidered F.A.
5’ 10” x 7’ 10”
Modern hand-knotted wool rug, India
Unmarked
8’ x 9’ 10”
Flatweave wool rug, Turkey
Embroidered F.A.
9’ 2” x 11’ 10”
$800–1,200
$800–1,200
$1,250–1,750
$800–1,200
207
809
GEOFFREY HARCOURT (b. 1935)
ARTIFORT
Four lounge chairs, France/The
Netherlands, 1970s
Enameled fiberglass and steel, upholstery
Manufacturer labels to all
27 1/2” x 29” x 32”
$2,500–3,500
805
806
810
PAUL RUDOLPH (1918 - 1997)
MODULIGHTOR
WARD BENNETT (b. 1917)
BRICKELL ASSOCIATES
JOHN RISLEY (1919 - 2002)
Nebula chandelier, New York, 2000s
Polished chrome, fourty-four sockets
Unmarked
38 1/2” x 38”
Pair of swivel lounge chairs, USA, 1970s
Chromed steel, suede
Manufacturer’s labels
34” x 31” x 34”
PROVENANCE
$2,000–3,000
Original owner, purchased from the maker
$3,000–4,000
Figural outdoor seating, Middletown, CT,
1970s: bench, armchair, side chair, stool
Enameled iron
Unmarked
Bench: 50 1/2” x 36” x 22”,
armchair: 50” x 27” x 24”,
side chair: 47” x 18” x 17”,
stool: 14” x 30 1/2” x 24”
$1,500–2,500
811
BERGER, PEDUZZI-RIVA, ULRICH
DE SEDE
DS 600 Organic sofa with fourteen
segments, Switzerland, 1990s
Leather, upholstery
Unmarked
29” x 129” x 42”
$4,500–6,500
807
808
CY MANN
MILO BAUGHMAN (1923 - 2003) (Attr.)
THAYER COGGIN
Pair of lounge chairs, USA, 1970s
Unmarked
29” x 30 1/2” x 30”
$2,000–3,000
Lounge chair, High Point, NC, 1970s
Unmarked
32” x 25” x 61”
$1,500–2,000
209
812
813
815
816
RON SEFF
CONTEMPORARY
RON SEFF
RON SEFF
Waterfall and Faro sconces, New York, 2000s
Lucite, chromed and gold-plated brass, single socket
Unmarked
15 1/2” x 17” x 7 1/4”, 20 1/2” x 7” x 4 1/4”
Pair of side tables
Chromed steel, petrified wood
Unmarked
18” x 22” x 17”
Desk, New York, 2000s
English raffia
Unmarked
30” x 48” x 28”
Two occasional tables, New York, 2000s
Dolomite, glass, polished steel, feldspar, gold-plated brass
Unmarked
23” x 15”, 15 1/2” x 32” x 19”
$1,800–2,400
$1,000–1,500
$2,000–3,000
$2,500–3,500
814
817
818
GEORGE MULHAUSER (1922 - 2002)
PLYCRAFT
RON SEFF
RON SEFF
Faceted cube side table, New York, 2000s
Shagreen, bone, brass
Unmarked
19” x 17”
Marquetry cocktail table, New York, 2000s
Raffia wood, bone
Unmarked
17” x 48” sq.
$1,500–2,000
$2,000–3,000
Four armchairs, Lawrence, MA, 1960s
Enameled plywood, vinyl
Manufacturer labels to three chairs
26” x 24” x 20”
$2,000–3,000
211
819
BRAYTON INTERNATIONAL COLLECTION
Four armchairs, USA, 2000s
Stitched leather
Manufacturer labels
32” x 22” x 24”
$2,500–3,500
820
DAKOTA JACKSON (b. 1949)
DAKOTA JACKSON, INC
Dining table, New York, 2000s
Cherry, chromed steel, glass
Unmarked
29 1/2” x 94” x 48”
$1,500–2,000
821
822
BRAYTON INTERNATIONAL COLLECTION
HERMAN MILLER
Four armchairs, USA, 2000s
Stitched leather
Manufacturer labels
32” x 22” x 24”
$2,500–3,500
Four-bay Comprehensive Storage System (CSS), Zeeland, MI, 1960s
Enameled aluminum and steel, walnut, laminate, single-socket swing-arm fixture
Metal label
112” x 129 1/2” x 21 1/2”
$3,000–5,000
213
Terms of Sale
1. General
Questions?
Contact Miriam Tucker, Managing Partner
miriam@ragoarts.com
Each lot in this catalogue is offered for sale
subject to the terms set out below, as changed
or supplemented by provisions a) written in other
places within these Terms of Sale, b) in written
supplements to this Catalogue or other materials
prepared by us and c) as stated by the auctioneer
or posted in writing at the auction, prior to a bid
being accepted for a lot. No other communications
by any employee of the Auction House is intended
to be binding, and such communications are
made for informational purposes only. By bidding
at the auction the buyer and all bidders agree to
be bound by these terms or those changed and
supplemented, whether bidding in person, through
a representative, by phone, by internet, or other
absentee bid.
Rago Arts and Auction Center (Hereafter referred to
as “the Auction House”).
609-397-9374 (p) / 609-397-9377 (f)
All bidders are responsible for reading and
understanding these Terms of Sale, as well as any
supplemental notices. If you have any questions
after having read the Terms of Sale, please contact
the C.E.O., Miriam Tucker, at mtucker@ragoarts.com
or 609.397.9374, extension 141.
All items in our Unreserved Auctions are “As-Is,
Where-Is.”
Upon the fall of the auctioneer’s hammer, the
successful bidder becomes the buyer and owner of
the property and is responsible for the property, the
amount of the successful bid, the buyer’s premium,
applicable taxes, and other charges provided
for in the Terms of Sale in U.S. Dollars, payable
immediately.
The thirty (30) day warranty shall commence on
the date of sale and continue to run without any
tolling even if the Buyer within that thirty (30) day
period 1) fails to inspect or pay, 2) requests delay in
shipment, 3) provides incorrect shipping address or
information or 4) is unavailable to receive shipment.
Sales Results: Preliminary results will be available
online shortly after each sale at www.ragoarts.com.
Final sales results will be available as soon as the
Auction House has audited and verified all sales,
usually within one day of the auction.
The Auction House retains all rights to photographs
and other intellectual property contained in this
catalogue.
2. Auctioneer’s Determination Final
A lot will be sold to the highest bidder as
determined in the sole and exclusive judgment
of the auctioneer. The auctioneer will also have
the sole and exclusive power and authority to a)
resolve any disputes between bidders, b) determine
whether to pass or re-offer a lot for sale, c) reject
or challenge any bid or advance in the bidding,
d) exclude any bidder from the premises and e)
otherwise regulate the bidders, the bidding and its
increments.
3. Buyer’s Premium, Purchase Price, Taxes, and
Billing
HERMAN MILLER
For purchases made in the room or by phone or by
absentee bid and paid for by check, cash, money
order or wire transfer: A buyer’s premium will be
applied to the hammer price of each lot equal to
25% on the first $200,000; 20% between $200,000
and $3 million.
Five-bay Comprehensive Storage System (CSS), Zeeland, MI, 1960s
Enameled aluminum and steel, walnut, laminate, double-socket fluorescent fixture
Paper label
95” x 240” x 19 1/2”
For purchases made in the room or by phone or
by absentee bid and paid for by Visa, MasterCard,
Discover or PayPal: A 2% surcharge will be added to
the total invoice (hammer price, buyer’s premium as
above, any applicable taxes).
$3,000–5,000
For purchases made through any online bidding
platform, regardless of means of payment: A buyer’s
premium will be applied to the hammer price of
each lot equal to 28% on the first $200,000; 23%
between $200,000 and $3 million.
823
Taxes: If you are shipping to a New Jersey address
or if you pick up the lots you have won at our New
Jersey location, you must pay the State’s 7% sales
tax. The only exception is for those who hold a
215
valid resale license and file the completed New
Jersey State Sales Tax Form (New Jersey Seller’s
Certificate Form ST3 or Non New Jersey Seller’s
Certificate Form ST-3NR) with Rago at time of
payment. No New Jersey sales tax is charged for
purchases shipped out of state.
Billing: All successful bidders will be sent invoices
by e-mail or mail (if we do not have an email
address on file) within the two business days that
follow the auction.
4. Methods of Payment and Fees
Cash. Check. Wire Transfers. Money Order. Visa.
MasterCard. Discover. PayPal. (NOTE: A 2%
surcharge will be added for payments made by Visa,
MasterCard, Discover or PayPal. See Terms of Sale
paragraph 3.)
All payments are due immediately upon receipt of
invoice. We reserve the right to hold all goods paid
for by check until payment has cleared.
If payment is not received within fifteen (15) days,
the Auction House reserves the right to impose
from the date of sale a late charge of 1 1/2% a
month of the total purchase price.
5. Payment, Collection, and Shipping
Responsibilities of Buyer
Buyer Obligations: On the fall of the auctioneer’s
hammer, title to the property immediately
transfers to the successful bidder who, in turn,
becomes the buyer of the Property. The buyer
immediately assumes full risk and responsibility
for the purchased Property, including all costs and
expenses of handling, shipping, insurance, taxes,
export, and otherwise, and is liable for the full
purchase price, plus the buyer’s premium, applicable
taxes, and any other associated expenses.
Collection of Property and Storage Charges:
The buyer will pay for the purchased Property
immediately and remove it from the premises of the
Auction House within fourteen (14) days of the sale.
We are not responsible for any damage or loss on
property purchased but not removed from premises.
If the purchased Property is not removed within
thirty (30) days of the sale, the buyer will thereafter
be assessed a $10 per lot storage charge per day.
The Auction House may, at its discretion, remove
the purchased Property to public storage at the
buyer’s risk and expense. All associated charges will
be added to the total invoice and must be paid in
full before the Property will be released.
Those who choose to pick up their property from
the Auction House following the sale must call
24 hours in advance to arrange pick-up. Regular
hours for pick up are Monday – Friday, from 9:00
a.m. – 11:30 a.m. and from 1:30 p.m. to 5:00 p.m.
Please bring your own packing materials. The
Auction House is closed on Federal holidays and on
Mondays following full auction weekends. Weekend
pick-ups are made by special arrangement and/or
by appointment only. Note: New Jersey sales tax of
7% must be added to your invoice when picking up
merchandise unless you have a valid resale number
on file.
The buyer is responsible for the shipment of
all purchased property. We will work with any
shipper of your choosing. If you have any shipping
preference for any reason, please make sure your
shipper carries insurance. We are not responsible
for any damage or loss that occurs while your
objects are in another’s care. We will also not be
responsible for any damage or loss that occurs
if you choose a shipping method that we have
advised against and we will require a waiver from
you acknowledging this.
As a convenience to the buyer, the Auction House
will, if requested, give your property to a third party
shipper. This company will pack and ship or arrange
shipment for you via UPS, FedEx or other carrier,
fully insured, for a fee payable in advance by credit
card. Shipments are made within a few days after
payment has been received.
All international customs, duties, and other tariffs
are the responsibility of the Buyer. The Auction
House and all third party shippers will declare the
selling price as the value in all cases.
Shipping larger items: Larger items are objects
such as furniture, andirons, floor vases, or any other
item whose safe packing will exceed the limits of
common carriers. The Auction House can arrange
delivery by freight almost anywhere in the United
States, fully insured, for a fee. The delivery of large,
heavy, or expensive objects is not an inexpensive
proposition and we urge you to consider this before
bidding.
Firearms: Rago sells only antique firearms as
defined by the U.S. Bureau of Alcohol, Tobacco and
Firearms. Due to New Jersey firearms regulations,
all handguns, pistols, and revolvers will only be
shipped via Federal Express and will only be
delivered to a person who holds a Federal Firearms
License or a Curios and Relics License. Handguns,
pistols, and revolvers can only be picked up at
Auction House by a person who holds a Federal
Firearms License or the proper New Jersey handgun
permits, which must be shown and logged. There
are no exceptions. No firearms will be sold or
shipped internationally.
Property purchased and left at the auction house
for 90 days will be sold or donated for you.
6. Buyer Default
Remedies: If any of the Terms of Sale are not fully
complied with by the buyer, the buyer will be in
default without need of notice by the Auction
House. The buyer shall be liable to the Auction
House and the consignor for the total purchase
price, including all premiums, charges, and expenses
specified in the Terms of Sale. Interest shall accrue
at the rate of 18% per annum commencing with the
date of the auction. In addition to other remedies
available to the Auction House by law, the Auction
House may, at its option, a) cancel the sale of the
lot(s) on which the buyer defaulted and of any
other lots sold to the defaulting buyer at the same
or any other auction(s) and retain as liquidated
damages all payments made by the buyer, b) resell
the purchased Property, whether at public auction
or private sale, or c) pursue any combination of
a) and b) above. In event of default, the buyer
will be responsible to the Auction House and the
consignor for any deficiency, any and all costs and
expenses, including reasonable attorneys’ fees,
collection fees and expenses, late charges, and
other damages. The Auction House may, at its
discretion, apply any proceeds of sale otherwise
due to the buyer or monies of the buyer in the
Auction House’s possession to reduce or satisfy the
buyer’s obligations.
Security Interest: As security for full payment to the
Auction House and the consignor of all amounts
due, the buyer grants the Auction House the
right to retain a security interest in the Property
purchased at auction and in any other property or
money of buyer in the Auction House’s possession
or coming the Auction House’s possession
(collectively, ’collateral’). The Auction House shall
have the rights of a secured creditor as provided by
the Uniform Commercial Code and other applicable
law. Such security interest in the Property or other
collateral will cease when the Property is physically
delivered to the buyer or the buyer’s agent.
7. Warranties and Guarantees
All items are served “As-Is, Where-Is,” except
as expressly stated otherwise in the following
paragraph:
All information in the catalogue concerning
authenticity is guaranteed for a period of thirty
(30) days from the date of sale. In that time, prior to
payment to the consignor of the work, the Auction
House will allow the buyer to submit, at his own
expense, an opinion in writing from a recognized
expert, pre-approved by the Auction House and
the purchaser, regarding authenticity. In the event
the work is judged inauthentic by the expert, the
work may be returned in the same condition as
at time of sale and the buyer’s full purchase price
will be refunded. Refunds shall not include costs
of transportation, insurance, or other expenses
that may have been incurred by the buyer. It is the
buyer’s responsibility to make payment in a timely
fashion such that the property can be released and
inspected within this thirty (30) day time frame.
Should the buyer not do so, or should the buyer
request the auction house to delay shipment,
should he give an incorrect shipping address, or be
unavailable to receive shipment, the thirty (30) day
warranty shall still apply. If the Auction House has
paid the consignor the amounts due consignor as a
result of the sale, the Auction House will (i) refund
to the buyer the amount of the buyer’s premium
and applicable taxes received from the buyer, and
(ii) make written demand upon the consignor for
the payment of the balance of the purchase price.
If the consignor fails to honor the written demand
for a refund of the balance of the purchase price,
the Auction House will furnish buyer the name
and address of the consignor, and assign to buyer
all of the Auction House’s rights for the return of
the balance of the purchase price of the affected
lot. Upon this disclosure and assignment, the
Auction House will have no further liability to buyer
or responsibility to pursue the buyer’s claim. The
Auction House will extend reasonable cooperation
to buyer, provided that such cooperation does
not require out-of-pocket expenditures by the
Auction House. This limited right of rescission is
available only to the original buyer and may not be
relied upon by any heir, agent, transferee, assign,
or other third party or assigned to any subsequent
transferee of the Property which gives rise to the
claim.
This Warranty does not cover any description that
states there is a conflict of specialist opinion; any
description that states (or is bracketed in a section
described as) “as-is“ or “not guaranteed.”
This Warranty does not cover any typographical
errors. This Warranty does not cover wear on
furniture. This Warranty does not cover flakes,
surface scratches, or manufacturing flaws in glass
or ceramics.
The description of clocks and lighting devices,
whether in catalogues or condition reports, may
be incomplete and not identify every mechanical
replacement, repair, or defect. The absence of
reference to the condition of a clock or lighting
device does not imply it to be in working condition
or without defects, repairs, restorations, or
replacement parts.
The description of jewelry, whether in catalogues,
condition reports, or any other form, is rendered
as opinion, including, but not limited to, specialist
opinion as to authenticity, the enhancement or
treatment of gemstones, the weight of gemstones,
the country of origin, the authorship or origin
(manufacture) of an item, its period (or c.) or the
authenticity of its marks.
No warranty is made that any watch is in working
condition or without defects, restorations, or
working parts.
Buyers are advised to check watch works prior to
auction.
All measurements are approximate.
This disclaimer of liability on our part applies
whether the information is included in the
catalogue, advertisements, announcements, or
communicated through our representatives, bills of
sale, or elsewhere, and whether written or oral.
No Warranty of Reproduction: Neither the
consignor nor we make any warranty or
representation, express or implied, as to whether
a buyer will acquire any reproduction rights,
copyrights or other intellectual property rights in, or
with respect to, the Property.
The Auction House makes no warranties, express
or implied, as to the merchantability or fitness for
purpose except as otherwise expressly stated in
these Terms of Sale.
8. Qualifying to Bid
As a security measure for our consignors and our
company, all bidders must establish credit. You will
be asked to furnish identification and a valid credit
card number, credit references and/or (for absentee,
phone and online bidders) an initial deposit in the
form of a pre-authorization hold equal to 10% of the
low estimate of the total number of lots on which
you are bidding. First time and international buyers
bidding on Asian lots with a total low estimate of
$5,000 or greater will be asked to a) furnish an
initial deposit in the form of a pre-authorization
hold equal to 30% and b) grant the Auction House
the right to charge your credit card 30% of the
selling price on the day of sale. If you are acting as
another’s agent or principal, we may request a letter
of authorization. If you are successful and do not
remit payment as specified, the amount owed will
be charged to your credit card together with such
charges set forth in these terms of sale. If you have
any questions, contact Eliane Talec, ext. 118.
Bidding Numbers: All bidders must register and
receive a bidding number from the Auction House
prior to bidding at the auction.
9. Bidding Increments
All unreserved bidding starts at 50% of the low
estimate unless there are two or more competing
absentee bids in excess of this figure. The
auctioneer has the sole and exclusive power,
discretion, and authority to regulate the bidding
and its increments.
Increments
• $10 until $100 is reached
• $25 until $500 is reached
• $50 until $1,000 is reached
• $1,000 until $30,000 is reached
• $10,000 over $100,000
10. Absentee Bids
Absentee bids are requested by no later than
6:00 p.m. on the business day before the auction.
We accept absentee bids by phone, by mail, in
person, or by fax. Absentee bidders are emailed
bid confirmations – If you do not receive a
bid confirmation by the afternoon prior to the
auction, please call us. When you do receive a bid
confirmation, please double check for accuracy.
All absentee bidding is handled as though you are
in attendance. We buy all designated lots for you
one bidding increment above where competition
stops. Please check and comply with these
increments. In case of failure to comply, we will
reduce each off-increment bid to the next lower
figure.
“Plus” bids: Because of our structured bidding
increments, it is more likely that several people will
leave identical bids. Since an earlier bid left with
the auction house wins in the event of a tie, a later
bid with an added “plus” bid to the next increment
would win the piece.
Absentee bids left with third party online bidding
platforms are sent to the auction house as the lot
comes up for auction and not before. There is no
time advantage to absentee bids left with third
party online bidding platforms.
All absentee bidder names and bids are held in
strictest confidence, disclosed only in the event of
a question after the sale.
Absentee bidding is a convenience offered to our
customers and, while we will make every effort to
execute your instructions, the Auction House is
not liable or responsible for any errors or failure
to do so. If you place absentee bids with the
Auction House, then choose to attend in person,
bid by phone or any other means, it is solely your
responsibility to cancel any or all absentee bids
prior to the start of the auction.
11. Telephone Bids
Rago guarantees you a line and a phone agent for
bidding until 4 PM on the day prior to an auction.
After that time, we will gladly accept your absentee
bids, even during the auction (up to 30 minutes
before a lot goes on the block). Changes to bid
lists left with us prior to the deadline will always
be accommodated as best we can, as will follow-up
phone bids for those who attend/must leave the
auction and other exceptional cases.
If you need condition reports, please request and
review them prior to reserving phone lines.
Telephone bidders are emailed bid confirmations
– If you do not receive a bid confirmation by the
afternoon prior to the auction, please call us. When
you do receive a bid confirmation, please double
check for accuracy.
We can call you at two phone numbers ONLY during
the auction. If you are unsure of where you or your
agent will be during the sale, we recommend you
leave absentee bids.
Please do not change your phone number after
your phone lines have been confirmed; if you do,
the Auction House will not be responsible for any
breakdown in communications. Overseas phone
numbers only will be confirmed the day before the
auction.
We do not have the capacity to assign phone
agents to clients who want to listen only or who will
not bid the minimum selling price. Therefore, if you
bid by phone, you must be willing to open bidding
and bid to within 2/3 of the low estimate should
the bidding go that far. You may, however, leave
absentee bids for any amount.
Bids are placed on the telephone at the discretion
of the Auction House and at the caller’s risk.
Telephone bidding is a convenience offered to our
customers and, while we will make every effort to
execute your instructions, the Auction House is
not liable or responsible for any errors or failure to
do so.
If you place absentee bids with the Auction House
or Live Auctioneers and also bid in person, by phone
or any other means, it is solely your responsibility
to cancel any or all absentee bids prior to the start
of the auction. If you do not or cannot, regardless
of reason, you will be held responsible for the
property’s purchase.
15. Estimates
The estimates provided in this catalogue are our
opinion of the price that a willing buyer would
pay for the property at auction, based, where
possible, on prices paid for comparable items sold
in the past. They are neither a representation nor
a prediction of the actual selling price that will
be realized at auction, post-auction sale, or upon
resale, which may be substantially different from
these estimates. We shall not be liable in any way
for such a difference.
16. Withdrawal of Property from Sale
The Auction House reserves the right to withdraw
property from the sale for any reason and with no
liability whatsoever for such withdrawal.
12. Internet Bids
The Auction House has also engaged the services
of third party online bidding platforms called
Bidsquare and Live Auctioneers. Please proceed
to these sites for all necessary information on how
to bid and buy online using this system. The user
of Bidsquare and/or Live Auctioneers indemnifies
and holds the Auction House and its consignors
harmless against any claim arising out of or
resulting from your use of the Bidsquare and/or Live
Auctioneers sites, including all losses, damages,
liabilities, and all fees (including attorney’s fees),
costs, and expenses incurred in connection with
any claim. Under no circumstances, including, but
not limited to, negligence, shall the Auction House
and its consignors be liable for lost profits or any
special, incidental, or consequential damages that
result from the use of, or the inability to use, this
site.
If you place absentee bids with the Auction House
and/or a third party site and also bid in person,
by phone or any other means, it is solely your
responsibility to cancel these absentee bids prior
to the start of the auction. If you do not or cannot,
regardless of reason, you will be held responsible for
the property’s purchase.
Absentee bids left with third party online bidding
platforms are released to the Auction House when
a lot comes up for sale. The Auction House cannot
distinguish these from bids made in real time. They
have no timed advantage.
13. Condition Reports
Condition reports are rendered as specialist
opinion by the staff of the Auction House and/or
independent consultants and not as statements of
fact. We do not guarantee the content of written or
verbal condition reports.
Up-to-date condition reports can be accessed
online at ragoarts.com. If you would like additional
information, please call (609) 397-9374, fax
condition report requests to (609) 397-9377 or
e-mail them to info@ragoarts.com. Our specialists
will respond to requests as quickly as possible.
Please be patient. We get many requests and we
make every effort to respond to all of them in a
timely fashion. The Auction House is not liable or
responsible for any errors or failure to do so.
14. Reserves
A reserve is the confidential minimum price
established by the Auction House and the
consignor. The reserve will never exceed the low
estimate of the lot. The Auction House prohibits
consignors from bidding on their own property, but
may implement the reserve by bidding on behalf of
the consignor at the auction up to the reserve.
217
17. Rescission by Buyer
All items are served “As-Is, Where-Is,” except as
expressly stated otherwise in Paragraph 7. Buyer
acknowledges and expressly agrees that the
provisions of this Paragraph state the sole and
exclusive remedy available to a buyer in the event
of non-conformity in Property purchased. The
buyer understands and agrees that the exclusive
remedy for any breach of the warranty shall be a
rescission of the sale and a refund of the original
purchase price (bid plus buyer’s premium), as well
as any applicable taxes paid. Neither the Auction
House nor its Consignor shall be liable for damages
beyond the remedy expressly provided for herein,
such as, but not limited to, direct, indirect, special,
incidental, punitive, or consequential, including
the loss of profit or revenue, cost of obtaining
alternative property, claims of customers of the
buyer or otherwise.
18. Rescission by the Auction House
In the event the Auction House receives notice
of an adverse claim with respect to purchased
Property, the Auction House shall have the right
(but not the obligation), in its sole and absolute
discretion, to rescind the sale to the buyer, upon
written notice to the buyer. Upon such notice, the
buyer will promptly return the purchased property
to the Auction House’s premises in the same
condition as when purchased.
The Auction House will then promptly refund the
purchase price, including the buyer’s premium
and applicable taxes paid. Buyer will have no
further recourse against the Auction House or
the consignor, and the Auction House and the
consignor shall not be liable for any damages of any
nature suffered by the buyer.
19. Governing Law and Forum for Disputes
The laws of New Jersey shall govern the auctions
of the Auction House. Any disputes that may arise
in connection with the auction and/or any auction
purchase, and all of the terms and conditions
set forth herein above, shall be governed by and
construed in accordance with New Jersey law.
Anyone who participates in the auction and/or
makes auction purchases agrees to submit to the
jurisdiction of the courts of the State of New Jersey
with respect to any dispute arising in connection
with the auction and/or any auction purchases. In
the event that the Auction House needs to bring
an action to enforce the terms and conditions
herein and/or to collect any sum due and owing to
it the Auction House shall be entitled in addition
to collect its reasonable attorney’s fees, collection
agency fees, and cost of suit.
20. Limitations of Liability
The Auction House acts only as the agent for the
consignor and in no event will be liable for any
breach or default by the consignor.
21. Severability and Waiver
If any provision of portion of these Terms of Sale
shall be deemed unlawful, void, or unenforceable
under applicable law, that provision or portion
shall be stricken and severed from the remaining
provisions, which shall remain in full force and
effect. Failure to enforce any of the provisions in
these Terms of Sale shall not be deemed a waiver
of the right to enforce any other provisions of these
Terms of Sale.
22. No Assignment
Unless the Auction House consents in writing,
buyers may not assign their rights or any of their
obligations related to an auction or other sale by
the Auction House.
23. No Modifications
These Terms of Sale may not be changed unless the
Auction House and buyer have agreed to do so in a
written agreement signed by both parties.
bids and refuse to ship.
25. Firearms
Rago sells only antique firearms as defined by the
U.S. Bureau of Alcohol, Tobacco and Firearms. All
Firearms will be sold in accordance with State of
New Jersey and Federal firearms laws and any
relevant State of New Jersey and Federal laws. It
is the sole responsibility of buyers to familiarize
themselves with their local laws and requirements
for the possession of firearms; to identify and
obtain any necessary license or permit prior to
bidding; and to abide by all Federal, State and local
laws and requirements. The Auction House and the
Consignor make no representations or warranties
as to whether any lot is or is not subject to such
restrictions and will have no responsibility with
regard to these matters. Rago sells only antique
firearms as defined by the U.S. Bureau of Alcohol,
Tobacco and Firearms. Due to New Jersey firearms
regulations, all handguns, pistols, and revolvers will
only be shipped via Federal Express and will only be
delivered to a person who holds a Federal Firearms
License or a Curios and Relics License. Handguns,
pistols, and revolvers can only be picked up at
Auction House by a person who holds a Federal
Firearms License or the proper New Jersey handgun
permits, which must be shown and logged. There
are no exceptions. No firearms will be sold or
shipped internationally.
24. Export or Import - Endangered/Threatened/
Prohibited Species
The State of New Jersey prohibits the import,
sale, purchase, barter, or possession with intent
to sell of any ivory, ivory product, rhinoceros
horn, or rhinoceros horn product with exceptions
that are irrelevant to commercial sale. As used
in this act “Ivory” means tooth or tusk from any
animal, including, but not limited to an elephant,
hippopotamus, mammoth, narwhal, walrus, or
whale, or any piece thereof, whether raw ivory
or worked ivory, or made into, or part of, an ivory
product. As concerns worked products made
of species legal to sell under current Federal
guidelines, it is the sole responsibility of buyers
to familiarize themselves with International and
U.S. state laws or requirements for import and
export; to identify and obtain any necessary export,
import, endangered species or other permit prior
to bidding; and to abide by International and U.S.
laws and requirements. The Auction House and the
Consignor make no representations or warranties
as to whether any lot is or is not subject to export
or import restrictions or any embargoes and will
have no responsibility with regard to these matters.
a) International: Several countries do not allow
the importation of lots containing materials made
from endangered species. This includes, but is not
limited to coral and tortoiseshell. An export license
may be required for the export of certain materials,
as well. b) State of California: California Penal Code
sections 653o - 653r make it illegal to import into
California for commercial purposes, to possess with
intent to sell, or to sell within the state, the dead
body, or any part or product thereof, of any polar
bear, leopard, ocelot, tiger, cheetah, jaguar, sable
antelope, wolf (Canis lupus), zebra, whale, cobra,
python, sea turtle, colobus monkey, kangaroo,
vicuna, sea otter, free-roaming feral horse, dolphin
or porpoise (Delphinidae), Spanish lynx, or elephant.
Starting in 2015, it will be unlawful to import into
this state for commercial purposes, to possess
with intent to sell, or to sell within the state, the
dead body, or any part or product thereof, of any
crocodile or alligator. Should a buyer in California
state an intent to sell the certain animal parts
named in California Penal Code sections 653o 653r, the Auction House reserves the right to reject
26. Miscellaneous
Private Sales: These Terms of Sale shall apply to
both auction and private sales of property.
Paragraph Headings: Paragraph and subheadings
are included in these Terms of Sale for ease of
reference and should not be used to interpret the
meaning of the substantive provisions.
Addendum to Terms of Sale: Jewelry
For centuries, natural gemstones have been
enhanced in a variety of ways, including heating,
oiling and other methods. These treatments
are accepted by the international jewelry and
gemstone trade. The Auction House makes no
representations or warranties, express or implied,
as to whether natural stones have been treated or
enhanced, whether specifically referenced or not.
All stones have been identified by standard
gemological field tests as the mounting permits
and the Auction House will make available to
prospective buyers any gemological certificates
in its possession. It will not always be feasible to
obtain a qualified lab report on every stone offered
through the Auction House. Buyers wishing to
have a grading or gemological report from an
independent recognized laboratory such as the
Gemological Institute of America, the European
Gemological Laboratories or the American
Gemological Institute may request one at their own
expense or hire an independent adviser of their
choosing.
Weights given are based solely on measurements
and known gemological formulae; they are
approximate, not exact. Weight may differ once
a stone is removed from its setting. Buyers are
advised to verify weight estimates prior to auction
Addendum to Terms of Sale: Coins and Currency
Grading is a not an exact science. It is a matter
of opinion as to condition and other attributes.
Because of this, grading can and will differ
among third party grading services (even
though consensus grading is employed by most),
independent experts, dealers, collectors and
auction houses, including our own. Due to the
subjectivity of coin and currency grading, a given
piece evaluated twice by the same expert may be
assigned a different grade each time. Opinion as
to the grading, condition or other attributes of any
property may have a material effect on value.
Therefore all coins and currency are served “As-Is,
Where-Is,” by the Auction House except as to
authenticity, as expressly stated in the Terms of
Sale. They are sold without any additional express
or implied warranty, including, but not limited
to, grade. This includes all coins and currency,
including, but not limited to, those:
• Referencing the opinion of a third-party
grading service;
RAGO 20TH CENTURY DEPARTMENT
SHIPPING/RECEIPT OF PURCHASED PROPERTY
Auction Management:
David Rago, Jerry Cohen, Suzanne Perrault
A bid is a contract to buy. So on the fall of the auctioneer’s hammer, the successful bidder
becomes the owner and assumes full responsibility for the purchased property. This includes all
costs and the expenses of any handling, shipping, insurance, taxes, or export.
Specialists: Jad Attal, Jerry Cohen, Frank Maraschiello
When the Auction Center receives and processes your payment, your property is released for
shipping, delivery by freight, or pick-up. Please allow up to three weeks.
Junior Specialist: Sarah Dziamba
RAGO ARTS AND AUCTION CENTER
Partners-in-Charge:
David Rago, Suzanne Perrault, Miriam Tucker
Chief Operating Officer: Michael Ingham
Chief Administrative Officer: Eliane Talec
• With no reference to the opinion of a thirdparty grading service;
• With reference to the opinion of Auction
House as to grading;
• Subsequently submitted to a third-party
grading service for determination or certification;
• Encapsulated and therefore unable to be
physically examined.
The Auction House reserves the right to differ with
the grades assigned to property, by certificate or
otherwise, regardless of the grading service and will
not be bound by any prior or subsequent opinion,
determination or certification by third-party grading
services including, but not limited to, National
Guaranty Company (NGC), Professional Coin
Grading Service (PCGS), Paper Money Guaranty
(PMG) and Currency Grading and Authentication
(CGA) or any other any grading service, third party
organization or dealer. There is no guarantee or
warranty implied or expressed that the grading
standards utilized by the Auction House will meet
the standards of any grading service at any time in
the future.
The Auction House has graded uncertified coins
and currency with reference to the current
interpretation of the American Numismatic
Association’s standards at the time of grading.
The Auction House reserves the right to re-grade
property re-consigned for any reasons, including,
but not limited to a change of grading standards,
differences in opinion, mishandling over time.
The Auction House will not be liable for any patent
or latent defect or controversy pertaining to or
arising from any encapsulated coins or currency. In
any such instance, purchaser’s remedy, if any, shall
be solely against the service certifying.
Director, Estate Services: Sebastian Clarke
• Catalog illustrations may not be to scale or
reflect the depicted property’s actual size.
SHIPPING SMALL ITEMS BY COMMON CARRIER (UPS, FEDEX, DHL OR USPS):
We have engaged shippers to pick up several times a week from the auction house. Our
recommended shippers for small items are Masterpiece Shipping and The Flemington UPS Store.
Once we receive your payment and the completed shipping form authorizing the release of your
property to the shipper, we will add your lot(s) to the list for the next pick up. You will receive a
shipping quote for your approval within 48 hours after the shipper has picked up your lot(s). If for
any reason the quote is not acceptable to you, your property will be returned to the auction house
so that you can make alternate arrangements.
Masterpiece Shipping
David and Vicki Child, Owners-Operators
Director, Appraisal Services: Laurel Porcelli
Buckingham Green
4950-C Old York Road
Art Director: Anthony Barnes
Buckingham, PA 18912-2000
T: 215-794-1199 | F: 215-794-1177
Photography Studio Director: Lynnette Mager Wynn
The UPS Store #1752
Photographer: Jared Kramer
203 Main Street
Flemington, NJ 08822
Client Services Manager: Karen Davies
Client Services: Martine Webber
Foreman of Operations: Croix Leadem
Art Handlers and Movers:
Casey Kochis (foreman),
Charles Chamberlin, Jason Kwon, Sean Leslie,
Richard Palleschi, Justin Thomas
Controller: Lisa Kolva
T: 908-806-4842 | F: 908-806-4843
SHIPPING LARGER ITEMS BY FREIGHT:
Some furniture, bulky or odd shaped items may exceed the allowable dimensions or weight
restrictions of UPS, Fed Ex and similar carriers. The auction house can provide assistance in
arranging for delivery by freight. Depending on the location, we can recommend a variety of third
party shippers. We are also happy to work with the freight company of your choosing. Please keep
in mind that delivery of these types of items can be an expensive proposition and we urge you to
consider this before bidding. Please remember that it is your responsibility to pay for all deliveries.
PICK UP AT RAGO:
Hours for pick up are Monday – Friday, from 9:00 a.m. – 11:30 a.m. and from 1:30 p.m. to 5:00
p.m. The shipping department closes each day from 11:30 – 1:30. The Auction House is closed
on Federal holidays and on Mondays following two and three day auctions. We require 24 hours’
notice in advance of pick up. Please bring your own packing materials.
Marketing Associate: Adrienne Lieberman
IMPORTANT NOTES:
Digital Content Creator: Nicholas Fonteix
Please note:
• Certain types of plastic may react with a
coin’s metal or transfer plasticizer to notes, causing
damage. Avoid storage in materials that are not
inert.
NOTE: Some property in this sale may require specialized shipping. Please call us for our
recommendations.
Public Relations/Marketing Assistant: Robin Harris
Auction Administration: Rebecca Schild
Weekend pick ups are made by special arrangement and/or by appointment only.
New Jersey sales tax of 7% must be added to your invoice when picking up merchandise unless
you have a valid resale number on file.
All property must be paid for and removed from Rago Arts & Auction Center within 15 business
days of the auction. Unless special arrangements are agreed upon in writing before the sale.
Storage fees are charged beginning on day 16. For more details see our Terms of Sale.
Administrative Staff: Kathy Buscavage, Guy Benthin
Our thanks to the entire auction staff.
219
CONDITION REPORT FORM
phone: 609.397.9374
fax: 609.397.9377
We are happy to provide you with condition reports on all lots as requested. We are neither professional restorers nor conservators
and specialist opinions are subjective and not a statement of fact. Therefore, we do not guarantee the content of the written or verbal
condition report. Not withstanding this report, all lots are offered and sold in accordance with the Terms of Sale listed in print and online
at ragoarts.com.
Lot#
Description
Specific Questions
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A new online bidding site with real goods you won’t find anywhere else.
Where what you see is what you get, from leading auctioneers you know and trust.
Live and timed auctions. New property added daily. Easy to navigate. Reliable. Private. Secure.
Telephone ___________________________________________________________________________________________________________________
E-mail ________________________________________________________________________________________________________________________
INTERNAL USE ONLY
Bid live online for all Rago Auctions. Register Today.
Check Condition Online
Print Initials: ___________________________
Add to/confirm in AuctionFlex
Date __________________________________________________________________________
BIDDING FORM
Buyer Number
phone: 609.397.9374
fax: 609.397.9377
e-mail: bids@ragoarts.com
ABSENTEE BID
PHONE BID
Name ___________________________________________________________________________________
Business Name ____________________________________________________________
Address ______________________________________________________________________________________________________________________
City __________________________________________________________
State _____________________________________________________
Zip Code ____________________________________________________
E-mail _____________________________________________________
Telephone __________________________________________________
Fax ________________________________________________________
CC # (Visa/MC/Disc.) _______________________________________________________
If using Resale ID, a copy must accompany this form.
Exp. Date _________________
Country ________________________
CSV code (from back) __________________
Resale ID Number ____________________________________________
Lot#
Description
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State _____________________
Absentee/Contigency Phone
PLEASE ADHERE TO THE
BIDDING INCREMENTS
$10 until $100 is reached
$25 until $500 is reached
$50 until $1,000 is reached
$1,000 until $30,000 is reached
$10,000 over $100,000
Rago’s guarantees you a line and
a phone agent for bidding until 4
PM on the day prior to an auction.
After that time, we will gladly
accept your absentee bids, even
during the auction and will do our
best to accomodate before the lot
goes on the block.
TELEPHONE BID PHONE NUMBER – DAY OF SALE:
1).
_____________________________________________________________________________________
2).
_____________________________________________________________________________________
CHECK, SIGN AND DATE BELOW OR BIDS WILL NOT BE EXECUTED
I am bound by Terms of Sale
I have read the condition report(s) online / requested all needed information
I am responsible to contact Rago if bid confirmation is not received by 5pm on the day prior to the auction
I am responsible for canceling Absentee Bid if I choose to bid in person/by phone
I understand the buyer’s premium (see below)
The buyer’s premium for each lot purchased is 25% on the first $200,000 of the hammer price,
20% on the portion from 200,000 through $3,000,000.
Signature _____________________________________________________________________________
Date ________________________________________________________________________
INTERNAL USE ONLY
Check Boxes Above
Absentee/Plus
Print Initials: ___________________________
New/Hold
AF: confirm contact info/check notes
Date/Time ___________________________________________________________________
Addendum
Increments

catalog

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