And Then There Were None Love`s Labor`s Lost My Fair Lady

Transcription

MAY 27 – SEPTEMBER 25
And Then There Were None
By Agatha Christie
Directed by Charles Fee
Sponsored by Hawley Troxell and Idaho Public Television
Love’s Labor’s Lost
by William Shakespeare
Directed by Tyne Rafaeli
Sponsored by Roundtree Real Estate and
Boise State Public Radio
SEASON SPONSOR
My Fair Lady
Book and Lyrics by Alan Jay Lerner
Music by Frederick Loewe
Directed by Victoria Bussert
Sponsored by ArmgaSys, Inc., Holland & Hart LLP
and Scene / Treasure Magazines
SEASON PARTNERS
Twelfth Night
by William Shakespeare
Directed by Drew Barr
Sponsored by Parsons Behle & Latimer and Boise Weekly
Forever Plaid
SEASON MEDIA PARTNERS
Written and Originally Directed and
Choreographed by Stuart Ross, Musical Continuity
Supervision and Arrangements by James Raitt
Directed by Victoria Bussert
Sponsored by ArmgaSys Inc. and 107.1 KHits
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Lynn Allison*, The Mystery of Edwin Drood. Photo courtesy of Idaho Shakespeare Festival.
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page 1
Albertsons has everything you need
for your picnic at this year’s
Shakespeare Festival!
Oven fresh bread, cakes, pastries and more.
A large assortment of deli meats and cheese.
Fresh fruits and vegetables, cut fresh in store daily.
Soda, beer and wine and more!
page 2
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Table of Contents
A Message from Governor C.L. “Butch” Otter . . . . . . . . . . . . . . . . . 8
A Message from Mayor David H. Bieter . . . . . . . . . . . . . . . . . . . . . . 8
A Message from J. Walter Sinclair, President, Board of Trustees . . . . 17
A Message from Charles Fee, Producing Artistic Director . . . . . . . 18
And Then There Were None . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
Love’s Labor’s Lost . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
My Fair Lady . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
Twelfth Night . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
Forever Plaid . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
Festival Company . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Acting Company Biographies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
Director, Choreographer and Designer Biographies . . . . . . . . . . . 46
Institutional Partners . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
Management Biographies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
Education and Outreach Programs . . . . . . . . . . . . . . . . . . . . . . . . . 66
Access Program . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68
Sponsors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
Annual Giving . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
Shakespeare Society . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84
In-Kind Donors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86
The Greenshow: Mini-Concert Series . . . . . . . . . . . . . . . . . . . . . . . 93
Housing Thanks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90
In Memory and In Honor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94
Forty Seasons of Idaho Shakespeare Festival . . . . . . . . . . . . . . . . 96
Advertiser Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107
Photo Credits . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108
Café Shakespeare Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110
Season Calendar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112
Idaho Shakespeare Festival’s Mission
Produce great theater, entertain and educate
To realize this mission, the
Festival seeks to:
Develop an artistic home for
theater artists that supports
emerging actors, encourages
new regional and national
playwrights, promotes
sustained employment
opportunities for artists, and
attracts the very best artistic
staff to the Festival;
Educate through a range of
programs, including programs
and tours for K-12 children
and teachers, ongoing adult
education, interpretive
programming, affiliations
with universities and cultural
organizations, as well as
residencies and training
opportunities for actors;
Illuminate human nature and
our rich cultural heritage
through a repertory that
includes the plays of William
Shakespeare, the richest and
most complex in the English
language, together with other
works from a variety of dramatic
periods and genres; and,
Promote cultural understanding
through highlighting diverse
traditions and supporting artists
and audiences of all ages,
ethnicities and backgrounds.
Idaho
Shakespeare
Festival
P.O. Box 9365
Boise, Idaho 83707
Administrative Offices:
520 South 9th Street
Boise, Idaho 83702
phone: 208-429-9908
fax: 208-429-8798
Box Office:
5657 Warm Springs Ave
Boise, Idaho 83716
phone: 208-336-9221
fax: 208-336-4924
info@idahoshakespeare.org
www.idahoshakespeare.org
page 4
SEASON SPONSOR
Idaho Shakespeare Festival Staff
Charles Fee, Producing Artistic Director
Mark Hofflund, Managing Director
Bob Taylor, Director of Finance
Hannah Read Newbill, Director of Marketing
Tom Ford, Artistic Associate
Rose Orr, Education Manager
Christine Zimowsky,
Grants and Development Associate
William Ledbetter, Development Assistant
Hannah Dunlop Relf, Development Assistant
M. Aaron Milette,
Box Office Manager & IT Systems Administrator
Brad Cote, Box Office Assistant Manager
Mandie Reese, Box Office Associate
Kiely Prouty-Porter, Company Manager
Debbie McCulley, Finance Assistant
Chelle Nyström, Accountant
Taylor Davis, Master Gardener
Idaho Shakespeare Festival is affiliated with the following service organizations:
American Alliance for Theater and Education, Americans for the Arts, Arts for
Idaho, Boise Metro Chamber of Commerce, Idaho Nonprofit Center, Institute
of Outdoor Theatre, Shakespeare Theatre Association, SWITA, Theatre
Communications Group, and Theater for Young Audiences USA/ASSITEJ.
This project is presented with the support of the National Endowment for the
Arts, the Idaho Commission on the Arts and the Boise Department of Arts and
History. Idaho Shakespeare Festival operates under an agreement with the
Idaho Foundation for Parks and Lands and the Idaho Department of Parks and
Recreation. The Festival prohibits discrimination on the basis of race, ethnicity,
national origin, religion, gender, sexual orientation, disability, or age.
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Governor Butch Otter
Dear Friends,
The First Lady and I are delighted to welcome
you to the Idaho Shakespeare Festival! The
Festival is one of Idaho’s proudest cultural
achievements and has been engaging
patrons from near and far with its popular
summer series for the last 40 years.
On the Idaho Shakespeare Festival’s 40th
anniversary, we join the world in honoring
the eternal works of William Shakespeare on
the 400th anniversary of his death. The fact
that we continue to celebrate and cherish
these works after four centuries is a measure
of his keen insight into the human condition
and a quantifiable testament to his genius.
Language and literature connect us through
time with past civilizations and allow us to
identify the inspirations that carry into the
future. We invite you to see and experience
Mayor Dave Beiter
There are few experiences in Boise as
refreshing and engaging as sitting down on a
summer evening to a night of theater at the
Idaho Shakespeare Festival.
Following a gourmet meal from Café
Shakespeare—perhaps accompanied by a
pleasant beverage—the sun begins to recede
and the lights go up on another performance.
Those few moments before the actors enter
the stage are always the most exciting,
because they carry the most promise. What,
exactly, will we see tonight?
Inevitably, whether it’s a history play from
the bard or an inventive modern comedy,
the show impresses — the result of Idaho
Shakespeare’s uncanny talent for bringing
outstanding acting and uncommon stagecraft
into the service of exceptional writing.
And with that accomplishment comes
countless positive, and often intangible,
benefits. Theater at its best enriches both
the individual and the community at large,
page 8
this continuum, not only here at the Festival
this summer, but also through the national
tour of Shakespeare’s First Folio, which
will be traveling from the Folger Library
in Washington, D.C. to the Yanke Family
Research Park at Boise State University
August 20th through September 21st.
As we turn the page on the fourth century of
an endless legacy, Miss Lori and I are honored
to recognize each of you as part of the
ongoing stewardship of Shakespeare, and to
celebrate your place in both its present and
future for many more decades to come.
Again, welcome and please enjoy the show.
As Always – Idaho, “Esto Perpetua”
C.L. “Butch” Otter
Lori Otter
GOVERNOR OF IDAHO
FIRST LADY
illuminating difficult subjects and inspiring
new hope and renewed energy among
audience members and performers alike.
Theater by its nature is artifice, but, when
done well, it brings real meaning to our lives.
When the final act is complete, the chairs
have been folded, and the cars queue up
to make that left turn back onto Warm
Springs Avenue, a sense of magic remains
in the air—a sense that something special
happened tonight, right here in our
hometown. As Mayor, I can’t imagine a better
calling card for Boise than that.
As Idaho Shakespeare Festival
commemorates its 40th season, it’s time for
all Boise residents to celebrate and show
their appreciation for this jewel of our arts
community. Boise has many wonderful arts
organizations, but none has played a greater
role than Idaho Shakespeare in making Boise
the most livable city in the country.
David H. Bieter
MAYOR OF BOISE
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page 13
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page 15
page 16
President Walt Sinclair
On behalf of the Board of Trustees, welcome
Festival! What an incredible journey it has
been, and more to come!
We cannot express adequately our eternal
gratitude for your continued support. It is
your support which allows us to continue
to present outstanding performances, in
our beautiful location, as a spectacular
destination experience. As we sit out
here in our lovely amphitheater, enjoying
good company, drink, food, and worldclass entertainment, enjoy and join me in
appreciating all that the Idaho Shakespeare
contributions and support of our corporate
sponsors, advertisers, donors, national
grantors, Festival members and our
audience, which enable the Festival to put a
high quality product on the stage each year.
Our sponsors are listed in this program and
we encourage you to support them and the
other fine companies whose advertisements
support our work.
As our fabulous actors perform their magic
on the stage, our incredible staff performs
their own brand of magic behind the scenes
and together they create the consistent high
quality of entertainment you experience each
Bill Keller
Debra Leithauser
Mary Monroe
Tobi Mott
Terry Papé
Rob Perez
Steven Pline
Georgiann Raimondi
Nancy Richardson
Eugene A. Ritti
Nicholas Roundtree
Michael W. Sadler
Andrew Scoggin
Macey Prince Swinson
Greg Therrien
Alexander Toeldte
Carolyn Bancroft,
Recording Secretary
Givens Pursley LLP,
Counsel
Consulting Members
Festival has brought to our community for
We are also grateful for the continued
J. Walter Sinclair, President
Eileen Barber, Vice President
Vernon Banks, Secretary
Jeffrey W. Hancock, Treasurer
Karen Meyer, Past President
Rhea Allen
Bill Avey
Cindy L. Bateman
John Bender
Kristin E. Bjorkman
Darren T. Board
Fred Boelter
Hollis Brookover
Susan Bundgard
Bob Bushnell
Jan Carley
Shavonna Case
Kevin Chase
Thomas F. Dixon
Katie Truscott Dow
Debra Hanks
Patricia Harder
Robert Hay
Marjorie Hopkins
Cyndi Friend Kay
Dana Kehr
to the 40th season of the Idaho Shakespeare
the last 40 years! Idaho Shakespeare Festival
Board of Trustees
visit. Please take the opportunity to thank
our actors and staff for their continued,
excellent work. The Festival also continues
to grow its educational programs which
bring the dramatic arts to schools around
the State. This is a little known but very
important part of the Festival’s mission to the
whole state of Idaho.
Now please sit back, have some food and
drink from Café Shakespeare and enjoy the
show. Thank you again for being here and for
your continued patronage and support!
Walt Sinclair
PRESIDENT
Ekundayo Ayodele
Linda Byron
Linda Dixon
Shirley O’Neil
Erin Rowe-Shilt
Kâren Sander
Laurel Sayer
Linda Somerville
Holly Thomas-Mowery
Thad Webster
Idaho Shakespeare Festival
Advisory Board
Candice Allphin
Bradley G. Andrews
Robert P. Aravich, Jr.
Barbara Bender
Lisa Benjamin
Mike Bessent
Paul M. Boyd
Jerry Brady
Carol A. Brown
Chip Browndyke
Richard P. Clark
Doug Copsey
Viki Dater
Charles G. Davis
Paul J. Dubman
Kerry Carnahan Ellis
Andrew C. Erstad
J. Brent Fery
Sandra L. S. Fery
Norena Gutierrez
Richard E. Hall
Anne Hay
Sus Helpenstell
Leann R. Hemphill
Marla S. Henken
Michael Hoffman
Andrew J. Huang
Jeff Jackson
Lynn Johnston
Sondra Juetten
Joy M. Kealey
W. Patrick Knibbe
Kathleen Kustra
Kenn Lamson
Cheryl Larabee
Gwen Lytle
Yvonne McCoy
Michael D. McIntyre
Theresa McLeod
James McNorton
Nicholas G. Miller
Alan Minskoff
Royanne Minskoff
Michael M. Mooney
Bill Mooney
Anthony W. Olbrich
Doug Oppenheimer
John Parrish
Charles Robertson
Dianne Robertson
Martie Rowen
Lari Jane Rumpp
John Sims
James A. Steele, Jr.
Brandy Stemmler
Nicholas C. Sutton
Calvin R. Swinson
Gregory Taylor
Henry W. Taylor, Jr.
Carolyn Ticknor
Shirley Tierney
Jerry Van Engen
Jena Vasconcellos
Robert T. Wetherell
Barbara Bauer
Whisenhunt
Shawn Del Ysursa
Henry Yun
Foundation for the
Royanne Minskoff, President
Sandra L. S. Fery, Secretary/Treasurer
Thomas G. Dater
Charles G. Davis
Nicholas G. Miller
James A. Steele, Jr.
Henry Yun
page 17
Producing Artistic Director, Charles Fee
Shakespeare one night, breathing life into
the lyrics of an award-winning musical the
following evening, and exploring the dark
impulses of a classical murder mystery the
next; and it takes an unusually generous
community to embrace, support, and
celebrate the work of this company of
four decades. Fortunately, the Festival
has both—a great company of artists,
administrators, trustees and a great
community of arts patrons! Whether you’re
here for the first time or you’ve been with us
since 1977, this Anniversary season is yours
as much as ours.
Dear Friends,
On behalf of our artists, staff, and
board of trustees, welcome to the 40th
Anniversary season of Idaho Shakespeare
Festival—one of the signature cultural
events of the intermountain west. Since our
founding in 1977, the Festival has had the
great fortune of growing steadily with our
community. From our humble roots at One
Capital Center and a first season audience
of 3,500 patrons attending a total of 8
performances, the Festival has grown to over
60,000 patrons attending 93 performances
annually. Along with the tremendous
success of our summer “Shakespeare Under
the Stars” performances, our educational
programming now brings live theater to
50,000 students each year from grades K-12
in nearly every county of the state.
But the truth is, we still feel like a
bootstrapping start-up, with all the
excitement of a great future ahead of us. I
guess life really does begin at 40!
It takes an extraordinarily talented,
skillful, and courageous group of artists,
staff members and trustees to build a
company capable of tackling the words of
To open our season, we return to the most
famous crime writer of all time, Dame
Agatha Christie, and the play she based
on her most popular murder mystery, And
Then There Were None. We are thrilled to
be working on our second Christie play
(following the success of The Mousetrap
in 2012) and excited to be staging the
newly commissioned ending of the play,
which re-stores the final, dark moments
of her novel, thanks to the generosity of
her grandson, Mathew Prichard. Playing
in rep with And Then There Were None
is the first of our Shakespeare plays for
the season, Love’s Labor’s Lost. Director
Tyne Rafaeli makes her Festival debut
with a brilliantly conceived production of
Shakespeare’s deeply romantic comedy,
not seen on our stage since 2006—our 30th
Anniversary.
Opening July 2nd is My Fair Lady, one of the
true classics of the American Musical Theater,
with book and lyrics by Alan Jay Lerner, music
by Frederick Loewe, and based on the play
Pygmalion by George Bernard Shaw. Victoria
Bussert (director of Cabaret, Sweeney Todd,
Les Mis and Secret Garden, to name a few of
her past productions) will once again bring
her exquisite skill in realizing large scale
productions with an intimacy and attention
to story that has thrilled audiences over the
past several seasons. Playing in rep with My
Fair Lady is the second Shakespeare offering
of the summer, Twelfth Night. Director Drew
Barr returns for his “twelfth” season with the
Festival to direct what is surely one of the
most perfect romantic comedies ever written.
In September, we continue our latest
tradition of sharing productions with our
company in Lake Tahoe, Nevada—Lake
Tahoe Shakespeare Festival—with a
perennial favorite, Forever Plaid directed by
Victoria Bussert and choreographed by Greg
Daniels. Our September show has become
its own special event, with an earlier curtain
time, cooler evenings, and a focus on more
contemporary works—and wait ’til you see
the company we have put together for this
all new production of “Plaid.”
We hope you are as excited to see this 40th
Anniversary season as we are to be creating
such an extraordinary breadth of experiences.
As always, we want to thank our partners
and great friends in the corporate,
foundation, and public funding
communities, led by our unwavering
season sponsor, KeyBank! We could not
produce our work without the tireless
efforts of our talented administrative staff,
dedicated board of trustees, extraordinary
artists and the tremendous generosity of
this community! As you look around the
theater and page through this program,
you will see the names of many friends
whose support makes all of this possible.
We extend our deepest gratitude to
each and every one of them and look
forward to the next 40 years of continued
collaboration and creativity.
From all of us at the Festival, happy
anniversary!
Sincerely,
Charlie
PRODUCING ARTISTIC DIRECTOR
page 18
T H E
H A W L E Y
T R O X E L L
W A Y
CHARACTER
AND
ACTION
Business is full of mysterious twists, but our sophisticated
legal service helps your organization stay on top of the action.
Our customized approach, The Hawley Troxell Way, provides
you with a team of attorneys or one-to-one legal counsel
to help keep the drama where it belongs – on stage. And,
best of all, our nationally renowned legal services
come with a local address.
BOISE / COEUR D’ALENE / IDAHO FALLS / POCATELLO / RENO
Call 208.344.6000 or visit HawleyTroxell.com
page 19
Production Sponsor
Production Media Sponsor
And ByThen
There
Were
None
Agatha Christie
And Then There Were None is presented through special arrangement with
SAMUEL FRENCH, INC.
Ten Little Soldier Boys
TEN little soldier boys went out to dine; One
choked his little self and then there were nine.
Season Sponsor
Nine little soldier boys sat up very late; One
overslept himself and then there was eight.
Eight little soldier boys travelling in Devon; One
said he’d stay there and then there were seven.
Seven little soldier boys chopping up sticks; One
chopped himself in halves and
then there were six.
Six little soldier boys playing with a hive; A
bumblebee stung one and then there were five.
On behalf of
more than 300
Idaho KeyBank
employees,
welcome to
the Idaho
Shakespeare
Festival. KeyBank
has a long history
of investing in
and supporting
the Treasure Valley. We are honored to return
as the season sponsor of Shakespeare Under
The Stars for the 19th consecutive season.
The Idaho Shakespeare Festival is important
to us because it enhances the quality of life
in the Treasure Valley. We hope you enjoy
another exceptional performance under the
stars this evening.
Darren Schuldheiss
IDAHO MARKET PRESIDENT
KeyBank Partner Profile
KeyBank’s promise is to help our clients
and communities thrive. As we enjoy our
19th consecutive season as a sponsor of
the Idaho Shakespeare Festival, KeyBank
is proud to renew a valued partnership and
provide a unique cultural experience for
the residents and visitors of our beautiful
state. Our community thrives on innovation
and creativity, both of which are on display
nightly at the Idaho Shakespeare Festival.
Those involved with these performances
share KeyBank’s philosophy of investing
time, energy, talents, and ideas for the
benefit of our community. We hope you
enjoy the performance as much as we enjoy
helping to bring it to you.
page 20
Five little soldier boys going in for law;
One got in Chancery and then there were four.
Four little soldier boys going out to sea; A red
herring swallowed one and then there were three.
Three little soldier boys going to the zoo; A big
bear hugged one and then there were two.
Two little soldier boys sitting in the sun; One got
frizzled up and then there was one.
One little soldier boy left all alone; He went and
hanged himself and then there were NONE.
Director’s Note
As I began research on this season’s
production of And Then There Were None,
I began with a close reading of Agatha
Christie’s 1939 novel as background for the
play that she wrote based on her original work.
As always, the novelist must give over to the
playwright the right to adapt, alter, and
re-structure the narrative form of the story for
the dramatic necessities of the theater. Most
interesting was the decision Ms. Christie
made—with encouragement from her
producers—to change the ending of the play.
The producers felt the original ending was too
“dark” for a London audience in the midst of
World War II and asked for a more hopeful
ending focused on the romantic relationship
between the characters of Vera Claythorne and
Philip Lombard. Ms. Christie ultimately agreed
and the played opened in 1943 to great
acclaim. Further research turned up two recent
productions in Britain which featured newly
written endings to the play which purported to
“re-store” the original ending of the story;
however, there was no way to get the “rights”
or even a copy of these altered endings – both
were written with the express permission of
the Christie estate but without the ability to
license the endings to other companies.
Then, as luck would have it, the grandson of
Ms. Christie, Mathew Prichard, commissioned
an alternate ending which presents the original
events from the novel and granted the use of
either to future producers. To add a bit of
mystery, this “new” ending, now called the
1939 Ending, is given no authorial credit,
leaving us to muse over the question of who
wrote it? We have chosen the 1939 Ending
for our production as it seems to reflect
Ms. Christie’s original intention.
Charles Fee
DIRECTOR
A note from Agatha Christie’s
grandson on the topic…
My grandmother’s play has been performed
successfully all over the world since its
première in 1943 with an ending that is
unique to the play and is not that of the novel
on which it is based. There is much evidence
that this was not her initial intention but was
instead the result of what was perceived to
be the needs of audiences at a very dark time
in history. My grandmother never shied from
taking notice of others’ input and the success
then and since of the play vindicates her
approach and their views.
In recent years enterprising producers
presenting to, perhaps, more inquiring
audiences have experimented with
incorporating the novel’s ending in the play.
This, too, has been well received leading
to a controversy as to which is the “real”
ending. I have no intention of settling
this controversy. Instead, on the 125th
anniversary of my grandmother’s birth, I
wish to make the choice available to all
producers and directors to express their
view as to the writer’s intention by enabling
them to choose from the 1943 (play) ending
and the 1939 (novel) ending.
Drawing on papers and correspondence
at the time of production and on archive
material, I have commissioned a dramatic
version of the novel’s close. Both dramatic
endings begin their unraveling with
Lombard’s line to Vera: “You – young,
lovely, and quite, quite mad”. After that,
readers, producers and directors face the
same choice that my grandmother faced.
Mathew Prichard
TORQUAY, ENGLAND
|
SEPTEMBER 2015
Dramatis Personae
Rogers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Mrs. Rogers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Fred Narracott . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Vera Claythorne . . . . . . . . . . . . . . . . . . . . . . . . . . .
Philip Lombard . . . . . . . . . . . . . . . . . . . . . . . . . . .
Anthony Marston . . . . . . . . . . . . . . . . . . . . . . . . . .
William Blore . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
General Mackenzie . . . . . . . . . . . . . . . . . . . . . . . .
Emily Brent . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Sir Lawrence Wargrave . . . . . . . . . . . . . . . . . . . . .
Dr. Armstrong . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
M. A. Taylor*
Maggie Kettering*
Andrew Miller
Laura Welsh Berg*
Nick Steen*
Dan Morrison*
David Anthony Smith*
William Langan*
Laura Perrotta*
Tom Ford*
Dougfred Miller*
The Scenes of the Play
The action takes place in the living room of a house on Soldier
Island, off the coast of Devon, England.
Act I
A summer evening in August
Act II
Scene 1: The following morning
Scene 2: The same day-–afternoon
Act III
Scene 1: The same day-–evening
Scene 2: The following afternoon
Production Staff
Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Scenic Designer . . . . . . . . . . . . . . . . . . . . . . . . . . .
Costume Designer . . . . . . . . . . . . . . . . . . . . . . . . .
Lighting Designer . . . . . . . . . . . . . . . . . . . . . . . . .
Sound Designer . . . . . . . . . . . . . . . . . . . . . . . . . . .
Fight Choreographer . . . . . . . . . . . . . . . . . . . . . . .
Production Stage Manager . . . . . . . . . . . . . . . . .
Assistant Stage Manager . . . . . . . . . . . . . . . . . . .
Production Assistant . . . . . . . . . . . . . . . . . . . . . . .
Charles Fee
Russell Metheny
Kim Krumm Sorenson
Rick Martin
Joe Court
Ken Merckx
Jennifer Caster*
Jessica Lucas*
Emily Melgard
*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States
There will be two ten-minute intermissions
Family Nights are generously sponsored by Chobani
The media sponsor for Family Nights is Idaho Family Magazine
Preview Nights are generously sponsored by ADP Employer Services
page 21
Production Sponsor
By William Shakespeare
Media Sponsor
Season Partner
On behalf of
Albertsons, I
would like to
welcome you
to the Idaho
Shakespeare
Festival. Given
our rich histories
together in the
Treasure Valley,
it is truly an honor to support such a
prestigious event.
Albertsons is proud to call Idaho our home
and we are committed to giving back to
the community that has supported us
for so many years. Albertsons’ operating
philosophy today is the same commitment
that Joe Albertson made all those years ago
to his Boise customers: offer customers the
products they want, at a fair price, with lots
of tender loving care. To us, it’s more than
a way of doing business; it’s at the heart
of every decision we make. Mr. Albertson
instilled a strong sense of giving back in
our culture, and over 75 years later, it’s still
a huge part of what we do every year.
We invite you to experience everything that
Albertsons has to offer at your “favorite
local supermarket.” From our famous
fried chicken, amazing salads and fresh
sandwiches in our service deli to our
signature chocolate chip cookies and sweet
treats in our bakery, topped off with our
local beer and wine selection; we have
everything you need to put together the
perfect picnic basket to make your evening
of theater even more special.
Director’s Note
Synopsis
“In Love’s Labor’s Lost we seem almost to
stand again by the cradle of a new-born
comedy, and hear the first lisping and
laughing accents run over from her baby
lips in bubbling rhyme; but when the note
changes we recognise the speech of the
Gods. For the first time in our literature the
higher key of poetic or romantic comedy is
finely touched to a fine issue.”
—ALGERNON CHARLES SWINBURNE, 1880
King Ferdinand of Navarre and his lords
Berowne, Longaville and Dumaine have sworn
an oath to live and study together for three
years. In the interest of scholarly pursuits, the
men vow to fast, to sleep only three hours a
night and, most importantly, to abstain from
the company of women. Berowne questions
the severity of the oath but signs the contract
despite his reservations. Constable Dull, the
local officer, arrives with his prisoner Costard.
Costard has been apprehended for consorting
with the country maid Jaquenetta, thereby
breaking the new law against socializing with
women. King Ferdinand orders that Costard
be put in the custody of Don Adriano de
Armado, a verbose Spaniard.
Neglected for nearly 300 years, Love’s
Labor’s Lost was rediscovered at the end
of the Nineteenth Century, and reclaimed
as “one of the very best productions of the
great dramatist.”
I am thrilled to be re-imagining this play for
our own 21st Century moment—a moment
in which we are being forced to re-think
our national value system and concepts
of leadership, amidst a social landscape
in which image, fame and persona are the
highest currency.
Love’s Labor’s Lost offers a seductive
glimpse into a Renaissance golden world
of privileged people – young, attractive,
sophisticated and wealthy. They hunt after
a legacy, questing for a form of immortality
through fame. They ask the ultimate
question: will I be remembered?
What they discover is the danger of
underestimating the force of their own hearts
and the folly of believing that cold reason
alone will force open the doors of life’s
great mysteries.
Love’s Labor’s Lost contains both the
longest speech and the longest single word
in the Shakespearean canon. The play is a
polyphonic explosion—a feast of style and
language. Each character is a virtuoso player
of their particular instrument. The world of
the play is a kind of cloud-cuckoo-land, an
ivory tower, a fortress of fantasy ripe for
transformation. And as ever, beneath the
ornament and artifice lies a deep well of
emotion, offering an original spin on the
timeless notion that only the heart gives
access to true wisdom.
Brad Street
Tyne Rafaeli
DIVISION PRESIDENT,
INTERMOUNTAIN DIVISION
DIRECTOR
page 22
As Don Armado confesses to his servant Moth
that he is in love with Jaquenetta, Constable
Dull arrives with Costard and Jaquenetta. He
delivers Costard to Armado’s custody and
leaves to take Jaquenetta to the park where
she will be employed as a dairymaid. Before
Jaquenetta is led out, Armado makes plans
to meet her at her lodge. Moth takes Costard
away to prison.
The Princess of France arrives with her ladies,
Rosaline, Katherine and Maria. King Ferdinand
greets them but will not allow them inside
his court. The Princess tells the King that she
has come on behalf of her father to collect
the repayment of a loan. The King denies
receiving the money, and the Princess calls
for her servant Boyet to retrieve the receipt.
Boyet informs the Princess that they will not
be able to get the receipt until the next day.
In the meantime, King Ferdinand assures
them they will be well treated. Berowne and
Rosaline share a few words, while Longaville
and Dumaine show interest in Maria and
Katherine. After the King and his lords leave,
Boyet remarks on how the King seemed to be
taken with the Princess.
Don Armado frees Costard from prison
in exchange for delivering a love letter to
Jaquenetta. As Costard is about to leave he
runs into Berowne who asks him to deliver a
letter to Rosaline. Costard leaves to deliver
the letters, and Berowne confesses his love
for Rosaline. Costard finds the Princess and
her ladies hunting and mistakenly gives the
letter from Armado to the ladies.
The pretentious schoolmaster Holofernes, the
church cleric Nathaniel and Constable Dull are
discussing the deer shot by the Princess when
Costard and Jaquenetta arrive. Jaquenetta
asks Holofernes to read the letter sent by Don
Armado. As Holofernes reads, he discovers it
is the letter from Berowne meant for Rosaline.
Berowne is composing another sonnet to
Rosaline when he sees the King and decides
to eavesdrop on him. The King is reading a
letter that he has composed to the Princess
when he overhears Longaville entering. The
King hides as Longaville professes his love for
Maria; Longaville, in turn, hides and overhears
Dumaine profess his love for Katherine.
One by one, the men come forward to scold
those they have overheard. Berowne is the
last to step out and rebuke the men for their
betrayal. As he is admonishing them, Costard
enters with the letter. Berowne’s own love
is found out, and he admits his guilt to the
others. Berowne then convinces the men
that they must give up their oaths in order
to truly find themselves, and the lords set off
to woo the ladies with dances, masques and
entertainment. The King orders Armado to
provide entertainment. Armado consults with
Holofernes who suggests a pageant of the
Nine Worthies.
The ladies are showing each other the
presents sent to them by the lords when
Boyet enters to tell them that the King and
his men are coming disguised as Russians
to court the ladies. The Princess decides to
foil their plan by having each lady wear a
mask and exchange the gifts sent to them.
Each lady will wear another’s gift so that
the King and his lords will mistake their love
for another. The men arrive and entertain
and then one by one they break off to woo
their respective loves. Once the men leave,
the women discuss what the men said and
determine to ridicule them for their mistakes
when they return. The King and his men
return and are mocked by the ladies. Costard
enters and introduces the pageant of the
Nine Worthies. The pageant is interrupted
by Costard’s announcement that Jaquenetta
is pregnant by Armado. Armado challenges
Costard to a duel but is interrupted by the
messenger, Mercade, bringing news of the
King of France’s death. The Princess must
leave that same night. The King tries to
continue wooing and proposes marriage. The
Princess responds that if the King will spend
a full year in a remote hermitage, away from
worldly pleasures, she will have him. Each
woman in turn gives similar ultimatums, to
which the men agree. The performers return
to sing a final song after which everyone goes
their separate ways.
–SHAKESPEARE THEATRE
Dramatis Personae
Ferdinand, King of Navarre . . . . . . . . . . . . . . . . Jonathan Dyrud*
Berowne, lord attending the King . . . . . . . . . . . Christopher Tocco*
Longaville, lord attending the King . . . . . . . . . Jeb Burris*
Dumaine, lord attending the King . . . . . . . . . . . Nick Steen*
Princess of France . . . . . . . . . . . . . . . . . . . . . . . . Erin Partin*
Rosaline, lady attending the Princess . . . . . . . Laura Welsh Berg*
Maria, lady attending the Princess . . . . . . . . . . Christine Weber*
Katherine, lady attending the Princess . . . . . . Heather Thiry
Boyet, A lord attending the Princess . . . . . . . . Chris Klopatek*
Don Adriano de Armado,
a Spanish knight and braggart . . . . . . . . . . . David Anthony Smith*
Moth, his page boy . . . . . . . . . . . . . . . . . . . . . . . Robyn Kerr
Holofernes, a schoolmaster . . . . . . . . . . . . . . . . Dougfred Miller*
Nathaniel, a curate . . . . . . . . . . . . . . . . . . . . . . . M. A. Taylor*
Costard, a clown . . . . . . . . . . . . . . . . . . . . . . . . . Juan Rivera Lebron*
Jaquenetta, a dairy maid . . . . . . . . . . . . . . . . . . Maggie Kettering*
Anthony Dull, a constable . . . . . . . . . . . . . . . . . Joe Conley Golden*
Monsieur Marcadé, a messenger . . . . . . . . . . . Andrew Miller
Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Joe Conley Golden*,
Robyn Kerr, Sarah McEneaney, Andrew Miller, Dougfred Miller*,
M. A. Taylor*, Heather Thiry
Production Staff
Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Tyne Rafaeli
Scenic Designer . . . . . . . . . . . . . . . . . . . . . . . . . . Kristen Robinson
Costume Designer . . . . . . . . . . . . . . . . . . . . . . . . Andrea Hood
Lighting Designer . . . . . . . . . . . . . . . . . . . . . . . . Rick Martin
Sound Designer . . . . . . . . . . . . . . . . . . . . . . . . . . Brandon Wolcott
Original Music Composer . . . . . . . . . . . . . . . . . . Josh Schmidt
Movement Director . . . . . . . . . . . . . . . . . . . . . . . Jason Paul Tate
Production Stage Manager . . . . . . . . . . . . . . . . Jennifer Caster*
Assistant Stage Manager . . . . . . . . . . . . . . . . . . Jessica Lucas*
Production Assistant . . . . . . . . . . . . . . . . . . . . . . Emily Melgard
Stage Management Intern . . . . . . . . . . . . . . . . . Sarah McEneaney
Character Sponsorship
The following characters of Love’s Labor’s Lost were sponsored by these
generous individuals at our 2015 annual fundraising Gala:
Ferdinand . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Linda & Tom Dixon
Berowne . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jim & Lynn Johnston
Longaville . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Susan May &
Andrew Owczarek
Dumaine . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Zoe & Jim Strite
Don Adriano De Armado . . . . . . . . . . . . . . . . . . . Jeannie Peterson
Sir Nathaniel . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bill & Christine Avey
Holofernes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Linda & Tom Dixon
Costard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jeannie Peterson
Moth . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Tobi & Eric Mott
Princess of France . . . . . . . . . . . . . . . . . . . . . . . . James & Christin Steele
Rosaline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Scott & Karen Peterson
Maria . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jim & Lynn Johnston
Katherine . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Hillary Dixon &
Josh Aller
Jaquenetta . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . C.K. Haun & Karen Meyer
*Member of Actors’ Equity Association, the Union of Professional Actors
and Stage Managers in the United States
There will be one fifteen-minute intermission
page 23
page 24
Brian Hansen, Administrative Partner
bthansen@hollandhart.com
800 W. Main Street, Suite 1750
Boise, ID 83702
page 25
Production Sponsors
Media Sponsors
My Fair Lady
Book and lyrics by Alan Jay Lerner | Music by Frederick Loewe
Adapted from George Bernard Shaw’s play and Gabriel Pascal’s
motion picture Pygmalion | Originally directed by Moss Hart
Play is presented by arrangement with
Tams-Witmark Music Library Inc.,
560 Lexington Avenue, New York, NY 10022
Director’s Note
Season Media Partner
As a newcomer to
Idaho, I’m thrilled to
experience the Idaho
Shakespeare Festival
for the first time. I
certainly know it by
reputation: When
I was considering
moving to beautiful
Boise, so many
people told me about the world-class
amphitheater and the high-quality theater
artists who put on an amazing lineup of
entertainment each summer. It’s wonderful
to live in a place that cherishes the arts, and
I’m proud that the Idaho Statesman has been
a longtime supporter of the Festival.
Our sponsorship of the Idaho Shakespeare
Festival is just one way the Idaho Statesman
gives back to the Treasure Valley. Each year,
we support community events and nonprofit
organizations through sponsorships,
volunteerism and charitable contributions.
This year, we launched Together Treasure
Valley—a new initiative with 21 other local
companies that will fund projects to make
the Treasure Valley an even better place to
live and work. (Please join the conversation
at TogetherTreasureValley.com!)
Every day I’m in Boise, I am thankful to
work at an organization that values giving
back to its community. And I’m grateful for
the readers who support our journalism,
especially our coverage of the arts in Scene
and Treasure magazines. Almost 400,000
Treasure Valley adults turn to us in print and
online, making us by far the leading source
for local news and information. It would
take 10 Broncos Stadiums to hold them all.
Impressive!
We proudly salute the Idaho Shakespeare
Festival on its 40th season. Bravo!
Debra Leithauser
PRESIDENT AND PUBLISHER,
IDAHO STATESMAN
page 26
“A legendary evening.” “Broadway will
never be the same.” “One of the best
musicals of the century.” “Don’t bother to
finish reading this review now. You’d better
get your tickets.” It sounds like these critics
might be praising the current Broadway
blockbuster, Lin-Manuel Miranda’s
extraordinary, Hamilton; but in 1956,
this praise was lavished on My Fair Lady,
the musical that broke all box office records
of that time. Alan Jay Lerner, who adapted
the George Bernard Shaw play, Pygmalion,
and wrote the lyrics was convinced that
“the right people at the right moment in
their lives embarked on the right venture—
and rather than extending their talents to
the limit, expressed them to the limit.” The
story of how this all happened is almost
more exciting than the finished product.
Originally, the rights for a musical version
of Shaw’s play were offered to Cole
Porter, Dietz and Schwartz, and Rogers
and Hammerstein, all of whom declined.
Richard Rogers noted that the drawing
room ambience of Pygmalion and the texts
deliberate non-romaticism were drawbacks
to a musical form. Alan Jay Lerner and
Fredrick Loewe enthusiastically took up
the challenge, but their initial excitement
soon gave way to frustration. No matter
how hard they tried, they “did not seem
to be able to tear down the walls of the
drawing room and allow the play to unfold
in a setting and atmosphere that suggested
music.” They struggled with trying to find
a way to have a “singing ensemble”—a
requirement for any musical at the time. They
went as far as setting the piece at Oxford
with Henry Higgins as a professor and the
undergraduates providing the chorus—an
idea that inspired a two-year departure from
their work. During the hiatus an interesting
shift occurred—the “rules” of musical
theater were being re-written. Realism had
begun to toughen up American musicals and
emotional reality (already celebrated in the
works of Kurt Weill) was the new trend. When
they returned to work, Lerner and Loewe
discovered that their adaptation did not
require new characters or a change of local—
they embraced the play and the screenplay
of the film, finding musical inspiration by
fleshing out business that occurs between
the acts such as the time between Higgins
exit from Covent Garden and Eliza’s arrival at
Winpole Street—hence, “A Little Bit o’ Luck”.
The casting was a drama in itself. There
was no doubt in Lerner’s mind that the
most interesting and complex character
in Pygmalion was Henry Higgins whom he
believed to be a projection of Shaw in his
articulateness, intellectual ardor, and wittily
concealed loneliness. According to Stanley
Holloway, the original Alfred P. Doolittle,
Noël Coward was the top choice followed
by Michael Redgrave, George Sanders and
Sir John Gielgud. It was Coward himself
who recommended Rex Harrison whom
he described as, next to him, “the finest
light comedy actor in the world.” Although
Harrison had never appeared in an musical,
Kurt Weill had proposed writing a new
version of The Threepenny Opera starring
the 1949 Tony Award-winning actor. Lerner,
a friend of Weill’s, was startled by this news
and asked the composer, “Does he sing?”
Weill replied, “Enough.”—a remark that
stuck with Lerner.
In the meantime, Mary Martin’s husband,
Richard Halliday, had caught scent of
the project and pushed for his wife to be
considered as Eliza. Although she seemed
a rather strange choice for the role, Lerner
and Loewe thought they had nothing to
lose and agreed to share some of their
continued on page 28
Dramatis Personae
Mrs. Eynsford-Hill . . . . . . . . . . . . . . . . . . . Cassandra Bissell*
Eliza Doolittle . . . . . . . . . . . . . . . . . . . . . . Jillian Kates*
Freddy Eynsford-Hill . . . . . . . . . . . . . . . . . Colton Ryan
Colonel Pickering . . . . . . . . . . . . . . . . . . . Aled Davies*
Henry Higgins . . . . . . . . . . . . . . . . . . . . . . Tom Ford*
Loverly Quartet . . . . . . . . . . . . . . . . . . . . . Pedar Benson Bate*,
Peter Gosik*, Juan Rivera Lebron*, Matthew Lynn
Harry . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jonathan Christopher
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MacMillan*
Jamie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Lynn Robert Berg*
Alfred P. Doolittle . . . . . . . . . . . . . . . . . . . M. A. Taylor*
Mrs. Pearce . . . . . . . . . . . . . . . . . . . . . . . . Lynn Allison*
Mrs. Hopkins . . . . . . . . . . . . . . . . . . . . . . . Laura Welsh Berg*
Servants . . . . . . . . . . . . . . . . . . . . . . . . . . . Pedar Benson Bate*, Laura Welsh Berg*, Adrian Bumpas, Peter Gosik*, Juan Rivera
Lebron*, Matthew Lynn, Christine Weber*, Emily Wronski
Mrs. Higgins . . . . . . . . . . . . . . . . . . . . . . . . Laura Perrotta*
Footman . . . . . . . . . . . . . . . . . . . . . . . . . . . Jonathan Christopher
MacMillan*
Lord Boxington . . . . . . . . . . . . . . . . . . . . . Jonathan Christopher
MacMillan*
Lady Boxington . . . . . . . . . . . . . . . . . . . . . Christine Weber*
Zoltan Karpathy . . . . . . . . . . . . . . . . . . . . . Lynn Robert Berg*
Queen of Transylvania . . . . . . . . . . . . . . . Lynn Allison*
Mrs. Higgins' Maid . . . . . . . . . . . . . . . . . . Christine Weber*
Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . Lynn Allison*, Pedar Benson Bate*, Adrian Bumpas, Lynn Robert Berg*, Laura Welsh Berg*,
Cassandra Bissell*, Peter Gosik*, Juan Rivera Lebron*, Matthew
Lynn, Jonathan Christopher MacMillan*, Laura Perrotta*, Colton
Ryan, M. A. Taylor*, Christine Weber*, Emily Sofia Wronski
Orchestra
Conductor / Keyboard . . . . . . . . . . . . . . . Joel Mercier
Violin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Dawn Douthit
Oboe / English Horn . . . . . . . . . . . . . . . . . Caitlin Lapinel
Clarinet / Bass Clarinet . . . . . . . . . . . . . . Holly Kassel
Trumpet . . . . . . . . . . . . . . . . . . . . . . . . . . . Alex Noppe
French Horn . . . . . . . . . . . . . . . . . . . . . . . . Philip Kassel
Percussion . . . . . . . . . . . . . . . . . . . . . . . . . Matthew Crane
Songs, Act I
Scene 1: Outside the Opera House, Covent Garden; a cold March night
“Why Can’t the English” . . . . . . . . . . . Higgins
“Wouldn’t it be Loverly” . . . . . . . . . . . Eliza & Quartet
Scene 2: Tottenham Court Road; immediately following
“With a Little Bit of Luck” . . . . . . . . . . Doolittle, Jamie & Harry
Scene 3: Higgin’s Study; the following morning
“I’m an Ordinary Man” . . . . . . . . . . . . . Higgins
Scene 4: Tottenham Court Road; three days later
“With a Little Bit of Luck Reprise” . . . Doolittle & Ensemble
Scene 5: Higgin’s Study; later that day
“Just You Wait” . . . . . . . . . . . . . . . . . . . Eliza
“The Servants’ Chorus (Poor
Professor Higgins)” . . . . . . . . . . . . . . Mrs. Pearce & Servants
“The Rain in Spain” . . . . . . . . . . . . . . . Eliza, Higgins & Pickering
“I Could Have Danced All Night” . . . . Eliza, Mrs. Pearce & Maids
Scene 6: Near the Race Meetings, Ascot; a July afternoon
Scene 7: Inside a Club Tent, Ascot; immediately following
“Ascot Gavotte” . . . . . . . . . . . . . . . . . . Company
Scene 8: Wimpole Street, outside Higgin’s House; later that afternoon
“On the Street Where You Live” . . . . . Freddy
Scene 9: Higgin’s Study; six weeks later
Scene 10: The Promenade of the Embassy; later that night
Scene 11: The Ballroom of the Embassy; immediately following
“The Embassy Waltz” . . . . . . . . . . . . . . Company
Songs, Act II
Scene 1: Higgin’s Study; 3:00 the following morning
“You Did It” . . . . . . . . . . . . . . . . . . . . . . Pickering, Higgins,
Mrs. Pearce, & Servants
“Just You Wait Reprise” . . . . . . . . . . . . Eliza
Scene 2: Wimpole Street, outside Higgin’s House;
immediately following
“On the Street Where You Live Reprise”. . .Freddy
“Show Me” . . . . . . . . . . . . . . . . . . . . . . Eliza & Freddy
Scene 3: Flower Market of Covent Garden; 5:00 that morning
“Wouldn’t it be Loverly Reprise” . . . . . . Eliza & Quartet
“Get Me to the Church on Time” . . . . . . . Doolittle, Harry,
Jamie, & Ensemble
Scene 4: Higgin’s Study, 11:00 that morning
“A Hymn to Him” . . . . . . . . . . . . . . . . . . Higgins
Scene 5: The Conservatory of
Mrs. Higgin’s House; later that day
“Without You” . . . . . . . . . . . . . . . . . . . . Eliza
Scene 6: Wimpole Street, outside Higgin’s House;
immediately following
“I’ve Grown Accustomed to her Face” . . Higgins
Scene 7: Higgin’s Study; immediately following
Production Staff
Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . Victoria Bussert
Choreographer . . . . . . . . . . . . . . . . . . . . . . Gregory Daniels
Musical Director . . . . . . . . . . . . . . . . . . . . Joel Mercier
Scenic Designer . . . . . . . . . . . . . . . . . . . . . Jeff Herrmann
Costume Designer . . . . . . . . . . . . . . . . . . . Charlotte Yetman
Lighting Designer . . . . . . . . . . . . . . . . . . . Paul Miller
Sound Designer . . . . . . . . . . . . . . . . . . . . . David Gotwald
Dialect Coach . . . . . . . . . . . . . . . . . . . . . . . Kathleen Tague
Production Stage Manager . . . . . . . . . . . Tim Kinzel*
Assistant Stage Manager . . . . . . . . . . . . . Jessica Lucas*
Production Assistant . . . . . . . . . . . . . . . . . Shaila Schmidt
Dance Captain . . . . . . . . . . . . . . . . . . . . . . Laura Welsh Berg*
*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States
Generous support for the sound orchestration of My Fair Lady provided by Peter and Deborah Wachtell
page 27
Production Sponsors
Media Sponsors
We live in a great
state. We have
easy access to a
dozen mountains,
the Snake River,
20 million acres
of forest. We’re
small-butgrowing, toughyet-welcoming,
known for potatoes but remembered
for so much more. We’re blessed with
premier festivals and films, museums
and music, poets and writers, and prime
organizations fighting for arts and
education across our state.
At Truckstop.com, our aim is to
foster stronger connections across
the transportation industry. But we
provide more than software solutions
and logistical tools. In fact, it’s one of
our company values to support the
local programs and organizations that
improve the lives of all who live in our
communities, including those in the
Gem State.
We are so honored to continue to
partner with the Idaho Shakespeare
Festival, an organization devoted to
the arts, entertainment, and education.
Congratulations and thank you for striving
to better the lives of your fellow Idahoans
for the past 40 seasons!
Paris Cole
CEO, TRUCKSTOP.COM
page 28
My Fair Lady Continued
early songs. Initially they played the songs
for Halliday, and after his very enthusiastic
response agreed to meet with Miss Martin
one evening following her performances
of Peter Pan. Shortly before midnight, the
couple arrived at the apartment of Lerner’s
mother (neither Lerner nor Loewe lived in
New York) and listened to five songs in
silence. Two days later, Lerner requested
a meeting with Halliday who related that
Mary had been awake half the night saying
over and over again, “How could it have
happened? How could it have happened?
Richard, those dear boys have lost their
talent.” With Mary Martin out, the writers
went on to consider Deanna Durbin and
Delores Gray, but finally decided to pursue
the new young star of The Boy Friend on
Broadway, 19-year-old Julie Andrews.
With the leads signed, the creative team in
place and rehearsals beginning, you would
think it would be time for some smooth
sailing—not so. Harrison became out of
sorts at the very first reading, believing his
character had gotten lost in the second act—
this was only the first of many of Harrison’s
complaints. In terms of the leading lady, it
was only five days into rehearsal when it
became clear to the director, Moss Hart, that
Julie Andrews was clearly out of her depth.
He dismissed the entire company for two
days and took his leading actress to the
New Amsterdam Theatre sealed off from all
outsiders. There, he and Julie put the part of
Eliza together bit by bit; later he recalled, “It
was the sort of thing you couldn’t do in front
of a company without destroying a human
being. We met in this silent, lonely, dark
theater, and I told her ‘Julie, this is stolen
time, time I can’t really afford. So there can
be no time for politeness and you mustn’t
take offense. We have to start from the first
line and go over the whole play line by line.”
By the second week, a new song had been
added for Harrison in Act II, “A Hymn to Him”
returning the focus squarely to Higgins; and
Andrews was processing her 2-day work
session transforming herself into a stunning
Eliza—but one thing was missing. A title.
Originally the musical had been titled Liza;
but with Harrison insisting on star billing
above the title, “Rex Harrison starring in
Liza” didn’t have the ring to it. Other versions
batted around included My Lady Liza, Mayfair
Lady and even the strange Fanfaroon—
Loewe’s favorite because it rhymed with his
biggest hit to date, Brigadoon.
The final drama occurred at 4:00 on the
afternoon of opening night—Rex Harrison
simply refused to go on. His agent was
rushed to the theater to negotiate with the
actor, “I can’t open. I just cannot open. I’m
not ready.” Finally, an hour before curtain,
Harrison emerged from his dressing room
and agreed to go on. Unfortunately, the
company had been dismissed so the start
time of 7:30 grew to 8:40 while the cast was
rounded up—but when the curtain rose,
every single actor was in their place.
So what do My Fair Lady and Hamilton have
in common? They are the groundbreakers of
their respective eras, the ones that defied
the rules and defied the odds. These are
never easy pieces to birth. Each comes
with their own drama, but they both stand
as a unique part of the proud legacy of the
American Musical Theatre—and inspirations
for generations to come.
Victoria Bussert
DIRECTOR
It’s not about the destination,
but the journey.
As a native Idaho business, and a leading provider of software solutions
on the transportation stage, it’s our goal to continue creating jobs right
here in the Gem State. With that mission in mind, we’re eager to support
the organizations working so hard to make Idaho a great place to live.
We’re proud to sponsor the Idaho Shakespeare Festival, an
organization devoted to the arts, entertainment, and education.
Thank you and congratulations on your 40th season!
page 29
Nick Steen* and Robyn Cohen*
Dial “M” for Murder (2015) *Members Actors’ Equity
The Idaho Statesman salutes the Idaho Shakespeare Festival for its sustained commitment to
entertain and educate through the production of great theater in Idaho.
The Idaho Statesman is a proud supporter of the Treasure Valley arts community and has been
a major contributor to the Idaho Shakespeare Festival for more than a decade.
SP59680
publication
page 30
Preserving Idaho's historic places
through collaboration, education, and
advocacy.
Join us at our 2016 events:
Archwalks
last Thursday of each month
May - September
WalkAbout Boise
downtown walking tours at 11am
every Saturday through October
Modernism 101
brown bag lunchtime lectures
June 22, July 27, August 24
Heritage Homes Tour
Elm Grove Park
Historic Neighborhood
October 2
Become a member, donate and find
more information at
preservationidaho.org
page 31
Production Sponsor
Twelfth Night
Media Sponsor
Season Partner
Micron values
and supports
what the Idaho
Shakespeare
Festival and
other nonprofits
bring to our
community. That’s
why the Micron
Foundation is
proud to enrich the community through
our support as a season partner.
Our community enrichment programs
work hand in hand with our science,
technology, engineering and math
(STEM) initiatives to strengthen our
community. Our STEM programs
focus on both educators and students
to provide them with the support
and information they need to spark
a passion in the next generation of
innovators and help them see how
STEM is a part of their everyday lives.
Through volunteerism, school outreach
programs, grants, and innovative
partnerships, we impact the communities
where our employees live and work as
well as the semiconductor industry as a
whole. As a season partner with the Idaho
Shakespeare Festival, we look forward
to another great summer of community
entertainment under the stars.
Mark Durcan
CEO, MICRON TECHNOLOGY, INC.
CHAIRMAN OF THE BOARD,
MICRON TECHNOLOGY FOUNDATION, INC.
Director’s Note
The first record of a production of
Shakespeare’s Twelfth Night, or What
You Will comes from the diary of John
Manningham, a student of law, who saw the
play performed in the hall of Middle Temple
on 2 February 1602. It is unknown whether
there had been previous performances of the
play. One fact remains certain: the number
of people since John Manningham who have
seen, read, acted in, staged or analyzed
Twelfth Night is essentially unfathomable.
Like the insatiable sea to which it alludes,
the play attracts admirers with its beauty and
humor; then it threatens to overwhelm them
with the scope of its imagistic detail and
mystery. The text’s erotically-charged mixture
of romantic fantasy and domestic realism
conjures a world of wonder-filled possibilities
and status-imposed limitations. Juxtaposing
exquisite pangs of loss and longing with
exuberant declarations of carnal appetite,
Shakespeare invites us to imagine a place
called Illyria, where hope and fantasy collide
with hunger and desire. What the protean
citizens of Illyria do and say in one scene
seldom adheres to their professed intentions
in another. Bound together in service and
society, they echo each other in provocative
and perplexing ways.
Given its intrinsic mutability, Twelfth Night
supports a wide variety of interpretations.
In its history of performance, the play has
seen more than its fair share of adaptations,
rearrangements and abridgments. Star
turns have been fashioned out of many of
its characters, while specific bits of stage
business have become so attached to
certain scenes that actors and directors
must take care to weigh the benefits versus
risks of bucking tradition. Perhaps more
than any of Shakespeare’s plays, it profits
from exposure to multiple productions, as
recollections from past experiences of the
play haunt and inform the present. Besides
the timely conversations the play provokes
about gender identity and the fluidity of love,
Twelfth Night, or What You Will confirms a
shared humanity across the ages, linking
audiences of today to the audience at
Middle Temple in 1602. Imagine what John
Manningham would have to say about that.
Drew Barr
DIRECTOR
Synopsis
Sebastian and Viola, twins, are separated
by shipwreck and each believes the other
lost. Cast ashore on the coast of Illyria, Viola
dons male attire and obtains service as a
page to the Duke Orsino. The Duke has been
vainly suing for the hand of Olivia, a wealthy
young woman mourning the recent death of
her brother. Olivia intends to cloister herself
for seven years in remembrance of her
brother’s loss. Pleased with the appearance
of his new page, the Duke sends Viola (now
called Cesario) to deliver his message of
love to Olivia. Viola performs her task with
such gracefulness and eloquence that Olivia
becomes enamored of her instead of the Duke.
Viola, in turn, has fallen in love with the Duke,
but must hide her passion.
Tensions run high in Olivia’s household,
particularly between Olivia’s steward,
Malvolio, her drunken kinsman, Sir Toby Belch,
her jester, Feste, and her lady-in-waiting,
Maria. Malvolio is so priggish and conceited
that the others contrive a practical joke against
him, sending him an anonymous love letter
which he assumes is from Olivia. Malvolio,
following instructions contained in the letter,
behaves so ridiculously that his mistress
believes him to be demented.
Meanwhile, Olivia’s love for Viola becomes so
intense that she sues openly to the fictitious
page, much to the latter’s distress. Sir Andrew
Aguecheek, a foolish suitor of Olivia’s, is
displeased at the favors she shows the page, and
in a spirit of bravado challenges Viola to a duel.
Though both are eager to avoid the conflict, it is
only averted by the arrival of officers.
Sebastian, Viola’s brother, also comes to
Illyria. He looks so much like his sister —
especially since she is in men’s garments
— that Sir Andrew Aguecheek mistakes him
for the page and renews the fight. This time
he does not encounter Viola’s shrinking spirit
or weak arm, and he is soundly beaten. Soon
after, Olivia also meets Sebastian, supposes
him to be Viola and reiterates her devotion.
The delighted Sebastian returns her love and
they are secretly married.
Olivia encounters Viola in company with the
Duke and greets her by the title of husband.
The bewildered page disavows the title,
but the priest who performed the ceremony
vouches for it. The Duke is angry that his
page has deceived him. Viola is meeting with
general disfavor when her brother Sebastian
arrives on the scene, and the two who had
thought each other dead are reunited. Olivia
discovers that she has married the brother,
after having wooed the sister, while the Duke
finds his attachment for his page turns to love
when Viola resumes her feminine attire. The
secret of Malvolio’s dementia is revealed, and
he is released from his confinement.
ADAPTED FROM SHAKESPEAREAN SYNOPSIS BY
J. Walker McSpadden
page 32
Dramatis Personae
Season Partner
Orsino, Duke of Illyria . . . . . . . . . . . . . . . . . . . . . .Juan Rivera Lebron*
Curio, gentleman attending on the Duke . . . . . .Pedar Benson Bate*
Valentine, gentleman attending on the Duke . . Colton Ryan
Viola, a shipwrecked lady,
later disguised as Cesario . . . . . . . . . . . . . .Cassandra Bissell*
Captain, of the wrecked ship
who befriends Viola . . . . . . . . . . . . . . . . . . .David Anthony Smith*
Sebastian, Viola’s twin brother,
also shipwrecked . . . . . . . . . . . . . . . . . . . . .Jonathan Christopher MacMillan*
Antonio, a sea captain, friend to Sebastian . . . .Peter Gosik*
Olivia, a rich countess . . . . . . . . . . . . . . . . . . . . .Christine Weber*
Maria, Olivia’s gentlewoman . . . . . . . . . . . . . . . .Laura Perrotta*
Sir Toby Belch, Olivia’s uncle . . . . . . . . . . . . . . .Aled Davies*
Sir Andrew Aguecheek, a suitor to Olivia . . . . . .Tom Ford*
Malvolio, Olivia’s steward . . . . . . . . . . . . . . . . . .Lynn Robert Berg*
Feste, a jester in Olivia’s house . . . . . . . . . . . . . M.A. Taylor*
Fabian, a member of Olivia’s household . . . . . .Laura Welsh Berg*
Priest . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .David Anthony Smith*
Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Pedar Benson Bate*,
Laura Welsh Berg*, Adrian Bumpas, Tom Ford*, Peter Gosik*, Jillian Kates*,
Matthew Lynn, Laura Perrotta*, Colton Ryan, David Anthony Smith*,
M.A. Taylor*, Christine Weber*, Emily Sofia Wronski
“O, she doth teach
the torches to burn
bright!” Shakespeare
famously wrote
in Romeo and
Juliet. That’s how
we feel about the
Idaho Shakespeare
Festival, which
produces those rare
live productions that truly excite our minds
and imaginations.
It’s also what we strive to do at Foerstel
Design every day, making our nine-year
commitment to the Festival not only a
perfect pairing of like-minded creative
teams, but also an honor and a privilege. It
is an incredibly fulfilling experience, and one
we have always been proud to be a part of.
So here’s to another exceptional year on
the stage, under the stars, and among
great company.
Tom Foerstel
PRESIDENT
Scene
Illyria, a place near the sea.
Production Staff
Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Drew Barr
Scenic Designer . . . . . . . . . . . . . . . . . . . . . . . . . . .Russell Metheny
Costume Designer . . . . . . . . . . . . . . . . . . . . . . . . .Kim Krumm Sorenson
Lighting Designer . . . . . . . . . . . . . . . . . . . . . . . . .Rick Martin
Sound Designer . . . . . . . . . . . . . . . . . . . . . . . . . . .Lee Kinney
Composer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Daniel Kluger
Fight Choreographer . . . . . . . . . . . . . . . . . . . . . . .Ken Merckx
Production Stage Managers. . . . . . . . . . . . . . . . .Tim Kinzel*
Assistant Stage Manager . . . . . . . . . . . . . . . . . . .Jennifer Caster*
Production Assistant . . . . . . . . . . . . . . . . . . . . . . .Shaila Schmidt
Season Partner
Simplicity. Authenticity. Generosity.
Just as theater provides a sweet escape for
the senses, we design artful, expressive
fragrances to delight your mood, tell a story,
bring back a precious memory or take you
somewhere exciting and new.
When we launched Scentsy in 2004, a
supportive community rallied behind us.
We will always be grateful for that warm
embrace—that’s why we have such a fierce
commitment to “contribute more than we take”
in our relationships with Scentsy Consultants,
fans and our wonderful Treasure Valley.
In 2015, it was time for Scentsy to tell a
new story. We reimagined new ways to
offer sensory experiences through artisanal
fragrance, alluring home décor and luxurious
personal care products. And once again, our
community showed us warmth, loyalty and
love. We could not imagine a better place to
call home.
*Member of Actors’ Equity Association, the Union of Professional Actors and
Stage Managers in the United States
We congratulate the Idaho Shakespeare
Festival on 40 incredible years. Thank you
for providing us with such a tranquil place to
connect with the arts, with our serene valley
and with each other.
Heidi & Orville Thompson
SCENTSY PRESIDENT AND CEO
page 33
Production Sponsor
Forever Plaid
Written and originally directed and choreographed by Stuart Ross
Media Sponsor
It is with tremendous pleasure
that 94.9 The River returns as a
season long media sponsor of the
Idaho Shakespeare Festival for the
11th year. Most of us at The River
have grown up with ISF and we are
committed to introducing as many
of our listeners to the magic of the
Festival as we can. There are few
summertime pleasures available
to us which match the experience
of an evening spent in the lovely
amphitheater by the Boise River,
with a picnic, friends, and the
phenomenal performances we’ve
come to cherish. We are grateful
for our partnership with the Idaho
Shakespeare Festival and join you
in celebrating their success and the
impact they’ve made on our lives
here in the Treasure Valley.
Tim Johnstone
PROGRAM DIRECTOR,
KRVB FM 94.9 THE RIVER
Musical continuity supervision and arrangements by James Raitt
Originally produced by Gene Wolsk
Musical Director’s Note
The Songs
Stuart Ross, book writer and creator of
Forever Plaid, was just a young boy of five
years old in 1956 when his older brother
went off to college and left him a collection
of vinyl 45s. It included The Four Freshman,
The Four Aces and the Four Lads. His parents
also owned… wait for it… a diner! Who better
to write a 1950s jukebox musical about
a foursome of aspiring clean-cut, closeharmony singing, plaid-wearing young men?
ANNIVERSARY SONG by Al Jolson and Saul
Chaplin. ©MCMXLVI Mood Music Co. Inc.,
New York, NY. Copyright renewed. Worldwide
Copyright Administrator: Shapiro, Bernstein
& Co., Inc. Used by permission.
Ross has written us the story of Frankie,
Smudge, Sparky and Jinx, a quartet
returning from the afterlife (they’ve been
killed in a collision with a bus full of
Catholic girls) to play their dream gig.
With 28 songs including Three Coins In A
Fountain, Lady Of Spain and Shangri-La,
we’re transported to a time where 4-part
boy bands harmonized their way from gig
to gig. The tightly arranged vocals are lush,
romantic and swoon-worthy. It’s a style
that personified romance and innocence, a
style that both parents and kids listened to
together in the 1950s.
CRAZY ’BOUT YA BABY by Pat Barret and
Rudi Maugeri. Used by permission of
Wanessa Music Production, Co.
It’s important to remember that Forever Plaid
is not a spoof or parody. It is truly earnest
and sincere: it just happens to be funny
along the way. There’s innocence and charm
in the notion that 4 high school chums might
rehearse in the family basement, might talk
of young love and squabble about dance
moves and harmony parts. The true joy of
a jukebox musical is that you could strip
the set and lights, and enjoy a concert of
28 nostalgic tunes that transport you to a
bygone era of music. Forever Plaid is no
exception.
Dave Pepin
MUSICAL DIRECTOR
CATCH A FALLING STAR by Paul Vance and
Lee Pockriss. Used by permission of Emily
Music Corp.
CHAIN GANG Written by Sam Cooke.
Published by Abkco Music, Inc. Used by
permission.
CRY by Churchill Kohlman. ©MCMLI Shapiro,
Bernstein & Co., Inc., New York, NY. Copyright
renewed. Used by permission.
DAY-O by Erik Darling, Bob Carey and Alan
Arkin. Used by permission of Cherry Lane
Music Publishing Co., Inc.
DREAM ALONG WITH ME by Carl Sigman.
Used by permission of Major Songs Co.
GOTTA BE THIS OR THAT by Sonny Skylar.
Used by permission of Music Sales
Corporation (ASCAP), copyright owner.
HEART AND SOUL by Hoagy Carmichael
and Frank Loesser. Used by permission of
Famous Music Corp.
JAMAICA FAREWELL by Lord Burgess.
Used by permission of Cherry Lane Music
Publishing Co., Inc.
KINGSTON MARKET by Irving Burgie. Used by
permission of Cherry Lane Music Publishing
Co., Inc.
LADY OF SPAIN by Robert Hargreaves,
Tolchard Evans, Stanley J. Damerell and
Henry Tilsley. Used by Permission of Sam Fox
Publishing Co., Inc.
LOVE IS A MANY SPLENDORED THING by
Paul Francis Webster and Sammy Fain.
Used by permission of EMI Miller Catalog, Inc.
MAGIC MOMENTS by Burt Bacharach and
Hal David. Used by permission of Famous
Music Corp.
MATILDA by Harry Thomas. Used by
permission of MCA Music Publishing, a
division of MCA, Inc.
MOMENTS TO REMEMBER by Al Stillman
and Robert Allen. Used by permission of
Larry Spier, Inc.
page 34
Dramatis Personae
NO, NOT MUCH by Al Stillman and Robert Allen.
Used by permission of Kitty Anne Music.
PAPA LOVES TO MAMBO by Al Hoffman, Dick
Mannning and Bix Reichner. © MCMLIV Shapiro,
Bernstein & Co., Inc. New York, NY. Used by
permission.
PERFIDIA by Milton Leeds and Alberto
Dominguez. Used by permission of Peer
International Corp.
RAGS TO RICHES by Richard Adler and Jerry
Ross. Used by permission of Major Songs Co.
SHANGRI-LA by Carl Sigman, Matt Malneck and
Robert Maxwell. Used by permission of EMI
Robbins Catalog, Inc.
Francis . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mack Shirilla*
Sparky . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Andrew Kotzen*
Jinx . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mickey Ryan*
Smudge . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . James Penca*
Musicians
Assistant Music Director / Keyboard . . . . . . . . Peter Van Reesema
Percussion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Todd Chavez
Bass player . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Shayla Lewis
SHE LOVES YOU by John Lennon and Paul
McCartney. Used by permission of Gil Music Corp.
SING TO ME MR. C by Charles Ray. Used by
permission of Roncorn Music Company.
SIXTEEN TONS by Merle Travis. Used by
permission of Unichappel Music, Inc.
TEMPTATION by Arthur Freed and Nacio Herb
Brown. Used by permission of EMI Robbins
Catalog, Inc.
THEME FROM THE GOOD, THE BAD, AND THE
UGLY by Ennio Morricone. Used by permission
of EMI Unart Catalog, Inc.
THREE COINS IN THE FOUNTAIN by Sammy
Cahn and Jule Styne. Used by permission of WB
Music Corp. and Chappell & Co.
UNDECIDED by Sid Robbin and Charles Shavers.
Used by permission of MCA Music Publishing, a
division of MCA, Inc.
SH BOOM Published by Warner/Unichappell
Music, Inc.
Production Staff
Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Victoria Bussert
Choreographer . . . . . . . . . . . . . . . . . . . . . . . . . . . Gregory Daniels
Musical Director . . . . . . . . . . . . . . . . . . . . . . . . . Dave Pepin
Assistant Music Director . . . . . . . . . . . . . . . . . . Peter Van Reesema
Scenic Designer . . . . . . . . . . . . . . . . . . . . . . . . . . Jeff Herrmann
Costumes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Tracy Theatre Originals,
Hampton, NH
Lighting Designer . . . . . . . . . . . . . . . . . . . . . . . . Mary Jo Dondlinger
Sound Designer . . . . . . . . . . . . . . . . . . . . . . . . . . David Gotwald
Production Stage Manager . . . . . . . . . . . . . . . . Sarah Kelso*
Assistant Stage Manager . . . . . . . . . . . . . . . . . . Jennifer Caster*
Dance Captain . . . . . . . . . . . . . . . . . . . . . . . . . . . Mack Shirilla*
Dedication
Forever Plaid is dedicated to the “good guys”; to
the guys who wheeled the projector carts, for the
AV club; to the guys who saved their allowance
to give their parents a special night on the town
for their anniversary; to the guys who carried an
extra handkerchief; to the guys who never went
beyond first base, and if they did, they didn’t tell
anyone. We Salute You!
*Member of Actors’ Equity Association, the Union of Professional Actors and
Stage Man agers in the United States
page 35
COMPANY OF FOO LS
SEPT 28
OCT 15
our 21st season
by Nick Payne
by George Brant
By Doug Wright
l
Music and Lyrics by Scott Franke
and Michael Korie
JUN 28
JUL 20
AUG 9
AUG 13
a
by Yasmina Res
DEC 14
DEC 30
award-winning theatre
in the heart of Idaho
two award-winning musicals + an olivier winner
+ an hilarious comedy + an idaho premiere
= a season not to be missed!
FEB 15
MAR 4
By Dick Vosburgh
& Frank Lararus
hailey, idaho | sunvalleycenter.org | 208 . 578 . 9122
page 36
Charles Fee
Producing Artistic
Director
Mark Hofflund Managing Director
Artists
ACTORS
Lynn Allison*
Pedar Benson Bate*
Laura Welsh Berg*
Lynn Robert Berg*
Cassandra Bissell*
Adrian Bumpas
Jeb Burris*
Aled Davies*
Jonathan Dyrud*
Tom Ford*
Joe Conley Golden*
Peter Gosik*
Jillian Kates*
Robyn Kerr
Maggie Kettering*
Chris Klopatek*
Andrew Kotzen*
William Langan*
Matthew Lynn
Jonathan Christopher MacMillan*
Andrew Miller
Dougfred Miller*
Dan Morrison*
Erin Partin*
James Penca*
Laura Perrotta*
Juan Lebron Rivera*
Colton Ryan
Mickey Ryan*
Mack Shirilla*
David Anthony Smith*
Nick Steen*
M.A. Taylor*
Heather Thiry
Christopher Tocco*
Christine Weber*
Emily Sofia Wronski
DIRECTORS
Drew Barr
Victoria Bussert
Charles Fee
Tyne Rafaeli
DESIGNERS
Joe Court
Mary Jo Dondlinger
David Gotwald
Jeff Herrmann
Andrea Hood
Lee Kinney
Daniel Kluger
Rick Martin
Russell Metheny
Paul Miller
Kristen Robinson
Kim Krumm Sorenson
Brandon Wolcott
Charlotte Yetman
CHOREOGRAPHERS
Gregory Daniels
Ken Merckx
MUSICAL DIRECTORS
Joel Mercier
Dave Pepin
Vocal Coach
Kathleen Tague
Musicians
Matthew Crane
Percussion
Todd Chavez
Percussion
Dawn Douthit
Violin
Holly Kassel
Clarinet / Bass
Clarinet
Philip Kassel
French Horn
Caitlin Lapinel
Oboe / English Horn
Shayla Lewis
Bass
Joel Mercier
Conductor/ Keyboard
Alex Noppe
Trumpet
Peter Van Reesema
Assistant Music
Director / Keyboard
Stage Managers
Jennifer Caster*
Sarah Kelso*
Tim Kinzel*
Jessica Lucas*
Assistant Stage
Manager
Emily Melgard
Production Assistant
Shaila Schmidt
Production Assistant
Apprentice Company
Dakotah Brown
Instructor
Chris Canfield
Instructor
Apprentices
Second Year
Davey Collins
Gwen DeLaney
Hunter Sims-Douglas
Lily Tacke
First Year
Katie Allen
Lawrence Cook
Max Elam
Walker Goldy
Kai Gyllenskog
Cyrus Sandmeyer
Nick Taylor
Clare Vaughan
Administration
Bob Taylor
Director of Finance
Hannah Read Newbill
Director of
Marketing
Tom Ford
Artistic Associate
Rose Orr
Education Manager
Christine Zimowsky
Grants &
Development
Associate
Hannah Dunlop Relf
Development
Assistant
William Ledbetter
Development
Assistant
Kiely Prouty-Porter
Company Manager
2016 Festival Company
Debbie McCulley
Finance Assistant
Chelle Nyström
Accountant
Box Office
Aaron Milette
Box Office Manager
& IT Systems
Administrator
Brad Cote
Assistant Box
Office Manager
Mandie Reece
Box Office
Associate
Gardeners
Taylor Davis
Master Gardener
Brian Fast
Gardener Assistant
Production
Christopher D. Flinchum
Production Manager
Corrie E. Purdum
Assistant
Production Manager
Scenic Construction
Mark Cytron
Technical Director
William Langenhop
Assistant Technical
Director
Lindsey Loar
Master Carpenter
Richard Love
Theater Carpenter
Richard Haberlen
Carpenter/ Welder
Changeover
Manager
Nate Pohl
Carpenter
Val Kozlenko
Carpenter/ Welder
Chris Seifert
Carpenter/ Welder/
Changeover Crew
Cassidy Wyatt
Carpenter/
Changeover Crew
Nathan Glowacki
Carpenter/
Changeover Crew
Ryan Fischer
Scenic Intern/
Changeover Crew
Scenic Art
Angi Grow
Charge Scenic
Artist
Michael Baltzell
Scenic Artist
Kaitie Branton
Assistant Scenic
Artist/ Changeover
Crew
Emily Peters
Paint Intern
Properties
Bernadine Cockey
Properties Master
David Weatherby
Props Assistant/
Changeover Crew
Electrics
Paul Michael Miller
Master Electrician
Amber Amoureux
Assistant Master
Electrician
Tony Hartshorn
Electrician
Brandon Washington
Electrician
Sound
Brian Chismar
Audio Supervisor,
Lead Engineer
Tim Long
Sound Engineer
Jeston Lewis
Sound Assistant
Jared Jonas
Sound Intern
Peter John Still
Sound
Maintenance
Costumes
Esther M. Haberlen
Costume Shop
Manager
Leah Parker Loar
Assistant Shop
Manager, Draper
Mary Martin
Wig Designer
Caitie Martin
Assistant Wig
Designer
Sara Bush
Draper
Kathryn England
Draper
Ginger Sorenson
Draper
Keri Fitch
First Hand
Rebekah Solt
First Hand
Christina Spencer
First Hand
Zach Hickle
Crafts Artisan
Miranda Marti
Stitcher
Emily Sayles
Stitcher
Nicholas Lynch-Voris
Design Assistant
Nicole Gould
Overhire Stitcher
Wardrobe
Colleen McLaughlin
Wardrobe
Supervisor
Chantel Fuller
Wardrobe,
Wardrobe
Supervisor—
Forever Plaid
Nicole Gould
Wardrobe
Zach Hickle
Wardrobe
Marti Miranda
Wardrobe Swing
Christine Spencer
Wardrobe
Nicholas Lynch-Voris
Wardrobe
page 37
2016 Acting Company
Lynn Allison*
Thirteen seasons.
Credits with ISF and
Great Lakes Theater,
Cleveland (GLT):
Ouiser Boudreaux—
Steel Magnolias;
Helga Ten Dorp—
Deathtrap (+GLT);
Betty Meeks—The
Foreigner; Mrs.
Mooney—Sweeney
Todd; Antonia/
Sexton—Much Ado
About Nothing;
Dottie—Noises
Off; Mrs. Boyle—
Mouse Trap; Lady
Montague—Romeo
and Juliet; Titania/
Hippolyta—A
Midsummer Night’s
Dream (+GLT);
Meredith—Bat
Boy:The Musical
(+GLT); Lady Markby—
An Ideal Husband;
Princess Puffer—The
Mystery of Edwin
Drood; Adriana—The
Comedy of Errors
(+GLT); Paulina—The
Seagull (+GLT); Jack’s
Mother—Into the
Woods; Countess
Rosillion—All’s Well
that Ends Well; Ann
Putnam/ Sarah
Good—The Crucible;
Mistress Overdone—
Measure for Measure
(+GLT); Aunt Abby—
Arsenic and Old
Lace (+GLT); Lady
Britomart—Major
Barbara; Effy—The
Spitfire Grill; Mistress
Page—The Merry
Wives of Windsor
(+GLT); Clara—Hay
Fever; Penny—You
Can’t Take It With
You (GLT). Also: Lake
Tahoe Shakespeare
Festival, Maria—
Twelfth Night; Opera
Idaho/Boise State
University: Maria
Callas—Master
Class; and multiple
credits with Boise
Contemporary
Theater.
Pedar Benson Bate*
Third season with
Idaho Shakespeare
Festival. Pedar is
thrilled to return to
Idaho Shakespeare
Festival for his third
season in a row!
Previous credits
with ISF: Matt in The
Fantasticks (GLT/ISF/
LTSF); Marius in Les
Misérables (GLT/ISF);
Slender in The Merry
Wives of Windsor
(GLT/ISF). Other
regional theaters:
New London Barn
Playhouse, Northern
Stage, and Finger
Lakes Musical Theater
Festival. Bachelor of
Music from The Ohio
State University. Huge
helping of thanks to
Vicky, Greg, Drew
and Charlie, as well
as to my wonderful
wife, Meredith, and to
the supportive clans
Bate, Schneider, and
Lark! Lastly, thank
you for supporting
live theater. Proud
member AEA.
Laura Welsh Berg*
Laura is thrilled to
be returning to Idaho
Shakespeare Festival.
Shows with ISF and
her sister company,
Great Lakes Theater
include The Merry
Wives of Windsor,
Richard III, Sweeney
Todd, The Tempest,
Hay Fever, All’s Well
that Ends Well, Major
Barbara, Macbeth,
Love’s Labor’s
Lost, A Funny Thing
Happened on the Way
to the Forum, Into the
Woods, Arsenic and
Old Lace, Measure for
Measure, She Stoops
to Conquer and A
Christmas Carol.
Other credits include
Viola in Twelfth Night,
Speed in The Two
Gentlemen of Verona
and Nurse in Romeo
and Juliet at Lake
Tahoe Shakespeare
Festival. Chicago
credits include The
Farnsworth Invention,
Arms and the Man,
and Mill Fire. She
has a BA in theater
from Baldwin Wallace
University and an MFA
in acting from DePaul
University. L’M L S.
For Linda.
Lynn Robert Berg*
Lynn is proud to be
returning to Idaho
for his 14th season.
Previously at ISF: The
title role of Richard
III, Hucklebee, The
Fantasticks, Frank
Ford, The Merry
Wives of Windsor,
The Bishop, Les
Misérables, Porter
Milgrim, Deathtrap,
Dr. Purgeon, The
Imaginary Invalid,
Polixenes, The
Winter’s Tale, Friar
Laurence, Romeo
and Juliet, Caliban,
The Tempest, and
Bill Walker, Major
Barbara. Other
credits: Dr. Parker,
Bat Boy: The Musical,
Sandy Tyrell, Hay
Fever, Hortensio,
The Taming of the
Shrew, and the Ghost
of Jacob Marley,
A Christmas Carol
(Great Lakes Theater);
Malvolio, Twelfth
Night, and The
Complete Works of
William Shakespeare
(Abridged) (Lake
Tahoe Shakespeare
Festival); Friar
Laurence/Montague,
Short Shakespeare!
Romeo and Juliet,
Macbeth, Short
Shakespeare!
Macbeth, Antonio,
Short Shakespeare!
Twelfth Night
(Chicago Shakespeare
Theater) Rosencrantz
and Guildenstern
are Dead (Writer’s
Theater, Chicago).
He holds an MFA
from the University
of Delaware and has
been a member of
Actors’ Equity for 13
years. SLL’M.
Lynn’s work is
dedicated to the
memory of his
mother.
Cassandra Bissell*
Three seasons with
ISF: Cordelia in King
Lear, Mrs. Winthrop
in The Secret Garden,
and Beatrice in
Much Ado About
Nothing. Cassandra’s
professional theater
life began in high
school playing Cecile
de Volanges in Les
Liaisons Dangereuses
at the Irish Classical
Theatre Company
of Buffalo, NY, and
she was last seen as
Mollie Ralston in The
Mousetrap at Indiana
Repertory Theatre.
The intervening 20
years have found
Cassandra treading
the boards at
Actors’ Theatre of
Louisville, Chicago
Shakespeare Theater,
Cleveland Play
House, Company of
Fools, Court Theatre,
freeFall Theatre, The
Goodman Theatre,
Lookingglass
Theatre Company,
Milwaukee Repertory
Theatre, Next
Theatre, Northlight
Theatre, Peninsula
Players, People’s
Light, Renaissance
Theaterworks,
Rivendell Theatre
Ensemble,
Shakespeare on the
Green, Shakespeare
Project of Chicago,
Steppenwolf Theatre
Company, and the
Utah Shakespeare
Festival. Cassandra
holds a BA in gender
studies from the
University of Chicago,
and is a member of
Actors’ Equity and
SAG/AFTRA.
Adrian Bumpas
Adrian Grace Bumpas
is thrilled to be
joining the ISF team
and calling beautiful
Boise her home for
the summer. Adrian
is a graduate from
Baldwin Wallace
University, MT15,
and a proud New
York resident. Adrian
recently performed
her New York debut in
The Secret Theatre’s
production of A
Chorus Line (Kristine).
Adrian would like
to celebrate her
new collaborations
with this crew, the
bosses at TPG,
Perrotta for passing
on her fearlessness,
BumpiClan for never
ending love, and Colt
for being her forever
and always. For KJB.
adriangracebumpas.
com
*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. Actors’ Equity Association (AEA), founded in 1913, represents more than
45,000 actors and stage managers in the United States. Equity seeks to advance, promote and foster the art of live theatre as an essential component of our society. Equity negotiates
wages and working conditions, providing a wide range of benefits, including health and pension plans. AEA is a member of the AFL-CIO, and is affiliated with FIA, an international
organization of performing arts unions. The Equity emblem is our mark of excellence. www.actorsequity.org
page 38
2016 Acting Company
Jeb Burris*
Jeb is thrilled to be
making his Idaho
debut! Some previous
credits include
American Players
Theatre: Pride and
Prejudice, The Game
of Love and Chance,
Othello, The Merry
Wives of Windsor,
Travesties, Romeo
and Juliet, and Much
Ado About Nothing.
The Utah Shakespeare
Festival: The Tempest,
King John, Love’s
Labor’s Lost, Titus
Andronicus,The Merry
Wives of Windsor,
The Glass Menagerie,
and Richard III.
Chicago Shakespeare
Theatre: Romeo and
Juliet. Sacramento
Theatre Company:
Romeo and Juliet,
Julius Caesar. As well
as multiple seasons
with The Illinois
Touring Ensemble.
He will be playing
Dromio of Ephesus
in The Comedy of
Errors in Tahoe this
summer as well. Jeb
has a BA from Ball
State University and
an MFA in classical
acting from Illinois
has trained with the
Royal Shakespeare
Company and
Shakespeare’s Globe
Theatre in the U.K.
Love to Mel, always.
Aled Davies*
16 seasons with ISF.
King Lear in King
Lear; Chief Inspector
Hubbard in Dial “M”
for Murder; Mr. John
Falstaff in The Merry
Wives of Windsor;
Capulet in Romeo and
Juliet; Major Metcalf
in The Mousetrap;
Monsieur Diafoirus in
The Imaginary Invalid;
Oberon/Theseus
in A Midsummer
Night’s Dream; Sheriff
Reynolds in Bat Boy:
The Musical; Your
Chairman in The
Mystery of Edwin
Drood; King of France
in All’s Well that Ends
Well; Deputy Governor
Danforth in The
Crucible; David Bliss
in Hay Fever; Senex
in A Funny Thing
Happened on the
Way to the Forum; Sir
Andrew Undershaft
in Major Barbara;
Gloucester in King
Lear; Jaques in As You
Like It; Julius Caesar
in Julius Caesar; The
Reverend Doctor
Chasuble in The
Importance of Being
Earnest; Chorus/
Williams in Henry
V; Leonato in Much
Ado About Nothing;
Nicola in Arms and
the Man; Claudius
in Hamlet; Marcus
Andronicus in Titus
Andronicus; Camillo in
The Winter’s Tale; Friar
Laurence in Romeo
and Juliet; Storyteller
#1 in Cymbeline; and
many others. Aled
has been a proud and
appreciative member
of Actors’ Equity for
over 30 years, and
of Tim and Mary
Wilcomb’s household
for the past 14
summers.
Jonathan Dyrud*
GLT/Idaho
Shakespeare Festival:
King Ferdinand in
Love’s Labor’s Lost,
Anthony Marston
in And Then There
Were None, Young
Scrooge/Nephew
Fred/Ensemble in
A Christmas Carol,
Edmund in King Lear,
Lt. Wright in The
Secret Garden, Tony
Wendice in Dial “M”
for Murder, Antonio
in The Tempest. New
York: Proteus in
The Two Gentlemen
of Verona, Caius
Lucius in Cymbeline
(Hip to Hip Theater
Company), Grumio
in The Taming of
the Shrew (Pulse
Ensemble Theater),
Huck in the world
premiere of Minstrel
Show (The Weasel
Festival). Regional
credits: Four seasons
at the Oregon
– Medvedenko in
The Seagull, Froth
and Friar Peter in
Measure for Measure,
Ensemble in To
Kill a Mockingbird,
Solomon in Speech
and Debate, C.B.
in Dog Sees God
and Marcus Gee
in Yellowface. TV/
film: Bartender
in My Crazy Love
(Oxygen Network),
Captain in So SOHA,
Pale Interviewee in
Redheads Anonymous
and Verder in Big
House. Training: BFA
Southern Oregon
University. Follow
Jonathan at www.
jonathanwdyrud.com
Tom Ford*
Ten seasons with
Idaho Shakespeare
Festival: Dr. Craven
Stephano in The
Tempest, Fool in King
Lear, Sidney Bruhl in
Deathtrap, Thenardier
in Les Misérables,
Sweeney in Sweeney
Todd, Argan in The
Imaginary Invalid,
Mr. Paravicini in The
Mousetrap, Baker
in Into the Woods,
Pseudolus in A Funny
Thing Happened
on the Way to the
Forum, Friar Laurence
in Romeo and Juliet,
Ford in The Merry
Wives of Windsor,
Touchstone in As
You Like It, Casca in
Julius Caesar, the title
role in You’re A Good
Man, Charlie Brown
and many others.
Great Lakes Theater:
Nine seasons. Boise
Contemporary
Theater: This
Wonderful Life,
Truman Capote in Tru,
I Am My Own Wife
(co-produced with
ISF). Portland Stage
Company: Greater
Tuna, The Mystery
of Irma Vep, I Am My
Own Wife and many
others. Broadway:
Alan Ayckbourn and
Andrew Lloyd Weber’s
By Jeeves at the
Helen Hayes Theater.
New London Barn
Playhouse: Three
seasons. Visit me at
tomfordactor.com
Joe Conley Golden*
After having retired
from 22 seasons
of Greenshow
duty with his Fool
Squad partner, Tom
Willmorth, Joe is
ecstatic to be back
on the boards at this
wonderful theater.
Favorite ISF credits
include: The 39
Steps, the Greater
Tuna plays, Bottom
in A Midsummer
Night’s Dream, Cloten
in Cymbeline. For
Boise Contemporary
Theater, he and
Tom premiered their
play, The Krumblin
Foundation. Other
BCT credits include:
Waiting for Godot,
Stones in his Pockets,
and The Cherry
Orchard. Joe has
taught for 20 years
in the Department
of Theatre & Speech
Arts at The College
of Idaho. He received
his MFA from the
University of MissouriKansas City and is
a proud member
of Actors’ Equity
Association. Joe loves
living in Boise with
Paula, Nick, Cedar,
and his lovely little
muses, Oriana and
Kelly.
Peter Gosik*
Peter is elated to
return to ISF! Prior
ISF credits include
Oswald in King Lear
and The Fakir in
The Secret Garden.
Other favorite credits
include Enjolras in Les
Misérables (Riverside
Theatre), El Gallo in
The Fantasticks (Flat
Rock Playhouse),
Robbie in A Man
of No Importance
(Arvada Center), Man
#2 in The World Goes
Round (Florida Studio
Theatre), The Tin
Man in The Wizard
of Oz (First National
Tour), and Smudge
in Forever Plaid
(Heritage Rep). Peter
has workshopped
new musicals with
directors Jerry Zaks
and Tony Stevens,
and appears in
An Idiot Abroad’s
Christmas Special
with Karl Pilkington
and Warwick Davis.
Peter holds a BFA
in musical theater
from the University
of Michigan and is
a proud member
of Actors’ Equity
Association. Love
and gratitude to
Mom, Dad, and
my wonderful
agent, Eddie, and
tremendous thanks
to Charlie, Vickie,
Greg and Drew for
this spectacular
opportunity. For
Elenor, Lloyd, and
Shirley.
petergosik.com
*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.
page 39
2016 Acting Company
Jillian Kates*
Jillian Kates is besideherself-excited to
be back for her third
season with ISF
fulfilling a dream role
with the dreamiest
of company! She was
seen last season as
Lily in The Secret
Garden and as Texas
in Cabaret in 2011.
Other favorites
include Young Little
Edie in Grey Gardens,
Glinda and Nessarose
in Wicked, and
Cinderella in Into the
Woods. Many, many
thanks to Charlie,
Vicky and the entire
cast, crew, and staff
here at the fest...
You are all the most
loverly bunch and are
so inspiring to me on
and off stage. Big bio
hugs to Eileen Barber;
thank you for always
making my time in
Boise so magical!
Lastly, lots of love
and gratitude go out
to my amazing family
and chosen family of
squeebs. For KJB!
Robyn Kerr
Robyn is a Jamaican
Scottish actress now
living and working
in the US. She’s
over the moon to be
working with Idaho
for the first time.
Theater includes:
Andrea in Dark
Vanilla Jungle (The
Shop, HERE Arts),
Yelena/Uncle Vanya
(The Pearl Theatre
Company), Amy/Spine
(Clurman Theatre),
Nikohmele/Carcass
(New Worlds Theatre
Project, HERE Arts),
Phoebe/As You Like
It (Sprite Productions,
UK), Twelve/Daring
Pairings (The Factory,
Hampstead Theatre,
UK). Television:
Murphy’s Law (ITV),
Casualty (BBC) and
MI5 (BBC). Film: Stud
Life, Scoop, Hank and
Asha. Robyn received
a BA in acting from
the Royal Scottish
Conservatoire. She is
incredibly grateful to
be working with this
wonderful cast and
crew. Thank you Tyne,
Mum, Dad, Noles and
Garland.
Maggie Kettering*
Maggie is thrilled to
return for her second
season at ISF, where
she was last seen
as Ruth in Blithe
Spirit and Margaret
in Much Ado about
Nothing. She has
previously worked
with Peninsula
Players (Outside
Mullingar, Lend Me
a Tenor), House
Theatre (Season on
the Line – Joseph
Jefferson Nomination),
Shakespeare
Theatre Company
(Henry IV, Parts 1
and 2), Chicago
Shakespeare Theatre
(A Midsummer
Night’s Dream),
TimeLine Theatre
(My Kind of Town),
Northlight Theatre
(Season’s Greetings
– Jack Springer
Award), Michigan
Shakespeare
Festival (Romeo and
Juliet, The Comedy
of Errors), Irish
Theatre of Chicago,
Texas Shakespeare
Festival, Great Lakes
Theater, Virginia
Shakespeare Festival,
Contemporary
American Theatre
Festival, Warehouse
Theatre, and
Delaware Theatre
Company. Maggie is
a proud member of
Actors’ Equity and a
resident of Chicago.
Chris Klopatek*
Based out of
Milwaukee,
Wisconsin, this is
Chris’ first time at
Idaho Shakespeare
Festival and his
second time
performing Love’s
Labor’s Lost. He
previously played
Costard at Utah
and is excited to delve
even deeper into
this play from a new
perspective. Chris’
previous roles include
Fred in A Christmas
Carol (Milwaukee
Repertory Theater);
Mr. Collins in Pride
and Prejudice,
Host in The Merry
Wives of Windsor
(American Players
Theater); Bertie
Wooster in Jeeves
Takes a Bow, Chris
in Complete Works
of Shakespeare:
Abridged [revised]
(Milwaukee Chamber
Theater); Harpo
Marx in Groucho:
A Life in Review
(Next Act Theater);
Prentiss in Peter
and the Starcatcher
[regional premiere],
Romeo in Romeo and
Juliet tour, Lesgles
in Les Misérables,
Guildenstern in
Hamlet (Utah
Shakespeare
Festival). He has
his MFA from
the University of
California, Irvine
and is a member of
the Actors’ Equity
Association. Thanks
to Ma, Pa, Sa, Gpa Joe
and April.
page 40
Andrew Kotzen*
Is thrilled to be
making his LTSF/
ISF debut! Favorite
credits include:
Dogfight (Gibbs), A
Chorus Line (Greg),
Titanic (Fleet), 42nd
Street (Billy Lawlor).
Education: Baldwin
Wallace Conservatory
of Music. Proud new
member of AEA.
Endless gratitude
to the Kotzen clan,
Anna, Vicky, Greg,
King Pep, Charlie
Fee, Revolution, and
BWMT’15. For KJB,
Gammy and Papa.
William Langan*
William Langan is
making his Idaho
Shakespeare debut.
Previous credits
include seven years
at the Oregon
(partial list): Titus
Andronicus, Julius
Caesar, A Midsummer
Night’s Dream, The
Winter’s Tale, Twelfth
Night, Richard II,
Troilus and Cressida,
Henry VI Parts 1-3,
The Two Gentlemen
of Verona, Oedipus
Complex, The Trojan
Women, The Three
Sisters. Other
theaters include:
The Shakespeare
Theatre (D.C.), Studio
Arena, Huntington
Theatre, Cleveland
Play House, Pioneer
Theatre, Philadelphia
Theatre Company,
McCarter Theatre,
Rubicon Theatre,
Yale Rep, and three
years at The Guthrie
Theatre. New York:
The Public Theatre/
NY Shakespeare
Festival, Vineyard
Theatre, Abingdon
Theatre, Soho Rep.
TV: CSI: Cyber (CBS),
Criminal Minds (CBS),
NCIS (CBS), Numb3rs
(CBS), Law & Order,
Law & Order CI (NBC),
The Prosecutor (NBC),
Sweet Nothing In
My Ear (CBS), All
My Children (ABC),
As The World Turns
(CBS). Film: William
(DGA Award). Bill is a
graduate of the Yale
School of Drama.
Matthew Lynn
Matt is thrilled to
make his ISF/GLT
debut! Favorite
credits include Dennis
in All Shook Up,
and Al in A Chorus
Line at Baldwin
Wallace University,
the title role in Bat
Boy: The Musical
at Westfield High
School (Outstanding
Performance by an
Actor in a Leading
Role from the Paper
Mill Playhouse
Rising Star Awards);
Marcellus in The
Music Man, and
Inspector Kemp in
Young Frankenstein
at The Forestburgh
Playhouse, and most
recently The Piraqua
Guy in In The Heights
at The Beck Center.
Matt is entering his
senior year at Baldwin
Wallace University
and cannot wait to
move to NYC with
his awesome class.
He would like to
thank his family for
all their support as
well as Vicky and
Greg for this exciting
opportunity.
For BWMT17.
Insta: mattlynn94
Jonathan
Christopher
MacMillan*
Jonathan Christopher
MacMillan is thrilled
to be debuting at ISF
in Twelfth Night and
My Fair Lady. Recent
credits include Clouk
in Mirette (Lewis
Family Playhouse),
Harry in My Fair Lady
(Atwood Concert Hall),
Baby T-Rex in Walking
with Dinosaurs
(International Tour),
and Joey/Goose in
the original Broadway
production of War
Horse. Other favorites
include the Wolf/
Prince in Into the
Woods, Jean in
Rhinoceros, Woody
in Six Degrees of
Separation, and the
Waiter in She Loves
Me. This winter he can
be seen starring in the
independent western
film Destiny Trail.
www.jcmacmillan.com
Andrew Miller
Two seasons with ISF.
Previous credits with
ISF: Iris/Ensemble,
The Tempest; Officer,
Dial “M” for Murder.
With Great Lakes
Theater: Richard/
Peter Cratchit/Dick
Wilkins, A Christmas
Carol. Other credits:
Male 1, Teacher From
the Black Lagoon and
Other Storybooks
(TheatreWorks
USA); Marcellus,
The Music Man; Milt
Fields, Laughter
on the 23rd Floor;
Hysterium, A Funny
Thing Happened
on the Way to the
Forum (New London
Barn Playhouse);
Peter, Romeo and
Juliet; Grumio, The
Taming of the Shrew
(Ithaca Shakespeare
Company). Andrew
graduated from Ithaca
College with a BFA in
acting. Thanks to the
entire team at ISF for
another fun summer
and Guru Donuts for
moral support. GO
CAVS! #allin.
Dougfred Miller*
Last season, Doug
was the King in
The Tempest, the
Gardener of The
Secret Garden, Kent
in King Lear, and
Capt. Lesgate and
three others (!) in Dial
“M” for Murder. Over
the past 21 seasons,
appearances include
Prince Hal in Henry
IV, Part 1 and Part 2,
Macbeth, Cassius in
Julius Caesar, Jaques
in As You Like It, Jack
in The Importance of
Being Earnest, and
Malvolio in Twelfth
Night. Other theaters
include Great Lakes
Theater, Milwaukee
Repertory Theatre,
Portland Center Stage,
Alabama Shakespeare
Festival, and the
Central Dramatic
Theatre Company in
Hanoi, Vietnam, where
he played Lysander
in a bilingual crosscultural production of
A Midsummer Night’s
Dream. Doug is a
proud graduate of the
Professional Theatre
2016 Acting Company
Training Program
at the University of
Delaware. Hat’s off to
the Hawks, the Cubs,
the Frim Frams and
the M, and most of all
to Jessie and Marlowe.
Erin Partin*
Dan Morrison*
Dan is excited to be
making his debut at
Idaho Shakespeare
Festival. Dan has
performed all over
the West and East
coast. Some favorite
credits include;
The Archduchess/
Archduke in Sarah
Ruhl’s Orlando,
West Coast Premiere
at The American
Conservatory Theater;
Louis in Angels in
America Part 1 and 2,
Don Powell Theater;
Macbeth in The
Witches, The Access
Theater; Bottom in
Dream, The American
Conservatory Theater;
Jason Ruman, No One
Suspects a Butterfly,
Signiture Theater.
Dan received his
BA from San Diego
State University
and his MFA from
The American
Conservatory Theater.
He studied theater
performance in Oxford
at Balliol College
and in San Miniato,
Italy. He is co-artistic
director at The New
Collectives in New
York City and a proud
member of Actors’
Equity Association.
Much love to his
family and friends for
all their love, laughter
and support—and to
his guardian angel,
Pappy. Tis’ A Brow
Breckt, Moon Leckt,
Neckt Ta Neckt.
Erin is thrilled to
make her debut
performance with
Idaho Shakespeare
Festival. She was
last seen on the Lake
Tahoe Shakespeare
Festival stage playing
Lady Capulet in
Romeo and Juliet,
returning this summer
to play Adriana in The
Comedy of Errors.
She has performed
regionally with The
Shakespeare Theater
of New Jersey, The
Shakespeare Theatre
in DC, The Resident
Ensemble Players in
DE, The Milwaukee
Repertory Theatre,
The Pennsylvania
and The Human Race
Theater Company in
OH. Favorite roles
over the years include
Ophelia in Hamlet,
Ariel The Tempest,
Isabella Measure for
Measure, Roxanne
Cyrano De Bergerac,
Stella A Streetcar
Named Desire, Mary
Boyle Juno and the
Paycock, Cecily The
Importance of Being
Earnest, Hermia A
Midsummer Night’s
Dream, Clarice The
Liar, Ilona Szabo The
Play’s the Thing,
Raina Arms and the
Man, Cordelia King
Lear, and Agnes The
School for Wives. Erin
received her masters
from the PTTP
(Professional Theater
Training Program) in
2007. She is blessed
to do what she loves
and excited to share
this play with you.
James Penca*
James Penca is happy
to return to Boise
after dying by bow
and arrow last year
in The Fantasticks.
Selected NYC:
The Artist and The
Scientist (CAP21
Theatre Company) as
Scientist, Save the
Date (NYC Fringe)
as Michael, The Joe
Iconis Christmas
Spectacular ’13, ’14
and ’15 (54 Below)
as Mr. Jensen-Myer.
Selected regional:
The Fantasticks
(ISF) as Mortimer,
The Circus in Winter
(Goodspeed) as
Ollie, Nine Wives
(Sharon Playhouse)
as Henry, Sondheim
on Sondheim (Great
Lakes Theater) and
wrote the book for the
interactive musical
Merely Players
(score by Alex Syiek)
which enjoyed a
sold-out run in the
2015 Hollywood
Fringe Festival and
was awarded the
“Encore! Producers’
Award” for Best of
the Festival. Proud
member of Actors’
Equity and graduate
of the Baldwin
Wallace Music
Theatre Program in
Berea, Ohio where
he helped found
the annual Baldwin
Wallace Beatles
Festival, now in its
7th year. When not on
stage, James pursues
his lifelong dream of
sailing on the Titanic.
jamespenca.com
page 41
2016 Acting Company
Laura Perrotta*
Laura Perrotta is a
native New Yorker,
who has appeared
off Broadway, toured
nationally and
worked regionally.
Favorite roles with
Idaho Shakespeare
Festival and Great
Lakes Theater include
Lady M in Macbeth,
Fraulein Schneider in
Cabaret, Kate in The
Taming of the Shrew,
Martha in Arsenic
and Old Lace, Mrs.
Cheveley in An Ideal
Husband, Amanda
Prynne in Private
Lives, Dorine in
Tartuffe, M’Lynn Eaton
in Steel Magnolias,
and Arkadina in The
Seagull. Last summer
at the Festival she
was Mrs. Medlock
and Goneril in
King Lear. For
Karen and Kim.
Juan Lebron Rivera*
Third season with
Idaho Shakespeare
Festival: Sylvius in
As You Like It, Clown
in The Winter’s Tale
and Cleante in The
Imaginary Invalid.
Other credits:
Wickham in Pride and
Prejudice and Florizel
in The Winter’s Tale at
the Guthrie Theater;
and seven seasons at
Oregon Shakespeare
Festival, including
Claudio in Much Ado
About Nothing, Sylvio
in Servant of Two
Masters, Rodolfo in A
View from the Bridge,
Benvolio in Romeo
and Juliet, Valentine in
The Two Gentlemen of
Verona, Bicycle Pants
in Lorca in a Green
Dress. BFA, Carnegie
Mellon University.
Member of the U.S.
Delegation to the
Unesco/ITI World
Congress in Madrid,
Spain, 2008. Recipient
of the Fox Foundation
Resident Actor
Fellowship funded
by the William and
Eva Fox Foundation
and administered
by Theatre
Communications
Group. Teaching Artist
for The Geffen and
Pasadena Playhouse.
Special thanks to
C,A,O and B for their
love and support.
Follow me on Twitter
(juanlebron) or at
juanriveralebron.
weebly.com.
Colton Ryan
Colton Ryan is so
excited to be back in
Boise for his second
year! He was last seen
at ISF as Dickon in
The Secret Garden
and in the ensemble
of King Lear and The
Tempest. His favorite
credits include Eddie
Birdlace in Dogfight
(Beck Center for the
Arts) and Gangster 1
in Kiss Me, Kate
(New London Barn
Playhouse). He is
going back to Baldwin
Wallace in the fall as a
senior music theater
major. To my Gran
and Poppas, the
reason I grew up with
the likes of Lerner and
Loewe, and to Adrie,
the woman who
challenges me to
be a better human
every day.
Micky Ryan*
Mickey Ryan is
beyond excited to be
back for another year
at ISF. Mickey was
last seen as Joly in
Les Misérables and
Simple in The Merry
Wives of Windsor at
ISF/GLT. Other credits
include Carousel
(Enoch Snow), 25th
APC Spelling Bee
(Leaf Coneybear), and
Into the Woods (Jack).
Mickey is a proud
grad of BWU. Endless
gratitude to all friends
and family, BWMT’15,
Vicky, and Mom.
page 42
Mack Shirilla*
Mack couldn’t
be more excited
to join the Idaho
Shakespeare family!
Previous credits
include: Huck Finn
Big River, Mike
Theory of Relativity,
Cain/Japeth Children
of Eden, Chad All
Shook Up, Bobby
C Saturday Night
Fever, Lockwood
History Boys, and
George Spring
Awakening. Mack
is also the owner/
creative director of
his own design studio
(bigstachedesign.
com) and is a
proud graduate
of the Baldwin
Wallace University
Conservatory. He
sends his love to
Mom, Dad, and
Kristin, as well as his
friends and everyone
at Abrams Artists
Agency for their
never-ending support.
@mackshirillla
David Anthony
Smith*
This is David’s
sixteenth season
with the Festival.
Audiences have seen
him as Jacques in As
You Like It, Hannay in
The 39 Steps, Iago in
Othello, Lord Goring
in An Ideal Husband,
title role in Henry
V, Algernon in The
Importance of Being
Earnest, Sergius in
Arms and the Man,
and as Benedick,
Petruchio, Beroune,
Laertes, Lucio, Mark
Antony, Mercutio
and Parolles.
Other theaters: ten
seasons with Great
Lakes Theater, The
Old Globe, Laguna
Playhouse, South
Coast Rep, Sierra Rep,
Madison Rep, The
Will Geer Theatricum
Botanicum and the
Shakespeare Festivals
of Nevada, Utah,
Colorado, Garden
Grove (CA) and
Westerly Shakespeare
in the Park (RI). David
has played Iago,
Romeo, Dromio,
Bassanio, Lucio and
other roles ending
in “o.” In addition to
numerous television
appearances,
David has starred
in the feature films
The Hanoi Hilton,
Field of Fire, Terror
in Paradise and
Judgment Day.
Forever and a day
Natalia.
2016 Acting Company
Nick Steen*
Three seasons at
Idaho Shakespeare
Festival. Other
regional credits
include American
Conservatory Theater
(Orestes in Elektra
and Topper in A
Christmas Carol)
and Shakespeare
Santa Cruz (Antonio
in Twelfth Night.)
Other roles include
Torvald in A Doll’s
House, Harry Bagely
and Martin in Cloud
9, Lord Byron in
Block Eight on the
Camino Real, Beau
in The Traveling
Companion, Moe in
The American Clock,
Cassio in Othello and
Horace in Courtship.
Nick received his
BFA from University
of Evansville and his
MFA from American
He’s also co-creator
and host of the
web-series called
Gearhead Garage,
where he, and his
crew search for
beautiful builds and
passionate people.
Take a look at what
he’s up to at
www.NickSteen.com
M.A. Taylor*
Mark Anthony
(aka M.A.) has 21
seasons with Idaho
and can order a
beer without being
carded. Most recently
seen as Henry,
The Fantasticks;
also Hugh Evans,
The Merry Wives
of Windsor;
Legles/Babet, Les
Misérables, Beadle,
Sweeney Todd.
Among his other
credits: Dracula for
Boise Contemporary
Theater; Candy, Of
Mice and Men for
PTTP Rep directed by
Adrian Hall: Character
A, Crave and Sam,
Fully Committed for
Tooth & Nail Theater
in Salt Lake City.
Also 12 seasons
with ISF’s sister
company Great Lakes
Theater, and a couple
with Lake Tahoe
He holds an MFA
from the University
of Delaware’s
Professional Theatre
Training Program
(PTTP). Many thanks
to his families
(professional and
genetic). He’d like to
dedicate this season’s
work to the marvelous
Idaho Shakespeare
audiences for their
years of faithful
support.
Heather Thiry
Heather is so happy
to be making her
ISF debut! Recent
New York credits
include Lena in The
Upper Room (The
New Ohio, New York
Times Critics’ Pick);
Lily in O (HERE Arts
Center); Daisy in
Mermaiden (Spring
Street Social Society);
and new works at The
Bushwick Starr, IRT,
The Flea, The Brick,
Dixon Place, and
others. Heather holds
a BFA from NYU,
where she studied
at The Stella Adler
Studio of Acting in
NYC, and the Royal
Academy of Dramatic
Arts in London. With
love and gratitude
to Mom, Dad, Katie
and Maggie. www.
heather-thiry.com
Christopher Tocco*
Christopher Tocco
is thrilled to be
making his debut at
ISF and especially
to reconnect with
director Tyne Rafaeli
after their prior
collaboration on Dion
Boucicault’s epic
melodrama The Poor
of New York. Most
recently, he appeared
in John Guare’s new
adaptation of His Girl
Friday with Barrington
Stage Company
while also previously
having performed
nationally in the
dueling classical
piano comedy 2
Pianos 4 Hands
as well as playing
opposite Mark LinnBaker in comedian
Lewis Black’s One
Slight Hitch. Other
regional credits
include performances
with American
Conservatory
Theater, Dorset
Theatre Festival, and
Santa Rosa Summer
Repertory Theatre.
His numerous offoff-Broadway credits
include a recent
appearance in Preston
Sturges’ Strictly
Dishonorable at The
Flea; original works
at HERE Arts Center;
Bojko and the Glacier
(JACK); developing
ensemble work with
Odyssey Works,
Dzieci Theatre, and
through the emerging
artist program at
Mabou Mines. He
has appeared on
CBS’ Elementary, in
several short films
and the upcoming
independent feature
Lonely Boys. Mr.
Tocco earned his
MFA from American
Christine Weber*
Christine is thrilled
to return to Idaho
Shakespeare, having
played Celia in As
You Like It. She
spent seven seasons
with the Guthrie
Theater, playing Jane
Bennet in Pride and
Prejudice, Perdita
in The Winter’s
Tale, Jessica in The
Merchant of Venice,
Nancy Holmes in
When We are Married,
and Lady Capulet in
Romeo and Juliet (a
co-production and
national tour with The
Acting Company), and
Dasha in the world
premiere of When
I was a Ghost... .
Other credits include:
Children’s Theater
Company (One Flew
Over the Cuckoo’s
Nest, Cabaret,
Company, The Wizard
of Oz, Snow Queen),
Theatre L’Homme
Dieu (Alice in You
Can’t Take it with You,
and Daisy in Biloxi
Blues), and others. As
director, she has led
productions of Tigers
Be Still (Los Angeles
debut) and Striking
12 (Bloomington
Civic), as well as
assistant directed for
productions including
Freud’s Last Session
(dir. Rob Melrose,
Guthrie Theater), the
regional premiere of
36 Views (dir. John
Heimbuch, Walking
Shadow Theater
Company), and the
American premiere of
Conor McPherson’s
The Birds (dir. Henry
Wishcamper, Guthrie
Theater). Christine
is a graduate of
the University of
Minnesota/Guthrie
BFA Actor Training
Program. Love to J,
A, O and B. www.
christine-weber.
squarespace.com
Emily Sofia Wronski
Emily Sofia Wronski
is incredibly excited
to be taking part in
her first season at
ISF! Recent credits:
Theory of Relativity
at Playhouse Square
(Sara, regional
premiere), The
Mystery of Edwin
Drood at the New
London Barn
Playhouse (Helena
Landless). She is an
upcoming senior in
the Baldwin Wallace
Music Theatre
program working
towards her Bachelor
of Music. Proud
member of EMC. Emily
is known for her love
of fishnets, cupcakes,
and RuPaul’s Drag
Race. Many thanks
to her momma (the
Storybook Mom of
Chicago), friends
(shoutout to Wilders,
Abigail, Barnies,
and the Misfits),
professors (special
thanks to Vicky,
Greg, and David) and
anyone who has ever
showed her love.
“If you can’t love
yourself, how in the
hell are you gonna
love somebody else?”
page 43
LET YOUR SMILE
TAKE A BOW.
Delta Dental of Idaho is pleased to sponsor the Idaho Shakespeare Festival,
and the thousands of amazing smiles who come out to play each and every night.
Keep yours bright and healthy by using your dental benefits to visit the dentist regularly.
page 44
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page 45
2016 Directors, Choreographers & Designers
Joe Court
Drew Barr
DIRECTOR,
TWELFTH NIGHT
12 seasons at ISF.
Drew returns to Boise
for his twelfth season
with ISF, where
he has previously
directed The Tempest,
The Mousetrap, The
Seagull, The Crucible,
Arsenic and Old Lace,
The Taming of the
Shrew, The Spitfire
Grill, The Fantasticks,
You’re a Good Man,
Charlie Brown, Much
Ado About Nothing,
and I Am My Own Wife
(co-production with
Boise Contemporary
Theater, where he
also directed This
Wonderful Life,
Tru, At Home at the
Zoo, and Souvenir.
Most recently, Drew
directed the Dutch
language premiere
of War Horse at
Amsterdam’s Royal
Carré Theatre, after
previously directing
the Australian
premiere and serving
as the resident
director of War Horse
at Lincoln Center
Theater. Other credits
include revivals of
Frank Marcus’s,
The Killing of Sister
George, and Brian
Friel’s Lovers for
The Actors Company
Theatre in NYC
and productions
for PlayMakers
Repertory, Portland
Stage and Great
Lakes Theater. He is
a member of SDC and
AEA.
page 46
Victoria Bussert
DIRECTOR,
MY FAIR LADY,
FOREVER PLAID
Victoria Bussert
returns for her
eleventh season at
ISF, balancing the
professional and
academic worlds
between her active life
as an award-winning
free-lance director
while holding the
position of Director
of Music Theatre
for Baldwin Wallace
University. Nationally,
her work has been
seen at Manhattan
Theatre Club, York
Theatre, New World
Stages, Goodspeed
Opera, Playhouse
Square, Portland
Stage, Dallas Theatre
Center, Repertory
Theatre of St.
Louis, Cincinnati
Playhouse in the
Park and Anchorage
Opera. Her
international credits
include Friar Tuck in
Russia, The Who’s
Tommy in Brazil,
the Danish premiere
of Avenue Q (2012
Reumert Award
nomination) and the
European premieres
of Lizzie and [title
of show] for the
Fredericia Teater in
Denmark. Recent
productions include
the award-winning
ISF/GLT The Secret
Garden, The
Fantasticks for Lake
Tahoe Shakespeare
Festival/ISF/GLT
and In the Heights for
Baldwin Wallace/
Beck Center for the
Arts. Special thanks to
Charlie, Greg, Joel and
the entire ISF family.
This one is for my
greatest teachers—
my students.
weebly.com.
SOUND DESIGNER,
AND THEN THERE
WERE NONE
Joe is excited to return
to Idaho Shakespeare
Festival for the third
time! He has been
based out of Chicago
since 2006. He is a
company member
with Mary-Arrchie
Theatre Company.
He has designed
more than 90 shows
since moving to
Chicago with many
different theater
companies including:
Mary-Arrchie, A
Red Orchid, The
Inconvenience, TUTA,
Emerald City, Raven,
Seanachai, Theatre
Seven, Backstage,
Boho, Lifeline,
Pine Box, The Gift,
University of Chicago,
59E59 (Off-Broadway,
NYC), Great Lakes
Theatre (Cleveland,
OH) Clarence Brown
Theatre (Knoxville,
TN), Virginia Stage
Company (Norfolk,
VA), Actors Theatre
of Indiana, and the
Lake Tahoe and
Illinois Shakespeare
Festivals. From 2008
until 2012, Joe served
as sound engineer
for the Chicago
production of the
Tony Award-winning
musical Million
Dollar Quartet.
Joe also serves as
adjunct faculty in
sound design at Ball
State University. He
received a Joseph
Jefferson Award
nomination in 2009
for his design for The
Unseen with A Red
Orchid Theatre.
Gregory Daniels
CHOREOGRAPHER,
MY FAIR LADY,
FOREVER PLAID
Gregory is thrilled
to return to ISF for
his fourth season,
having previously
choreographed
Cabaret, Les
Misérables, The
Secret Garden and
The Fantasticks.
Credits include
Cleveland regional
premieres of In
The Heights, Dog
Fight, Carrie: The
Musical, Spring
Awakening, Lizzie:
The Rock Musical
and Sondheim on
Sondheim; Anything
Goes, starring Tony
Award nominee
Dee Hoty; Putting
It Together starring
Tony Award winners
Lillias White and
Chuck Cooper;
Dreamgirls; Hairspray
and Hair. He has
also had the rare
honor of creating
and choreographing
a brand new number
for the Rockettes.
Greg is the head of
the dance program
at Baldwin Wallace
University. Special
thanks to my creative
collaborating partner
Vicky, Charlie, Chris
and the entire ISF
family, and especially
to my husband, Jared,
for always making
me laugh and being
there for me with a
smile, support and
inspiration.
Mary Jo Dondlinger
LIGHTING DESIGNER,
FOREVER PLAID
ISF credits: The
Little Shop of
Horrors, Sweeney
Todd. Career design
credits include
productions for
Circle in the Square,
The Irish Repertory
Theater, American
Ballet Theatre,
Repertory Theatre of
St. Louis, Cincinnati
Playhouse in the Park,
Goodspeed Opera
House, TheatreWorks
(Hartford), Laguna
Playhouse, and many
others. She has long
been associated
with the York
Theatre Company
off Broadway where
she designed the
original production
of The Musical
of Musicals (The
Musical!) as well as
many other musicals
and plays. Most
recent credits at Great
Lakes Theater are
The Fantasticks, Les
Misérables, Sweeney
Todd, Sondheim
on Sondheim, and
as co-designer of
the annual holiday
presentation of A
Christmas Carol. In
NYC, her work can
currently be seen in
The Fantasticks at
the Snapple Theater
Center in Times
Square.
Charles Fee
DIRECTOR,
AND THEN THERE
WERE NONE
25th season as
producing artistic
director of Idaho
This season he
will direct Agatha
Christie’s And Then
There Were None.
In prior seasons
he has directed
Shakespeare’s
Romeo and Juliet,
The Comedy of
Errors, All’s Well that
Ends Well, Macbeth,
Twelfth Night, Much
Ado About Nothing,
Henry the Fourth Part
One, A Midsummer
Winter’s Tale, The
Two Gentlemen of
Verona, Hamlet,
and As You Like It.
His work outside
the Shakespearean
canon includes, Ira
Levin’s Deathtrap,
Frederick Knott’s Dial
“M” for Murder, Noël
Coward’s Blithe Spirit,
Private Lives and Hay
Fever, George Bernard
Shaw’s Arms and the
Man, Oscar Wilde’s
The Importance of
Being Earnest, Oliver
Goldsmith’s She
Stoops to Conquer,
Dickens’ A Christmas
Carol, Molière’s
Tartuffe, Alexander
Dumas’ The Three
Musketeers, and The
Complete Works of
William Shakespeare
(Abridged) by Adam
Long, Daniel Singer
and Jess Winfield.
Charles holds a
unique position in the
American theater as
producing director of
three, independently
operated, professional
theater companies,
including Great Lakes
Theater in Cleveland,
Ohio (since 2002),
and Lake Tahoe
in Incline Village,
Nevada (since 2010).
His leadership has
created a dynamic
and groundbreaking
producing model
in which plays are
shared among the
three companies,
extending the
artistic lives of
the productions,
increasing
opportunities for
artists and technical
staffs to work in
multiple venues, and
lowering production
costs for each of the
companies. Prior to
joining ISF, Charles
held the position
of artistic director
at Sierra Repertory
Theatre in Sonora,
California. He also
has worked with
such companies
as The Old Globe,
La Jolla Playhouse,
the Milwaukee and
Missouri Repertory
Theaters, Actors
Theatre of Phoenix,
and Los Angeles
Idaho Shakespeare
Festival has garnered
significant awards
under Mr. Fee’s
artistic leadership,
including the 1995
Mayor’s Award for
Excellence in the
Arts; the 1996 and
2006 FUNDSY
awards; and the 2000
Governor’s Award for
Excellence in the Arts.
In 2001, Charles was
honored for his work
as a director with
the Mayor’s Award
for Excellence in the
Arts. He received his
BA from the University
of the Pacific, and
Master of Fine Arts
from the University of
California, San Diego.
Andrea Hood
David Gotwald
SOUND DESIGNER,
MY FAIR LADY,
FOREVER PLAID
David Gotwald
is pleased to be
returning to ISF after
designing The Secret
Garden last season.
In the span of the
last three decades,
he has supervised
and mixed the sound
for numerous Tony
Award-winning
productions including
A Chorus Line (1982),
Dreamgirls (1983),
Sweet Charity (1986),
Cabaret (1988), Jerome
Robbins’ Broadway
(1989), Crazy for You
(1991), Passion (1994),
Fosse (1998), The
Producers (2000),
Gypsy (2007), The
Addams Family (2009)
and the 2014 season’s
Best Musical: A
Gentleman’s Guide to
Love and Murder. In
2006, David designed
the sound for the
Tony Award-winning
Jay Johnson—The
Two and Only and the
Off-Broadway hit The
Musical of Musicals.
He has worked as
a concert sound
engineer for Tommy
Tune, Mandy Patinkin
and Patti LuPone and
for special events at
The Brooklyn Academy
of Music, Lincoln
Center and Carnegie
Hall. Currently, he is
teaching at Carnegie
Mellon University and
freelance designing in
Pittsburgh.
Jeff Herrmann
SCENIC DESIGNER,
MY FAIR LADY,
FOREVER PLAID
Jeff is pleased to
return to Idaho
Shakespeare
Festival for his 11th
season. Previous
productions for ISF
include Sweeney
Todd, Cabaret, Bat
Boy: The Musical,
The Mystery of Edwin
Drood, A Funny Thing
Happened on the
Way to the Forum,
Into the Woods, Les
Misérables and last
season’s The Secret
Garden, all joint
productions with
Great Lakes Theater in
Cleveland. Other ISF
production designs
include I Love You,
You’re Perfect, Now
Change, The Spitfire
Grill, Little Shop of
Horrors and Noises
Off. Jeff is a professor
of theater at Baldwin
Wallace University.
He holds an MFA in
scene and lighting
design from Southern
Illinois University and
he is a member of
United Scenic Artists
Local 829.
COSTUME DESIGNER,
LOVE’S LABOR’S LOST
First production with
ISF. New York credits
include Off Broadway:
Romeo and Juliet
(The Public Theater),
Love and Information
(New York Theatre
Workshop, Lortel
Award Nomination),
Dream, Othello
(Classic Stage
Company), Death
of the Liberal Class
(The New Ohio),
Regional: Becoming
Cuba (Huntington
Theater Company),
Pygmalion, Here Lies
Love, (Williamstown
Theatre Festival), Our
Town (Chautauqua
Theater Company),
Tolomeo, The Tender
Land (Glimmerglass
Festival), Juilliard
Opera and Drama
Divisions, Yale
University, Bard
College. Upcoming:
12th Night (The Public
Theater, Shakespeare
in the Park). Member
of United Scenic
Artists 829.
Lee Kinney
SOUND DESIGNER,
TWELFTH NIGHT
Lee Kinney is a
New York based
sound designer,
composer, and music
director. New York:
The Father, A Doll's
House (Theatre for a
New Audience), The
Tomb of King
Tot (Clubbed Thumb
Summerworks), The
Convent of
Pleasure (Cherry Lane
Theatre), A Wolf in
the River, Student
Body, Smoke (The
Flea) Empathitrax,
Shitloads of
Money, Asking For
Trouble, Metro
Cards (Ensemble
Studio Theatre), peer@me (NYU
Tisch), In The Car with
Blossom and Len,
Harvey (Centenary
Stage Company).
MFA: Ohio University.
Daniel Kluger
COMPOSER,
TWELFTH NIGHT
(Music) GLT: The
Mousetrap. NEW
YORK: Antlia
Pneumatica,
Marjorie Prime,
Iowa (Playwrights
Horizons); The Effect,
Hit the Wall (Barrow
Street Theatre); The
Mystery of Love and
Sex, Nikolai and
the Others (Lincoln
Center); Significant
Other, The Common
Pursuit (Roundabout);
Lost Girls, The Nether
(MCC); I’m Gonna
Pray for You So Hard,
Women or Nothing
(Atlantic Theater
Company); You Got
Older (PAGE73);
Somewhere Fun, The
North Pool (Vineyard).
REGIONAL: The Old
Globe, Mark Taper
Forum, La Jolla
Playhouse, Long
Wharf, Pig Iron,
Two River Theater,
TheatreWorks
Silicon Valley.
www.danielkluger.com
Charlie’s peripatetic life
style is only possible
because of the love
and support of his wife
Lidia, daughter, Alexa,
and the communities
he serves.
page 47
Russell Metheny
Rick Martin
LIGHTING DESIGNER,
AND THEN THERE
WERE NONE,
LOVE’S LABOR’S LOST,
TWELFTH NIGHT
Many productions
with ISF including
Dial “M” for Murder,
Dream, Romeo and
Juliet and The Woman
in Black. Other
theater: US premiere
of Kurt Weill’s Marie
Galante (Opèra
Français de NY);
Hekabe, The Illiad and
The Rage of Achilles
with Music-Theatre
Group (New York and
Santa Fe); and The
Bitter Tears of Petra
van Kant (Henry Miller
Theatre, New York).
Opera: Mitridate, Re
di Ponto (La Monnaie,
Brussels – scenery
and lighting), Le
Diable dans le beffroi,
La Chute de la Maison
Usher (Opéra national
de Paris – scenery and
lighting); Pellèas et
Mèllisande and To Be
Sung (Opéra Français
de NY); Dialogues
des Carmèlites,
Cenerentola (Opéra
de Toulon); and
Romèo et Juliette
(Spoleto Festival
USA). Concerts:
Harawi (Opèra
Comique, Paris –
scenery and lighting),
Le martyre de Saint
Sèbastien (Citè de
la Musique, Paris
and Arsenal, Metz),
Orchestre national
de Lyon and the
Orchestre de Champs
Élysées (Lyon,
Poitiers, Buenos
Aires, Montevideo,
São Paulo). Coming
up: La Cenerentola
(ABAO-OLBE, Bilbao)
Member: United
Scenic Artists, Local
USA 829, IATSE.
page 48
Joel Mercier
MUSICAL DIRECTOR,
MY FAIR LADY
Joel Mercier returns
for his third season
with ISF after his
past work on The
Secret Garden and
Les Misérables, which
won the Cleveland
Critics and Broadway
World Cleveland
Award for Best Music
Director. An award
winning New England
based director, music
director, composer
and arranger, recent
music direction
credits include
The Spitfire Grill,
Nunsense, Chicago
(Northern Stage,
VT); Ragtime,
Legally Blonde,
Drowsy Chaperone
(New London Barn
Playhouse, NH);
and the National
Tour of A Christmas
Carol: A Sparkling
New Musical (CMI
Entertainment, NYC).
Additionally, Joel’s
latest composition,
Lost in Wonderland,
was premiered at the
NH Theatre Factory
this past March.
Prior to relocating
to NH, Joel’s work
in NYC comprised of
assisting numerous
shows, readings, and
concerts including
Off-Broadway and
the Nokia Theatre
Times Square as
music director,
music copyist,
and supervisor. A
graduate of the Hartt
School, Joel was
artistic associate
at the New London
Barn Playhouse for
six seasons, a guest
artist at Dartmouth
College for three, and
is currently the artistic
director of the NH
Theatre Factory and
guest director at St.
Anselm College.
www.joelmercier.com
for more info.
Ken Merckx
FIGHT
CHOREOGRAPHER,
AND THEN THERE
WERE NONE
Ken Merckx has
choreographed
fights and taught
actors theatrical
combat for film,
television, theater
and universities all
across the country.
Ken is the resident
fight choreographer
for Idaho and Lake
Tahoe Shakespeare
Festivals, A Noise
Within (Los Angeles)
and Great Lakes
Theater (Cleveland).
He is proud to have
staged violence
for the world
premieres of Steven
Dietz’s Sherlock
Holmes: The Final
Adventure (Pasadena
Playhouse), Jeffery
Hatcher’s Dr. Jekyll &
Mr. Hyde (San Jose
Repertory) and The
Suicide Club (Arizona
Theatre Company),
OctKadtLadySolis’
Cloudlands (South
Coast Repertory), Jane
Martin’s Somebody/
Nobody directed
by Jon Jory (Arizona
Theatre Company)
and the theatrical
adaptation of Khaled
Hosseini’s The Kite
Runner (San Jose
Repertory). Mr.
Merckx received his
MFA, in acting, from
the University of
Illinois and his BA,
in theater studies,
Washington.
SCENIC DESIGNER,
AND THEN THERE
WERE NONE,
TWELFTH NIGHT
For Idaho
Russell has designed
The Tempest, Dial
“M” For Murder,
The Mousetrap,
The 39 Steps, The
Two Gentlemen Of
Verona, The Woman
in Black, Othello, The
Seagull, The Comedy
Of Errors, Measure
for Measure, Arsenic
and Old Lace, A Tuna
Christmas, Greater
Tuna, King Lear,
Julius Caesar. Russell
also has designed for
Great Lakes Theatre
and Lake Tahoe
Mr. Metheny has
designed for many
regional theaters
across the country
including, Indiana
Rep., Asolo Rep.,
Studio Theatre, D.C.,
ACT San Francisco,
Maltz Jupiter Theatre,
Goodspeed Musicals,
Portland Stage.
Dave Pepin
Paul Miller
LIGHTING DESIGNER,
MY FAIR LADY
Third season at
Idaho Shakespeare.
Previously King
Lear, Secret Garden,
Les Misérables.
Broadway: Amazing
Grace, The Illusionists,
Legally Blonde,
Freshly Squeezed,
Laughing Room
Only. Off-Broadway:
Out of the Mouth of
Babes, Clinton – The
Musical, Pageant,
Vanities - the
Musical, Nunsense,
Balancing Act and
others. Regional
theaters: Stratford
Shakespeare, Chicago
Shakespeare, Pioneer
Theatre Company,
Asolo Rep, A.C.T.,
Cleveland Play House,
Pasadena Playhouse,
Goodspeed Opera
House, Baystreet
Theatre, Ogunquit
Playhouse, Maltz
Jupiter Theatre and
others. National
tours: The Illusionists,
Elf, Shrek, Story
Time Live, Wizard
of Oz, Legally
Blonde, Sweeney
Todd, Hairspray,
The Producers, The
Sound of Music.
International: West
Side Story (Milan),
Legally Blonde
(London and Vienna),
Race for Love (China),
Cinderella and
Saturday Night Fever
(Manilla, Singapore
and Malaysia).
Television: Camelot
(Live from Lincoln
Center) and numerous
Comedy Central and
Netflix specials. Paul
has been the lighting
director for The New
Year’s Eve Celebration
from Times Square for
the last 16 years.
MUSIC DIRECTOR,
FOREVER PLAID
Dave is excited to
be making his Idaho
debut with Forever
Plaid. On Broadway,
he was the music
director/conductor
of Bring It On: The
Musical. Other
Broadway credits as
pianist or conductor
include Wicked, Kinky
Boots, The Addams
Family and Shrek:
The Musical. National
Tours include Wicked,
RENT and The Full
Monty. He recently
completed his second
year as the Music
Theatre music director
at Baldwin Wallace
University. Dave
shares a home in
Brunswick, Ohio with
the three coolest girls
ever: Erin, Grace and
Annabelle.
Peter Van Reesema
Tyne Rafaeli
DIRECTOR,
Tyne was born in
London and trained
at the Guildhall
School of Music &
Drama and Columbia
University. She has
directed classics, new
plays and musicals in
London and the US.
Her work has been
seen at Classic Stage
Company, American
Players Theatre,
New York Stage &
Film, The Atlantic,
Juilliard, Williamstown
Theatre Festival, and
PlayPenn, amongst
others. She has
served as associate
director on The King
and I (LCT), Fiddler
on the Roof, The
Bridges of Madison
County, Golden Boy
(all Broadway), and
Women on the Verge
(West End). Tyne
was awarded the
2013/14 SDCF Sir John
Gielgud Fellowship for
Classical Direction.
Upcoming projects
include Eurydice
by Sarah Ruhl at
American Players
Theatre, and Chasing
Rainbows, a new
musical by Marc Acito,
at Goodspeed Opera.
Kristen Robinson
SCENIC DESIGNER,
First season with
ISF. Selected credits
include: Love’s
Labor’s Lost (Great
Lakes Theater), Ethel
(Alliance Theater),
Zoyka’s Apartment
(Princeton University),
The Road to Where,
The Other Place
(Weston Playhouse),
And A Nightingale
Sang, The Liar, Nora
(Westport Country
Playhouse), Three
Translations of
Uncle Vanya: Acts
1&2 (The Invisible
Dog), Sisyphus
(Experiments in
Opera at Abron’s Art
Center), All that Dies
and Rises (M-34),
Rapture Blister
Burn (The Wilma
Theater), Last Days
of Mankind (Bard
College, Fisher Center
for the Performing
Arts), My Friend’s
Story (International
Festival of Arts and
Ideas), American
Night the Ballad
of Juan Jose (Yale
Repertory Theatre),
The Princess Play’s
2&1 (New Haven,
site specific project):
Yale School of
Drama MFA, Princess
Grace Theatre
Fellowship: Pierre
Cardin Award, 2013,
kristenrobinsondesign.
com Her work on Nora
has been featured
in Chance Magazine
issue 4, and is a 2015
Barrymore Award
Winner for Best Set
Design. USA-829
Kim Krumm
Sorenson
COSTUME DESIGNER,
MY FAIR LADY,
FOREVER PLAID
Kim is pleased to
be spending her
21st season with
Idaho Shakespeare
Festival. She designed
Richard III in 1992
and has designed
many productions
since, including
The Tempest (three
times), Dial “M” For
Murder, As You Like
It (two times), Steel
Magnolias, Blithe
Spirit, The Mousetrap,
The Seagull, Othello,
The Crucible, Measure
for Measure, The
Spitfire Grill, Love’s
Labor’s Lost, The
Taming of the Shrew
(two times), King
Lear, Julius Caesar,
The Importance of
Being Earnest, Much
Ado About Nothing,
The Two Gentlemen
of Verona, The
Merchant of Venice,
The Merry Wives of
Windsor, Tartuffe and
Dream. Her work also
has been seen at
REP/University of
Delaware, Urban
Stages, Juilliard,
TACT, Delaware
Theater Company,
Boise Contemporary
Theater, Playmaker’s
Repertory Theater,
Hartford Stage
Company, Guthrie
Theatre, Intiman
Theatre, George
Street Playhouse, and
Indiana Repertory
Theater. Kim holds an
MFA from Southern
Methodist University
and is a member of
USA 829. Much love to
Scott, Carly, Gemma,
Liz and Rick.
Kathleen Tague
DIALECT COACH,
MY FAIR LADY
Kathleen was a
member of the acting
company at ISF for
12 seasons. She is
currently an acting
company member
of the Resident
Ensemble Players
(REP) at the University
of Delaware, where
she also teaches
classes in voice,
speech and acting.
REP roles include
Things We Do for
Love (Barbara), Wit
(Vivan), Juno and
the Paycock (Juno),
Heartbreak House
(Lady Utterword),
The Glass Menagerie
(Amanda), Death of
a Salesman (Linda),
and Mrs. Antrobus
in The Skin of our
Teeth (Barrymore
Award nomination).
Other regional credits
include Anna Christie
(Anna) San Jose Rep,
Titus Andronicus
(Tamora) Intiman
Theatre, Hay Fever
(Judith) Great Lakes
Theatre, The Play’s the
Thing (Ilana) American
Players Theatre,
Our Country’s Good
Madison Repertory
Theatre, War Stories
Milwaukee Rep, A
Delicate Balance
(Julia) Delaware
Theatre Company,
Waiting for Nirvana
(Lou) Wilma Theatre,
Before Breakfast
Walnut Street Theatre
and Translations
(Sarah) Arden
Theatre Co.
ASSISTANT MUSIC
DIRECTOR,
FOREVER PLAID
Peter Van Reesema
is grateful to be
making his ISF
debut this season
as the associate
music director and
conductor for Forever
Plaid. A recent
graduate from the
Baldwin Wallace
Conservatory of
Music, Peter holds a
BM in music theory.
Many thanks to
Dave Pepin, Victoria
Bussert, and Charles
Fee for this incredible
opportunity. All my
love to Mom, Dad,
and Frederik.
Brandon Wolcott
SOUND DESIGNER,
Brandon Wolcott
is an NYC-based
sound designer and
composer. With ISF:
The Winter’s Tale,
The Merry Wives of
Windsor. Recent/
notable works:
Kill Floor (Lincoln
Center). The Record
(600 Highwaymen,
Under the Radar).
The Nether (MCC).
Kansas City Choir
Boy (Prototype).
Habeas Corpus, Kiss
the Air (Park Avenue
Armory). Good Person
of Szechwan, Titus
Andronicus (The
Public Theater). A
Great Wilderness
(Williamstown).
Collaborations with
Marina Abramovic,
Laurie Anderson,
Faye Driscoll, Nicolas
Jaar, Todd Almond,
Elizabeth Streb,
Woodshed Collective
and many more...
Charlotte Yetman
COSTUME DESIGN,
MY FAIR LADY
Charlotte joins the
Festival for her ninth
season. She is a
professor of costume
design at Baldwin
Wallace University
where she recently
designed All Shook
Up, Carmen, Dark of
the Moon, Saturday
Night Fever, and
Eurydice. Among
her professional
credits are designs
for The Secret
Garden, Sweeney
Todd, Cabaret, The
Mystery of Edwin
Drood, The Comedy
of Errors, Arsenic
and Old Lace, The
Complete Works of
William Shakespeare
(Abridged) (Idaho
and Great Lake
Theater); Lady with
All the Answers,
Custody of the Eyes
(Cleveland Play
House); Frankenstein
(Tennessee Repertory
Theater); Silver Dollar,
John & Jen, Das
Barbecue, Heartbeats
(Goodspeed Opera
House); Conrack
(Ford’s Theater);
Super Sunday
and Widows
(Williamstown Theater
Festival); and the
American premiere of
Ballenchine’s Mozart
Violin Concerto No.5
with Tulsa Ballet
Theater. Charlotte
received her BFA
from Pennsylvania
her MFA from New
York University,
Tisch School of the
Arts. She has been
an assistant scenic
designer with Oregon
and is a member of
USA 829.
page 49
Boise Philharmonic
one
baton
Aram
Demirjian
Michelle
Merrill
|
2016-2017 SEASON
seven
conductors
Keitaro
Harada
Alastair
Willis
September 30 & October 1
October 21 & 22
November 12 & 13*
Gershwin: Rhapsody in Blue
December 9 & 10
Holiday Pops
*Sunday matinee at NNU Brandt Center
page 50
fabulous season
Andres
Franco
Brett
Mitchell
Eric
Garcia
January 27 & 28
Tchaikovsky: Piano Concerto No. 1
Beethoven: Violin Concerto
one
Grieg: Piano Concerto op. 16
TICKETS 344-7849
boisephil.org
February 17 &18
Elgar: Cello Concerto
March 10 & 11
Beethoven: Symphony No. 9
April 7 & 8
Tchaikovsky: Violin Concerto
An aching, painful back
simply means you’ve
done something with
your life. So, high fives
and a slap on the back
— well, okay, hold the
slap on the back. But
kudos to you for
not living a couch
potato life.
Now, let’s get rid of the
pain — preferably
without surgery.
WEST VALLEY
SPINE CENTER.
Ready to help.
Today.
Be seen today for
a complete diagnostic
evaluation that
leads to a program
of personalized
treatment.
Don’t delay.
CALL NOW,
208-459-4667
or visit
WestValleySpineCenter.com
page 51
We proudly
support arts
education
in our community
and classrooms.
Helping teachers teach
and students learn.
www.facebook.com/bea.boiseea
www.boiseea.org
A Proud Idaho Shakespeare Festival Partner!
Enjoy More Extraordinary Entertainment
In Another Exceptional Setting!
Written and originally directed and choreographed by Stuart Ross
July 8 - August 21, 2016 ● Sand Harbor State Park
L a ke Ta h o e S h a ke s p e a r e . c o m
page 52 Idaho Shakespeare Festival Playbill Ad - LTSF 2016 Season.indd 1
●
800.74.SHOWS
4/1/2016 12:05:38 AM
i
t
i
d
o
a
n
r
s
T of
CHRISTMAS
A MUSICAL SPECTACULAR
COURTESY OF CCT
December 15-23, 2016
Produced by
Laura Little Theatrical Productions
Performances at the Nampa Civic Center
“Traditions of Christmas” is a Radio City Music Hall style show that inspires the heart and truly captures
the sights and sounds of Christmas. A perfect gathering for families and friends and a new opportunity
for companies to celebrate the holidays together.
Group Sales: (208) 391-2867
To Purchase Tickets :
TraditionsOfChristmasNW.com
Or call (208) 468-5500
Local Auditions
See website for information
Kickline: July 24
Adults, Teens, Kids: August 22, 23
L
Produced by Laura Little
Broadway co-producer of
Peter & The Starcatcher
First Date
Come From Away / 2017
page 53
HELP SHAPE THE BARBER POOL
PURCHASE CLEAN
BEAUTIFY
WHAT IT WAS: 12 acres with
sewage ponds, poised for
development.
WHAT IT IS: 12 acres of a cleaned
industrial site, courtesy of EPA/DEQ and
in-kind donors.
With the help of hundreds of
donors, the Idaho Foundation for
Parks and Lands now owns the 12
acres next to our favorite
amphitheater.
Remediation is complete with the
removal of sewage ponds. Habitat
restoration is next!
WHAT IT CAN BE: A nested park, a
place to link with nature, a pathway to
refresh your mind in this busy valley.
The proposed Master Plan has been
created and the time is now to help
make it happen.
As the Idaho Foundation for Parks and
Lands and its partners proceed to
move forward, our journey begins
anew. Help shape these 12 acres.
Donate at: www.idaholands.org.
Illustration by Don Belts
page 54
2014 - 2016 Contributors
2015-2016:
5657 Warm Springs Avenue
Boise, Idaho 83716
208.344.7141
www.idaholands.org
Kimberly A. Albracht
Jan Marie Alden
Gary & Liz Allen
Roger & Kathy Allen
Clinton & Emma Allison
Dianne Bailey Alton
Dianne Anderson
Jamie Anderson
Robert Anderson
Brad Andrews & Joanne Mitten
Sonny & Jill Andrick
Anoymous (21)
Mary L. Apel
Patrick & Felicity Arnold
Cynthia Baldwin & Ken Wilson
A.J. & Susie Balukoff
Heidi Bangerter
Vernon & Jo Banks
Eileen Langan Barber
Patricia Barclay
John & Sarah Barker
Catherine Barney
Sue & Chris Baughn
David Becker
Marcia & Bob Beckwith
Ann & Matt Beebe
Kelly Stark Beebe
Christopher & Cynda Beeson
Barbara & Bill Belknap
Kathy Belknap
Don & Rita Belts
Dianne Dimick Berning
Thomas Bowen
Jan Bracken
Nancy Briggs
Linda E. Brock
Dawn Brockett & Lisa Marie Wood
Angella Broesch
Daniel Broockmann
Hollis Brookover & Milt Gillespie
Rusty E. Broughton
Sheila Brown
Andy & Betsy Brunelle
Susan & Tim Bundgard
Kathy Urresti Burney
Frank & Marti Bushman
Mary Butler
Ivan Butterfield
Linda Byron & Brian Murphy
C-4 Land LLC
Jan & Clay Carley
Glen Carley
Darlene & Don Carlock
Doug & Meredith Carnahan
Jill Carroll
Tami K. Casper
Russell J. Centanni
Michele Chadwick
Mike & Melissa Chambers
Todd & Natalie Chavez
Elinor K. Chehey
Catherine A. Chertudi
J.C. Chou
Steve B. & Darla Christiansen
Billie J. Church
Joni Clapsadle
Paul & Margaret Clark
Bleakley Coats
Angie M. Coder
Carolyn Ely Coffman
Gail J. Cohen
Kevin Collins
Dustin & Kristen Colter
Joe E. & Rhea Conrad
Tom & Laurie Corrick
Alsy Cory
Justin & Christina Creager
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page 55
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page 57
2016 Festival Management
Charles Fee
PRODUCING ARTISTIC
DIRECTOR
25th season as
producing artistic
director of Idaho
This season he
will direct Agatha
Christie’s And Then
There Were None.
In prior seasons
he has directed
Shakespeare’s
Romeo and Juliet,
The Comedy of
Errors, All’s Well that
Ends Well, Macbeth,
Twelfth Night, Much
Ado About Nothing,
Henry the Fourth Part
One, A Midsummer
Winter’s Tale, The
Two Gentlemen of
Verona, Hamlet,
and As You Like It.
His work outside
the Shakespearean
canon includes, Ira
Levin’s Deathtrap,
Frederick Knott’s Dial
“M” for Murder, Noël
Coward’s Blithe Spirit,
Private Lives and Hay
Fever, George Bernard
Shaw’s Arms and the
Man, Oscar Wilde’s
The Importance of
Being Earnest, Oliver
Goldsmith’s She
Stoops to Conquer,
Dickens’ A Christmas
Carol, Molière’s
Tartuffe, Alexander
Dumas’ The Three
Musketeers, and The
Complete Works of
(Abridged) by Adam
Long, Daniel Singer
and Jess Winfield.
Charles holds a
unique position in the
American theater as
producing director of
three, independently
operated, professional
theater companies,
including Great Lakes
Theater in Cleveland,
Ohio (since 2002),
and Lake Tahoe
page 58
in Incline Village,
Nevada (since 2010).
His leadership has
created a dynamic
and groundbreaking
producing model
in which plays are
shared among the
three companies,
extending the
artistic lives of
the productions,
increasing
opportunities for
artists and technical
staffs to work in
multiple venues, and
lowering production
costs for each of the
companies. Prior to
joining ISF, Charles
held the position
of artistic director
at Sierra Repertory
Theatre in Sonora,
California. He also
has worked with
such companies
as The Old Globe,
La Jolla Playhouse,
the Milwaukee and
Missouri Repertory
Theaters, Actors
Theatre of Phoenix,
and Los Angeles
Idaho Shakespeare
Festival has garnered
significant awards
under Mr. Fee’s
artistic leadership,
including the 1995
Mayor’s Award for
Excellence in the
Arts; the 1996 and
2006 FUNDSY
awards; and the 2000
Governor’s Award for
Excellence in the Arts.
In 2001, Charles was
honored for his work
as a director with
the Mayor’s Award
for Excellence in the
Arts. He received his
BA from the University
of the Pacific, and
Master of Fine Arts
Charlie’s peripatetic life
style is only possible
because of the love
and support of his wife
Lidia, daughter, Alexa,
and the communities
he serves.
Mark Hofflund
MANAGING DIRECTOR
In his 24th year
with the Festival,
Mark continues to
appreciate Idaho’s
proud, neighborly
and generous way
of life. Mark’s career
began at The Old
Globe under artistic
director Jack O’Brien,
producing director
Tom Hall, and
founding director
Craig Noel, where
he also held a board
position with San
Diego Performing Arts
League, and edited
his mentor Alan
Schneider’s memoir
Entrances. Joining
colleague Charles
Fee in Idaho, Mark
served as liaison to
Idaho Foundation for
Parks & Lands and
Idaho Department of
Parks & Recreation,
whose collaboration
made possible the
Festival’s 12-acre
home in the Barber
Pool Conservation
Area, soon expanding
through the
community’s efforts
to incorporate 12
acres between the
Festival and historic
Barber Dam. The
Festival’s statewide
audience includes
50,000 students
K-12 served by two
nationally recognized
school tours;
“Apprentice” and
“Access” programs;
and a School of
Theater growing
from a merger with
Idaho Theater for
Youth. In community
service, Mark sits on
the Travel Advisory
Board of the Boise
Metro Chamber
of Commerce. He
served on the board
of the Shakespeare
Theatre Association,
addressed national
conferences for the
Institute of Outdoor
Theatre (receiving
the Mark R. Sumner
Award), testified
before committees of
the Idaho Legislature
and U.S. House of
Representatives, and
filled a presidential
appointment to the
board of the National
Endowment for the
Arts (receiving the
Chairman’s Medal).
Mark co-chaired
the Boise City Arts
Commission; served
on the boards of the
Boise Convention
and Visitors Bureau
and the National
Assembly of State
Arts Agencies, and
chaired the Idaho
Commission on the
Arts. He is a guest
teacher for Boise
State University,
a recipient of the
President’s Medallion
from the University
of Idaho, and a
graduate of Princeton
and the University of
Brad Cote
ASSISTANT BOX
OFFICE MANAGER
Brad is excited to
be returning for his
fourth season at
ISF. He has worked
various positions
at the Festival and
is returning for his
second year as box
office assistant
manager. He has
had over a decade
of managerial
experience and
loves working with
people. Brad plans
to complete his
bachelor’s degree
at Boise State
in international
business. Brad is an
outdoor enthusiast
who enjoys nature
and takes on each
physical challenge
with a smile! Special
thanks to all the
patrons, and my
dear cousin, Brecca
Chabot-Olson, who
encouraged me in my
ISF career.
Taylor Davis
MASTER GARDENER
This is Taylor’s
third season with
the Festival. Taylor
recently graduated
from the College of
Western Idaho with a
degree in horticulture.
Taylor spends his free
time with his two boys
Jaydon and Gracyn,
and his beautiful
girlfriend Ali. Taylor
and his family enjoy
the foothills, the river,
and any garden they
can find, making for
great adventures.
Taylor was born in
Boise and has lived
all over Idaho. He
comes from a large
family that he is very
close to. Taylor plans
on attending Boise
State University in the
fall, studying biology/
ecology. Taylor is
a dirt-loving, treehugging, plant geek
who couldn’t be more
excited to be working
with ISF.
Tom Ford
ARTISTIC ASSOCIATE
Ten seasons with
Idaho Shakespeare
Festival: Dr. Craven
Stephano in The
Tempest, Fool in King
Lear, Sidney Bruhl in
Deathtrap, Thenardier
in Les Misérables,
Sweeney in Sweeney
Todd, Argan in The
Imaginary Invalid,
Mr. Paravicini in The
Mousetrap, Baker
in Into the Woods,
Pseudolus in A Funny
Thing Happened
on the Way to the
Forum, Friar Laurence
in Romeo and Juliet,
Ford in The Merry
Wives of Windsor,
Touchstone in As
You Like It, Casca in
Julius Caesar, the title
role in You’re A Good
Man, Charlie Brown
and many others.
Nine seasons. Boise
Contemporary
Theater: This
Wonderful Life,
Truman Capote in Tru,
I Am My Own Wife
(co-produced with
ISF). Portland Stage
Company: Greater
Tuna, The Mystery
of Irma Vep, I Am My
Own Wife and many
others. Broadway:
Alan Ayckbourn and
Andrew Lloyd Weber’s
By Jeeves at the
Helen Hayes Theater.
New London Barn
Playhouse: Three
seasons. Visit me at
tomfordactor.com
William Ledbetter
DEVELOPMENT
ASSISTANT
Will is in his sixth
year with the Festival.
Upon graduation
from The College
of Idaho in 2011
[international political
economy, theater,
Spanish (minor)], Will
began working as a
seasonal carpenter/
welder for ISF, Great
Lakes Theater,
and Lake Tahoe
Subsequently, Will
has designed and
built the scenery for
the three most recent
Shakespearience
productions,
worked as technical
director for multiple
productions at
Boise Contemporary
Theater, as well
as returned to his
alma mater as an
adjunct instructor.
Will recently earned
an MPA from Boise
State University. This
is his first season
in the Festival’s
administrative office.
Will is grateful for
the friendships and
opportunities ISF has
afforded him.
Debbie McCulley
FINANCE ASSISTANT
This is Debbie’s
fifth year with the
Festival. She retired
in 2007 after 33
years working for
Farm Credit Services
doing farm loans.
After retiring, she was
executive director
for Willow Center for
grieving children,
and since moving to
Boise in 2009 she
has been working
on getting a similar
program started in
the Treasure Valley.
There is some theater
in her family as her
two nieces in Seattle
have been in theater
since they were little
girls and now as
adults sing and write
their own music, with
both of them currently
working on albums.
Debbie enjoys
volunteering, walking
on the greenbelt,
reading and spending
time with her
daughter who lives in
Boise.
M. Aaron Milette
BOX OFFICE MANAGER
& IT SYSTEMS
ADMINISTRATOR
This is Aaron’s
seventeenth
season with Idaho
Aaron graduated from
Boise State University
in 2000 with a BA in
English literature, and
a minor in philosophy.
Aaron and his wife
Mika are currently
trying to wrap their
heads around the fact
that their son Michael
graduated high
school in May, and
turns eighteen this
summer. Objectively,
they know it’s true,
but it seems like just
yesterday that their
son was an eightyear-old asleep in
the back seat of the
car on the way to
Shoshone Falls, or
that the three of them
were at the circus,
buying Michael an
A.W.I.B.S.O. (family
joke). With empty
nest syndrome on the
horizon, Aaron and
Mika are currently
planning to get back
to their roots, and
pursue their love of
competitive grave
digging. With the
recent relaunch of
the Grave Diggers
International
Challenge, which has
been dormant since
the tragedy of 2003,
Aaron and Mika are
confident that they
can once again bring
home the coveted
Golden Shovel.
Chelle Nyström
ACCOUNTANT
Chelle received a BS
in finance with honors
from Westminster
College. She has been
working in finance
for over 25 years. For
the last 19 years, she
has owned her own
business, providing
expertise in business
and accounting
management and
consulting to many
businesses across the
Treasure Valley. She
and her husband Erik
enjoy skiing, hiking,
cycling, cheering
on their son in his
many cycling events
and hosting foreign
exchange students
through AFS.
Rose Orr
EDUCATION
MANAGER
This is Rose’s fourth
season with the
Festival, and her
second summer as
education manager.
Rose holds a BA in
history from The
College of Idaho and
is working toward
a second degree by
sometimes attending
class at BSU. Much of
her free time includes
petting/watching/
obsessing over other
people’s puppies,
expanding her
collection of unicornrelated paraphernalia,
and finding the best
excuse to get out of
running. Rose has
also successfully
kept a peace lily alive
for five whole years!
A loyal member of
the #BeyHive; still
searching for that
long-lost Hogwarts
acceptance letter;
considers the
Hamilton soundtrack
to be religion.
Cheers to another
fabulous (and tan)
summer! “You want
a revolution? I want a
revelation!/So listen
to my declaration:
We hold these truths
to be self-evident/
that all men are
created equal/And
when I meet Thomas
Jefferson/I’m ‘a
compel him to include
women in the sequel
– Work!”
page 59
Hannah Read
Newbill
DIRECTOR OF
MARKETING
Hannah started with
the Festival in high
school, working in
varied capacities
now for twenty-one
seasons! She feels
privileged to also
work with ISF’s
sister company Lake
Tahoe Shakespeare
Festival. Hannah is
a costume designer
as well, frequently
designing for Boise
Contemporary Theater
among others. In
2011, Hannah was
honored to be among
Idaho Business
Review’s Women of
the Year. Hannah
adores working
with the exceptional
sponsors and
magnificent company
members of ISF and
sends gratitude to
the lovely Boise
community for its
unfailing support of,
and enthusiasm, for
the arts. Hannah with
her dashing computer
nerd husband,
The Handsome
Gardener, is very
proud parent to the
sparkling Henrietta
Kestrel, and “Baby
Brother” Gestalt
Morgan. Hannah is
endlessly grateful to
Nana (The Femme
Formidable Original),
Grandma and
Grandpa who, while
being exquisitely
lovely family to be
related to, also take
excellent and doting
care of her children
while she works, an
immeasurable gift.
For Dad.
page 60
Kiely Prouty-Porter
COMPANY MANAGER
This is Kiely’s twelfth
season with the
Festival, and her
sixth season as
company manager.
Kiely holds a BA in
English from Boise
State University.
Kiely’s passions
include, but are not
limited to: gardening,
Cavalier basketball,
and all animals. Kiely
spends her free time
with a red-headed
three-year-old (her
son Emerson) who
loves music and
heavy equipment. A
special thanks to her
supportive folks and
to Jenna and Emerson
for making everything
that is good that
much better. Kiely
looks forward to
a fantastic new
season with ISF, and
another scorching hot
summer!
Mandie Reese
BOX OFFICE
ASSOCIATE
Mandie is thrilled to
be returning for her
fourth season to ISF.
She has worked for
house management
previously with the
Festival but is excited
to join the box office
staff. She has her
bachelors in English
with emphasis in
creative writing.
Her goals are to
travel the world, get
published, and to
never stop making
new friends. Mandie
has a passion for the
art of storytelling and
feels privileged to be
a part of the ISF team.
Special thanks to
you, the patrons, who
make this all possible!
Hannah Dunlop Relf
DEVELOPMENT
ASSISTANT
Hannah embarks
on her fifth season
with the Festival,
this being her first
as development
assistant. In her spare
time, she teaches
dance at Ballet Idaho
Academy. Sharing
a passion for dance
and pretending to
be a princess with
ten four-to-six-year
olds is both a great
inspiration and
a great workout!
Hannah also enjoys
spending time
assisting high school
policy debate. She
has, however, noticed
a strong correlation
between her time
with the Festival
and the number
of Shakespeare
references in her
decisions. While
perfecting an
American accent,
she is a true Kiwi at
heart and may be
observed, bleary
eyed, after having
to stay up all night
to catch the rugby
match and eating
too many sausage
rolls. After many
nights of theater
under the stars with
her family, Denis,
Patricia, Alex, Julia,
and her husband Jack,
she looks forward
to an incredible
40th season of more
amazing memories.
Bob Taylor
DIRECTOR OF
FINANCE
Bob became director
of finance at ISF in
2015. He remains the
executive director of
both of our partner
theaters, Great
Lakes Theater (since
2003) and Lake
Tahoe Shakespeare
Festival (since 2010),
where he manages
finance, development,
human resources,
planning, and general
administration. Prior
to 2003, he worked
as business manager
for several for-profit
and not-for-profit
organizations. Bob
earned his MBA from
Case Western Reserve
University in 1990. He
is a fellow of the 2004
Executive Program for
Nonprofit Leaders in
the Arts, a program
co-sponsored
by National Arts
Strategies and
Stanford’s Graduate
School of Business.
He is also a fellow
of the 2013 Chief
Executive Program,
a three-year
program for 100
nonprofit leaders
that are working
together to address
the competitive
challenges, financial
health, and continued
relevance of the arts.
Bob is an adjunct
faculty member at
Baldwin Wallace
University, where he
lectures on theater
management,
and co-leads a
bi-annual London
theater seminar for
undergraduates.
Christine Zimowsky
GRANTS &
DEVELOPMENT
ASSOCIATE
Christine is the
Festival grant writer in
her sixteenth season
with ISF. She holds a
BFA in art history from
with a specific
interest in the art of
Mexico, admitting
to a slightly out of
control collection of
Dia de los Muertos
figurines. In her free
time, she pretends
to have control over
the growing chaos
of her small family
and may have more
if she would turn off
Masterpiece Theater
or the near-constant
stream of BBC
mystery shows. She
feels tremendous
pressure to mentally
calculate pages she
must read daily in
her Bookclub book to
maintain her dignity
come participation
time, sews too much,
paints too little, and
bakes more than
enough. There is also
a pesky addiction
to the Great British
Baking Show, a
secret love for Paul
Hollywood, and now,
thanks to Martha
Stewart Bakes, the
knowledge that
pate’ brisee is the
only pie crust worth
making. Large Loves
to the little family
that could—Tully,
Augustine, Sevy, and
Evilolive the cat.
Production
and
Department
Heads
Jennifer Caster*
STAGE MANAGER,
AND THEN THERE
WERE NONE,
ASSISTANT STAGE
MANAGER,
TWELFTH NIGHT
Three seasons at
Idaho Shakespeare
Festival. Previously at
Idaho Shakespeare
Festival: stage
management for
Dial “M” for Murder
and The Secret
Garden, assistant
stage management
for Deathtrap, Les
Misérables, and Steel
Magnolias. Recent
stage management
and assistant
stage management
credits include: And
Then There Were
None, The Secret
Garden, The Merry
Wives of Windsor,
Les Misérables,
Deathtrap, Sweeney
Todd, Guys and Dolls
(Great Lakes Theater);
Little Shop of Horrors,
Yentil (Cleveland Play
House); Conni’s Avant
Garde Restaurant: The
Mothership (various
venues, Conni’s Avant
Garde Restaurant);
In addition, she
has collaborated
extensively with
Stonington Opera
House (ME),
Cleveland Public
Theatre (OH), Fisher
Center for the
Performing Arts (NY),
as well as working
with LaMaMa, Etc
(NY), Ripe Time (NY),
HERE Arts Center (NY),
Motherlodge (KY),
Club Oberon (MA),
and Opera Idaho
(ID). Jennifer is the
production manager
with Conni’s Avant
Garde Restaurant
(NYC-based Theatre
Company).
Bernadine Cockey
PROPS MASTER
Bernadine Cockey is
thrilled to be starting
her seventh season
with ISF. She served
as props master at
Boise Contemporary
Theater for several
years, as well as
assisting with
props at ISF, before
stepping into the
props master position
last season. She has
since worked at LTSF
and GLT. Locally,
she has worked as a
designer or artisan
at BSU Theater
Department, the
Alpine Playhouse,
Opera Idaho, Daisy’s
Madhouse, Bishop
Kelley and Zoo
Boise. This spring,
she taught as an
adjunct in The College
of Idaho theater
department. Berni
is also a playwright,
who has spent
many years working
extensively in new
play development.
She has spent each
June for the last
fifteen years as a
technical director,
stage manager
or playwright for
the Seven Devils
Playwright Conference
in McCall, where
she has thrice been
selected as a featured
playwright. She is a
member of Dramatists
Guild of America,
the International
Centre for Women
Playwrights, and the
Idaho Writers Guild.
Mark Cytron
TECHNICAL
DIRECTOR
Mark is returning for
his eleventh season
at Idaho Shakespeare
Festival. Mark also
holds the position of
technical director at
Great Lakes Theater
and Lake Tahoe
He enjoys the
opportunity to explore
all that is Idaho and
feels privileged to
be able to call Boise
home three months
a year. He earned his
BA in theater from
Beloit College.
Christopher D.
Flinchum
PRODUCTION
MANAGER
Christopher has
served as ISF’s
production manager
since 2007. He holds
the same title for
Idaho Shakespeare’s
partner companies,
Great Lakes Theater
and Lake Tahoe
Shakespeare
Festival. In this
role, Christopher
manages all aspects
of production
for this dynamic
producing model
including oversight
of all scheduling,
budgeting,
contracting,
production design
supervision and
implementation,
and recruitment
of production staff
for each company.
Prior to joining the
management team
for ISF, Christopher
served as director
of production at
Cleveland Opera for
two seasons. His
additional theater
management
experience includes
work as an AEA stage
manager on over
fifty productions
for companies
including: The Acting
Company, Two River
Theater Company,
Elm Shakespeare,
and Lincoln Center
Institute, among
others. He earned
his BFA from the
University of North
Carolina School of the
Arts. Christopher also
serves as an adjunct
faculty member at
Kent State University,
where he teaches
production and stage
management.
Angi Grow
CHARGE SCENIC
ARTIST
This is Angi’s 13th
season painting for
Idaho Shakespeare
Festival. Angi Grow
graduated from
The College of
Idaho in 2006 with
degrees in art and
theater. Scenic
painting started
in her sophomore
year of high school
and continued on
through college where
she met Michael
Hartwell who, at the
time was technical
director of Idaho
Angi then started
her first internship
as a scenic artist for
ISF in the summer
of 2003. Over the
next four years, she
worked her way up
from scenic intern to
scenic charge artist.
Since then, Angi has
also become charge
artist for Great Lakes
Theater and Lake
Tahoe Shakespeare
Festival. In between,
she has painted
sets for Alley Rep,
Boise Contemporary
Theater, The
College of Idaho,
Baldwin Wallace
University, Boise
State University,
Ballet Idaho, Opera
Idaho, Idaho Theater
for Youth and
Shakepearience.
* Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.
page 61
Esther M. Haberlen
COSTUME SHOP
MANAGER
Esther M. Haberlen
is celebrating to her
tenth season with
ISF. Previously for
ISF: Much Ado About
Nothing (2013),
Les Misérables and
last season’s The
Fantasticks. Regional
credits include over
40 mainstage and
touring productions
for Cleveland Institute
of Music, Dobama
Theater, Cleveland
Public Theater, Beck
Center for the Arts,
Cleveland Opera
Theater, Baldwin
Wallace Conservatory
and the Cleveland
Play House/ CWRU
MFA Acting Program.
Esther has been on
staff with ISF’s sister
company Great Lakes
Theater since 2003, in
various roles including
wardrobe supervisor,
assistant shop
manager and draper
and resident designer
for GLT’s Surround
Tour. Costume Shop
manager for Lake
Tahoe Shakespeare
Festival since 2009.
Other production
credits: Pittsburgh
Public Theater,
Pittsburgh Civic
Light Opera and
Chautauqua Theater
Company. Esther
holds a BFA in theater
production and
design from State
University of New
York—Fredonia and is
a native of Syracuse,
NY. She now resides
in Cleveland, OH and
Boise, ID with her
brilliant husband,
Richard.
Sarah Kelso*
STAGE MANAGER,
FOREVER PLAID
Sarah is gleefully
returning for her
seventh season with
ISF. Credits with the
Festival include:
Stage manager for
The Fantasticks, Steel
Magnolias; assistant
stage manager for
The Merry Wives of
Windsor, Sweeney
Todd; production
assistant for
Deathtrap, As You
Like It, The Foreigner,
Noises Off, Romeo
and Juliet, The 39
Steps, Cabaret, The
Woman in Black, A
Midsummer Night’s
Dream. Other
credits include:
Boise Contemporary
Theater: stage
manager for A Skull
in Connemara, No
More Sad Things,
Constellations,
Margin of Error;
assistant stage
manager for The
Fisherman and His
Soul, Venus in Fur,
This Wonderful Life,
Red, Tigers Be Still,
Gruesome Playground
Injuries. Lake
Tahoe Shakespeare
Festival: assistant
stage manager for
Romeo and Juliet,
The Fantasticks.
production assistant
for Much Ado About
Nothing, Romeo
and Juliet. Sarah
graduated from
the Theatre Arts
Department at Boise
State University
and accepted the
resident stage
manager position at
Boise Contemporary
Theater in 2015.
She would like to
thank her family
for their supportive
sarcasm and loving
shenanigans.
Tim Kinzel
STAGE MANAGER,
MY FAIR LADY,
TWELFTH NIGHT
Stage manager
five seasons at
Idaho Shakespeare
Festival. Stage
manager credits for
Idaho Shakespeare
Festival include: As
You Like It, Blithe
Spirit, Romeo and
Juliet, A Midsummer
Night’s Dream, An
Ideal Husband, The
Complete Works of
William Shakespeare
(Abridged). Tim is
thrilled to return to
an Idahoan summer
after serving as Lake
Tahoe Shakespeare
Festival’s stage
manager for five
years. He holds
multiple stage
management credits
from the following:
Playwrights Horizon,
Cherry Lane Theater
NYC, Alley Theater,
Houston Grand Opera
and Houston’s Stages
Repertory Theatre.
Thank you to all
hosts, Koppenhafers,
Rio, and Gibson
for your support.
Diehard Cleveland
fan patiently waiting
to attend that
championship parade.
Love to his family and
friends across the
country, and Colleen.
GO CAVS, BROWNS, &
ROLL TRIBE!
Jessica B. Lucas
ASSISTANT STAGE
MANAGER,
AND THEN THERE
WERE NONE, LOVE’S
LABOR’S LOST,
MY FAIR LADY
Jessica is thrilled to
return for her second
season with ISF!
Previous assistant
stage management
and production
assistant credits
include Dial “M” for
Murder, The Secret
Garden, and King
Lear. The Secret
Garden, King Lear,
Dial “M” for Murder,
Les Misérables, A
Christmas Carol
and Deathtrap with
and Luna Gale with
Cleveland Play House.
Previous stage
management credits
include Twelfth Night
and The Misanthrope
with Cleveland
Play House/CWRU
MFA Program, and
Memphis, Rent and
Aida with the All-City
Musical program.
Jessica earned her
BA in theater from
the University of
Scranton.
* Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.
page 62
Paul Michael Miller
MASTER ELECTRICIAN
Paul is thrilled to be
back for his eleventh
year with ISF. In
addition to working
for the Festival,
Paul works for
Boise Contemporary
Theater, as well as
both Ballet and Opera
Idaho. In the past,
Paul has worked
for Great Lakes
Theater, Lake Tahoe
the Spoleto Festival,
and Technical
Theater Solutions
aboard the Disney
cruise ship Wonder.
Paul has a BFA in
design/technology
from West Virginia
University, and
would like to thank
his family, friends,
and exceptional wife
Meghan for all their
support.
Corrie E. Purdum
ASSISTANT
PRODUCTION
MANAGER
This is Corrie’s 12th
season with Idaho
and her third as
assistant production
manager. Corrie has
previously stage
managed at ISF:
The Taming of the
Shrew, A Funny Thing
Happened on the Way
to the Forum, Major
Barbara, The Spitfire
Grill, The Tempest,
Measure for Measure,
The Crucible, Into the
Woods, The Comedy
of Errors, The Mystery
of Edwin Drood, Bat
Boy: The Musical,
The Two Gentlemen
of Verona, Cabaret,
The Winter’s Tale,
Sweeney Todd,
Deathtrap, and The
Tempest. Other
credits include The
Complete Works of
William Shakespeare
(Abridged) at Lake
Tahoe Shakespeare
Festival, 11 seasons
with Great Lakes
Theater, 6 seasons
with the Cleveland
Play House, and 3
seasons with Cain
Park. Corrie is also the
assistant production
manager for GLT and
LTSF. Corrie is an
alumna of Baldwin
Wallace University,
where she teaches
stage management.
Thanks to her family
for their constant
support.
page 63
“greatness
Be not afraid of
”
.
William Shakespeare, Twelfth Night
With challenge comes opportunity.
That’s what you’ll discover at
The College of Idaho—a creative
environment where you can
strengthen your existing talents
and discover new ones. You’ll
benefit from our distinctive
liberal arts curriculum, enjoy
opportunities to perform in
first-class facilities, and study
under award-winning musicians,
actors and artists.
Be not afraid of greatness. Come
see why Idaho’s brightest students
choose Idaho’s No. 1 college!
Joe Golden, Theatre Professor
Legendary Shakespeare Festival Performer
1992 to 2014
page 64
www.collegeofidaho.edu
page 65
2016 Education & Outreach Programs
•Through its school tours, the Festival
annually reaches 50,000 schoolage children and their teachers, in
about 90% of Idaho’s counties, with
a particular emphasis on rural and
underserved areas. The tours also
reach areas in eastern Oregon and
northern Nevada.
•Since its inception in 1986,
Shakespearience has enriched the
lives of over 1,000,000 students.
School of Theater
School Tours and Workshops
Approximately 50,000 students and
teachers statewide will experience
live, professional theater through
an Idaho Shakespeare Festival tour.
Shakespearience presents a 50-minute
Shakespeare play for junior and senior
high schools and Idaho Theater for Youth
(ITY) visits elementary schools with newly
commissioned work or innovative new
plays. In 2016, Shakespearience presented
Hamlet, directed by Gordon Reinhart,
and ITY presented The Shakespeare
Stealer, based on the book series by Gary
Blackwood and directed by ISF Artistic
Associate Tom Ford.
•The National Endowment for the Arts in
partnership with Arts Midwest presents
Shakespeare in American Communities.
Idaho Shakespeare Festival is one of 40
professional theater companies selected
to participate in bringing the finest
productions of Shakespeare to middleand high-school students in communities
across the United States. This is the twelfth
year of this national program, the largest
tour of Shakespeare in American history.
•The Festival is the largest provider of
professional, performing arts outreach in
the State of Idaho.
page 66
Each spring semester, students (from preschool through 12th grade) take theater
classes focused on expanding the imagination
and nurturing creativity. From acting and
improv to musical theater—students explore
language, story, character and acting
technique as they build their confidence,
expand upon their talents, and enhance their
problem-solving skills.
•The School of Theater exemplifies the
Festival’s attempts to foster life-long
learning and appreciation of the theater.
•More than 300 Treasure Valley students
attend sessions each year.
School Residencies and Workshops
The Festival’s education department has
been creating and implementing custom
curriculum for schools and groups year-round
since its beginning. Idaho Shakespeare
Festival can develop workshops and/or
residencies for schools to fit any schedule and
to complement any established curriculum.
The Helena Project
The Helena Project was developed to give
students at St. Luke’s Children’s Hospital
an opportunity to learn Shakespeare,
to perform, to build esteem—and most
importantly, to have fun. These students
from a variety of grade levels have various
learning abilities and are often facing
severe medical challenges. After missing
just 10 days of school, students undergoing
treatment for cancer, cystic fibrosis, sickle
cell, or Crohn’s disease are at high risk
for having to repeat an entire grade. This
curriculum has the ability to bring together
groups of disparate students facing a wide
range of challenges. It includes theater
warm-ups, games, a synopsis and character
introduction from the play, as well as
rehearsal techniques, and initial performance
opportunities. Take-away props are also
given to each child to reinforce and solidify
the lesson plan and to encourage ongoing
thoughts about the experience.
“At the deepest level the creative process
and the healing process arise from a
single source.” – R A C H E L N A O M I R E M E N ,
MD
Even the most at-risk students can learn
Shakespeare and explore their imagination
thanks to this unique program.
St. Luke’s Children’s Hospital School and
Idaho Shakespeare Festival: creatively
teaching kids with medical needs.
#aDifferentKindofBattle
Teaching Artists
Amanda Baschnagel, Dakotah Brown,
Chris Canfield, Brecca Chabot-Olson,
Ashley Dowden, Nick Garcia, Luke
Massengill, Jaime Nebeker, Chad Shohet,
and Veronica Von Tobel
The Apprentice Company
The Festival Apprentice Company is
composed of high school students who have
auditioned to spend their summer receiving
hands-on training in professional theater.
Since 1981, more than 400 apprentices and
interns have received training. Apprentices
receive over 200 hours of intensive training
in voice, movement, acting and technical
theater. Each year, the Apprentice Company
creates and performs a showcase of their
summer’s work, which includes appearances
with members of the professional company.
This year’s Apprentice Showcase will take place
on Monday, August 15th, on the Festival stage
at 7:00pm. All are welcome to enjoy this one-ofa-kind performance!
2016 Apprentice Company
APPRENTICE INSTRUCTORS:
Dakotah Brown and Chris Canfield
APPRENTICES, SECOND YEAR
Davey Collins, Gwen DeLaney,
Hunter Sims-Douglas, Lily Tacke
APPRENTICES, FIRST YEAR
Katie Allen, Lawrence Cook, Max Elam,
Walker Goldy, Kai Gyllenskog,
Cyrus Sandmeyer, Nick Taylor, Clare Vaughan
Summer Camps
CAMP SHAKESPEARE, CAMP IMPROV
AND CAMP MUSICAL
In June and July, students experience
the wonders and words of the Bard as
they journey through enchanted woods,
cities, courts and castles in Shakespeare’s
plays. Students in grades 1–12 learn to tell
Shakespeare’s stories, create the characters
and find out what makes a play and its
characters “come alive.” Intensive Class
students perform their work at the end
of each session.
Community Funders
Idaho Shakespeare Festival’s 2015-2016 Educational Outreach Programs are
supported through individual membership gifts to the Festival, as well as though
the following generous contribution to program underwriting and scholarships:
Laura Moore Cunningham Foundation
Idaho Commission on the Arts
Idaho Community Foundation and the
following Funds:
• F.M., Anne G & Beverly B. Bistline Foundation
• Children’s Charities of Idaho
• James A. Pinney Memorial Fund
• Perc H. Shelton & Gladys A. Pospisil
Shelton Foundation
• Gladys E. Langroise Advised Fund
• Idaho Community Foundation Youth Trust Fund
Idaho Humanities Council
Idaho Power Foundation
Morrison Center Endowment Foundation
National Endowment for the Arts
National Endowment for the Humanities
US Bancorp Foundation
Wells Fargo
The Whittenberger Foundation
The Festival extends special thanks to these local businesses and
individuals for their in-kind support of education programs:
Cornwell Creative
Idaho Family Magazine
Penske Truck Rental and Leasing
In late July and early August, students
can learn the art of performing
without a script as they study the
skill and style of comedic improv.
Students also have the opportunity
to sing and dance their hearts out
in Camp Musical. Those who’ve
completed the fourth grade and are
currently enrolled through twelfth
grade spend a week with improv
and musical theater artists gaining
critical skills necessary for each
specific field.
Always open to the public. For
more information about classes
and Camp Shakespeare recital
performances, contact Rose Orr,
Education Manager, at
(208) 429-9908 ext. 206 or
rose@idahoshakespeare.org
Scholarship aid is available for all
education classes, camps and the
Apprentice Company.
We turn no student away!
page 67
2016 Access Program
Idaho Shakespeare Festival’s Access Program creates
opportunities for people to participate in the theater who
otherwise would not be able to do so. The goal of expanding
access is pursued in the following ways:
• Signing Shakespeare Each of the summer productions are
interpreted into American Sign Language for the Deaf and
hard-of-hearing. Each production is interpreted on one night
of its run.
2016 SIGN-INTERPRETED PERFORMANCE SCHEDULE
June 21
Karen Nelson &
Terry Hardy
July 12
And Then There Were
None
LaVona Andrew &
Lindsay Goodman-Gerken
July 26
My Fair Lady
Holly Thomas-Mowery &
Shelia Robertson
Aug 17
Twelfth Night
Elizabeth Morgan &
Holly Thomas-Mowery
Sept 13
Forever Plaid
Brenna Andrew &
Kristy Buffington
Through the Access Program, the Festival is able to offer an
inclusive cultural experience to the broader Idaho community of
the Deaf and hard-of-hearing; provide an enriching and enjoyable
outing for elderly citizens living with few means and often without
family support; offer an educational, socializing experience for
children in the juvenile corrections system; and engage newly
arrived refugees with the language and culture of their new home.
For more information on the Access Program, please contact
Hannah Dunlop Relf at hannahdunlop@idahoshakespeare.org or
208-429-9908 x207
The Festival would like to thank our generous donors who make this
program possible:
•Student Ticket Discount The Festival offers discounted tickets
to students with valid ID. Contact the Box Office for more
information at 208-336-9221.
• Complimentary Tickets The Festival partners with community
groups and social service organizations that serve people who
face financial constraints to bring these patrons to the theater
free-of-charge. Groups include at-risk youth, elderly on fixed
incomes, veterans, refugees, and others.
• The Helena Project Named for a character in A Midsummer
Night’s Dream who grows and blossoms over the course of
the play, the Helena Project engages teaching artists from the
Festival’s School of Theater to conduct classes for children
receiving care at St. Luke’s Children’s Hospital.
In the Idaho Community Foundation
Idaho Council for
Deaf and Hard of Hearing
University Television Productions at
Brenna Andrew and LaVona Andrew interpret The Tempest (2015).
page 68
Attorneys and Counselors at Law
Givens Pursley congratulates the Idaho Shakespeare Festival on its 40th
season of bringing great works to life under the Idaho night sky.
Land Use
Agriculture
Healthcare
Environmental
Creditors’ Rights
Litigation
Water
Employment
Natural Resources
Real Estate
Estate Planning
Regulated Industries
Business and Finance
Government Affairs
Food & Alcohol
601 West Bannock Street
P.O. Box 2720
Boise, Idaho 83701
208-388-1200
www.givenspursley.com
EXCEPTIONAL
COMMUNITIES BEGIN
WITH PEOPLE WILLING
TO TAKE THE LEAD ROLE
Eide Bailly is proud to support the Idaho Shakespeare
Festival and its mission to entertain and educate our
community. We congratulate the festival on
40 years of making this happen.
208.344.7150
w w w.e i d e b ail l y.c o m
page 69
Designinn soowarr solutionn thaa power business
“WW know whaa ww arr, buu know noo whaa ww maa bb.”
-Williaa Shakespearr
Imaginn.
Desigg.
Creatt.
Succeee.
Celebratinn 40 Seasonn of thh Idahh Shakespearr Festivaa
www.ArmggSyy.coo
page 70
PROUD SPONSORS OF
Congratulations to the
on their 40th anniversary
of bringing joy to the
Treasure Valley.
page 71
Thanks to Our Sponsors!
Please join us in thanking these generous sponsors from our community on whom we rely to help us present our very best to you.
Season Sponsor
Preview Night Sponsor
Wm. Shakespeare & Associates
Family Night Sponsor
Season Partners
Albertsons
Foerstel Design
Micron Foundation
94.9 The River
The Idaho Statesman
KTVB Newschannel 7
Scentsy
Truckstop.com
Production Sponsors
ArmgaSys Inc.
Hawley Troxell
Holland & Hart LLP
Parsons Behle & Latimer
Roundtree Real Estate
Family Night Media Sponsor
Apprentice Company Sponsor
Community Partner
Production Media Sponsors
Boise State Public Radio-NPR
Boise Weekly
Idaho Public Television
107.1 KHITS
Idaho Statesman’s Scene and
Treasure Magazines
Hospitality Sponsor
Silent auction sponsor
Bill Vasconcellos, Vasconcellos Investment
Consulting at UBS
In-Kind Sponsors
Bronco Motors
DKM Photography
Lisa & Peter Peterson/
Lisa Peterson Catering
page 72
Gala Sponsors
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page 73
MY 6 YEAR OLD SAID THAT
GOING TO THE PLAY WAS
THE BEST DAY OF HER LIFE!
-Kristin & Eric Bjorkman
MEMORIES
FROM OUR MEMBERS
I TOOK TWO HIGH SCHOOL
Congolese refugee kids to the ISF production of
The Secret Garden they were enthralled! What
a wonderful, transporting experience and what
a beautiful example of the international appeal
of gorgeous music, a great uplifting story, and
the unity of theater! – S T E F A N I E F R Y
LOVED EVERY THEATER LOCATION…
MEMORIES
OF A LIFETIME
some more than others—but all memorable experiences. Most
memorable—the very first performance of A Midsummer Night’s
Dream at One Capital Center—and particularly the story of Doug
Oppenheimer’s involvement in how it came to be located there. As
These memories are brought to
you by our ISF members. We are so
grateful for your years of support.
My first experience with ISF was through
far as we can remember, we have attended at least one performance
and most often all shows since the beginning—40 years! How can it
be 40!!! We are proud to be members.– PAT & LISA MCMURRAY
ITY AT SILVER SAGE ELEMENTARY IN THE 90s. I was so engrossed
with the plays & looked forward to them every year. Now I have been a member for 4 years, & am studying to be
an Elementary educator. I am often told my lessons show unique creativity & engagement, & I credit a lot
of that to ISF for showing me how accessible ELA can be (and fun)! – J A C Q U E L Y N & I A N B L A C K S T O N E
TOO MANY
WONDERFUL
MEMORIES TO
CHOOSE AMONG.
page 74
Thank you for
– JOHN & BECKY VERITY
changing our cultural
lives. – J A N A L D E N
John & I have been attending ISF since
inception at Angell’s (One Capital Center).
It is one of the things we look forward to the
most! Boise is so lucky to have all of you; the
amazing people, shows, talent. We brag about
you to our out of town friends & bring them
when they visit. You are a Boise treasure. H a y
– R o b e r t
ARE GREAT!
YOU GUYS
Our little boy—now 25— saw his first Shakespeare
performance at PARKCENTER. Well
that was the first professional performance. He
has seen me on stage since he was a tot in
West Virginia at the Daniel Mtn. Players. We
were careful to “steal” a plank from the stage
at ParkCenter when it went under. It is now my
proudest possession. – C H R I S & K A R E N M E Y E R
I DON’T RECALL THE YEAR,
but I was 14 or 15 years old and my
English teacher asked me to hand out
programs. We were allowed to watch
once we were done. It was The Tempest
I was hooked! I have attended every
season for the next 30+. It started my
–DIANNE DIMICK
love of theater.
The first ISF I attended was with friends–at Plantation.
I also brought students each year to
the fall workshops. My husband and I have not missed a play for 21 years and have held season tickets since the
opening of the current location. I have tried to support ISF every year, including membership & land purchase.
It is a huge part of our summer and we still love finding our quote on the wall. – G L E N D A & J O N E U B A N K S
Boise’s art scene is as good as any place in
America—and more fun. Thanks ISF for making
Boise entertaining and special.
– BILL & ANN CONNORS
LITTLE DID I KNOW 40 YEARS AGO
that the man I spotted occasionally at the One Capitol
Center ISF productions would become my spouse a
decade later. During our almost 29 years of marriage, we
missed few seasons. ISF was always a major component
of our sum mer en j o y m e n t. M y h u s b a n d , R oc k y
Carpenter, passed away this spring, but I attended all of
the productions this last season and had an opportunity
to reflect on the many times we spent together with
friends and family “under the stars” experiencing great
theater! – S A L L Y C A S L E R
and they seldom miss a summer bringing their families out to Idaho.
I think that was the summer of Willmorth and Golden’s Tartuffe spoof
on the “Tight Pantaloon Contest” courtesy of our present governor.
You have enriched my life 100 fold. Thank you. – J A N E T M E E K S
-BRUCE & JULIA NEWCOMB
Our first real “NIGHT OUT” when we arrived
in Boise in 2009 was at ISF. We quickly learned
thespians! I am still dear friends with actors Wil Wood and Kim Ataide,
IT WAS FABULOUS!
under our blanket. – D A R R E N B O A R D
My sister (Lynn Meeks) and I hosted a
young actor. Our house became a central location for many of the
at the Festival was when I was
about 10. My grandmother took
me to downtown Boise to see
A Midsummer Night’s Dream.
with my high school crush… we held hands
1995:
MY FIRST TIME
Watching Robin Hood
page 75
2016 Annual Giving
Annual giving to Idaho Shakespeare Festival assists with the operations, programs, fixed assets, maintenance, accessibility
and growth of the Festival’s mainstage season and educational outreach. Levels are established by the total cash and securities gifted to the
Festival between May 1, 2015 and May 1, 2016.
Founder
Patron
94.9 The River
107.1 Khits
ADP Employer Services
Albertsons
Anonymous
ArmgaSys Inc
Boise City Department
of Arts & History
Douglas & Meredith
Carnahan
Chobani
Cinder Winery
Laura Moore Cunningham
Foundation
Laurie & Tom Corrick
Linda & Tom Dixon
The T.F. Dixon Family
Foundation, Inc.
E.W. Scripps
Fidelity National Title
Foerstel Design
Sondra & Richard Hackborn
Robert & Anne Hay
C.K. Haun & Karen Meyer
Hawley Troxell
Holland & Hart LLP
Hotel 43
Idaho Commission
on the Arts
Idaho Community
Foundation
Idaho Statesman
Lynn & Jim Johnston
KeyBank of Idaho
KTVB Channel 7
Langan Barber Foundation
Morrison Center
Endowment Foundation
Micron Technology
Foundation, Inc.
National Endowment for
the Arts
Parsons Behle & Latimer
Rocky Mountain Audio
Visual
Roundtree Real Estate
Scentsy Family Foundation
Elizabeth & Andrew
Scoggin
Truckstop.com
Joanne V. Uberuaga &
Dr. Larry K. Zgonc
Wells Fargo
Anonymous
Barbara & John Bender
Boise Weekly
Cushman & Wakefield
D.A. Davidson & Co.
Marjorie Moore Davidson
Foundation
Delta Dental of Idaho
Claire Dwyer & Gene Ritti
Givens Pursley
Debra & Stephen Hanks
Sus Helpenstell
Mark & Lynn Hofflund
HUB International
Sondra & George Juetten
Bill & Celeste Keller
Dr. John & Lois Kloss
Gladys E. Langroise
Advised Fund in the
Idaho Community
Foundation
Nick Miller & Cathy Silak
Royanne & Alan Minskoff
Doug Oppenheimer
John & Jackie Parrish
Georgiann & Rich Raimondi
Linda Ruppel, DDS
Esther Simplot
John & Carroll Sims
Walt & Kristin Sinclair
Stoel Rives LLP
Jim & Zoe Strite
Nicole & Alexander Toeldte
United Heritage
University of Idaho
Peter & Deborah Wachtell
Washington Trust
$10,000 and Above
page 76
$5,000–$9,999
Benefactor:
$3,000–$4,999
Suzanne M. Allen
Bill & Christine Avey
F.M., Anne G., and
Beverly B. Bistline
Foundation in the Idaho
Community Foundation
Fred & Phoebe Boelter
Linda Byron & Brian
Murphy
Steven P. & Connie J. Cady
Jan & Clay Carley
Shavonna Case &
Dave Armga
Steven L. Champion
Chris Davidson &
Sharon Christoph
Hillary A. Dixon & Josh Aller
Andrew & Shannon Erstad
Lidia & Charles Fee
Kathy & Ric Gale
Jeff & Laurie Hancock
Patricia Harder
Hayden Beverage
Will Heatter & Nicholas
Roundtree
Bob & Marjorie Hopkins
Idaho Humanities Council
Idaho Power Foundation,
Inc.
John William Jackson Fund
J.R. Simplot Foundation
Cyndi & Doug Kay
Joy & Thomas Kealey
Bob & Kathy Kustra
Mark & Nancy Mallory
Skip & Esther Oppenheimer
Yvonne McCoy & Garry
Wenske
Mary & Ernie Monroe
National Endowment for
the Humanities
Ward & Cathy Parkinson
Karen & Scott Peterson
James A. Pinney Memorial
Fund in the Idaho
Linda & Ken Somerville
Brandy Stemmler
Greg & Marisela Therrien
The Whittenberger
Foundation
Producer
$2,000–$2,999
Marti & Bill Agler
Candi & Randy Allphin
Anonymous
Vernon & Jo Banks
Kevin & Cheri Chase
ConvergeOne
James & Susan Durst
Roy & Frances Ellsworth
Sandra & Brent Fery
Stefanie Fry
Vicki Gowler
Stanley Hall &
Elizabeth Olberding
Bev & George Harad
HP Company Foundation
David & Susan Kim
Margaret & Karl Kurtz
Cheryl & Bruce Larabee
Carol MacGregor, Ph.D.
Philanthropic Gift Fund
in the Idaho Community
Foundation
David & Anne Martin
Don & Diane Masterson
Mark & Jody Meier
Napier-Olbrich Family
National Residential
Mortgage
Peggy & Charlie Pegan
Jeannie Peterson
Alan & Sharon Post
Avery & Carolyn Pratt
Dianne & Chuck Robertson
Martie Rowen & Carl
Henrikson
Peggy Ann Rupp
Michael & Ann Sadler
Ted & Kathy Spangler
Ann & Scott Tuthill
Bill & Jena Vasconcellos
Barbara & Keith
Whisenhunt
Jeff & Lynn Wood
Director
$1,000–$1,999
Gary & Liz Allen
Rhea & Drew Allen,
Peppershock Media
Debra Alsaker-Burke &
Christopher Burke
Anonymous
Brian & Vera Auge
Toni Ayers
Bank of America
Foundation/
Merrill Lynch
Cindy Bateman
Susan & Chris Baughn
Chris & Cynda Beeson
Tom M. Beitia
Mike & Pam Bessent
Bier:Thirty Bottle & Bistro
Kristin & Eric Bjorkman
Robert & Dixie Blome
Darren Board
Hollis Brookover & Milt
Gillespie
James E. & Mary Fran
Brown
Russ & Janet Buschert
Kerry Carnahan Ellis &
Bert Ellis
Boise Cascade, LLC
Rick Clark & Liz Roberts
Jason Crawforth
James John Cruzen
Ann & Darin DeAngeli
Leslie & Bill Drake
Jim Edwards
Edwin Perkins Foundation
Elam & Burke
John B. & Delores L. Fery
in the Idaho Community
Foundation
Bob & Joyceanne Fick
Jim & Sally Field
Kelli & Marc Fredback
Celia & David Gadda
Jon B. Getz
Amy & Michael Gustavel
The Hackborn Foundation
Tammy & Dalon Hadfield
Rich & Tonya Hall
Molly & Rick Harder
Intermountain Vocational
Services, Inc.
Johanna Jensen
Gregory Kaslo & Kay Hardy
Jeff, Angela, & Elizabeth
Keller
Vicki Kreimeyer
Debra & Tom Leithauser
Treacy & Kurt Liebich
Don & Cece Lojek
Molly Mannschreck &
Matthew Schwarz
Susan May & Andrew
Owczarek
Robert McAndrew &
Gwynne McElhinney
Leticia McLaughlin
Pat & Lisa McMurray
Mike & Heidi Merhar
Susan & John Moeller
Bill & Julie Mooney
Robert & Mary Lee Morrell
Eric & Tobi Mott
Patricia & Wilhelm
Northrop
Tom & Shirley O’Neil
Dan & Maureen Ollivant
Karl Olson & Heather
Hagen
Packaging Corporation
of America
Kevin Peter & Lorraine
Gross
Grant Pflugrath & Dixie
Grant
Steven Pline & Tony Paul
Rob & Maryann Perez
Wayne & Wendy Rancourt
Richard & Martha Ripple
Scott Rognlie & Lesley
Newton
Kâren Sander & Robert
McKenzie
Perc H. Shelton & Gladys
A. Pospisil Shelton
Foundation in the Idaho
Jeff & Erin Shilt
Lisa Scales & Robert
Walther
John Schubert & Mary
Holden
John & Stacy Slattery
Jeff & Jo-Anne Smith
Tom & Carol Smith
Rob & Meghan Sterling
Peggy & Paul Street
Cheryl & Rich Stuppy
Calvin R. & Macey P.
Swinson
Sylvan Creek Foundation,
Inc.
Gregory Taylor
Walt & Mary Thode
Holly Thomas-Mowery &
Ron Mowery
Steve & Carol Trott
Jerry & Marcia Van Engen
Kirby & Cheryl Vickers
WEN Foundation
Robert & Deborah
Wetherell
Nancy Williams
Ken Wilson & Cindy
Baldwin
Gini & Bill Woolley
Korby & Kirsten Wright
Christian & Kathryn
Zimmerman
UBS Financial Services
Associate
$500–$999
Kevin Allen & Mindi
Ridgeway
Keith & Christine Allred
Dianne Bailey Alton
Lori & Darrell Anderson
LaVona Andrew
Brad Andrews &
Joanne Mitten
The Antoniuks
Anonymous
Apple
Applied Materials
Rob & Kate Aravich
Judy Austin & Don Bott
Marshall & Kathle Baker
Jim & Kristin Baumgardner
Art & Michelle Beale
Susan & Art Berry
Scott & Suzie Bohme
Jo Carol Bolen
Carol Brassey & Steve
Parry
Brauer Family
Marcellus & Carol Brown
Connie & Jerry Bunch
Bob Bushnell
David & Barbara Carlson
Sally Casler
Steve & Tami Casper
Larry & Shirley Chetwood
Angela Coder & BJ Smith
Doug & Cheri Copsey
Deborah Cordier
Rick & Ann Cronin
Charles & Susan Davis
Richard & Carol Davis
William & Carol Deasy
Mike & Carol DePaola
Dean C. Eyres
Artie Campos Jr. & Tyler
Gibson
Elizabeth Greene & Gary
Wyke
Lisa Hecht
Margaret & Charles
Hepworth
Ruth & John Hicks
Bob & Karin Holland
John & Deb Holleran
Ken Howell &
Bernadine Marconi
Andy Huang &
Jennifer Dickey
Darcy & Denny Huston
Chris, Terry & Nikki Hyer
Idaho Community
Foundation Youth
Trust Fund
George Iliff
Jeff Jackson
John & Cathy Janis
David & Neysa Jensen
Alex & Stephanie Johnson
Dana C. Kehr
Dirk & Patricia Kempthorne
Peter & Lisa Kierland
Joe Klobucher & Clarice
Hawley
Suzanne & Patrick Knibbe
Donald Knickrehm
Patrick & Julia Kole
John & Denise Kotek
Vicki Lord
Alexandra Manning
Beth & Mike Markley
Rhonda & Rob McCarvel
Bill & Beth McDonald
Kirk Miller &
Marci Price-Miller
Gregg & Trish Mizuta
Bruce & LeAnn Mohr
Chris & Lori Ode
Gwen Ohlson & Rob Dry
Nancy Papé
Terri Pickens Manweiler &
Mark Manweiler
Fred & Vicky Prouty
Bruce Robbins & Maggie
Chase
Nichole & Paul Santarone
Barb Scott
John & Deb Sloan
Dorothy Ann Snowball
John & Linda Stedman
Jim & Jan Steele
Kathy Stevens
Kathleen Sutherland &
Phil Masser
Bob Taylor & Jeff Herrmann
Templeton Real Estate
Group
2016 Annual Giving
Jim & Sally Tibbs
Katie Truscott Dow &
Colin Dow
Renee & Peter Vomocil
Bill & Barb Watkins
Michael & Cathy Whitlock
Eric & Brandy Wilson
Partner
$250–$499
Jan M. Alden
Wendy Alexander & Judy
Anderson
Jeanne M. Allen
Rob & Terry Anderson
Anonymous
John Barnet & Jeannette
Bowman
Adie Barton
Craig & Carolyn Beaver
Bob & Marcia Beckwith
Bianca Beeks
Joe & Janet Bejsovec
Stephanie Bender-Kitz &
Kevin Kitz
Mary & Rod Berkshire
F. Gregory Betts, Jr.
Ann & Ron Blanton
Sky Blue & Janat O’Donnell
Rocky & Mary Bogert
Kelly & Eric Bond
Wayne & Janic Booe
Mike & Joan Boren
Laura & Michael Boulton
Susan Lawrence & Bill
Bowes
Jerry Brady
John & Sherry Burke
David & Yvette Butuk
David & Cynthia Campbell
Patti & Mel Campbell
Canaday/Durkin Family
Ann Carlson
Dick Carrow
Scott & Helen Carter
Michael & Jennifer Chanley
Bruce Cherny & Rebecca
Wood
Children’s Charities of
Idaho in the Idaho
Jeremy Chou
James Cobb & Barbara
Rietkerk-Cobb
Ronald & Julene Coston
Mike & Beth Creamer
Viki & Tom Dater
Belinda & Jim Davis
Carol S. Delaney
Marion Demer
Lisa Derig
Susan & Scott DeSeelhorst
Dustin Dlouhy
Keith & Linda Dunning
Hal & Jacque Eastman
Charles & Carolyn Eiriksson
Ann & Jeff Erwin
Glenda & Jon Eubanks
Darlene & William Felix
Mel Fisher
Lori & Timothy Fleming
Flying M Coffee Garage
Tom Ford
Frank & Dorothy Peavey
Memorial Fund in the
Idaho Community
Foundation
Phil & Lida Fry
Tim Furness & Susan
Reuling Furness
Mary Gage
Drs. Michelle & Jim Gardner
Loma Garman & Beverly
Barker
Becky Gibson
Michael Gibson
Anne Glass
Stacy & Larry Gray
Warren & Jean Greaves
Janine & Tom Greene
Chuck Gregg & Susan
Denissen
Ben & Laura Groce
Mike & Jane Groff
Raquel & Kjeld Guglielmetti
Alexis & Adam Guyton
Michelle & Terry Hales
Bev Halling
Katie & Wayne Hammon
Pauline & Leo Harf
Todd & Leann Hemphill
Earl & Karen Hinrichs
Ron & Karen Hodge
Rick & Jeanie Hoover
Sharon Hubler
Michael Hummel &
Suzanne Boyle
Theresa L. Hyndman
Idaho Women’s Charitable
Foundation
Ann James
Paul & Lisa Jeran
Sharon Job
Amy & Mark Jones
Linda & Steve Kahn
Roy & Chris Kapicka
Ruth Keeth
Ron & Linda Kerr
Bart & Linda Kline
Emily Klossner
Steve & Ann Koga
Jane & Lee Kornfield
Kushlan & Associates
Roy & Carla Kyle
Patti & Dave Lachiondo
Gayle Lamoreaux
Gary Sauriol & Helen Law
Elaine & Franklin Lee
Halena & Andy Lermer
Nancy & Dave Leroy
Meghan Levi & Christian
Wuthrich
Suzanne & Rick Lierz
John R. Lightner
Patrick & Cecile Lind
James & Elaine Long
Chris & Kerry Marshall
Sandy & Alan Massey
Emerson & JoAnn Maxson
Mary McCain
Molly Mettler & Don
Kemper
Chris & Karen Meyer
Ed Miller & Teri Stein
Patrick & Chris Miller
Thomas & Diana Minyard
Barbara & Clayton Morgan
Andy Mork & Kathleen Carr
Stan & Diane Moss
Mullens Family
Susan H. Munson
Dave & Kerrie Murray
Daniel & Stacie Neely
Wayne & Jeanne Newbill
Bruce & Julie Newcomb
Chelle & Erik Nystrom
Jack O’Brien
Kate O’Neall & Scott
Erskine
Peter & Barrie O’Neill
Chris Oswald
Sue & Gary Payne
Michael Peck
Laura Perrotta-Ford &
Donald Ford
Barbara D. Peterson
Len & Brit Peterson
Russ & Christine Peterson
Christian Petrich & Susan
Gelletly
Chris Pierce
Tom & Lori Pintar
Steven & Pettra Pollack
Elizabeth Pursley
Christine & Ben Quintana
R & R Hardwood Floors
Eric Rabbanian
Daniel & Kelly Reed
Peter & Marjorie Reedy
Bill & Gwyn Reid
Coco & Bo Relf
Bob & Penny Rice
Nancy & Will Rice
Bill & Judy Richardson
Tom Roush & Cheryl Little
Cheri Ruch & Mark Yasuda
Charles & Sally Ruch
Jim & Terry Rudolph
Paul & Roberta Saccoman
Tom & Sue Saldin
Keith & Lynn Sander
Roy & Sue Schiele
Eva Schlosser
Stella & Jim Schneider
Connie & Jerry Schroeder
Mikaela Sebree & Todd
Lavoie
page 77
2016 Annual Giving
Rick & Theresa Shackelford
Gaye & Donald Shaff
Brian & Bobbie Shea
Jeff & Ann Shneider
Randy & Margit Shultz
Rick & Carole Skinner
C. Scott Smith & Cathy
Sandstrom
Linda Payne Smith & Jeff
Smith
Stan & Mary Smith
Karen L. Solomon
Caile E. Spear & Glen E.
Walker
Pam & Andrew Spencer
Gregg Servheen & Alison
Squier
Jeri St. Clair
Sally Staley & Keith Keller
Ray & Linda Stark
Kevin & Pam Storms
Chris Streeter
Clive & Martha Strong
Joan E. Sullivan
Via Surmelis
Nick & Dani Sutton
Flinda & Joe Terteling
David Thomas & Mary
Watson
Clio & Richard Thorpe
Richard & Patty Toney
Judy & Ed Torgerson
Charlotte Unger
Scott & Tammy
Van De Graaff
Bret & Kristi Vaterlaus
John & Becky Verity
Becky & Dan Vestal
Jesse & Harriet Walters
Janine M. Watkins
Sara M. Webster &
Charles S. Pohl
James Weig
Pat Wilcomb
Rachel & Stephen Wile
Joseph H. Williams, MD
Lyn & Roy Williams
Barbara L. Wilson
Tom & Alberta Woodall
Amy & Rod Wray
Eva Gay Yost
Advocate
$100–$249
Sharon & Dennis
Abramsohn
Steve & Pam Ahrens
Virginia Ahrens
Jim & Marilyn Allen
Dianne & Robert Anderson
Anonymous
Mickey & Bob Angell
Walt Appel
page 78
Karen Arnold
Janet Atkinson &
Patrick Flaherty
Mike & Chris Atwood
Shelley & RC Axtell
Dayo, Donna, & Jenneth
Monilola Ayodele
Lori & David Backer
Eva & Steven Barnes
Cathy Barney
Cherie Barton
Paul & Carol Bearce
Scott Beechie & Susan
McGlynn
Cheryl Bell
Kathleen Bell
Julia & Tom Bennett
Cindy & Don Benson
Stephen Berenter
Sara & Rob Berry
Steve & Darcie Birch
Michael & Sharon Bixby
Patty Blaine
Gary & Dawneen Blakeslee
Rick Blanton
Sylvia Boice
Daniel Bonaminio
Clair Bowman
Regina Bowman
Kathy Brady
Vernon & Anita Brewer
Alan & Linda Brinton
Becky & Clint Broadbent
Rusty E. Broughton
Stephen Mitchell Brown
Teresa Browne
Rich, Gina, Eric, &
Annie Bruner
Jane Buch
Don & Vicki Burwell
Amy & David Byrd
Bob & Diana Caldwell
Jim & Bonnie Calkins
Mary Callan & Richard
Johnson
Donald & Darlene Carlock
Vince & Heather Carlson
Jill Carroll
Loren & Lorel Case
Russell & Ginny Centanni
Vickie Chaney
Anne Church
Meredith Clark
Paul & Margaret Clark
Monica & Roger Cockerille
Michael Cohen & Cynthia
Mueller
Connie L. Collins
Holly & Jacob Connley
Robin & Bill Connor
Bill & Anne Connors
Meghan & Greg Conrad
Wendy & Charles Corbett
Joanne & Jim Cornwell
Christine & Ross Corthell
David & Connie Cotner
Teri Cottingham &
Henry Thompson
Susan Courtial
Suzie & Ray Creager
Kelly & Sean Cross
Lisa & Joe Crowley
Gregory & Paula Culet
Don & Susan Curtis
Terry & Linda Curtis
Ivan & Jane Custer
Karen & Murray Daley
Jenny Peterson & Nate
Dallolio
Joe & Sue Daly
Deb Davis & Dennis
Edwards
Brent & Janet Davis
Janic Davis
Barbara & Gary Dawson
Lois Dawson
Karin DeBenedetti
Anne DeBord
Patti & Don Deters
Dianne Dimick
Rex & Marilyn Dorman
Dennis & Bev Downs
Dennis & Leanne Downs
Margaret Droulard
Denis & Patricia Dunlop
Fiona Durcan
Chris Dyer
Jim & Judith Dzur
Marilyn & David Eagleton
Susan & Bill Eastlake
Steve & Judy Eaton
Paige & DJ Ecklebarger
Stephanie Elg
Ross & Suzanne Ely
Rod & Janet Endow
Dave Epley
Maria & Barry Eschen
Maria & Don Essig
Sandra Evans
Rebecca & James Fa’astau
Jocelyn Fannin
Jeff Fereday & Kay Hummel
Richard & Deborah
Ferguson
Yvonne S. Ferrell
Debbie & Jerry Flandro
Jim & Kit Fogel
Chandra & Jim Ford
Al Foy
Sylissa Franklin
Linn French & Krista
Broderick French
Nancy & Bill Freutel
Brent & Nancy Fricke
Furniture Medic by Tony
Janet Gallimore & Bill
Barron
Sara & Ron Gambassi
Forrest K. Geerken
Roger & Rhoda Gerrard
Dennis Gibala
Laura & John Gibson
Gilbert & Dolores Gillette
Kathleen & Terry Gilton
Neil Gleichman
Vicky W. Godfrey
W. Mark Roberts & Jennifer
G. Gotto
Bob & Kay Goyden
Green Leaf Garment
Care LLC
Tim & Jennifer Green
Caroline Grey & Kelley
Bellard
Rob & Becky Grover
Bob & Chris Grund
James & Vicki Grunow
Shelly Halling
Mark & Sharon Halvorsen
Greg & Claudia Hambacker
Sherry & Ernest Hamilton
Diana & Dave Hand
Katherine Hansen
Orval & June Hansen
Craig & Heather Harradine
Sharon Harrigfeld
Jeffrey C Hawkins
Robert E. Hay
Tom & Martha Hays
Betty & Dennis Hayzlett
Tom & Alice Hennessey
Dan Herrig & Jeri Wood
David & Mary Jane Hill
Sandra Hill
Sarah Scott & Kenley
Hinrichs
Peter & Peggy Hirschburg
Jackie Holland, Center for
Spiritual Living
Robina Holmes & Brent
Kidder
Brian Honan
Ray & Eileen Hoobing
Kathy Horton
Azam & Arthur Houle
Doug Houston & Nancy
Taylor
Kenneth Howell & Anne
Wescott
Ellen Hunter & Richard
Rainey
Deanna Immel &
Tom Harned
Tom & Deborah Jans
Ed Jenkins
Shaun & Jessica Jensen
Jan & Peter Johns
Daniel & Carmelyn Johnson
David & Connie Jones
Jim & Kelly Jones
Karen & Gordon Jones
Bill & Bobbi Jones
Rick & Rinda Just
Bryant Kealey
Peter & Judith Keim
Barbara & Otis Kenny
William & Marion Kettering
Gail Kirkpatrick
James & Kinne Kirschbaum
Vivian Klein
Randy & Julie Knutson
Shannon Koeplin
Deena & Larry Kolb
John Kubisiak & Carrie Wiss
Kim & Tracy Lafferty
Dean & Summer Larson
Mike Larson & Terri Muse
Dawn & Perry Lea
Richard & Margaret Leahy
Bridget Leo & Drew
Graham
Richard & Yvonne C. Lierz
Carole & Jim Linhart
Bruce & Jean Livingston
Jean Lockhart
Judith & David Lombardi
Chris & Carey Lombardo
Carol & Wayne Long
Gregg & Debbie Long
Chris & Carla Lowe
Marie Lowery
Marti Lunn
Cindy & Lou Lunte
Kristina Lysne
Joel & Gwen Lytle
Kimberly & Kevin Maloney
Diane K. Manweiler
Randy & Cheryl Marshall
John Mayberry
Craig & Shirley McCarter
Jana & Tim McCarthy
Sally & Ken McClure
Sabra & Tom McCreedy
Jerry & Holly McDaniel
Patrick & Vicki McGrane
Virginia McKelvey
Brian & Marsha McKinley
Lauren & Scott McLean
Annie McLeod
Mike, Theresa, Michael &
Annie McLeod
John Freeman & Patricia
McRae
John & Jacque McVey
Janet Meeks
Jim & Kathy Mertz
Chuck Middleton
Pat & Chris Miller
Bill & MaryLou Molitor
Morrison Knudsen
Foundation
Robert & Catherine Mueller
Betty Munis
Jack Myers & Tracy Andrus
Diane & David Myklegard
Peggy Nagy
Eric & Leia Neely
Chazz & Helen Neher;
Bob Miller & Kathy
Klokke
Deb Nelson & Keith
Donahue
Victoria L. Nelson
Bob & Lindy Neufield
Scott & Debbie New
Toni & Garth Newman
John & Katherine Nice
Laird & Kathleen Noh
Tyler & Tawnya Nyman
Peter Oberlindacher &
Sally Goodell
Rick & Lisa Ogle
Richard & Patti O’Hara
Less Pack
Susan Paduano
Sharon Page
Del & Glenna Parkinson
Judy & Herb Patriarche
Pete Peterson
Pam & Phil Peterson
Cindy & Rick Polenske
Carmelita Pope
Dan Popkey
Bob Pownall
Kris Query
Heidi G. Read
Charles & Mary H. Reed
Bruce Reeder & Dana
Heath
Jack Relf & Hannah
Dunlop Relf
Brent & Lorraine Reiley
Tom & Rosemary Reinhardt
James & Judith Reppell
Julie Ribbens
Fred & Sandy Rice
Robert & Sally Richards
Nancy Richardson
Jim & Mary Rickerd
Ron Roberts
Julie Robinson & Peter
Kozisek
Mary & Michael Rodgers
Claire A. Rodkey
Joseph & Rita Rodriguez
Amy & Mike Roe
Annie Roeser
Kathleen Roma & Adrian
Richey
David & Helen Root
Janine Rush-Byers &
Erik Byers
Uwe & Karen Ruttke
Laurie & Joe Ryan
Tom & Susan Ryder
The Saathoff Family
Kyle Safely
Judith & Dennis Samer
Kristine Sanda
Laurel & Jeff Sayer
Becky & Bruce Schrepple
Vickie & Bob Schuler
David Scott
John Scott
Derik Scudder
Jeff Seabourn & Shawn
Del Ysursa
Pennie & Greg Seibert
Tuckie Shaver & Jeannette
Burford
John & Brenda Shaw
Ilene Shell & Charles
Herrington
Susan & David Shuff
Michelle Shultz
Laura Simic
Margot Simons
Janet & Larry Sims
Alan & Margaret Skille
Joseph & Stephanie
Slawson
Christine E. Smith
Hunter Smith & Jamie
Caplan Smith
Ken Smith & Cindy Finch
Wally & Mary Clagett Smith
Michael & Pamela Smith
Monie Smith & Michael
Johnson
Jim Soran
Dianne Soule & Peter
Anderson
David Spurling & Maggie
Frole Spurling
Michael & Sarah Sredzinski
Dick & Ruby Stauber
Rich Steckler
Frank & Lisa Stein
Dan & Paula Stern
Mark Stewart & Margaret
Macdonald Stewart
Bette & Bruce Storey
Nancy J. Stouffer
Russell Strong
Kathryn Supko
Jack Swaim & Beth Landis
Sarah & Nate Swanson
Frances E. Symms
Aaron & Rhonda Thain
Pamela & Brian Thomas
Jim & Karin Thompson
Joanne Thompson & Gary
Bermensolo
Ken & Sylvia Thornberg
Jim & Shirley Throop
Shirley & James Tierney
Robert & Kimberly Tilley
Jennifer & Dan Tillis
Robert T. Titlow
Missy & Dan Tucker
Artylee Turnbull
Shelly & Scott Tutt
Robert & Sally Unrau
Fred & Sue Uranga
Eloise Van Slyke & Paula
Williams
Nancy Vannorsdel
Robert Vestal & Jyl Hoyt
Glenda Viste
Molly Waddell
Lisa & Chris Waldram
Patricia Waller
Charles & Margo Walter
2016 Annual Giving
Dana Wardein
Ron & Pat Ware
Drs. James & Pamela Wear
Kandy Weaver
Theresa Weiland
Jim & Stephanie Werntz
Coralie Weston
Cheryl Whiteside
Harold & Deborah Wiking
Susan Wildwood
Kelly McConnell & Aaron
Willey
Lynne & Richard
Willoughby
Hal & Lois Wisner
James Wolf & Dinu Mistry
Craig & Karrie Wood
Mary Lee Wood
Dennis & Ann Woody
Kathy Yi
Nancy & Mike Youngblood
Susan Langley & Mark
Zimmerer
William & Shannon
Zuercher
Cynthia Tank & Michael
Zuzel
Supporter
Up to $99
Kirstin Abersold
Dana & Scott Ahlstrom
Richard & Isabel Aiani
Albertsons Boise Open
Mr & Mrs Stuart Allbaugh
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Amazon Smile Foundation
Nick Anderson
Anonymous
Joan & Kevin Ankrom
Cecilia Awusie
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Betsy & Art Ayers
Holly & Fred Badke
Melanie & Chris Baird
Lurleen Bakes
John Ball & Marlene Berg
Kathy Ball
Kevin & Angela Banning
Sarah & Jim Barker
Darlyene Barr
J.R. & Christine Bartolino
Pedar Benson Bate
Sarah Battersby
Christine Bauer
John Beecham & Christine
Isaacs
Sally & Ken Benson
Laura Welsh Berg &
Lynn Berg
Steven & Gerre Berg
Barbara Bergan
Louise Berlin
Sheryl Bishop & Brian
Montgomery
Cassandra Bissell
Jayne Black
Jacquelyn & Ian Blackstone
Boise Radiology Group,
PLLC
Susan Bolen
Kathy & Gary Bowles
Christal Boyce
Lynn Bradescu
Bridgett & Loren Brest
Nancy Briggs
Rob & Lorrie Brooks
Kay Lynn & Damon Brown
Sheila Brown
Chip & Brandi Browndyke
Jerry Browning
Fred & Effie Mae Buckley
Aaron & Shanna Burdin
Christen & Tammi Burdin
Jessica Burke
Jacquelyn & Bob Burns
Debbie & Stan Burton
Bob & Sandy Butler
Josh Butler & Waheeda
Talib
Ivan & Marge Butterfield
Stacy & Matt Cable
Jim & Lynda Cambron
Alex Cameron & Colleen
Dibble
Anita Campbell
Julia M. Cannon
Lt Col S K Carnie & Kellie
Cosho
Charlotte & Jim Carpenter
Petra Cervino
Julie Chabot
Michael Chacon
Donald & Kathy Chambers
Beverly Chipman
Fred & Dottie Christensen
Marie & Andrew Chroninger
Cheryl & David Churchill
Jacqueline Clark
Jeremy & Jenny Clark
Lindsay Clarke
Lonnie & Marlene Clarkson
Michael Clayville
Elaine & Brent Clegg
Kara & James Clippard
Patricia & Jack Coe
Gail & Ron Kaz
Mark & Claire Connley
Tracy Cook
Barbara & Charles Corwin
Alexander Couey
Ernie & Lois Covelli
Obed & Doris Cramer
John Crandall & Patricia
Gribben
Richard & Glenna
Crawforth
Leslie Crist
Lynn & Les Curvey
Sharon Cuslidge
Ed Cutter
Michelle Dailey
Sally Daniel
Aled Davies
Lynne & Spence Davies
Wayne & Vicky Davis
Rebecca & Patrick Delana
Laura & Bruce DeLaney
Janet Dickey
Noelle Diederich
Nancy & Gene Dillner
Greg & Cheryle Dismuke
Diane Dixon
Patricia Dock
Karen & Riley Dolin
Stacy & Jason Doran
Scott Downey
Ellen Dunlap
Amy & Juan Carlos Duque
April & Darrell Eastburn
Edie Easterbrook
Cheryl Edson
Angela & Chris Edwards
Mary & William Edwards
Arline Egbert
R.V. Ehrmantraut
Phyllis & Jim Eicher
Mary Ersland
Rory & George Farrow
Treven Farrow
Sharon Feeley
Christine Fiechter
Michael Fillmore
Robert & Wanda Firman
Steve & Sara Fish
Kathryn Fisher
Barry & Jeanne Fitzgerald
Tawny & William Flanders
Amber Ford
Cathy Ford
Kristina Frandson
Toshi Franklin
Robert & Polly Franz
Fred Meyer
John & Maxine Freeman
James Frohock
Gloria & Carl Geleynse
Karen & Joe Getusky
Susan & Paul Gibson
Jill Giese
Ruth & Keith Gilmore
Frank & Maria Goldowski
Peter Goodwin
Dee Gore & Richard
Peterson
Roger & Linda Graefe
Dodie & Steve Gray
Great Lakes Theater
Nicola & Brian Griebe
Jeanette M. Griggs
Shelly Haase
Rosie & Rick Hale
page 79
2016 Annual Giving
Betsy & Kirk Hall
Cyndi Hall
Teresa Halverson
E. Kay Hamilton
Linda Hardee
Rebecca Harris
Lynne & Jim Hay
Marilee & Tom Haynes
Patricia Hazard & Jon
Brown
Sharon Headrick
Pete & Vicki Helming
Kevin Hench
Ed & Arlene Hester
Bradley & Nicky Hester
Joel & Marianne Hickman
Stephani & Paul Hilding
Deborah & Scott Hoopes
Rob & Jackie Hopper
Alene Hortin
Phylllis-Jean Horton
Joe Howard & Teri Powell
Bill & Barbara Huck
Carol & Darrell Humphrey
Colleen Hunt
Guy & Linda Hurlbutt
IBM Corporation
Idaho Health Care
Association
Bradley & Margaret Isner
Randal K. James
Jill Shelton Wagers, DDS
Beverly Johnson
Evelyn & Andrew Johnson
Margaret & Robert Johnson
Traci & Gary Johnson
Dan & Jennifer Jones
Kim & Ted Jordan
Kris Joseph
Joanna & Wes Jost
Janice Justice
Mark & Lisa Kaye
Martha & Ed Keener
Truman & Jeanne Keith
Lois Keller
Joan & Lucky Kelley
Bruce Ballenger & Karen
Kelley
page 80
Jennifer Kent
Carolyn Kiefer
Arthur Kilton
Mary Lou & Dick Kinney
Tim Kinzel
Richard & Claudia Kloss
Kathleen Knopoff
David Knotts & Stephanie
Powell
Russ & Rejane Kocemba
Mike & Mary Lou Koesch
Carolyn & Peter Kolb
Cheryl Kreiling
Jane & Paul Krumm
Kristi Kunzer & Ben
Thomas
Olga Laird
Karen Lansing
Cathie Larribeau
Carolyn & Todd Larson
Vivki Layton
Molly & Ann Leadbetter
Lois Lenzi
Roni Leuck
Janet Littley
Bill & Jane Lloyd
Mike & Stephanie London
Gail Loughmiller
Ron & Lorna Lowe
Michael & Robin Lydon
Shirley Lytle
Susan MacDonald
Bruce & Laura MacEwan
Leigh & Jeff Manser
Judy Marlow
Judy Marshall Collins
Mary Ann & Neal Martini
Kim & Harry Martz
Dolores Marx
Heather Mason
Kelley & Chris Mata
Dennis & Linda McAvoy
Louise & Richard McCrea
Carol McDonald
Kathleen McGowan &
Eric Wallace
Kevin McGowan
Vicky McIntyre & Janet
Dickey
Corrine McKauge
Mebane Famliy
Susan Meloy
Richard & Karen Menz
Megan Merhar
Debbie Merritt
Russ & Tanya Meyer
Chuck Middleton
Vikki Miller
Rebecca Mills & Jeff Kuhns
Jo Anne Minnick
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Dale & Barbara Miracle
Kimberley Mitchell
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Christina Echevarria
Modern Woodman
Susan Mommsen
Alison Monasterio
Dan Monasterio & Eric
Jones
Steve & Carrie Moore
Renee & Jeff Munn
Valerie Murray
Chris Nelson Family
Katie & Andrew Nelson
Marcia Nelson
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Rick & Charlotte Nielsen
Stacey & Brian Nolan
Ann & Dave Norris
Tracey Ode
Dana Oland
Peter Morrill & Linda Olson
One4all Charitable Fund
Luanne & Gregg Ostrow
Judy Ouderkirk
Laura Outlaw
Steve Page
Phil Palumbo
Carolyn & Jerald Panko
Carolyn Park
Patty Parsons
Rose Marie Parsons
Liz Paul
Margaret Paxton
Paypal Giving Fund
Patti Perkins
Erin & Darron Peterson
Gene & Rita Peterson
Rick & Lisa Peterson
Robin Peterson
Cheryl Phillips
William & Ruth Piispanen
Susan Pliler
Lorraine & David Poor
Tony Pori
Barbara & Dave Porter
Tim Powell
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Marcie Rae
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Soeurette Chambreau
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Sesek
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Sehara
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James Stead
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Carlson
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Sandy Gardner
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Barnes
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Thomas Walton
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David Wasilko
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Waterman
Martha Wharry Turner &
Randy Turner
Barbara Weber
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David Wells
Dan Wertz
Ellen Weygint
Vicki White
Carole Whiteleather
Kathi Wight
Teri & Dean Williams
Wayne & Diane Wimer
Catherine & Aaron Wingert
Betsy Wiss
Becky Wolery
Russ Wolff/Jerry Woodward
Katina Wood
Ginger Wright
Heather Wright & Daphne
Tracy
Marjorie Wylie
Rita Ann Ybarguen & Bob
Ward
Trudy Yowell
Zelham Inc.
Pete & Julie Hall Zimowsky
Charitable Giving, Payroll Deductions
and Matching-Gift Programs
Charitable Giving, Payroll Deductions and
Matching Gift Programs
Apple Matching Gifts Program
Applied Materials
Bank of America Foundation
D.A. Davidson & Co.
Daiichi Sankyo
HP Company Foundation
IBM Corporation
Idaho Women’s Charitable Foundation
KeyBank of Idaho
Microsoft Matching Gifts Program
Morrison Knudsen Foundation
UBS Financial Services
United Way of Treasure Valley:
Department of Commerce
Idaho Industrial Commission
Department of Administration
Vanguard Group Foundation
The Foundation for
the Idaho Shakespeare
Festival
1916 2016
Celebrating
100
years
of reliable,
fair-priced service.
Visit our website for
a decade-by-decade
account of defining
moments in our
history and to follow
our traveling exhibit.
The Foundation for the Idaho
Shakespeare Festival was
established in 2002, as a
separately governed entity.
It provides structure and
oversight for planned gifts
and bequests to the Festival
through the form of an
endowment.
Is there room for Will in your
will? Please take a moment to
think about including Idaho
Shakespeare Festival in your
plans for the future. A bequest
would ensure that your support
continues as a legacy within the
community. The Foundation is
a vehicle for such gifts as life
insurance policies, charitable gift
annuities, remainder trusts and
others. Consult your attorney or
tax accountant for details.
For additional information
or for questions about the
Foundation, please contact
Mark Hofflund at
(208) 429-9908 ext. 202.
idahopower.com/100years
page 81
ANNOUNCING THE 2016–2017 SEASON
June 14 – 25, 2017
November 29 – December 3, 2016
RODGERS + HAMMERSTEIN’S
Jan. 20 & 21, 2017
March 4 & 5, 2017
May 5 & 6, 2017
SEASON +ADD-ONS
A NON-PROFIT PURVEYOR
OF ARTISTIC DELIGHTS
ARTIST-IN-RESIDENCE PROGRAM
SUPPORT FOR LOCAL ARTISTS
ART EXHIBITS, WORKSHOPS,
PERFORMANCES, ART TALKS,
READINGS, AND SURPRISES.
Cirque Dreams Holidaze & The Irish Rovers
Season Tickets available by calling 208.426.1111
or at the Morrison Center Box Office.
For more information visit www.MorrisonCenter.com
212 E 33RD ST | GARDEN CITY
SURELSPLACE.ORG
page 82
EXECUTIVE
MBA PROGRAM
Earn Your MBA
while working full time
meeting once a month
in only 19 months
Find out more online at
EMBA.BOISESTATE.EDU
208.426.4034
emba@boisestate.edu
Congratulations
on
40 Years
of Magic,
Drama &
Passion!
page 83
2016 Shakespeare Society
An Extraordinary Membership Opportunity
The Shakespeare Society is a group of patrons who support the Idaho Shakespeare Festival. Their purpose is to increase knowledge
of and support for the Festival, theater arts in Idaho and, specifically, the works of William Shakespeare.
Activities within the Shakespeare Society include:
• Social and informational events
• Educational and artistic programs
• Travel to enjoy the work of other theaters
• Support of scholarships and opportunities for young professional artists
• Support of special needs and opportunities for the Festival’s administration
Participation in the Society is voluntary for all Festival Members in the Producer level and above. We extend our sincere gratitude to:
Marti & Bill Agler
Rhea & Drew Allen
Suzanne Allen
Gary & Liz Allen
Candice & Randy Allphin
Debra Alsaker-Burke &
Christopher Burke
Bill & Christine Avey
Vernon & Jo Banks
Eileen Barber
Cindy Bateman
Tom Beitia
John & Barbara Bender
Mike & Pam Bessent
Kristin & Eric Bjorkman
Darren Board
Hollis Brookover & Milt Gillespie
James E. & Mary Fran Brown
Russell & Janet Buschert
Linda Byron & Brian Murphy
Steven & Connie Cady
Jan & Clay Carley
Douglas & Meredith Carnahan
Shavonna Case & Dave Armga
Steven L. Champion
Kevin & Cheri Chase
Chris Davidson & Sharon Christoph
Hillary A. Dixon & Josh Aller
Linda & Tom Dixon
Katie Truscott Dow & Colin Dow
Mark Durcan & Shelly Bedke
James & Susan Durst
Kerry & Bert Ellis
Lidia & Charles Fee
Brent & Sandra Fery
John B. & Delores C. Fery
Stefanie Fry
Ric & Kathy Gale
Sondra & Richard Hackborn
Richard & Tonya Hall
Stanley Hall & Elizabeth Olberding
Jeff & Laurie Hancock
Debra & Stephen Hanks
George & Bev Harad
Molly & Rick Harder
Patricia Harder
Robert & Anne Hay
Sus Helpenstell
Marjorie & Bob Hopkins
Andrew Huang & Jennifer Dickey
Jeff Jackson
Johanna Jensen
Raliegh & Linda Wright Jensen Lynn & Jim Johnston
Sondra & George H. Juetten
Gregory Kaslo & Anita Kay Hardy
Cyndi Friend Kay & Douglas Kay
Tom & Joy Kealey
Dana Kehr
Bill & Celeste Keller
David & Susan Kim
John & Lois Kloss
Vicki Kreimeyer
Bob & Kathy Kustra
Peter & Becky Langhus
Cheryl & Bruce Larabee
Cecelia & Don Lojek
Josh & Margene Lunn
James & Tracy Mace
Mark & Nancy Mallory
David & Anne Martin
Don & Diane Masterson
Susan May & Andrew Owczarek
Robert McAndrew & Gwynne
McElhinney
Yvonne McCoy & Garry Wenske
Mike & Theresa McLeod
Pat & Lisa McMurray
Mark & Jody Meier
Shakespeare
Society
The Society is a devoted group of patrons supporting the
Idaho Shakespeare Festival whose purpose is to increase
knowledge of and support for the Festival, for theater arts in
Idaho and, specifically, the works of William Shakespeare!
There are five fun, informal events in the summer where
Society members mix and mingle, enjoy mouth-watering
hors d’oeuvres by Lisa Peterson and an array of wine and
beer, and then gather for an engaging forum with
artistic director Charles Fee and key members of the company.
Each event is focused on one of the five plays in ISF’s current
season. These events provide a fascinating insider’s view into
the making of each play and the dedication that comes with
creating magical productions for the summer stage.
Please join this group of patrons whose invaluable support is
behind the success and gusto of every Festival show. FOR MORE INFORMATION, PLEASE CONTACT MARK HOFFLUND AT 208-429-9908 EXT 202
page 84
Karen Meyer & C.K. Haun
Nicholas G. Miller & Cathy R. Silak
Alan & Royanne Minskoff
Susan & John Moeller
Mary & Ernie Monroe
Robert & Mary Lee Morrell
Gavin & Sharon Morrison
Eric & Tobi Mott
Marjean Mueller
Wilhelm & Patricia Northrop
Anthony Olbrich & Nancy Napier
Karl Olson & Heather Hagen
Tom & Shirley O’Neil
Doug Oppenheimer
Skip & Esther Oppenheimer
Terry Papé
Charlie & Peggy Pegan
Rob & Maryann Perez
Kevin Peter & Lorraine Gross
Dixie Peterson
Jeannie Peterson
Russ Peterson
Scott & Karen Peterson
Steven Pline & Tony Paul
Alan & Sharon Post
Avery & Carolyn Pratt
Bonnie Quinn
Georgiann & Rich Raimondi
Nancy Richardson
Gene Ritti & Claire Dwyer
Charles & Dianne Robertson
Nick Roundtree & Will Heatter
Erin Rowe-Shilt & Jeff Shilt
Martie Rowen & Carl Henrikson
Peggy Ann Rupp
Linda Ruppel
Mike & Ann Sadler
Kâren Sander & Robert McKenzie
Lisa Scales & Robert Walther
Matthew Schwartz & Molly Mannschreck
Andrew & Elizabeth Scoggin
Laura & Alan Shealy
Esther Simplot
John & Carroll Sims
Walt & Kristin Sinclair
Jeffrey L. & Jo-Anne Smith
Tom & Carol Smith
Ken & Linda Somerville
Ted & Kathy Spangler
Jim & Jan Steele
Brandy Stemmler
Rob & Meghan Sterling
Jim & Zoe Strite
Calvin R. & Macey P. Swinson
Gregory Taylor
Greg & Marisela Therrien
Don & Carolyn Ticknor
Alexander & Nicole Toeldte
Steve & Carol Trott
Artylee Turnbull
Scott & Ann Tuthill
Joanne V. Uberuaga & Dr. Larry K. Zgonc
Jerry & Marcia Van Engen
Jena & Bill Vasconcellos
Kirby & Cheryl Vickers
Peter & Debbie Wachtell
Robert & Deborah Wetherell
Barbara & Keith Whisenhunt
Brandy & Eric Wilson
Ken Wilson & Cindy Baldwin
Jeff & Lynn Wood
W.L. & Virginia Woolley
The Perfect Evening
in Three Acts
P R IME STEAKS • FINE S EAFO O D
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208.383.4300
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page 85
2016 In-Kind Donors
We rely on so many generous individuals, businesses and service providers to make our work possible!
10 Barrell Brewing Co.
36th Street Garden Center & Bistro
94.9 The River
107.1 Khits
AAA Idaho
Adams Painting
ADP Employer Services
The Agency, Jane Perlaky
Alavita - an Italian Joint
Anniversary Inn
Anonymous
A’Tavola Gourmet Marketplace
and Café
Ballet Idaho
Barb Bergeson Studio Gallery
Bella Aquila
Best Western Vista Inn
Big City Coffee & Cafe
Bleubird
Bodovino
Bogus Basin Ski Resort
Boise Art Glass
Boise Art Museum
Boise Contemporary Theater
Boise Farmer’s Market
Boise Philharmonic Association
Athletic Office
Boise Weekly
The Book Group—
Books, Women, & Wine
Bronco Motors
Bond Hotel & Extended Stay
Brundage Mountain Resort
page 86
C/R Care for Trees
Café Olé
Ceramica
Chandi Lighting
Chandler’s Prime Steaks &
Fine Seafood
Chicago Connection
Cinder Winery
Cobby’s Sandwich Shop
The College of Idaho
Company of Fools
Cornwell Creative
Cottonwood Grille
Crane Creek Country Club
CSHQA Architects
Dawson Taylor Coffee
Discovery Center of Idaho
DKM Photography
Dowdy’s Automotive
Eagle Acupuncture
Edwards Greenhouse
Eide Bailly, LLC
Embrace Wellness—
Tammy Hadfield
Endurance Training and
Fitness Center
Esther Simplot
Performing Arts Academy
Eyes of the World Imports
Fine Kitchens and Baths
Fire Fusion Studio
Flowers at Will
Flying M Coffee Garage
Flying M Coffee House
Larry Flynn
Foerstel Design
Fork Restaurant
FrameWorks
Franz Witte Nursery
Fusions
Givens Pursley, LLC
Goody’s Soda Fountain &
Candy Store
The Grove Hotel
Hampton Inn & Suites—
Downtown Boise
Hotel 43
Idaho Botanical Gardens
Idaho Business Review
Idaho Conservation League
Idaho Council for the Deaf &
Hard of Hearing
Idaho Humane Society
Idaho Stampede
Idaho Statesman
Idaho Steelheads
In the Bag Promotions
Inn America
Janjou Patisserie
John Glenn Hall Co.
Jordan-Wilcomb Construction
Rinda & Rick Just
Judy Kane
KTVB Channel 7
The Lab
Lawn Co.
Lisa Peterson Gourmet
Lucky 13
Lucky Fins Seafood Grill
Mai Thai Restaurant
Memory Sisters
Micronet Systems
Mofid Clinic of Chiropractic
Hugh Mossman
Music Together of Treasure Valley
Olivin
O’Michael’s Pub & Grill
Opera Idaho
Ophidia Studio
Paragon Corporate Housing
Payette Brewing
PortaPros, LLC
Precision Pumping Systems
Pro Care Landscape Services
Proof Eyewear
ProTeam
PT 180 Clinic
Jon Rand
Red Feather Lounge
The Riverside Hotel
Roaring Springs Waterpark
Salmon Rapids Lodge
Senske Lawn & Tree Care
Kay Seurat
Shu’s Idaho Running Company
Snake River Winery
Davina & Steven Snow
Stone Point Consulting
Sun Valley Jazz & Music Festival
Janice Sullivan & Shortie
McDonough
Thumbtack Express
Trader Joes
Treasure Valley Institute for
Children’s Arts
Treasure Valley YMCA
Tri-State Beauty Supply
University Television Production at
Utah Shakespeare Festival
Velma V. Morrison Center for the
Performing Arts
Willow Glenn Landscaping
escape the everyday
Everyday Basics - Moderate Care
Extensive Care
♥
♥
♥
♥
♥
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♥
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Assistance with Daily Living
Transportation
Companionship
Post Surgery
Respite Care
Medication Reminders
Bathing Assistance
Dressing and Grooming
Transfer Assistance
Meal Preparation
Light Housekeeping
Alzheimer’s Supervision
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Dream Big
plan smart
Choosing the right direction takes
more than imagination. You need
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For businesses and individuals,
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Life insurance and annuities offered through United Heritage Life Insurance Company.
Property & Casualty Insurance offered through United Heritage Property & Casualty Company and
Sublimity Insurance Company. | United Heritage Fund in the Idaho Community Foundation.
page 87
INSPIRE
SP59644.INDD 1
page 88
4/6/16 10:00 AM
Bringing you
the arts
all year long.
Telling Idaho’s Stories
Memorable Jazz Right Here in Boise
BOISE JA ZZ
SOCIET Y
2016-2017 Season
Five Subscription Series Concerts • $186.50
The Sapphire Room at the Riverside Hotel
Open, Table and Concert Seating • No-Host Bar and Hors d’Oeuvres Available
Free Parking • Doors Open 6 pm • Concerts 7 pm • General Admission $45
All Artists Scheduled to Appear
Trio Da Paz
Infectious Brazilian Jazz!
September 25 & 26*, 2016
Jeff Hamilton Trio
The American Songbook
in Hamilton Time!
December 4 & 5*, 2016
CELEBRATING
10
Seasons
Rene Marie Quartet
Gerald Clayton Quartet
Authentic & Theatrical
Among Today’s Divas!
Making Old Standards
New Again!
February 24* & 25, 2017
April 30 & May 1*, 2017
Christian McBride Quartet
Four Time Grammy Winner!
June 14, 2017
Sponsored by the Barry B. Staum Boise Jazz Society Endowment
*Free Boise State University Department of Music Jazz Residency Events
The Boise Jazz Society is a Boise, Idaho ~ Boise State University
community-engagement partnership, supporting jazz performance,
jazz education, and the promotion of jazz as a living American art form.
For Online Memberships and Ticket Information:
www.boisejazzsociety.org
page 89
2016 Housing Thanks
Shakespeare’s Humble Hosts: Since the first season ISF has relied on the generous and big-hearted Boise community to
provide a summer home for each of our visiting artists. Their days are long and full as each actor, designer and technician works
tirelessly to bring us our beloved “Shakespeare Under the Stars.” We would like to take this moment to offer a hearty salute and
giant thank you to those “Humble Hosts” who have helped from the start. We would also like to dub them the Founding Members of
Shakespeare’s Humble Hosts. As the company has grown, we continue to rely most heavily on the Founders, but for various reasons
we also have come to rely on apartment rentals for many of our visiting artists. The apartment rentals are a big slice of our financial
pie each summer and we would like to invite you to thank the new Humble Hosts who stepped forward at our 2016 Fundraising Gala
to support apartment rentals. As the Humble Host Founders have shown time and again, a place to lay your head, dust off the cares of
the day and begin again fresh the next morn is absolutely crucial to each artist crafting our summer stage offerings. The Humble Host
Founders set a high standard for benevolence, opening their personal homes. While not everyone is able to open their homes, we
would like to give all an opportunity to be a Humble Host. Give $1000 and support one of our visiting artists for a month of that most
fundamental of daily cares—a place to rest and call “home.” That gift covers the apartment as well as the furnishings. ISF will then
on your behalf provide your name and a welcome package as they arrive to their new abode. If you would prefer, ISF will place a care
package of your crafting to welcome them home, the way only Boiseans do so well.
Many thanks and our heartfelt appreciation to the Humble Hosts who graciously contributed at our
2015 Gala toward housing costs:
Eileen Barber
Robert & Dixie Blome
Steve Champion
Kevin & Cheri Chase
Jason Crawforth
Bill & Leslie Drake
Hillary Dixon & Josh Aller
Kelli Fredback
Dave & Cece Gadda
Amy & Michael Gustavel
Tammy & Dalon Hadfield
Bev & George Harad
Pat Harder
Rick & Molly Harder
Kurt & Treacy Liebich
Susan May & Andrew Owczarek
Scott & Karen Peterson
Tim Pflugrath & Dixie Grant
Rich & Georgiann Raimondi
John & Carroll Sims
Many thanks and our heartfelt appreciation to the members of our community who are graciously
hosting our 2016 Company:
Brenda Adams
Dennis & Kirstin Ahern
Steve Alkire
Eileen Barber
John Barnet & Jeannette Bowman
Kealy Baughman & Mike Baughman
Bond Hotel and Extended Stay
Robin Bosworth
Kathie Brack
Carol Brassey & Steve Parry
Teressa Broderick
Ann Carlson
Barbara Cochrane
Diane Dorman & Issac Gayfield
Martha Emery
Alex Feldman
page 90
Dorothy Finaldi & Jim Traub
Sara Fry
Stefanie Fry
Dennis Gibala
Marcella Glass
Kimbal & Karen Gowland
Jacqueline Groves
Kristine Hamasaki
Lisa Hecht
Ruth & John Hicks
Hotel 43
Jeff Jackson
Gretchen and Norm Kolb
John Kruts
Josh & Margene Lunn
Chandra Lyles
Bill & Susan Mauk
Lauren & Scott McLean
Heather Meeks
Kim Metez & Daniel Felkins
Kay & John Nice
Molly O’Leary & Neil McFeeley
Andrea Oncken
Paragon Corporate Housing
ParkLane Management
Ann & Lars Sandven
Phyllis & David Saunders
Dorothy Snowball
Glen Walker & Caile Spear
Mary & Tim Wilcomb
Purchase a 16|17 season subscription and give the gift of a
free subscription to someone new. Visit BCTheater.org.
Home to Showcase
19 Minutes
I got the dreaded call from Hannah back on August 16th. "Where are you?"
I had overlooked my assignment to video record Showcase. I jumped out of my
chair and ran for the car. No shoes. No shirt. No kidding.
I hit all the lights green. I phoned ahead and asked for a t-shirt to meet me in
the parking lot. I pulled on the shirt, grabbed my camera and ran to set up.
I think I had 2 minutes to spare before the show began. 19 minutes. A record,
I'm sure.
John the Shakespeare Video Volunteer
John
The Shakespeare Video
Volunteer
(when he remembers)
page 91
“If music be the food of love, play on.” - Shakespeare
PROUD SEASON SPONSOR OF FAMILY NIGHT
page 92
2016 Greenshow Mini-Concerts
Classical Revolution: Boise
An alternative
to the concert
hall in which
classically
trained local
musicians
perform in
a relaxed
atmosphere
bringing classical music to the people of Boise. Founded in
2012, Classical Revolution: Boise has collaborated with many
Boise institutions, including the Boise Art Museum and Story
Story Night. Offering a wide range of musical styles, Classical
Revolution: Boise musicians are just as likely to be heard
performing with a symphony orchestra as they are at a coffee
shop or bar.
The Frim
Fram4
Boise’s Knights in White Jackets
and Cavaliers of Cool since 2001.
Specializing in music of the ’30s,
’40s and ’50s.
www.frimfram4.com.
Kevin Kirk & Onomatopoeia
is a daring ensemble exploring the musical frontiers where jazz,
classical, rock, Celtic, Brazilian and bluegrass genres converge;
exuberant compositions, direct and hope-filled. Their music
is unique, an energetic sound that explodes from the stage
inspiring listeners through
their critically acclaimed
5 CD recordings. Idaho
Public TV’s awardwinning production,
Onomatopoeia, Live in
Concert is aired regularly
throughout the USA
and internationally. NPR
listeners voted “Lord,
Have Mercy” #2 for All Songs Considered. “Some Assembly
Required” just missed a Grammy nomination. Their newest CD,
“What is the nature of your emergency?” was released last year.
The Boise Chordsmen
men’s chorus loves
to sing a cappella in the barbershop style. They are a chapter of
the Barbershop Harmony Society led by Director Rich Lapp, with
members who reside all over the valley. For the ISF mini concerts
they will feature delightful quartets. Barbershop harmony is a
style of unaccompanied singing with three voices harmonizing to
the melody. The Boise Chordsmen are members of the Barbershop
Harmony Society and are Division V champions in the Evergreen
District. They are dedicated to the promotion and development of
Barbershop singing by entertaining people of all ages throughout
the community.
Edmond Dantes
In addition to being one of the
greatest characters in literary history—is a music project started
by music teachers Andrew Stensaas and Ryan Peck in 2012.
Edmond Dantes has
released two EPs: Etta
(2013) and Juno (2014)
and one full-length: 6:13—
Soundtrack to Almosting
It (2015). Edmond Dantes
have had songs place in a
multitude of commercial
projects. In the summer of
2015 Edmond Dantes was featured as the entire soundtrack of the
motion picture Almosting It—a movie featuring Lee Majors (The
Fall Guy, Six Million Dollar Man), Terry Keiser (Weekend at Bernie’s)
and Jane Merrow (The Lion in Winter). The focus is melody, hooks
and, hopefully, hitting that intangible pleasure center that exists
in the realm of pop. Throw some old Motown, some eighties synth
pop and a few dashes of Blue Eyed Soul in a bowl and you’ll
have a good approximation of Edmond Dantes’ sonic cookies.
www.edmonddantesband.bandcamp.com
Please visit the calendar at www.idahoshakespeare.org to see
what bands are playing each evening by clicking on the play title.
page 93
2016 In Memory and In Honor
Idaho Shakespeare Festival is honored to acknowledge gifts received this year.
In Memory of
Horace P. Axtell
Kyle Jean Baptiste
Christine Lynn Bauer
Brian Bedford
Linda Eustice Berg
Mr & Mrs Stuart Allbaugh
Michelle Dailey
Mary & William Edwards
Great Lakes Theater
Beverly Johnson
Jeannie Peterson
Dinah & Glen Safford
Sally Staley & Keith Keller
Carol & Brennen Stollfus
Bob Taylor & Jeff Herrmann
Gregory Taylor
Nancy & Boyd Warren
Kenneth & Paula Weitemier
Laurie Birmingham
Bernadette C. Bonaminio
Walter W. Candy III
D.C. Carr
Barbara Jean Craig
Herbert Lee Criner
Michael J. Davis
page 94
Thomas “DeLo” Delorenzo
Ward Eugene Dickey
Larry Drake
Patty Duke
Wilma J. “Dody” Edwards
Jacqueline Joan Fretwell
Sue M. Galligan
Martha & Ed Keener
Frank D. Gilroy
Alvin David Greenberg
Kathleen “Kitty” Gurnsey
Jacquelin Nelson Harrigfeld
Robert Lee Hendren
Robert B. Hodge
Glenn R. Hoffman
James Paul Holden
Ken Howard
Willis Lester Hubler, M.D.
Naida Jean Marker
Debbie Simplot McDonald
Anne Meara
Merrell Noden
Richard “Pag” Pagoaga
William Parry
Gerald Dale Patterson
Danny Peterson
Jeannie Peterson
Pat Plumtree
Lois Lenzi
Barbara Creasy Polly
Kenneth Lloyd Pursley
Dennis Joseph O’Keefe
Kenneth Reiman
Gene Saks
Gunther Schuller
Cheryl Kae Shurtleff-Young
Frances A. Spofford
Andrew Albert Surmelis
Robert Allen St. Clair
Keith Stein
Charles C. Tillinghast III
Thomas Theodore Thoreson
Arthur Wagner
Charles R. Walter, Jr.
Billie Whitelaw
In Honor of
Jan Boles for Outstanding
Achievement in the Humanities
Marriage of Hillary Dixon &
Josh Aller
Birth of Lillian Reese Mronzinski
Marriage of Justin Ness &
Kelly Lynae
Birth of Gestalt Morgan
Wayne Newbill
Make it Family Night at the
Theater
MEMORIES
FROM OUR MEMBERS
BALLET IDAHO
2016/17 SEASON
–Missy & Dan Tucker
Proud Media Sponsor of the
Idaho Shakespeare Festival’s
Family Nights and Media Host for
the Festival’s Summer Camps
We always say “There is never a
bad night in the Amphitheater!”
MEMORIES
OF A LIFETIME
We first attended after moving to
BOISE in 1981. We have been
season ticket holder continuously
starting in 1982 to the present. We
love ISF and will for the rest of our
lives. We are thrilled that all 5 of our
children and their 5 spouses love
theater also.
– STAN & DIANE MOSS
TAKING OUR TWO SONS
(ages 4 and 8) to plays at
Plantation and watching the
ducks as well as the plays!
– Michael & Sharon Bixby
NEWDANCE,
UP CLOSE
THE SHAKESPEARE FESTIVAL IS
FALL SERIES
I have been delighted and amazed by show
ESTHER SIMPLOT
PERFORMING
ARTS ACADEMY
THE NUTCRACKER
MORRISON CENTER
A GEM IN THE VALLEY.
after show. The first production I took my
young children to was The Tempest at the
Plantation. We discovered theater magic
when they removed the covers from the
food at the feast and it all floated away,
BODYTRAFFIC
up into the air. That is what I have come
MORRISON CENTER
to expect from the Shakespeare Festival.
WINTER
REPERTORY
– MARILYN GUNDERSON
MORRISON CENTER
NEWDANCE,
UP CLOSE
SPRING SERIES
ESTHER SIMPLOT
PERFORMING
ARTS ACADEMY
PETER PAN
For tickets visit BalletIdaho.org
MORRISON CENTER
page 95
Troy Maben
of Idaho Shakespeare
Plays of Idaho Shakespeare Festival 1977–2016
Amphitheater and Reserve
201 6 —40th Anniversary
And Then There Were None by Agatha Christie Love’s Labor’s Lost
My Fair Lady Book and lyrics by Alan Jay Lerner, Music by Frederick Loewe
Twelfth Night
Forever Plaid Written and originally directed and choreographed by Stuart Ross,
musical continuity supervision and
arrangements by James Raitt
Idaho Theater for Youth—The Shakespeare
Stealer based on the book by
Gary L. Blackwood
Shakespearience—Hamlet
2015 Dial “M” for Murder by Frederick Knott
The Tempest
The Secret Garden Book and lyrics by
Marsha Norman, music by Lucy Simon,
based on the novel by Frances
Hodgson Burnett
King Lear
The Fantasticks Book and lyrics by
Tom Jones, music by Harvey Schmidt
Idaho Theater for Youth—Maggie Lumière
and the Ghost Train by Dwayne Blackaller and Tracy Sunderland
Shakespearience— The Comedy of Errors
2014Deathtrap by Ira Levin
As You Like It
Les Misérables a new production of Boublil and Schönberg’s musical epic based on a
novel by Victor Hugo, music by ClaudeMichel Schönberg, lyrics by Herbert
Kretzmer, original French text by Alain
Boublil and Jean-Marc Natel
The Merry Wives of Windsor
Steel Magnolias by Robert Harling
Idaho Theater for Youth—The Jabberwocky
by Dakotah Brown, Noah Moody, and
Chad Shohet
Shakespearience—Romeo and Juliet
2013Blithe Spirit by Noël Coward
Much Ado About Nothing
Sweeney Todd: The Demon Barber
of Fleet Street music and lyrics by Stephen
Sondheim, book by Hugh Wheeler
King Richard III
The Foreigner by Larry Shue
Idaho Theater for Youth—Air Heart by
Dwayne Blackaller
Shakespearience—Much Ado About Nothing
page 96
2012Romeo and Juliet
The Mousetrap by Agatha Christie
The Imaginary Invalid adapted from Molière
by Oded Gross and Tracy Young
The Winter’s Tale
Noises Off by Michael Frayn
Idaho Theater for Youth—The Science of Fiction by Dwayne Blackaller
Shakespearience—Macbeth
201 1 —35th Anniversary
The Two Gentlemen of Verona
The Complete Works of William Shakespeare
(Abridged) by Adam Long, Daniel Singer
and Jess Winfield
Cabaret book by Joe Masteroff, based on the
play by John Van Druten and stories by
Christopher Isherwood, music by John
Kander, lyrics by Fred Ebb
The Taming of the Shrew
The 39 Steps adapted by Patrick Barlow from
the novel by John Buchan and the film by
Alfred Hitchcock
Shakespearience—Twelfth Night
Idaho Theater for Youth—Hansel and Gretel’s
Grimm Tale by E. Gray Simons III and
Tara Franklin
2010 A Midsummer Night’s Dream
Bat Boy: The Musical story and book by Keythe Farley and Brian Flemming, music and lyrics by Laurence O’Keefe
An Ideal Husband by Oscar Wilde
Othello
The Woman in Black by Stephen Malatratt, based on the novel by Susan Hill
Shakespearience—Othello
Idaho Theater for Youth—Aesop’s Network: Broadcasting Theatrical Fables by
E. Gray Simons III
2009The Comedy of Errors
The Seagull by Anton Chekhov
The Mystery of Edwin Drood
a musical by Rupert Holmes
Twelfth Night
A Tuna Christmas by Jaston Williams,
Joe Sears and Ed Howard
Shakespearience—A Midsummer
Night’s Dream
Idaho Theater for Youth—The Wind in the Willows by Eric Schmiedl, adapted from
the book by Kenneth Grahame
2008 All’s Well that Ends Well
The Crucible by Arthur Miller
Into the Woods book by James Lapine, music and lyrics by Stephen Sondheim
Macbeth
Greater Tuna by Jaston Williams, Joe Sears and Ed Howard
Idaho Theater for Youth—Tomás and the Library Lady by José Cruz González, music
and lyrics by José Cruz González, musical
arrangements by Adam Jacobsen
2007 Hay Fever by Noël Coward
The Tempest
Arsenic and Old Lace by Joseph Kesselring
Measure for Measure
Little Shop of Horrors book and lyrics by Howard Ashman, music by
Alan Menken
Shakespearience—Much Ado About Nothing
Idaho Theater for Youth—The Boxcar Children adapted for the stage
by Barbara Field from the book
by Gertrude Chandler Warner
2006—30th Anniversary
A Funny Thing Happened on the Way to the Forum book by Bert Shevelove and
Larry Gelbart, music and lyrics by
Stephen Sondheim
Major Barbara by George Bernard Shaw
Romeo and Juliet
The Spitfire Grill music and book
by James Valcq, lyrics and book
by Fred Alley, based on the film
by Lee David Zlotoff
Shakespearience—The Tempest
Idaho Theater for Youth—Feather on
the Sea by James Racheff
2005 The Taming of the Shrew
She Stoops to Conquer by Oliver Goldsmith
A Funny Thing Happened on the Way to the Forum book by Bert Shevelove and
Larry Gelbart, music and lyrics by
Stephen Sondheim
King Lear
The Complete Works of William Shakespeare (Abridged) by Adam Long, Daniel Singer
and Jess Winfield
I Am My Own Wife by Doug Wright, co-production with Boise Contemporary
Theater and Portland Stage Company
Shakespearience—The Taming of the Shrew
Idaho Theater for Youth—Dreams of a Bird Woman by Mark Rosenwinkel
2004 The Importance of Being Earnest
by Oscar Wilde
As You Like It
Julius Caesar
I Love You, You’re Perfect, Now Change book and lyrics by Joe DiPietro,
music by Jimmy Roberts
Idaho Theater for Youth—The Three Questions by Micki Panttaja, adapted from
the original by Leo Tolstoy
2003 The Importance of Being Earnest by Oscar Wilde
A Midsummer Night’s Dream
The Comedy of Errors
Henry V
The Fantasticks book and lyrics by
Tom Jones, music by Harvey Schmidt
Shakespearience—The Comedy of Errors
Idaho Theater for Youth—Moss Gown adapted by Micki Panttaja from the original
by William H. Hooks, music by Chris Limber
2002Much Ado About Nothing
Arms and The Man by George Bernard Shaw
Twelfth Night
Macbeth
You’re a Good Man, Charlie Brown
based on the comic strip “Peanuts”
by Charles M. Schulz, book, music and
lyrics by Clark Gesner
Shakespearience—As You Like It
Idaho Theater for Youth—Jack Frost
by James Still
Amadeus by Peter Shaffer
Hamlet
Forever Plaid written and originally directed and choreographed by Stuart
Ross, musical continuity supervision and
arrangements by James Raitt
The Complete Works of William Shakespeare (Abridged) by Adam Long,
Daniel Singer and Jess Winfield
Idaho Theater for Youth—Tiny Fiend and the String Ball by Maria Headley
2000 The Complete Works of William Shakespeare (Abridged) by Adam Long,
The Three Musketeers by Alexander Dumas, adapted by Linda Alper, Douglas
Langworthy and Penny Metropulos
Othello
Pump Boys and Dinettes conceived and written by John Foley, Mark Hardwick,
Debra Monk, Cass Morgan, John Schimmel
and Jim Wann
and Twelfth Night
Idaho Theater for Youth–Bremen
Town Blues by Mark Rosenwinkel
Scapin by Molière, translated by Shelley Berc and Andrei Belgrader, original music and
lyrics by Rusty Magee
The Winter’s Tale
Titus Andronicus
Shakespearience—The Two Gentlemen
of Verona
Romeo and Juliet
Cymbeline
ParkCenter
1997 Private Lives by Noël Coward
The Merchant of Venice
Macbeth
Night’s Dream
1988 As You Like It
Measure for Measure
Titus Andronicus
Quilters by Molly Newman and
Barbara Damashek
Shakespearience
What the Butler Saw by Joe Orton
Macbeth
The Tempest
Twelfth Night
Shakespearience—Macbeth
1987 Romeo and Juliet
Pericles
The Adventures of Sherlock Holmes
by Mark Rosenwinkel
Mark Twain, Hisownself adapted by Cynthia Gaede and Dan Peterson
Shakespearience
1995
Othello
All’s Well that Ends Well
Pendragon by Don Nigro
Shakespearience
Henry IV, Part One
Henry IV, Part Two
Shakespearience—Twelfth Night
1994 Dancing at Lughnasa by Brian Friel
Julius Caesar
As You Like It
Night’s Dream
A Christmas Carol adapted by
Richard Hellesen and David de Berry
1993Quilters by Molly Newman and
Barbara Damashek
Tartuffe by Molière
A Christmas Carol adapted by
Richard Hellesen and David de Berry
1992
Romeo and Juliet
Richard III
Scapino! by Frank Dunlop and Jim Dale
Shakespearience
The Tempest
Twelfth Night
Macbeth
A Woman of Means by R.N. Sandberg
Shakespearience
The Crucible by Arthur Miller
1990
Henry VIII
A Woman of Means by R.N. Sandberg
Shakespearience
The Skin of Our Teeth by Thornton Wilder
1989
Troilus and Cressida
Richard II
Waiting for the Parade by John Murrell
Shakespearience
A Touch of the Poet by Eugene O’Neill
1985
Richard III
The Winter’s Tale
Waiting for Godot by Samuel Beckett
Robin Hood by Don Nigro
1984 King Lear
Robin Hood by Don Nigro
The World of Shakespeare
Billy Bishop Goes to War by John Gray
Sister Mary Ignatius Explains It All for You by Christopher Durang
Crimes of the Heart by Beth Henley
The Plantation
1983
Henry IV, Part One
The Curate Shakespeare As You Like It
1982
Hamlet
Twelfth Night
The Tempest
As You Like It
One Capital Center
1980
1979The Merry Wives of Windsor
Romeo and Juliet
1978The Two Gentlemen of Verona
1977A Midsummer Night’s Dream
page 97
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page 98
Lord, what
fools these
mortals be!
William Shakespeare
“A Midsummer Night’s Dream”
BE MINDFUL
WHEN ON THE ROAD
PUT DOWN
YOUR PHONE
Just Drive
A MESSAGE FROM KTVB AND IDAHO POWER.
Does your company have a distracted driving policy?
Learn about the Just Drive CEO Challenge at KTVB.COM/JustDrive
page 99
MEMORIES
FROM OUR MEMBERS
MEMORIES
OF A LIFETIME
PUMP BOYS AND
DINETTES I was selected to be on
During
stage where I was kissed on the cheek
by a dinette. Upon returning to my seat, my
wife quipped “You enjoyed that far too much”.
–ROGER & LINDA GRAEFE
since. Thank you.
fell in love with ISF and have been going ever
and I) were in love with each other and quickly
The Taming of the Shrew — we (my husband
actors and actresses unfold the story of the
FEAST AND THE AMAZING TALENT of
of grass, spread our quilt, ENJOYED A NICE
anticipation, rushed in to claim our little piece
I remember it was ParkCenter, we waited in
– GREGORY & MICHELLE SAATHOFF
FEATURING THE BEST
independent, foreign and art films,
including the best Hollywood movies.
Enjoy lunch or dinner
on Boise’s nicest patio!
Gourmet Deli • Wine Bar • Specialty Beers
THE FIRST
TIME I WENT,
it just seemed
magical—the
setting, the
company,
the food, the
actors—amazing
opportunity to
enjoy theater.
–KATHY STEVENS
Video & DVD
Rentals
Seasonal
Fireside Dining
Mon - Thurs 4pm-9:30pm • Fri - Sun 12pm-9:30pm
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page 100
SAINT LAWRENCE GRIDIRON
NEW
BRUNCH MENU
NEW HOURS
705 W BANNOCK
344 - 5598
9:30AM - 2:00PM
SATURDAY & SUNDAY
August 19 • The Egyptian Theatre
August 20 • Family Night at Scentsy Amphitheater
August 22 • Idaho Shakespeare Festival Amphitheater
Tickets: $24 to $48
Group, Senior, Child, Military & Student discounts available.
Ticket prices do not include sales tax or applicable fees.
Soprano Leslie Mauldin
returns as Nellie Forbush
Tickets & more information at
www.operaidaho.org
Join us for the 2016-2017 Season: Die Fledermaus, Tosca & Werther!
page 101
MEMORIES
FROM OUR MEMBERS
MEMORIES
OF A LIFETIME
I WAS SIX
YEARS OLD
when
mom brought me to my
first festival. As an English
major and recent Idaho transplant,
she was thrilled to have such a
wonderful opportunity so close.
She would bring a big blanket and
I’d curl up with a book or wander
around looking for ducks, and fall
asleep pretty quickly. (No offense!)
– J OH ANNA
PERFORMANCE
AND GORGEOUS
E V E N I N G.
page 102
–Cindy & Don Benson
WE’VE
enjoyed
every bit of it.
– Gary & Liz Allen
I shared an evening of
RIVETING
Shakespeare with my younger
daughter. She passed away at the
age of 19. I will always treasure
the time spent with her on the
lawn with a blanket. She was
enthralled! –CHRIS & CARLA L O W E
CABARET:
J E N SEN
Performance.
“A real building is one on which the eye can light and stay lit.”
-- Ezra Pound
TM
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ZGA Architects & Planners, Chartered
Proud supporters of the Idaho Shakespeare Festival.
408 E. Parkcenter Blvd, Suite 205 |
Boise, Idaho 83706 |
208.345.8872 |
www.zga.com
page 103
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page 104
Stoel Rives congratulates
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page 106
2016 Advertiser Index
Program advertisers help to support the production of the Festival’s season program.
Please thank them with your patronage.
94.9 The River . . . . . . . . . . . . . . . . . . . . . . . . . . 10
Adams Painting . . . . . . . . . . . . . . . . . . . . . . . . 105
Albertsons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
ArmgaSys . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70
Asiago’s Ristorante/Asiago’s Downtown . . . . 51
Ballet Idaho . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95
Bier: Thirty Bottle and Bistro . . . . . . . . . . . . . . 82
Bleubird . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87
Boise Contemporary Theater . . . . . . . . . . . . . . 91
Boise Education Association, PR Center . . . . . 52
Boise Farmer’s Market . . . . . . . . . . . . . . . . . . . 15
Boise Fry Company . . . . . . . . . . . . . . . . . . . . . . 56
Boise Greenbike . . . . . . . . . . . . . . . . . . . . . . . 107
Boise Jazz Society . . . . . . . . . . . . . . . . . . . . . . . 89
Boise Philharmonic . . . . . . . . . . . . . . . . . . . . . . 50
Boise State Executive MBA . . . . . . . . . . . . . . . . 83
Boise State Osher Institute . . . . . . . . . . . . . . 106
Boise State Public Radio . . . . . . . . . . . . . . . . . . 25
Boise State University . . . . . . . . . . . . . . . . . . . . . 6
Boise Weekly . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Bridges In-Home Care . . . . . . . . . . . . . . . . . . . . 87
BrInc . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56
Broadway in Boise (Morrison Center) . . . . . . . 82
Bronco Motors . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
Café Shakespeare . . . . . . . . . . . . . . . . . . . . . . . 110
Café Vicino . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
Capital City Public Market . . . . . . . . . . . . . . . . . 19
Chandler’s Steakhouse . . . . . . . . . . . . . . . . . . . 85
Chobani . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92
Cinder Winery . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
The College of Idaho . . . . . . . . . . . . . . . . . . . . 64
Company of Fools . . . . . . . . . . . . . . . . . . . . . . . 36
Cottonwood Grille . . . . . . . . . . . . . . . . . . . . . . . 65
“ENTERTAINMENT
Crossroads Carnegie Art Center . . . . . . . . . . . . 63
Cushman & Wakefield . . . . . . . . . . . . . . . . . . . 108
D.A. Davidson & Co. . . . . . . . . . . . . . . . . . . . . . 57
David Andrews Real Estate . . . . . . . . . . . . . . . . 12
Delta Dental . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
DKM Photography . . . . . . . . . . . . . . . . . . . . . . 106
Doug Copsey/Caxton Press . . . . . . . . . . . . . . 108
Edward Jones Investments . . . . . . . . . . . . . . . . 16
Eide Bailly LLP . . . . . . . . . . . . . . . . . . . . . . . . . . 69
Eldercare of Idaho . . . . . . . . . . . . . . . . . . . . . . 88
Embrace Wellness . . . . . . . . . . . . . . . . . . . . . . . 12
Erstad Architects . . . . . . . . . . . . . . . . . . . . . . . . 89
Fidelity National Title . . . . . . . . . . . . . . . . . . . 104
The Flicks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100
Flowers at Will . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Flying M Coffeehouse . . . . . . . . . . . . . . . . . . . . 92
Focus Physical Therapy . . . . . . . . . . . . . . . . . . 104
Foerstel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107
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Allison*, Dan Alan Peterson*, Major
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SIDES & SNACKS
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CROSTINI BUNDLE
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on
Basil / Pan Fried Oni
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h Grape Cluster,
All Baskets come with Fres
colate Mints
Cho
&
es
wni
Baguette, Bro
ULTIMATE SNACK PACK
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il
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with
ens
Gre
,
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eta
Veg
Tapenade, House Pickled
Pasta Salad,
French Mustard Vinaigrette,
Olives
ed
Mix
&
r
dda
Che
d
Age
NORTHWEST
on Poached Salmon with
Chilled Chardonnay & Lem
ch Mustard Vinaigrette,
Fren
Asparagus, Greens with
i, Pasta Salad, Aged
stin
Pan Fried Onion Dip & Cro
se Pickled Vegetables
Hou
and
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Oliv
ed
Mix
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Chedda
SUMMER SOIRÉE
odoro, Roasted Garlic
Grilled & Sliced Chicken Pom
with French Mustard
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Gre
i,
stin
Cro
Hummus &
etables, Pasta Salad,
Veg
led
Pick
Vinaigrette, House
ed Olives
Mix
and
r
Aged Chedda
BISTRO
Crostini with Pan Fried
Champagne Chicken Salad,
Mustard Vinaigrette,
ch
Fren
with
ens
Gre
,
Dip
Onion
, Pasta Salad,
bles
eta
Veg
led
Pick
House
Mixed Olives
and
ead
Spr
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volo
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&
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Celery & Jalapeño with Gre
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FRENCH BRIE & SUMMER dwich with
sic vegetarian summer san
A clas
atoes, Greens, Basil Pesto
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d Pepper on a Baguette
cke
Cra
&
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Mayo, Sea Sal
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ENTRÉE SALADS
ery Bread &
Served with Gaston’s Bak
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us
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rry
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Ras
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CH
et
gne Chicken Salad with Swe
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gne Vinaigrette
mpa
Cha
&
n
Onio
n
Gree
ry,
Grapes, Cele
14.95
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ISAN CHEESE
ART
da,
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te
uet
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&
s
ond
Alm
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Salted Chocolate Shortbr
page 110
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sert
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de
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TEMPEST
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uet
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May
22
SUN
Celebrating
29
FAM
N
7:00
23
MON
30
24
TUES
25
WED
26
THU
27 N
31
FRI
PRE
28
8:00
N
S AT
OPEN
8:00
June
SUN
Legend
NAnd Then There
Were None
L Love's Labor's Lost
M My Fair Lady
T Twelfth Night
P Forever Plaid
PRE Preview Performance
OPEN Opening Night
CLOSE Closing Night
FAM Family Night
GALA Annual Benefit
SHOW Apprentice Showcase
EDUEducator Appreciation
Night
Interpreted Performance
Beer Tastings
Mini-Concert Series
Showtimes
June–August
TUESDAY—SATURDAY
6:30 p.m. House Opens
7:20 p.m.Mini-Concerts (Wed-Sat)
8:00 p.m.Performance
SUNDAY
7:00 p.m.Performance—Family
Nights included
5
FAM
L
7:00
L
7:00
12 MON
6
7
EDU
L
14
8:00
13
19
20 GALA
L 7:00
26 CLOSE
27
5:30
L
TUES
N WED
8
8:00
L
8:00
N
8:00
22
8:00
29
L
30
FRI
S AT
PRE
4
L
8:00
L
8:00
8:00 N 8:00
L
8:00
N
8:00
10
11
17
8:00
L
18
8:00
24
8:00 N OPEN
25
8:00
L
8:00
July
SUN
3
FAM
M
7:00
N
7:00
M
7:00
10
17
24
MON
N
TUES
4
5
11
12
18
19
25
26
M 7:00
31 CLOSE
WED
6
N 8:00
N
M
8:00
M
8
:00
THU
7
N
1
FRI
S AT
PRE
2
M
8:00
M
8:00
8:00
8
9
OPEN
8:00
M
8:00
M
8:00 N 8:00 M 8:00
N
8:00
N
8:00
M
8:00
M
8:00
N
8:00
N
8:00
M
8:00
M
8:00
M
8:00
M
8:00
N
8:00
13
20
27
14
21
28
15
22 29
16
23
30
7:00
August
SUN
7
FAM
T
14
7:00
T
7:00
21 T 7:00
28 CLOSE
T
MON
1
2
8
9
15 SHOW
16
22
7:00
29
TUES
8:00
M
8:00
T
8:00
30
WED
10
T
23
3
4
THU
11
5
6
T
8:00
T
8:00
M
8:00
T
8:00
8:00
26 CLOSE
M
8:00
M
T
8:00
12
8:00
M
8:00
T
8
:00
T
8:00 T M 8:00
T
8:00
24
31
18
25
S AT
PRE
T 17
FRI
19
8:00
13
20
27
OPEN
7:00
September
SUN
4
FAM
P
7:00
SUNDAY
18
P
7:00
page 112
L
3
7:00
TUESDAY—SATURDAY
7:30 p.m. Performance
CAFÉ SHAKESPEARE OPENS
NIGHTLY AT 6:00 P.M.
THU
23
MON
TUES
WED
September
7:00 p.m. Performance
N
16
8:00 L 28
2
9
15
21
L
1
11
P 7:00
25 CLOSE
5
12
19
26
6
7
P
7:30
P
7:30 P P
7:30
P
13
20
27
P
14
21
28
1
THU
8
2
FRI
S AT
PRE
3
P
7:30
P
7:30
P
7:30
9
10
OPEN
P 7:30
P 7:30
7:30
P
7:30
P
7:30 P 7:30
7:30
P
7:30
P
7:30
P
7:30
7:30
15
22
29
16
23
30
17
24
31
P 7:00
Please note: Calendar and plays subject to change without notice. Children under 6 years of age only
admitted on Family Nights.
Beer tastings sponsored by Bier:Thirty Bottle & Bistro.
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Whether it’s a tragedy, comedy or musical, great theater has one thing
in common. From Act 1 to the final scene, everything is done with the
audience in mind.
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why KeyBank has been a proud sponsor of the Idaho Shakespeare Festival’s Shakespeare Under
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And Then There Were None Love`s Labor`s Lost My Fair Lady

Transcription

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