Alien She: Exhibition Checklist.docx
Transcription
Alien She: Exhibition Checklist.docx
. Alien She Exhibition Checklist February 15, 2015- May 24, 2015 1. LTTR - Ginger Brooks Takahashi LTTR Journals (handleable copies) Collected works (2001-2008), 2013 Assorted paper journals #1: Lesbians To The Rescue, 2002 #2: Listen Translate Translate Record, 2003 #3: Practice More Failure, 2004 #4: Do You Wish To Direct Me?, 2005 #5: Positively Nasty, 2006 96”(L) x 36”(W) x 40”(H) Courtesy of the artist 2. LTTR - Ginger Brooks Takahashi LTTR Collected works, (2001-2008), 2013 A complete collection of LTTR journals with artist multiples 96”(L) x 36”(W) x 40”(H) Courtesy of the artist 2.28 LTTR - Ginger Brooks Takahashi LTTR Slideshow, Collected works (2001-2008), 2013 Video slideshow, 13:57 min., NTSC / 4:3 / HD Courtesy of the artist (still from slideshow) 3. LTTR - Ginger Brooks Takahashi A Wave of New Rage Thinking, 2013 Cardboard letters 432”(L) x 26”(H) Courtesy of the artist 4. Ginger Brooks Takahashi Feminist Body Pillow, 2013 Hand printed t-shirts, jeans (tote bag made in a screenprinting workshop led by the artist at Fabulous Independent Educated Radicals for Community Empowerment (FIERCE); Julius Bootleg t-shirt and Live And Let Lez tank top by the artist; t-shirt (rainbow fist) by Dean Daderko; A Wave of New Rage Thinking t-shirt by LTTR; TheAdvantages of Being a Lesbian Artist t-shirt by Ridykeulous; Gay Power sweatshirt by Emily Roysdon) 60”(L) x 60”(W) x 8”(H) (platform dimensions) Courtesy of the artist . 5. Ginger Brooks Takahashi There is a group, if not alliance, walking there too, whether or not they are seen, 2013 Driftwood, work boots, socks 18”(L) x 18”(W) x 8”(H) (platform dimensions) Courtesy of the artist 6. Ginger Brooks Takahashi Untitled (Diagram of Influences), A personal document of projet MOBILIVREBOOKMOBILE project (2001-2006), 2013 Drawing, color photographs 50 ¼” (L) x 29 ¼” (H) (framed dimensions) Courtesy of the artist 7. Ginger Brooks Takahashi Selected recordings, 1996-2011 Music Vitrine Boys of Now, The Hardest Song to Sing (self-released,1999) - “One & Only,” 4:14 AKA Harlot #1, 100% Pure Criminal Candy (Ruffian Records, 1996) - “foxxy brown / with principles like these,” 2:17 - “tongues of fire,” 00:53 Mirah Yom Tov Zeitlyn & Ginger Brooks Takahashi, Songs from the Black Mountain Music Project (K Records, 2003) - “The Red Curtain,” 2:40 - “Life You Love,” 2:24 The Ballet, Mattachine! (self-released, 2006) - “I Hate the War,” 3:37 - “I’m Not Gonna Tell You Anything,” 4:14 MEN, Talk About Body (I AM SOUND, 2011) - “Who Am I,” 3:56 MEN (Stereogamous remix), Credit Card Babies,(Trouble Records, 2010) - “Credit Card Babies,” 7:01 24” (L) x 22” (W) x 38” (H) Courtesy of the artist and record labels 8.1 Tammy Rae Carland Selections from Archive of Feelings (Sisterhood is Powerful), 2008 Inkjet print (AP) 52 ⅜” (L) x 34 ⅛” (H) (framed dimensions) Courtesy of the artist and Jessica Silverman Gallery, San Francisco . 8.2 Tammy Rae Carland Selections from Archive of Feelings (Sisterhood is Powerful), 2008 Inkjet print (AP) 26” (L) x 32” (H) (framed dimensions) Courtesy of the artist and Jessica Silverman Gallery, San Francisco 8.3 Tammy Rae Carland Selections from Archive of Feelings (Vaguely Dedicated), 2008 Inkjet print (AP) 42 ⅛” (L) x 52 ⅜” (H) (framed dimensions) Courtesy of the artist and Jessica Silverman Gallery, San Francisco 9.1 Tammy Rae Carland Selections from Untitled (Lesbian Beds) (Lesbian Bed #1), 2002 Inkjet prints (AP) 31 ¾” (L) x 40” (H) (framed dimensions) Courtesy of the artist and Jessica Silverman Gallery, San Francisco 9. Tammy Rae Carland Selections from Untitled (Lesbian Beds) (Lesbian Bed #4), 2002 Inkjet prints (AP) 31 ¾” (L) x 40” (H) (framed dimensions) Courtesy of the artist and Jessica Silverman Gallery, San Francisco 9.3 Tammy Rae Carland Selections from Untitled (Lesbian Beds) (Lesbian Bed #5), 2002 Inkjet prints (AP) 31 ¾” (L) x 40” (H) (framed dimensions) Courtesy of the artist and Jessica Silverman Gallery, San Francisco . 9.4 Tammy Rae Carland Selections from Untitled (Lesbian Beds) (Lesbian Bed #6), 2002 Inkjet prints (AP) 31 ¾” (L) x 40” (H) (framed dimensions) Courtesy of the artist and Jessica Silverman Gallery, San Francisco 9.5 Tammy Rae Carland Selections from Untitled (Lesbian Beds) (Lesbian Bed #7), 2002 Inkjet prints (AP) 31 ¾” (L) x 40” (H) (framed dimensions) Courtesy of the artist and Jessica Silverman Gallery, San Francisco 9.6 Tammy Rae Carland Selections from Untitled (Lesbian Beds) (Lesbian Bed #8), 2002 Inkjet prints (AP) 31 ¾” (L) x 40” (H) (framed dimensions) Courtesy of the artist and Jessica Silverman Gallery, San Francisco 9.7 Tammy Rae Carland Selections from Untitled (Lesbian Beds) (Lesbian Bed #13), 2002 Inkjet prints (AP) 31 ¾” (L) x 40” (H) (framed dimensions) Courtesy of the artist and Jessica Silverman Gallery, San Francisco 10.1 Tammy Rae Carland Selection from I’m Dying Up Here, (Double Spot), 2010-ongoing Inkjet print (AP) 49 ¼” (L) x 39 ⅝” (H) (framed dimensions) Courtesy of the artist and Jessica SilvermanGallery, San Francisco 10.2 Tammy Rae Carland Selection from I’m Dying Up Here, (Open Mic), 2010-ongoing Inkjet print (AP) 49 ¼” (L) x 39 ⅝” (H) (framed dimensions) Courtesy of the artist and Jessica SilvermanGallery, San Francisco . 10.3 Tammy Rae Carland Selection from I’m Dying Up Here, (Glitter Drapes), 2010-ongoing Inkjet print (AP) 49 ¼” (L) x 39 ⅝” (H) (framed dimensions) Courtesy of the artist and Jessica Silverman Gallery, San Francisco 11. Miranda July & Harrell Fletcher Learning to Love You More,, 2002-2009 Exhibition prints from web project and archive Dimensions variable Website by Yuri Ono Courtesy of the San Francisco Museum of Modern Art 12. Miranda July Joanie 4 Jackie (1995-2003), 2003 Organized by Vanessa Haroutunian Video cassettes, letters, postcards, posters. Chainletter Tapes: The Velvet Chainletter, 1995 The Underwater Chainletter, 1996 U-Matic Chainletter, 1997 Silver Chainletter, 1998 The Cherry Cherry Chainletter, 1998 The Break My Chainletter, 1999 The M.I.A. Chainletter, 1999 Ball and Chainletter, 2000 The Banana Cremeletter, 2000 Perfect 10: The Chainletter, 2000 2001: A Chainletter, 2001 Me and my Chainletter, 2002 Who Stole My Chainletter?, 2002 The Sugar Caneletter, 2003 The Chain of Love Letter, 2003 The Newborn Chainletter, 2004 The Frozen Chainletter, 2005 Girafferator: A Chainletter, 2006 Transformer Chainletter, 2007 Co-Star Tapes: Joanie 4 Jackie 4Ever, 1998 I Saw Bones, 2000 Some Kind of Loving, 2000 96”(L) x 36”(W) x 40”(H) Courtesy of Bard College, Annandale-on-Hudson, Organized by Vanessa Haroutunian . 12.1 Miranda July Selected videos from Joanie 4 Jackie, (1995-2003) Organized by Vanessa Haroutunian Single Channel video, audio 1 hour 54 minutes, NTSC / 4:3 / SD 1. Joanie4Jackie4Ever Intro, Miranda July & Vanessa Renwick, 1998, 2 min 2. Two Become One, Lola Sinreich, c. 2006, 3:51 min 3. Goddess Kring, Shannon Kringen, 1996, 13:38 min 4. Becky, 1977, Tammy Rae Carland, 1996, 5 min 5. Kristy, Stephanie Gray, 2005, 6:48 min 6. The Delta, Daughters of Houdini (Carolyn Cooley & Zoey Kroll), 1998, 3:25 min 7. The Electronic Cafe, Daughters of Houdini (Carolyn Cooley & Zoey Kroll), 1998, 2:19 min 8. Horror Movie, Jan Tranum & Brittany Goodin, 1999, 5:24 min 9. All I Can Be, Erica Hill, 2001, 6:25 min 10. The Slow Escape, Sativa Peterson, 1998, 20 min 11. 1,2,3 This Is Me, Wynne Ryan (aka Wynne Greenwood), 1998, 15:27 min 12. The Yo-Yo Gang (Trailer), G.B. Jones, 1997, 1:49 min 13. Mary Jane’s Not A Virgin Anymore (Trailer), Sarah Jacobson, 1997, 6:11 min 14. How the Miracle of Masturbation Saved me from Becoming a Teenage Space Alien, Dulcie Clarkson, 1998, 21:18 min Organized by Vanessa Haroutunian Courtesy of Bard College, Annandale-on-Hudson, (still from video) 13. Miranda July Missing Movie Report, c. 1996 Photocopy master 21 ⅛” (L) x 52 ¼” (H) (framed dimensions) Organized by Vanessa Haroutunian Courtesy of Bard College, Annandale-on-Hudson, 14. Miranda July Selected Videos 1996-2001 Videoworks: Vol. 1 (57:30) NTSC / 4:3 /SD Single-channel video with sound, 57:30 minutes 1. Atlanta, 1996, 10 minutes 2. The Amateurist, 1998, 14 minutes 3. Nest of Tens, 1999, 27 minutes 4. Getting Stronger Every Day, 2001, 6:30 minutes Courtesy of the artist and Video Data Bank, Chicago (still from video) . 15. Miranda July Selected recordings, 1996-2002 Music vitrine The CeBe Barnes Band, The CeBe Barnes Band (Horsekitty, 1995) - “Height of Fashion,” 2:08 Miranda July w/ The Need, Margie Ruskie Stops Time (Kill Rock Stars,1996) - Track B, 4:49 Miranda July, 10 Million Hours a Mile (Kill Rock Stars, 1997) - “How’s My Driving,” 11:24 Miranda July, The Binet-Simon Test (Kill Rock Stars, 1998) - “Lena Beamish,” 10:33 - “WSNO,” 9:22 - “The Co-Star,” 6:38 IQU with Miranda July, Girls On Dates (K Records,1999) - “Girls On Dates,” 10:50 - “Kid Co-Coma,” 4:03 Miranda July, The Drifters (recorded for the Whitney Biennial, 2002) - “Crowd,” 1:16 - “The Phone Call #1,” 00:45 - “God’s Love,” 00:58 - “Thea,” 1:09 - “The Phone Call #2,” 1:04 Miranda July (commissioned by NPR member station WNYC for program “The Next Big Thing,” 2002) - “Bruce Lee,” 1:39 24” (L) x 22” (W) x 38” (H) Courtesy of the artist and record labels; Music ephemera courtesy of Ceci Moss and Astria Suparak 16. Miranda July Excerpts from performance documentation, 1998-2002 Single Channel video, audio 17:00 NTSC / 4:3 / SD Love Diamond, 1998-2000 The Swan Tool, 2000-2002 Courtesy of the artist (still from video) 17.1 Faythe Levine Time Outside of Time (bridge), 2010-ongoing inkjet print (AP) 22” (L) x 16 ¾” (H) (framed dimensions) Courtesy of the artist 17.2 Faythe Levine Time Outside of Time (library), 2010-ongoing Inkjet print (AP) 22” (L) x 16 ¾” (H) (framed dimensions) Courtesy of the artist . 17.3 Faythe Levine Time Outside of Time (bulletin board) ), 2010-ongoing Inkjet print (AP) 22” (L) x 16 ¾” (H) (framed dimensions) Courtesy of the artist 17.4 Faythe Levine Time Outside of Time (net) ), 2010-ongoing Inkjet print (AP) 22” (L) x 16 ¾” (H) (framed dimensions) Courtesy of the artist 17.5 Faythe Levine Time Outside of Time (band) ), 2010-ongoing Inkjet print (AP) 22” (L) x 16 ¾” (H) (framed dimensions) Courtesy of the artist 17.6 Faythe Levine Time Outside of Time (food), 2010-ongoing Inkjet print (AP) 22” (L) x 16 ¾” (H) (framed dimensions) Courtesy of the artist 17.7 Faythe Levine Time Outside of Time (tabletop), 2010-ongoing inkjet print (AP) 22” (L) x 16 ¾” (H) (framed dimensions) Courtesy of the artist 17.8 Faythe Levine Time Outside of Time (hands), 2010-ongoing Inkjet print (AP) 22” (L) x 16 ¾” (H) (framed dimensions) Courtesy of the artist 17.9 Faythe Levine Time Outside of Time (meal), 2010-ongoing Inkjet print (AP) 22” (L) x 16 ¾” (H) (framed dimensions) Courtesy of the artist . 17.10 Faythe Levine Time Outside of Time (windows), 2010-ongoing Inkjet print (AP) 22” (L) x 16 ¾” (H) (framed dimensions) Courtesy of the artist 17.11 Faythe Levine Time Outside of Time (yellow), 2010-ongoing Inkjet print (AP) 22” (L) x 16 ¾” (H) (framed dimensions) Courtesy of the artist 17.12 Faythe Levine Time Outside of Time (beer) ), 2010-ongoing Inkjet print (AP) 22” (L) x 16 ¾” (H) (framed dimensions) Courtesy of the artist 18. Faythe Levine Sign Painters, 2012 Video slideshow Video length: 3:00 min Dimensions variable Courtesy of the artist 19. Faythe Levine Handmade Nation: The Rise of DIY, Art, Craft, and Design, 2008 Book by Levine and Cortney Heimerl (PrincetonArchitectural Press, 2008) Dimensions variable Courtesy of the artist 20. Allyson Mitchell Women’s Studies Professors Have Class Privilege / I’m with Problematic, from the series Creep Lez, 2012 Altered t-shirts with iron-on transfer and vinyl letters 33” (L) x 41” (H) each (framed t-shirt diptych) Courtesy of the artist and Katharine Mulherin Gallery, Toronto 21.1 Allyson Mitchell Lady Sasquatch (Oxana) ) from Ladies Sasquatch, 2006-2010 Found textiles, taxidermy supplies, applique borg, styrofoam, wood 85” (L) x 53” (W) x 55” (H) Courtesy of the artist and Katharine Mulherin Gallery, Toronto . 21.2 Allyson Mitchell Lady Sasquatch (Bunny) ) from Ladies Sasquatch, 2006-2010 Found textiles, taxidermy supplies, applique borg, styrofoam, wood 48” (L) x 38” (W) x 108” (H) Courtesy of the artist and Katharine Mulherin Gallery, Toronto 21.3 Allyson Mitchell Lady Sasquatch (Midge) from Ladies Sasquatch, 2006-2010 Found textiles, taxidermy supplies, applique borg, styrofoam, wood 72” (L) x 58” (W) x 80” (H) Courtesy of the artist and Katharine Mulherin Gallery, Toronto 22.1 Allyson Mitchell Sasquatch Familiars, from Ladies Sasquatch, 2006-2010 Found textiles, taxidermy supplies, applique borg, styrofoam, wood 9” (L) x 6” (W) x 10” (H) Courtesy of the artist and Katharine Mulherin Gallery, Toronto 22.2 Allyson Mitchell Sasquatch Familiars (Christina), from Ladies Sasquatch, 2006-2010 Found textiles, taxidermy supplies, applique borg, styrofoam, wood 21 ½” (L) x 7 ½” (W) x 12 ½” (H) Courtesy of the artist and Katharine MulherinGallery, Toronto 22.3 Allyson Mitchell Sasquatch Familiars, from Ladies Sasquatch, 2006-2010 Found textiles, taxidermy supplies, applique borg, styrofoam, wood 9 ½” (L) x 4” (W) x 4 ½” (H) Courtesy of the artist and Katharine Mulherin Gallery, Toronto 22.4 Allyson Mitchell Sasquatch Familiars (Deanne), ) from Ladies Sasquatch, 2006-2010 Found textiles, taxidermy supplies, applique borg, styrofoam, wood 15” (L) x 10 ½” (W) x 13” (H) Courtesy of the artist and Katharine Mulherin Gallery, Toronto 22.5 Allyson Mitchell Sasquatch Familiars,from Ladies Sasquatch, 2006-2010 Found textiles, taxidermy supplies, applique borg, styrofoam, wood 10” (L) x 6” (W) x 5” (H) Courtesy of the artist and Katharine Mulherin Gallery, Toronto . 22.6 Allyson Mitchell Sasquatch Familiars, from Ladies Sasquatch, 2006-2010 Found textiles, taxidermy supplies, applique borg, styrofoam, wood 10 ¼” (L) x 4” (W) x 4 ½” (H) Courtesy of the artist and Katharine Mulherin Gallery, Toronto 22.7 Allyson Mitchell Sasquatch Familiars, from Ladies Sasquatch, 2006-2010 Found textiles, taxidermy supplies, applique borg, styrofoam, wood 7” (L) x 4” (W) x 5” (H) Courtesy of the artist and Katharine Mulherin Gallery, Toronto 22.8 Allyson Mitchell Sasquatch Familiars, from Ladies Sasquatch, 2006-2010 Found textiles, taxidermy supplies, applique borg, styrofoam, wood 4 ½” (L) x 1 ¾” (W) x 2” (H) Courtesy of the artist and Katharine Mulherin Gallery, Toronto 22.9 Allyson Mitchell Sasquatch Familiars, from Ladies Sasquatch, 2006-2010 Found textiles, taxidermy supplies, applique borg, styrofoam, wood 4 ½” (L) x 1 ¾” (W) x 2” (H) Courtesy of the artist and Katharine Mulherin Gallery, Toronto 23. Allyson Mitchell Recommended Reading, 2010 Wallpaper from photocopied drawings 388”(L) x 120”(H) Courtesy of the artist and Katharine Mulherin Gallery, Toronto 24. Allyson Mitchell and Deirdre Logue FAG Slide Show, 2013 Video slideshow, audio, 5:00 minutes. NTSC / 4:3 / SD Courtesy of the artists and Vtape, Toronto 25.1 L.J. Roberts Gay Bashers Come And Get It, 2011 Jacquard-Woven Cotton and Lurex, hand-dyed fabric, Crank-knit yarn, thread 48” (L) x 120” (H) Courtesy of the artist . 25.2 Blanca Garcia Photograph of Roberts’ banner used during the Dyke March in NYC, 2011 Inkjet print 8 ¼” (L) x 6 ¼” (H) (framed dimensions) Courtesy of the photographer 26.1 L.J. Roberts Mom Knows Now, 2003 Hand-knit yarn 88” (L) x 180” (H) Courtesy of the artist 26.2 Unknown Photographer Photograph of Roberts’ guerilla banner drop on the steeple of the Ira Allen Chapel, University of Vermont, 2003 5 ¾”(L) x 8 ¼”(H) (framed dimensions) Courtesy of the photographer 27. L.J. Roberts Sisters Are Doing It For Themselves, 2011 Jacquard-Woven Cotton and Lurex, hand-dyed fabric, Crank-knit yarn, thread. 48” (L) x 120” (H) Courtesy of the artist 28. L.J. Roberts We Couldn’t Get In. We Couldn’t Get Out. 2006-7 Crank-Knit Yarn, Hand-Woven Wire, Steel Poles, Assorted Hardware. 360” (L) x 10” (W) x 120” (H) (3 - 120”[L] x 120”[H] segments Courtesy of the artist 29.1 Stephanie Syjuco The Counterfeit Crochet Project (Critique of a Political Economy), 2006- ongoing Burberry Scarf by Jennie Lute Yarn 58” (L) x 12 ¼” (W) x 3/8” (H) Courtesy of the artist and Catharine Clark Gallery, San Francisco 29.2 Stephanie Syjuco The Counterfeit Crochet Project (Critique of a Political Economy), 2006- ongoing Prada bag by Stephanie Syjuco Yarn 12” (L) x 4” (W) x 19” (H) Courtesy of the artist and Catharine Clark Gallery, San Francisco . 29.3 Stephanie Syjuco The Counterfeit Crochet Project (Critique of a Political Economy), 2006- ongoing Fendi Bag by Wendy Yip Yarn 12” (L) x 3 ¼ “ (W) x 11” (H) Courtesy of the artist and Catharine Clark Gallery, San Francisco 29.4 Stephanie Syjuco The Counterfeit Crochet Project (Critique of a PoliticalEconomy), 2006- ongoing Gucci Bag (large) by Stephanie Syjuco Yarn 14” (L) x 3 ½” (W) x 22 ½” (H) Courtesy of the artist and Catharine Clark Gallery, San Francisco 29.5 Stephanie Syjuco The Counterfeit Crochet Project (Critique of a Political Economy), 2006- ongoing Brown Chanel bag # 2 by Stephanie Syjuco Yarn 12” (L) x 2 ½” (W) x 17 5/8” (H) Courtesy of the artist and Catharine Clark Gallery, San Francisco 29.6 Stephanie Syjuco The Counterfeit Crochet Project (Critique of a Political Economy), 2006- ongoing Brown Murakami Papillon bag by Kate Furuyama Yarn, felt, sequence 12” (L) x 6” (W) x 13 ¾” (H) Courtesy of the artist and Catharine Clark Gallery, San Francisco 29.7 Stephanie Syjuco The Counterfeit Crochet Project (Critique of a Political Economy), 2006- ongoing Marc Jacobs bag by Angela Simione Yarn 14” (L) x 6” (W) x 15” (H) Courtesy of the artist and Catharine Clark Gallery, San Francisco 29.8 Stephanie Syjuco The Counterfeit Crochet Project (Critique of a Political Economy), 2006- ongoing YSL Mombasa bag by Suzy Baldwin Yarn 13 ¾” (L) x 3 3/8” (W) x 15 ¾” (H) Courtesy of the artist and Catharine Clark Gallery, San Francisco 29.9 Stephanie Syjuco The Counterfeit Crochet Project (Critique of a Political Economy), 2006- ongoing Dolce Gabbana bag by Nicole Stowe Yarn 15” (L) x 5” (W) x 20” (H) Courtesy of the artist and Catharine Clark Gallery, San Francisco . 29.10 Stephanie Syjuco The Counterfeit Crochet Project (Critique of a Political Economy), 2006- ongoing Dior bag by Carrie Suchman Yarn 13 ¾” (L) x 4 ½” (W) x 22” (H) Courtesy of the artist and Catharine Clark Gallery, San Francisco 29.11 Stephanie Syjuco The Counterfeit Crochet Project (Critique of a Political Economy), 2006- ongoing White Murakami bag by Stephanie Syjuco Yarn 11 ¼” (L) x 3 ½” (W) x 19 ½” (H) Courtesy of the artist and Catharine Clark Gallery, San Francisco 29.12 Stephanie Syjuco The Counterfeit Crochet Project (Critique of a Political Economy), 2006- ongoing Black Chanel bag by Suzy Baldwin Yarn, plastic buttons 12” (L) x 3 ½” (W) x 18” (H) Courtesy of the artist and Catharine Clark Gallery, San Francisco 29.13 Stephanie Syjuco The Counterfeit Crochet Project (Critique of a Political Economy), 2006- ongoing Louis Vuitton belt by Katherine Mok Yarn, ribbon 38 ½” (L) x 1 ½” (W) x ½” (H) Courtesy of the artist and Catharine Clark Gallery, San Francisco 29.14 Stephanie Syjuco The Counterfeit Crochet Project (Critique of a Political Economy), 2006- ongoing Small Gucci bag Yarn 4 ½” (L) x 3” (W) x 7 ¾” (H) Courtesy of the artist and Catharine Clark Gallery, San Francisco 29.15 Stephanie Syjuco The Counterfeit Crochet Project (Critique of a Political Economy), 2006- ongoing Burberry pouch yarn 6 ¼” (L) x 3 ¼” (W) x ½” (H) Courtesy of the artist and Catharine Clark Gallery, San Francisco 29.16 Stephanie Syjuco The Counterfeit Crochet Project (Critique of a Political Economy), 2006- ongoing Gucci watch Yarn 7” (L) x 1 ½” (W) x ½” (H) Courtesy of the artist and Catharine Clark Gallery, San Francisco . 30. Stephanie Syjuco FREE TEXTS, 2011-2012, updated 2014 Varying sized printouts Free downloadable PDF files of texts found online and tear-off tab flyers 192”(L) x 96”(H) (bulletin board dimensions) Courtesy of the artist and Catharine Clark Gallery, San Francisco 31. Stephanie Syjuco Proxy Audio Manifestation (Total Bootleg Collection), 2010 Inkjet prints of images downloaded from Amazon.com, wood, paint, plastic wrappers, stickers 129 handmade “bootleg” objects Courtesy of the artist and Catharine Clark Gallery, San Francisco 32. Various Artists, Lenders Zine Archive, 1991-2013 276 original zines and 27 handleable reproductions From the personal collections and archives of: The Riot Grrrl Collection at the Fales Library& Special Collections, NYU, Elisa Gargiulo, Sara McCool, Ceci Moss, Maaike Muntinga, Mimi Thi Nguyen, Astria Suparak, Cookie Woolner 33. Various Artists, Lenders Flyer Wall, c. 1991-present A sampling of poster designs from Riot Grrrlrelated shows, conventions and meetings solicited from institutional and personal archives through open calls, word-of-mouth and invitations Approximately 200 To submit posters, visit www.bit.ly/AlienShe for instructions. From the archives and personal collections of: Ginger Brooks Takahashi, Cecil Castellucci, George Chen, Sharon Cheslow, Paul Costuros,Vega Darling, dumba collective, Eli and Kuña Fest Paraguay, EMP Museum, Seattle, the Riot Grrrl Collection at the Fales Library & Special Collections, NYU, Elisa Gargiulo, Hallwalls, Interference Archive, Jabberjaw, Joanie 4 Jackie Collection at Bard College, Leesa Johnson, Dayv Jones, GB Jones and Caroline Azar, Sara Marcus, Ceci Moss, Maaike Muntinga, Nina Nijsten, Rachel Pollard-Busch, Lilian Radovac, Jean Smith, Tamra Spivey, Astria Suparak, Cookie Woolner, Stella Zine and future contributors 34. Music Vitrine - American South + Mr. Lady Records 96” (L) x 48” (W) x 40” (H) with 24” x 24” divisions Curator: Tammy Rae Carland 35. Music Vitrine - Belgium + the Netherlands 96” (L) x 48” (W) x 40” (H) with 24” x 24” divisions Curators: Maaike Muntinga + Jessica Gysel . 36. Music Vitrine- Brazil 96” (L) x 48” (W) x 40” (H) with 24” x 24” divisions Curator: Elisa Gargiulo 37. Music Vitrine – California 96” (L) x 48” (W) x 40” (H) with 24” x 24” divisions Curators: Ceci Moss + Astria Suparak 38. Music Vitrine – Canada 96” (L) x 48” (W) x 40” (H) with 24” x 24” divisions Curators: Lynne T + Bernie Bankrupt 39. Music Vitrine - D.C., Olympia, + Influences 96” (L) x 48” (W) x 40” (H) with 24” x 24” divisions Curator: Allison Wolfe 40. Music Vitrine – England 96” (L) x 48” (W) x 40” (H) with 24” x 24” divisions Curator: Pete Dale 41. Music Vitrine - Pacific Northwest and Chainsaw Records 96” (L) x 48” (W) x 40” (H) with 24” x 24” divisions Curator: Donna Dresch 42. Video Interviews Selections from EMP Museum’s online exhibit Riot Grrrl excerpts from Grrrl, a forthcoming feature Single Channel video NTSC / audio / 4:3 / 42 minutes Documentary (directed by Vega Darling) Retrospective and . 43. Riot Grrrl Census, 2013- ongoing online census produced by the Miller Gallery for Alien She 44. Riot Grrrl Chapters Map, 2013-ongoing online, collaborative map produced by the Miller Gallery at Carnegie Mellon University for Alien She 45. Riot Grrrl Manifesto banner, undated (c. 1992) Text from ‘what is riot grrrl’ by unknown author Spray paint on canvas