DIMITRA STASINOPOULOU OMO VALLEY The vanishing tribes of
Transcription
DIMITRA STASINOPOULOU OMO VALLEY The vanishing tribes of
Dimitra Stasinopoulou DIMITRA STASINOPOULOU OMO VALLEY The vanishing tribes of Ethiopia OMO VALLEY The vanishing tribes of Ethiopia OMO VALLEY The vanishing tribes of Ethiopia Photography - Text Dimitra Stasinopoulou ABOUT THE AUTHOR Dimitra Stasinopoulou is a Greek amateur photographer, born in Athens, Greece in 1953. She worked in the banking sector for 20 years, and later on, in the family business in Romania. Her first Book “Romania of my Heart” was awarded with the Romanian UNESCO prize. Ever since then, her love of travelling around the globe and her desire to share the images she brought back with her, led her to the publiction of books for Bhutan, India, Burma and Papua New Guinea. Her pictures have been awarded in international photo-competitions and have been displayed in Greece and abroad. CONTENTS INTRODUCTION 6 - 17 SURMA TRIBE 10 - 163 KARA TRIBE 164 - 249 NYANGATOM TRIBE 250 - 285 HAMER TRIBE 286 - 359 INTRODUCTION Surma woman with lip plate. At a young age, they remove their bottom teeth and they pierce their bottom lip, which is stressed to allow insertion of a clay lip plate. Surma men spend most of their time looking after their precious cattle. They guard them with AK-47 Kalashnikov machine-guns. Cattle, goats and sheep are vital to most tribes’ livelihood providing them with blood, milk and meat. They are highly valued and used to buy brides. Omo is a major river in southern Ethiopia. Its course is entirely contained within the boundaries of the country and empties into Lake Turkana, on the border with Kenya. However, its final destination was a source of controversy: Did it end in the Indian Ocean, the Nile River, or Lake Turkana? In 1896 the famous Italian explorer Vittorio Bottego, under the auspices of the Italian Geographical Society, put an end to this controversy. His expedition explored the lands known as the Lower Omo Valley, confirming that its waters were in fact the great source which fed Lake Turkana. Towards the end of the 19th century the Omo region became part of Ethiopia, but remained isolated from the historic events which shaped the rest of the country. Bordering with Kenya and Sudan, far from any city, it is a lost world, a region traversed only by a few bad quality roads, passable only in the dry season. In its 500 mile course the river curls through gorges of volcanic rock and channels of ancient mud. Near the Kenyan border, the Omo carves serpentine oxbows as the countryside flattens, and ribbons of forest appear along its banks. Riverine creatures, including crocodiles and hippos, become more abundant. In the 1970s and ‘80s, international anthropologists and linguists found it quite disconcerting that a territory, which was not excessively large, could be home to so many different ethnic and cultural groups. For generations the tribes of the Omo were shielded from the outside world by mountains, savanna, and by Ethiopia’s unique status, as the only African nation never to have been colonized by the Europeans. In 1980, UNESCO declared the Lower Omo Valley a World Heritage Site, in recognition of its uniqueness, and from then on few tourists begun travelling in the region. Here live some 15 semi-nomadic tribes, the largest comprising by some 70,000 people and the smallest no more than 1,000, a total of about 200,000. Amazingly, these small groups are interrelated in such a way that over time, they underwent their own evolution marked by a process of displacement, changes in survival means, symbiotic relationships, conflicts and acculturation under the influence of the dominant groups. Their evolution, in one of the most isolated regions of Africa, puzzles specialists. Undoubtedly, the most striking difference lays in their languages – despite the efforts of the Ethiopian government to introduce Amharic, the official one. Neighboring tribes may have languages of completely different origins, some harking back to Nilotic cultures and others rooted to the mountainous regions of Ethiopia. To this day, the Omo Valley remains rich in traditional culture and human history, and is considered to be the cradle of mankind. It’s been said: “If Africa was the mother of all humanity, the Omo River acted as a main artery”. Remains of early humans dating back to nearly four million years have been found here – evidence of an almost continuous human presence. DNA analysis suggests that every living person is related to a single woman from the Omo Valley – the famous “Lucy” skeleton, that was discovered during excavations in southern Ethiopia in 1974. Geographically, the tribes live along the banks of the River Omo, whose silt-laden waters run into Lake Turkana, in the Kenyan border, and whose levels are changing greatly between the rainy and dry seasons, enduring hardships caused either by the cycles of nature, or the hand of man. Long dry seasons, extreme temperatures and difficult terrains make survival a monumental challenge. Young people learn that endurance is an essential virtue and part of the inheritance handed down from their ancestors. The challenge of survival has forged the strength and indomitable spirit of the tribes. The nomadic ways of herdsmen do not allow for the development of any material culture, either for aesthetic or spiritual purposes. Continuous movement requires few and easily portable possessions, primarily those necessary to facilitate minimal daily functions. Their small huts provide shelter from the sun and the rain and are sparsely furnished. Simple fires with a crude earthenware pot sit beside gourds of different shapes and sizes, goat and cow skins and few baskets and rudimentary utensils. The most exquisite functional artisan work is the wooden neck support, which also preserves their elaborately decorated hairstyles. Their size, light weight and wide use make them essential – objects that men carry all the time, using them for sitting as well. Lack of material culture is compensated by the exceptional ornamental and symbolic wealth of their decorated bodies. One of the most astonishing things about these people is their beauty. Both boys and girls have magnificent physiques, slender and unusually supple. They adorn themselves to express status and tribal identity, not only to enhance their physical appearance but also to demonstrate messages and signals through scarification, paintings and hair styles. Cattle are an integral part of tribal life. Almost everything depends on cows. Along with milk and meat, the blood – which the tribesmen regularly take from a vein in the neck of each animal – is a staple food. Cows also act as local currency; everything is calculated in terms of cattle heads. But they represent a lot more than food and currency. They are the cultural heritage that stands at the very heart of the tribe and its survival. Fighting the enemy is also an inherent part of their culture and tradition. The intertribal conflicts go on from generation to generation. They are fighting over the diminishing resources they need to run their herds: water, and land. The only piece of modern technology widespread among the tribes is the automatic weapon. The ongoing conflict in Sudan and Somalia, have created trade in Russian Kalashnikovs and European G-3 rifles. These weapons have been entering from neighboring Sudan for about 15 years and are sold according to a well established price list: an old model is worth eight cows, which is relatively affordable, whereas the latest Kalashnikov costs between 30 and 50 cows – exactly the same price as a beautiful girl. Africa is a continent of rituals; a land where the process of “becoming” is celebrated at every stage of life as an essential part of the journey of the individual and their cultural identity. The place of every man, woman and child is defined within the framework of the extended family, age grade, ethnic group, and nation. These roles in turn give individuals a sense of belonging and purpose, and the sure knowledge that they are valued. From childhood to manhood, the different phases are marked by initiations, Decorating their bodies with paint, is a great source of fun for small Surma children. In this way they are learning to decorate themselves for courtship rituals later in life. Mixing chalk with water to form a thick paste, Surma men, draw linear, intricate designs on their bodies, using their fingertips. Surma women, perform scarification by slicing their skin with a razor blade after lifting it with a thorn. The sliced skin is left open to eventually scar. They are proud of their scars. accompanied by rituals and tests that vary according to the tribe. Kara, decorate their bodies, often imitating the spotted plumage of a guinea fowl. Feather plumes are inserted in their hair buns to complete the look. Kara women have a very distinctive hair style: they put red clay, mixed with butter on their hair, so that it looks like a bunch of coffee beans. Goats and cattle are only killed on special occasions. Men are the first to eat, and what remains is shared amongst women and children. Honey beer is consumed. Political organization is not based on monarchies or hereditary lineage, but is determined by the generation-group with the maximum politico-economic power, under the authority of the elders, the guardians of traditional values. Omo tribesmen show extreme respect towards their elders, considering them as teachers and guides. They are also an essential link between the experience of the past generations and the challenges of the present one. The traditional religion is basically animistic and contains a whole world of symbolism and rites, which are principally social (initiation, age and generation-groups, ceremonies) and economic (livestock, harvests). Those who are presumed to have special gifts are charged with mediating between the physical and spiritual worlds. Some groups recognize a supreme God, more or less linked to their common ancestor. The Surma have a sky god named Tuma, and they also believe in spirits and use medicine men to undertake sacrifices or prayers to directly send them to Tuma. Another belief of the Surma is the rainmaker. This position in the tribe is passed down through heredity and is only given to one male in the tribe. A dead person is impure, and is a taboo to be touched, except for members of the specified clan. They see to the actual funeral, after which they have to be washed with sheep’s blood. Men who fall on the battlefield are not interred but are left there and covered with branches. Every deceased person is mourned in his or her homestead for five days. Cattle are sacrificed; the entrails are read, and the meat is distributed among the visitors. With the blood and certain other parts of the killed cow or ox, the compound is ritually purified. For the tribes, life is absolutely finished with physical death – there is no concept of an afterlife on earth or in heaven. There is no sharing between the sexes. Men supervise and command, women work and obey; men have status, women have none. Women receive attention because they are needed to do the innumerable jobs. For the women of these tribes the satisfaction that makes their lives worth, above all, is their children. As a wife a woman gets few, if any signs, of appreciation or reward for work done. But as a mother she receives concern and appreciation from her children, especially from her sons, as the daughters leave the home to go and become the mothers of other children. The sons stay in their mother’s home, or if they move away, they never forget her. A mother has the power to curse her children, while her children recognize her as a vital force, their origin. They bring her tobacco, coffee, salt, and they give her cattle in appreciation of her care in bringing them up. Today the Omo Valley is a destination for wealthy tourists who cross vast, uncomfortable distances to witness those ancient rituals, wild animals, body paintings and dancing. But the presence of travelers can alter the already unstable cultural balance of the tribes. The impact of tourism in this isolated zone represents a serious threat to the future of the people who live there. Omo Valley tribes have lived there for centuries, but their future is uncertain. A huge hydro-electric dam, the largest in Africa, is under construction on the Omo. When completed, it might destroy the environment and the livelihoods of the tribes, which are closely linked to the river and its annual flood. As globalization takes over, much in our unique world is vastly disappearing. It is a world with strict rules and rituals, where wars are fought out of the need to survive and where justice and honor are natural ingredients. I sincerely hope these photos will enhance our respect for what we may call the origins of man. When I first asked for details about this trip I was told that “do remember that you probably have never been anywhere quite as remote and inhospitable as the Omo River. If you are inconvenienced by Spartan accommodations, intense human contact or are apprehensive in unfamiliar situations, then I’m sorry but this expedition is not for you.” But on the other hand, today, the greatest luxury, is to return with unique experiences. Our small traveling group had been walking from dawn until evening’s first mosquito bite, observing ancient customs, rites, everyday activities, and of course, taking pictures. We were on a safari where people – not wildlife – was the attraction. We didn’t come to see the wildlife (dry and pestilent, the terrain supports abundant birdlife and not much else) but to photograph some of the most extraordinary tribes in Africa as they go about their daily life. Omo tribesmen have adopted the practice of demanding money for each picture taken, another way for the community to share resources and nowadays to buy guns and bullets as well. They take this money/ photo exchange very seriously. There is a set price: 5 birr –about 30 cents- for an adult, 2 birr for a child (the market rate for a bullet is fifteen birr, the price of three photographs). So for two weeks, we were walking around feeling rich with large amounts of birr. Everyone is in on the deal and if you take a photo of someone’s back without them noticing, you can be sure that he or she will be told that you did so, and that a payment will be claimed. And since most tribesmen walk around with an AK-47 on their shoulders, it’s wise not to risk it. If we wanted to take a picture of someone we had to “ask for permission” and then pay. When we were invited to events such as dances, our guide would pay to compensate for each of us being there. Visiting this remote area and experiencing their culture was a trip-of-a-lifetime. Staying at two different camps over two weeks, I was able to meet the Surma (also called Suri), the Kara (Karo), the Nyangatom (Bume) and the Hamer (Hamar) tribes - all very different, physically and culturally. Omo river, is full of ferocious looking crocodiles. Deadly accidents are very common, when children go to the river to fetch the daily water for the village. Nyangatom men courtship dance, and jump to impress the ladies. They also decorate their legs in white, forming various patterns. An early morning charter flight from Addis Ababa transported us to Tulgit, in the remote Surma homeland, in the Upper Omo Valley. Known only to a small segment of the outside world – primarily for the incredible lip plates worn by women, the ritual stick-fighting called Donga, and the fantastic clay facial and body painting. We spent the next day’s camping next to their settlements and watching their daily activities. We also hiked to meet them. Small family settlements branch off on narrow Heavy necklaces and long skirts from goat skins, which are richly decorated, are a characteristic amongst Nyangatom women, also signaling their social status. tracks from the central roadway near camp – so hiking was an important part of visiting Surma villages. Aerial view of Nyangatom homesteads (bomas) in the Lower Omo valley. The nomadic ways of herdsmen do not allow for the development of any material culture. The second week we took another charter flight to Murulle, in the Lower Omo Valley and from there drove to Lumale Camp, adjacent to the Kara Village Dus, that is seldom visited by other travelers, which is also the seat of their government. The second Kara village we visited was Lebouk. Kara tribe is known for their ritual body scarification, colorful beadwork and flamboyant body painting. With fewer than 2,000 members, the Kara are the smallest tribe in the Omo Valley. Men scar their chests to represent enemies killed from rival tribes; women with their decorativelyscarred abdomen are considered sensual and desirable, but they are also known for their exuberant and photogenic dancing. The fourth tribe to see was the Hamer. Occupying a mountainous region in the eastern part of the Lower Omo Valley, they are currently the biggest Omotic language group in the region – about 20,000. Hamer women are considered the most beautiful and most elaborately dressed from all the tribes. We visited the Turmi weekly market, but also had the chance to see the unique Bull Jumping ceremony ritual, which determines whether a young male is ready to make the social jump from youth to adulthood.This is an initiation rite of passage for boys coming of age in Hamer tribe. BIBLIOGRAPHY: VAN OS PHOTO SAFARIS TOUR INFORMATION NATIONAL GEOGRAPHIC EDITION VANISHING CULTURES OF ETHIOPIA’S OMO VALLEY THE LAST FRONTIER: ETHIOPIA’S REMOTE OMO VALLEY ORIGINS SAFARIS FORBES ARTCLE (March 2013) By David Hochman GUIDELINES TO CULTURALLY SENSITIVE TOURISM –REMOTE TRIBES OMO BBC TRAVEL Articles TOUCHING ETHIOPIA by Javier Gonzalbez and Dulce Cebrian CNN : Is the tide turning against the killing of ‘cursed’ infants in Ethiopia? ETHIOPIA - PEOPLES OF THE OMO VALLEY By Matthew D. LaPlante, Nov 2011 During the Bull Jumping ceremony, Hamer women are volunteering to be whipped as a sign of commitment to the young man who is about to be initiated. HANS SILVESTER, Copyright: 2006 Editions de la Martiniere - English I thought the best way to illustrate the similarities and differences among the four tribes I saw, is to present them separately in the pages that are following. edition copyright: Thames & Hudson, London and Abrams, New York “Lip plates and the people who take photographs Uneasy encounters between Mursi and tourists in BEFORE THEY PASS AWAY Southern Ethiopia” Article by David Turton BY JIMMY NELSON, October 2013 Think Africa Press (Kenya): Hamer mothers carry their babies in a leather back sling. The general belief is that a baby left alone, may be taken by evil spirits. Hamer women are considered the most beautiful of all tribes. They are very elaborately dressed, with goatskin skirts and colorful necklaces and iron jewellery. The third tribe to visit was the Nyangatom, who live across the river from our camp, and are the arch enemies of the Kara. To get to Lokulan, the closest Nyangatom village to us, we cruised on the Omo River with a small boat, among numerous ferociouslooking crocodiles, magnificently goliath herons and colobus monkeys clambering in the fig tree. Deadly accidents are very common, when children go to the river to fetch the daily water for the village. From shore, we walked about 3.5 klm to reach their homes. The Nyangatom today are approximately 14,000 and they are considered the most feared warriors in the Omo Valley, while they are the first ones to have used automatic weapons. Heavy necklaces and long richly decorated skirts from goat skins, are the women’s characteristic, signaling also their social status. My special thanks to Joseph Van Os Photo Safaris and my gratitude to Steve Turner, the best tour leader, founder of Origins Safaris. Due to his special contacts with tribal groups we gained access and insight into these marvels. I am also grateful and deeply indebted to the authors of the books I used for my research. Their deep knowledge has granted me precious input regarding these unique tribes - in fact the completion of this book would have been impossible without their contribution. FRANCE LECLERC, World travel and photography blog Ethiopia’s Controversial Gibe III Mega-Dam Ethiopian tribes 16 January 2013 DISCOVERING WOMANHOOD THROUGH FIELDWORK ETHIOPIA’S OMO VALLEY | AFRICA’S LAST FRONTIER By Jean Lydall Contribution to the seminar “Frauen und NATIONAL GEOGRAPHIC MAGAZINE, BY RANDY OLSON Forschung: Feld - Fantasie - Fortschritt” Heidelberg 1994 A Hamer “first wife” must always wear a “burkule”, a necklace made of leather and metal that has a distinctive detail in the front. WIKIPEDIA TWILIGHT OF THE TRIBES: ETHIOPIA’S OMO RIVER VALLEY CONDE NESTE TRAVELLER ARTICLE BY SUSAN HACK, JANUARY 2012 VARIOUS INTERNET SOURCES FACES OF AFRICA Dimitra Stasinopoulou Athens, June 2014 CAROL BECKWITH & ANGELA FISHER The Bull Jumping ceremony (Ukuli Bula) is the way to determine whether a young Hamer male is ready to make the social jump from youth to adulthood. THE SURMA tribe The Surma (or Suri) is a subcategory of the Mursi tribe and are about 4,000. They are pastoralists and cultivators. Violent confrontations with other tribes, aggravated by the use of automatic weapons, are responsible for a decrease in their population. The Surma have elevated the custom of body painting to an amazing art form. They regard a healthy body as a gift to be celebrated without shyness or shame. Men paint every inch of their bodies. They draw lines with their fingertips, after having washed first their bodies in the river water. Then they scrap chalk from the riverbank and mix it with water to form a thick paste, which they slather over their bodies, while their friends begin drawing intricate linear designs using their fingertips to expose the dark skin beneath. From start to finish the process is one continuous flow. The additional application of local plants, fruits and feathers enhances the effect. Young girls also paint their faces and bodies, highlighting their designs with red ochre paint, made from pulverized rock containing iron. In anticipation of maturity, a girl encircles her breasts with white chalk designs. These innovative face and body patterns are designed to attract the opposite sex. The pattern of dots is inspired by the spotted guinea fowl. The most distinctive characteristic of the Surma is the labial and lobular plates of their women. An incision is made in the lower lip and ear lobes of a young girl during initiation rituals. A small wooden or ceramic disc is then inserted into the incision and is gradually replaced by larger ones, until the full sized disc can be placed. Having a lip plate is a sign of beauty and the bigger the plate, the more cattle the woman is worth. One theory says lips plates were used to discourage slave owners from taking the women who had them. The Surma pride themselves on the number of scars they carry. Women perform scarification by slicing their skin with a razor blade, after lifting it with a thorn and living it open until it eventually scars. Men on the other hand scar their bodies after killing someone from an enemy tribe. They also are expert in a form of stick-fighting called Donga, a highly prestigious event, at which men demonstrate their strength and skills. The lives of the Surma tribesmen revolve around cattle. Cows (and goats) are some of the most prized possessions, and men spent a lot of time with them. They very rarely eat the meat of their cow; they breed them for their milk and blood, which they both drink. The average male owns somewhere between 30 to 40 cows. These cows are not usually killed, unless they are needed for ceremonial purposes. Every young male is named after their cattle, which they are ruled to look after. To praise their cattle or mourn their deaths, they sing songs for them. Young warriors often spend many weeks or even months away from the village with their herds. At those times they eat only milk mixed with blood. To draw the blood, they shoot a short arrow into a cow’s neck, opening a vein. They also paint each other’s naked bodies with white clay, mainly because they want to look menacing and command respect. 14 15 16 18 20 21 22 24 25 26 27 28 29 30 32 33 34 35 37 38 39 43 44 46 48 49 50 51 56 59 60 61 62 63 64 69 70 71 73 75 78 80 81 84 90 92 93 94 96 98 100 101 102 107 114 118 120 121 122 123 126 128 129 130 131 132 133 134 136 137 138 140 141 142 143 144 145 148 150 151 152 153 154 155 156 157 158 159 THE KARA tribe The Kara (Karo) tribe is the smallest ethnic group of the Omo valley, with less than 1,500 members left. They live in the eastern side of the Omo by practicing flood retreat cultivation and a traditional pastoralist lifestyle. According to their oral tradition, they believe that their roots are as herdsmen who emigrated to the mountains of the Hamer and Banna peoples. They lived there for some time until one day their livestock disappeared in search of water. The livestock eventually returned, but when they disappeared again, they followed them, discovering the Omo River and came to settle on its banks. However, the tsetse fly wiped out their herds and they ended up dedicating themselves to agriculture in order to survive (sorghum, corn and beans). A part of the Kara’s small accumulation of livestock (goats and sheep) is looked after the Hamer tribe. In return, they receive sorghum. This is all connected by a series of links and alliances between both groups, and the belief that they all share a common genealogy. Nowadays they supplement their survival economy with beekeeping and fishing, which was taboo until necessity drove them into it recently. Only single young men are allowed to fish, but they must complete a purification ritual immediately afterwards. The most important ceremony in the life of a Kara is the Pilla, or Jumping over a group of oxen, marking the passage to adulthood and allowing the young man to marry. The ceremony is similar to that of the Hamer, however, the Kara only have four chances to jump over the oxen without falling. The dowry is fixed at 125 goats and is generally made up after marrying. Similar to other groups of the region, sexual relationships between young, single people are open, but produce serious social problems if any children result from these relationships. Such children are considered bad luck “mingi”– or cursed. The custom, still practiced, is for elders to take the infant from the parents, as soon as it’s born, and kill it, so its bad blood won’t pollute the tribe, cause misfortune and disgrace the family. The same happens to any child born with a deformity or does not attain predetermined expectations, such as the growth of the upper teeth before the lower ones, or being twins. Efforts made by the government have faced strong opposition. It remains easy to deny a newborn food until it starves, telling the government worker it died naturally - or, to slip into the bush, stuff its mouth with dirt, and leave it for the hyenas, or just fling it into the river. The most striking thing about Kara people’s symbolic and ornamental expressions is their painted body and face decorations. This is an elaborate process which ranges from fine and exquisite details to rough, but striking paintings traced with the palms or fingers. The most beautiful expressions are in the facial and chest paintings that combine while (chalk), black (coal), yellow, ochre and red (minerals). They also decorate their lower lips with flowers. In the villages, people reside in conical huts. Their neighbors, the Nyangatom tribe (on the other side of Omo river), are their main enemies. 168 169 174 175 178 179 180 181 185 186 187 188 189 190 191 192 194 195 196 197 198 199 200 201 202 203 204 205 206 207 210 211 212 214 216 218 219 220 221 222 223 226 227 228 229 230 231 232 233 234 236 237 242 THE NYANGATOM tribe The Nyangatom (Bume) tribe live in the dry, semi-desert lands of South-West Ethiopia and Southern Sudan, where their lives revolve around their herds of zebu cattle and raising crops, including sorghum, maize and tobacco. Today they are approximately 14,000 and they are considered as the most feared warriors in the Omo Valley, while they are the first ones to have used automatic weapons. The 20-year civil war in neighbouring Sudan meant the traditional weapons of spears, bows and arrows were replaced by automatic rifles in the 1980s (AK47s). tribes. Should they try to take animals, the Nyangatom will stop them or die in the process; and raids are followed by counter-raids. When these warriors kill an enemy, they scar their upper body to release the bad blood. They are called by the pejorative exonym “Bume” meaning “the smelly ones” by their neighbors. The tribes are fighting over the diminishing resources they need to run their herds: water, and land. Cattle raids are frequent, bloody feuds commonplace, and death a real prospect. The men guarding their cattle, are armed with guns against attacks by neighbouring Heavy necklaces and long skirts from goat skins, which are richly decorated, are a characteristic amongst women, and are also signaling their social status. A single woman will wear necklaces from colorful beads, while a married one, uses only neutral colors. They were once referred to derisively as Elephant-eaters (nyamatom), which they turned against their enemies by a clever pun, transforming it into Nyang-atom (literally “yellow guns”). The women also decorate themselves with ornamental scarification on their faces, chests, and bellies. The main form of social organisation is by generation-set. The men of one generation-set, father the men and women of the next, while each on is given a name. The earliest ancestors are called the Founders; their sons were the Wild Dogs, then the Zebras, the Tortoises, the Mountains and so on. The oldest generation-set still living now are called the Elephants; then Ostriches and the Antelopes; or the Birds and the Ibex. The youngest are now known as the Buffaloes. Fathers and sons always socialise separately. The Elders remain in the village, while the job of the boys is to herd the goats, which wonder on bushes round the village; and the women milk the livestock. As part of their initiation, the sons must prove they can look after their Elders. In a ceremony witnessed by the whole village, the young men attempt to kill a bull with their spear, showing they can provide for the tribe. Once they are initiated, they will become the dedicated fighting force of the village. It’s their job to defend the tribe and the cattle. They will be the ones to spend their days out with the herds, risking their lives to protect them. The Nyangatom are famous among the tribes for their storytelling and singing. Their cattle songs are also used by neighbours of other language families. Reciprocally, the Nyangatom appreciate and acquire pots from Surma and Kara women, because their own wives have not mastered the skill of pottery. 252 256 257 258 260 261 264 266 267 268 276 277 284 285 THE HAMER tribe The Hamer (Hamar) tribe occupy a mountainous region in the eastern part of the Lower Omo Valley. They have integrated with many of their neighbours and currently make up the biggest Omotic language group in the region (approx. 20,000). They are peaceful and friendly. Honey collection is their major activity and their life is centered around their cattle. There are at least 27 words for the subtle variations of colors and textures of cattle, while each man has three names: a human, a goat and a cow name. Women are very beautiful and the most elaborately dressed of the region. Usually, they carry their babies in a leather back sling. Because they believe that a baby left alone, may be taken by evil spirits. Their goatskin skirts are almost always decorated with coloured glass beads, the rear of the skirt has its own amusing touch, its longer pointed cut strongly resembles the tail of a gazelle. Their girdle belts are covered in cowry shells, while their heads are adorned with the bala, a band with an oval-shaped metal plaque. Solid metal necklaces called esente are worn and are never taken off. The status of married women is indicated by a third necklace of leather and metal that also has a distinctive detail protruding from the front. The profusion of metal bracelets on their arms and legs also adds to their ornamentation. Women’s hair is thoroughly covered in a mixture of grease and red ochre colouring. In comparison, male decoration is simpler, by applying clay and honey on their tight curls, they are able to stick small feathers on it. The Bull Jumping ceremony (Ukuli Bula) is their most important ceremony, the way to determine whether a young Hamer male is ready to make the social jump from youth to adulthood and the responsibilities of raising a family. While the boys walk on bulls, Hamer women accompany them: they jump and sing in circles, blowing their trumpets and whistles, while they volunteer to be whipped until bleeding, to show their courage and their commitment to a relative. The young man is called Ukuli. Once the ritual is completed successfully, he becomes a cherkali, and after eight days have passed, a maz. The ceremony takes place in clearings in the countryside and is attended by the family, relatives and close friends of the Ukuli. The more common practice is matrimonial commitment. Hamer marriages include the handing over of a large dowry to the family of the chosen girl. This dowry is negotiable, while the high price of goats and sheep is the reason why there is not a set age for the Ukuli Bula. This all depends on the wealth of the young man’s family, as well as the of number of brothers he has. The weekly markets in Dimeka and Turmi are meeting points, not only for the Hamer, but also for the neighbouring groups, where purchases and exchanges of fruit, honey, butter, sorghum, and coffee are made. The livestock market is in a separate area where they display their goats, sheep and their few cows. The transactions are small, based on the daily or weekly needs. The morning market guarantees survival for the next week and creates social links and friendships. 288 290 292 293 296 297 298 300 306 307 310 311 318 319 327 328 329 330 331 332 333 334 335 336 337 338 339 346 347 348 349 350 351 352 353 354 355 Copyright© Athens, June 2014 Dimitra Stasinopoulou e-mail: dimitra@imedica.ro PHOTOGRAPHY/ TEXT: Dimitra Stasinopoulou BOOK DESIGN: Phoebe Skotida Color Separations/ MONTAGE: Nikos Alexiadis - TOXO OE All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or means without the permission of the copyright© holder.