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Matthew Sosnow <grantwritermatt@gmail.com>
MARCH 2015 at MBC: HUMAN CAPITAL, Orson Welles, GIRLHOOD & much
more!
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MBCinema <mbfilm@bellsouth.net>
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Fri, Feb 27, 2015 at 8:33 AM
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MARCH 2015
M I A M I B E A C H C I N E M A T H E Q U E
PAOLO VIRZI, ORSON WELLES, ANDREY
ZVYAGINTSEV, JEAN­PIERRE & LUC DARDENNE,
PETER STRICKLAND, PAWEL PAWLIKOWSKI,
CÉLINE SCIAMMA, DAVID MITCHELL, C. WORKMAN
M I A M I B E A C H C I N E M A T H E Q U E
Historic City Hall, 1130 Washington Ave, Miami Beach
(305) 67­FILMS (673­4567) www.MBCinema.com MARCH 2015 in Detail:
FRI, FEB 27­THU, MAR 05:
Miami Beach Premiere Engagement!
Italy's Official Oscar Entry 2015
HUMAN CAPITAL
Directed by PAOLO VIRZI/Italy/2014/111mins.
With Fabrizio Bentivoglio, Matilde Gioli,
Valeria Bruni Tedeschi
Human Capital begins at the end, as a cyclist is run off the road by a careening SUV
the night before Christmas Eve. As details emerge of the events leading up to the
accident, the lives of the well­to­do Bernaschi family, privileged and detached, will
intertwine with the Ossolas, struggling to keep their comfortable middle­class life,
in ways neither could have expected. Dino Ossola (Fabrizio Bentivoglio), in dire
financial straits, anticipates the birth of twins with his second wife (Valeria Golino).
Meanwhile, Dino's teenage daughter's relationship with hedge­fund manager
Giovanni Bernaschi's playboy son complicates an already tricky social dance of
status, money and ambition. (In Italian with English subtitles).
WINNER:
Tribeca Film Festival ­ Best Actress (Valeria Bruni Tedeschi)
Nastri d'Argento Awards ­ Best Director, Screenplay, Cinematography
David di Donatello Awards
Best Film, Best Screenplay, Best Actress, Best Supporting Actress,
Best Supporting Actor
Italian Golden Globe­Best Film
Chicago Int'l Film Festival ­ Best Art Direction
"A searing, scathing story of greed and familial self­destruction"
­Village Voice
"This slick, stylish fusion of class critique and murder mystery confirms Paolo
Virzi as one of Italy's more dynamic directors."­Variety
LINKS TO ADVANCE TICKETS:
FRI, FEB 27, 7p
FRI, FEB 27, 9:15p
SAT, FEB 28, 7p
SAT, FEB 28, 9:15p
SUN, MAR 01, 6p
SUN, MAR 01, 8:15p
WED, MAR 04, 7p
WED, MAR 04, 9:15p
THU, MAR 05, 9p
THU, MAR 05, 6:50p:
"ORSON WELLES at 100"
Retrospective & Exhibition
In collaboration with Miami Int. Film Festival
THE LADY FROM SHANGHAI
Directed by ORSON WELLES/1947/87mins.
With Orson Welles, Rita Hayworth, Everett Sloane
Original French pressbook from the MBC Archive, on display at MBC Baffling murders, fascinating plot twists and remarkable camera work all contribute to
this spellbinding, time­honored film noir written, directed by and starring Orson Welles.
Hired to work on a yacht belonging to the disabled husband of femme fatale Rita
Hayworth, Welles plays an innocent man drawn into a dangerous web of intrigue and
murder. The subject of great controversy and scandal upon its initial release, The Lady
from Shanghai shocked 1948 audiences by presenting Hayworth with her flaming red
hair cut short and dyed champagne blonde. Fifty years later, The Lady From Shanghai
is considered vintage Welles, his famous hall of mirrors climax hailed as one of the
greatest scenes in cinematic history.
"Even in its present state of butchered grandeur, The Lady from Shanghai
(1947) is a joy to behold. Like everything Orson Welles produced, there's an
air of fractured menace in this film that resides outside the white noise that
surrounds his presence as the poet of film maudit. Its possessed by an
uneasy, frivolous wisp of a plot that ponders through the created anecdote
whether our internal constructs are true enough to grasp... As Truffaut
famously wrote about the remarkable The Lady from Shanghai: "Its whole
raison d'etre is cinema itself."­CineVue
LINKS TO ADVANCE TICKETS:
THU, MAR 05, 6:50p
FRI, MAR 06­SAT, MAR 14:
"Best of Cannes"
(Best Screenplay Winner)
Golden Globe Winner and Oscar Nominee
Best Foreign Language Film
Encore Screenings!
LEVIATHAN
Directed by ANDREY ZVYAGINTSEV/Russia/2014/140mins.
With Alexey Serebryakov, Elena Liadova, Sergey Pokhodaev
The latest drama from Andrey Zvyagintsev, the acclaimed director of The Return
(Venice Film Festival Golden Lion winner and Golden Globe nominee). Kolia (Alexey
Serebryakov) lives in a small fishing town near the stunning Barents Sea in Northern
Russia. He owns an auto­repair shop that stands right next to the house where he lives
with his young wife Lilya (Elena Liadova) and his son Roma (Sergey Pokhodaev) from a
previous marriage. The town's corrupt mayor Vadim Shelevyat (Roman Madianov) is
determined to take away his business, his house, as well as his land. First the Mayor
tries buying off Kolia, but Kolia unflinchingly fights as hard as he can so as not to lose
everything he owns including the beauty that has surrounded him from the day he was
born. Facing resistance, the mayor starts being more aggressive...
(In Russian with English subtitles)
WINNER: Best Screenplay Cannes Film Festival
Golden Globe Best Foreign Language Film
Academy Award Nominee Best Foreign Language Film
"
(Highest Rating!) Written by Zvyagintsev and Oleg Negin, Leviathan,
which is one of this year's nominees for the Best Foreign Language Oscar,
opens and closes with gorgeous shots of the Barents Sea splashing against
the coastline, the waves caressing rocks and jetties with grace and fury, set
to a swelling score by Philip Glass. The images impart entirely different
meanings once you've experienced the pressure­cooker drama in­between."­
Rene Rodriguez, Miami Herald
"ABSOLUTELY FANTASTIC. Not just masterful but hugely important"
­The Playlist
LINKS TO ADVANCE TICKETS:
FRI, MAR 06, 8:30p
SAT, MAR 7, 3:30p
SAT, MAR 07, 6:15p
SUN, MAR 08, 5:30p
WED, MAR 11, 8:30p
SAT, MAR 14 4p
FRI, MAR 06­SUN, MAR 15:
"Best of Cannes"
(ICS Grand Prix Award)
Oscar Nominee Best Actress
Miami Beach Premiere Engagement!
TWO DAYS ONE NIGHT
Directed by JEAN­PIERRE & LUC DARDENNE/Belgium/2014/95mins.
With Marion Cotillard, Fabrizio Rongione, Catherine Sallée
After screening all of the Dardennes' films, MBC is happy to bring you their latest. For
the first time, Belgian directors Jean­Pierre and Luc Dardenne team up with a major
international star, Marion Cotillard, to create a universal story about working­class
people living on the edges of society. Sandra (Cotillard) has just returned to work after
recovering from a serious bout with depression. After realizing that her co­workers will
decide her fate on Monday morning, Sandra races against time over the course of the
weekend, often with the help of her husband, to convince each of her fellow employees
to sacrifice their much­needed bonuses so she can keep her job. With each encounter,
Sandra is brought into a different world with unexpected results in this powerful
statement on community solidarity. (In French with English subtitles).
WINNER:
International Cinephile Society Awards Grand Prix, Cannes
National Society of Film Critics Best Actress
New York Film Critics Best Actress
Village Voice Poll Best Actress
Women Film Critics Best Foreign Film About Women
"IT'S A DEEPLY LOVABLE FILM, SATISFYING, NOURISHING AND
ACCESSIBLE..we were completely immersed in its plain­spoken yet impossibly
resonant rhythms practically from the first frame."
­Jessica Kiang, The Playlist
"TWO DAYS, ONE NIGHT IS A SMALL MIRACLE OF A MOVIE, a drama so purely
humane that it makes most attempts at audience uplift look crass and
calculated by comparison." ­ A.A. Dowd, AV Club
LINKS TO ADVANCE TICKETS:
FRI, MAR 06, 6:50p
SAT, MAR 07, 9p
SUN, MAR 08, 3:45p
SUN, MAR 08, 8:15p
WED, MAR 11, 6:50p
SUN, MAR 15, 5p
THU, MAR 12, 6:50p:
"ORSON WELLES at 100"
Retrospective & Exhibition
In collaboration with Miami Int. Film Festival
CITIZEN KANE
Directed by ORSON WELLES/1941/119mins.
With Orson Welles, Joseph Cotton, Dorothy Comingore,
Agnes Moorehead, Ruth Warrick
Original French poster from the MBC Archive, on display at MBC Orson Welles' timeless masterwork is more than a groundbreaking film. Presented here
in a magnificent 70th anniversary digital transfer with revitalized digital audio from the
highest quality surviving elements, it is also grand entertainment, sharply acted and
superbly directed with inspired visual flair. Depicting the controversial life of an
influential publishing tycoon, this Best Original Screenplay Academy Award Winner
(1941) is rooted in themes of power, corruption, vanity­the American Dream lost in the
mystery of a dying man's last word: "Rosebud".
WINNER:
Best Film National Board of Review
Academy Award Best Screenplay
National Film Preservation Board
New York Film Critics Best Film
"It is one of the miracles of cinema that in 1941 a first­time director; a
cynical, hard­drinking writer; an innovative cinematographer, and a group of
New York stage and radio actors were given the keys to a studio and total
control, and made a masterpiece. "Citizen Kane" is more than a great movie;
it is a gathering of all the lessons of the emerging era of sound, just as "Birth
of a Nation" assembled everything learned at the summit of the silent era,
and "2001" pointed the way beyond narrative. These peaks stand above all
the others."­Roger Ebert
LINK TO ADVANCE TICKETS:
THU, MAR 12, 6:50p
THU, MAR 12­THU, MAR 19:
Miami Beach Premiere Engagement!
THE DUKE OF BURGUNDY
Directed by PETER STRICKLAND/UK/2014/105mins.
With Sidse Babett Knudsen, Eugenia Caruso, Monica Swinn
Dripping with dreamlike imagery, Gothic atmosphere, and a lush chamber pop score by
Cat's Eyes, this critically­acclaimed, darkly comic erotic fantasia is a seductive feast for
the senses. Sex, bondage, and butterflies: two women explore the extremes of carnal
desire in this kinky, deliciously twisted tale of erotic obsession. In a crumbling
European estate, butterfly researcher Cynthia (Sidse Babett Knudsen) and her lover
Evelyn (Chiara D'Anna) repeatedly enact a sadomasochistic role­playing game, with
Cynthia as the stern mistress and Evelyn her subservient sex slave. But as the lines
between fantasy and reality begin to blur, and Cynthia grows increasingly uneasy with
Evelyn's insatiable appetite for punishment, their relationship is pushed to the limit.
WINNER: Hamptons Film Festival Pioneering Vision Award
"A DELIGHT. VISUALLY RAVISHING, EMOTIONALLY WISE, AND KINKY AS A
COILED ROPE."­Leslie Felpern, Hollywood Reporter
"GRADE A. THE STUFF DREAMS ARE MADE OF. Creates a spell that had us
hypnotized, immersed, and still awestruck. It's the kind of movie that has us
falling in love with movies all over again."
­Nicola Grozdanovic, The Playlist
LINKS TO ADVANCE TICKETS:
THU, MAR 12, 9:15p
FRI, MAR 13, 9p
SAT, MAR 14 9p
SUN, MAR 15, 8:45p
WED, MAR 18, 9p
THU, MAR 19, 9p
FRI, MAR 13­WED, MAR 18:
OSCAR WINNER!
Best Foreign Language Film
Encore Screenings!
IDA
Directed by PAWEL PAWLIKOWSKI/Poland/2014/80mins.
With Agata Trzebuchowska, Dawid Ogrodnik, Halina Skoczynska
From acclaimed director Pawel Pawlikowski comes Ida, a moving and intimate drama
about a young novitiate nun in 1960s Poland who, on the verge of taking her vows,
makes a shocking discovery about her past. 18­year old Anna (stunning newcomer
Agata Trzebuchowska), is preparing to become a nun when the Mother Superior insists
she first visit her sole living relative. Powerfully written and eloquently shot, Ida a
masterly evocation of a time, a dilemma, and a defining historical moment; Ida is also
personal, intimate, and human. (In Polish with English subtitles).
OSCAR WINNER: Best Foreign Language Film
Independent Spirit Awards Best Foreign Language Film
Critics' Pick! "ONE OF THE FINEST EUROPEAN FILMS IN RECENT MEMORY."
­A.O. Scott, The New York Times
"A film of exceptional artistry whose emotions are as potent and persuasive
as its images are indelibly beautiful." ­Kenneth Turan, Los Angeles Times
"ONE OF THE BEST FILMS OF THE YEAR. NOT TO BE MISSED."
­George Robinson, The Jewish Week
"A NEW POLISH MASTERPIECE." ­ David Thomson, New Republic
LINKS TO ADVANCE TICKETS:
FRI, MAR 13, 7p
SAT, MAR 14, 7p
SUN, MAR 15, 7p
WED, MAR 18, 7p
THU, MAR 19, 6:50p:
"ORSON WELLES at 100"
Retrospective & Exhibition
In collaboration with Miami Int. Film Festival
Florida Premiere of the new restoration!
OTHELLO
Directed by ORSON WELLES/1952/restoration 2014/93mins.
With Orson Welles, Micheal Macliammoir, Suzanne Cloutier, Robert Coote
Original US poster from the MBC Archive, on display at MBC Soon after the release of Macbeth, in 1948, Orson Welles decided to adapt another
Shakespeare play, Othello. The film's shoot was fraught with pitfalls, including the
original producer going bankrupt and unforeseen cast changes, leading Welles to
suspend filming several times. The result is an astounding and breathtakingly beautiful
adaptation of Shakespeare's tragedy: the actor­director, assisted by renowned
production designer Alexandre Trauner, glorifies each shot of his Othello with clever
contrasts between shadow and light. Orson Welles exerts his genius with a masterpiece
of unique aesthetics, earning a well­deserved Palme d'Or in Cannes in 1952. WINNER: Palme d'Or Cannes Film Festival
"Orson's bravery ­ along with his imagination, his selfishness, his generosity,
his cruelty, his tolerance, his impatience, his sensitivity, his coarseness, and
his vision ­ is magnificently excessive."
­Micheál MACLIAMMÓIR
"The most visually splendiferous of Welles films"­Film Comment
"Like Welles, his Othello roars for itself"­NY Times
"ONE PART SHAKESPEARE AND THREE PARTS WELLES"­Village Voice
LINK TO ADVANCE TICKETS:
THU, MAR 19, 6:50p
FRI, MAR 20­SUN, MAR 29:
Miami Exclusive Premiere Engagement!
DON'T MISS THE STARS OF GIRLHOOD
KARIDJA TOURÉ and ASSA SYLLA,
our special guests for
"Speaking in Cinema" on MON March 23,
in conversation with LA Weekly Chief Film Critic
AMY NICHOLSON
hosted by Miami New Times Film Critic
JUAN BARQUIN
(info below)
GIRLHOOD
(Bande de filles)
Directed by Céline Sciamma/France/2015/112mins.
Karidja Touré, Assa Sylla, Lindsay Karamoh
Fed up with her abusive family situation, lack of school prospects and the "boys' law" in
the neighborhood, Marieme starts a new life after meeting a group of three free­
spirited girls. She changes her name, her style, drops out of school and starts stealing
to be accepted into the gang. When her home situation becomes unbearable, Marieme
seeks solace in an older man who promises her money and protection. Realizing this
sort of lifestyle will never result in the freedom and independence she truly desires,
she finally decides to take matters into her own hands.
(In French with English subtitles).
OFFICIAL SELECTION: Opening Night
Cannes Film Festival Director's Fortnight
Cesar Award Nominee Best Director and Best Newcomer (Karidja Touré)
Winner: San Sebastián International Film Festival Otra Mirada Award
Women Film Critic's Circle Awards
Best Unreleased film about Women 2014
"CRITICS' PICK! Radiant... thrilling... powerful!"
­Alan Scherstul, Village Voice
"ONE OF THE BEST COMING­OF­AGE FILMS IN YEARS!"­Eric Kohn, Indiewire
"ENERGETIC... HUGELY UPLIFTING"
­ Jessica Kiang, Indiewire's The Playlist
"A MAGNETIC CENTRAL PERFORMANCE FROM STUNNING NEWCOMER
KARIDJA TOURÉ"­ David Rooney, Hollywood Reporter
LINKS TO ADVANCE TICKETS:
FRI, MAR 20, 7p
FRI, MAR 20, 9:10p
SAT, MAR 21 4:20p
SAT, MAR 21, 6:30p*
(*With reception for the stars after the film)
SAT, MAR 21 9:10p**
(**With reception for the stars before the film)
SUN, MAR 22, 4:50p
SUN, MAR 22, 7p
SUN, MAR 22, 9:10p
MON, MAR 23, 7p: "SPEAKING IN CINEMA"*
(See full info below)
TUE, MAR 24, 7p
TUE, MAR 24, 9:10p
WED, MAR 25, 7p
WED, MAR 25, 9:10p
THU, MAR 26, 9p
SAT, MAR 28, 6:45p
SUN, MAR 29, 3p
*Speaking in Cinema does not include a screening of the film.
MON, MAR 23, 7p:
"S P E A K I N G I N C I N E M A"
A series of events at MBC
celebrating cinema as a art­form
With special guests
KARIDJA TOURÉ and ASSA SYLLA
Stars of GIRLHOOD
and
L.A. Weekly Chief Film Critic
AMY NICHOLSON
hosted by
Miami New Times and DtHL Film Critic
JUAN BARQUIN
Discussing
GIRLHOOD
Made possible by the generous support of the
John S. and James L. Knight Foundation
as part of its Knight Arts Challenge,
with additional support from
The Sagamore Hotel, Nespresso,
and the French Embassy in the United States
SPEAKING IN CINEMA presented by MBC is a series of events giving an in­depth look at the intricacies of the
art of filmmaking led by local and visiting film critics. With filmmakers, artists and international specialists as
guests, connecting to and supplementing MBC programming, the series of discussions is an ongoing and
inclusive celebration of the art of cinema, the "Seventh Art", which brings together all of the other six.
SPEAKING IN CINEMA explores cinema's past, present and future as the medium that encompasses spatial,
temporal and visual aspects of art. The series provides a platform for continued engagement with a video
library of the events to be released soon on the MBC website.
With afterparty at the Sagamore Hotel
LINK TO ADVANCE TICKETS:
MON, MAR 23, 7p
THU, MAR 26, 6:50p:
"ORSON WELLES at 100"
Retrospective & Exhibition
In collaboration with Miami Int. Film Festival
Reconstructed version!
TOUCH OF EVIL
Directed by ORSON WELLES/1958/Revised 1998/95mins.
With Orson Welles, Charlton Heston, Janet Leigh, Marlene Dietrich
Original Spanish poster from the MBC Archive, on display at MBC
Directed by Orson Welles, Touch of Evil is a film noir masterpiece whose Hollywood
backstory is as unforgettable as the movie itself. Starring Charlton Heston, Janet Leigh
and Orson Welles, this dark portrait of corruption and morally compromised obsessions
tells the story of a crooked police chief who frames a Mexican youth as part of an
intricate criminal plot. This is the Reconstructed version based on Orson Welles' original
vision.
"The 1998 revision is more than just another version, it's an attempt at
artistic reclamation by proxy. "An academic example of what Welles
intended," is how revision producer Rick Schmidlin described it in 1998.
"There can be no such thing as a restored version," reminds Bob O'Neil, the
head of preservation and restoration at Universal, "because in order for there
to be a restored version, there needs to be a version to restore and there
never was a Welles version."­Parallax View
LINK TO ADVANCE TICKETS:
THU, MAR 26, 6:50p
FRI, MAR 27­SUN, APR 05:
Miami Exclusive Premiere Engagement!
IT FOLLOWS
Directed by DAVID ROBERT MITCHELL/2014/100mins.
With Linda Boston, Caitlin Burt, Heather Fairbanks, Keir Gilcrest
After his acclaimed film The Myth of the American Sleepover, director David Robert
Mitchell takes on horror with one of the most artistic examples of "the New Horror"
wave in American independent cinema, IT FOLLOWS, an immediate cult­like hit at the
Cannes Critic's Week . For nineteen­year­old Jay, Autumn should be about school, boys
and week­ends out at the lake. But after a seemingly innocent sexual encounter, she
finds herself plagued by strange visions and the inescapable sense that someone,
something, is following her. Faced with this burden, Jay and her friends must find a
way to escape the horrors that seem to be only a few steps behind.
OFFICIAL SELECTION: Cannes and Sundance Film Festivals
WINNER: Best Film Gérardmer Film Festival
WINNER: Best Film Austin Fantastic Fest
WINNER: International Critics Award and Youth Prize
Neuchâtel International Fantasy Film Festival
"ONE OF THE MOST STRIKING AMERICAN HORROR FILMS IN YEARS"
­The Dissolve
"TENDER, REMARKABLY INGENIOUS AND SCALP­PRICKINGLY SCARY."
­The Telegraph
"CREEPY, SUSPENSEFUL and SUSTAINED, THIS SKILLFULLY MADE LO­FI
HORROR MOVIE PLAYS KNOWINGLY WITH GENRE TROPES and yet never
winks at the audience, giving it a refreshing face­value earnestness that
makes it all the more gripping."­David Rooney, Hollywood Reporter
"..through David Robert Mitchell's writing and direction IT FOLLOWS IS ONE
FUN, LEAN HORROR MACHINE."­Way Too Indie
CANNES FILM FESTIVAL INTERVIEW WITH DIRECTOR
DAVID ROBERT MITCHELL
For It Follows, you decided to switch to a horror film while retaining the DNA
of The Myth Of American Sleepover (Detroit, the teenagers, the mood, etc...).
How did you come with this idea?
I had the idea for the film for years. When I was a kid I had nightmares about being
followed by monsters and vampires. I had trouble sleeping ­ these dreams were so
scary. It probably started there. The fact that it has similarities to Myth happened
pretty naturally. I wondered what it would be like if the kids from Myth were thrown
into a more supernatural world. After reading the script, my friend and editor Julio
Perez told me that it seemed like a very dark sequel to Myth. That seemed pretty
funny to me, but I think it might be somewhat true. It wasn't intentional, but I can
understand people seeing it that way. While Myth suggests a gentle kindness and
hope, this film is filled with fear and dread.
I remember this scene in The Myth Of American Sleepover involving a Ouija
board to summon spirits... It Follows is your own take on horror genre. How
would you describe it?
This film is certainly inspired by a strange mixture of John Carpenter, Lynch, Philip
Kaufman, Kubrick, Polanski, Jacques Tourneur, Jean Rollin, Cronenberg, Dario Argento
and many other filmmakers who have made some pretty wonderful horror films.
The Myth Of American Sleepover showed that adolescence and youth were
moody and beautiful. It Follows shows an uglier side: fear of sex, angry
parents... Are you planning a trilogy?
I'm not planning a third film to fit with this pair, but that doesn't mean I won't make
one accidentally. I have a few other scripts and some ideas that could easily fit within
this world. The similarities will probably happen naturally. There's one in particular that
I'm excited about. It's an adventure/mystery with a bit of comedy ­ plus it's centred on
adults. We'll see which one I'm able to make next.
Interview by Léo Soesanto
LINKS TO ADVANCE TICKETS:
FRI, MAR 27, 7p
FRI, MAR 27, 9p
FRI, MAR 27, LATE SHOW! 10:50p
SAT, MAR 28, 3p
SAT, MAR 28 9p
SAT, MAR 28, LATE SHOW! 10:50p
SUN, MAR 29, 7p
SUN, MAR 29, 9p
MON, APR 30, 7p
MON, APR 30, 9p
TUE, APR 31, 7p
TUE, APR 31, 9p
WED, APR 01, 8:45p
THU, APR 02, 8:30p
FRI, APR 03, 8:50p
FRI, APR 03, LATE SHOW! 10:50p
SAT, APR 04, 8:50p
SAT, APR 04, LATE SHOW! 10:50p
SUN, APR 05, 8:50p
TUE, APR 07, 8:45p
WED, APR 08, 8:45p
THU, APR 09, 8:45p
SAT, MAR 28­WED, APR 01:
"ORSON WELLES at 100"
Retrospective & Exhibition
In collaboration with Miami Int. Film Festival
Miami Beach Premiere Engagement!
MAGICIAN:
THE ASTONISHING LIFE & WORK
OF ORSON WELLES
Documentary directed by CHUCK WORKMAN/2014/95mins.
Featuring Orson Welles, Peter Bogdonovich, Richard Linklater,
John Houseman, Steven Spielberg, Jeanne Moreau,
Martin Scorsese, Anthony Perkins, Costa­Gavras, and more...
"If you want a happy ending, that depends on where you end your story"
­Orson Welles
Academy Award winning documentary filmmaker Chuck Workman brings a new work
on Orson Welles to the screen! Magician: The Astonishing Life and Work of Orson
Welles looks at the remarkable genius of Orson Welles on the eve of his centenary ­
the enigma of his career as a Hollywood star, a Hollywood director (for some a
Hollywood failure), and a crucially important independent filmmaker.
North American Premiere at the 2014 Telluride Film Festival
"A lively and fresh retelling of the protean artist's eventful life."
­Hollywood Reporter
"This valuable documentary is the easiest, and in some cases only, way to
appreciate the work of one of the medium's most accomplished artists."
­Film Journal
LINKS TO ADVANCE TICKETS:
SAT, MAR 28 5p
SUN, MAR 29, 5:15p
WED, APR 01, 7p
M I A M I B E A C H C I N E M A T H E Q U E
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