Summer 2003 - Canadian Music Centre

Transcription

Newsletter of the Canadian Music Centre • British Columbia Region
Centregramme
Summer 2003
New Website Launched
Launched this spring, the Canadian
Music Centre’s innovative new website
(www.musiccentre.ca) is enjoying great
success.
More than just familiar content with a
fresh face, the website contains new
technology that will help bring Canadian
music to computers, homes and lives
worldwide.
The CMC’s online library catalogue is a
gateway to an immense collection of
scores and resources. Audio and score
samples, currently available for a selection of works, will eventually become a
feature of every listing in the catalogue.
This means that users can browse the
library online, any time and anywhere.
“The new CMC site offers extensive content and easy-to-navigate functions that
promote Canada’s composers and their
music worldwide, as well as help educators and life-long learners to become
more familiar with Canadian composers
and their work,” says Elisabeth Bihl,
CMC Executive Director.
For those new to Canadian music, the
site introduces an online tutorial available in two versions: Flash (which
requires the installation of Flash 6 to
view animations) and text-only (for users
who prefer not to see the animations).
Entitled Sound Progressions, this presentation exhibits an overview of 20th
Century Canadian composition. A comprehensive list of recent or current musical trends provides an introduction to all
aspects of contemporary music; here,
users will nd denitions of each musical genre, names of some composers
commonly associated with the genre, a
selection of representative Canadian
works employing the genre’s compositional techniques, and a summary of
related or concurrent historical events.
Audio and score samples are included to
bring the presentation to life.
The site’s easy-to-use search function
guides the user through the vast repository of information in the CMC library.
Biographies and score samples can be
located through the “Find a Composer”
option, whereas “Find a Score” provides access to the thousands of scores
available at the CMC. This search tool is
linked directly to the CMC library and
will help users order those scores which
they would like to borrow or purchase.
Additional features of the new site
include a forum for communication and
interaction for the new music community, a calendar of Canadian new music
events, and a comprehensive international selection of web links. CDs, books and
published works can also be purchased
online using the “Buy a Recording”
option. Services for Associate Composers are also provided.
The digitization project and new database-driven website were made possible
by the generous support of The Canada
Council for the Arts and the Department
of Canadian Heritage, through the Canadian Culture Online Program (CCOP).
Partners in the CCOP project include:
ecentricarts inc., Ingraham Cultural
Resources Management Corp., Fasken
Martineau DuMoulin LLP, E-Encyclopedia of Music in Canada, International
Association of Music Information Centres, OnDisC Alliance, and Blast Radius
Inc.
- CMC Staff
Canadian Music
Centre, BC Region
• A free circulating computer-catalogued
library of 15,000 scores
• A free listening library of CDs, tapes,
and vintage vinyls
• A major resource for reference materials on Canadian composers
• A selection of CDs and books for purchase
Open Monday to Friday,
9:00am to 5:00pm
Centregramme
ISSN 0227-3233 is the newsletter of the
B.C. Regional Ofce of the Canadian
Music Centre / Centre de musique canadienne
editor: Colin Miles
copy editors: Colin Miles, Christine
Donkin, Greg Newsome, Tara Matsuzaki
production & design: Christine Donkin
Published by the Canadian Music Centre, British Columbia Region; 837 Davie
Street; Vancouver, B.C.; V6Z 1B7
Phone: 604.734.4622
Fax: 604.734.4627
E-mail: bcregion@musiccentre.ca
The CMC is an independent non-prot,
non-government agency which promotes and disseminates the music of
Canada’s composers.
Opinions expressed herein are not necessarily those of the Canadian Music
Centre.
CMC Offices
National Office
Ontario Region
Chalmers House / Maison Chalmers
20 St Joseph Street
Toronto, ON
M4Y 1J9
Phone/fax: 416.961.7198
info@musiccentre.ca
Same address as National Ofce
Phone: 416.961.4057
Fax: 416.961.7198
ontario@musiccentre.ca
Atlantic Region
Prairie Region
Mount Allison University
134 Main Street
Sackville, NB
E4L 1A6
Phone: 506.536.4263
Fax: 506.364.2617
atlantic@musiccentre.ca
911 Library Tower
2500 University Drive NW
Calgary, AB
T2N 1N4
Phone: 403.220.7403
Fax: 403.289.4877
prairie@musiccentre.ca
Région du Québec
British Columbia Region
416, rue McGill
Montréal, PQ
H2Y 2G1
Phone: 514.866.3477
Fax: 514.866.0456
quebec@centremusique.ca
837 Davie Street
Vancouver, BC
V6Z 1B7
Phone: 604.734.4622
Fax: 604.734.4627
bcregion@musiccentre.ca
Honourary Members/Membres honoraires
Patron / Presidente d’honneur
Her Excellency the Right Honourable Adrienne
Clarkson C.C., C.M.M., C.D., Governor General of
Canada
Son Excellence la tres honorable Adrienne Clarkson C.C., C.M.M., C.D., Gouverneure Générale du
Canada
† Dr. Murray Adaskin, O.C.
Mr Hugh Anson-Cartwright
† Louis Applebaum, C.C.O. ON
† Dr. Violet Archer, C.M., Hon. Fellow,
RCCO
† Mr. Louis Audette, O.C., C.R.
† M. Paul Baby, Pres. hon. a vie, CMCM.
Victor Bouchard, O.C.
Dr. Alexander Brott, C.M., C.Q.
† Mr. Floyd S. Chalmers, C.C., O. ON
Ms. M. Joan Chalmers, C.C., O. ON
† Dr. Jean Coulthard, O.C., O.B.C.
Dr. Victor Feldbrill, O.C.
† Dr. Lyell Gustin
Mr. Otto Joachim, C.Q., U.D.h.c.
† Dr. Richard Johnston, C.M.
Maryvonne Kendergi, O.C., C.Q., O. des
A. et L. (Fr)
† M. Gilles Lefebvre, O.C., C.Q., O. des
A. et L. (Fr)
† Mr. Keith MacMillan
† M. Jean Papineau-Couture, C.C.,
G.,O.Q., D.h.c., SA
† Dr. Barbara Pentland, C.M., O.B.C.
† M. Gilles Potvin, C.M., S.R.C.
Mr. Horst A. Schmid
Ms. Ann Southam
Ms. Barbara Chilcott Somers
† M. Claude Vivier
Dr. John Weinzweig, O.C., O. ON
† Mr. Peter Wright
† deceased
CMC Info
Page 2
CMC Info
!
"#$%&'!(!)%%*+%,$-$%&'
"nside this "ssue
SOCAN Professional
Reading Session
Co$er ' Feature Article(
)New Website Launched8
9: ; ' ,vents 0 Announcements
9: < ' New Associate Composers
9: = ' Composer News
9: > ' Obituaries
9: ?@ ' Feature Article(
)Com9osers and Music Cd$ocates
WorDing Fogether8 GHIena JrsuK
9: ?L ' 2::3 Calendar
9: ?M ' New Acquisitions
9: L; ' Donors to the BC Region
FhanDs to the V`CCN eoundation with
the su99ort oT the Canada Music eundN
the Canadian Music Centre is coordinat'
ing a 9roTessionaI reading session oT Tour
9re$iousIy un9erTormed sym9honic
worDs by dC com9osers: Crtistic îrec'
tor oT the SroTessionaI _eading VessionsN
Maestro dramweII Fo$ey wiII conduct
the Uancou$er Vym9hony `rchestra in
the `r9heum Fheatre Tor this Tree 9ubIic
e$ent: Fhe Tour worDs wiII be chosen by
the conductor and a Oury oT non'9artici'
9ating Cssociate Com9osers:
,-.-- a/ 0 ,1.+- 2/ Thu6'da8 O:t; ,<
China?Canada
ComAoser BCchange
CMC
"nternational Music Da7
Celebration
cnternationaI Music ây wiII be ceIe'
brated earIy at the CMC this year: C
rece9tion and recitaI is scheduIed Tor
Ve9tember L\N L@@; at the CMC oT!ces:
Ve$eraI im9ortant e$ents are on the 9ro'
gram(
] Fhe oT!ciaI dedication oT the darbara
SentIand Library
] Fhe Iaunch oT two Centrediscs Com'
9oser Sortrait C^s Gdarbara SentIand
and Norma deecroTtK
] Fhe west coast Iaunch oT the new CMC
website
] C mini'recitaI
CMC staTT Trom across the country wiII
be attending this e$entN which starts at
=(@@9m:
"#ent'
Fhe !rst e$er China'Canada Com9oser
HfchangeN s9onsored by the Chinese
ConsuIateN is scheduIed Tor No$ember M'
?MN L@@;: Com9osers Mark Armanini,
Lhuo Rui Shi and Stephen Chatman
wiII $isit deiOing and Vhanghai to hear
9erTormances oT their orchestraI and
choraI worDs: Fara WohIbergN writer Tor
the Uancou$er VunN wiII aIso go on the
tri9 to deIi$er a 9a9er on Canadian 9iano
music: cn L@@<N Uancou$er Sro Musica
wiII host the Chinese com9osersN whose
$isit wiII be s9onsored by the Chinese
MusiciansX Cssociation:
OAera Readings
Fhe dC Com9osers WorDsho9 is a 9ro'
Oect oT Uancou$er `9era through
`9era:ca with the su99ort oT the Cana'
dian `9era Creation Srogram: cn co'
o9eration with the CMC'dC CentreN
Uancou$er `9era seIected Tour com9os'
ers( Janet Danielson, Ramona Luengen, David MacIntyre and Neil
Ieisensel: C short worD or efcer9t by
each oT the com9osers was read and
rehearsed o$er a two weeD 9eriod cuImi'
nating in a semi'staged showcase 9resen'
tation on guIy L<: `ne oT the com9osers
may be commissioned to write a worD to
be showcased in L@@< and then 9er'
Tormed in dC schooIs by the Uancou$er
`9era Fouring HnsembIe:
(a*e +
+ree Adas/in
Catalogue
C new cataIogueN entitIed Murray
AdaskinF An Annotated Catalogue of
his MusicF A Unison of Life, Music,
and the ManN has Oust been com9Ieted by
Qordana LaRare$itchN SroTessor oT Musi'
coIogy at the Jni$ersity oT Uictoria:
VhortIy beTore his death in L@@?N
CdasDin reWuested that this cataIogue be
com9iIed as an u9date to the inTormation
9ubIished in LaRare$itchXs booD The
Musical Iorld of Frances James and
Murray Adaskin YJni$ersity oT Foronto
SressN ?>ZZ[:
Fhe cataIogueN >> 9ages in Iength with
some \@ iIIustrations and $arious archi'
$aI materiaIN is a$aiIabIe in three Tormats(
] 9a9er
] C^'_`M
] eIectronic TormatN soon to be 9osted in
the eIectronic Iibrary oT the NationaI
Library oT Canada(
htt9(//coIIection:nIcbnc:ca/?@@/L@@/;@@/
doIceb9ubIicationsmurraybadasDin/
CdasDinbcataIoguebweb:9dT
Fhe CMcCJV No: is LZLLM;<:
C Iimited number oT C^'_`M $ersions
oT the cataIogue are a$aiIabIe Tree oT
charge Trom the CMC'dC _egionaI
`T!ce: Fhe C^ and eIectronic $ersions
may be co9ied by 9ros9ecti$e users:
"#ent'
!
"#$!%&&'()*+#!,'-.'&#/&
and is an accom&/ished com&oser: most
recent/y winning the 1uno 5or <est C/as?
sica/ Com&osition 3[[\ 5or his <eHuie7o/ a Cha//ed SIu88I Zn _``\: he was
awarded an Honorary "ssociateshi& o5
the Goya/ "cademy o5 Music: where he
was 5ormer/y a studentI His conducting
career continues to thriBe on both sides
o5 the "t/antic: becoming Music @irector
o5 the NancouBer Hym&hony ^rchestra in
3[[[ and attaining the same &osition
with /a^rchestre Thi/harmoniRue du
LuMembourg in 3[[3I
Catalin 5rsu
The ne$ A&&o(iate Co-.o&e/&6 7/o- 8e7t to /i1ht9 :huo <ui Shi6 Cata8in >/&u6
Co8in ?a(@ona8d6 Nei8 Bei&en&e8C ?i&&in19 D/a-$e88 ToEeF
" rece&tion was he/d on 1une 34 in
honour o5 the CMC8s new "ssociate
Com&osers: &articu/ar/y those who
reside in <ritish Co/umbia> Co/in Mac?
@ona/d: <ramwe// AoBey: Cata/in Crsu:
Nei/ Weisense/: and Fhuo Gui HhiI "bout
JK &eo&/e were in attendance to we/come
the new associates: whose biogra&hica/
in5ormation is inc/uded be/owI
Colin MacDonald
Co/in Mac@ona/d is a 5ree/ance saMo?
&honist: com&oser: and arranger /iBing in
NancouBerI He is a 5ounding member
and co?artistic director o5 Pnsemb/e
Hym&osium: a chamber ensemb/e dedi?
cated to cham&ioning the eM&erimenta/
worQ o5 young Canadian com&osersI "s
a &er5ormer: he is a/so a member o5 the
HaMo&hi/ia saMo&hone Ruartet: and &ro?
duces concerts o5 his own music as a
so/oistI His own com&ositions: se/5?&ub?
/ished under the name Cry&tic Music:
Ne$ A&&o(iate Co-.o&e/&
haBe been &er5ormed across Canada:
5rom Nictoria to MontrSa/I Trimari/y
se/5?taught as a com&oser: Co/in has
studied UaVV arranging with Wred Htride:
wor/d rhythms with X/en Ne/eV and
Arichy HanQaran: and <a/inese game/an
with Michae/ AenVer and @ewa Yetut
"/itI Zn 3[[\ he wi// be worQing on a
score 5or Fero XraBity> The Sta/dan(e/G&
@/ea-: a te/eBision documentary on the
/i5e o5 choreogra&her 1eanne Gobinson:
to be broadcast on the H&ace Channe/
and WANI
Bramwell 1o2e3
<ritish?born conductor/com&oser/&ianist
<ramwe// AoBey became we// Qnown to
Canadians during his tenure as Music
@irector o5 the Winni&eg Hym&hony
^rchestra: where he co?5ounded the du
Maurier Music WestiBa/: an annua/ nine?
day eBent attracting wides&read attention
and un&recedented &o&u/ar su&&ortI He
has conducted numerous wor/d &re?
mieres o5 Canadian contem&orary music
0a1e 2
Cata/in Crsu was born in _`c[ in <ucha?
rest: Gomania: where he studied com&o?
sition with Aiberiu ^/ah at the CniBersity
o5 Musica/ HtudiesI He has written !Be
string Ruartets: 5our sym&honic &oems: a
sym&hony: stage music: an o&era: e/ec?
tronic music: and numerous chora/
&iecesI "/most a// o5 his worQs are
recorded and &art o5 the Nationa/
"rchiBes o5 the Gomanian <roadcasting
Cor&orationI His music is &/ayed o5ten
in Gomania: Xermany: Zta/y: <u/garia:
and H&ainI He is the reci&ient o5 many
music awards: such as the "ward o5 the
Gomanian League o5 Com&osers and
Musico/ogists: the @inu Li&atti "ward
5or Com&osition: the "ward o5 the
Nationa/ Contest 5or doung "rtists: and
the Xrand TriM 5or a Boca/?sym&honic
com&ositionI
Neil 9eisensel
Nei/ Weisense/ is a NancouBer?based
com&oser and conductorI He has written
!Be o&eras and a musica/: as we// as
songs: chamber music: chora/ &ieces:
and worQs 5or orchestra and big bandI Zn
addition: he has com&osed and &roduced
a wide Bariety o5 music 5or 5eature !/m
and documentaries: with networQs such
as AHN: WAN: <G"Nê and CAN
H&ortsnetI
!
Ne$ A&&o(iate Co-.o&e/&3 (ont555
"nternationall+, he has /roduced music
for large6scale multimedia installations,
including the 7erman /a8ilion at 9:/o
2000 in =anno8er, 7erman+> ?he Can6
ada Council for the Arts awarded him a
maCor grant in 2000 to com/lete his latest
worD, a full6length comic o/era about
golf entitled The 8a&te/ St/o:e> Recent
commissions include arranging music
for the new mega6musical The 8a&;ue
A==e(t and a grant from the BC Arts
Council for a new /iece of chamber
music> Other career highlights are a
2000 7enie Award nomination in the
Best Song categor+ and the /roduction
of his !rst o/era b+ OttawaJs O/era K+ra
in 200L> Meisensel holds a Master of
Music in Com/osition degree from the
Oni8ersit+ of British Columbia>
"huo Rui Shi
Phuo Rui Shi holds a Master of Music in
Com/osition degree from the Oni8ersit+
of British Columbia, where he studied
with Ste/hen Chatman and Qeith =amel>
=e also holds a Bachelor of Music
degree from the Shanghai Conser8ator+
RLSSTU> =e has recei8ed commissions
from the Canada Council for the Arts,
com/osed music for an animated !lm
RNWBU, and undertaDen a residenc+ with
the Xancou8er Chinese Music 9nsemble>
=e has /ublished the CDs >/a1on& F@AB
in1 and Con1in1& o= the Dea/t, and com6
/osed and /ublished music for the CD6
ROM game Cotu& S./in1>
New Associate Composers
from Other Regions
B
Prairies
Don Ross
ZaceD SobieraC
Zonathan Mard
Ontario
Reinhard Berg
Martha =ill Duncan
Colin 9atocD
Christien Kedroit
?on+ Q> ?> Keung
:u;bec
Dora CoCocaru
Sean Werguson
Nicolas 7ilbert
"brahim 7urel
Marc =+land
Rosemar+ Mountain
André Ristic
Kori Wreedman
Zoane =étu
Diane Kabrosse
Christian Calon
Chantal Dumas
Arturo Parra
]ric Rocheleau
Ro:anne ?urcotte
Scott 9dward 7odin
Nicole Ki^ée
Zustin Mariner
_annicD Plamondon
PatricD Saint6Denis
Michel Wrigon
Atlantic
Peter Allen
M> K> Altman
9mmanuel Serra
"#$%#&'(!)'*&
Orchestra, conducted b+ Zohn PolteD>
A
?he worDs recorded were >an(e o=
Pe$er &''en is the reci/ient of the 2003
Keo Award for aBest Musical Score in a
Weature Kength Dramab, for F@o$e/ and
Fa/net5
8anA Co@ou/&, Con(e/to =o/ G/hu Rwith
soloist Zi Rong =uangU, Con(e/to =o/
Han1;in Rwith soloist Xi8ian ciaU and
In(en&e and F@o$e/& Rwith soloists Xi86
ian cia and =eidi QrutênU>
Wour worDs b+ )*r+ &r,*nini were
recorded b+ the Kat8ian S+m/hon+
Armanini is also /artici/ating in the
China6Canada Com/oser 9:change with
O= Kind and Kate/ and Con(e/to =o/
Han1;in>
0a1e 2
)i./*e' 0on2*3 4*+er recei8ed the
Queenes 7olden Zubilee Medal on Webru6
ar+ 2f, 2003 as an outstanding Canadian>
As guest /erformer, BaDer "ew to Za/an
to /la+ the /iano /art of his worD g?he
Mountainsg for an audience of f,000 at
the Wunabashi Westi8al in Webruar+ 2003>
A 8ersion of g?he Mountainsg for con6
cert band and /iano was commissioned
b+ the Za/anese ?aDanawadai Band>
=e has com/leted a !lm score for
a"n8enting 7race ?ouching 7lor+b> ?his
!lm will be featured in the o/ening e8ent
of this +earJs Xancou8er Wilm Westi8al in
Se/tember>
=e has com/leted Canti(@e Fo/ LAan for
8iolin and /iano, commissioned for
R+an Qarchut, and the orchestral 8ersion
is in /rogress> =e has also !nished 0/eB
@ude M S(he/No Fo/ T$o 8a/i-Oa&, a
commission from Za/an>
"n March Pe$er 4erringJs CA(@e& for
four cellos and /iano was /remiered at a
cello worDsho/ at the Kangle+ Commu6
nit+ Music School> "t was a combined
commission b+ the KCMS and the Xan6
cou8er Cello Club>
Berring is currentl+ worDing on a huintet
for /iano and strings, commissioned b+
the same organisation, and set to be /re6
miered in Xictoria b+ the onl+6
rumoured6to6be6retired Purcell Quartet,
with /ianist Kinda 7ould> =e has also
been commissioned b+ the Xancou8er
Chamber Choir to com/ose a carol for
unaccom/anied chorus, entitled DeaPB
en@A Son1> "t will be /remiered, along
with submissions from three other com6
/osers, in December>
?he National Arts Centre Orchestra and
Massed Choir, under the direction of
Pinchas PucDerman, /erformed Ber6
ringJs A Canadian Lha.&odA as /art of a
Canada Da+ concert at the NAC>
"n Ma+, Berring recei8ed the Keo Award
for best !lm score, documentar+, for
Fuinea 0i1 C@uO, along with co6com6
/oser 9d =enderson>
Co-.o&e/ Ne$&
"o$n &ur)e will be 'ro*ect manager
again this 3ear for the inno5ati5e en5i6
ronmental e5ent that he inaugurated last
3ear at the Sacred :orld Music <esti5al
in =ancou5er> Based on the contem'la6
ti5e 'ractice of wal@ing the classical lab6
3rinthA the e5ent features continuous
de5otional :orld Music throughout the
afternoon and e5ening on No5ember C0
and CC> On No5ember CC at 3G00 'mA his
/a01(inth$u&i7 for 'iano and strings
will be 'remiered on the festi5al main6
stage b3 Hnsemble =i5antA with Cathe6
rine :ilson as the 'ianist and artistic
director> All e5ents will be held at the
Croatian Cultural Centre in =ancou5er>
+$ris.o/$er &u..er!e0dKs u'coming
'ro*ects include tra5elling to Bratisla5aA
Slo5a@ia in No5ember for the H5enings
of New Music <esti5alA where he will be
s'ea@ing about Canadian music and 'er6
forming some of his own songs> On
December MA Butter!eldKs audio installa6
tion entitled +a8i9ion o: ;ea8en91 T(ou=
&e(& o'ens in the Nab at the Art Oaller3
of Oreater =ictoria for siP wee@s>
Other 'ro*ects include a commission
from MontrealKs <ibonacci Qrio for a
5er3 long RSC2 hourU 'iano trioA to be
'remiered sometime in the nePt two
3earsV settings of WacXues Pré5ertKs Con=
te& %ou( en:ant& %a& &a-e& for =ancou6
5erKs Musica [ntima choir and Standing
:a5e ensembleV and a 'iano 'iece for
Q\en@a Diano5a6Hdwards>
On Wune ]A 200Â the ]0th anni5ersar3 of
D6Da3A Butter!eld will conduct the
Orchestre Métro'olitain and the St>
Nawrence Choir in Montreal> Qhe3 will
'erform his wor@ Con8o1 +>?@A which
recei5ed its 'remiere in St> PetersburgA
Russia in 200C>
C
Qhe =ancou5er S3m'hon3A conducted b3
Bramwell Qo5e3A will gi5e the 'rofes6
sional Canadian 'remiere of S.e/$en
+$3.43n`s O8e( Tho(n& to Sta(& on
No5ember 22 and 2^> Qhis is the orches6
tral 5ersion of +e( a&%e(a ad a&t(aA
which was commissioned b3 the CBC
for li5e broadcast on the !rst anni5ersar3
of the Se'tember CC attac@s>
Co$%o&e( Ne*&
Ju$a9i&ten Kou7LoA for SAQB and drumA
was 'remiered December ChA 2002 and
recorded for CBC Records in Wanuar3A
2003> Chatman`s Canada Council com6
mission Ca(o9& o: the Nati8it1 was 're6
miered b3 the PhoeniP Chamber Choir
on December 2C and 22A 2002> Ti$e
+ie7e&M for SAQB chorusA was released
b3 HCSA Boston in MarchA 2003> Qwo
boo@s of 'iano 'ieces were commis6
sioned in Wul3A 2003 b3 <rederic@ aarris
Music>
Chatman`s /a*(en SN ;a((i& Suite for
'iano XuintetA commissioned b3 the
CBCA will be 'remiered at the Ottawa
[nternational Chamber Music <esti5al on
August Â 2003> Qhe Oriana SingersA
directed b3 :illiam BrownA will be 're6
miering a wor@ for SSA and 'iano on
Ma3 iA 200^ in Qoronto> ae has also
recei5ed a commission from the Missis6
sauga ChildrenKs ChoirA OntarioA for
SSAA 'ianoA and 'ercussionA to be 're6
miered in Mississauga in Ma3 of 200^>
Another Ma3 200^ 'remiere will be 're6
sented b3 the c''er Canada Choristers
in Qoronto on the choir`s tenth anni5er6
sar3>
[n No5emberA Chatman will be 'artici6
'ating in the China6Canada Com'oser
HPchange>
D
8os$e =en>urg is the reci'ient of a
Canada Council Pro*ect Orant Award to
com'ose a set of inter6cultural etudes>
ae was the co6leaderjmanagerA along
with :3nd@ :3ineA:eusB$A of the =an6
cou5er :orld Music Collecti5eKs kMusic
for a New :orldl 'resentation at the
=ancou5er <ol@ <esti5al> DenburgA
Reusch and C0 other com'osers created
the wor@ collaborati5el3V the 'ro*ect is
being !lmed as a documentar3 to be
screened internationall3>
=3Cid =u)e has resigned as aead of the
Music De'artment at =ancou5er Com6
munit3 CollegeA and will be on sabbati6
cal until 200^>
ae has *ust !nished editing the notes for
the Centrediscs recording of Barbara
Pentland`s Com'oser Portrait 36CD set>
+a-e .
ais essa3 on Wean Coulthard`s Cello
SonataA 2nd mo5ementA will be 'ub6
lished in The Antho9o-1 o: Eu&i7 01
Fo$en Co$%o&e(& b2nd editionA ed>
Wames BriscoeA cni5ersit3 of [ndiana
Pressd>
ais new set of +iano Guet&A 'ublished
b3 Ma3fair MusicA is scheduled to be
released this summer> ae has com'osed
+a&to(a9e nottu(no for double 'iano duet
at the reXuest of Chin een NeeA and is !n6
ishing a set of guitar 'ieces>
F
5ordon 6i.7e00`s wor@ 8io9en7e was 're6
miered b3 eighth blac@bird at the Nor6
fol@ Chamber Music <esti5al in
Connecticut> Qhe grou' will also 'er6
form the wor@ across the cnited States
during their 20036200^ concert season>
One Canadian sto' is 'lanned for Octo6
ber 2CA 2003A courtes3 of the =ancou5er
Chamber Music Societ3>
G
83r.in 5o.9ri.Ks a''lication for a solo
CD of what he refers to as fnarrati5e
electroacoustic musicf has been
acce'ted b3 the Centrediscs Artists and
Re'ertoire Committee>
ae has com'leted a new li5e 'erfor6
mance wor@ for interacti5e s3stems
which is eP'ected to be 'remiered in the
u'coming season>
K
Qhe Qurning Point HnsembleA conducted
b3 Owen cnderhillA is 'resenting a con6
cert in which half the re'ertoire is b3
:udo09 ;o4orous< including a new
wor@ entitled St(an-e S%he(e> ais hour6
long electroacoustic 'iece /i&tenin- to
the Hain was featured in the <ree Radi6
cals <esti5al in Montreal this s'ring> Qhe
re'ertoire will be recorded for a CD>
Qhe Montreal ensemble gore is 'resent6
ing a half6'rogram of gomorous` musicA
including the o'era /ad1 I9an7a Ho&a
and the new 'iece +oint no +oint> Pianist
H5e Hgo3an is recording the hour6long
wor@ Fu>
Co$%o&e( Ne*&
"
"he Chamber Choir di-ision o0 "he 1an2
cou-er Chi5dren6s Choir 7remieres
Rupert Lang6s +i0-(i$ Son- at 9esti-a5
1ancou-er6s :;a5ute to <C Com7osers=
concert> on ?ugust A at ;tB ?ndrew6s2
Wes5ey Fnited ChurchB
9rom ?ugust GA to GH> in ;anta CruI>
Ca5i0ornia> the Crysta5 Chi5dren6s Choir
o0 ;an 9rancisco wi55 be worJing on
some o0 LangLs com7ositions MCantate
4o$ino5 +i0-(i$ Son-5 Su(&u$ Co(da
and 89i Ca(ita&N in their summer music
cam7 and worJsho7 0or teachersB
?s 7art o0 its OPth anni-ersary season
ce5ebrations> the 1ancou-er Chi5dren6s
Choir wi55 sing Lang6s S%i(it o: the Chi0d
on No-ember R at West 1ancou-er
Fnited Church> where the choir was
origina55y 0oundedB
Jacqueline Leggatt is current5y com2
7osing a new worJ which wi55 be 7re2
miered by the 1ancou-er Chinese Music
Tnsemb5eB
Ramona Luengen was one o0 0our com2
7osers in-o5-ed in 1ancou-er U7era6s
Com7oser WorJsho7B ;he directs the
VhoeniW Chamber Choir> whose newest
CX> <i=e :(o$ >u(o%e> was recorded 5ast
year during a tour o0 Yermany and LuW2
embourg> and re5eased Zust be0ore
Christmas OPPOB "he doub5e CX set
inc5udes O &@&&e& <iAht by Luengen>
A-neau de 4ieu by Rupert Lang> and
worJs by [arai> Nystedt> Ligeti> Mawby>
M\ntyZ\r-i> ;choenberg> 1i55ette> ]ath2
bone and TdenrothB
Leila Lustig was one o0 three com7osers
who 7artici7ated in the OPP^ Com7oser2
Librettist Laboratory> a co55aboration
between Vaci!c U7era 1ictoria and "a72
estry New U7era WorJs M"orontoNB
WorJing with three west coast 75ay2
wrights> each com7oser wrote an aria
and recitati-e> a duet and a _uartet based
on 0ront 7age news7a7er storiesB "he
Co$%o&e( Ne*&
resu5ting music was rehearsed and 7er2
0ormed by 7ro0essiona5 singers and re7e2
titeursB
M
"he Colin MacDonald VocJet Urches2
tra MCo5in MacXona5d> so7rano saWo2
7hone` "ony <erna5> -io5in` ;arah
WestwicJ> -io5in` Manti Voon> -io5a`
9inn Manniche> ce55oN wi55 be 7er0orm2
ing at the 1ancou-er ?rt Ya55ery on
"hursday> No-ember A> OPP^ at abPP 7m>
as 7art o0 the Western 9rontLs Fnder
TW7osure seriesB "hree com7ositions by
MacXona5d wi55 be inc5uded on the 7ro2
gramb F0o* <iDe Eate( and FeaAhin- :o(
G$$o(ta0itH 0or so7rano saWo7hone and
string _uartet> and +aD A0it 0or unaccom2
7anied so7rano saWo7honeB
MacXona5d6s current 7roZects inc5ude a
set o0 -ariations 0or chamber ensemb5e
based u7on characters 0rom <ritish
author Nei5 YaimanLs gra7hic seria5 The
Sand$an> entit5ed The >nd0e&& Ja(iaK
tion&B "his worJ wi55 be 7remiered by
Tnsemb5e ;ym7osium in ?7ri5 OPPcB
MacXona5d is creating a chora5 setting o0
7oems 0rom Norman 9ischerLs O%eninto LouM A NenKin&%i(ed T(an&0ation o: the
+&a0$&> 7remiere "<?B
"his year wi55 marJ the retirement o0 Ian
McDougall 0rom the Fni-ersity o0 1ic2
toria` he continues to be a0!5iated with
the Music ;choo5 as Vro0essor TmeritusB
Un the e-ening o0 March H> OPP^> the
0acu5ty and students o0 the music schoo5
7resented an e-ening o0 McXouga55Ls
com7ositions> which 0eatured a 7remiere
7er0ormance o0 the duo 0or tenor trom2
bone and bass trombone> entit5ed Th(ee
Ji-nette& and a Ja(iationB 9or this 7er2
0ormance> the 7art o0 the bass trombone
was 7er0ormed on the tuba by Tugene
Xow5ing> with McXouga55 on tromboneB
"he West Coast ?mateur Music ;ociety
recent5y commissioned McXouga55 to
write a concert 7iece 0or themB "he 7re2
miere 7er0ormance o0 the new worJ>
entit5ed Ce0e9(ation and Son-> tooJ
+a-e .
75ace at "rinity Western Fni-ersity on
du5y OAB
Un Uctober ^ and c> at the Ce55ar in 1an2
cou-er> there wi55 be a CX re5ease e-ent
o0 the new ean McXouga55 ;eWtet CXB ?
new com7osition o0 McXouga55Ls is
inc5uded on this CX> entit5ed Oa(9P&
O0ue&B
McXouga55 has begun worJ on a con2
certo 0or saWo7hone and orchestra> com2
missioned by du5ia No5an and the C<C
1ancou-er UrchestraB
O
John Oliver attended the Wor5d ;aWo2
7hone Congress in du5y to hear two 7re2
mieresb Cha&e the QoneH 0or a5to
saWo7hone> and Rot Su$$e( Ni-ht& 0or
so7rano and so7rano saWo7honeB His
o7era A0te(nate Ji&ion& wi55 be 7roduced
by Montrea5Ls Lyric U7era com7any>
Chants Libres> in OPPcB "he <orea5is
;tring guartet and Iheng 75ayer Mei Han
ha-e commissioned a worJ 0or Iheng
and string _uartet which wi55 be 7re2
miered at the 1ancou-er Chamber Music
9esti-a5 in the summer o0 OPPcB "he
1ancou-er ;ym7hony has commis2
sioned a new worJ> which wi55 be 7re2
miered by the orchestra in ?7ri5 OPPcB
Music in the Morning has commissioned
a worJ 0or c5assica5 guitar and Iheng to
be 7remiered by U5i-er Mon guitarN and
Mei Han at their Com7osers and Co00ee
series on ?7ri5 OG> OPPcB "he 1ancou-er
Yuitar guartet commissioned a new
worJ to be 7remiered in OPPc and
recorded 0or an a552Canadian CXB 1icto2
ria guitarist ?5eWander Xunn commis2
sioned a new concerto 0or guitar and
string orchestraB "he 1ancou-er <ach
Choir commissioned two short chora5
worJsB "he 5atter three worJs are await2
ing !rst 7er0ormanceB
R
Imant Raminsh was a 75enary s7eaJer
on :Tarth Chant> ;ong o0 the ;tars h Une
Co$%o&e( Ne*&
Com%oser)s *ttem%ts to ,ring 0ogether
2arth and Hea6en7 at the 8henomenon o9
:inging :ym%osium in :t= >ohn?s@ NewC
9oundDand@ in Date >une= :eDections 9rom
his song cycDes@ Th(ee S%ani&h 45(i6&7 O9
:othe(& and Chi=d(en7 and $o&t thi&
a$a>in- da5 were %er9ormed by Gr= >ane
LeibeD Iso%ranoJ and Gr= 0om Kordon
I%ianoJ=
Lther recent %er9ormances incDude ?4O@
ABA at a church music sym%osium in
Mandung@ West >a6a@ OndonesiaP Bn the
Ni-ht De Sha== ?o Bn@ %er9ormed by the
Qansas City ChoraDe at the Chorus
*merica con6ention in Qansas City in
earDy >uneP and another %er9ormance o9
?4OABA by the West Coast *mateur
Musicians :ociety at 0rinity Western
Sni6ersity in >uDy=
Maminsh recentDy com%Deted a string
Tuartet commissioned by the QeDowna
Chamber Music :ociety@ which wiDD be
%remiered by the ,oreaDis :tring UuarC
tet= *nother recentDy !nished worV@ The
She%he(d&E Ca(o=@ was com%osed in ceDC
ebration o9 8hiDi% ,runeDDe)s WX years
with the 8Dymouth Music :eries in MinC
nea%oDis=
Maminsh is currentDy writing a worV entiC
tDed Sin-in- Son-& o9 So((o*7 Son-& o9
Fo5 9or the :eiDer :trings= He has been
commissioned to write a worV 9or the
Lrianan :ingers o9 0oronto@ based on
%oetry by schooD chiDdren= His chiDdren)s
o%era The Ni-htin-a=e is stiDD in %rogress=
Robert Rosen and !6e other Canadian
com%osers ha6e been commissioned by
the Windsor :ym%hony Lrchestra to
write worVs based on the %oetry o9 CanaC
dian author MichaeD LndaatYe=
Mosen)s worV Dhi&%e(& o9 Date( was
recentDy reDeased on a new CG by HornC
bDower Mecordings= 0he %er9ormance
9eatures 8armeDa *ttariwaDa on 6ioDa@
>ames Cam%beDD on cDarinet and 2d HanC
Dey on tabDa= He has recei6ed a commisC
sion to create a worV 9or 2nsembDe MesC
onance= Ot wiDD be 9or so%rano@ bass
cDarinet@ 6ioDin@ %iano and eDectronics=
Co$%o&e( Ne*&
0he CaDgary Zouth Lrchestra wiDD be %erC
9orming Mosen)s 4e Sa6(e de Ge%hae&tu&
on their tour to New [eaDand this coming
season= :e6eraD o9 his worVs wiDD be %erC
9ormed at the Cantai \esti6aD in 0aiwan=
Jeffrey Ryan is continuing as com%oserC
inCresidence with the ]ancou6er :ymC
%hony Lrchestra= Ln March ^_@ ^``W@
the ]:L and ,ramweDD 0o6ey ga6e a
%ubDic reading session o9 se6eraD o9 his
orchestraD worVs= S%coming commisC
sions incDude a string Tuartet@ commisC
sioned by Music 0oronto 9or the *rditti
:tring UuartetP a worV 9or choir and
string Tuartet@ commissioned by the
*D9red Chamber :ingersP and another
worV 9or the ]:L as %art o9 his resiC
dency=
S
Rodney Sharman has been named ^``W
8auD \DecV \eDDow in Music at Leighton
:tudios@ ,an99 Centre 9or the *rts=
Frederick Schipi7ky was the com%oser
in residence o9 the a8innacDea summer
strings %rogram at Carson Kraham :ecC
ondary :chooD in North ]ancou6er 9rom
>uDy bc to bd= :chi%ieVy teamed u% with
9acuDty member and ceDDist Heather Hay@
to %er9orm his FiJe Ki-nette& 9or ceDDo
and bass on >uDy bdth= His :editation
and Lan6e was %er9ormed by seDected
students=
Tobin Stokes had a new choraD worV@
Sa=i&h Suite@ %er9ormed by the Lrebro
Chamber Choir on tour in :weden durC
ing May and >une= He was the reci%ient
o9 a >esse *ward 9or Lutstanding ComC
%osition and :ound Gesign 9or his music
9or the %roduction o9 fMary)s Wedding7
at the ]ancou6er 8Dayhouse and the ,eDC
9ry 0heatre in ]ictoria= Gea( M& Sin-@ a
choraD commission by the ,C ChoraD
\ederation@ was sung by choirs aDD
around the %ro6ince as %art o9 the cuDC
turaD com%onent o9 ]ancou6er)s ^`b`
LDym%ic ,id=
+a-e .
:toVes is now in the midst o9 com%osing
music 9or a !Dm 9or the Gisco6ery ChanC
neD@ as weDD as 9or the third !Dm in a series
o9 !Dms 9or the NationaD \iDm ,oard=
#
Barry Trua;)s music is to be 9eatured in
an octo%honic concert at the Musica ]i6a
9esti6aD in Coimbra@ 8ortugaD@ this :e%C
tember=
$
Owen >nderhill has been commisC
sioned by 0oronto)s *MM*ZMS:OC
ensembDe 9or a new worV which wiDD be
%remiered on Lctober bg in 0oronto= He
wiDD be conducting the 9uDD %rogramme=
%
Hildegard Besterkamp reDeased her
new CG Bnto BndiaN a Co$%o&e(E& Fou(@
ne5 on the earsay DabeD at a s%eciaD Daunch
%arty at the Western \ront on No6ember
bst@ ^``^=
Charles Bilson is com%Deting a triDogy
o9 8assion cantatas= 0he cantatas 9or
8aDm :unday and Kood \riday are !nC
ished and he is currentDy worVing on The
Ae&u((e6tion@ an 2aster cantata= He is
re6ising his oratorio The An-e=& o9 the
Oa(th and other worVs 9rom the b_h`s=
&
Dhuo Rui Shi was nominated 9or a Leo
*ward 9or eiceDDence in the category o9
fMusicaD :core *nimation 8rogram or
:eries7 by the Motion 8icture *rts and
:ciences \oundation o9 ,ritish CoDumC
bia= 0he nomination is 9or The Chine&e
Kio=inP
[huo is aDso %artici%ating in the ChinaC
Canada Com%oser 2ichange=
Co$%o&e( Ne*&
"#ituaries
Euphrosyne ,ee-er
.une /0 1/1/
.anuary 340 3554
!!"#$%&'()*+!,++-+&!$.((+/!.0.)!1*!
!!%'($12.3!.-2+&!.!(%'&2!133*+((4!!
!!"#$%&'()*+5!.*!6(('71.2+!8'9:
!!$'(+&!'-!2%+!8.*./1.*!;#(17!8+*2&+5!!
!!0.(!.3('!.!$1.*'!.*/!2%+'&)!2+.7%+&4
!!".&31+&!1*!31-+!(%+!0.(!.!(1*<+&!.*/
!!1*(2&#9+*2.31(25!.*/!$#&(#+/!7'9$'(1:
!!!21'*!.-2+&!&.1(1*<!.!/1(21*<#1(%+/!-.913)4!!
!!=%+!0.(!.!>++*!-'33'0+&!'-!9#(17.3!
!!.*/!.&21(217!%.$$+*1*<(!1*!?.*7'#@+&
!!.*/!.!<&.71'#(!-&1+*/!2'!9.*)!$+'$3+4!
!!A+.*!8'#32%.&/!./91&+/!%+&!3)&17.3
!!(+*(+!.*/!2%+!B+.#21-#3!('*<(!(%+!
!!0&'2+4!!
!!C+7+*2!.721@121+(!1*73#/+/!$.&2171$.:
!!21'*!1*!2%+!D8!EFFF!;133+**1.3!=+&1+(
!!0'&>(%'$!.2!2%+!8+*2&+5!0%+&+!20'
!!0''/01*/!/#'(!$&+91+&+/!%+&!7'9:
!!91((1'*+/!0'&>!.o0di0oc3s4 5oun,
"ffender4!
!!G"#$%&'()*+G!1(!2%+!H&++>!0'&/!-'&!
!!I')5!.*/!1*/++/!(%+!B&'#<%2!I')!2'!9.:
!!*)!$+'$3+!012%!%+&!3)&17.3!9#(17!.*/
!!+*2%#(1.(94!!J2!1(!%.&/!2'!B+31+@+!%+&
!!1&&+$&+((1B3+!($1&12!1(!*'!3'*<+&!012%!
!!#(4!=%+!0133!B+!91((+/4
"bituaries
6rthur 8ud:ig Polson
?arch 30 1/4A
February 3D0 3554
!!6&2%#&!K'3('*!0.(!-+33+/!B)!.!%+.&2
!!.22.7>!I#(2!/.)(!B+-'&+!%1(!LM2%!B1&2%:
!!/.)4!!
!!6&2%#&!K'3('*!0.(!.*!6(('71.2+
!!8'9$'(+&!'-!2%+!8.*./1.*!;#(17!
!!8+*2&+!.*/!@+&)!.721@+!.(!@1'31*1(25!
!!7'*/#72'&!.*/!&+7'&/1*<!.&21(24!!N+!
!!0.(!7':7'*7+&29.(2+&!'-!2%+!?.*7'#:
!!@+&!O$+&.!O&7%+(2&.5!%./!B++*!7'*7+&2:
!!9.(2+&!'-!2%+!P1**1$+<!=)9$%'*)
!!O&7%+(2&.!.*/!2'#&+/!-'&!9.*)!)+.&(
!!012%!2%+!8.((+*21!K3.)+&(4!!N+!0.(!.
!!9#7%:3'@+/!7'*/#72'&!'-!2%+!?.*7'#@:
!!+&!Q'#2%!=)9$%'*)!O&7%+(2&.4!
!
!!;'#&*+&(!$.7>+/!C)+&('*!R*12+/
!!8%#&7%!2'!2%+!&.-2+&(!-'&!%1(!9+9'&1:
!!.3!(+&@17+!0%17%!7'*73#/+/!012%!.
!!(2.*/1*<!'@.21'*4!!
!!632%'#<%!%+!%./!7'9$'(+/!9'&+!2%.*
!!'*+!%#*/&+/!0'&>(5!%+!/+@'2+/!9'&+
!!+*+&<)!2'!7%.9$1'*1*<!9#(17!'-!
!!'2%+&!7'9$'(+&(!2%.*!%1(!'0*4!!
!!;#(17:3'@+&(!7.*!B+(2!7+3+B&.2+!%1(
!!9+9'&)!B)!+*7'#&.<1*<!$+&-'&9.*7+(
!!'-!2%+!9#(17!%+!7&+.2+/4!
Pa,e 9
Patricia Elom-ield Golt
Heptember 1I0 1/15
.une J0 3554
!!K.2&171.!D3'9+3/!N'325!.*!6(('71.2+
!!8'9$'(+&!'-!2%+!8.*./1.*!;#(17!
!!8+*2&+5!0.(!.!<1-2+/!9#(171.*!0%'!
!!%./!2%+!$&1@13+<+!'-!(2#/)1*<!012%!
!!('9+!'-!8.*./.S(!-'&+9'(2!7'9$':
!!(+&(5!1*73#/1*<!=1&!".&*+(2!;.7;13:
!!3.*5!T+'!=912%5!.*/!N+.3+)!P133.*4!
!!=%+!%+&(+3-!B+7.9+!.!2+.7%+&!'-!B'2%
!!$1.*'!.*/!7'9$'(121'*!.2!2%+!C').3
!!8'*(+&@.2'&)!'-!;#(175!.-2+&!&+-#(1*<
!!.!(7%'3.&(%1$!-&'9!U%+!A#1331.&/!
!!=7%''3!2'!9.&&)!.*/!&.1(+!.!-.913)4
!!K.2&171.!0.(!.!7'9$'(+&!-'&!@1&2#.33)
!!%+&!+*21&+!31-+5!%+&!7&+.21@+!2.3+*2(!.2
!!0'&>!+@+*!B+-'&+!%+&!'-71.3!9#(17.3
!!(2#/1+(!B+<.*4!U%+!(2'&)!<'+(!2%.2!1*
!!K.2&171.S(!)'#2%5!(%+!%./!20'!(1<*1:!
!!7.*2!+*7'#*2+&(!012%!9#(171.*(!0%'
!!&+7'<*1V+/!%+&!$'2+*21.3!.*/!%+3$+/!2'
!!<#1/+!%+&!'*!%+&!9#(17.3!I'#&*+)4!!
!!K.2&71.!1(!*'2+/!.(!%.@1*<!B++*!.!*+
!!7'9$'(+&!1*!2%+!"*<31(%!2&./121'*4
"bituaries
!
Com%osers and Music 0d1ocates
3or4ing 6oget7er
A note from Colin Miles,
Regional Director
-n /0 opinion4 in B#C#4 t7ere is a need to
i/prove t7e <eve< of discourse betAeen
co/posers and a<< t7ose A7o 7o<d up a
/irror to t7eir creative AorBC critics4
Dourna<ists4 sc7o<ars4 /usic 7istorians4
/usic t7eorists4 perfor/ers4 broadcastE
ers4 /usicE<overs and /usic advocates4
etc# - Aas de<i)7ted t7at F<ena "rsu
accepted our invitation to describe t7e
discourse betAeen co/posers and /usiE
co<o)ists in &o/ania# - be<ieve t7is
/ode< cou<d be adapted for use in a
Canadian co//unit0 Ai<<in) to create a
foru/ for discussion betAeen t7ose A7o
create and t7ose A7o stud0 and advocate
/usic# - 7ope t7is artic<e Ai<< sti/u<ate
discussion#
The Romanian League of
Composers and
Musicologists
b0 F<ena "rsu!
"#$!%&'()*()!+$(,-$!&.!/&'0&1$21!
()3!4-1*5&6&,*171!89:/:4:%:;!*1!(!02&<
.$11*&)(6=!(0&6*7*5(6=!)&),&>$2)'$)7!
&2,()*?(7*&)!@*7#!(!A-2*3*5(6!17(7-1=!!
&2,()*?$3!7&!@&2B!(1!()!(-7&)&'&-1=!
A-2*3*5(6=!()3!$5&)&'*5!C&3D:
E1!7#$!'&3$2)!5&)7*)-(7*&)!&.!"#$!F&5*<
$7D!&.!%&'()*()!/&'0&1$21!52$(7$3!*)!
GHIJ=!9:/:4:%:!3$>$6&01!*71!(57*>*7D!
(52&11!7#$!$)7*2$!5&-)72D=!7#2&-,#!*71!5$)<
72(6!8K-5#(2$17;!()3!2$,*&)(6!&.5$1!8"#$!
F7(7-7$!&.!7#$!9:/:4:%:=!/#(07$2!L=!
E27:G;:
L71!'(*)!,&(6!*1!7&!17*'-6(7$!C&7#!5&'0&<
1*7*&)(6!()3!'-1*5&6&,*5(6!52$(7*>*7D=!
(55&23*),!7&!7#$!*3$(!7#(7!'-1*5!52$(7&21!
()3!'-1*5!(3>&5(7$1!)$$3!7&!@&2B!
7&,$7#$2!<!*3$(66D!@*7#*)!7#$!1('$!&2,()*<
?(7*&)!<!*)!&23$2!7&!$)1-2$!(!5&#$2$)7!0$2<
5$07*&)!&.!*71!($17#$7*5!>(6-$1:!E67#&-,#!
7#$!5&'0&1$21!()3!!'-1*5&6&,*171!5-2<
"#C#%#&#
2$)76D!3$>$6&0!7#$*2!(57*>*7*$1!*)!3*..$2$)7!
F$57*&)1!8.&-2!F$57*&)1!.&2!/&'0&1*7*&)!
()3!&)$!.&2!4-1*5&6&,D;=!7#$D!-67*'(7$6D!
1-00&27!$(5#!&7#$2!*)!7#$*2!M-$17!.&2!()!
*).&2'$3!()3!2$5$07*>$!(-3*$)5$:
"#$!'$'C$21!&.!7#$!4-1*5&6&,D!F$57*&)!
(2$!'&176D!02&.$11&21=!'-1*5!7$(5#$21=!
C2&(35(17$21=!A&-2)(6*171=!()3!D&-),!
,2(3-(7$1!*)!4-1*5&6&,D!()3!/&'0&1*<
7*&)=!(66!*)7$2$17$3!*)!2$1$(25#*),!7#$!#*1<
7&2*5(6!()3!5&)7$'0&2(2D!'-1*5(6!
0#$)&'$)&)!*)!%&'()*(!(1!@$66!(1!*)!
&7#$2!5-67-2$1:!"#$D!@2*7$!2$1$(25#!
0(0$21!()3!C&&B1!7#(7!(2$!3*15-11$3!()3!
&.7$)!2$5&''$)3$3!CD!2$.$2$$1!.&2!
(5M-*1*7*&)!8(!.&2'!&.!0&17!52$(7*>$!5&'<
'*11*&)!.&2!*'0&27()7!@&2B1;!()3!.&2!
0-C6*1#*),!(7!7#$!9:/:4:%:N1!O-C6*1#*),!
P&-1$:!9:/:4:%N1!O-C6*1#*),!P&-1$!*1
7#$!&)6D!4-1*5!O-C6*1#*),!P&-1$!*)!
%&'()*(Q!*7!0-C6*1#$1!%&'()*()!5&)<
7$'0&2(2D=!56(11*5!()3!&63!'-1*5=!(1!@$66!
(1!'-1*5&6&,D!()3!$7#)&'-1*5&6&,D!
C&&B1:
R-2*),!7#$*2!'$$7*),1=!7#$!'$'C$21!&.!
7#$!4-1*5&6&,D!F$57*&)!3$5*3$!(C&-7!7#$!
02*&2*7*$1!&.!7#$*2!2$1$(25#!()3!*)*7*(7$!
10$5*(6!$3*7*&)1!&.!4-1*5&6&,D!%$1$(25#!
&)!3*..$2$)7!7&0*51:!"#$D!(61&!06()!()3!
&2,()*?$!4-1*5&6&,D!FD'0&1*(!()3!
4-1*5(6!S>$)71!7&!02&'&7$!56(11*5!()3!
5&)7$'0&2(2D!5&'0&1$21!()3!7#$*2!
@&2B1:!"&!17*'-6(7$!'-1*5&6&,*5(6!
2$1$(25#!()3!02&'&7*&)(6!*)*7*(7*>$=!7#$!
F$57*&)N1!T.5$!8'(3$!-0!&.!02&'*)$)7!
'-1*5&6&,*171;!0$2*&3*5(66D!2$5&''$)31!
'$'C$21!7&!C$!(@(23$3!()3!)()5*(66D!
2$@(23$3!.&2!7#$*2!&2*,*)(6!5&)72*C-7*&):!
T)!7#$!&7#$2!#()3=!7#$!'$'C$21!&.!7#$!
4-1*5&6&,D!F$57*&)!02&>*3$!02&71!7&!
9:/:4:%:!7#2&-,#!7#$*2!(57*>*7*$1!(1!5&6<
-')*171=!A&-2)(6*171!()3!$3*7&21!.&2!7#$!
9:/:4:%:N!1!0-C6*5(7*&)1U!V4-?*5(V!
8M-(27$26DQ!5&)7(*)1!#*,#6D!10$5*(6*?$3!
2$1$(25#!17-3*$1=!2$>*$@1=!*)7$2>*$@1!
@*7#!02&'*)$)7!'-1*5*()1;Q!VE57-(6*<
7(7$(!4-?*5(6(V!8'&)7#6DQ!(332$11$1!(!
6(2,$!(-3*$)5$!7#2&-,#!'-1*5(6!)$@1!
.2&'!%&'()*(!()3!(C2&(3!.&2!(66!7#$!
Pa)e 10
'-1*5(6!,$)2$1=!2$>*$@1=!$11(D1!()3!
*)7$2>*$@1!@*7#!02&'*)$)7!()3!0&0-6(2!
'-1*5*()1;Q!VF7-3**!3$!4-?*5&6&,*$V!
8())-(66DQ!5&'02*1$1!'-1*5&6&,D!()3!
$7#)&'-1*5&6&,D!17-3*$1!()3!()(6D1*1!
(332$11*),!(!10$5*(6*?$3!(-3*$)5$;:!E7!
7#$!02&0&1(6!&.!7#$!4-1*5&6&,D!T.5$=!
7#$!9:/:4:%:!/&-)5*6!)('$1!()3!
2$>&B$1!7#$!$3*7&21#*0!&.!7#$1$!0-C6*5(<
7*&)1:
E1!'()D!'$'C$21!&.!9:/:4:%:N1!4-1*<
5&6&,D!F$57*&)!(2$!A&-2)(6*171!()3!C2&(3<
5(17$21=!7#$D!5&)7*)-$!7&!02&'&7$!7#$!
'-1*5(6!()3!5-67-2(6!>(6-$1!)-27-2$3!CD!
7#$*2!2$10$57$3!(11&5*(7*&)!@*7#!%(3*&!
()3!"W!02&,2('1=!(1!@$66!(1!*)!*'0&27()7!
)$@10(0$21:!O&@$2.-6!'$3*(!*'(,$1!3&!
@&)3$21!.&2!9:/:4:%:N1!0$21*17$)7
5('0(*,)!&.!52$(7*),!(3'*2$3!'&3$61!
.2&'!5&'0&1$21!()3!'-1*5&6&,*171=!()3!
&.!02$>$)7*),!7#$!'(2,*)(6*?*&)!&.!5&)<
7$'0&2(2D!'-1*5!()3!5-67-2$:
"#$!2$(6*7D!3$152*C$3!(C&>$!*1!7#$!2$1-67!
&.!'()D!3$5(3$1!&.!#(23!@&2B!()3!172-,<
,6$!@*7#!3*.5-67!#*17&2*5(6!()3!0&6*7*5(6!
5&)3*7*&)1=!()3!#(1!*71!6(7$17!$X02$11*&)!
*)!7#$!F7(7-7$!&.!9:/:4:%:=!@#*5#!@(1!
(002&>$3!*)!E02*6!GHHY:Z$!#&0$!7#(7!7#$!
.&66&@*),!$X5$2071!&.!7#*1!F7(7-7$!@*66!
02&>*3$!'&2$!3$7(*61!(C&-7!7#$!5&&0$2(<
7*&)!C$7@$$)!5&'0&1$21!()3!'-1*5&6&<
,*171!8'-1*5!(3>&5(7$1;!()3!(C&-7!7#$!
$M-(6!17(7-1!&.!C&7#!5(7$,&2*$1!@*7#*)!7#$!
9:/:4:%:!
Main objectives!(H7e Statute of t7e
"#C#%#&4 C7apter 24 Krt#2)C!
1.!"&!02&'&7$!&2*,*)(6!'-1*5(6!()3!'-1*<
5&6&,*5(6!>(6-$1=!*)!7#$!5&-)72D!()3!
(C2&(3:
2. "&!02&7$57!7#2&-,#!*71!&@)!'$()1!7#$!
'&2(6!()3!'(7$2*(6!*)7$2$171!&.!*71!'$'<
C$21:
3.!"&!(3>&5(7$=!&2!172*>$!.&2=!7#$!1&5*(6!
17(7-1!&.!7#$!5&'0&1$21!()3!'-1*5&6&<
,*171=!(55&23*),!7&!7#$*2!5&)72*C-7*&)!7&!
7#$!3$>$6&0'$)7!&.!7#$!%&'()*()!/-6<
7-2$:
4. "&!02&'&7$!7#$!5-67-2(6!0(72*'&)D=!7&!
$)5&-2(,$!7#$!(-7#$)7*5!52$(7*>$!*))&>(<
"#C#%#&#
tion in all the musical genres and to su12
1ort the musicological research in its
man3 areas4
"# 5o encourage the creation of im1ortant
wor8s through ac9uisitions :the
;4C4M4R being the bu3er of these
wor8s@A 1riBesA contests for musical com2
1osition and 1erformanceA through 1ro2
Ciding 1rofessional su11ort to national
and international musical festiCals4
$# 5o 1romote relationshi1s with similar
1rofessional organiBations from other
countries4
%# 5o as8 the Romanian goCernment for
subCentions and commissionsA for schol2
arshi1sA and for the right to wor8 within
the frame of its cultural conCentions with
other countries4
Statute and to su11ort ;4C4M4R4Ls
actionsE to contribute through creation
and moral behaCior@ as the life membersA
eMce1ting the right to be elected in the
Council and as the SectionsL leaders4
Also the3 donLt haCe the right to Cote4
also recommendA in writingA musicians
who want to become members of the
;4C4M4R4
5he honorar3 members are 1restigious
1ersonalities from Romania and other
countriesA who 1romote Romanian musi2
cal and musicological CaluesA and are
a11roCed b3 the CouncilA indiCiduall3A
with two thirds of the Cotes of the total
members4
>unds and assets ,The Statute o4 the
"#C#%#&#5 Cha6te7G 88 D :9
Members, rights and duties ,The Stat1
ute o4 the "#C#%#&#5 Cha6te7 8889
5he actiCit3 of both the members in good
standing and the members on 1robation
ta8es 1lace within !Ce SectionsD
5here are three categories of ;4C4M4R4
membershi1sD
5# Members on good standing :life mem2
bers@E
6# Members on 1robationE
7# Fonorar3 members4
5he good standing :life@ membershi1 is
granted b3 the ;4C4M4R4 Council onl3 to
members who haCe reached the end of
the minimum 1eriod of 1robation :from
two to !Ce 3ears@4 Gife membershi1 must
be recommended in writing b3 the Sec2
tion in which the members of 1robation
are actiCe :Com1osition andIor Musicol2
og3@45he members on 1robation haCe to
be a11roCed b3 the Council with a sim2
1le maJorit3 of the attending members4
5he3 are currentl3 recruited from the
graduate students in Com1osition and
Musicolog3 and haCe to 1resent original
wor8s created after the com1letion of
their academic studies4 Kraduate stu2
dents from other Musical Sections of
Romanian ;niCersitiesA as well as gifted
indiCiduals without adCanced or com2
1leted musical studies are also wel2
comedA when the3 1roCe a sustained
interest in a s1eci!c area and 1roduce
Caluable wor8s4
5he members on 1robation haCe the
same rights :to bene!t from !nancial
su11ort before and after retirement@ and
the same duties :to obserCe ;4C4M4R4Ls
"#C#%#&
8rgani9ation and ;unctioning ,The
Statute o4 the "#C#%#&#5 Cha6te7 8:5
A7t#+<9
5# S3m1honicA chamberA o1eraA balletA
and instrumental theater4
6# Po1A JaBBA and roc8 musicA musical and
o1eretta4
7# ChoralA educational and sacred music4
=# Band music :organiBed within the !rst
Section mentioned aboCe@4
"# Musicolog3A critic of artA and ethno2
musicolog34
,The Statute o4 the "#C#%#&#5 Cha6te7
8:1 O7)ani@ation and FunCtionin)5
A7t#+<9
5he actiCit3 within each Section is co2
ordinated b3 a Secretar3A who is elected
from the CouncilLs members through
ballotA and with absolute maJorit3 of the
SectionLs members4 Qn order to accom2
1lish hisIher tas8sA the Secretar3 co2
o1erates with the SectionLs members4
5hese elected members haCe to discuss
and establish in writing the artistic Calue
of the musical and musicological wor8s
:eMce1ting the stage and !lm music@ that
are 1resented to them4 De1ending on
their conclusionsA the3 can recommend
remunerationA 1ublishingA and 1riBes to
be awarded b3 the ;4C4M4R4 or b3 other
Romanian institutions4
5he Sections can recommend that other
institutions :related to the entertainment
industr3 and to media@ 1romote what
the3 consider to be master1ieces4 5he3
'a)e ++
,The Statute o4 the "#C#%#&#5 Cha6te7
8:1 O7)ani@ation and FunCtionin)5 A7t
+< D EF9
Qn order to stimulateA 1ublish and mar8et
the musical and musicological wor8sA to
grant awards and 1ensionsA to adCertise
its actiCit3 in Romania and abroadA and
to su11ort other actiCities recommended
b3 the CouncilA ;4C4M4R4 gets funds
fromD
5# Dues 1aid b3 life members and mem2
bers on 1robation and established b3 the
CouncilE
6# Pro!ts from ;4C4M4R4Ls 1ublications
:the magaBines SMuBicaT and SActuali2
tatea muBicalaS@E the editorshi1 is rec2
ommended b3 the Musicolog3 Section
and named and reCo8ed b3 the CouncilE
7# Pro!ts from subordinated economic
units such as the store chain SMuBicaTA
MuBica Publishing FouseA ;4C4M4R4
Printing Fouse and the Ulectroacoustic
StudioE
=# Donations and s1onsorshi1sE
"# Vunds from ;4C4M4R4 W A4D4A4
:;4C4M4R4Ls own Association for Co132
right@E o1en to
$# Romanian and foreign authorsE in
charge with the collecting and the 1a32
ment of the ro3alties@4 Qn XYY2A
;4C4M4R4 became againA after !Ce
decades of forced communismA a mem2
ber of the C4Q4S4A4C4 :Qnternational Con2
federation of the Societ3 of Authors and
Com1osers@ as it was in XY30E
%# X0] from the gross amount 1aid b3
;4C4M4R4 :Com1osers and Musicolo2
gists@ to authors2members for eCer3
wor8 recommended for ac9uisition
within its SectionsE
?# SubCentions from the State budget4
After the Romanian ReColutionA
:December XYY0@A ;4C4M4R4 became
af!liated with S4Q4M4C4 Qts Section W
S4N4R4IS4Q4M4C :Q4S4C4M4@W is an eMam2
1le of how the com1osersA musicologistsA
broadcastersA Journalists and editors :all
;4C4M4R4Ls members@ coo1erate to 1ro2
mote contem1orar3 music4
"#C#%#&#
Ca$endar 200+
This calendar highlights performances of
Canadian music in B.C. and performances
of music by B.C. composers wherever they
occur. It is not comprehensive.
"#nu#r'
14 - "ob Mc'en*ie /ndi-o for solo
trombone ,red /tride 2$ue4 56i4ode4
1wen 3nderhi55 T(o89one :uintet new
wor- b. 6ohn 15i7er for trombone/
string 2uartet/ fretless guitar and elec7
tronics PR:M<:R: =erem. Ber-man/
trombone? Sheila McDonald C Rebecca
Dhitling/ Eiolins? Reg Quiring/ Eiola?
Pegg. Gee/ cello? =ohn OliEer/ guitarI
JancouEer Communit. College
<(e6eated =anua(> .? at @2C SBhoo$ oD
Eu4iBF =anua(> .G at Han-$e> Co88uI
nit> Eu4iB SBhoo$J
29 - "odney /harman The An-$o
8 - 6ohn 15i7er àVen Stea$4 the Hi-ht
31 - 6e88rey "yan The Hau(e$4 Din7
8 - /te>hen Chatman ]a(iation4 on
niLeg New Music NestiEal? Charlene
Pauls/ soLrano? Mel Braun/ baritone?
members of the DinniLeg S.mLhon.
Orchestra/ Michelle Mourre/ conductorI
DinniLeg/ MB
aTo8e on the àn-eb Borealis String
QuartetI Nelson <(e6eated Fe9c .+ at
[un9a( Co88unit> Cent(eF ]anBouVe(F
and Fe9c .R at @2CF ]anBouVe(J
8 - Michae5 Conway Fa@er _Vhe
31 - /te>hen Chatman The @(BhinU4
Mountains_ from Th(ou-h the Hion4
Mate Michael Conwa. Ba-er/ Liano?
Nunabashi NestiEal Orchestra/ Mr` \a.o/
conductorI Nunabashi/ =APAN
[anBe TniEersit. of AriYona Choir/
Bruce Chamberlain/ directorI PhoeniZ/
AriYona/ TSA <(e6eated Fe9(ua(> . in
SBott4da$eF A(i\onaJ
15 - 6e88rey "yan eBBe ho8o S.m7
Lhon. New Brunswic-/ DaEid Nallis/
conductorI Saint =ohn/ NB OreLeated =an7
uar. PQ in Moncton/ NBR
18 - 6oan Hansen TKo SundanBe4
Canadian ReLertoire Concert? Rosal.n
Soo Mauldin/ LianoI =ac-son/ Seorgia/
TSA
21-24
1wen 3nderhi55 The Lidenin- M>(e
PR:M<:R: Vurning Point :nsembleI
JancouEer
24 - "odney /harman Sti$$ Hi-ht I FanI
Da(e Do( Chihu$> DinniLeg New Music
NestiEal? DinniLeg S.mLhon. Orches7
tra/ Andre. Bore.-o/ conductorI Centen7
nial Wall/ DinniLeg/ MB
23 - 6e88rey "yan ADte( Sto(8 and
An-e$ine on O44a9aK Canadian Cham7
ber Choir/ <wan :dwards/ conductorI
Earious locations/ MB <(e6eated =anua(>
)QF )R and )?J
(e*ru#r'
1 - 6e88rey "yan ,an-aea DinniLeg
New Music NestiEal? DinniLeg S.m7
Lhon. Orchestra/ Andre. Bore.-o/ con7
ductorI DinniLeg/ MB
8 - Michae5 Conway Fa@er 3rd moEe7
ment _Siguiri.as_ from Ta(6 ConBe(to
Rita ConstanYi/ harL? Regina S.mLhon./
Jictor Sawa/ conductorI Regina/ S\
14 - Farry IruaJ Te86$eI Concordia
TniEersit./ Montréal/ PQ
14 - Michae5 Conway Fa@er _Vhe
Moshe Benburg Ani EaIa8in =in
[hang The Ci(B$in- JancouEer <ntercul7
tural Orchestra/ =in [hang/ conductorI
CaLilano College/ North JancouEer
Mountains_ from Th(ou-h the Hion4
Mate Michael Conwa. Ba-er/ Liano?
\wantlen College BandI Surre.
5-8
Eeter Hannan The [iana Cantata Mod7
ern Baro2ue OLera/ \ate Wutchinson/
directorI JancouEer :ast Cultural Cen7
tre/ JancouEer
6 - 6e88rey "yan ]io$et C(u89$e Din7
niLeg S.mLhon. Orchestra/ Michelle
Mourre/ conductorI Centennial Concert
Wall/ DinniLeg/ MB
6 - Michae5 Conway Fa@er ,(e$ude ^
SBhe(\o Do( TKo Ea(i89a4 PR:M<:R:I
Nunabashi/ =APAN
7 - /te>hen Chatman Eu4iB Do( TKo
26 - "on Hannah Tund(ed4 and ThouI
8 - 6oce5yn Mor5oc@ èVenant Burne.
Ca$enda( )**+
Vhunder Ba. S.mLhon./ StéLhane
Gaforest/ conductorI Vhunder Ba./ ON
2 - Mar@ Armanini SaB(ed F$oKe(4
25 - "odney /harman Anthe8S ,a44I
in- oD the C$ai8ant Canadian Chamber
Choir/ <wan :dwards/ conductorI Cen7
tennial Wall/ DinniLeg/ MB
4and4 Susan Xoung/ soLranoI TniEersit.
of Jictoria/ Jictoria
] 7 G55iot Weisgarber No(thu89(ian
5$e-> \amlooLs S.mLhon./ Bruce
Dunn/ conductorI \amlooLs
Tan-o Vhalia M.ers/ LianoI Dilfrid
Gaurier TniEersit./ Daterloo/ ON
<(e6eated =anua(> +. at :ueenU4 @niVe(I
4it>F Win-4tonF ONY Fe9(ua(> Q at @niI
Ve(4it> oD To(ontoF ONY Fe9(ua(> G at
EBMi$$ @niVe(4it>F Eont(Za$F ,:J
A$to Sa_o6hone4 Woll. DeCaign. and
Gena Cuglietta/ saZoLhonesI TBC/ Jan7
couEer
:nsembleI TBC Recital Wall/ JancouEer
,a-e .)
16 - 6acKue5ine Leggatt 2> a(e in Ve(>
nod PR:M<:R: Standing DaEeI Jan7
couEer :ast Cultural Centre/ JancouEer
21 - Mar@ Armanini 2$ue M(een CanI
>on4 JancouEer Suitar QuartetI Point
Sre. Tnited Church/ JancouEer
22 - "u>ert Lang ,i$-(i8 Son- Jan7
couEer Cantata Singers/ :ric Wannan/
conductorI R.erson Tnited Church/ Jan7
couEer <(e6eated Fe9(ua(> )+J
22 - 6ean Cou5thard A Linte(U4 Ta$e
\amlooLs Chamber S.mLhon./ Bruce
Dunn/ conductorI \amlooLs
26 - Farry IruaJ /4$and/ and wor-s b.
Martin Fart5ett/ 'eith Hame5/ Siorgio
Magnanensi/ "obert Eritchard Sonic
Boom NestiEalI Scotiaban- Dance Cen7
tre/ JancouEer
Ca$enda( )**+
28 - "y$%ia (ic*ard /o(oth3 ,a(4e(
Son-6 Barbara &bbeson+ me--o
so.rano/ Rachel 4waasa+ .iano7 Round:
house+ ;ancou<er
12-20
27 - ;e<<rey (yan A>te( Sto(P Canadian
"te:hen Chatman /ue No(th ;al:
.araiso Ini<ersitD Chorale+ Horraine
Brugh+ director7 <arious locations+ ISA
Chamber Choir+ 4wan &dwards+ conduc:
tor7 <arious locations+ PQ 8(e:eated
;a(Bh )WK )X=
28 - Michae$ Conway 4a*er Contou(6
14 - 4arry CruaD TeP:$e7 Simon Uraser
29 - =in ]hang Gea(t 9h3Pe PR&:
=oel Quarrington+ contrabass7 Orleans+
ON 89e:eated ;a(<)=
Ini<ersitD+ BurnabD
28 - Michae$ Conway 4a*er Sonata
Ge(e &leFtra QomenTs Choir7 RDerson
Inited Church+ ;ancou<er
>o( F$ute @ ,iano CathrDn CernausFas+
!ute7 Ca.ilano College+ North ;ancou:
<er
28 - worF bD Murray 6das*in Sonic
Hab7 Ini<ersitD of ;ictoria+ ;ictoria
28 - (odney "harman SBa($attiana
;ictoria SDm.honD+ Alain Lrudel+
conductor7 Qualicum Beach Ci<ic Cen:
tre+ Qualicum Beach
"#r%&
2 - Mar* 6rmanini PR&M4&R& FiCe
Son-6 o> DnnoBenBe OtePt7 Qilliam BlaFeR
CCD Lrio7 Queens A<enue Inited
Church+ New Qestminster
2 - "te:hen Chatman The(e D6 SFeet
;u6iB Ge(e Lhe Butler Chorale7 4ndia:
na.olis+ 4ndiana+ ISA
5 - ;e<<rey (yan Hi6ion6 o> Io3 ;ancou:
<er SDm.honD Orchestra+ Bramwell
Lo<eD+ conductor7 ;ancou<er 8(e:eated
;a(Bh JK .)K and .+=
7 - ;oan Hansen TFo SundanBe6 Music
&ducatorsT National Conference7 Pro<i:
dence+ Rhode 4sland+ ISA
7 - "te:hen Chatman The(e D6 SFeet
;u6iB Ge(e Omaha Chamber Singers+
Da<id Batter+ director7 Omaha+
NebrasFa+ ISA
8 - (udo$< >omorous Li6tenin- to the
9ain OMBI Uree Radicals Uesti<al7
Montréal+ PQ
15 - Erederic* "chi:iF*y S:(in- i6
15 - "te:hen Chatman Q$aB4 and
Rhite Fanta63 Christine WoshiFawa+
.iano7 Ca.:de:la:Madeleine+ PQ
15-17
worFs bD >eith Hame$+ 4ruce GennyH
coo*+ 4rent Lee and others/ X&MS7
McXill Ini<ersitD+ Montréal+ PQ
16 - ;ohn J$i%er /(iCen PR&M4&R&
&nsemble SDm.osium/ =ohn Oli<er+
guest .erformerYcom.oser7 Qestern
Uront+ ;ancou<er
22 - (odney "harman The Sa(den
Rachel 4waasa+ .ianoY<oice7 Lhe
Qestern Uront+ ;ancou<er
22 - 4arry CruaD D6$and+ Melbourne
SDm.osium on Acoustic &cologD7 Mel:
bourne+ AISLRAH4A
22 - ;e<<rey (yan ,(o$o-ueT TFo
Gou6eho$d6 "te:hen Chatman CuB4oo
Aere* Ho$man O ;i6t(e66 ;ine (obert
E$eming The ;e(Bhant o> HeniBe >eith
4isse$$ TFo Son-6 >(oP Sha4e6:ea(e
Harry Ereedman CoPe AFa3K /eath
and Si-h No ;o(e Ladie6 and Dt Fa6 a
LoCe( and hi6 La66 and O ;i6t(e66 ;ine
and The Rind and the 9ain/ Ini<ersitD of
;ictoria Chamber Singers+ Bruce More+
director7 StZ AndrewTs Cathedral+ ;icto:
ria
24 - Michae$ Conway 4a*er [Lhe
M4&R& BC Chinese Orchestra+ =in
]hang+ conductor7 Chan Centre for the
Performing Arts+ ;ancou<er
29 - "te:hen Chatman The(e i6 6Feet
Pu6iB he(e Lhe Ini<ersitD College of the
Cariboo/ Bruce Dunn+ director7 ICC
Cam.us Acti<itD Centre+ Camloo.s
29 - "te:hen Chatman TFo 9o66etti
Son-6 Ini<ersitD of Hethbridge Singers+
Xeorge &<elDn+ director7 Hethbridge+ AB
29 - Michae$ CL Maguire Sot that
B(aY3 LatinZ;eta$ >ee$in[ Howard
4ashaw The C3B$e o> St(en-th 4rent
Lee Ci(Badia/ Xiorgio Magnanensi+ con:
ductor7 ;ancou<er PlaDhouse+ ;ancou<er
30 - ;ose M%ange$ista S3P:honie
;inute Manitoba Chamber Orchestra+
RoD Xoodman+ conductor7 Chan Centre+
;ancou<er
30 - ;e<<rey (yan Hi6ion6 o> Io3 ;an:
cou<er SDm.honD Orchestra+ Bramwell
Lo<eD+ conductor7 ;ancou<er
30 - (odney "harman SBa($attiana+
;ictoria SDm.honD Orchestra+ Alain
Lrudel+ conductor7 Ini<ersitD of ;icto:
ria+ ;ictoria 8(e:eated ;a(Bh +.=
'(ri*
2 - ;oan Hansen He(tiBa$ Land6Ba:e6
RosalDn Soo Mauldin+ .iano7 School of
Music+ Ini<ersitD of ;ictoria+ ;ictoria
2 - Erederic* "chi:iF*y S3P:hon3 \)
Orchestra Hondon Canada+ WannicF
Ne-et:Seguin+ conductor7 Centennial
âll+ Hondon+ ON 8(e:eated A:(i$ +=
dian /anBe6 Camloo.s SDm.honD+
Bruce Dunn+ conductor/ Camloo.s
Mountains\ from Th(ou-h the Lion6
Sate Michael ConwaD BaFer+ .iano/
LaFanawadai Concert Band/ MrZ
LaFanawada+ conductor7 Ca.ilano Col:
lege+ North ;ancou<er
8 - @an McAouga$$ se<eral worFs
27 - ;oan Hansen He(tiBa$ Land6Ba:e6
6 - "te:hen Chatman _MD S.irit Sang
including Th(ee Hi-nette6 and a Ha(iaN
tion &ugene Dowling+ tuba/ 4an McDou:
gall+ trombone7 Ini<ersitD of ;ictoria
PR&M4&R& RosalDn Soo Mauldin+
.iano7 Xeorgia State Ini<ersitD+ Atlanta+
Xeorgia+ ISA
All DaD_ from Canadian Fo$4 Son-6
ârt ôuse Chorus+ =ohn Luttle+ direc:
tor7 ârt ôuse+ Ini<ersitD of Loronto+
ON
8 - ?raham Co$es Suite o> Ma($3 CanaN
Ca$enda( )**+
,a-e .+
4 - (odney "harman SBa($attiana Qin:
ni.eg SDm.honD Orchestra+ Lania
Miller+ conductor7 Centennial Lheatre+
Qinni.eg+ MB
Ca$enda( )**+
9 - !ru$ &r'ing +$ic- The 2ou' ha5
18 - Michae$ Conway Ba-er Con>e'to
4 - !te>hen Chatman Cue No'th and
Co6e "ictoria S*m,hon* Orchestra2
Michael 5ormle*2 conductor8 9ni:ersit*
of "ictoria2 "ictoria 7'e8eated A8'i# .*<
Bo' 2a'8 and O'>he5t'a and ;oug$as
!chmidt O6ie5 ?Y>Zen5>h6e'Ken2 JliL=
abeth "ol,e2 har,G Shauna Rolston2 celloG
"ancou:er S*m,hon* Orchestra2 Bram=
well Ho:e*2 conductor8 Chan Centre2
"ancou:er 7'e8eated A8'i# .[<
Cue De5t Horonto Camerata Chamber
ChoirG Mel:a Href!nger 5raham2 direc=
tor8 5race Church on=the=Nill2 Horonto
ON
9 - .odney !harman S>a'#attiana
<itchener=>aterloo S*m,hon*
Orchestra2 Daniel >arren2 conductor8
Ri:er Run Centre2 5uel,h2 ON
10 - +race 6ong7eun Lee The ?e@o#uA
tion oB the Cha'6a Dhee# 5race Cong=
eun Eee2 Fa*agumG Ean Hung2 erhuG
Conathan Bernard2 ,ercussion8 Seoul2
<ORJA
10 - Co$in Mac;ona$d St'an-e' in a
St'an-e Eand SeFaha 5ong 5ita
Asmara2 Michael HenLer2 director8 "an=
cou:er Art 5aller*2 "ancou:er 7'e8eated
A8'i# .) at ?oF5on SGua'e and A8'i# .+
at Ca8i#ano Co##e-e<
11 - 6e<<rey .yan ,'o#o-ueH TIo
The A't oB Ce>#en5ion Montreal S*m=
,hon*2 Moisan2 conductor8 Montreal2 PQ
worFs b* Bengt HambraeusN Irancis
;homontN Hugh LeCaineN and @$ain
Khibau$tN Musica Nue:a de Monte=
:ideo8 Monte:ideo2 9R959A]
26 - !te>hen Chatman T'io for clari=
7-11
24 - 6e<<rey .yan WHo Boldl* 5oX from
net2 :iolin2 and ,ianoG ARA Jnsemble8
Centre for Modern Art YSol:a*Y Cracow2
POEAND
26 - Mar- @rmanini F#oatin- on the
Sea oB Se'enitO and worF b* Chuo .ui
!hi "ancou:er Chinese Music Jnsem=
ble8 "ancou:er Jast Cultural Centre2
"ancou:er
27 - !te>hen Chatman TIo ?o55eti
2ou5eho#d5 9ni:ersit* of "ictoria
Chamber ChoirG Bruce More2 director8
Jm,ress Notel2 "ictoria
Son-5 Hhe 9ni:ersit* of Hulsa Chorale2
>illiam McConnell2 director8 H*rrell
Nall2 School of Music2 Hulsa2 OFlahoma2
9SA
12 - !te>hen Chatman An J#iKaFethan
27 - ;oug$as !chmidt O6ie5 ?Y>ZenA
Su66e' Cohn Eaing Singers2 Cohn Eaing2
director8 ChristOs Church Cathedral2
Namilton ON
12 - worFs b* !ru$ &r'ing +$ic- and
&mant .aminsh Surre* ChildrenQs
Choir2 Ste:en Norning2 conductor8
Church of the 5ood She,herd2 Surre*
13 - @$$an +i$$i$and Do'd5 Bo' Lu5i>
,e'ha85 Fou' Son-5 Bo' So8'ano and
Nua'tet on ,oe65 FO DPQP Reat5 MarMitche$$ Th'ee Son-5 Bo' So8'ano and
Nua'tet Neather Pawse*2 so,ranoG Pro
No:a Quartet8 Mount Se*mour 9nited
Church2 North "ancou:er 7'e8eated
A8'i# .S at No'th Sho'e Unita'ian
Chu'>hV De5t Wan>ou@e'<
14 - ;enis +ougeon ,'i6u5 Te68u5
"ictoria S*m,hon* Orchestra2 Cean=
Trancois Ri:est2 conductor8 9ni:ersit*
of "ictoria2 "ictoria
18 - !te>hen Chatman The'e i5 5Ieet
6u5i> he'e Eewis=ClarF State College
Concert Choir2 Coel DU Pals2 director8 Sil=
:erthorne Hheatre2 Eewiston2 Vdaho2
9SA
Ca#enda' )**+
7 - Barry KruaL So#a' J##i85e2 and
5>h6e'Ken "ictoria S*m,hon* Orches=
tra2 Charles Oli:ieri=Munroe2 conductor8
9ni:ersit* of "ictoria2 "ictoria 7'e8eated
A8'i# )\<
27 - Chris Dau$ Harman ]n>i8it5 PRJ=
MVJRJ and ]n>ident5 in T'an5ition
Standing >a:eG "ancou:er Jast Cultural
Centre2 "ancou:er
!"#
2 - 6ohn F$i'er Cu5t for clarinet and
ta,e PRJMVJRJ TranZois Noule2 clari=
net8 Hhé\tre Ea Cha,elle2 Montréal2 PQ
2 - Fwen Gnderhi$$ and Michae$ Bush7
ne$$ T'i5tan and ]5o#de PRJMVJRJ
National Ballet of Canada2 Cohn Alle*ne2
choreogra,her8 Horonto2 ON 75i^ 8e'Bo'A
6an>e5<
H 7 Irederic- !chi>iJ-y SO68honO _)
and FanBa'e to the ?oOa# Wi5it "ancou:er
S*m,hon* Orchestra2 Hania Miller2 con=
ductor8 Or,heum Hheatre2 "ancou:er
7'e8eated LaO / at Centennia# Theat'eV
No'th Wan>ou@e'<
,a-e ./
Christo>her Buttere$d Cad âmbient
sound installation_ O,en Jars Testi:al8
<itchener2 ON
9 - .O Murray !cha<er Fe#i^`5 ai'#5
"ancou:er Chamber Choir and Coastal
Sounds ]outh Chamber Choir2 Con
>ashburn2 conductor8 R*erson 9nited
Church2 "ancou:er
10 - Michae$ Conway Ba-er YHhe
MountainsY from Th'ou-h the Eion5
aate Michael Conwa* BaFer2 ,ianoG
Burnab* S*m,hon*2 Eeonard Cam,lin2
conductor8 Herr* To` Hheatre2 Port
Coauitlam 7'e8eated LaO .. at Li>hae#
bP Fo^ Theat'eV Qu'naFO<
17 - Michae$ Conway Ba-er The
F#i-ht oB A8h'odite Patricia Shih2 ,ianoG
Sinfonia Orchestra of the North Shore2
Cl*de Mitchell2 conductor8 Centennial
Hheatre2 North "ancou:er
20 - 6e<<rey .yan Qe##at'i^ Sté,hanie
Me*er2 celloG Basel2 S>VHbJREAND
21 - 6acPues HQtu Nuintette 9BC Bac=
calaureatesG 9BC Recital Nall2 "ancou=
:er
23 - .odney !harman Anthe6H ,a55A
in- oB the C#ai6ant Neà,honeG StU
Cohn the Di:ine2 "ictoria
29 - @nita Derry The aiBt oB the Sta'
Nueen2 Penticton School of Dance8 Cle=
land Hheatre2 Penticton 7'e8eated LaO
+*V +. and bune .<
29 - Kobin !to-es J# So# Ce# Su'2
Michael <ahlig2 marimba and ,ercus=
sionG <e:an Heherani2 marimba and ,er=
cussionG Jduard <utrowatL2 ,ianoG
Cohannes <utrowatL2 ,iano8 Schlaining
Castle2 Burgenland2 A9SHRVA
Ca#enda' )**+
!
!!!! !! !!!!!! !! !! !!! !! !!! !!!!!!!!!! !!! !! !! !! !!!!! !! !!!!! !!! !!! !
30 -!Nikolai Korndorf!0u$$ab3!"#$!
4ript3c9!%&'()!*"&#(+,!-())./!0"#(!1"2(+,!
3'"#./!%##"!4(52,!3'"#.6!78"$9.):!;(#<
:&(!=.&!:8(!%&:+,!*>&#"92
31 - Stephen Chatman!Son-s =f ?
Prospector ?"#-.>5(&!;':2!7'#@(&+,!
0.8#!A&.::(&,!$'&(-:.&6!?"#-.>5(&
June
1 - Michael Conway Baker!DA8(!
I.>#:"'#+G!=&.H!49rou-9 t9e 0ions
@ate!I'-8"()!;.#J"2!*"F(&,!3'"#./!
R().J#"!V.3+!L-8(+:&",!4(.#"&$!;"H3<
)'#,!-.#$>-:.&6!R().J#"
27 - Stephen Chatman!SWide-ate "#$
Fo9n XanaWa!"#$!@rand Oote$!"#$!
Mountains!"#$!MosYuistoes!"#$!DeLeLV
ber!P).&"!O(+:'5")!7'#@(&+,!M.()!P$'+.#,!
-.#$>-:.&6!7:!I"&2]+!;8>&-8,!P).&",!LM
4 - Anita Sleeman!Canti-as!U>":>.&!
28 -!Douglas Schmidt!Ce-etab$es on
%&:8>&!4(*)"#-6!I.#-:.#,!M*
Parade6!;"#H.&(,!%*!(repeated Fu$3 +0
in BanffE ?B)
5 - Rodney Sharman!4Qo etudes!VQP<
6 -!Brian Tate!@ent$3!"#$!0ift Ap Bour
INPQP!I(&&'++"!X"&'#+,!8"&36!1'@8)"#$+!
B#':($!;8>&-8,!M.&:8!?"#-.>5(&
Coice!"#$!Do$$E FordanE Do$$!"#$!G @ot
Fo3!B#'5(&+")!C.+3()!;8.'&,!*&'"#!A":(,!
$'&(-:.&6!B#':"&'"#!;8>&-8,!?"#-.>5(&
10 -!John Oliver!C9ase t9e Mone3!
9 - Rodney Sharman!D%:!E>+FG!=&.H!
0oveE Beaut3E Jesire!I'-8"()!
7J((#(2,!+.).!9"++..#/!?'"!7")K9>&@!
L&-8(+:&"6!C)(##!C.>)$!7:>$'.,!
A.&.#:.,!LM
11 - Jeffrey Ryan!KuantuL Mec9anics
;.))"9.&":'.#+6!A.&.#:.,!LM
12 -!Barry Truax!SteaL!N#:(&#":'.#")!
O(+:'5")!.=!P)(-:&."-.>+:'-!I>+'-6!
*.>&@(+,!OQ%M;P
14 - Stephen Chatman!Jue Nort9!
DR((3!':!C"2SG!7'#@'#@!LBA,!T'))'"H!
*&.J#,!$'&(-:.&6!0"#(!I"))(::!A8(":&(,!
A.&.#:.,!LM
18 - Sylvia Rickard Son-s of t9e 0oon!!
William Pura!Jer Oo$PQe-!M(J!I>+'-!
M.&:8!O(+:'5")/!;.##'(!C':)'#,!-)"&'#(:/!
I"&F!Q>$.==,!-()).6!1'))$")(!4>:8(&"#!
;8>&-8,!A8>#$(&!*"2,!LM
22 -!Brian Tate!Ror$d of Ronder!"#$!
P$aced Apon t9e OoriPon (CastinS9adoQs) "#$ B$ues for t9e Bone "#$ Gn
Oavana "#$ NoQ9ereE JonUt Care!*&'"#!
A":(!U>"&:(:6!?"#-.>5(&
24 -!Barry Truax!?ndro-3neE Mon
?Lour!V&'$(!T((F!;.#-(&:6!I>+'-!C")<
)(&2,!A.&.#:.,!LM
28 -!Gordon Fitzell!vio$ence!('@8:8!
9)"-F9'&$6!;.##(-:'->:,!B7%
July
1 - Peter Berring!? Canadian D9apV
sod3!M":'.#")!%&:+!;(#:&(!L&-8(+:&"!W!
I"++($!;8.'&,!V'#-8"+!X>-F(&H"#,!-.#<
$>-:.&6!L::"J",!LM
Ca$endar 200+
!! !!!!!!!!!! ! !!!! !! !!! !! !! !!
VQPINPQP,!E"5'$!*&"#:(&,!"):.!+"Y.<
38.#(/!T.&)$!7"Y.38.#(!;.#@&(++!
L&-8(+:&",!C)(#!;.&:(+(,!-.#$>-:.&6!
I'##("3.)'+,!I'##(+.:",!B7%
12 - John Oliver!Oot SuLLer Ni-9ts!
VQPINPQP!+.3&"#.!"#$!+.3&"#.!+"Y.<
38.#(!5(&+'.#/!0.Z)!?(&+"5">$,!+.3&"#.!
+"Y.38.#(/!I"&'.#!O&'9.>&@,!+.3&"#.6!
I'##("3.)'+,!I'##(+.:",!B7%
14 -!Stephen Chatman!B$oQE B$oQ
49ou Rinter Rind!L&(@.#!78"F(+3("&(!
O(+:'5")/!7.>:8(&#!L&(@.#!Q(3(&:.&2!
7'#@(&+,!V">)!O&(#-8,!$'&(-:.&6!P)'K"9(<
:8"#!A8(":&(,!%+8)"#$,!L&(@.#,!B7%
August
4 -!Stephen Chatman 0aQren SZ Oarris
Suite for piano Yuintet!VQPINPQP!!
DI>+'-!.=!L>&!A'H(!NNN6!;"#"$'"#!?.2<
"@(G!L::"J"!N#:(&#":'.#")!;8"H9(&!
I>+'-!O(+:'5")/!%#$&(J!E"J(+!W!
0.#":8"#!;&.J,!5'.)'#+/!C>2)"'#(!
4(H"'&(,!5'.)"/!0>)'"#!%&H.>&,!-())./!
V">)!7:(J"&:,!3'"#.6!7:^!0.8#_+!;8>&-8,!
L::"J",!LM
6 -!Ian McDougall!4ransitions!O(+:'5")!
?"#-.>5(&/!4"="2(::(!7:&'#@!U>"&:(:6!
O'&+:!*"3:'+:!;8>-8,!?"#-.>5(&
6 - Rupert Lang, Bruce Sled, David
24 - .3(&"!(Y-(&3:+!92!Janet Danielson, Ramona Luengen, David MacIntyre, Neil Weisensel!?"#-.>5(&!L3(&"!
J.&F+8.3[+8.J-"+(/!4(+)'(!B2($",!
H>+'-!$'&(-:'.#/!%##(!1.$@(+,!:8(":&(!
$'&(-:'.#6!;"#"$'"#!I(H.&'")!;8>&-8!
;(#:&(!=.&!V("-(,!?"#-.>5(&
MacIntyre, 7:(38(#!7H':8, Ramona
Luengen,!0.#":8"#!U>'-F,!R(#!R.&H'(&!
D7")>:(!:.!*;!I>+'-G!!O(+:'5")/!;8.&!
4(.#'!I(#]+!;8.'&,!E'"#(!4..H(&,!-.#<
$>-:.&/!P)(F:&"!T.H(#]+!;8.'&,!I.&#"!
P$H>#$+.#!"#$!E'"#(!4..H(&,!-.<-.#<
$>-:.&+/!?"#-.>5(&!;"#:":"!7'#@(&+,!P&'-!
1"##"#,!-.#$>-:.&/!?"#-.>5(&!;8')<
$&(#]+!;8.'&,!Q>3(&:!4"#@,!-.#$>-:.&6!
7:^!%#$&(J]+<T(+)(2!;8>&-8,!?"#-.>5(&
18 -!Sylvia Rickard!DuLVBaVBa!
9 -!Barry Truax!4eLp$e!7.>#$!A&"5()+6!
;"3())"!$'!7"#:"!;8'"&"!;"+")H"@@'.&(/!
0.&$"#!?.()F(&,!5'.)"/!1"##"8!78"J,!
5'.)"/!Q(9(--"!1>9(&,!5'.)"/!%)(Y"#$&"!
?.):+',!5'.)"/!!7")5"$.&!V($&"K",!$.>9)(<
9"++6!4.H9"&$2,!NA%4\!(repeated Fu$3
22)
19 - Rudolf Komorous!=$3Lpia6!?'-<
:.&'"
24 -!Kelly-Marie Murphy ?not9er $itV
t$e piece of L3 9eart!?"#-.>5(&!;8"H9(&!
I>+'-!O(+:'5")/!*.&(")'+!7:&'#@!U>"&:(:6!
%$$'+.#!%>$':.&'>H,!;&.=:.#!1.>+(!
7-8..),!?"#-.>5(&
26 - Imant Raminsh @0=DG? "#$!#(J!
J.&F!92 Ian McDougall!T(+:!;."+:!
%H":(>&!I>+'-'"#+!7.-'(:2/!A&'#':2!
T(+:(&#!B#'5(&+':2
Pa-e 15
7:^!%#$&(J+<92<:8(<4"F(,!A.&.#:.!;(#<
:&(!N+)"#$,!LM
11 - David MacIntyre!Because of 0ove!
`:(Y:!92!Q.9'#!7F():.#a!VQPINPQP!
O(+:'5")!?"#-.>5(&/!%)(Y"#$&"!4'(9'-8<
A"':,!+.3&"#./!0.#":8"#!4'(9'-8,!9"&'<
:.#(/!R"&(#!4((<I.&)"#@,!3'"#.6!O'&+:!
*"3:'+:!;8>&-8,!?"#-.>5(&
12 -!I>+'-!.=!Grace Jong-eun Lee,!
O(+:'5")!?"#-.>5(&,!C&"-(!0.#@<(>#!4((,!
F"2"@>H/!V":&'-'"!78'8,!5'.)'#6!7:>$'.!
bc,!bded!T(+:!f:8!%5(#>(,!?"#-.>5(&,!
bb6gg!3H^
14 - David MacIntyre!?ve Maria!O(+:'<
5")!?"#-.>5(&/!4">$":(!7'#@(&+,!4"&+!
R""&'.,!-.#$>-:.&/!E(#'+!*h$"&$,!.&@"#6!
1.)2!Q.+"&2!;":8($&"),!?"#-.>5(&,!i6jg
Ca$endar 200+
!!!!!!!!
!! !!!!!
September
1 - Michael Conway Baker!01e F$i-1t
of 7p1rodite!"#$%&'%&!()$*+%&)!
,-.+/0'-12!3145#!6%)'2!.%&#7.'%-8!"#$9
%&'%&2!:;
12 -!Frederick Schipizky!9uo Caprice!
</''1!=%&./-'!(/-5/0>!<5.'%-!=%0'1&?52!
45%@5&>!A1$/@1!A17@2!*51&%8!B/0'!A%5&'!
C-/)!D&5'/#!=+7-.+2!<1&.%74/-!
19 -!Mark Armanini!<reen and <o$d=
12 -!Nikolai Korndorf Qari$o!1&#!7re
14 - Jana Skarecky!Cove is coGe a-ain
Pou readP= Brot1erR!;/-@5&/-!I/0'9
Q%.+/&!RSST>!"&0/$L@/!M&'^G-1@/08!
E1$$/-$705P011@!A+5@+1-$%&5/2!
;/-@5&2!C"UN:JV
Ruth Watson Henderson!Co$ours!<1&9
.%74/-!=+1$L/-!=+%5-2!Z%&!B10+L7-&2!
.%&#7.'%-8!U)/-0%&!=+7-.+2!<1&.%74/-
@1ite FantasP!=+-50'5&/!V%0+5P1Q12!
*51&%8!(1@@/!=-/$1?5/2!('W!"$5@@/2!A_
16 -!B%-P0!L)!Linda Catlin Smith,
Rodney Sharman, Paul Steenhuisen,
Micheline Roi =%&'/$*%-1-)!N705.!
I/0'541@2!"-G%!"&0/$L@/8!OMK6D:JM:
15 -!!Rodney Sharman!Sn a rooG!
16 -!Bob Pritchard!Postcards FroG
13 -!Stephen Chatman!B$ac? 7nd
N5.+1/@!('-7''2!G75'1->!:@/`1&#/-!37&&2!
G75'1-8!D;=!U/.5'1@!61@@2!<1&.%74/-
B$ac? and @1ite= Aed!6/5#5!E-7'?/&2!
+1-*>!<5451&!F512!)1&GH5&>!I7-'+/-!"10'2!
I7-'+/-!B/0'8!=1*5@1&%!=%@@/G/2!J%-'+!
<1&.%74/-
18 - Marjan Mozetich!Postcards froG
23 -!Rudolf Komorous!Stran-e Sp1ere!
18 -!Stephen Chatman!0Eo Aossetti
1&#!0an-!1&#!Aitratto di Caura Battiferri
1&#!Curid Bride!K7-&5&G!A%5&'!"&0/$9
L@/8!<1&.%74/-!"10'!=7@'7-1@!=/&'-/2!
<1&.%74/-
Son-s!Jon Washburn!Ba$G in <i$ead!
<1&.%74/-!=+1$L/-!=+%5-2!Z%&!B10+9
L7-&2!#5-/.'%-8!=+1&!=/&'-/2!<1&.%74/-
27 -!Keith Hamel!Aefraction!M(=N!
t1e S?P!E1$@%%*0!()$*+%&)!=+1$L/-!
,-.+/0'-12!;-7./!37&&2!.%&#7.'%-8!
E1$@%%*0
19 -!Stephen Chatman!Tira-e A-5&./!
B%-@#!N705.!31)08!A5-1&2!(O,<"JM:
"#Q1-#!M0@1&#!()$*+%&)!,-.+/0'-18!
=+1-@%''/'%Q&2!A"M
27 - Harry Somers!01ose Si$ent= 7EeF
19 - &/Q!Q%-P!L)!Rodney Sharman!
$$ed Spaces!E1$@%%*0!()$*+%&)2!
;-7./!37&&2!.%&#7.'%-8!E1$@%%*0
AU"NM"U"!6/@5P%&!"&0/$L@/2!O/0@5/!
31@12!.%&#7.'%-8!<1&.%74/-!"10'!=7@9
'7-1@!=/&'-/2!<1&.%74/-
28 - (%7&#!B1@P!Q5'+!Hildegard Westerkamp!<1&.%74/-!J/Q!N705.8!$//'!1'!
/&'-1&./!'%!A@1&/'1-57$2!R8SS*$
30 -!Nikolai Korndorf!Confessiones!
1&#!7Goroso!1&#!Cet t1e Hart1 BrinFort1!;/-@5&/-!I/0'Q%.+/&!RSST>!N%09
.%Q!=%&0/-41'%-)!=%&'/$*%-1-)!
"&0/$L@/2!MG%-!3-%&%42!.%&#7.'%-8!
E1$$/-$705P011@!A+5@+1-$%&5/2!;/-9
@5&2!C"UN:JV
October
25 - Moshe Denburg!01e Uin- is 9ancF
in-!<1&.%74/-!M&'/-.7@'7-1@!,-.+/0'-18!
=1*5@1&%!=%@@/G/2!J%-'+!<1&.%74/-
22 – 25!
Peter Hannan, Henry Kucharzyk!
=+-50'5&/!37&.1&!a31&G/-%70!=7--/&'02!
<1&.%74/-!J/Q!N705.!I/0'541@b8!(.%'519
L1&P!31&./!=/&'-/2!<1&.%74/-
Hatch!<at1ered Hvidence!<1&.%74/-!
J/Q!N705.>!A/&#/-/.P5!('-5&G!_71-'/'8!
U)/-0%&!D&5'/#!=+7-.+2!<1&.%74/-
29 -!Stephen Chatman Proud Tusic If
01e StorG!<1&.%74/-!;1.+!=+%5-2!D;=!
(5&G/-02!D;=!()$*+%&)!,-.+/0'-12!
;-7./!A7@@1&2!.%&#7.'%-8!=+1&!=/&'-/2!
<1&.%74/-!
December
3 - Jeffrey Ryan [esica Piscis!AU"9
NM"U"!N1&5'%L1!=+1$L/-!,-.+/0'-12!
U%)!C%%#$1&2!.%&#7.'%-8!B5&&5*/G2!
N;
4 -!Ernest MacMillan!0Eo S?etc1es!
;%-/1@50!('-5&G!_71-'/'8!D;=!U/.5'1@!
61@@2!<1&.%74/of Xeaven$P 0rousers![17#5%!5&0'1@@19
'5%&]8!:-'!C1@@/-)!%Y!C-/1'/-!<5.'%-51
7-17
Stars!Y%-!0'-5&G!%-.+/0'-12!AU"NM"U"!
D;=!()$*+%&)!,-.+/0'-12!Z/00/!U/1#2!
.%&#7.'%-8!=+1&!=/&'-/2!<1&.%74/-!
[\R8SS*$]!(repeated Ictober += MN00pG)
Mark Armanini If @ind and @ater!1&#!
Concerto for Qan-Vin!Stephen Chatman!Proud Tusic of t1e StorG!1&#!
Q%-P0!L)!Zhuo Rui Shi8!;/5c5&G!d!
(+1&G+152!=6MJ:
Ca$endar 200+
22 -!John Burke!Strin- Zuartet!Peter
6 - Colin MacDonald!F$oE Ci?e @ater!
2 -!Stephen Chatman!Iver 01orns 0o
AU"NM"U"!<1&.%74/-!()$*+%&)!
,-.+/0'-12!;-1$Q/@@!K%4/)2!.%&#7.'%-8!
<1&.%74/-!(repeated Ictober /)
Stephen Chatman!Iver 01orns to Stars!!
<1&.%74/-!()$*+%&)2!;-1$Q/@@!K%4/)2!
.%&#7.'%-8!,-*+/7$!K+/1'-/2!<1&.%74/-
5 -!Christopher Buttereld!Pavi$ion
1&#!Aeac1in- for SGGorta$itP!1&#!Pa?
7$it!K+/!=%@5&!N1.3%&1@#!A%.P/'!
,-.+/0'-18!<1&.%74/-!:-'!C1@@/-)2!<1&9
.%74/-2!X8SS*$
4 -!Jeffrey Ryan!01e CinearitP of Ci-1'!
22-24
November
erkamp!<1&.%74/-!J/Q!N705.8!$//'!1'!
=%-#%41!('W!/&'-1&./!'%!%@#!=AU!('1'5%&2!
X8SS!*$
1 - (%7&#!B1@P!Q5'+!Hildegard West-
Iur Future0!;1-L1-1!A-5'.+1-#2!0%@%50'8!
N%7&'!:@@50%&2!J;!(repeated WoveGber
22 in Xa$ifaY WS)
9 -!Rupert Lang!Spirit of t1e C1i$d!<1&9
.%74/-!=+5@#-/&e0!=+%5-2!U7*/-'!O1&G2!
#5-/.'%-8!B/0'!<1&.%74/-!D&5'/#!
=+7-.+2!<1&.%74/Pa-e 1/
13 - William McCauley!C1ristGas
Caro$ Fantasia!François Morel!ParaF
p1rase!E1$@%%*0!()$*+%&)2!;-7./!
37&&2!.%&#7.'%-8!E1$@%%*0
19 -!Nancy Telfer!Woe$\ !Q%-P0!L)!
Peter Berring!1&#!Brian Tate!O%-&1!
N.C//2!7'/>!6/5#5!E-7'?/&2!+1-*>!<1&9
.%74/-!=+1$L/-!=+%5-2!Z%&!B10+L7-&2!
.%&#7.'%-8!U)/-0%&!D&5'/#!=+7-.+2!<1&9
.%74/-!(repeated 9ec 21 at +N00 pG)
22 -!Rupert Lang!Can Qou SGa-ineR!
<1&.%74/-!=+5@#-/&e0!=+%5-2!U7*/-'!
O1&G2!#5-/.'%-8!=+1&!=/&'-/2!<1&.%74/Ca$endar 200+
!
"#$!%&'()*)+),-*
Wor%s de)osited since .e)tember 1221
in the 4ibrary o7 the Canadian Music
Centre ;in ca44 number order<= >44 scores
are in manuscri)t 7orm un4ess otherwise
indicated by a )ub4isher name=
-u,, /r01es2r#
@ MA BB22 M1BW%a
M>Ad>NAIK _ictoriaKBL[LN
Ia4eidosco)e ;1222<
22PBLP22
E;)icca4N
to!<E;GngHn<E;CassC4<E;cnbsn</DEEB/
)erc;E<K har)K )iano;ce4esta</strings ;B[N
B1NB2NFN[<=
@ MA BB22 CDE1syF
CGLIANK >4anKBLMBN
.ym)hony no F ;1221<
enO= 12P22
@ MA BB22 MEBDto
M>QCGLK LucKBL[1N
Sour ênoise ;1221<
22PBEPE2
@ MA BB22 CEBBdr
C>QQ>CQRK S= Tatric%KBLMFN
She dragonVs tai4 ;BLLW<
1)icc111/DEEB/tim)K )erc;1<K har)K
)iano/strings=
@ MA BB22 TE1Eec
T>]IK >4efKBLDMN
Gcho s)irit is4e ;BLFE<
22PBWP22
"#rge 'nse*+,e
@ MA BB22 GWL7r
G.S>CAYK ZohnKBL[[N
\renergy ;BLLF<
22P2DPE2
1111/DEEB/tim)K)erc;E<K )ianoK har)/
strings=
@ MA BB22 \LFBCL
\]N^K _iOianKBLWMN
C4aè ;BLLF<
22PBEP22
@ MA BB22 HLLWth
HbNG.K Michae4KBL[2N
ShereVs cust godK when heVs drun% ;1221<
22P2P22
@ MA BB22 HLLWthr
HbNG.K Michae4KBL[2N
Shree )ieces 7or chamber orchestra
;BLLB<
22PBMP22
@ MA BB22 I[Dch
ILGANK LotharKBLE1N
ChariOari ;BL[M<
22PB1P22
1)icc111/D112/tim)K )erc;1</strings=
Ne$ A&'ui*ition*
@ MA BB22 W1WBan
W>QGK TeterKBLMBN
.ym)hony no= B ;122B<
22PDMP22
E;)icc<111/D1EB/B122/strings=
31#*+er /r01es2r#
@ MA B122 CEBBch
C>QQ>CQRK S= Tatric%KBLMFN
Chase the sun ;BLLDK BLL[<
22P2DP[2
BBBB/BBB2/)erc/strings=
@ MA B122 CMM1ea
CHY]AN>QdK dianeKBLDDN
Les eauf chantantes de Meshteme%
;BLLE<
2122/1222//strings=
@ MA B122 LFMW4e
LYN^SANK Miche4KBLD[N
Lettre )osthume de Conrad ;1222<
22P1WP22
enO= 1WP22
@ MA B122 SLM1ni
S]QNGQK .ara .cottKBL1[N
Nish%a onggamon ;BLLM<
22PB1P22
\or string orchestra and )ercussion=
.a0e 12
/r01es2r# 4i21 so,ois27s8
@ MA BEB1 IFEco
IYTQYW.IAK Teter Tau4KBLDWN
Concerto 7or Oio4a and orchestra
22P11P22
@ MA BEBM LE[[se
L>]CGQK >nneKBLDEN
.erenata Gs)aha4 ;1221<
22P1MP22
@ MA BE1B HE[Wco
H>SiA.K ChristosKBLMEN
Concerto 7or !ute and chamber orchestra
\or !ute and chamber orchestra
@ MA BE1M MLWF7a
M]QTHbK Ie44yNMarieKBL[DN
\a44ibi4ityK 4ogicK and the return o7 wonN
der ;1221<
22PBEP22
Concerto 7or safo)hone in GN!at and
orchestra=
@ MA BE[B MDEBMco
M>SHAG]K >ndreK BL1LNBL[F=
Concerto de juebec ;BLDW<
22P11P12
Tour )iano et orchestre 11;cor ang4=<1B/
111B/)erc ;1< har)e/cordes
@ MA BE[B TEDEco
T>bGSSGK >4ainKBLMEN
Concerto )our )iano
Les Rdtitions >4ain TayetteK 1222=
22P1FP22
Tour )iano et orchestre ;reduction )our
deuf )ianos<
@ MA BDBB C[LMco
CYL^Q>..K Michae4KBLE1N
Concertmasters 7or three so4o Oio4ins and
orchestra
Car4 \ischerKBLWFK BLLM=
22P11P22
E so4o Oio4ins /1)icc11bassC41cbsn/
D1EB/)erc=K har)s;1<K ce4esta/strings=
Ne$ A&'ui*ition*
" M$ %&'( W&*&+y
W-$N/01N2-L4 /asha4%8&9:
Lyric concertino B%88%C
((D*ED((
For !ute4 Hio+a4 harI and string orchestraL
" M$ *%%( C&8&Ir
CH10M1N4 /teIhen4%8'(:
Ore+udes Wor IianoD boo` %
Frederic` Harris4 *((*L
d-+ementary Iiano so+osdL
" M$ *%%( N&&*à
N-QV1N04 [a+e4 %8*R:
]a+eidoscoIe
Late e+ementary Iiano so+osL
S#ring (r)*es#r-
" M$ *%%( C&8&Ir*
Ore+udes Wor IianoD boo` *
dLate -+ementary Oiano /o+osdL
" M$ *%*& [R8%aL
[YYL$00L-4 guenten4%8*':
1++ and sunder B*(((C
((D%'D((
" M$ %'(( M%'*'re
Mc$N0MN-4 Oau+4%8E%:
NePuiescant in Iace B*((%C
" M$ %'(( 08'*ce
0QNN-N4 /ara /cott4%8*R:
Ce+ebration B%88*C
For string orchestraL
" M$ %R&( 1R9'ar
1NCQN$4 /erge4%8'&:
1rborescences B%88*C
((D%*D((
.on)er# 0-nd23-rge 4ind
5nse678e
" M$ %U(( VE&&sa
V1Q-N4 Nobert4%8'(:
/anctus Wor symIhonic band
CMC 1t+antic Negion4 *((%L
For symIhonic bandL
" M$ %U(( CR8'oL
CYL2N1//4 Michae+4%8E*:
Y+d churches
Ha+ Leonard4 distributor4 *((*
((D(RD((
For midd+e +eHe+: bandL
9e:7o-rd
Pi-no
" M$ *%%( V9'*ro
VYQCH1N[4 Nemi4%8ER:
Nomances sans Iaro+es
For IianoL
" M$ *%%( V8*Ree
VQC\MN/]$4 Wa+ter4%8EE:
-ight eIigrams Wor young Iianists
Voosey ^ Hawès Canada4 %8R8L
%( Iages oW musica E( cmL
For so+o IianoL
" M$ *%%( CE%%Wu
C1NN1VNb4 0L Oatric`4%8'U:
Funcrai++es B*((%C
Ne$ A&'ui*ition*
" M$ *%%( C&8&IrE
Ore+udes Wor IianoD boo` E
d$ntermediate Oiano /o+osLd
" M$ *%%( [%E%ho
[1HL2N-N4 [aHid4%8&9:
Hoedown on a night train
CMC Orairieedistributorf4 *((%L
" M$ *%%( [R8%Pu
[YYL$00L-4 guenten4%8*':
0he Pueens oW 1+ice B*((%C
((D(9D((
(rg-n
" M$ *%*& N*&RWas
N1QM4 -+ijabeth4%8&':
Fast +ane B*((%C
((D(ED((
For organL
" M$ *&%( [*&RPu
[1i-LQM4 Naymond4%8*R:
guatrikme sonate Iour orgue B%8U&C
((DE%D%&
Oour orgueL
" M$ *%%( H*&8He
H1N/-N4 hoan4%8&%L
iertica+ +andscaIes
" M$ *&%( [*&Rtr
[1i-LQM4 Naymond4%8*R:
0roisikme sonate Iour orgue
Les bditions hacPues Ystiguy $ncL4 %8UE
((D**D'E
Oour orgue
" M$ *%%( H9'Umo
HYL04 Oatricia V+om"e+d4%8%(:*((EL
Moments in time e*((*f
For so+o IianoL
" M$ *&*& C'89du
CL1N]-4 FLNLCL BFrederic` Nobert
Char+esC4%8E%:
[uet Wor organ B%8'&4 reHL %8884 *((*C
" M$ *%%( L&9U!o
L--4 HoIe4%8'E:
F+ower drum dance
CMC Orairie Negionedistributorf4 *((%L
0o<ed S#rings
" M$ *%%( M%REIe
MacL-1N4 1+asdair4 %8'':
OerIetua+ b+ue state B%88&C
((D%RD((
Oiano so+oL
" M$ *%%( M&E%'co
M10H$-Q4 1ndrc4 %8*8:%8RUL
Concerto de gucbec B%8&UC
" M$ *%%( M'*9ru
M-LNM]4 Lubomyr4%8&U:
Nunway E:c
CMC Orairie Negion4 *((%L
For Iiano
.a0e 12
" M$ E%%% H889so
HMN-/4 Michae+4%8R(:
0he soWtest mourning B%88RC
((D(RD((
" M$ E%%* L&99iw
L--4 Vrent4%8R&:
$ wait Wor you in the gathering +ight
CMC Orairie Negionedistributorsf4 *((%L
For so+o Hio+a
" M$ E%%* M&&%wo
M100H-W/4 Michae+4%8'(:
Wondering
For so+o Hio+a
Ne$ A&'ui*ition*
• M$ 3&&2 ()*2re
(-RN0R1 Sara Scott1&)278
Re!ections $ < $$ =&))0?
@or solo BiolaC
• M$ 3&3V ()*2st
(-RN0R1 Sara Scott1&)278
String cuartet =&)NN?
@or string cuartetC
• M$ 32&3 C3&&da
CARRABRe1 (C Patric\1&)*N8
Dar\ moon
@or Bioloncello and RianoC
• M$ 3&&3 C7)*wo
COGHRASS1 Michael1&)328
Kolf
Carl @ischer1 c&)MNC
00O&MO00
@or unaccomRanied cello
• M$ 32&& B3)MRo
B0CZK$(T1 Uohn1&)2M8
(he PoRe dances =200&?
@or Biolin and RianoC
• M$ 32&3 R2V7ba
RA-M1 0likabeth1&)V*8
Ballad and dance
@or Bioloncello and Riano
• M$ 32&& BM*&so
BO((0NB0RH1 Kolfgang1&)308
Sonata for Biolin and Riano =2002?
00O&MO00
enBC O &MO00
• M$ 3233 BM*&Ri
Piano (rio in Db =200&?
00O&7O00
• M$ 3&&3 T7M3ho
T$SCO((1 Uames1&)VN8
Tomage
@or solo BioloncelloC
• M$ 3&&* S337me
SCT$P$YZ[1 @rederic\1&)*28
Meditation and dance =200&?
00O02O00
• M$ 3&2& B)*Vta
B-RH01 Uohn1&)7&8
(ag for two Biolins and Riano
CMC1 2000 ^distributor`
00O0*O00
@or two BiolinsC
• M$ 3&2V T))Mth
T[N0S1 Michael1&)708
3 "ngers =2002?
00O02O30
• M$ 3&3& D7)&tr
DOOG$((G01 Quenten1&)2*8
(rio
@or Biolin1 Biola1 BioloncelloC
• M$ 3&3V HN2*eu
HR0GGA8MOY0UZO1 Piotr1&)7&8
0uRhonia
^@or string cuartetC`
• M$ 3&3V T37Mst2
TA(Y$S1 Christos1&)*38
String Quartet NoC2 =&)))?
• M$ 3&3V M23*fo
MAZS$MOd$C1 SBetlana1&)VN8
@our eights
CMC1 2000 ^distributor`
@or string cuartetC
Ne$ A&'ui*ition*
• M$ 32&& C3&&so
CARRABRe1 (C Patric\1&)*N8
Sonata noC &
^@or Biolin and RianoC`
• M$ 3233 BM73cu
BO-G$AN01 Dengs1&)**8
Qualia sui =200&?
00O2)O00
enBC 2)O00
• M$ 32&& T7))sa
TO@@MAN1 Gaura1&)ff
Sags whoh =&)N)?
• M$ 3233 S7*V*ri
SM$(T1 Ginda Catlin1&)*M8
Ribbon =200&?
• M$ 32&& T))M&V
(he &Vth wag =&))*?
00O0MO00
• M$ 3233 SM&*me
SOSA1 Raoul1 &)3)8
Meisho =2002?
00O07O00
• M$ 32&& MN7*i
MORGOCZ1 Uocelgn1&)7)8
j =&))7?
@or Biolin and RianoC
• M$ 3237 BM*&Ri
Piano Quartet in Bb =2002?
00O2&O30
• M$ 32&& P&3V*on
MacDONAGD1 Andrew PC1&)*N8
On the Kine8Dar\ Sea =200&?
00O37O00
Pour Biolon et Riano
• M$ 32V* G)VNce
G-0D0Z01 Ragmond1&)VV8
Ceremonial dances =&)))?
00OV0O00
@or Riano and string cuartetC
• M$ 32&2 B&2Vam
BACTMANN1 Arthur Marc1&)7&8
Amongst the leaBes of fall
@or Biola and Riano
Plectral Strings
• M$ 32&2 G777Gu
G0dZOd$CT1 Aleiander1&)*28
Gullabg for Biola and Riano
CMCOntario Region ^distributor`1 200&
• M$ 32&3 A*M3fa
ANDR$j1 Heorge1&)328
@ade to blue
@or Bioloncello and Riano
.a0e 12
• M$ V&&& C)&2an
CR0AHTAN1 UCAC =Uohn Andrew?1
&)*38
Andante
@or guitarC
• M$ V&&& T))Man
(he angells share =&))7?
00O0)O30
Ne$ A&'ui*ition*
• M$ %&&& '%3)*+
',ARO0 Norman0&78&9
P+ramid te?ts
Aor solo guitarE
• M$ 8&%8 C2U7*e
CARD_0 Patric`0&7839
Peregrine J200&L
Aor sa?o*hone QuartetE
• M$ %&&& '%3)s+
',ARO0 Norman0&78&9
S+nchronic Iariegation J&7)KL
Aor solo guitarE
• M$ 8&%8 A)83sa
AR,,DMAN0 Sarr+0&7229
Sa?tet J&778L
00P&2P30
Aor sa?o*hone QuintetE
• M$ %2&2 '%3)si
',ARO0 Norman0&78&9
Silent af!rmations
Aor guitar duetE
• M$ %2&% '%3)im
',ARO0 Norman0&78&9
$mages of Africa J&7)8L
00P0KP00
Aor guitar QuartetE
• M$ %2&% '%3)th
',ARO0 Norman0&78&9
3 *assages J&7)KL
00P0)P00
Aor guitar QuartetE
• M$ %322 M%2Ksa
MARS,R0 Bruce0&7379
Sancerre J&7U0L
00P&0P00
enIE &0P00
"oodwinds
• M$ 8&&& CU78wi
CO'XRASS0 Michael0&7329
Yild riot of the shamanZs dreams
Carl Aischer0 distributorE
Aor solo "uteE
• M$ 8&&& ,&&en
,AX',0 DaIid0&7889
,ncounters
Aor "uteE
• M$ 8&&& X%%7ni
X$BSON0 Richard0&7839
Nightingales J&7)2L
]Aor solo "uteE^
• M$ 8&&& S77Ksi
S_N,S0 Michael0&7U09
&U wa+s J2000L
00P03P30
enIE 3P30
Ne$ A&'ui*ition*
• M$ 8&%8 P3))de
P,'',R$,R0 Marie0&7879
DehorsaDedans J200&L
00P20P00
• M$ 82&& X)28mo
XR,''A9MOb,cdO0 Piotr0&7U&9
]Moon^ J200&L
]Aor "ute and *ianoÊ
• M$ 82&3 S77Kmo
moeEartE &738 J&77)L
indéterminée0 moins de 20P00
• M$ 82&3 d&Ksc
dAP'AN0 DaIid 'E0 &7239
Schereo
CMC Prairie Region]distributors^200&E
• M$ 82&3 NU&7ta
N$CSO'S0 denneth0&73U9
Rales from the carberr+ sandhills
Aor clarinet and *ianoE
• M$ 82&8 X)28an
XR,''A9MOb,cdO0 Piotr0&7U&9
An+aZs dream
Aor alto sa?o*hone and *ianoE
• M$ 8228 dU%*a
d',$N0 'othar0&7329
Pas de deu? J2002L
• M$ 822U Y787ci
Yg,NSCS0 Xerhard0 &7289
CinQ *our trios J2002L
00P&0P88
h*our Clarinette en si9bémol Basson et
PianohE
• M$ 82U0 S2%3ra
SANNAS0 Ronald0&7%89
Rag9se?tet J&7K2L
Aor "0 ob0 clar0 hn0 bsn0 *no
.a0e 12
Brass
• M$ U&23 M&8Ksi
Mcd,Nb$,0 Robert0 Xeorge0 &7839
Si? sac`but scintillations
Yarwic`0 2000E
• M$ U&%U CUU7mi
COD,0 cames Xrant0&7%29
Misterioso
CMC Atlantic Region0 200&E
Aor brass QuintetP trum*etsJ2L0 trombone
Jor hornL and tubaE
• M$ U&8& S77Kbe
Beaut+ touched m+ e+es J&773L
00P03P30
Pour Quintette de cuiIresE
• M$ U&K0 R2K&fa
R,'A,R0 Nanc+0&7809
Aanfare and introit
CMC Ontario Region0 2000E
Aor brass ensemble JArench SornsJ%L0
Rrum*etsJ3L0 RrombonesJ3L0 Baritone0
Ruba0 Rim*ani and C+mbalsE
• M$ U2&8 PU%3en
P$'ON0 Daniel0&78K9
,ntre le )9898 et le &%) J200&L
00P02P30
Pour eu*honium et *ianoE
Percussion
• M$ K&&0 CU78te
CO'XRASS0 Michael0&7329
Re tuma te *a*a
Colgrass Music0 200& i New _or` PCarl
Aischer
]distributor^
00P&%P00
Aor solo *ercussionistE
• M$ K&&0 P7)8sc
PgRA0 Yilliam0&7%)9
SchereoP Quic`silIer
Aor Iibra*honeE
• M$ K2&0 S%3%en
S,A',_0 Dere`0&73U9
,nglish dances J&7)KL
00P&KP00
Aor *ercussion se?tetE
Ne$ A&'ui*ition*
Mi$ed Chamber -nsembles
" M$ %&'' H))*%
H+N-./ Michae5/&)6'7
% cameras ;<''<=
''>?'>''
" M$ %&'' H))*be
Ae5ieBe eBerything you hear ;<''<=
''>6'>''
enBI > 6'>''
" M$ %&'' H))*si
.iJteen Ways ;<''&=
Lor any Mermutation oN instruments uM to
6
" M$ %<'6 OP%ta
OQRSL-UU/ Oan/&)VP7
Warante55a ;&))6=
Lor Bio5in and guitarI
" M$ %<&P M)P)du
MYZ-W$CH/ Mar\an/&)?%7
]uet
CMC/ <''& ^distributor_
" M$ %<V' `%<Vai
`R-LLQ7MYZ-ObY/ Uiotr/&)6&7
binneret ;&))67&)))=
''>'?>P'
Mer c5arinetto ;o saJoNono soMrano= e
BibraNon'I
" M$ %P&P O6<Me
OYQCH$M/ Ytto/&)&'7
Uetite oeuBre Mour !cte/ a5to et Bio5on7
ce55e ;<'''=
" M$ %P&V H))*si
Whe si5ence to say good bye ;&))P=
''>&P>''
Uour c5arinette/ Bio5once55e et MianoI
" M$ %P?P U6?Ptr
U$LYN/ ]anie5/&)V*7
Wrio Mour duatuor ;<''<=
''>'V>''
" M$ %?V' C<6&Mi
CQRQ.WQWH$./ Qris/&)V*7
Uirouette
CMC/ <''' ^distributor_
''>'V>''
Lor ! ;or ob=/ c5ar ;or a5to saJ=/ mar ;or
Jy5= and Mercussion ;susI cym/ triang5e
and bass drum=I
Ne$ A&'ui*ition*
" M$ %6P6 A*V&Vsc$$
AYeCHQR]/ Linda/&)V*7
Le .canda5e $$ ;<''<=
''>&<>''
" M$ %6*V `6P)a5
`YNN-S$LL-/ Miche5/&)V'7
Q5onetogethera55 ;&))<=
''>&%>''
" M$ %*&& LV?)om
L-MQ+/ Robert/&)6'7
Ymbres dfautomne et de 5une ;<''&=
''>&%>''
" M$ %%VV H<&<wi
HQM-L/ beith/&)V67
Wings oN Mercury ;&))6=
''>&<>''
Lor !ute/ oboe/ c5arinet/ Mercussion/
Miano/ Bio5in/ ce55o/ doub5e bassI
" M$ %%VV H))*es
-ssence ;&))&=
''>&'>''
" M$ %)'V .6%Pno
.YbYLYS$C/ Qna/ &)6%7
Nonet ;<''&=
''>'6>''
1or3s 1ith -lectronics Or
Multimedia
" M$ )&'& ]<&&en
]QYe.W/ +Bes/&)?67
Lf-ntreBue ;&))&=
''>')>&&
" M$ )&'& ]<&&Me
]QYe.W/ +Bes/&)?67
Uetite musidue sentimenta5e ;&)%?=
''>&'>''
" M$ )&&' H<&<tr
HQM-L/ beith/&)V67
Wraces ;&))V=
''>'%>''
" M$ )<'& O<<du
OQ-`-R/ ]aBid/&)?*7
huiBi sosMiri ;&)*)=
''>&P>''
Lor Miano and synthesiiersI
" M$ )<'< ]66<Be
]YL]-N/ Uau5/&)V67
Whe Bertigo oN ritua5iied Nreniy ;&))6=
''>&P>'%
Lor two e5ectric guitars and taMeI
" M$ )<'P ]66<tw&
]YL]-N/ Uau5/&)V67
Wwi5ight j& ;&)))=
''>')>&V
" M$ )<V' W)V<cr
WeRN-R/ .ara .cott/&)<67
Cross ta5a ;&))'=
Lor marimba/ !ute/ c5arinet and MreMared
taMe oN heartbeatI
" M$ )P?' ]66<he
]YL]-N/ Uau5/&)V67
Whe heart tearsk Nor brass and saJes
;&))%=
''>&?>PV
" M$ )?'' ]66<re
]YL]-N/ Uau5/&)V67
Resonant twi5ight ;&))%=
''><&>?<
<;Micc=<<</<<''/taMe/strings ;6767?7?7<=
" M$ )?'' -*)bo
-.WQC$Y/ Oohn/&)667
Aorea5is ;&))*=
''>&'>''
<;Micc=<;-ngHn=<</?PP&/timM/
Merc;P=;with digita5 de5ay=/ Miano/ harM/
strings
8ocal
" MS &&'& Q6?%mu
QUUL-AQeM/ Louis/&)&%7<'''I
Music Nrom the .tratNord LestiBa5
.tratNord LestiBa5/ <''&I
Lor Boice and MianoI
" MS &&'& A*V&bi
AYWW-NA-R`/ Wo5Ngang/&)P'7
Q Airthday ;&))*=
''>'&>P'
" MS &&'& A*V&bir
Q Airthday ;&))*=
''>'&>P'
" MS &&'& A*V&bir
Q Airthday ;&)6'=
''>'&>P'
.a0e 12
Ne$ A&'ui*ition*
" M$ %%&% '()%*i
',--.N'.012 Wo*5gang2%9:&;
Liebes*ied AB&&BC
&&D&BD:&
Eour HoiI AaiguJC et LianoM
" M$ %%&% '()%sc
',--.N'.012 Wo*5gang2%9:&;
Oer Pcherensch*ei5er A%9(RC
&&D%&D&&
" M$ %B)) S:%BLo
S.LOM`N2 'arbara MonW2%9):;
-he *oHe shards o5 PaLLho AB&&%C
&&DB&D&&
" M$ %B(& 0R9:*i
0,_`Na,$TC2 `nthony2%9UB;
Liens
" M$ %%&% S)9Rsa
SL.MTN12 0obert2%9B%;%9(UM
VParah 'inWs songsX A%9)B;%9)YC
Sor Hoice and LianoM
" M$ %Y&& H:U(Li
H`-_TP2 Christos2%9):;
Light 5rom the cross
&&DYRD&&
Sor mebbo;soLrano and chamber orches;
tra
" M$ %%&% SU995r
S,0O2 C*i55ord2%9Y(;
Srom the Sour Peasons A%9(%C
&&D&9D:&
Sor Hoice and LianoM
" M$ %(&) LUU)se
L.$TN2 1regory2%9Y:;
( songs 5rom WoybecW A%9(RC
Sor Hoice2 oLtiona* chorus2 oLtiona* chi*;
dren^s chorus2 Liano and Hio*inM
" M$ %%&% M%)B(yo
McTN-]0.2 OaHid LM2%9)&;
]ou^** be sorry
Sor Hoice and Liano
" M$ %R&& SR(Rme
S0.N.--.2 C*aude2%9));
Les merHei**euI nuages A%99YC
&&D%UDBU
Eour comfdien et bandeM
" M$ %%&% 0R9:oL
0,_`Na,$TC2 `nthony2%9UB;
,Leramadeo A%99%C
Eour mebbo;soLrano et LianoM
" M$ %%&% P):%cr
PH`0M`N2 0odney2%9)R;
Cabaret songsD crossing oHer AB&&%C
&&D&:D:&
Sor *ow Hoice and LianoM
" M$ %%&% P):%Li
PH`0M`N2 0odney2%9)R;
Cabaret songsD *iebes*eid A*oHe LainC
AB&&%C
&&D&BD:&
"oice with *nsemble
" M$ %BY) E:RRni
E.LL.-T.02 Marie2%9)9;
Ni*bud AB&&BC
&&D%&DY&
" M$ %B)& $RUBoe
$T$T.02 C*aude2%9YR;%9R:M
,eiWawa A%9URC
&&D%YD&&
Eour HoiI soLrano2 Lercussion et c*ari;
nette si bfmo*
Ne$ A&'ui*ition*
" M$ U&&& $RUBmu
$T$T.02 C*aude2%9YR;%9R:M
MusiW 5jr das .nde
" M$ U%&% ':R)tw
'.`h$`TP2 Wi**iam2%9)U;
-wo re!ections
CMC2 B&&& VdistributorX
Sor unison Hoices and LianoM
" M$ U%&% HY:Yan
H.`L.]2 OereW2%9:U;
`nge*us domini descendit de cae*o
AB&&BC
&&D&9D&&
Sor choir APP``--''C with organ Aad
*ibCM
" M$ U%&% kUBdi
k,`CHTM2 ,tto2%9%&;
Oies irl AB&&%C
Eour orgue et chmur d^hommes ad *ibi;
tumM
" M$ U%&% L9(BLg:
LhP-T12 Lei*a PM2%9YY;
Eraise 1od AB&&%C
" M$ B%&% HY9(tw
H.NO.0P,N2 0uth Watson2%9:B;
-wo duets 5or soLrano and a*to
gCMC2 %999 VdistributorX
&&D&YD&&
Sor soLrano2 a*to and LianoM
" M$ UB() 'BU%do
'`0N.P2 Mi*ton2%9:%;B&&%M
Oos Naye Lid Vn ` New PongX AB&&&C
&&D%YD&&
Sor P`-' chorus2 c*arinet2 trumLet2 Hio;
*in2 ce**o2 Liano and traL drumsM
" M$ B)&& 0)Y(es
0TO,h-2 1od5rey2%9%R;%9RYM
.sther A%9)BC
Sor baritone2 soLrano2 chorus and
orchestraM
" M$ UY&& HY9(5r
H.NO.0P,N2 0uth Watson2%9:B;
Srom darWness to *ight
0oger Oean ALorenb CorLC2 B&&:M
Cantata 5or baritone2 mebbo;soLrano
and P`-' chorus with org2 hL2 B tLt2
timL and strM
" M$ :(:& H:U(eH
H`-_TP2 Christos2%9):;
.Her*asting *ight A%999C
Sor countertenor2 tenor2 baritone2
PM`M-M'M choir2 Lercussion Amarimba2
be**sC and crysta* g*assesM
Choral
" M$ U&&& HB%Bde
H`M.L2 aeith2%9)U;
OeeL in the hearts is where we are one
Sor choir AP`-'CM
" M$ U&&& HY:Yha
H.`L.]2 OereW2%9:U;
HarW2 how the Hoice is echoed ^round
1ordon $M -homLson/Warner2 B&&&M
Sor P`-' chorus with oLtiona* organM
.a0e 11
O4eras 5 stage wor7s
" M$ (%%& E%9Yar
E`NN.LL2 0aymond2%9:);
`ria da caLo A%9U:C
Chamber oLeraM
" M$ (%B& L9YRos
Lh.O.a.2 0aymond2%9YY;
,scar eIcerLts A%99UC
" M$ ()&& CU9)so
C,L10`PP2 Michae*2%9:B;
Pomething^s gonna haLLen
5or chi*dren^s musica* theatreM
Ne$ A&'ui*ition*
Donors to the CMC BC Region
The British Columbia Regional Ofce of the Canadian Music Centre gratefully acknowledges the nancial support of the Canada
Council for the Arts; Government of British Columbia through the Ministry of Small Businesses, Tourism & Culture; British Columbia Gaming Commission; The Barbara Pentland Trust; City of Vancouver; ArtsFACT; The Martha Lou Henley Charitable Foundation; SOCAN Foundation; Vancouver Foundation; The Leon and Thea Koerner Foundation; Employment & Immigration Canada;
Department of Canadian Heritage; Government of Canada.
B e n e f a c t o r (over $1000)
Phyllis Mailing
P a t r o n ($500 to $999)
Ian Hampton
Harry Locke
Colin Miles
Norma Selwood
Owen Underhill
David Van Berckel
S u s t a i n e r ($250 to $499)
James Bray
Kathryn Cernauskas
Ernest Collins
Pamela Dalziel
June Goldsmith
Dorothea Adaskin
Mr. & Mrs. Michael
Conway Baker
Denise Ball
BCRMTA/Provincial
Council
John Beckwith
Wallace T. Berry
Harold Brown
William Bruneau
Larry H. Burr
Lloyd Burritt
Campbell River
Friends of Music
Carol Jutte
George Laverock
Hans-Karl Piltz
Dale Reubart
C o n t r i b u t o r ($100 to $249)
Lynda M. Catchpole
George Corwin
Victor and Rita Costanzi
Helen Dahlstrom
Andrew Dawes
Jean Ethridge
Diana Filer
Rosalie Frampton
Sandra Friesen
Bryan N.S. Gooch
Sherrill E. Grace
Hilda Gregory
Gillian Guy
Keith & Liz Hamel
Mr. & Mrs. Andrew Hames
Joan Hebb
Ronald Holgerson
Mary Ingraham
Don James
Linda Johnston
Euphrosyne Keefer
Sharman King
Rudolf Komorous
Sylvia L'Ecuyer
Elizabeth Lane
Jean Lyons
Nancy Macdonald
Paddy Macleod
Ernst Schneider
Bramwell Tovey
Barry Truax
Robert & Sara Turner
Eric Wilson
Barbara McLean
Winifred Nowell
David Owen
Heather E. Pawsey
Anne F. Pearson
Digby Peers
Arthur Polson
Robert Rogers
R. Murray Schafer
Stanis Smith
Gerald & Mary Stanick
Grant Strate
Ronald & Wendy Stuart
Leslie G. Uyeda
Vancouver Musicians'
Association
Jose Verstappen
Kirsten Walsh
Jon Washburn
Bethiah Weisgarber
Dr. & Mrs. James V.
Whittaker
in memory of Smyth
Humphries
Karen Wilson
Richard E. Woods
William Zwozdesky
Arlene McIntyre
Laura McPheeters
William J. McQuay Jr
Brenda Campbell & Brian
Mix
Ron Napier
Ellie O'Day
Okanagan Music Festival
for Composers
Susan & James Olsen
David Pay
Harold Pretty
Peggy Prior
Jocelyn Pritchard
Margaret Purdy
Sylvia Rickard
Robert Rosen
Arne Sahlén
Dr. & Mrs. Frederick A.
Schipizky
Rodney Sharman
Wendy Soobis
Judy Specht
Glenn Sutherland
Michel Szczesniak
Morgan Tanner
Dr. & Mrs. Timothy
Temple
Sigrid-Ann Thors
Dale Throness
Jan Trerise
Hildegard Westerkamp
Morris J. Wilson
Helen M. Woolley
James Wright
Ailsa Zaenker
F r i e n d (up to $99)
Lorraine Ambrose
Keiko Araki
Elizabeth Atchison
Michael Aze
BCRMTA:
Chilliwack Branch,
Coquitlam/Maple Ridge
Branch
Mid-Island Branch
Mission Branch
Nelson Branch
North Island Branch
Penticton Branch
Salmon Arm Branch
Jack Behrens
Dennis Berryman
Kathleen Bowles
Ross Braes
Hornby Festival Society
Elizabeth Brodovitch
Vance C. Hoy
Ka Nin Chan
Anne Hunter
Stephen Chatman
Jean Lyons School of Music
Cecilia Chueh
Mr. & Mrs. Lars Kaario
Ross Clouston
Kelly Kirby
Mr. & Mrs. Donald Coates
Teachers’ Association
Mr. and Mrs. Greg Constable
Dianne Kennedy
Rita & Victor Costanzi
Irene Leviton
Janet Danielson
Barbara & Carl Little
Cynthia J. Davies
Jim and Holly Littleford
Terence Dawson
Virginia Lowrie
Roger de la Mare
Ramona Luengen
Charles E. Dool
Elizabeth Mabee
Annette Dorrepaal
Keith & Jennifer MacLeod
Jack & Ruth Downs
Judith and Richard Marcuse
Judith Forst
J. P. McCrum
Judith Fraser
Jane McDonald
Mary H. Fraser
Page 23
The SOCAN Foundation

Summer 2003 - Canadian Music Centre

Transcription

Similar documents

Flyer - Ben Ramsay

Comunicato stampa

Liner notes from LPs - Avant Garde Project

Curricula Campus delle Arti 2015

Duo Flute and Guitar_presskit_en

Brochure Borgotaro 2015 A3 EN

Mariya Kaganskaya

Page 1 m HDNG KUNG YDLITH CHOIR Ñ ä ¥ñ i 35 `È IIE m am Ème

View KAMP weekly playlists from July 4, 1977

versione online

Your anaesthetic for caesarean section

Issue 17

Issue 16

Aasan ihNdI tjuRma