suites - Das Stue

T H E AU ROR A P HOTO G R A P H Y C OL L E C T ION
SUITES
DORA KALLUS
Madame d‘Ora,
Maria Ley in the
Rokoko, 1924
HENRY CARTIERBRESSON
Hyde Park
London 1945
WEEGEE (ARTHUR FELLIG)
Hopper’s Topper
Hedda Hopper
Hollywood ca. 1948
ILSE BING
Gold Lamé Shoes
for Harper’s Bazaar
1935
RICHARD AVEDON
Dorian Leigh
(Rhinestones by Schiaparelli)
Pre-Catelan, Paris 1949
MAN RAY
(Emmanuel Rudnitzky)
Etude de Mode
pour Lelong, 1922
CATHLEEN NAUNDORF KARL LAGERFELD
John Galiano
Fashion for Dior
Prêt à porter
1982
2005
CATHLEEN
NAUNDORF
Jean-Paul Gaultier
2005
HORST P. HORST
Alix Satin Dress
1938
JACQUES-HENRI
LARTIGUE
Florette
Paris, 1944
EDWARD STEICHEN
On George Bacher‘s Yacht
1928
ESTHER HAASE
Sonoya
Paris 1986
GEORGE
HOYNINGEN-HUENE
Jean Patou
Vogue, July 1929
HORST. P. HORST
Model in
Christian Dior
1952
GEORGE
HOYNINGEN-HUENE
Vogue
July 1929
INGE MORATH
Mrs. Eveleigh Nash
Buckinham Palace Mall
1953
FRANK HORVAT
High Fashion Show
Paris 1951
HELMUT NEWTON
Annie Duperey
Karl Lagerfeld’s Apartment
1974
LILLIAN BASSMAN
Wedding
Harper’s Bazaar
1951
F.C.GUNDLACH
Siv Benno & Pierre Hogard
for Pierre Cardin, 1962
WEEGEE (ARTHUR FELLIG)
The Fashionable People
The Critic
Metropolitan Opera, 1943
JACQUES-HENRI
LARTIGUE
Florette
Paris, 1944
WILLIAM KLEIN
Hat and Five Roses
Vogue
Paris, 1956
EDWARD STEICHEN
Marion Morehouse
1927
IRVING PENN
Large Sleeve
Sunny Harrnett
New York, 1961
WILLY MAYWALD
Jacques Fath
1951
SERGE BALKIN
Vogue
August 1950
THE AURORA
PHOTOGRAPHY COLLECTION
Die Liebe der Eigentümer-Familien zur Kunst ist im ganzen Hotel
spürbar. In den öffentlichen Bereichen ist ein Teil einer Privatsammlung an frühen Modefotografien und Portraits ausgestellt.
Die Sammlung ist reich an ästhetischer Schönheit, historischer
Bedeutung und wirkt wie ein Kaleidoskop, durch das viele der
kulturellen Wandlungen des 20. Jahrhunderts erblickt werden
können.
Das Herzstück der Sammlung sind die Aufnahmen der 50er und
60er Jahre, dessen Künstler dazu beigetragen haben die Form und
visuelle Kultur der Gegenwart, inklusive der begleitenden Stile
und Haltungen, zu prägen. Ausgewählt wurden Schwarzweißfotografien von Größen wie Horvat, Steichen und Newton für
Magazine wie den Harper’s Bazaar und die Vogue und sehr
persönliche Aufnahmen von Filmdiven wie Dorian Leigh, Marilyn
Monroe und Marlene Dietrich von Penn, Avedon und Horst.
The love and appreciation for art of the owners of Das Stue is
visible throughout the whole property. The public areas display a
curated selection of their private collection, boasting an impressive
range of fashion photography and portraits. Spanning a century, the
collection is rich in aesthetic beauty, historical significance, and acts
as a kaleidoscope through which many of the cultural shifts of the
20th century can be glimpsed.
At its heart, the collection is weighted in the 50’s and 60’s featuring
artists who have helped shape and define the visual culture
of today, and forged the accompanying styles and attitudes. Guests
can marvel at black and white works from the likes of Horvat,
Steichen or Newton, commissioned from magazines like Harper’s
Bazaar or Vogue, as well as distinctly private shots of movie stars
like Dorian Leigh, Marilyn Monroe and Marlene Dietrich, captured by
Penn, Avedon or Horst.
Das Stue . Hotel Berlin Tiergarten
Drakestrasse 1 . 10787 Berlin . Germany
+49 30 311 722-0 . info@das-stue.com
www.das-stue.com
FOYER/LOBBY
RECEPTION/CONCIERGE
HORST P. HORST
Marlene Dietrich
New York, 1942
IRVING PENN
Marlene Dietrich
1948
FRANK HORVAT
Fashion for Jardin des Modes
Givenchy Hat B. Paris, 1958
F.C. GUNDLACH
Astrid Schiller, Coiffure Alexandre
Paris, 1967
HORST P. HORST
Dali Composition
New York, 1942
HORST P. HORST
Fashion
New York, 1946
FRANK HORVAT
Givenchy Hat B. Paris, 1958
(Fashion for Jardin des Modes)
BERT STERN
Marilyn Monroe
The Last Sitting, 1962
BAR/LOUNGE
NORMAN
PARKINSON
Wenda Parkinson
American Vogue, 1949
CINDY SHERMAN
The secretary at
Artist’s Space
New York, 1978
FRANK HORVAT
Fashion for
British Vogue
1959
GEORGE
HOYNINGENHUENE
Toumanova, 1932
WILLIAM KLEIN
Piazza di Spagna
1960
FRANK HORVAT
British Vogue
1959
FRANK HORVAT
Italian High Fashion
Florence, 1950
DIANE ARBUS
Lady bartender
New Orleans, 1964
JACQUES-HENRI LARTIGUE
Concours d´elegance
The Row Sisters
1929
THE CASUAL
CINCO FINE DINING
F.C.GUNDLACH
Op Art Fashion
Gizeh, Egypt
1966
FRANK HORVAT
Girl and Child
with Feather
Elle 1958
FRANK HORVAT
Cristina, New York
Harper’s Bazaar
1961
FRANK HORVAT
American Ready to
Wear, Harper’s Bazaar
New York, 1961
FRANK HORVAT
Saint Laurent coat
Harper’s Bazaar
1960’s
CATHLEEN
NAUNDORF
Dior, Haute Couture
2004
HORST P. HORST
Study in Ivory
New York
1982
MELVIN SOKOLSKY
Jump
Harper’s Baazar
1965
BURT GLINN
Gloria Swanson, George Cukor
Celeste Holme at the Academy
Awards, 1950
ATIN AYA
Estrella Morente
2001
FRANK HORVAT
Antero Pilatti in
Trattoria Rome
Harper’s Bazaar, 1962
FRANK HORVAT
Girl with feather in her hair
Fashion for Harper´s Bazaar
1961-66
PRIVATE DINING SALON
TOWARDS AND IN THE SPA
CATHLEEN
NAUNDORF
Elie Saab
Haute Couture, 2006
HORST P. HORST
Serpentine Dress
(Yasmin)
British Vogue, 1986
HORST P. HORST
Carmen Face
Massage
New York 1946
HORST P. HORST
Rooftop Manicure
1950’s
PHILIPPE HALSMAN
Marilyn Monroe
1952
GEORGE
HOYNINGEN-HUENE
Divers, Horst and model
Swimwear London, 1930
ROBERT
MAPPLETHORPE
Lisa Lyon
1980
HORST P. HORST
Dorian Leigh
in Satin Dress
1940
HORST P. HORST
Mainbocher Corset
1939
LOUIS FAURER
Bowing Lady
Vogue Collections
1972
WILLEM DIEPRAMM
Jerry Hall
Paris 1974
LASZLO
MOHOLGY-NAGY
Love Thy Neighbour
1925
LOUISE
DAHL-WOLFE
The fashion studies
circa 1940
LOUISE
DAHL-WOLFE
The fashion studies
circa 1940
JACQUES-HENRI LARTIGUE
Anna La Pradvina,
Avenue du Bois de Boulonge
1911
SARAH MOON
Bill Blass
1993
FIRST FLOOR SALON
LILLIAN BASSMAN
Untitled (Model in
white dress)
1950´s
LILLIAN BASSMAN
Untitled (Betty Threat)
for Harper’s Bazaar
1957
EDWARD STEICHEN
Merle Oberon
1935
„
PHOTOGRAPHY RECORDS
THE GAMUT OF FEELINGS WRITTEN ON
THE HUMAN FACE, THE BEAUTY OF THE EARTH
AND SKIES THAT MAN HAS INHERITED,
AND THE WEALTH AND CONFUSION MAN
HAS CREATED. IT IS A MAJOR FORCE IN
EXPLAINING MAN TO MAN.
EDWARD STEICHEN
“