PDF - The Kingsman
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PDF - The Kingsman
“The Voice of Brooklyn College Since 1950” The Spring 2016 – Issue 7 Kingswoman Wednesday, March 30, 2016 SPECIAL WOMEN’S ISSUE Credit: http://www.holycroissolifilm.com/ POETRY AND PASSION PG 4 FEATURE: SAVANNAH RICE PG 6 TWO GIRLS TALK SPORTS PG 8 2\BULLETIN\WEDNESDAY, MARCH 30, 2016\THE KINGSMAN BULLETIN The Kingsman Editor-in-Chief Dylan Campbell kingsman.editor@ gmail.com Layout Editor Dawn Eligio layout.kingsman@ gmail.com Business Manager & Op Editor Ashley Matos kingsman.business@ gmail.com News Editor Jherelle Benn newseditor.kingsman@gmail.com Arts & Culture Editor kingsman.artseditor@ gmail.com Features & Opinion Editor features.kingsman@ gmail.com Sports Editor Samantha Rodriguez kingsman.sport@ gmail.com Contributing Editors Derek Norman Paul Frangipane Advisor Paul Moses This issue of The Kingswoman is in honor of Women’s History Month. The editorial staff celebrates the contributions of women to society and particularly women on our very own Brooklyn College campus. In this issue, we interview female students about their experiences on campus. Women from the Slam Team are featured and pictured above. We also have coverage of the “Trapped” documentary screening and the on-campus yoga session, both hosted by The Women’s Center to celebrate their 40th anniversary. Student Savannah Rice and her accomplishments as a film major, is featured in this week’s issue as well as the “Throw Like a Girl” show run by hosts Alyssa Paolicelli and Kara Ann Galante. To all women, we salute you. Stop by The Women’s Center at 227 Ingersoll Hall Extension or call at (718) 951-5777 for information regarding the Center and its events. Want campus photos and updates? Follow us on Instagram: @bc_kingsman Got a Picture? Tag us in it! #BCKingsman NEWS THE KINGSMAN/WEDNESDAY, MARCH 30, 2016/NEWS/3 The Lingering Effects of NYPD Campus Surveillance Dylan Campbell Editor-in-Chief It has been 14 years since the City of New York persuaded a federal judge to amend the Handschu agreement, the case that controls NYPD surveillance of political activity. This post-9/11 decision ushered in the NYPD’s preventive prosecution system as a way to comfort a scarred city. It has been five years since the Associated Press published a series of articles and documents revealing the extent of the NYPD Intelligence Division’s blanket surveillance of Muslim communities. It has also been five years since Melike Ser or “Mel” was welcomed into the BC Islamic Society as a friend, a fellow activist and a newly converted Muslim. It has been less than a year since the Gothamist broke the story that “Mel” wasn’t the young girl looking to find her political and religious voice but was an undercover cop. It has only been two months since the city agreed to implement more restrictions on NYPD surveillance under the Handschu agreement. Though the NYPD does not admit to any improper practices, William J. Bratton, police commissioner, said the amendment, “is the latest step in the continuing efforts to build and maintain trust within the City’s Muslim community and with all New Yorkers.” But students are still feeling the paralyzing effects of undercover surveillance on their campus. “It is really frustrating because I think of stuff sometimes where I’m just scared … I’m just super suspicious and paranoid now,” said Thomas DeAngelis, a member of Students for Justice in Palestine. “It just sucks to feel like I’m some kind of enemy of the state. It is sort of scary to some extent. I’m not like worried about being incriminated or whatever. I am sure they are already surveilling me. They are already surveilling my friends. But I am concerned, I’m scared because I don’t know what that could end up looking like.” This fear of being watched spawned when the Gothamist article was scattered across Facebook feeds breaking the news that “Mel,” a woman who “converted” to Islam and became a “member” of the Islamic Society, wasn’t actually “Mel” but an undercover cop. Mel first arrived on Brooklyn College campus in 2011. She introduced herself friendly and eager. She approached some Muslim students after a meet- ing introducing herself and declaring she wanted to take Shahada, the Muslim proclamation of faith. According to NYPD lawyers, the investigation took place for most of the year but was ended in 2012. Mel’s identity reemerged in 2013 for an unrelated investigation of two Queens women, Noelle Velentzas and Asia Siddiqui. They were arrested that spring for allegedly making bomb threats. Though the NYPD says her investigation was terminated in 2012, students say that Mel was very much engaged on campus and in their lives through the years up to January 2015. According to the Gothamist article, students say she continued to discuss politics and religion and insert herself, making herself a part of members’ lives from breakups to weddings. “She came into a place that I thought was a safe space,” said Sarah Aly, voice a bit shaky, senior and president of the Islamic Society. “I thought that these were places that I was talking with friends, was talking with peers, was a safe space, and to have that bubble burst there, and it really confirmed my feeling that I was unwelcome here…it wasn’t just isolated events, it was that the state saw me as a criminal.” This feeling of being criminalized was not only felt by Aly, but Muslim students and activists. It built a wall of mistrust and anxiety and with that tension, a stifling of ideas and activism. “I just felt really violated. Even though I know…there is a history of cops surveilling colleges,” said Isaiah Rivera, an e-board member for the Puerto Rican Alliance. “Just knowing it was done in such a sneaky and sinister, insidious way. Like a betrayal. Just to read the details and to see what an indepth sting it was, I was just really shocked. It just reminds me that everything I do has a pair of eyes on it. That I might not necessarily want on it.” Carlos, who asked to go by his first name, explained that this won’t hurt his activism. He said he understands an activist constantly in fear isn’t able to do his work, but remains cautious. “I’m going to be on my toes when considering people I associate with or who I might do projects with. It just makes me want to be more cautious,” he said. This fear of newcomers and others isn’t a one-way street. The effects of surveillance are not only limited to fear but include paranoia and social anxiety. “As far as what it did to us, I think what it did for me was two-fold. It’s that I would suspect others and the second part is that I almost feared that people suspected me as being an informant. So there’s this dual personality,” said Rabia Ahsin Tarar, Brooklyn College alumnus who came in contact with Mel. The fear doesn’t stretch to just those politically active, but all Muslims, some minority students, and activists. “I am from that particular faith if you want to be friends with someone, especially someone who looks different from you, it’s going to make you skeptical like ‘why is that person being nice to me? Is there a hidden motive?’,” said Mark, a Muslim student who asked to be identified by this name. Discussion of surveillance and its effects on freedom of speech is not a new one. In 1971, 16 activists filed against the City of New York and the NYPD claiming that the surveillance of their political work was unlawful and had a “chilling effect” on their freedom of speech. That resulted in the Handschu agreement in 1985. It prohibited the NYPD from “commencing an investigation into political ideology or religious activities” without “specific information.” It also created a small panel that would oversee the NYPD’s surveillance work through paperwork. Then in 2002, in the aftermath of 9/11, the city went to court seeking to loosen the restraints on NYPD surveillance. In 2003, a federal judge agreed to changes that broadened NYPD access and, according to police, gave them the ability to more effectively investigate terrorism and protect the city. For many though, this is not a source of protection but an omnipresent fear. This voice against surveillance can be heard across campus. “What we are often told is ‘if you are not doing anything wrong then there shouldn’t be anything to fear,’ but despite not doing anything wrong. Despite, you know, living a very straight, clean, clear life, there is this fear that people will take what you say out of context,” said Tarar. “So I think as far as academic freedom is concerned, just within the college or within a classroom environment, where you know this is the one time that in anyone’s life that really if you go to college you’re expected to come out of your comfort zone, start addressing ideas that maybe, you know, are far fetched or may not be within what you are normally used to discussing. So you will be discussing controversial ideas and you will be talking about things that are problematic, but when you go into a classroom environment and when you are talking to your peers and your professors and you have this fear that you can not actually discuss these things to the point where you are monitoring what you allow yourself to think, it’s such a stunting, debilitating feeling to experience that you can’t as a Muslim, because of your Muslim-ness because of your particular political views or ideas or the things you are interested in…you become a target…it has such a scarring effect on my interactions with individuals.” She explained that this stifling on campus is only an example of what students will face in the outside world. All of this fear on and off campus has a lot of students asking about the benefits of surveillance. “The fact that surveillance exists in situations in which it is warranted does make me feel somewhat safer. However, when police officers go undercover without any imminent threat or any reasonable rationale for doing so—such as occurred in this case—then it is no longer protection, it is discrimination,” said Jonathan Chevinsky, a pre-medicine study with a creative writing major. “And when a group of students at Brooklyn College can be infiltrated by the police seemingly just because of their religious affiliation, I do not feel safe. Such ill-advised initiatives by the NYPD will only serve to further isolate and disenfranchise the groups which they infiltrate with little likelihood of effectively fighting terrorism.” Even students who don’t see the surveillance as a hindrance to their rights, see the debilitating effects. “No, it doesn’t make me feel safer. I appreciate the NYPD’s work to make the city and community safer for everyone, but such a large police presence on a college campus is both unhealthy and intimidating, as well as disrupting to a learning environment,” said Samip Delhiwala, a Brooklyn College student majoring in psychology. “I don’t think it directly infringes on First Amendment rights, but it sure comes close. It makes people feel uncomfortable being themselves, including speaking their minds or even practicing their religion.” For many of the students and activists the NYPD surveillance didn’t do anything more than assert dominance and fear. “The utility of surveillance as safety tool or as a measure so dismantling this notion that spying on Muslim communities is a sacrifice for the protection of whether it is college campuses or society at large and really just to think about what that means and what that entails when we allow one group whether it’s Muslims or it can be any marginalized group of individuals and when say it’s ok to surveil on this particular group because of x, y and z reasons what implications does that have on society as a whole and where do you draw the line,” says Tarar. The Handschu agreement was amended again on Jan. 7. The amendments will limit the NYPD’s ability to conduct surveillance and requires equal protection so that surveillance isn’t targeting particular groups. The mayor will also appoint a civilian to monitor the NYPD’s surveillance and counterterrorism efforts. This is the first time since the agreement was approved in 1985 that the city has willingly agreed to put a limit on its investigative abilities and counterterrorism efforts. It may say something about where the city is heading. “I think there are some really great additions that especially like, the equal protection language and the installation of the surveillance monitor, these new things work together to provide more constraint on the NYPD, but I wouldn’t say it’s a panacea for everything that was wrong with the Muslim surveillance that was going on,” said Naz Ahmad, a staff attorney with CUNY CLEAR, a project lead by Immigrant & Refugee Rights Clinic, and the Criminal Defense Clinic, that is staffed by CUNY law students. Handschu is great in the sense that it’s very unique in terms of American cities and limits on investigation on political and religious activity. They have a consent decree, they have court orders, a legal formulation of these rules.” CUNY CLEAR is a team of lawyers who focus on protecting the rights of those who have been under police surveillance. They provide legal representation and host workshops to inform people about their freedoms and do work to address civil liberties. They have a lot to say about the Handschu case and other surveillance-related cases. They have been one of the front- line fighters saying that surveillance hinders First Amendment rights. For Ahmad, the latest turn in the story of the Handschu agreement will not end surveillance’s infringement on rights. “It’s a big step in the right direction,” she said. “But I wouldn’t say it has everything.” 4\NEWS\WEDNESDAY, MARCH 30, 2016\THE KINGSMAN Ommm...Yoga in the Penthouse Women dropped by the Penthouse last Thursday for a free yoga session. / Jherelle Benn By Jherelle Benn News Editor Soft, tranquil music played in the background as the midday sun shined through the large Penthouse windows directly onto the backs of students engaged in a yoga session. The yoga class was thrown in honor of Women’s History Month in the Student Center last Thursday around noon. The class was structured to focus on female reproductive health and marked the last event held by the Women’s History Committee. Kiersten Cregger, the yoga instructor, said she was delighted to be invited by the Brooklyn College Women’s History Committee. She also teaches a yoga class every Monday, Wednesday, and Sunday at Brooklyn Yoga Collective on Franklin Avenue. Nearly 20 million Americans are practicing yoga according to a 2012 study published in Yoga Journal. A 2014 article about yoga published in The Huffington Post praised the practice for being useful and increasingly popular. “The mind-body practice is frequently touted for its ability to reduce stress and boost well-being, but it also offers wide-ranging physical health benefits that rival other forms of exercise,” wrote Carolyn Gregoire, senior writer for The Huffington Post. The on-campus event was put on by the committee with intentions of empowering women through a focus on their health and body. When two male students showed up to the class they were also welcomed to join in the activities. “The aura in the room was really comforting,” said Devon Webster, one of the two male students who attended the event. Webster, a communications major, said he enjoyed partaking in the yoga session. “I closed my eyes and I wasn’t really here,” he said. Kelly Guillet said he attended the event to get more flexible. Guillet is currently studying Kinesiology, the study of movement in humans. “It was alright. Yoga is always difficult,” said Guillet. During the session, Cregger smoothly transitioned about 11 students on yoga mats through different poses like the Mula bandha, Surya A, Goddess Pose, Camel, Frog, Eagle, Seated Spinal Twist, Supta Baddha Konasana, legs up the wall, and more. While constantly reminding students to breathe in and out, she maneuvered the large room staying mostly at the front to demonstrate each pose and occasionally leaving her post to assist an individual with a difficult movement. The class was taught in Hatha-style, an ancient form of yoga that emphasizes physical postures. Each stance had a different effect on the body geared towards improving women’s reproductive health, like increasing blood flow, adding direct (or indirect) stimulation as needed, or relaxing tensed muscles. Certain poses, such as the Plough, decreased stress hormones while others, like the Savasana, activated hormones only produced while resting. The students did about 13 different poses in total with some appearing more difficult than others. Alternative stances were provided to ac- NEWS commodate students who were not as flexible. All the while, Cregger’s voice spoke just above the music encouraging students to “let yourself feel stuff.” “We live in a culture that teaches us to work really hard, but we don’t live in a culture that teaches us how to rest, take time and take care of ourselves,” said Cregger. At the end of the session all the students rested with their backs against the yoga mat and their eyes closed for about five minutes. During this time, Cregger offered each student a brief temple massage with essential oils. She also encouraged students to say something nice in appreciation of themselves. Sophomore student and secretary of the women’s history committee, Truth Opaleye, wiped a bit of sweat from her brow as she gathered her things, admitting the class was hard. “But I tried that’s the point. I’m so stiff from class lately,” said Opaleye. “Gotta treat myself.” Slam Teams Battle it Out By Jherelle Benn News Editor The Occidental Lounge of the Student Center was transformed into a battleground for poetry as Brooklyn College invited two other New York based slam teams to compete for a spot at the College Unions Poetry Slam Invitational last Thursday. Brooklyn College emerged in third place with the women of BC slam team competing against New York University (NYU) who came in first place and Barnard/Columbia College who placed second. The BC slam team will go on to continue the tradition of representing the college on a national level next week in Texas. The Slam Prior to the slam, five judges were randomly selected from the audience and given the task of scoring each poem on a scale from 0-10. Two sacrificial poets opened the show in order to warm up the judges and set the scale. Judges were chosen on the basis of being unfamiliar with all of the competing poets but were mostly reluctant to give lower scores. “When the judges kept giving the 10, that was probably me,” said Serena Rockingster, a freshman student and one of the judges for the slam. Rockingster admitted that she is not a poet but “loved seeing it in action.” Communications major, Raven Lemon, also served as a judge for the slam and said it was difficult to actually score the poetry performances. “It was hard because they are all really good and I felt really bad,” said Lemon. “If I gave it a 10, I got chills and it connected with me,” she added. The competition moved quickly with four rounds and each team designating a poet (or a group piece) to represent their college for that round. Poets had to adhere to a strict three minute time frame and would receive point deduction penalties for going over the ten second grace period. As the host for the evening, Brooklyn College led in the first round with Khadijah Johnson performing a comical poem referencing social media and pop culture. This performance was followed up by NYU senior student, Crystal Valentine. Sister schools, Barnard and Columbia were represented by a student who goes by the name of Natachi in the first round. By the end of all four rounds, students were applauding and snapping their approval for the poets, while booing and gasping at unflattering scores from the judges. Most poems performed were passionate stories of resilience, race, gender, sexuality and love. Some poems were angry rants about rejection or “F*** Boys.” Two group pieces were presented during the slam. While the group poems were performed by different slam teams (NYU and Brooklyn College), both outlined the struggles of being a woman in a patriarchal society. “To be black and woman and alive is to be resilient,” said Crystal Valentine during her group poem performed with another female student from NYU. The Women of the BC Slam Team Jenna Carter-Johnson, Khadijah Johnson, Soré Agbaje and Kearah Armonie are the women of the Brooklyn College Slam team. Together they represented Brooklyn College at Thursday’s slam as well as made various appearances this semester at several events on and off campus. Sergio Jimenez, Brooklyn College student and the only male on the BC slam team, sat back and let the ladies represent during Thursday’s slam. “The only difficulty is writing group poems,” said Jimenez. “When you’re on a team where topics consist of ‘post f*** boy syndrome’ you can’t really find a way to take part. Nevertheless, it does feel good to be open and vulnerable with them,” he added, referencing the slam team’s newly debuted group piece. Despite having a common gender, each female member brings a different style and different experiences to the team. Jenna Carter-Johnson, was originally inspired to write poetry by her grandmother who was a big fan of Langston Hughes. Following in her grandmother’s footsteps, Carter-Johnson became a fan of Hughes herself and “here I am,” she said, referring to her role on the BC Slam Team. Kearah Armonie, who serves as the secretary for the BC Slam Team said she is inspired by “everything from birth.” Her inspiration stems from what she has been through, her experiences, and life in general. Spoken word in particular is important to her because of “educating others and reaching out to others through writing,” she added. Soré Agbaje also says she is inspired by everyday life. “Everything inspires me. I have the need to get things out,” said Agbaje. Recently Agbaje served as editor in-chief of the Brooklyn College Odyssey team. She also works with a youth empowerment group called Urban Word NYC holding slams and writing workshops for teens. Khadijah Johnson, one of the youngest members on the team says her inspiration for writing poetry comes more from the less-notable things. “It’s more like the small experiences,” said Johnson. “Everything you are passionate about, that you don’t know it can be turned into a poem. There’s poetry in each aspect of your life that you love,” she added. Last Thursday’s slam was only a glimpse at what the team will face during the national poetry competition in Texas. In preparation for nationals, the team says they are working harder than ever. “I’m excited and terrified,” said Agbaje. “I’ve come to care about this process a lot,” she added. THE KINGSMAN/WEDNESDAY, MARCH 30, 2016/NEWS/5 NEWS The Women’s Experience at Brooklyn College Students Paola Cabrera and Selena Mendez talk to The Kingsman about their campus experiences. / Derek Norman By Derek Norman Contributing Editor In light of Women’s History Month, women around campus spoke on their experience at Brooklyn College, expressing their thoughts on social scenes, classroom atmosphere and campus life from the perspective of the fairer sex. “Being a female has not limited me,” said Shanelle Hudson, a psychology major. “It’s been a positive part of my experience on campus. I think the LGBT community, the Women’s Health Center, and the overall feeling of security on campus has been what’s kept anyone from feeling the opposite.” Brooklyn College has earned itself an admirable reputation in not only gender equality, but catering to women’s needs through an office called the Women’s Center in Ingersoll Hall, which helps provide students with solving individual social or health problems and raises awareness on women’s issues, according to students. “I think because this is an educational environment, everybody stays polite,” said Irsa Shahzadi, a psychology major. “It’s not vulgar like you’d see at a train station, catcalling and everything. I’ve never felt mistreated or uncomfortable being a woman on campus.” While most women have felt comfortable and secure on campus, there are still those that have struggled with issues and feel more awareness could benefit the student population. “When certain situations of sexual misconduct happen on campus, it’s widely swept under the rug. Not by the school, but by fellow students,” said Akimah Etienne, a voice performance major. “It made me out to be a bad guy amongst my circle, and maybe that’s just an issue within my circle, but it’s something the campus should talk about. I never expected something that bad could happen at Brooklyn College, but it did and could happen to anyone.” According to students, the responsibility of awareness on women’s issues should not come from administration, but the students themselves. “The Women’s Center is great, all the women are empowering there,” said Etienne. “Administration is doing the best they can, but it’s issues like this that students should be aware of and talking about.” Some women have had experiences on campus that also parallel gender inequality in the workforce, in social environments and even households. An example of this recurring and sometimes common experience is a woman not being given as much attention as a male. “At times as a woman, it is difficult to get my point across while having everyone’s attention,” said Selena Mendez, a biology major. “You can see female students are often chosen less to participate compared to male students, especially when the professor is a male himself.” Despite these everyday advantages and disadvantages of being a woman on campus, sometimes life’s circumstances can play an even larger role. Saskia Newton is a student, journalism major, and more importantly, a proud mother to her twoyear-old daughter. “It’s extremely hard and I’m still trying to find that balance,” said Newton. “It all has to do with prioritizing and not taking on more than I could bear.” Newton was three months pregnant when she graduat- ed from community college with an associate’s degree before eventually landing at Brooklyn College. “I thought, ‘Oh yeah, I could still do those five courses and manage’,” said Newton. “Having a baby and being in school is hard. But, I’m doing it now.” The diverse experiences for the women of Brooklyn College are a reflection of the diversity of the campus itself. While some women applaud the services offered and respectful etiquette from fellow students, some still believe there is work to be done. One common theme hasn’t strayed far from this discourse, in the words of Akimah Etienne, “The women are all beautiful at Brooklyn College.” Student and mother, Saskia Newton, pictured with her two-year-old daughter, shares with The Kingsman her experience with balancing her mommy duties and student duties. / Saskia Newton Do you want to write like a King? Writers and Photographers Wanted! For more information come to Staff Meeting, Tuesday common hour, 118 R or email kingsman.editor@gmail.com 6\FEATURES & OPINIONS\WEDNESDAY, MARCH 30, 2016\THE KINGSMAN FEATURES & OPINIONS Baking Crossiolis with Savannah Rice Savannah Rice pictured in the center with her film crew on a shooting day. / Savannah Rice By Paul Frangipane Contributing Editor A pastry chef is pressured to create a new and delicious treat after introducing his famous croissant-cannoli hybrid, the croissoli. His quickly obtained celebrity status and need to live up to his image creates a cloud over the true important factors that life has to offer. This comedic, yet crucial plot was brought to life in three 12-hour days by Savannah Rice, a 22-year-old Brooklyn College filmmaker, and her dedicated crew. As a graduating senior under City University’s bachelor program, Rice’s film, “Holy Croissoli,” served as her thesis project and her debut film. “I’m ecstatic about how it looks,” Rice said about the film after shooting. “Being on set and the atmosphere, I just loved it, I totally loved it.” Rice moved to New York City in 2013 from Florida, where she attended two years at Broward College. She moved in with two filmmakers while pursuing a finance career and quickly realized that her passion was in film. After working on friends’ projects, such as a mini web series, something clicked. “I’ve never actually been passionate about something before that,” said Rice. “In Florida, I never even thought of film as a career.” Moving into the right place at the right time led Rice to start interning at New York Women in Film and Television and eventually attending the bachelor program at Brooklyn College, where she was free to shape her major however she pleased. After a year at Brooklyn College, where she studied in film classes, and also obtained the Rosen Fellowship, allowing her to make shoes in Argentina for five weeks, it came time to present a thesis idea. A high resolution picture of a delicate looking croissant, doused in powdered sugar, hugging together a mass of cannoli cream bursting from each side, sits atop a Kickstarter page that urged interested viewers to donate to “Holy Croissoli.” Rice needed around $8000 to fund the project, and with 119 backers pledging $8,401, she exceeded the goal. From early February to March 4, the pressure was on to finance the film. A slow start to the campaign led Rice and her team to take to social media to advertise and send messages personally from person to person on Facebook urging them to donate, or at the very least, share the page. “It was a nerve-racking process to be honest,” Rice said in regards to the campaign. “People say it’s a full-time job and it is a full-time job.” Backers to the campaign were promised croissollithemed gifts such as the croissoli recipe, a film poster signed by Rice, a baker’s dozen of croissolis delivered to his or her home or a simple thank you note from the team. Once funding was complete, it was time to take to one of the five shooting locations, Tonnie’s Minis, a small bakery in Inwood. On the corner of a tree-lined block in upper Manhattan, a small orange entranceway led to the birthplace of “Holy Croissoli.” “The bakery was beautiful… a dream to work with,” Rice said. Not only did Tonnie’s Minis allow for the team to set up and film, they offered their location for free. A learning-by-doing attitude brought Rice to her first directing stage, never having taken a directing class before or having any experience in the position at all. “I was really worried about directing,” Rice said. Random chest pains for Rice a week before shooting culminating in the worst pains on the morning of day one, went away as soon as the work began. According to Rice, talented actors made the entire experience more comfortable. “We got incredibly lucky with these actors,” she said. Student actors made up the film staff, working alongside some hired professionals. After a few nervous periods and three long shooting-days, Rice said the crew is impressed with the work. “Holy Croissoli” has about a month left in the editing process until Rice will try to show it at the Brooklyn College Film Festival this May. She will be leaving Brooklyn College with the artifact of her first experimentation with directing, her debut film, the efforts of a hard-fought financial campaign and the most delicious croissoli that she ever baked up. In Memoriam: Selena Quintanilla Perez By Samantha Rodriguez Sports Editor Envision a little girl around the age of nine or ten, twirling around her room carelessly, swinging her hips in sync with each syllable of “Bidi Bidi Bom Bom.” Imagine the look of passion on her face, as she pretended to be the woman singing; a breathtaking Latina with a sultry, pure voice, dance moves that came as natural as her breath and a smile that could make the coldest heart flush with warmth. All I ever dreamed about was being Selena Quintanilla Perez, the queen of Tejano music whom the world remembers with a heavy heart as she was killed tragically at the hands of her fan club manager, Yolanda Saldivar. My admiration for Selena comes with more than just awe of her stunning beauty and incomparable talent, but that little something extra you can’t explain that makes the hearts of millions quiver with adoration. Despite breaking the molds of being a Hispanic woman, I have come to believe that it is her selflessness, living her dream for the sole purpose of seeing the eyes of little girls like me light up with affection that allows her legacy to live on 21 years after her death. March 31 marks this anniversary and here is a poem to remind her that we’re still dreaming of her. For Selena Quintanilla Perez (1971-1995) There is a woman of unspeakable beauties. Never before has there been such a harmonious blend of mind, body and soul…. She will die, and she will perish beneath canopies of white roses slightly wilted and yellowed at the curvature of their petals. It is a fate unwilling to be forgotten. She walks here and there they say, in and out of shadow. The forest oak tops cannot unveil her opaque ribbons of hair, or the fluidity of her stature. It is the wind she trusts. It carries her tantalizing tune in its current, a voice laced with ferocity and smiles. Something gives speed to her passing. A myth, a legend. Call her what you may, but she too asked her mother to read her into a gentle night’s sleep before she knew what a star was. Before she understood that their paths require them to enlarge, and when their time is determined, they explode. She will explode at the hands of a woman who will utter these guilt-ridden words: “I love Selena” Selena. Greek for moon goddess. “Are they gonna love me, mama,” she asks, laying in her mother’s lap. She is looking into the moon, dreaming, ignoring the glaring imperfections. The craters look much like the chest cavity she will bleed from. Empty. With nothing to fill in their gaps, but stares of awe and bewilderment. “Yes, baby, they’re gonna love you,” her mother replies. Her mother does not yet fear love, but the word will someday send her into nightmares that remain in her consciousness. Love must not be confused with envy and the unrelenting desire to control…. When a child is born, a new mother does not come to the realization that her baby must someday pass into the unknown, long after their own passing. Or too soon before their own. She does not even imagine that is possible. She fawns over the life she has created, the supernova she holds to her bosom. The ball of wonder she calls Selena. When a child is born a new mother does not come to the realization that her baby might someday cause the passing of another. She does not even imagine that is possible. She fawns over the life she has created, the monster she holds to her bosom. The hand that will prematurely determine time, she calls Yolanda…. A song is heard as Selena slips into shadow. “Si vieras como duele, perder tu amor. Con tu adios te llevas, mi corazón...me marcho hoy. Yo se perder. Pero, ay, ay, ay como me duele.” You can’t imagine how it hurts to lose your love. With your goodbye you took my heart...I am leaving today, but oh how it hurts. There is a woman of unspeakable terrors. There is a gunshot. A star has reached the end of its lifecycle. Selena slips into shadow. She falls asleep in her mother’s lap, beneath the moon, beneath her canopy of wilting roses. ARTS & ENTERTAINMENT THE KINGSMAN/WEDNESDAY, MARCH 30, 2016/ARTS & ENTERTAINMENT/7 “Trapped”: The Fight for Women’s Rights By Dawn Eligio Layout Editor The battle between government and women’s reproductive rights makes its way into headlines relentlessly. As the arduous fight continues on a larger political and societal scale, “Trapped,” a documentary by Dawn Porter, identifies individuals on the battlefront in the states of Mississippi, Alabama and Texas, and their personal in-arms combat with the powers that be. The Women’s Center and The Women’s and Gender Studies Program at Brooklyn College hosted a screening on Monday for “Trapped” as part of their 40th Anniversary Celebration. Released earlier this month on March 4, the film interviews clinics, their administrators and staff, patients and a physician who continue to push for women’s reproductive rights despite attempts by the government to deem abortions illegal. Targeted Regulation of Abortion Providers, or “TRAP” laws, aim to limit the health care that doctors and clinics provide with the intention of making abortions impossible. Such laws require practicing physicians to obtain licenses as admitting doctors of a hospital, require clinics to designed as ambulatory surgical clinics, or even require that a clinic not be within the vicinity of a school. Pro-life Governor Rick Perry (R) signed into law House Bill 2, which closed down a majority of Texas clinics from 41 down to a crippling seven, according to the International Business Times. This bill has been one of the stricter anti-abortion laws placed into effect. Senator Wendy Davis (D) filibustered House Bill 2 for 11 hours prolonging the progress of the decision as protesters stood in solidarity with her fight. Her supporters cheered her on as she spent those 11 hours, without break, in sneakers speaking out against the bill. According to Nancy Northup, President and CEO of the Center for Reproductive Rights, there have been over 300 laws passed that have set heavy restrictions on abortion in the past three years. According to lawmakers, these restrictions are for the benefit and wellbeing of women. The decision of Roe v. Wade in 1973 constitutionalized abortion as a wom- are only six clinics for the whole state, where there’s one reproductive health clinic per every 2.2 million women in the state.” The argument here is that abortions will not stop even if medical abortions are eradicated by the government. Abortions will still exist. Women will find alternatives to safe, medical help — alternatives that can be potentially lifethreatening and dangerous. If a health clinic closes, the out of pocket and the longer they wait, the more expensive the procedure becomes. This puts a strain on women from low-income communities, many uninsured, that the clinics serve. And what of the moral, religious stance that life begins at conception? Trapped covered this argument showcasing Willie Parker, an OB/GYN, who spoke about his personal convictions in the film. an’s right according to her personal judgment concerning her body and her health. The TRAP laws negate the landmark decision. “Like Roe v. Wade doesn’t even matter anymore,” said an administrator at a Whole Woman’s Health clinic, Marva Sadler. Located in Texas, Sadler’s clinic, is one of few clinics that remains open and is under scrutiny by government. The film shows a snippet of The Rachel Maddow Show, where Maddow states, “Those new regulations that are set to reduce Texas to a state where there need for one still remains. This only means that women, if they financially can, will travel miles to another clinic. In situations where time is of the essence, the price for an abortion increases into the second and third trimesters. Different states have different laws concerning Medicaid, but specifically in the states of Texas and Mississippi, voluntary abortions (for nonmedical reasons such as fetal impairment) are not federally funded, according to a report released by the Guttmacher Institute on March 1. Women pay Parker grew up in a black fundamentalist Baptist church community that preached the sin of abortion. His work, providing women with early termination and reproductive care, he feels, aligns with his religious responsibility. After losing a family member to pregnancies that were too close together, Parker feels his work is justified and honorable, drawing parallels with himself and the Biblical character of the Good Samaritan. “I’m Dr. Parker, one of two doctors who flies into Mississippi to provide abortion care for women. There are no doctors in Mississippi who will provide care. As you know, it’s a very hostile environment. My decision to go there was based on the fact, if nobody else will go, who’s going to go?,” he said in the film. In a scene where Dr. Parker pulls into a clinic for work, he is met by a protester who beseeched him to return to the faith and to “stop killing babies.” “He used to be a Christian,” said the protester in an interview. Another protester admonished Dr. Parker using the Black Lives Matter rhetoric to say it is ironic that he, a black man, kills black children. “All black lives matter! All lives matter!” she yelled. “When you have a sense of duty about what you do, it allows you to ignore the naysayers,” he said. The criminalization of physicians like Dr. Parker and clinic staff have only ignited their passion to strengthen their crusade efforts, but the criminalization has debilitating effects on the women who seek abortion. A young girl interviewed in the documentary cried as she broke down about her decision to terminate her pregnancy. “I got through everything,” she said, “the death of my mother…I have a hard time forgiving myself,” she admitted. The judgment placed upon this girl and others like her give them a sense of shame that is harmful at a vulnerable time. The film ends as the battle is taken to the U.S. Supreme Court. Arguments were heard on March 2 in the Whole Woman’s Health v. Hellerstedt case. Whole Woman’s Health challenges House Bill 2 and its violation to uphold Roe v. Wade and the constitutional right of a woman to choose abortion under the protection of law. The final decision will be made this June. Stay tuned. 8\SPORTS\WEDNESDAY, MARCH 30, 2016\THE KINGSMAN “Throw Like a Girl” The hosts of Throw Like a Girl are passionate about sports and are changing the game. / Samantha Rodriguez By Samantha Rodriguez Sports Editor If you’ve ever seen “The Sandlot”, then you undoubtedly remember the scene where Hamilton “Ham” Porter delivers the most epic diss to Phillips in the baseball diamond. The endless bickering between the two groups of boys comes to a screeching halt, and Ham’s teammates drop their chins, staring in disbelief at the utterance of this particular burn: “You play ball like a GIRL!” In some way, shape or form we’ve all said this. We’ve all subconsciously mocked young girls and women, attaching a negative connotation to doing things “like a girl,” as if strength is so far from our nature. This could not be any farther from the truth and the women of Throw Like a Girl Radio strive to bulldoze through that mold by bringing their experience and interpretation to the male-dominated world of sports. “Our society conditions young girls and women, from a young age, that when we participate in athletic activity it is inferior to the participation of our male counterparts. Throw Like A Girl Radio is my attempt to take back the stereotype that doing things like a girl is 100 percent acceptable, strong and beautiful,” says founder Alyssa Paolicelli. Throw Like a Girl is CUNY’s first all-female sports show and is currently in its third and final season on Brooklyn College Radio. After interning on an all-male show two years ago, Paolicelli explained that she realized how different her own interpretations were from the men she was working with. “I knew I wanted to do my own show, but I wanted to make it unique since there are so many other sports talk shows on the station. That’s when I thought of the idea for an all-female sports talk show. I contacted the program director at the time and asked if he knew of any other girls who would be interested and he gave me Kara’s email. It has kind of been a love story since then.” Both Paolicelli and cohost Kara Ann Galante have formed a bond over their passionate love for the New York Rangers and the New York Mets, and balance each other out in the most entertaining way. While Paolicelli asserts her knowledge and views in a very matter-of-fact manner, Galante charms with her bubbly voice and exuberant personality creating an excellent 1-2 punch on the radio waves. But that tandem has grown stronger as both women have fed off the empowering reminder that they ARE women, and they ARE great, and they DO have a place in the world of sports. “We want to make a difference and show fans that there is more to sports than just talking about how Steph Curry can shoot a three pointer. There are serious problems happening in the leagues we love that we want to bring to light,” explained Galante. Through creative segments including Woman of the Week and Confessions of a Female Sports Fan, Paolicelli and Galante make the incredible success of women in sports the highlight of their one hour slot, but they also illuminate the injustices unfairly brought upon women, including prejudice against themselves as radio SPORTS hosts and their frequent conversation about domestic violence and sexual harassment. With Throw Like a Girl, you’re getting more than just your average sports talk, though they cover every topic like professionals. You’re getting the other side of the story, whether it be their own anecdotes or those of the female athletes they so very much admire. The radio pair will be graduating at the end of this semester, but they hope that Throw Like a Girl will remain on the air and develop a legacy here at Brooklyn College. “It has been my baby, and I would really love if two other girls coming up through the sports ranks would take it over and run with it like we have,” Paolicelli explained. “It feels like we are closing in on the end of an era in our sports journalism careers.” Whatever the future holds for Throw Like a Girl, Paolicelli and Galante have done women in sports a tremendous justice and will undoubtedly continue their quest to, as Kara explained, “make a long lasting impression on the industry. Throw Like a Girl just shows how we as women are breaking the glass ceiling even more.” Upcoming Athletic Events