acets of ostoria - Fostoria Glass Society of America
Transcription
acets of ostoria - Fostoria Glass Society of America
of s t e c a ostoria Official Publication of FOSTORIA GLASS SOCIETY OF AMERICA Inc. To acquire and disseminate detailed knowledge concerning Fostoria Glassware A 501(c)3 non-profit organization © 2012 All Rights Reserved Volume 34 No. 2 Price $ 5.00 September 2012 Alexis Pattern By Mike Murphy It would be interesting to know the thought process behind the names of all of the Fostoria patterns. I have wondered about it when thinking of the Alexis Pattern, Line No 1630. On-line research reveals the name to be of Greek origin, with a meaning of "Defender". It was originally only a masculine word. With that in mind, it would seem to be a perfect name for this pattern. The pattern is identifiable by its twin sharp, straight, symmetric lines which rim all of the pieces, reminiscent of early Greek architecture. As you will see in the accompanying pictures and illustrations, the lips of many pieces follow the same contour. Most reference books list the years of production as 1909-1925, however there is a reference to the 1630/3 line in the 1906 catalog, featuring a 10 oz. flat Tumbler and a 14 oz. Ice Tea, both of which have straight sides. Later pictures show tumblers with both convex and concave sides only. When reading about glassware of this era, it is notable that there are no plates in this pattern. Some of the Alexis pattern seems to have been marketed as barware, with approximately 20 different glasses (not all bar glasses) and a decanter produced. Other pieces are for the table, with dinnerware, including plates only being introduced by Fostoria at the end of the Alexis production period in other patterns. What a shame not to have various plates produced, as they would have made a very attractive table. The number of pieces listed in the Alexis pattern differ widely, depending upon the reference used. Between 50 and 90 pieces are identified, the wide difference is likely explained by variations such as different shaker tops and ground vs. drop Inside This Issue: stoppers. Regardless, there were many President’s note 3 different pieces Alexis Feature Cover, 4 produced. Some pieces Nashville Glass Show 8 are more readily found, Museum Face Lift 10 such as flat and footed Acquisitions 12 salts and wine glasses. Upcoming events 13 Endowment 14 A word of caution is in Mail Order 15 order however, when NDGA Convention 16 searching for the wines. At the 2012 Fostoria Convention in Moundsville, one of the Dealer Directory 18 contributors to the Alexis display pointed out that the wines on display were not Membership Renewal 20 actually produced by Fostoria. In literary terms, "the plot thickens". It seems that the D.G. Jenkins Glass Company copied and produced the wine at one point. There are subtle differences, with the spacing of the lines being wider in the Jenkins piece and (Continued on page 4) Fostoria Glass Museum 511 Tomlinson Ave. Moundsville, WV 26041 Phone: (304)845-9188 Museum Hours March – November Wednesday – Saturday 1:00 p.m. to 4:00 p.m. Closed Holidays Website: www.fostoriaglass.org Curator Ralph C. Clark 1310 10th. Street Moundsville, WV 26041 304-845-5485 ralphcclark@aol.com Call the Museum phone number to arrange for group tours Assistant Curator / Public Relations Cassie Jo Clark 1310 10th. Street Moundsville, WV 26041 304-845-5485 auntcassiejo@aol.com FGSA Board of Directors Officers 2012-2014: Museum Board of Trustees Board: Clara Robinson, John Icard, Jessie Wright Charles Hill, Ron Hufford, Bob Fuller, Roni Crabb Research: Roni Crabb 717-367-3442 Memorabilia: Gary, Shelia Roy 304-736-5449 Acquisitions: Roni Crabb, chair Committee Members; Jessie Wright, Pat Fuller, Norma Hufford, Pat Green Curator: Ralph C. Clark, chair, Committee Members: Roni Crabb, Cassie Jo Clark, John Icard Standing Committee Chairs: Membership: Sharon Davis Chapter/Publicity: Carol & Earl Pickel Projects/Fund Raisers: Barbara Maxwell Convention: Lynda Randolph Show: Charles Hill Auction: John Icard 5 Year Plan: Museum Board Endowment: Ron Hufford By-Laws: Barbara Maxwell Audit & Finance: President: James D. Davis 870 Oak Plains Rd. Clarksville, TN 37043 931-648-2993 jdavis2993@charter.net Vice President: Robert L. Sperow 730 Berkely Station Rd. Martinsburg, WV 25404 304-263-1629 dlsperow@aol.com Recording Secretary: Carol Pickel 571 Blossom Trail Mt. Joy, PA. 17522 717-492-1960 capickel@comcast.net Corresponding Secretary: Norma Hufford P.O. Box 125 Casstown, OH 45312 937-335-6643 ronnorm102@aol.com Treasurer: Sharon Davis 870 Oak Plains Rd. Clarksville, TN 37043 931-648-2993 thenon@charter.net DIRECTORS Facets Board of Trustees: Editor/Chairperson: Mary Sue Lyon Layout: Jeanne Lyon Charles Hill 2016 50 Gloria Drive Wheeling, WV 26003 304-242-3176 cj_glass@comcast.net Lynda Randolph 2013 26 Hunting Lodge Drive Miami Springs, FL 33166 305-885-4459 lyndaradolph44@aol.com Advertising Rates John Icard 2016 319 7th. Street Moundsville, WV 26041 304-845-1387 icardrj@aol.com Ralph Rider 302 Shadow Lane CR Euless, TX 76039 817-545-5856 r.rider@sbeglobal.net Roni Crabb 2013 30 Spring Garden St., Elizabethtown, PA 17022 717-367-3442 decrabb@paonline.com Gary Roy CR 2 Karyn Court Barboursville, WV 25504 304-736-5449 sgglass@frontier.com Barbara Maxwell CR 5065 NW 150th. Ave. Morriston FL. 32668 352-620-8241 sales@synergy.com Clara Robinson 2013 1 Melba Terrace Moundsville, WV 26041 304-845-3897 Jesse Wright CR 1203 Third Street Moundsville, WV 26041 304-845-2748 jwright1203@comcast.net Anna Bennett 2016 1409 9th. Street Moundsville, WV 26041 304-845-7658 uninprst2@aol.com Display Advertising Rates per Issue: Display Rates: Members Non Members 1/8 page $ 18.00 $ 30.00 1/4 page $ 30.00 $ 45.00 1/2 page $ 50.00 $ 75.00 Full Page $ 90.00 $ 135.00 Dealer Directory, Business Card Size: Members $ 3.00 per issue / $18.00 per year Non Members $ 5.00 for non-members / $30 per year “Facets of Fostoria” assumes no responsibility for false advertisement or any misleading information. In the event of a typographical error, a correction will appear in the next issue. “Facets of Fostoria” is published 6 times a year. Editor: Mary Sue Lyon PO Box 467 South Haven, MI 49090 Email: mslyon50@gmail.com 2 President’s Message Greetings, As this season comes to a close I hope everyone has had a good and prosperous summer. Sherry and I certainly enjoyed the convention and glass show in June, in July we went to the annual Tennessee glass show held in Nashville, they both were exceptional and the glass offered at both was fabulous. The FGSA Board of Directors held a special meeting on Sunday, August 26th to discuss a couple of concerns expressed by some of its members on the by-laws revisions. It was a good meeting and the final revisions will be presented to the board at our September meeting and then mailed to the membership for voting. I would appreciate it if the membership would take the time to read and make yourselves familiar with them, then mail your vote back. The by-laws committee and Board of Directors have spent many hours working these documents. The final draft will also be on the Fostoria website if you want to check it out. Thanks to Barbara Maxwell, Terry Hutton and Mary Sue Lyon who have also spent numbers of hours putting it together and explaining the results to the board, these by-laws should satisfy all of the requirements of the state and federal governments. Not only was he a family member /brother in-law, he was a friend who would help anyone in need, as we found out at his memorial service, that no one knew about. He will be greatly missed by all. As 2012 winds down it’s my prayer that all of you have a good, healthy and happy year. Thanks for your support and always remember this is your Society and Museum, it will only stay strong by you keeping it in your heart. A special THANKS to Michele Sugg and her family for the fantastic donation of replacing all of the museum windows and siding. To quote Lynda Randolph, “Fostoria Love” Respectfully, Jim Davis President FGSA We have recently lost another FGSA member, supporter and lover of Fostoria glass and the Museum, D.M. (Skip) Skipper pasted away on July 17th. He and Raye collected the Colony pattern and like many of us anything Fostoria. 2013 Auction Planning We are starting to plan for next year’s auction to be held in conjunction with the FGSA Convention. I am always open and looking for suggestions to improve the event. Please forward any ideas to me at icardrj@aol.com. Also, please note that during this year’s auction setup a lady passed a box of glassware she had brought to be auctioned off thru the curtains to me. I told her it was too late, but I would hold the glass until the 2013 auction. But, sorry to say, I have forgotten her name, or even if she gave the box to me. I am asking this person contact me at email icardrj@aol.com, or my cell at 304-650-9897 to make arrangements for the 2013 auction. Thanks. John Icard, Auction Chair 3 (Continued from cover) the underside of the foot being shaped slightly different. See the illustration to the left. The best way I can describe the difference between the Jenkins and the Alexis wines is when you look at the underside of the Jenkins copy, you will notice a flat ring around the base. The Alexis pattern has no ring, as it tapers up quickly toward the stem. It is difficult to note the differences unless compared side to side with the Alexis wine or another Alexis footed glass. No Alexis Pattern pieces were made in color, however, there are various embellishments to be found. There are a few pieces which have a cutting on them. The vase has been found with gold and blue enamel trim. One of the decanters has the name "Kentucky Tavern" enameled on it. On page 198 of the book Fostoria Glassware 1887-1982, by Frances Bones, she shows a 3 7/8" tumbler with a factory etching of "Dripping Springs Whiskey". The Alexis pattern was sold with a factory decoration named Shamrock which consists of green enameled shamrocks trimmed in gold. Several other pieces have sterling silver overlay, as shown in the accompanying picture. Collecting the Alexis pattern can be quite challenging. There seems to be a large quantity of wine glasses available (again, beware of the maker) and the various salts. Beyond that, it gets progressively more difficult. I have yet to see several of the identified pieces. But, the search continues. Who knows, the next piece for our collection may be found anywhere!!!!!!!! 4 5 These pages have been photocopied from; Fostoria, The First Fifty Years by Hazel Marie Weatherman; pages 52&53 6 7 Seminars Add Historical Flavor to Nashville Glass Show The Fostoria Glass Society of Tennessee hosted its 13th Annual Elegant and Depression Glass Show and Sale on July 21-22 in the Exhibitors Building at the Tennessee State Fairgrounds in Nashville, TN. Twenty-four dealers from 16 different states filled the building with American-made glassware and pottery in many patterns and colors. On Sunday at 1 pm, Sandi Bridwell-Walker, a dealer from Texas, presented a seminar on Glass Myths and Old Wives Tales to about 20 attendees. She talked about the myths that she had heard when she started as a glass dealer. Her presentation began with a discussion of myths associated with Mary Gregory glass and ended with the myth that ruby glass is made by adding a gold coin to the hot glass mixture. Other myths discussed in her presentation focused on the cause of straw marks on glass, using the number of mold lines to identify the age of glass, the various definitions of Vaseline glass, the reason some glass has a yellow tint, and how the lack of cobalt in World War II affected elegant and depression glass manufacturers. Attendance at the show was down slightly from last year with less than four hundred paid admissions. If club members and dealers are included, the total attendance was around 450. Although fewer attended the show, most dealers seemed to be pleased with their sales. Many of the attendees took advantage of the three seminars offered at the show to learn more about the history of glass making in the America. Jack Peacock, a nationally known dealer from North Carolina, discussed the Tiffin and U. S. Glass companies in a seminar with approximately 40 persons in attendance. Although he focused on the relationship between Tiffin Glass Company and U.S. Glass Company, he told of visiting the Tiffin factory as a youngster and being intrigued with the glass making process. He noted that Tiffin began operations in 1888 in Tiffin, Ohio and became part of U.S. Glass in 1891. While it was operating, it had the largest glass furnace in the states. Tiffin went bankrupt three times, but the furnace continued to burn during all three of the bankruptcies because the furnace would have deteriorated rapidly if the gas had been turned off. The company bought Duncan & Miller Glass Company in 1955 and continued to manufacture glassware in Tiffin, Ohio, until the factory closed in 1984. Throughout his presentation he showed examples to illustrate the unique finishes and items such as vanity lamps made by Tiffin. In addition to the seminars, the inventory displayed by the dealers gave attendees the opportunity to learn more about American-made glassware and pottery. For example, Franciscan pottery was offered by Ernest and Joan Thomason from Georgia. They had a covered casserole in the Desert Rose pattern priced at $140, a soup tureen in the Apple pattern priced at $375, and a round vegetable bowl in the Ivy pattern for $40. They also had a variety of Roseville pottery including a teapot in the Snowberry pattern for $460 and a Pine Cone bud vase for $425. Linda and Dale Riendeau from Minnesota had several pieces of Fiesta ware and Homer Laughlin’s Harlequin pattern. Fiesta coffee pots in various colors were priced at $325 to $625, and a Fiesta stacked refrigerator set was $395. In Harlequin, a light green butter and a Monroe blue butter were priced at $175 each. Early pressed glass was available in several booths. Don Jones and Danny Cornelius from Ohio had their booth filled with EAPG from many manufacturers. They had a bowl in Fostoria’s Valencia pattern priced at $120. David and Linda Adams from Nevada also had EAPG including several pieces of Fostoria’s Victoria pattern. A frosted spoon in the Victoria pattern was priced at $120, an unfrosted syrup was $185, and an unfrosted rose bowl was $165. The second seminar on Saturday illustrated many of the patterns, colors, and types of tableware made by Fostoria Glass Company before 1920. This genre of glass is usually classified as early American pattern glass (EAPG), and many collectors of Fostoria glass are not familiar with these patterns. Harold Roth, a member of the Fostoria Glass Society, led the seminar, and noted that Fostoria started production in Fostoria, Ohio, in 1887, and moved to Moundsville, WV, in 1891. While located in Ohio, the company produced many types of lamps and candelabras, but tableware was also produced. Tableware patterns on display for the seminar included Cascade, Virginia/Foster Block, and Victoria patterns made in Ohio. Examples of patterns from Moundsville production included Atlanta, Brazilian, Alexis, Rosby, and many others. He also discussed and illustrated milk glass reissues in the 1950s of some of these patterns, and reissues in lead crystal in the 1970s as part of Fostoria’s Centennial II collection of glassware. Ed Sawicki of New Jersey was a new dealer at the show this year. He had a collection of blue Cambridge Caprice and Duncan & Miller Caribbean for sale. A pair of double candlesticks in the Caribbean pattern was priced at $350 a pair and a pair of Cambridge triple candlesticks was $285 a pair. A set of two blue inkwells on a matching stand in an unidentified pattern was $595. Next year’s show will be held on the third weekend of July. Proceeds are used to support the Fostoria Glass Museum in Moundsville, WV, and other organizations that preserve the history and artistry of American glassmakers. 8 1 2 3 4 1. This American punchbowl with underplate, base, ladle, and 16 cups was priced at $985 in Jack Peacock’s booth 2. Sandi Bridwell-Walker from Texas shows a piece of glassware at her seminar to illustrate the variety of Mary Gregory glassware. 3. Jack Peacock of North Carolina shows a Tiffin Glass swan at his seminar. 4. These pieces of Fostoria Victoria were in the booth of David and Linda Adams from Nevada. 5. Gracia Bobbitt uses Weatherman’s book, Fostoria Its First Fifty Years, to illustrate early Fostoria pieces at the second seminar on Saturday. Photos courtesy of: Harold Roth and Janice Robertson. 5 9 Fostoria Glass Museum Window Install Saturday, August 5th, a crew of volunteers was in to unload the glass from 15 display cases and move them away from the windows. Those helping were: Roni and Don Crabb, Jim Davis, John Icard, Linda Polen, Clara Robinson, and of course Ralph and Cassie Clark. Sunday, August 6th, storage areas of the museum were cleaned out and the curtains were removed from the windows. Cases were also moved off the platform area upstairs. Those helping were Ralph Clark, Don Crabb, Chuck Hill, and John Icard. Monday, August 7th, the window installers were in and started installing windows. By the end of the day they had installed 23 windows, starting with all the upstairs and then 4 windows downstairs. Tuesday, August 8th, the installers finished with the remaining 10 windows and cleaned up all the debris. The crew did an excellent job of installing and cleaning up after they were done. Cassie and Roni shopped for a new desk for Cassie’s office and Don assembled it. Clara Robinson and Jesse Wright washed the curtains that had been taken down. Wednesday, August 9th, Don cleaned the windows and then the curtains were put back on the windows by Ralph Clark, Clara Robinson, and Jesse Wright. Then the remaining glassware was unpacked and placed in the cases. Those helping were: Roni and Don Crabb, Ron and Norma Hufford, John Icard, Linda Polen, Clara Robinson, Jesse Wright, and of course Ralph and Cassie Clark. The remainder of the week Roni and Don inventoried the cases and the Huffords helped Ralph and Cassie move items back into the storage areas 1 1. Roni and Jim take time out from unloading cases to line dance to "Achy Breaky Heart". 2. Window installers installing windows in kitchen area. 3. Installing windows upstairs. 4. Finished windows on porch. 2 10 4 3 No. 2538 Place Card Holder by Roni Crabb One of Fostoria’s cute little collectibles is their Number 2538 Place Card Holder. Created back when formal tables were set and each place was designated with a name card in a holder, Fostoria came up with this item. It was initially listed in the 1936 Price List as available in Crystal, Silver Mist, Azure, and Regal Blue. By 1942, the Azure and Regal Blue were no longer listed in Price Lists. To broaden the marketability of the piece, the 2538 was listed as a card holder but could also be used as a nut dish or an ash tray. The illustration even showed it used as a card holder but also with a cigarette on it. Then in 1954, the card holder was shown in the catalog as available in Ebony. The crystal and ebony were continued in production, or at least listed, until 1962. The design for the No. 2358 was done by Edgar Bottome, one of Fostoria’s most prolific designers and a Design Patent was issued in 1937 where it was listed as a design for a combined place card holder, nut dish, and ashtray. At present, the museum only has the No. 2538 in crystal and the azure. I personally have never seen it in Silver Mist, Regal Blue, or Ebony and it would be wonderful to have all colors on display at the museum. 11 #2350½, ROMANCE, Etch #341, Footed Cup, 2½"H,3¾"D, Crystal, 1942-1971, FGSA MUSEUM ACQUISITIONS, FIRST HALF 2012 Part 2 of 2 #2496, MEADOW ROSE, Etch #328, Footed Cup, 2½"H,3¾"D, Crystal, 1936-1975, Acquisitions Committee #LE04/494, NAPKIN RING, 1"H, 2"D, Crystal, 1974-1976, #1372, COIN, Wedding Bowl & Cover, 8⅛"H, Crystal W/ Gold Coins, 1960-1971, The Fostoria Glass Society is extremely fortunate for the generosity of its members. During the first part of this year (2012), approximately 124 new donations of glassware were added to the Museum. This list shows the items donated and processed as of convention time in June. This does not include donations to the museum gift shop, whose proceeds help fund the Acquisitions Fund. THANKS TO ALL THE DONORS. #6016, NAVARRE, Plate Etch #327, Magnum, 16oz, 7¼"H, Blue Bowl Crystal Stem, 1974-1982, #444, CZARINA, Celery Tray, Crystal, 1894-1910, #183, VICTORIA, Oil Lamp, 19"H, Frosted Crystal w/ Decorated Opal Ware Globe and Crystal Chimney, 18891891, PAINTED VASE, 6½"H, 5½W, Oval, Opal Ware, Eagle Motif, Orange & Yellow Decoration, 1904, #1478, SUGAR BOWL, Cutting #104, 3½"H, Crystal, 19081921, #2331-3, CANDY BOX, No Cover, 3part, 2¼"H,6¾"D, Canary, 1924-1926, #1478, CREAM, Cutting#104, 3"H, Crystal, 1908-1921, #1630, ALEXIS, Nappy, 3½"H, 7"D, Crystal, Commemorative Piece, 1974, #1741, GREEK, Needle Etch #45, Tea Caddy, (No Lid), 5¼"H, Crystal, 1909-1928, #4107, VASE, 9¼"H, 5¼"D, Green, 1931-1935 , #6122, HALO, Decoration #689, Ice Tea, 13oz, 6¼"H, Ebony, W/ Platinum Band on Bowl, 1970-1971, #2375, FAIRFAX, Relish, 2 Part, 8½"L, Topaz, 1928-1943, #2433, CANDLESTICK, 3"H, Crystal W/Green Base, 1931 -1932, PAPERWEIGHT, Round, 3¼"D, Crystal, Gold Letters Local Dress Shop, 1997, #1478, SUGAR BOWL, Unknown Cutting, 3½"H, Crystal, 1908-1921, #6105, CANTATA, Cutting #907, Cordial, 1½oz, 3⅞"H, Crystal, 1965-1970, #1769, ROCK GARDEN, Cutting #739, Finger Bowl, 4⅛"D, 2"H, Crystal, 1939-1944, #2417, FIRENZE, Decoration #502, Vase, 8"H, Topaz, Gold Rim on Etch #281 Verona, 1929-1931, #2337, MEMORIES, Rock Crystal Cutting #750, Plate, 6"D, Crystal, 1935, #2856/117, SERENDIPITY, Ash Tray "B", 1¾"H, 6⅞"D, Crystal, 1974, #2419, CHELSEA, Cutting #783, Plate, 8"sq, Crystal, 1938 -1944, PELICAN FIGURAL COMMEMORATIVE Stolen from the L.E. Smith factory by L.E.Smith workers and sold on Ebay, #2337, CHRISTINA, Cutting #814, Plate 7"D, Crystal, 1941-1969, #6111, OLYMPIC GOLD, Decoration #680, Wine, 7oz, 6⅛"H, Crystal, Gold Band W/Gray Cutting on Bowl, 19681970, #2337, WELLINGTON, Cutting #722, Plate, 7"D, Crystal, 1933-1942, COIN Advertisement Matted, #2337, COVENTRY, Cutting #807, Plate, 7"D, Crystal, 1940-1943, #2592, MYRIAD, Ash Tray, (2), 3¾"L, 2¾"W, Ebony W/ Gold Trim, 1953 $25.00ea, #2337, GOTHIC, Cutting #774, Plate, 8"D, Optic, Crystal, 1938-1944, #2592, MYRIAD, Cigarette Box & Cover, 6"L, 3½"W, Crystal Bottom, Ebony Cover w/ Gold Trim, 1953, #, PAPERWEIGHT, Advertizing Item, 4¾"L, ¾"H, Crystal W/Dog Design,, #112, CASCADE, Mirror w/Sconces (2), Crystal, Sconces w/bobeche & Prisms, 1887-1889, #1119, SYLVAN, Individual Cream, 4"H, 2⅜"H, Crystal, 1902-1906, #1299, LONG BUTTRESS, Pin Box W/ metal lid, 4"L, 1¼"H, Crystal, 1904-1913, #1119, SYLVAN, Spoon, 4¼H, 3½"D, Crystal W/Gold Decoration, 1902-1906, #1704, ROSBY, Square Nappy W/Partitions, 7"Sq. 2⅝"H, 1909-1928, #1119, SYLVAN, Salted Almond, 2"H, 4¼"D, Crystal W/ Gold Decoration, 1902-1906, #2412, COLONY, Mayonnaise & Spoon, 3⅜"H, 4⅝"D, Crystal, 1945-1970, #1119, SYLVAN, Vinegar Cruet & Stopper, 6oz, 5½"H, 3¾"D, Crystal, Very little Gold Decoration, 1902-1906, #2496, CHINTZ, Plate Etch #338, Saucer, 5¾"D, Crystal, 1940-1973, #2630, HEATHER, Plate Etch #343, Plate, 7"D, Crystal, 1949-1971, (Continued on page 13) 12 Upcoming Events (Continued from page 12) Esteemed Donors FGSA Acquisitions Committee Mary & John Austin Gracia Bobbitt Don & Roni Crabb Chris Crummitt Dennis & Pat Early J. E. Helms Chuck & Janice Hill Ron & Norma Hufford John Icard Sherry Kapes Anthony Karpinski Robert Loch Carol Cano Long Mary Sue Lyon Barbara Maxwell Mike Murphy Carl & Terry Naas Carol Nicoson Peggy Oliveto Jack Peacock Linda Polen Mark Prime Sally Reed Holly Schell Bob & Donna Sperow Donna Stuart Michelle & Bronwyn Sugg Ralph & Jesse Wright Renew Your FGSA Membership Shows: October 6-7, 2012 Southwestern PA Glass, Pottery & China Show and Sale Washington, PA Info: Leora Leasure - 412-217-2083 or leasure@eartlink.net October 13-14, 2012 Iowa Depression Glass Club’s Antique Glass & Pottery Sale Des Moines, IA www.home.earthlink.net/~idgc or e-mail: idgc@earthlink.net October 20-21, 2012 Milwaukee’s Depression Era Glass Show Greenfield, WI Info: Katie Goebel kmgoebel@ra.rockwell.com November 3-4, 2012 40th Annual All Depression Era Glass Show & Sale Dearborn, MI www.michigandepressionglass.com November 16-17, 2012 Eastern National Antiques Shows & Sales Carlisle, PA www.easternnaationalshows.com November 17-18, 2012 St. Louis Antique American Glass & Pottery Show/Sale St. Charles, MO Info: 636-257-0567 or 314-894-3359 February 16-17, 2013 The Houston Glass Show & Sale Rosenberg, TX Info: Max Miller 713-410-4780 or Richard Theiss 214-734-7216 March 9-10, 2013 20-30-40 Glass Society Show & Sale North Lake, IL Info: John Schleinzer jsantiques@aol.com If the mailing label on your Facets reads 7/12, it is time to renew your FGSA membership. Please encourage others that you know who have Fostoria collections to also join FGSA. Every dollar that you give through membership or additional donation is vitally important to our museum’s future. Upcoming Events In an effort to reduce redundancy of forms, you will now find a line item on the mail order form (page 16) of each issue to pay your $25.00/per person annual membership dues. Please be sure to include names of ALL who are paying dues. Would you like your chapter meetings or related show dates presented here? Please send the date, location, contact person’s information to mslyon50@gmail.com at least 2 months in advance of your event. There is also a designated line for optional donations to the museum where you will note the amount you wish to gift. Thank You. 13 Endowment Committee Report Members who are at least 70 1/2 years young must begin to withdraw funds out of their IRA account each year. If you donate a portion of that withdrawal to the Fostoria Glass Society of America Endowment Fund you will not have to pay taxes on that contribution since FGSA is a 501 (c) 3 not-for-profit organization. This is one way members can help our Endowment Fund grow and minimize their tax liability at the same time. Friends of Fostoria Contributors since July 1, 2012 include the following generous members: Karen Grubber, Patron Level $500.00 David and Sherry Kapes, Patron Level $500.00 Robert Loch, Patron Level $550.00 Milbra Long, Family Level $100.00 Connie M. Lodge, Honorary Level $75.00 Freeman and Jeannie Moore, Honorary Level $50.00 Thank you to all of the donors to the FGSA Endowment Fund to date. And a special thank you to our anonymous donor who provided the challenge grant to match the first $1000 contributed to the endowment fund this year. The generosity of all is greatly appreciated. Friends of Fostoria Endowment Fund Contribution I wish to make a contribution to the “Friends of Fostoria” Endowment Fund in the following amount: $ _____________. Honorary-$50.00 or more Family-$100.00 or more Sponsor-$250.00 or more Patron-$500.00 or more Benefactor-$1000.00 or more This donation is in memory of:_______________________________________________________ This donation is in tribute to: ________________________________________________________ Name___________________________________________________________________________ Address_________________________________________________________________________ City________________________________ State/Province________ Zip/Postal Code___________ Phone _______________________________ E-mail ____________________________________ Make checks payable to: Fostoria Glass Society of America (FGSA) Mail to: FGSA PO Box 826 Moundsville, WV 26041 14 Fostoria Glass Society of America—Mail Order MUSEUM GIFT SHOP BOOKS Quantity Price S&H American Price Guide $7.00 $2.00 Fostoria No. 2056 American Pattern Book $12.00 $4.60 Fostoria No. 2412 Colony Pattern Book $12.00 $4.60 Fostoria No. 2412 Colony Price Guide $7.00 $2.00 Fostoria Coin Glass Book $20.00 $4.60 Fostoria Glass Co. Etching Plate Book $25.00 $4.60 The Elegant and Master Etchings, by Juanita Williams $39.95 $6.00 Fostoria Glass, Scarce and Unique Whimsies, by Juanita Williams $35.00 $6.00 Fostoria Stemware, Second Edition, by Long & Seate $30.00 $6.00 Fostoria Value Guide, by Long & Seate $19.95 $4.60 Useful & Ornamental, by Long & Seate $39.95 $6.00 Fostoria Stemware, 1st Edition, by Long & Seate $30.00 $6.00 Fostoria Sakier, by Leslie Pina $30.00 $6.00 Elegant Glass, 3rd. Edition, by Coe $35.00 $6.00 Fostoria Candelabras, Lamps, Etc. $18.20 $6.00 The Glass Candlestick Book, by Tom & Elaine Felt and Rich Stoer $24.95 $6.00 American Line 2056, by Pina $30.00 $6.00 1898 Catalog, reprint $15.00 $3.00 Open Salts $10.00 $2.00 Pressed & Blown Volume 1, Book 1 $22.50 $4.60 Pressed & Blown Volume 1, Book 2 $22.50 $4.60 Pressed & Blown Volume 1, Book 3 $22.50 $4.60 Pressed & Blown Volume 1, Book 4 $22.50 $4.60 Pressed & Blown Volume 1, Book 5 $25.00 $4.60 Pressed & Blown Volume 1, Book 6 $26.00 $4.60 Pressed & Blown Volume 1, Book 7 $22.50 $4.60 Pressed & Blown Volume 1, Book 8 $22.50 $4.60 Cut Glassware Volume 2, Book 1 $25.00 $4.60 Cut Glassware Volume 2, Book 2 $30.00 $4.60 Needle Etched Ware Volume 3 $22.50 $4.60 Decorated Glass $26.00 $4.60 Engraved and Sandblasted Glassware Volume 5 $17.00 $4.60 Deep Etched Glassware Volume 6 $22.50 $4.60 Plate Etchings Volume 7 $29.00 $4.60 $32.50 $4.60 Silver Deposit. Volume 9 $17.00 $4.60 Carved Volume 10 $17.00 $4.60 Line Combination Volume 11 $22.50 $4.60 Special Collections Glassware Volume 12 $22.50 $4.60 Fostoria Glass - Books by Henry J. (Hank) Liebmann: Volume 4 Fancy Painted Lamps and Accessories Volume 8 15 Total Fostoria Glass Society of America-Mail Order Miscellaneous (continued) Quantity Price S&H Friends of Fostoria Cookbook $16.00 $6.00 Facets of Fostoria Publications on DVD (August 1980 to May 2012) $49.95 $6.00 Age of Elegance DVD $19.95 $4.60 John Murphy Glass Artisan DVD $20.00 $4.60 Elegance of Etchings (computer screen saver) $15.60 $4.60 Fostoria "F" Lapel Pin, 14k Gold, handmade & polished $49.50 $5.50 2002 Colonial Blue Pelican $28.50 $8.00 2003 Burmese Pelican $27.50 $8.00 2004 Crown Tuscan Pelican $27.50 $8.00 2005 Dark Purple Iridescent Pelican $30.00 $8.00 2006 Lavender Pelican $34.00 $8.00 2008 Root Beer Pelican $34.00 $8.00 2009 Lemon Meringue Pelican $34.00 $8.00 2010 Bonnie Blue Pelican $34.00 $8.00 2011 Chocolate Slag Pelican $34.00 $8.00 2012 Red Slag Pelican $34.00 $8.00 2006 Paperweight (Glass Gatherers) $20.00 $6.00 2007 Paperweight (Birds Eye View) $20.00 $6.00 Vaseline Glass "Fostoria" Logo $35.00 $6.00 #2056 American Ruby Tom & Jerry Mug $55.00 $6.00 $25.00 na Total Sub Total West Virginia Residents add 6% Sales Tax Annual Membership Dues (July 2012– July 2013) na Donation to the Museum (Thank You!) TOTAL DUE Ship To: Name:____________________________________________________________ Address: __________________________________________________________ City: ___________________________State: ________________ Zip:__________ Phone: ________________________e-mail: ______________________________ Make check payable to: Fostoria Glass Society of America P.O. Box 826 Moundsville, WV 26041 16 2012 NDGA Convention and Show, Kokomo, IN The second weekend of July, members of the National Depression Glass Association (NDGA) gathered in Kokomo, Indiana for the 2012 Convention and Show. Danny Cornelius, current NDGA president, wants to build strong working relationships among and between the various glass-collecting organizations, and he proudly announced that 13 different organizations were participating in the 2012 show. Pat Green and I (Gracia Bobbitt) represented the Fostoria Glass Society. Neither of us had ever attended the NDGA Convention and Show before, and we didn’t really know what to expect; but we had no trouble turning our trip to and from Kokomo into an antiquing adventure. We travelled from Knoxville, TN to Seymour, IN on Thursday, shopping in Corbin and Berea, KY along the way. Friday morning, we visited the mammoth Exit 76 Antique Mall on I-65 near Columbus, IN. We arrived in Kokomo just in time to set up the Fostoria table at the NDGA show with a display of the Alexis pattern; and then we spent an hour in a Kokomo antique mall. The NDGA show included 32 dealers of both elegant and depression glass from all over the country. A silent auction was held during the show on Saturday, with a variety of items up for bid. After the show closed on Saturday, we attended a membership meeting followed by a banquet for 175 guests in Kokomo’s antique car museum. The evening wrapped up with a spirited live auction that generated approximately $5,000 for the new NDGA museum in Wellington, KS. The show concluded on Sunday at 4:00 pm. During the show, we visited with shoppers, other club representatives and several members of our Tennessee club who had also travelled to Kokomo; we signed up a new member of the Fostoria Glass Society; and, of course, we shopped. We answered general questions about Fostoria glassware and assisted with research into bitters bottles, Fostoria’s Sunray pattern and Tut vases, among other things. Representatives of the Tiffin collectors group posed a question about a glass designer named Linda Cleve who worked briefly at Tiffin. They believe she left Tiffin after about 6 months and went to work for Fostoria. So far, we have been unable to locate additional information about the designer; and that research project will continue. The return trip to Knoxville included an overnight stay in Scottsburg, IN on Sunday. From directions obtained at a rest area on I-64, we ventured into Shelbyville, KY where we visited an interesting antique mall downtown as well as another shop with both great glassware and cherry furniture. The last stop of the day was a visit to shops in downtown Georgetown, KY. When we arrived back in Knoxville, it took us about 15 minutes to unload and sort our purchases. Continuing the theme of the recently-concluded Fostoria convention in Moundsville, early Fostoria patterns received significant attention during the trip. Examples of Robin Hood, Long Buttress, Frisco, Sylvan and Atlanta made their way back to Knoxville with us. We also brought home a Sakier vase in light blue and several pieces of Navarre, Willowmere and Jamestown. It seemed fitting that a clear Jamestown torte plate called out to Pat from the top of a display cabinet as we turned to leave the very last shop at the very last stop in Georgetown. The next NDGA Convention and Show will be held July 13 – 14, 2013 in Wellington, KS – the home of the new NDGA museum. We are already contemplating plans for another antiquing adventure. Fostoria Glass Society of America 2013 Convention June 7 - 9, 2013 Moundsville, WV Save the dates and mark your calendar to attend! The display theme will be the Navarre Pattern etch #327, introduced in 1937, designed by Edgar M. Bottome. The Navarre etch was named after the Kingdom of Navarre in France. It is an aristocratic design expressing the grace and elegance of all things French. In the late 1500's, King Henry IV ruled first the Kingdom of Navarre and then all of France. He founded the great Bourbon dynasty. Long time Fostoria member from Ohio, Terry Naas, and Tennessee members Pat Green and Larry Duke will create the display and present the Saturday seminar program. The 2013 Convention will also include the annual Glass Show & Sale as well as the annual Glass Auction. Navarre Etch 327 for 13 oz Footed Tumbler 6016 17 DEALER DIRECTORY 18 Your Advertisement Could be Here Are you a dealer in elegant glass, particularly Fostoria glass? Want to get your business known to the premier Fostoria Glass collectors across the country? Send a business card with a check to begin receiving the exposure for your business with an interested and targeted audience. See Dealer Directory and Display Ad rates posted on page 2. Mail your business card or display ad and check made out to FGSA to: Mary Sue Lyon PO Box 467 South Haven, MI 49090 One Issue of Facets Per Household I had several FGSA members approach me at the Convention to say they did not need to have two copies of Facets mailed to their home despite the fact they held separate memberships in the Society. It will save FGSA money on both printing and mailing of Facets to send only one issue per household. We would like to send your household only one printed copy of Facets after the July issue. If you desire to receive two copies, please contact me via e-mail: mslyon50@gmail.com or phone: 312-403-9619. Receive Facets of Fostoria Via E-mail The costs of publishing and mailing of the Facets of Fostoria newsletter six times per year is increasing to the point that your membership dues will soon not cover the expense. That is the primary reason we are unable to provide the newsletter in color. If you opt to receive your issue of Facets via e-mail, you will not only receive it earlier than through the mail, but you will have select photos and other illustrations in color. To receive Facets via e-mail, you will need the free software Adobe Acrobat. Please e-mail me at mslyon50@gmail.com if you would like to start receiving Facets via e-mail. 19 MEMBERSHIP APPLICATION FOR THE FOSTORIA GLASS SOCIETY OF AMERICA, INC. P.O.BOX 826, MOUNDSVILLE, WV 26041 A non-profit organization dedicated to the study of Fostoria Glass and the preservation of handmade glass. Benefits for membership include: Receipt of our newsletter, “Facets of Fostoria”, informative chapter meetings; Glass-shows, auctions, and other special occasions. ANNUAL DUES ARE $ 25.00 PER PERSON NAME ____________________________________________________________ ADRESS__________________________________________________________ CITY______________________________STATE_____________ZIP__________ PHONE___________________________________________________________ e-mail address:______________________________________________ Please make check payable to: MUSEUM HOURS WED.-SAT. 1:00 - 4:00 Fostoria Glass Society of America P.O. Box 826 Moundsville, WV 26041 TELEPHONE: 304-845-9188 FAX: 304-845-9188 WEBSITE ADDRESS: WWW.FOSTORIAGLASS.ORG Fostoria Glass Society of America P.O. Box 826 Moundsville, WV 26041 ADDRESS SERVICE REQUESTED PRSRT STD U.S. POSTAGE PAID CLARKSVILLE, TN PERMIT NO. 387 20