CHINA SUMMIT - Marché du Film
Transcription
CHINA SUMMIT - Marché du Film
CHINA SUMMIT ₼⦌⽿↩ A SERIES OF CONFERENCES AND EVENTS TO MEET CHINESE KEY PLAYERS AND TALENTS 侊⒦₢欧帷幉↩✛㿊┷↩槱₼⦌ 䟄㈀␂枽ⅉ䓸✛䟄㈀ⅉ CANNES SATURDAY MAY 16 MONDAY MAY 18 TUESDAY MAY 19 2015 MONDAY MAY 18 CINEMA OLYMPIA 1 - 2pm to 4pm NEW CHINESE FILM TALENTS FUND FORUM We are delighted to welcome again for a 3rd consecutive edition in Cannes the NEW CHINESE FILM TALENTS FUND FORUM, jointly established in 2013 by Champs Lis International and the Marché du Film - Festival de Cannes. After a final selection operated by world respected professionals, these projects have been accompanied for the preparation of their pitch by French producer Christophe Bruncher (Ici et Là Productions) and Italian producer and pitching expert Stefano Tealdi (Stefilm International) during a workshop held last March in Beijing and in Cannes over the last days. The NEW CHINESE FILM TALENTS FUND FORUM aims at encouraging and supporting promising young Chinese filmmakers in their understanding of the global cinema marketplace, of the commercial requirements of the film industry and of their approach of the international production business. Since its inception, three of the projects have been produced and are about to be released, namely: DINOSAUR PICO by LIU Kexin (NCFTFF 2014), BEIJING CARMEN by WANG Fan (NCFTFF 2013) and MOUNTAIN CRY by YANG Zi - aka Larry YANG (NCFTFF 2014). We invite you to come and discover these new Chinese talents in Cannes and hopefully follow-up with them for a meeting after the pitching session. To book your meeting with a project, please contact: YANG Xue: T: +33 6 75 36 24 69 / email: xyang@festival-cannes.fr For more information: Cannesevents@champslis.com CO-ORGANIZED BY 15 FI LMS MY ANGEL BY GREY HUANG Genre: drama, romance Duration: 110 min Shooting Location: Guangzhou Screenplay: original Estimated budget: around USD 1.61M (RMB 10 M) Financing in place: none Production Company: Beijing Xuan Huang Culture SYNOPSIS : Leon has a white feather, which he claims to have been given to him by God to find an angel, lost in the human world. Despite rarely being taken seriously, he keeps telling this story to everyone he meets. On week-ends, Leon searches all over town for the angel, waiting in every corner where it might possibly appear. Thus far, no one has appeared and his efforts always end in vain. Whilst talking with colleagues at work about girlfriends, destiny finds its moment. The memories of his ex-girlfriend Jane and the good times they lost, which he had deliberately forgotten, come rushing back to Leon. He realizes that the angel he has been searching and waiting for has always been Jane. Jane: the girl who left him without any explanation. When he learns of Jane’s imminent wedding, Leon decides to see her once again. He meets her in a magnificent restaurant. Jane is wearing expensive jewelry and Leon feels inferior to her. Nevertheless, he walks up to her and asks her why she left. She tells him it is all in the past and that it would be better if he forgot about her, for she is not his angel. DIRECTOR’S BIOGRAPHY Since 2004, HUANG has devoted himself to directing and producing films with great enthusiasm. He is an experienced director, acquiring great management and other skills on-site. He is an expert in story-telling through the camera. His complex life story gives him a unique and in-depth vision of art. He is the author of many interesting stories. The screenplay of My Angel started back in 2006. It is the fruit of years of hard work. Previous Work: Days of Innocence, Emotion Code Contact info: Grey HUANG - xhhgr@foxmail.com Goals in Cannes: To find investors, co-producers and an international sales agent 16 FILM S NO. 23 BY XIA HAO Genre: drama Duration: 90 min Shooting Location: Xi’an, Beijing Screenplay: original Estimated budget: USD around 800.000 (RMB 5M) Financing in place: USD around 161,000 (RMB 1M) Production Company: Xiahao Studio SYNOPSIS : Han Ye is a senior high school student majoring in painting. Due to genetic reasons, he is color-blind just as his late father. His world is not colorful but mostly black and white. To stimulate his visual sense, his mother Wu Ji always wears bright-colored clothes, particularly a red coat. Han Ye falls in love with his classmate Bai Bing, not only for her beauty and body, but also because she always wears a red coat. When he opens his heart to Bai Bing, she rejects him. With a broken heart, he starts contacting #23 through an illegal erotic call service line. The lady #23, with her soft and tender words, teaches him the pleasures of carnal love, and he discovers his colorful world. The service is quite expensive and Han Ye starts robbing at a nightclub. One day he sees a woman with a red coat fighting with a mid-aged man in front of the club. He hits the man and finds out the woman is his beloved Bai Bing who is forced into prostitution to pay back the debts of her drug addicted father, the man he has just beaten up. Han Ye feels really depressed. Back at home, he calls #23 again. He asks her for a date but she refuses. He tells her to leave as he overheard that she will soon be caught by the police. She is quite touched and accepts to meet him, but she does not want to let him know what she looks like. When Han Ye goes to the meeting place, he finds a painting with a woman in red coat. Although he rushes out to find #23, he can only see a woman with a red coat getting up into a car. She is like Bai Bing and also like his mother, Wu Ji. From that moment, he loses the only red in his world. DIRECTOR’S BIOGRAPHY XIA Hao, youth director of Xi’an Film Studio. He was an actor and then studied with the renowned director Mr. Wang Quanan. He has worked for Mr. Zhang Yimou, Mr. Wang Quanan, Mr. Tung-Shing Yee, Mr. Woo Ping Yuen, Mr. Hark Tsui, Mr. Karwai Wong amongst others. He was involved in the production of the epic film White Deer, and has cooperated for 5 years with the director Karwai Wong for the movie The Grand Masters. He has also been nominated among the global top 30 directors at the Cui Yongyuan’s New Director Plan. His micro film Confession has been awarded Best Micro Film at the 1ST Silk Road Film Festival. Contact Info: XIA Hao - shawnfilm@163.com Goal: To find investors, overseas distributor and do pre-sale 17 FI LMS ONE NIGHT IN BEIJING BY TAI MIN Genre: romance Runtime: 90 min Filming Locations: Beijing, Paris Screenplay: Adaptation by TAI Min Estimated budget: USD around 2M (RMB 13M) Financing in place: none Production Company: An Tong Shanghai Co. SYNOPSIS : A drifter, Susan works at the newspaper One Night in Beijing. One of her jobs is to attend social events in Beijing and get to know different people. But beneath this glamorous mask, Susan misses her ex Lim and longs for the chance to see him again. She still plays the game they once played: “choose a stranger every day and talk to them”, and completes her wish list of “ten new things every year”. Through this game, Susan meets the executive Anne, ‘The Officiallings’ Cici, restaurant boss Chen and his girlfriend, the king of the entertainment Xiaofei, as well as a crowd of strange men. Meanwhile, Susan reflects back on her life in Paris with her ex Lim every day. She thinks over everything that happened, wondering what she did wrong and why Lim disappeared so suddenly. How long will it take before you learn to let go? Finally, it becomes clear to Susan that love does not mean possession but accomplishment. One Night in Beijing. We all come together, each bringing our own stories as we meet new faces. DIRECTOR’S BIOGRAPHY Tammy is the author of nine novels and several Amazon.cn bestsellers. Her most significant works include One Night in Beijing and How to Be Single. She pursued further studies in scriptwriting and directing and has shot short films and worked as AD for Legendary: Tomb of the Dragon. Previous work: One Night in Beijing will be her first feature film. Contact: TAI Min – taimin430@hotmail.com Goal: To find any possible partnership 18 FILM S ROADS GAME BY GAO BO Genre: fantasy, road movie Duration: 120 min Filming Location: Beijing, Yunnan, Gansu, United States Screenplay: original Estimated Budget: USD around 6.4M (RMB 40M) Financing in place: USD around 1.61M (RMB 10M) Production Company: Oh My God (Schenzen) Film Co., Ltd SYNOPSIS : Chen is a down-and-out Chinese film screenwriter who came to Hollywood to try his luck. When his visa is about to expire, he arranges a fake marriage with a stripper. Unfortunately, the bride is killed in a car crash on the wedding night, leaving her 14-year-old daughter Ashley and $300,000 in debt behind. As Chen is unwilling to be deported and Ashley is reluctant to be sent to a foster home, they leave together on a runaway journey filled with realistic adventures and imaginative illusion. Intrigued by Chen’s game script draft she finds in their pick-up truck, Ashley’s creativity is set off. She starts replacing all characters in the script with real people they encounter along the way: an attractive woman who seduces Chen and steals their truck and a powerful gangster, who saves Ashley and a dwarf, and, courageous for love, resolves the resentment between the woman and Chen… The people they meet and the things they run up against not only influence the storyline of the fictional game script, but also change the once-conceited Chen in real life. Affection gradually grows in Ashley’s heart… He realizes that Ashley deserves a better life and decides to give up his guardianship of Ashley, meaning he would be deported and his Hollywood dream abandoned. DIRECTOR’S BIOGRAPHY Born in 1987, GAO has worked as executive director of Piano in A Factory. His film Only Walk has won a series of awards and nominations, including: the 15th Shanghai Film Festival Media Award’s Best Actress Prize, Best New Director and Best Supporting Actress nominations; the 4th Macau Film Festival Golden Lotus New Director Award, and Best Feature Film and Best Director nominations; the 3rd New York China Film Festival’s Favorite Artist Award; the 1st Western Students Film Festival’s Best Feature Film Award. His microfilm A Thief with No Belief won Best Online Movie Creation Award at the 19th Beijing Students Film Festival, Best Short Film Award at the 9th Sino-U.S. Golden Angel Film Festival, and the Favorite Short Film award at Golden Rooster and Hundred Flowers Short Film event. Previous Work: Only Walk, A Thief with No Belief, Goodbye Youth (Music Video) Contact Info: GAO Bo - 303311384@qq.com Goals in Cannes: Looking for overseas partnerships 19 FI LMS TEN MISSING LETTERS BY ZHUANG JIALONG Genre: Family Road Movie (adventure, fantasy); 85% live action and 15% animation Duration: 100 min Shooting location: Nan’ao Island (Guangdong), Gulangyu Island (Fujian) or Kenting & Hualien (Taiwan) Screenplay: original Estimated Budget: USD 1.200.000 Financing in place: USD 200.000 Production Company: Guangzhou OnceFilm Television Media Co., Ltd SYNOPSIS : One day, Cartew receives an unexpected gift. He finds himself with a postman’s bag that was once carried by his father, before he died six years ago. In the bag are ten letters, all undelivered. Cartew embarks on a journey to deliver the letters. He sets off for the island of Lisi’ao, where he spent his childhood, accompanied by his friend Mary. As if someone has put a spell on the envelopes, the letters bring regret, surprise, happiness or misery, and change the lives of their receivers. Secrets of Lisi’ao slowly reveal themselves as Cartew successfully delivers one letter after another. He now has to make a decision: whether to go on or give up on his mission. Even Mary, who has been with him throughout his journey, is also keeping a secret from him. Throughout his journey, Cartew has been searching for a magical lighthouse his father told him about long ago. But when everyone denies the existence of the lighthouse, what should Cartew do next? Don’t believe in the truth! Just believe in what you believe! DIRECTOR’S BIOGRAPHY Graduating from Beijing Film Acadamy, ZHUANG is a young director who focuses on creating imaginative films on the themes of children and growing up. Famous director TIAN Zhuangzhuang mentored his graduation piece, Dying to Get Married. The film has won a series of awards at the 2nd Cherry Blossom Film Festival and the 5th Young Talents Film Festival, amongst others. His other short film Where is My Doraemon has won around 20 awards both at home and abroad including a Silver Award at Carnegie Mellon Film Festival. In 2013, he was recruited for the 5th Golden Horse Film Academy, where he worked closely with famous director Hsiao-hsien HOU and co-directed the film A Stray with him. In 2014, his first feature film screenplay Five Missing Kisses was selected for the 51th Taipei Golden Horse Awards – Film Project Promotion program. Previous Work: Dying to Get Married, Where is My Doraemon Contact: ZHUANG Jialong - 5101083zouba@sina.com Goal in Cannes: To find financing, co-producers and animation team 20 FILM S THE WILD HORNS BY SONG YUEFENG Genre: animation Duration: 90 min Shooting Location: China Screenplay: adaptation written by SONG Yuefeng and ZHUO Ran Estimated budget: USD around 4.8M (RMB 30M) Financing in place: USD around 161K (RMB 1M) Production Company: Mili Pictures SYNOPSIS : It is March, when everything starts to grow and bloom. The Argali sheep are celebrating the birth of a son to their king and queen at the foot of a snowy mountain. Suddenly, the cheerful atmosphere is disrupted. A hungry, black she-wolf wants to attack the sheep. The king leads the argali up a high hill, but the toddling prince is unable to follow. He has not yet learned how to run! The queen runs back to protect her child and confront the she-wolf. At the crucial moment, the prince takes a big step and manages to get away by his mother’s cover. But it’s already too late for the queen to escape. The scene of his mother’s death has weighed on the prince’s mind ever since. He decides to sacrifice his beautiful corkscrew horns that their species is so proud of against his father’s will. By straightening his horns in the rock fissures, he makes them into weapons for revenge. He refuses to run when danger arrives; he refuses to be hunted when told that is the sheep’s fate. He becomes the wild one in the eyes of the other argali sheep. Will this lonely avenger succeed to in his revenge? DIRECTOR’S BIOGRAPHY Born in Shanghai, SONG graduated from Visual Communication Department at China Academy of Fine Art in 2003. Ever since 1999, SONG has taken on the path of 3D animation, and he is among the first group of Chinese CGI artists. His work has received many awards both at home and abroad and his articles have been published in respected newspapers. With over a decade’s hard work, he and his team realized their dream of creating original animation films. Previous works: Dragon Nest: Warrior’s Dawn, (Released and awarded in China and worldwide); Dragon Nest: Thorn of Elves (shooting); Ping Pong Rabbit (co-director, shooting) Contact: SONG Yuefeng - soong.song@milipictures.com Goals in Cannes: Financing and co-production 21 FI LMS MISSION TO STEAL TIME BY JIANG JUN Genre: Comedy Duration: 100 min Filming Location: North China Screenplay: original Estimated budget: USD 8.6M Financing in place: USD 4.3M Production Company: Jiang Jun Studio SYNOPSIS : On the day Old Su is told that he has terminal brain cancer, he decides that he will commit suicide. As the clock is ticking for old Su, his three children come back home to be with him. The next morning, old Su gets up at 7 o’clock to plan for after his death: assorting his will, returning rods to the neighbor, and paying off his debts to the grocery store. In the evening, he enjoys dinner with his three children before going to bed with the help of sleeping pills. But something unusual then happens. When he awakens, it is again 7 o ‘clock in the morning, but the day starts exactly the same as the day before. Everything happens precisely like the previous day, again and again. Old Su seems to be trapped in the same day. After some time, old Su decides to do things he always wanted to do, but never did. He goes bungee jumping with his timid elder son, he brings his stubborn daughter with him to reconcile with his old comrade-in-arms, and he takes Su-Liren, his good-for-nothing second boy, to visit his secret former love… When old Su has accomplished all he wanted to do, he opens his eyes and finds himself lying on a hospital bed, with family and friends surrounding him. He discovers that everything that happened on his “last” day was actually planned by his second son Liren. «To die a few days earlier or later, does it make any difference?» asks old Su peacefully. «Yes, Dad.» Liren replies:» Even if we can only be together one more day.» Tears quietly fall on old Su’s face and he passes away. Some days later, a letter is received by his three children to reveal the last words and secrets of old Su. This project has been selected by DIRECTOR’S BIOGRAPHY Born in Qingyang of Anhui province, China. He graduated from The National Academy of Chinese Theatre Arts with a degree in Drama Literature. He started directing films right after his graduation, In 2014, he wrote and directed the film The Body Guard. Previous Work: The Body Guard Contact: JIANG Jun – 904469756@qq.com Goals in Cannes: Looking for investment and distribution partners. 22 FILM S A MAN VANISHES BY QUAN LING Genre: drama Duration: 110 min Filming Location: Beijing Da Hinggan Mountains in northeast China or Changbai Mountain in China Screenplay: original Estimated budget: USD 2M Financing in place: none Production Company: Looking for producers SYNOPSIS : The film tells the story of the most unlikely betrayal between loving ones. In the outskirts of the city, a father suffering from Alzheimer’s disease, his son and his daughterin-law are living in the same house. The son worries about his father and wants to find a nursing home for him. But each time his father is placed in a home, he escapes and returns back home. The father and the son get more and more annoyed by each other but in a subtle process. The father wants to live at home but is gradually losing his mind and language skills causing more and more trouble. To protect his father, the son decides to place a badge around his neck in case he gets lost. Their life continues with occasional bizarre behavior by the father bringing ironic black humor. When the father falls in love with a widow, the misunderstandings between the father and son are aggravated. One day, they go to the mountains to hunt. The father thinks his son wants to kill him. He escapes and gets lost. When the son finds the badge of his father near a cliff, he believes he has felt over the cliff and died. The son leaves and does not call the police. Later on, while in the hospital with his wife who is giving birth, the son refuses to answer messages from his father who is still alive. With the newborn, they go live at his wife’s family house. When everyone is celebrating the new birth, he quietly removes the picture of his father hunting in the mountains. The weather is cold. The father has been wandering for some time and finally found his way home. He managed to enter the house by jumping through a window. When the son comes back home with a real estate agent to visit the house, he is shocked to discover his father’s corpse in his bed. This project has been selected by DIRECTOR’S BIOGRAPHY QUAN Ling, born in Chongqing, is a famous Chinese novelist. Her works have been selected as one of the best short novels of the year by Chinese Novelists Association. She published short stories «Ye Chi Bai Ma». In 2009 began “Forgetting To Know You”, 2012 completed the film.“Forgetting To Know You” is her first film, which got Finalist of 63rd Berlin International Film Festival Youth Forum Award nomination and got the “Most Creative Award” of CFPC in Shanghai International Film Festival 2010. Contact: 18600028515@163.com Goals in Cannes: Looking for overseas financing, producers and sales agent. 23 NOTES 24 Venues Cinema Olympia: 5, rue d’Antibes Espace CNC: Gray d’Albion Beach For more information: ZHANG Jialing: jzhang@festival-cannes.fr www.marchedufilm.com Follow us marchedufilm mdf_cannes