56 times more - Old Cobra Films adress

Transcription

Productions and coproductions of
Cobra Films
To see the catalog of current
productions go to www.cobrafilms.be
56 FOIS ET ENCORE
(56 TIMES MORE)
Julie Sandor
2007
Documentary 56 min
Beta digital 4/3 B&W and Color
OV langues parlées: hungarian, french (Sub-titles : french,
english)
56 crank turns to travel back in time.
56 times told and digested, the past turns into the present.
The hiroy at last recounts feelings, after all that’s whats left - feelings - before our histories become swollen with
pride and a capital H.
“56 fois et encore” is a subjective journey into the Hungarian revolution observed through archive records, a dive
into the heart of the 1950s of communist Europe: productivism, lies, treason, amnesia, an epoch which should by now
be rembered.
Director
Editing
Sound editing
Mixing
Production
Production
With the support of
Coproduction
Coproduction
Coproduction
Distribution
Julie Sandor
Julie Sandor
Dominik Guth
Marina Lerchs
Festivals Magyar Filmszemle Budapest - Hongrie
Diffusions 26 décembre 2006 Images Plus Epinal; 7 août 2007 RTBF
Zeugma Films (France)
Cobra films (Belgique)
Ministère de la Communauté Française de Belgique
RTBF
Image Plus Epinal (France)
Cobra Films (Belgique) Zeugma Films (France)
gProd v3.7.1 - Cobra Films ANN - 24/10/2007 13:17:49 - Catalog
1
Distribution Cobra Films (Belgique) Zeugma Films (France)
CHATS ERRANTS
(STRAY CATS)
Yaël André
2007
Documentary 68 min
Beta digital 1,33 Color
OV langues parlées: french, german, italian (Sub-titles : french)
Like a puzzle, this film works on different elements:
- a guided tour in “useless” places of three cities (Brussels, Hambourg, Roma)
- a documentary about stray cats and the people who food it
- some choregraphy of daily gesture
- a question about cartography (and the common using of space)
- like a twinkle about the human Oder and disorder...
- and a statement on the present difficulties of the Uselessness!
Director
Photography
Photography
Photography
Sound
Editing
Direction assistant
Direction assistant
Direction assistant
Cameraman assistant
Mixing
additional sounds
Voice over
Production
Production
With the support of
With the support of
Coproduction
Coproduction
Coproduction
Coproduction
Distribution
Yaël André
Sébastien Koeppel
Frédéric Mainçon
Samuel Dravet
Jochen Laube
Luc Plantier
Marie Verwacht
Christiane Schmidt
Sonia Pastecchia
Colin Legras
Manu de Boissieu
Magali Schuermans
Michel Keyaerts
Festivals Rencontres documentarys de Montreuil (France)
Prices Le scénario a obtenu le prix des Ateliers audiovisuels de
la Communauté Frenche en 2002 (bourse AAAPA)
Diffusions 24 mai 2007 Lichtmeß-Kino Hamburg; 10 juillet 2007
RTBF
Web
http://www.cinergie.be/critique.php?action=display&id=866
http://www.lalibre.be/article.phtml?id=5&subid=86&art_id=3573
http://www.lalibre.be/article.phtml?id=5&subid=86&art_id=3589
Peter Stockhaus Filmproduktion (Allemagne)
Filmförderung Hamburg (Allemagne)
Centre Bruxellois de l’Audiovisuel (Belgique)
ARTE
RTBF (Télévsion belge)
CBA (Belgique)
2
ROCK MENDES
Jean-Jacques Rousseau
2007
Fiction 43 min
16 mm 1,33 Color
OV french
An old schoolmaster is attacked by his old students on his way to church. He feels as if God abandoned him. Satan
comes to him in a dream then appears to him. He reveals that his father was not the sexton, but a fiend. Charles
Tourneur soon becomes “the son of the devil” and sows terror among the young.
Director
Script
Script
Photography
Sound
Editing
With
Cameraman assistant
Lighting
Music
Production
Coproduction
With the support of
Coproduction
Distribution
Cimon De Syraine
Fabien Ruyssen
David Henrard
Thomas Baudour
Jean-Claude Botte
Julie Chevolet
Kevin Van Nuffel
Frédérique Rousseau
Web
http://www.laposterie.be/
http://www.infojjr.be.tf
Centre culturel La Posterie
Flight Movie
La Posterie
3
VOUS ÊTES ICI
(YOU ARE HERE)
Jorge Leon
2006
Documentary 80 min
Beta digital 4/3 color
OV langues parlées: french, spanish, dutch (Sub-titles : french,
english)
During an operation, the filmmaker took a camera along with him. He plunged into unconscious.
We are here in the worlds he discovers, on the edge of words, on the boundries of the body.
This is were borders create painful separations, borders of a prison, the street, war, the mind. In this shattered
mirror of reality, others look at us, others who could be us.
Director
Direction
Photography
Photography
Photography
Sound
Sound
Sound
Sound
Editing
Mixing
Music
Music
Production
Coproduction
Coproduction
Coproduction
Coproduction
With the support of
Coproduction
Coproduction
Coproduction
With the support of
With the help of
Participation
Distribution
Jorge Leon
Jorge Leon
Jorge Leon
Ronnie Ramirez
Mary Jimenez
Gilles Laurent
Thomas Gastinel
Montxo de Soto
Jo Coune
Marie-Hélène Mora
Christian Cartier
George Van Dam
Hahn Rowe
Festivals Filmer à tout prix - Bruxelles (Belgique)Académie des
Beaux-Arts de Varsovie (Pologne)Alba Film Festival
(Italie)Objectif doc Paris (France)Festival Escales
documentarys de La Rochelle (France)Corona Cork Film
Festival (Ireland)Prix Henri Storck - hors compétition Bruxelles (Belgique)
Diffusions 15, 18 and 22 janvier 2007 BE TV; Ecran Total 2007
Damaged goods (Belgique)
Yenta Production (France)
LE Fresnoy
COM 4 HD (Espagne)
Commission européenne - Plan MEDIA
GSARA (Belgique)
BE TV
CBA (Belgique)
4
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AU GRÉ DU TEMPS
(AS TIME GOES BY)
Dominique Loreau
2006
Documentary 47 min
HD 16/9 color
OV internationale (without paroles)
This film evokes intertwined lives of three ephemeral plant works by Bob Verschueren,
which are installed in different places: in an abandoned coke warehouse, a beach on the North Sea and a covered
playground.
We follow the process of their creation and then their life within the world that surrounds them, that of nature and
man.
They both correspond and contrast with these places and reflect a fragile and ephemeral world.
Director
Photography
Photography
Photography
Sound
Sound
Sound
Sound
Editing
With
With
Direction assistant
Sound effects
Dominique Loreau
Etienne De Grammont
Antoine Duquesne
Aliocha Van Der Avoort
Jean-Jacques Quinet
Ludovic Van Pachterbeke
Jean-François Levillain
Gilles Laurent
Rudi Maerten
Jean-Claude Derrudder
Bob Verschueren
Annick Ghijzelings
Marie-Jeanne Wyckmans
Festivals FIFF - Namur (Belgique). Filmer à tout prix - Bruxelles
(Belgique). Festival dei Popoli - Firenze (Italie).
FIFA - Montréal (Canada. Objectif doc Paris
(France). Visions du réel - section tendances
(Suisse). Milano Doc Festival (Italie). Faito doc
Festival (Italie), Les écrans documentarys Arcueil (France), 7ème Festival du Film sur l’art
de l’ISELP - Bruxelles (Belgique), Le mois du
film documentary (France)- Astra Film Fest Sibiu (Romania)
Prices Prix "Brouillon d’un rêve" Honourable mention of the
Young Jury - Prix Danube 2007 - 19th International
Television Festival - Bratislava (Slovak Republic)
Diffusions 2,3,4 octobre 2006, 18,19,20,22 septembre 2007 Images
Plus - Epinal; 24 janvier 2007 Projection de la SCAM Brouillon d’un rêve - Paris. Cinemambiente International
Environmental Film Festival (Torino) Italie
www.bobverschueren.net
www.cinergie.be/critique.php?action=display&id=789&PHPSES
Production
Coproduction
Coproduction
Coproduction
Coproduction
Coproduction
Coproduction
With the support of
With the support of
With the support of
With the support of
With the help of
Distribution
Yenta Production (France)
crossroads media digit
CNC (France)
PROCIREP (France)
Media Programme Technical assistance office (D-And-S )
CGRI (Belgique)
CBA (Belgique)
5
DE BALLETTEN EN CI EN LA
(THE BALLETS HERE AND THERE)
LESFILMSDUPRESENT, VIENS & COBRA FILMS present / presentent
Alain Platel
A documentary written and directed by Alain Platel / un film écrit et réalisé par Alain Platel
les ballets de ci de là
2006
Documentary 110 min
Beta digital 16/9 Color dolby stereo
OV dutch, english, french,... (Sub-titles : french, dutch, english)
choreography: christine de smedt, koen augustijnen, sidi larbi cherkaoui, alain platel
image: samuel dravet, sound: jan déca, assistant: lies vanborm, editing: michele hubinon, executive producer: laurent versini
Coproduction: LESFILMSDUPRÉSENT, VIENS!, COBRA FILMS & ARTE France / Support: centre national de la cinématographie, procirep/angoa & Flanders Image/Flanders Audiovisual Fund
2006 – France / Belgium – 110mn
www.lesballetscdela.be / info@lesballetscdela.be • www.lesfilmsdupresent.fr / contact@lesfilmsdupresent.fr
Editeur responsable: Herwig Onghena, Citadellaan 40, 9000 Ghent, Belgium / layout: kip@pandora.be
Who are the dancers of “Les Ballets C de la B”? Where do they come from? And how do they transcend the world
on stage? A film filled with impressions, focusing on a unique dance compagny. An emotional voyage which allows us to
share the artistic and human adventure of “Les Ballets C de la B”.
Director
Photography
Sound
Editing
Executive production
Cameraman assistant
Alain Platel
Samuel Dravet
Jan Deca
Michèle Hubinon
Laurent Versini
Johan Legraie
Festivals Internationaal Filmfestival van Vlaanderen - Gent
Belgium 20062007: Oslo Ultima Film - Dans for Kamera Norway. Leipzig Euro-Scene - Germany. Berlin
Internationales Tanzfest - Germany. Ferrara Teatro
Comunale - Prime Visioni Festival - Italy. Le Havre Eden
Cinema - France. Paris Vidéodanse Beaubourg - France.
Objectif doc Paris - France. Oldenburg Staattheater Germany. Biarritz - Festival International des
programmes audiovisuel - Doc Market - France.
DOKFEST Munich - Germany. Docville Leuven - Belgium.
Festival de Cannes - Programmation ACID - France. Prix
Henri Storck - hors compétition - Bruxelles (Belgique)
Prices The special award of the Jury - Film Festival of Szolnok
- Hungary
Diffusions Sortie au Flagey - Bruxelles en janvier 2007
Web
http://www.lesballetscdela.be
http://www.lesfilmsdupresent.fr
Production
Coproduction
Coproduction
Coproduction
With the help of
With the support of
With the support of
Les Films du Présent (France)
VIENS ! (C de la B) - Belgique
ARTE France - Unité Spectacles
PROCIREP (France)
CNC (France)
Vlaams Audiovisueel Fonds (Belgique)
Distribution Les Films du Présent (France)
6
LE CERCLE DES NOYÉS
(DROWNED IN OBLIVION)
Pierre-Yves Vandeweerd
2006
Documentary 71 min
HD 16/9 B&W
OV arabic, french (Sub-titles : french, english, dutch)
When the oldest of us understood that our destination would be Fort Oualata, he started to cry. He couldn’t imagine
that some men could send others so far away. (excerpt from the film)
Le cercle des noyés (the drowned men) is the name given in Mauritania to black political prisoners imprisonned
from 1987 in the old colonial fortress of Oualata. This film touches on the fragile process of unveiling memories by one
of these former prisoners who remebers his story and that of his companions. In a visual echo, the places of their
confinement come one after another denuded from any traces of that past.
Director
Script
Script
Direction
Photography
Sound
Editing
Mixing
Translation
Production
Coproduction
Coproduction
Coproduction
With the support of
Coproduction
With the support of
Distribution
Fara Ba
Alain Cabeau
Philippe Boucq
Paul Delvoie
Kano Ndiayo
Festivals En 2006 Work in progress :Etats généraux du film
documentary de Lussas (France),Ecrans documentarys Arcueil (France)Semaine Asymétrique, Polygone étoilé Marseille (France) 2007 :5e édition de Quintessence Ouidah (Benin)57e Festival International de Berlin Forum (Germany)Fespaco - Ougadougou (Burkina
Faso)Les Hivernales du documentary - Feneyrols
(France)Fribourg International Film Festival
(Switzeland)16e Festival du cinéma africain ... - Milan
(Italy)Alba - International Film Festival Infinity - Torino
(Italy)Festival des droits de l’homme - Paris
(France)Festival du film de quartier - Dakar (Sénégal)Dok
Fest - Munich (Germany)Vues d’Afrique - Montréal
(Canada)International Film Festival - Innsbruck
(Austria)Songes d’une nuit DV - Paris (France)Semaine
nationale du film - Nouakchott (Mauritanie)International
Film Festival - Vancouver (canada)12th International Film
Festival of Kerala (Inde)Documentary Film Festival
“Flahertiana” Perm ‘Russia)International Human Rights
Film Festival - Nuremberg (Allemagne)Festival du film
www.cinergie.be/critique.php?action=display&id=788
www.gsara.be/cercle
GSARA (Belgique)
CNC (France)
GSARA (Belgique)
7
MS VOLKERFREUNDSCHAFT
(A SUMMER TOWARD LENINGRAD)
Ulrike Knorr
2005
Documentary 56 min
OV german. (Sub-titles : french, english)
Ulrike Knorr offers us an imaginary stay aboard the MS Völkerfreundschaft, a holiday boat which, up until 1985,
carried meritorious workers, winners of the national lottery, sick people on cures as well as the regime’s privileged ones.
The journey centres on human beings and their stories, people taken off on a historic movement that is above and
beyond them. The cruise brings out all the contradictions of freedom on this boat. It also puts forth the idea of a boat as
a “replica of the GDR”, an island and a world of luxury on foreign seas.
Director
Photography
Editing
Editing assistant
Mixing
Production
Coproduction
Coproduction
Coproduction
Coproduction
With the support of
Distribution
Ulrike Knorr
Ulrike Knorr
Luc Plantier
Elif Uluengin
Magali Schuermans
Festivals Hannovre (Allemagne) 2006
Diffusions ARTE (Allemagne, France) - MDR (télévision germane)
Web
http://www.cinergie.be/critique.php?action=display&id=379
http://www.film-knorr.de
MA.JA.DE Film (Allemagne)
M.D.R. (Allemagne)
ARTE
CBA (Belgique)
8
UN PONT SUR LA DRINA
(A BRIDGE OVER THE DRINA)
COBRA FILMS ET ADR PRODUCTIONS PRÉSENTENT
U N
P O N T
S U R
L A
D R I N A
Xavier Lukomski
2005
D E
RÉ AL IS AT IO N XAV IE R LUKO MS KI
-
IMAGE JO RG E L EO N
-
X A V I E R
ASSI ST ANT IMAG E SÉBASTI EN TRAN
-
L U K O M S K I
MONTAGE MI CHÈL E HUBI NO N
-
UNE PRODUCT IO N DE COBRA F IL MS E N CO PRODUCT IO N AV EC ADR PRODUCTI ONS
AV E C L ’ AIDE DU CENT RE DE L ’ AUDIO V IS UEL ET DU CINÉMA DE L A CO MMUNAUT É F RANÇAI SE DE BEL G I QUE E T DES TÉ LÉDI STRIBUT EURS WAL L ONS , DU CNC E T DU CG RI .
35 MM CINÉMASCOPE
&
L E W IP
Documentary 18 min
35 mm scope color Stereo DTS
OV french (Sub-titles : english)
About the war in Bosnia we remember above all names of cities like Sarajevo, Mostar, Bihac, Tuzla, Gorazde, and a massacre
in Sebrenica.
But we don't remember Visegrad. Because the western media never told about it, as nothing happened there, as Visegrad never
exist.
Visegrad still exist. It 's a city with a bridge in eastern Bosnia. A symbolic and majestic bridge, celebrate in the novel from Ivo
Andric. A bridge like a symbol, a pillory, a mausoleum, like a witness.
Director
Photography
Editing
Cameraman assistant
Xavier Lukomski
Jorge Leon
Michèle Hubinon
Sébastien Tran
Festivals Plus de 50 sélections dont le Festival IDFA & Festival
Amnesty International Amsterdam (NL), Fipa - Biarritz
(FR), Cinéma du réel Paris (FR), Toronto International
Film Festival (CA), RIDM Montréal (CA).
Prices Prix du meilleur court métrage au International
Documentary Film Festival of Navarra “Punto de Vista”.
Mention spéciale du jury à Alba International Film
Festival- Infinity. Premier prix du jury du court métrage
du Festival Documenta Madrid 06 (ES), Mention spéciale
du jury à Dokufest - Prizren (Kosova-Unmik) 06 - 1er prix
du jury à L'Alternativa, XIII Festival de Cinema
Independent de Barcelona, Prix du meilleur documentary
belge au Festival Filmer à tout Prix - Bruxelles. Mention
spéciale du grand jury and mention spéciale du jury
étudiant de Doc en courts de Lyon (FR), grand prix de la
compétition européenne au Festival du Film de Vendome
(FR)
www.cinergie.be/critique.php?action=display&id=790
Production
Coproduction
With the support of
With the support of
With the support of
Coproduction
Distribution
ADR Productions (France)
CGRI (Belgique)
CNC (France)
WIP (Liège)
WIP (Belgique)
9
MAHALEO
Cesar Paes
Raymond Rajaonarivelo
2005
Documentary 90 min
35 mm color stereo dolby sr
OV malagasy and french (Sub-titles : french, english.)
Mahaleo is the most famous band in Madagascar. In Malagasy "Mahaleo" means free, independent, self-sufficient.
The 7 musicians of the band have never fallen into "show-business" despite 30 years of success. They chose to remain
"amateurs" and they dedicate their efforts to a "real" profession aside from the music. They are physician, surgeons,
farmer, lawyer, sociologist or deputy. Driven by yhe strength of their songs and their activities our film will sketch a
portrait of Madagascar today.
Director
Director
Script
Photography
Photography
Editing
With
Sound effects
Cesar Paes
Cesar Paes
Agnès Contensou
Mahaleo
Mahaleo
Festivals Rencontres Cinéma de Manosque (F), Cinéma
du réel (F) FESPACO (Ouagadougou), festival de
films de Fribourg (CH), Festival de cinéma
Africain and d'Amérique Latine (I), Afrika Film
Festival de Leuven (B), Festival Cinémas
d'Afrique d’Angers (F), Festival de Brighton
(UK), dokumentarfilmfestival München (D),
Festival du Film d'Afrique and des Iles (La
Réunion), Festival du cinéma d’attac (B), .....
Prices Prix du public and l’ile d’argent au Festival
International du Film Insulaire de l’île de Groix
(France) 2005, Prix du meilleur documentary
“Regards sue le cinéma du sud” de Rouen 2006
Diffusions Sorties salle : nombreuses salles en France en 2005 +
Madagascar en juillet 2005 - CANAL +
Web
Production
Coproduction
Coproduction
Coproduction
Coproduction
With the support of
With the support of
With the help of
With the help of
With the help of
Distribution
www.mahaleo.com
Laterit Productions (France)
ARTE Cinéma (France)
California Newsreel (USA)
CNC (France)
Fonds Europeen de developpement
Fonds francophone audivisuelle du sud
The Church Development Service (EED)
Canal + (France)
Latérit Productions (France)
10
HARIMANO
Aya Tanaka
2004
Documentary 52 min
OV japanese, french (Sub-titles : french, english)
Yasuo, a politically engaged Japanese teacher, has never stopped his fight, symbolized by the unions slogan, "Let
us never send our children to war", and the rejecting of the two national emblems: the flag and the anthem. By the end
of the sixties, after having participated in students' movements against the japonese alliance with the USA, he was
obliged by the autorithies to leave Harimano, his native village in the mountains of Shizuoka. His ideology, in Japan
considered as radical, has even more divided Yasuo from his origins and from Harimano, a place where medieval
feudalism and a devotion to the imperial authority characterizes the life of the people. Physically and culturally uprooted,
Yasua now perceives difficulties to face the return to his origins. He seems litre a sad man, getting old and succumbing
to alcoholism. Yasuo's daughter, who immigrated to Europe, is looking for her cultural anchors, too. She proposes him a
journey, backwards from Tokyo to Harimano, in order to retrace the thread of his own history and maybe find the
fundaments of his conviction.
Director
Photography
Editing
Sound effects
Aya Tanaka
Valentine Paulus
Michèle Hubinon
Duke Quarcoo
Festivals Filmer à tout prix 2004 (Belgique), Cinéma du Réel 2005
(France), ReSisTaNcEs (France), Festiva (Séoul),
Yamagata (Japon), Festival Escales documentarys de La
Rochelle (France), Festival International du film
documentary de Copenhagen (Danemark). Festival
d’Attac, En compétition au prix Henri Storck, Visions du
réel section “All about me?” de Nyon (Suisse) 2006,
Sardinia international Ethnographic Film Festival 2006.
Festival des cinémas and cultures d’Asie de Lyon
(France) 2006.
Prices Le scénario a obtenu le prix des Ateliers audiovisuels de
la Communauté Frenche en 2001 (bourse AAAPA)
Diffusions Bibliothèques Publiques d’Information (BPI - France) / TV
EBS (Corée du Sud)
Web
www.bpi.fr
mail.gsara.be/fatp/film.php?image=./visuels/ph_compet_belge/H
Production
Coproduction
Coproduction
With the support of
Coproduction
Coproduction
With the support of
With the support of
Distribution
Triangle 7 (Belgique)
VOI-Senart (France)
CGRI (Belgique)
CBA (Belgique)
11
CORRESPONDANCES
(CONNECTIONS)
Caroline D'Hondt
2004
Documentary 56 min
OV french, spanish (Sub-titles : french, english, spanish)
"Correspondances" is a quest, a journey that is based on the meetings between men and women, in the depths of
the subways of two cities: Mexico D.F. and Brussels. The film concentrates on elderly people, on their place in society,
their dreams, their worries. For although old age is looked upon as a serious illness that must be combated, that is
hidden, or ignored, the fact remains that elderly people have many things to pass on to us: they are our roots, our
memory. Gradually blurring the borders, we go from one subway to the other, from one person to another. Despite the
distances that separate people, they are the same everywhere. The cycles of life are the same all over the world: we are
born, we grow old, then we die. It is the codes that are different.
Director
Photography
Sound
Editing
Cameraman assistant
Sound effects
Caroline D'Hondt
Rémon Fromont
Paul Heymans
Virginie Messiaen
José-Luis Penafuerte
Marc Gallo
Festivals Festival d’Espagne and d’Amérique latine de Bruxelles
(B)- Cinérails à Lille (F) - Festival du film de femmes de
Créteil (F)- Festival Documenta à Madrid (E) - Festival de
film de femmes de Barcelone (E) and de Turin (I)Objectifs Doc de Paris (F), Festival d’Anonimul IFF
(Roumanie)- Festival Songes d’une nuit DV à Paris, Prix
Europa programme Library de Berlin (D), Festival de
Pampelune (E), MEDIMED 2005 (E)
Prices Grand prix de la catégorie C - Prix de Slovnaft - du
Festival Ekotopfilm de Bratislava 2005
Diffusions ARTE - RTBF
Production
Coproduction
Coproduction
Coproduction
With the support of
With the help of
With the support of
Distribution
ARTE
El rayo films (Espagne)
WIP (Liège)
WIP (Belgique)
12
AU-DELÀ
(BEYOND)
Anne Closset
2004
Documentary 74 min
Beta digital 4/3 Color Stereo
OV french
Emin, a twenty-three-year old Turkish youth, fallows the steps of a friend, a brother, a spiritual father, who has gone
away too soon:Jacques, Jaco,Jacob. Between blocked horizons and mad hopes, from the gare du Nord to Brussels, a
hot district, in a cabin near the bridge of the river somewhere in the Haute Savoie mountain, Emin's quest in the same as
that of all those who are eager to leave family, ghetto, neighbourhood, city or country when appression is prevailing
everywhere ...
Director
Photography
Sound
Editing
Sound editing
With
Mixing
Production
Coproduction
Coproduction
Coproduction
Coproduction
With the support of
Distribution
Anne Closset
Anne Closset
Gilles Laurent
Hervé Brindel
Paul Delvoie
Emin Ergün
Anne Closset
Paul Delvoie
Festivals Journées cinématographiques de Carthage (Tunisie) Festival méditerranéen de Bruxelles (Belgique)Objectifs
Doc (Paris)
Diffusions Sortie en salle (Actor’s Studio, Bruxelles Belgique)B.B.T. ( Télévision Bulgarian) Télé-Bruxelles
(Belgique)
Athanor Production (Belgique)
GSARA (Belgique)
B.B.T. (Télévision bulgare)
CBA (Belgique)
13
DE EINDELOZE KARAVAAN
(THE ENDLESS CARAVAN)
Ariane Mertens
2004
Documentary 55 min
OV dutch, french, arabic (Sub-titles : french, dutch, english)
Every summer, more than one million moroccan economic migrants who live and work in wester Europe set off car
to visit their homeland. The Endless caravan is a documentary rod-movie which follows two second-generation
moroccans from the West as they undertake this intensive trip with their families. Along the road, the joys and sorrows of
their personal journeys lead us into the issues at the heart of their existence. Underneath the surface of our traveling
protagonists lingers a deep-roted indentity crisis which confronts them every day of their lives. Both born and raised in
Belgium, they face this struggle in different ways. For them, the annual trip is both a metaphor and a catalyst for a
double-life with one foot in the west and another in Morocco.
Director
Script
Photography
Sound
Editing
Sound effects
Translation
Production
Production
Coproduction
Coproduction
Coproduction
Coproduction
With the support of
Coproduction
With the support of
Distribution
Ariane Mertens
Koen Suidgeest
Dominique Henry
Thierry Tirtiaux
An Francx
Annemie Hendrikx
Rachida Aghallaj
Festivals The 13th annual African Diaspora Film Festival New York
Diffusions Canvas (VRT2), RTBF2, TVE, NMO, 2M (Télévisions)
El rayo films (Espagne)
Kines (Espagne)
VRT Canvas (Belgique)
NMO (Hollande)
Medea Development (UE)
El Rayo Films (Espagne)
14
KINT, DE L’AUTRE CÔTÉ
(KINT, ON THE OTHER SIDE)
Olga Baillif
2004
Documentary 77 min
Beta digital 16/9 Color Stereo
OV french, german, hungarian (Sub-titles : french, english)
In 1965, a few weeks after the crushing og the popular uprising by the Soviets, my mother left Hungrary with her
parents to go to Switzerland. My mother never taught us her native tongue and never spoke much about her life before
her exile. It is as if the past had silenced itself within her. With this film, I'm attempting to undertake a two pronged
journey thought the words of my family and through the present day Hungary. I gather the little things that catch my eyes
and which resound with memories. What happens when one leaves the place of place of one's origin? What survives
through this rupture and what changes?
Director
Photography
Sound
Editing
Sound editing
Sound effects
Olga Baillif
Gil Decamp
Marianne Roussy
Michèle Hubinon
Luc Plantier
Simon Aeschimann
Festivals Fiff 2004 (Festival de Namur), Festival Argos 2004 Bruxelles, Journées de Soleur (Suisse), Objectifs Doc
(Paris) 2005, Festival d’Amiens (France) 2005, MEDIMED
2005 (Espagne)
Prices Mention spéciale du cinéma suisse au 10ème Festival
International du Cinéma de Nyon (Visions du réel) - 2004
Diffusions Sorties en salle en Suisse (Cinéma Genève)TSR
Web
www.fiff.be/xml/OFF__fiche-IDC-8059-IDD-1495-.html
www.journeesdesoleure.ch/sft_40/kat_40/pages/0025.html
Production
Production
Coproduction
With the support of
With the support of
With the support of
With the support of
With the help of
With the help of
With the help of
Distribution
PCT cinéma - Télévision SA (Suisse)
Télévision Suisse Romande
La ville de Genève - département des affaires culturelles
Le département de l’instruction publique de Genève - service des affaires culturelles
Le Fonds Regio
WIP (Liège)
Pour-cent culturel Migros
Une Entreprise SRG SSR idée suisse
PCT (Suisse)
15
LES FILLES EN ORANGE
(GIRLS IN ORANGE)
Yaël André
2003
Fiction 31 min
16 mm color
OV French
The girls in orange is a naïve and didactic film intended dor simple minds. At random, it has:A method for bleaching
gold fish, a way of classifying sexes according to colour of clothes, a formula for making soap bubbles, a way of winding
thread back on its spool, an observation point on roof tops, maxims for line fishing, attempts at dancing in quintuple time,
a theory about up and down, a procedure for communication with palms of hands, a way of singing out of tune, no
conclusion on relationships between men and women.
Director
Photography
Photography
Photography
Photography
Photography
Sound
Sound
Sound
Editing
With
With
With
With
With
With
Mixing
Yaël André
Franck Olivier
Gilles Dravet
Gilles Lechantre
Tommaso Fiorelli
Frédéric Mainçon
Eugénia Savoini
Marie Verwacht
Nathalie André & Rosalie
Will Vande
Anissa Rouas
Boris Lehman
Catherine Evrard
Didier Leemans
Gilles Lechantre
Jean-Claude Germain
Jean-Jacques Quinet
Festivals Centre Pompidou Paris, Festival de La Rochelle, Aux
“Instants vidéos” de Manosque, Festival “Argos”
Bruxelles, Festival “Corto Imola” (I), Festival “Paris tout
court”, Festival “Signes de Nuit” - Paris, Festival “Courts
sur cour” de Falicon (F), Festival de Douarnenez
Diffusions Cinema Nova - Bruxelles, Ciné-club Aerschot - Bruxelles,
Majorque.
Web
www.cinergie.be/cinergie/revue73/filles_orange.htm
www.festival-larochelle.org
www.nova-cinema.com/main.php?page=prog/65/04connexions.f
Production Cobra films (Belgique)
With the support of Ministère de la Communauté Française de Belgique
Distribution COBRA Films (Belgique)
16
TU SERAS COMMUNISTE, MON FILS
(YOU SHALL BE COMMUNIST, MY
SON)
Jean-Christophe Victor
2003
Documentary 52 min
Beta digital 4/3 color Stereo
OV french
"In your opinion, why do you think I'm making this film, dad? Well, I don't think your reasons are solely
commercial… You must have professional reasons… The director turns back to his family, and more particulary towards
his father, a militant communist for the past 60 years. Three generations are mixed up together to talk about politics,
commitment and maybe...love.
Director
Script
Direction
Photography
Photography
Sound
Editing
Editing
Sound editing
Mixing
Sound effects
Production
Coproduction
Coproduction
Coproduction
Coproduction
With the support of
With the support of
With the help of
Distribution
Marina Barte
Marina Barte
Benoït Alavoine
Patrick Bouquet
Katrina Heaulme
Didier Langlade
Jacques Clisse
Guillaume Boennec
Festivals Vues sur les docs à Marseille (France)Cinéma du réel à
Paris (France), Cinémaginaire d’Argelès (France),
Cinéma d’Europe à Nice (France), Montréal (Canada),
Ismalia (Egypte), Amiens (France), Arrêt sur image de
Bruxelles (Belgique) - Filmer à tout prix 2006 (Bruxelles)
Hors compétition
Diffusions RTBF (Belgique) - FR3 (France) - TSR (Suisse)
Clarence Films (France)
France 3 Méditerranée
CNC (France)
Région Provence Côte d'Azur
Clarence Films (France)
17
CHANTS DE SIMPLIFICATION
(SONGS OF SIMPLIFICATION)
Renaud De Putter
2002
Documentary 42 min
OV French
The caracter appaers as a being of an ambiguous sex. He sings a song about the ambivalence of his desire. It's the
beginning of a slow metamorphosis leading him, through nocturnal wanderings, closer to his truth.
Director
Photography
Sound
Editing
Sound effects
Sound effects
Production
Coproduction
Coproduction
Coproduction
With the support of
With the help of
With the help of
Distribution
Renaud De Putter
Daniel Leon
Boris Van der Avoort
Johann Jacob Froberger
Renaud De Putter
Festivals RIFF (Rome) 2005
Diffusions RTBF (Belgique), Théatre des Tanneurs en 2002
(Belgique)
Le Bureau des Arts (Belgique)
Fondation Spes
Service de la Musique de la Communauté Française de Belgique
CBA (Belgique)
18
RACINES LOINTAINES
(FARAWAY ROOTS)
2002
Documentary 75 min
Beta digital 16/9 Color Dolby SRD
OV Arabic, french (Sub-titles : french, english)
I travelled across Mauritania to find a tree that I saw from my window in Belgium. It wasn't a mythical tree, but rather
one that could be anywhere. On my way, I met men and women who shared their perception of this quest and in doing
so, in a roundabout way they shared some of their visions of the world and of existence. For some, my tree was the sign
from the spirits, of the invisible or a call from light. For others, it was the symbol of a history, a culture or the end of a
period in time. For yet others, it was a tree that you see only when you get lost... This documentary film, Far away roots,
is a poetic journey in search of elsewhere and in search of the other ways of thinking. It's also the story of an unfinished
love for a women who stayed behind...
Director
Photography
Photography
Editing
Sound editing
Mixing
Philippe Guilbert
Philippe Jadot
Philippe Boucq
Jean-Luc Fichefet
Jean-Luc Fichefet
Festivals Festival du film de Sainte Livrade 2003 - FESPACO
(Burkina Faso)- Vues d’Afrique (Canada) - Munich
(Allemagne) - Lussas and Gentilly (France) - Festival
documentarys sur grand écran de Paris (France)Etats
généraux du film documentary de Lussas (France) 2006 Rencontres cinéma du réel à l’imaginaire - Manosque
(France) 2007
Prices Premier prix RECIDAK aux rencontres
cinématographiques de DAKAR 2002
Diffusions RTBF (B) - Forum Cinéma, sorties en salle à Dakar, Thiès
and Tambacounda. Cinéma des cinéastes (Paris)
Web
www.cfwb.be/av/KIOSK/HTM/FILMS/Fracinelointain.htm
www.lussasdoc.com/etatsgeneraux/2003/fiche_film.php4?id=61
Production
Coproduction
Coproduction
Coproduction
With the support of
Coproduction
With the support of
With the support of
With the help of
Distribution
GSARA (Belgique)
Twins
WIP (Liège)
DGCI
Province de Namur
WIP (Belgique)
19
ARBRES
(TREES)
Marc-Antoine Roudil
Sophie Bruneau
2001
Documentary 50 min
35 mm color Stereo Dolby SR
OV French or english
Arbres (Trees) is the story of the tree and trees. It begins with the Origins and then embarks upon a journey
through the world of the tree and the trees of the world. The film reveals the huge differences and slight similarities
between the tree and Man, investigating the fascinating idea that, amongst plants, the tree fulfils the role played by man
in the animal kingdom. Arbres is a voyage through a new dimension of the time and space, in which we meet trees that
talk and walk, that are sometines shy and sometime crazy ... Arbres will challenge some received ideas, starting with the
premise that though we often notice the animals that run along a tree's branches, we rarely notice the tree itself.
Director
Director
Photography
Sound
Sound
Editing
Sound editing
Mixing
Coproduction
Production
Production
Coproduction
Coproduction
Coproduction
Coproduction
Coproduction
Coproduction
With the support of
With the help of
With the help of
With the support of
Distribution
Marc-Antoine Roudil
Sophie Bruneau
Antoine-Marie Meert
Benoit Bruwier
Marc-Antoine Roudil
Philippe Boucq
Etienne Cruchod
Philippe Baudhuin
Prices Médaille de bronze au grand prix international du
documentary de Monte-carlo - 2002
Diffusions RTBF (B), ARTE (F), YLE TV (Finlande),CHANNEL 9
(Thaïlande), Canal Plus (Scandinavie), Sorties en salles
Bruxelles, France, Canada
Web
www.lalibre.be/article.phtml?id=5&subid=105&art_id=50726
Ciné Manufacturé
ARTE
Télévision Suisse Romande
Docstar
IRD - Institut de Recherche pour le Développement
WIP (Liège)
CNC (France)
PROCIREP (France)
Ministère de l'Aménagement du territoire et de l'Environnement - France
Editions Montparnasse DVD
Distributions salles: Bodega FIlms/ Alter Ego Films
20
L’AUTOMNE D’UNE NOUVELLE VIE
(THE AUTUMN OF A NEW LIFE)
Vitali Kanevski
2001
Documentary 55 min
35 mm color stereo
OV russian (Sub-titles : french)
At the Duma in Moscow, adolescents learn - through small televised reports - from deputies themselves, in which
country they are going to live and what the future holds for them. The answer is broadcast to homes for abandoned
children, women's prison where young mothers live with their children, a guest house for young war invalids from
Chechnya, the circus school for children. Through song and poetry, Vitali Kanevski attempts to answer these questions.
Director
Photography
Sound
Editing
Production
Coproduction
Coproduction
Coproduction
Coproduction
Coproduction
With the support of
With the help of
Distribution
Vitali Kanevski
Vladimir Presnyakov
Vladimir Goldimir
Vera Uragaeva
Festivals RIFF de Rome (Italie) 2005
Diffusions RTBF (Belgique) - TELEPIU (Italie)- YLE/FST (Finlande)
Télépiu (Italie)
YLE/FST (télévision finlandaise)
Fonds pour la Création Musicale (Paris)
Cobra Films (Belgique)
21
L’HOMME À MOITIÉ DÉGELÉ
(THE HALF FROZEN MAN)
Daniel De Valck
Anne Deligne
2001
Documentary 60 min
OV russian (Sub-titles : french & english)
A film in the shape of a series of musical promenades and encounters with children from the music schools of
Tomsk, a small town on the banks of the Tom, a place of ice-covered pavements and traditional houses with ornately
carved decoration. A film in the shape of conversations with deportees and the descendants of deportees, who - from
Dostoyevsky to the Decembrists, Solzhenitsyn to Shalamov - have, when we look just beneath the surface, left a deep
imprint on Siberian society.
Director
Director
Photography
Photography
Sound
Sound
Editing
Anne Deligne
Daniel De Valck
Dominique Henry
Rimvydas Leipus
Bruno Diliberto
Vincent Somers
Michèle Hubinon
Festivals Filmer à tout prix (Belgique) - Festival de Gentilly
(France)
Prices Prix audiovisuel de la SCAM 2003
Diffusions RTBF (Belgique)Mardis documentarys de la Scam au
petit théaltre Mercelis, le 6 décembre 2005
Web
www.cinergie.be/cinergie/revue63/homme_degele.htm
www.cinergie.be/cinergie/revue53/homme_degele.html
Production
Coproduction
Coproduction
Coproduction
With the support of
With the help of
Distribution
Fonds pour la Création Musicale (Paris)
CBA (Belgique)
22
UN PASSEPORT HONGROIS
(ONE HUNGARIAN PASSPORT)
Sandra Kogut
2001
Documentary 60 min
Beta digital 4/3 color Mono
OV hungarian, english, portuguese, french (Sub-titles : french)
A Brazilian filmmaker, living in Paris for ten years, decides to trace back her distant Jewish and Hungarian origins
by following, in reverse, the journey her grand-parents undertook in 1937, from Budapest to Rio. Parallel to her
grand-mother's tale, she researches Brazilian and Hungarian archives, digs up treasures, questions her family in Rio
and Budapest. She wants to obtain the Hungarian nationality her grand-parents lost. This administrative request, this
political and historical plight, brings about essential questions on borders, cultural indentity and multiplicity.
Director
Photography
Photography
Photography
Sound
Sound
Editing
Editing
Sound editing
Mixing
Sound effects
Sound effects
Production
Coproduction
Coproduction
Coproduction
Coproduction
Coproduction
With the support of
With the help of
With the support of
With the help of
With the help of
Distribution
Sandra Kogut
Florent Jullien
Florian Bouchet
Sandra Kogut
Florent Jullien
Yolande de Carsin
Monica Almeida
Sandra Kogut
Gilles Marchesi
Marcello Maia
Gilles Marchesi
Papir Iz Dokh Vais
Yah Ribon
Prices Prix du meilleur film documentary à la semaine du
cinéma hungarian à Budapest, Mention spéciale au
festival “It’s all true” - Sao Paulo, Grand prix - section
vidéo- du festival international de Split- Croatie.
Diffusions RTBF (Belgique), ARTE (France)
Hunnia Filmstudio (Hongrie)
CICV - Pierre Schaeffer
ARTE
CNC (France)
PROCIREP (France)
Ministère de la culture et de la communication (département des affaires Internationales) - France
Ministère des Affaires Etrangères - France
23
BOMA-TERVUREN, LE VOYAGE
(BOMA-TERVUREN, THE JOURNEY)
Francis Dujardin
2000
Documentary 54 min
OV French
The extraordinary and tragic saga of 267 congolese, brought to Brussels for the 1897 World's Fair. After some four
months of travel towards Belgium, they are exhibited before a million visitors. Subjected to the crushing gaze of the
"Whites" and the cold climate many fall prey to disease ... some lose their lives. The dead were hastily dispatched in a
common grave, sparking a fierce debate in Belgian society. The project was overblown, but necessary in the eyes of the
first coloni-sers, who presumed to have tamed the far-flung savages ... One hundred years later, Congolese compatriots
return to the scene of these events and question the "Whites" of today on the incredible story of that "human zoo". They
carry out the ritual of "a return to the earth" by way of reparation for too great a hurt ... A film that revisits a century of
stereotyped conceptions about the Africans. And running through it, the almost aching question: "How is today
different?"
Director
Photography
Sound
Editing
Francis Dujardin
Louis-Philippe Capelle
Marc Engels
Eva Houdova
Festivals Cinéma indépendant de Bruxelles (Belgique)Racines
noires - Paris - 2002 (France)Deutsches Filmmuseum
Africa Alive Festival 2006
Prices Festival International de Genève "Média Nord-Sud" (CH),
Festival international de Bruxelles (B)
Diffusions RTBF, VRT, Canal+ (Belgique), Histoires (France), TSR
(Suisse), Historia (Canada), MTV3 (Finlande)
Web
www.cinergie.be/cinergie/revue59/boma.html
www.cfwb.be/av/KIOSK/HTM/FILMS/Fboma.htm
Production
Coproduction
Coproduction
Coproduction
Coproduction
With the support of
With the support of
With the help of
Distribution
Triangle 7 (Belgique)
WIP (Liège)
Délégation de la Communauté française de Belgique à Kinshasa
WIP (Belgique)
24
EN ATTENDANT LA RÉVOLUTION
(WAITING THE REVOLUTION)
Xavier Villetard
2000
Documentary 60 min
OV russian (Sub-titles : francais)
He likes women, bicycles and memories of the days long gone by. His downtown Moscow apartment is one of the
verge of being put on the market. His impending eviction merges with the great uphaeval shaking contemporary Russia.
Can 70 years of Communism be erased by a market economy? Has the revolution been entirely swept aside? Is there
anything worth saving? For over one year, these questions run trough Micha Zaitsev's mind. This film is his personal
diary.
Director
Photography
Editing
Mixing
Sound effects
Production
Coproduction
Coproduction
Coproduction
With the support of
With the help of
With the support of
Distribution
Xavier Villetard
Jean Max Bernard
Marie-Pomme Carteret
Michel Gossens
Léo Merie
Festivals Vues sur les docs de Marseille (France)
Diffusions RTBF (Belgique) - Image Plus Epinal (France)
Vaya Films (Paris)
CNC (France)
PROCIREP (France)
Vaya Films (France)
25
L’ORIENT À PETIT FEU
(LITTLE BY LITTLE THE ORIENT)
Jacques Debs
2000
Documentary 60 min
Beta digital 16/9 color stereo
OV arabic, hebrew (Sub-titles : french)
The country of Jacques Debs, lebanon, has been at war for the past twenty-five years. The peoples of the Near
East have been tearing each other apart for nearly a century. Haunted by hatred, the director looked for anather East,
one which is not talked about, muffled, intimate; one which simmers in the kitchens and loses itself in a labyrinth of
identities ... A man and five women reveal to us the relation between the East and cooking and hospitality. Cooking may
be a source of alienation, a hindrance to freedom, but also a source of enjoyment, happiness and the pleasure of giving.
This film is a journey in four Near East countries at war: Lebanon, Syria, Israel and Palestine. A pilgrimage to discover
lost happiness...
Director
Photography
Sound
Editing
Production
Coproduction
Coproduction
Coproduction
With the support of
Distribution
Jacques Debs
M.A. Batigne
Jean-Louis Garnier
Christine Benoît
Festivals Festival méditéranéen, Rencontres cinéma de Gindou
Diffusions ARTE (France), RTBF (Belgique), En salle à
l’Arenberg-galeries
La Sept ARTE (France)
ADR Produtions (France)
26
LA PARENTHÈSE & LE RETOUR EN
BOHÈME
(THE TIME OUT AND THE RETURN
T
O Houdova
BOHEMIA)
Eva
2000
Documentary 60 min
Super 16 mm (Beta dig) 4/3 color stereo
OV czech (Sub-titles : french, english)
1985, ice skaters skating in a sports centre in Brussels and smiling towards the camera. They are called Lida, Jiri,
Martin, Eva, Jan and Lucy. They all have one thing in common: they have left their fatherland. Czechoslovakia, in 1968,
in the confusion which fallowed the invasion of the country by the Soviet troops. In 2000-2001. fifteen years later. Eva
Houdova, the film director, takes up her camera again to film "the Time out and the Return to Bohemia". She goes back
to the Czech Republic, where she takes with her her emigrant companions as filmed in 1985. The return to their own
country is the subject of the film which raises a double question: where do those who left the country draw their strength
from to live in exile and how do those who decided to stay live under the oppression of a totalitarian regime? And as
they return to their country, they wish to see themselves again as "being Czech". However, their return is like time out
from their life in exile. After that, History will again take its course...
Director
Script
Direction
Photography
Sound
Sound
Editing
Cameraman assistant
Cameraman assistant
Sound effects
Production
Coproduction
Coproduction
With the support of
Distribution
Eva Houdova
Pierre Mathias
Eva Houdova
Rimvydas Leipus
Cosmas Antoniadis
Jan Storek
Ariane Mellet
Antoine Struyff
Manu Dacosse
Léo Merie
Festivals Festival du Cinéma du Réel à Paris (France)
Diffusions RTBF (Belgique)
Web
www.cinergie.be/revue47/tournage.html
www.cinergie.be/grosplan.html#2
CBA (Belgique)
27
SAUDADE DO FUTURO
Marie-Clémence Paes
Cesar Paes
2000
Documentary 94 min
35 mm color stereo dolby SR
OV portuguese (Sub-titles : french or english)
The rythms and rythms of the "cantadores" those troubadours from Northeastern Brazil will tell us the beat of Sao
Paulo. Journalist or simple maid, director of an art gallery or home builder, the northeastern immigrants bring us to
sketch a portrait of Sao Paulo, one of the live biggest towns in the world. Or how, in Sao Paulo, the traditional culture of
Northeast Brazil is about to become the urban culture of the future. "With or without a friend. At Sao Paulo I feel my best.
We the passants hall-cast. Travel far from the Northeast. Tho Sao Paulo steels your shirt. You can rise out the dirt"
Director
Director
Photography
Sound
Editing
Editing
Sound effects
Sound effects
Cesar Paes
Marie-Clémence Paes
Cesar Paes
Joao Godoy
Agnès Contensou
Cesar Paes
Fabio Freire
Thomas Rohrer
Festivals Festival de Rio, Festival de Soa Paulo, Festival de
Fribourg, Festval de La Rochelle, Festival de Lussas,
Festival de Montréal, Festival de Vancouver, Festival
d’Oslo, Festival de Nantes, Festival de Bruxelles, Festival
d’Amsterdam, Festival de Lisbonne, ...
Prices Grand prix du public aux rencontres internationales de
cinéma à Paris, Mention au Festival du réel à Paris
Diffusions Salles en France
Web
www.saudadedofuturo.com
Production
Coproduction
Coproduction
Coproduction
Coproduction
Coproduction
Coproduction
With the support of
With the support of
With the support of
With the support of
With the help of
With the help of
With
the help of
Distribution
LX Filmes
AF cinema e video
MEZZO (France)
Voyage
CCF
CNC (France)
Ministère de la culture et de la communication (France)
Comissao Nacional para as comemoraçoes dos Descobrimentos Portugueses
DDC
Stanley
Thomas Jonhson
Stiftung (Suisse)
Latérit Productions
(France)
28
KTO BOLCHE - LES NOUVEAUX
ENTREPRENEURS RUSSES
(KTO BOLCHE - THE NEW RUSSIANS)
Vitali Kanevski
1999
Documentary 55 min
Beta digital color mono
OV russian (Sub-titles : french, english)
As a young Russian businessman, Micha is experiencing his country's crisis first-hand and he has to flight like mad
to survive. With this purpose in mind, he goes in search of other businessmen to try and convince them either to join a
Businessman's Club or to lend him money. On his journey, we will meet a rich assortment of the new Russian
businessmen, from the "corny" small-fry to the proud successful entrepreneur. A contrasted, poignant portrait of "eternal
Russia" laced with humor.
Director
Photography
Sound
Editing
Production
Production
Coproduction
Coproduction
Coproduction
Coproduction
Coproduction
With the support of
With the support of
Distribution
Vitali Kanevski
Viktor Zoubarev
Sergeï Sinyak
E. Gorckaya
Festivals Festival du film à Locarno (Italie) - Festival de Lussas
(France) - Viewpoint de Gand (Belgique)
Diffusions RTBF, BRTN, (Belgique), ARTE (France), YLE (Filande),
VT4. Sortie en salle : NOVA de Bruxelles (Belgique)
Lichtpunt (Belgique)
ARTE
YLE/FST (télévision finlandaise)
Eurimages
Margaret Seguy (F for Film)
29
L'AVANT GARDE RUSSE, UNE IDYLLE
AVEC LA RÉVOLUTION
(THE RUSSIAN AVANT GARDE, A
R
OMANCE
WICH THE
Alexandre
Krinovos
1999
Documentary 54 min
Beta digital 4/3 color & B/W
OV russian (Sub-titles : french or english)
"Will it be understood some day how we all perished?" wrote in his private diary Nicolaï Pounine, the Russian
avant-garde ideologist. The Russian revolution engendered not only one of the most dreadful totalitarian governements
the world ever experienced, but on the other side one of the graetest discoveries of modern art: the Russian
avant-garde. Specialists all over the world acknowiedge that Russian culture has engraved two remarkable pages in
world art history, icons and avant-garde. Malevitch, Tatline, and Filinou were devoted to the Revolution and the young
Soviet state, but they've been perfidiously betrayed.
Director
Photography
Sound
Editing
Editing
Sound effects
Alexandre Krinovos
Sergey Dubrowsky
Alexey Karpov
Irina Kiselyova
Marina Kucherova
Gennady Banshikov
Prices FIPA d'or Section documentarys de création and
d'essais 2000 à Biarritz (France)
Diffusions RTBF (B), La Cinq (F), DRTV (Danemark), SVT 2 (S),
AVRO (NL), RTP (P), TSR (CH), BBC, Kunstkanaal,
Multicanal - Odisseia, ARD/WDR (D), Les midis du
cinéma le 24 nvembre 2006 au Bozar (B)
Web
perso.wanadoo.fr/fipa/prog/2000/doc_00753.htm
Production
Coproduction
Coproduction
Coproduction
Coproduction
Coproduction
Coproduction
Coproduction
Coproduction
With the support of
With the help of
Distribution
Vesterholt Film & TV (Danemark)
Quadrat Film (Saint Petersbourg)
AVRO (Hollande)
DR-TV Fakta (Danemark)
NRK (Norvège)
SVT (Suède)
YLE-TV1 (télévision finlandaise)
Danish Film Institute
Vesterholt Film et TV (Danemark)
30
PARDEVANT NOTAIRE
(A COUNTRY SOLICITOR)
Marc-Antoine Roudil
Sophie Bruneau
1999
Documentary 72 min
35 mm color
OV french (Sub-titles : english)
Four overlapping cases being handled by a rural law firm in the Haute-Auvergne. The film follows the handling of
twosales transactions, an inventory and a inheritance case. The firm becomes the scene of property and financial deals,
private conversations and secret exchanges, in short, the comedy of human life. The importance of words and the
scrutiny of such details as gestures, attitudes and looks reveal certain ways of the relating to the outside wolrd, notably
in matters of death and money. The painstakingly detailed approach to this closed notarial world allows us to witness a
series of tableaux in several acts, in which the characters ond their behavior seem part of another world, so close to our
own yet so distant, so different from us yet so like us.
Director
Director
Photography
Sound
Editing
Sound editing
Mixing
Production
Production
Coproduction
Coproduction
With the support of
With the support of
With the help of
With the help of
With the help of
Distribution
Marc-Antoine Roudil
Sophie Bruneau
Antoine-Marie Meert
Yves Capus
Philippe Boucq
Benoit Bruwier
Philippe Baudhuin
Festivals Festival International de films documentarys à Jihlava
(Tchéquie) Festival international du documentary de
Marseille (France)
Prices Prix du patrimoine au Festival du Cinéma du réel de
Paris (F), Grand prix du festival de Mannheim (D)
Diffusions Sortie en salle en France en 2004 & 2005
France 2
WIP (Liège)
CNC (France)
Conseil Régional d'Auvergne
PROCIREP (France)
Union Européenne Leader II Haute-Auvergne
Bodega Films (France)
31
VERS LA MER
(TO THE SEE)
Annik Leroy
1999
Documentary 87 min
16 mm B/W
OV german, hungarian, serbian-croatian, rumanian, bulgarian
(Sub-titles : french, german, english)
Vers la mer follows the River Danube from its source in Germany to its estuary in Romania. The film is shot in
lack-and-white, thus moving the landscape and people to a discrete distance from which, through the paradox of fleeting
observation, it brings them closer. Through te way she structures her images and observations, Annik Leroy is also
taking stock of the 20th Century. So many polical movements have shaped and disfigured the face of Europe during this
time. With a glint of melancholy passion, a Viennese café owner remembers the plaintive atmosphere of the
Austro-Hungarian empire. Scenes shot in Vienna's Karl-Marx-Hof tell of the Febuary battles of the early Thirties. Annik
Leroy, uses a long shot to recall the holocaust and mauthausen concentration camp. Vers la mer is a documentary
which evokes contradictory emotions and sensations. The borders between the countries the Danube crosses on its way
to the sea are like thresholds from one form of life to another. On the border between Austria and Hungary it reports
about the fear socialist ideology instilled into the minds and bodies of the local population
Director
Script
Photography
Photography
Sound
Sound
Editing
Mixing
Annik Leroy
Marie Vermeiren
Annik Leroy
Marie Vermeiren
Annik Leroy
Marie Vermeiren
Eva Houdova
Roland Boon
Festivals Festival de Berlin, Festival de Dunkerke, FIFF de Namur,
Festival du nouveau cinéma de Montréal, Rencontres
cinématographiques Le Fresnoy, Festival de Bruxelles,
Festival du film de femmes à Créteil, Mostra
Internationale de films de Dones - Barcelone, Festival
Media 21 - Hanover, Telluride International Film Festival Colorado, Ajijik Festival International de Cine - Jalisco
(Mexique).- Objectif doc de Paris (France) 2005
Prices Prix des écrans documentarys de Gentilly 1999Prix du
meilleur documentary au An Arbor FestivalMention
spéciale au Festival “Filmer à tout prix”, prix Scam du
documentary udiovisuel 2001
Diffusions RTBF (B), H.O.S. (NL), En salles : Freunde der Deutschen
Kinemathek, Fine Art Cinema
Web
www.cinergie.be/cinergie/arch03/mer.html
www.cfwb.be/av/KIOSK/HTM/FILMS/Fdanube.htm
Production
Coproduction
Coproduction
With the support of
Distribution
CBA (Belgique)
32
LE PETIT BOUT DU MONDE
(THE SMALL END OF THE WORLD)
Xavier Lukomski
1998
Documentary 58 min
35 mm color dolby SR
OV french
A visit through the last century utopia land, "le petit bout du monde" takes us along with the industrial but also
delicate rythm of Salin de Giraud, Camargue, chemical production center and living place founded by Ernest Solvay in
1896. In this portrait of a factory-city, of its inhabitants-employees, where the architectural concept comes with social
hierarchy, through memories and gestures, thefilms recalls the Belgian industrialist's vision, and its remains.
Director
Photography
Sound
Editing
Cameraman assistant
Mixing
Production
Coproduction
Coproduction
Coproduction
With the support of
Distribution
Xavier Lukomski
Jorge Leon
Olivier Van Hamme
Michèle Hubinon
Samuel Dravet
Michel Gossens
Festivals Festival de Gentilly - Festival “traces de vies” de
Clermont Ferrand (France), FIFF de Namur (Belgique)
Diffusions RTBF (Belgique), ARTE (France)
Web
www.cinergie.be/cinergie/arch02/bout.html
WIP (Liège)
ARTE
WIP (Belgique)
33
MÉSANGES AUX BOUCLES GRISES
(GREY-CURLED SPARROWS)
Daniel De Valck
Anne Deligne
1998
Documentary 58 min
16 mm color
OV french
This is a film about the conversations that waft around us like smoke in a café… about ineffectual words that
nobody heeds, uttered by an holder generation who represent a large portion of the population in our cities today. This
film takes a look at a generation just starting to emerge : a generation of dynamic and concerned retirees. In their
confiding tones- between two errands in Brussels streets, in the smart tea-rooms of the beaux quartiers,or in the
eateries of the city's less affluent neighbourhoods - we hear them sum up or enlarge upon the day's events with all
savour of the good Belgian cooking.
Director
Director
Photography
Photography
Sound
Sound
Editing
Anne Deligne
Daniel De Valck
Frédéric Decoux
Jean-Marc Vervoort
Cosmas Antoniadis
Marc Engels
Yves Van Herstraeten
Festivals Festival international du film social de Charleroi (B), FIFF
de Namur (B), Semaine du cnéma belge francophone (B)
- Festival “objectif doc” Paris (F), Festival d’Alger
(Algérie).
Prices Prix Europa - Berlin - 1998
Diffusions RTBF - ARTE - La Cinq - TV5. En salle: Nova à Bruxelles Maison de l’Image Strasbourg-Mulhouse
Web
www.cinergie.be/cinergie/arch02/mesanges.html
Production
Coproduction
Coproduction
Coproduction
With the support of
Distribution
ARTE
CBA (Belgique)
34
ZYKLUS VON KLEINIGKEITEN
(CYCLE OF TRIFLES)
Ana Torfs
1998
Documentary 86 min
35 mm B/W stereo dolby SR
OV german (Sub-titles : french, dutch, english)
After 1815 the composer's health degenerated rapidly and his haering worsened so much that he was no longer
able to understand all conversations, so visitors had to make themselves intelligible by writing in notebooks Van
Beethoven always had with him, until his death in 1827. Ana Torfs serene and severe film looks at Van Beethoven's life
through the unique records left in these conversation books. They contain the words that were literally addressed to the
deaf composer during some of the most important phases of this last years; they "conserve" as it were, what happened
all around him. "Zyklus von Kleinigkeiten" (cycle of trifles) provides an insight, albeit literally one-sided, into his every day
life and creates a unique picture of Beethoven in his natural environnement through very stylized and timeless
black-end-white scenes.
Director
Direction
Photography
Sound
Sound
Editing
With
With
With
With
With
With
With
Cameraman assistant
Mixing
Sound effects
Performance
Production
Coproduction
Coproduction
Coproduction
Coproduction
With the support of
With the help of
With the help of
With the help of
With the help of
With the help of
With the help of
Distribution
Ana Torfs
Ana Torfs
Jorge Leon
John Craenenbroeck
Michaël de Nijs
Jurgen Persijn
Bart Meuleman
Bella Wajnberg
George Van Dam
Guy Dermul
Jean Torrent
Nicolas Houyoux
Stanley Duchateau
Jan Ryckaert
Quatuors de Beethoven
quatuor Danel
Festivals Kunstenfestival des arts 1998 - Festival de Rotterdam
1999 - Rencontres internatiobales de cinéma à Paris 1999
- Festival de Sao Paulo 1999 - Rencontres
cinématographiques du Fresnoy 1999 - Filmer à tout prix
Bruxelles 2000 - Film festival “Arsenals” Riga, Latvia
Prices Grand prix du "International festival of new film" de Split
1999
Diffusions En salles : Belgique, Autriche, Hollande, Allemagne,
Suisse
Web
www.cinergie.be/cinergie/arch01/zyklus.html
Balthazar Film (Hollande)
Navigator Film (Autriche)
VZW Storm (Belgique)
Bundeskanzleramt-kunstsektion
Huis "aan de Werf"
A.V. dienst K.U. de Leuven
KunstFESTIVALdes arts
Quatuor Danel
VGC
35
O TESTAMENTO DO SENHOR
NAPUMOCENO
(NAPUMOCENO’S WILL)
Germano Ameida
1997
Fiction 110 min
35 mm color Dolby stereo digital
OV portuguese
Based on a novel by Cape verdean native/author Germano Almeida (considered one of the best contemporary
writers in the Potuguese world), Testamento is an absolute treat for the eyes. Shot in the tiny Cape Verdean city of
Mindelo, off the coast of West Africa, the film unfolds against breathtaking mountains, desert terrain, endless beaches,
and extraordinary light, color and contrast. The story centers around Mr. Napumoceno, the wealthiest businessman in
Cape Verde. His death in 1984 touched everybody in the city of Mindelo-especially his nephew Carlos, who anticipated
inheriting his uncle's business and estate. Unfortunately for Carlos, his uncle's life was full of secrets that were only
revealed in his will and through the tapes he left for his illegitimate daughter, Graca, the surprise heiress to his fortune.
Director
Script
Direction
Photography
Sound
Editing
With
With
With
Sound effects
Performance
Production
Coproduction
Coproduction
Coproduction
Coproduction
Coproduction
Coproduction
With the support of
With the support of
With the support of
With the support of
With the help of
With the help of
With
the help of
Distribution
Germano Ameida
Mario Prata
Fransisco Manso
Edgar Moura
Carlos Alberto Lopes
Luis Sobral
Chico Diaz
Maria Ceica
Nelson Xavier
Tito Paris & Toy Vieira
Cesaria Evora
Prices du meilleur film,meilleur acteur, meilleur scénario au
25eme Festival de Gramado (Brésil). Meilleur film and
meilleur acteur au Festival de Assunption
(Paraguay)Meilleur film au festival de Seia (Portugal).
Prix du public pour le meilleur film au 1er rendez-vous du
cinéma Luso-Brasileiro, vila da Feira - Portugal
Diffusions Sorties en salle au Portugal and au Brésil
Web
www.mostra.org/21/english/films/testamento-i.htm
Francisco Manso Produçao de Cinema e TV
Cineluz Produçoes Cinematograficas, Lda - Brésil
Instituto Caboversiano de Cinema
J.L. Vasconcelos, Lda (Portugal)
Radiotelevisao Portuguesa sa
Gouvernement du Cap Vert
Gouvernement Portugais
Eurimages
Fondation Calouste Gulbenkian
Institut de coopération portugaise
Instituto
Camoes Lda et Fransisco Manso (Portugal)
J.L.Vasconcelos,
36
LE BOUILLON D’AWARA
(AWARA SOUP)
Cesar Paes
1996
Documentary 70 min
35 mm color
OV french, creole, english, taki-taki, hmong, javanese, portuguese
(Sub-titles : french, english)
Awara soup is a kind of stew which contains a little iol from the axara - the fruit of a common palm tree in Guyana that the creoles cook on Easter Monday. The preparing of this dish was a pretext for encounters with the inhabitants in
Mana, a small town of 1.500 inhabitants where 12 languages are currently spoken.
Director
Sound
Editing
Cameraman assistant
Cameraman assistant
Mixing
Sound effects
Cesar Paes
Bernard Oses
Agnès Contensou
Michel Berck
Philippe Greugnon
Nikko
Festivals Festival de Lussas , Sunny side of the doc de Marseille,
Festival cinéma du réel de Paris (France)
Prices Meilleur film ethnographique au festival dei Popoli
Florence (I) Meilleur film sur la culture creole, Vues
d’Afrique de Montréal - Canada, Grand prix du public au
Festival noir tout colors - Guadeloupe
Diffusions RTBF (Belgique), La 7/ARTE (France), RFO, SBS
(Australie), DRE (Allemagne), SFI (Afrique). Diffusion
salles : Suisse
Web
www.laterit-productions.com/ba.htm
Production
Coproduction
Coproduction
Coproduction
Coproduction
With the support of
With the support of
With the support of
With the help of
With the help of
With the help of
With the help of
Distribution
Orstom (France)
CNC (France)
Documentary
Eurimages
Commune de Mana
DRAC Guyane
F.A.S.
PROCIREP (France)
Latérit Productions (France)
37
MATAMATA & PILIPILI
Tristan Bourlard
1996
Documentary 55 min
Beta digital 4/3 color & B/W
OV french, dutch (Sub-titles : french)
In 1950, a Belgian missionary and film fanatic in the Congo authored some twenty films: the "Matamata and Pilipili"
series. These comic heroes, Africa's answer to Laurel and Hardy, were the delight of Congolese movie-goers. Never
viewed outside the continent, the films were to disappear at the close of the colonial périod. Tristan Bourlard has now
recovered the oiginal negatives in Belgium. Fifty years after their creation, this film reveals these hidden gems and tells
their strange story. Matamata and Pilipili are back on the screen.
Director
Photography
Photography
Photography
Sound
Editing
Tristan Bourlard
Frédéric Decoux
Gilles Stassart
Jean-Marc Vervoort
Cosmas Antoniadis
Festivals Festival d’Amesterdam, rencontres cinématographiques
de Dakar, TV films festival Barcelone, Bilan
Ethnographique Paris, Festival du cinéma africono Milan, Festival de Bruxelles, Festival de Gentilly,
Semaine du cinéma belge francophone.
Prices Prix au Margaret Mead Film Festival - New York - 1997
Diffusions RTBF, BRTN, Canal+ (Belgique), Planète Câble (France),
VPRO (Hollande), SBS (Australie)
Web
www.frif.com/new97/matamata_.html
Production
Coproduction
Coproduction
Coproduction
With the support of
With the help of
Distribution
Videocam
MAP-TV Communauté européenne
CBA (Belgique)
38
MON PAYS AU MATIN CALME
(MY LAND OF THE MORNING CALM )
Kamal Dehane
1995
Documentary 52 min
Super 16mm color
OV french & korean (Sub-titles : french, english)
A rare excursion into North Korea, one of the world's last communist countries, as seen through the eyes of a young
woman from Antwerp, of Korean extraction. Belgian by adoption, she returns to the country where she was born and
whose language she never learned. But beyond the subdued stereotypes of everyday life? The filmmaker goes out to
meet the country's men and women. And there where nature and men's lives unfold, there will always be sounds that
break the silence, even in "the land of morning cam" Thanks to Mi Kyong - the interpreter who became the central figure
of the film - we delve a bit deeper into daily existence of these people across the globe, whose singular communist
experience has extended over more than fifty years.
Director
Direction
Photography
Sound
Editing
Mixing
Production
Coproduction
Coproduction
With the support of
With the support of
With the help of
Distribution
Kamal Dehane
Kamal Dehane
Antoine-Marie Meert
Jean-Paul Geal
Rudi Maerten
Jean-François Gosselin
Festivals Festival filmer à tout prix, Internationales Festival
Dokumentar und Animationsfilm, festival Amascultura
Portugal, Festival du film de Bruxelles, Festival du film
de Vues d’Afrique-section information de Montréal,
Festival international du film de Calcutta.
Diffusions RTBF (Belgique)
Plan d’action 16:9 de l'Union Européenne
CBA (Belgique)
39
PAYSAGES CROISÉS
(CROSSED HORIZONS)
Jackie Attala
Chantal Frere
1994
Documentary 31 min
OV french
Blind people meet sighted people in an exhibit whose aim is to question differences and similarities between the
blind and the sighted. Sighted people are placed in a simulated situation close to that of blind people, in an environment
subjected to absolute darkness. Blind people guide them. Their encounter continues outside the exhibit in normal light.
The film takes place alternatively in the light and in the dark. Beyond these relationships, the film aims to look at
prejudice or acceptation of differences – those between blind and sighted people and, more generally, those between
perceptions of reality.
Director
Director
Photography
Photography
Sound
Editing
Mixing
additional sounds
Jackie Attala
Chantal Frere
Frédéric Decoux
Jackie Attala
Cosmas Antoniadis
Philippe Boucq
Paul Delvoie
Christian Coppin
Coproduction GSARA (Belgique)
Distribution
40
TIEMPOS MEJORES
(IN BETTERS DAYS)
Jordi Grau
1994
Fiction 95 min
35 mm color dolby stereo digital
OV spanishe
A nostalgic look at the world of variety shows and the unavoidable passage of time becomes an optimistic comedy
with popular style musical numbers.
Director
Direction
Photography
Photography
Sound
Editing
With
With
With
With
Production manager
Sound effects
Production
Coproduction
Coproduction
Distribution
Jordi Grau
Jordi Grau
Tomas Pladevall
Javier Fernandez
Miguel Rejas
Luis Del Valle
Arturo Fernandez
Milly Carlucci
Toni Canto
Lia Chapman
Eduardo Campoy
Mario Pedraza
Jaume Sisa
Festivals Festival international du cinéma du Caire 1995
Diffusions TVE, Canal +Sortie en salle en Espagne
Cartel (Espagne)
Surf Film (Italie)
Columbia
41
LA SAINTETÉ STÉPHANE
(1961-1986)
(THE SUBLIME STEPHANE)
Gérard Preszow
1993
Documentary 43 min
16 mm color
OV french
Stéphane mandelbaum left behind him numerous and tormented pictorial works. To him drawing came as naturally
as breathing and from childhood he never ceased to portray images of violence. In his frenzied search for an identity,
Stéphane obsessively and repetitively committed to paper anything which came into his head. Being a jew, he used
Yddish in his drawings because of its grafic qualities. He painted portraits of such disquieting and mythical figures as
Pasolini, Rimbaud and Bacon. He painted larger than life images of creatures of the night, as well as a scries of
self-portaits in which he représented himself as deformed and mutilated. During the final two years of his life, Stéphane
was an neighbour of the director, and they met almost daily. Stéphane was murdered at the age of 25.
Director
Photography
Sound
Editing
Mixing
Gérard Preszow
Jorge Leon
Cosmas Antoniadis
Eva Houdova
Gilbert Lantin
Festivals Nuit du cinéma Joseph Plateau AwardsFestival des films
du monde de MontréalRencontres de cinéma
documentary d’Amascultura Portugal 1995, Festival
international de Bruxelles, Festival du film à Ankara Turquie - Objectif Doc de Paris (France) 2005
Prices Grand prix de la région Bruxelloise du Festival Filmer à
tout prix. Prix de la ville de Iasi au festival international
du film sur l’art de Lausanne. Mention spéciale du jury
présidé par Nagisa Oshima au FIPA - 1994
Diffusions RTBF, BRTN (Belgique), ARTE (France)
Web
www.cinergie.be/cfa/s.html
Production
Coproduction
Coproduction
Coproduction
With the support of
Distribution
WIP (Liège)
WIP (Belgique)
42
NIGHT TO L IGHT, A MYSTICAL E XPERIENCE UNDERR THE S ACRED
ROCKS OF METEORA, GREECE
Joao Correa
1993
Opéra filmé 52 min
HDTV
OV english
Night to Light is a tribute to the power of Mozart's final unfinished work of art, Requiem Mass. Inspired by the music,
the man, the spirituality of the work - and the mystery surrounding its composition, Greek conductor Stavros Xarhakos
had a vision. A spectacular performance of the original composition proven to be written by the composer himself within
the last month of his life, enhanced by the awesome setting of Meteora. A natural wonder composed of more than a
thousand fossile rocks rising 300 meters and crowned with tiny monasteries. A forest of heavenly rocks, a divine
landscape which touches the soul with its austere majesty. A mystical experience, Night to Light expresses the
dimension of feelings and sensations associated with Mozart's words, "the night of death and the light that exists after
the dead" A performance which begins in a Greek amphitheatre opposite Meteora on a summer night under a full moon
and ends with the first rays of dawn, Night to light reflects the universality of Mozart's Requiem. Promise for the future,
free from any form of ideology. Night to Light is truly a legacy of hope.
Director
Photography
With
With
With
With
With
With
With
With
Sound effects
Orchestra
Production
Production
Coproduction
Coproduction
Coproduction
Coproduction
Coproduction
With the support of
With the help of
With the help of
Distribution
Joao Correa
Takis Zervoulakos
Algirdas Janutas
Jan Sauer
Leohard Weinmann
The Boys'choir of Plovdiv
The Boys'choir of Vilnius
The Men's choir "Branko
Wolfang Ulmer
Yukashin Savich
Réquiem de Mozart
Stavros Xarhokos - The
Diffusions RTP, ERT-1, France Télévision
Andromeda II
Giorgos Zervoulakos Production
ET1 (Athens)
Greek Film Centre
INA (Paris)
Tetras Lyre (Paris)
4 FM Stéréo (Athens)
Sky 100
Sony Classical
43
LA SOURIS PÉREMPTOIRE
(THE PEREMTORY MOUSE)
Monique Quintart
1992
Documentary 60 min
1 inch 4/3 color
OV french
"A museum like ours is like consulting a family photograph album covering a périod of 600 years" Lucie Ninane was
curator of the Brussels Musée d'Art Ancien for more than 30 years. "Her" museum houses some of the most beautiful
ancient paintings in the world. She takes us on a survey of her favorite works, and makes them seem familiar and alive.
And to Julien (who is 73 years her jounger) she unravels marvelous stories, conveying not only a vast range of
knowledge, but, more importantly, an art of living.
Director
Direction
Photography
Sound
Sound
Editing
Sound effects
Production
Coproduction
Coproduction
Coproduction
With the support of
With the support of
Distribution
Monique Quintart
Monique Quintart
Marie-Jo Jamar
Jean-Luc Fichefet
Thierry D'Haene
Mario Graziano
Jean-Christophe Beumier
Festivals La Mondiale de Québec 1993
Diffusions RTBF (Belgique), FR3 (France)
Web
www.films-graindesable.com/nosfilms/057.html
Grain de sable
France 3 Lille
CNC (France)
CBA/Libération films (Belgique)
44
ALLEMAGNE ALLEMAGNE
(GERMANY, GERMANY)
Peter Fleischmann
1991
Documentary 90 min
16 mm color mono
OV german (Sub-titles : french)
Peter Fleischann, a German film director, goes back to the shhooting places of his fiction films. He rediscovers his
country and goes in search of his people. He aims at capturing a feeling expressed at a time in hostory that is marked by
one of its most decisive turning points: reunifcation.
Director
Photography
Photography
Photography
Sound
Sound
Editing
Direction assistant
Production
Coproduction
Coproduction
Distribution
Peter Fleischmann
Philippe Constantini
Klaus Müller-laue
Dieter Vervuurt
Guenther Knon
Pascal Fleischmann
Christian Virmond
Volker Schaner
Diffusions BRTN (Belgique), La sept/ARTE, FR3 (France)
SWF (Allemagne)
SWF (Allemagne)
45
SANGO NINI? QUOI DE NEUF?
(SANGO NINI? WHAT’S NEW?)
Daniel De Valck
Anne Deligne
1991
Documentary 52 min
16 mm color
OV french (Sub-titles : dutch)
Flying over the city's roofs the voice of an African storyteller takes us from one encounter to another in the everyday
life of Brussels Zairians. In Northern "Matongué" they search continuously for their country through music, colors and
words. By successive touches a mosaic of faces and silhouettes is filling the quietness of the district. They live with us,
they walk in our streets. They dream in our walls. However, our eyes rarely meet.
Director
Director
Photography
Photography
Photography
Photography
Sound
Editing
Sound effects
Sound effects
Anne Deligne
Daniel De Valck
Antoine-Marie Meert
Claude Goldmann
Luc Berlot
Luc Bonduelle
Anne Deligne
Emilien Sanou
Henri Greindl
Festivals Festival international des films de cultures noires de
Paris, Festival panafricain du cinéma and de la tv de
Ouagadougou, 1st festival of first films de
BratislavaFestival du film de Strasbourg, Vues d’Afrique
Prices "Vue sur les docs" de Marseille, Festival “filmer à tout
prix” de Bruxelles, Mention à Amascultura de Amadora
Diffusions RTBF, Lichtpunt (Belgique) - La Sept/ARTE (France)
Coproduction Centre Bruxellois de l’Audiovisuel (Belgique)
Distribution CBA (Belgique)
46
MUSIQUES DU CINÉMA EUROPÉEN
(MUSIC IN EUROPEAN FILM)
Joao Correa
1990
Hommage au cinéma européen and aux musiques de films 58 min
HDTV
OV french, portuguese, german, italian, dutch
The film pays homage through new technology to traditional European cinema (35mm black and white and colour).
This documentary invites the général public to discover European High Definition technology, digital sound and a
particularly well defined image on larger and more rectangular screens. "Music in European Film" revolves around the
musical themes of films by major European composers and directors. The Lisbon "Nova Filamonia" orchestra conducted
by Antoine Duhamel was filmed by Joäo Correa during the rehearsals and the gala public concert marking the closure of
the European Cinema and Television Year (ECTVY) in november 1989. In an original and personal montage, the
director has inserted silent extracts from famous films showing many actors and actresses familiar to many European
viewers. Amalia Rodrigues, conducted by Alvaro Cassuto, sings themes from well as in Betacam SP 625 lines.
Director
Photography
Sound
Sound
Sound
Editing
Sound effects
Sound effects
Sound effects
Sound effects
Sound effects
Sound effects
Sound effects
Sound effects
Orchestra
Directed by
Directed by
Production
Production
With the support of
With the support of
Distribution
Joao Correa
Fernando Casca
Rui Xisto
Carlos Lima
Carlos Numes
Antoine Duhamel
Peer Raben
Hans-Werner Henze
Nino Rota
Jean Prodromides
Joseph Kosma
Raul Ferrâo
Carlos Paredes
Nova Filamonia Portuguesa
Antoine Duhamel
Alvaro Cassuto
Festivals Festival d’Albertville (France), Festival de Photokina
(Allemagne)
Diffusions RTP (TV portuguesee), France Télévision
RTP (Portugal)
CEE
L’année européenne du cinéma et de la télévision
47
TCHÉCHOSLOVAQUIE, DÉCEMBRE 90
(CZCHOSLOVAKIA, DECEMBER ‘90)
Anne Deligne
1990
Documentary 28 min
Beta SP 4/3 color
OV czech (Sub-titles : german)
This film takes a glimpse of the disatrous conditions in Czech industry after the “velvet revolution”. from Prague to
Bratislava, we meet directors from the first privatised companies.
Director
Photography
Sound
Editing
Voice over
Anne Deligne
Frédéric Decoux
V Hyduk
R Klinkenberg
Diffusions C.I.S.L. - Forum (Vienne)
Coproduction C.I.S.L.
Distribution
48
ZAÏRE, MAÎTRES DES RUES
(VOICES FROM ZAIRE)
Dirk Dumon
1989
Documentary 52 min
16 mm color
OV french, dutch (Sub-titles : french, english, dutch)
In Kinshasa, in Kinsangani, inside shops, bars and work-shops walls have their word to say. It is the language of
advertisement but also that of history, of mythology and social criticism. Masters of the streets such as Samba, Moke,
Syms, Mbuecky and other self-taught painters offer their visions of dream and reality with both humour and malice,
sincerely, on both form and content; an original artistic explosion filmed within its context of social and cultural stir.
Director
Script
Direction
Photography
Sound
Editing
Dirk Dumon
Jean-Pierre Jacquemin
Dirk Dumon
Dieter Van Leemputten
Daniel Pilatte
Gilberte Coenen
Festivals Festival des films des cultures noires de Paris, Vues
d’Afrique (Montréal), Festival de Moscou, Magiciens de la
terre (Paris), FIFF, Filmer à tout prix, Festival de Gand
and de Bruxelles, Fespaco (Ouagadougou), Amascultura
(Lisbonne), Festival de Lyon, Institut french de Séville.
Prices Prix des bibliothèques au Festival du Réel à Paris
Diffusions BRTN, RTBF, Arte, TV5, TF1, TSR, TV Ontario, OY-YLEIS,
TV Galicia, ARCANAL, TV3 Barcelone, VPRO. En salles:
Beaubourg, IFS,Univ de Laval, Northw. Univ. lib Cornell
Univ Mus. Für Völkerkunde
Production
Coproduction
Coproduction
Distribution
CBA (Belgique)
49

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