skinner skinner

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skinner skinner

SKINNER
Auctioneers and Appraisers of Antiques and Fine Art
SKINNER
Fine Musical Instruments
April 29, 2012
Sale 2595B
Boston
SKINNER
Auctioneers and Appraisers
of Antiques and Fine Art
SKINNER
Auctioneers and Appraisers
of Antiques and Fine Art
SKINNER
January/February 1995 Auction Schedule
SKINNER
January/February 1995 Auction Schedule
Fine Musical Instruments
specialist in charge
David Bonsey
508.970.3224
General Inquiries: musicalinstruments@skinnerinc.com
auction 2595B
Sunday, April 29, 2012 at 12 noon
63 Park Plaza
Boston, Massachusetts
preview
Friday, April 27, 2012
9 a.m. to 7 p.m.
Saturday, April 28, 2012
10:30 a.m. to 5 p.m.
Sunday, April 29, 2012
9 to 10:30 a.m.
absentee bidding
Tel: 617.874.4318
Fax: 617.350.5429
Online: www.skinnerinc.com
general inquiries
617.350.5400
View all lots online at www.skinnerinc.com
cover : 86 , frontispiece : 45 , inside back cover : 77 , back cover : 15, 34, 58, 85
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table of contents
1
Auction & Specialist Information
2
Web Site & Online Bidding
4
Provenance
5
Event Information
6
Lots 1-356
115
Glossary of Terms
117
List of Makers
118
Conditions of Sale
119
Absentee Bid Form
120
Company Directors & Specialty Departments
121
Administrative Staff & Client Services
123
Map & Driving Directions
127
Catalogue Subscription Form
Please Note: All lots sold subject to our Conditions of Sale.
Please refer to page 118 of this catalogue for the full terms and conditions governing your purchase.
Copyright © Skinner, Inc. 2012
Proudly printed by
All rights reserved
IT’S
MA/Lic. #2304
OUR
COMMITMENT
5 Almeida Avenue, East Providence, R.I., USA
Toll Free: 866-229-7752
Provenance
Roy Buchanan (1939-1988)
Renowned for his overwhelming tone and beautiful, soulful melody, Roy Buchanan was a highly
influential guitarist whose innovations of picking harmonics, volume swells, and string bending
have become standard techniques of the electric blues guitar. During his lifetime he received
the highest accolades and admiration from some of the world’s great guitarists, including Jeff
Beck, Eric Clapton, Les Paul, and Robbie Robertson. Today, his recorded solos continue to
astonish listeners with their monumental crescendos of technical and creative virtuosity. It
would be impossible to imagine the role of the Fender Telecaster guitar in modern electric blues
without the signature sound that he imparted to this simple instrument. His critical recognition
included two gold records and two more that were on the charts of Billboard magazine. His
immortal version of Don Gibson’s country classic “Sweet Dreams” can be heard at the closing
of Martin Scorsese’s The Departed.
Alvin Kaleolani Isaacs (1904-1984)
One of Hawaii’s best known and loved songwriters and performers, Mr. Isaacs was a multiinstrumentalist who composed more than 300 songs, including “Nalani” which became a
recorded favorite of Nat “King” Cole. Many of his compositions are now popular standards of
Hawaiian music. He was an original member of the “Royal Hawaiians” house band of the Royal
Hawaiian Hotel which supplied the music for “The Voice of Hawaii” radio show on NBC.
4
SKINNER
invites you to a
Reception & Extended Auction Preview
Featuring live jazz from
The Tomoko Omura Quartet,
featuring Glenn and Mark Zalesky
Friday, April 27th, 2012
5:30 Reception/Preview to 7:00 p.m.
SKINNER Boston
63 Park Plaza
Boston, MA
R.S.V.P. to 508.970.3240
Held in conjunction with a preview of Skinner’s
April 29th Auction of Fine Musical Instruments
5
1
2
1.
American Mandolin, Gibson Mandolin-Guitar Company,
Kalamazoo, 1915, Style F-4, labeled ...GIBSON MANDOLIN STYLE
F-4, NUMBER 23707..., length of back 13 in., with later case.
$3,000-5,000
6
additional information and photos at www.skinnerinc.com
2.
American Mandola, Gibson Mandolin-Guitar Company, Kalamazoo,
1923, Style H-2, labeled ...GIBSON MANDOLA STYLE H2, NUMBER
63058..., length of back 15 in., with original case.
$3,000-5,000
3
3
3.
American Electric Guitar, Gibson Incorporated, Kalamazoo, 1957,
Model ES-175, serial number A 26282, width of lower bout 16 in., with
original case.
$6,000-8,000
online bidding at www.skinnerinc.com
7
4
4
4.
American Guitar, Gibson Incorporated, Kalamazoo, 1956, Model
J-45, batch number V501-31, width of lower bout 16 1/8 in., with
original chipboard case.
$3,000-5,000
8
5
5.
Three American Electric Guitars, Gibson Musical Instruments,
Nashville, 2007, Explorer, “Flying V,” and Les Paul 50th Anniversary
guitars in Korina wood, with cases, hang tags, and literature.
$15,000-18,000
9
6
6
6.
Model Les Paul, stamped 891415 at the back of the headstock, with
case.
$3,000-5,000
10
7
7
7.
American Electric Guitar, Fender Musical Instruments, Santa Ana,
1967, Model Telecaster Custom, stamped 204102 on the neck plate,
length of back 15 3/4 in., with later case.
$5,000-7,000
11
8
8
8.
Model ES-350T, serial number 124033, width of lower bout 17 in., with
original case and hang tags.
$4,000-6,000
12
9
9
9.
American Electric Bass Guitar, Gibson Incorporated, Kalamazoo,
1958, Model EB-1, stamped 8 2933 at the back of the headstock,
length of back 19 in., with original case.
$3,000-5,000
13
10
10
10.
American Electric Guitar, Fender Musical Instruments, Fullerton,
1953, Model Telecaster, stamped 3815 at the bridge plate, length
of back 15 3/4 in., with original strap, soft bag, and Fender “Deluxe”
amplifier, 1953.
$17,000-25,000
14
10
11
11
11.
Model Les Paul, stamped 96214 at the back of the headstock, length
of back 15 1/2 in., with original case.
$3,000-5,000
16
12
12
12.
American Harp Guitar, Gibson Mandolin-Guitar Company,
Kalamazoo, c. 1920, Style U Harp Guitar, labeled ...GIBSON GUITAR
STYLE U, NUMBER 20062..., width of lower bout 18 3/4 in., with
original case.
$5,000-7,000
17
14
13
13.
American Guitar, Fred Gretsch Manufacturing Company, Brooklyn,
c. 1956, Model Country Club, serial number 17625, width of lower
bout 16 1/8 in., with case.
$1,800-2,400
18
14.
American Electric Guitar, Fred Gretsch Company, Brooklyn, c.
1971, Model Chet Atkins Country Gentleman, stamped 471059 on
the back of the headstock, width of lower bout 17 3/16 in., with case.
$2,400-3,000
15
15
15.
Rare American Electric Steel Guitar, Gibson Incorporated,
Kalamazoo, 1935, Style E-150, stamped 123 at the top of back,
length of back 13 in., with original case.
$10,000-15,000
19
16
16
16.
American Electric Bass Guitar, Fender Musical Instruments, Santa
Ana, 1966, Model Jazz Bass, stamped 137097 on the neck plate,
length of back 16 3/4 in., with case.
$6,000-10,000
20
17
17
17.
American Electric Bass Guitar, Fender Electric Instruments,
Fullerton, 1957, Model Precision Bass, stamped 13847 on the neck
plate, length of back 16 1/2 in., with later case.
$8,000-12,000
21
18
18
18.
American Electric Bass Guitar, Fender Electric Instruments,
Fullerton, 1957, Model Precision Bass, stamped -22713 on the neck
plate, length of back 16 1/2 in., with “tweed” case.
$9,000-12,000
22
19
19
19.
American Electric Guitar, Fender Musical Instruments, Fullerton, c.
1963, Model Stratocaster, stamped L 22696 on the neck plate, length
of back 15 3/4 in., with case.
$6,000-8,000
23
20
20
20.
Model ES-335, serial number A 30217, width of lower bout 16 in., with
original case.
$20,000-28,000
24
20
21
23
21.
Electric Guitar, Hoshino Gakki, Nagoya, 1979, Model Ibanez Artist,
the cast bronze body built as the centerpiece for the NAMM show,
Chicago, 1979, length of back 16 in., with case.
23.
1965, Model Jaguar, stamped L87293 on the neck plate, length of
back 17 in., with case.
$3,000-5,000
Literature: Ibanez, The Untold Story, by Paul Specht.
$10,000-15,000
22.
American Electric Twelve-string Guitar, Fender Musical
Instruments, Santa Ana, 1965, Model Electric XII, stamped 129397
on the neck plate, length of back 18 in., with later case.
$1,500-2,500
26
24.
American Electric Guitar, Gibson Musical Instruments, Nashville,
1999, Model Jimmy Dean Nascar, stamped JD001 at the back of the
headstock, length of back 22 in., with case.
$2,000-4,000
25
27
25.
2000, Pete Townshend Signature Model Prototype, stamped PTP
007 and signed at the back of the headstock, signed on the body, with
case, literature, certificate, and trial CD.
27.
2005, Model Les Paul Supreme, stamped 01505520 at the back
of the headstock, the gold top autographed by Les Paul, with case,
literature, and original packing carton.
$10,000-14,000
Provenance: Christie’s, Sale 1392, Lot 147, Rockefeller Center.
$8,000-10,000
26.
American Electric Guitar, Charvel/Jackson Guitars, Calamesa,
1985, Model “Phoenix,” designed, built, and painted by Jim O’Connor,
with case.
$5,000-10,000
28.
Model ES-5 Switchmaster, stamped 93116001 at the back of the
headstock, width of lower bout 16 7/8 in.
$4,000-6,000
27
29
29
29.
American Guitar, C.F. Martin & Company, Nazareth, 1936, Style
D-18, stamped D-18, 64862 at the upper block, width of lower bout 15
5/8 in., with period case.
$22,000-28,000
28
29
30
30
30.
American Electric Bass Guitar, Gibson Incorporated, Kalamazoo,
1966, Style EB-2, stamped 844320 at the back of the headstock,
width of lower bout 16 in., with original case.
$1,000-1,500
30
31
31
31.
American Lap Steel Guitar, Oahu Publishing Company, Cleveland,
1938, length of back 14 3/4 in., with original case and inspection tag.
Provenance: Alvin Kaleolani Isaacs, founder of the Royal Hawaiians.
$800-1,200
31
32
32
32.
00-28, stamped 39944 at the upper block, width of lower bout 14 3/16
in., with later case.
$15,000-20,000
32
33
33
33.
000-18, stamped 000-18, 56650 at the upper block, width of lower
bout 15 1/16 in., with case.
$8,000-12,000
33
34
34
34.
American Guitar, John R. Zeidler, Philadelphia, 1994, Jazz Model,
bearing the maker’s signed label, serial number 0724, width of lower
bout 17 in., with case.
$8,000-12,000
34
35
35
35.
American Electric Guitar, Guild Guitars Incorporated, New York,
1953, Style X-500, labeled GUILD GUITARS, STYLE X-500, SERIAL
NO 1016, width of lower bout 16 1/4 in., with original case.
$600-800
35
36
38
36.
American Electric Guitar, Harmony Company, Chicago, c. 1963,
Model Airline Truetone 7230, width of lower bout 15 7/8 in.
$200-300
37.
American Electric Guitar, Harmony Company, Chicago, c. 1956,
Model 1107 Debonaire, the headstock with NATIONAL logo, serial
number X51733, width of lower bout 15 3/8 in., with case.
$600-800
36
38.
American Electric Guitar, Danelectro Corporation, Neptune City,
c. 1957, Model U-1, the headstock with SILVERTONE logo, length of
back 17 3/4 in., with original case.
$400-600
39.
American Guitar, Kay Musical Instrument Company, Chicago, c.
1960, Model P-3, width of lower bout 15 1/2 in., with case.
$150-250
40
42
40.
American Electric Guitar, Guild Guitars, Westerly, 1986, Prototype
Roy Buchanan Model, stamped HK100023 at the back of the
headstock, length of back 15 3/4 in., with case and notarized certificate
of authenticity.
42.
American Tiple, C.F. Martin & Company, Nazareth, 1922, Style
T-18, stamped 17733 at the upper block, width of lower bout 8 7/8 in.
$600-800
Provenance: Roy Buchanan, Jay Abend.
$6,000-10,000
43.
American Baritone ‘Ukulele, C.F. Martin & Company, Nazareth, c.
1960, Style 51, width of lower bout 10 in., with original case.
$600-800
41.
American Guitar, C.F. Martin & Company, Nazareth, 1960, stamped
0-15, 178505 at the upper block, width of lower bout 13 1/2 in.
$600-800
37
44
44
44.
American Electric Guitar, Fender Electric Instruments, Fullerton,
1952/67, Model Telecaster, stamped 0686 on the bridge plate, the
later neck, stamped 93089 on the neck plate, signed on the body,
length of back 15 3/4 in., with later case and article of ownership.
Provenance: Roy Buchanan, Mark Rowley, Rock Star Rentals.
$75,000-100,000
38
44
45
45
45.
American Guitar, C.F. Martin & Company, Nazareth, Style 00-40H,
1929, stamped 38945 at the upper block, width of lower bout 14 1/8
in., with original case.
$10,000-16,000
40
46
46.
American Bass Amplifier, Ampeg Company, c. 1968, Model
Portaflex SB-12, bearing the logo AMPEG on a Plexiglas plate and
AMPEG PORTAFLEX on the control panel, stamped 062767 at the
back of the head, height of cabinet 20 in.
$800-1,200
47.
American Electric Guitar, Gibson Incorporated, Kalamazoo, c.
1972, Model ES-335TD, serial number 120580, width of lower bout 16
in., with case.
$1,500-2,500
48.
Bandura, Probably Portugal, c. 1930, length of back 310 mm, with
mahogany case.
$400-600
49.
American Archtop Tenor Banjo, William Lange, New York, c. 1922,
Paramount Style A, serial number 4305, diameter of head 11 1/4 in.,
with original case.
$400-600
50.
American Archtop Guitar, Kay Musical Instrument Company,
Chicago, c. 1950, width of lower bout 15 1/2 in., with case.
$300-500
51.
00-28G, stamped 0028-G, 125443 at the upper block, width of lower
bout 14 3/8 in., with original case.
$800-1,000
41
52
52.
American Guitar Amplifier, Fender Electric Instruments, Fullerton,
1957, Model Pro-Amp, serial number 503460, height 20 in.
$3,000-5,000
53.
American Archtop Guitar, Kay Musical Instrument Company,
Chicago, c. 1950, Model N2, the headstock with silkscreened
SILVERTONE logo, width of lower bout 15 5/8 in., with case.
$300-500
54.
American Electric Guitar, Rickenbacker Company, Santa Ana,
2001, Model 340 Custom, width of lower bout 15 in., with case.
$2,800-3,400
55.
American Electric Bass Guitar, Rickenbacker Incorporated, Santa
Ana, 1999, Model 4001S, stamped 99, 09080 on the jack plate, length
$1,800-2,400
42
56.
American Five-string Banjo, A.C. Fairbanks & Company, Boston, c.
1890, Model “Electric,” the dowel stick stamped 997, AC FAIRBANKS
& CO, MAKERS, BOSTON MASS and ELECTRIC, diameter of head 11
3/8 in.
$200-300
57.
c. 1968, Model Telecaster, stamped 216502 on the neck plate, length
$1,300-1,500
58.
American Guitar Amplifier, Fender Electric Instruments, Fullerton,
1957, Model Bassman, height 22 in.
Provenance: J. Geils.
$3,000-5,000
58
59.
American Guitar, Epiphone, Kalamazoo, 1969, Model FT-79NT,
“Texan,” width of lower bout 16 1/8 in., with case.
Appraisal: Gruhn Guitars, Nashville, December 7, 2011.
62.
American Bass Amplifier, Fender Musical Instruments, Santa Ana,
1966, Model Bassman, stamped A 19428 at the rear chassis, height
of speaker cabinet 20 in.
$900-1,200
$600-800
60.
C-1, stamped C-1, 50016 at the upper block, width of lower bout 15
in., with later case.
$1,400-1,800
61.
Mandolin, c. 1890, labeled SISTEMA DE MEGLIO, length of body 31
cm, with case.
$100-200
63.
American Guitar Amplifier, Fender Musical Instruments, Fullerton,
1964, Model Twin Reverb, stamped A 02801 on the rear chassis,
production code OD, with two Altec Lansing Dia-Cone 417-8C 12-in.
speakers, height 20 in.
$1,200-1,600
64.
American Drum Set, Slingerland, Chicago, c. 1945, Model Radio
King, the White Pearl finish, the 22 3/4-in. bass drum, the 16-in. floor
tom-tom with engraved “stick chopper” rim, the additional 16-in. floor
tom-tom with cradle stand, the 14-in. snare with engraved “stick
chopper” rim, the 12-in. and 13-in. rack toms with engraved “stick
chopper” rims.
$1,800-2,400
43
66
66
65.
No lot.
66.
Tyrolean Violin, c. 1770, Kloz Family, labeled ...NICOLAUS
AMATIUS..., length of back 355 mm, with case.
Certificate and Bill of Sale: Jacques Français, New York, June 24,
1969.
$7,000-12,000
44
67
67
67.
Modern Italian Violin, Primo Contavalli, Imola, 1928, bearing the
maker’s signed label, and repair label dated 1948, length of back 356
mm.
$12,000-16,000
45
68
68
68.
Italian Violin, c. 1700, School of Andrea Guarneri, possibly
composite, length of back 355 mm, with case.
$15,000-25,000
46
69
69
69.
French Violin, Andrea Castagneri, Paris, 1744, bearing the maker’s
label, length of back 355 mm, with case.
$12,000-16,000
47
70
70
70.
Italian Violin, c. 1800, Ascribed to Pietro Cateni, labeled ANTONIUS
GRAGNANI FECIT, LIBURNI ANNO 1835, length of back 360 mm, with
case.
Certificate: Rembert Wurlitzer Inc., New York, January 14, 1966.
$20,000-30,000
48
71
71
71.
Neapolitan Viola, School of Vincenzo Sannino, c. 1920, labeled
...CAJETANUS SGARABOTTO..., length of back 16 3/4 in. (42.5 cm),
with case.
$12,000-16,000
49
72
72.
Italian Viola, Florentine School, Ascribed to Giovanni Battista
Gabrielli, c. 1750, bearing a manuscript label.
Provenance: Earl L. Hedberg (1915-2003), member of the Boston
Symphony 1956-1982, the Minneapolis Symphony, the Cleveland
Orchestra, and the Gabrielli Trio.
Certificate: William Moennig & Son, Ltd., Philadelphia, April 25, 1956.
$40,000-60,000
50
72
51
73
73
73.
Italian Violin, labeled A GOTTI ALUNNO DI ETTORE SOFFRITI,
FECE IN FERRARA L ANNO 19??, length of back 355 mm, the scroll
probably later, with case and two bows.
$8,000-10,000
52
74
74
74.
Hungarian Violin, Deszö Bárány, Budapest, c. 1900, labeled
...JOHANNES BAPTISTA GUADAGNINI..., length of back 354 mm, with
case.
Certificate: Semmelweis Tibor, Budapest, December 22, 2006.
$8,500-10,000
53
75
75
75.
German Violin, Anton Stauber, Cologne, 1887, bearing the maker’s
label, length of back 356 mm.
$4,000-6,000
54
76
76
76.
Modern Italian Violin, c. 1915, labeled ...ANTONIO MONZINO E
FIGLI..., length of back 357 mm.
$6,000-8,000
55
77
77.
Italian Violin, Stefano Scarampella, Mantua, c. 1910, bearing the
maker’s label dated 1895, length of back 358 mm.
$30,000-50,000
56
77
57
78
78
78.
English Violoncello, Benjamin Banks, Salisbury, 1792, bearing the
maker’s original label, length of back 73.5 cm, with case.
Certificate: Jacques Français, New York, January 10, 1980.
$18,000-22,000
58
79
79
79.
Modern Violoncello, c. 1870, Attributed to Gaetano Chiocchi,
labeled GAETANO CHIOCCHI, FECE IN PADOVA 1870, and stamped
NO 34, G CHIOCCHI, A, A GIOVANNI, PADOVA 1870, length of back
76.1 cm, with case.
$15,000-25,000
59
80
80
80.
French Violin, Paul Kaul, Nantes, 1912, labeled CHENANTAIS-KAUL,
NANTES 1912 NO 42, length of back 359 mm.
$8,000-12,000
60
81
81
81.
Italian Violin, Oreste Martini, Mantua, 1919, bearing the maker’s
$10,000-14,000
61
82
82.
Italian Violin, Paolo Castello, Genoa, c. 1775, bearing the maker’s
original label, the top by Nicola Gagliano, length of back 355 mm, with
case.
Bill of Sale: Faris Brown (for Rembert Wurlitzer), Los Angeles, August
31, 1948.
$25,000-35,000
62
82
63
83
83
83.
Italian Violin, Camillo Mandelli for Leandro Bisiach, c. 1900, labeled
LEANDRO BISIACH, DELLA SCUOLA CREMONESE, FECE IN MILANO
1902, length of back 359 mm.
Certificate: John Rossi, Hicksville, 1998.
$6,000-8,000
64
84
84
84.
Markneukirchen Violin, Paul Knorr, c. 1925, bearing the maker’s
interior brand, length of back 360 mm.
$7,500-9,500
65
85
85
85.
Modern Violin, labeled ...PEDRINELLI..., length of back 357 mm.
$12,000-18,000
66
85A
85A
85A.
American Violin, Henry Richard Knopf, New York, 1925, bearing the
maker’s label and brand at the lower rib, length of back 358 mm.
$2,500-3,000
67
86
86.
Neapolitan Violin, Gagliano Family, Ascribed to Ferdinando
Gagliano, c. 1756, labeled FERDINANDUS GAGLIANO FILIUS,
NICOLAI FECIT NEAP 1756, length of back 350 mm.
Certificates: Emil Herrmann, Berlin, 1932, William Moennig & Son,
Philadelphia, January 10, 1958.
$90,000-120,000
68
86
69
87
87
87.
French Violoncello, Charles Buthod, c. 1800, bearing the maker’s
label, length of back 76 cm, with case.
$5,000-8,000
70
88
88
88.
Violoncello, c. 1766, Probably Milanese, labeled CARLO ANTONIO
TESTORE... and branded internally, the scroll probably later, length of
back 78 cm.
$15,000-25,000
71
89.
French Silver-mounted Violin Bow, Bernard Millant, the octagonal
stick stamped BERNARD MILLANT A PARIS, the ferrule engraved EB,
1947, weight 58 grams.
Bill of Sale: Jacques Français Rare Violins, Inc., New York, June 24,
1969.
$1,800-2,400
90.
Silver-mounted Violin Bow, Heinrich Richard Knopf, the octagonal
stick stamped DODD, weight 59 grams.
$1,400-1,800
91.
French Silver-mounted Violin Bow, Eugene Sartory, the round stick
stamped E SARTORY A PARIS, the frog and adjuster possibly later,
weight 60 grams.
$6,000-8,000
92.
French Silver-mounted Violin Bow, Victor Fetique, the round stick
stamped VTOR FETIQUE A PARIS, the later adjuster, weight 59 grams.
$4,000-6,000
93.
Silver-mounted Violoncello Bow, the round stick stamped EURY,
weight 79 grams.
$1,400-1,800
94.
Silver-mounted Violin Bow, the octagonal stick unstamped, weight 60
grams.
$400-600
72
95.
Gold-mounted Violin Bow, Albin Hums, the octagonal stick stamped
ALBIN HUMS, weight 59 grams.
$600-800
96.
French Silver-mounted Violin Bow, the round stick stamped E
SARTORY A PARIS, weight 61 grams.
$4,000-6,000
97.
Silver-mounted Viola/Violin Bow, William Salchow, New York, 1980,
the round stick stamped SALCHOW NY and 21-80 under the frog,
weight 64 grams.
$800-1,200
98.
French Nickel-mounted Violin Bow, School of Jean Joseph Martin,
the round stick unstamped, weight 56 grams, (without hair).
$300-500
99.
French Nickel-mounted Viola Bow, Jerome Thibouville-Lamy, the
round stick stamped SARASATE EL, weight 70 grams.
$400-600
100.
Silver-mounted Violin Bow, the round stick stamped MODEL TUBBS,
weight 59 grams.
$300-500
89
90
91
92
89
90
91
92
73
101.
English Silver-mounted Violin Bow, Dodd Family, the octagonal stick
unstamped, the pearl frog, eyes, and adjuster, weight 63 grams.
$1,800-2,400
107.
grams.
$300-500
102.
English Silver-mounted Violin Bow, Dodd Family for William
Forster, the octagonal stick and frog stamped FORSTER, weight 47
grams, (with tinsel wrap, without hair).
$1,800-2,400
108.
Three Silver-mounted Violin Bows.
103.
French Silver-mounted Violin Bow, Jacob Eury, c. 1820, the round
stick stamped EURY, weight 56 grams.
$600-800
109.
Nickel-mounted Violin Bow, Bausch Workshop, the round stick
unstamped, weight 49 grams.
$200-300
Certificate: Bernard Millant, Paris, July 10, 2006.
$10,000-14,000
104.
English Gold-mounted Violin Bow, James Tubbs, the round stick
stamped JAS TUBBS, weight 66 grams.
$5,000-7,000
110.
Nickel-mounted Violoncello Bow, the round stick unstamped, weight
72 grams.
$150-250
105.
Silver-mounted Violin Bow, the octagonal stick stamped ERNST
HEINRICH ROTH, weight 51 grams, (without hair).
$300-500
111.
Silver-mounted Violin Bow, Conrad Gotz Workshop, the octagonal
stick stamped CONRAD GOTZ ***, weight 56 grams.
$300-500
106.
Silver-mounted Violin Bow, the round stick stamped GRIMM BERLIN
and DURRO ARTIST, weight 53 grams, (with plain leather grip, without
hair).
$300-500
112.
Silver-mounted Violin Bow, Richard Weichold, the octagonal stick
stamped IMITATION DE TOURTE, weight 58 grams.
$400-600
74
101
102
103
104
101
102
103
104
75
113.
French Ivory-mounted Violin Bow, August Lenoble, c. 1885, the
round stick stamped LENOBLE, weight 57 grams.
119.
Silver-mounted Violin Bow, the round stick stamped CHANOT, weight
56 grams.
$800-1,200
Certificate: Bernard Millant, Paris, July, 17, 2006.
$3,000-5,000
114.
French Silver-mounted Violin Bow, François Jude Gaulard, c. 1840,
the octagonal stick stamped GAULARD, weight 53 grams, (with tinsel
wrap).
$6,000-8,000
115.
English Silver-mounted Violin Bow, Hill Workshop, c. 1905, probably
William Grieve Johnson, the octagonal stick unstamped, the pearl slide
engraved WE HILL & SONS, MUSIC ROOM, weight 60 grams.
$3,000-5,000
116.
French Silver-mounted Violin Bow, Attributed to Pierre Simon, c.
1860, the round stick unstamped, weight 58 grams.
$8,000-12,000
117.
Child’s Nickel-mounted Violin Bow, the round stick stamped
PFRETZSCHNER, weight 57 grams.
$200-300
118.
Three Gold-mounted Bows, including a violoncello bow stamped
VIDOUDEZ GENEVE, (damage to lot).
$400-600
76
120.
grams.
$300-500
121.
Silver-mounted Viola Bow, Vuillaume School, the round stick
unstamped weight 68 grams.
$800-1,200
122.
Child’s French Nickel-mounted Violoncello Bow, Charles Bazin
Workshop, the round stick stamped C BAZIN, weight 70 grams.
$600-800
123.
Silver-mounted Violoncello Bow, the round stick unstamped, weight
73 grams.
$600-800
124.
French Nickel-mounted Violin Bow, Marc Laberte, the round stick
stamped VJ FERRELLI, weight 59 grams.
Certificate: Jean-François Raffin, Paris, June 9, 2008.
$1,200-1,600
113
114
115
116
113
114
115
116
77
125.
English Silver-mounted Violin Bow, James Tubbs, the round stick
stamped JAS TUBBS, weight 57 grams, (with tinsel wrap).
$3,000-5,000
131.
German Silver-mounted Contrabass Bow, the octagonal stick
unstamped, weight 135 grams.
$200-400
126.
French Silver-mounted Violin Bow, Joseph Henry, c. 1855, the
round stick unstamped, weight 60 grams.
132.
Silver-mounted Violin Bow, the octagonal stick stamped EUGEN
ROTH, weight 53 grams, (without hair, missing adjuster cap).
$250-350
$14,000-18,000
127.
French Nickel-mounted Violin Bow, Charles Peccatte, Paris, c.
1885, the round stick unstamped, weight 56 grams.
Certificate: Isaac Salchow, New York, January 19, 2012.
$16,000-18,000
128.
French Silver-mounted Violin Bow, Eugene Sartory, Paris, c. 1920,
the round stick stamped E SARTORY A PARIS, weight 60 grams.
Certificate: Paul Childs, Montrose, April 4, 2009.
$10,000-14,000
129.
Silver-mounted Violin Bow, the round stick stamped CARRODUS,
weight 52 grams.
$300-500
130.
Silver-mounted Violin Bow, the round stick stamped JOHS MONNIG,
weight 63 grams.
$500-700
78
133.
French Silver-mounted Violin Bow, Fetique Workshop, the
octagonal stick stamped VTOR FETIQUE A PARIS, weight 57 grams.
$3,000-5,000
134.
Silver-mounted Violin Bow, the round stick stamped JAS TUBBS,
weight 60 grams.
$800-1,200
135.
French Silver-mounted Violoncello Bow, Roger Lotte, the round
stick stamped ROGER LOTTE, weight 71 grams, (with baleen wrap,
without adjuster).
$600-800
136.
French Ebony-mounted Viola Bow, Adam School, c. 1830, the
round stick unstamped, weight 70 grams, (with tinsel grip).
$1,800-2,400
137.
Pernambuco Log, 7 x 44 in.
$500-700
125
126
127
128
125
126
127
128
79
140
138.
French Silver-mounted Violoncello Bow, Joseph Alfred Lamy, the
octagonal stick stamped A LAMY A PARIS, weight 77 grams.
Certificate: Jean-François Raffin, Paris, March 22, 2006.
$10,000-14,000
139.
Nickel-mounted Violoncello Bow, Knopf Workshop, c. 1850, the
octagonal stick unstamped, weight 80 grams.
$2,800-3,400
140.
French Silver-mounted Violoncello Bow Frog and Adjuster, Eugene
Sartory, the ebony frog with parisian eye, the plain silver adjuster.
$3,000-5,000
145.
English Silver-mounted Violin Bow, W.E. Hill & Sons, the round stick
stamped WE HILL & SONS, (head broken).
$300-500
146.
Ten Pernambuco Violin Bow Blanks, cut to planing dimensions.
$300-500
147.
$300-500
141.
French Silver-mounted Violoncello Bow, Victor Fetique, the round
stick stamped VTOR FETIQUE A PARIS, weight 80 grams.
$8,000-12,000
148.
$300-500
142.
Child’s French Nickel-mounted Violoncello Bow, Roger Lotte, the
$800-1,200
149.
Gabon Ebony Log, 6 x 44 in.
143.
French Nickel-mounted Violin Bow, Eugene Cuniot, c. 1900, the
octagonal stick unstamped, weight 61 grams.
150.
Bundle of Pernambuco Violin Bow Sticks, rough planed,
approximately 22 count.
$200-300
Certificate: Jean-Francois Raffin, Paris, June 22, 2012.
$1,600-1,800
144.
Box of Bows, various makers and mounts, approximately 38 count.
$200-400
80
151.
Bundle of Pernambuco Violin Bow Sticks, rough planed,
$400-800
$200-300
138
138
139
139
141
141
143
143
81
152.
Gold-mounted Violin Bow, Albert Nurnberger, the octagonal stick
stamped ALBERT NURNBERGER, weight 60 grams.
Certificate: Rembert Wurlitzer, New York, February 8, 1955 (photocopy
only), stating that the bow is from the collection of Carl Flesch.
$1,800-2,000
153.
Gold-mounted Violin Bow, Douglas Raguse, the round stick stamped
D RAGUSE A CHICAGO, weight 62 grams.
Certificate and Bill of Sale: Douglas Raguse, Chicago, March 21, 1985.
$2,000-2,800
154.
Silver-mounted Violin Bow, Heinrich R. Knopf, New York, c. 1920,
the round stick stamped HR KNOPF, NEW YORK, weight 59 grams.
$800-1,200
155.
Silver-mounted Violin Bow, the octagonal stick stamped VTOR
FETIQUE A PARIS, the frog probably later, weight 60 grams.
$2,000-3,000
156.
Nickel-mounted Violin Bow, stamped FRED WILFUR, TOURTE,
weight 61 grams.
$200-300
157.
Three Bows, various makers and mounts.
82
$400-600
158.
Silver-mounted Violoncello Bow, Pfretzschner Workshop, the
octagonal stick stamped HR PFRETZSCHNER, weight 81 grams.
$1,800-2,400
159.
German Nickel-mounted Violin Bow, the octagonal stick stamped R
WEICHOLD A DRESDE and IMITATION DE TOURTE, weight 56 grams.
$800-1,200
160.
No lot.
161.
Silver-mounted Violin Bow, the round stick stamped EA OUCHARD
PARIS and PECCATTE, weight 60 grams.
$800-1,200
162.
Silver-mounted Violin Bow, the octagonal stick stamped CHRISTIAN
SUESS, weight 41 grams (without hair).
$800-1,200
163.
Gold-mounted Viola Bow, Joseph Kun, the round stick stamped JOS
KUN OTTAWA, weight 71 grams.
$1,800-2,200
164.
Pernambuco Log, approximately 37 x 9 in.
$300-500
165.
Pernambuco Log, 10 x 40 in.
$800-1,000
152
153
154
155
152
153
154
155
83
166.
Silver-mounted Violin Bow, Albert Nurnberger, the octagonal stick
stamped ALBERT NURNBERGER, weight 61 grams.
$2,500-3,500
167.
French Silver-mounted Violin Bow, Jean Joseph Martin, the round
stick unstamped, weight 60 grams.
$4,000-6,000
168.
French Silver-mounted Violin Bow, Louis Morizot (Morizot Pere),
the round stick stamped F BEUSCHER PARIS, the frog and adjuster by
Roger Francois Lotte, weight 61 grams.
172.
$300-500
173.
Bundle of Pernambuco Violoncello Bow Sticks, rough planed,
$200-300
174.
$300-500
Certificate: Jean-Francois Raffin, Paris, January 9, 2012.
$1,200-1,600
175.
$300-500
169.
Silver-mounted Violin Bow, Heinrich Richard Knopf, c. 1870, the
$3,000-5,000
176.
Eight Rectangular Pernambuco Violoncello Bow Blanks, Lucchi
Meter reading 5300-5479.
$400-600
170.
Thirteen Pernambuco Boards, Lucchi Meter reading 5405-5880.
$400-600
177.
Seven Rectangular Pernambuco Violoncello Bow Blanks, Lucchi
$500-700
171.
Eighteen Pernambuco Violoncello Bow Blanks, Lucchi Meter reading
5274-5655.
$400-600
84
178.
Bundle of Assorted Pernambuco Bow Sticks, rough planed,
$200-300
166
167
168
169
166
167
168
169
85
179.
French Silver-mounted Violin Bow, the octagonal stick stamped
SILVESTRE & MAUCOTEL A PARIS, weight 60 grams.
$1,000-2,000
180.
French Silver-mounted Viola Bow, the round stick unstamped, weight
70 grams.
$1,200-1,800
181.
Silver-mounted English Violin Bow, Dodd Family, the octagonal stick
stamped DODD, weight 60 grams.
$1,000-2,000
182.
French Silver-mounted Violin Bow, Benoit Rolland, the round stick
stamped B ROLLAND A PARIS, weight 57 grams.
$2,000-3,000
183.
$300-500
184.
$300-500
185.
Fifteen Pernambuco Boards, Lucchi Meter reading 5100-5440.
$400-600
86
186.
Two Ebony Billets, dimensions 15 x 4 x 6 and 26 x 4 x 4 in.
$100-200
187.
$300-500
188.
Fourteen Pernambuco Boards, Lucchi Meter reading 5128-5779.
$400-600
189.
Ten Pernambuco Violin Bow Blanks.
$200-400
190.
Eight Rectangular Pernambuco Violoncello Bow Blanks, Lucchi
$200-400
191.
Seven Rectangular Pernambuco Violoncello Bow Blanks, Lucchi
$200-400
192.
Eight Rectangular Pernambuco Bow Blanks, Lucchi Meter reading
5230-5740.
$400-600
179
180
181
182
179
180
181
182
87
193.
German Violin, c. 1890, labeled ...AMATI..., length of back 362 mm,
with case.
$300-500
205.
Modern Violin, labeled ...PIETRO MESSORI..., length of back 355 mm,
with case.
$600-800
194.
French Violin, Pierre Hel Workshop, Lille, 1919, bearing the maker’s
$2,500-3,500
206.
American Violin, O.L. Emmons, Natural Bridge (New York), 1902,
bearing the maker’s label, length of back 358 mm.
$300-500
195.
Violin, c. 1900, labeled ...VENTAPANE PASQUALE..., length of back
354 mm.
$800-1,200
207.
German Violin, c. 1950, labeled ...JOHANN ADAM REICHEL..., length
of back 360 mm, with case and bow.
$600-800
196.
English Violin, c. 1870, labeled GEORGE PANORMO, LONDON and
WH PRIESTLY AND SONS LTD, BIRMINGHAM, length of back 353
mm.
$1,000-1,500
208.
German Violin, c. 1840, labeled FERRIN & KROEPLIN, CHICAGO
USA, 2883, length of back 356 mm.
$800-1,200
197.
German Violin, c. 1900, labeled ...STAINER..., length of back 354 mm.
$200-300
198.
Saxon Viola, c. 1860, unlabeled, length of back 16 3/16 in. (41.0 cm),
with case.
$800-1,200
209.
Violin, c. 1900, Possibly Hungarian, labeled ...GUERNERIUS..., length
of back 359 mm.
$800-1,200
210.
Tyrolean Violin, c. 1780, unlabeled, length of back 355 mm.
$800-1,200
199.
Modern Violin, labeled ...PANIZZI..., length of back 354 mm.
$300-500
211.
Markneukirchen Violin, Ernst Heinrich Roth, 1922, bearing the
maker’s label and interior brand, length of back 361 mm, with case.
$800-1,200
200.
French Violin, c. 1890, J.B. Colin School, unlabeled, length of back
358 mm.
$500-700
212.
English Violin, Kershaw Barrett, Marshlands, 1933, bearing the
maker’s label, length of back 358 mm.
$800-1,200
201.
American Violin, J. Summers, Marion (Indiana), 1965, bearing the
maker’s manuscript label, length of back 355 mm.
$400-600
213.
Markneukirchen Violin, F. & R. Enders Workshop, 1926, bearing the
$600-800
202.
English Violin, Walter Mayson, Windermere, 1884, bearing the
$800-1,200
214.
American Violin, Seorim Swaine, Rochester (New Hampshire),
1917, bearing the maker’s label, length of back 354 mm.
$300-500
203.
Modern Violin, labeled ...BOSSI..., length of back 357 mm.
$300-500
204.
German Violin, c. 1900, labeled ...PAUL SCHWARZ, LEIPZIG 1896,
length of back 362 mm.
$400-600
88
215.
Child’s German Violin, c. 1890, bearing the repair label of O.H. Bryant,
1917, length of back 333 mm, with case.
$100-200
216.
German Violin, c. 1925, labeled ...LORENZO ALARD..., length of back
358 mm, with case.
$300-500
$400-600
229.
Five Violins.
$800-1,200
218.
Modern Violin, Reinhold Schmidt, Saxony, c. 1925, bearing the
maker’s label, length of back 358 mm, with case and bow.
$300-500
230.
Czech Violin, Ladislav Prokop, Chrudim, 1906, bearing the maker’s
$800-1,000
219.
German Violin, c. 1920, labeled ...PEDRAZZINI..., length of back 359
mm.
$600-800
231.
Saxon Violin, c. 1900, branded HOPF at the upper back, labeled
...KLOZ..., length of back 357 mm.
$300-500
217.
Three Child’s Violins.
220.
American Violin, Robert Glier, Cincinnati, 1890, bearing the maker’s
label, length of back 357 mm, with case and three bows.
$300-500
221.
Violin, c. 1870, Possibly French, unlabeled, length of back 358 mm,
with case.
$400-600
222.
American Violin, Milton Wickes, Northampton, 1904, bearing the
$500-800
223.
Modern German Violin, labeled ...MICHAEL UCHNER..., length of
back 357 mm.
$600-800
224.
American Violin, Hilmer Lee, Seattle, 1952, signed on the inside
back, length of back 358 mm.
$800-1,200
225.
German Violin, c. 1930, labeled ...ROCCA..., length of back 355 mm.
$400-600
226.
American Violin, c. 1940, labeled ALBERT LIND, VIOLINS, 1942,
$800-1,200
227.
German Violin, Probably Mittenwald, c. 1820, unlabeled, length of
back 359 mm.
$800-1,200
228.
Modern Viola, labeled ...AZZOLA..., length of back 16 1/8 in. (40.8
cm), with case.
$800-1,200
232.
Tyrolean Violin, c. 1800, labeled ...GASPAR DA SALO..., length of
back 358 mm, with case.
$400-600
233.
Modern German Violin, Gebruder Schuster, Markneukirchen, 1913,
bearing the maker’s label, length of back 357 mm, with case and two
bows.
$300-500
234.
German Violin, c. 1880, labeled ...NEUSTAD KEMPTON, 1826, length
$300-500
235.
Violin, c. 1880, labeled ...JOSEPH ANTONIUS ROCCA..., length of
back 360 mm, with case.
$300-500
236.
Markneukirchen Violin, Possibly Paul Knorr workshop, c. 1925,
branded PK to inside back, length of back 355 mm.
$1,000-2,000
237.
French Violin, c. 1870, labeled ...GEORGE CHANOT..., length of back
357 mm, with case and bow.
$1,000-1,600
238.
Saxon Violin, c. 1800, labeled illegibly, length of back 358 mm, with
case and bow.
$400-600
239.
French Violin, Mirecourt, c. 1890, labeled ...STRADIVARIUS..., length
of back 346 mm.
$600-800
89
240
241
240.
French Tenor Saxophone, Henri Selmer, Paris, 1961, Model Mark
VI, stamped 92249 on the body and neck, with original case.
$5,000-7,000
90
241.
French Tenor Saxophone, Henri Selmer, Paris, 1972, Model Mark
VI, stamped 196679 on the body, with case.
$3,000-5,000
242
244
242.
French Soprano Saxophone, Henri Selmer, Paris, 1977, Model
Mark VI Soprano Sax, stamped 265074 on the body.
$3,000-5,000
244.
French Alto Saxophone, Henri Selmer, Paris, 1936, Model
Balanced Action, stamped 22373 on the body, with later case.
$3,000-5,000
243.
American Soprano Saxophone, Buescher, Elkhart, 1925, stamped
183066 on the body, with case.
$300-500
245.
American Tenor Saxophone, Buescher, Elkhart, 1921, stamped
75150 on the body, with case.
$400-600
91
245A.
Antique Violin Case, W.E. Hill & Sons, London, c. 1910, the oak shell
with blue-green velvet lining.
$150-250
257.
Hill, Alfred, Arthur, and W. Henry, The Violin Makers of the Guarneri
Family, 1980.
$100-150
245B.
Collection of Bridges, European and American Violin Makers,
c. 1840-1980, most stamped from shops in Europe and the U.S.A.,
$200-400
258.
Hill, W.E. and Sons, Stradivari, His Life and Work, 1980.
$100-150
259.
Jalovec, K., Italian Violin Makers.
$80-100
260.
Jalovec, K., German and Austrian Violin Makers, 1967.
$100-125
261.
Menuhin, Yehudi, The Violin, 1996.
$40-60
262.
Millant, R., Vuillaume, Sa Vie et Son Oeuvre, 1972.
$40-60
246.
Beare, Charles, Antonio Stradivari The Cremona Exhibition of 1987,
London, 1993, boxed.
$100-140
247.
Biddulph, Peter, Giuseppe Guarneri del Gesu, London, 1998, boxed in
two volumes.
$600-800
248.
Boyden, David, The History of Violin Playing, 1979.
$30-50
249.
Conservatorio di Musica Luigi Cherubini, Antichi Strumenti, 1980.
$30-50
250.
Draley, Daniel, Genealogy of the Amati Family of Violin Makers, 1989,
No. 452, leather-bound.
$100-200
251.
Ealing Strings, The Retford Centenary Exhibition, 1975.
252.
Flesch, Carl, Violin Fingering, 1966.
264.
Poidras, Henri, Dictionary of Violin Makers, Old and Modern, vol. I and
II, 1930.
$20-30
$80-100
$30-50
253.
Hamma, Walter, Meister Italienischer Geigenbaukunst, 1971.
$150-200
254.
Harvey, Brian, The Violin Family and its Makers in the British Isles,
1995.
$20-30
255.
Henley, William, and Woodcock, C., Universal Dictionary of Violin &
Bow Makers, 1960, (5 volumes).
$100-140
256.
Hill, W.E. and Sons and Huggins, Margaret, Gio. Paolo Maggini, His
Life and Work, 1976.
$30-50
92
263.
Millant, R., and J.F. Raffin, L’Archet, Paris, 2000, in four volumes,
boxed.
$1,400-1,600
265.
Roda, Joseph, Bows for Musical Instruments, 1959, number 2731 of
an edition of 3000.
$80-100
266.
Regh, Joseph, The Art of Bow Restoration, number 148 of an edition
of 1800, 2010.
$300-500
267.
Roda, Joseph, Bows for Musical Instruments, 1959, number 1508 of
an edition of 3000.
$100-150
268.
Saint-George, Henry, The Bow, Its History, Manufacture and Use,
1969.
$30-50
269.
Vatelot, Etienne, Les Archets Français, Vols. 1 & 2.
$800-1,200
270.
Musical Instruments Catalogue, Rare Violins, Violas, Violoncellos...,
part I, Rare Bows for Violin, Viola, Violoncello, Wurlitzer Collection, New
York, 1931.
$100-150
271.
Six Violin-related Books.
$30-50
272.
Four Violin-related Books.
$30-50
273.
Three Books on Violin Performance.
$30-50
274.
Three Violin-related Books.
$30-50
275.
Two Violin-related Books.
282.
Modern German Violin, c. 1925, labeled ...STRADIVARIUS..., length of
back 358 mm, with case and two bows.
$300-500
283.
Child’s German Violin, Probably Neuner & Hornsteiner, Mittenwald,
c. 1900, labeled ...STRADIVARIUS..., length of back 340 mm, with case
and bow.
$200-300
284.
Modern Viola, Roman Teller, Erlangen, 1972, length of back 42 cm,
(16 1/2 in.), with case.
$200-400
285.
Modern German Violin, c. 1900, labeled ...STRADIVARIUS..., length of
back 356 mm, with case and bow.
$200-300
286.
German Violin, c. 1890, labeled ...STRADIVARIUS..., length of back
358 mm, with case and bow.
$300-500
$30-50
276.
Violin, c. 1900, labeled A MONZINO E FIGLI, MILANO VIA RASTRELI
10, PREMIATA LIUTERIA ARTISTICA and ...NICOLAUS AMATI..., length
$800-1,200
277.
Modern Violin, labeled ...BERTOLAZZI..., length of back 355 mm.
$400-600
278.
Saxon Violin, c. 1900, labeled ...STRADIVARIUS..., length of back 355
mm, with case and bow.
$300-500
279.
German Violin, c. 1920, labeled ...ANTONIO CURATOLI..., length of
back 361 mm.
$800-1,200
280.
French Violin, Lyon School, c. 1930, bearing the label CH LE
LYONNAIS, LUTHIER, NANTES AN 1936, length of back 357 mm.
$600-800
281.
Modern German Violin, c. 1910, labeled ...MAGGINI..., length of back
364 mm, with case and two bows.
$300-500
287.
German Violin, c. 1920, labeled ...STRADIVARUS..., length of back
357 mm.
$400-600
288.
Modern Viola, labeled ...ORLANDINI..., length of back 40.5 cm (16 1/2
in.).
$400-600
289.
Modern German Violin, Wenzel K. Fuchs, Erlangen, c. 1970, bearing
the maker’s label, length of back 355 mm, with case and bow.
$400-600
290.
Czech Violin, Juzek Workshop, c. 1920, bearing the maker’s label,
length of back 355 mm, with case.
$400-600
291.
German Violin, c. 1900, bearing a repair label 1952, length of back
358 mm, with case.
$300-500
292.
German Violin, Eduard Reichert, Dresden, 1913, bearing the maker’s
$300-500
93
293.
Czech Violin, Juzek Workshop, c. 1920, bearing the maker’s label,
length of back 356 mm, with case and bow.
$300-500
305.
American Violin, Bert Goodwin, Rochester, 1917, bearing the
$800-1,200
294.
Czech Violin, c. 1920, labeled ...COPY OF GUARNERIUS..., length of
back 358 mm.
$600-800
306.
French Violin, Rene Morizot, Mirecourt, c. 1945, bearing the maker’s
label, no. 884, length of back 362 mm.
$500-700
295.
Modern Violin, labeled JAY HAIDE...EL CERRITO 2010, length of back
353 mm.
$600-800
296.
Markneukirchen Violin, c. 1925, labeled CARLO MICELLI, ANNO
$600-800
297.
French Violin, JTL, c. 1900, labeled ...COPIE DE IOFREDUS CAPPA...,
length of back 357 mm, with case.
$600-800
298.
German Violin, c. 1920, unlabeled, length of back 358 mm.
$600-800
299.
Two American Violins, Workshop of Asa and Ira White, Boston, c.
1840.
$400-600
300.
Two Child’s German Violins, c. 1900.
$400-600
301.
French Violin, Nicolas Workshop, Mirecourt, c. 1900, labeled
...SALZARD..., length of back 360 mm.
$400-600
302.
American Violin, Alexander Ricard, Springfield, 1922, bearing the
maker’s label and interior brand, numbered 217, length of back 356
mm.
$800-1,200
307.
American Violin, c. 1940, labeled ARTHUR LEE ODELL NO 8, FECIT
ANNO 1939, length of back 356 mm.
$400-600
308.
Czech Violin, Prague School, c. 1780, labeled ...VOIGT..., length of
359 mm, with case and two bows.
$600-800
309.
Four Violins, various makers.
$600-800
310.
Markneukirchen Violin, Ernst and Rholand Schiller, c. 1925, bearing
the maker’s label, length of back 358 mm, with case.
$800-1,200
311.
Modern German Violin, E.H. Roth Workshop, Markneukirchen, c.
1965, bearing the maker’s label, length of back 360 mm.
$600-800
312.
German Violin, H.T. Heberlein Workshop, 1926, bearing the maker’s
$400-600
313.
Two Child’s Violins, one French, one German.
$400-600
314.
Modern Violin, labeled ...DE LUCCIA..., length of back 355 mm.
$300-500
303.
Markneukirchen Violin, Kurt Gutter, 1927, bearing the maker’s label,
$800-1,200
315.
Mittenwald Violin, c. 1900, unlabeled, length of back 358 mm.
$300-500
304.
Saxon Violin, c. 1780, labeled ...DALLA COSTA..., length of back 352
mm, with case.
$800-1,200
316.
Four Violins, various makers.
94
$600-800
317.
Four Violins.
$800-1,200
328.
Modern Violin, labeled ...SGARBI..., length of back 358 mm.
$4,000-6,000
318.
American Violin, Andrew Hyde, Northampton, 1908, bearing the
maker’s label, length of back 358 mm, with case.
$1,000-1,500
329.
Italian Violin, c. 1900, Possibly Gaetano Sgarabotto, labeled
...ROGERIUS..., length of back 355 mm, (damage).
$3,000-5,000
319.
Composite Violin, c. 1780, Possibly Italian, labeled ...OBICI..., length
of back 354 mm.
$1,000-1,200
330.
Modern Violin, labeled ...GUERRA..., length of back 358 mm.
$4,000-6,000
320.
French Violin, Justin Derazey, Mirecourt, c. 1880, bearing a facsimile
$1,400-1,800
321.
Violin, c. 1860, Trieste School, labeled ...GIOVANNI DOLLENZ...,
$4,000-6,000
322.
Violin, c. 1900, Possibly Degani School, labeled ...MONTEGNANA...,
$1,800-2,400
323.
Modern Violin, labeled AZZOLA ALOYSIUS, VENETIANUS, FECIT,
AUGUSTAE TAURINORUM, AA ANNO DOMINI 1962, length of back
358 mm.
$2,000-3,000
324.
Violin, c. 1860, Possibly English, labeled WM FENDT JUN, LONDON
$2,000-3,000
325.
French Violin, Jacques Barbé, Mirecourt, c. 1880, branded on the
inside back, length of back 361 mm.
$1,800-2,400
326.
Markneukirchen Violin, Max Schuster, c. 1925, bearing the maker’s
label, length of back 359 mm, with case and bow.
$3,000-5,000
327.
Modern Violin, labeled ...BISIACH..., length of back 350 mm.
$4,000-6,000
331.
Italian Viola, Probably Naples, c. 1880, labeled ...PAULUS
CASTELLO..., length of back 15 7/16 in. (39.2 cm), with case.
$9,000-12,000
332.
Italian Violin, Anselmo Curletto, Turin, 1920, bearing the maker’s
$10,000-14,000
333.
French Violin, Grandjon School, c. 1900, labeled ...STRADIVARI...,
$4,000-6,000
334.
Modern Violin, unlabeled, length of back 355 mm.
$3,000-5,000
335.
Violin, c. 1860, labeled ...JOSEPH ROCCA..., length of back 356 mm.
$3,000-5,000
336.
French Violoncello, JTL, c. 1900, unlabeled, length of back 76 cm.
$800-1,200
337.
American Violoncello, c. 1930, labeled ...TESTORE..., length of back
76 cm.
$800-1,200
338.
English Violoncello, labeled ...CRASKE..., length of back 76.5 cm,
(damage).
$800-1,200
338A.
Italian Violin, Giuseppe Tarantino, Naples, 1926, bearing the maker’s
manuscript label, length of back 355 mm, with case.
$4,000-6,000
95
339
339
339.
French Violoncello, Amédée Dieudonne, Mirecourt, c. 1930, labeled
...APRES JOANNES BAPTISTA GUADAGNINI..., length of back 75.7
cm.
$15,000-18,000
96
340
340
340.
Violin, c. 1750, Possibly Dutch, bearing illegible manuscript label and
repair label dated 1845, length of back 353 mm.
$1,800-2,400
97
341
341
341.
Modern Violin, labeled ...PLINIO MICHETTI... and branded at the lower
rib, length of back 354 mm.
$4,000-6,000
98
342
342
342.
Italian Viola, Probably Sderci Workshop, Florence, c. 1960,
unlabeled, length of back 16 in. (40.7 cm).
$9,000-12,000
99
343
343
343.
Violin, c. 1930, labeled ...GUARNERIUS..., length of back 355 mm.
$4,000-6,000
100
344
344
344.
Violin, Possibly Czech, c. 1950, unlabeled, length of back 355 mm.
$2,800-3,400
101
345
345
345.
American Violin, W. Wilkanowski, Brooklyn, 1930, bearing the
maker’s label, length of back 358 mm, with case.
$1,800-2,400
102
346
346
346.
American Violin, Frederick L. Johnson, Boston, 1914, bearing the
maker’s manuscript label, length of back 353 mm.
$2,200-2,800
103
347
347
347.
Violin, c. 1900, Attributed to Gaetano Guadagnini, labeled
...JOHANNES BAPTISTA GUADAGNINI... and ...GAETANO
GUADAGNINI..., length of back 358 mm.
Certificate: Frederick Haenel, Gaylordsville, March 20, 1954.
Appraisals: Emil Herrman, New York, April 15, 1947; Kenneth Warren &
Son, October 27, 1976.
$4,000-6,000
104
348
348
348.
American Violin, Robert Glier, Cincinnati, 1890, bearing the maker’s
$1,000-1,600
105
349
349
349.
Modern Violin, Mario Frosali, Los Angeles, 1968, bearing the maker’s
$4,000-6,000
106
350
350
350.
French Violin, Nicolas Vissenaire, Lyon, c. 1870, bearing the maker’s
$1,800-2,400
107
351
351
351.
German Violin, c. 1800, Kloz School, labeled ...GIORGIO KLOZ...,
$4,000-6,000
108
352
352
352.
Austrian Violin, Thomas Zach, Vienna, 1879, bearing the maker’s
$2,200-2,800
109
353
353
353.
English Violin, c. 1930, signed illegibly to the inside back and upper
block ...LONDON 1928, length of back 355 mm.
$2,000-3,000
110
354
354
354.
French Violin, Paul Jombar, Paris, 1899, bearing the maker’s label,
$3,000-5,000
111
355
355
355.
Modern Violin, Tetsuo Metsuda, Chicago, 1986, bearing the maker’s
$5,000-7,000
112
356
356
356.
French Violin, Paul Blanchard, Lyon, 1899, bearing the maker’s label,
branded on inside back and at blocks, length of back 354 mm.
$5,000-7,000
END OF SALE
113
Glossary of Terms
All items in the catalogue are described according to the
following table of terminology. Please note that all statements
in this catalogue as to Authorship, Period, Origin, are qualified
statements subject to the Conditions of Sale. All weights and
measurements are approximate.
Authorship will be described in the follow ways:
Joseph Guarneri: In our judgment the work is by the maker.
Ascribed to Joseph Guarneri: The work is believed to be
by the named maker, in the opinion of the authors of the
accompanying certificates or letters.
Attributed to Joseph Guarneri: A traditional attribution with
which we may not agree.
Probably Joseph Guarneri (also possibly): A work which we
have no definitive opinion on.
School of Joseph Guarneri: In our judgment the work of a
follower executed in the style of the maker or area stated.
Workshop of Joseph Guarneri: In our judgment the work is
executed in the style of the named maker and possibly under
his supervision.
Labeled Joseph Guarneri (also stamped, branded, etc.): In
our judgment the instrument is not necessarily the work of this
maker, but bears the maker’s mark.
115
116
List of Makers
Fretted Instruments
Bows
Charvel/Jackson................................................................... 26
Danelectro............................................................................ 38
Epiphone.............................................................................. 59
Fender Musical Instruments........... 7, 10, 16-19, 22, 23, 44, 57
Gibson Incorporated.................................. 1-6, 8, 9, 11, 12, 15
.............................................................. 20, 24, 25, 27, 28, 30
Gretsch......................................................................... 13, 14,
Guild Guitars.................................................................. 35, 40
Harmony Company........................................................ 36, 37
Hoshino Gakki (Ibanez)......................................................... 21
Kay Musical Instrument Company............................ 39, 50, 53
Martin, C.F. & Company........ 29, 32, 33, 41, 42, 45, 47, 51, 60
Rickenbacker Company................................................. 54, 55
Zeidler, J.R. ......................................................................... 34
Bazin, C. ........................................................................... 122
Cuniot, E. .......................................................................... 143
Dodd Family....................................................... 101, 102, 181
Eury, J. .............................................................................. 103
Fetique, V. ........................................................... 89, 141, 155
Gaulard, F.J. ...................................................................... 114
W.E. Hill & Sons.......................................................... 115, 145
Henry, J. ............................................................................ 126
Hums, A. ............................................................................. 95
Knopf, H. ........................................................................... 139
Knopf, H.R. ......................................................... 90, 154, 169
Kun, J. ............................................................................... 163
Laberte, M. ........................................................................ 124
Lamy, J.A. ......................................................................... 138
Lenoble, A. ........................................................................ 113
Lotte, R. .................................................................... 135, 142
Martin, J.J. ........................................................................ 167
Millant, B. ............................................................................ 89
Morizot, L. ......................................................................... 168
Nurnberger, A. ........................................................... 152, 166
Peccatte, C. ...................................................................... 127
Pfretzschner Workshop...................................................... 158
Raguse, D. ........................................................................ 153
Rolland, B. ......................................................................... 182
Salchow, W. ........................................................................ 97
Sartory, E. ...................................................... 91, 96, 128, 140
Tubbs, J. ................................................................... 104, 125
Weichold, R. .............................................................. 112, 159
Violins, Violas, and Violoncelli
Banks, B. ............................................................................ 78
Barany, D. ........................................................................... 74
Blanchard, P. ..................................................................... 356
Buthod, C. .......................................................................... 87
Castagneri, A. ..................................................................... 69
Castello, P. .......................................................................... 82
Cateni, P. ............................................................................ 70
Chiocchi, G. ........................................................................ 79
Contavalli, P. ....................................................................... 67
Derazey, J. ........................................................................ 320
Frosali, M. ......................................................................... 349
Kaul, P. ............................................................................... 80
Gabrielli, G. ......................................................................... 72
Gagliano, F. ......................................................................... 86
Glier, R. ............................................................................. 348
Guarneri, A. ......................................................................... 68
Jombar, P. ......................................................................... 354
Kloz Family........................................................................... 66
Knopf, H.R. ....................................................................... 85A
Knorr, P. ...................................................................... 84, 236
Mandelli, C. ......................................................................... 83
Martini, O. ........................................................................... 81
Matsuda, T. ....................................................................... 355
Scarampella, S. ................................................................... 77
Stauber, A. .......................................................................... 75
Tarantino, G. .................................................................... 338A
Vissenaire, N. .................................................................... 350
Wilkanowski, W. ................................................................ 345
Zach, T. ............................................................................. 352
Winds
Buescher.................................................................... 243, 245
Selmer................................................................ 240- 242, 244
117
Skinner, Inc. - Conditions of Sale
1. Some of the lots in this sale are offered subject to a reserve. The reserve is a confidential minimum price agreed upon by the consignor and
Skinner, Inc. below which the lot will not be sold. In most cases, the reserve will be set below the estimated range, but in no case will it exceed
the estimates listed. A representative of Skinner, Inc. will execute such reserves by bidding for the consignor. In any event and whether or not a
lot is subject to a reserve, the auctioneer may reject any bid or raise not commensurate with the value of such lot.
2. All property is sold “as is,” and neither the auctioneer nor any consignor makes any warranties or representation of any kind or nature with
respect to the property, and in no event shall they be responsible for the correctness, nor deemed to have made any representation or warranty, of
description, genuineness, authorship, attribution, provenance, period, culture, source, origin, or condition of the property and no statement made
at the sale, or in the bill of sale, or invoice or elsewhere shall be deemed such a warranty of representation or an assumption of liability.
3. Except as provided in paragraph 1 above, the highest bidder as determined by the auctioneer shall be the purchaser. In the case of a disputed
bid, the auctioneer shall have sole discretion in determining the purchaser and may also, at his or her election, withdraw the lot or reoffer the lot
for sale. The auctioneer shall have sole discretion to refuse any bid, or refuse to acknowledge any bidder. Any bidder that plans on spending in
excess of $100,000 should make arrangements with the accounting department at least five (5) days in advance of the sale, as a deposit may be
required to participate.
4. All merchandise purchased must be paid for and removed from the premises the day of the auction. Skinner Inc. may impose, and the
purchaser agrees to pay, a monthly interest charge of 1.5% of the purchase price of any lot or item lot not paid for within thirty-five (35) days of
the date of sale.
Skinner, Inc. shall have no liability for any damage or loss to property left on its premises for more than three (3) days from the date of sale. If
any property has not been removed within three (3) days from the date of sale, at the option of Skinner, Inc. (a) Skinner Inc., may impose, and
the purchaser agrees to pay, a monthly storage charge of 1.5% of the purchase price of any lot or portion of a lot not removed within the three
days, and/or (b) Skinner Inc. may place the merchandise in a subsequent auction, without Reserve, to be sold to the highest bidder, and after
deducting the standard commission and any additional charges that may apply, remit the proceeds to the purchaser.
5. Skinner accepts cash or check for payment. Personal checks will be acceptable only if credit has been established with Skinner, Inc. or if a bank
authorization has been received guaranteeing a personal check. Skinner, Inc. reserves the right to hold merchandise purchased by personal check
until the check has cleared the bank. The purchaser agrees to pay Skinner, Inc. a handling charge of $25.00 for any check dishonored by the
drawee. Please contact Accounting for additional payment methods. Skinner does not accept payment by credit card for merchandise purchases.
6. If the purchaser breaches any of its obligations under these Conditions of Sale, including its obligation to pay in full the purchase price of
all items for which it was the highest successful bidder, Skinner Inc. may exercise all of its rights and remedies under the law including, without
limitation, (a) canceling the sale and applying any payments made by the purchaser to the damages caused by the purchaser’s breach, and/or (b)
offering at public auction, without reserve, any lot or item for which the purchaser has breached any of its obligations, including its obligation to
pay in full the purchase price, holding the purchaser liable for any deficiency plus all costs of sale.
7. In no event will the liability of Skinner, Inc. to any purchaser with respect to any item exceed the purchase price actually paid by such
purchaser for such item.
8. Shipping is the responsibility of the purchaser. Upon request, our staff will provide the list of shippers who deliver to destinations within
the United States and overseas. Some property that is sold at auction can be subject to laws governing export from the U.S., such as items that
include material from some endangered species. Import restrictions from foreign countries are subject to these same governing laws. Granting of
licensing for import or export of goods from local authorities is the sole responsibility of the buyer. Denial or delay of licensing will not constitute
cancellation or delay in payment for the total purchase price of these lots.
9. All purchases are subject to the Massachusetts 6.25% sales tax unless the purchaser possesses a Massachusetts sales tax exemption number.
Exemption numbers from other states are accepted in Massachusetts if presented with a business card or letterhead. Dealers, museums, and
other qualifying parties can apply for a Massachusetts exemption number prior to the auction by contacting the Massachusetts Department of
Corporations and Taxation at 100 Cambridge Street in Boston.
10. Except for property purchased via on-line Live Auctions, a premium equal to 18.5% of the final bid price up to and including $200,000, plus
10% of the final bid over $200,000, will be applied to each lot sold, to be paid by the Buyer as part of the purchase price. The buyers premium on
property purchased via on-line Live Auctions will be in the amount equal to 22.5% of the final bid price up to and including $200,000, plus 15%
of the final bid over $200,000.
11. Bidding on any item indicates your acceptance of these terms and all other terms announced at the time of sale whether bidding in person,
through a representative, by phone, by Internet, or other absentee bid.
12. Skinner, Inc. and its consignors make no warranty or representation, express or implied, that the purchaser will acquire any copyright or
reproduction rights to any lot sold. Skinner, Inc. expressly reserves the right to reproduce any image of the lots sold in this catalogue. The
copyright in all images, illustrations and written material produced by or for Skinner, Inc. relating to a lot, including the contents of this
catalogue, is, and shall remain at all times, the property of Skinner, Inc. and shall not be used by the purchaser, nor by anyone else, without our
prior written consent.
13. These conditions of sale shall be governed by the laws of the Commonwealth of Massachusetts (excluding the laws applicable to conflicts or
choice of law). The buyer/bidder agrees that any suit for the enforcement of this agreement may be brought, and any action against Skinner in
connection with the transactions contemplated by this agreement shall be brought, in the courts of the Commonwealth of Massachusetts or any
federal court sitting therein. The bidder/buyer consents to the nonexclusive jurisdiction of such courts and waives objections that it may now or
hereafter have to the venue of any such suit.
118
Revised September 6, 2011
Absentee Bid Form
Sale Title
Sale Date
First Time Bidder?
YES
NO
Customer #
Name (Please Print)
Business Name
Address
City
Phone #
Alternate #
check if change in address
State
Zip Code
e-mail
I wish to place the following bids in the sale listed above. I understand that Skinner, Inc. will execute bids as
a convenience, and will not be held responsible for any errors or failure to execute bids. I understand that
my bids are executed and accepted as per Conditions of Sale as printed in the catalogue of this sale.
Signature (Required)
Lot #
Date
Description
Bid Price
FOR OFFICE USE
Marlborough
Boston
Phone
Fax
Mail
Person
Employee:
SKINNER
6 3 P a r k P l a z a , B o s t o n , M A 0 2 1 1 6 Te l : 6 1 7 . 3 5 0 . 5 4 0 0 F a x : 6 1 7 . 3 5 0 . 5 4 2 9
2 7 4 C e d a r H i l l S t r e e t , M a r l b o r o u g h , M A 0 1 7 5 2 Te l : 5 0 8 . 9 7 0 . 3 0 0 0 F a x : 5 0 8 . 9 7 0 . 3 1 0 0
w w w. s k i n n e r i n c . c o m
Board of Directors
Chairman of the Board - Nancy R. Skinner
Richard Albright
John Deighton
Barnet Fain
Stephen L. Fletcher
Karen M. Keane
Administration
President/Chief Executive Officer - Karen M. Keane
Chief Financial Officer - Don Kelly
Executive Vice President - Stephen L. Fletcher
Vice Presidents - Eric Jones, Marie Keep, Gloria Lieberman, Carol McCaffrey,
Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr
Expert
Departments
20th Century Design - Jane D. Prentiss
American & European Paintings & Prints - Robin S.R. Starr
Assistants: Kathy Wong, Elizabeth C. Haff
American Furniture & Decorative Arts - Stephen L. Fletcher
Deputy Director: Chris Barber; Assistant: Karen Langberg
American Indian & Ethnographic Art - Douglas Deihl
Asian Works of Art - Judith Dowling
Assistants: Biying Zhang, Carol Tran
Books & Manuscripts - Devon Gray
Bottles, Flasks & Early Glass - Stephen L. Fletcher
Ceramics - Stuart G. Slavid
Classic Automobiles & Motorcycles - Jane D. Prentiss
Couture - Cara Elmslie
Discovery Auctions - Cara Elmslie
Assistants: Garrett J. Sheahan, Melissa Riebe
European Furniture & Decorative Arts - Stuart G. Slavid
Assistants: Leah Kingman, Stephanie Opolski
Fine Wines - Marie Keep
Assistant: Michael J. Moser
Jewelry - Victoria Bratberg
Assistants: John Colasacco, Julie Khouri
Judaica - Kerry Shrives
Musical Instruments - David Bonsey
Oriental Rugs & Carpets - Gary Richards
Science, Technology & Clocks - Robert C. Cheney
Assistant: Jonathan Dowling
Silver - Stuart G. Slavid
Toys & Dolls - Kerry Shrives
Auctioneers - LaGina Austin, Chris Barber, Robert C. Cheney,
John Colasacco, Stephen L. Fletcher, Karen M. Keane, Marie C. Keep,
Gloria Lieberman, Jessica R. Lincoln, Kerry Shrives, Stuart G. Slavid,
Robin S.R. Starr, Laura V. Sweeney
SKINNER, INC.
Auctioneers and
Appraisers of Antiques
and Fine Art
63 Park Plaza
Boston, MA 02116
617.350.5400
Fax 617.350.5429
274 Cedar Hill Street
Marlborough, MA 01752
508.970.3000
Fax 508.970.3100
www.skinnerinc.com
120
Exhibitions &
Property Distribution
Finance Department
Subscriptions
Service Departments
Marlborough: Warehouse Manager - Fred Trottier; 508.970.3261
Boston:
Property Distribution Manager - Jessica R. Lincoln, 617.874.4308
Auction Coordinator - Benjamin Evans, 617.874.4329
Marlborough:
Accounts Receivable - Denise Johnson, 508.970.3269
Accounts Payable, Consignment - Kathleen Hayes, 508.970.3268
Accounts Payable, Trade - Kevin Rota, 508.970.3283
Credit Supervisor - Joe Monteyro, 508.970.3266
Marlborough: Heather Retzke, 508.970.3240
Appraisal & Auction Services - LaGina Austin, Christine E. Finn,
Shannon M. Ames, Hadley Bridgman
Advertising Production - Pamela Van de Houten
Boston Gallery Director - Laura V. Sweeney
Assistant Gallery Director: Paige Lewellyn
Gallery Assistant: Jessica Turner
Catalogue Production - Pamela Van de Houten, Kristina Harrison
Consignment Services - Patricia Walker King, Megan J. Blomgren, Carol Zeigler
Customer Relations - Carol McCaffrey
Institutional Relations - L. Emerson Tuttle
Human Resources - Carol McCaffrey
Information Technology & Internet Auctions - Kerry Shrives
Assistants: Timothy Shaughnessey, Melissa Riebe
Managing Director - Marie C. Keep
Marketing & Public Relations - Kate de Bethune, Kathryn Gargolinski,
Heather Retzke
Photographers - Stanley P. Bystrowski, Jeffrey R. Antkowiak, John Cornelius
Receptionists - Marlborough: Jessica Bedenbaugh
Boston: Sarah L. Collins
Staff Portraits - Cheryl Richards Photography
Transportation - Eric Jones
Assistant: Mark McCaffrey
121
122
Directions to Skinner’s Boston Gallery/63 Park Plaza, Boston, MA
Telephone: 617-350-5400
From the West:
Take the Massachusetts Turnpike to the Prudential/Copley exit located in the Prudential tunnel.
Once on the exit ramp, stay in the right hand lane and follow the signs for Copley.
The ramp exits onto Stuart Street. Drive straight through five sets of lights and take a left onto
Charles Street South. Take your first left off of Charles St. South onto Park Plaza.
Skinner is at 63 Park Plaza, one block up on the right.
From the South:
Take 93-N to Exit 20 for I-90 W toward Worcester. Follow signs for Chinatown/South Station.
Bear left at the fork to continue towards Kneeland Street. Turn left onto Kneeland Street. Kneeland
Street becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza.
From Logan Airport:
Take the Ted Williams Tunnel. Take Exit 25 toward South Boston and bear left at the fork in the
ramp. Bear right onto B St. Turn left onto Northern Ave which becomes Seaport Blvd. Turn left
onto Surface Rd. Turn right onto Kneeland Street which becomes Stuart Street. Turn right onto
Charles Street South. Turn left onto Park Plaza.
From the North:
Take I-93 South towards Boston. Take exit 26 towards Storrow Drive. Merge onto MA-28 South
via the ramp on the left. Turn left onto Beacon Street. Turn right onto Arlington Street. Turn
left onto Boylston Street. Turn right onto Hadassah Way. Skinner is on the right at 63 Park Plaza.
123
124
The Wayside Inn
Antiques
May 11-13, 2012
Show
SAVE THE DATE
A benefit show and sale for The Wayside Inn Historic Site,
a 501(c)3 non-profit Massachusetts Historic Landmark
on the National Register of Historic Places.
Preview Party and Reception
Friday, May 11, 6:00pm to 9:00pm
$125 by advance reservation,
$150 the day of the event
General admission $10
Saturday, May 12, 10am to 6pm
Sunday, May 13, 10am to 5pm
 
SKINNER
Auctioneers & Appraisers
  
Sudbury
A Herb Chambers Company
Visit the official show website at www.TheWaysideInnAntiquesShow.org for more information about the Wayside Inn Historic Site,
directions, sponsorship opportunities and links to dealer websites. For questions please phone Guy LeBlanc at (978) 440-9630.
Longfellow’s WAYSIDE INN • 72 Wayside Inn Road • Sudbury, Massachusetts 01776 • P: 978 443 1776 • F: 978 443 6449 • www.wayside.org
Show Manager - Diana H. Bittel Facilities Manager - Ralph DiSaia
Participating Dealers:
A Bird In Hand Antiques, Florham Park, NJ / Mark and Marjorie Allen, New Hampton, NH / American Spirit Antiques, Shawnee Mission, KS
Arader Galleries, Philadelphia, PA / Diana H. Bittel, Bryn Mawr, PA / Blue Heron Fine Art, Cohasset, MA / Mr. and Mrs. Jerome Blum, Lisbon-Jewett City,
CT / Jeff R. Bridgman American Antiques, York County, PA / Joan R. Brownstein, Newbury, MA / John Chaski Antiques, Camden, DE / The Cooley
Gallery, Old Lyme, CT / Colette Donovan, Merrimac, MA / Peter H. Eaton Antiques, Newbury, MA / Fiske & Freeman, Ipswich, MA / J. Gallagher, North
Norwich, NY / Heller-Washam, Portland, ME / Samuel Herrup Antiques, Sheffield, MA / Jewett-Berdan Antiques, Newcastle, ME / James M. Kilvington,
Inc., Dover, DE / Kelly Kinzle Antiques, New Oxford, PA / David & Donna Kmetz American Paintings, Douglas, MA / James L. Kochan Fine Arts &
Antiques, Frederick, MD / Nathan Liverant and Son, LLC., Colchester, CT / Newsom & Berdan Antiques, Thomasville, PA / Hilary and Paulette Nolan,
Falmouth, MA / The Norwoods’ Spirit of America, Timonium, MD / Oriental Rugs, Ltd., Old Lyme, CT / Otto and Susan Hart Antiques, Arlington, VT /
Raccoon Creek Antiques, Oley, PA / Rick Scott, San Francisco, CA / Russack & Loto Books, LLC., Northwood, NH / Sallea Antiques, Inc., New Canaan,
CT / Tom Schwenke, Inc., Woodbury, CT / W.M. Schwind, Jr. Antiques, Yarmouth, ME / The Silver Vault, Woodstock, IL / Elliott & Grace Snyder Antiques,
S. Egremont, MA / Stephen-Douglas Antiques, Rockingham, VT / Sylvia Antiques, Nantucket, MA / Jonathan Trace, Portsmouth, NH / Village Braider
Antiques, Plymouth, MA / Walker-Cunningham Fine Art, Boston, MA / Chuck White, Warwick, NY / White and White Interiors, Skaneateles, NY
126
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catalogue subscription form
Prices effective JULy 1, 2010. Catalogue subscription price includes quarterly brochure. Subscription effective
one year from date processed. No refunds for previous subscriptions. Renewal notice will be sent one month prior to expiration.
Subscriptions do not include Discovery, Estates, and other special sales. Post-auction prices are available online at www.skinnerinc.com
please check the appropriate boxes:
U.S./Canada
Quarterly Brochure
No charge
Foreign (payable in U.S. dollars only)
No charge
Included with catalogue subscription
American Furniture & Decorative Arts $120
$143
European Furniture & Decorative Arts
$120
$143
American & European Paintings & Prints $120 $143
Fine Jewelry $120 $143
20th Century Furniture & Decorative Arts $60 $73
Asian Works of Art $60 $73
Fine Oriental Rugs & Carpets
$18 $25
American Indian & Ethnographic Art
$60 $73
Fine Books & Manuscripts
$30 $36
Fine Ceramics $60 $73
Fine Musical Instruments $60 $73
Science, Technology & Clocks
$60 $73
Fine Wines $60 $73
All Above Departments $750 $915
subtotal
ma residents
6.25%
sales tax
total
MasterCard/VISA #
Exp. Date
Signature
Name___________________________________________
Check enclosed
Business Name
Mailing Address _____________________________________________________ City_______________________________ State________ Zip______________
email address________________________________________________
Tel: (
) _____________________________
Please enclose payment with subscription form and mail or fa x to:
Skinner, Inc., Subscription Department, 274 Cedar Hill Street, Marlborough, MA 01752
508.970.3100
128
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