FYI: Stained Glass Gallery - The Stained Glass Association of America

FYI: Stained Glass Gallery
Photographic Presentations of New Work and Recent Restoration
“FYI: Stained Glass Gallery” features new work and recently completed restorations. Work presented is selected from
among the submissions received to highlight what is happening right now in the world of stained and decorative art glass.
This section of The Stained Glass Quarterly is open to everyone creating stained and architectural art glass for religious,
corporate, public, or private buildings. For information on sending work for consideration, e-mail webmaster@sgaaonline.com, or call the Stained Glass Association of America headquarters at 800.438-9581.
For more information on “FYI: Stained Glass Gallery” and to view Galleries
from past issues, visit www.stainedglass.org.
32
The Stained Glass Quarterly
Soos Stained Glass
North Little Rock, Arkansas
Top: Mandarin Presbyterian Church, Jacksonville, Florida • Bottom: Donor Recognition Wall, St. Mary’s Hospital, Rogers, Arkansas
Twenty-nine years of original designs, quality craftsmanship, and responsible business practices have made Soos Stained Glass a
dependable choice for new stained glass as well as restoration work. Soos Stained Glass has fabricated and installed new windows
in all styles from contemporary to traditional painted and has installations as large as 6,000 square feet. www.soosstainedglass.com
The Stained Glass Quarterly
33
Fox Studios, Inc.
Indianapolis, Indiana
St. Malachy Catholic Church, Brownsburg, Indiana. 13'4" x 36'6" Artist: M. McCarty
Fox Studios, since 1970, specializes in design and fabrication of stained glass for sacred spaces and
restoration of historic stained glass. www.foxglassstudio.com
34
The Stained Glass Quarterly
Conrad Schmitt Studios, Inc.
New Berlin, Wisconsin
Two windows from a Stations of the Cross series; St. Anne Catholic Church, Sherman, TX
For more than a century, internationally renowned Conrad Schmitt Studios has created timeless interiors and fine works of art for
buildings of historical, architectural, and religious significance. www.conradschmitt.com
The Stained Glass Quarterly
35
SL Firpo Design/Craft
Portland, Oregon
Mary’s Flowers
6' x 18' interior stained
glass wall installation,
St. John’s Medical Center,
Longview, Washington
SLFirpo Design/Craft specializes in
original architectural stained glass.
Our designs are generally created
using a combination of stained glass
and wood.
www.suefirpo.com
36
The Stained Glass Quarterly
Big Sky Stained Glass Art, Inc.
Bozeman, Montana
“Some people have a limited idea of what you can do with glass. We can do anything. If you can think of it, we can
do it in glass.” David Fjeld of Big Sky Stained Glass Art, Inc. has been designing and constructing some of the finest
art glass in the Intermountain West for more than 35 years. www.BigSkyStainedGlass.com
The Stained Glass Quarterly
37
The Cavallini Co., Inc. Stained Glass Studio
San Antonio, Texas
St. James Episcopal Church, Houston, Texas
Cavallini Co., Inc., founded in 1953, is one of the oldest family-owned-and-operated stained glass studios in the southwest,
offering complete design, fabrication, and installation services. Techniques utilized by the studio include leaded, faceted
and etched glass; mosaics; repairs; historical restoration; and protection glazing. We are inspired by the people we serve.
www.cavallinistudios.com
38
The Stained Glass Quarterly
Gilbertson’s Stained Glass Studio
Lake Geneva, Wisconsin
Tiffany Landscape Window, 53" x 78", Lead and Copper Foil. Total Restoration, Completed 2008. Private Collection.
Gilbertson’s Stained Glass Studio is a full-service, SGAA-Accredited facility capable of meeting the needs of today’s
architects, building planners, liturgical consultants, and planning committees. Established in 1976 by Edward
Gilbertson and his son Edward Jr., Gilbertson’s Stained Glass Studio does commission work as well as museum-quality ecclesiastical restorations throughout the Midwest and United States. www.stainedartglass.com
The Stained Glass Quarterly
39