letter from the board president - PICT Pittsburgh`s Classic Theatre
Transcription
letter from the board president - PICT Pittsburgh`s Classic Theatre
I’m better wIth blue Alexandre Brito spends a lot of time on the road. So he needs a health plan that covers him coast-to-coast and protects his family while he’s gone. For him, the best choice for both is Highmark. Because he knows what members have known for generations, when it comes to a plan that’s accepted here at home _ and everywhere the roads take you _ you’re better with Blue. PICT Classic Theatre presents BLITHE SPIRIT AN IMPROBABLE FARCE IN THREE ACTS by Noël Coward Directed by Alan Stanford Real Member Alexandre Brito with Mary Rawson* as Madame Arcati Karen Baum* Lissa Brennan James FitzGerald* Daina Michelle Griffith* Dan Rodden* Vera Varlamov Sound Designer Angela Baughman Production Manager George DeShetler, Jr. Lighting Designer Christopher Popowich Scenic Designer/ Props Master Johnmichael Bohach Stage Manager Cory F. Goddard* Assistant Stage Manager Andrew Swackhamer Scenic Charge Artist Jennifer Kirkpatrick Technical Director Louis P. Taylor Costume Designer Joan Markert Master Electrician Keith A. Traux Dramaturg Tyler Crumrine "Always" Music and Lyrics by Irving Berlin Copyright 1925 by Irving Berlin. Copyright renewed. International copyright secured. ALL RIGHTS RESERVED. Used by special arrangement with Irving Berlin Music Company 1633 Broadway, Suite 3801, New York, NY 10019 Blithe Spirit is presented through special arrangement with Samuel French Inc. 45 West 25 Street, New York, NY 10011 Highmark Blue Cross Blue Shield is an independent licensee of the Blue Cross and Blue Shield Association. Subject to the terms of your benefit plan. highmarkbCbS.com *Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. LETTER FROM THE BOARD PRESIDENT CAST Edith..................................................................... Karen Baum* Mrs. Bradman...................................................... Lissa Brennan Doctor Bradman................................................... Jim FitzGerald* Ruth...................................................................... Daina Michelle Griffith* Madame Arcati..................................................... Mary Rawson* Charles................................................................. Dan Rodden* Elvira.................................................................... Vera Varlamov PLACE: Kent, England TIME: World War II BLITHE SPIRIT WILL BE PERFORMED IN 2 HOURS AND 30 MINUTES WITH ONE 15 MINUTE INTERMISSION *Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. The use of any recording device, either audio or video, and the taking of photographs, either with or without flash, are strictly prohibited. Please turn off all electronic devices such as cellular phones, beepers and watches. “We would like to thank our media sponsors for their generous support!” To our guests, We all see ghosts from our past; some are more welcome than others. In conjuring up the ghosts of my past, I recall the many nights when my parents forced my brother and I as young kids to dress up in a jacket and tie – aka noose – to go to the Toledo Symphony for a concert. We would much prefer watching sports on TV, even practicing the piano, to putting on a tie to go to a classical music concert. Undoubtedly kids around Pittsburgh would say the same today (though ties are no longer required). Yet, I have to admit that our parents gave us a gift, as under-appreciated as it was at the time. The Peristyle in the Toledo Art Museum, home to the Symphony, was like sitting in a beautiful outdoor Greek amphitheatre under starry skies. More than that, the Symphony exposed us to the wonders of music, to the creative genius of the masters who still inspire the soul today. The result: I go to the symphony and art museums and love all kinds of music, dance, and theatre. Theater is music to the ears. Good writing is lyrical; you can hear the music in the styling and rhythm of the words. Actors deliver those words like artists; they make the words sing through their inflection and expressions. The point is simple: bring your children to the theater. It is live action; it is real people; it is imagination; it is up close and personal. It touches and inspires for a lifetime. PICT has many family-friendly shows this year, because we believe that theater should be a family experience. We are expanding our educational programs to reach out to more children who would not otherwise be able to attend. Please help PICT and our community by bringing your families and by donating to our educational programs. Then our future will have a gentler, kinder spirit, too. Sincerely, Chuck Moellenberg CREW Sound Designer.................................................... Angela Baughman Scenic Designer/ Props Master............................ Johnmichael Bohach Dramaturg............................................................ Tyler Crumrine Production Manager............................................. George DeShetler, Jr. Resident Stage Manager...................................... Cory F. Goddard Scenic Charge Artist............................................ Jennifer Kirkpatrick Costume Designer................................................ Joan Markert Lighting Designer................................................ Christopher Popowich Director................................................................ Alan Stanford Assistant Stage Manager...................................... Andrew Swackhamer Technical Director................................................ Louis P. Taylor Master Electrician................................................ Keith A. Traux Sound Board Operator......................................... Tim Reid Light Board Operator........................................... Matt Shearer Props Artisan........................................................ Casey Wilczak Wardrobe.............................................................. Ali Roush SPECIAL THANKS: Scott Wirtzman, Suellen Fitzsimmons, Pittsburgh Musical Theater, Ben Blazer, C. Todd Brown, Philip Rheinheimer, Ben Vigman, Jon Ward, Mat Ciaccia, Carnegie Mellon School of Drama, Pittsburgh Opera, Nick Wright, The Pittsburgh Playhouse, University of Pittsburgh Stages, Josephine Bell, Sara Steelman and Stefania Rizzo wonderfully wicked theatre. Jones Day is proud to support the Pittsburgh Irish and Classical Theatre and its 2014 season, “Something Wicked This Way Comes.” We applaud PICT’s commitment to the creation of high-quality, provocative theatre that promotes the region and strengthens our community. 2400 lawyers throughout the world. www.jonesday.com WHO'S WHO IN THE CAST Karen Baum is honored to return to PICT as a featured artist for the 2014 Season. PICT credits: Don Juan Comes Back from the War, King Lear, Boston Marriage and The Shaugraun. Other Pittsburgh credits: Saint Vincent Summer Theatre, Pittsburgh Public Theater, Playhouse REP, Off the Wall, UnSeam'd Shakespeare, NoName Players, Bricolage, Squonk Opera, Pitt's Shakespeare in the Schools and CMU Interactive. Regional credits: Crimes of the Heart (Public Theater of KY), Theatre54 NYC and many Chicago venues. Film and Television credits: Promised Land, The Road, My Bloody Valentine 3D, KillPoint, The War That Made America, the TV pilot series Ghosthunters, PSI and A Fancy Piece of Homicide (2014). Karen is a Point Park BFA graduate and she teaches for PICT, the Pittsburgh Public Theatre, Civic Light Opera and Hope Academy. Thanks to this inspiring team of artists, and to family. Lissa Brennan has performed at PICT in Don Juan Comes Back from the War, In the Next Room or The Vibrator Play, Beckettfest and Salome. Other Pittsburgh credits: Bug and Killer Joe (barebones productions), DogFace and The Dark of the Moon (Quantum Theatre), Measure for Measure, Othello, The Libertine and Women Beware Women (Unseam'd Shakespeare). She is the Artistic Director of Dog & Pony Show, and with that company will be producing an original, steel mill-centered performance piece this fall. James FitzGerald is a featured artist for the 2014 Season and is in his twelfth production for PICT. Other Pittsburgh credits: Charles Ives in Charles Ives Take Me Home (City Theatre), End of the Affair and Mouth to Mouth (Quantum Theatre), 1776, Royal Family, Born Yesterday, Midsummer Night's Dream and Our Town (Pittsburgh Public Theater), Candide (Opera Theatre) and Heads (Pittsburgh Playhouse). Chicago credits: Marriot's Lincolnshire Theater, Chicago's Second City, ETC., The Royal George, Apple Tree and other Chicago venues including 16 seasons with Chicago Shakespeare Theater. Regional credits: Cape May Stage, Milwaukee Rep, the Nebraska Shakespeare Festival, North Carolina Shakespeare Festival and Baltimore Shakespeare Festival. Off Broadway: Rose Rage directed by Edward Hall. Awards: Recipient of two Joseph Jefferson Awards (Best Supporting Actor), a Jeff Citation (Best Actor) and an OE Award Nomination (Best Supporting Actor). WHO'S WHO IN THE CAST Daina Michelle Griffith is in her fourth season with PICT. PICT credits: Octavia/Iras in Anthony and Cleopatra, various women in Martin Giles's Beautiful Dreamers and Greta in James Joyce's The Dead. Regional Credits: Pittsburgh Public Theater, Kansas City Starlight, Human Race Theater, Gateway Playhouse, heXtc and NYC International Fringe. Other Pittsburgh credits: Quantum Theatre, City Theatre, The REP, Off the Wall, barebones, NoName Players, Bricolage, Pittsburgh Musical Theater, Carnivale Theatrics, Pittsburgh CLO and Prime Stage. Film: Civilians, Love and Other Drugs, The Dark Knight Rises (Foley's wife), and Hollidaysburg (Angela). Awards: 2013 Pittsburgh Post-Gazette Your Generosity Ensures received that PICT Theatreher can Continue Performer of the Year. Daina BFAto Provide in theatre arts from Point Park University. High Quality, Thought Provoking Theatre that Stirs the Soul. The Giving Tree The Giving Tree Select a Tag from the Tree Tags Represent Giving Levels Ranging from $50 - $500 Giving Levels Represent Support of the Various Educational, Professional and Artistic Programs and Services that PICT Theatre Needs to Survive Your Generosity Ensures that PICT Theatre can Continue to Provide Fill out a Donor Form and Envelope with High Your NameQuality, and PaymentThought InformationProvoking Theatre that Stirs the Soul. Please visit our Giving Tree in the Lobby during and give a We Could Not Exist Withoutintermission the Select a Tag from the Tree Generousgift Support of Donors Like You! that PICT has been hoping for. Tags Represent Giving Levels Ranging from $5 Giving Levels Represent Support of the Va Educational, Professional and Artistic Progra Services that PICT Theatre Needs to Surv Fill out a Donor Form and Envelope wit Your Name and Payment Information We Could Not Exist Withou Generous Support of Donors Lik WHO'S WHO IN THE CAST Mary Rawson has appeared in previous PICT seasons as Izzie in House & Garden, Mrs. Marchmont in An Ideal Husband, Margrethe in Copenhagen and Pauline in Thomas Kilroy's adaptation of Chekhov's The Seagull. Other Pittsburgh credits: Mrs. Young in Honus and Me (City Theatre), Micheleine in Splendour and Elizabeth in When the Rain Stops Falling (Quantum Theatre) and Mom in True West (Pittsburgh Public Theater). World premieres: Amy Hartman's Chicken Snake and Tammy Ryan's In the Shape of a Woman and FBI Girl (Playhouse Rep). Television: Cousin Mary on Mister Rogers' Neighborhood (her favorite role). Awards: 2012 Pittsburgh PostGazette Performer of the Year for her role as Violet in August: Osage County (Playhouse Rep). Dan Rodden is making his PICT debut. Chicago credits: Felix in The Odd Couple (Drury Lane Oakbrook), Antipholus of Syracuse in The Comedy of Errors (Oak Park Festival Theatre), Dr. Adams in Marrying Terry (Nightingale Group), Mortimer in Arsenic and Old Lace (New American Theater) and The Shakespeare Project of Chicago. Other Credits: Hannay in The 39 Steps (Nebraska Repertory Theatre), Atticus Finch in To Kill a Mockingbird (Cardinal Stage Company) and Don Quixote in Man of LaMancha (Normandale College). Dan is grateful for the continued tolerance of his talented wife, actress Gail Rastorfer. Vera Varlamov is in her third season at PICT. PICT credits: Rachelka/Marianna in Our Class, Irina in Three Sisters and Natalia in The Proposal. Other credits: Myra in Hay Fever (Theatre Downtown Orlando), Ophelia in Hamlet (Strollers Theater) and Julia in The Birds (Mosaic Theatre). She holds an MFA from Rutgers. Awards: 2012 Pittsburgh Post-Gazette Breakout Performer of the Year. Many thanks to her family, dear friend and mentor Alan Stanford, and to all of you sitting out there right now— enjoy the show! The best offense is . . . 412.338.4750 www.mbo-pc.com A law firm dedicated to defending healthcare professionals LEVINFURNITURE levinfurniture.com & levinmattress.com Proud to Support Great Theatre in Pittsburgh WHO'S WHO IN THE CAST Angela Baughman (Sound Designer) is in her first season at PICT. Other Pittsburgh credits: Sound Designer for Strata (Bricolage), Resident Sound Designer for Devil's Arithmetic, The Importance of Being Earnest, Turn of the Screw, The Great Gatsby, Farenheit 451, Walk Two Moons, The Elephant Man, A Wrinkle in Time and The Scarlet Letter (Prime Stage Theatre). Angela is a graduate of Berklee College of Music with a BM in music production & engineering. NEVER UNDERESTIMATE THE POWER OF A GREAT PERFORMANCE. Johnmichael Bohach (Scenic Designer/Props Master) is in his second year at PICT after propping last year's season and also designing Sherlock Holmes & The Crucifer of Blood. Other design credits: The Importance of Being Earnest, Turn of the Screw, The Great Gatsby, The Elephant Man, The Glass Menagerie and Tuesdays with Morrie (Prime Stage), Riders to the Sea, Lizbeth, Three Decembers (Microscopic Opera), Dido and Aeneas (Renaissance City Choirs), Letters to Sala, Tartuffe, Bare, Jekyll & Hyde, The Wild Party, Nine and Rent (Stagedoor Manor, Loch Sheldrake, NY). Johnmichael is a graduate of the University of Pittsburgh with BAs in theatre arts and architectural studies. www.jmbsetdesigns.com. Tyler Crumrine (Dramaturg) is in his first season at PICT. He is a Pittsburgh-based dramaturg and the editor of Plays Inverse Press, a small press publishing company for dramatic literature. His writing on Irish playwright Martin McDonagh has been recognized nationally by the John F. Kennedy Center for the Performing Arts, where he has also studied as New Play Dramaturgy Intensive fellow. His most recent work has appeared in the education and accessibility materials for Pittsburgh's City Theatre. George DeShetler, Jr. (Production Manager) is in his third season at PICT. He began at PICT as the props master in 2012 and came on in July 2013 as production manager. Other Pittsburgh credits: Production Manager at Prime Stage Theatre and Temp Staff at CMU School of Drama. Regional credits: Arena Stage, Imagination Stage, Contemporary American Theater Festival and Indiana Repertory Theatre. George graduated from Otterbein College in Westerville, Ohio, with a BFA in theatre design and technology. Cory F. Goddard (Resident Stage Manager) is in his tenth season with PICT. PICT credits include: Heartbreak House, Stuff Happens, Lieutenant of Inishmore, House & Garden, Salome, In the Next Room and the Beckett, Synge, Pinter and Chekhov Festivals. Other Pittsburgh credits: Quantum Theatre, Bricolage, Kelly Strayhorn Theater and The REP. Cleveland credits: Parade, The Laramie Project, Grey Gardens and the non-equity premieres of Brooklyn, Phantom of the Opera and [title of show]. Cory is a graduate of Baldwin Wallace College. He would like to thank Rebekah, George, Vicky, Phill, Alicia, Liz, the Wetness and Randy & Rita. UPMC is proud to support the PICT Theatre. Affiliated with the University of Pittsburgh School of Medicine, UPMC is ranked among the nation’s best hospitals by U.S. News & World Report. WHO'S WHO IN THE CAST WHO'S WHO IN THE CREW Jennifer Kirkpatrick (Scenic Charge Artist) is in her second season at PICT. PICT credits: Sherlock Holmes & the Crucifer of Blood, A Skull in Connemara, Don Juan Comes Back from the War and Lady Windermere's Fan. Other credits: Scenic Artist for Lives of the Saints and You Can't Take It With You (Carnegie Mellon University) and Scenic Artist for Stage Door (Lincoln Park Performing Arts Center). Jennifer is a graduate of Ohio University with a BFA in production design & technology. Keith A. Truax (Master Electrician) is in his first season with PICT. Credits: Production Manager for Buyer and Cellar (OffBroadway), Production Manager/Lighting Designer (LaGuardia High School of Music & Arts), Production Manager for Chix 6 (Queens Theatre), Production Design/ Production Manager for My Sinatra (Sofia’s Downstairs Theatre), Lighting Design/ Production Manager for Time Step (New Victory Theatre) and Lighting and Sound Design for Hedwig and the Angry Inch (Asbury Park). Joan Markert (Costume Designer) is in her sixth season at PICT. PICT credits: A School for Scandal, An Ideal Husband, Othello, Hobson's Choice, The Mask of Moriarty, A School for Lies, Lady Windermere's Fan, The Crucifer of Blood and The Importance of Being Earnest (remounted from the Abbey Theater production). Other credits: All four Pittsburgh Playhouse companies, including International Summer Dance (33 seasons), Jewish Theatre of Pittsburgh and Prime Stage. In her spare time, Joan grows orchids, enjoys her cats and is working on programs for inventorying and tracking costumes and props cryptically titled CODpiece (costumes)? and WIMP? (where is my prop?). Joan graduated from CMU with an MFA in costume design. Christopher Popowich (Lighting Designer) is in his sixth season at PICT. PICT credits: A Skull in Connemara, Julius Caesar, End Game and the Beckett Festival and Empire Series. Regional credits: Madame Butterfly (Columbus Opera), Wagner's Ring Cycle (Opera Theater of Pittsburgh) and Henry V on a Trapeze (Burning Coal Theater Company). Other Projects: The Randy Pausch Bridge & The Hunt Library (CMU) and The Gulf Tower. Awards: 2010 Electric League Award (for the Randy Pausch Bridge) and 2012 Electric League Award (for the Hunt Library). Alan Stanford (Director/Artistic & Executive Director) is in his sixth year at PICT. He was for more than thirty years a principal and leading actor with the renowned Gate Theatre, Dublin, where he recently directed his adaptation of Pride and Prejudice. He founded Ireland's Second Age Theatre Company. PICT Credits: Don Juan Comes Back from the War, Lady Windermere's Fan and The Kreutzer Sonata. Other credits: The School for Scandal (Point Park Conservatory), works by Shakespeare, Molière, Noël Coward, Oscar Wilde, Shaw, Beckett and Brecht. Andrew Swackhamer (Assistant Stage Manager) is in his first season at PICT. Acting Credits: Mr. Carter in Our Town (Pittsburgh Public), Algernon Moncrieff in The Importance of Being Earnest and Nick Carraway in The Great Gatsby (Prime Stage), Dancin’ Eddie Danson in Viva Los Bastarditos! (No- Name Players), Jim-Jim in The Truth About Santa and Andrew Swackhamer's Toy Story. Look for him as Ed in Evil Dead at Off the Wall, also with No Name Players, in June! Louis P. Taylor (Technical Director) has worked behind the scenes at PICT on Travesties, The Dead, The Pillowman and Uncle Vanya. Other credits: Squonk Opera, Pittsburgh Public Theater, Long Wharf Theater and University of Pittsburgh Department of Theater Arts. WHO’S YOUR MAMA? FOR RESERVATIONS: (412) 621.SAUCE under the clock at Forbes & Oakland THANK YOU! Thank you to all of our patrons who spoke kindly to our fantastic customer service representatives during this season’s subscription campaign, and thanks for your orders! Speaking with you directly remains the most effective way to sell tickets, spread the news about PICT and keep us in the theatre business! SPECIAL THANKS TO OUR CUSTOMER SERVICE REPRESENTATIVES FOR ALL THEIR EXCELLENT WORK! Matthew Colecchia • Timothy Hibbard • Kim McCartney • Leslie McCartney PICT STAFF & BOARD OF DIRECTORS Board Officers Charles H. Moellenberg, President Erin Shannon-Auel, Vice President Directors Alan S. Baum Cynthia Berger Eileen Clancy Steven Cuden Gail Gerono Kevin R. Gieder Joseph Karas Justin Krauss Diane Lazzaris Richard Miller Fabian O’Connor Eugene O’Sullivan Richard E. Rauh Chuck Reynolds Pauline Taylor-Raiff Dina J. Fulmer, Secretary Michael Burns, Treasurer Advisory Board D.L. “Larry” Brophy Paul Homick Robert Levin Kristen Olson, PhD Alberta Sbragia, PhD John Sotirakis Wanda Wilson Honorary Board Congressman Mike Doyle Charles Gray Thomas Kilroy David Norris–Seanad Eireann Bingo O’Malley Stephanie Riso A STRONG COMMUNITY TAKES THE SUPPORT OF MANY. UPMC is proud to support the PICT Theatre and its 2014 season. PICT Staff Alan Stanford, Artistic & Executive Director Stephanie Riso, Managing Director Ryan Ferrebee, Development Manager Michelle Belan, Marketing & Communications Director George DeShetler, Jr., Production Manager Carolyn Ludwig, Customer Relations Director & Sales Manager Katie Wagner, Operations Assistant Jennifer Trehar, Development Associate Cassidy Adkins, Production & Sales Assistant Matthew Colecchia, Customer Relations & Sales Representative Tim Hibbard, Customer Relations & Sales Representative Kim McCartney, Customer Relations & Sales Representative Leslie McCartney, Customer Relations & Sales Representative PICT Classic Theatre PO Box 7964, Pittsburgh, PA 15216 Tel: 412-561-6000, Fax: 412-561-6686 PICT is a Constituent of Theatre Communications Group (TCG), the national organization for the American theatre, a member of Greater Pittsburgh Arts Council and BoardsWork! To order tickets: VISIT OUR WEBSITE: www.picttheatre.org OR CALL 412-561-6000 x 207 Need help? Email tickethelp@picttheatre.org Affiliated with the University of Pittsburgh School of Medicine, UPMC is ranked among the nation’s best hospitals by U.S. News & World Report. NOTES FROM THE DRAMATURG: TYLER CRUMRINE The year is 1941 and British morale is under fire. The German Blitz is in full swing, and every day reports of wartime casualties are on the rise. Noël Coward, having returned from two years abroad lobbying on the war’s behalf, is tasked with writing a play to help raise his countrymen’s spirits. And he does, writing Blithe Spirit in a mere five days. What he chooses to write about, however, is the very thing everyone fears most: death. Coward was no stranger to death, having lost both his younger brothers before their time—one to illness and one to the First World War. Upon seeing London’s war-torn landscape, however, he was more impressed by those who maintained a casual and cheerful indifference towards doom than those who cloistered themselves against it. Shortly before writing Blithe Spirit, Coward witnessed a hotel dining room carry on, without pause, as bombs fell directly outside its walls. Doors blasted open and walls bulged, but the diners remained unperturbed, even singing songs around the piano. He wrote in his journal after: “People's behaviour absolutely magnificent. Much better than gallant [. . .] Would not have missed this experience for anything.” To Coward, a “blithe spirit” towards death was exactly what Britain needed during the war—for citizens to uphold the British virtue of self-discipline and, in Kipling’s words, “keep your head when all about you are losing theirs.” In Blithe Spirit, death is quick, comical, and completely out of one’s control. The most anyone can do is to keep a stiff upper lip and not let death get the best of them. Indeed, Blithe Spirit’s happiest and most fulfilled character is Madame Arcati, who, despite whether a séance is successful, still finds joy in birds, bicycles, beer, and beetles. It’s only when characters succumb to the stress of their situations that things get the better of them. Coward calls on audiences to live life to the fullest, even when actually surrounded by death. To laugh at their attempts to overcome death and realize, as echoed in our next production, Waiting for Godot, that the present is all there is and the past and future are not worth worrying about. To enjoy living rather than just surviving their lives, and, in his own words, “to walk across planks laid over the rubble caused by a recent air raid to see a light comedy about death.” MADAME ARCATI—AN ICONIC ROLE By Sara Steelman Blithe Spirit is often described as one of Noël Coward’s three masterpieces, the other two being Private Lives and Hay Fever, and the role of Madame Arcati is one of the great examples of Coward’s ability to write roles that actresses love to play. Although the surprisingly effective medium who arrives for a séance on her bicycle is described as a supporting role, skilled actresses have frequently demonstrated their ability to make Madame Arcati the focus of the audience’s attention and the most memorable character in the play. One example of an actress making both the character and the play her own is, of course, Angela Lansbury. Her current incarnation as Madame Arcati at the Gielgud Theatre in London follows a Tony winning performance as Madame Arcati on Broadway in 2009; the enthusiastic Broadway reviews and high London expectations resulted in a publicity campaign that suggests that Madame Arcati is in fact the main character in the play. Although this would certainly have surprised Noël Coward, perhaps it shouldn’t. Similarly, a well-known Pittsburgh actress garnered enthusiastic reviews in two separate productions of Blithe Spirit. Helen Wayne Rauh, one of the most popular and busiest actresses in Pittsburgh for more than 40 years, first performed the role for the Pittsburgh Playhouse in 1945. At that point, she was only 33, but although Madame Arcati is typically described as 45-65 (and Angela Lansbury is in her late 80s), she had no difficulty convincing the audience of the reality of her character. Reviewers praised her energy and skill – one called her performance “just this side of a comedy masterpiece” – and clearly considered her the most important element in the play. The Pittsburgh Post-Gazette’s columnist “Connie” named her “Woman of the Week” for her “beautifully balanced life” including her acting career, her philanthropic projects, and the “inspiration of her son, Richard E. Rauh,” who himself became both an actor and a philanthropist. In 1971, she reappeared at the Playhouse with a different cast, again to favorable reviews. Helen Wayne Rauh in Blithe Spirit In our production, Mary Rawson, another well-known Pittsburgh actress, will create the part of Madame Arcati. Rawson has been seen in productions ranging from Mister Rogers’ Neighborhood (Cousin Mary Owl) to August:Osage County (Violet Weston) and was named a Pittsburgh Post-Gazette performer of the year for the latter role. Her vision of this amazing character will add another striking element to Coward’s “improbable farce.” Helen Wayne Rauh as Madame Arcati TO A SKYLARK by PERCY BYSSHE SHELLEY HAIL to thee, blithe spirit! Bird thou never wert— That from heaven or near it Pourest thy full heart In profuse strains of unpremeditated art. Higher still and higher From the earth thou springest, Like a cloud of fire; The blue deep thou wingest, And singing still dost soar, and soaring ever singest. In the golden light'ning Of the sunken sun, O'er which clouds are bright'ning, Thou dost float and run, Like an unbodied joy whose race is just begun. The pale purple even Melts around thy flight; Like a star of heaven, In the broad daylight Thou art unseen, but yet I hear thy shrill delight— Keen as are the arrows Of that silver sphere Whose intense lamp narrows In the white dawn clear, Until we hardly see, we feel that it is there. All the earth and air With thy voice is loud, As when night is bare, From one lonely cloud The moon rains out her beams, and heaven is overflow'd. What thou art we know not; What is most like thee? From rainbow clouds there flow not Drops so bright to see, As from thy presence showers a rain of melody:— Like a poet hidden In the light of thought, Singing hymns unbidden, Till the world is wrought To sympathy with hopes and fears it heeded not: Like a high-born maiden In a palace tower, Soothing her love-laden Soul in secret hour With music sweet as love, which overflows her bower: Like a glow-worm golden In a dell of dew, Scattering unbeholden Its aërial hue Among the flowers and grass which screen it from the view: Like a rose embower'd In its own green leaves, By warm winds deflower'd, Till the scent it gives Makes faint with too much sweet those heavy-wingèd thieves. Sound of vernal showers On the twinkling grass, Rain-awaken'd flowers— All that ever was Joyous and clear and fresh—thy music doth surpass. Teach us, sprite or bird, What sweet thoughts are thine: I have never heard Praise of love or wine That panted forth a flood of rapture so divine. Chorus hymeneal, Or triumphal chant, Match'd with thine would be all But an empty vaunt— A thin wherein we feel there is some hidden want. What objects are the fountains Of thy happy strain? What fields, or waves, or mountains? What shapes of sky or plain? What love of thine own kind? what ignorance of pain? With thy clear keen joyance Languor cannot be: Shadow of annoyance Never came near thee: Thou lovest, but ne'er knew love's sad satiety Waking or asleep, Thou of death must deem Things more true and deep Than we mortals dream, Or how could thy notes flow in such a crystal stream? We look before and after, And pine for what is not: Our sincerest laughter With some pain is fraught; Our sweetest songs are those that tell of saddest thought. Yet, if we could scorn Hate and pride and fear, If we were things born Not to shed a tear, I know not how thy joy we ever should come near. Better than all measures Of delightful sound, Better than all treasures That in books are found, Thy skill to poet were, thou scorner of the ground! Teach me half the gladness That thy brain must know; Such harmonious madness From my lips would flow, The world should listen then, as I am listening now. Left to Right: Judges Jeffrey A. Manning, Judith Ference Olson, Maurice B. Cohill Jr., Christine A. Ward, Dwayne R. Woodruff and Nora Barry Fischer Thank you to everyone who sponsored, participated in and attended PICT UnCommon Pleas. With your help, it was an uncommon success and an entertaining evening! We look forward to seeing all of you next year. Karen and Chuck Moellenberg 2014 PICT SPONSORS SEASON SPONSOR: Philip Chosky Charitable & Educational Foundation PRODUCTION SPONSOR: Richard E. Rauh SEASON MEDIA SPONSORS: WESA Radio 90.5 FM and WYEP 91.3 FM OPENING NIGHT SPONSOR FOR BLITHE SPIRIT: Bayer MaterialScience LLC Education and Enrichment Program Sponsors: ARAD, First National Bank of Pennsylvania, Henry C. Frick Educational Fund of the Buhl Foundation, Highmark Blue Cross Blue Shield, Levin Furniture, Maher Duessel, McKinney Charitable Foundation through the PNC Charitable Trust Grant Review Committee, Pennsylvania Council on the Arts, PPG Foundation, Ryan Memorial Foundation, United Concordia Companies, Inc., UPMC Health Plan. For information on the benefits of sponsorship, please contact Ryan Ferrebee, Development Manager, at 412.561.6000 or email rferrebee@picttheatre.org Wish List The items in the list on the left will make behind-the-scenes run more smoothly. Please contact us at 412-561-6000 if you would like to donate any of the following: Maher Duessel Is Proud to Support Pittsburgh Irish Classical Theatre. Founded in 1989, Maher Duessel Celebrates 25 Years Serving the Non-Profit Sector. Pursuing the Profession While Promoting the Public Good® LCD monitors Computers (Intel i5 or higher) Portable scanner Webcams Portable hard-drives Computer peripherals Corded & cordless drills Drill press Band saw Portable air compressor Pneumatic tools Home Depot & Lowes giftcards Tool storage cabinets Hand tools Flammables cabinets Macbook Pro (Intel i7) 3pin XLR cables USB cables 100' cat5e cables Serger (sewing machine) Industrial sewing machine Steamers Office supply cabinets Office chairs Folding chairs Light weight folding tables Executive desk Drawer storage cabinets LCD TVs Conference table speaker PICT Classic Theatre Annual Fund Donors We extend our deepest appreciation to the following donors who support PICT programs on the stage and in the community. William Shakespeare ($25,000 +) Donna & Lewis A. Patterson James M. & Lucy K. Schoonmaker Foundation Philip Chosky Charitable Foundation Richard E. Rauh Saundra & Eugene O'Sullivan The Heinz Endowments William Butler Yeats ($2,500-$4,999) Alan & Margie Baum American Eagle Foundation Barbara & John Carlin Berkeley Research Group, LLC Bettyanne & James Huntington David Auel & Erin Shannon-Auel Dr. Stephen & Kathleen Guinn Fabian & Nanette O'Connor Frances Donahue James Joyce Gail A. Gerono ($10,000-$24,999) George Loewenstein & Vivian Sue Molina & Donna Harsch Richard W. Dugan Joseph & Susan Karas Dina & Jerry Fulmer Karen & Richard Miller Cynthia Berger & Maurice B. Cohill Laurence Green Michael & Cathy Ginsberg Mark Browne Michael & Karen Burns The Shubert Foundation R J Lee Group The Fine Foundation Grambrindi Davies Fund of Sara & John Henry Steelman the Pittsburgh Foundation The Elliott Group in honor of Carol and Sean United Concordia Companies, Inc., a Highmark Company Hughes Robert Levin & Kerry Bron PNC Foundation Highmark Blue Cross Blue Shield Chuck & Karen Moellenberg John Millington Synge ($1,000-$2,499) Allegheny County Bar Association Anne & Jim Burnham Bayer MaterialScience LLC Samuel Beckett Bentz, Grob, Scheri and ($5,000-$9,999) Woodburn Family BNY Mellon Medicine First National Bank Blumling & Gusky, LLP of Pennsylvania Bonnie & Steve Dake Jones Day Brother's Brother Foundation Ogletree, Deakins, Nash, Calgon Carbon Corporation Smoak & Stewart, P.C. Caliban Book Shop Ryan Memorial Foundation Cecilia Rose Dickson, Sally Levin and the employees The Webb Law Firm of Levin Furniture Charlton Fund of Steve Cuden The Pittsburgh Terri Gould Foundation The McKinney Charitable Trust Chuck & Julia Reynolds through the PNC Charitable Cohen & Grigsby, P.C. Trust Grant Review Deloitte Consulting, LLP Committee. Dinsmore & Shohl, LLP Dr. & Mrs. Armand Panson Dr. Madalon Amenta Federated Investors Foundation, Inc. Kevin Gieder Litigation Management, Inc. Maher Duessel Manny Smith Matis Baum O'Connor Mel Miller & Greg Silvus Meyer, Unkovic & Scott, LLP Newmont Mining Corporation Pearl & Dave Figgins PNC Financial Services PPG Industries Foundation - GIVE Program Precise, Inc. Prism Public Affairs & Rosky/Baerlein Ray & Susan Werner Robert Swendsen Shadyside Inn Susan & David Brownlee Susan Harris Smith & Philip E. 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Brosky & Nancy Cramer David Maxwell Dawn Nelson & Donald Hart Deborah Bates Deborah Robinson Deborah Rosen Don & June Kudas Donald & Janet Moritz Dr. & Mrs. Harold Scheinman Dr. & Mrs. Robert G. Gast Drs. Elissa Hoffman & Werner Pluhar Drs. Richard & Marjorie Fond Edith Bell Elizabeth Bennett Eric Marchbein Florence & Harry Corbett Foster & Barbara Jones Francis B. Simko, Jr. Frank Belczyk Fred Noel & Rick Fredin Gary C. Cacciani George & Mary Lou Frost Gloria & Al Klein Gregory Murman Hanita & Ram Kossowsky Hannah Palmer Harold & Ruth Hansen Helen & Mike Mabry Helen Davis Helen Eaton Henry & Anne Bent Irving Wender & Jean Gershon Jack & Debbie Ciak Jack & Phyllis Ochs James & Marie Gregorchik James Schran Jamie Haney Janet Felmeth Janet Heidet Janet Hilderbrand Jay Barry Jay Silberblatt & Lori Sisson Jerry Gindele Joan & Harold Chelemer Joan Frank Apt Joan Morse Gordon Joan Smith Joe & Joellen Duckett John B. Goodenough John F. Peters Joyce Magill Judith & Gerald Hamill Judith Lydon Karen A. Ford Katherine Brownlee & James Anderson Katie Stanich Keith Somers & Deborah Moss Kellen & Michele McClendon Kelly Drummond Kenneth & Leota Jones Landau Building Company Linda & Orlando Jardini Linda Korczynski Lorna & Kevin Kearns Lorraine Starsky & Peter Oanes Lou Martinage Margaret Mima Marge & Dennis Kerr Marianne Hooker & Philip Tramdack Mark Friedman Mark Heine & Helene Bender Martin Regan Mary & Michael Usnick Maryanne Loebig Marylyn F. Devlin Maureen McHugh & Fran Barret Maurice & Catherine Zeldman Megan Wieder Michael & Deborah West Michael & Ruth Casey Michael Essad & Jessi Sedon Michael Fallon & Karen France Michele Haney Michelle Belan Michelle Herwald Mr. & Mrs. Michael Zawoyski & Molly Sinclair Mr. Thomas Boyle Mrs. Rosalind Kaliden-Barry & Mr. Robert Barry Ms. Sylvia Sachs Nancy Noyes Nancy Schaefer Nicole Cellone Pamela Johnson & Ray Williams Patricia A. Yeager Patricia C. Dillman Patricia Flaherty Patricia Nichols Patty & Stanley Levine Peggy & Ben Gessler Philip E. & Deborah Troy Ranika Kejriwal Rev. Philip Wilson Reva Rossman & Joseph Furman Richard A. Beran Rita Martin Robert & Maria Brooks Rochelle Packard Rochelle Rudoy Rocky Raco Photography Ron & Lois Folino Ronald Heller Rosemary Mendel Roslyn Goorin Roz Sherman Ryan Thurman Sandra Welsh Sarah Heppenstall Shannon & Andrew Webber Siamak & Joan Adibi Sophia Grosso Stage 62 Theatre The Welsh's Stella L. Smetanka & Kemal L. Mericli Steven Doerfler Steven Ursiny Stuart & Eileen Hastings Stuart & Mary Staley Sue Bonello Susan Banks Susan L. Blair Suzanne Powell Terry & Janet Woodcock Thalia Doukas Todd Tomasic Vange & Nick Beldecos Veronica Bernard Victor & Delia DiCarlo Vira Shao Virginia W. Schatz Walter & Patricia Damian William J. & Kathryn Powell William Lafe & Carol Hochman William Wagg William Zeiger Special Gifts: Anonymous, in honor of Anne Mullaney Maurice B. Cohill, in memory of my wife, Anne D. Mullaney Mary Davitt, in memory of my father, J. Alan Davitt Harvette & Richard Dixon, in honor of Richard Miller Francine George, for Clara & Donald Jeffrey & Rachel Lowden, in honor of Robert Levin Margaret Mima, in memory of Joseph Mima Thomas Pandaleon & Faith Schantz, in memory of Lila Schantz Jeffrey Pollock, in honor of former PICT Board member, Mark Clayton Southers Mona Rush, in memory of Renee Huff-Moody: A mother who never gave up hope that her lost son would one day be found Elaine Sadowski, in honor of Eric Nelson Anchor Fund of The Pittsburgh Foundation in honor of Cynthia Berger Ellen Wilson and Fredric V. Price M.D, In honor of Alan Baum Grambrindi Davies Fund of the Pittsburgh Foundation, in honor of Carol & Sean Hughes Michelle and Frank Domeisen, in Honor of Erin Shannon-Auel Contributions from January 1, 2013–April 1, 2014. For corrections or information about making a tax-deductible gift to PICT, call Ryan Ferrebee at 412-561-6000. Don’t forget to see if your employer has a gift-matching program. Many thanks to the following companies for supporting PICT by matching their employees’ contributions: Bank of America, BNY Mellon, The Buhl Foundation, Chevron, Computer Associates Inc., Gap Stores, Google, HJ Heinz Co. Foundation, Highmark Blue Cross Blue Shield, IBM, Macy’s Foundation, Microsoft Corp., PNC Foundation, PPG Industries, Inc., UBS. SAVE THE DATES Call 412-561-6000 to buy tickets for any of the following events. Tastefully PICT Join PICT as we celebrate the Sweet Taste of Success! Enjoy a sumptuous six-course meal with selected wines to compliment each course! ELEVEN CONTEMPORARY KITCHEN Monday, May 12 at 6:30 p.m. Witches & Wizards Sunday, October 26, 2014 A scene from PICT Plays... with Mystery & Mayem (2013 Gala). From Left to Right: James FitzGerald, David Whalen, Karen Baum, Alan Stanford, special guest Jack Gleeson and Gayle Pazerski. Dear Friends, Building Intelligently Saving Energy As PICT Classic Theatre’s new Development Manager, it is my pleasure to welcome you and thank you for attending today’s production. It is so fulfilling to be doing work that allows me to combine my passions—people, theatre, and advancing the arts. What’s more, it is wonderful learning why you, our patrons and supporters, love PICT Classic Theatre. If we haven’t had a chance yet, I look forward to engaging with you soon. Feel free to stop me and say hello! I am confident that under the leadership of our energetic and passionate Board of Directors, Artistic & Executive Director Alan Stanford, and Managing Director Stephanie Riso, the future of PICT Classic Theatre as a world-class arts institution with roots right here in Pittsburgh is bright. Now is the time to join us! PICT Classic Theatre is launching three new giving initiatives that, with your support, will assist us in spring-boarding to the next level. They are: •October Shakespeare Underwriting: As we commit to producing one production by The Bard every fall, opportunities are available to underwrite production necessities, including costumes, actors, props, and anything else you can imagine. We love producing Shakespeare, and we know you’ll love the opportunity to see it on our stage every year, knowing that you made it happen. •The Matching Gift Pool: With a strong group of core supporters at $1,000 and up, the matching gift pool allows PICT to leverage the kindness of our donors to secure more donations in the community through special campaigns throughout the year. Think of it as a gift with the potential to double or triple in value! •Featured Artist Underwriting: The artists we use are the soul of PICT Classic Theatre, which is why we’ve committed to utilizing the talents of two featured artists each season. Underwriting our featured artists at the $5,000 level ensures that PICT always has the best talent on our stages and in our schools, representing the very best PICT has to offer. These are just three of the many ways you can help PICT Classic Theatre retain and enhance its reputation as one of the best theatres in town! Every gift is deeply appreciated and goes directly to the advancement and creation of the very best Irish and Classic theatre we can offer. If you are interested in making a contribution to these or any other PICT giving programs, I am here to make the process easy and rewarding. Gift envelopes are available inside each program for your convenience, and I’m always available to schedule a meeting if you’d like to learn more about our giving options. Again, thank you for being a part of our family, and I hope you enjoy the show! Very Truly Yours, Ryan Ferrebee, Development Manager Children have dreams that can come true. At Bayer, we have visions that we do our utmost to fulfill. As one of the world’s leading producers of high-quality polymer materials, Bayer MaterialScience offers intelligent solutions for energy-efficient construction in all the world’s climate zones. High-performance insulating materials made of polyurethane ensure that roofs, ceilings, walls and floors are insulated effectively. This reduces the energy consumption of buildings significantly. Together with our partners, we bring our visions of energy-saving construction to life – for the sake of climate protection, and for the generations of tomorrow. www.bayer.com Up next at PICT... Waiting for Godot By Samuel Beckett June 5–21 starring: Martin Giles as Estragon James FitzGerald as Vladimir Ken Bolden as Lucky Alan Stanford as Pozzo Refer a friend! Give them discount code FRIEND10 Waiting was never so funny! PICTTheatre.org 412.561.6000 The Charity Randall Theatre
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