Aug. 3, 2005
Transcription
Aug. 3, 2005
JazzWeek jazzweek.com • Aug. 3, 2005 with airplay data powered by Volume 1, Number 36 • $7.95 In This Issue: Stem Cell Match Sought for Michael Brecker . . . . . 4 Charles Mingus Honored at San Sebastian . . . 5 Bassist Al McKibbon, 86, Passes . . . . . 6 Reviews and Picks . . . . . 14 Jazz Radio . 17 Smooth Jazz Radio. . . . . . 22 Radio Panels . . . . . 26 News. . . . . . . 4 Industry Q&A: TODD BARKAN page 9 Charts: #1 Jazz Album – Clayton-Hamilton Jazz Orch. #1 Smooth Album – Richard Elliot #1 Smooth Single – Richard Elliot This Week JazzWeek EDITOR Ed Trefzger MUSIC EDITOR Tad Hendrickson CONTRIBUTING EDITORS Keith Zimmerman Kent Zimmerman CONTRIBUTING WRITER/ PHOTOGRAPHER Tom Mallison PHOTOGRAPHY Barry Solof Founding Publisher Tony Gasparre ADVERTISING: Call (585) 328-3104 or email: adinfo@jazzweek.com SUBSCRIPTIONS: Prices in US Dollars: Charter Rate: $199.00 per year, JazzWeek w/ Industry Access – Charter Rate: $249.00 per year To subscribe using Visa/MC/Discover/ AMEX/PayPal go to: http://www.jazzweek.com/account/ subscribe.html AIRPLAY MONITORING BY W e had hoped to roll out our newest chart in this issue, a College Jazz Chart, but we’ll have to wait one more week. The chart, monitored and tabulated by Mediaguide, will include stations not part of the current jazz panel. As I mentioned last week, we’re going to introduce it as a “beta” – we’ll publish a few issues to allow labels, stations, and promoters to have a look-see and get their ducks in a row before the final launch in conjunction with the ever-approaching fall semester. I’m always fascinated by the careers of people who have made a life in jazz radio, promotion, records, etc. It makes me wonder if those opportunities even exist when I hear the life stories of people who’ve had those amazing careers. This week, we feature another one of those folks with an enviable resume, Todd Barkan, who now books Dizzy’s Club Coca-Cola. Tad Hendrickson chats with Todd about the club now that it has a year under its belt. – Ed Trefzger, Editor Mediaguide 1000 Chesterbrook Blvd. Suite 150 Berwyn, PA 19312 JazzWeek (ISSN 1554-4338) is published weekly by 2117 Buffalo Road Suite 317 Rochester, NY 14624 phone: (585) 235-4685 fax: (585) 235-4685 info@jazzweek.com Copyright ©2005 Yellow Dog Communications Inc. jazzweek.com • Aug. 3, 2005 JazzWeek 2 Contents Aug. 3, 2005 4 9 17 22 News . . . . . . . . . . . . . . . . . . . . . . . . . . Appeal Made for Stem Cell Donors for Michael Brecker . . . . . . . . An Online Greeting Card . . . . . . . . . . . . . . . . . . . . Charles Mingus Honored at Jazzaldia. . . . . . . . . . . . . . . . Bassist Al McKibbon, 86, Part of Early Latin Jazz Movement . . . . . . Delbuguet Departs Justin Time Records . . . . . . . . . . . . . . Berklee Teams with BeanTown Fest . . . . . . . . . . . . . . . . Gillespie Estate Cleared for Auction . . . . . . . . . . . . . . . . Birthdays . . . . . . . . . . . . . . . . . . . . . . . . . . Features Industry Q&A: Todd Barkan, Artistic Administrator of Jazz At Lincoln Center Reviews and Picks . . . . . . . . . . . . . . . . . . . . . . . JC Hopkins Biggish Band . . . . . . . . . . . . . . . . . . . Tim Ries . . . . . . . . . . . . . . . . . . . . . . . . . MOB Trio . . . . . . . . . . . . . . . . . . . . . . . . . organissimo . . . . . . . . . . . . . . . . . . . . . . . . Editors’ Picks . . . . . . . . . . . . . . . . . . . . . . . . . Jazz Charts . . . . . . . . . . . . . . . . . . . . . . Jazz Album Chart . . . . . . . . . . . . . . . . . . . . . . . Jazz Add Dates . . . . . . . . . . . . . . . . . . . . . . . . Jazz Current CDs . . . . . . . . . . . . . . . . . . . . . . . Jazz Radio Panel . . . . . . . . . . . . . . . . . . . . . . . Smooth Jazz Charts . . . . . . . . . . . . . . . . . Smooth Album Chart . . . . . . . . . . . . . . . . . . . . . . Smooth Singles Chart . . . . . . . . . . . . . . . . . . . . . . Smooth Current CDs . . . . . . . . . . . . . . . . . . . . . . Smooth Radio Panel . . . . . . . . . . . . . . . . . . . . . . Classifieds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 4 4 5 6 6 7 7 8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9 14 14 14 14 15 15 17 18 19 20 26 22 23 24 25 26 16 Cover photo: Todd Barkan introduces a set at Dizzy’s Club Coca-Cola. (photo by Frank Stewart/Jazz at Lincoln Center) JazzWeek Volume 1 Issue 36 jazzweek.com • Aug. 3, 2005 JazzWeek 3 News Appeal Made for Stem Cell Donors for Michael Brecker A search is on for a suitable stem cell donor for saxophonist Michael Brecker, who was recently diagnosed with the blood cell disorder MDS, myelodysplastic syndrome. According to a widely-circulated email sent by Brecker’s wife Susan, a suitable match has not been found among an initial search, which included Brecker’s siblings and children. Susan Brecker encouraged as many people as possible with a similar genetic background to be tested for a possible match. According to her email, a match for Michael would be most likely to come from those of Eastern European Jewish descent. The screening involves a blood test only, and can be done either at a marrow donation center or at a local lab. Those interested in being screened should contact a local blood bank, or to find a donor center visit http://www. marrow.org. Susan also encouraged any groups interested in organizing a drive for Michael to contact Michael’s management office at (212) 302-9200 or at info@michaelbrecker.com. “Thank you so much for your love and support. We are so grateful,” Susan wrote. Brecker has cancelled all upcoming tour dates while he is treated. Those wishing to pass along well wishes to Michael Brecker may do so by sending cards in care of Memorial Sloan-Kettering Cancer Center, 1275 York Ave, New York, NY 10021, or by emailing info@michaelbrecker.com. JW jazzweek.com • Aug. 3, 2005 An Online Greeting Card While at the San Sebastian Jazzaldia Festival in Spain last month, independent record promoter Dr. Jazz asked musicians to participate in an online get well card for Michael Brecker. Below are just a few who participated. The entire set of well wishes is online starting at http://www. drjazz.com/conf/MichaelBrecker/page1.htm Dr. Jazz/drjazz.com A few of the well-wishers for Michael Brecker take some time for a photo at the San Sebastian Jazzaldia Festival. Clockwise from upper left: Phil Woods; Kenny Barron; Billy Martin, John Medeski, and Chris Wood; Dave Holland. JazzWeek 4 News Charles Mingus Honored at Jazzaldia Dr. Jazz/drjazz.com Sue Mingus and festival director Miguel Martin at the dedication of a plaque (shown at top) at the 40th anniversary of the San Sebastian Jazzaldia festival. �������� ����������� ������������������������������������������������ ���������������������������������������������������� ����������������������������������������������������� ���������������������������������������������������� ������������������������������������������������ ��������������������������������������������������� �������������������������������������������������� ���������������� ������������������������������������� ���������������������������������� ������������������������� ����������� �������� ����� ������ ����������� �������������������������������� ���������������������������� ��� ������ �������� � ����� ������ ������������������������������� ���� �������� ������ ���� ������ ����� ����� ���� ������ ��������� ������� ���� ������� �������� 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������������������������������� ���������������������������� ���� �������� ����� ������ ������ ��� ��������� �������� ������� ����� ����� ������� ���� ���� ���� �������� ����� ������ ���� ������ ��� �������� ������������ ����� ��� ���� ������� ���� ��� ������� ��� ����������������������� ☛ ������������������������������������������������������� ������������������������������������������������������������� ���������������������������������������������������������������� �������� ���� ���� ���� ������� ������ ����� �� ���� ��������� ����� �������������������������������������������������������������� ����� ����� ���� ������ ����� ������ ����������� ��� �������� ����� ������������������������������������������������������������ ������������������������� � ������ �������������������������� ������ �������� ��������������������� SAN SEBASTIAN, Spain – Sue Mingus, widow of bassist Charles and owner of Sue Mingus Music, the label formed to perpetuated Charles’ music, was at the 40th anniversary of the San Sebastian Jazzaldia festival, where a plaque was commemorated in her late husband’s honor. Festival director Miguel Martin unveiled the memorial at a performance by the Mingus Big Band. Charles Mingus appeared at the 1974 and 1977 editions of the festival. The Mingus Big Band recently completed a summer tour of Europe coinciding with the European release of I Am Three by the Mingus Big Band, Orchestra, and Dynasty, which is released in the U.S. by Sue Mingus Music/Sunnyside Records. JW � ����������� ��������������� ���� ������������ �������� ���� ����� ������� ��� ��������������� ���������� ������ �������� ������ ������� ����� ������ ����������� ������������������������������� �������������������������������� �������������������������������� �������������������������������� �������������������������������� ���������������������������� ���������������������� � � � � � � � � � � �� ������������� ��������� ������� ������������ ������� ��� ��� ����� ���� �������� ��� ����� �� ���� ����� ��� ������� ���� �� ���������������������������������� ������������������������������ ��������������������������� ��������������������� �� ���� ��������������� ����������� �������������������������� �������� JazzWeek �� 5 News Bassist Al McKibbon, 86, Part of Early Latin Jazz Movement LOS ANGELES – Bassist Al McKibbon, an early force in the incorporation of Latin rhythms into jazz, died July 29 in Los Angeles. He was 86 and had been in declining health. McKibbon was born in Chicago, but grew up in Detroit, where in his early years as a musician he was a part of a number of local swing bands before becoming part of touring groups in the 1940s, including with Lucky Millinder, Tab Smith, J.C. Heard, and Coleman Hawkins, and was part of Norman Granz’s Jazz at the Philharmonic. McKibbon got his first exposure to the nascent Latin jazz scene when he replaced Ray Brown in Dizzy Gillespie’s band in 1947. He continued to work with Gillespie from time to time through 1950. McKibbon continued as part of the growth of Afro-Latin jazz in the 1950s with George Shearing and Cal Tjader, working with Shearing from 1951-58 and with Tjader in 1958 and 1959. In 1949, McKibbon was part of Miles Davis’ nonet on sessions with Gil Evans that would become Birth of the Cool, in the 1950s recorded with Thelonious Monk and Herbie Nichols, and was recorded live at Newport in 1957 with Nichols and Hawkins. McKibbon was part of the final Monk recording in 1971. He was a member of the Giants of Jazz in 1971-72 and recorded with Benny Carter in 1976. McKibbon settled in Los Angeles in the 1960s, where he kept busy with studio work and live performanc- es with singers, including Sammy Davis, Jr. While McKibbon had no recordings as a leader, he is heard on countless albums and reissues. JW Delbuguet Departs Justin Time Records Mathieu Delbuguet is leaving Justin Time Records to attend law school at the University of Montreal. Until a replacement is named, Jean-Pierre Leduc is the person to contact at the label for radio promotion at (514) 7389533 or by email at jp@justin-time. com. In making the announcement, Delbuguet wrote, “I will sincerely miss working with you all and being constantly surrounded by great people and great music.” ������������ ���� ���� ���� ����� ������������������������������������ ������������������������������������ jazzweek.com • Aug. 3, 2005 JazzWeek 6 News Berklee Teams with BeanTown Fest BOSTON – Berklee College of Music and the BeanTown Jazz Festival are partnering to present the festival’s opening concert. On Friday, September 23, Berklee and BeanTown are bringing jazz and R&B vocalist Lalah Hathaway, a Berklee alumna, to the Berklee Performance Center for a special pre-festival concert. On Saturday, September 24, the pair brings alto saxophonist Miguel Zenon, also a Berklee alumnus, to the outdoor stage on Columbus Avenue. “The BeanTown Jazz Festival is putting Boston on the map for major jazz festivals,” said Berklee president JW Roger Brown. �������������������������������������� Gillespie Estate Cleared for Auction More than 12 years after his death, the contents of the Dizzy Gillespie estate will now be put up for auction. These prized possessions document the career of the jazz legend and his 53-year marriage to Lorraine Gillespie. Dizzy’s bent trumpet will be auctioned off on Sept. 14 at Dawson & Nye Auctioneers, Morris Plains, N.J. along with hundreds of other Gillespie possessions. Dizzy and his wife moved to Englewood, N.J., in 1965. All items being auctioned are from their Englewood home. Many of the auction items reflect Dizzy’s exceptional 50-year career as a jazz master and a founder of bebop. In addition to his trumpet, sev- eral drums, a piano, his record collection and handwritten sheet music will be sold. His signature hats (size 7-3/8), various photographs, posters and personal correspondence are included. Numerous awards including a gold record and Grammy will go to the highest bidder. A full listing of the items is at http://w w w.dawsonandnye.com /. Auction previews begin on Sunday, Sept. 11. Special preview events include a tribute performance by the Dizzy Gillespie All-Star Band, Dizzy film showings and more. Bids will be accepted in advance of the sale and, during the sale, in-person, by phone and through eBay live. JW The Dr. Jazz Test For “Promotionitis” Do you suffer from these symptoms? Tighness of Budget Distributor Complications Depressed Sales Air Play Rejection Elevated Blood Pressure or Ulcers call Dr. Jazz immediately If you answer yes to any of the above, 800-955-4375 ������������ �������������������������������������������� ������������������������������������������������� jazzweek.com • Aug. 3, 2005 JazzWeek 7 News Birthdays August 3 Lawrence Brown (1907) Charlie Shavers (1917) Eddie Jefferson (1918) Tony Bennett (1926) Ray Draper (1940) Roscoe Mitchell (1940) Greg Osby (1960) August 4 Louis Armstrong (1901) Herb Ellis (1921) Sonny Simmons (1933) August 5 Red Nichols (1905) August 6 Luis Russell (1902) Buddy Collette (1921) Abbey Lincoln (1930) Dorothy Ashby (1932) Roberto Baden-Powell (1936) Charlie Haden (1937) Byard Lancaster (1942) August 7 Idrees Sulieman (1923) Rahsaan Roland Kirk (1936) George Bohanon (1937) Howard Johnson (1941) August 8 Lucky Millinder (1900) Benny Carter (1907) jazzweek.com • Aug. 3, 2005 August 9 Jack Dejohnette (1942) August 10 Claude Thornhill (1909) Arnett Cobb (1918) Chuck Israels (1936) Michael Mantler (1943) August 11 Jess Stacy (1904) Russell Procope (1908) Peter King (1940) August 12 Earl Coleman (1925) Pat Metheny (1954) August 13 George Shearing (1919) Benny Bailey (1925) Mulgrew Miller (1955) August 14 Stuff Smith (1909) Lorez Alexandria (1929) Eddie Costa (1930) August 15 Oscar Peterson (1925) August 16 Mal Waldron (1926) Bill Evans (piano) (1929) Alvin Queen (1950) August 17 Ike Quebec (1918) George Duvivier (1920) Duke Pearson (1932) August 18 Adam Makowicz (1940) David Benoit (1953) August 19 Jimmy Rowles (1918) August 20 Frank Rosolino (1926) Jimmy Raney (1927) Milford Graves (1941) Enrico Rava (1943) August 21 Count Basie (1904) Art Farmer (1928) August 22 Malachi Favors (1937) August 23 Martial Solal (1927) Terje Rypdal (1947) Bobby Watson (1953) Avery Sharpe (1954) August 24 Claude Hopkins (1903) Buster Smith (1904) August 25 Bob Crosby (1913) Wayne Shorter (1933) Pat Martino (1944) Keith Tippett (1947) Charles Fambrough (1950) JazzWeek 8 Industry Q&A: Todd Barkan, Artistic Administrator of Jazz At Lincoln Center H aving a chat with Todd Barkan is an education in life, music and business. Winner of the JJA Events Producer Of The Year, Barkan booked his first bands in 1964, bringing bands like the Miles Davis Quintet and the Modern Jazz Quartet to Ohio where he went to school. Barkan went on to be a working pianist who played with Grover Washington, Jr., his mentor Rahsaan Roland Kirk and several Latin bands. While holding down a day job as customs broker, he played nights in the Bay Area and eventually bought Keystone Korner, in process turning the club into the seminal West Coast stop for many jazz musicians in the ’70s. Along the way he’s produced countless records as well. These days Barkan can be found most nights in Dizzy’s Club Coca-Cola, a room he’s brought to life 365 days a year with a mix of thoughtful and savvy booking. – Tad Hendrickson JW: One year under your belt in the new space. How do you feel? John Abbott Todd Barkan TB: I think it’s been one of the most hectic and activity-filled passages in my life and for everyone else that I work with. I think we’ve all had a very challenging and intense experience, in the most positive of ways. The thing that is uppermost in our minds has been how positive an experience it has been. This helps us with the difficulties of the effort. Can you name a highlight or two from the first year? The three-week festival of Kenny Barron. Wynton and I had wanted to present great keyboardists in a variety of settings with a variety of jazz soloists. That was dream come true with Kenny Barron, because we were able to present his sextet and his classic trio with Grady Tate and Ray Drummond. Stevie Wonder wandering in with his entourage on a Thursday when pianist John Di Martino and saxophonist Bob Kindred playing. Wynton was there. Stevie came to sit in and they played the Lionel Hampton song “Midnight Sun.” We had Stevie playing “Midnight Sun” on harmonica with Reginald Veal on bass, Herlin Riley on drums, John Di Martino, Bob Kindred, Wynton continued ... jazzweek.com • Aug. 3, 2005 JazzWeek 9 Q&A: Todd Barkan (continued) Marsalis and Stevie Wonder. Now that is a nice bit of action. We’ve had Ben Riley in playing with the Monk Legacy Band and had Cedar Walton, Louis Hayes and Jimmy Cobb all coming in and hanging out on stage together. That’s a wonderful thing that you want to hold on to and put up like a picture because it is a beautiful sunset picture to have them there. You have the Diet Coke Women in Jazz Festival coming up in September. Is this to answer the criticism towards the lack of women in past bookings and musical hirings? John Abbott How did it come about? This is a good balance to the criticism of the last 10 years of JALC programming. It’s good element to put in the picture of what we do at Jazz At Lincoln Center. People are mad about it taking so long or being a token operation, but this festival has been a pretty positive process. It’s a gig and it’s a good one! No one is trying to make political points here, we’re just trying to celebrate a very important tradition. There’s going to be some men sidemen anyway, so it’s not going to be women and women only festival. It’s simply that the women are going to be large and in charge for a month. We can not only live with that, but we can celebrate that. Diet Coke brought the idea to us. Not only do they want to work with women but also younger musicians as part of their outreach program. I liked the idea from jump-street. What have been the challenges of putting it together? A lot of work evaluating material and people. You want to have the best festival possible, the fairest and the most balanced. It’s about doing the right thing and doing it right. And you can’t include everybody, so you have to accept that as well. But hopefully we’ll be able to work those that can’t do it in over the course of the year. I’m not worried about Dianne Reeves getting a slot if she wants one, or Renee Rosnes. They are going to play at the club all the time, because they are major jazz artists, period. This is a chance to do something with other people. You’ve become the new club to reckon with on the New York scene. Do you feel the squeeze of competition by being in this market? jazzweek.com • Aug. 3, 2005 continued ... JazzWeek 10 Q&A: Todd Barkan (continued) I was sad to hear about the [closing of the] Jazz Au Bar because I never thought that we competed – they are eight or nine blocks away on 58th Street and the Iridium is over on Broadway and 50th. If you really check those places out, these places have their own audiences. It’s simply an inexhaustible interchangeable group of folk. Really? I don’t feel that were in direct competition with the Jazz Standard or Sweet Rhythm. I feel that it’s healthy to create a scene that is active, one that is a little more like the golden age of this music. That sounds idealistic, but I don’t think it’s impractical. I wouldn’t want JALC to be sitting there by itself. It wouldn’t be a healthy situation. John Abbott The late pianist Sir Roland Hanna with Todd Barkan. continued ... jazzweek.com • Aug. 3, 2005 JazzWeek 11 Q&A: Todd Barkan (continued) True. I’ve noticed it in-house a little bit. When we had JVC in here, the young pianist Eldar was in Dizzy’s and Chick Corea and Michel Camilo were across the hall. I think that it inevitably mitigated his audience. But that’s small potatoes. Our goal is to create a scene within a scene. We want a lot more jazz shows happening in the house. That’s what Wynton dreams of, and my hats off to him for dreaming that. Has everything gone according to plan? We did have to scale back, based on some very pragmatic considerations. We have to dot all our I’s and cross our T’s, and pay all our bills. And yet present as much creative music as we could. We did have to scale back considerably from what Wynton originally saw. He shared those dreams in the beginning with me and we did some of that dreaming together, along with the rest of the staff. Some of the dreams came true and some of them are still in development. The operative word is “development.” They haven’t been tabled. John Abbott Todd Barkan with Jimmy Scott The financial realities are there in Dizzy’s, but more manageable. They are as inexorable as the other rooms. Every week we have 2000 seats to sell, and there is nothing more thankless than doing that in a jazz club. I saw Cyro Baptiste up there. I heard that it wasn’t well received on all fronts. There was a good deal of examination of that booking as it unfolded. I’m happy as a lark that we did that with Cyro, but we will do other projects with him in the future. I’m so happy we did it because it exposed a whole other audience to the club. It was great having that kind of music in the room because there we are there to put on shows and we have to be conscious of that. What about Joe Lovano’s quartet? The Joe Lovano booking caused a lot of controversy. A lot of the regulars, including staff members, were off put by [drummer] Paul Motian. They didn’t get him. “Why did you get this guy? He doesn’t swing.” Now as an old crusty jazz promoter, I think that is an interesting. Because he’s played with the greatest jazz musicians, going back to Paul Bley and Bill Evans. He’s a unique character in the classic sense of the word. Conceptually, he does things his own way. Joe likes it because it allows space because Paul’s playing in-between the continued ... jazzweek.com • Aug. 3, 2005 JazzWeek 12 Q&A: Todd Barkan (continued) beats. The audience was 50-50. Half thought he was magnificent, the other half couldn’t figure out what the f— he was doing. As the week went on, they became more cohesive and played the same beats as one. But as it evolved, there were people that couldn’t quite hang. Some people even left. People thought there were two bands up there. I recently asked Wynton about the JALC audience and he made it clear that they, like himself, want to swing. I’m gonna have to go with my buddy Wynton on that because I feel that he’s inherently right. I think he’s had a moldy fig designation unjustifiably pasted upon him some of the time because he has a broader palette than some people would recognize or has been given credit for. Swingin’ is a part of jazz, but I happen to believe that Paul Motian swings. I’m a pretty broad-minded individual, and that is why Wynton and I make a good team. And I still support Wynton and that idea of swing is paramount importance in jazz. Not just as an abstraction or a limitation. So Wynton weighs in on the booking? Wynton Marsalis, being the person he is, weighs in very clearly and emphatically about things that he believes in and would like to see. He doesn’t bite his tongue. But he also respects me enough to give me a great deal of autonomy and I respect him for doing that. I call him my boss, but I’m comfortable enough in myself to not be threatened by that. I’ve been doing this a lot longer than he has. I was presenting Miles Davis when Wynton was a baby. So I’m not looking up to him in the sky. When I first presented him, he was a pup with Art Blakey. Ironically, he did his first jazz for young people at the Keystone Korner. courtesy Jazz at Lincoln Center Dexter Gordon with Todd Barkan at Keystone Korner How do you think Wynton will be remembered? I think Wynton will be acknowledged as the greatest trumpeter in the world that we have at this time. I think that his talent has gotten lost in the shuffle at this time. I think the rhetoric obfuscates the core truths of the situation. Wynton is simply one of the great living trumpeters for now and of all time. Whether he’s greater than Freddie Hubbard, Miles Davis or Fats Navarro is really irrelevant. Will he ever write as archetypal themes as Herbie Hancock? I doubt it. At the same time, Wynton is Wynton. And he’s a magnificiently gifted trumpet player with his own agenda. I respect him as a player and as a great writer for septet and octet. And he’s a supremely wonderful jazz visionary. Those are my favorite parts of Wynton. JW jazzweek.com • Aug. 3, 2005 JazzWeek 13 Reviews and Picks JC Hopkins Biggish Band Underneath A Brooklyn Moon (Tigerlily) Bandleader JC Hopkins has worked and written for Norah Jones, Madeleine Peyroux and even Willie Nelson, but rather than playing up that folky and country influence, Underneath A Brooklyn Moon is a swing jazz effort. Hopkins tweaks the swing tradition at times by adding horn charts that recall the complex tonal coloring of Gil Evans, and his players (there’s 15 in all) solo in a steadfastly melodic but modern way. Rather than revamping standards, the tunes here are all originals and the lyrical matter is timeless without being retro – singer Queen Esther sells them not as classic jazz diva but more as a blues shouter who likes to swing. Highlights include the steady groovin’ “Small Town” and “Here Comes Love” as well as the reminiscing in rhythm title track. More than some stroll down memory lane, this is music that lives in the here and now. – Tad Hendrickson Contact: Groov Marketing Phone: (877) GROOV 32 Email: jazz@groovmarketing.com Add Date: Aug. 8 Release Date: Aug. 9 Tim Ries The Rolling Stones Project (Concord) Rumors of this project have been swirling around for some time and made sense, sort of. Saxophonist Tim Ries had cut a few bop discs before scoring a day gig in the Rolling Stones horn section in 1999. In drummer Charlie Watts he found a jazz ally – Watts has an ongoing love affair with jazzweek.com • Aug. 3, 2005 jazz. Recorded from 2002-4 when time permitted, the album features 25 musicians that range from Keith Richards to Sheryl Crow to Bill Charlap to Bill Frisell recording jazz versions of Stones tunes. Most the material was recorded on the fly, and while some of it sounds like lightning in a bottle, some of sounds less than inspired. Highlights include a nearly unrecognizable samba version of “Street Fighting Man,” a soulful version of “Wild Horses” with Norah Jones handling vocals, and a killing organ trio version of “Honky Tonk Women.” Less impressive is the messy version of “Slippin’ Away” (with Crow’s background vocals buried) and an rudimentary version of “(I Can’t Get No) Satisfaction.” It must have been fun for Ries to re-imagine songs he plays night after night by putting himself front and center, and it’s clear that he took pains to take a tremendously varied approach, but the quality of the results are mixed. – Tad Hendrickson Contact: Jane Dashow Phone: (212) 679-1445 Email: jazzzdog@nyc.rr.com Add Date: Aug. 8 Release Date: Aug. 9 MOB Trio Quite Live In Brooklyn (Omnitone) An acronym for Matt Wilson (drums), Ohad Talmor (saxophonist) and Bob Bowen (bass), MOB Trio is a collective combo that nicely veers between freeform improvisation and composition. Here on the band’s second album, which was recorded live, the band highlights its six-year-old chemistry in the tone playful without being rambunctious, melancholy without being maudlin. Those looking for something upJazzWeek 14 Reviews and Picks MOB Trio (continued) beat will find something to grab onto on the tune “CSXY,” where the rhythm section cooks as Talmor extemporizes. The touching ballad “Warmer In Heaven” (which is dedicated to the late saxophonist Sam Furnace) is as heartfelt as any eulogy. Subtlety and chemistry are two words that come to mind here again and again with each listen. – Tad Hendrickson Contact: Frank Tafuri Phone: (718) 504-3645 Email: radio@omnitone.com Add Date: Aug. 8 Release Date: Aug. 9 organissimo This Is The Place (Big “O” Records) LANSING, MICHIGAN-BASED organissimo (with a small “o” despite its Big “O” Records label) somewhat self-deprecatingly refers to itself as a bar band. But the group goes well beyond that as it stretches the boundaries of the traditional organ trio with bits of funk, blues, Latin, groove and New Orleans influences. The trio is smack dab in the soul jazz pocket with its opening “Wealthy Street” and gets down and dirty with a Big Easy-influenced “Greaze Monkey.” “Tenderly” shows the group’s softer side, as organist Jim Alfredson’s jazzweek.com • Aug. 3, 2005 bossa nova arrangement leads to some sweet guitar from Joe Gloss. Versatile drummer Randy Marsh even doubles on harmonica on the slow gospel-funk of “Brother Ray.” Yet another gem on this CD is a venerating cover of Frank Zappa’s “Peaches En Regalia.” More than the run-of-the mill organ combo, organissimo should appeal to B3 lovers and groove kids alike. Contact: Mitchell Feldman Phone: (303) 433-0021 Email: MitchellFeldmanAssociates@comcast.net Add Date: August 8 Release Date: August 8 - Ed Trefzger Editors’ Picks Ximo Tébar Goes Blue (oMix Records/Sunnyside) Spanish guitarist Ximo Tébar (pronounced chee-moe tay-bar), known also for his fusion recordings, is most at home with an organ trio. Tébar is joinged by some great veterans of the genre, Dr. Lonnie Smith, Idris Mohammed, and on three tunes, Lou Donaldson. All tracks are recommended, particularly Donaldson’s Blue Note-era classics “Midnight Creeper” and “Blues Walk.” Earl Klugh Naked Guitar (Koch) The first album in six years from this acoustic guitarist is a soft and initimate solo journey through some standards and lesserknown tunes. While solo guitar may be tough for some stations to program, the album is a welcome return for Klugh, with lovely arrangements – including a surprising bossa nova treatment of Lennon and McCartney’s “I Want To Hold Your Hand.” Jim Self InnerPlay (Bassett Hound Records) While the tuba sometimes makes an appearance in large jazz ensembles or in left-of-center groups, it rarely is the lead instrument. The tuba, and Self’s invention the fluba – part flugelhorn and part tuba and sounding much like a euphonium – take center stage on this change-of-pace album featuring his jazz tuba with strings. Check out Herbie Hancock’s “Speak Like a Child,” which includes a nice duo with soprano saxophonist Dan Higgins, and the Horace Silver composition “Strollin’.” Marian McPartland Piano Jazz with Elvis Costello (Jazz Alliance) Recorded for McPartland’s NPR series in 2003, the host is paired with one who is neither a pianist nor a jazz vocalist. But Costello, perhaps with Bob Dylan the best songwriter of his generation, has always known how to deliver a lyric, and does so powerfully on this CD. While Costello may not be everyone’s cup of tea, fans of his early work (yours truly included) are now solidly in jazz radio’s demographic. They’ll likely appreciate his sensitive delivery of these familiar tunes, including Costello’s “Almost Blue,” which Chet Baker introduced to the jazz audience late in his career. – compiled by Ed Trefzger JazzWeek 15 Classifieds LISA REEDY PROMOTIONS Hire the full service radio promotions company with a proven track record. Lisa Reedy Promotions specializes in Jazz and related music and works with over 300 radio stations across the United States, including NPR affiliates, college & community radio stations, syndicated & satellite programming and select International stations. The radio promotions company that treats ALL clients with equal importance and individualized attention. 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Visit www.artisttion service for music indus- monitor.com for information on try professionals provides the various packages available. timely, accurate airplay date For daily, online access to the for your releases in easy to data behind the charts, contact read online reports, monitored Erik Maier at (212) 621-8466 or stations playlists and more. erik@mediaguide.com. http:// Subscripiton packages start www.artistmonitor.com/ around $100 per month. For daily, online access to the data P R O M O T I O N A L JazzWeek behind the charts, contact Erik OPPORTUNITY: Maier at (212) 621-8466 or offers advertising packagerik@mediaguide.com. http:// es to give you maximum impact – not only to radio, but www.mediaguide.com/ jazzweek.com • Aug. 3, 2005 for jazz and smooth jazz fans as well. Combine an advertisement in JazzWeek with ads in JazzWeek’s weekly Top 50 Jazz and Smooth Jazz email blasts, and improve impact to radio with ads on JazzWeek’s Monday Adds Blast and the Jazz Programmers Mailing List. To find out more, call Ed Trefzger at (585) 328-3014, or email us at adinfo@jazzweek.com. FOR SALE Find the top 50 jazz and smooth jazz CDs at jazzweek. com/shop/. JazzWeek each week lists the top 50 jazz and smooth jazz CDs based on radio airplay with quick links to purchase through Amazon. com. Also listed are the top selling CDs, DVDs, and books in various categories. Sign up for weekly top 50 emails at www.jazzweek.com/shop/. ☛ JazzWeek classifieds are an easy and economical way to get your message out. 75-word ads, plus your URL are $25 per issue, and an up to 25-word ad is just $10 weekly. Display clas216118A01 sifieds are $10 per column inch, with a $30 minimum. Save more by signing up for several weeks in advance – receive one week free for every four weeks purchased. To reserve your ad, call Ed Trefzger at (585) 328-3014, or email us at classifieds@jazzweek.com. DENNIS MANARCHY © 2004 UNCF ALL RIGHTS RESERVED SERVICES ® We are born with limitless potential. Help us make sure that we all have the chance to achieve. Please visit uncf.org or call 1-800-332-8623. Give to the United Negro College Fund. JazzWeek 16 NOTE TO PUB: DO NOT PRINT INFO BELOW, FOR ID ONLY. NO ALTERING OF AD C Jazz Radio Clayton-Hamilton Live at MCG Tops Jazz Chart Ximo Tébar Goes Blue is Most Added, Picking Up 18 Stations T he Clayton-Hamilton Jazz Orchestra leaps to the top of the chart in just its fourth week with its CD Live at MCG (MCG), which is getting airplay on 42 stations. Goes Blue, the new CD from Ximo Tébar (Sunnyside) was Most Added with 18 stations playing the CD for the first time this week. Sherman Irby’s Faith (BWR) had the highest chart debut at No. 27. The Clayton-Hamilton Jazz Orchestra’s Live at MCG (MCG) tops this week’s chart. Eighteen stations added Ximo Tébar Goes Blue (Sunnyside), making it the week’s most added. jazzweek.com • Aug. 3, 2005 Jazz Album Charts p. 18 Jazz Add Dates p. 19 Jazz Current CDs p. 20 Jazz Radio Panel p. 26 JazzWeek 17 JazzWeek Jazz Album Chart Aug. 3, 2005 TW 1 2 3 4 5 6 7 8 9 10 11 12 12 14 15 16 17 18 19 20 20 22 23 24 25 26 27 28 LW 14 NR 3 1 7 5 4 10 2 6 9 12 11 8 13 20 15 17 23 19 32 24 26 26 31 18 NR 22 2W Peak Artist 16 1 The Clayton-Hamilton Jazz Orchestra 2 1 David Hazeltine 8 3 Eddie Palmieri 5 1 Terry Gibbs 10 5 Sean Jones 9 5 Freddy Cole 43 4 Mulgrew Miller 1 1 Ahmad Jamal 6 2 Bill Charlap 3 3 Joshua Redman Elastic Band 11 9 Javon Jackson 4 1 John Scofield 13 2 Bill Cunliffe 7 4 Terence Blanchard 32 13 Roni Ben-Hur 12 1 Joe Lovano 17 15 Dave Stryker 14 14 City Rhythm Orchestra 50 19 Vince Seneri 23 15 Cedar Walton 34 20 Melvin Sparks 28 16 Peter Martin 30 23 Sammy Figueroa & His Latin Jazz Explosion 15 5 Hank Jones 27 25 Arturo Sandoval 20 16 Brian Lynch NR 27 Sherman Irby 30 22 Harry Connick Jr. Release Live At MCG Modern Standards Listen Here! Feelin’ Good: Live In Studio Gemini This Love Of Mine Live At Yoshi’s: Vol. 2 After Fajr Plays George Gershwin: The American Soul Momentum Have You Heard That’s What I Say: The Music of Ray Charles Imaginacion Flow Signature Joyous Encounter Big City Vibrant Tones Street Talk Underground Memoirs This Is It In The P.M. ... And Sammy Walked In For My Father Live At The Blue Note 24/7 Faith Occasion 28 30 31 32 33 34 35 36 36 36 36 40 40 40 43 44 45 46 46 48 48 50 24 42 26 30 34 44 21 35 37 36 NR 48 32 38 41 40 49 NR 29 NR 50 NR 24 50 19 25 22 43 18 36 21 25 NR 38 42 32 39 NR 47 41 37 NR NR 45 London Flat, London Sharp Bouncing With Bud & Phil - Live At Yoshi’s 66 2/3 Dreaming Wide Awake A Walk In The Park Live Remember Love I Am Three Spring Cycle Sonic Tonic Suite Unseen: Summoner of the Ghost Let Me Off Uptown Remembering Bobby Darin Back In New York Vintage Chasing Shadows Beyond The Sound Barrier A Second Look Next Generation Calvinesque’ Noche Inolvidable 85 Candles-Live In New York 13 30 14 8 13 25 18 30 3 22 6 7 32 3 33 40 43 10 1 29 48 10 Dave Brubeck Quartet The Bud Shank Quartet with Phil Woods The Frank & Joe Show Lizz Wright Dena DeRose The Bill Holman Band Mary Stallings Mingus Big Band/Orchestra/Dynasty Steve Hobbs Ron Blake Babatunde Lea Cheryl Bentyne Roger Kellaway Scott Hamilton/Bill Charlap Trio Kathy Kosins Pearl Django Wayne Shorter Vic Juris Gary Burton Calvin Keys Afro-Latin Jazz Orchestra w/ Arturo O’Farrill Marian McPartland & Friends Most Added Ximo Tebar Goes Blue (Sunnyside) Dave Valentin World on a String (HighNote) Erik Truffaz Saloua (Blue Note) Sherman Irby Faith (BWR) Greg Osby Channel Three (Blue Note) jazzweek.com • Aug. 3, 2005 +18 +14 +13 +12 +11 Label MCG Jazz Sharp Nine Concord Jazz Mack Avenue Mack Avenue HighNote MAXJAZZ Dreyfus Jazz Blue Note Nonesuch Palmetto Verve Music Group Torii Records Blue Note Reservoir Blue Note Mel Bay Limehouse Records Senful Records HighNote Savant MAXJAZZ Savant Justin Time Half Note Records Nagel Heyer BWR Marsalis Music/ Rounder Records Telarc Jazz Capri Hyena Records Verve/Forecast MAXJAZZ Jazzed Media Half Note Records Sunnyside Random Chance Mack Avenue Motema Telarc Jazz IPO Recordings Concord Jazz Mahogany Jazz Modern Hot Records Verve Music Group Mel Bay Concord Jazz Silverado Records Palmetto Concord Jazz airplay data powered by TP 283 274 268 263 258 249 240 228 222 217 191 189 189 185 181 170 168 156 154 148 148 146 145 143 142 139 138 132 LP 192 72 238 247 221 227 232 213 245 224 216 203 212 217 202 151 187 166 140 155 113 136 134 134 115 162 71 142 +/- Weeks Stations 91 4 42 202 10 51 30 8 55 16 8 47 37 8 48 22 7 49 8 3 46 15 6 52 -23 5 49 -7 9 44 -25 7 46 -14 13 42 -23 11 38 -32 8 45 -21 5 40 19 13 37 -19 5 43 -10 7 40 14 3 43 -7 7 46 35 4 41 10 11 35 11 3 38 9 10 39 27 10 33 -23 6 40 67 1 39 -10 6 33 132 129 126 125 119 113 111 103 103 103 103 102 102 102 100 93 92 88 88 85 85 83 136 -4 96 33 134 -8 116 9 112 7 92 21 146 -35 107 -4 103 0 105 -2 80 23 86 16 113 -11 102 0 97 3 100 -7 85 7 73 15 133 -45 78 7 82 3 78 5 10 5 8 10 11 8 10 8 13 11 18 15 4 17 9 2 6 14 17 10 2 15 38 42 31 33 35 35 35 34 23 35 26 17 33 32 24 27 29 19 28 26 25 22 Increased Airplay Chartbound David Hazeltine Modern Standards (Sharp Nine) +202 The Clayton-Hamilton Jazz Orchestra Live At MCG (MCG Jazz) +91 Sherman Irby Faith (BWR) +67 Sean Jones Gemini (Mack Avenue) +37 Melvin Sparks This Is It (Savant) +35 The Bud Shank Quartet with Phil Woods Bouncing With Bud & Phil - Live At Yoshi’s (Capri) +33 David Gibson The Path To Delphi (Nagel Heyer) Dave Peck Good Road (LPS Records) Denise Donatelli In The Company of Friends (Jazzed Media) Philip Catherine Meeting Colors (Dreyfus) Noah Baerman Soul Force (Lemel Music) Luciana Souza Duos II (Sunnyside) Will Calhoun Native Lands (Half Note Records) Ilona Knopfler Live The Life (Mack Avenue) Ximo Tebar Goes Blue (Sunnyside) Nick Bisesi Gemini (Blujazz) All monitored airplay data is owned by Mediaguide, Inc. ©2005 Mediaguide, Inc. JazzWeek Adds 4 0 0 2 0 1 4 3 1 0 0 1 1 0 1 1 2 1 3 2 2 0 2 0 0 2 12 0 0 10 1 1 2 2 0 1 1 1 1 1 2 0 0 4 1 0 0 2 0 0 18 Jazz Radio Adds Here are upcoming add dates for new releases, and add dates that have passed during the last few weeks. This listing was current as of press time. June 1, 2005 July 5, 2005 Allen Won – The Jewel In The Lotus (Allen Won Records) June 2, 2005 Celso Fonseca – Rive Gauche Rio (Six Degrees Records) June 3, 2005 Marc Pompe – Nobody Else But Me (Kopaesthetics) June 6, 2005 Barbara Montgomery – Trinity Denise Donatelli – In The Company of Friends (Jazzed Media) Kathy Kosins – Vintage (Mahogany Jazz) Paul Anka – Rock Swings (Verve Records) Lizz Wright – Dreaming Wide Awake (Verve Records) The Frank and Joe Show – 66 2/3 (Hyena Records) Mingus Big Band, Orchestra & Dynasty – I Am Three (Sunnyside/ Sue Mingus Music) Rita Coolidge – And So Is Love (Concord Records) Mozayik – Haitian Creole Jazz (Zoho Music) June 13, 2005 Wayne Shorter – Beyond The Sound Barrier (Verve Records) City Rhythm Orchestra – Vibrant Tones (Limehouse Records) Javon Jackson – Have You Heard (Palmetto Records) Eddie Palmieri – Listen Here! (Concord Picante Records) Frank Mantooth – Ladies Sing for Lovers (MCG) Kevyn Lettau – Bye Bye Blackbird (MCG) Roni Ben-Hur – Signature (Reservoir) June 20, 2005 Ahmad Jamal – After Fajr (Birdology/Dreyfus Jazz) Bud Shank Quartet with Phil Woods – Bouncing With Bud & Phil Live At Yoshi’s (Capri Records) June 27, 2005 Philip Catherine with Brussels Jazz Orchestra – Meeting Colours (Dreyfus Jazz) Mort Weiss – The Four Of Us (Sms Jazz) Noah Baerman – Soul Force (Lemel Music) Afro-Latin Jazz Orchestra with Arturo O’Farrill – Noché Inolvidable (An Unforgettable Night) (Palmetto) James Carter – Out Of Nowhere (Half Note Records) Will Calhoun – Native Lands (Half Note Records) July 11, 2005 Dave Peck – Good Road (Lets Play Stella) Pearl Django – Chasing Shadows (Modern Hot Records) Cadwallader Asetta & Dixson – Quicker Than The Eye (Stanza USA Music) Chris McNulty – Dance Delicioso (Elefant Dreams) The Clayton-Hamilton Jazz Orchestra – Live At MCG (MCG) July 18, 2005 Sherman Irby – Faith (Black Warrior Records) Jim Self – Innerplay (Bassett Hound Music) August 1, 2005 Poncho Sanchez – Do It! (Concord/Picante Records) August 8, 2005 Organissimo – This Is The Place (Big “O” Records) Tim Ries – Stones Project (Concord Records) August 15, 2005 Bill Mays Trio – Live At Jazz Standard (Palmetto) Bill Frisell – East/West (Nonesuch Records) Pat Metheny – Song X (Nonesuch Records) Nnenna Freelon – Blueprint of a Lady (Concord Records) August 22, 2005 Joe Zawinul & The Zawinul Syndicate – Vienna Nights (BHM Productions) Kelley Johnson – Music Is The Magic (Saphire) Paula Lammers – A Blanket Of Blue (Nightingale Jazz) September 5, 2005 Mark Sherman – One Step Closer (CAP) September 12, 2005 Maceo Parker – School’s In (BHM Productions) July 4, 2005 Elaine Dame – Comes Love (Blujazz) Nick Bisesi – Gemini (Blujazz) Note: JazzWeek industry subscribers may update this information online at jazzweek.com. Add dates may also be submitted via email to adds@jazzweek.com. jazzweek.com • Aug. 3, 2005 JazzWeek 19 Jazz Radio Currents Greg Abate Afro-Latin Jazz Orchestra w/ Arturo O’Farrill Sandro Albert Monty Alexander Herb Alpert & The Tijuana Brass Scott Amendola Band Carl Amundson & The Modern Guitar Quintet Paul Anka Babatunde Lea The Bad Plus Noah Baerman Billy Bang BeatleJazz Beaux J Poo Boo Roni Ben-Hur The Marco Benevento/Joe Russo Duo Cheryl Bentyne Daniel Benzali Shelly Berg Trio Jeff Berlin Big Neighborhood Nick Bisesi Ron Blake Terence Blanchard Jane Ira Bloom Bob Boguslaw & The Way Salvatore Bonafede Debby Boone Chris Botti Joe Bourne & The Gary Moran Trio Ron Brendle Trio Zach Brock & The Coffee Achievers Brian Bromberg Dave Brubeck Quartet Jimmy Bruno Michael Buble Katie Bull Anne Burnell Gary Burton Billy Butterfield Joins Andy Bartha Will Calhoun Michel Camilo Caribbean Jazz Project Amanda Carr James Carter Organ Trio Philip Catherine Bill Charlap Corey Christiansen City Rhythm Orchestra Chiara Civello The Clayton-Hamilton Jazz Orchestra Jeff Coffin Anat Cohen Avishai Cohen Trio & Ensemble Freddy Cole Collier & Dean Ravi Coltrane Paul Combs’ Pocket Big Band Common Ground Eric Comstock Harry Connick Jr. Rita Coolidge Roz Corral Chris Cortez Matt Criscuolo Bill Cunliffe Paquito d’Rivera Elaine Dame Lars Danielsson Daria Bobby Darin Jo Ann Daugherty Dave’s True Story Orbert Davis Joey DeFrancesco w/Jimmy Smith Jack DeJohnette & Foday Musa Suso Lea DeLaria Dena DeRose Horace Is Here Noche Inolvidable Koko Jazz Palmetto The Color Of Things Live At The Iridium Lost Treasures Believe Guitarists 215 Records Telarc Jazz Shout Factory Cryptogramophone Blue Line Music Rock Swings Suite Unseen: Summoner of the Ghost Blunt Object: Live In Tokyo Soul Force Vietnam: Reflections With A Little Help From Our Friends All Things Are New Signature Reason to Buy the Sun Verve Music Group Motema Let Me Off Uptown Benzali Blackbird Lumpy Jazz Neighbors Gemini Sonic Tonic Flow Like Silver, Like Song Gabrielle’s Hand Journey To Donnafugata Reflections Of Rosemary When I Fall In Love Remembering Mr. Cole Photograph Chemistry It’s About Time London Flat, London Sharp Solo It’s Time Love Spook Blues In The Night Next Generation Take Me to the Land of Jazz Native Lands Solo Here and Now: Live In Concert Tender Trap Out Of Nowhere Meeting Colors Plays George Gershwin: The American Soul Awakening Vibrant Tones Last Quarter Moon Live At MCG Telarc Jazz Rio Kat Concord Jazz M.A.J. Records Origin Blujazz Mack Avenue Blue Note Artist Share Summit CAM Concord Columbia Jonaja Lo Note Secret Fort Artistry Telarc Jazz Mel Bay 143 Records/Reprise Corn Hill Indie Spectrum Music Concord Jazz Delmark Half Note Records Telarc Jazz Concord Picante Original Music Half Note Records Dreyfus Blue Note Bloom Place & Time At Home This Love Of Mine Duets In Flux Live At Chit Chat High Voltage No One Knows Occasion Compass Anzic Records Razdaz HighNote Origin Records Savoy Jazz Sea Breeze Jazz Delmark Harbinger Records Marsalis Music/ Rounder Records Concord Blujazz Blue Bamboo Self-Produced Torii Records Chesky Blujazz HighNote(ACT) Jazz M Up Concord Records Blujazz Be Pop Records 3 Sixteen Concord Jazz Golden Beam / Kindred Rhythm Telarc MAXJAZZ And So Is Love Telling Tales Mum Is The Word Lotus Blossom Imaginacion The Jazz Chamber Trio Comes Love Libera Me Feel The Rhythm Live At The Desert Inn Range Of Motion Nature Blue Notes Legacy Music From The Hearts Of The Masters Double Standards A Walk In The Park jazzweek.com • Aug. 3, 2005 Sony Lemel Music Justin Time Lightyear Summit Reservoir Ropeadope Mel Bay Limehouse Records Verve/Forecast MCG Jazz Tony DeSare Stefano di Battista Denise Donatelli Armen Donelian Bob Dorough Dave Douglas Mark Dresser Catherine Dupuis Martin Eagle & Friends Kahil El’Zabar’s Ritual Trio Eldar John Ellis Connie Evingson Lorraine Feather Dale Fielder Amina Figarova Sammy Figueroa & His Latin Jazz Explosion Celso Fonseca Yves François The Frank & Joe Show Curtis Fuller Tia Fuller Garage a Trois Terry Gibbs David Gibson Rosario Giuliani John Goldman Paul Grabowsky Drew Gress Roland Guerin Onaje Allan Gumbs Rigmor Gustafsson & The Jacky Terrason Trio Tord Gustavsen Trio Michael Hackett Dan Haerle Trio Scott Hamilton/Bill Charlap Trio Herbie Hancock Happy Apple Roderick Harper Gabriel Mark Hasselbach David Hazeltine Carol Heffler Fred Hersch Ensemble Hiroshima Steve Hobbs Dave Holland Big Band The Bill Holman Band The Hot Club of San Francisco Ted Howe Luther Hughes Abdullah Ibrahim Sherman Irby Vijay Iyer Javon Jackson Christian Jacob Ahmad Jamal Khan Jamal Keith Jarrett Gordon Johnson Marc Courtney Johnson & The Dan Cray Trio Randy Johnston Hank Jones Sean Jones Vic Juris Roger Kellaway Want You Telarc Parker’s Mood Blue Note Jazzed Media In The Company of Friends Full Moon Music: Grand Ideas, Vol. 3 Sunnyside Sunday At Iridium Arbors Greenleaf Music Mountain Passages Time Changes Cryptogramophone The Rules of the Road Bearheart Records A Welcoming Beauty Hawksnest Live at the River East Art Center Delmark Eldar Sony Classical One Foot In The Swamp Hyena Records Gypsy In My Soul Minnehaha Music Dooji Wooji Sanctuary Baritone Sunride Clarion Jazz Munich Records Come Escape With Me ... And Sammy Walked In Savant Rive Gauche Rio Blues For Hawk 66 2/3 Keep It Simple Pillar Of Strength Outre Mer [Original Soundtrack] Feelin’ Good: Live In Studio The Path To Delphi More Than Ever In Walked Pierre Tales Of Time & Space 7 Black Butterflys Groove, Swings And Harmony II Remember Their Innocence Close To you Six Degrees Delmark Hyena Records Savant Wambutia Telarc Mack Avenue Nagel Heyer Dreyfus Jazz Blujazz Sanctuary Premonition Jazz Maniacs Ejano HighNote(ACT) The Ground Circles Standard Procedure Back In New York Possibilities The Peace Between Our Companies The Essence Of... Swingin‘ Affair Modern Standards Exactly Leaves Of Grass Obon Spring Cycle Overtime Live Postcards From Gypsyland Ellington Cannonball-Coltrane A Celebratiom Faith Reimagining Have You Heard Styne and Mine After Fajr Peace Warrior Radiance Trios Version 3.0 Marc Courtney Johnson ECM Summit Blujazz Concord Jazz Vector Recordings Sunnyside RHM Wind Tunnel Sharp Nine Peeka Records Palmetto Heads Up Random Chance Dare2/Sunnyside Jazzed Media Lost Wax Music Summit Primrose Lane Enja/Justin Time BWR Savoy Jazz Palmetto WilderJazz Dreyfus Jazz Random Chance ECM Tonalities DreamyJazz Is It You? HighNote For My Father Justin Time Gemini Mack Avenue A Second Look Mel Bay I Was There - Roger Kellaway Plays IPO Recordings From The Bobby Darin Songbook Roger Kellaway Remembering Bobby Darin IPO Recordings Calvin Keys Calvinesque’ Silverado Records Guillermo Klein Una Nave Sunnyside Kneebody Kneebody Koch Ilona Knopfler Live The Life Mack Avenue Cliff Korman and the Brazilian Tinge Migrations Planet Arts Kathy Kosins Vintage Mahogany Jazz Reed Kotler Tomo Torii Records Benny Lackner Trio Not The Same Nagel Heyer Bireli Lagrene & Gipsy Project Move Dreyfus Jazz Dana Landry Journey Home Summit Sings and Plays Cool Note Michelle Latimer Sara Lazarus Give Me The Simple Life Dreyfus Jazz Nguyen Le Quartet Walking On The Tiger’s Tail ACT Bradley Leighton Just Doin’ Our Thang Pacific Coast Jazz Carolyn Leonhart New 8th Day Sunnyside JazzWeek 20 Jazz Radio Currents Jay Leonhart Kevyn Lettau Dave Liebman Lincoln Center Jazz Orchestra Charles Lloyd Jeff Lorber Los Hombres Calientes Joe Lovano Sylvain Luc Brian Lynch The Leslie Maclean Trio Kevin Mahogany Cool Bye Bye Blackbird Manhattan Dialogues A Love Supreme Jumping The Creek Flipside Vol 5: Carnival Joyous Encounter Ambre 24/7 That’s Time Enough Big Band Frank Mantooth Ladies Sing for Lovers Thomas Marriott Individuation Veronica Martell The Art Of Intimacy Peter Martin In The P.M. Scott Martin Menudo and Gritz Will Martin Morning Angelyna Martinez Labor of Love Hugh Masekela Revival Mark Masters Ensemble Porgy & Bess Redefined! Irvin Mayfield & The Orleans Jazz Strange Fruit Orchestra Kate McGarry Mercy Streets Chris McNulty Dance Delicioso Marian McPartland Piano Jazz w/ Steely Dan Marian McPartland Piano Jazz w/ Elvis Costello Marian McPartland & Friends 85 Candles-Live In New York Charles McPherson w/ Strings A Tribute To Charlie Parker Pablo Mendendez Havana Blues Mambo Pat Metheny Group The Way Up Raul Midon State of Mind Marcus Miller Silver Rain Mulgrew Miller Live At Yoshi’s: Vol. 2 Mingus Big Band/Orchestra/Dynasty I Am Three Grachan Moncur III Exploration Monk’s Music Trio Think Of One Barbara Montgomery Trinity Jason Moran Same Mother Frank Morgan Raising The Standard: Live At The Jazz Standard Vol.2 Mozayik Haitian Creole Jazz Oliver Mtukudzi Nhava Myanna One Never Knows Ted Nash & Odeon La Espade de la Noche The Marty Nau Group At The Bouquet Chorale Jacqui Naylor East/West Birdland - Yoshi’s Meshell Ndegeocello presents The Dance Of The Infidel Spirit Music Jamia Shelley Neill entree blue Ed Neumeister Quartet New Standards Calvin Newborn New Born David ‘Fathead’ Newman I Remember Brother Ray Russ Nolan Two Colors Nouvelle Vague Hod O’Brien Live At Blues Alley: First Set Arturo O’Farrill Live In Brooklyn Michael O’Neill The Long And Short Of It One More Music of Thad Jones Organissimo This Is The Place Greg Osby Channel Three Eddie Palmieri Listen Here! Alan Pasqua My New Old Friend Jim Payne Energie Pearl Django Chasing Shadows Dave Peck Good Road Madeleine Peyroux Careless Love Enrico Pieranunzi (W/ Charlie Special Encounter Haden, Paul Motian) Leslie Pintchik So Glad To Be Here John Pizzarelli Knowing You Marc Pompe You Must Believe In Swing Michel Portal & Richard Galliano Concerts The Devere Pride Trio ... As In A Morning Sunrise Dafnis Prieto About The Monks Flora Purim Flora’s Song Nelson Rangell My American Songbook Vol. 1 Joshua Redman Elastic Band Momentum Twana Rhodes Thru The Night Marc Ribot Spiritual Unity Roditi / Ignatzek / Rassinfosse Light In The Dark Kurt Rosenwinkel Deep Song Kermit Ruffins Throwback Sakesho We Want You To Say David Sanborn Closer jazzweek.com • Aug. 3, 2005 Sons of Sound MCG Jazz Zoho Music Palmetto ECM Narada Jazz Basin Street Blue Note Dreyfus Jazz Nagel Heyer KippieJosh Jazz Zebra Records/Mahogany Jazz MCG Jazz Origin Apria MAXJAZZ SCM Saguaro Beach MexiScott Music Heads Up Capri Basin Street Palmetto Elefant Dreams Concord Concord Concord Jazz Clarion Jazz Zoho Music Nonesuch Manhattan Records Koch Records MAXJAZZ Sunnyside Capri CMB Records MMB Blue Note HighNote Zoho Music Heads Up Bridge Street Records Palmetto Summit Ruby Records Shanachie Cobalt Blue Meistero Yellow Dog HighNote Rhinoceruss Peacefrog Reservoir Zoho Music Jazzmo IPO Recordings Big “O” Records Blue Note Concord Jazz Cryptogramophone Savant Modern Hot Records LPS Records Rounder CAM Ambient Telarc Jazz Cadence Jazz Dreyfus Jazz The Davis Group Zoho Music Narada Jazz Koch Nonesuch Nagel Heyer PI Recordings Nagel Heyer Verve Music Group Basin Street Heads Up Verve Music Group Arturo Sandoval Rebecca Sayre Diane Schuur w/ Caribbean Jazz Project John Scofield Live At The Blue Note This Is Always Schuur Fire Half Note Records Becca Concord Records That’s What I Say: The Music of Ray Verve Music Group Charles Jim Self InnerPlay Bassett Hound Records Vince Seneri Street Talk Senful Records Paul Serrato Excursions Graffiti Productions SFJazz Collective SFJazz Collective Nonesuch The Bud Shank Quartet with Phil Bouncing With Bud & Phil - Live At Capri Woods Yoshi’s Shapes The Big Picture Burnin’ Down The House Productions Avery Sharpe Trio Dragonfly JKNM HighNote Woody Shaw Live: Volume four Wayne Shorter Beyond The Sound Barrier Verve Music Group Ben Sidran Quartet Bumpin’ At The Sunside! Nardis Jeff ‘Siege’ Siegel Magical Space Consolidated Artists Herb Silverstein & Friends Beach Walker Silvertunes Music Productions Doctor Lonnie Smith Too Damn Hot Palmetto Keely Smith Vegas ‘58 - Today Concord Luciana Souza Duos II Sunnyside Melvin Sparks This Is It Savant Remember Love Half Note Records Mary Stallings The Stamm/Soph Project Live At Birdland NYC Jazzed Media Patches Stewart Blow Koch Curtis Stigers I Think It’s Going To Rain Today Concord Jazz Sonny Stitt Work Done HighNote Kevin Stout & Brian Booth Tales Of The Tetons Jazzed 5 Records Dave Stryker Big City Mel Bay Andy Summers The X Tracks Fuel 2000 Bill Tapia Duke Of Uke Moon Room Records Ximo Tebar Goes Blue Sunnyside Times 4 Seductivity Rhombus Mel Torme, Gerry Mulligan & George The Classic Concert Live Concord Jazz Shearing Dwight Trible Living Water Passin’ The Vibe Erik Truffaz Saloua Blue Note Two Siberians Out of Nowhere Heads Up Belinda Underwood Underwood Uncurling Cosmik Muse Rekords Dave Valentin World on a String HighNote Various Artists Blue Note Perfect Takes Blue Note Various Artists Putumayo Presents: Swing Around Putumayo the World Various Artists Sprout [Soundtrack] Record Collection Various Artists Symphonic Jobim Adventure Music The Mike Vax Big Band Next Stop - Live... On The Road Summit Gerald Veasley At The Jazz Base! Heads Up Steve Venz Scoop Daal Jazz The Chris Walden Big Band Home Of My Heart Origin Records Ken Walker Sextet Terra Firma Synergy Music Underground Memoirs HighNote Cedar Walton Doug Wamble Bluestate Marsalis Music/ Rounder Records Wasilewski, Kurkiewicz & Trio ECM Miskiewicz Harry Watters Out Of A Dream: Love Songs Summit The Dave Weckl Band Multiplicity Stretch/Concord Mark Weinstein Algo Mas/Cuban Roots Jazz Heads The Mort Weiss Quartet The Four Of Us: Live At Steamers SMS Jazz Westwind Brass Jazztet LMP Productions Judy Wexler Easy On The Heart Rhombus Kenny Wheeler What Now? CAM CAM Kenny Wheeler & John Taylor Where Do We Go From Here? Wesla Whitfield In My Life HighNote Scott Whitfield Jazz Orchestra The Minute Game Summit Hyena Records Joe Williams Havin’ A Good Time! Abram Wilson Jazz Warrior Dune Records Allen Won Quartet The Jewel In The Lotus Self-Produced Phil Woods Groovin’ To Marty Paich Jazzed Media Victor Wooten Soul Circus Vanguard Lizz Wright Dreaming Wide Awake Verve/Forecast ECM Savina Yannatou & Primavera En Sumiglia Solonico Yellowjackets Altered State Heads Up Dave Young Mainly Mingus Justin Time Ruth Young This Is Always Nagel Heyer Rachel Z Grace Chesky Denny Zeitlin Solo Voyage MAXJAZZ Miguel Zenon Jibaro Marsalis Music/ Rounder Records JazzWeek 21 Smooth Jazz Radio Four in a Row: Richard Elliot Again Top Album, Single Chieli Minucci’s “The Juice” is Week’s Most Added R Richard Elliot has the top album, Metro Blue (Artizen), and the top single, “People Make the World Go ’Round,” for the third straight week. The latest from Ambrosia founding member David Pack, The Secret of Movin’ On (Peak), had the biggest increase in airplay. jazzweek.com • Aug. 3, 2005 ichard Elliot’s Metro Blue (Artizen) and its single “People Make the World Go ’Round” again tops the smooth charts, making it four consecutive weeks at the top. David Pack had the biggest increase in airplay with the latest solo project from the founding member of Ambrosia. The album The Secret of Movin’ On (Peak) and its single “You’re The Only Woman” each picked up 136 spins. The Most Added single and album this week came from Chieli Minucci. The guitarist’s single “The Juice” was added on 17 stations. Smooth Albums p. 23 Smooth Singles p. 24 Smooth Current CDs p. 25 Smooth Radio Panel p. 26 JazzWeek 22 JazzWeek Smooth Album Chart Aug. 3, 2005 TW 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 LW 1 4 3 7 5 2 6 8 9 10 11 12 13 15 14 18 20 21 22 19 16 17 23 25 24 26 28 29 27 30 36 31 35 39 96 38 32 37 33 34 40 44 41 42 43 48 45 53 47 46 2W Peak Artist 1 1 Richard Elliot 6 2 Paul Taylor 3 3 Steve Cole 11 4 Paul Hardcastle 4 1 Kenny G 2 1 Nils 5 5 Chuck Loeb 9 8 Norman Brown 12 1 Various Artists 10 2 Boney James 8 1 Michael Lington 13 1 Wayman Tisdale 23 4 Mindi Abair 21 14 Brian Culbertson 14 14 Anita Baker 17 16 Average White Band 22 6 Marion Meadows 29 18 Paul Brown 19 18 Ken Navarro 18 15 Jonathan Butler 16 14 Jeff Lorber 15 4 Euge Groove 20 3 Paul Brown 32 24 Walter Beasley 25 14 Nick Colionne 26 4 Tim Bowman 27 5 Chris Botti 31 28 Kem 24 13 3rd Force 30 1 Soul Ballet 37 1 Gerald Albright 28 14 David Sanborn 36 33 Seal 35 10 Chris Botti NR 35 David Pack 44 35 Nelson Rangell 34 16 Fourplay 40 37 Michael Buble 33 18 Joyce Cooling 38 9 Peter White 39 5 George Benson 50 42 Chieli Minucci 43 41 Jeff Golub 41 18 Pieces Of A Dream 42 20 Dan Siegel 51 46 Daryl Hall & John Oates 49 25 The Ramsey Lewis Trio 45 14 Marc Antoine 55 31 Rick Braun 52 26 Richard Smith Release Metro Blue Nightlife Spin 4 At Last...The Duets Album Pacific Coast Highway When I’m WIth You West Coast Coolin’ Forever, For Always, For Luther Pure Stay With Me Hang Time Come As You Are It’s On Tonight My Everything Greatest And Latest Player’s Club The City Love Coloured Soul Jonathan Flipside Livin’ Large Up Front For Her Just Come On In This Is What I Hear A Thousand Kisses Deep Album II Driving Force Dream Beat Dream Kickin’ It Up Closer Seal IV When I Fall In Love The Secret of Movin’ On My American Songbook Vol. 1 Journey It’s Time This Girl’s Got To Play Confidential Irreplaceable The Juice [Single] Temptation No Assembly Required Inside Out Our Kind Of Soul Time Flies Mediterraneo Esperanto Soulidified Label Artizen Peak Narada Jazz Trippin ’N’ Rhythm Arista Baja Shanachie Warner Bros. GRP Warner Bros. Rendezvous Rendezvous GRP GRP / Verve Blue Note Liquid 8 Heads Up GRP / Verve Positive Music Rendezvous (Red) Narada Jazz EMI GRP Heads Up Will Keys Liquid 8 Columbia Universal / Motown Higher Octave 215 GRP / VMG / UMG Verve Warner Bros. Columbia Peak Koch BMG 143 / Reprise Narada Jazz / Virgin Columbia GRP / VMG / UMG Shanachie Narada Jazz Heads Up Native Language U-Watch Narada Jazz Rendezvous Warner Bros. A440 airplay data powered by TP 723 666 654 646 641 635 633 544 510 450 428 403 395 368 338 321 303 300 295 294 291 283 259 256 234 229 200 195 195 180 171 168 166 161 159 151 150 148 148 147 147 146 124 124 124 112 111 106 105 103 LP 716 645 645 576 644 670 625 571 518 481 480 423 372 340 351 305 299 284 275 301 338 310 269 239 243 218 200 196 200 183 148 182 150 141 23 141 159 142 156 150 139 123 137 133 128 100 111 87 108 109 +/- Weeks Stations 7 8 34 21 21 31 9 20 33 70 4 32 -3 34 33 -35 28 33 8 25 30 -27 6 34 -8 34 33 -31 39 34 -52 39 32 -20 39 32 23 39 30 28 4 30 -13 3 28 16 7 30 4 39 29 16 3 28 20 25 27 -7 9 26 -47 27 28 -27 39 31 -10 34 31 17 11 21 -9 39 29 11 31 29 0 39 28 -1 3 16 -5 27 22 -3 39 32 23 39 31 -14 29 21 16 3 27 20 34 33 136 2 16 10 23 16 -9 39 23 6 3 11 -8 34 26 -3 34 28 8 39 30 23 9 29 -13 4 13 -9 39 18 -4 39 21 12 3 20 0 34 21 19 39 27 -3 34 20 -6 34 23 Most Added Increased Airplay Chartbound Chieli Minucci The Juice [Single] (Shanachie) +17 Various Artists Hotel D’Amour (Sunswept) +9 David Pack The Secret of Movin’ On (Peak) +6 3D Riff To The Smooth [Single] (215) +4 Average White Band Greatest And Latest (Liquid 8) +3 Gerald Veasley At The Jazz Base! (Heads Up) +3 David Pack The Secret of Movin’ On (Peak) +136 Paul Hardcastle 4 (Trippin ’N’ Rhythm) +70 Warren Hill Pop Jazz (Pop Jazz) +64 Praful Pyramid In Your Backyard (Therapy / Rendezvous) +53 Brian Culbertson It’s On Tonight (GRP / Verve) +28 Praful Pyramid In Your Backyard (Therapy / Rendezvous) Warren Hill Pop Jazz (Pop Jazz) Ray Charles Genius Loves Company (Concord) Raul Midon State Of Mind (Manhattan) The Rippingtons Wild Card (Peak) Jeff Kashiwa Peace Of Mind (Native Language) To The Bone Spread Love Like Wildfire (Narada) Curtis Stigers I Think It’s Going To Rain Today (Concord) Michael McDonald Motown Two (Motown) jazzweek.com • Aug. 3, 2005 All monitored airplay data is owned by Mediaguide, Inc. ©2005 Mediaguide, Inc. Adds 0 0 0 1 0 0 0 0 0 0 0 0 0 1 0 3 0 1 0 0 0 0 0 0 0 0 0 1 0 0 0 0 0 0 6 1 0 1 0 0 0 17 0 0 0 0 0 0 0 0 JazzWeek 23 JazzWeek Smooth Singles Chart Aug. 3, 2005 TW LW 2W Peak Artist 1 1 1 1 Richard Elliot 2 4 5 2 Paul Taylor 3 3 3 2 Steve Cole 4 6 7 4 Paul Hardcastle 5 2 2 1 Nils 6 5 4 4 Chuck Loeb 7 8 8 7 Kenny G & Earth Wind, & Fire 8 7 9 7 Norman Brown 9 10 14 9 Paul Jackson, Jr. 10 11 16 10 Brian Culbertson 11 9 6 2 Michael Lington 12 13 12 12 Average White Band 13 15 24 13 Paul Brown 14 16 15 14 Ken Navarro 15 14 13 9 Jonathan Butler 16 12 11 9 Jeff Lorber 17 17 18 17 Wayman Tisdale 18 19 44 18 Mindi Abair 19 20 27 19 Walter Beasley 20 23 22 20 Anita Baker 21 18 17 1 Boney James 22 21 21 2 Kenny G & David Sanborn 23 25 26 1 Tim Bowman 24 22 19 10 3rd Force 25 24 20 3 Euge Groove 26 26 28 26 Kem 27 27 23 5 Marion Meadows 28 28 25 1 Soul Ballet 29 33 33 1 Gerald Albright 30 101 NR 30 David Pack 31 29 29 5 Paul Brown 32 30 32 1 Wayman Tisdale 33 41 48 33 Chieli Minucci 34 38 35 3 Mindi Abair 35 31 31 15 Fourplay 36 32 37 5 Chris Botti 37 40 40 37 Seal 38 37 36 2 Norman Brown 39 39 41 3 George Benson 40 36 43 36 Nelson Rangell 41 34 34 11 Nick Colionne 42 35 39 35 Jeff Golub 43 54 46 10 Chris Botti 44 45 55 44 Boney James 45 48 67 45 Marion Meadows 46 43 42 15 Dan Siegel 47 42 38 16 David Sanborn 48 51 45 29 Paul Brown 49 47 50 22 The Ramsey Lewis Trio 50 49 51 31 Nick Colionne Release People Make The World Go ’Round Nightlife Thursday Serene Pacific Coast Highway Tropical The Way You Move West Coast Coolin’ Never Too Much Hookin’ Up Two Of A Kind (w/ Chuck Loeb) Work To Do (Nu-Jazz Mix) Cosmic Monkey You Are Everything Fire And Rain Ooh La La Ready To Hang Make A Wish Coolness How Does It Feel Stone Groove (w/ Joe Sample) Pick Up The Pieces Summer Groove Believe In Me XXL I Can’t Stop Loving You Sweet Grapes Cream To The Max You’re The Only Woman Moment By Moment Ain’t No Stoppin’ Us Now The Juice Come As You Are Fields Of Gold Back Into My Heart Love’s Divine Up ’N’ At ‘Em Softly, As In A Morning Sunrise Don’t You Worry ‘Bout A Thing It’s Been Too Long Simple Pleasures No Ordinary Love 2:01 AM Suede In Your Eyes Tin Tin Deo 24/7 The In Crowd High Flyin’ Label Artizen Peak Narada Jazz Trippin ’N’ Rhythm Baja Shanachie Arista Warner Bros. GRP GRP / Verve Rendezvous Liquid 8 GRP / Verve Positive Music Rendezvous (Red) Narada Jazz Rendezvous GRP Heads Up Blue Note Warner Bros. Arista Liquid 8 Higher Octave EMI Universal / Motown Heads Up 215 GRP / VMG / UMG Peak GRP Rendezvous Shanachie GRP BMG Columbia Warner Bros. Warner Bros. GRP / VMG / UMG Koch Will Keys Narada Jazz Columbia Warner Bros. Heads Up Native Language Verve GRP Narada Jazz Will Keys Most Added Increased Airplay Chieli Minucci “The Juice” (Shanachie) +17 Hilton FM & Miss Claudia “Easy Living” (Sunswept) +9 Najee “3:00 AM” (Heads Up) +8 David Pack “You’re The Only Woman” (Peak) +6 Praful “We Live On” (Therapy / Rendezvous) +6 David Pack “You’re The Only Woman” (Peak) Paul Hardcastle “Serene” (Trippin ’N’ Rhythm) Warren Hill “Still In Love” (Pop Jazz) Praful “Moon Glide” (Therapy / Rendezvous) Brian Culbertson “Hookin’ Up” (GRP / Verve) jazzweek.com • Aug. 3, 2005 airplay data powered by TP 723 666 654 646 635 633 415 387 380 368 343 321 300 295 294 291 252 247 246 217 217 198 197 195 194 187 182 180 163 159 152 150 146 144 144 143 143 142 142 138 134 124 115 112 112 111 108 105 105 98 LP 716 645 645 576 670 625 410 415 358 340 386 305 284 274 301 338 262 235 225 200 247 205 193 200 196 185 184 183 141 23 168 160 123 134 150 144 129 136 131 136 141 137 92 112 105 116 123 98 108 100 +/- Weeks Stations 7 8 34 21 21 31 9 20 33 70 4 32 -35 28 33 8 25 30 5 30 32 -28 7 32 22 24 29 28 4 30 -43 39 31 16 7 30 16 3 28 21 25 27 -7 9 26 -47 27 28 -10 16 24 12 3 25 21 11 20 17 3 20 -30 38 31 -7 34 28 4 31 29 -5 27 22 -2 39 28 2 3 15 -2 39 26 -3 39 32 22 39 30 136 2 16 -16 34 26 -10 39 27 23 9 29 10 39 25 -6 39 21 -1 39 26 14 3 26 6 39 26 11 39 29 2 15 15 -7 39 23 -13 4 13 23 34 33 0 9 12 7 39 12 -5 39 18 -15 29 20 7 34 27 -3 34 19 -2 34 24 Adds 0 0 0 1 0 0 0 0 1 1 0 3 1 0 0 0 0 1 0 0 0 0 0 0 0 1 0 0 0 6 0 0 17 0 0 0 0 0 0 1 0 0 0 0 1 0 0 0 0 0 Chartbound +136 +70 +64 +33 +28 Daryl Hall & John Oates “I’ll Be Around” (U-Watch) Michael Buble “Home” (143 / Reprise) Warren Hill “Still In Love” (Pop Jazz) The Rippingtons “Wild Card” (Peak) Ray Charles “You Don’t Know Me (w/ Diana Krall)” (Concord) Praful “Moon Glide” (Therapy / Rendezvous) Down To The Bone “Tiburon” (Narada) Jeff Kashiwa “Ecstasy” (Native Language) Soul Ballet “She Rides” (215) All monitored airplay data is owned by Mediaguide, Inc. ©2005 Mediaguide, Inc. JazzWeek 24 Smooth Jazz Radio Current Albums 3rd Force Mindy Abair Greg Adams Sandro Albert Gerald Albright Herb Alpert & The Tijuana Brass Marc Antoine Marc Antoine Average White Band Anita Baker Bob Baldwin Walter Beasley Walter Beasley Pete Belasco Regina Belle David Benoit/Russ Freeman George Benson Matt Bianco Driving Force Come As You Are Firefly The Color Of Things Kickin’ It Up Lost Treasures Mediteraneo The Very Best of Marc Antoine Greatest And Latest My Everything Brazil Chill Go With The Flow For Her Deeper Lazy Benoit Freeman Project 2 Irreplaceable Matt’s Mood Theo Bishop Terence Blanchard Debby Boone Chris Botti Chris Botti Tim Bowman Jeff Bradshaw Rick Braun Toni Braxton Braxton Brothers Bridge To Havana (f. Gladys Knight) Brian Bromberg Norman Brown Paul Brown Michael Buble Alex Bugnon Jonathan Butler Cabo Frio Jonathan Cain Bobby Caldwell Sergio Caputo Larry Carlton Craig Chaquico Ray Charles Club 1600 Steve Cole Steve Cole Nick Colionne Rita Coolidge Joyce Cooling Couch Potato Allstars Brian Culbertson Eric Darius Will Downing Carol Duboc George Duke Richard Elliot Richard Elliot Tommy Emmanuel Fattburger Fourplay A. Ray Fuller Garry Goin Jeff Golub Al Green Euge Groove Onaje Allan Gumbs Hall & Oates Paul Hardcastle Newport Nights Flow Reflections Of Rosemary A Thousand Kisses Deep When I Fall In Love This Is What I Hear Bone Deep Esperanto Ultimate Toni Braxton Rollin Bridge To Havana Choices West Coast Coolin’ Up Front It’s Time Southern Living Jonathan Island Dance Bare Bones Perfect Island Nights That Kind of Thing Sapphire Blue Midnight Moon Genius Loves Company Ridin, High NY LA Spin Just Come On In And So Is Love This Girl’s Got to Play Jazz For Couch Potatoes Come On Up Night On The Town Emotions All Of You Duke Ricochet Metro Blue Endless Road Work To Do Journey The Weeper Goin’ Places Soul Sessions The Absolute Best Living Large Remember Their Innocence Our Kind Of Soul The Jazzmasters 4 Everette Harp Gabriel Mark Hasselbach Hil St. Soul Hiroshima Hiroshima Incognito Paul Jackson Jr. Boney James Jazz Crusanders Marcus Johnson All For You Gabriel... First Name Basis Copasetik & Cool The Bridge Obon Who Needs Love Still Small Voice Pure Soul Axess Urban Groove Ronny Jordan Ronny Jordan Jeff Kashiwa Kem Kem Kenny G Alicia Keys At Last After 8 Peace Of Mind Kemistry Album II At Last...The Duets Album The Diary Of Alicia Keys jazzweek.com • Aug. 3, 2005 Higher Octave GRP 215 Records 215 Records GRP Shout Factory Rendevous Verve Music Group Liquid 8 Blue Note A440 Music Group N-Coded Music Heads Up Compendia Peak Peak GRP Universal Music Group Native Language Blue Note Concord Columbia Columbia Liquid 8 Hidden Beach Warner Bros. LaFace Peak Pyramid A440 Music Group Warner Bros. GRP 143 Records/Reprise Narada Jazz Rendezvous (Red) Kezia Records Reality/AAO Music Sin-Drome Idiosyncrasy Music Bluebird Higher Octave Concord N-Coded Music Warner Bros. Narada Jazz Three Keys Music Concord Narada Jazz Shanachie Warner Bros. Higher Octave GRP Gold Note BPM/Navarre GRP Artizen Favored Nations Shanachie RCA/Victor A Ray Artists Music Compendia GRP EMI Narada Ejano U-Watch Trippin’ N’ Rhythm Records A440 Music Group Wind Tunnel Shanachie Heads Up Heads Up Narada Jazz Blue Note Warner Bros. True Life Marimelj Entertainment N-Coded Music N-Coded Music Native Language Motown Motown Arista J Records Chaka Khan Classikhan Dave Koz Pattie LaBelle David Lanz Ronnie Laws Michael Lington Liquid Soul Chuck Loeb Chuck Loeb Jeff Lorber Torcuato Mariano Eric Marienthal Hugh Masekela Keiko Matsui Maysa Michael McDonald Michael McDonald Marion Meadows Raul Midon Marcus Miller Chieli Minucci Chieli Minucci Najee Najee Ken Navarro Ken Navarro Meshell Ndegeocello presents The Spirit Music Jamia Grady Nichols Grady Nichols Nils O’2L Andrew Oh Steve Oliver Renee Olstead Pieces Of A Dream Doc Powell Doc Powell Praful Nelson Rangell Nelson Rangell The Rippingtons Smokey Robinson Linda Ronstadt David Sanborn David Sanborn Seal Seal Dan Siegel Simply Red Richard Smith Jimmy Sommers Soul Ballet Special EFX Spyro Gyra Stanley B. Wonder Stevie Patches Stewart Curtis Stigers Andy Summers Paul Taylor Paul Taylor J. Thompson Wayman Tisdale Nester Torres Two Siberians Urban Knights Luther Vandross Various Artists Various Artists Saxophonic Timeless Journey The Good Life Everlasting Stay With Me Evolution eBop When I’m WIth You Flipside Diary Sweet Talk Revival Wildflower Smooth Sailing Motown Motown Two Player’s Club State of Mind Silver Rain Night Grooves Jewels Embrace Classic Masters All The Way Love Coloured Soul Dance Of The Infidel Various Artists Various Artists Vlad Andre Ward Kim Waters Kim Waters Kirk Whalum Peter White Bernie Williams Pamela Williams Jim Wilson Victor Wooten Yellowjackets Alexander Zonjic Sophistication Sneak Pacific Coast Highway Doyle’s Brunch Silk 3-D Renee Olstead No Assembly Required 97th & Columbus Cool Like That One Day Deep Look Again My American Songbook Vol. 1 Let It Ripp My World: The Definitive Collection Hummin’ to Myself Time Again Closer IV Best: 1991-2004 Inside Out Home Soulidfied Love Life Dream Beat Dream Party The Deep End All For Love The Definitive Collection Blow I Think It’s Going To Rain Today The X Tracks Steppin’ Out Nightlife Romantic Night Hang Time Sin Palabras Out of Nowhere Urban Knights V Dance With My father Forever, For Always, For Luther Wedding Songs: A Body & Soul Collection Princess Diaries 2 : Royal Engagement [Original Soundtrack] Rendezvous Lounge, Vol.1 Vladosphere Steppin Up Someone To Love You In The Name Of Love Into My Soul Confidential The Journey Within Sweet Saxations River Soul Circus Altered State Seldom Blues AGU Sanctuary Records Capitol Island /Def Jam Decca Holland Group Rendevous Shanachie Shanachie Shanachie Narada Jazz 215 Records Peak Heads Up Narada Encoded Motown Motown Heads Up Manhattan Records Koch Records Shanachie JVC N-Coded Music Capitol Shanachie Positive Music Shanachie Compendia Compendia Baja/TSA Records Peak Ark Music Koch Records 143 Records/Reprise Heads Up Heads Up Heads Up Rendezvous/N-Coded A440 Music Group Koch Peak Motown Verve Music Group Verve Music Group Verve Music Group Warner Bros. Warner Bros. Native Language Simply Red A440 Music Group Higher Octave 215 Records Shanachie Heads Up Motown Koch Concord Jazz Fuel 2000 Peak/Concord Peak AMH Records Rendevous Heads Up Heads Up Narada J Records GRP Time Life Walt Disney Rendevous Unis Orpheus Shanachie Shanachie Warner Bros. Columbia GRP Shanachie Hillsboro Vanguard Heads Up Heads Up JazzWeek 25 Jazz Station Panel Call letters CJRT-FM* KANU-FM KBEM-FM KCCK-FM* KCLU-FM KCSM-FM KEWU-FM KFSR-FM KIOS-FM KIPO-FM* KJZZ-FM KKJZ-FM KLCC-FM KMHD-FM KMUW-FM KNTU-FM KPLU-FM KRTU-FM KSDS-FM KSJS-FM KSMF-FM* KSUT-FM* KTSU-FM KUAZ-FM KUNR-FM* KUNV-FM KUT-FM KUVO-FM KXJZ-FM WAER-FM* WBEZ-FM WBFO-FM WBGO-FM WCLK-FM WCMU/WUCX-FM WCPN-FM WDCB-FM* WDET-FM WDNA-FM WDUQ-FM WEAA-FM WEMU-FM* WFNX-FM WFSS-FM WGBH-FM WGLT-FM WGMC-FM WGVU-FM WHRV-FM WICN-FM* WJSU-FM WMOT-FM WNCU-FM WRTI-FM WSHA-FM WSIE-FM WTEB-FM WUAL-FM WUCF-FM WUMR-FM WUSF-FM WVPR/WVPS-FM WWOZ-FM WWSP-FM* WXUT/WXTS-FM Music Choice Sirius* Frequency 91.1 91.5 88.5 88.3 88.3 91.1 89.5 90.7 91.5 89.3 91.5 88.1 89.7 89.1 89.1 88.1 88.5 91.7 88.3 90.5 89.1 91.3 90.9 89.1 88.7 91.5 90.5 89.3 88.9 88.3 91.5 88.7 88.3 91.9 89.5/90.1 90.3 90.9 101.9 88.9 90.5 88.9 89.1 101.7 91.9 89.7 89.1 90.1 88.5 89.5 90.5 88.5 89.5 90.7 90.1 88.9 88.7 89.3 91.5 89.9 91.7 89.7 94.3 90.7 89.9 88.3 Market Toronto, ON Topeka, KS Minneapolis - St. Paul, MN Cedar Rapids, IA Los Angeles, CA San Francisco, CA Spokane, WA Fresno, CA Omaha, NE - Council Bluffs, IA Honolulu Phoenix, AZ Los Angeles, CA Eugene-Springfield, OR Portland, OR Wichita, KS Dallas - Ft. Worth, TX Seattle - Tacoma, WA San Antonio, TX San Diego, CA San Jose, CA Ashland, OR Ignacio, CO Houston - Galveston, TX Tucson, AZ Reno, NV Las Vegas, NV Austin, TX Denver - Boulder, CO Sacramento, CA Syracuse, NY Chicago, IL Buffalo - Niagara Falls, NY New York, NY Atlanta, GA Mount Pleasant – Saginaw/Bay City/Midland, MI Cleveland, OH Chicago, IL Detroit, MI Miami - Ft. Lauderdale - Hollywood, FL Pittsburgh, PA Baltimore, MD Ypsilanti, MI Boston, MA Fayetteville, NC Boston, MA Peoria, IL Rochester, NY Grand Rapids, MI Norfolk - Virginia Beach - Newport News, VA Worcester,MA Jackson, MS Nashville, TN Raleigh - Durham, NC Philadelphia, PA Raleigh - Durham, NC St. Louis, MO Greenville,NC Tuscaloosa, AL Orlando, FL Memphis, TN Tampa - St. Petersburg - Clearwater, FL Burlington, VT-Plattsburgh, NY New Orleans, LA Wausau-Stevens Point, WI Toledo, OH National Distribution National Distribution jazzweek.com • Aug. 3, 2005 Smooth Station Panel Rank N/A 195 16 204 2 4 93 68 73 62 15 2 171 24 95 5 14 30 17 33 207 N/A 7 63 231 38 7 22 26 79 3 52 1 11 131 25 3 10 12 23 20 10 133 128 8 149 54 67 40 8 123 44 43 6 43 19 87 133 39 48 21 220 46 198 85 N/A N/A Call letters KAJZ-FM KBZN-FM KEZL-FM KHJZ-FM KIFM-FM KJCD-FM KJZI-FM KJZY-FM KKSF-FM KKSJ/KTSJ-FM KLJT-FM KMGQ-FM KOAI-FM KOAS-FM KRVR-FM KSKX-FM KSMJ-FM KSSJ-FM KTWV-FM KWJZ-FM KYOT-FM WBRH-FM WEIB-FM WFJZ-FM WFSK-FM WGPR-FM WJAB-FM WJJZ-FM WJSJ/WSJF-FM WJZA/WJZK-FM WJZI-FM WJZL/WJZO-FM WJZR-FM WJZW-FM WJZZ-FM WLOQ-FM WLVE-FM WNUA-FM WNWV-FM WPMJ-FM WQCD-FM WSJT-FM WSJW-FM WSMJ-FM WVAS-FM WVMV-FM WXJZ-FM WYJZ-FM Music Choice Frequency 101.7 97.9 96.7 95.7 98.1 104.3 100.3 93.7 103.7 105.9 102.3 97.5 107.5 105.7 105.5 105.5 97.7 94.7 94.7 98.9 95.5 90.3 106.3 106.7 88.1 107.5 90.9 106.1 105.5 103.5 93.3 93.1 105.9 105.9 107.5 103.1 93.9 95.5 107.3 94.3 101.9 94.1 92.7 104.3 90.7 98.7 100.9 100.9 Market Albuquerque, NM Salt Lake City - Ogden - Provo, UT Fresno, CA Houston - Galveston, TX San Diego, CA Denver - Boulder, CO Minneapolis - St. Paul, MN San Francisco, CA San Francisco, CA Lafayette, LA Tyler-Longview, TX Santa Barbara, CA Dallas - Ft. Worth, TX Las Vegas, NV Stockton, CA Colorado Springs, CO Bakersfield, CA Sacramento, CA Los Angeles, CA Seattle - Tacoma, WA Phoenix, AZ Baton Rouge, LA Hartford - New Britain - Middletown, CT Ft. Wayne, IN Nashville, TN Detroit, MI Huntsville, AL Philadelphia, PA Jacksonville, FL Columbus, OH Milwaukee - Racine, WI Louisville, KY Rochester, NY Baltimore, MD Atlanta, GA Orlando, FL Miami - Ft. Lauderdale - Hollywood, FL Chicago, IL Cleveland, OH Peoria, IL New York, NY Tampa - St. Petersburg - Clearwater, FL Harrisburg - Lebanon - Carlisle, PA Baltimore, MD Montgomery, AL Detroit, MI Gainesville - Ocala, FL Indianapolis, IN National Rank 71 31 68 7 17 22 16 4 4 102 148 204 5 38 82 97 83 26 2 14 15 84 50 105 44 10 116 6 49 35 32 55 54 20 11 39 12 3 25 149 1 21 80 20 152 10 87 41 N/A Airplay of all stations, except as noted, is monitored by Mediaguide. To apply to become a member of a station panel, email info@jazzweek.com *Denotes station not monitored by Mediaguide. Station submits a weekly airplay report. JazzWeek 26 It’s a long way from the Apollo the trumpet was as a guest in a Theatre to the Apollo program. correctional home for wayward And while his playing may have boys. If only today’s schools were been “as lofty as a moon flight,” as enlightened and informed as as Time magazine once suggested, that reformatory was. that would be as close as Louis Alas, the arts are dismissed as Daniel Armstrong would ever get extravagant in today’s schools. to taking “one small step for man.” This, despite all the studies that But as the jazz musician of the show parents believe music and Instead of a giant leap, Louis Armstrong delivered one giant free-form crazy jazz groove for mankind. 20th century, giant dance and art and drama make leaps were simply a matter of course for their children much better students and better people. Satchmo. For no one has ever embodied If you feel like your kids aren’t the art form the way he did. It was he getting their fair share, make who helped make virtuoso solos a part some noise. To find out how, of the vocabulary. It was he who was honored with or for more information about the title “American goodwill ambassador” by the State the benefits of arts education, Armstrong left his footprints on the jazz world, wearing lace-up oxfords. READIN’ ART ’RITING ’RITHMETIC There’s plenty of brain to go around. Give more to art. Department. It was he who was the last jazz musician please visit us on the web at to hit #1 on the Billboard pop chart. AmericansForTheArts.org. Just like the great Louis Not bad for a kid whose first experience with A R T. ASK Armstrong, all you need is a little brass. FOR M O R E. For more information about the importance of arts education, contact www.AmericansForTheArts.org. Photo used with permission, Louis Armstrong Educational Foundation.