CONTENTS - The Worshipful Company of Pewterers
Transcription
CONTENTS - The Worshipful Company of Pewterers
Live Pewter contents page CO N T E N T S INTRODUCTION 3 JUDGES 4 COLLEGES AND UNIVERSITIES 6 OPEN DESIGN COMPETITION 7 STUDENT COMPETITION: ARCHITECTURE AND FURNITURE 15 DECORATIVE ARTS 20 FASHION – JEWELLERY AND ACCESSORIES 29 FASHION – TOTAL LOOK 1 38 SPONSORS 39 SHOP AND MARQUEE 41 BLANK Live Pewter Introduction Following on from the success of Pewter Live 2006 the Worshipful Company of Pewterers is delighted with the response this year and increasingly confident that pewter is once again on the ascendancy as the material of choice for a wide range of consumer products. There are almost twice as many entries for Pewter Live this year as there were in 2006. Eleven colleges and universities with over 70 students are taking part in the Student Design Competition with a record 23 designers competing in the Open Design Competition. The range of designs submitted in both design competitions and the extraordinarily diverse uses of pewter demonstrated in the entries has made this year's Pewter Live a truly exciting and innovative event. In 2007 the Student Design Competition comprised four categories each with a brief: Architectural Furniture – Fixtures and Fittings; Decorative Arts; Fashion – Jewellery and Accessories, and Fashion – the Total Look. For the Open Design Competition the brief was to design a table top item in pewter which could be commercially produced. www.pewterers.org.uk pewterlive@pewterers.org.uk Pewter Live is organised by the Worshipful Company of Pewterers with the support of the Association of British Pewter Craftsmen. In centuries past most artisan trades were supported by their Livery Company, and the pewter trade continues to benefit from this support today. The softness and versatility of pewter lends itself to the design of smooth, almost sensuous products which have a tactile quality far warmer and softer than silver or other precious metals. Modern pewter contains no lead; it is an alloy of tin with other metals such as copper and antimony. The beauty of this is that pewter requires very little maintenance, and 'polished' pewter will retain its shine if simply cleaned with a soft cloth. 3 The Pewterers' Company is delighted to welcome Sir Christopher Frayling as the VIP guest and Presenter of Prizes for Pewter Live 2007. Sir Christopher Frayling Sir Christopher Frayling became Chairman of Arts Council England in February 2004 and is Rector of the Royal College of Art in London, where he is also Professor of Cultural History. An historian, critic and broadcaster, he is well known for his work on BBC Radio 4, BBC Radio 3 and Channel 4. He has published sixteen books on art, design and culture. Sir Christopher is a trustee of the Victoria and Albert Museum (since 1983), and was a member of the Arts Council of England (1987-2000) having chaired successively its Visual Arts, Combined Arts, Education and Film, Video and Broadcasting panels. He has been a member of the Crafts Council and a Governor of the British Film Institute. Sir Christopher's breadth of knowledge on the arts, design and creative world and its cultural and commercial impact are of tremendous relevance to the enduring qualities and future potential of pewter design and manufacture in the UK. The Pewterers' Company extends its warmest thanks to Sir Christopher for his support of Pewter Live 2007. The Judges Sebastian Conran Director, Conran & Partners Sebastian studied design at the Central School of Art and Design and in 1979 he joined Wolff Olins taking creative responsibility for key accounts. In 1982 he joined Mothercare as senior development executive with responsibility for the design and development of all childcare equipment and non-fabric merchandise. In 1986 he founded his own independent merchandise and brand development studio, Sebastian Conran Associates, successfully collaborating with a variety of leading international businesses on a wide range of projects. In 1999 the studio merged with the Conran Group to form Conran & Partners, where Sebastian is now the director responsible for the product and graphics work. In the past 20 years his studio has collectively been involved with the development of thousands consumer goods in a wide variety of markets from initial ideas through to successful merchandise. Sebastian's technical innovations and inventions have been involved in dozens of patents in a wide variety of fields and his work has been awarded many design, marketing and innovation awards. Sebastian has written several books on design, was founding contributor to Blueprint magazine, has taught furniture design at the RCA, lectures frequently and was a founding trustee of the Design Museum. He is a Liveryman of the Worshipful Company of Pewterers. Sue Bonham Fashion Designer Sue graduated with Distinction at the London College of Fashion in 1981 and her graduation collection was purchased by Harrods. In the 1980s Sue worked with Simon Napier-Bell making clothes for his bands such as Wham! and Japan as well as with Terence Donovan styling for some of his photo shoots. Following this, Sue worked as a freelance fashion designer and taught designing, pattern cutting and manufacturing at the Lucie Clayton finishing school in Knightsbridge. She was also a part time lecturer at the London College of Fashion as well as showing both at London Fashion Week and Paris Fashion Week under her own label. Since the late 1990s Sue has been a couture designer for both women and men with her own shows in London's West End. She has an expanding list of high profile clients, including HRH Countess of Wessex, designing and making stylish outfits for all occasions. 4 Jean Carr Features Editor, Country Homes & Interiors Jean is the features editor of Country Homes & Interiors, an IPC SouthBank monthly publication and the only country decorating magazine in the market. It offers inspirational country homes and gardens, property trends, seasonal decorating and food, leisure and travel ideas, and real lifestyle stories. It frequently showcases new and established British designers, craftspeople and their work. Jean has always been a passionate champion of crafts, particularly artist designers from her native Cornwall, including silversmith Charles Hall. She advises on promotion and publicity at workshops for Cornish based designers held by Creative Kernow and the Cornwall Crafts Association. Her interest in pewter began while researching a feature on antique pewter tableware and she discovered Pewter Live and the stunning range of contemporary items by established and student designers. The magazine has since featured pewter work by master craftsman Keith Tyssen and Pewter Live winners Loretta Harmer and Tim Parsons. Liz Kershaw Executive Group Publishing Director, National Magazine Company Liz Kershaw entered the media industry after completing a dual honours degree in Archaeology & Pre-History at Sheffield University. She is the Executive Group Publishing Director of the National Magazine Company currently with responsibility for the Good Housekeeping, Country Living and Coast brands. This includes the magazines plus their extended businesses - book publishing, licensing, shows, fairs, events, websites and the Good Housekeeping Institute. She was appointed to the board of the National Magazine Company in 1993. In 1995 she was awarded PPA Publisher of the Year, Highly Commended in 2004 and 2005 and was Media Week's Publisher's Publisher in 1997. Liz frequently judges the European Women of Achievement Awards, Asian Women of Achievement Awards, Food & Drink Journalist Awards, PPA Awards and Guild of Fine Food Awards. Liz is on the Council of Cheltenham Ladies College, a member of the Gun-makers Livery, is on the fundraising committee for Canine Partners and is a Freeman of the City of London. Lauren Sizeland Head of Business Development and Licensing, Victoria & Albert Museum Lauren has 14 years experience as a senior brand developer within the established arts and museum sector. In 1988 she was involved in the pioneering development of retailing at the Royal Academy of Arts and was later recruited to develop 'Art Room' – a new concept for retail and mail order. Lauren has also worked as a consultant for the New Millennium Experience Company, BBC Worldwide, British Museum, National Portrait Gallery, RSC and Harrods. She became Head of Retail & Brand Development for NMSI; managing the commercial functions at three UK national museums, achieving marked success with the Science Museum, which now has its brand in more than 300 high street stores. As Head of Business Development & Licensing at the Victoria and Albert Museum since 2005, Lauren is responsible for directing the V&A's international licensing programme. The museum holds an extensive collection of pewter, which is especially rich in European pieces. The licensing programme also has long-term partnerships with pewter manufacturers across the globe. Stephen Widdows Managing Director, DJH Engineering Limited Stephen is managing director of DJH Engineering Limited a business he co-founded in 1983. Specialising in the centrifugal casting and finishing of pewter DJH has invested heavily in state-of-the-art automated machinery and operates from a modern purpose-built 20,000 square foot factory in the north east of England. DJH processes over 50 tonnes of pewter per year and prides itself on retaining its design, tooling and manufacturing facilities in-house. DJH's main service is that of contract casting of which 60% is exported. Its key markets are domestic hardware (kitchen and bedroom), corporate gifts and quality collectables. Laila Zollinger Director, Wildshaw Limited Laila is a Director of Wildshaw Limited, the worldwide sales agent for Minsur SA, Peru (which produces about 40,000 tonnes of tin metal annually). Laila has been involved in the metal industry all her working life and takes a keen interest in all things tin related, from the mine to the finished products. Pewter has been a particular favourite of Laila's for a considerable time. Due to its versatility and beauty, the Viking's metal of choice can be found in numerous guises in her family home – from cutlery and wine goblet stems to kitchen cabinet furniture. The promotion of pewter is an ongoing challenge and one of Laila's long-term aims is to promote the development of the pewter industry from its current fragmented state into a component of mainstream culture. 5 Colleges and Universities Pewter Live could not be run without the colleges and universities which take part. Once again, our thanks to go the tutors and students for their support and the tremendous effort and enthusiasm which goes into the competition. Buckinghamshire Chilterns University College www.bcuc.ac.uk Tutor: Andreas Fasbian Truro College www.trurocollege.ac.uk Tutor: Martin Page Hastings College of Arts & Technology www.hastings.ac.uk Tutor: Ashley Heminway University College for the Creative Arts at Farnham www.ucreative.ac.uk Tutor: Susie Fortune Hereford College of Art & Design www.hereford-art-col.ac.uk Tutor: Clive Hickinbottom Manchester Metropolitan University – Faculty of Art & Design www.artdes.mmu.ac.uk Tutor: Tim Parsons Plymouth College of Art and Design www.pcad.ac.uk Tutor: Jane Theobald South Devon College www.southdevon.ac.uk Tutor: Trish Woods 6 University College for the Creative Arts at Rochester www.ucreative.ac.uk Tutor: Brian Hill UCE School of Jewellery Birmingham www.biad.uce.ac.uk Tutor: Terry Hunt University College Falmouth www.falmouth.ac.uk Tutor: Jason Cleverly Open Design Competition PRIZES First £4,000 Second £2,000 Third £1,000 REULEAUX DISHES Sally Wakelin A set of small shallow salvers for nuts, olives, petit fours, sugared almonds or Turkish Delight – these dishes offer a stylish and modern finishing touch to the table. info@sallywakelin.co.uk www.sallywakelin.co.uk CHILDREN'S CUTLERY SET Fleur Grenier Function and design are equally important in this elegant, easy to handle cutlery set with cast pewter handles. An ideal keepsake, the set consists of a knife, fork and spoon, presented in a leather pouch. design@fleurgrenier.co.uk www.fleurgrenier.co.uk ‘SO CANDELABRA’ Jackie and Lloyd Choi So candelabra features six stack-up candleholders. Inspiration comes from the candelabra itself, a classic piece forgotten from the tabletop.The candlelight reflects on the surface of the pewter creating multiple effects. It brings both pewter and the candelabra into to the present. jackie@jackiechoi.com 7 Open Competition To design predominantly, but not necessarily exclusively, pewter items that have the potential to be manufactured commercially. In Pewter Live 2007 the judges are seeking 'table top' designs which can be anything from plates, vessels or cutlery to candleholders or lamps and lights to adorn a table, or purely decorative items such as something to fill the spot left by the 'vacant' ashtray on restaurant tables. Open Competition PURITAN VASE Martin Page This design started from an orchid, observing the flowers and thinking of a suitable up-market dinner table, vase. The complex curves were manufactured by scoring then curving the container and then letting the lip curve by itself before soldering the two halves together. martinp@trurocollege.ac.uk SPIRAL VESSELS Claire Malet These decorative vessels were inspired by the simple elegance of an eroded sea shell. The hand worked and reticulated edges make each piece unique. As with shells collected on the beach, they are effective displayed as a group. claire@clairemalet.com www.clairemalet.com NAPKIN RINGS Claire Malet These napkin rings were inspired by curls of bark. The process used to texture the pewter gives a unique surface pattern on each piece. They are intended to bring tactile as well as visual pleasure to the dining table. claire@clairemalet.com www.clairemalet.com WRITING INSTRUMENT Rajesh Gogna Table top writing instrument inspired by the QUILL and celebrating the biro refill. It is comfortable to use with either left/right hand and once the refill is empty it can be easily replaced. The characteristics of pewter complement the form and finish showing sensitivity of the casting process utilised in an ergonomic functional object. r_gog_na@hotmail.com 8 VASE Rebecca Walklett A limited edition vase, derived from the interior spirals of a shell, to contain beautiful blooms – a focal point of the dining table. rebecca.walklett1@virgin.net ‘BUTTON BALL’ SWEET DISPENSER Sadie Rice These contemporary pewter balls are very playful with their colourful fabric, pewter and enamel buttons and their rubber stopper lids ‘hanging on by a thread’. They come in a set of three, and are fun for all ages as after dinner entertainment. ricenspicey@hotmail.com SALT & PEPPER B Different Design Salt & Pepper, although simple in design, sit together as a harmonious table top combination. In creating these contemporary and tactile products, B Different Design has combined traditional craft techniques with the accuracy of CAD-CAM. Produced using the minimum of component parts, Salt & Pepper is ideal for commercial manufacture. studio@bdifferentdesign.com 9 Open Category ‘POOL’ FRUIT BOWL Jasper Startup This fruit bowl is designed to be the centrepiece of the table. Its flowing lines complementing the high polish of the pewter and the form of the fruit. Cast components are used to create the form and to keep production costs down. Supported by Central St Martins College of Art and Design. jasper@startupdesign.co.uk ‘NEW SPIN’ Hannah Dipper and Robin Farquhar New Spin is manufactured in the same way as traditional glass-bottomed pewter tankards, using spun forms to hold ceramic or glass centres.The tableware showcases traditional making techniques and local skills, by using oversized touch marks as a decorative as well as informative device, they celebrate the tradition of pewter manufacture in and around Sheffield. Open Competition robin@peoplewillalwaysneedplates.co.uk ‘WEE NELLIE’ Robert McEwan The ‘Wee Nellie’ teapot has been inspired by doodling on a train up to Scotland. The manufacturing process includes spinning, casting and stamping. clan_designs@lycos.com 10 CANDLESTICKS Beaulagh Chapman-Brooks A reversible candlestick, beautiful in isolation and intriguing when paired. One end is wider than the other which allows it to function either way up. It has been designed with removable sconces for ease of cleaning and candle replacement. It is produced in varying sizes to allow a choice of candles. b.chapman@londonmetc.ac.uk 'HIGHLIGHT' BATHROOM ACCESSORIES Nick Munro This collection is part of a commission to design exclusive home furnishing products for John Lewis under the brand 'Nick Munro for John Lewis'. Munro was keen to introduce John Lewis to the wider possibilities of pewter beyond simply 'giftware'. The collection was named 'highlight' in reference to the gleam that pewter affords, particularly along polished edges and chisel cut grooves. nick@nickmunro.com ‘CUSTOM HOUSE’ COPENHAGEN Nick Munro This is a coffee pot for Conran Restaurants. The design is a development of a pewter Coffeetiere design but featuring a newly-engineered metal handle with heat insulation. The new design addresses this issue through innovative use of insulating plastic, but still retains the elegance. nick@nickmunro.com FRUIT BOWLS AND WATER CARAFES Nina Tolstrup – Studiomania A selection of water carafes and fruit bowls, designed to encourage us to eat more fresh fruit and drink more water. An inviting big bowl of fruit and carafe of fresh water suitable for all table tops. tolstrup@studiomama.com 11 Open Competition TEA AND COFFEE SET FOR LINLEY Nick Munro The tea and coffee set is intended to extol the virtues of British craftsmen working in both pewter and wood. The classic combination invests the product with lasting appeal, and the adoption of simple, modernist lines requires exquisite attention to detail by way of both design and quality of manufacture. nick@nickmunro.com Open Competition DESSERT PLATE AND CREAM JUG Jennifer Kidd The carnivorous pitcher plant and venus flytrap are the inspiration behind these two functional pieces, with their alluring form and colour resembling a sticky dessert. They can extravagantly impress guests at a dinner party, or be used daily as a fruit or cake stand or milk jug for coffee. jenckidd@hotmail.com BUBBLY COOLER Ruth Golding The bubbly nature of champagne and celebrations inspired this design. It is an inviting and uplifting piece suitable for special occasions. It features an inner mesh, which keeps the ice cubes in place while the champagne is being poured. The cooler can also be used for wine. roughgold@googlemail.com TABLE CENTREPIECE Annie Payne Inspiration for this piece came from looking at water droplets and microscopic wood cells. It can be purely decorative or be used for displaying flower heads or Tealights. Another practical use would be to hold condiments. Simplicity is the key. annie_p_78@hotmail.com 12 ELLIPSE VASE Claire Ferguson Inspired by the forms and patterns found on trains the Ellipse Vase range is designed to be displayed either individually or as a group. The main feature of the vase is the oval top that evolves from a round base, which is further enhanced by the surface pattern. claire_ferg@hotmail.com ATISHOO! Theresa Nguyen The name of this tissue holder is derived from the expression of sneezing and inspired by the nursery rhyme ‘Ring a Ring o' Roses’. Made from pewter sheet, manufacturing techniques include saw piercing, forming and soldering. design.nguyen@googlemail.com Open Competition ELLIPSE WATER JUG Claire Ferguson Inspired by the forms and patterns found on trains the Ellipse Water jug is designed to be a contemporary addition to the tabletop. The main feature is the oval top that evolves from a round base, with a surface pattern designed to complement the form. claire_ferg@hotmail.com SOLARIS TEA STRAINER Bodo Sperlein This tea strainer has been designed to be highly functional, yet sculptural and organic. The clever use of balance ensures a perfect fit to any cup. bodo@bodosperlein.com 13 Open Competition ‘AUTUMNAL’ (HYDREFOL) ‘WILLOWY’ (GASGEIDDIG) Grug Jones The creation of these decorative pewter vessels is inspired by the countryside and the patterning and texture which occur naturally. The patterning on the pieces is produced using an etching process. Each vessel is hand domed to give a distinctive earthy quality. grugjones@hotmail.com SALT & PEPPER JARS Xian-ou Ni A pair of salt & pepper jars for the table top, suitable for household or commercial use. The different designs distinguish the salt from the pepper. The inspiration for the pieces comes from the centre of a water lily and offers a delicacy and humour. meshale.ni@gmail.com nixianou@163.com CANDLEHOLDER Cathy Dutton The concept of the candleholder is to achieve a piece which can be adapted, shaped and positioned to fit any environment or setting. The product can be used for a visual centre piece, a window ledge feature or coffee table ornament. The design is straightforward to produce, utilising the malleable qualities of sheet pewter. CED221084@aol.com 14 Architecture and Furniture – Fixtures and Fittings Student Competition PRIZES First £500 Second £350 Third £150 ‘JEWELLERY FOR THE HOME’ RANGE Sara Fell Plymouth College of Art and Design Blending contemporary jewellery and interior design, ‘Jewellery for the Home’ is a range of stylish pewter and glass door furniture, bathroom accessories and tiles, which allows infinite combinations. It celebrates pewter as a ‘precious’ metal by capturing the alluring beauty of its molten state in coloured glass. sarafell1@aol.com PLATE LAMP WITH SPOONS Charlene Smeeth Buckinghamshire Chilterns University College A contemporary dining room chandelier consisting of 12 pewter spoons and a china plate, designed to signify the fact that pewter spoons are no longer used, and to give them a new role in the dining room. The spoons have been darkened with the inside polished to give better reflection. charlenesmeeth@googlemail.com 15 Architecture and Furniture Pewter offers students tremendous potential to design contemporary interior fixtures and fittings – from handles and hooks, shelves and brackets, to light fittings, lamp bases, and bathroom accessories. Today's homes adopt a variety of ‘looks’ – minimalist urban-loft living, country-style cosiness, revivalist or traditional – and pewter fixtures and fittings can enhance them all. Architecture and Furniture DOOR HOOKS Susie Lee Buckinghamshire Chilterns University College A bathroom hook sculpted from cast pewter, designed to be hung over the door. Drawing inspiration from the fluid nature of molten pewter this piece aims to convey the movement and gloss of liquids, to create a bathroom fitting that suits its environment. rasin31@hotmail.com LARGE DOOR FURNITURE David Hesketh Hereford College of Art & Design Inspiration for the design of this door handle has been taken from the natural energy of the ocean flowing through seaweed. It has been produced for the interior of a new, corporate, executive building. dave.hesketh@gmail.com OUTDOOR TABLE Laura Carnell University College Falmouth The table top has been covered with a map of Central London, enhancing the owner’s sense of place and bringing an awareness of the immediate landscape. The intricacy of the pewter lines imbues the surface with a feeling of preciousness and delicacy. Combining traditional woodworking techniques and CAD/CAM technologies, this piece is a fusion of old and new lj.carnell@hotmail.co.uk 16 ‘CIRCUS’ Penelope Timms Hereford College of Art & Design These pieces celebrate movement that is represented by the Circus from two approaches, sculptural free-standing figurative pieces (in the Decorative Arts category) and this wall-mounted layered glass panel. The theme of twisting, contorted bodies and costumes not only reflect movement, but also embody the visual experience of the spectacular sensations of the Circus. These sculptural figurative pieces and wall mounted layered glass panels celebrate the essence of this experience. penelope27@hotmail.com MIRRORED WALL VASE Jodie Marsh Buckinghamshire Chilterns University College A detachable patterned pewter vase, on a wall mounted mirror. It is designed to enhance any environment, from a hallway or bathroom to an office or foyer. The elegance of the flowers placed in the vase reflects in the mirror, creating a feeling of light and space fairyhilltop@hotmail.co.uk LIGHT Nicholas Dalby Manchester Metropolitan University A design inspired by pewter and its unique qualities of malleability and high reflectivity. The light is made up of 21 leaves of pewter sheet, each simply rolled into a cone shape and suspended around a central light source. nicholas_dalby@yahoo.co.uk PUSH PULL DOOR HANDLES James Suret Hastings College of Art & Technology The handles have been created using an open mould and drip-casting, allowing the pewter to gently flow. The tactile design of the hands is appropriate for the push/pull door fittings. jamessuret@yahoo.co.uk 17 Architecture and Furniture WALL LIGHTS Victoria Coleman UCCA at Rochester The lights are inspired by the flexible properties of pewter, using a combination of straight lines and curves. They are designed for use in a corporate environment. When the lamp is illuminated light shines through to create a highly decorative pattern with unique shadows directed around the room. vicci22@hotmail.com Architecture and Furniture SURREAL FINGER COAT RACK Colin Lock UCAA at Farnham This piece combines traditional and contemporary design in an object that normally goes unnoticed. When its aesthetic value as well as its function are considered it turns it into an object that cannot be ignored, and brings life to its surroundings. colinlock4@hotmail.com WALL PIECE Leo Melchior Hereford College of Art & Design Raised glasses are a universal gesture of celebration and the inspiration for this piece was an old photograph of two gentlemen drinking absinthe in a Parisian bar and also the drawings of Picasso and lithographs of Toulouse Lautrec. Wire is used to create a striking linear quality with the addition of acid-etched patterns onto the pewter. prestonmelchior@hotmail.com SOAP AND TOOTHPASTE HOLDERS WITH PERSPEX Sophia Lovell UCCA at Rochester A contemporary soap and toothpaste holder suitable for commercial use in hotels, restaurants and bars. The main body is constructed from pewter with a perspex tray that is detachable, a vital function for cleaning purposes. The brackets are two highly polished decorative strips which give a unique finish. sophialovell@hotmail.com CORNER VASE Kelly Symington Buckinghamshire Chilterns University College A triangular vase for use in a hotel dining room/reception. It is designed to display two or three large flowers. The vase slides into a tapered hole in the shelf so it can be easily lifted out to change the water. stimer5@hotmail.com 18 WALL LIGHT SHADE Carly Wells UCE Birmingham A contemporary elegant design that can be attatched to the wall as a single eye-catching light, or grouped as a set of light for a modern environment. The streamlined shade offers both a bright or low light, creating differing atmospheres. citswellsy@hotmail.com LAMPSHADES Megan Forbes UCCA at Rochester This set of bold retro-style lampshades was inspired by shapes and patterns sourced from clothing and furniture made in the 60’s. The shapes were cut and bent to create a striking light effect on the wall. tiggiforbes@yahoo.co.uk WALL HOOKS Naomi Jago UCE Birmingham Surreal clothes hooks. These unusual clothes pegs add a stylish yet quirky feel to any room. Suitable for a contemporary environment these solid pewter hooks can hold all types of garments and make a fun statement in any household. Jagonomhm@hotmail.com 19 Architecture and Furniture SOLHOUETTE LIGHT Annie Cracknell UCE Birmingham Solhouette is a decorative window strip which stores up the sun’s energy during the day and releases it at night via tiny LEDs which twinkle along its attractively patterned edge. The delicately embossed pewter is beautiful both by day and by night. aceannie@gmail.com Decorative Arts Student Competition PRIZES First £500 Second £350 Third £150 Decorative Arts Students are asked to design a pewter item that could be used to 'celebrate' an event. The design can be for a functional, fun or merely decorative item and might celebrate an anniversary, birth, exam or sporting success etc, or something less obvious such as moving house, passing a driving test, or completing the marathon. CHAMPAGNE TIARAS Charlotte Coleman Buckinghamshire Chilterns University College A set of two tiaras designed to fit on top of the bride and groom champagne glasses. Floral inspired cast pieces, they are easily removed for drinking. A delicate addition to any table setting, coloured ribbon can be easily attached to match the theme of the special day. charlotteemily@gmail.com 20 CURVACEOUS BOWLS Joseph Smart Manchester Metropolitan University A unique shape constructed from sheet material, celebrating the natural properties of pewter. The contemporary curvaceous form catches the light and celebrates the beauty of pewter. joe.smart@student.mmu.ac.uk AWARD TANKARD Dagmar Korecki Buckinghamshire Chilterns University College An approach to a traditional object that strongly represents the past, present and maybe even the future of pewter. The tankard has been transformed into a contemporary object by splitting it and introducing a geometric form. dk333@hotmail.co.uk CANDLEHOLDERS Stacey-Louise Miller Hastings College of Arts & Technology This decorative pewter candleholder includes pieces of glazed ceramics. They are inspired by repetitive shapes that form different structures, such as blood cells through a microscope. staceylouisemiller@hotmail.com ALPHA PEG Naomi J Higgins Hastings College of Arts & Technology Pegs describe domestic duty, not just as a means of attachment but the notion of holding things we cherish. They display a mixture of technology, natural organic texture and the futuristic quality of pewter. The pegs are functional and can be personalised with accessories. nimberly@yahoo.co.uk VASE Wai-Yin Lam UCE Birmingham A horizontal vase which can be placed on the dining table as a centrepiece. The simple, clean lines and matt finish bring out the elegance of the flowers. olayvia@yahoo.co.uk COSMIC COASTERS Karla Riekstins Truro College Cosmic events occur all the time, decorating the heavens above, often celebrated and remembered, marking birthdays. Man's attempts to reach into the universe and comets and eclipses bringing wonderment to those that see them. Pewter combined with coloured leather for use in the home or work environment. karla@anfoljy.com 21 Decorative Arts BACKGAMMON SET Jennifer Harrison UCE Birmingham This piece is a contemporary take on the traditional backgammon set. Designed specifically for a wedding or a civil service, each partner has a set of counters which have their initials stamped into the face in the style of a wax seal, this eliminates the usual black verses white jenni_harrison@hotmail.co.uk ICICLE CHRISTMAS TREE DECORATION Emma Dean Buckinghamshire Chilterns University College Hung on a Christmas tree, its smooth shiny surface will elegantly reflect the lights close by, and secretly conceal little Christmas gifts. To be sold in sets of three. emrar_8705@hotmail.com PUMPKINS Maggie Waite Hastings College of Arts & Technology Organic form and nature were the inspiration for these pumpkins, one combining ceramic and Pewter, the other formed completely in pewter, allowing the pewter to flow and find its own way within the form. jmaggieandrichard@btinternet.com Decorative Arts BIRTHDAY GIFT AND CARD Deborah Phillips-Reid UCCA at Rochester The Lotus Blossom, symbol of birth and rebirth, is a gift to celebrate the birth of a child. The Lotus Bud contains diamond and gold pins, which are held in the blossom, until the 21st birthday. The gold and diamonds are can then be used as jewellery and the Lotus Blossom becomes a holder for earrings. deborahphillips-reid@hotmail.co.uk 22 FAIRYTALE PEWTER VASE Emma Claire Stopford Manchester Metropolitan University With this design I wanted to make a feature of the usually hidden seam, the pattern celebrates the seam transforming it from something that is usually blended out, into a decorative feature. The design also aims to make pewter into a more precious material; the delicate feminine form and pattern make the vase into a piece to be treasured by its owner. emma.stopford@hotmail.co.uk JUDO SPORTS TROPHY Sarah Brown South Devon College The design is inspired by the shapes and forms of the body and sports equipment moving through space during action. Initially designed for the sport of Judo, the piece is equally applicable to a range of other sports such as rugby and football. The simple pewter plaque could be inscribed with the appropriate sport. sarahbrown1986@yahoo.co.uk KNAPKIN RING Sarah Kerry University College Falmouth The Knapkin ring uses the texture from a knitted jumper as decoration. It is intended to complement the woven fabric of a napkin in the same manner as the knitted and the woven complement each other as clothing. SK105511@falmouth.ac.uk IMAGINATIVE CREATURES Eloise Martin Hereford College of Art and Design Unique, imaginative creatures that are inspired by mythological and fantasy characters. Each creature is handdrawn in an imaginary landscape before being animated into 3D sculpture. eloisemarti@googlemail.com 23 Decorative Arts COMPEWTER MOUSE Heidi Hinder UCE Birmingham By introducing 21st Century technology to a Bronze Age metal, this 'ComPewter Mouse' casing is stylish and contemporary while utilising historic processes and material in the product manufacture. The design is easily reproducible using straightforward casting techniques, with a highly polished surface finish. heidihinder@heidimail.com PEWTER AND GLASS BOWL James Suret Hastings College of Arts & Technology The bowl has been created by manipulating pewter when it is molten by drip-casting into an open mould thereby allowing the pewter to flow with gentle movement to create the piece. I used 'hands' to provoke a want-to-touch look to the bowl. jamessuret@yahoo.co.uk LOCKET AND WALL DECORATION Amy Johnstone Hereford College of Art and Design A pewter piece themed around the celebration of marriage. The locket encases the paraphernalia accumulated by couples. The heart has been made using formed pewter with brass components and small objects inside have been cast in pewter to be a part of the assemblage. johnstoneamy1@hotmail.co.uk WEDDING ENGAGEMENT Amanda Adams Hereford College of Art and Design This decorative vessel has been designed to celebrate an occasion such as an engagement, with the ring placed inside and because it is lidded it has a use after the celebration. The inspiration comes from different types of sea anemone and it is made in pewter with coloured wire and glass. amanda.ruth.adams@gmail.com Decorative Arts NAPKIN HOLDER Haniyyah Russell UCC Birmingham Part of a range of tableware items derived from examining a piece of cake. The pores within the slice form the basic pattern of the napkin holder. The light and airy appearance resembles the sponge texture within the cake slice. haniyyah_russell@yahoo.co.uk 24 Decorative Arts TWIG MAN, CROWN MAN AND PAPER BAG HAT Carole Sheldrake Hastings Figurative ceramics and mixed media are my specialist areas and pewter has been introduced as a sensitive material which is sympathetic to my usual materials. The pewter headdresses are milled, typed upon with messages, poems etc, patinated, cut and folded to make 'paper' hat additions to the figures. The Twig Man's arms are also moulded and cast in pewter. casheldrake@tiscali.co.uk 25 Decorative Arts SPLIT POD VASE Simon Timings Hastings College of Arts & Technology The idea for this vase developed from traditional symbols of fertility and femininity. The design represents a split ripe seedpod bursting with new life and is based on a heraldic pomegranate, a symbol representing both fecundity and the seeds of knowledge and wisdom. pewterlive@pewterers.org.uk DISCO-SHAKERS Holly Cattell UCE Birmingham Pewter has been combined with coloured resin to produce these salt and pepper Disco-Shakers that create fun and colour within any kitchen. juciejellybean@hotmail.com SPUN QUAICH WITH DECORATION Susannah Goodyear UCCA at Farnham This quaich is for civil partnerships and weddings. The form is traditional but with two handles in the form of stylised turtle dove skulls which symbolise everlasting love 'til death do us part'. The decoration joins the birds without inequality but allows individuality. cybik@livejournal.com 26 VASE Daniel Wood Manchester Metropolitan University Inspired by centuries of vase making, this three-panelled vessel is a classical shape usually associated with ceramics. The pewter has been twisted and shaped into a modern minimalist ewer with an organic aesthetic. dwood1000@yahoo.co.uk VASES WITH COLLARS Bethmay Brown Hastings College of Arts & Technology The red iron oxide stained pot is inspired by the smaller Amphora of Ancient Greece, and the collars of the Elizabethan merchants who traded through the mediterranean sea. It is laced with an exquisite and gentle pewter ruff. thimplythebeth@yahoo.co.uk 27 Decorative Arts THREE DECORATIVE VESSELS Catherine Wake Hereford College of Art & Design These decorative hand-raised vessels incorporate paper textile interiors, which comprise fragmentary photography and text. The vessels thus celebrate childhood memories, family, natural form and unity. They are designed so that they can be held in the hand. catherinewake@hotmail.com Decorative Arts COMMEMORATIVE VESSELS Elizabeth Hopkin Hereford College of Art & Design These vessels are inspired by the letters carved on gravestones to celebrate the life of a loved one. The abstract geometric forms are etched into the insides. They are supported by a simple base. mad_cowonspeed@yahoo.co.uk WALL VASE Carlotta Ferrario UCCA at Rochester The inspiration for this design came from Howard Schatz whose photographs capture close-ups of flowers and plant structures. Through the observation of his images the design of the wall vase was developed – its shape is fluid and organic and utilises the malleability of pewter. The vase is intended to hold a single flower. lottylakshmi@gmail.com 28 ‘SIPSAFE’ BOTTLE TOP Sian Jones UCE Birmingham ‘Sipsafe’ is intended to be given as a present to someone on their 18th birthday. It is designed to prevent illicit substances being slipped into a drink, whilst at the same time becoming a sought-after fashion accessory. sianie_j@hotmail.com ‘TWIRRRLIISSSHHHH’ Penelope Timms Hereford College of Art & Design These sculptural free standing figures take their inspiration from the circus. Their twisting contorted forms reflect the movement and costumes found in the circus environment and also embody sensation and spectacle. penelope27@hotmail.co.uk Fashion – Jewellery and Accessories Student Competition PRIZES First £500 Second £350 Third £150 ACCESSORIES FOR BROKEN CLOTHING Naoko Hirata UCCA at Rochester This jewellery is designed to be suitable for any form of casual and feminine fashion. It will liven up and transform an ordinary and perhaps dishevelled garment into a vibrant and fashion-conscious item of appeal. The idea originates from a brooch where fabric can be drawn through the unit to both add visual interest and also locks the jewel onto the garment. The design can also be used as a necklace, bracelet and hairband etc. smiledior@yahoo.co.jp BRACELET Kate Lawrence Truro College Inspired by body armour, this jewellery is designed to give the wearer a feeling of protection. The bangle is constructed from one piece of metal which is folded to give a continuous flowing form. kate.lawrence@btnet.com 29 Fashion – Jewellery and Accessories Today's high street fashion is awash with accessories but very few are made of pewter. Students are challenged to redress the balance and come up with designs which could make pewterware the accessory of choice for jewellery or personal accessories. BELT Leila Arzaghi UCE Birmingham Designed with today's market in mind, for the young and fashion conscious. The fabric goes through the back of piece and is simply tied. This design allows the use of different widths of fabric which can be looped several times through the buckle. Persian_gazelle@yahoo.com CHARM Leila Arzaghi UCE Birmingham This bag charm is designed to be funky as well as practical. It can be used for storing tissues – by using different colour tissues the bag can match the wearer’s oufit. Persian_gazelle@yahoo.com 30 BAG Leila Arzaghi UCE Birmingham The inspiration for these accessories comes from nature and natural forms. This elegant unique bag is designed to be worn as a body adornment. The wearer can use bright fabric inside for a daytime funky look or a darker tone for eveningwear. It slides opens from the side and will stay close with a magnet clasp. Persian_gazelle@yahoo.com Fashion – Jewellery and Accessories Fashion – Jewellery and Accessories CONICAL BRACELET Emma Jane Hill Truro College This bracelet was designed to create both texture and movement, whilst maintaining an overall look that is simple enough to wear every day. The flexible nature of the pewter allows the creation of strong texture and soft curves. emmahill1974@hotmail.com nataliespencer7@hotmail.co.uk BROOCH VASES Kirstie Farquhar UCAA at Rochester A contemporary version of the traditional corsage worn on a jacket lapel. These brooches hold both the flower and the water to keep the flower fresh, with a modern animal print detail etched into the pewter. The fact pewter does not rust was an important factor for the design. kirstfi@hotmail.com SPIKY PENDANT Holly Wheeler Hereford College of Art & Design Inspired by spiky things, such as sea creatures, old spiky weapons, fetish materials and clothing, this ball and chain jewellery combines the pewter with a leather collar. misshollymixedmedia@hotmail.co.uk 31 Fashion – Jewellery and Accessories NECKLACE Natalie Spencer UCAA at Rochester A long necklace that hangs at hip level featuring two double-sided, doughnut-shaped pewter discs with openings on either side that display different coloured satin ruffles. BROOCH AND NECKLACE CHARMS 'Syd, Rufus, Berty and Bill' Sally Pawson University College Falmouth These mischievous dogs are determined to kick dirt over pewter's ancient association with greyingtankards, replacing it with fun and sophistication for your, coat, finger and neckline. They are made from fabric, acrylic, silver and pierced pewter sheet. stripeysal@yahoo.co.uk Fashion – Jewellery and Accessories BROOCHES Alice Underhill Hastings College of Arts & Technology This work is inspired by the shape of the corset which was popular up until the late 19th century to achieve a fashionable yet unnatural body shape. I feel it bears similarities to pressures and ideals put on the contemporary woman to be thin, which often manifests itself in equally unhealthy lifestyles. alicemarycookie@hotmail.com FLORAL PLEAT BROOCH Danielle Hayes UCCA at Farnham This floral pleat brooch is based on vintage Christian Dior clothing patterns and Vivienne Westwood couture. When worn the scored lines of the pewter imitate the pleats of fabric, which are symbolic of couture clothing. Pewter is used for this design as it is light and durable for a brooch of this size. danihayes_28@hotmail.com MAGNETIC BROOCH Chloe Beck UCE Birmingham The inspiration for these pieces has come from looking at ‘street-style’ fashion compared with a mixture of new and vintage clothing. The pewter represents the old element and the bright felt, the new. chloebeck@hotmail.com 32 Fashion – Jewellery and Accessories DISK NECKLACE Laura Gowers UCCA at Farnham The two necklaces, one long and one short, have multiple textured disks. The lustre of the pewter shows up on the surface design, as well as reflecting darker more subtle colours. Laura3000@aol.com EVERLASTING NATURE Dean Price UCCA at Farnham Different textures, tones and surfaces are demonstrated on the two necklaces, one combining wood and pewter and the other oxidised pewter and pewter. The pieces are first sand-cast and then riveted together with silver tube and set with CZ stones. DAPjewellery@hotmail.co.uk FABRIC BANGLES Susan Levett UCCA at Farnham Inspired by the frills of the Can-Can skirt, the pewter has been rolled to look like fabric. The finishing touches are the cast buckles and buttons. slevett@students.ucreative.ac.uk 33 Fashion – Jewellery and Accessories NECKTHROW Ane Haugen UCCA at Farnham The neckthrow captures the nature of Scandinavia's rugged landscapes, bringing a visual and tactile value to the pewter. The piece was constructed through sand casting techniques and the unpredictable use of fused coloured glass. The combination of process and materials has resulted in a unique and exclusive production item. Ane_haugen@hotmail.com ‘HIDDEN DEPTHS’ NECKPIECE Sara Fell Plymouth College of Art and Design This form has been inspired by cornish nature, but with a twist – nothing is quite as it seems. 'Morveren' (Cornish mermaid) bathes in a rock pool of resin hidden on the inside of the shell. sarafell1@aol.com PEWTER FUSION NECKPIECES Sara Fell Plymouth College of Art and Design Pewter has been fused with glass to create jewellery which captures the alluring alchemic properties of molten pewter. The resulting intriguing textures and colours beneath the glass produce ‘pure gems’. sarafell1@aol.com NECKLACE Chris Friswell Hereford College of Art & Design These necklaces are inspired by shapes in the natural world, specifically looking at the texture and forms found on the carapace and antennae of beetles. They are assembled from hand formed components which make up the links. It is an important consideration that these pieces are comfortable and functional. chrisfriswell@hotmail.com 34 BODY SCULPTURE Kerrie Blower South Devon College Organic structures are the basis for these contemporary sculptural pieces. Objects are reduced to the simplest most essential shapes and all unnecessary detail eliminated. The embellishment of these forms through a combination of materials creates objects that are effectively tactile and engaging. kerrieblower@aol.com This piece is influenced by natures forms, colours and textures found in objects such as leaves, flowers and other organic forms. Each section is embossed with subtle texture in a satin finish, giving the piece a slightly shimmering appearance. HONEYCOMB NECKLACE AND BRACELET Sophie Stamp South Devon College Fashion – Jewellery and Accessories LEAF NECKLACE Sophie Stamp South Devon College Inspiration for these pieces came from folding and manipulating fine metal strips into unusual geometric forms. The piece is constructed from a single piece of metal. sophiestamp@blueyonder.co.uk sophiestamp@blueyonder.co.uk PEWTER AND RED GLASS PENDANT Katell Leclaire UCCA at Rochester A pendant inspired by the variety of shape, colour, structure and texture of sea shells. The red glass has been chosen to reflect the organic and colourful textures of shells and the qualities of pewter. lkatell@excite.com 35 Fashion – Jewellery and Accessories PERFUME VIAL Emma Madden UCCA at Farnham This pewter perfume vial is aimed as an aesthetically pleasing items for the High Street embodying a special sense of function and purpose. The star design represents the powerful psychological and emotional effects that a scent can evoke, an almost ethereal force shining in the form of a personal allure. emapookinz@hotmail.com PENDANT Kelly Gray Hastings College of Arts & Technology Industry is the inspiration behind this pendant. To avoid a mass produced look it is unpolished with cast marks still visible. It appears cold, hard and light, but when held it is warm, soft and heavy. kgray@hastings.ac.uk ‘SERPENT AND THE SEA’ NECKLACE Karla Riekstins Truro College The inspiration for this piece was drawn from life above and below the ocean waves. The organic scales of the sea creature in a sail-like form mimic the cycle of the waves as they emerge, evolve and diminish. Textured on both sides, this reversible necklace can be worn either way round. karla@anfoljy.com MALE JEWELLERY Hannah Jane McLeod South Devon College 'Pewter Treads' is a range of pewter jewellery aimed at the male market. The wrist band and watch are designed to push both the application of pewter, and style of male jewellery away from tradition, and into modern fashion. Social ideals of masculinity is the idea behind using tyre treads; men and machinery have a mutual correspondence. hanmcleod@hotmail.co.uk 36 ‘ZEBRA IN THE NEGATIVE’ BAG Becca Williams UCE Birmingham An organic yet modern take on the classic pinstripe theme which combines traditional pewter techniques with the softer, tactile surface of foam sheet. This is a fun evening piece which puts aesthetics firmly alongside function in a bid to bring back versatile metal accessories! becca@jakdaw.com SUITE OF JEWELLERY Fiona Mitcham Hereford College of Art & Design This collection of jewellery derives from a fascination with maps and navigational instruments. Using a combination of materials such as pewter, silver, resin and map details, I create jewellery that is designed to be both personal and to reflect to the wearer places of significance. fionamitcham@yahoo.co.uk SICKLE CELL PENDANT John Wright Hastings College A vase strangled by vines, made using the lost wax process, a sickle cell pendant, a twisted copper and pewter vine with thorns and a pewter business card – echo my fascination for nature's sharp beauty and the power of natural selection and the savage pain of my recent heart attacks. pewterlive@pewterers.org.uk 37 Fashion – Jewellery and Accessories THREE PART BROOCH Amanda Selwood Hastings College of Arts & Technology This brooch evolved from a love of tactile crafts. It expresses the movable quality of pewter and its softness. The back piece of the brooch has been made with non-precious metal to provide a contrast. The three pieces are held together by brass rivets and the brooch attaches to the wearers clothes with a double steel pin for stability. tigger1973@tiscali.co.uk Fashion – The Total Look Student Competition PRIZES First £500 Second £350 Third £150 The essential aspects of fashion design are to combine material, colour, construction and shape. Our challenge to the student is to use pewter in their submission as an integrated and essential part of the 'look'. The design is to have a strong fashionable image relating to current high street trends. ENSEMBLE Jemma Maria Daniels Rochester The aim of this design has been to combined sharp tailoring, with the soft qualities of pewter. The choice of fabrics and utilisation of pewter accessories elevate the feel of luxury, creating a truly desirable result. no email HIP HOP OUTFIT Michale Mead Truro College Inspiration comes from the 70’s Rap artists who displayed their wealth on their person. Pewter provides the perfect metal for creating customised images for attaching to clothing, shoes and caps. MM44130@trurocollege.ac.uk 38 Pewter Live Sponsors The Worshipful Company of Pewterers would like to thank Wildshaw Ltd for the corporate sponsorship of Pewter Live 2007. Our thanks also go to those Companies, Individuals and Organisations that have provided additional sponsorship, prizes and support in kind: City and Guilds Giftware Association Hopeman Associates Loriners' Company National Association of Goldsmiths Alex and Patricia Neish Prince's Trust Rathbone Investment Management Ltd Speechly Bircham Wine for the City Evening and the Prizegiving kindly donated by Cadman Fine Wines. Support from the trade is key to the success of Pewter Live and our thanks go to the Association of British Pewter Craftsmen and its members for their help and enthusiasm for the competition. WILDSHAW LIMITED suppliers of 99.9% Minsur tin wildshaw@talk21.com 39 shop@pewterlive Pewter Live 2007 will once again host shop@pewterlive where visitors can purchase contemporary and traditional pewter from members of the Association of British Pewter Craftsmen. Public opening times 11.00 – 18.30 Wednesday 6 June www.pewterers.org.uk pewterlive@pewterers.org.uk marquee The Pewtering Marquee, situated on the grass outside Pewterers' Hall, offers visitors the opportunity to see skilled craftsmen spinning, turning and casting pewter with some of the items on sale – hot from the press! 41 The Plates have been made by Edwin Blyde & Co of Sheffield from the original plates, dated 1661, and owned by the Pewterers' Company. They are individually boxed and contain a History of the Plates as well as a numbered, signed and dated certificate from the Master of the Worshipful Company of Pewterers. Pewter Marriage Plates were popular in the 17th century when it was the delightful custom for the bride and groom to commemorate their Wedding Day by exchanging specially engraved Pewter Plates. The groom's gift to his wife has the engraving around the rim 'WHEN THIS YOU SEE REMEMBER MEE' and depicts a horse, a faithful friend, holding oak leaves and acorns in his mouth, signifying long life and fecundity, and with his tail tied in a love knot. The bride's gift to her husband has the engraving around the rim 'IN GOD IS ALL MY TRUST' and shows a swan, depicting grace, purity and fidelity until death. Further love knots or flowers are engraved on each plate. The special introductory price of £125 for the pair of plates; or £65 for a single plate (plus £6.50 p&p in each case) is open to readers of Pewter Review. Plates can be purchased by sending a cheque for £131.50 for a pair of plates or £71.50 for a single plate made payable to British Pewter Designs and sent to: The Worshipful Company of Pewterers is pleased to offer for sale a limited edition of these specially commissioned replica Marriage Plates. 42 The Clerk, The Worshipful Company of Pewterers, Pewterers' Hall, Oat Lane, London EC2V 7DE Information on credit card payment from clerk@pewterers.org.uk telephone 0207 3978190 www.pewterers.org.uk We are pleased to support Pewter Live 2007 Catalogue CF DAY LTD of 705 High Road, North Finchley London N12 OBT Property Management Experts Wish the Worshipful Company of Pewterers’ every success at Pewter Live 2007 43 44
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