NORDISK MUSEOLOGI
Transcription
NORDISK MUSEOLOGI
NORDISK MUSEOLOGI infof10_GB_NY.qxp:infof10 03/11/10 14:21 Side 1 NORDISK MUSEOLOGI provides a forum for critical scholarly discussion of museums and heritage in the Nordic countries. The journal focuses on key subjects and themes within the fields of museology, art, natural and cultural heritage. ”Nordisk Museologi is important as the leading Nordic meeting point for museological research.” HANS DAM CHRISTENSEN, HEAD OF RESEARCH, PH.D., ROYAL SCHOOL AND INFORMATION SCIENCE, COPENHAGEN, DENMARK OF LIBRARY NORDISK MUSEOLOGI ” … Nordisk Museologi provides an invaluable approach, not least for museology …” ”… includes shrewd analyses focused on both form and content of museum exhibitions …” ERIC HEDQVIST, PH.D. IN MUSEOLOGY, SWEDEN Subscribe to Nordisk Museologi now! Nordisk Museologi is a peer-reviewed scholarly journal that receives financial support from the Nordic Board for Periodicals in the Humanities and Social Sciences (NOP-HS). Nordisk Museologi has been in existence since 1993. Nordisk Museologi is published twice each calendar year. The journal is available by annual subscription or as individual issues. Previous issues can be downloaded as PDF files from www.nordiskmuseologi.org Subscription Student subscription Individual issues 38 euros per year + postage 26 euros per year + postage 20 euros each + postage Both subscriptions and individual issues are available from Museumstjenesten, Sjørupvej 1, Lysgaard, 8800 Viborg, Denmark www.museumstjenesten.com mtj@museumstjenesten.com Tel. + 45 86 66 76 66 Fax + 45 86 66 76 11 Cover of Nordisk Museologi no. 1, 2010 Flowers of a Swedish potato plant. Photo: E.-M. Karlsson Strese, Sweden NORDISK MUSEOLOGI: THE LEADING SCHOLARLY JOURNAL FOR CRITICAL DISCUSSION OF MUSEOLOGY, ART, NATURAL AND CULTURAL HERITAGE IN THE NORDIC COUNTRIES infof10_GB_NY.qxp:infof10 03/11/10 14:22 209.qxp NORD SK MUSEOLOG Ane Hejlskov Larsen, Denmark (editor-in-chief ) Center for Museology, Department of Aesthetic Studies, Department of Art History, Aarhus University, Langelandsgade 139, building 1580, DK-8000 Århus C Janne Vilkuna, Finland Dept. of Museology, University of Jyväskylä, P.O. Box 35, FI-40014 Jyväskylä Sigurjón Baldur Hafsteinsson, Iceland Dept. of Museology, University of Iceland, School of Social Sciences, Saemundargotu 2, IS-101 Reykjavík Brita Brenna, Norway Department of Culture Studies and Oriental Languages, University of Oslo, Box 1010 Blindern, NO-0315 Oslo Eva Silvén, Sweden Nordiska museet, Box 27820, S-115 93 Stockholm Allan Risbo, Denmark (editorial secretary) Museumstjenesten, Sjørupvej 1, Lysgaard, DK-8800 Viborg 209.qxp Side 136 01-12-2009 12:04 Side 137 THE ROLE ARTOF MUSEUMS – THE F–INNISH THEOF ROLE ART MUSEUMS THE FCASE INNISH NORD SK MUSEOLOG NORD SK MUSEOLOG K m T N M m D m m m m m m m m m m N M m m m 2008 1 2 m m m m ordisk disk Nor useologi seologi Mu m K m w m m m m m D M m m m m m m m m O m V D N m m m m m K m m H H m M O H H N m D m H N m m m … m D m m m m m m H m m Wm m m m H m H m O m m H m H m D m m M m M 2009 2 N m ● Guidelines for authors are available at www.nordiskmuseologi.org Any questions or enquiries should be sent to Ane Hejlskov Larsen (editor-in-chief ) at kunahl@hum.au.dk U M N m Mainm articles max. 9,000 words m m m H H ● Analyses of exhibitions andmconference reviews max. 6,000 words m m m m H ● Debate articles max. 6,000 words m H m H D m m ● Book reviews max. 4,000 words M H m O m ● Descriptionsmof new research projects max. 4,000 words m m m m mD m m H m m ● Presentation of H m ph.d. theses max. 4,000 words M H N m M ● Presentations regarding museological training courses max. 5,000 words O m m 2009 2 We publish both commissioned articles and other material provided on each author’s own initiative. m m m O U 2009 2 m D m … … m w m The M Museum of Contemporary Art Kiasma, H Helsinki.Helsinki. ArchitectArchitect Steven Holl, HSteven 1998. Finnish NationalNational The Museum of Contemporary Art Kiasma, Holl,Photo: 1998.The Photo: The Finnish Gallery: Gallery: the Central Archives / Ari Thiel. the Art Central Art Archives / Ari Thiel. We accept articles, analyses of exhibitions, book reviews and other input written in Danish, Norwegian and Swedish, and also in English. U English summaries are provided. N C m m m m M Nordisk Museologi trawled w trawled from m important m foreignforeign museums. m m ToT power. w power. Nevertheless, N art museums m art m do havedothe 137 from important museums. ToNevertheless, museums have the m anform gether, gether, these buildings form archetype of the of character of public buildings, and they dothey sha-do shathese buildings an archetype the character of public buildings, and T modelling mThe modelling FinnishFinnish art m museum. re a characteristic language. The of art m museum. re a characteristic language. of When When examining the hierarchical position exteriorexterior architecture, the arrangement W m examining m of solidof solid the hierarchical position architecture, the arrangement mof art m w and wwindowed w of art museum buildings in the urban and windowed facades,facades, texturestextures (white brick, brick, museum buildings in the structuurban structu(white re, together with the prestige of the institution marble,marble, and with strips) strips) w m w andAalto re, together with the prestige of the institution with also Aaltoporcelain also porcelain they represent given substance in the form a of and areas, the junctures of indoor and and they represent given substance in m theofform a entrée and entrée areas, the junctures of indoor w m art mubuilding, we findwethat rolethe of role the art muoutdoor space, space, staircases, and above roofall roof building, findthethat of the outdoor staircases, and all above seum Finland has been reserved structures that deliver lightinglighting from m inseum m wsomewhat m above in Finland hassomewhat been reserved structures that deliver from above while atwhile the same searching for underline the character of different spaces.spaces. w m however, w however, atmthetime, same time, searching for underline the character of different an independent identity. Before Before Kiasma, there thereWith museums there was a greater op- opK m Kiasma, W art m art m wthere an independent identity. With museums was a greater was nowas desire use to artuse as an of portunity than normal to findtoanfind individual w m normal no to desire art instrument as anminstrument of portunity than an individual Den skju te O dtid – den nye udsti ing på Nationa museet M m 2008 1 2 M H m m m N m m m m m m m m m CASE Nordisk Museologi tion ontion theon other, have ,been writtenwrittenIn the period the other, other have have much been much IIn n the the period p1960 eriodto1960 191990, 60 to to six 1990, 199independent 0, six six independent independent about and discussed in the twentieth century.century. arty. museum and discussed in the twentieth art about twentieth centur art museum mubuildings seum buildings builhad dingappeared, s had had appeared, appten earedhad , ten ten had had Art museums are an interesting for de- for been Artt museums are de- accommodated been Ar are an interesting intersubject esting subject been accommodated accommoin datdifferent ed in in different difcultural ferent cultural cuand ltural and and sign precisely becausebecause of theirofalmost unclassicommercial their almost unclassicommercial half dozen sign precisely precisely commcentres, ercial centres, ceand ntrehalf s, and anad dozen half a old dozemun old old mumufiable, fiable, unconventional and flexible nature.nature. seum unconventional and flexible seum were with new unconventional natur e. buildings seum buildings buiwere ldingsextended were extended extwith endednew withwing new wing wing The design of a museum building can easily buildings. of a museum building can easily buildings. are, The design builThe dingsix s. The Tnew he six siart x new nmuseums ew art art museums muare, seumins adare, in in adadbe given a en final for students and and dition to as assignment a final assignment for students dition to Alvar Aalto beasgiven giv ditthe ionabove-mentioned to the the above-mentioned above-mentAlvar ionedAalto AlvarMuAalto MuMumay also building block in the in planseum, the Aaltonen alsoaform a building block the planseum, mayform seumWäinö , the the Wäinö W äinö Aaltonen AalMuseum tonen Museum MuinseuTurku m in in Turku Turku ning ofning larger centres,centres, as ifes,it as were of cultural larger cultural if itanwere an (1967, Irma and Matti centr were(1967, (1architects 967, architects archIrma itects and IrmaMatti and Aaltonen), Matti Aaltonen), Aaltonen), addition or a culmination. the Helsinki the addition or a culmination. the Helsinki HCity elsinkArt i City CiMuseum ty Art Art Museum M(1976, useum (1976, (architect 1976, architect architect In Finland, itlahas Art In it Tero In Finland, Fin nd,become it has has become beclear comthat e clear cleathe r that thspirit at the the spirit spTero irit Aaltonen), Tero Aaltonen), Aaltothe nenSara ), the thHildén e Sara Sara Hildén H ildMuseum én Art Art Museum Min useum in in of the architect (1979, Alvar Aalto Asko ooff tthe he architect arcAlvar hitectAalto Alvar(1898-1976) Aalto (1898-1976) (1898-hangs 1976) hangs haTampere ngs Tampere Tam pere (1979, (1architects 979, architects archAsko itects Rasinperä Asko Rasinperä Rasi/nperä / over Finnish Pekka Aine oover ver Finnish Fimuseums. nnish museums. musHe eumwas s. He Halready e was was already ainterelready intereintePekka re- Ilveskoski), Pekka Ilveskoski), Ilveskthe oskiAine ), the theMuseum Aine Museum Min useTornio um in in Tornio Tornio sted in ssted museum architecture in the 1920s and (1986, architect Matti Porkka) and the Saarijted in in museum museum architecture architecture in in the the 1920s 1920s and and (1986, (1986, architect architect Matti Matti Porkka) Porkka) and and the the SaarijSaarijparticipated participated ärvi p articiin patmuseum ed in in museum mudesign seum design dcompetitions esign competitions competitioärvi ns Museum ärvi Museum M(1989, useum (1989, (architects 1989, architects archLaila itectNiemioja s Laila Laila Niemioja Nie/mioja / from the 1930s museums 1930s ffrom rom tthe he on. 1930He s on. oalso n. He Hdesigned e also also designed desthe ignefirst d the the first fHeikki irst Heikki HUusitalo). eikki Uusitalo). UusThese italo). These T hese museums musare eumlinked s are are linked linked FinnishF museum to be built after the Second by their similar origins. The guiding impulse Finnish innish museum museum to to be be built built after after the the Second Second by by their their similar similar origins. origins. The The guiding guiding impulse impulse World W War thearMuseum the World – the was to city orld– War W the Museum MuofseuCentral m of of Central CFinland entral Finland Finlawas nd a collection was a collection collbequeathed ection bequeathed bequetoath edcity to the thine quescity in in quesquesin Jyväskylä 1961. Aalto of local artist iin n Jyväskylä Jyvin äsk1961. ylä in in Aalto 1961.designed Aalto designed desaigtotal ned aoftotal totaltion of bytion tiosignificant n by by significant signilocal ficantartist local or artpatron, ist or or patron, pafor tron, for for ten museum museum which three which then home tten en m ubuildings, seum buildings, builof dinwhich gs, of of three whichwere threbue were were bubwhich u- the whicity ch the ththen e city citybuilt thena built bhome uilt aand homagreed e and and agreed atogreed to to ilt. In addition toitithe he costs. These iilt. lt. In In addition add on to tone o the thjust e one onmentioned, e just just mentioned, mentihe oned,pay he forpay pits ay for frunning or its its running rucosts. nning These costs. museums These museums musare eums are are also designed inetarea, Alvar Aalto small, area, aalso lso designed dethe signAlvar ed the theAalto AlvarMuseum Aalto Museum MuinseJyväsum in in JyväsJyvsmall, äs- 1,000-2,500 small, 1,000-2,500 1,0O00-square 2,500 square smetres quare metres m res in inwith area, with with kylä (1973) and Aalborg Art Museum in Denexhibition spaces varying between 325 and kkylä ylä (1973) (1973) aand nd Aalborg Aalborg Art Art Museum Museum in in DenDen- exhibition exhibition spaces spaces varying varying between between 325 325 and and mark (1958-1973). mark Aalto active 1,500 All white m ark (1958-1973). (1958-1Aalto 973).had Aaltan o had hactive ad an aninterest active interest inter1,500 est square 1,500 square smetres. quare metres. mAll etrsix es. white All six sixbuildings white buildings buireldings rerein visual visual even He iin n art visuand al art areven t and andpainted even painted paasinatehobby. d as as a hobby. hHe obby. present He present ptraditional resent traditional tradiModernism, tional Modernism, Moderand nismthe , and anoldest d the the oldest oldest was particularly was pure newer was particularly particinterested ularly interested interinesttraditional ed in in traditional tradiFintional FinFpure in- Functionalism. pure Functionalism. FunctionThe alismnewer . The The ones newerareones oncomes are are comcomnish folk binations nish binations and n isbuildings. h ffolk olk buildings. buildings. binaof tion“correct” s of of “correct” “corand rect”“good” and “good” “gelements ood” elements elements ordisk disk Nor useologi u s e M ologi N Nordisk Museologi 2008 of1 the 2 2007E-mail 2 addresses of the editors and of the members m m editorial board are available at www.nordiskmuseologi.org Nordisk Museologi 136 2007 2 M Nordisk Museologi m M 12:04 The museum dedicateddedicated to sculptor in Turkuinwas the built after theafter Second The museum to Wäinö sculptorAaltonen Wäinö Aaltonen T Turku ur urku ku first was art the museum first ar artt museum built theWord Second Second Word Wor ordd War. Architects andIrma Matti 1967. Photo: Rönkkö. War. andAaltonen, Matti 1967.Marja-Liisa Photo: W ar ar.. Architects ArIrma chitects Irma Ir Matti Aaltonen, Photo: Marja-Liisa M Marja-L arja-L iisa Rönkkö. N BOARD ordisk disk Nor useologi u s e M ologi Thordis Arrhenius (Sweden), Oslo School of Architecture and Design Anne Aurasmaa (Finland), University of Helsinki Inga Lára Baldvinsdóttir (Iceland), National Museum of Iceland, Reykjavík Guðbrandur Bennediktsson (Iceland), Reykjavík Museum Mats Burström (Sweden), Stockholm University Line Hjorth Christensen (Denmark), University of Copenhagen Mads Daugbjerg (Denmark), Aarhus University Anders Ekström (Sweden), KTH Royal Institute of Technology, Stockholm Beate Federspiel (Denmark), School of Conservation, 2007 2 Royal Danish Academy of Fine Art, Copenhagen Merethe Frøyland (Norway), Norwegian Centre for Science Education, University of Oslo Magnús Gestsson (Iceland), University of Leicester’s arts centre, (United Kingdom) M Juhani Kostet (Finland), National Board of Antiquties, Helsinki Marc Maure (Norway) Camilla Mordhorst (Denmark), Museum of Copenhagen Bjørnar Olsen (Norway), University of Tromsø Den skju te O dtid – den nye Sirkku Pihlman (Finland), University of Turku Marja-Liisa Rönkkö (Finland), udsti University of Helsinki ing på Nationa museet Ólöf K. Sigurdardottir (Iceland) Solveig Sjöberg-Pietarinen (Finland), Handicrafts Museum, The Museum Centre of Turku Kerstin Smeds (Sweden), Umeå University T N Ragnheiður H. Þórarinsdóttir (Iceland), M m C D N M m m Ministry of Education, Science and Culture, Reykjavík Annette Vasström (Denmark), National Museum of m m m Denmark, Copenhagen m m m m … D ordisk useologi 01-12-2009 MARJA-L ÖNKKÖ MIISA ARJA A R J AR--L L IIISA ISA RÖ ÖNKKÖ NKKÖ E DITORS E DITORIAL Han erHan fuldterud tilfreds med genstandene i deri er der smukt placeretplaceret ud fra ud æstetiske og de- og defuldt ud tilfreds med genstandene er smukt fra æstetiske sig selv.sigHan allehardealle kategorier han harhan signmæssige kriterier. selv.har Han de kategorier har signmæssige kriterier. brug for: hanfor: kanhan kronologien, kenderkender den ar-den ar-Min ven Hans ligeglad. Når bare genstanbrug kan kronologien, Min venerHans er ligeglad. Når bare genstankæologiske inddeling, kenderkender materialerne, dene erdene der. Mange genstande. kæologiske inddeling, materialerne, er der. Mange genstande. beskrevet udstilling og udstillingssprog, gen- genalle de alle mange genstande været gemt i og udstilling og udstillingssprog, de mange genstande væretvæk, gemtogvæk, i beskrevet 1 og rum.og rum. 2008 blev den nyeden udstilling officieltofficielt åbnet.1åbnet.stande stande 2008 blev nye udstilling Hvilken historiehistorie fortæller den nye udstilling? Hans begejstret for ’Den Hvilken fortæller den nye udstilling?Min gode Minven gode ven er Hans er begejstret for ’Den Hvem Hvem fortæller den til?den Hvad den nye Oldtid’ på Nationalmuseet. Han erHan kom-er komfortæller til? kan Hvad kanbesøden besønye Oldtid’ på Nationalmuseet. Side 2