NORDISK MUSEOLOGI

Transcription

NORDISK MUSEOLOGI
NORDISK
MUSEOLOGI
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NORDISK MUSEOLOGI provides a forum for critical
scholarly discussion of museums and heritage in the
Nordic countries. The journal focuses on key subjects
and themes within the fields of museology, art, natural
and cultural heritage.
”Nordisk Museologi is important as the leading Nordic
meeting point for museological research.”
HANS DAM CHRISTENSEN, HEAD OF RESEARCH, PH.D., ROYAL SCHOOL
AND INFORMATION SCIENCE, COPENHAGEN, DENMARK
OF
LIBRARY
NORDISK
MUSEOLOGI
” … Nordisk Museologi provides an invaluable approach, not
least for museology …”
”… includes shrewd analyses focused on both form and
content of museum exhibitions …”
ERIC HEDQVIST,
PH.D. IN MUSEOLOGY, SWEDEN
Subscribe to Nordisk Museologi now!
Nordisk Museologi is a peer-reviewed scholarly journal that
receives financial support from the Nordic Board for
Periodicals in the Humanities and Social Sciences (NOP-HS).
Nordisk Museologi has been in existence since 1993.
Nordisk Museologi is published twice each calendar year. The
journal is available by annual subscription or as individual issues.
Previous issues can be downloaded as PDF files from
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Subscription
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Both subscriptions and individual issues are available from
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www.museumstjenesten.com
mtj@museumstjenesten.com
Tel. + 45 86 66 76 66
Fax + 45 86 66 76 11
Cover of Nordisk Museologi no. 1, 2010
Flowers of a Swedish potato plant. Photo: E.-M. Karlsson Strese, Sweden
NORDISK MUSEOLOGI:
THE LEADING SCHOLARLY JOURNAL FOR CRITICAL
DISCUSSION OF MUSEOLOGY, ART, NATURAL AND
CULTURAL HERITAGE IN THE NORDIC COUNTRIES
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NORD SK
MUSEOLOG
Ane Hejlskov Larsen, Denmark (editor-in-chief )
Center for Museology, Department of Aesthetic Studies,
Department of Art History, Aarhus University,
Langelandsgade 139, building 1580, DK-8000 Århus C
Janne Vilkuna, Finland
Dept. of Museology, University of Jyväskylä,
P.O. Box 35, FI-40014 Jyväskylä
Sigurjón Baldur Hafsteinsson, Iceland
Dept. of Museology, University of Iceland, School of
Social Sciences, Saemundargotu 2, IS-101 Reykjavík
Brita Brenna, Norway
Department of Culture Studies and Oriental Languages,
University of Oslo, Box 1010 Blindern, NO-0315 Oslo
Eva Silvén, Sweden
Nordiska museet, Box 27820, S-115 93 Stockholm
Allan Risbo, Denmark (editorial secretary)
Museumstjenesten, Sjørupvej 1, Lysgaard,
DK-8800 Viborg
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THE ROLE
ARTOF
MUSEUMS
– THE F–INNISH
THEOF
ROLE
ART MUSEUMS
THE FCASE
INNISH
NORD SK
MUSEOLOG
NORD SK
MUSEOLOG
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useologi
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●
Guidelines for authors are available at www.nordiskmuseologi.org
Any questions or enquiries should be sent to Ane Hejlskov Larsen
(editor-in-chief ) at kunahl@hum.au.dk
U
M
N
m
Mainm articles
max. 9,000
words
m
m
m
H
H
● Analyses of exhibitions
andmconference reviews max. 6,000 words
m
m
m
m
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● Debate articles max. 6,000 words
m
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m
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D
m
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● Book reviews
max.
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words
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m
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● Descriptionsmof new research
projects
max. 4,000 words
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mD m
m
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m
m
● Presentation of
H
m ph.d. theses max. 4,000 words
M
H
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m
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● Presentations
regarding
museological training courses
max. 5,000 words
O
m
m
2009 2
We publish both commissioned articles and other material provided on
each author’s own initiative.
m
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The M
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Photo:
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/ Ari Thiel.
the Art
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We accept articles, analyses of exhibitions, book reviews and other input written in Danish, Norwegian and Swedish, and also in English.
U
English
summaries are provided.
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ordisk
disk
Nor
useologi
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s
e
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N
Nordisk
Museologi
2008 of1 the
2
2007E-mail
2 addresses of the editors and of the members
m
m
editorial board are available at www.nordiskmuseologi.org
Nordisk
Museologi
136
2007 2
M
Nordisk
Museologi
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12:04
The museum
dedicateddedicated
to sculptor
in Turkuinwas
the
built after
theafter
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The museum
to Wäinö
sculptorAaltonen
Wäinö Aaltonen
T
Turku
ur
urku
ku first
was art
the museum
first ar
artt museum
built
theWord
Second
Second Word
Wor
ordd
War. Architects
andIrma
Matti
1967. Photo:
Rönkkö.
War.
andAaltonen,
Matti
1967.Marja-Liisa
Photo:
W
ar
ar.. Architects
ArIrma
chitects
Irma
Ir
Matti Aaltonen,
Photo: Marja-Liisa
M
Marja-L
arja-L
iisa Rönkkö.
N
BOARD
ordisk
disk
Nor
useologi
u
s
e
M ologi
Thordis Arrhenius (Sweden), Oslo School of
Architecture and Design
Anne Aurasmaa (Finland), University of Helsinki
Inga Lára Baldvinsdóttir (Iceland),
National Museum of Iceland, Reykjavík
Guðbrandur Bennediktsson (Iceland), Reykjavík Museum
Mats Burström (Sweden), Stockholm University
Line Hjorth Christensen (Denmark),
University of Copenhagen
Mads Daugbjerg (Denmark), Aarhus University
Anders Ekström (Sweden), KTH Royal Institute
of Technology, Stockholm
Beate Federspiel (Denmark), School of Conservation, 2007 2
Royal Danish Academy of Fine Art, Copenhagen
Merethe Frøyland (Norway), Norwegian Centre for Science
Education, University of Oslo
Magnús Gestsson (Iceland), University of Leicester’s
arts centre, (United Kingdom)
M
Juhani Kostet (Finland), National Board of Antiquties,
Helsinki
Marc Maure (Norway)
Camilla Mordhorst (Denmark), Museum of Copenhagen
Bjørnar Olsen (Norway), University of Tromsø
Den skju
te O dtid – den nye
Sirkku Pihlman (Finland), University
of Turku
Marja-Liisa Rönkkö (Finland), udsti
University
of Helsinki
ing
på Nationa museet
Ólöf K. Sigurdardottir (Iceland)
Solveig Sjöberg-Pietarinen (Finland), Handicrafts Museum,
The Museum Centre of Turku
Kerstin Smeds (Sweden), Umeå University
T
N
Ragnheiður H. Þórarinsdóttir (Iceland), M m C
D
N
M
m
m
Ministry of Education, Science and Culture, Reykjavík
Annette Vasström (Denmark), National Museum of
m
m
m
Denmark, Copenhagen
m
m
m
m
…
D
ordisk
useologi
01-12-2009
MARJA-L
ÖNKKÖ
MIISA
ARJA
A
R J AR--L
L
IIISA
ISA RÖ
ÖNKKÖ
NKKÖ
E DITORS
E DITORIAL
Han erHan
fuldterud
tilfreds
med genstandene
i deri er der
smukt
placeretplaceret
ud fra ud
æstetiske
og de- og defuldt
ud tilfreds
med genstandene
er smukt
fra æstetiske
sig selv.sigHan
allehardealle
kategorier
han harhan signmæssige
kriterier.
selv.har
Han
de kategorier
har signmæssige
kriterier.
brug for:
hanfor:
kanhan
kronologien,
kenderkender
den ar-den ar-Min ven
Hans
ligeglad.
Når bare
genstanbrug
kan kronologien,
Min
venerHans
er ligeglad.
Når
bare genstankæologiske
inddeling,
kenderkender
materialerne,
dene erdene
der. Mange
genstande.
kæologiske
inddeling,
materialerne,
er der. Mange
genstande.
beskrevet
udstilling
og udstillingssprog,
gen- genalle de alle
mange
genstande
været gemt
i og
udstilling
og udstillingssprog,
de mange
genstande
væretvæk,
gemtogvæk,
i beskrevet
1
og rum.og rum.
2008 blev
den
nyeden
udstilling
officieltofficielt
åbnet.1åbnet.stande
stande
2008
blev
nye udstilling
Hvilken
historiehistorie
fortæller
den nye
udstilling?
Hans
begejstret
for ’Den
Hvilken
fortæller
den
nye udstilling?Min gode
Minven
gode
ven er
Hans
er begejstret
for ’Den
Hvem Hvem
fortæller
den til?den
Hvad
den
nye Oldtid’
på Nationalmuseet.
Han erHan
kom-er komfortæller
til? kan
Hvad
kanbesøden besønye Oldtid’
på Nationalmuseet.
Side 2