Student victim in Jesmond drive・by ¿rework horror
Transcription
Student victim in Jesmond drive・by ¿rework horror
Boy meets girl: masculine JODPRXULVDORRNWKDW·VKHUHWRVWD\ Fashion, page 20 THE C 28 5, ( 5 7+(,1'(3(1'(1792,&(2)1(:&$67/(678'(176(67 Issue 1217 Monday November 8 2010 www.thecourieronline.co.uk FREE $ZRUOGDZD\6LQJDSRUH·VFODVVRIJUDGXDWH 1HZVSDJH Inside today >>> Movember is here Find out why students across the city are helping to raise money for prostate cancer by growing moustaches News, page 3 Union drinks clearance sale Former government drugs advisor warns that alcohol is more dangerous than cocaine, but is anybody listening? News, page 6 Mind your Manners Columnist Katy Covell looks at the irritating effect of PDA couples on the world around them Comment, page 11 Guerilla knitters +DWVRIIVWXGHQWVJDLQHG1HZFDVWOH8QLYHUVLW\GHJUHHVZLWKRXWOHDYLQJ6LQJDSRUH7KHVWXGHQWVZHUHWKH¿UVW\HDURIWKH6LQJDSRUHFDPSXV¶1DYDO$UFKLWHFWXUHJUDGXDWHV 6WXGHQWYLFWLPLQ-HVPRQG GULYHE\ÀUHZRUNKRUURU Thought knitting was just for grannies? Think again as Elliot Bentley explores a QHZIRUPRIXUEDQJUDI¿WL Culture, page 25 Top of the table Ladies Hockey Firsts stay top of the table after a decisive 4-0 YLFWRU\RYHU6KHI¿HOG+DOODP away. They remain undefeated in BUCS this year having won all three of their matches Sport, page 41 )HPDOHXQGHUJUDGXDWHWDUJHWHGLQÀUHZRUNDWWDFN Bethany Sissons Laura Heads A female student escaped serious inMXU\DIWHU\REVODXQFKHGÀUHZRUNVDW KHULQDWHUULI\LQJGULYHE\DWWDFN $P\ -RUGDQ ZDV ZDONLQJ KRPH IURP ZRUN LQ -HVPRQG ZKHQ UHG ÁDPHG ÀUHZRUNV ZHUH ÀUHG DW KHU IURP D VDORRQ FDU ZLQGRZ RQ 6W *HRUJH·V7HUUDFH Police are investigating the inciGHQW ZKLFK WRRN SODFH RQ 2FWREHU DQG DUH DSSHDOLQJ IRU ZLWQHVVHV ZLWKDQ\IXUWKHULQIRUPDWLRQ The third-year English Literature student described the horror as she VDZ WKH FDU GULYH VORZO\ WRZDUGV KHU ´,VDZDUHGÁDUHFRPHRXWRIWKH side of the car and then it exploded WZR PHWUHV DZD\ IURP PHµ $P\ VDLG ´7KH VRXQG ZDV UHDOO\ ORXG P\ HDUV ZHUH ULQJLQJ LW KDG H[SORGHG VRFORVH ´,ZDVWHUULÀHGµ $P\ ZKR KDG MXVW ÀQLVKHG KHU shift as an aide at the Robinson liEUDU\ KDG ÀUHZRUNV KXUOHG DW KHU WKUHHWLPHVKRZHYHUWZRZHUHPLV GLUHFWHG ´2QHRIWKHPKLWDFDUFDXVLQJWKH ÀUHZRUNWRJRXSLQWKHDLUDQGWKH RWKHUKLWDKRXVHµVKHVDLG “I had innocently thought that the FDUZDVDWD[LSLFNLQJSHRSOHXSWR JRRXW ´6R , ZDV VKRFNHG ZKHQ , KDG WR run across the road to prevent my- VHOIIURPEHLQJKLWµ $P\ ZDV WDNHQ E\ FRPSOHWH VXU SULVH DW WKH XQSURYRNHG DWWDFN DQG FRXOG QRW LGHQWLI\ WKH FXOSULWV PHDQLQJWKH\DUHVWLOODWODUJH ´$OO , VDZ ZDV DQ DUP VWLFNLQJ RXWRIWKHFDUKROGLQJWKHÀUHZRUN LW DOO KDSSHQHG TXLWH IDVWµ VKH H[ SODLQHG ´0\ÀUVWWKRXJKWVZHUHMXVWRIGLV EHOLHI , FRXOGQ·W EHOLHYH VRPHRQH KDG DFWXDOO\ WULHG WR VKRRW D ÀUH ZRUNDWPHµ ´,·YH GHÀQLWHO\ EHHQ UHPLQGHG RI WKH GHVWUXFWLYH SRWHQWLDO RI ÀUH ZRUNVµ Northumbria Police have issued a VWDWHPHQW ZDUQLQJ VWXGHQWV DERXW WKHGDQJHUVRIÀUHZRUNV Chief Inspector Ryan said: “We ZDQW SHRSOH WR HQMR\ WKHPVHOYHV EXWZHDOVRZDQWWRPDNHVXUHWKH\ DUHVDIHDQGUHVSRQVLEOH ´%\ ZRUNLQJ WRJHWKHU ZH FDQ JHW WKLVPHVVDJHDFURVVDQGWDNHDSSUR priate action if anyone continues to LJQRUHOHJLVODWLRQRUDGYLFH ´2XU DLP LV WR SUHYHQW XQZDQWHG EHKDYLRXU DQG ÀUHZRUN PLVXVH LQ WKH GD\V UXQQLQJ XS WR ZKDW LV D FRPPXQLW\FHOHEUDWLRQµ Every year almost 1000 young people from the North of England are LQMXUHGLQÀUHZRUNUHODWHGLQFLGHQWV often causing permanent scarring or GLVÀJXUDWLRQ Northumbria Police recorded almost 3500 incidents in 2008 of bonÀUHDQGÀUHZRUNFULPH Continued page 4 and 5 Diva Fever Ellie Wilson and Emma Rowles meet Diva Fever following their X Factor knockout Culture, page 35 2 Monday November 8 2010 THE COURIER Have you got a news story for The Courier? Email us at: courier.news@ncl.ac.uk News Editors: Simon Murphy and Charlie Oven Singapore celebration: scores of students graduate abroad The Union Society, King’s Walk, Newcastle upon Tyne, NE1 8QB. Tel: 0191 239 3940 Comment Is laziness just a irritating but harmless character trait or could be the cause of untimely deaths in the UK Page 9 Life & Style Pull off androgyny. Briony Carlin and Claire Slipper explore the blurring of the fashion boundaries Page 20 Culture Happy birthday Mario; Elliot Bentley reports on the 25th birthday of a popular culture icon Page 32 Sport Intra Mural round up; Jimmy Taylor reports from Heaton where Barca Law Na devastated their Leazes opponents Page 42 Meetings Timetable: Monday News & Comment - 12pm, Room 6 Park Terrace Sport- 1pm, MLK, Room 6 Park Terrace Photos - 12pm, Room 6 Park Terrace Tuesday Life & Style - 12pm, Room 6 Park Terrace Fashion - 12pm, Room 6 Park Terrace Film - 1pm, Room 6 Park Terrace Con-grad-ulations: Vice-Chancellor Chris Brink shakes hands with one of the 58 Naval Architecture graduates from the University’s Singapore campus, which is set to offer new courses Bethany Sissons Students have graduated from Newcastle University without even stepping on campus. The 58 students, who studied at a branch campus in 6LQJDSRUH ZHUH WKH ÀUVW IXOO \HDU to graduate in Naval Architecture from Newcastle University Marine International. Based at Ngee Ann Polytechnic, the degree modules are offered by academic staff from the UK campus who are based in Singapore. 7KLV FRXUVH LV WKH ÀUVW RI LWV NLQG there; the maritime industry is thriving in Singapore and therefore it is a valuable course for students. Among the School’s distinguished Singaporean alumni are Mr Choo Chiau Beng, who is Chief Executive of Keppel Corp, and Mr Ong Poh Kwee, Managing Director of Sembawang Shipyard. For a long time the University has been a frontrunner in its teaching of marine technology. However, as the shipping industry has declined in the North East, the course has expanded and developed in Singapore. The Singapore marine and offshore industry is set to be boosted by Newcastle University offering courses like this. Professor Chris Brink, Vice Chancellor, also stated that there are plans to offer three more courses to students in Singapore from next year, in collaboration with the Singapore Institute of Technology. New students will be able to enrol on courses in mechanical engineering, chemical engineering and food and human nutrition. Hoping that the deal will go ahead, Professor Brink said: “These were niche arHDVWKDWQHHGHGWREHÀOOHGDQGZH were looking to increase our presHQFHKHUHVRLWZDVDPXWXDOÀWµ The Singapore graduates enjoyed a graduation ceremony held at Ngee Ann Polytechnic’s Convention Centre last week. Professor Brink went on to describe the event: “This is a very proud occasion for Newcastle University. I am delighted to confer Newcastle degrees upon graduates who have studied in Singapore, complementing the long tradition of Singaporeans studying in NewFDVWOHµ As a result of the partnership, Brink stressed that he thought “This FRXQWU\ZLOOEHQHÀWJUHDWO\IURPWKH high quality graduates who will be DYDLODEOHWRLWVNH\LQGXVWULHVµ “Singapore has yet again lived up to its reputation as a leader and pio- QHHULQ$VLDµKHDGGHG Mr Chia Mia Chiang, the Principal of Ngee Ann Polytechnic, where the course was based, said: “We are proud to have played a key role in ‘importing’ the Newcastle degree programme to provide Singapore with a sustained stream of specialists in Naval Architecture. This is the kind of new blood with the potential to drive the industry forward DQGSURSHOLWWRJUHDWHUKHLJKWVµ 7KHFRXUVHKDVGHÀQLWHO\EHHQSRV itive for the Singaporean students, as Fathiah Lim told The Courier: “Doing my bachelor in Newcastle University in Singapore has been quite an experience. The University has been nothing but great to try to EULQJDVPXFKRID´1HZFDVWOHµIHHO WRXVµ Although Fathiah Lim had a fantastic experience of studying, she DOVR H[SHULHQFHG WKH GLIÀFXOWLHV RI feeling like a ‘Newcastle student’ without studying on the UK campus full time: “It’s quite a challenge with the lack of university surroundings (our classes are held in a local polytechnic) and the local competitive drive to be the best in school is very VWURQJµ Fathiah Lim also added: “The positive note about NU Singapore is, I have my family and friends here and receive their support directly. The academic group are also extremely helpful and supportive. I truly appreciate their relentless pursual to help us in every bit of our academic MRXUQH\µ The course for Fathiah Lim was brilliant, but did place her in a complex position at times: “It is unique in a way because we don’t fully identify with university students in Singapore, neither can we with students directly from Newcastle University. We are sort of in our own ZRUOGDPL[WXUHRIERWKVLGHVµ A key feature of the course, however, is a four week immersion programme where the Singapore students study in Newcastle. Speaking to The Courier Fathiah Lim is extremely enthusiastic about this experience: “The four weeks immersion programme has been the best time of my entire studies in Newcastle. Over there, I truly feel I am a 100 per cent Newcastle student. I thoroughly enjoyed every single moment. I’ve never been to a city that is extremely tolerable to students (there’s student discount everywhere) and it teaches me university life is not all hard work but IXQ,ZLVKHG,FRXOGVWD\ORQJHUµ Wednesday Arts - 12.30pm, Room 6 Park Terrace Music - 1pm, Room 6 Park Terrace TV & Radio - 1.30pm, Room 6 Park Terrace Editorial Team: (GLWRU)UDQ,QIDQWH 'HSXW\(GLWRU-RVKXD6KULPSWRQ'HDQ 1HZV(GLWRUV&KDUOLH2YHQ6LPRQ Murphy &RPPHQW(GLWRUV'DQQ\.LHOW\/DXUD Heads /LIH6W\OH(GLWRUV0DU\0XOODUNH\DQG Kat Bishop )DVKLRQ(GLWRU/DXUHQ*LUOLQJ $UWV(GLWRU6WHSKDQLH)HUUDR )LOP(GLWRU$GDP:LOOLDPV 0XVLF(GLWRUV3ROO\5DQGDOO-RH6NUHEHOV 795DGLR(GLWRU(OOLH:LOVRQDQG Lynsey Fawcett 3X]]OHV(GLWRU$QG\3LWNHDWKOH\ /LVWLQJV(GLWRU&LDUD/LWWOHU 6SRUWV(GLWRUV.DW%DQQRQ-RQR7D\ORU Wills Robinson 3KRWR(GLWRUV%ULRQ\&DUOLQ 'HVLJQ(GLWRU+HOHQ0DPDODNL 2QOLQH(GLWRUV%HWKDQ\6LVVRQV.DWLH Hicks, Elliot Bentley and Colin Henrys 3URRI(GLWRUV&KDUORWWH/RIWXV.DW\ Lawson, Hannah Davey, Verity Cunningham, )UH\D0DUNV*HPPD)DULQD The Courier is printed by: Harmsworth Printing Limited, Northcliffe House, Meadow Road, Derby, DE1 2DW. Tel: 01332 253013. Established in 1948, The Courier is the fully independent student newspaper of the Union Society at Newcastle University. The Courier is published weekly during term time, and is free of charge. The design, text, photographs and graphics are copyright of The Courier and its individual contributors. No parts of this newspaper may be reproduced without the prior permission of the editor. Any views expressed in this newspaper’s opinion pieces are those of the individual writing, and not of The Courier, the Union Society or Newcastle University. THE COURIER Monday November 8 2010 3 News Fan-tash-tic men on Movember mission Elliot Bentley You may have noticed a surprising number of dapper gentlemen around campus sporting moustaches within the last week. It’s not your imagination: the month of November has been claimed as the month of moustache-growing, henceforth renamed “Movember”. Even if you’ve only dabbled in little goatees, or gone one further and grown DIXOO\ÁHGJHGEHDUG0RYHPEHULV the time for all men to grow their own “little bit of luxury”. Of course it is not just a self indulgent excuse for growing ironic PRXVWDFKHV UHIHUUHG WR LQ RIÀ cial Movember documentation as “Mo”s). It’s to raise awareness and donations for The Prostate Cancer Charity, which funds research and provides support for sufferers of prostate cancer, a disease that kills 10,000 men every year in the UK alone. This is the seventh year it’s been running - having been dreamt up by a pair of Australians in 2003 - and last year raised £26 million. Newcastle students crafting their own bit of face furniture can join the Newcastle University network, where the combined funds raised by all Newcastle students will be added together to give a grand total. Other Movember-themed events will also be taking place throughout the city. The Student Union will be getting in on the act with special Movember themed editions of Homemade Jam (the weekly open mike night at Northern Stage). There are also rumours of “guerilla Movember”, involving some of Newcastle’s famous landmarks and a giant moustache. Additionally, a “Gala Parté” for all participating Mo Bros (and Sistas) will be taking place at the end of the month, with awards for the best moustaches including the coveted “Man of Movember 2010”. It’ll be free for anyone who has managed to raise more than £80. Tom Bedford is the co-president of Beerd Soc - a new society for those Mo bros: students at Newcastle proudly display moustaches in support of Movember, a month-long charitable campaign to raise money and awareness for combating prostate cancer with a passion for both facial hair and great beer - which is heavily involved in this year’s Movember. Sporting an already intimidatingly bushy moustache, he told The Courier he was involved in Movember because “It’s a good cause obviously - and I don’t really do much charity work for the rest of the year. I was quite lonely in my plight last time, but there are loads of us doing it this year.” His co-president Matt Downie adorned with a similarly impressive moustache - emphasised the selflessness of the mo-growing event. “It’s all for men’s health, for charity, for a good cause,” he said. James England, another founding member of Beerdsoc, added: “I think it’s a very worthy cause. And LWJLYHVXVDQH[FXVHWRORRNOLNHÀQH gentlemen for a month.” Public meeting held against higher education cuts Phillipa Hall On Wednesday November 3, students, lecturers and staff at the University came together for a public meeting against higher education cuts. Speaking at the meeting was politics and economics lecturer Barry Gills, students from the Newcastle Free Education Network (NFEN), :HOIDUH DQG (TXDOLW\ 2IÀFHU IRU the Students Union Sarah Fearnes and Patrick Rolfe, a student activist from ‘Sussex University Against the Cuts’. The main thrust of the meeting ZDVWKHQRZYLWDOVWXGHQWÀJKWEDFN in reaction to higher education cuts. All the speakers discussed how the cuts will badly affect students, lecturers and workers in the public sector. Barry Gills explained how those affected are being made to pay for the crisis of the bankers and the private sector. He asked us to question what a university is for and who it is supposed to serve. He said universities are for students and teachers, and should be seen collectively as a project for good to make society a better place. Critics of the Browne review argue that while education should serve the interests of the economy, it is also about more than that: an educated society is a good in itself. It was argued that the cuts are not economically necessary, and importantly offered alternatives. Simon Childs from NFEN noted how the higher education budget is at present £8 billion per year, with £1.3 billion coming from fees. In comparison, this year alone bankers received £7 billion in bonusHV&RQÀVFDWLQJWKLVDPRXQWZRXOG pay for free education for every person in Britain, and that’s without any rise in taxes on the richest 10 per cent of society, whose combined ZHDOWK LV ÀYH WLPHV WKH FRVW RI WKH What can you do to get involved? - Banner making session ahead of the National Demo is at 5pm in Politics Common Room (near Robinson Library) on Monday November 8. All welcome, even if you can’t come on the demo. - Email contactnfen@gmail. FRPWRÀQGRXWGHWDLOVRID ‘What next after the National Demonstration?’ meeting. We’ll send this out as soon as LW·VFRQÀUPHG - Search and join ‘Newcastle Free Education Network’ on Facebook and make this campaign your campaign! HQWLUHGHÀFLW Rowan Rheingans, another NFEN activist, responded to the question about where all the money is, stressing: “Firstly, £1.4 trillion was spent by the government bailing out the banks, enabling the banking sector to continue to reward its managers with bonuses in the millions. “Meanwhile, corporations dodge £120 billion in unpaid taxes every year. It’s not the case that the money isn’t there. Simply raising corporation tax to the G7 average would pay for our tuition fees to be wiped out.” 7KH PHHWLQJ ÀQLVKHG ZLWK DQ open discussion about how to take anti-cuts campaigns forward to save higher education. Patrick Rolfe from Sussex University spoke about the campaign they led to save departments and jobs, the challenges they faced and the successes they achieved - including a 950 strong emergency meeting that voted a XQDQLPRXV ¶QR FRQÀGHQFH· LQ WKHLU VC. Fearnes was optimistic that Newcastle students will be marching in their hundreds in London on November 10, but she outlined that this is only the beginning and put forward suggestions for action like lobbying MPs and campaigning on campus. Lectures from the History department talked of actions they had taken against education cuts when they were young, and said they would support creative actions like ‘teachins’ or joint demonstrations with students on campus to show that the ÀJKWVWXGHQWVIDFHLVRQHVKDUHGE\ lecturers and staff alike. The Newcastle Free Education Network also made a plea for more students - different kinds of students, from all areas of the University - to get involved. They reiterated that, because the scale of these cuts is so massive, the ÀJKWEDFN PXVW DOVR UHÁHFW WKLV LQ size and diversity. 4 Monday November 8 2010 THE COURIER News Firework attack sparks concerns over students’ street safety $IWHUDWKLUG\HDUVWXGHQWQDUURZO\DYRLGHGVHYHUH LQMXU\LQDVKRFNLQJDWWDFNKate Rogers and Susie May BeeverH[SORUHWKHVDIHW\LVVXHVVXUURXQGLQJWKHLQFLGHQW Continued from front page The Union’s Welfare and EqualLW\ 2IÀFHU 6DUDK )HDUQV DWWHPSWHG WR DOOHYLDWH DQ\ IHDUV VWXGHQWV PD\ KDYHIRUWKHLUSHUVRQDOVDIHW\ZKHQ ZDONLQJDORQHODWHDWQLJKW7DONLQJ to The Courier6DUDK)HDUQVVWUHVVHG ´7KH ÀUHZRUNV LQFLGHQW LV D KLJKO\ XQXVXDOFDVHFRQVLGHULQJKRZVDIHD FLW\1HZFDVWOHLVµ +RZHYHU VKH DGGHG ´'RQ·W WDNH DFKDQFH ´,I\RXDUHDORQHODWHDWQLJKWWDNH HYHU\SUHFDXWLRQQHFHVVDU\WRJHWWR ZKHUHYHU \RX DUH JRLQJ LQ WKH VDI HVWZD\SRVVLEOH²VXFKDVFDOOLQJD OLFHQVHGWD[LÀUPµ A message of warning: Sarah Fearns is asking students not to take risks at night ,Q WKH EXLOG XS WR %RQÀUH 1LJKW )HDUQVFRPPHQWHG´7KLVLVWKHEXV LHVWWLPHRI\HDUIRUWKHÀUHVHUYLFH DQGVRZHVWURQJO\XUJHVWXGHQWVWR DWWHQG SURSHUO\ RUJDQLVHG ÀUHZRUN GLVSOD\V UDWKHU WKDQ FRPSURPLVH VDIHW\E\SXUFKDVLQJWKHLURZQ ´:H DUH DOZD\V UHFHSWLYH DW WKH ZHOIDUHRIÀFHEXWZRXOGOLNHWRUHLW HUDWHWKDWWKLVDYHU\XQXVXDOFDVHµ )LUHZRUN VDIHW\ FDPSDLJQHUV DUH XUJLQJSHRSOHWRWDNHH[WUDFDUHWKLV \HDU DQG IROORZ WKH ÀUHZRUN FRGH 7KH FRGH DPRQJ RWKHU WKLQJV DG YLVHV SHRSOH WR QHYHU JR EDFN WR D OLW ÀUHZRUN QHYHU SXW ÀUHZRUNV LQ WKHLUSRFNHWDQGQHYHUWKURZWKHP It is hard to understand how explosives can be sold so easily to the masses Kate Rogers Commentary ) ireworks are associated with happy luminous celebrations, but they also carry serious dangers. Is it wise that they are available so freely? Fireworks are illegal to sell to anyone less than 18 years of age. However, a quick search online reveals websites which do not even ask for the buyers age when trying to purchase some. ,QWKHFDVHRIÀUHZRUNVLWLVWKHLU misuse by the few which affect the many, and when those who misuse them are legally allowed to SXUFKDVHÀUHZRUNVLWLVGLIÀFXOW to see how these dangers can be prevented. It is hard to understand how explosives can be sold so easily to the masses. Fireworks used to be seen only at special events and watched by the public at a safe distance, but now anyone can purchase them at anytime. “Last year there were over 1140 people admitted to hospital in the UK due to ÀUHZRUNUHODWHGLQMXULHVµ Looking at one retailer online showed that they can only sell ‘a PD[LPXPRIÀUHZRUNVLQRQH single transaction’. Does anyone else think there is something wrong with this? According to Talk Talk online, on November 5 last year there were over 1140 people admitted to KRVSLWDOLQWKH8.GXHWRÀUHZRUN UHODWHGLQMXULHV0RVWLQMXULHVDUH caused at private functions and SDUWLHVDQGRYHUKDOILQMXUHGDUH FKLOGUHQXQGHU7KHÀUHÀJKWHUV· strikes on Friday posed a serious risk to the safety of the public. 'XHWRDQLQFUHDVHLQLQMX ULHVFDXVHGE\ÀUHZRUNVWKHUH have been improvements in the LPSURYHPHQWRIÀUHZRUNVDIHW\ They can only be sold by a licensed retailer and have to comply with British Standard 7114. However, the government can only do so much and this does not prevent some of the public being immaWXUHZKHQKDQGOLQJÀUHZRUNVDQG causing harm to themselves and others. It cannot be doubted that ÀUHZRUNVDUHGDQJHURXVDQGRIWHQ XQSUHGLFWDEOHREMHFWV )LUHZRUNIULJKWWKLUG\HDU(QJOLVK/LWHUDWXUHVWXGHQW$P\-RUGDQHVFDSHGDV\REV The Fireworks Code: 3ODQ\RXUÀUHZRUNGLV SOD\WRNHHSLWVDIHDQG HQMR\DEOH .HHSÀUHZRUNVLQD FORVHGER[DQGXVHWKHP RQHDWDWLPH 5HDGDQGIROORZWKH LQVWUXFWLRQVRQHDFK ÀUHZRUNXVLQJDWRUFKLI QHFHVVDU\ /LJKWWKHÀUHZRUNDW .HHSQDNHGÁDPHVLQ DUP·VOHQJWKZLWKDWDSHU FOXGLQJFLJDUHWWHVDZD\ DQGVWDQGZHOOEDFN IURPÀUHZRUNV THE COURIER Monday November 8 2010 5 News Girls are twice as likely to feel concerned about walking home alone at night Susie May Beever Commentary uch has been said this week regarding the recent attack on a student who had ÀUHZRUNVODXQFKHG at her from a passing car. It has to be said, stories OLNHWKLVDUHEHFRPLQJPRUHDQG PRUHFRPPRQSODFHLQODUJHFLWLHV LQWKH8.SDUWLFXODUO\WKRVHZLWK ODUJHVWXGHQWFRPPXQLWLHVVXFK DV1HZFDVWOH6RWKHTXHVWLRQ UHPDLQVMXVWH[DFWO\KRZVDIH are our streets at night? It’s an LVVXHWKDWDIIHFWVPDQ\VWXGHQWV DOWKRXJKJLUOVDUHWZLFHDVOLNHO\ WRIHHOFRQFHUQHGDERXWZDONLQJ KRPHDORQHDWQLJKWDQGTXLWH ULJKWO\WRR The rate of recorded attacks and VH[XDODVVDXOWVRQWKHVWUHHWVRI (QJODQGDQG:DOHVURVHE\ÀYH SHUFHQWLQWKHODWWHUKDOIRI DQGDVVWUHVVHGWKRVHDUHVLPSO\ WKHRQHVZKLFKKDYHEHHQUH SRUWHG1HDUO\ZRPHQLQ the UK suffer at the hands of rape HYHU\\HDUZLWKDODUJHSURSRUWLRQ RIWKHVHWDNLQJSODFHRQWKHVWUHHWV outside our homes. $VNDQ\IHPDOHVWXGHQWKRZWKH\ IHHOZDONLQJKRPHDORQHODWHDW night and it is guaranteed most ZLOOJLYH\RXWKHVDPHDQVZHU \RXQJZRPHQMXVWGRQ·WIHHOVDIH M KXUOHG¿UHZRUNVDWKHUZKLOHVKHZDVZDONLQJEDFNIURPZRUNLQ-HVPRQG1RUWKXPEULD3ROLFHDUHQRZLQYHVWLJDWLQJWKHLQFLGHQW 1HYHUUHWXUQWRDÀUH work once it has been lit. 'RQ·WSXWÀUHZRUNVLQ pockets and never throw them. 'LUHFWDQ\URFNHWÀUH works well away from spectators. 1HYHUXVHSDUDIÀQRU SHWURORQDERQÀUH HQRXJKRQWKHVWUHHWV(VSHFLDOO\ ZLWKWKHSHUVLVWHQWPHGLDK\SHRI VWRULHVRI\RXQJSHRSOHEHLQJDV VDXOWHG(YHQPRUHFRQFHUQLQJDUH WKHVWDWLVWLFVLOOXVWUDWLQJWKHUDWHV RIUHSRUWHGDVVDXOWVWKDWQHYHU HYHQDGYDQFHIXUWKHUWKDQLQYHVWL JDWLRQZKLFKLVXVXDOO\RQO\HYHU EHWZHHQDKDOIDQGWZRWKLUGV ´,WLVYLWDOWKDWZHSURWHFW RXUVHOYHVEXWVXUHO\ VRFLHW\VKRXOGEHIRFXV ing on how we reduce the rates of crime” 7KHVHGD\V\RXQJSHRSOHOLNH VWXGHQWVDUHDEOHWREX\WKLQJV VXFKDVUDSHDODUPVDQGWUDFHUVWR FDUU\DURXQGZKHQRXWDQGDERXW as a precaution, but is this right? 2IFRXUVHLWLVYLWDOWKDWZHSURWHFW RXUVHOYHVEXWVXUHO\VRFLHW\ VKRXOGEHIRFXVLQJPRUHRQKRZ we can reduce the rates of crimes OLNHDVVDXOWUDSHDQGRIFRXUVH that which occurred this week. It LVZURQJWKDWZHVKRXOGIHHOWKH QHHGWREHSURWHFWLQJRXUVHOYHVWR VXFKDQH[WHQWWKDWLWLVQRORQJHU DQRSWLRQWRZDONWRWKHEXVVWRS DORQH:HVKRXOGIHHOVDIHDQG SURWHFWHGZKHQRXWDWQLJKWDQR WLRQZKLFKVDGO\VHHPVQRORQJHU SRVVLEOH 0DNHVXUHWKDWWKHÀUH is out and surroundings are made safe before leaving. 6 Monday November 8 2010 THE COURIER News Alcohol more harmful than heroin or cocaine says Professor Nutt Charlie Oven News Editor An independent study by the former Government drugs advisor Professor David Nutt has argued that alcohol is more harmful than heroin or crack cocaine, on the basis of the overall dangers to the individual and society. The complex report ranked alcohol as three times more harmful than cocaine or tobacco, while Ecstasy was ranked as causing one eighth the harm of alcohol. Professor Nutt told the BBC his UHDVRQLQJ EHKLQG WKH ÀQGLQJV “Overall, alcohol is the most harmful drug because it is so widely used. Crack cocaine is more addictive than alcohol but because alcohol is so widely used, there are hundreds and thousands of people who crave alcohol every day and those people will go to extraordinary lengths to get it.” Nutt stressed it was important to separate harm to the individual and harm to society. The context of Nutt’s report shed light on the importance of responsible drinking, particularly in a student city such as Newcastle, where alcohol is readily available. 7KHÀQDOQLJKWDWWKH6WXGHQW8Q ion, before its recent closure, was promoted with stock clearance drink offers. Representatives of the 8QLRQFODLPHGWKDWORZHULQJGULQN prices did not compromise their moral values on responsible drinking. 6SHDNLQJ WR The Courier, Welfare DQG (TXDOLW\ 2IÀFHU 6DUDK )HDUQV insisted no drink offers were in EUHDFK RI WKH 8QLRQ¶V 6HQVLEOH 'ULQNLQJ 3ROLF\ DUJXLQJ ´:KLOH we advertised reductions in drink prices, the promotion did not support, or infer, in any way the excessive consumption of alcohol.” No internet after a storm and problematic volcanic ash could soon be seen as minor irritations compared to the increasingly unknown future of weather systems and their interDFWLRQ ZLWK WKH 8.·V OLIH VXSSRUW ing services. 1HZFDVWOH 8QLYHUVLW\ LV WR EH DW the forefront of a £6 million study into the threats faced by these servLFHV 7KH &HQWUH IRU (DUWK 6\VWHPV (QJLQHHULQJ 5HVHDUFK &(6(5 LQ 1HZFDVWOH·V 6FKRRO RI &LYLO (QJL neering and Geosciences will be playing a key role in the study of ÀYHNH\DUHDVRI8.VHUYLFHV²HQHU gy, transport, telecommunications, water and waste. The study will examine how technological, human and natural developments in these areas interact, and the threats to the services by issues such as climate change. The research, funded by the EnJLQHHULQJ DQG 3K\VLFDO 6FLHQFHV Research Council, will analyse the problems these systems face and how they can be protected, whilst also balancing the need to meet current environmental targets. The research will examine the coupling of natural and infrastructure systems. Professor Jim Hall, programme leader and director of &(6(5 KDV WROG The Courier why WKHUHVHDUFKLVVRLPSRUWDQW´,QIUD structure is at the heart of society !" #$% &'( ) *+,, # Warning: Professor Nutt highlighted the danger of alcohol abuse in society )HDUQV WROG The Courier ´'ULQNV strictly adhered to minimum pricing regulations of £1 while those with a higher alcohol percentage, such as selected ciders, were £2.” 5HÁHFWLQJRQWKHÀQGLQJVE\3UR IHVVRU 1XWW )HDUQV DFFHSWHG WKDW students may occasionally drink. +RZHYHU VKH ZDUQHG ´$OO VWX dents should not underestimate the many risks associated with excessive consumption of alcohol.” The daily recommended limit on alcohol intake is 2–3 units for women and 3–4 units for men. University leads study into threats facing life supporting services Amy Jordan – modern infrastructure is central to economic prosperity, social inclusion and a sustainable environment. We’re developing the analysis and simulation models that will help to deliver these systems upon which society depends.” 2YHU WKH ODVW ÀYH \HDUV DQ HV timated £150 billion has been inYHVWHGLQWRWKH8.·VLQIUDVWUXFWXUH and experts have predicted that an extra £40-£50 billion a year will be needed between now and 2030 to maintain current levels of service. 7KHWHDPDW&(6(5ZLOOEHWHVWLQJ infrastructure systems in a virtual environment to help plan realistically for a range of possible issues WKDW FRXOG SRWHQWLDOO\ DIIHFW 8. services. The possible scenarios being investigated include climate FKDQJH ÁRRGLQJ DQG RWKHU VHYHUH weather scenarios. Census data will also be included in the research to examine how household changes in the future might impact upon the GHPDQGRQWKH8.VHUYLFHV·LQIUD structure. 0DQ\ 8. LQGXVWULHV DUH DOVR LQ volved in the project, providing £1.6m worth of funding in the hope that the research will help improve WKHHIÀFLHQF\RIWKHLURZQVHUYLFHV However, the research will be fundamental not only for industry, but for everyone, as decisions made QRZ DERXW WKH 8. VHUYLFHV· LQIUD structure will have repercussions for the future. - &.% / . 8 Monday November 8 2010 THE COURIER News Pioneering medical trial in the North East set to revolutionize the treatment of stroke patients Isabelle Rice A major medical trial, which could revolutionise the way paramedics treat stroke patients, is being launched in the North East. The pioneering study, entitled PIL-FAST, will enable paramedics to begin vital drug treatment on patients before they are transported to hospital, meaning that their chances of recovery can be substantially increased. The aim of the study is to identify whether it is possible for paramedics to safely lower high blood pressure in stroke victims, and the project will roll out across the North of Tyne area as part of a collaboration between Newcastle University, Newcastle upon Tyne Hospitals NHS Foundation Trust, Northumbria NHS Foundation trust and the North East Ambulance Service NHS Trust. A stroke occurs when a blood clot, swept into the arteries serving the brain, becomes lodged, blocking the vessel and depriving parts of the brain of oxygen. This causes a rapid degeneration of brain cells; therefore the faster a patient can be treated, the higher the likelihood of a good recovery. In England and Wales someone suffers DVWURNHHYHU\ÀYHPLQXWHVLQFOXG ing 13 people a day in the North East alone. At present, statistics show that only one third of stroke sufferers make a good recovery, and although existing treatments are reasonably effective, further research is constantly DLPLQJWRLQFUHDVHWKRVHÀJXUHV Leading the project is Professor Gary Ford, Director of the Stroke Research Network at Newcastle University. He said: “It is vital for someone who has had a stroke to be treated as quickly as possible to stop extensive and lasting damage being caused. “Lower blood pressure may reduce the extent of brain damage and allow clot-busting drugs to be used more safely. With this new trial we are seeing whether ambulance paramedics can start treatment to reduce blood pressure before patients reach hospital.” Peter Elliot, 67, of Netherddon Village, Northumberland, suffered a stroke this summer. While he himself made an excellent recovery, he recalls how others were not so fortunate: “I’m one of the lucky ones. On the ward I was on, I was the only patient who could look after themselves. Anything that can prevent that kind of severe damage has to be a good thing.” The study will run for one year and aims to recruit 60 patients. If it is successful, it will be developed to evaluate the possibility of ultraearly blood pressure treatment on a national level. It is part of DASH; a programme funded by the National Institute of Health Research. Warwick students lose thousands of pounds Oxford student violently attacked Satish Beri Newcastle Work Experience (NWE) Location: Newcastle upon Tyne NWE offers project based work placements in local companies. Placements are for 100 hours to be ZRUNHGÁH[LEO\RYHUDPRQWK period, and students are paid a EXUVDU\9LVLW9DFDQFLHV2Q line and select Work Experience, and check the ‘Newcastle Work Experience’ option for details of all opportunites. 3$577,0(9$&$1&,(6 -RE7LWOH1HZFDVWOH:RUN([SHUL HQFH:HE'HYHORSHU Employer: ISIS Arts &ORVLQJGDWH Salary: £600 bursary %DVLFMREGHVFULSWLRQ,PSOHPHQW ing the redesign of our website LQFOXGLQJDGGLQJPRUHPXOWLPH dia content, including blogs, vlogs and a discussion forum. Person requirements: Knowledge RIZHEGHVLJQGHYHORSPHQW Location: Newcastle City Centre -RE7LWOH1HZFDVWOH:RUN([SHUL ence – Business and Website 'HYHORSPHQW Employer: Recreational Tourism Services &ORVLQJGDWH Salary: £600 bursary Basic job description: Website and database development. Person requirements: Strong web GHYHORSPHQWVNLOOVEXWDQGFRP PHUFLDODZDUHQHVVRIWKHUHWDLO product development sector. /RFDWLRQ:RUNLQJIURP+RPH University -RE7LWOH1HZFDVWOH:RUN([SHUL ence – Software Quality Assurance $QDO\VW(QJLQHHU Employer: Broadband Computer Company &ORVLQJGDWH Salary: £600 bursary Basic job description: Testing of software applications. Person requirements: Good general working knowledge of computers and related IT systems and technologies, and excellent FRPPXQLFDWLRQDQGSUREOHPVROY ing skills. -RE7LWOH0XOWLOLQJXDO2XWERXQG Customer Service Executives (PSOR\HU(FKR8 &ORVLQJGDWH 6DODU\ SURUDWD %DVLFMREGHVFULSWLRQ7KLVRU ganisation is currently looking IRU'DQLVK)LQQLVK6ZHGLVK Norwegian and German speaking ([HFXWLYHVWRZRUNRQDQ2XW ERXQG&XVWRPHU6DWLVIDFWLRQ5H Activation campaign. Location: Newcastle -RE7LWOH3DUW7LPH6DOHV$VVLVW DQWV&DVKLHUV Employer: Currys Closing date: Ongoing 6DODU\0HHWV1DWLRQDO0LQLPXP Wage %DVLFMREGHVFULSWLRQ'XWLHVZLOO include using the cash register, VHUYLQJFXVWRPHUVUHVWRFNLQJ PHUFKDQGLVHDQGGHOLYHULQJH[FHO lent customer service Location: Newcastle upon Tyne Job Title: Note Taker Employer: Clear Links Support Business: Specialist Academic Support Closing date: Ongoing Salary: £10 per hour Basic job description: A reliable GHJUHHOHYHO1RWH7DNHULVUH quired to produce an accurate, full and legible record of the content of lectures, seminars etc Person Requirements: Applicants must have completed at least one year of higher education study, DQGKDYHFOHDUDQGOHJLEOHKDQG writing. Location: Newcastle University Campus Job Title: Sales Assistant Employer: Blue Inc &ORVLQJGDWH 6DODU\0HHWV1DWLRQDO0LQLPXP Wage %DVLFMREGHVFULSWLRQ'XWLHVZLOO vary, but will include using the FDVKUHJLVWHUVHUYLQJFXVWRP HUVUHVWRFNLQJPHUFKDQGLVHDQG delivering excellent customer service. Person Requirements: Previous experience essential Location: Gateshead Job Title: Sales Assistants (PSOR\HU6SRUWV'LUHFW &ORVLQJGDWH 6DODU\0HHWV1DWLRQDO0LQLPXP Wage %DVLFMREGHVFULSWLRQ:H·UHORRN ing for Sales Assistants to work YDULRXVSDUWWLPHÁH[LEOHKRXUV including evenings and weekends, in any of our stores in the North East. Location: North East -RE7LWOH6NL:RUNVKRS7HFKQL cian Employer: Snow and Rock &ORVLQJGDWH 6DODU\0HHWV1DWLRQDO0LQLPXP Wage (Competitive) Basic job description: Applicants will be responsible for providing KLJKTXDOLW\ÀWWLQJPDLQWHQDQFH and servicing of our customers’ VNLVDQGVQRZERDUGVXVLQJRXULQ house machinery and tools Person Requirements: A good knowledge of ski and snowboard equipment is highly desirable. Location: Gateshead -RE7LWOH&KULVWPDV6DOHV$VVRFL ates (PSOR\HU7KRPDV3LQN)HQ wicks) &ORVLQJ'DWH2QJRLQJ 6DODU\0HHWV10:&RPSHWLWLYH Basic job description: Company DUHORRNLQJIRUFRQÀGHQWZHOOSUH sented individuals who have retail experience from within high end, luxury retail brands as well as excellent customer service skills. Location: Newcastle Students at Warwick were left devastated after losing thousands of pounds when their plans to organise a trip to climb Mt Kilimanjaro through a Nottingham based travel company fell through. Dozens of students lost around £11,000 between them which should have gone to charities and cover the costs of the travel. The students have now gone through a completely different organisation to get their trip sorted. Student shines DWDFFODLPHGÀOP festival A student at the University of Kent has scooped two awards at the presWLJLRXV %), ÀOP IHVWLYDO )LOP VWXG ies student Clio Barnard expressed GHOLJKW DW WKH DFFODLP KHU ÀUVW IHD WXUHÀOPLVJHWWLQJ &OLR·VÀOPThe Arbor, that she both wrote and directed, won awards for PRVW RULJLQDO DQG LPDJLQDWLYH ÀOP at the festival and for Best British Newcomer. The Arbor tells the story of playwright Andrea Dunbar, who died in 1990 at the age of 29 and her daughter Lorraine, who was ten years old at the time. Leeds take stand against bar crawls Leeds University has been the latest to make its stance on commerciallyrun bar crawls known. A motion has been proposed by the Union to ‘take a stand against organised bar crawls’. If passed it would mean that promotional activity on campus will be banned and will give the Union mandate to work further with police and local authorities to ensure the crawls aren’t endangering students. An Oxford student was violently DWWDFNHGRQWKHGDQFHÁRRURIORFDO night club Fuzzy Duck. Some students that tried to report the assault were thrown out of the club. One of the witnesses, Hannah Cutmore-Scott said, “I was standLQJRQWKHGDQFHÁRRUDQG,IHOWOLNH I being sprayed with water. I looked down and my arms were covered in blood. “I looked around and saw some guy getting beaten up about a metre away from me.” Protestors excused from their lectures and seminars Students at Sussex will be excused from lectures and seminars this Wednesday November 10, as thousands of people from all over the country will gather to protest the looming cuts that higher education faces as a result of the Coalition’s new budget. The University of Sussex has responded to an appeal made by the Students’ Union to be considerate of students who wish to attend it. Cardiff’s animal experiments under question Cardiff University has been questioned over its use of kittens for sciHQWLÀF UHVHDUFK &DUGLII &LW\ &RXQ cil’s deputy leader, Neil McEvoy, has requested details from the University’s Vice-Chancellor, Dr David Grant, regarding the use of 19 kitWHQVIRUVFLHQWLÀFH[SHULPHQWV The University has been under attack from anti-vivisection campaigners since the South Wales Echo exposed Cardiff for experimenting on 191,549 animals since 2006. A University spokesperson said: “Our research involving animals is rigorously controlled under Home 2IÀFH DXWKRULW\ DQG VXSHUYLVLRQ and only work that cannot be done in any other way is permitted under law.” 9 THE COURIER Monday November 8 2010 Is animal cloning really a solution for endangered species? Comment Editors: Laura Heads and Danny Kielty - courier.comment@ncl.ac.uk > Page 11 Apathy in the UK: the lazy lurch to an early grave Emily Sargent In a culture completely obsessed by keeping up with the latest celebrity dietary fads, it’s hard not to think about what we eat. With options such as ‘The Cabbage Soup Diet’, ‘The Atkins Diet’ (don’t do it – bad breath), and ‘The 21 Day Clean Program’ – one meal a day, plus a £300 mystery ‘kit’ of essential ingredients, (sounds like Kate Moss would be the advocate doesn’t it? “Dinner? No thanks I had a baked bean for lunch”) - what guidelines should we follow? On the one hand we’ve got an extreme size zero starvation culture, and on the other, we’re a nation with a growing number of obesityrelated illnesses. Almost everyone who wants to ORVHZHLJKWLVORRNLQJIRUDTXLFNÀ[ – I know I have done before, and so fad diets are sold as a solution. It’s not just what we eat that matters though – we need to exercise more. This is not to say you ought to be limbering up for Everest, but we’re constantly cutting everyday actions out of our lives, using technology in order to increase the speed and ease at which we can do things - that’s what’s doing a lot of the damage. Ready meals and remote controls are some of the most common energy saving devices, but there is a whole market out there for the lazy. We have Shoe Mops for one thing, a £3500 toilet that kindly washes You, The Courier Katy Carr, third year Law student reviews the last edition he last edition of The Courier was informative and topical. News covered the recent budget cuts the University is facing and statistics on graduate unemployment. It also kept up to date with news from across campus, including the boat club’s role in The Social Network. Comment continued the budget theme LQ<HV1REXWEDODQFHGLWRXW with very different articles covering issues such as the legality of cannabis. Life & Style once again did a good job of covering issues affecting students. The best part for me was that Blind Date became Date Night, written by a couple who have been dating for a while; it was a nice change from the usual ‘don’t think we will meet again’. Culture covered a wide variety of articles from a stamp exhibition in T and dries your rear. Heaven forbid I should have to leave the house and jog in the open air - I will simply do it instead on a small white board using my Wii Fit, or, if I do have to go outside, I won’t walk, no no my friend! I will ride majestically on my Segway thank you very much. Dr. Richard Weiler, a Sport and Exercise Expert claims: “A sedentary lifestyle is an environmental disease in its own right – with countless unpleasant signs and symptoms, which all lead to an early grave.” This is highlighted in a frightening statement; “A person leading a sedentary lifestyle has similar chances of dying young to a smoker… every week spent inactive is roughly equivalent to smoking a packet of cigarettes”, and a shocking 95 per cent of the UK population are not doing the minimum recommended amounts of physical activity – 30 PLQXWHVH[HUFLVHÀYHGD\VDZHHN It’s not hard to see why we struggle to stay healthy without exercise when we look at our history. Back in the day when Jeremy Clarkson’s DQFHVWRUV ZHUH FKLVHOOLQJ WKH ÀUVW wheel into existence and sporting one-shouldered mammoth hides, we were active creatures; hunting, gathering, etching Ice Age No. 1’s screenplay onto our cave walls – however, our lifestyle has since altered at a rate which evolution cannot match. It becomes very hard to shift the pounds without exercise when our bodies were designed to conserve what nutrition was available, in case of a dry spell in sabre-tooth hot pots. Now of course we can just go to Tesco, often at any hour of the day, or if you are too busy riding your SegArts, to whether record shops are still relevant in Music. One of my favourite sections is Tweets of the Week which was once again well chosen and entertaining. In Sport I thought it was good to see coverage of a less well known club, fencing, included in the usual reports. My favourite section, however, will always be the puzzles; they brighten up any library session! P. HUGHES way from the sofa to the bathroom, just get it delivered. Easy. The effects of a sedentary lifestyle are bad; we run the risk of developing a number of unpleasant physical problems, and it is worrying for children, particularly since obesity reportedly leads to reduced academic performance across all socioeconomic classes. It’s not all bad news though – almost all of the ill effects caused by a lazy lifestyle are reversible. “Hoorah!” I hear you exclaim, “but Joshua ShrimptonDean Deputy Editor &XOWXUHSDJH C OU RI ER STUDENTS EST 1948 NEWCASTLE THE INDEPENDENT VOICE OF)5(( ULHURQOLQHFRXN ,VVXH0RQGD\1RYHPEHUZZZWKHFRX Joy to despair: graduates face unemployment Exclusive statistics reveal the chequered fate of University’s leavers at Cheshire Police and a Sales Adviemployment and salary prospects.of sor for Primark. Current students of the School Joshua Shrimpton Dean The School for Architecture, Planare Historical Studies, for example, Deputy Editor ning & Landscape has the Universet to graduate into an unemployunemployment The University’s leavers face damn- ment rate of 13.2 per cent, the high- sity’s third highest Head of School ing rates of unemployment, with est at the University. Occupations rate at 11.2 per cent.told The Courier less than half securing graduate- divulged by those who were able to John Pendlebury is how the weak construction sector level work. ÀQGHPSOR\PHQWZLWKD%$+RQV DLHE (Destination of Leavers after History degree include Labourer, causing problems. He said: “Graduates in architec+LJKHU(GXFDWLRQÀJXUHVVKRZWKDW Betting Shop Manager and Team ture and planning are generally 7.4 per cent of students who graduto are highly motivated and determined ated from the University in 2009 work in their chosen profession and assumed to be unemployed, withH “My expectations of will often hold out for that opportuWKHÀJXUHDOPRVWGRXEOLQJIRUVRP ÀQGLQJDMREDQG nity. The built environment profesdepartments. of a the reality were sions are always at the sharp end Six months after graduation, in recessions, or booms, so regrettably punishing economic climate, those for QG very different it has been a particular struggle to ZKRZHUHIRUWXQDWHHQRXJK WRÀinthings” graduates from these disciplinesthe employment recorded job titles in profession and chosen enter their cluding Bingo Caller, Waitress last couple of years.” Postman. But a low unemployment rate for Although data is not yet available, are your degree does not guarantee it is thought that 2010 graduates strong earning potential. Despite being confronted with a far bleaker Leader for Subway. 5.9 only a comparatively favourable outlook as the squeeze on jobs conIn contrast, however, other rework, students tinues. The UK’s national unem- spondents listed their professions per cent being out of & Cultures are 2010, Arts of August School of as the of rate, ployment as Teacher, Trainee Accountant and expected to earn an average of just stands at 7.7 per cent. to Professional Rugby Player. of £15,869, the lowest of the UniversiThe news will come as a shock At 12.5 per cent, the School £6,853 below the students who believed they could Geography, Politics and Sociology ty’s 27 schools, and of typical Newcastle graduate. HVFDSH WKH IRUWKFRPLQJ ÀQDQFLDO In- has the second highest number Ellie Wells, who graduated this blows of the Browne Review. the graduates joining the dole queue. year with a MA in Museum Studstead, many are dwelling on Although the School was unavailand now works prospect of leaving Newcastle Uni- able for comment, its alumni now ies from the School centre, told The versity with an uncertain future. a include a Quantitative Trader for full-time in a call Continued page 4 and 5 Students’ choice of degree plays Goldman Sachs, A 999 Call Handler huge role in determining their likely Inside today >>> Pukka food Popular chef Jamie Oliver arrives in the North East to promote his new healthy eating campaign in the region, Vicky Napier reports News, page 7 &KLOGEHQHÀWFKDQJHV With a move from Income Support be to Job Seeker’s Allowance to brought in for single parents, how will it affect mothers? Comment, page 11 'DWHQLJKW In a one off special, blind date takes a break as Lauren Girling and Matthew Wild prove that it’s not RQO\WKH¿UVWGDWHWKDWPDWWHUV Life & Style, page 14-15 Shattered dreams: Newcastle’s graduates will have to deal with spiralling unemployme Kemode the interview 5,33DXOWKH2FWRSXV Film guru Mar Kemode talks to Film EditorAdam Williams about his perspective of Newcastle and IDYRXULWH¿OPVIURPWKLV\HDU Film, page27 Sport Editor Wills Robinson bids a heart felt farewell to the original footballing oracle, Paul the Octopus who passed away last week Sport, page 42-43 What do you think of The Courier this week? Send your 200-word review to courier.comment@ncl. ac.uk break your joyous trance because you’ll think you’ve stumbled into Harlem and will wonder why you OHIW\RXUÀUHDUPDWKRPH 2XU SUREOHPV DUH QRW KDUG WR À[ If you’re looking for a new dieting strategy, Gwyneth Paltrow advocates eating in the nude to heighten awareness of what we’re consuming. I tried it but it didn’t work, and the Nando’s staff did not appreciate my resistance to change. Clipping mad conspiracies e experience, Raleigh Addington on the The Apprentic job personal crisis and how to get a graduate THE how may we improve?!”. You’re in luck – the answer is really quite straightforward. Next time you go to uni, try walking. Get a good playlist on and embrace the autumnal beauty by taking a stroll through Exhibition Park. Frolic in the leaves, breathe in their musty smell, and believe with your whole heart, as a ballad comes on through your earphones, that you truly are LQ D ÀOPDQG RU PXVLF YLGHR FXH solemn, wistful gaze. (Don’t look at the tennis courts though, they will Hey, have you seen this? Ah, another YouTube sensation is upon us. Every so often, a few minutes of mindless footage goes viral. Often reaching the top of news websites’ ‘most viewed’ list, the clips can offer an alarming insight into viewers’ priorities in the face of war, unemployment and George Osborne. One of the more recent examples is a parody of Alicia Keys’ and Jay Z’s ‘Empire State of Mind’, which saw a Welsh duo wail “our shopping centre is quite new, big leeks will inspire you” in their YouTube hit Newport, netting around 600,000 views. But the latest craze comes courtesy RI ERUHG %HOIDVW ÀOP EXII *HRUJH Clarke, who noticed what appears to be a woman using a mobile phone in an extras DVD of the 1928 Char- OLH&KDSODLQÀOPThe Circus. “I was kind of stumped at what I saw”, admitted the 32-year-old after viewing the scene for a year before deciding to go public. 'ZDUÀQJ Newport, the YouTube clip had been viewed a staggering 4.6 million times at the time of writing. To put that into context, Queen’s Bohemian Rhapsody has ‘only’ sold 2.4 million singles since its 1975 release. Are you ashamed of that? I am. Anyway, back a little bit further, to 1928. Remember, we are talking about a year in which penicillin ZDV ÀUVW GLVFRYHUHG Lady Chatterley’s Lover was banned and Amelia (DUKDUW EHFDPH WKH ÀUVW ZRPDQ WR Á\ DFURVV WKH $WODQWLF 7KDW LV MXVW how far from the mobile phone we are. So, the consensus seems to be that Clarke’s clip shows evidence of time travel. I have no hesitation in displaying immediate scepticism. Yes, it does appear that the lady in question is making the most of her free minutes. But that is all. She has simply made a series of random gestures, the meanings of which we will probably never know. To think that the answer lies with time travel is all well and good for all you romantics out there, but it just doesn’t cut the mustard. “Often reaching the top of news websites’ ‘most viewed’ list, the clips can offer an alarming insight into viewers’ priorities in the face of war, unemployment and George Osborne” Have you seen those grainy pictures of supposed UFOs from decades ago? Or how about ‘indisputable’ photo evidence of the Loch Ness Monster? Well, YouTube simply provides a 21st century platform for such hoaxes and illusions. Perhaps I’m taking this too seriously though; YouTube is a timeÀOOHU,W·VWKHIRGGHURIHVVD\DYRLG HUV FRQVSLUDF\ WKHRULVWV DQG RIÀFH slackers. Who am I to rain on what could be Chaplain’s last parade? 10 Monday November 8 2010 THE COURIER Comment Generation segregation: youth and the community Bethany Sissons +DQJLQJ DURXQG EXV VWRSV ZLWK WKHLUKRRGVXSWKLVLVWKHSHUFHLYHG LPDJH RI WHHQDJHUV E\ DGXOWV 7KH PHGLD SRUWUD\V \RXQJ SHRSOH DV ORRNLQJ PHQDFLQJ EHLQJ UXGH DQG OLVWHQLQJ WR ORXG PXVLF ,W FRPHV DV QR VXUSULVH WKHUHIRUH WKDW 7KH 3ULQFH·V 7UXVW KDV IRXQG WKDW RYHU D WKLUG RI \RXQJ SHRSOH LQ WKH 8. GR QRW IHHO SDUW RI WKHLU ORFDO FRP PXQLW\ 6WHUHRW\SLFDOO\ \RXQJ SHRSOH DS SHDU WR HQMR\ VRFLDOLVLQJ LQ JDQJV RQ VWUHHW FRUQHUV $V D FROOHFWLYH LW·V \RXWK DJDLQVW WKHLU HOGHUV DQG \RXQJ SHRSOH JLYH WKH LPSUHVVLRQ WKDW WKH\ ZDQW WR EH VHSDUDWH IURP WKHUHVWRIWKHFRPPXQLW\ +RZHYHU WKH VXUYH\ JRHV RQ WR VD\ WKDW RXW RI \RXQJ SHRSOH DJHGWRPRUHWKDQRQHLQÀYH IHOWLVRODWHG´PRVWRIWKHWLPHµDQG RQHLQWHQVDLGWKDWWKH\IHOWOLNHDQ RXWFDVW <RXQJ SHRSOH RIWHQ KDYH D VSHFLÀF SUHVHQFH ZLWKLQ D SODFH EXWIRUVRPDQ\WRGHHPWKHPVHOYHV RXWFDVWVLVZRUU\LQJ ,W VHHPV WKDW \RXQJ SHRSOH KDYH QRWLFHG WKH EUHDNGRZQ LQ WKHLU UH ODWLRQVKLSVZLWKDGXOWVDQGIXUWKHU PRUH WKH\ UHDOLVH WKH QHJDWLYH DV SHFWVRIWKLV5HVSHFWLQJ\RXUHOGHUV ZDVLPSHUDWLYHLQWKHSDVWEXWQRZ WHHQDJHUV·UHVSHFWIRUDGXOWVKDVGH FUHDVHG DQG WKH FRPPRQ JURXQG EHWZHHQ DGXOWV DQG \RXQJ SHRSOH KDVZLGHQHG SHU FHQW RI \RXQJ SHRSOH VXU YH\HG VDLG WKDW WKH\ ´QHYHUµ RU ´UDUHO\µ VSRNH WR SHRSOH RYHU WKH DJHRILQWKHLUORFDODUHDDQGWKH ÀJXUHULVHVWRSHUFHQWZKHQWKH VDPHTXHVWLRQLVDVNHGDERXWWKRVH RYHU:KHUHWKHUHLVQRFRPPX QLFDWLRQZHFDQ·WH[SHFWDFRPPX QLW\ ERQG <RXWK FXOWXUH LV GRPL QDQW LQ RXU VRFLHW\ DQG LW GRHVQ·W OHDYHVSDFHIRUDGXOWVWRMRLQLQ :KDWGRHVLWPHDQWREHDSDUWRI \RXUORFDOFRPPXQLW\"3HUVRQDOO\, WKLQN LW·V YHU\ HDV\ LQ WKLV GD\ DQG DJH WR OLYH DQ LVRODWHG DQG ORQHO\ OLIH +RZ PXFK WLPH GR ZH VSHQG FRPPXQLFDWLQJYLD)DFHERRNUDWKHU WKDQ JRLQJ RXW DQG WDONLQJ WR SHR SOH"SHUFHQWRI\RXQJSHRSOHIHOW WKDWWKHUHZDVQRIXWXUHIRUWKHPLQ WKHLU ORFDO DUHD 7HHQDJHUV EHFRPH ERUHGHDVLO\DQGLIWKHFRPPXQLW\ WKH\ OLYH LQ LVQ·W DFWLYH DQG HQWHU WDLQLQJ WKH\ ZLOO XQGHUVWDQGDEO\ ZDQWWRPRYHRQ “Over one third of young people in the UK do not feel part of their local community...as a collective it’s youth against their elders” ,PXVWDGPLWWKDW,GRQ·WNQRZP\ QHLJKERXUV 7KLQJV KDYH FKDQJHG QRZDQGSHRSOHGRQ·WOHDGWKHVDPH 1HLJKERXUKRRG :DWFK OLYHV RI WKH SDVW,UHPHPEHUKDYLQJVWUHHWSDU WLHVDQGSOD\LQJRXWZLWKP\QHLJK ERXUV·FKLOGUHQZKHQ,ZDV\RXQJ HUEXWQRZWKLVVRUWRIVSLULWGRHVQ·W VHHPWRH[LVWLQWKHVDPHZD\ 6R LV LW UHDOO\ \RXQJ SHRSOH ZKR MXVW IHHO LVRODWHG RU LV WKH VHQVH RI FRPPXQLW\EUHDNLQJGRZQDPRQJVW DOO JHQHUDWLRQV LQ SODFHV WKURXJK RXW WKH FRXQWU\" 0DQ\ SDUHQWV DUH HTXDOO\ DV JXLOW\ RI QRW SOD\LQJ D UROH LQ WKHLU FRPPXQLW\ ,W·V DOVR ZRUWKQRWLQJWKDWFKLOGUHQDUHRIWHQ WKHUHDVRQWKDWSDUHQWVGRVRFLDOLVH ZLWKRWKHUORFDOUHVLGHQWVZDWFKLQJ \RX SOD\ IRRWEDOO RQ D 6XQGD\ RU WDNLQJ\RXWRGDQFHFODVVDORQJZLWK WKHRWKHUSDUHQWV 7KHIDPLO\KDVEHFRPHSULYDWL]HG ZHGRQ·WGHSHQGRQRXUQHLJKERXUV DQGWKHVicar Of DibleySDULVKLVMXVW WRR ROGIDVKLRQHG IRU XV QRZ /HVV SHRSOH DWWHQG FRPPXQLW\ JURXSV DQG DFWLYLWLHV VXFK DV FKXUFK VHUY LFHVDQGIHWHV /LYLQJ LQ 1HZFDVWOH , IHHO D SDUW RI WKH FRPPXQLW\ EHFDXVH ,·P VXU URXQGHG E\ VWXGHQWV DQG WKH EDU PDQ DW P\ ORFDO NQRZV P\ QDPH /LYLQJ ZLWK \RXU IULHQGV PDNHV LW HDV\IRU\RXWRIHHOSDUWRIDJURXS +RZHYHUVD\LQJWKLVIHZVWXGHQWV DUHLQWHJUDWHGZLWKSHRSOHZKRDUH ORFDOWR1HZFDVWOH-HVPRQGKDVRI WHQ EHHQ FDOOHG D VWXGHQW ¶JKHWWR· ZH·YHDOOVWXFNWRJHWKHUUDWKHUWKDQ PRYLQJRXWLQWRWKHZLGHUFRPPX QLW\ 7KH3ULQFH·V7UXVWUHSRUWVXJJHVWV WKDW DOPRVW D TXDUWHU RI WKRVH VXU YH\HG IHOW LJQRUHG E\ ROGHU SHRSOH DQG DOPRVW KDOI SHUFHLYHG DGXOWV DV EHLQJ IULJKWHQHG RI WHHQDJHUV *ODPRULVHGPHGLDLPDJHVFHUWDLQO\ GRQ·W SUHVHQW WKH DYHUDJH WHHQDJHU DVNLQGFDULQJDQGSROLWH 0DUWLQD 0LOEXUQ FKLHI H[HFXWLYH RI7KH3ULQFH·V7UXVWVWUHVVHVWKHLP SRUWDQFH RI PL[LQJ ZLWK D UDQJH RI SHRSOHIRUD\RXQJSHUVRQ·VKHDOWK\ GHYHORSPHQW $V WKH JDS EHWZHHQ \RXWK FXOWXUH DQG DGXOWKRRG LQ FUHDVHV DQG ZH EHFRPH WKH QH[W JHQHUDWLRQ RI DGXOWV SHUKDSV ZH VKRXOG VWRS DQG WDON WR WKRVH NLGV E\WKHEXVVWRS" Courier Online Make your comments on any issues raised this week online at www.thecourieronline.co.uk Making the grade: should we expel the GCSE? Yes Izzie Rice *&6(VWKHÀUVWVHWRISXEOLFH[DPV DVWXGHQWZLOOWDNHLQWKHLUVFKRROFD UHHU([DPVWKDWIRUVRPHZLOOPHDQ DFFHVV WR KLJKHU HGXFDWLRQ DQG IRU RWKHUVZLOOVLJQLI\WKHHQGRIDQHGX FDWLRQDOHUD $PRQJ WKH JUHDW DFDGHPLF LQVWL WXWLRQV WKH FRPSHWLWLRQ LV ÀHUFH ZLWKQH[WWRQRWKLQJVHSDUDWLQJWKH VFKRROVDWWKHWRSHQGRIWKHOHDJXH WDEOHV ZKLOH WKH OHVV VXFFHVVIXO VFKRROV ÀJKW WR NHHS WKHLU VWXGHQWV PHHWLQJWKHQDWLRQDOUHTXLUHPHQWV %XWZLWKWKHFUHGLELOLW\RI*&6(V EHLQJ FRQVWDQWO\ FDOOHG LQWR TXHV WLRQZHDUHOHGWRDVNRXUVHOYHVLV WKHWDUJHWRI*&6(VDW&JUDGHRU DERYHLQFOXGLQJ(QJOLVKDQG0DWKV UHDOO\VRPHWKLQJWREHVZRUQE\" ,QWKLVGD\DQGDJH,DPDIUDLGWKH DQVZHULV¶QR· “With next to nothing seperating the schools at the top of the tables, the less successIXOVFKRROVÀJKWWRNHHS their students meeting the national requirements” 7KH ZD\ LQ ZKLFK D & JUDGH DW *&6( KDV EHFRPH VRPHWKLQJ E\ ZKLFK ZH PHDVXUH DFKLHYHPHQW LV QRWKLQJ PRUH WKDQ PLVUHSUHVHQWD WLRQ 7KH & JUDGH *&6( WKUHVKROG KDV EHHQ D EHQFKPDUN IRU VHFRQGDU\ VFKRROVHYHUVLQFHOHDJXHWDEOHVZHUH ÀUVWFRPSLOHGDQGWKHJRYHUQPHQW EHJDQWRVHWWDUJHWVEDVHGRQH[DP UHVXOWV(VVHQWLDOO\LWKDVKRZHYHU FDXVHGPRUHKDUPWKDQJRRGOHDG LQJ WR WRR PXFK HPSKDVLV EHLQJ SODFHGRQERUGHUOLQH&'SXSLOV ,W LV QRW XQUHDVRQDEOH IRU DQ DFD GHPLFLQVWLWXWLRQWRH[SHFWDVWXGHQW WRREWDLQD&DW*&6(OHYHOSURYLG HGWKDWDWOHDVWVRPHZRUNLVGRQHLQ SUHSDUDWLRQ 3XSLOV· SURJUHVV LV PHDVXUHG RQ WKHSULQFLSOHWKDWWKRVHZKRDFKLHYH WKHOHYHOH[SHFWHGRIDQ\HDUROG OHYHODW.H\6WDJHVKRXOGJRRQ WRJHWDWOHDVWD&DW*&6( ,W LV WLPH IRU XV WR EHFRPH UHDOLV WLF LQ WHUPV RI ZKDW \HDUROGV VKRXOG EH H[SHFWHG WR DFKLHYH DQG LQ WXUQ KRZ WKHVH UHVXOWV DUH WR EH WUDQVODWHGLQWROHDJXHWDEOHV &XUUHQWO\ LQVWHDG RI WKH IRFXV EHLQJ RQ ZKDW D VWXGHQW FRXOG SR WHQWLDOO\ DFKLHYH LW LV LQVWHDG À[HG HQWLUHO\ RQ WKH & JUDGH LWVHOI DQG QRWKLQJPRUH 0RUHRYHU LQ VFKRRO DQG QDWLRQDO *&6( OHDJXH WDEOHV YRFDWLRQDO TXDOLÀFDWLRQV DUH WRWDOO\ LQGLVWLQ JXLVKDEOHIURPDFDGHPLF*&6(V 6XEMHFWVVXFKDVWRXULVPFRQVWUXF WLRQDQGUHWDLODUHQRZZRUWKXSWR $&*&6(V 7KH UHVXOW RI WKLV LV WKDW GHVSLWH WKH REYLRXV GHFOLQH LQ WKH QXPEHU RIVWXGHQWVWDNLQJWUDGLWLRQDOO\DFD GHPLF VXEMHFWV IRU H[DPSOH JRY HUQPHQW ÀJXUHV SXEOLVKHG UHFHQWO\ VKRZHG WKDW LQ VRPH SDUWV RI (QJ ODQG WKUHHTXDUWHUV RI SXSLOV ZHUH QRWVWXG\LQJKLVWRU\EH\RQGWKHDJH RIVFKRROVDUHDEOHWRERDVWVWD WLVWLFVWKDWDUHLPSUHVVLYHLQWKHRU\ EXWKROORZLQUHDOLW\ ,WLVIRUWKLVUHDVRQWKDWIXQGDPHQ WDOO\WKHWDUJHWVVHWE\JRYHUQPHQWV DUHLOORJLFDODQGWKHIDFWWKDWOHDJXH WDEOHVVHWVRPXFKVWRUHE\VXFKDQ DUELWUDU\VWDWLVWLFKDVOHDGWKHHQWLUH UDQNLQJ V\VWHP WR EH ODEHOOHG ¶VLP SOLVWLF· 3DUHQWV VKRXOG EH JLYHQ PRUH HQFRPSDVVLQJ LQIRUPDWLRQ DERXW VFKRROV LQ WKH OHDJXH WDEOHV WKDW DUH SXEOLVKHG 7KH\ VKRXOG DOVR EH PDGHWRXQGHUVWDQGWKDWWKHIDFWRI WKHPDWWHULVGLIIHUHQWVFKRROVVHUYH GLIIHUHQWFRPPXQLWLHV :KHQ DWWHPSWLQJ WR PDNH D GLV WLQFWLRQ EHWZHHQ WKHP SDUHQWV VKRXOG FRQVXOW OHDJXH WDEOHV ZLWK WKHH[SHFWDWLRQRIUHFHLYLQJDVHWRI VWDWLVWLFV WKDW ORRN EH\RQG WKH FRQ ÀQHVRIH[DPUHVXOWV No Susie May Beever :KLOVW (QJODQG·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ÀFDWLRQ V\VWHP VHHPV D PRUH PRGHUQDQGPDWXUHDSSURDFKWRDO ORZLQJ \RXQJ DGXOWV WR FKRRVH WKH VXEMHFWV WKH\ ZDQW WR VWXG\ ZKLOVW WKHWZR\HDUVWXG\RIWHQRUPRUH GLIIHUHQWVXEMHFWVDOVRVHHPVWRJLYH \HDUROGVPRUHLQVLJKWLQWRZKDW WKH\ SODQ WR WDNH WR D KLJKHU OHYHO WKURXJK PHDQV RI VWXG\LQJ FHUWDLQ VXEMHFWVDW$OHYHODQGHYHQGHJUHH VWDQGDUGWKH,%FRQVLVWVRIRQO\VL[ PDLQVXEMHFWV 7KLQN DERXW LW KRZ PDQ\ SHRSOH KDYHGHFLGHGDWWKHULSHROGDJHRI DERXWWKDWDOUHDG\WKH\·UHJRLQJ WRGRDPHGLFDOGHJUHHDQGEHFRPH DKHDUWVXUJHRQ"6WXG\LQJWZR\HDUV RIWKHQHFHVVDU\DUWVDQGODQJXDJHV LQ WKH ,% PHDQV IUHTXHQWO\ WKDW WKH\·UH JRLQJ WR IHHO OLNH WKH\·UH ZDVWLQJWKHLUWLPH 7KH *&6( RSWLRQ DOORZV WKHP WR VWXG\ WKUHH VFLHQFHV VRPHWLPHV VHSDUDWHO\ DQG WR WDNH VXEMHFWV WKDW DUHQ·W FRQVLGHUHG PDQGDWRU\ SURYLGLQJ WKH\ FKRVH WR GR VR RI FRXUVH %HVLGHVLIWKH%DFFDODXUHDWHLVQRW ZRUWKDVPXFKDV*&6(VDQGLVOHVV YDULHG LQ VXEMHFWV DYDLODEOH WKDQ LWV RSSRQHQW LQ VHFRQGDU\ HGXFD WLRQ TXDOLÀFDWLRQ LV LW UHDOO\ ZRUWK DOOWKHSUDLVHDQGJORU\LWJHWVIURP WHDFKHUVDURXQGWKHFRXQWU\DVZHOO DV0LFKDHO*RYHWKH(GXFDWLRQ6HF UHWDU\KLPVHOI" (YHQ ZLWKRXW WKH %DFFDODXUHDWH EDVKLQJ VFKRROV WRGD\ QHHG WR UHLQIRUFH WKH LPSRUWDQFH RI H[DPL QDWLRQV LQ JHQHUDO 7KH *&6( LV VRPHWKLQJ WKDW LV EHFRPLQJ PRUH DQG PRUH ZLGHO\ GLVUHJDUGHG ,W ZRXOGEHIDLUWRVD\LW·VKDGLWVKH\ GD\ LW LV D ORQJ DFFHSWHG IDFW WKDW DQ\RQHRYHUWKHDJHRILVQRORQJ HUOLNHO\WRVWUHVVWKHLPSRUWDQFHRI *&6(VLQFRPSDULVRQZLWK$OHYHOV DQGGHJUHHV +RZHYHU LW LV LPSRUWDQW WKDW VFKRROVHQFRXUDJH\RXQJSHRSOHWR WDNHH[DPVVHULRXVO\ *&6(VPD\RQO\EHDJDWHZD\LQWR VL[WKIRUPHGXFDWLRQDQGVRPHWKLQJ WREHVQXEEHGE\IXWXUHHPSOR\HUV EXW RQH YLWDO SRLQW WKDW SHUVLVWV LV WKDWWKH\GRLQWURGXFHWKHVLWWLQJRI VRPHZKDWLPSRUWDQWH[DPVWR \HDUROGV1RWWRPHQWLRQWKHJRRG ROG ¶\RX JHW RXW ZKDW \RX SXW LQ· OHVVRQ ZKLFK ZLOO SUHWW\ PXFK DS SO\WRHYHU\RQHRIXVODWHURQLQWKH UHDO ZRUOG RI KLJKHU HGXFDWLRQ DQG HPSOR\PHQW 6RDUH*&6(VVWLOOWREHVQXEEHG" 7KHLU GHHPHG HIÀFLHQF\ RYHU WKH ,QWHUQDWLRQDO%DFFDODXUHDWHVFKHPH DVZHOODVWKHLPSRUWDQWYDOXHVWKH\ LQVWDOO LQWR \HDUROG VFKRODUV PD\ VXJJHVW RWKHUZLVH GHVSLWH WKH FODLPV WKDW WKH\ DUH YHKHPHQWO\ EHFRPLQJ ZRUWK OHVV DQG OHVV HDFK \HDU An empty venture of the national curriculum? Is the debate over government targets a sign GCSEs need to be scrapped for good? THE COURIER Monday November 8 2010 11 Comment The Frozen Ark and the cloning cop-out on animal conservation Mind your manners Katy Covell Columnist J. WHITTAKER Amy Jordan This week has seen the 1000th DNA sample collected for the Frozen Ark project. Starting in 2004, the Frozen Ark, based at Nottingham University, cryogenically freezes DNA samples and sex cells of endangered animals, providing the ultimate insurance for when other conservation efforts fail. However, would Noah be turning in his grave if he could see this so called ‘Frozen Ark’ now? Or would he be hailing it as a triumph of science and technology over human destruction of the natural world? The Frozen Ark has resisted attempts by the media to label it as a science of resurrection, but the successful cloning of an extinct Pyrenean ibex last year suggests that the media could be right. The clone, although it died shortly after birth, marks the start of a new chapter for the use of the DNA stored in the Frozen Ark and does VHHP WR FRQÀUP IHDUV WKDW WKH DUN will become a forum for cloning in the future. Cloning itself raises a whole monster of ethical issues, but even the concept behind the Frozen Ark can be questioned. The storing of animals’ DNA could be said to undermine other conservation efforts. Time, effort, and importantly money could be spent on protecting species that are at risk of extinction, rather than creating a ‘backup’ of them for the future. The Frozen Ark’s website advertises that £350 could store the DNA of one species long term, £500 would enable them to preserve an endangered species’ viable sex cells and that a measly £6 million would be needed to support the Frozen Ark project in its entirety. I cannot help but think that this money could be better channelled into hands-on conservation in animals’ natural habitats, countering the causes of their extinction, rather than in a laboratory in Nottingham. However, it could be argued that current conservation efforts are too little too late. The Frozen Ark website states: “Over the next thirty years it is predicted that more than 1000 species of mammals - a quarter of the world’s total - and a similar number RIELUGVDPSKLELDQVDQGÀVKZLOOJR extinct.” Current rates of extinction are estimated to be 100 times higher than the typical rates found in the fossil record, and it is predicted that extinction rates will increase 1000–10000 times over the coming decades. It seems, therefore, that the Frozen Ark and other similar projects across the world are the only plausible way to store vital information about these endangered animals for future research into their biology, behaviour, ecology and evolution, in a way that only just falls short of freezing the animals themselves. However, this issue of resurrection still troubles the project. If animals are preserved, be that in captivity or in a test tube, a massive gap is formed in their evolutionary development. Critics of the Frozen Ark question what value the project has: what value does something that will inevitably be produced by a human in a laboratory have to the natural world and its conservation? Reproductions, critics argue, are not as valuable as the original and will not be able to replace the animals that have been lost. Bryan Sykes, professor of Human Genetics at Oxford University, wrote of humans: “Our genes were there. They have come down to us over the millennia.” This is the same for animals. Hence, animals’ DNA will be miss- ing a large chunk of evolutionary time whilst being in the ark, and if the animals were to be cloned in the future, this gap in their genetic evolution must have implications upon their development and reintroduction into the wild. This said, do we not have a responsibility to attempt to preserve the valuable evolutionary information that these animals have had so far? Humans are, in a lot of cases, directly responsible for the extinction of animals, with issues such as poaching and human destruction of natural habitats still prevalent despite conservationists’ best efforts. Until the full implications of cloning and the reintroduction of extinct animals into the wild is known, we will not know whether Noah would be calling ‘all aboard’ or sailing an empty boat off into the horizon. Funding for a friend: a step too far for social networking Finola Gibson The Rent a Friend scheme is pretty self explanatory. You pay someone to feign a friendship with you, forging a relationship with a stranger built on the foundation of a pay-asyou-go internet service. Being a busy and social university student, it is easy to scoff at the idea that such a service would be required by anyone, but dating websites have been hugely accountable for creating many happy couples, so ZK\FDQ·WLWEHVXFFHVVIXOZLWKÀQG ing people compatible friends? However, this service, which has a compassionate premise, can be easily exploited and taken to an extreme. Some future schemes I have thought of included rent a funeral guest? Rent a gay best friend? Rent middle-aged Chinese man? Some RI WKHVH FRPSDQLHV DUH VR VSHFLÀF that you can almost design a friend; does this mean the search for platonic companionship is a facade for the website to jump on the band wagon of money-making internet schemes? This particular news article was posted on my Facebook wall by a so-called friend, who was making the poor joke that I would need to rent a friend. However, I think most students have, on certain nights out in Sinners, had friends that feel like they should be paid for their role as unwilling carer for the night. No one can dispute that having IULHQGVLVFUXFLDOLQOLIHDQGDWÀUVW most people might be repelled by the idea for the sake of pride. However, is it really that strange to meet a friend through an internet site, when in this technologically advanced culture the biggest community in the world is on a social networking site? The majority of people’s lives revolve around using the internet to communicate, yet out of 400 ‘friends’, there is only a handful you talk to regularly. These companies have recognised a market; people no longer live in close knit communities, and more often than not, once in a person’s lifetime people move to another country, where they have to make new friends and may struggle. In the BBC article, one woman that rented herself out said that if she had found a compatible friend she would have stopped the hourly rate and the friend would only have to pay for the activity. This may appear like she is doing them a favour, but the fact is that the relationships created by the site are never completely mutual. This is my major problem with this scheme. Unlike dating websites where both people are pursuing love, the motivations are different between the people that meet up through the Rent a Friend website. Why can’t it be a charity run organisation, where the site matches up local people in the area; even the name of the business makes the person they’re renting sound like they’re just renting out a car? Suggesting a long-lived friendship can never really be achieved. This gives people false expectations, making them pay money for something they will never really get. Rent a Friend seems to me a contradiction; a friend is someone that can be there for you in times of need, and somehow it doesn’t seem right if you get a receipt afterwards. If you want to pay for help that’s what psychiatrists are for. At least they’re not shy about mugging you off. Public displays of affection: four words sure to strike fear into the heart of prudes the world over. I personally refer to them as ‘painful displays of affection’, for the only thing worse than involuntarily playing spectator to such sickly moments can be to willingly partake in those activities. Now before you lovebirds out there clamour ‘bitter singleton!’ and other such words at the page, let me clearly state that I am by no means a IRQGQHVVÀJKWHU Not at all; for the little known and slightly embarrassing fact is that I’m actually a hopeless romantic. I love KHDULQJKRZFRXSOHVÀUVWPHWSDVV ing men as they wait for their partner at the station entrance, cradling D EXQFK RI ÁRZHUV RU VHHLQJ WZR people shyly holding hands as they wander down the street. “Aha!” I hear you gasp, “but holding hands surely counts as a PDA?!” Here we arrive at the crux of the debate, for of course the action of holding hands is unarguably a public display of affection, but is it an inappropriate one? Does it make you feel uncomfortable to see it? A mother holding the hand of her child, or a carer tucking in a blanket around a wheelchair user, could technically be termed as a public display of affection, and this is why I believe the term should be altered to swap ‘painful’ for ‘public’. I’ve come to realise that it is not the action itself that narks me, but the manner in which it is carried out. Whilst a coy pair tentatively leaning in for a kiss actually tugs at my heart strings a little, the overly sexual beasts freely eating each others’ face off on the train home, or the smug, sweet-nothing-uttering folk ‘coo-ing in the cinema (see earlier article) just make me want to chew my own arm off. There are of course limits to this viewpoint - I’m sure that very few people would argue that a couple, no matter how clumsily or sweetly they might be getting (fully) ‘jiggy’ anywhere other than in a private VSDFH PRVW GHÀQLWHO\ FURVVHV WKH bounds of appropriate public behaviour. Expectedly, as relationships progress, people feel less nervous in showing affection for one another, but their awareness of other members of the public shouldn’t really alter. Sure, there are the risk-takers who will at this very moment be embracing between the library shelves, but at least they have placed some books between themselves and the unsuspecting student. The term PDA shouldn’t be associated with ‘public’ displays of affection, but only ‘painful’ displays of affection; those that show blatant disregard for those surrounding passengers, restaurant-diners and WKHDWUHJRHUVZKRÀQGWKHVRXQGRI sucking and other such aural treats uncomfortable and intrusive. $ SHFN RQ WKH OLSV LV ÀQH HYHQ D longer goodbye kiss on the station platform is acceptable, but I personally don’t want to be surrounded by hermetically sealed, and worse still, smug hermetically sealed lovers. Rather like your luggage, STOW IT. 12 Monday November 8 2010 THE COURIER Comment Laying down the law: do employers need more sacking powers over failing workers? Danny Kielty Comment Editor A recent poll conducted in October by ComRes revealed 57 per cent of people agreed that “Employment law provides too much protection to employees who perform or behave badly at work”. Considering the current economic climate, it strikes me as strange that such a large amount of people would gesture toward a removal of any obstacle against the dreaded spectre of ‘the sacking’. Maybe the sample questioned consisted of Alan Sugar DQGWKHWLSRIKLV¶ÀULQJÀQJHU· Having said this, I need only scratch the surface of one of my friend’s (who will remain nameless) employment record, to uncover a veritable swimming pool full of evidence that suggests otherwise. Upon commencing his employment with me at Iceland Foods, all appeared well. To begin with, his abilities to transfer tins of baked beans from the palette to the shelf were astonishing. We were all sucked in by the sheer speed of his stock replenishment. However, it was all a sham. As I entered work one frosty Sunday morning, I was greeted by the news that my old chum had been found hidden in a corner of the walk-in freezer, chomping away at a box of Screwball ice creams. Apparently, when the manager asked what the hell he was doing, his reply: “It wasn’t me”. He was sacked in shame shortly afterwards. I’m still trying to work out why he thought ice cream would be the thing to eat inside a freezer. Suddenly that 57 per cent of people don’t sound so ridiculous. Gary Walker, a former hospital Chief Executive, said: “I think the public should be concerned about who’s left running their services”. Indeed, EHIRUHUHFHLYLQJWKH´ÀULQJÀQJHUµ my dear old friend had received a number of disciplinary warnings for a plethora of minor offences, such DVVPDVKLQJDMDURIÀVKVDXFH´DFFL dentally” against the air-conditioning vent, as well as various disgruntled slurs against customers. It is then perhaps worrying to Letters to the Editor “Undeniably widen their cultural knowledge” Dear Editor, In response to “Gap year students should get real” article from The Courier Issue 1215. Has the author of the article “Gap year students should get real on the value of travelling” ever been travelling? Compare the travelling student to the average undergraduate. Many spend a lot of time partying, but also balance this with hard work, to come out with a decent degree. The same shades of grey exist in travelling. While, for some people, drinking is a large part of the experience, most embrace travelling for what it really means: exploring a new culture, discovering new places and meeting new people. Even those people who this article may be targeting: those who take a year with “neither planning nor real purpose beyond getting smashed”, undeniably widen their cultural knowledge, just through being in a different country; even if it is, admittedly, to a lesser extent. Of course, there is going to be some partying along the way, and it is only natural that the evidence of both partying and exploring gets posted on Facebook. If people can be bothered to look through 200 snaps of drunken antics from one Wednesday night in TigerTiger, it’s hard to believe that they don’t have the desire or attentionVSDQWRÁLFNWKURXJKVQDSVRI,QGLD especially given that they are unlikely to have seen that person for a considerable amount of time. Rather than evoking envy, surely this allows people to keep up to date with their friends’ lives? The article fails to recognise travelling students don’t have time to write individual emails and so use free status updates to let people know that they are well and having a good time. In addition, status updates also set up chance meetings with others that happen to be in the area. And anyway, isn’t it more interesting than reading somebody ‘is cold in Newcastle’? At least those taking a gap year are experiencing more of the world than somebody sat at home. People who take a gap year have usually been in years of full-time education, so why shouldn’t they be allowed a self-indulgent adventure before embarking upon a career? If it’s a question of being a tactical &9 ÀOOHU ZHOO FDQ·W DQ\ NLQG RI work or life experience be construed that way? STUDENT TRAVELLERS Website exclusive Have your say on all the stories included this week and more online, at www.thecourieronline. co.uk think that supermarkets up and GRZQWKHFRXQWU\PD\EHÀOOHGZLWK cases of staff devouring stock before anyone even has a chance to buy it. “I was greeted by the news that my old chum had been found hidden away in a corner of the walk-in freezer, chomping away at a box of Screwball ice creams” The problem is that employers are ever more sensitive to lawyers costs should the employee wish to challenge their dismissal; in addition to the fact that at present employee associations can make the process all WKHPRUHGLIÀFXOW After leaving Iceland, my dear old friend moved on to Morrisons. His girlfriend, who was working at the store, had secured him the position. Unfortunately, after she dumped him he responded with a rather distasteful letter, probably asserting the fact that he wasn’t exactly pleased with her decision. He was promptly sacked. He then moved on to work for a local haulage company. This time he was dismissed after he thought it would be a good idea to go for a mid-shift snooze inside a disused haulage container. With this in mind, employers’ organisations such as the British Chambers of Commerce, who feel that the current system is increasLQJO\ELDVHGDJDLQVWWKHPGHÀQLWHO\ have a point in cases such as these. Abigail Morris, policy advisor to the Chambers of Commerce, said that on many occasions “Employers only know that the law’s changed when they get a claim coming through from an employee that said they didn’t do something that they should have been doing.” However, in the case of my former colleague, perhaps a more stringent interview process is needed to reduce the risk of employment tribunals (and of course mid-shift snoozing). Indeed, this employment history is an extreme case. But maybe employers have a point when they feel that current employment laws are unfair. They are there to protect the inevitable cases of unfair dismissal, but they don’t guard against genuine cases of incompetence or misconduct. A crackdown on employment law might just mean at least a few more Screwballs make it to the shelf unmolested. THE COURIER Monday November 8 2010 13 The rise of the lad mag... > Life , page 14-15 Life & Style Editors: Kat Bishop and Mary Mullarkey - courier.life@ncl.ac.uk health 3ROHGDQFH\RXUZD\WRÀWQHVV Jess Gibson tries her hand at pole dancing and busts the promiscuity myth associated with the exercise WKH ÀUHPDQ·V VSLQ , WKRXJKW (DV\ But after numerous attempts, I realised that pole dancing is much harder than it looks. So I know what you’re still thinking; the only girls that pole dance are uneducated bimbos, right? Wrong. The society’s founder and instructor, Courtenay Pipkin, is proud to be a skilled pole dancer, and a fourth year civil engineering student. She said ‘I’ve been pole dancing for two years and I love it’. Other committee members study chemistry, law, maths, economics and biomedical science. A clever bunch by anyone’s standards. It’s unfair to think that pole dancers are bimbos. Committee members study civil engineering, chemistry, law, maths, economics and biomedical science: clever by anyone’s standards $WULFN\EXVLQHVV3UHVLGHQW&RXUWHQD\3LSNLQGRHVWKHKDOIPRRQ6KHSURYHVWKDWÀH[LELOLW\DQG¿WQHVVLVHVVHQWLDOIRUSROHGDQFHUV It’s that time of year where all the university clubs and societies have recruited new freshers, and are getting down to some proper training. The Debate Team are debating, the Boat Club are rowing, the Pole Dancing Society is…well...pole dancing! New for 2010, the society has scooped up over 100 students since freshers’ week. Now, these girls are learning to spin, twist, and bend their way around the pole. This week, I went along to the Pole Dancing Society’s training session, to see how they’re getting on, and to gather my own perspective on the pole dancer stereotype. What do you imagine when you think of pole dancing? I’m not psychic, but for most of you, I could take an educated guess. Images of seedy strip clubs, fake boobs and neon bikinis may be involved. :KHWKHULWLVWKURXJKÀOPWDEORLGV or a drunken experience in Blue Velvet, the stereotype of the pole dancer LVÀUPO\LQSODFH So when it comes to our university’s society, what kind of girl is actually getting involved? I had no idea what to expect as a brave friend and I made our way to Attic nightclub on Monday evening, where the girls train. Would they all be peroxide blonde FRQWRUWLRQLVWV ÁH[LQJ WKHLU ZD\ around the pole, with nipple tassels in full swing? Ok, maybe the nipple tassels are a bit too far, but I certainly had my own preconceptions. To my surprise, there were no bikinis in sight. The girls wore simple shorts and T-shirts. As I looked around during the warm up, I realised two things. Firstly, that the only other movement I had ever done on Attic’s GDQFH ÁRRU ZDV D GUXQNHQ VZD\ with a VK in hand. Secondly, that the girls looked completely normal, they were all regular students, up for trying something fun and a bit different. As a member of the Newcastle University Cheerleading Squad, I ZDVTXLHWO\FRQÀGHQWWKDWP\GDQFH and gymnastic experience would help me with the basic pole dancing skills. After the instructor demonstrated (YHQ WKRXJK WKHVH JLUOV KDYH brains, they also have biceps. Pole dancing requires you to hold your own weight, maintain a strong core DQGKDYHJRRGÁH[LELOLW\ &RXUWHQD\ VWDWHG ´, ZDQW SHRSOH to realise that pole dancing is a lot harder than it looks, and that it’s not sleazy. ´:H ZDQW WR UHPRYH WKH VWULSSHU stereotype that people associate with pole dancing”. Pole dancing is slowly becoming a respected sport and art form, where WKH FRVWXPHV VWD\ ÀUPO\ LQ SODFH (sorry boys). The World Pole Sport Championships have also become hugely successful, and feature world class performers, in a showcase event, who demonstrate sheer physical strength with mesmerizing skill and stamina through individually choreographed routines. We all know that pole dancing is associated with strip clubs, but here comes the big difference. In strip clubs, emphasis is placed upon the scantily clad dancer, rather than the skill of dancing. Real pole dancing is about moving on the pole with skill, that takes training and dedication. As the pole dancing craze continues to spread, I hope the seedy stereotype will slowly disappear. These girls put in effort, commitment and are not paid the credit and respect they deserve. It takes a lot more than double D’s and a diamante thong to pole dance in style. Doctor, Doctor: “Please get rid of my dry skin!” Although winter brings Christmas GLVSOD\VDQGGXIÁHFRDWVLWGRHVQ·W half play havoc with our skin. The biting temperatures and blusWHU\1RUWK(DVWZLQGVDOOFRPELQHWR rob moisture from the body’s largest organ. However, follow these simple steps and you’ll be guaranteed to stay soft and smooth all year around. Firstly, moisturise, moisturise, moisturise. Get yourself into the habit of slapping on a layer or two of lotion straight after showering. Understandably, this is easier said than done. No one wants to spend any more time than necessary in their smalls when the lack of central heating causes you to sleep with two duvets and an electric blanket. So give yourself a thirty second EODVW ZLWK WKH KDLUGU\HU ÀUVW DQG then speed rub yourself to a baby supple shine. With candy coloured packaging and alluring scents, choosing the ERG\ ORWLRQ IRU \RX LV DV GLIÀFXOW as picking which member of One 'LUHFWLRQ \RX ZLVK ZDV ÀYH \HDUV older. $TXHRXVFUHDPLVDÀUPIDYRXULWH Cheap and cheerful, these Ben and Jerry’s size tubs are around £2 a pop GHÀQLWHO\YDOXHIRUPRQH\8QIRU tunately it offers no fancy smells and FHUWDLQO\QRSDLVOH\VZLUODQGÁRUDO details, but after one use it’ll become as staple a part of your potion collection as a tin of Vaseline. Use it in the shower as well as after. It doesn’t lather and you’ll have to make sure to rinse away any residue to prevent your housemates taking a tumble but it’ll give your skin that added sparkle. Start keeping a small hand lotion in your bag for after washing your hands or when you can’t be bothered to make notes in lectures. You’ll notice the effects on your ÀQJHUWLSVDQGSDOPVLPPHGLDWHO\² and you can get some really yummy smelling ones too. Kat Bannon Aqueous FUHDPLVDÀUP favourite. These Ben and Jerry size tubs are around £2 a pop K. VONG 14 Monday November 8 2010 THE COURIER Life & Style Life life Not so nuts about ‘Lad Mags’: The ‘middle-shelf’ status of soft porn magazines is an ongoing debate. Fiona McCutcheon discusses society’s gradual acceptance of lad’s mags, and the controversy attached... Eye-level: These used to be found on top shelves, a location which is now regarded as extreme and unnecessary. Some people believe that moving magazines isn’t a solution Lad mags aren’t exactly a revelation and the majority of you will be familiar with publications such as Nuts, Zoo and FHM. At one time these mags held a top shelf status, a location seemingly regarded as extreme and unnecessary in this day and age. Consequently, the image of a topless Lucy Pinder with phrases such as ‘wow!’ and ‘nice!’ in place of her nipples now stands proudly next to the new addition of Gardening Weekly. Images of Lucy Pinder with phrases such as ‘wow!’ and ‘nice!’ in place of her nipples, regularly stand next to the new additions of ‘Gardening Weekly’ The relocation of these publications has sparked quite a reaction with feminist groups and organisations such as ‘Object’ who have been known to protest in their pyjamas outside Tesco. They deem the middle shelf display of semi-naked women to be inappropriate and ‘in your face’, insisting they be moved back to their original place. However, is rebranding these mags as top shelf really a solution? Yes, it is unnecessary to have ‘very booby babes’ in your face whilst queuing in the local newsagents for a loaf of bread, but the reasons behind retailers’ decision to move to the middle shelf lie in a much broader cultural context and moving these magazines out of our direct eye line is not going to resolve this. Okay, so we are no longer operating 18th century style, where your standard attire would be a high neck dress that resembled a marshmallow. $ ÁDVK RI \RXU EDUH DQNOH LV QR longer enough to make grown men blush. Today, women can experience sexual liberation whilst being free to dress and act as they choose. There are few girls who will deny that they enjoy going out in a sexy dress and a pair of heels and dancing in the cage at Sinners... However, the fact that we are no longer even fazed by the naked woman in the shower advertising herbal essences screaming “yes, yes, YES!” is admittedly a little worrying. Is it possible that as a society we have become a little over obsessed with sex? We have reached a point where the majority of us no longer look twice at the woman in a see through thong on the front of Zoo whilst dismissing the images we see plastered on the front of these lad magazines as ‘just boobs’. Although it is now considered ‘standard’ for these magazines to photograph women in a derogatory manner, it is unfair to hold them solely responsible for this increasingly blasé attitude to nudity and exploitation. Naked women are no longer just associated with Hefner and his playboy mansion. These days, seeing a semi-naked blonde sultrily smiling at the camera behind a strategically placed bottle of perfume in your local bus stop is about as normal as seeing an advertisement for car insurance. We are now operating in a highly sexualised culture where our naked bodies are not just subjugated in commercial literature but are used as effective marketing tools in all areas of media and advertising. Whether it’s the brunette bent over on the front of the Sun, the Sam Jacks dancer gyrating in your face on a Thursday night or Akon’s new music video. If we move lad mags to the top shelf how are we going to move the newspapers and the music industry up there too? One of the main issues that this move to the middle shelf has raised is that they are now very much visible to young children. However, it is all too easy for NLGV WR JR KRPH ÁLFN WKURXJK WKH FKDQQHOV DQG ÀQG WKHLU IDYRXULWH boy band dancing with an array of scantily clad women humping each of their legs. It is now considered ‘standard’ for these magazines to photograph women in a derogatory manner, but it is unfair to hold them solely responsible for this increasingly blasé attitude to nudity’ No we don’t want to damage our children’s innocence by exposing them to sex and nudity prematurely but stumbling across this kind of explicit and suggestive imagery is now an inevitability. Moving Nuts a shelf higher is quite frankly irrelevant when put into context with Western culture and its growing obsession with sexualisation. When Newcastle English lecturer Stacy Gillis was asked her opinion on lad mags and their new ‘middle shelf’ status, she described these SXEOLFDWLRQV DV ´JURVVO\ VSHFLÀFµ in the way they objectify women’s bodies and assess their “usefulness for sex”. Stacy cringes at the fact that it is now “normal for men to sit in public and dissect women’s bodies.” She also agreed that the issues behind the move to the ‘middle-shelf’ are embedded within our “hypersexualised culture.” When asking a male friend the same question he told me that “there’s nothing worse in lads mags than there is in glamour mags.” /DG PDJV DUH GHÀQLWHO\ ¶ZRUVH· than glamour mags in terms of their visually explicit nature and you’re QRWOLNHO\WRÀQGDVHPLQDNHGPDQ winking at you from the front of Cosmo. (Although ‘Torso of the Week’ is a regular feature in Heat Magazine) However, in regards to damaging the female psyche, he makes a fair point. Surely the content of glamour mags is often as damaging as this erotic imagery? Although Nuts and Zoo DUH ÀOOHG with images of big breasted, sexualised women...are glamour magazines not just telling us the ways in which we can look just like this? Hopefully the majority of us girls who don’t have a cellulite-free, beach-bronzed body and pair of double Ds have learnt to accept that we are not literally expected to look like Rosie Jones. However, it’s perfectly viable to suggest that whilst Abi Titmuss sits with her legs spread on the front of Zoo she is simultaneously creating an image inside the heads of many women and young girls that they feel they can’t match. And what do glamour mags do? Suggest ways in which they can pursue this image. Yes, page 3 models are promoting the ‘fake boobs’ and ‘orange face’ image. Yes, they play a part in normalising nudity to children and teenagers. But as women, if we’re going to protest that lads mags should be moved back to the top shelf because they are ‘degrading’, we should take another look at the copy of Cosmo sat on the coffee table. ,I\RXÁLFNWKURXJK\RXUVWDQGDUG glamour magazine you will come across ‘new ways to get a fuller FOHDYDJH·¶ÀYHVWHSVWRFHOOXOLWHIUHH legs’ and ‘how to please him in the bedroom’. 2FFDVLRQDOO\ \RX ZLOO ÀQG D FROumn or a celebrity telling us ‘love the skin your in’...only to turn the page and be confronted with an array of women who are so thin they look clinically ill. If you turn to the back of any of WKHVHPDJD]LQHV\RXZLOOÀQGSDJHV ÀOOHG ZLWK DGYHUWLVHPHQWV IURP plastic surgery companies. You should love yourself for who you are, but a new nose, pair of bum implants or a bra size up is always a bonus...right? Essentially, unless the media as a whole is willing to completely reshape their attitude toward the female body, moving a few magazines a shelf higher stands as irrelevant. In order to achieve greater gender equality change needs to be enforced in many areas beyond the paper stand at the local newsagents. If you want to debate this matter further Fem Soc will be discussing some of these issues later this term. Contact the president rosierobson@ gmail.com if you’re interested in getting your opinions out there. THE COURIER Monday November 8 2010 15 Life Life and Style on Campus: Your views Emily Syminton asks you whether ‘Lad Mags’ should have top-shelf status L. MACKENZIE Helen First Year ´,RQFHUHDGWKHPZLWKP\ friend and we had a bit of a laugh. I personally wouldn’t do the stuff that models do, but each to their own. However, children are impressionable and can start asking awkward questions when they see these things, so it might be better to put them on the top shelf.” Next week: Don’t rush into signing that house contract just yet... Lorene Second Year ´,ORYHWKHPEXW,UHDGWKHP for the sport sections, not just to look at women. Lads mags can be degrading at times to women, but I’m not really that fussed because I’m not a girl. I’m not hugely fussed about putting them on the top shelf, as I don’t think young kids really take much notice of them.” ´,·OOEHKRQHVW,ÀQGWKHP pretty demeaning. I would never model in one, and I don’t think they depict women in a favourable way. However, if women want to model in them, that’s their decision. I do think that it’s a bit too easy for teenagers to just walk into a newsagent and pick one up.” ´,GRQ·WUHDOO\OLNHWKHPVR I never choose to read them. It’s strange, because women don’t really have male softporn magazines; I don’t think men are depicted in such a sexualised way. If you are going to sell, them they should be on the top shelf so that it doesn’t draw children’s attention to it.” It’s been three weeks since our Self-confessed Neurotic began listening to Paul McKenna’s ¶,QVWDQW&RQÀGHQFH·DQGVKH·VÀQDOO\EHJLQQLQJWRVHHVRPHFKDQJHVLQKHUEHKDYLRXU “I very nearly skipped home the other day, and when I entered the house in this euSKRULDP\KRXVHPDWH·VÀUVW reaction was: ‘Are you on drugs?’” The answer is no: unless somebody has been spiking my water” Seven days seems a long time to go without any sort of processed sugar, but it hasn’t done me much harm Sarah Bennett Columnist Next Week: will our self-confessed neurotic feel like a new person? Hattie Second Year yet. In fact, in just a week I think I’ve lost weight – how could I be miserable? The other changes were harder to notice, and it is only in thinking about them that I can see them. I look less at my feet now, instead looking around at other people more. When attending the job fair this week at St. James’ Park, I had few inhibitions about asking questions at the stands. Only the other day, I waltzed into a restaurant and booked a table without thinking... only then to use someone else’s name! Apparently, my housemates had noticed these changes, but were reOXFWDQW WR PHQWLRQ WKHP ´LQ FDVH you relapsed,” they told me. In an effort to exploit any sort of FRQÀGHQFH , PLJKW KDYH IRXQG they’re currently trying to persuade me to a fancy dress social in the next few weeks. The only fancy dress I’ve ever been involved in was twelve years ago – and dressing as Baby #4 Lunch Savers Spice for a ‘Spice Girls’ themed party wasn’t exactly extravagant, or in retrospect, a great idea. So now I’m in the dilemma of whether to commit myself to this social or not. The idea of self-help is to make PH LQWR D PRUH FRQÀGHQW OHVV neurotic person. It’s true that I feel happier in myself, and less uncomfortable around other people... but I don’t feel ready to let go of the ‘old’ me yet. 6RPHKRZ ¶,QVWDQW &RQÀGHQFH· has helped me sleep, and is now helping me to lose weight. That’s two Paul McKenna titles in one! Just starting to change one little SDUWRIPHKDVLQÁXHQFHGFKDQJHV in other areas of my life. Another week could consolidate the ‘new’ me completely – maybe I’ll start using my own name in restaurants! Will First Year certainly the most obvious. The other obvious one is my drastic decision to stop binge-eating. After overindulging my sweet tooth for the last two years, I am now strictly adhering to one bar of chocolate a week. (Yes, this is as hard as it sounds!) The Penny Pincher So the Union has closed. There’s no more popping into the Cochrane Lounge for one of their excellent sandwiches, so what do you do now? Buying your lunch everyday can cause your student loan to be frittered away without you really noticing. Take Subway: the great £1.99 Sub is now an unfriendly £2.29 - you’re looking at almost £12 a week, based RQHDWLQJLWIRUÀYHGD\VLQDURZ Don’t even get me started on an M&S/Pret a Manger rant. I know they taste good, but just looking at their prices makes my eyes melt. I’m sure you’ll have heard this countless times before, but I urge you to remember your schooldays and all those packed lunches you ate. Don’t you look back and wish you were the one in control of what you ate? Well sunshine, now you can. It doesn’t take much effort to make sandwiches, which you can do before you go to bed if you don’t want to wake up a few minutes earlier. Even making a larger portion of pasta the night before, so you’ve got some to tuck into the next day is a great way of saving money. Stir a bit of pesto, tomato ketchup or simple butter and black pepper for a tasty pasta dish that can be eaten cold. You can even add some veg into the mix for part of your 5 a day. Another lunch favourite of mine LVFRXVFRXVWDNLQJÀYHPLQXWHVWR prepare and just like pasta, you can add pretty much anything to it, my favourite being pea and mint with a dash of olive oil. Invest in some resealable tubs, available at many supermarkets and you’re sorted. %DFNWRWKHÀYHDGD\KHDGGRZQ to Grainger Market for the best offering and best price for healthy snacks to compliment your lunchtime creations. Making your own lunch isn’t difÀFXOW QRU LV LW H[SHQVLYH 6R MXVW because Greggs or Pret is a short walk off campus doesn’t mean it’s good for you, or your wallet. I realise that you won’t be eating a Subway every day, if for your ÀJXUHUDWKHUWKDQ\RXUZDOOHWEXW just consider it. £12 extra a week could mean a ticket and a box of popcorn at the cinema (which you can share with your friend because you’re money savvy and going on Orange Wednesdays) an extra night out or even a bottle of Glen’s to get your night going. Over a month you could save nearly £50 if you stop buying lunch everyday; £50 that I know we can put to better use! Don’t forget, ‘like’ the Penny Pincher on Facebook and get access to more penny pinching ideas! A personal experience: A neurotic’s guide to self help They say hindsight is the best teacher, though if I really wanted a lesson, I’d not be examining the last week of my life, but more like the last ten years. I get the feeling that this is not the best idea; I’ve probably forgotten a lot of those teenage years for a reason! In retrospect, I think I’m starting to notice some of the effects of my selfhelp regime. Despite all previous disbelief and scepticism, from other people as well as myself, there are signs that I’m slowly changing. In spite of the pile of university work on top of my other commitments, I’m in a strangely good mood. I very nearly skipped home the other day, and when I entered the house in this odd euphoria, my KRXVHPDWH·VÀUVWUHDFWLRQZDV´$UH you on drugs?” The answer is no: unless somebody has secretly been spiking my water, this change in mood is simply one of the alterations that I have seen. It’s Life & Style 16 Monday November 8 2010 THE COURIER Life & Style Sex & Relationships sex & relationships blind date Dangerous Liaisons #4 Seven degrees of seperation Angie Huang & Ryan Dinsmoore. He said: A handful of text messages later and there I was: 8.15pm, Friday, Mr Lynchs and what was set to be the beginning of a very mad night! Fashionably late Angie arrived with a cute smile, and we wasted no time getting to the bar. I worried that my Irish accent was going to be hard for Angie to understand, but in hindsight this was the least of my worries. We had a drink in Mr Lynchs and FRQYHUVDWLRQZDVÁRZLQJVPRRWKO\ as we chatted away about each of our travelling experiences and I was keen to hear more about her home life in China. Conversation turned to the wildest things we had done and after Angie heard my drunken swimming stories she wanted to experience them herself, so off we set, our unexpected and unplanned train-bound journey for Tynemouth! 7KH ÀUVW SXE ZH JRW WR DW 7\QHmouth was a local pub where the atmosphere was great and I was having a good time with Angie. A stagger across the road to our next stop, a smaller bar where we had cocktails which are well worth trying, but beware you will get very drunk very quickly! Final venue for the evening was a nightclub, where we spent most of the night drinking and dancing with each other and some strangers. 1 am. Angie demonstrated her pole dancing skills to me (to the delight of all the guys in the nightclub), but this was short lived as alcohol and spinning around are never a good mixture. As we stumbled outside, Angie made a beeline for the beach still intending to go swimming. An hour later I had managed to convince Angie swimming was not a good idea as she began to fall asleep, so I carried her back to Pamela Mardle Columnist the taxi rank. Our hero of a taxi driver was having a great time hearing Angie pledge allegiance to sobriety, promising never to drink again, and to be fair I found it hilarious as well. 2QFH ZH JRW EDFN WR $QJLH·V ÁDW , left her with a glass of water by her bed and in the capable hands of her ÁDWPDWHV Our blind date was good fun and PRVWGHÀQLWHO\RQH,ZRQ·WIRUJHWLQ a hurry. As I write this article my only worry is if Angie remembers enough to write her part. She said: 6XUSULVLQJO\ P\ ÀUVW EOLQG GDWH LQ a foreign country turned out to be a success. Friday night in Mr Lynch’s, I was warmly greeted by my blind date, Ryan. I was really impressed by Ry- an’s nice and easygoing personality and sense of humor, and the fact he was such a gentleman. We chatted about varying topics: hobbies, cultures, and nations. I asked him if he was quite shocked since his date is a total foreigner. He said he was not, because before the date he not only knew my nationality, but also had seen my photo and even knew what course I do. Ryan impressed me with his elegant manner and rich experience in life. He is into sports and has won numerous rowing competitions. An hour into the date I came up with the crazy idea of going for a swim in Tynemouth. Being very nice, Ryan held his ‘yes’ attitude and agreed to go. So we left Mr. Lynch’s and headed to Tynemouth by metro. Soon we arrived at Tynemouth, which surprisingly was as busy as madame vs monsieur Monsieur K.VONG Our agony duo Madame & Monsieur advise you what to do if you’re in love with an almost relative “Help! I’m in love with my ex step brother! I’ve always been awkwardly attracted to him, but since my dad and step mum broke up (quite badly), I’ve missed him so much. It must be love. The thing is, I’m a guy. Nobody knows that I’m gay, and I’m sure that my step brother will never want to see me again if I tell him I love him. All ‘siblings’ have their run-ins after all. Is there a moral/ethical issue with this kind of attraction? Please help!” Madame Amore? I don’t think so monsieur. Rather, I believe you are confusing your hurt in your dad’s divorce for something else. Suck it up. Say you do proclaim your love. Is there really a chance that a) he is hiding in the same closet as you, and b) he feels the same? Then we have c) that after your parents have had a ‘bad’ break up, they’ll be reconciled by the fact that their respective sons are now shacking up. Get real. Obviously, even if you weren’t gay, there’s no risk of inbreeding Newcastle city centre. We chose a UHODWLYHO\TXLHWSXEDVRXUÀUVWVWRS but by the time I left I was quite tipsy. We went into another where Ryan ordered two cocktails, which was a nice choice. Then we made our move to the only nightclub in town, 6DPP\-DFNVZKHUHWKHGDQFHÁRRU VKLQHVZLWKÁDVKLQJOLJKWV,WGLGQ·W take me long to get drunk so Ryan suggested us going home, but I insisted on going to the beach. The dramatic landscape of Tynemouth sea was enchanting. The tranquil sea was dotted with glittery moonlight. We sat on the stairs, enjoying the breeze from the sea. In the end, we gave up the crazy idea of swimming in a freezing night as I was too drunk, and took a taxi home. AfWHUVHWWOLQJPHGRZQLQP\ÁDWWKH gentleman left and ended a perfect date. given there’s no blood involved, but do you really want the story of how you met to include the fact that your dad and his mum used to share a bed? I’m not saying you’re not gay. I encourage you to be gay. Every girl needs a free personal stylist. But think about this. Changing your mind in a few months isn’t quite as easy as deciding you prefer Louis Walsh over Cheryl Cole. WOAH! You my friend are in dire need off our help!! First of all, I really think that you can discard the whole sibling issue, you are not related to this guy, and after your dad and his mum ended things any formal ties with him are over. So don’t refer to him as your step brother anymore, and no one will be freaked out. Now, as for you being gay, I am tempted to say come out so that you can get on with life without complication – but I won’t as this is highly personal and you need to deal with it in your own time. Have you noticed any obvious hints of reciprocity from this guy? If so then make excuses to spend more time together and make a move – obviously this is risky, but you say you’re in love so maybe it’s worth it. If you think he’s probably straight then try not spending as much time with him and hopefully your feelings for him will lessen. Try to be relaxed about all of this, after all; que sera sera! “OMG did you hear what that guy GLG WR /XF\·V H[ÁDWPDWH·V VLVWHU the other night? You know, the guy who knows that girl we know IURP ÀUVW \HDU ZKR JRW DUUHVWHG for air humping the McFlurry machine at McDonalds after Carnage that time?” This script of conversation is repeated near enough dayin, day-out at Newcastle University. It’s in the nature of student life – everyone knows everyone, be it through a random night out tagging along with the Rugby team or one awkward meeting of the ÁDWPDWHV IROORZLQJ WKH ZHLUGHVW one-night-stand of your life. Contact may never be made with these people ever again but it’s certain that they will catch wind of stories regarding your recent fall from grace. It’s not that we enjoy others’ hardships, but gossip is just too much to resist. Think of acquaintances you know but not well: at least one story of their unfortunate FKDÀQJ SUREOHP RU SHQFKDQW IRU public indecency will have rattled your airwaves at some point. For this reason we have heightened responsibility to maintain a dirt-free track record – one treble DQGDFRQVHTXHQWWKUHHÁDVKHVWRR many is guaranteed to make it back to that cute guy via mutual friends over a boozy lunch in Men’s Bar. There is no hiding from the epic stack buttock-over-breast that was YLHZHGE\WKHHQWLUHERWWRPÁRRU of TigerTiger (especially when it’s documented on Facebook with the help of tag-happy so-called friends who should really have been calling an ambulance at the time). You can bet money on the fact that at least one person each from your course, halls, home, nightmares were there to inform the respective mutual friends of the semester’s most death-defying but hilarious moments. This also poses a potential problem when it comes to seeing a new guy and things begin to head towards PG territory. That sexy little nibble he does when he’s feeling the horn? You can bet your bottom dollar that girl in your lectures got a nip too, and questionably the lecturer on the alleged drunken onenighter you heard rumours of from your pre-shag vetting (OK, stalking). Flip this situation on its head. Kinky sex moves are supposed to be intimate and the element of surSULVHLVZKDWFHUWLÀHVWKHLUVXFFHVV If he’s already heard about it from DQROGÁDPHLQWKHIRRWEDOOFKDQJing rooms it takes away that aspect and the power of the move is rendered power-less. I’ll bear these thoughts in mind next time I consider shacking up with a random: he might not be as random as previously thought. THE COURIER Monday November 8 2010 17 Food & Drink Life & Style food & drink compare the market review Francos, Jesmond As late nights begin to take their toll, Olivia MasonVHHNVWRÀQG WKHEHVWHQHUJ\GULQN Brentwood Avenue, West Jesmond Tel: 0191 2813434 It is possible to count at least six Italian restaurants in Jesmond alone, and Franco’s, tucked away in West Jesmond, has a hard time getting noticed by students. You only have to walk, in however, to see that this is pretty different from the rest. Far from rustic, the long and thin interior of this champagne bar-comerestaurant has a very upmarket feel with its leather booths, chandeliers and dramatic wallpaper. In fact, if \RXDUHIHHOLQJÁXVKWKHUHLVDYHU\ classic cocktail menu and the everfriendly hostess, who has worked there for twelve years, promises to make almost anything you ask for. Even the food menu includes a designer pudding of ice cream served with Roberto Cavalli vodka: it is a selection which screams ‘Milan’ much louder than ‘Tuscany’. Do not confuse this urban atmosphere with a lack of authenticLW\ WKRXJK )UDQFR KLPVHOI LV WR EH seen breezing through the restaurant in his Versace jeans, checking on his customers in a very Italian DFFHQW DQG ÁDPEpLQJ GHOLFLRXV crepes suzettes before their eyes. This is a place with a sense of occasion, somewhere you could dress up to go for your evening meal and which, as our hostess recounted, can turn into quite a lively party later in the evening. 1RQHRIWKLVLVWRVD\WKDW)UDQFR·V LV XQDIIRUGDEOH \RX FDQ RUGHU DQ\ ‘meta meta’ (half-pizza, half-pasta) combination at any time of day for 6/10 Monster 500ml, £1.64 Francos: This stylish champagne bar- come -restaurant is an upmarket Italian restaurant, situated in student-centred West Jesmond £10.50. There are no restrictions on the more expensive dishes so you may as well try something really delicious, such as their signature pasta FUHDWLRQ 7DJOLROLQL 1HUL 7KH VTXLG ink pasta and creamy tomato sauce make it red and black, just like their colour scheme. The prawns were large and succulent while the sauce had just the right amount of chilli in LW WR JLYH LW D UHDO GHSWK RI ÁDYRXU UDWKHUWKDQUDZKHDW6XUSULVLQJO\, preferred this to the more expensive sea bass dish, Branzino alla Griglia. 7KRXJK OLJKW DQG ÁDN\ WKH ÀVK could have done with a more generous dollop of its pesto drizzle to give LWWKHHGJHQRWDÀUVWRSWLRQXQOHVV you are on the Atkins diet, particularly when there is a very extensive OLVWRIÀVKDQGPHDWWRFKRRVHIURP Realistically however, the average student is going to be attracted by the discounted set menu, available from 12-2.30pm for lunch and 5.30-6 .45pm for dinner, as well as all night on Mondays. This costs £7.95 and includes many of the standard cheapeat dishes such as potato skins, carbonara and simple pizzas. It may well be worth investing a couple of extra pounds in the business lunch and early dinner menu, which for SURYLGHV LQÀQLWHO\ PRUH LQ teresting choices. Amongst other things, you can order any pizza on this menu. Having tried the mussels and calamari out of the four starters I can recommend them highly. A bottle of house wine, which was very drinkable, sets you back a little over a tenner, or you could just stick to a large glass for £3.95. Disappointingly for pudding lovers, the menu only includes starters and mains so you would have to order something sweet separately. As with many restaurants, the dessert menu does not entirely conYHQH ZLWK WKH WKHPH VWLFN\ WRIIHH pudding and apple tart are there in place of Italian classics, although I was pleased to see that tiramisu did feature. Our waitress was very candid when we asked for her recommendations, and expressed her willingness to adjust any dish to the individual customer’s tastes, which was a real selling point. If you fancy a gnocchi topping on pasta instead, it’s yours because all the food is made fresh to order. All in all the service was exceptionDOO\ DFFRPPRGDWLQJ DQG IULHQGO\ the atmosphere made me want to linger over a glass of wine or an espresso and the food was very satisfying. I waddled home feeling very content, all the while making a mental plan of what to order next time. I would recommend Franco’s to anyone wanting to break away from the standard happy hour options along Osborne Road and enjoy something a little bit different. Harriet Wood $QDSSOHDGD\NHHSVWKHGRFWRUDZD\ A fruity favourite: Harriet Webb H[SORUHVÀYHWKLQJVWRGRZLWKWKLVXQDVVXPLQJIUXLWDQ\WLPHRIWKHGD\ There are 7000 varieties of apples in existence. Like me, if this statement confuses you slightly, there are only 12 varieties sold in England, most of which are imported. For the health conscious folk, apples are not only RQHRI\RXUÀYHDGD\EXWDUHDOVR a good source of vitamins A, C and not to mention a bit of well needed ÀEUH ,I \RX·UH DQ DSSOH IDQ \RX·OO be glad to know the apple season is LQIXOOÁRZIURP6HSWHPEHUWLOO1R YHPEHUWKH\·OOEHDWWKHLUEHVWQRZ However, if the simple, juicy apple with a crisp bite doesn’t appeal... KHUH·VDTXLFNSHDNDWÀYHWDVWHEXG ticklers you can do with a simple apSOHVZHHWDQGVDYRXU\ Apples are amazing sliced and EDNHG LQ D 6XQGD\ GLQQHU FODVVLF WKHXOWLPDWHDSSOHSLHMXVWGLSWKHP in a sugar cinnamon mix and pile them high in a pastry-laden dish. ,I \RX·YH QRW KDG HQRXJK %RQÀUH 1LJKW·V WUHDWV WU\ \RXU KDQG DW D simple baked apple in a delicious Toffee Apple Pudding. Or maybe apple chutney tantalises those taste buds, perfect with cheese and crackers or on a hot pork sandwich. Throughout university everyone has their favourite foods that constitute the ‘healthy’ student diet. The apple can fall into this category in a mouth watering pork, apple and sage burgHU RU PD\EH D WZLVW RQ WKH ,QGLDQ classic, apple pie samosas, made by simply cooking the apples until soft in a saucepan with mixed spices, sultanas and 2 tbsp water and then ZUDSSLQJWKHÀOOLQJLQÀORSDVWU\ 6RIDQF\WU\LQJDQ\RIWKHVH"3LFN ing just two of my favourites, here are a couple of handy recipes. Let’s start with a bit of burger loving: in a bowl mix 900g minced pork, 1 ÀQHO\FKRSSHGRQLRQFRRNLQJDS SOHSHHOHGDQGÀQHO\JUDWHGDQHJJ DQGDKDQGIXORIVDJH6LPSO\VKDSH these into burgers and fry them for six or seven minutes on each side until they’re cooked in the middle. A perfect serve would include a toasted bun, caramelised onions, a green salad and a good handful of chunky chips. Finally, in the Guy Fawkes spirit try baking the Toffee Apple Pudding. Heat the oven up to 180°c, grease an oven dish lightly with Aims to ‘Unleash the Beast’ and is targeted at extreme sports fanatics. For this reason it contains the greatest mix of vitamins and nutrients including ginseng, carnitine, and taurine. Tastes different to the rest - perfect if you don’t like normal energy drinks. 8/10 Relentless 500ml, £1.75 Contains a wide variety of vitamins and some pantothenic acid this time, which apparently synthesises proteins and fats. Could come in useful! This one tasted the best in my opinion, less acidic and a bit fruitier. Just a bit pricey. 3/10 5HG%XOOPO This is probably the most recognisable energy drink but GHÀQLWHO\ the worst. It is the most expensive, being a similar price to Relentless and Monster but contained in a can half the size. It has never changed and contains no extra vitamins or nutrients, most likely with the argument that they do nothing! .;POS Fruit galore: apples are not only a superfood, but they also taste great in many dishes butter. In a large mixing bowl tip JVHOIUDLVLQJÁRXUWEVSEDNLQJ ÁRXUJJROGHQFDVWHUVXJDUDQGD pinch of salt. Mix together 85g melted butter, 200ml milk, 1 tsp vanilla extract and 1 egg, beaten, and stir into the dry ingredients until you achieve the desired ‘smooth’ batter. Put 2 cooking apples in the dish and pour over the batter mixture. For that toffee topping add 140g dark brown sugar to 250ml water and dissolve the sugar, pour the liquid over the mixture and bake for 40 minutes until you get a delicious golden pudding. For this a perfect serve may include a big scoop of the pudding, making sure you get the delicious caramel from the bottom, and a dollop of cream. This is the wild card and an extremely budgetbased brand. It has a slightly lower caffeine count WKDQWKHÀUVWWKUHH,ZRXOGEH extremely surprised if you noticed this though. It does not taste as good as the others, but in terms of value this is your best bet. Does the job and doesn’t cost you valuable monies. 18 Monday November 8 2010 THE COURIER travel Newquay: Get Your Surf On Ben Parkin plans a trip to the UK’s most popular seaside and surf resort for the under 25s Ten Minute Travel Olivia Mason takes a trip to the city of Durham. Head down to central, hop on a very frequent train, pay just over three pounds with a railcard, and hey presto within ten minutes you’re in Durham. If you’ve been to Durham, you know how lovely it is. Although maybe not a weekend destination, being so near it is perfect for a small break from work one day. Wander up the winding streets, to the beautiful cathedral, most of which you can see for free. For movie fans, the cathedral provided the backdrop for some of the scenes from Harry Potter – Robert Pattinson could have been metres away! The cathedral provided the backdrop for some of the scenes from Harry Potter Get on board at the beach: When the sun is shining, Newquay is never short of a few surfers, making it one of the most popular UK destinations for young watersport fanatics Fancy a weekend away, but don’t really want to go abroad? Want to chill on the beach and maybe catch a few rays? Then Newquay may be the place for you. You have your loan and want to do something fun with it rather than spend it on stuff you know that you don’t really need. Planning in advance is essential to ensure you get the best deal- it’s not exactly the seaside town you can just go to at the drop of a hat. Flights can be a good choice from Newcastle airport, on average you’re talking around £50 for a reWXUQÁLJKW If you’re one of the few who can pack light you can save yourself another few pounds- but try not to be like Joey from Friends and wear your whole suitcase. Another option could be to travel by Megabus; everybody knows that you can get a great deal, and £10 return to Newquay sounds incredible right? Well, for a 14 hour journey, probably not. Many of the surf lodges also RIIHUOHVVRQVLQVXUÀQJDQG coasteering: a must do activity for any brave soul There’s an amazing selection of places to stay, ranging from B&BS, hotels, campsites, surf lodges, and even better they’re there to accommodate people aged 18-25. There are a number of caravan sites located throughout Newquay and many offer some great deals starting at £6 per person, per night. If you’re one for the outdoors and ‘getting to be one with nature’ then camp sites start at £12 a pitch and have great transport links to the town and beaches. Sharkbait surf lodge offers £10 a night off peak, with an extra £5 added per night during the summer. If you’re only going for the weekend it’s worth paying the extra, as it could mean the difference between the town being dead and totally hopping with people. Many of the surf lodges also offer OHVVRQV LQ VXUÀQJ DQG FRDVWHHULQJ for a small extra price, so could you be out there becoming the next big thing for surf? And if you’re not staying at a surf lodge, half a day of coasteering will be around £40, with most places claiming to give discount if booked early, and a day of surf lessons will set you back about £25 each with full board and wetsuit hire. Of course the beaches are free for you to roam around on in your own time. It’s an easy way to meet other people, relax and catch a nice tan. The town has plenty of small cafes, surf shacks and restaurants for you to dig into while you’re there. There are also your high street names as well as small independent shops that sell some cute little trinkets. And as most students will ask ‘What’s the night life like?’, well I can tell you that Newquay has some of the best night life known in the UK. There’s a taste for everyone including chill out bars, traditional pubs, beachside cafes, amazing nightclubs and even intimate pavement parties. So no matter what your taste, there will always be something you’d love to do in Newquay. Celebrate winter without ditching home Rachel Walsham and Joanne Harron on how to escape the Winter blues whilst in the UK The last few lines of your tan have IDGHG DZD\ LW·V RIÀFLDOO\ WKH WLPH to let go of your summer clothes, and the memories of your summer abroad feel like a lifetime ago. But that doesn’t mean its all doom and gloom for winter in the UK. There are plenty of reasons why our winter should be celebrated not feared. 1. Feeling warm and rosy – There is nothing quite like that feeling of being warm and cosy on a cold winters day, whether you’re out tucked away in a coffee shop or wrapped up and braced for the elements. The Winter fashion really allows for comfort and warmth this season so dig out your hats, knits and ear muffs and enjoy the feeling of being unaffected by the cold air. 2. The Food – British food was really made for winter, after a long day out in the cold nothing really says comfort like a steaming hot serving of sausage and mash. What’s best is that somehow it really feels like its deserved and with Christmas around the corner we all know it is just going to keep getting better. 3. Scenery – Either twinkling under a dusting of frost or sheltered by a blanket of snow there is something that always feels magical about our countryside in the winter. It is also the perfect time to rediscover the child in you with tobogganing, ice VNDWLQJVQRZEDOOÀJKWVDQGVQRZ men. 4. Winter getaways – Forget the call of ski slopes or the lure of the sun, instead why not take a trip to Northern Ireland? The west coast has some beautiful scenery that is enhanced by the misty atmosphere of cold winter days. After taking in the spectacular scenery head down the cobbled streets to a local Irish pub and be warmed by an Irish stew and a pint of Guinness. 5. Festivities – Lets face it, winter wouldn’t be complete without Christmas and the hype is always contagious. The anticipation of the Christmas shop displays, the recognition of the iconic television adverts, the food, the drink, the parties. You could spend winter abroad in the sun but then it really just wouldn’t feel like Christmas. The cathedral backs on to the main square of the beautiful university grounds and also offers lovely views over the city. Durham Castle is also worth a visit, being a wonderful Norman structure, as well as doubling as a working castle providing a home to over a hundred students. When you are in need of a refreshment head down to the very traditional Dun Cow for a tipple. For something more substantial there is a plentiful supply of restaurants, including Bella Italia, overlooking the river - perfect for a crisp autumnal day. For a cheaper alternative head to the market square in the middle of Durham for stalls similar to those of our very own Grainger Market, Durham style. If you are in romantic company take a sandwich and have a stroll down the river, alongside the beautiful Autumn colours of the trees, wooing will be easy! If shopping is your thing Durham has little that Newcastle has except a Jack Wills. If gillets don’t impress there are a couple of lovely vintage shops that always offer something unique. Down the back of the Gates, Ding Dong Vintage is a fashionista’s heaven. Crammed full of delights but without the London prices this LVDGHÀQLWHJHP Durham Cathedral:This beautiful city boasts an array of Norman buildings THE COURIER Monday November 8 2010 19 The Big Debate: Who is your fashion icon? > Page 21 If I were a boy: fashion goes undercover Quintessential “girly girl” Katie Lauren Henry covets male trends for a day unlike any other B CARLIN Within the world of fashion, the lines between male and female styles are becoming increasingly blurred. With girls strutting around campus in boxy blazers teamed with worn brogues, loafers or lace up workman boots, it is no longer uncommon to see ladies pulling off these once masculine pieces. This concept does not only work one way - it’s virtually impossible to enter a bar without coming across a guy wearing a low cut v-neck tee (ironically sporting more cleavage than the average woman) or a pair of skinny drainpipes. Today the rules regarding what looks good on males and females are being torn apart, and boundaries between the masculine and feminine image are being pushed into new exciting territories. With style icons such as Agyness Deyn rocking out the cropped hair and boyish ensemble, not to mention David Beckham with his infamous ‘sarong-gate’, it appears the rulebook has well and truly been thrown out of the window. With men now comfortable wearing guy-liner and girls opting for the shaved hair look, it begs us WR DVN KDYH WKH VW\OHV RI JX\V DQG girls merged into one homogenous melting pot of fashionable pieces? I have no problem with admitting WKH IDFW WKDW , DP D IXOO\ ÁHGJHG girly girl. I love dresses and jewellery, and without heels my world would be a much worse place (primarily because I’m pushing 5ft 3). When I received a pair of Louboutin’s for my 21st birthday, only dogs and dolphins could comprehend my VXSHUVRQLFVTXHDOVRIMR\,WZDVOLNH winning the lottery. So, to be asked to spend an entire day dressed as a boy, donning a shirt, hoody, joggers and trainers, this was for me a nightmare realised. I can honestly say that I have never felt as uncomfortable in my life as I did that day. As I walked around campus with my long hair tucked into a beanie hat, the disapproving looks from strangers (largely girls might I add) were hard to ignore. However, it must be said that there ZDVGHÀQLWHO\VRPHWKLQJUHIUHVKLQJ about feeling so physically comfortable. My tortured soles, destroyed from years of stiletto abuse welcomed the relief brought by a day spent in trainers. After asking a few guys their opinLRQRQP\RXWÀWLWEHFDPHDSSDUHQW that this was not a look they would like to see their girlfriend wearing. It was also made clear that they would be very unlikely to approach a girl in a bar if she was dressed this way, regardless of how attractive she was. When asked their views about In his shoes: Is it really true that we have coded perceptions of how we should dress? my image, guys were throwing out adjectives such as ‘comfortable’ and ‘casual’ with not even a mention of ¶QLFH·DQGKHDYHQIRUELG·ÀW·+RZ ever one redeeming comment was made, in the shape of ‘...I’d still show you a good time love’. Normally enough to make you nauseous, but was welcomed that day. The way a person chooses to dress is a visual representation of their personality. To ask someone to change their style is basically asking them to become someone that they are not, disposing of their individuality. One thing that became very apparent to me as a result of this ‘social experiment’ was the challenge faced by girls who do embrace a masculine sense of style. The concept of dressing like a boy was completely alien to me, even if it was just for one day. Society expects that girls should dress femininely, but we must respect the fact that some girls are just not comfortable with doing so. We shouldn’t judge or stereotype them for being different, and if anything we should admire them for refusing to conform. This being said, I’m pretty certain that I myself won’t be embracing the lad-look anytime soon...even if I would be shown a ‘good time’. -HDQVWKHULVHRIWKHER\ÀW Pick and mix :KDWLVWKHGHÀQLWLRQRI¶ER\ÀW·" Kat Bannon explores Hannah Layford gives her advice on the intricacies of the inter-gender denim phenomenon how to work boys brogues and bags BOOHOO. Sometimes, boys’ clothing is just so much better. Hoodies that are meant to be oversized and smell like aftershave and you c a n ’ t help but love tshirts with des i g n s that are so slim ÀW WKH\ would m a k e you look like a fourteen year old emo. Woolly hats, check pyjama bottoms...it’s all the same story. But jeans? The ‘Boyfriend Jean’ has been in and out of fashion now for the past eight years. It was the Levi 501s that led the troops with their oversized turn ups, knife-slash knee rips and pale blue hue but as always, the high street promptly followed suit. River Island, TopVKRS DQG 1HZ /RRN ZHUH DOO ÀUP favourites to supply us with our baggy bottoms and jumbo waistlines, but was this because we actually looked good, or because the label ‘boyfriend’ made us feel like we were compensating for something? $OWKRXJK GHÀQLWHO\ PXVFOHG RXW of the fashion top spot, ‘boyfriend’ style has certainly gained a place within the denim display line-up amongst ‘bootcut’ and ‘straight leg’. But seeing as we’ve got to this point, is it no surprise the male of the species went for its revenge? Skinny jeans or ‘drainpipes’, however, contrary to indie belief have been knocking around for almost as long as Paris’ sewage system. This isn’t just on women either. 6RUU\ JLUOV EXW ZKHQ \RXU ÁRSS\ haired other half reaches for your wardrobe because your Topshop’s give more ankle grip than his Topman’s he’s actually just stealing back what was originally his. It was bad boy James Dean and Elvis ¶7KH .LQJ· 3UHVOH\ WKDW ÀUVW URFNHG these out in the 50s while we were still rolling along in vest and cardigan combos. Unisex skinny jeans vanished into the abyss of the dormant trends until the turn of the century. In all the uncertainty of the noughWLHV DW ÀUVW WKH\ VHHPHG D ELW WRR much as we wanted our pins to remain hidden within our imaginary boyfriend’s favourite denims. It took time but we embraced them, and we’re still keeping as tight a hold as skinnies do to our thighs. As for guys, the skinnies have had a revival with overly-pointed shoes and a Pete Doherty military jacket whilst we get comfy in a pair with a worn out inner leg. Admittedly, it isn’t all bad. They make a guy look smart and give a sharper, more deÀQHGVLOKRXHWWH%XWWKHTXHVWLRQLV ZKHWKHUVNLQQ\RUEDJJ\LWLVGLIÀ FXOWWRGHWHUPLQHZKDWLVD¶ER\ÀW· jean. Either way, it seems that female trends will always be emulating the male wardrobe, whether it’s comfort reasons or the fact that one day in fashion, the baggy crotch, favoured by the male of the species may also soon be on the rise. There’s always been something appealing about men’s clothes. You would probably never go out decked in full male attire, but there are few of us who haven’t ‘borrowed’ a cosy KRRG\IURPDPDOHVLJQLÀFDQWRWKHU This season’s androgyny is one of the key looks but there’s no reason you can’t indulge in the trend simply by using men’s accessories. Brogues - Traditional, elegant but undeniably masculine. Brogues may be the easiest way of experimenting with this trend. They are so versatile because they are such a simple, classic shape and can be paired with SUHWW\PXFKDQ\RXWÀWZKHWKHULWLV a cute little tea dress and long socks to a pair of tapered trousers. There’s a pair to suit any budget on the high street this season which makes them all the more appealing. Hats - Another simple but effective way of getting the androgynous ORRNLQWR\RXURXWÀW7KHUHPD\QRW be many of us who can pull off a ÁDW FDS DQ HDVLHU RQH LV GHÀQLWHO\ the chic bowler hat. Think Keira Knightley’s Coco Mademoiselle campaign back in 2007 though, rather than Alex Delarge. A great place to source them in Newcastle is Attica, which has a fantastic selection of vintage beauties. Bags - Also a great way of adding a PDVFXOLQHWZLVWWR\RXURXWÀWZLWKD vintage briefcase or satchel. If you’re feeling a student loan splurge is in order, there’s the Mulberry Alexa. Stylish and very practical there’s a lot of Alexa inspired bags available on the high street and if you’re feelLQJ ÁDVK WKHQ FKHFN RXW WKH &DP EULGJH6DWFKHO&RPSDQ\ZKRPDNH their “satchels” and “batchels” to order. 20 Monday November 8 2010 THE COURIER Fashion Androgyny Boy meets girl: the blurred boundaries While Briony Carlin spends an afternoon in the park exploring masculine tailoring, Clare Slipper ventures into a world of androgyny, where there is no ‘dress’ code Tailoring, shirts and suiting, all examples of androgynous glam in excess and it is safe to say that the conventions of dressing hetero-normatively have long been blown out of the water. However, rather than being a case of simple drag, androgyny embraces a more unisex look of beauty kings and macho queens; E\ GHÀQLWLRQ WKH WHUP GHQRWHV the blending of man (‘andro’) and ZRPDQ¶J\Q·,WLVÁH[LEOHDGDSWable, nonchalant and if the catwalks of numerous fashion weeks are anything to go by – a look that is here to stay. In 1920s Paris, Gabrielle ‘Coco’ Chanel began a revolution in styling by inverting the ways in which skirts and jackets were worn. Raising hem-lines above the ankle and wearing tailored jackets loose, she transgressed against the convention RI SRVW9LFWRULDQ IULOOV DQG ÁRXQFH power-dressing had been born. Since then, major fashion houses have followed suit (pun intended), incorporating this signature style in many bold variations. The sexual liberation of the 1960s brought womenswear into a new epoch; hem-lines (either maxi or mini) pushed boundaries, and YSL’s iconic ‘Le Smoking’ suit re-worked the classic tailoring of &KDQHO FKDQQHOOLQJ D ÀHUFH HQHUJ\ and leaving no doubt that hypersexuality was guiding the compass. In a similar vein, the 80s introduced wider spheres of exploration and welcomed androgyny as a lifestyle choice, with pop culture at the vanguard of debonair sexual ambiguity. The male new romantics – David Bowie, Prince and Boy George – adopted everything bouffant and avant-garde, allowing their glamrock musical style to parallel their appearance. An abundance of hair, make-up, glitter, and general decoration characterised this look of aesthetic excess. As for the girls, icons such as Grace Jones and Annie Lennox bolstered female emancipation, and not just by adding square-cut shoulder pads. Where men embraced effeminate and hyper-sexualised styling, ZRPHQ VLPSOLÀHG DQG NQRFNHG their femininity down a few pegs. In IDFWWKHGHÀQLQJIHDWXUHVRIIHPDOH androgyny in the 1980s was precisely the adoption of sculpted virility through clothing and hairstyle; suggesting self-control over style and gender identity. The fashion world had been stripped of any socio-cultural convention, and hence began WKHUHFXUULQJÁLUWDWLRQZLWKDQGURJyny on the catwalk. So what happens when there is a gender-collision? The past decade has embraced the Metrosexual man, and effeminate styling for men (think less Alex Reid’s naughty lingerie, more David Beckham’s sarong) has been translated onto the catwalk with much success. Milan fashion week blew away any remaining conventions of masculine suiting and booting; Emporio Armani pioneering the ‘meggin’ (male leggings) and ‘monokini’ (male bikini’s – rest assured, much subtler than Borat’s thong, yet quite an ominous notion nonetheless). Alexis Mabille’s Spring 2011 collection showcased a troupe of sharplydressed males who wore their hair long, their necklines low, and their oversized shirts nipped in with a skinny belt. Calvin Klein revealed an interpretation of the male croptop, while Vivienne Westwood paraded the male skirt with a tailored jacket and oversized accessories, in her classic outrageous style. This said, I assume it’s not every day that a girl will catch her boyfriend having a rummage in her cupboard; rather, the reverse is much more likely. 2009 saw the explosion of ‘Boyfriend chic’ on the high street: jeans, brogues, tapered trousers, tailored jackets and baggy shirts over leggings were inescapable. If androgyny was a point of liberation and backlash for earlier generations of women, these subtler styles are easier-to-wear and really allow the unisex style to be played around with as much or as little as you like. Where these high street interpretations are quite casual, when translated on the catwalk androgynous womenswear has maintained an aesthetic interest with elegance and sophistication. Dries Van Noten in his 2011 Spring collection used light fabrics and discreet splashes of colour along with the staple oversized white shirt, maintaining feminine grace alongside statement androgynous pieces. Alexander Wang, similarly, channelled a sophisticated take on the masculine; parading FODVVLF EODFN VOLPÀWWLQJ ODSHOOHVV jackets and schoolboy shorts. John Paul Gaultier for Hermes harked back to Grace Jones-style androgyQ\ZLWKSOXQJLQJQHFNOLQHVRQDÀWted suit jacket, and using baggy layers nipped in at the waist to create a feminine twist. And Dsquared2 sexualised the classic business-suit, revealing sharp plunges with the button-down shirts and accessorising with low-brimmed hats and FKHHN\ERZWLHVDGGLQJFRQÀGHQFH and panache. In today’s pop culture, it is clear that androgyny lends itself to a plethora of variations. Unisex brands found on the high street encourage the fashion-conscious to work the look whichever way they want – understated in a pair of penny loafers such as golden-girl Alexa Chung or bold and striking like Rihanna with her choppy haircut and valiant style. Gender-bending is recurrent in the media, through ‘guyliner’wearing celebrities (that’s you, Russell Brand) or powerful characters on television programmes: for those of you who watched the recent series This is England ’86, the suit-wearing, crop-haired Lol made her a memorable character not just through her compelling plot-line but her punky masculine look. She symbolised tough, emancipated girl-power through her strong appearance – but was it sexy? Asking the opinions of a couple of my male friends, I learned that there was a genuine admiration for her working this look within the male-dominated context of the program setting. One describes it as “duality”: breaking into skinhead football culture through her image but at the same time looking pretty good. The other, however, is less embellished with his opinion, simply stating “No. She looks like a man.” Charming. So is there a future in androgyny? With cultures merging and the dissemination of fashions globally, designers will surely push boundaries further through exploration and experimentation with norms. It’s no longer all about the way in which you wear your jeans; but the way in which you transgress your genes. Last week we asked you... “Is there a place on the British High Street For low-cost outlets?” In response to our question that we posed last week on the website, a staggering 75 percent of you thought that there was still a place for low-cost outlets on the British high street. Maybe there’s still the necessity for the students of Newcastle to buy items at short notice but the fact is that 25 percent of you still have a social conscience. This week, log on and give us your YLHZV RQ \RXU JUHDWHVW VW\OH LQÁXence. Go to www.thecourieronline. co.uk for more details. THE COURIER Monday November 8 2010 21 Style icon Fashion who revive the effortless style of the ‘golden age’ of cinema that Audrey was a veritable clothes horse for. The reason why I am championing +HSEXUQDVWKHJUHDWHVWVW\OHLQÁXence is exactly that. She didn’t follow the trends but rather created a timeless style that will never tire and also supported some of our most well-recognised trends of today. Linking with our theme of ‘androgyny’ this week, Ms Hepburn was a style chameleon, not only offering highly sexualised feminine portrayals in dresses and heels as she does as Holly Golightly, but in Sabrina, for example, she channels some very contemporary trends. Teaming her hairstyle with cigarette pants and an understated sweater epitomises everyone’s perceptions of what it was to be traditionally ‘androgynous,’ utilising her minute rake-like frame to show that it’s not only a typical feminine portrayal that is considered sexy. This look is so highly favoured in fashion circles and on the high street that one fashion retailer has even named their take on classic cigarette pants after the heroine of this piece. So next time you feel like digging RXW\RXU/%'IRUDQLJKWRXWRUÁLFN through a glossy magazine and see a trench coat being depicted, pause for a moment to consider one of the RULJLQDO ÀJXUHV ZKR FRYHWHG VXFK looks – Audrey Hepburn, a fashion icon, standing the test of time. Sylvie Hall argues ZK\.DWH0RVVÁLHV WKHÁDJIRU%ULWDLQLQ the fashion stakes 6W\OHLFRQVWKDWLQÁXHQFH\RX Fashion Editor Lauren Girling, Sylvie Hall and Charlotte Scott debate the sartorial success of three modern muses from Hepburn to Moss and more... Ever had the unforgettable moment in your childhood or adolescence where you feel like you are having a premonition, or at least, your aspirational ideal of the future ahead? Every nine-year-old girl dreams she’ll grow up to be a duchess and this couldn’t have resonated any more with me than when I watched ‘the embassy ball’ scene in the 1964 classic, My Fair Lady. Integral to this was the vision of Audrey Hepburn DVVKHÁRDWHGDFURVVWKHVFUHHQLQDOO her ethereal beauty, frosted in diaPRQGVDQGÀQHIDEULFV+RZHYHULW ZDV KHU ÀOP Breakfast at Tiffa- ny’s that cemented her place in sartorial history as she made the LBD become a staple in any chic woman’s ZDUGUREH,QWKLVÀOP$XGUH\DQG her stylists) didn’t make a single wrong move, featuring the trench as the ‘it’ coat, still emulated by designers such as Burberry today, Take a moment to think about the clothes you have in your wardrobe. Skinny Jeans? Check. Ballet pumps? Check. Loose vest top? Check. Without even knowing it, you have bought into the style of Kate Moss. The high street knows that if Kate Moss wears it, the masses covet it and in my opinion, this makes her WKHJUHDWHVWLQÁXHQFHRQIDVKLRQLQ 2010. Sure, we can admire style legends such as Jackie O and Coco Chanel but true inspiration comes from our living legend and Croydon’s most fashionable export, Kate Moss. Anyone can pull on a designer dress and look fashionable however beLQJWUXO\VW\OLVKLVSXWWLQJDQRXWÀW together, consisting of an eclectic mix of clothes and making it bang on trend. We all remember wellies and hotpants as Kate’s infamous Glastonbury combo encapsulating the very essence of festival chic and prompting thousands of girls to follow suit. There are countless people trying to capitalise on Kate Moss’s status as a style queen with website upon website offering tips on how to dress just like her. Kate’s style can be summed up as easy, effortless cool and is so popular that she has had a three year design partnership with Topshop; a huge commercial success which unfortunately is just DERXW WR ODXQFK LWV ÀQDO FROODERUDtive collection. Kate Moss is one of the most successful supermodels of our time, a true fashion legend that rarely puts a foot wrong when it comes to style. Indeed, the somewhat dubious accessorising in her life is certainly not down to scarves and hats, the items that give her effortless chic an androgynous edge. From one sartorial powerhouse to another, Alexander McQueen famously wore the statement T-shirt in 2005 saying “We Love You Kate”, a statement that I couldn’t agree with more. Charlotte Scott considers why Factory Girl, Edie Sedgwick is fashion’s most infamous muse Edie Sedgwick may not be as wellknown as some of her fellow fashionistas, but that does not mean her XQLTXH IDVKLRQ ÁDUH KDV EHHQ IRUgotten. 2010 has seen, and will see, the resurrection of Edie’s boyish glamour as Sedgwick-esque items shower the high-street. The Sixties is renowned for revolutionary morals, music so good it was blessed with immortality and of course, outrageous clothing. London was the hub of the fashion world but 1960s New York had an answer to rival Twiggy across the pond. Her name was Edith Sedgwick, infamous for her association with Andy Warhol. Edie became ‘The Girl with the Black Tights’, a label originating from her fondness for basic hosiery. Whilst garish garments were in, Edie frequently opted for a simplistic wardrobe framed by dramatic accessories. As androgyny is the hot topic for discussion, the Sedgwick classic involving an oversized shirt with heavy necklaces, enormous earrings and black eyeliner to add femininity to cropped hair and masculine attire channels the trend in every possible way and is something echoed in contemporary fashion. However, Edie was partial to some eccentric items such as leopard print and faux fur coats, which both featured in this year’s Autumn/Winter collections for Gucci and Dolce and Gabanna. Unfortunately, we would not be so willing to emulate some parts of Edie’s personal life, leaving a haunting reminder for those wishing to follow in her footsteps. Despite her demise, 39 years later the Sedgwick OHJDF\UHPDLQV(GLHLVDFXOWÀJXUH thought of with as much nostalgia as the phenomenal decade in which she lived. Epitomised by the 2006 ÀOPFactory Girl about her life, her LQÁXHQFH LV ELJJHU WKDQ HYHU FHmenting her as one of style’s greatHVWÀJXUHVRIWKHSDVW Web Exclusive <<< For more photos from “An afternoon in the park” and this week’s poll, visit thecourieronline.co.uk Nearing the end of your degree? Interested in 3RVWJUDGXDWH6WXG\DW1HZFDVWOH"7KHQGRQ·W miss this opportunity to see what Newcastle KDV WR RIIHU IRU 3RVWJUDGV DW WKLV 2SHQ 'D\ Main events begin from 1pm with a welcome WDON DQG LQIRUPDWLRQ DERXW IXQGLQJ DQG À QDQFH)URPSPWKHUHZLOOEHD3RVWJUDGX ate Information Fair with staff and students on hand to talk to you about the taught and research opportunities in your subject area. In addition there will be general information VWDQGVLQFOXGLQJFDUHHUVIXQGLQJDQGÀQDQFH and accommodation. Check out the website at http://www.ncl. ac.uk/postgraduate/visit/open/openday. htm for more information and to book your place online. The Kings Centre, Wednesday November 10, Registration from 11:30 - Ends 16:00 Postgraduate Open Day Homemade Jam has moved to its new WHPSRUDU\KRPHDW1RUWKHUQ6WDJHWKLV week! With all the old favourites and some new faces, in the cushy surroundLQJVRI1RUWKHUQ6WDJH·V6WDJHZKLFK promises to be a more than adequate venue while the Union building is being refurbished. Northern Stage, Stage 3, 19:00, FREE Open Mic Night Homemade Jam &RPHDORQJWRÀQGRXWPRUHLQIRDERXW this year’s hitch and to hear some great stories from last year’s hitchers. It’s a IDQWDVWLFRSSRUWXQLW\WRÀQGRXWPRUH about this not to be missed adventure of a lifetime. If you can’t make the meeting you’re more than welcome to pop along for a relaxed chat and a few drinks afterwards in the North Terrace pub. Lecture Theatre E, Medical School, 19:00 Information Meeting Hitch Society Childreach are offering Newcastle University students the opportunity to take part in either climbing the 19,000 feet of Kilimanjaro or treking along one of the wildest routes of the Great Wall of China whilst raising money for a brilliant grassroots charity. Childreach itself is a charity which strives to provide a fair start for children and does so by working with local people in Tanzania, Ghana and India. For more information on China please send an email to Daniel Ashall (d.l.ashall@newcastle.ac.uk) 2UWRÀQGRXWPRUHDERXW.LOLPDQMDUR RSWLRQHPDLO+HQU\6LOYHUKHQU\VLOYHU# newcastle.ac.uk). Newcastle Watersports are warming up your winter nights with some comedy and various other entertaining antics at The Hyena, then moving on to Tiger to wrap up the evening. 5DIÁHSUL]HLQFOXGHORWVRIDOFRKROIUHH surf, windsurf/kitesurf and sailing lessons, Hyena tickets and food; well worth coming along. Everyone welcome. Go to the ‘Wet and Wild Fundraiser’ Facebook SDJHWRÀQGRXWPRUH The Hyena Comedy Club, 20:00, £3 Watersports Fundraiser 5HÁH[RORJ\LVDQDOWHUQDWLYHWKHUDS\ which works on the feet to establish any SRWHQWLDOKHDOWKLVVXHV7KHTXDOLÀHGSUR fessional will give you a full examination and hopefully ease any niggles and pains you’re experiencing in this one-on-one taster session. 3OHDVHHPDLOJLDJXQLRQ# ncl.ac.uk for details. Park Terrace, FREE, Booking essential 5HÁH[RORJ\ Give It A Go! Every student should be attending this GHPR3URWHVWDJDLQVWWKHSURSRVHG increase in fees and get your voice heard! For more info and to reserve your space DVVRRQDVSRVVLEOHFRQWDFW6DUDK)HDUQV :HOIDUHDQG(TXDOLW\2IÀFHUZHOIDUH union@ncl.ac.uk London Campaign against education cuts National Demo wednesday THE COURIER Monday November 8 2010 Get yourselves along to the Hancock about 8pm in farmer wear to raise awareness of one of Medsin UK’s projects FDOOHG3KDUP$ZDUH,W·VDJUHDWRSSRUWX nity to meet and chat with more Medsin IRONDQGWRÀQGRXWPRUHDERXWWKLV brilliant project. 3KDUP$ZDUHLVDJUHDWVWXGHQWOHDG group with an important vision; “A world in which peoples’ right to health is not jeopardised by pharmaceutical companies.” To discover more about this project and for some great Medsin socialising make sure you pop along. The social will be heading onto Madisons, Bar 42 and ending in WHQ where WKHUHZLOOEHIUHHHQWU\IRUDQ\RQHÁDVK ing their Medsin card before midnight. 20:00, Starting at the Hancock Farmer Wear Medsin Social friday The event is supporting the ‘East End +HDOWK·V2XWDQG$ERXW6WURNH*URXS· Buy tickets from Newcastle Medical 6FKRRO7KH/RQVGDOHDQGWLFNHWVPXVL calmedics@gmail.com Further information on the production LVDYDLODEOHIURP-HQ6WDQJHUDQG0DO colm Moffat (medicsmusical@gmail.com Northumbria Student Union, Stage 2, Sat-19:30, Sun-14:30&19:30, Mon19:30, £8/6 Saturday 13th-Monday 15th Musical Medics Footloose 7KH)HPLQLVW6RFLHW\%RRN*URXSZLOOEH reading a great zine on the topic of sex work. Email feminist.society@newcastle. ac.uk for the online link to the booklet DQGWRÀQGRXWWKHYHQXHDQGWLPHIRU WKHWKDVLW·VVWLOOWREHFRQÀUPHG Check out the Facebook group by searching for ‘Newcastle Feminist Book Group’. The book group is open to everyone regardless of gender. They are associated with Newcastle University Feminist 6RFLHW\EXWDUHRSHQWRDOOVWXGHQWRU otherwise. Feminist Society Book Group Sunday weekend $QRWKHUFKDQFHWRMRLQWKH7DL&KL6R ciety for an introductory session to this ancient sport. Tai Chi is a mix of self defence skills and mental training in a slow, controlled activity and is a great opportunity to try something new and improve \RXUPHQWDODQGSK\VLFDOÀWQHVV If you’re interested in getting involved, please email giag.union@ncl.ac.uk for details. 17:00, FREE Tai Chi Give It A Go! Everyone welcome so bring your friends and housemates and have some fun with WKH+LWFK6RFLHW\7KHUHZLOOEHSOHQW\RI drinks offers and games along the way. Any questions e-mail: hitch@ncl.ac.uk Starting at Madisons, 19:30 Hitch Society Social thursday 1. Stage Tyneside Cinema, 8 November, Doors 19:30 - 20:00 Start, £4 The Tyneside Bar is giving everyone the FKDQFHWRWDNHSDUWLQWKHLU'HDG3RHWV 6ODP$OO\RXQHHGWRGRLVEULQJDORQJ ÀYHSRHPVE\\RXUIDYRXULWHGHFHDVHG SRHW:KHWKHULW·V6KDNHVSHDUHRU:DU 3RHWU\RUDQ\WKLQJLQEHWZHHQLW·VXS to you to give a new slant on an old favourite and breathe new life into old poetry! There is a trophy, a £30 cash prize and the chance to be a star. To register email jeff@zebrapublishing.co.uk. Newcastle’s best alternative little library, a collection of hundreds of great titles, including books on everything from composting to communism (via women’s health, history and know your rights information), is hosting an event of book-inspired creative crafts. Head WRWKH6WDUDQG6KDGRZWROHDUQKRZWRXVH different techniques to make everything from notepads to storybooks. There will also be performances and an informal open-mic. 'HDG3RHWV6ODP Canny Little Bookmaking Star and Shadow Cinema, Sunday 12 November, 15:00, FREE 3. Poetry 2. Books 23 Listings Editor : Ciara Littler - courier.listings@ncl.ac.uk Listings A Clockwork OrangeLV1876·ÀUVW production of the semester. It is a frightening fable about good and evil, and the meaning of human freedom. Based on Anthony Burgess’ bestselling book, the play draws us into the story of Alex and his vicious gang of Droogs who revel in ultra-violence and “the old in-out”. Alex also revels in the music of Beethoven. The gang communicate in a language which is as complicated as their actions. When a drug-fuelled night of fun Catch this great North East Comic back in his hometown. Nonsensory Overload sees Noble back fresh from his own TV show and still doing what he does best, spinning forth hilarious nonsense for your amusement. Now is your chance to see one of the best live comics working internationally today right on your doostep. Head to the City Hall Website for details and bookings; http://www. newcastlecityhall.org/ City Hall, Starts Saturday 13 November, 20:00, £19-£21 Ross Noble - Nonsensory Overload 4. Comedy 6WHYHQ6SLHOEHUJ·VFODVVLFDGDSWDWLRQRI Michael Crichton’s novel sees a theme park - featuring cloned dinosaurs - go haywire when it breaks down, allowing the exhibits to run amok, much to the distress of the people being given a preview of the park. Just as good as it was almost twenty years ago, thanks to WKHÀQHGLUHFWLRQRI0U6SLHOEHUJDQG WKHVXSHUEFDVWLQFOXGLQJ6DP1HLO-HII Goldblum and Richard Attenborough. Tyneside Cinema, Thursday 11th November, doors 21:30 - Screening 22:00, FREE The Tyneside Bar 3UHVHQWV-XUDVVLF3DUN 5. )LOP B. SCHWARZ HQGVLQPXUGHU$OH[LVÀQDOO\EXVWHG and banged up. He is given a choice be brainwashed into good citizenship and set free, or face a lifetime inside. When the state undertakes to reform Alex to “redeem” him, the play asks, “at what cost?” Don’t miss what promises to be an excellent show from some of the best talent in the University; head down to The Cluny and see what Newcastle’s great student theatre has to offer. The Cluny 2, Byker, November 10-12, Doors 19:00 - Performance 19:30 , Tickets on sale outside the library Mon & Tues this week & on the door, £6. NUTS present A Clockwork Orange Your City: Our top events happening in Newcastle this week This Listings spread is for you. A place for students and societies to advertise any events that they are organising. From team trials, recruitment drives, fundraising and charity nights, to live music and art shows - we The Adventures of want you to know what is going 3LQRFFKLR on around your university cam- Theatre Royal, 12-13 November, pus - and more importantly we 19:00, £10-£37.50 want you to be able to let others know about it too! To get details of your event Opera North’s spectacular world premier published in these pages, all production of The Adventures of Pinocchio an overwhelming success when it you have to do is email the date, was toured three years ago, not least in it’s time and location of your event opening of doors for a new generation of with a short description of what opera-goers. The show is in co-production with it is and who it is for to: courier. Chemnitz Opera; an irresistible story of listings@ncl.ac.uk, or stop into the mischievous wooden boy who longs to be real is brought to colourful life in The Courier RIÀFH DW 3DUN 7HU this critically acclaimed musical tale. race. Do you want your event advertised in The Courier? 1HZFDVWOH&KHPLVWU\6RFLHW\DUHKDYLQJ a pub quiz. All entry fees go into the prize fund for the winning team and there will be a prize for the best team QDPH6RJHW\RXUWKLQNLQJFDSVRQ Everyone is welcome, bring housemates and friends. It’s a fantastic way to meet people and have a good laugh. The Hyena Comedy Club, 19:30, £1 Nu:KEM Pub Quiz 1095 million children are currently affected by malnutrition worldwide. -RLQ)ULHQGVRI0HGpFLQV6DQV)URQ WLqUHV06)DQG0HGVLQLQDGYRFDWLQJ a renewed and effective approach to the child malnutrition crisis as we present an evening with Dr. Kate Hampshire, senior lecturer in Anthropology at Durham University. The talk will be followed by VKRUWÀOPVDQGGLVFXVVLRQ All welcome. Vegan and fairly-traded refreshments provided. For more information and directions, please email fomsf.newcastle@newcastle.ac.uk. Room 2.5, Leech Building, 18:30 ‘Starved for Attention’ Campaign Information Meeting Bedson Teaching Centre G36, 18:00 Medécins Sans Frontières and Medsin present... tuesday Childreach Kilimanjaro Climb and Great Wall of China Treck monday what’s happening on your campus? Listings 22 24 Monday November 8 2010 THE COURIER Life & Style The Human League’s Susan Ann Sulley speaks about the band’s first album in ten years > Music, page 30 art 6HQVHRILGHQWLW\ Lucy Hadley RQÀJXUDWLYH\HWDEVWUDFWSDLQWLQJV Laura Lancaster’s You Are A Movement provides students with an exciting and rare opportunity to see a local artist in her prime in Newcastle. Born in Hartlepool in 1979, and having studied Fine Art at Northumbria University, she has since risen to international acknowledgement, her recent works having been showcased in London, Dublin, Poland, Rome, and even Tokyo. This November she returns to her native North East with two exhibitions on in the city, one of which is her new collection at the Workplace Gallery in Gateshead. Lancaster’s work centres on traGLWLRQDO SRUWUDLWXUH DQG ÀJXUDWLYH painting, deriving from her archives of anonymous photographs and family albums – sourced from charLW\ VKRSV FDU ERRW VDOHV DQG ÁHD markets. These images of strangers lives are then transformed into Lancaster’s impressions, via the mediums RI RLO RQ FDQYDV FROODJH DQG ÀOP installation. The results are powerful expressions of lost, confused and ambiguous identities, allowing the viewer to interpret their own meaning from a portrait of a stranger. Indeed, the effect can be quite frustrating – as the context and meaning of the images, though rich with information, are indecipherable to us. Even the name of her exhibition, You Are A Movement, seems to suggest that Lancaster is exploring and playing with traditional notions of LGHQWLW\ SRLQWLQJ DW WKH ÁXLG DQG ambiguous nature of ‘ourselves.’ Lancaster’s exhibition also marks the expansion of her work in scale; she has created large and striking oil on canvas portraits, a departure from previous exhibitions’ smaller photograph and sketchbook collections. The Workplace Gallery, founded in 2005 by Paul Moss and Miles Thurlow, was originally based in the Trinity Square Shopping Centre – an apt setting for a contemporary art gallery, renowned for Rodney Gordon’s iconic Brutalist design, which featured in the 1971 gangster ÀOPGet Carter. Since the transformation of Gateshead’s town centre, the Workplace Gallery has relocated to a more serene location, the listed 19th-century 2OG3RVW2IÀFH Despite the move, the gallery continues to showcase emerging and established contemporary artists through its gallery, curatorial projects and art fairs. A smaller, more intimate, and perhaps more exiting, contemporary art space than the giant of the BALTIC which also resides across the Tyne from Newcastle, the Workplace Gallery showcases a diverse array of artists, a must-see for any art fan. If you need a further stamp of approval, the gallery is also a member of the prestigious ‘invite only’ New Art Dealer’s Alliance; a collective of Displayed in the Workplace Gallery, You Are A Movement celebrates a new phase in the career of Northumbria graduate Laura artists and galleries based in New York with international members, links and reputation. If you want a unique and challenging experience digital that certainly removes you from Newcastle City Centre, head to the Workplace Gallery. You Are A Movement by Laura Lancaster is on at the Workplace Gallery until November 13. art +DSS\%LUWKGD\0DULR $UWLQQHJDWLYH This year, Nintendo’s Mario series of video games celebrates its 25th birthday, as well as the retention of worldwide popularity. The brainchild of Japanese designer Shigeru Miyamoto, Mario occupies a position in popular culture usually reserved for iconic pop stars and long-running TV series. And with 222 million games sold over the last quarter-decade, its commercial success certainly can’t be disputed. So why is Mario so popular? His distinctive red cap, blue overalls and moustache may have been born out of the technical limitations of 80s games consoles (his Italian nationality comes from the fact that he has a moustache - no, seriously) but as a blank avatar for the player to project themselves onto, he is peerless. Mario's USP has always been exploring the joy of movement, allowing players to navigate intricatelydesigned spatial challenges with a character who feels like an extension of your own body. Mario’s original name was simply "Jumpman", and for good reason - in later games, his cries of "yahoo!" with every leap are positively infectious. Not to mention Mario's colourful supporting cast - Luigi, Bowser, dinosaur-thing Yoshi - who despite their paper-thin characterisation have become as iconic as the star himself. Most, however, know Mario et al best from the most popular of the (seemingly endless) spin-offs: Mario Kart, which has provided both hours of knockabout fun and an antithesis to boring driving simulators like Gran Turismo. You'd be hard pressed WRÀQGDQ\RQHWKDWGRHVQ WÁLQFKDW the sight of that dreaded blue shell. The craftsmanship of the Mario games has meant they have stood the test of time, and are still receiving lavish critical praise and selling by the bucket-load. Stuffed full of imagination, tightly-designed levels DQG HQGOHVV VXUSULVHV LW·V GLIÀFXOW WR RYHUHVWLPDWH WKH LQÁXHQFH WKH\ have had on video games as an artform. The 1985 classic Super Mario Bros. was the beginning of shift from arcades into living rooms, with large and colourful graphics that - though GLIÀFXOWWREHOLHYHQRZORRNHGOLNH a cartoon come to life, spawning a variety of imitators (most notably Sega's Sonic the Hedgehog). In 1997, Super Mario 64 demonstrated what games could do with a third dimension, which in turn LQÁXHQFHGDQRWKHUJHQHUDWLRQRI' Mario rip-offs such as Crash Bandicoot and Spyro the Dragon. The imitators will long be forgotten - but Mario games continue to thrill both children and adults alike. Elliot Bentley Bell has split his exhibition across two rooms separated by metal bars within which the words ‘love’ and ‘freedom’ are wrought. This sets the satirical tone of the exhibition as it is the bars themselves that deny the viewer the liberty to move freely across Bell’s exhibition space. 7KH PDLQ IRFXV RI %HOO·V ÀUVW JDO lery space is using lighting to convey meaning. He comments upon the omnipotence of consumer society of the Western world with the projection of the phrase “panic earth” with an IKEA sign doctored in so that it reads “panIKEArth”, drawing attention to the corporate logo in its bright blue and yellow glow. Arguably the most interesting piece in Made in Germany is ‘Revelation Night Sun’ – a battered, bright red suitcase with wiring inside. The contents of this suitcase control the strip lighting that runs across the ceiling of the gallery, throwing the viewer into changing states of darkness and light. The second space is completely dominated by a watchful eye, huge and grey, its gaze is hypnotic and inescapable. Providing an urban feel, two sculptures made of metal and glass are placed in the direct view of the eye. Appearing like tower blocks, the sculptures only serve to further magnify the eye making it seem god-like in its presides over the exhibition space. Bell continues the theme he began with the gate, as the words ‘love’ and ‘freedom’ are concealed within the sculptures, their warm and emotional implications contrasting harshly with the sharply cut steel and glass. Although not radically unique in its ideas or content, this exhibition is interesting and worth going to see. Made in Germany is on at the BALTIC until January Kerry Lagan THE COURIER Monday November 8 2010 25 Arts Culture Arts Editor: Stephanie Ferrao - courier.culture-arts@ncl.ac.uk art stage The rise of the guerrilla knitters Keep it in the family Elliot Bentley offers up some pearls of wisdom on the current handicraft craze that has gone global Last March, you may have been surprised to see those strange statues near Central Station wrapped up warm in woolly hats and scarves. This was an example of the notorious art movement known as “guerrilla knitting”. Begun in Houston, Texas by a group known as Knitta Please, guerrilla knitting - or urban knitting, or yarnbombing, or whatever you want WRFDOOLWLVDQHZIRUPRIJUDIÀWLLQvolving dressing urban objects with knitted wool: stripy leg-warmers on parking meters; pastel scarves on statues; many-armed jumpers for trees; or sometimes just little cuddly animals tied to railings. Magda Sayeg, the founder of Knitta Please, is generally credited with the original idea. “In this world of technology, over-development, fewer trees and more concrete,” she told The Guardian recently, “it is empowering to be able to beautify your environment.” There’s certainly some sort of artistic idealism behind the movement - of “reclaiming the city” from the grey concrete and shiny glass of urban architecture. Most of the work appears to be carried out with the simple yet noble intention of brightening everyone’s day. ,W·V D IDU FU\ IURP PRVW JUDIÀWL which - considering the amount of nasty tags it mostly consists of tends to be seen as an eyesore rather than interesting decoration. (YHQ JUDIÀWL DUWLVWV ZKRVH ZRUNV are now considered high art such as 6WLWFKHGXSJXHUULOODNQLWWHUVFRRUGLQDWHRQWKHLQWHUQHWWRFUHDWHODUJHVFDOHZRROOHQ³JUDI¿WL´ZKLFKRIWHQFDUU\DQWLZDUPHVVDJHV %DQNV\ÀQGWKHLUZRUNVFUXEEHGRII walls by zealous local councils. Perhaps comparing guerrilla knitWLQJWRJUDIÀWLLVQ·WTXLWHIDLU7KHVH are works designed to be temporary - easily vandalised by passing drunks or destroyed by bad weather. Dave Cole’s giant woolly bridge covering in Melbourne, which took two weeks of volunteers’ work to museum produce, was slashed apart the night of its completion. And unlike the works of most taggers, these “knitbombs” are hardly territorial markings designed to last for weeks - just whimsical, transient decorations. Not to mention the far greater level of skill, time and effort that must go into each work. That said, there are some interesting uses of the art-form, such as the Danish group who covered a tank in a big woolly jumper to protest DenPDUN·VLQYROYHPHQWLQWKH,UDTZDU They use wool to neuter the violent imagery of war. Knitting is a dying craft, and efforts to rejuvenate it should be celebrated - particularly when they’re as pleasant and clever as guerrilla knitting. art Space Invaders Winter artworks Attempting to walk through the ever-popular Great North Museum during half-term is hardly the way WRVSHQGDTXLHWFXOWXUHGDIWHUQRRQ but it is certainly worth the struggle to get to its undeniably plush Planetarium. The Planetarium is a remarkably calming place. With a capacity of just 50, it is small but cosy and an impressive dome-shaped screen make it a far more attractive afternoon hangout-spot than the average VWXGHQWÁDW 7KH ORQJHU RI WKH WZR ÀOPV FXUrently showing at the Planetarium, Dawn of The Space Age, attempts to present the history of space exploration in approximately 42 minutes. As the Great North Museum uses the most recent LED projectors with four times the resolution of ordinary SURMHFWRUV WKH ÀOP ERDVWV VWXQQLQJ visuals and panning shots . The story of America’s race against WKH 6RYLHW 8QLRQ WR EH WKH ÀUVW QDtion to put a man in space is told partly with interesting factual fragments, and partly with slightly dis- WUHVVLQJVKRWVRIGRRPHGGRJVÁRDWing around in the vastness of space. $OWKRXJK WKH ÀOP LV LQWULJXLQJ LQ places, the unrelenting drone of the narrator may become irritating and the unexplained presence of a Coldplay song towards the end is slightly startling. More unwitting humour appears throughout Dawn of The Space Age, and poor Laika the dog whimpering inside Sputnik 2 is not the only shot that, perhaps distastefully, raises VRPHODXJKV7KHÀOPGRHVWDNHDQ odd twist when it appears to transform into a propaganda campaign, encouraging half of the human race to move to Mars. However, its excellent visuals and interesting soundtrack are worth a look, but it’s the slightly sensationalist approach to space habitation WKDW PDNHV WKLV ÀOP UHDOO\ ZRUWK your time. The Planetarium will be open until December 31 Rosie Tallant 6WDQGLQJ SURXG LQ 6KLHOGÀHOG MXVW south of the student hotspot that is Sandyford, is The Biscuit Factory. This commercial gallery housing contemporary art is a prime spot to admire some unusual works from both international and local artisans. The traditional appearance of the building is a sharp contrast to the style of the works found inside, providing the venue with an even greater feeling of personality. The bare interior and ceiling beams reWDLQ WKH H[TXLVLWH FKDUDFWHU RI WKH building, whilst drawing the focus RI DWWHQWLRQ XSRQ WKH ZRUN RI ÀQH up-and-coming artists. There are a number of exhibitions being held in the coming months, showcasing the work of artists, glassmakers, photographers and printmakers as part of The Biscuit Factory Winter Exhibition. The main exhibition on at present is Mychael Barratt, which combines the artist’s collection of oil, etchings and prints. Barratt takes snippets of day-to-day life as his inspiration and adds a vibrant and distinctive twist to his canvases. Later in the year, Malcom Teesdale’s It’s a Miner’s Life gets to the heart of the North East mining tradition. Landscapes and livelihoods were shaped by the industry, and as such, the artist presents the intimate camaraderie of mining life through his work. Teesdale sets out to portray the atmosphere of the miners’ interaction. At the same time, Peter Layton’s Top of the Glass is on at the Biscuit Factory, dealing with glassworks. He challenges the boundaries of form and colour in his ambitious new exhibition. Newcastle is no longer just “party central” - its rich culture and artistic WDOHQW LV ÀQDOO\ EHLQJ JLYHQ WKH DSpreciation it deserves as the cultural capital of the North. Written by Mike Packer, the comedydrama Inheritance documents the life and struggles of an ordinary family living in Low Fell, Gateshead. The plot focuses around the protagonist Harry and his changed outlook on life after receiving shocking and dreaded news, he is ill. This unwelcome news provokes a feeling of trepidation for Harry, PDNLQJKLPUHÁHFWRQKLVOLIHZKLOVW he also determines the legacy he will leave behind for his family. The opening scenes of the play are set during June 2007 - a time of economic prosperity and hope. However, at this point there is a rapid reversal of fortunes as the economy falls into depression, causing the housing market to plummet and depreciate rapidly. Harry is forced to see his property investment drastically depreciate. Despite Harry’s best intentions, life has dealt him and his family a course of bad luck that seems unlikely to change. Harry demonstrates unfaltering dedication and loyalty to his family, determined to provide for his sons and grandchildren. Having lived in social housing for 50 years, he now considers the possibility of purchasing his home and thus providing an economic support to the family unit, despite his FRQÁLFWLQJSROLWLFDORSLQLRQV Packer uses Harry’s simple life in order to demonstrate life’s vulnerabilities, for things are never simple, both in drama and reality. Inheritance will undoubtedly be an inspiring production under the direction of Lisa Goldman, who has previously been the artistic director of Soho Theatre. Goldman’s direction alongside Packer’s emotional and humorous script promises a lively evening of theatrical entertainment in one of the city’s most spectacular theatres following its recent renovation. Yet perhaps what promises to be the most appealing aspect to the play is the focus on the ordinary family, characters with whom the audience can relate to and understand their stresses and strains of daily life. Renowned across the national arts scene for being an innovative and exciting venue, the Live Theatre offers new playwrights the opportunity to create imaginative, artistic work that has never been seen before. This was epitomised recently by the Broadway staging of Lee Hall’s North East based The Pitmen Painters, which achieved rave reviews locally and nationwide. One of Packer’s previous plays The Dysfunckshonalz is set to open in the West End in 2011 and is also set to EHDGDSWHGLQWRDIHDWXUHÀOPVRZH can only hope that Inheritance will prove to be just as successful, if not more so. The Biscuit Factory Winter Exhibition runs until March. Inheritance is on at the Live Theatre until November 27. For tickets and information, visit: www.live.org.uk Jason Bridgewater Juliet Armstrong 26 Monday November 8 2010 THE COURIER Culture Arts arts interview Simon Armitage at the Durham Book Festival $UWV(GLWRU Stephanie Ferrao talks to the festival Poet Laureate about medieval poetry, schools and interviewing Morrissey J.WILDE This year’s Durham Book Festival EURXJKW WRJHWKHU WKH ÀQHVW 1RUWK (DVWOLWHUDU\WDOHQWDVZHOODVQXPHU ous famous faces. $ORQJVLGH%LOO%U\VRQ3HWHU6QRZ DQG :LOO +XWWRQ WKH SRHW 6LPRQ $UPLWDJH WRRN WLPH RXW IURP SUR PRWLQJKLVUHFHQWDQWKRORJ\Seeing Stars,WRJHWLQYROYHG &DWFKLQJXSZLWKKLPDWWKHIHVWL YDO·V ODXQFK SDUW\ SURYHG LQLWLDOO\ WULFN\ DV KH ZDV SDVVHG IURP RQH SHUVRQ WR WKH QH[W IXOÀOOLQJ KLV FRPPLWPHQWV DV WKH IHVWLYDO 3RHW Laureate. Armitage believes the role he SOD\HGKDGPXFKWRRIIHUGXULQJWKH IRUWQLJKWORQJHYHQW´7KH\NLQGRI WLH WKH ZKROH WKLQJ WRJHWKHU 4XLWH RIWHQZKHQ\RXJRWRDIHVWLYDOLW·VD ELWRIDVPDVKDQGJUDEHYHQW<RX JHWRIIWKHWUDLQJRDQGGR\RXUVORW DQG\RX·OOEHEDFNRQWKHWUDLQSHU KDSV WKH QH[W PRUQLQJ KDYLQJ QRW VHHQPXFKRIWKHWRZQRUWKHIHVWL YDOVRWKLVLVDZD\RIJHWWLQJPRUH LQYROYHG ZLWK KRZ SHRSOH H[SHUL HQFH WKH IHVWLYDO ,W·V DERXW JRLQJ WR HYHQWV PHHWLQJ UHDGHUV PHHW LQJRWKHUZULWHUVDQGMXVWJHQHUDOO\ SOD\LQJDSDUWLQLWµ +LV VSHFLDOO\FRPPLVVLRQHG IHVWL YDO SRHP Fell Ponies LV D 5RPDQWLF LQVSLUHG DFFRXQW RI ZDONLQJ DFURVV WKH PLVW\ FRXQWU\VLGH RI &RXQW\ 'XUKDPDQGHQFRXQWHULQJWKHZLOG KRUVHV WKDW ZHUH RQFH SLW SRQLHV LQ WKH1RUWK(DVW·VPLQLQJFROOLHULHV $IWHU KHDULQJ $UPLWDJH UHDG WKH SRHPLQWKHGUDPDWLFVHWWLQJRI'XU KDP&DWKHGUDOLWVHHPVWKDWQRUWK HUQ ODQGVFDSHV DUH DQ LPSRUWDQW IHDWXUH RI KLV ZRUN %RUQ DQG EUHG D 1RUWKHUQHU WKH SRHW GUHZ XSRQ WKH ZLOG PRRUV RI KLV KRPH FRXQ W\ <RUNVKLUH WR FUHDWH The Present ZKLFKZRQWKLV\HDU·V.HDWV6KHOOH\ 3UL]HLQ2FWREHU $UPLWDJH·V SRHWU\ LV PRVW RI WHQ FRPSDUHG ZLWK WKDW RI IHOORZ <RUNVKLUHPDQ7HG+XJKHVEXWWKH QDWXUH RI KLV QRQÀFWLRQ ZRUN XQ GRXEWHGO\VXJJHVWVJUHDWHUVLPLODUL WLHVWRWKDWRIWKH,ULVKSRHW6HDPXV +HDQH\ GXH WR WKHLU VLPLODU WUDQV ODWLRQV RI PHGLHYDO SRHPV ² ZKLOVW +HDQH\ WUDQVODWHG Beowulf, Armit DJH ZRUNHG RQ KLV HGLWLRQ RI Sir Gawain and the Green Knight ´, JRW DWWUDFWHGWRWKHSRHPIRUDOONLQGVRI UHDVRQVEXWSULPDULO\EHFDXVHLWKDV D VWURQJ QDUUDWLYH ,·P D QDUUDWLYH SRHWDQGLW·VLQKHUHQWO\1RUWKHUQ, QHYHUWKRXJKWWKDWLWZDVJRLQJWREH DQ\WKLQJEXWDVPDOOSLHFHRIZRUN WKDW,·GGRQHDQGQRZLWWXUQVRXW WKDW,·YHSUREDEO\VROGPRUHFRSLHV RIWKDWERRNWKDQDQ\WKLQJHOVH,·YH HYHUZULWWHQµ ,W·V VXFFHVV VSRNH LQ UHYLHZV DV ZHOO DV VDOHV ÀJXUHV 1LFKRODV /D ]HQ RI The Guardian ZHQW DV IDU DV to claim that Gawain´PLJKWHYHQEH WKHEHVWWUDQVODWLRQRIDQ\SRHP,·YH HYHUVHHQµ$UPLWDJHJUHZXSYHU\ FORVH WR ZKHUH WKH DQRQ\PRXV GawainSRHWLVVDLGWRKDYHOLYHGRYHU \HDUVDJRDQGIHOWWKDWWKHSRHP KDGIRUKLPDQLQWULQVLFFDOOLQJ´$V \RXJHWPRUHH[SHULHQFHGDVDZULW HULQWKHVDPHZD\DVZKHQ\RXJHW “Don’t be scared of poets – we don’t know anything”: Simon Armitage is best known for his poetry anthologies, studied in schools ROGHU \RX VWDUW ORRNLQJ IRU DQFHV WRUVDQGUHODWLYHVDELWOLNHWKDW79 SURJUDPPH Who Do You Think You Are?%HLQJDSRHWLVDQRGGWKLQJWR GRDQG\RXZDQWWRNQRZZKRHOVH KDVEHHQRQHIRUZKDWUHDVRQVDQG DWWHPSW WR PDNH D FRQQHFWLRQ ZLWK WKHPµ ´7KDWSRHPLQWKHHQGZDVVRPH WKLQJ WKDW , KDG D YHU\ VWURQJ FRQ QHFWLRQ ZLWK ,Q FDVHV VXFK DV *D ZDLQ \RX DOZD\V IHHO DV LI D VSDFH KDVRSHQHGXSIRU\RXWRZDONLQWR DQG\RXFDQLQKDELWWKDWUROHµ $VDSUROLÀFPRGHUQSRHW$UPLW DJHKDVIROORZHGLQWKHIRRWVWHSVRI +XJKHVDQG+HDQH\WRKDYHSRHPV SXEOLVKHG LQ VFKRRO FXUULFXOXP DQ WKRORJLHV RI OLWHUDWXUH 0DQ\ VWX GHQWV RI RXU JHQHUDWLRQ ZLOO NQRZ WKH SRHW SULPDULO\ IRU WKH GU\ ZLW of Homecoming November Kid DQG Hitcher, DV ZHOO DV SRHPV VHOHFWHG from his Book of MatchesDQWKRORJ\ )RU $UPLWDJH WKHUH LV DQ LQKHU HQW SUREOHP ZLWK WKH ZD\ SRHWU\ LV WDXJKW LQ VFKRROV PHDQLQJ WKDW XQOLNHZLWKQRYHOVSRHPVDUHRIWHQ QHJOHFWHGE\VWXGHQWVDIWHUÀQLVKLQJ WKHLUHGXFDWLRQ´8QIRUWXQDWHO\WKH VLWXDWLRQKDVDULVHQZKHUHSRHPVLQ VFKRROV DUH SUHVHQWHG DV ULGGOHV RU SX]]OHVDQGVWXGHQWVFRPSODLQWKDW WKH\DSSHDULQWLPLGDWLQJµ 7R UHPHG\ WKLV SUREOHP 1RUWK (DVW ZULWLQJ DJHQF\ 1HZ :ULWLQJ 1RUWK XVHV $UWV &RXQFLOIXQGHG SURJUDPPH ¶:HOO 9HUVHG· WR VHQG ZULWHUVLQWRVFKRROVVRWKDWFKLOGUHQ FDQ HQJDJH PRUH HIIHFWLYHO\ ZLWK SRHWU\ $UPLWDJH KLPVHOI DFWLYHO\ DQGUHJXODUO\SDUWLFLSDWHVLQVFKRRO HYHQWV ´,I,JRLQWRDVFKRRO,WU\DQGHQ FRXUDJH FKLOGUHQ WR UHDG WKHP LQ WKH VSLULW RI ZKLFK WKH\ ZHUH ZULW WHQ3RHPVWU\WREHZRUNVRIDUWLQ WKH ZD\ WKDW OLWHUDWXUH RU ÀOP EXW \RX·UHQRWH[SHFWHGWREHVDWLQIURQW RIP\SRHPVWU\LQJWRZRUNRXWLW·V PHDQLQJ \RX·UH H[SHFWHG WR UH VSRQGWRLWµ 7KRXJKXQLYHUVLW\JUDGXDWHVPD\ KDYH VWXGLHG SRHWU\ WKHPVHOYHV PDQ\ ZKR JR RQ WR WHDFK DUH XQD ZDUHRIWKHPRVWHIIHFWLYHDQGLQVSL UDWLRQDO ZD\V WR FRPPXQLFDWH WKH LPSRUWDQFH RI LW WR IXWXUH JHQHUD WLRQV $UPLWDJH DJUHHV ´:KHQ , ZDV DW VFKRRO ZH XVHG WR GR WKLV WKLQJ FDOOHG´EOLQGFULWLFLVPµZKHUH\RX·G ZULWHDERXWDSRHP\RX·GQHYHUVHHQ EHIRUHDQGWKHIHDUZDVWKDW\RX·G JHWLWZURQJ6R,WKLQNWKDW·VWKHHO HPHQWWKDWQHHGVWREHWDNHQRXWRI SRHWU\µ 7R WKLV HQG 1RUWKXPEULD 8QLYHUVLW\LVVHWWLQJXSD3RVWJUDG XDWH &HUWLÀFDWH LQ &UHDWLYH :ULWLQJ GHVLJQHGHVSHFLDOO\IRUWHDFKHUV :KHQDVNHGZKDWDGYLFHKH·GJLYH WR VWXGHQWV VWXG\LQJ SRHWU\ DW XQL YHUVLW\KHUHSOLHVFDQGLGO\´:KDW GRHVWKHSRHPVD\WR\RX"'RQ·WEH VFDUHGRISRHWV²ZHGRQ·WNQRZDQ \WKLQJ,W·VDOODERXWVD\LQJWKLQJVLQ DSDUWLFXODUZD\LW·VDOODERXWVW\OH :H·UH QR PRUH REVHUYDQW QR PRUH LQWHOOLJHQW ZH NQRZ QR PRUH WKDQ DQ\WKLQJ HOVH :H MXVW GHYHORS D ZD\RIZULWLQJWKLQJVGRZQµ $V D FXOWXUDO FRQWULEXWRU 6LPRQ $UPLWDJH LV D MDFNRIDOO WUDGHV $ORQJVLGH ZULWLQJ SRHWU\ DQG QRY HOVKHKDVZULWWHQIRUUDGLRWHOHYL VLRQÀOPDQGVWDJHDVZHOODVZRUN LQJ DV D UHJXODU FRQWULEXWRU WR The Guardian·VFXOWXUHVHFWLRQ 7KURXJKWKLVRXWOHWKHIXOÀOOHGWKH OLIHORQJ DPELWLRQ RI PHHWLQJ DQG LQWHUYLHZLQJ 0RUULVVH\ WKH OHDG VLQJHURI$UPLWDJH·VIDYRXULWHEDQG ²7KH6PLWKV+LVPHHWLQJZLWKWKH VKDUSWRQJXHG VLQJHU WULJJHUHG KHDGOLQHV DV KH FRQWURYHUVLDOO\ UH IHUUHGWRWKH&KLQHVHSRSXODWLRQDV ´VXEKXPDQµ GXH WR WKHLU GXELRXV DQLPDOULJKWVUHFRUG 'HVSLWH EHLQJ SUHVVHG RQ ZKDW LW ZDVOLNHWRÀQDOO\PHHWKLVLGROKH EOXQWO\TXLSSHG´DVNKLVODZ\HUVµ $ UHJXODU JLJDWWHQGHH $UPLWDJH·V SDVVLRQIRUPXVLFLVDOVRFKDQQHOOHG WKURXJKKLVEDQG7KH6FDUHPRQJHUV ZKR SHGGOH ZKDW WKH\ UHIHU WR DV ´NLWFKHQVLQN VQRZVKDNHU SRS URFNµ ² ZKR SHUIRUP DW ORFDO DQG OLWHUDU\ HYHQWV +LV DXWRELRJUDSKL cal book Gig: The Life and Times of a Rock-star Fantasist UHÁHFWV GHHSO\ XSRQDOLIHOLYHGZLWKPXVLFDQGSR etry at its core. The Durham Book Festival’s ODXQFK SDUW\ FRLQFLGHG ZLWK WKH HYH RI WKH JRYHUQPHQW·V VZHHSLQJ EXGJHWFXWVDQGDVDSRHWDOHFWXUHU DQGDPXVLFLDQ$UPLWDJHKDVSOHQ W\WRVD\DERXWWKHLPSHQGLQJWKUHDW to the arts. ´2EYLRXVO\ ,·P DJDLQVW WKHP ,W·V JULQDQGEHDULWWLPHIRUHYHU\ERG\ ,MXVWKRSHWKDWWKHFXWVDUHIDLUDQG WKDW WKH DUWV DUHQ·W SHUVHFXWHG EH FDXVH WKH\·UH JHQHUDOO\ QRQSURÀW DQGWKHUHIRUHGRQ·WFRXQWµ+HJRHV RQ WR TXRWH 6HDPXV +HDQH\ ZKR DUJXHGWKDWSRHWU\LVDQ´DQWKURSR ORJLFDOQHFHVVLW\µ ´3URÀWWKURXJKDUWLVQ·WPRQHWDU\ ² LWV YDOXH LV HQRUPRXV DQG P\ SRLQW ZRXOG DOZD\V EH WKDW LI \RX GRQ·WKDYHVRPHWKLQJWRUDLVH\RXU VLJKWRXWRIWKHJXWWHUWKHQLW·VNLQG RIDSRLQWOHVVH[HUFLVH'RQ·WPHDV XUHWKHDUWVLQWHUPVRIKRVSLWDOVRU SULVRQV²LW·VVRPHWKLQJGLIIHUHQWµ $UPLWDJH·V ODXUHDWHVKLS DW WKH 'XUKDP%RRN)HVWLYDOLVVRPHWKLQJ WR EH DSSUHFLDWHG E\ IDQV DQG QHZ UHDGHUV DOLNH $V D VWUDLJKWWDONLQJ GRZQWRHDUWK KRRSHDUULQJHG SRHW KH FRPHV DFURVV DV VRPHRQH GHFLGHG LQ KLV RSLQLRQ \HW RSHQ PLQGHG DQG RSWLPLVWLF LQ KLV RXW ORRNIRUWKHIXWXUHRISRHWU\DQGWKH ZLGHU VSHFWUXP RI WKH DUWV ,W FDQ RQO\ EH KRSHG WKDW WKH IXWXUH JHQ HUDWLRQV RI SRHWV WKDW IROORZ ZLOO IROORZVXLW THE COURIER Monday Novermber 8 2010 27 Film Culture film Film Editor: Adam Williams - courier.culture-film@ncl.ac.uk film of the week Let Me In Director: Matt Reeves &DVW.RGL6PLW0F3KHH&KORH 0RUHW]5LFKDUG-HQNLQV 5XQWLPHPLQV In the age of Twilight, True Blood and Vampire Diaries LW·V KDUG WR ÀQG D vampire story with an element of romance which isn’t entirely based DURXQGOXVWLet Me In, Matt Reeves’ UHPDNH RI 7RPDV $OIUHGVRQ·V DG DSWDWLRQ RI -RKQ $MYLGH/LQGTYLVW·V 6ZHGLVKQRYHOLet The Right One In, LV DQ\WKLQJ EXW OXVWIXO ,W IRFXVHV RQ WKH LQQRFHQW DQG WR VRPH H[ tent, more intense romance between 2ZHQ D \HDU ROG ER\ ZKR OLYHV DEURNHQOLIHDQGWKHXQGHDG$EE\ ZKRPRYHVLQQH[WGRRUWR2ZHQ Whereas Twilight was all about the VH[XDODWWUDFWLRQRUODFNWKHUHRIGXH to wooden performances, Let Me In is focused on the loneliness of the WZR FKDUDFWHUV 2ZHQ LV ZHDN DQG living in a shattered family and so LVDQREYLRXVWDUJHWIRUEXOOLHV+LV isolation within his school leads him to follow a life of eating sweets, ZDWFKLQJ SHRSOH WKURXJK KLV WHO escope and acting out Taxi Driver HVTXH PLUURU IDQWDVLHV $EE\ RQ the other hand, is a vampire so isn’t H[DFWO\ XVHG WR KDYLQJ IULHQGV %XW their mutual isolation leads them to IRUPDQXQOLNHO\ERQG 7KH ÀOP ÁLFNV RIWHQ EHWZHHQ tender moments between the WZR VWDUV .RGL 6PLW0F3KHH DQG &KORH 0RUHW] DQG JUXHVRPH PXU GHUV FRPPLWWHG E\ $EE\·V ¶IDWKHU· (played fantastically by Richard -HQNLQVLQRUGHUWRVDWLDWHKHUQHHG IRUEORRG:KHQHYHUKHPHVVHVXS $EE\ KHUVHOI PXVW KXQW GRZQ KHU prey, allowing Reeves to pull out LQWHQVHO\ JRU\ DQG IULJKWHQLQJ DW WDFNVRQSRRUYLFWLPV :KDWWKHÀOPGRHVEHVWKRZHYHU is that it is more interested in the relationship between Owen and $EE\WKDQLWLVZLWKWKHVFDUHVWKDW \RX ZRXOG H[SHFW ,W·V VR HDV\ IRU a director to get carried away with just pulling out all the gory stops to IULJKWHQ WKH DXGLHQFH %XW 5HHYHV· SUHYLRXV ÀOP &ORYHUÀHOG GLG H[ DFWO\ WKDW IRFXVLQJ RQ WKH FKDUDF ters more than the scares, but was overshadowed by what some would WKH JLPPLFNLQHVV RI ¶IRXQG FDPHUD IRRWDJH· EURXJKW DERXW E\ WKH OLNHV of Blair Witch Project 7KDQNVWR5HHYHVDQGKLVFLQHPD WRJUDSKHU *UHJ )UDVHU WKH ÀOP VL PXOWDQHRXVO\WDNHVRQDZDUPIHHO due to the glow of lights against the /HW0H,QDGDSWHGIURPDXWKRU-RKQ$MYLGH/LQGTYLVW¶VSRSXODUQRYHO/nWGHQUlWWHNRPPDLQDQGD6ZHGLVK¿OPRIWKHVDPHQDPH VQRZZKLOVWDOVRIHHOLQJH[WUHPHO\ HHULH &RXSOLQJ WKH LVRODWHG IHHO RI the characters when alone with the ZDUPWK WKH\ IHHO WRJHWKHU 0LFKDHO Giacchino’s score manages to suit the tone of each scene perfectly; with melodramatic strings and loud EUDVVLWZRUNVSHUIHFWO\ If there is one complaint, it’s that WKHÀOPVHHPVXQQHFHVVDU\DVDUH PDNHLet The Right One In is only a few years old and, whilst Let Me In OLYHV XS WR WKDW ÀOP LW VWLOO EDIÁHV DVWRZK\DUHPDNHZDVQHHGHGVR VRRQ6RPHVFHQHVDUHVKRWWKHVDPH LQFOXGLQJ WKH LQIDPRXV SRRO VFHQH $QGDOWKRXJKLet Me InDGGVH[WUD GHWDLOLWIHHOVVLPSO\OLNHLW·VWKHUHWR SDQGHU WR WKH PDUNHW ZKR FDQ·W EH ERWKHUHGUHDGLQJVXEWLWOHV URU 0RVW MXVW JR IRU FKHDS VFDUHV DQG LQ VRPH FDVHV WKH Evil Dead WULORJ\LWZRUNVSHUIHFWO\EXWKHUH WKH UHODWLRQVKLS EHWZHHQ 2ZHQ DQG$EE\LVWKHPDLQIRFXVRIWKH ÀOPHYHQLILWLVXQGHUXQXVXDOFLU FXPVWDQFHVLet Me In is a shining JHPLQWKHZRUOGRIYDPSLUHV Verdict: Let Me In does what few KRUURUÀOPVGRPDQDJHVWRPL[DF WXDOKXPDQHPRWLRQZLWKWKHKRU Chris Taylor comment &RXQWLQJWKHFRVWRIFXUVLQJ The BBFC’s decision to give Made in Dagenham DFHUWLÀFDWHKDVSURPRSWHGPXFKFULWLFLVP &KDUORWWH/RIWXVtakes a closer look at why. 7KH %ULWLVK %RDUG RI )LOP &ODVVLÀ cation has faced criticism recently, following their dubious decision to designate Made in DagenhamD KHDUWZDUPLQJ DQG VRFLDOO\ DZDUH ÀOP DERXW WKH VWULNH RI )RUG 'DJHQKDP·V IHPDOH ZRUNHUV IRU HTXDO SD\ ² DV D FODVVLÀFDWLRQ UDWKHU WKDQ WKH $ WKDW WKH ÀOP PDNHU·VKDGKRSHGIRU7KHUHDVRQ FLWHGLVWKHKDOIGR]HQXVHVRI¶IN· VFDWWHUHGWKURXJKRXWWKHÀOP It should be noted at this junction that there is no violence, horror or QXGLW\ ZKDWVRHYHU LQ WKLV ÀOP ² barring Jaime Winstone’s hotpants ² DQG LQ RWKHU ÀOPV LW WDNHV H[DP ples of one or all of the above to ZDUUDQW D FODVVLÀFDWLRQ 7R SXW that in perspective, Made in Dagenham LV FRQVLGHUHG HTXDOO\ GDPDJ LQJWRWKHSUHWHHQVRIWKH8.DVWKLV VXPPHU·V EHUYLROHQW EORFNEXVWHU The Expendables 7KH KLJKHU UDWLQJ was also seen as a major reason for WKHÀOP·VGLVDSSRLQWLQJWDNHDWWKH 8.ER[RIÀFH Perhaps the problem is all in the name – the British Board of Film &ODVVLÀFDWLRQ$ORRNDWWKHSDQHOLV OLNHDZKR·VZKRRIVWHUHRW\SLFDOO\ UHVHUYHGÀJXUHVRI%ULWLVKDXWKRULW\ Recently appointed members to the SDQHOLQFOXGHDEDUULVWHUDQG)DP ily Division Judge, the former Head of a large Welsh secondary school, DQGD&DQRQRIWKH&KXUFKRI(QJ land who was also a member of The $GYHUWLVLQJ 6WDQGDUGV $XWKRULW\ 3HUVRQDOO\ , ÀQG P\VHOI VOLJKWO\ confused by this last appointment; with all due respect, I cannot help WKLQNLQJ WKDW WKH %%)& LV QRW WKH SODFHIRUDPDQRIWKHFORWK Recently, the BBFC have made WHQWDWLYH HIIRUWV WR VHHN IHHGEDFN from the public, organising various ¶FRQVXOWDWLRQV· DQG ¶LQGHSWK GLV FXVVLRQV· ZKLFK UHDFKHG WKH VXU prising conclusion that the British SHRSOHDUHÀQHZLWKJUDWXLWRXVDQG unrelenting violence, but a spot of FXUVLQJ LV DEVROXWHO\ RXW , UHPDLQ GXELRXV 7KH XVHV RI ¶IN· LQ WKH ÀOPDUHQRQVH[XDODQGUHDOLVWLFLQ FRQWH[WWKDWDQGZRUVHZHUHZLWK RXW GRXEW EDQGLHG DERXW WKH IDF WRU\ÁRRURIWKH'DJHQKDPSODQWLQ The BBFC’s language guidelines IRUWKH$FHUWLÀFDWHVWDWHWKDWWKH use of strong language – such as IN ² PXVW EH ´LQIUHTXHQWµ DQG WKH\ LQVLVW WKDW QR ÀOP ZLWK PRUH WKDQKDOIDGR]HQXVHVRIWKHH[SOH WLYH FRXOG UHFHLYH D FHUWLÀFDWH DQDVVHUWLRQZKLFKZDVDOPRVWLP mediately contradicted with their The ladies of Dagenham were able to win their case, but the makers of Made in Dagenham could not get the decision overturned UHGXFHGFODVVLÀFDWLRQRIThe King’s Speech IURP D WR $ EHFDXVH WKH XVHV RI ¶VWURQJ ODQJXDJH· DUH ´QRW DJJUHVVLYH DQG QRW GLUHFWHG DW DQ\ SHUVRQµ 7KH URRP IRU FRQ WHQWLRQ KHUH LV HQRUPRXV H[DFWO\ KRZ PDQ\ ¶IN·V DUH VFULSWZULWHUV permitted before swearing becomes ´IUHTXHQWµ"+RZHYHUWKLVLVDQLV sue which the BBFC seem reluctant WRDGGUHVV There is a question as to whether WKH %%)& DUH RYHUUHDFKLQJ WKHP selves; up to what point do they have authority over the parent’s prerogative to decide what their FKLOGFDQZDWFK"6RMade in Dagenham contains swearing – it’s nothing worse than what they can hear in WKH ORFDO SOD\JURXQG RU VXSHUPDU NHW,ZRXOGLPDJLQHWKDWWKHUHDUH many more parents who would be in favour of their children viewing D ÀOP DERXW IHPDOH HPDQFLSDWLRQ than those who would object on the grounds of the occasional bout of VZHDULQJ $WURXEOLQJIDFWRUUHODWLQJWRWKLV FODVVLÀFDWLRQLVWKHIDFWWKDWLWSUH YHQWV XQGHUV IURP VKDULQJ LQ WKH GLVFXVVLRQ VXUURXQGLQJ D ÀOP which essentially teaches respect, HTXDOLW\ DQG HPSRZHUPHQW 7KLV LVQ·WDWDFN\KRUURUÁLFNLWLVDÀOP with real values, which records the H[WUDRUGLQDU\ DFKLHYHPHQW RI D JURXSRIRUGLQDU\ZRPHQ ,WLVYHU\KDUGWRVHHKRZWKHDG dition of some colourful language LQWR WKH PL[ VKRXOG FDXVH ZKDW LV DUJXDEO\ DQ LPSRUWDQW ÀOP IRU young people to be withheld from WKHP $WWKHULVNRIQHJDWLQJWKHSUHFHG LQJDUJXPHQWZHVKRXOGDFNQRZO HGJH WKH IDFW WKDW RQFH ÀOPV KDYH OHIW WKH FLQHPD OLWWOH LI DQ\ DWWHQ WLRQLVSDLGWRWKHÀOP·VUDWLQJ 6RD\HDUROGFDQ·WJHWLQWRWKH cinema to see Made in Dagenham; you can bet your bottom dollar they ZLOO KDYH ZDWFKHG LW RQ '9' EH IRUHWKHLUWKELUWKGD\%H\RQGWKH SRSFRUQVWUHZQUHDOPVRIWKHORFDO PXOWLSOH[ %%)& FODVVLÀFDWLRQV ² particularly the distinction between $DQGKROGYHU\OLWWOHSRZHU but as the Dagenham girls might SXWLWLW·VWKHINLQJSULQFLSOHWKDW PDWWHUV 28 Monday November 8 2010 THE COURIER Culture Film film feature The art of the remake Kathy Jackman looks at why Hollywood UHPDNHVIRUHLJQÀOPV This weekend saw the release of Let Me In, the American remake of WKH 6ZHGLVK ÀOP Let the Right One In. As a remake of a well loved and highly praised piece of foreign cinema, it was naturally subject to scrutiny. However, the critics have responded favourably, praising the ÀOPIRULWVIDLWKIXOQHVVWRWKHRULJLnal, though criticising its lack of depth in comparison to its Swedish counterpart. In the end, it was a similar verdict all around: Good, but simply not as good as the original. So, while Let the Right One In proves itself a superior effort, it still stands that American remakes RI IRUHLJQ ÀOPVUDUHO\ HTXDO RU ULVH above their source material, with the possible exception of The MagQLÀFHQW 6HYHQ, the 1960s remake of 1954’s 6HYHQ6DPXUDL, which simply took the plot of the original and SODFHG LW LQ WKH :LOG :HVW ,W ZDV even nominated for an Oscar, but it’s important to bear in mind that remakes were a rarity then. In this day and age, where remakes are commonplace, the relevance and necessity of these remakes remains uncertain. Take 2008’s Funny Games for example, a shot for shot America UHPDNH RI WKH $XVWULDQ ÀOP Both were written and directed by Michael Haneke, yet the remake received largely negative reviews. Then there’s Breathless, the remake of Godard’s famous $%RXGH6RXIÁp, which completely missed the point of its predecessor. In the end it boils down to the question of whether ÀOPV VXFK DV WKHVH RIIHU XS QHZ culturally relevant interpretations of an established narrative or whether they’re simply watered down, sanitised cash-ins. Nowadays, if a foreign export is even moderately successful it’s a guarantee that an English-language remake will be green lit. The trend began with a slew of Japanese Horror remakes, beginning with The Ring and moving on to other popular titles including The Grudge, Pulse, One Missed Call and Dark Water, as well as a plethora of sequels. In the case of The Grudge, the setting and plot remained virtually the same, yet the main character was now an American girl played by Michelle Gellar. The Japanese versions of WKHVH ÀOPV ZHUH YDVWO\ VXSHULRU LQ terms of quality and atmosphere, but audiences apparently preferred their American counterparts nonetheless. None of these remakes received stellar reviews from the critics either, but it didn’t stop the remakes from coming through year after year. Of FRXUVHWKHUHDUHVRPHÀOPVWKDWWKH film five Sports Films The Girl With The Dragon Tattoo is set to be remade with David Fincher at the helm industry wouldn’t dare touch, usually the Oscar winners such as The /LYHVRI2WKHUV or Pan’s Labyrinth, but it would seem that little remains sacred in Hollywood’s eyes. A remake of The Girl with the Dragon Tattoo, DQRWKHU6ZHGLVKÀOPRQO\UHOHDVHG last year, is already in the works and will star Daniel Craig in the lead role. The original barely even had time to gather dust before the movie machine’s cogs started turning. Clearly, the producers understood the marketability of this particular project. Not only had the original been a huge success in America and the UK, but The Millennium Trilogy, WKH QRYHO VHULHV RQ ZKLFK WKH ÀOP was based, was selling like hot cakes in the wake of the movie release. In retrospect, it would have been a disastrous business move not to exploit its success. Even Let Me In is riding on the back of the Vampire craze. So what exactly do these remakes achieve? It would be petty to claim that American and English audiences have an innate fear of foreign cinema because of its unfamiliarity, though it is true that the general populace actively avoid subtitles, so a remake in their own language will naturally have more appeal. It could also be argued that certain themes and ideas presented in foreign cinema don’t translate well to American audiences. Censorship rules differ from country to country, but whether it’s beneÀFLDOWRVK\DZD\IURPVXFKFRQFHSWV to keep audiences placated remains the issue. Cinema has the right to be challenging, sometimes even shocking. It promotes thought and discussion, and if foreign cinema can offer us that, is there really any need to recycle it again and again just to appeal to the target consumer? preview Scream 4 feature It was acceptable in the 80s 'LUHFWRU:HV&UDYHQ Cast: Neve Campbell, Emma 5REHUWV+D\GHQ3DQHWWLHUH Rory Culkin, David Arquette, Courteney Cox The eighties, often regarded as a decade without style, was witness to the global phenomenon that was /LYH $,' WKH ÀUVW IHPDOH 3ULPH Minister in Britain, the outbreak of the technological age and of course some of the most entertaining movies ever to hit the silver screen. After the opportunistic seventies where special effects were the new thing, the eighties brought some entertaining experimental visual moments. There was something for everyone, Flashdance delivered a graceful welder with a passion for movement; Do the Right Thing gave a political spin on race and class in suburban America; while Top Gun, of course, with its subliminal homoerotic themes, was a picture that captured the attention of the boys and the girls. Some of our biggest stars and movie franchises had their heyday in the 80s. Tom Cruise broke on to WKH VFHQH DQG KLV ÀOPV HQFRPSDVV the many different expressions we think of when we remember that decade; a serious side that pulled on the heartstrings of most of the population, a sexually ambiguous theme and a comical kid out for his teenage kicks. Arnold Schwarznegger hit the big time with Terminator, a franchise still on its feet and a star who has now managed to make it DV JRYHUQRU RI WKH PRVW VXSHUÀcial American state. Unfortunately, Hollywood never quite managed to deal with relevant issues through- ETA: April 2011 ,Q KRUURU OHJHQG :HV &UDYHQ injected a healthy dose of postmodern humour into the horror genre with 6FUHDP, an innovative take RQ WKH P\ULDG VODVKHU ÀOPV WKDW GHÀQHG WKH V 6KRZFDVLQJ D WDOented cast, inspired masked killer and self–referential humour it reGHÀQHGPRGHUQKRUURUFLQHPDDQG was popular enough to produce WZR KXJHO\ SURÀWDEOH VHTXHOV DQG merchandise. After a decade of independent and personal projects it appears Craven and his creation Ghostface are back with the announcement of 6FUHDP reuniting the original cast and director and a line of disposable fresh WHHQ PHDW IRU WKH JULQGHU :ULWWHQ as a collaborative between CraYHQDQG.HYLQ:LOOLDPVRQLWKDVD script that Craven insists “crackles with energy and originality.” The narrative plays out ten years after WKH HYHQWV RI WKH ODVW ÀOP DQG WKH victims of Ghostface must use their XQGHUVWDQGLQJ RI KRUURU ÀOP PHchanics to make sense of the murders and events happening around them. 7KHÀOP·VKXPRXULVOLNHO\WRH[- amine the direction that horror has taken in the last decade with direcWRUV VWXGLRV DQG ÀOPV UHIHUHQFHG and the stable satire of horror clichés showing that 6FUHDP has thankfully not left its original roots. :LWK D EXGJHW RI PLOOLRQ DQG ZLWK VKRRWLQJ ÀQLVKLQJ DURXQG Michigan, 6FUHDP is sure to be subject to a huge amount of critical and commercial attention. Only Craven has the talent and status to potentially revive the franchise again and with the current trailer looking very LQWUHVWLQJH[SHFWDVFULSWÀOOHGZLWK suspense, revelation and the return of an iconic slasher villain. Chris Binding out this, most turbulent of times. The AIDS crisis wasn’t an issue in ÀOPXQWLOWKHQLQHWLHVWKH&ROG:DU was left on the sidelines, and the troubles in Ireland didn’t manage WRPDNHWKHFXWHLWKHU,QVWHDGÀOPmakers went for an escapist theme, throwing out movies like Die Hard and Back to The Future. Filmmakers knew what their audiences wanted DQG PDGH ÀOPV WKDW FRQWLQXH WR thrill the young and old; it is not just people who were around to see these pictures at their opening weekend who love them, many of WKHÀOPVKDYHJDLQHGPDVVLYHFXOW status and continue to attract new followers. Many motion pictures from this particular decade were made to entertain but it saw its fair share of powerful, dramatic efforts; Raging Bull is still a strong standing iconic movie. It is remembered for De Niro’s excellent portrayal of the boxer Jake La Motta, as well as Scorsese’s imaginative direcWLRQVKRRWLQJWKHÀOPLQEODFNDQG white. The decade brought with it many turbulent and emotional VXEMHFWVDQGWKHÀOPVSURGXFHGLQ this time have all proved to be massively popular over the past thirty \HDUV :KLOH VRPH PD\ QRW KDYH stood the test of time, 80s movies have an entertainment factor other eras could only dream of. Alex Murray 5. Mike Bassett: England Manager $ÀFWLRQDOGRFXPHQWDU\RQWKH(QJland football team and its hapless new manger, Mike Bassett. Despite being released nearly a decade ago, there are some remarkably comical similarities to the real England side. The team stutter through their qualifying group before a laughable start WRWKHLU:RUOG&XSFDPSDLJQKHDSLQJSUHVVXUHRQ%DVVHWW7KHÀOPLV very easy watching and certainly makes supporting England seem a lot less painful than it could be. 4. Cool Runnings Loosely based on the story of the 1988 Jamaican bobsleigh team. The UDJWDJ RXWÀW FRDFKHG E\ D GLVgraced former bobsledder, comiFDOO\PDNHWKHLUÀUVWWHQWDWLYHVWHSV into the sport. They somehow gain 2O\PSLFTXDOLÀFDWLRQEXWWKHWHDP start badly, before improving in their second run. By the third, the team has captured everyone’s imagination. Alas the teams heroics end in failure, but you cannot watch the ÀOPZLWKRXWDVPLOHRQ\RXUIDFH 3. Seabiscuit 7KLVÀOPIROORZVWKHOLIHRIDQLFRQLF racehorse whose career captured the imagination of the American public throughout a large part of the 1930s. The horse, the trainer and his jockey were all brought together by an automobile tycoon. Starring 7RE\0DJXLUHDVWKHÀHU\QRKROGV barred jockey, the trio embark on a journey that sees the horse establish himself as a racing legend. 2. Touching the Void Again based on a true story, this documentary charts the attempts of two British climbers trying to scale the Siula Grande, an infamous mountain situated in the Andes. An injury to one of the duo leaves them stranded and with no choice but to ¶FXWWKHURSH·:KLOVWERWKPHQVXUvive, the reconstruction of the challenges that faced both of them leave a lasting impression. 1. Rocky 7KHVWRU\RIDVPDOOWLPHFOXEÀJKWHU IURP 3KLODGHOSKLD ZKR JHWV DQ XQOLNHO\VKRWDWWKHZRUOGWLWOH7KHÀOP was the launch pad for the career of Sylvester Stallone, and as with PDQ\ VSRUWV ÀOPV WKH SURWDJRQLVWV journey ends in a gutsy defeat. It’s also worth noting the steps of the 3KLODGHOSKLD 0XVHXP RI $UW KDYH QHYHUEHHQWKHVDPHVLQFHWKHÀOP·V release. Joe Palmer THE COURIER Monday November 8 2010 29 Film Culture Film Editor: Adam Williams - courier.culture-film@ncl.ac.uk in cinemas 6DZ' 'LUHFWRU.HYLQ*UHXWHUW &DVW&RVWDV0DQG\ORU&KDG Donella, Sean Patrick Flanery 5XQWLPHPLQV For much of the past decade the arULYDO RI +DOORZHHQ KDV VHHQ WKH LQ HYLWDEOHUHOHDVHRIDQHZLQVWDOPHQW in the Saw franchise. Although Saw VI slightly underperformed, the ÀOPV KDYH EHHQ FRQVLVWHQWO\ SRSX lar with cinema audiences. 7KH ÀUVW Saw ÀOP LQ KDG D simple premise and most of the action took place in a single room. A UHODWLYHO\HODERUDWHWZLVWDWWKHHQG KHOSHG HOHYDWH LW DERYH PDQ\ URX WLQH KRUURU ÀOPV +RZHYHU ZLWK WKLVVL[WKVHTXHOZKLFKWKHSURGXF ers promise will be the last, any semblance of an intricate plot has been replaced by a loose collection RILPDJLQDWLYHGHDWKVFHQHVJUDSKL cally depicted. The main plot concerns Bobby Dagen (Flanery), a counsellor who UXQV D OXFUDWLYH VHOIKHOS SUR JUDPPHWRWUHDWVXUYLYRUVRIWKHVH ULDO NLOOHU ¶-LJVDZ· 'DJHQ KRZHYHU isn’t completely who he seems, and VRRQ ÀQGV KLPVHOI KDYLQJ WR SDVV through a series of lethal traps in orGHUWRVDYHKLVZLIH Thereafter the story follows a faPLOLDU OLQH 7KH IDPRXV WUDSV KDYH become the focus of the story, and are now the framework around ZKLFKWKHÀOPLVFRQVWUXFWHG7KH\ DUHRIVXFKDIDQWDVWLFDOO\LQYHQWLYH design it seems most effort has been concentrated on them by the direcWRU DW WKH H[SHQVH RI WKH SORW )UH TXHQW FORVHXSV RI WKH XQIRUWXQDWH YLFWLPV DUH GLIÀFXOW WR ZDWFK EXW they are shown with such regularity LWEHFRPHVRGGO\UHSHWLWLYH A simplistic script offers the cast OLWWOHWRZRUNZLWKDQGVXEVHTXHQW O\ LV GHOLYHUHG ZLWKRXW PXFK HQ thusiasm. Chad Donella who plays 'HWHFWLYH *LEVRQ LV XQFRQYLQFLQJ but notably there is the return of /DZUHQFH*RUGRQ(OZHVIURPSaw I, which was welcome but he is underused. An intelligent ending to Saw 3D ZRXOG SUREDEO\ KDYH VDYHG LW EXW the pay-off is both predictable and LQDGHTXDWHDQGRQO\KLJKOLJKWHGWKH absence of a solid plot. Despite beLQJLQWKHWLWOHWKH'YLVXDOVVHHP redundant, as they are not used to PXFK HIIHFW 7KH SURGXFHUV KDYH %XUNHDQG+DUH unfortunately missed the opportunity for a satisfying end to the series, DQG GHVSLWH WKHLU SURPLVHV KDYH FRQYHQLHQWO\VHWXSWKHFKDQFHRID IXUWKHUVHTXHO O\RIIHUVPRUHRIWKHVDPH7KH' HIIHFWVFRQWULEXWHGOLWWOHDQGZHUH PHUHO\DGLVWUDFWLRQIURPWKHXQLQ VSLULQJSORWDQGDFWLQJWKDWDWWLPHV ERUGHUHGRQWKHFRPHGLF 9HUGLFW $ GHÀQLWH KLW IRU IDQV RI JRUH WKHUH·V OLWWOH HOVH RQ RIIHU :KDWVKRXOGKDYHEHHQDVOLFNFRQ FOXVLRQWRWKHSawIUDQFKLVHPHUH Jeremy Trotter Shaun of the Dead, Burke and Hare actually plays on the traditional slap-stick form of comedy that JLYHVWKHÀOPDOLJKWKHDUWHGQHVV throughout, most importantly through the funny albeit sometimes gruesome murders. +RZHYHUOLJKWKHDUWHGQHVVLVDV far as the comedy goes. The coPHGLFSDUWVRIWKHÀOPUDUHO\FDPH from the two main characters, who only manage to conjure a smile and WKHRFFDVLRQDOFKXFNOHQHYHUDIXOO hearty laugh. This is odd, especially for something that has been selftitled as a ‘black comedy’. ,WLVWKHUHIRUHGLVDSSRLQWLQJWRUH port that Burke and HareZDVRYHUDOO surprisingly humourless. Watching an episode of Friends ZRXOGKDYH EHHQIXQQLHU6RWKHTXHVWLRQDULVHV as to why one should go and see DÀOPWKDWLVPLOGO\KXPRURXV especially when there are other and IUDQNO\PXFKEHWWHUFRPHGLFÀOPV such as The Other Guys which is RXWDWWKHPRPHQW7KHDQVZHULV something that cannot truthfully be JLYHQ Burke and Hare is based on a series of Scottish murders by William Burke and William Hare. Set in WK&HQWXU\(GLQEXUJKWKHÀOP VWDUWVZLWK$QJXVDQH[HFXWLRQHU addressing the audience of the prestigious medical schools that DUHIRXQGLQ(GLQEXUJK$QJXVH[ plains that the schools are in short VXSSO\RIFDGDYHUVDQGDVVXFKVHWV WKHSUHPLVHIRUWKHÀOP7KHSORW VZLIWO\PRYHVRQDQGDIWHUKHDU ing that money is being offered for ‘fresh’ dead bodies, William Burke (Pegg) and William Hare (Serkis) soon go into business. Although the partners in crime start out as body snatchers, after a series of fortunate RUXQIRUWXQDWHHYHQWVGHSHQGLQJ RQWKHSHUVSHFWLYHWKHWZRPHQ soon end up committing murder in order to supply the increasing GHPDQGIRU¶IUHVK·FDGDYHUV Thankfully, this is as far as the ÀOPVWLFNVWRLWVKLVWRULFDOEDFN JURXQGDQGXQLTXHO\GHYLDWHVIURP its serious historical root and other FLQHPDWLFLQWHUSUHWDWLRQV7KHÀOP in fact takes a more humorous URXWH:KLOVWRQHPD\H[SHFWWKH usual hilarious hack n’ slash affair that can be seen in other Simon 3HJJÀOPVVXFKDVHot Fuzz and GLIÀFXOWLHVDVWKH¶QRUPDO·IDPLO\ 7KHÀOPGRHVUDLVHTXHVWLRQV about the aforementioned issues, but this is not the main focus of the QDUUDWLYHLWLVQRWPDGHWRTXHV tion or encourage the audience to think too hard about what they are seeing. This, in part, is what makes LWVXFKDJRRGÀOPLWGRHVQRWUDP anything down the audience’s throat nor does it present itself as a political or social statement. ,QVWHDGWKLVVWRU\OLQHRIIHUVD VRPHWLPHVOLJKWKHDUWHGYLHZRQ what it is dealing with. Julianne 0RRUHDQG$QQHWWH%HQLQJJLYH nothing less than stellar performances as the two gay mothers, while Mark Ruffalo tackles a new role for him as the free-spirited, hippy sperm donor. 7KLVÀOPLVYHU\RULJLQDODOWKRXJK LWIROORZVWKHVDPHW\SLFDOFRQYHQ tions of a classic Hollywood narUDWLYHLWRIIHUVDQH[WUHPHO\QHZ DQGIUHVKWRSLFIRUWKHDXGLHQFH,W is a really good length; at no point was it boring or disinteresting, the DFWRUVDOOJLYHLQFUHGLEOHSHUIRUP ances, and it has a good balance of VHULRXVFKDWDQGFRPHGLFTXLSV 7KHEHVWSDUWRIWKHÀOPLVKRZ ZHOOLWUHSUHVHQWVDIDPLO\OLIHHYHQ through this atypical setup. The HPRWLRQVLQWKHÀOPDUHDOOYHU\UHDO DQGRIIHUDWUXHUHÁHFWLRQRQKRZ WKHVHHYHQWVFRXOGDIIHFWDKRPH The representation of lesbianism is QRWWRRH[SOLFLWWRPDNHWKHDXGL ence uncomfortable, but the issue RIKRPRVH[XDOVDQGFKLOGUDLVLQJLV EURXJKWXS7KHÀOPLVYHU\VXEWOH WKRXJKWKHUHDUHDIHZVH[\VFHQHV WKDWPD\JUDE\RXUDWWHQWLRQ,WLV GHÀQLWHO\ZRUWKZDWFKLQJDYHU\ good trip out to the cinema. The ÀOPLVIUHVKDQGUHOHYDQWDQGXQ OLNHPRVWRWKHUÀOPVWKDWKDYHKLW the screens in the recent past. $IULFD8QLWHG friend and manager, Fabrice sets off to Kigali along with his manager and his manager’s sister, Beatrice. After catching the wrong bus and ending up in the Congo the party RIWKUHHGHFLGHWRWUDYHOWR6RXWK Africa, along the way adding more members to the team. $OWKRXJKWKHSUHPLVHRIWKHÀOP UHYROYHVDURXQGWKH:RUOG&XS football plays a small part in the telling of the story. So if you’re thinking this is going to be a footEDOOYHUVLRQRIInvictus, you will be VDGO\GLVDSSRLQWHG+RZHYHUWKH ÀOPGRHVH[SORUHELJJHUWKHPHV than football that are central in each RIWKHFKLOGUHQ·VOLYHV+,9SURVWL 'LUHFWRU-RKQ/DQGLV &DVW6LPRQ3HJJ$QG\6HUNLV ,VOD)LVKHU7LP&XUU\ 5XQWLPHPLQV 7KH.LGV$UH $OO5LJKW 'LUHFWRU/LVD&KRORGHQNR &DVW-XOLDQQH0RRUH0DUN Ruffalo, Annette Bening 5XQWLPHPLQV $ÀOPDERXWDOHVELDQFRXSOH with two children, who were born WKURXJKDUWLÀFLDOLQVHPLQDWLRQPD\ VHHPOLNHDYHU\FRQWURYHUVLDOWRSLF ,QIDFWWKHÀOPLVUHDOO\IRFXVHGLQ its familial roots and how an unFRQYHQWLRQDOIDPLO\FDQH[SHULHQFH the same troubles and emotional 'LUDebs Gardner-Paterson &DVW(UL\D1GD\DPEDMH5RJHU 1VHQJL\XPYD<YHV'XVHQJH 5XQWLPHPLQV Africa UnitedWHOOVWKHVWRU\RIÀYH African Children and their 3000 mile journey from Rwanda to South Africa. Their journey starts when Fabrice is scouted to perform in the 2010 World Cup opening ceremony. Encouraged by his 9HUGLFW7REHEUXWDOO\KRQHVW Burke and HareLVDELWRIQRWKLQJ ,WZRXOGEHDJRRGÀOPWRZDWFKLI LWZDVRQWHOHYLVLRQRUWRERUURZ IURPDIULHQGEXWLWLVQRWDÀOP WKDWVKRXOGFDXVHDQ\RQHWRUXVK WRWKHFLQHPDDQGVHH,WLVIXQDQG HDV\JRLQJEXWQRWVRPHWKLQJWR ZULWHKRPHDERXW Jack Groutage Verdict: $JUHDWÀOPZLWKDWUXO\ RULJLQDOVFULSW:LWKLWVUHOHYDQW VXEMHFWPDWWHULWKDVWKHDXGLHQFH·V DWWHQWLRQULJKWIURPWKHRXWVHW DQGFRPPDQGVLWWKURXJKRXWWKH ÀOP Alex Murray WXWLRQHGXFDWLRQSRYHUW\DQGJDQJ crime. Africa United is more than just football; it is about showing the beauty of Africa despite illness DQGSDXFLW\+RZHYHUWKHEHDXWL ful scenery and miraculous ability WKHFKLOGUHQKDYHLQHVFDSLQJGHDWK DQGPRYLQJIURPRQH$IULFDQFRXQ WU\WRDQRWKHUOHIWWKHÀOPVHHPLQJ slightly unrealistic. 7KHPRUDODQGFXOWXUDOH[SORUD tions are also remnant to the Oscar ZLQQLQJÀOPSlumdog Millionaire. +RZHYHUAfrica United lacks the FKDUPDQGUHDOLW\RILWV,QGLDQ FRXQWHUSDUW,WEHJVWREHDGRUHG but the children’s ability to laugh RIIFKLOGSURVWLWXWLRQDQG+,9LVDOO DELWWRREDIÁLQJDQGLPSUREDEOH Such serious issues become matter of fact and mundane rather than shocking and therefore detract from WKH¶IXQ·DVSHFWWKDWWKHÀOPFOHDUO\ tries to promote. Verdict: By being compared to Slumdog Millionaire and Invictus WKHÀOPLVGHVWLQHGWRORRNSRRU LQFRPSDULVRQ$SDWK\LVWKHRYHU ZKHOPLQJVHQWLPHQWIHOWDWWKH HQGRIWKHÀOP Jack Groutage 30 Monday November 8 2010 THE COURIER Culture Music music interview column “We believe in The Human League” Metal Monthly Music Editor Joe Skrebels talks to the legendary 80s band’s Susan Ann Sulley Since 1980, Susan Ann Sulley has made up one third of synth-pop pioneers The Human League. It’s been a busy career, but for nearly ten years there’s been no new recorded material – why the gap? “We’ve done other things, we’ve toured... it just never came up really. I think a couple of years ago, Philip [Oakey, lead singer] felt he wanted to be creative again and do some more writing... and that’s when we started making LWµ7KHQHZDOEXPFRPLQJRXWQH[W year, will be called Credo, a name that Sulley makes very clear has real meaning for the band: “It’s about what we believe in. We’ve been doing this, in mine and Joanne [Catherall, fellow backing vocalist]’s case, for thirty years and in Philip’s case slightly longer. We believe in this, we’re not doing it to be famous or to make money because we’ve got neither of those – we’re doing this because it’s what we believe in. We believe in the Human League.” “I think it’s harder for people to make music now, there are too many barriers and too many things that they have to agree to what they don’t want to.” It’s this belief that seems to be driving the band on, especially after previous efforts have not been nearly as successful as they’d have liked. After the commercial failure of their 2001 album Secrets, Sulley was quoted as saying that this time was “the lowest the band had been”. The failure was due mainly to their record label folding just before the album’s release, scuppering any promotion and leaving the record more or less unheard about. When asked about this period, she still sounds upset: “We’d had fantastic reviews, the best of our career and I think, in retrospect, we just felt a bit FKHDWHG ,W NQRFNV \RXU FRQÀGHQFH because you’ve spent a couple of years working hard on an album and you want people to listen to it. It seems that Credo’s name represents the belief that helped them continue, but Sulley is quick to deny any real association between the two albums: “It’s very different. Secrets was a little old-fashioned, whereas this is not old-fashioned at all. It’s not a sequel.” What is it that differentiates the two then? “I think it’s very modern and it stands up ... We’ve got two great producers IURP6KHIÀHOG'HDQDQG-DUHGZKR are collectively known as I Monster and they brought it bang up to date. We’re very, very happy with the results.” This concern for modernity seems paramount to the feel of the album, DPL[RIZKDWZH·YHFRPHWRH[SHFW from the quintessential 80s synth RXWÀW EXW LQ D PRUH FRQWHPSRUDU\ package. I ask if this modernity has been brought about because of the recent synth-pop revival that’s seen WKH OLNHV RI /D 5RX[ KLW WKH FKDUWV “I think everybody listens to what’s going on around them but we just made an album that we were happy ZLWK:KHWKHUWKHUHDUHLQÁXHQFHVRI %RE'\ODQRU/D5RX[ZKRNQRZV" It’s just what we’ve made. I really OLNH/D5RX[DQG/LWWOH%RRWVEXWZH just made an album – who can say ZKDWZHZHUHLQÁXHQFHGE\µ Consciously or not, the clash of two musical eras seems at the forefront of Sulley’s thinking about her band’s music and where it lies in a very different commercial culture to where it began. There’s a real pride in her voice when she talks about how the band has succeeded through adversity, but is sceptical as to whether Graham Matthews Columnist The Human League return in 2011 after a ten year break with their ninth album, Credo that belligerent approach was intelligent: “I’d never say to do it our way, because who’s to say our way was right? We could’ve been doing this for thirty years and made millions. We haven’t, so our way could be totally wrong.” She certainly seems downbeat as to whether that same approach could succeed for today’s new bands: “There aren’t record FRPSDQLHV WKHUH WR ÀQDQFH LW SXVK it forward and to sustain it. People do it very differently now, it’s all about the internet which it obviously wasn’t when we started... I think it’s harder for people to make music now, there are too many barriers and too many things that they have to agree to that they don’t want to. We can take a backstep and say ‘we don’t want to do that, we’ve done that before.’” She acknowledges that the likes of Youtube can help a band get noticed, but her solution is a far simpler one – it’s not what a band does to promote themselves, it’s the band’s belief in itself that gives it a better chance of success. She refers to her own: “We’re probably one of the only groups [from that era]... that never split up, we’ve always done this. Since we got together in 1980 we’ve never split up – it’s not coming back, it’s doing what we’ve always done which is why the album’s called Credo, it’s what we believe in. We’re just trying to push it forwards.” Ultimately, she believes it’s the fans that will decide if any band are successful: “We can only make music that we know how to make and hope that they will give it the time and will listen to it.” It’s a refreshingly objective viewpoint from someone who’s had quite so much success, and perhaps this is the best advice she can offer; forget about promotion, record deals and stardom – it’s the music that matters, especially to The Human League. The Human League perform at The Sage Gateshead on 13th December. Credo will be released in March 2011. feature Have we become trapped by the power of the net? Lucy Johnson looks at the role of the internet in a modern music In recent years the internet has had a profound effect on the music we listen to. So many of the artists we listen to now have been found on sites such as MySpace, been seen promoting on Facebook and keep their fans constantly updated on Twitter. This phenomenon did not appear out of nowhere; the boom began when many artists uploaded their songs onto MySpace in hope of getting noticed by music industry ‘big ZLJV·3UREDEO\WKHPRVWKLJKSURÀOH artist to be discovered on MySpace was Lily Allen, who announced her ‘retirement’ from the music business earlier this year. YouTube has even had its part in the creation of new artists. ‘Teen sensation’ Justin Bieber himself was found on YouTube after posting amateur footage of himself singing and, like it or not, the kid’s had massive success. Scour <RX7XEHDQG\RX·OOÀQGWKRXVDQGV of teens trying to do the same, possibly hoping for the level of fame that Bieber now has. But the effects of the internet on the music industry haven’t necessarily been positive. The truth is that the music industry has changed rapidly over the last 10 or 20 years. It has allowed record companies to sell their music in multiple ways; iTunes, Amazon and similar websites all allow companies to sell their music across the world without borders and boundaries. Trying to be truly individual in such an already chaotic business can prove hard for new acts; labels will sign an act that they believe has something completely original or are an act easily moulded into what the label wants. Unfortunately, this leads to a particularly short shelf life for bands nowadays. Labels often demand a second album to ensure an act is not out of the limelight for a prolonged SHULRG RI WLPH 0DQ\ PD\ ÀQG LW hard to live up to the hype of a debut single or album and possibly not even get the chance to produce their ¶GLIÀFXOWVHFRQGDOEXP·7KHLQWHUQHW has allowed acts to raise their proÀOHWKHPVHOYHVDQGH[LVWXQVLJQHG Breaking into the mainstream meGLDXVHGWREHIDUPRUHGLIÀFXOWIRU bands, but the internet has made this far easier. Could this lack of record label guidance be sending bands down the wrong path? Bands DUHKLWWLQJWKHEORJVZLWKWKHLUÀUVW song before disappearing without a trace - perhaps a more sustained period outside of the music world at large would let young groups blossom. As it is, we might be getting to know bands earlier than we could before, but we’re probably not getWLQJWKHIXOOH[SHULHQFHRIZKDWWKDW band could be like we used to. It’s this double-edged sword that hangs over music today; the internet helps bands and consumers alike but it should not be forgotten what WKH FRVW RI WKDW H[SRVXUH PLJKW \HW prove to be - a mercurial industry full of undeveloped artists who fade as quickly as they appear. Newcastle may not be as well known for its Metal scene compared with other UK cities, such as the heavy metal Mecca that is Birmingham, but look beyond Tiger Tiger and 'LJLWDODQGDGDUNHUKHDYLHUVLGHRI the city can be found. Legends is undoubtedly the best rock/metal club Newcastle has to offer. Conveniently located opposite Newcastle Theatre Royal, just in case you fancy a bit of Shakespeare before head banging the night away, Saturday nights are where it’s at. In the main room a range of metal classics are blasted out, from favourites like Metallica and Slipknot to the less well known yet awesome Manowar. Alternating Fridays at Legends also cater for Metalheads in the Toon. (YHU\ ÀUVW )ULGD\ RI WKH PRQWK LV WKH VXSHUEO\ WLWOHG ¶+HOOÀUH· '- ¶'DQJHURXV·'DYHSOD\VWRQVRIURFN and metal from heavy metal’s inception in the 70s to the modern day. If they don’t play anything you like (you were probably supposed to be in Liquid not Legends!) they’re always happy to play most requests, although sadly they’re not so keen RQ6QRRS'RJJ The second Friday of every month Legends hosts ‘Tech Noir’, a night dedicated to Industrial, EBM and 7HFKQRZLWKWKHHSLFDOO\QDPHG'-V Feral and Megatron. If you enjoy dressing up in UV paint and dancing to the industrial beats of stuff like Combichrist rather than what gets played at other UV club nights, WKHQLW·VGHÀQLWHO\ZRUWKDYLVLW One of the best things about Newcastle from a metal fan’s perspective is the amount and variety of metal bands that visit the city, which can EHSXWGRZQWRWKHH[FHOOHQWYHQXHV around the Toon. Places like Trillians, the Cluny and Hyem Bar cater for smaller and local bands, whilst the O2 Academy and Metro Arena stage the bigger names. November’s always a busy month IRU JLJV DQG WKLV \HDU LV QR H[FHS tion. On the 10th November, LemP\ IUHVK IURP ÀOPLQJ ODJHU DG verts, brings legends Motorhead to City Hall. If classic rock’s not your thing (your father obviously never enforced it upon you from an early DJH WKHQ KDYH QR IHDU IRU $OH[ LVRQÀUHDUHSOD\LQJDWWKH2RQWKH same night. Later in the week Legends plays host to two contrasting bands in succession. On Friday 12 November Faderhead bring their electronic sounds to Legends before Saturday 13 November when German thrash legends Annihilator prepare to rip the place apart. Tickets to both gigs include entry to the club after. If Black Metal’s more your style then check out Wolves In The Throne Room at the Cluny on the 29 November. This is sure to be an atmospheric night, as they’ve been known to play many gigs by candlelight in the past. THE COURIER Monday November 8 2010 31 Music Culture Music Editors: Polly Randall & Joe Skrebels - courier.culture-music@ncl.ac.uk live Paloma Faith & Eliza Doolittle City Hall, October 30 2010 This performance was a perfect duo of two little ladies that packed one hell of a punch in the vocal department. Eliza Doolittle was a great support act, using the little space she had on stage well and was warmly received by the crowd, especially the popular song ‘Pack Up’. She performed well and included a lot of acapella breaks throughout that actually (OOLH*RXOGLQJ O2 Academy, October 28 2010 Ellie Goulding is not everyone’s cup of tea, but the hundreds of screaming teenage girls and boys and middle-aged Radio 2 listeners lining the streets do not care. But once the lights go up it is hard not to be drawn in by their excitement. listings worked, especially with the bluesy atmosphere she created with her backing band. Paloma Faith didn’t just perform her songs; she created an almost magical feel to the evening and put on a proper stage show, the likes of which have been lost over the years. The whole set was crafted from her unique and slightly bizarre personality, including extravagant dresses and impressive stage visuals. She engaged often with the crowd and even included a few sing alongs that got a lot of backing from the audience of all ages, with the new material showing a lot of promise and just as much mass appeal as the debut album. Paloma included a range of covers, from a more mellow version of David Guetta’s ‘Sexy Chick’ to a sassy rendition of Cee Lo Green’s ‘F**k You!’ both of which worked well with Paloma’s incredibly strong voice, and her own unique twists. The evening highlighted what is missing from a lot of live performances these days and it was the small things throughout the night that actually made it different and certainly memorable. Since her last tour Ellie’s position in WKH8.PXVLFVFHQHKDVEHHQÀUPO\ established, as her impressive live show demonstrates. Orange lights burst through the darkness revealing the leading lady everyone has come to see, and ‘Under the Sheets’ opens with a throbbing drum beat. $OWKRXJKWKHÀUVWQLJKWRIWRXU there are no signs of nerves. On stage she looks every bit the pop star in high shorts and sequinned top; and then there’s her astound- ing voice. It can’t be denied that this girl can sing, her voice easily overpowering the soundtrack of screams that accompany every move she makes. Then the pace is slowed down from the more upbeat, danceable tracks with the aid of an acoustic guitar and the exit of other band members, leaving Ellie to truly show her potential. ‘Guns and Horses’, ‘The Writer’ and her cover of ‘Sweet Disposition’ turn the audience into Ellie’s backing choir, as every lyric is sung back to her passionately whilst friends hug and couples kiss in the giant love-in that the 23 year old inspires. Ending with ‘Starry-Eyed’ the song everyone came for, the place erupts for the last time with both artist and audience ending the night with huge smiles on their faces. 0HXUVDXOW When you arrive in the ‘cosy’ basement of the Head of Steam, you know your night will be an intimate one with the band – seeing as you’re positioned only feet away at any point this is inevitable. It therefore makes it quite odd ZKHQ\RX·UHIDFHGZLWKDERQDÀGH musical star that close to you - on this night coming in the form of a surprise set by Maximo Park’s Paul Smith. I use the term ‘surprise’ purposefully; not only was Smith’s appearance a surprise, but it was surprising just how dull and overlong his set was. Anyway, moving on. The real draw that night were Meursault, the Edinburgh-based, VHOIFRLQHG´HSLFORÀµEDQGZKR seamlessly blend folk, electronica and really, really loud drumming. The small venue showcased their sheer versatility perfectly, emphasising the sheer power of songs like ‘What You Don’t Have’ whilst making the sparse, beautiful ‘One Day This’ll All Be Fields’ seem wonderfully personal. This is a band that have the power to turn a crowd of writhing dancers into silent, quivering spectators in moments, and looking around that’s exactly what happened time and time again. Meursault remain an absolutely formidable, yet still inexplicably underrated, force of new British musical talent, and the brilliance of their live shows is just another piece of praise to throw at them. Buy their albums, go watch a performance and then realise why Paul Smith should always be supporting them. Joe Skrebels – Music Editor )ULGD\WK 6XESULPH.LVV\6HOO2XW'-<RGD DQGPRUHDW'LJLWDOSP WKHLUXQLTXHEOHQGRIVZDJJHUÀOOHG URFN DQG VRXOIXO EOXHV LQ ÁDZOHVV IRUP +HDULQJ 'DQ $XHUEDFK ÀOO ing the Academy with his howling guitar and bourbon smooth vocals, backed by Patrick Carney beating the living hell out of the drums is by far the best way to spend a Saturday night. Due to their fan base being more mature than most the crowd was, on the whole, reluctant to move to say the least. Despite this the energy emanating from the band was electric. Halfway through the set they were joined by two additional musicians for the more musically complex songs, particularly ones from Brothers, that would be impossible live for the twosome without sacriÀFLQJVRPHRIWKHGHSWK%XWWKLVLV not a criticism, far from it. All in all one of the best live bands I’ve seen; they were absolutely incredible. ‘I Got Mine’, ‘Things Ain’t Like They Used To Be’ and hearing some of their latest album were the real highlights. So too was the encore ‘Sinister Kid’ which was a great song to end a really well thought out set that balanced the more bluesy songs with the heavier ones perfectly. If greater praises were needed, the two middle-aged Mackems grinding (un-encouraged I might add) against my housemate agreed. And who’d question their judgment? A ridiculously huge line-up of some of the hottest DJs and dance acts around. Expect the unexpected as genres collide and mash ups appear out of nowhere. Oh and bring a snack, you’ll be here all night. legs pumping. be bobbing along the road instead of running for your life. ODUO\ DV \RX PLJKW EH ÁDJJLQJ E\ this point. Careful, lecture starts soon… Head of Steam, October 26 2010 %ODFN.H\V O2 Academy, October 30 2010 “Hey, we’re The Black Keys from $NURQ 2KLRµ &ODVVLF RSHQLQJ “Thanks for coming out, see you next WLPHµ&ODVVLFHQGLQJ)URPVWDUWWR ÀQLVK 7KH %ODFN .H\V FKXUQHG RXW Monday 8th Goo Goo Dolls at O2 Academy. 7pm, £23.50 Touring in support of what is shockingly their 9th Studio album Something for the Rest of Us, the American pioneers of middle-of-the-road soft rock and makers of hit song ‘Iris’ arrive at the Academy. Tuesday 9th Edwyn Collins at The Cluny. 8pm, sold out Chris Scott Grace Harding Ben Jackson moodtape 6RQJVWRSRZHUZDONWRDDP/HF WXUHWR Bruce Springsteen – Thunder Road Kick-start your day with the Boss. Warning: May make you miss your lecture and head for the open road, never looking back. Arcade Fire – Empty Room The chaotic string ‘riff’ here is surprisingly ace for power-walking, and the soaring chorus vocals might even result in a light jog. Dinosaur Pile-Up – Barceloner Pick up the pace now, in time to the frenetic drumming and chugging guitars of this ace Dinosaur Pile-Up track. McLusky – Lightsabre Cocksucking Blues Beware: This song is loud, seriously pissed off, a little bit terrifying, hiODULRXVDQGEH\RQGÀOWK\/LVWHQDW your own risk. Dizzee Rascal – Sirens Can you hear the sirens coming? Better run when you hear the sirens coming…Dizzee always gets the Hall & Oates – You Make My Dreams Change of tone from the last track, but not a change of pace. You’ll just Pulled Apart By Horses – I’ve Got Guestlist to Rory O’Hara’s Suicide Another pretty scary one, but you can really feel the energy of one of the UK’s best live bands in this track. Good riff to maintain pace. Sleigh Bells – Crown on the Ground From one of the year’s best albums, this noise-cheerleader-y tune has an absolutely huge beat, and even bigger guitars. Pixies – Rock Music One of the Pixies’ heaviest songs here, and it’s a great tune, particu- Late of The Pier – Focker Big synth-y song to get you in and VDW GRZQ EHIRUH ÀYHSDVW 7KH amazing last thirty seconds of the WUDFN PD\ DFWXDOO\ PDNH \RX ÀYH minutes early… Listen to the whole of this week’s Moodtape at ZZZWKHFRXULHURQ line.co.uk Ben Travis If you can get hold of tickets to this, you’ll be a very lucky music lover indeed. Finally back on the road supSRUWLQJKLVÀUVWDOEXPVLQFHKDYLQJ two, count it, two brain hemorrhages the former Orange Juice frontman and indie music impresario plays at our very own Cluny. Wednesday 10th $OH[LVRQÀUH DW WKH 2 $FDGHP\ 7pm, £14 Canada’s screamiest sons are bringing the noise to Newcastle. They describe their music as “the sound of two Catholic high-school girls in PLGNQLIHÀJKWµDQGWKLVVRXQGKDV earned them a Juno nomination (the Canadian equivalent of a Mercury). 7KXUVGD\WK Classic movies and music at the 6WDUDQG6KDGRZ&LQHPDSP £5 The last cinema organ in Newcastle disappeared in 1959. 51 years later and the Star and Shadow have brought one of cinema’s most iconic facets back. With a line-up of classic silent movies and the sort of music you just don’t hear anymore, this will be one to remember. 6DWXUGD\WK 'LDQD 9LFNHUV DW 2 $FDGHP\ 6.30pm, £14 The legacy of X Factor rears its questionably-motivated head once again as fourth-placed Ms. Vickers brings her own brand of eccentric pop and hand gestures to the Toon. Sunday 14th $\QVOH\/LVWHUDW7KH&OXQ\SP £10 Heralded by some as the best English blues guitarist since the mighty Eric Clapton, and listed in Classic Rock’s list of the acts most likely to bring the blues back into mainstream alongside The White Stripes, Lister is standing on the shoulders of giants. Expect classic blues with a melodic, infectious twist. Joe Skrebels – Music Editor 32 Monday November 8 2010 THE COURIER Culture Music music the top 5 albums John Legend and The Roots 1. Chapel Club – All the Eastern Wake Up! Girls It must be exhausting to be in The Roots. As if being one of the premier hip-hop bands of our time, a full-time gig as the hippest backing band on the planet on Late Night with Jimmy Fallon, and releasing one album already this year, the essential How I Got Over, wasn’t enough, The Roots have somehow found time in their packed schedule to work with John Legend for their new collaborative full-length, Wake Up! Coming to the record as a fan of The Roots as opposed to John Legend, there are a few small disappointments: the relegation of MC Black Thought to cameo roles rather than the spotlight obviously rankles, and the decision to focus the album around covers can make it seem somewhat slight. What they have done though is create an optimistic tribute to the classic soul sounds of the 1960s and 1970s that asks why so many of the issues addressed then remain so pertinent today. Album opener ‘Hard Times’, a classic Curtis MayÀHOGWUDFNDOORZV/HJHQGWRVKRZ the power of his voice (something not always evident in his own mate- rial) while The Roots’ drummer and musical director Ahmir ‘?uestlove’ Thompson drives the beat hard. As one of only two tracks featuring Black Thought, it also lays out the inspiration behind this release, the optimism of Obama facing the despair of recession – “People wanna VHHP\EORRGÁRZOLNHIRXQWDLQV, got nowhere to go and still feel like bouncing.” Like the soul tracks it uses, Wake Up! is a celebration of what has been achieved, and a call to further action. The other Black Thought track, ‘Little Ghetto Boy’, again traces a narrative of struggle against the odds, while the lengthy centrepiece, ‘I Can’t Write Left Handed’, updates the Vietnam War protest song, turning it from a smouldering lament to scorching anger via Cap’n Kirk Douglas’ electrifying guitar solo. Ending on the sole original track, the valedictory ‘Shine’, Wake Up! stands as an immensely satisfying and purposeful collaboration that pays tribute while still looking forward to the future. Warpaint The Wanted Twin Shadow Paris Suit Yourself The Fool The Wanted Forget My Main Shit Stain Arguably a more commercial venture by Chapel Club than previous release ‘Oh Maybe I’, this new release, with a prominent drum beat and headed by the beautiful signature vocals of front man Lewis Bowman, promises to push Chapel Club to the forefront of the crowded indie music scene. 2. Mystery Jets – Show Me the Light Mark Corcoran-Lettice The latest band to grace Newcastle’s super-club Digital, the Mystery Jets have been going from strength to strength, playing all the main festivals this summer. This latest release off the new album Serotonin lives up to expectation. It probably won’t make the charts, but it is well worth downloading. 3. DJ Fresh – Gold Dust You might not recognise the name, but this is the new club staple being played up and down the country. With the catchy, if not repetitive, chorus and backing track, this is guaranteed to be the soundtrack to many a good night out. 4. Frank Turner – I Still Believe For those of you who have never heard of Warpaint, Wikipedia will tell you that they are a four piece, female psychedelic rock band, originating from Los Angeles. However, it seems to really understand this band a dedicated listen of this, their debut album, is required. The creeping guitar lines and haunting melodies draw from the same formula of brilliance from simplicity that has won bands like The xx universal acclaim. ‘Set Your Arms Down’ is a slow burning opener to the album, unfolding a shimmery dream-like texture of sound echoing over a rhythmic drum beat as female chorus backing singer Emily .RNDO ZDLOV ´ZDON WKURXJK ÀUH WR save your life.” Pretentious as this PD\ VHHP LW VRXQGV PDJQLÀFHQW Self-titled track ‘Warpaint’ feels like a continuation of this sound while ‘Baby’ showcases the band’s more delicate side with the beautiful understated vocals perfectly complimenting the gentle folk rhythm of the acoustic guitar. This album is that age-old cliché; it’s a grower. 7KHÀUVWOLVWHQPD\SURYLGHVOLJKWO\ surreal background music but once you give it the attention that it asks IRU \RX·OO ÀQG DQ DOEXP WKDW PD\ quite simply blow you away. The Wanted are a male version of The Saturdays, with catchy, cheesy pop lyrics - which is not surprising as both bands were found by the same casting company. With number one single ‘All Time Low’ already under their belts, this EngOLVK,ULVK TXLQWHW DUH SUREDEO\ heading for big success in the pop market. But are they actually any good? This entirely depends on which song you decide to listen to. ‘All Time Low’ and ‘Heart Vacancy’, WKHEDQG·VÀUVWWZRVLQJOHVDUHUH DOO\SUHWW\JRRG7KH\ÀWSHUIHFWO\ in the pop music genre, taking tips from earlier bands, but with a much more current twist. ‘Lose My Mind’ and ‘Replace Your Heart’, the third and fourth songs on the album, follow along these lines, and either could be the third single off the record. However the songs do start to lower in quality the further into the album you go; with ‘Let’s Get Ugly’s cowboy duel and ‘Personal Soldier’s army march making particularly cheesy listening, adding an immature angle to the album. The Wanted will still do well, but they aren’t doing much to break away from the ‘typical boyband’ mould. Catchy pop melodies are in abundance on ‘Forget’, the debut album from Twin Shadow, AKA George Lewis Jr. There’s a retro feel to proceedings but it’s far from a tired or repetitive record. It would be hard not to enjoy the classic-sounding intro on ‘Slow’ as Lewis Jr.’s vocals work to maximum effect over blessedly restrained synths, calling to mind Morrissey and New Order. The album’s full sound and polished mix are thanks in part to Grizzly Bear’s Chris Taylor, who produced and ensures the songs sound their best. That the raw materials are there is unarguable though; ‘Shooting Holes’ unleashes another formidable old-school backbeat, typifying an impressively infectious debut effort, with an excess of gig potential. Indeed there’s a pretty epic feel to the title track, which expertly deploys murmuring vocals and blissed-out guitars. ‘I Can’t Wait’ is another standout, but any of these tunes could effortOHVVO\VORWLQWRDGXELRXVVÀOPRU TV series (which required superior soundtracks to counteract the woeful acting and lethal suits). Overall, D KLJKO\DVVXUHG ÀUVW DOEXP IURP WKH 1HZ<RUN EDVHG RXWÀW ZKLFK shimmers and struts in equal measure. Worth checking out. Has your friend ever made you ZDWFKDQDZIXOÀOPDQGDVNHG\RX for your thoughts afterwards? Did you struggle for a polite response and then pathetically, all too predictably, mumble “Yeah, it’s err… different.” That’s what Paris Suit Yourself has created here, something very very different. I think the lead singer takes himself seriously, but it is by no means a given. He semi-comprehensively meanders through song after song, relying on two or three lines of lyrics repeated again and again, with the odd howl thrown in for good measure. The group attempted to combine indie, jazz and being French and it just doesn’t work. Positively, the third song ‘Rolling On’ shows promise and there is a nice guitar riff in ‘Sophie Scholl’ but that really is scraping the barrel. Oh yeah, and the guy playing bass is pretty solid; although how he retains the will to live long enough to record thirteen songs with his band-mates is beyond me. Piano parts are played with severe eccentricity, suggesting more of a hyperactive improvisation than a well thought out structure. This needn’t be bad but with a similar story to report for the drums and guitar, the album is, as its title implies, very messy. Jack Kidder Kate Rogers Martin Flynn Tom Belcher From the hardest working touring artist around at the moment, Frank Turner produces yet another punk-pop, acoustic driven, angry outpouring. Unlike his previous work, this is well produced and the chorus accompanied by the voices of his fans adds a brilliant touch. 5. Willow Smith – Whip My Hair With the cool credentials of being the spawn of Will Smith, Willow has caused a stir this week, not least for the vocal ability and attitude similar to Rihanna. Well worth a listen; if only to decide whether it’s funny, credible or quite annoying. It does get stuck in your head however; not bad for the debut single from a nine year old. Amelia Wareing The Courier Online For exclusive reviews of album releases and live gigs from around the city, as well as specialist blogs and the Top 5 and Moodtape playlists head to the music section of the Courier website: thecourieronline.co.uk/music 34 Monday November 8 2010 THE COURIER Culture TV & Radio tv & radio tv highlight soaps Pride of Britain Awards 2010 Coronation Street: (YHU\\HDU79VWDUVJDWKHUWRKRQRXURXUXQVXQJKHURHV :HGQHVGD\SP,79 The 3ULGH RI %ULWDLQ $ZDUGV is back DQG PRUH WKDQ D GHFDGH VLQFH WKH VKRZ ÀUVW VWDUWHG LW VWLOO PDQDJHV to touch the nation’s hearts. Each year HRH Prince Charles MRLQVDOLVWRIVSRUWVVWDUVSROLWLFLDQV and other celebs to pay respect to inspiring and heroic members of WKH %ULWLVK SXEOLF ZKR KDYH WDNHQ part in amazingly courageous and VHOÁHVVDFWV 3UHYLRXV FHOHEULW\ JXHVWV KDYH included former Prime Minister *RUGRQ%URZQ'DYLGDQG9LFWRULD %HFNKDP 5REELH :LOOLDPV .\OLH 0LQRJXH6LU5LFKDUG%UDQVRQDQG 3UHVLGHQW%LOO&OLQWRQWRQDPHEXW a few. 7KH$ZDUGVZKLFKDUHKRVWHGDQnually by blubbering Carol VorderPDQ WDNHV SODFH DW WKH *URVYHQRU House on London’s prestigious Park Lane. Pride of Britain attracts an astonLVKLQJVHYHQPLOOLRQYLHZHUVHYHU\ \HDUZKLFKLVPRUHWKDQWKH%$)TAs or Brits. ,W KDV DOVR UHFHLYHG KXJH FRYHUage on ITV’s new morning show 'D\EUHDNWKH,79QHWZRUNWKHQDWLRQDO SUHVV QDWLRQDO DQG UHJLRQDO UDGLR DQG LQ QDWLRQDO PDJD]LQHV ZKLFKDOORZVDYDVWDUUD\RIQRPLnations to be collected from a wide YDULHW\RIVRXUFHV Nominations are also selected IURP WKH HPHUJHQF\ VHUYLFHV DQG YDULRXV YROXQWDU\ DQG FKDULW\ RU- Mon, Thurs, Fri on ITV1 A touching ending this week as Jack celebrates his birthday for the last time. 0ROO\ LV RYHUFRPH ZLWK JXLOW about baby Jack and lashes out DW .HYLQ 0HDQZKLOH WKH RSHQing of ‘The Joinery’ tests Peter and Leanne’s relationship and as their ZHGGLQJDSSURDFKHVLWDOOEHFRPHV too much for Nick. But after a sucFHVVIXO RSHQLQJ QLJKW ZLOO /HDQQH JLYHLQWRWHPSWDWLRQ" ganisations. A team of researchers then draw XS WKH VKRUWOLVW ZKLFK ZLOO EH UHYLHZHGE\WKHMXGJLQJSDQHOEHIRUH selecting the worthy winners. The judging panel this year includes X- Factor’s own Simon CowHOO793UHVHQWHU&KULVWLQH%OHDNOH\ DQG3DXO:LOOLVZKRLVWKHIRXQGHU of the awards and associate editor of the Daily Mirror. Categories for the awards range IURP FDUH ZRUNHUV FRXUDJHRXV FKLOGUHQ LQVSLULQJ WHDFKHUV DQG FDUHUV DV ZHOO DV PHPEHUV RI WKH HPHUJHQF\DQGPLOLWDU\VHUYLFHV Among last year’s winners included gutsy 69 year old Michael 6HHU\ ZKR ZRQ WKH 2XWVWDQGLQJ %UDYHU\DZDUGDIWHUEHLQJVWDEEHG in his local betting shop whilst tackling a robber. Inspiring Jake Peach was the winner of the Child of Courage award. 7KH\HDUROGKDGVSHQWDPRQWK LQDFRPDDIWHUEDWWOLQJFDQFHUDQG has managed to fundraise more WKDQ IRUKLVKRVSLWDO Tune in this year for more heart warming and astonishing stoULHV ZKLFK ZLOO DV 3ULQFH &KDUOHV TXRWHV ´ UHPLQGXV RI WKH FRPSDVVLRQ GHFHQF\ DQG FRXUDJH ZKLFKVWLOOH[LVWVLQHYHU\FRUQHURI the land.” Eastenders Mon, Tues, Thurs, Fri on BBC1 Max is pushed to the limit this week E\DQDQJU\+DUU\VRKHJHWV6FRWW to help him teach Harry a lesson. %XW ZKHQ +DUU\ VHHNV UHYHQJH ZKLFKRIWKHPZLOOSD\WKHSULFH" Ronnie prepares for her wedding GD\XQDZDUHKHUÀDQFpHKDVJRQH missing. As the guests start to arULYHLWEHFRPHVFOHDUKHLVQRZKHUH to be seen. Will Ronnie get her hapS\HQGLQJ" Emmerdale Weekdays 7pm on ITV John and Moira are shocked at the depths Holly is prepared to sink to and forces them to take drastic action. Rhona opens up her heart to 3DGG\EXWLVKHSUHSDUHGWREHWUD\ KLVEHVWIULHQG0DUORQ" -DFNVRQ UHFHLYHV VRPH HQFRXUDJLQJ QHZV EXW LV DQ[LRXV RYHU KLV upcoming treatment. When he has VXUJHU\KLVIDPLO\IDFHDWHQVHORQJ wait. Olivia-Marie Viveiros tv previews 0LVÀWV 7KXUVGD\SP( Hollyoaks Giles and Sue live The Good Life 0RQGD\SP%%& The Zoo 7XHVGD\SP,79 Ghosthunting with The Saturdays Monday 9pm, ITV 2 Weekdays 6.30pm on C4 0DODFK\ DQG 0HUFHGHV ÀQDOO\ GHFODUH WKDW WKH\ DUH EDFN WRJHWKHU EXW&KHU\ODQG/\QVH\ÀQGLWKDUG to deal with their feelings of hurt. Lee tells Leanne he doesn’t want to marry her because he has found someone else and Amber meets Finn with a pregnancy test. $ ÀUH ZUHDNV KDYRF RQ WKH YLOODJHOHDYLQJVRPHRIWKHUHVLGHQWV WUDSSHG:LOOWKH\DOOJHWRXWDOLYH" Neighbours BBC/SILVER RIVER 0LVÀWV returns to our screens this week with a brand new series. It IROORZV ÀYH VRFLDO RXWFDVWV ZKR ZKLOVWRQFRPPXQLW\VHUYLFHZHUH struck by a freak storm and consequentially acquired superpowers. .HOO\FDQKHDUSHRSOH·VWKRXJKWV Curtis can turn back time and Alisha sends people into a sexual frenzy at the mere touch of her skin. 6LPRQ FDQ PDNH KLPVHOI LQYLVLEOH DQG 1DWKDQ LQLWLDOO\ GLVDSSRLQWHG DW DSSDUHQWO\ KDYLQJ QR SRZHUV GLVFRYHUV TXLWH WKH RSSRVLWH ZKHQ despite the general belief that he LVGHDGKHDZDNHQVDOLYHDQGZHOO but unfortunately buried. $IWHU 1DWKDQ·V UHVFXH WKH HSLsode descends into a bloody catand-mouse game of hide-and-seek as a result of Simon’s public rejecWLRQRI/XF\·VORYH6KHWXUQVRXWWR DOVRKDYHJDLQHGVXSHUSRZHUVDQG XVHV WKHP WR SOD\ WKH PLVÀWV RII against each other. With all this and a strange masked man watching WKHLU HYHU\ PRYH WKH ÀUVW HSLVRGH RI WKH VHFRQG VHULHV LV GHÀQLWHO\ worth a look. 7RFHOHEUDWHWKHWKDQQLYHUVDU\RI KLWVVLWFRP7KH*RRG/LIH6XSHUVL]HUV Giles Coren and Sue Perkins VWHS EDFN LQ WLPH WR LQ DQ DWWHPSWWROLYHDOLIHRIVHOIVXIÀFLHQcy and recreate the lifestyle of the EHORYHG7RPDQG%DUEDUD ,Q DQ RUGLQDU\ VXEXUEDQ VWUHHW with the guidance of experts and DUFKLYH FOLSV WKH\ OHDUQ WKH VNLOOV DQGWHFKQLTXHVUHTXLUHGWRGLVFRYHU if 7KH*RRG/LIH is all it’s cracked up WR EH 7KH\ H[SHULHQFH HYHU\WKLQJ IURPWDFNOLQJFKLFNHQPLWHWRJUD]ing goats in the park. Giles and Sue also get to see how WKH RWKHU KDOI OLYHG H[SHULHQFLQJ ÀUVW KDQG WKH DIÁXHQW V OLIHVW\OH epitomised by the show’s next door neighbours Margot and Jerry. After the success of 6XSHUVL]HUV ZKLFKIROORZVDVLPLODUWUHQGRIDV 6XHKHUVHOISXWVLW´¶SXWWKHPLQWKH RXWÀW JLYH WKHP D ERWWOH RI YRGND and wheel them in front of the turNH\µWKHLUYHUVLRQRI7KH*RRG/LIH seems destined to be another T.V. hit. Marianne Spence Marianne Spence This week ITV is bringing 7KH =RR LQWRRXUOLYLQJURRPV6WDUWLQJWKLV 7XHVGD\DWSPWKHWKUHHSDUWGRFXPHQWDU\JLYHVDEHKLQGWKHVFHQHV insight into London Zoo. 7KH ÀUVW HSLVRGH IRFXVHV RQ WKH gorillas’ exhibit. Throughout the show we follow the story of MjukXX·V SRVVLEOH SUHJQDQF\ WKH KRSH is that a baby would increase tourLVWQXPEHUVEXWPRUHLPSRUWDQWO\ help boost the dwindling numbers of gorillas in the world. +RZHYHUWKHÀUVWHSLVRGHLVDOVR marred with sadness as we learn another Gorilla (Yeobahn) has become critically ill with heart failure. This causes heartbreak amongst the ZRUNHUV DQG ZH VHH KRZ GHYRWHG they are to the animals. After watching such a heartwarming show it is easy to see why JRULOOD NHHSHU 'DQ 6LPPRQV JDYH up a successful job as a city trader WR IXOÀO D OLIHWLPH DPELWLRQ 3HUKDSVDIWHUWXQLQJLQ\RXPLJKWKDYH a similar calling. They may be one of the nation’s PRVWORYHGJLUOEDQGVEXWKRZZLOO 7KH 6DWXUGD\V IDUH ZKHQ <YHWWH )LHOGLQJLQYLWHVWKHPWRHPEDUNRQ DQLJKWRIJODPRURXVJKRVWEXVWLQJ" ,WPD\ZHOOUHVXOWLQWHDUVWDQWUXPV DQGSRVVLEO\HYHQEURNHQQDLOV Watch with baited breath as the girls face their fears in three terriI\LQJ ORFDWLRQV WXFNHG DZD\ GHHS in the Welsh mountains. First up LV WKH NLWFKHQ EORFN UHQRZQHG IRU strange sightings and the sounds of FKDWWHUFRPLQJIURPHPSW\URRPV as well as the eerie clock tower. The hunt culminates at The ManRU +HUH WKH JLUOV LQYHVWLJDWH WKH location at which female entertainHUVSHUIRUPLQJDW7KH0DQRUKDYH complained of being harassed by DQHYLOSUHVHQFH :DWFKDQGGLVFRYHULI7KH6DWXUGD\V MRLQ WKHVH UDQNV RI WHUULÀHG HQWHUWDLQHUV DQG LI WKH\ FRSH ZLWK tears and fears any better than preYLRXV JXHVWV RI WKH VKRZ VXFK DV SRSULYDOV*LUOV$ORXG Weekdays 1.45pm & 5.30pm on Five $QGUHZ LV UHOLHYHG WKDW 3DXO LV awake and forces him to try and rePHPEHU WKH QLJKW KH ZDV SXVKHG OHDGLQJ 3DXO WR JLYH WKH SROLFH Diana’s name. But was it all it VHHPHG" Libby is disappointed that her parents are in contact with Lyn and Toadie. She attempts to make SHDFH ZLWK 7RDGLH EXW FDQ VKH JR WKURXJKZLWKLW" Home and Away Weekdays at 2.15pm & 6pm on Five Mitzy is rushed to hospital after she FROODSVHVWKHQ6LGEUHDNVWKHQHZV to her that she has an incurable brain tumour. Marilyn promises to EHWKHUHWKURXJKRXWEXWDQDFFXVDtion from Sid makes Mitzy furious. %LDQFD LV FRQIXVHG RYHU KHU IHHOings for Vittorio; she is attracted to him but can’t forget the fact he FKHDWHGRQKHU%XWDIWHUWKH\KDYH DWDONZLOO%LDQFDJLYHKLPDQRWKHU FKDQFH" Lynsey Fawcett 795DGLR(GLWRU Rosie Daly Marianne Spence THE COURIER Monday November 8 2010 35 Culture TV & Radio TV & Radio Editors: Lynsey Fawcett &Ellie Wilson - courier.culture-tv@ncl.ac.uk nsr radio highlights Nostalgic times this week for Newcastle Student Radio as we dismantled our studio and moved out of our home since broadcasting started way back in 1997 and headed for our new temporary headquarters in the Park Terrace Student Union (room G19). We are now fully functioning and broadcasting again with our delectable schedule of audible treats, both new and those which are more familiar. If you have yet to sample the range of our programmes, then may I suggest the varied Monday evening as a good introduction? The evening gets off to a strong start from 5pm with the trio of chatty Northerners, Bee, Rose and Maz who bring IRU\RXUJUDWLÀFDWLRQBee’s Banging Beats, a pick and mix of the best folk, electro and rock tracks old and new. This show stands out for the originality of one of its many beguiling features: ‘Bee’s Deep Bath’ where a soothing song is played for the listener to run a relaxing bath to. The show is structured around an alphabetical theme - this week featuring bands whose name begins with ‘D’. Following on in the thematic line Busy Doing Nothing with Louise Morris from 6-8pm presents music as far ranging as 1920s blues music to the most recent Scandinavian indie-electro tracks and everything in between, just as long as it links in with the wonderfully weird theme for the week. Past themes have included ’Fetishes’, ‘Product Placement’ and ‘Narrative Tracks’ with audience participation on Busy Doing Nothing’s Facebook group determining some of the songs played. A regular feature is the ‘Greek Myth of the Week’ as well as ‘Positive Subversion’ which looks at forms of creative rebellion such as guerilla gardening. So listen in and check them out. Louise Morris NSR Station Manager inter view Bleak Expectations Thursday 6.30pm, Radio 4 Jazz Festival Opening Night Friday 10.30pm, Radio 3 Mark Evans returns to BBC Radio 4 this autumn with his six-part series parodying Dickens, combining two of his most famous works, Bleak House and Great Expectations. The previous series introduced Philip, or Pip as he’s referred to, and his two sisters Poppy and Pippa, when their seemingly idyllic life was turned upside down by the death of their father, along with the madness of their mother. As a result, their malicious guardian, Mr. Gently Benevolent, sent the children to be incarcerated in different boarding schools. With the help of their friend Harry Biscuit, son of the inventor of the biscuit, they manage to escape the clutches of Benevolent and imprisonment. Now, returning for a fourth series, Pip once again meets Gently Benevolent, who’s locked up in jail and apparently remorseful for all his crimes. However, whilst walking at night, Pip is attacked and comes to realise that a new wave of crime is occupying the streets of London. Wanting to remedy this, he enlists the help of his imprisoned nemesis. In the meantime, Ripely - Pip’s wife - is engaged in more pressing matters; namely her obsession with cutlery, which is driving Pip closer and closer to bankruptcy. A hilarious and well constructed take on Dickens, I thoroughly recommend it to everyone. To celebrate the beginning of November, the capital gets ready for one of its largest yearly music festivals: The London Jazz Festival. It returns for ten days of music, workshops and plenty of stuff you wouldn‘t necesarily expect from a mainly jazz orientated event. 2Q LWV ÀUVW HYHQLQJ %%& ¶V -H] Nelson will host a special edition of his show Jazz on 3 to launch this year‘s festival. The show, broadcasted live from Ronnie Scott‘s famous jazz club in Soho, will give a great taster of what is to come; presenting performances from several high-class acts of the jazz scene such as the Soul Rebels Brass Band from New Orleans and the saxophonist Chris Potter, there will be a lot of exciting acts to listen to. In the 18th year of its existence, the London Jazz Festival features a broad range of young artists like jazz singer Louise Golbey and saxophonist Trish Clowes, as well as ‘veterans‘ like John Etheridge, Jon Hendricks and the Harlem Gospel Choir. A broad range of workshops and unusual creative events will take place; those include a musical version of a Guardian issue and a culinary experiment. So practice your jazz hands and let the brass instruments blow your mind away! Lisa Bernhardt Ayse Djahit comment As a regular viewer of the hit comedy panel show Would I Lie To You, I got extremely excited when I heard that comedian Lee Mack was coming to Newcastle City Hall to perform some stand up. He is without a doubt the funniest one on the show, as he uses his boyish charm to mock the guests, as well as regular David Mitchell. His razor sharp wit with the contestants and banter with the audience ensure that, if you watch Would I Lie To You, you will be craving more and joining me to go and see him live! His hit show Not Going Out features some of his classic humour; he delivers clever jokes that will make you wonder why you did not discover him earlier! Go and get some tickets and laugh like you’ve never laughed before. Newcastle City Hall is not only hosting comedian Lee Mack but a few other well known faces as well. Jason Manford is one of the best up and coming comedians. He continues to appear on the hit show 8 out of 10 cats as team captain and makes guest appearances on more comedy panel shows, where he has proved his skills as a stand up comedian. Having watched him make quick witted one liners and inject humour and fun into his performance, I’d say he was worth going to see. (Appearing at Newcastle City Hall November 19th and 20th) Classic comedian Jimmy Carr is back with laughter therapy, where you are certainly guaranteed some laughs. Resuming his position as host of the successful show 8 out of 10 cats, Jimmy never hesitates to take his humour too far. Be prepared for some outrageous comedy when going to see Jimmy Carr. (Appearing at Newcastle City Hall 26th and 27th November) With plenty of great comedy to choose from and look forward to this winter you have no excuse to stay at home! Maria Moffatt tweets of the week Jedward We are twins! But you are all twins too! Say hello to your shadows. Jason Manford D’oh! Was searching for my phone just now whilst talking to my dad, on the phone. Sarah Millican If you watch those “Look at the state of you” diet shows on mute, they’re like lovely cookery programmes. With more pies Louie Spence Oops, Freudian slip of the hand!! Miranda Hart My house smells of egg. I mean I had an egg earlier but I never thought that egg could be quite so eggy on a return to the house. Dermot O’Leary Got the boys coming around for a sausage fest tonight.... Hang on that didn’t come out right. Kanye West Please go pre order Kid Cudi’s album. He is my favorite living artist and not just cause he’s on my label. Ellie Wilson and Emma Rowles speak to Diva Fever at Powerhouse following their The X Factor exit The crowd packed onto PowerKRXVH·VGDQFHÁRRUIRU'LYD)HYHU·V performance went understandably wild as Joe and Craig bounced onto the stage. Everyone belted along as Diva Fever sang their own version of Duck Sauce’s ‘Barbra Streisand’, the Tina Turner classic ‘Rolling on the River’ and ABBA’s ‘Lay All Your Love on 0H·ÀQLVKLQJZLWKDJUHDWUHQGLWLRQ of Gloria Gaynor’s ‘I Will Survive’. They seemed to have unlimited energy and worked the audience brilliantly; there was barely a hand left unheld. The song choices were perfect, everyone seemed disappointed to see them leave the stage. Afterwards we caught up with them to see what they had been up to since The X Factor. Craig told us, “We’ve been doing a lot of gig, just getting around, seeing the fans and having a laugh with everyone.” Joe added, “We’re still with the management of The X Factor, doing as much work as possible and getting ourselves out there, we’re hoping to be on the live tour but they haven’t decided who’s on it yet.” When asked about being in the bottom three, Joe told us that they had got on best with Storm. “When we left together is was quite good, we left with a good friend.” Diva Fever were known for their lurid costumes and big performances, but how much of that was up to them? Craig answered, “We got no input at all with our performances, we didn’t get a choice in what we sang or wore, we were advised on everything.” When asked who their favourite judge was apart from their mentor Simon, there was only one answer. Dannii Minogue. “She’s made a living from the Pink Pound so she was a great champion of ours throughout the competition.” Joe and Craig both agreed that One Direction and Mary have very good chances of winning the competition. “They all have such great support behind them that they are bound to do well. When Simon talks about One Direction you can practically see the dollar signs in his eyes!” With the ups and downs of a major music competition like The X Factor IURP ÀUVW EHLQJ UHMHFWHG DW the judges’ house stage, to being brought back as a wild card, to being voted off the live shows – would Diva Fever go through the experience again? Joe answered, “No, never. It’s called a once in a lifetime experience for a reason. I think it’s aged me about 30 years, honestly, I look haggard! Grey hairs, crows’ feet, the lot.” Finally, we asked them the questions that Jeremy Paxman wishes he could ask his interview subjects: If you were an animal, what would you be? Craig: An orang-utan, because I’d say I’m the same colour as one! Joe: I’d be a black widow, I’m dangerous. Eating the men up after I’m ÀQLVKHGZLWKWKHP If you could have any superpower, what would it be? Joe: Invisibility, then I could rob a EDQNDQGQRRQHZRXOGÀQGRXW Craig: To be able to undress men with my eyes! Always popular: Diva Fever were a huge hit with the crowds at Powerhouse last week Monday November 8 2010 THE COURIER 36 Puzzles Culture puzzles Puzzles Editor: Andy Pitkeathley - courier.puzzles@ncl.ac.uk crossword ACROSS 1. Fleshy red summer fruit (10) 8. Alton Towers famous rollercoaster/state of being forgotten (8) 10. South-west US State (7) 13. Chemical symbol for silver (2) 14. Type of cloak with hole cut in for head (6) 16. ___ Kelly, Australian outlaw (3) 17. The Big Apple (3,4) 19. Immoral, harmful or generally bad (4) 20. Talk, speak (5) 23. Body of water between Britain and Scandinavia (8) 24. Small wooded hollow area (4) 26. Norway’s capital (4) 6RPHRQHZKRÁHHVIURPFXVtody or bad situations (8) 30. Group of singers (5) 31. Moderate (4) 32. Someone who loves their country (7) 35. US television network company (3) 37. Type of lizard (6) 40. Breakfast cereal manufacturer (7) 41. Canary Island (8) 42. Someone who communicates their products in print or broadcast media (10) DOWN 2. Caribou (8) 3. U2 lead singer (4) 4. John Lennon’s wife (4) BBBBBB6WRQHÀOPGLUHFWRU 6. Hairpiece (3) 6ZLPPLQJZLWKDPDVNDQGÁLSpers (11) 9. Change, become different (4) 11. Choices (7) 12. Social insect (3) 15. Thumbing a lift (11) 17. Arch-enemy (7) 18. Monster (4) 21. Games involving violence against animals (11) 22. Cold air current coming into a room (7) 25. Base-ten numbering system (7) 27. Christian period of fasting before Easter (4) 29. Embarrassed and angry aid agency (8) 30. Aunt’s child (6) 33. Grain food (4) word link Last week’s crossword answers sudoku word steps Find the word that can be placed between these words to make two new words or phrases BOOK LIFE WRIST OUT TIE UP WALL WEIGHT RACING WASH phone in 34. Deciduous tree (3) 36. Sweetener (5) 37. Notion (4) 38. Close by (4) 7\SHRIDFLGWKDWLGHQWLÀHV individual animals (3) 7KHDLPRIWKLVSX]]OHLVWRÀOOHDFKER[VRWKDW each column, each row and 3×3 grid contains the numbers 1-9 just once. :RUN\RXUZD\GRZQWKHVWHSVIURP%8//WR7,0( E\ÀOOLQJLQHDFKVWHSZLWKDJHQXLQHIRXUOHWWHUZRUG As you take each step change one letter of the previous word keeping the rest of the letters in the same order. BULL TIME The clues below will help but they may not correspond to the order of the steps. ACROSS DOWN 3. 7327 5. 672643 6. 73224 1. 62646 2. 27753 4. 226262 Use the clues and the keypad to ÀQGWKHDQVZHUVWRWKHJULGXVLQJ the week’s theme to help you. For H[DPSOHWKHQXPEHULQDFOXH could be D, E or F. This week’s theme is fruit. Clues 0DWHULDOXVHGRQZDOOVDQGURRIVPDGHLQDQRYHQ :KHUH\RXSD\IRUJRRGVRUJURFHULHV 0RQH\WREHSDLGXVXDOO\DWDUHVWDXUDQW Last week’s Sudoku answers andy’s number cruncher Keep your brain in shape by trying to complete these sums as fast as you can without using a calculator EASY -11 Square Divide Cube by 9 this this +44 Divide Cube by 4 root = MEDIUM Last week’s phone in answers logical 17 x3 +13 Square Multiply Divide Square root root by 12 by 6 x15 = HARD 17 Divide 3/5 of by 0.2 this -17 75% of Square Divide Divide this this by 16 by 0.3 = :KDWGRHVWKLVVD\" logic problem 7ZRIDWKHUVDQGWZRVRQVJRÀVKLQJ7KH\DOOFDWFKDÀVKEXWRQO\ WKUHHÀVKDUHFDXJKW:K\" answers Word Steps: Bull, Bill, Till, Tile, Time Number Cruncher: Easy = 3, Medium = 60, Hard = 24 Word Link:6KHOI:DWFK3LQ 3DSHU&DU Last week’s Logic Problem: He is 52 she is 39. Last week’s Logical: Long time no see. 17 THE COURIER Monday November 8 2010 37 David Haye vs Hurricanes feel Audley Harrison the Loko-motion Preview SportsEditors: Editors: Paul Christian, Gavin Tom James - courier.sport@ncl.ac.uk Sports Paul Christian, JamieJamie Gavin and Tomand James - courier.sport@ncl.ac.uk Sports Editors: Jono Taylor, Wills Robinson and Kat Bannon - courier.sport@ncl.ac.uk > Intra Mural Football, page 40-41 > Sport, page 38 Once a Lion, always a Falcon Sports Editor Wills Robinson talks to Newcastle Falcons Director of Rugby Alan Tait about his VLGH·VPL[HGVWDUWWRWKHVHDVRQDQGWKHLQFUHDVLQJLQÁXHQFHRIPRQH\ZLWKLQ5XJE\8QLRQ There are not many sportsmen, let alone rugby players, who can say they have moved from one professional sport to another and then back again. A British Lion in both 5XJE\ /HDJXH DQG 5XJE\ 8QLRQ Alan Tait has had a colourful career; he was a member of the famous Lions team that won the 1997 test series in South Africa and took part in both the 1994 and 1995 Challenge &XS ÀQDOV 7KH 6FRW KDV DOVR ZRQ 27 caps for his country and learnt his trade as a professional player in the North East as a Falcon. So far, as the Director of Rugby at his former club, his tenure has been littered with a series of mixed results, with a win against London Wasps earlier in the season being pushed to the background in light of recent results. Despite his side being second from bottom in the Aviva Premiership, he now has a couple of weeks of LV Cup rugby to get the team back on its feet. The question is though, have they forgotten how to win? “I would hope not, I won’t keep preaching about it. We all know what it does to the morale and ZLQQLQJ GRHV EXLOG FRQÀGHQFH RU whatever, but I believe these lads have been close enough in these games to believe that a win is coming around the corner. It’s not as if we’ve been blasted away. Certainly Saturday against Northampton, we OHW LW JR LQ WKH ODVW ÀIWHHQ PLQXWHV with a couple of bad decisions, and the last try we let in was because we were trying to play rugby to get a bonus point, so I’m not going to knock the guys for that. We’ve never been far off in games, I just hope that their luck turns. I go home and I feel sorry for these guys and it makes me frustrated. I want it to happen for this team because of the work they put in, with the spirit they have they deserve some success, you just have to take the luck when it comes, and we just aren’t getting enough of it. I’m not going to complain or whinge about it, but with the hard work that everyone puts in at the club, it will come.” The ex-Scottish international also sees the LV Cup as an opportunity for some of the younger and more inexperienced squad players to get a run out. This also comes as squads from both England and Wales will have their stars missing whilst the autumn Internationals are in full swing. “It’s a great opportunity for the young lads. Teams do have very big squads now, and a lot of our extra players are youngsters. That’s how the Celtic League thrives, because they have to deal with these times where the international players are away on international duty a lot. There’s no pressure on these games because there’s no relegation and they can throw all these youngsters in there to get exposure, and this is a chance for our youngsters to get their foot on the ladder and come out at Kingston Park or next week down at Harlequins. I think I’d like to see more opportunities for the young lads, but unfor- After being a British Lion in both Rugby League and Union, Alan Tait’s latest challenge is to achieve Premiership survival with the Newcastle Falcons tunately we don’t get many. It’s a bit of a change for our lads, coming off from playing in that A-team, it’s a good standard. But they will still need to step up a bit more from what they are used to.” The LV Cup doesn’t just contain the rivalry that an everyday domestic game does, as teams look to hold on to the bragging rights in the Anglo-Welsh rivalry - which is no doubt one of the hottest in the world. “There is a bit of rivalry there, with any premiership club it’s massive. We know there is an extra bit of spice in there because of the WelshEnglish rivalry, we want to rely on the Falcons to get the results. We want to do well in this competition, but we do have priorities with the Aviva Premiership with regards to all our big players coming back.” Aside from the Falcons, and in relation to our article ‘What a Wayne to make a living’ last week, Alan agreed when asked if English salary caps are damaging the sport. In recent years, the Falcons have lost the likes of Jonny Wilkinson, Carl Hayman and Jamie Noon to clubs in France, where wealthy investors are turning French rugby into a mirror image of English football. However, he did have sympathy for the players who opted for pastures new when offered more money: “The market changes - if you’re prepared to move around over Europe and the offer is there then fair play. I mean, I was a player myself, I have nothing against players going for the highest bid. If you are well sought after and you can demand those sort of prices then fair play to you. I mean, that’s always the case in sport, usually the dollar gets the man.” “If you are well sought after and you can demand those sort of prices then fair play to you. I mean, that’s always the case in sport, usually the dollar gets the man” Rugby players changing clubs has become more commonplace in the last few years, with the likes of Jason Robinson, a former league star, being part of the England World Cup winning side in 2003. The former Widnes and Leeds player VSRNH RI WKH ÀQDQFLDO GLIIHUHQFHV between the two codes of rugby: “The difference is that Rugby League is very much based on results and performance. You do get your set contract, but it’s as much about bonuses and winning matches, and that’s how the players JHWWKHLUPRQH\,Q8QLRQLW·VDELW different. Bonus schemes weren’t brought in to the system and its very hard to implement, so they look for guaranteed contracts and base it around that structure.” Even though England kicked off their international campaign last week, Scotland and Andy Robinson will have to wait until this weekend where they match up against the mighty All Blacks, who recently showed their sheer strength and depth after a crushing Tri-Nations victory. Being of Scottish blood himself, Tait gives his views on Scotland’s chances. “Scotland is rugby nation where their instinct is ‘backs against the wall”. I coached them for eight years, and we had some great times, beating the likes of England and South Africa. However, your backs are always against the walls. You’ll get a group of players that are really world class players and you know you can compete, but if you get a few injuries you know you’re down a bit. We are one of these sides that just don’t have the numbers to hold themselves up as one of the top ranked teams in the world over a long period of time. 6FRWODQG ZLOO ÀQG D IHZ SOD\HUV every now and then and will go on a good run. They have had injuries which are unfortunate, but they do have a good group of players. They always play with passion when they are on their home patch. Hopefully they can keep that going - it’s always a tough challenge against New Zealand, but one that we must approach with optimism”. Finally, the majority of rugby fans, no matter how old you are, will remember Jeremy Guscott’s drop goal that clinched a historic series win for the Lions in South Africa in 7DLWDIWHUUHWXUQLQJWR8QLRQ was picked for the squad following his international form. However, despite what some may think, he highlighted other reasons why they tasted success in the series: “I think Jerry’s kick was a oneRII LW ZDV D ÁDVK ,W ZRQ XV WKH game and everyone was ecstatic, but I think if you had to go by the kicking it would have been Neil Jenkins’ display. He’s the best goal NLFNHU ,·YH EHHQ RQ WKH ÀHOG ZLWK and he was absolutely phenomenal. I played alongside Jonny Wilkinson when he was a youngster as well, but I just think Jenkins was unbelievable in his accuracy and the way he went about his business. He kicked the penalties that day, with some pretty tough ones as well. I think his boot was as memorable as Jonny’s drop goal. As I said though, both were fantastic times, and will go down in history for all British Lions fans”. 38 Monday November 8 2010 THE COURIER Sport Haye vs Harrison preview A-Force to be reckoned with? With Haye and Harrison set to lock horns on Saturday night, Harry Slavin and Jimmy Booker have their say ahead of the title bout Jimmy Booker In the red corner is a cocky South Londoner at the top of his game, and the reigning WBA Heavyweight Champion Of The World. In contrast, an ageing, former Olympic Gold medallist is quivering in the blue corner, frightened that a defeat will spell the end of his boxing career. 0DQ\WKRXJKWWKLVÀJKWZRXOGQ·W ever happen. But here it is. Two former friends beating the life and soul out of each other in the heart of Manchester to the delight of a large, blood-thirsty crowd. David Haye, as expected, is certainly not playing down his chances. ‘The Hayemaker’ has vowed to “beat him...humiliate him...destroy KLPDQG UHWLUH KLPµ &RQÀGHQW words from an unquestionably FRQÀGHQWPDQ Haye is very good at the talk, and probably knows the callous inappropriateness of some of his comments, but has chosen not to apologise. Probably all part of the Haye mind games that fans of boxing and, indeed, those less familiar with the sport, have become accustomed to preceding one of the HayHPDNHU·VÀJKWV There’s no doubt that, even for D SUHÀJKW ER[HU +D\H KDV D ORW to say. However, as he himself has been quick to point out on a number of occasions, he has certainly proved time and time again that he walks the walk. He has only one professional loss to his name, that to experienced tactical Mancunian Carl Thompson when he was an up-and-coming youngster in the sport. Haye has since gone from strength to strength, and has acknowledged in the past that he learned a great deal from his only taste of defeat. The statistics of the two ‘Best of Enemies’ are, by comparison, not vastly mismatched, although Haye has the edge and the evidence certainly suggests he is the better ÀJKWHU +DUULVRQ LV WKH ELJJHU DQG heavier of the two, with a much longer reach, but Haye has already proven that size doesn’t matter. His title-winning victory over the seven-foot Russian ‘monster’ Nikolai Valuev, who was nearly a foot taller and seven stone heavier than Haye, proved that David, much taller than the Biblical David at six foot three, really could slay Goliath. According to Haye, Valuev Harry Slavin Cast your mind back to the summer of 2000 and the 27th Olympic Games in Sydney, Australia. A man by the name of Audley Harrison was setting the world alight with his dazzling performances in the boxing ring, coasting his way to the Super Heavyweight Gold medal, demolishing a hapless Mukhtarkhan Dildabekov by 30 points to 16 in a oneVLGHGÀQDO Fast forward eight years however, and Audley has already found himVHOILQWKHREVFXULW\RIELJÀJKWXQder-cards, lost in the mire of what is one of the world’s most hostile and unforgiving sports. But Audley, through sheer perseverance and a large dose of luck, has found his way back into the spotlight of Boxing. There would be no better way to re-announce himself than by defying the critics and beating David Haye this weekend. Winning the proved a bigger test than anything that he will face in Manchester this weekend. +D\HKDVDKLJKHUYLFWRU\WRÀJKW ratio than Harrison, fewer defeats, more knockouts, and is much quicker and agile around the ring. Despite Harrison’s size, these are the stats that really matter. Harrison himself has tried the talk, and some may argue that his jibes have struck a bit of a chord with Haye. Whenever Harrison has suggested that he has the advantage, +D\HKDVELWWHQEDFNZLWKDÁXUU\ of mockery and derision directed at his former friend, sparring partner and drinking buddy. “Haye has already proven that size does not matter” Harrison will surely be delighted at the way his unfounded comments have rattled the Heavyweight Champion. However, most experts EHOLHYH WKDW LW ZLOO EH +D\H·V ÀVWV QRW LQVXOWV WKDW ZLOO EH ÀUHG +DUrison’s way left, right, and centre come Saturday evening. Haye is not a junior any more, and has learnt from the naivety and complacency of his youth. He LVQRZDIRUPLGDEOHÀJKWHUDQGDQ experienced champion at the peak of his game. He knows he is heavily fancied in the clash, and all the experts and pundits of the sport are backing him to comprehensively beat the ‘A-Force’. Despite his petulant and often personal insulting of Audley Harrison, Haye should win in style. +D\H ÀQGV KLPVHOI ZLWK D SULFHless opportunity; if he is victorious on Saturday night, he will not only VHWKLPVHOIXSZLWKDOXFUDWLYHÀJKW against one of the Klitchsko brothers, but will also end Harrison’s career. Many would point to Harrison’s Olympic Gold medal as something RIDÁDVKLQWKHSDQZKHUHDV+D\H has a superb record in all divisions of the sport. In the words of +D\H KLPVHOI ´0\ FRQÀGHQFH LV grounded in reality, truth and actual achievement, as opposed to delusions of grandeur”. Harrison is in trouble on Saturday night. I fully expect Haye to be sipping on an ice-cold beer in the afterparty before the twelve rounds are up. Harrison will be tucked up in EHGUHÁHFWLQJRQWKHGUDPDWLFHQG of his boxing career. This weekend sees David Haye defend his WBA Heavyweight Championship title against his former friend Audley Harrison WBA Title in his home country is something that Audley is convinced he can achieve on Saturday night. Admittedly, it has been a bumpy ride for Harrison back to the top of British boxing. His professional career got off to a great start with the BBC offering him £1 million for the ULJKWV WR WHOHYLVHKLVÀUVWERXWV What he won’t be so proud of is the IDFW WKDW KLV RSHQLQJ ÀJKWV DUH WKH reason the BBC refuses to show live boxing anymore. Nevertheless Audley decided to shake off the BBC shun by branding them as ‘racist’. A bold move, and one which appeared to backÀUH UHVXOWLQJ LQ KLV EULJKW FDUHHU being cast into some sort of boxing limbo. His career has now been kick started by a few ‘last chance’ antics, most notably his triumph in the Sky 6SRUWV¶3UL]HÀJKWHUVHULHV·+RZHYer there is the impression in boxing circles that A-Force is still sat in the last chance saloon and a devastating, humiliating loss to Haye could yet see his career go up in smoke. It is common knowledge that David Haye is widely fancied to ZLSH WKH ÁRRU ZLWK +DUULVRQ EXW there is a feeling that A-Force has been written off all too quickly. It is plain to see that both Haye and Harrison have enormous amounts of courage and bravery. However ZKHQORRNLQJEDFNDWUHFHQWÀJKWV it becomes clear that Harrison’s bravery, courage and determination is on a whole different level compared to the Hayemaker’s. In Haye’s defeat of Nikolai Valuev for the WBA world heavyweight title, he fought through the majority of the rounds with a broken hand. Impressive I hear you mutter, but in all honesty most people had Haye down as having lost the match on points - despite his one punch that startled Valuev in the seventh. Haye’s tactics in the 11 previous rounds resembled a scene out of ‘Lord of the Rings’, where hobbits play hide and seek with big trolls. If you really are looking for something impressive though, then check out A-Force’s latest triumph over his nemesis Michael Sprott. Having torn muscles in his shoulder earlier LQ WKH ÀJKW D RQH KDQGHG $XGOH\ pulled out a left hand deep in the ÀQDO URXQG WKDW ERXQFHUV LQ 7LJHU can only dream of. Haye appears to be overlooking the power that Audley possesses. The early talk was all from Haye, about how Harrison is undeserving of the opportunity and how he’s JRLQJWRGURSKLPWRWKHÁRRULQWKH early rounds. However it is clear that A-Force can take punches and he has shown he can last 12 rounds under the cosh. Audley has towards the end of the build-up tried his hand at a little talk, and surprisingly to everyone, it looks to be effective. The humiliating story of being dropped by your sparring partner is one that no boxer wants to deal with. Harrison’s persistence that Haye was knocked down by his partner Tony Thompson, whether it be true or not, has clearly rattled the incumbent champion, and there are signs that Haye is beginning to feel the pressure. Haye has everything to lose on Saturday night - Audley in contrast has nothing to lose. $)RUFH·VSUHSDUDWLRQIRUWKHÀJKW has been gruelling and isolated, but commentators state that by using a training camp in the mountains of the USA, he is showing focus and real self-belief. Harrison states that he will give Haye the match of his life and destroy his ego. Haye has called Harrison ‘delusional’ and ‘lucky’ to even have the chance to compete for the title, but this has only served to fuel Harrison’s desire. Delusional or not, it only takes one man to believe that on November 13, A-Force will be the new Heavyweight Champion of the World. As long as that one man is Audley Harrison himself, then there may well be a big upset in the world of boxing this weekend. THE COURIER Monday November 8 2010 39 Intra mural Sport Lawyers punish sorry Leazes M. SPENCE Intra Mural Football Division 1 Barca Law Na Castle Leazes 5 0 Jimmy Taylor at Heaton $ GRPLQDQW %DUFD /DZ 1D SHU IRUPDQFHFUXVKHGDEHORZSDU&DV WOH/HD]HVRXWÀWDVWKH\UDQULRWWR UHFRUGWKHLUELJJHVWHYHUZLQLQ,Q WUD0XUDOIRRWEDOO 2Q D EOXVWHU\ GD\ DW +HDWRQ LW ZDVWKH/DZ\HUVZKRWRRNDOOWKUHH YDOXDEOH SRLQWV DIWHU D VHQVDWLRQDO GLVSOD\7KHODWHVWGHIHDWZDVDFUX HOEORZIRU/HD]HVZKRKDYHQRZ ORVWÀYHRXWRIWKHLUODVWVHYHQ,QWUD 0XUDOHQFRXQWHUV 7KH HDUO\ H[FKDQJHV ZHUH YHU\ HYHQ ZLWK ERWK VLGHV ORRNLQJ WR JHWWKHEDOOGRZQDQGSOD\ÁRZLQJ IRRWEDOO 7KHUH ZHUH QR FOHDUFXW FKDQFHV ZLWK DQ RSWLPLVWLF ORQJ UDQJH HIIRUW IURP -DFN 0HOORU WKH FORVHVWHLWKHUVLGHFDPHWREUHDNLQJ WKHGHDGORFN +RZHYHU LW ZDV QRW ORQJ EHIRUH %DUFD /DZ 1D EHJDQ WR SUHVVXULVH WKH/HD]HVGHIHQFHDQGWKHEUHDN WKURXJK FDPH DIWHU MXVW PLQ XWHV$ÁRZLQJPRYHGRZQWKHOHIW IRUFHG D FRUQHU DQG DIWHU /HD]HV IDLOHG WR GHDO ZLWK WKH LQLWLDO GH OLYHU\WKHEDOOZDVSRNHGLQWRWKH EDFN RI WKH QHW E\ D MXELODQW 1LFN 0RVV 7KHJRDOVKRXOGKDYHEHHQHQRXJK WRDQLPDWHDVWDWLF/HD]HVWHDPEXW %DUFD QHDUO\ GRXEOHG WKHLU OHDG PRPHQWV ODWHU $ FOHYHU WKURXJK EDOO IURP &U\HU IRXQG 9DOHQ]LD LQ DFUHV RI VSDFH EXW KH VTXDQGHUHG KLVHIIRUWIURPFORVHUDQJH ,WZDVQ·WORQJXQWLO%DUFDKDGWKHLU WZR JRDO FXVKLRQ ² D GHWHUPLQHG UXQIURP%DJRWLQWRWKH/HD]HVSHQ DOW\DUHDFDXJKW-DPLH/HYUDQWRXW RI SRVLWLRQ DQG DV WKH /HD]HV OHIW After a crushing defeat to Barca Law Na, Leazes have now lost 5 out of their last 7 games, while the lawyers sit third in the league EDFN WULHG WR UHFRYHU KH WULSSHG %DJRWOHDYLQJWKHUHIHUHHQRFKRLFH EXW WR DZDUG D SHQDOW\ 7KH VSRW NLFNZDVGXO\GLVSDWFKHGE\&U\HU SDVWWKHGLYLQJ(G1DQJOH 7KH%DUFDIDQVGLGQ·WKDYHWRZDLW ORQJ IRU WKHLU WKLUG ZKLFK FDPH MXVW EHIRUH KDOIWLPH -LPP\ 7D\ ORU ZDV DGMXGJHG WR KDYH SXVKHG -DPLH+XUZRUWKRQWKHHGJHRIWKH DUHD DQG WKH VWULNHU SURGXFHG D ÀQHFXUOLQJIUHHNLFNZKLFKQHVWOHG LQWKHERWWRPFRUQHURIWKHQHW $VWKHUHIHUHHEOHZIRUKDOIWLPH 3HDUVRQWULHGWRUDOO\KLVWURRSVE\ EL]DUUHO\ SURGXFLQJ D 3KLO %URZQ HVTXH WHDP WDON +H RUGHUHG KLV WHDPWRDSSODXGWKHLUIDQVIRUPDN LQJ WKH MRXUQH\ WR +HDWRQ EHIRUH UHIXVLQJ WR DOORZ WKHP LQWR WKH FKDQJLQJ URRP DQG LQVWHDG GHOLY HULQJKLVWHDPWDONRQWKHSLWFK 7KH ÀHU\ WHDP WDON DSSHDUHG WR KDYHKDGDSRVLWLYHHIIHFWRQ/HD] HV ZKR VWDUWHG WR NQRFN WKH EDOO DURXQGZLWKDELWPRUHFRQÀGHQFH ,W ZDV FOHDU WKDW WKH\ QHHGHG DQ HDUO\ VWULNH LQ WKH VHFRQG KDOI LQ RUGHU WR IRUFH WKHLU ZD\ EDFN LQWR WKH FRQWHVW DQG WKLV FKDQFH FDPH DIWHU PLQXWHV ZKHQ WKH\ ZHUH DZDUGHGDIUHH NLFN \DUGV RXW 'DYH 0DFPLOODQ·V IUHH NLFN KLW WKH ZDOODQGWKHEDOOUHERXQGHGWR3HWH &DUPRG\ZKRVHFURVVZDVKHDGHG RYHUE\0HOORU $Q\ KRSH RI D /HD]HV FRPHEDFN ZDVHQGHGRQWKH KRXU PDUN DIWHU D PLVWDNH IURP 3HDUVRQ DOORZHG -DPLH +XUZRUWK WR EHDU GRZQ RQ JRDO DQG KLV FKHHN\ EDFN SDVV IRXQG1LFN0RVVZKRÀQLVKHGHP SKDWLFDOO\ 7KH RQO\ SRVLWLYH WR FRPH RXW RI D GLVPDO /HD]HV SHUIRUPDQFH ZDV WKHLQWURGXFWLRQRIFDSWDLQ0DWW(O ODPVZKRUHWXUQHGIURPKHDUWVXU JHU\ODVWZHHN+LVEOLVWHULQJSDFH RSHQHGXSWKH%DUFDGHIHQFHRQO\ IRU0HOORUWRVKRRWZLGHIURPWZR \DUGVRXW /HD]HVSUHVVHGIRUZDUGLQVHDUFK RIDFRQVRODWLRQJRDOEXWWKLVRQO\ OHIW WKHP IXUWKHU H[SRVHG DW WKH EDFN DQG -DPLH +XUZRUWK WRRN IXOODGYDQWDJHWRFRPSOHWHWKHURXW ZLWK WHQ PLQXWHV OHIW RQ WKH FORFN $ /HD]HV FRUQHU ZDV FOHDUHG E\ )HQWRQ DQG +XUZRUWK ÀQLVKHG FRRO\ KDYLQJ IRXQG KLPVHOI LQ D RQHRQRQHVLWXDWLRQ 7KH IXOO WLPH ZKLVWOH FRXOGQ·W FRPHVRRQHQRXJKIRU/HD]HVZKR ZHUH OHIW VWXQQHG E\ D GRPLQDQW %DUFD /HD]HV ZHUH VXEMHFWHG WR WKHLU WK ORVV LQ VHYHQ JDPHV LQ DOO FRPSHWLWLRQV DQG ZLOO QHHG WR UHVSRQG VWURQJO\ LQ RUGHU WR NLFN VWDUWWKHLUVHDVRQ Haywood heads Joy for Hendo as Dyslexic Aftermath success GHIHDWHGLQÀYHJRDOWKULOOHU Intra Mural Football Division 2 Ecosoccer Aftermath 1 2 Jonny Jaconelli at Redhall ,Q D JDPH WKDW VWDUWHG EULJKWO\ IRU (FRVRFFHU LW ZDV $IWHUPDWK ZKR WRRN WKH VSRLOV ODVW :HGQHVGD\ FRPLQJIURPDJRDOEHKLQGWRWDNH DYLFWRU\ (FRVRFFHU VWDUWHG WKH EHWWHU RI WKHWZRWHDPVSOD\LQJVRPHJRRG IRRWEDOO DQG VKRZLQJ JUHDW FRQÀ GHQFH$IWHURQO\WHQPLQXWHVWKHLU HDUO\ GRPLQDQFH SDLG RII ZKHQ VWULNHU .H] .DUDPGDG ODWFKHG RQ WRDWKURXJKEDOODQGXVHGKLVVKLQ WR FOHYHUO\ ORRS WKH EDOO RYHU WKH VWUDQGHG$IWHUPDWKNHHSHU (FRVRFFHUFRQWLQXHGWRSUHVVWKHLU RSSRQHQWV EXW WKDW DOOLPSRUWDQW VHFRQG JRDO HOXGHG WKHP $IWHU PDWK ZKR ZHUH XQGHUVWDQGDEO\ GLVKHDUWHQHGWRJREHKLQGVRHDUO\ RQ EHJDQ WR WKUHDWHQ DQ HTXDOLVHU WRZDUGVWKHHQGRIWKHÀUVWKDOI$ VWULQJRIÀQHVDYHVIURP(FRVRFFHU VWRSSHU3DXO+HJDUW\HQVXUHGWKDW WKH KRPH VLGH ZHQW LQWR WKH EUHDN ZLWKDVOHQGHUDGYDQWDJH $W KDOI WLPH WKH UHVSHFWLYH PDQ DJHUV -RQQ\ -DFRQHOOL DQG &KULV +D\ZRRG UDOOLHG WKHLU WURRSV DQG ERWK EHOLHYHG WKDW YLFWRU\ ZDV LQ WKHLUVLJKW+D\ZRRG·VZRUGVKRZ HYHU SURYHG WKH PRUH LQVSLULQJ DV $IWHUPDWK VWDUWHG WKH VHFRQG KDOI GRPLQDQWO\ DQG FRQWLQXHG WR SXW UHOHQWOHVV SUHVVXUH XSRQ WKH (FRVRFFHUGHIHQFH 7KLV SUHVVXUH ZDV VRRQ WR SD\ GLYLGHQGV DV D PLVWDNH LQ WKH (FR GHIHQFHJDYHZLQJHU5\DQ2·7RROH WLPHDQGVSDFHWRFURVVLQWRWKHER[ ZKLFK FRPLFDOO\ ORRSHG RYHU WKH VWUDQGHG +HJDUW\ WR HTXDOLVH IRU $IWHUPDWK 7KH DZD\ VLGH ZHUH LQYLJRU DWHG E\ WKH JRDO DQG FDPH ZLWKLQ LQFKHVRIWDNLQJDTXLFNÀUHOHDGDV WKHEDOOFDQQRQHGEDFNRIIWKHEDU +RZHYHU/DG\/XFNGLGQRWVKLQH RQ(FRVRFFHUDV$IWHUPDWK·V&KULV +D\ZRRG RSSRUWXQLVWLFDOO\ QRG GHG WKH UHERXQG LQWR WKH EDFN RI WKHHPSW\(FRQHW 'HVSLWH VRPH ODWH SUHVVXUH (FRVRFFHU ZHUH XQDEOH WR VXSSO\ WKHLU IRUZDUGV ZLWK DQ\ DPPXQL WLRQ LQ WKH FORVLQJ PLQXWHV DV $I WHUPDWKKHOGRXWIRUDYLFWRU\LQD JDPH LQ ZKLFK WKH\ SUREDEO\ MXVW HGJHG $IWHUPDWK JDIIHU +D\ZRRG ZDV TXLFN WR KLJKOLJKW PLGÀHOGHU 5RE 6KHOWRQ DV KLV PDQ RI WKH PDWFK DIWHUDIDXOWOHVVGLVSOD\LQWKHYLVL WRU·VHQJLQHURRP Intra Mural Football Division 1 Dyslexic Untied Henderson Hall 2 3 Dan Robinson at Close House Henderson Hall fought off a late ÀJKWEDFN IURP '\VOH[LF WR WDNH WKUHHFUXFLDOSRLQWVDW&ORVH+RXVH RQ :HGQHVGD\ LQ DQ HQGWRHQG JDPH WKDW FRXOG KDYH JRQH HLWKHU ZD\ /DXUHQFH -DFNVRQ SXW 8QWLHG LQ IURQWLQVLGHÀYHPLQXWHVEXWJRDOV IURP )UDQFRLV 'XQHVPH 0LNH &RQQROO\ DQG %DUQH\ %D[WHU JDYH +HQGHUVRQ WKH HGJH $SSOHJDUWK SXOOHG RQH EDFN WR JLYH KLV VLGH D JOLPPHU RI KRSH EXW D KRVW RI PLVVHG FKDQFHV SURYHG FUXFLDO LQ WKHHQGIRU'\VOH[LF It was the Reds who started the EULJKWHVW PRYLQJ WKH EDOO DURXQG VOLFNO\DQGSXWWLQJSUHVVXUHRQWKH +HQGRNHHSHU*UHHQKDOJK$SSOH JDUWKKLWWKHWDUJHWZLWKDIUHHNLFN RQ WKH HGJH RI WKH ER[ ZLWK -DFN VRQ DOPRVW FDWFKLQJ WKH JRDOLH RXW RQWKHUHERXQGRQO\IRULWWRFUHHS RYHU %XW -DFNVRQ ZRXOG EH LQ EHW WHU VSLULWV MXVW PLQXWHV ODWHU DV KLV ZLQJHUV FRPELQHG WR SUHVHQW KLP ZLWKWKHVRUWRIRSSRUWXQLW\DVWULN HUFUDYHV6LPRQ6FKRÀHOGGLGZHOO WR FURVV LQ IURP WKH WRXFKOLQH WR WKHIDUSRVWZKHUH$QG\1LFROVRQ EURXJKW LW GRZQ WR FXW LQVLGH IRU -DFNVRQZKRKDGQRWURXEOHÀQLVK LQJIURPVL[\DUGVRXW 5DWKHU WKDQ EXLOG RQ WKH JRDO DQG FRQWLQXH WR WDNH WKH JDPH WR +HQGRLWZDVWKHLURSSRQHQWVZKR ZHUHVWURQJHUIRUJRLQJEHKLQG $IWHUFRPLQJFORVHRQVHYHUDORF FDVLRQV SRRU FRQFHQWUDWLRQ DW WKH EDFNIRU'\VOH[LFFRVWWKHPGHDUO\ $ FURVVÀHOG EDOO ZDVQ·W FOHDUHG DQG'XQHVPHZDVVHQWUDFLQJFOHDU WRGULYHORZSDVW-RVK&UDZIRUG -XVW WHQ PLQXWHV ODWHU 8QWLHG IRXQG WKHPVHOYHV GRZQ EXW WKLVWLPHLWZDVGRZQWRDWRXFKRI FODVVIURPWKHRSSRVLWLRQ&RQQROO\ WRRNWKHEDOOLQVLGHIURPDWKURZLQ EHIRUHXQOHDVKLQJDIHURFLRXVULJKW IRRWVWULNHLQWRWKHWRSFRUQHUVXG GHQO\ '\VOH[LF KDG IRXQG WKHP VHOYHVZLWKWKHLUEDFNVWRWKHZDOO $WDFWLFDOFKDQJHDWKDOIWLPHVDZ WKHPFRQYHUWIURPWRLQ D ELG WR FODZ WKH JDPH EDFN EXW LW ZRXOG SURYH LQ YDLQ DV LW WRRN +HQGR MXVW ÀYH PLQXWHV WR H[WHQG WKHLUOHDG $JDLQ '\VOH[LF IDLOHG WR GHDO ZLWKDEDOOLQWKHER[DQGWKH7DQ JHULQHV ZLQJHU VNLSSHG SDVW WKH GHIHQGHUDQGIRXQG%D[WHUIUHHLQ VLGH+HRQO\QHHGHGRQHFKDQFHWR UROOLWEH\RQG&UDZIRUGIURPLQVLGH WKH VL[\DUG ER[ DQG YLFWRU\ QRZ ORRNHGDFHUWDLQW\ $VWKH\VWDUHGDVHFRQGGHIHDWRI WKHVHDVRQLQWKHIDFH8QWLHGÀQDO O\ EHJDQ WR SOD\ WKH IRRWEDOO WKH\ KDGDWWKHVWDUWDQGZHUHVRRQUH ZDUGHGZLWKDJRDOWKDWJDYHWKHP DUHQHZHGKRSHRIVWHDOLQJDSRLQW $SSOHJDUWK ZKR KDG QRZ EHHQ WKURZQ XS IURQW LQ DQ DWWHPSW WR VDOYDJHWKHJDPHWXUQHGKLVPDUN HUWRÀUHOHIWIRRWHGSDVW*UHHQKDO JK &KULV6PLWKOHIW EHKLQG KLV XVXDO FHQWUDOGHIHQVLYHUROHLQDQDWWHPSW WRZLQKHDGHUVIXUWKHUXSIURQWDQG LWDOPRVWSDLGRIILQVWDQWO\+RZHY HU+HQGRQDUURZO\KHOGRQZLWKD FRPELQDWLRQRIJRRGIRUWXQHKDUG ZRUNDQGDQLPSHQHWUDEOHGHWHUPL QDWLRQWRFODLPWKHLUVHFRQGZLQRI WKHVHDVRQ '\VOH[LFFRPDQDJHU6DO0RKDP PHG IHOW KLV VLGH FRXOG KDYH OHIW ZLWK VRPHWKLQJ WR VKRZ IRU WKHLU HIIRUWVLILWZDVQ·WIRUSRRUFRQFHQ WUDWLRQLQWKHÀUVWKDOI ´:H VOHSW IRU WHQ PLQXWHV DQG LW FRVW XV WKH JDPH :H·UH GLVDS SRLQWHG QRW WR OHDYH ZLWK D SRLQW EXW +HQGHUVRQ SURYHG GLIÀFXOW WR EUHDNGRZQµ THE COURIER Monday November 8 2010 41 BUCS 5R\DOVVWD\WRSLQ6KHIÀHOG Ladies Hockey 6KHIÀHOG+DOODPVWV Newcastle 1sts 0 4 Kat Bannon Sports Editor LQ6KHI¿HOG 7KHYLHZIURPWRSRIWKHWDEOHORRNV JRRGIRU1HZFDVWOH/DGLHV+RFNH\ )LUVWV DV WKH\ VHFXUHG WKHLU WKLUG BUCS win of the season after deIHDWLQJ 6KHIÀHOG +DOODP DZD\ ODVW:HGQHVGD\ 'HVSLWH SOD\LQJ RQ XQIDPLOLDU ZDWHUEDVHVXUIDFHWKH5R\DOVGRP LQDWHG IURP WKH VWDUW SHQHWUDWLQJ +DOODP·V¶'·ZLWKSDFH+RZHYHU WKHRSSRVLWLRQ·VNHHSHUZDVQRWJR LQJWRPDNHÀQGLQJWKHEDFNERDUG DQHDV\WDVNIRU1HZFDVWOHSXOOLQJ RIITXDOLW\VDYHDIWHUVDYHLQQXPHU RXVJRDOOLQHWXVVOHV $OWKRXJK WKH FOHDU XQGHUGRJV +DOODP ZHUH NHHQ WR SURYH WKHP VHOYHV GHVHUYLQJ RI D VSRW LQ WKH 1RUWKHUQ'LYLVLRQ2QHDVWKHLUIDVW EUHDNVNHSWWKHDZD\WHDPRQWKHLU WRHV6WLOOQRPDWFKIRU1HZFDVWOH·V GHIHQFH &DSWDLQ $ELJDLO 0RUH ODQG DQG IUHVKHU 1LFN\ 0ROOLVRQ GHDOWZLWKDQ\SRWHQWLDOFRPHEDFN FDOPO\ 0ROOLVRQ KDPPHULQJ EDOOV GRZQWKHPLGGOHRIWKHSDUNZKLFK VRPHWLPHVSURYHGWRRSRZHUIXOIRU Newcastle’s own forward line as ZHOODV6KHIÀHOG+DOODP 7KHHQGRIWKHÀUVWKDOISUHVHQWHG DQHPSW\VFRUHOLQHDVDIUXVWUDWHG Newcastle had to face the effects RIDPRUHWKDQDYHUDJHNHHSHULQD OHVVWKDQDYHUDJHRSSRVLWLRQ7KH\ EHJDQWKHVHFRQGPLQXWHVGHWHU PLQHGWRJHWDQRWKHUWKUHHSRLQWV )RUZDUGV 7XWX 2VLIRGXQULQ DQG -HQQD:DWWFRQWLQXHGWREHDKDQG IXOIRU+DOODP·VEDFNIRXU,WZDVQ·W long before their constant hassling SDLG GLYLGHQGV ZKHQ D FURVV IURP 2VLIRGXULQIRXQG$OLFHD%HUNLQRQ WKHEDFNSRVW%HUNLQ·VGHGLFDWLRQ PDUNHGE\DQHDUKHDGRQFROOLVLRQ ZLWK WKH XSULJKW DV VKH NQRFNHG LW RQWR WKH EDFNERDUG +RZHYHU this might be accountable for the ERXW RI GpMjYX VKH VXIIHUHG OHVV WKDQÀYHPLQXWHVODWHUZKHQDÀUVW WRXFK SDVV IURP :DWW VDZ KHU RQ WKH EDFN SRVW DJDLQ WR GRXEOH WKH 5R\DOV·OHDG Keen to increase their goal differHQFH 1HZFDVWOH FRQWLQXHG WR SXVK +DOODP·VGHIHQVH4XLFNPRYHPHQW RIWKHEDOOLQWKH¶'·IURP:DWWDQG 2VLIRGXQULQ FDXVHG WKH NHHSHU WR FRPPLW WRR TXLFNO\ DOORZLQJ .DW %DQQRQWRÀQDOO\QHWKHUÀUVWRIWKH VHDVRQ DV VKH ZDV WUXVWHG WR SXVK WKHEDOOEHWZHHQWKHHPSW\SRVWV 6LON\ VWLFN VNLOOV IURP GD]HG DQG FRQIXVHG IUHVKHU (ULND &RDNOH\ DQG ODWHVW ,ULVK DGGLWLRQ 6RSKLH 0F&OHDQ HQDEOHG WKH 5R\DOV WR NHHS WKH SUHVVXUH RQ LQ +DOOODP·V WZHQW\ÀYH The rebound from central midÀHOGHU5HEHFFD6PLWK·VSRRUO\FRQ QHFWHG UHYHUVH VKRW DWWHPSW IRXQG %DQQRQ LQ WKH ¶'· ZKR VWHSSHG XSWRVKRZ6PLWKKRZLWZDVGRQH ZLWK D VZHHWO\ VXUSULVLQJ UHYHUVH stick strike which found the bottom FRUQHUWRPDNHLWIRXU :LWKWHQPLQXWHVOHIWRQWKHFORFN WKH 5R\DOV VWD\HG VWURQJ DJDLQVW D EDWWOLQJ+DOODPPLGÀHOGDOORZLQJ IRUDIXUWKHULQFRQVLVWHQF\WRPDWFK Bannon marking of the scoreboard: NHHSHU3HWHUV·FOHDQVKHHW ,I WKLV VWDQGDUG RI SOD\ FRQWLQ XHV 1HZFDVWOH FRXOG EH ORRNLQJ DWDQRWKHUSOD\RIIIRUDVSRWLQWKH 3UHPLHUVKLS 1H[W VWRS PRUH OR FDO 1RUWKHUQ ULYDOV 'XUKDP QH[W ZHHN 0HQ·VZLQQLQJZD\VQRWPDWFKHG DVODGLHVDUHHGJHGRXWE\'XUKDP C. HARRISON Men’s Badminton Newcastle 1sts 6KHIÀHOGVWV 6 2 Marika Hietala at the Sports Centre Newcastle’s men’s badminton extended their winning streak to four ODVWZHHNLQWKH%8&6ÀUVWGLYLVLRQ +DYLQJ DOUHDG\ EHDWHQ 'XUKDP /LYHUSRRO DQG /HHGV WKLV VHDVRQ WKH WHDP VHW RXW WR JLYH VLPLODU WUHDWPHQWWR6KHIÀHOGDWWKH6SRUWV &HQWUH 7KH YLVLWRUV DUULYLQJ ZLWK RQO\ ÀYH SOD\HUV PHDQW D ZDONRYHU IRU Newcastle in two out of four sinJOHVÀ[WXUHVDQGPHDQWWKH\ZHUH JUDQWHGDDGYDQWDJHEHIRUHWKH ÀUVWVKXWWOHKDGEHHQSDVVHG %HQ 'DYLGVRQ IDFHG )UHGGLH 0DWKX LQ WKH ÀUVW VLQJOHV PDWFK $OWKRXJK DW ÀUVW WKH\ DSSHDUHG HYHQO\ PDWFKHG VRRQ 'DYLGVRQ DFTXLUHGWKHXSSHUKDQGDQGOHDSW VHFXUHO\ D IHZ SRLQWV DKHDG :LWK 'DYLGVRQ GRPLQDWLQJ WKH FRXUW DQGPDNLQJKLVRSSRQHQWGRPRVW RI WKH ZRUN 0DWKX ZDV XQDEOH WR make the shuttle land inside the VLGHOLQHV 7KH ÀUVW JDPH ZHQW WR 'DYLGVRQ ZKLOH 'DYLGVRQ WRRNWKHVHFRQG ,Q WKH VHFRQG VLQJOHV PDWFK Mathu tried to change his fortunes DJDLQVW1HZFDVWOH·V-RVK$X<HXQJ <HXQJ VWDUWHG WKH ÀUVW JDPH LQ DQ LPSUHVVLYHPDQQHUE\ERPEDUGLQJ 0DWKX·V VLGH RI WKH FRXUW 0DWKX who was still feeling the strain from WKH SUHYLRXV PDWFK VWUXJJOHG WR UHFRYHUDQGWKHÀUVWJDPHÀQLVKHG +RZHYHU WKH VHFRQG JDPH VDZ <HXQJ ORVH KLV FRQFHQWUDWLRQ DQG TXLWHVXUSULVLQJO\0DWKXVWUHWFKHG WKHPDWFKWRWKHWKLUGHQGE\ZLQ QLQJ WKH VHFRQG JDPH 7KH WKLUGJDPHEHJDQLGHQWLFDOO\WRWKH ÀUVW7KHSHUVLVWHQW<HXQJVKRZHG KLV IXOO DUVHQDO IURP WKH VWDUW DQG 0DWKX ZDV FRPSUHKHQVLYHO\ EHDW HQLQWKHWKLUG Meanwhile the men’s doubles exSHULHQFHG D IUXVWUDWLQJ DIWHUQRRQ DV6KHIÀHOGPDQDJHGWRVQDWFKWZR PDWFKHV1HZFDVWOH·V%HQ/DPEGHQ DQG$GDP/RGJHWRRNDFRQÀGHQW YLFWRU\ LQ WKHLU ÀUVWPDWFK,QWKHLUVHFRQGJDPHRI WKHGD\/DPEGHQDQG/RGJHZHUH Sport 1HWEDOO5RXQGXS Harriet Needham 7KH 1HWEDOO ÀUVWV VXIIHUHG WKHLU WKLUGFRQVHFXWLYHORVVLQWKH%8&6 &KDPSLRQVKLSV 7KH VHFRQGV EH LQJWKHRQO\RWKHUWHDPSOD\LQJWKLV ZHHNIRUWKHFOXEFUXLVHGWKURXJK WKHLUÀUVWURXQGRIWKH&XS Newcastle 1sts Leeds Met 1sts 7KH )LUVWV IDFHG VWURQJ RSSRQHQWV RQFH DJDLQ WKLV ZHHN DQG FDPH XS DJDLQVW D /HHGV RXWÀW WKDW KDG HQMR\HG DQ XQEHDWHQ VWDUW WR WKH VHDVRQ+RZHYHULWZDV1HZFDVWOH ZKRVWDUWHGPRUHEULJKWO\WXUQLQJ RYHU WKH RSSRVLWLRQV FHQWUH SDVV DQGVFRULQJWKHÀUVWJRDO $WÀ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which bodes well for the remainder RI WKH VHDVRQ 'HVSLWH WKH ORVV LW ZDVDJRRGJDPHLQSUHSDUDWLRQIRU QH[W ZHHN·V FODVK DZD\ DW /RXJK ERURXJK Newcastle 2nds Northumbria 4ths 'XUKDPVHDOYLFWRU\DJDLQVW18:%&GHVSLWHEHVWHIIRUWVRI)HUUDRDQG:DOVKLQµQDLOELWLQJ¶¿QDOGRXEOHVJDPHRQ:HGQHVGD\ QDUURZO\ GHIHDWHG E\ DQ LPSUHV VLYH6KHIÀHOGGRXEOHVSDLULQJ7KH YLVLWRUVZRQWKHÀUVWHQGDQG WKHVHFRQG 7KHWDOHRIWKHGD\ZDVVLPLODUIRU 1HZFDVWOH·VRWKHUSDLU-DPHV5RE son and Victor Chow started their ÀUVWPDWFKZHOOE\ZLQQLQJWKHÀUVW HQG EXW LQ WKH VHFRQG JDPH 6KHIÀHOG UHFRYHUHG DQG WRRN WKH JDPHWRDGHFLVLYHWKLUG 7KH ÀQDO HQG VDZ 6KHIÀHOG ZLQ ,Q WKHLU VHFRQG PDWFKKRZHYHU5REVRQDQG&KRZ PDGH DPHQGV ZLQQLQJ WKH PDWFK LQ WZR JDPHV DQG KHQFH VHFXULQJ DQ LPSUHVVLYH YLFWRU\ IRU 1HZFDVWOH DQG IXUWKHU extending the host’s undefeated UXQ Women’s Badminton Newcastle 1sts Durham 1sts 3 5 Stephanie Ferrao at the Sports Centre /DVW :HGQHVGD\ WKH /DGLHV VWV IDFHGZKDWZDVDUJXDEO\WKHPRVW LPSRUWDQW JDPH RI WKH VHDVRQ ZKHQ WKH\ HQWHUWDLQHG 'XUKDP DW WKH6SRUWV&HQWUH :LWKERWKWHDPVFRPSHWLQJLQWKH Northern Premier League alongside WKH XQZDYHULQJ VWUHQJWK RI /HHGV 0HW %LUPLQJKDP DQG /RXJKERU RXJK FRPSHWLWLRQ WR DYRLG UHO HJDWLRQ LV ÀHUFH $IWHU ORVLQJ WKHLU IULHQGO\ PDWFK DJDLQVW 'XUKDP HDUOLHU LQ WKH VHDVRQ 1HZFDVWOH QHHGHG D ZLQ WR KDYH D FKDQFH RI DVVXULQJ WKHLU SODFH LQ WKH OHDJXH IRUQH[W\HDU 7KH KRVWV SXW RXW WKHLU IXOO VWUHQJWK WHDP GUDZLQJ RQ H[SHUL HQFHG SOD\HUV LQFOXGLQJ H[:DOHV SOD\HU -HQQ\ :DUG ,Q WKH IDFH RI VWURQJFRPSHWLWLRQÀUVWVHHG:DUG WRRNWKH'XUKDPVHFRQGVHHGLQD FRPIRUWDEOHZLQRI $IWHU VWUXJJOLQJ LQ WKH ÀUVW HQG second-seed Laura Parnell showed JUHDW HQGXUDQFH WR WDNH 'XUKDP·V ÀUVWVHHG VLQJOHV SOD\HU WR WKUHH HQGV QDUURZO\ ORVLQJ WKH ODVW HQG :LWK WKH VFRUHV WLHG DW 1HZ FDVWOH KRSHG WR WDNH FRQWURO RI WKH PDWFKZLWKDVWURQJSHUIRUPDQFHLQ WKH GRXEOHV +RZHYHU 'XUKDP·V SDLUV SURYHG UHVLOLHQW ZLWK VHF RQGVHHGSDLULQJ/DXUD:DOVKDQG 6WHSKDQLH)HUUDRFORVHO\GHIHDWHG 4XLFN IRRWZRUN DQG ZHOOSODFHG VKRWVDOORZHG1HZFDVWOHÀUVWVHHGV Kathleen Turner and Kirstin Miller to bring balance back to the scoreERDUG ZLQQLQJ DJDLQVW WKH 'XU KDP VHFRQG SDLU LQ D GUDZQRXW WKUHH HQGHG JDPH :KLOVW :DUG went back on court to take the 'XUKDP ÀUVWVHHG JDPH 3DUQHOO ZDV RXWSOD\HG E\ WKH RSSRQHQW·V VHFRQGVHHGWDNLQJWKHJDPHHDVLO\ RQ As the last two doubles games ZHQW EDFN RQ FRXUW WHQVLRQ ZDV ULIHDPRQJWKH1HZFDVWOHWHDP$W OHDVW RQH PRUH ZLQ ZDV QHFHVVDU\ WR VHFXUH D FUXFLDO YLFWRU\ +RZ HYHU GLVDSSRLQWLQJO\ OHWWLQJ WKHLU JXDUGV GRZQ 0LOOHU DQG 7XUQHU ORVWRXWWRWKH'XUKDPVHFRQGSDLU 7KH ÀQDO JDPH RQ FRXUW ZRXOG decide Newcastle’s standing in the league – winning the game would JLYHWKHWHDPDGUDZZKHUHDVGH IHDW ZRXOG PHDQ SRWHQWLDO UHOHJD WLRQ :DOVK DQG )HUUDR SOD\HG RXW WKH UDOOLHV ZLWK GHWHUPLQDWLRQ EXW ÁDJJHG DV WKH JDPH ZDV WDNHQ WR DWKLUGQDLOELWLQJHQG'HVSLWHWKH VXSSRUWRIWKHZKROHWHDPWKHSDLU ZDVGHIHDWHG 7KH GD\·V GHIHDW PHDQV WKDW WKH team head towards a relegation SOD\RII &DSWDLQ .LUVWLQ 0LOOHU FRPPHQWHG´$OORIWRGD\·VPDWFK HV ZHUH UHDOO\ FORVH DQG HYHU\RQH SOD\HGUHDOO\ZHOO:HMXVWQHHGWR ORRNWRWKHDZD\PDWFKLQ'XUKDP DQGKRSHWKDWZHFDQSXWRXWDIXOO VWURQJWHDPµ 15 61 49 35 Newcastle’s second-string dazzled IURP VWDUW WR ÀQLVK 7KHUH ZDV QR question whether the girls were XSIRUSOD\LQJWKH3RO\LQWKHÀUVW URXQGRIWKH&XS The team has shown great imSURYHPHQWLQWKHODVWIHZSHUIRUP DQFHV ZLWK PXFK EHWWHU FRPPX nication across the whole of the FRXUW7KHGHIHQVLYHXQLWZHUHRXW VWDQGLQJ/XF\*UHHQZRRGDW*. SLFNHG RII IDQWDVWLF LQWHUFHSWLRQV DQGZRUNHGZHOOZLWKSOD\HURIWKH PDWFK*'6DVVD+DPLOWRQ The ball continued to be brought GRZQWKHFRXUWFDOPO\FROOHFWLYHO\ DQG ZLWK JUHDW FRQWURO ZLWK :$ 5HEHFFD 0LOOV SXWWLQJ VRPH KRW IHHGV LQWR WKH FLUFOH $QQD 'LFN LQVRQ DW *$ FRQYHUWHG HYHU\ EDOO FRPLQJ KHU ZD\ ZLWK VRPH VSDU NOLQJVKRWV Northumbria soon threatened the girls’ lead in the third quarter DV WKH ÀUH RI WKH 5R\DOV EHJDQ WR GLHGRZQ7KHIHZFKDQJHVDWWKUHH quarter time brought the game back WRLWVZHOOGHVHUYHGFXOPLQDWLRQIRU WKH 6HFRQGV 7KH JLUOV ZHUH FHU WDLQO\RQÀUHWKLVZHHNVREHVXUH WRH[SHFWVRPHÀUHZRUNVQH[WWLPH WKH\IDFHULYDOV1RUWKXPEULD Web exclusive: For Ladies cricket match report, visit our website at www. WKHFRXULHURQOLQHFRXN 42 Monday November 8 2010 THE COURIER Sport BUCS Coyle leads Royals to Cochrane success Men’s Football Newcastle 1sts Hull 5ths 5 0 Colin Henrys at Cochrane Park Newcastle’s Men’s Firsts comfortably booked their place in the second round of the BUCS Mars Football Men’s Northern Conference Cup, with a dominant 5-0 victory against Hull Fifths at Cochrane Park. A George Coyle penalty and goals from Ed Savitt, Ben Castillo and Tom Rakshi saw Newcastle go in four goals up at half-time, before a late strike by substitute Danny Clements completed the rout. Hull barely troubled the home goal as the Royals completely dominated IURP VWDUW WR ÀQLVK ,Q WUXWK WKH\ could, and perhaps should, have scored many more, but they will undoubtedly be pleased with the manner of their win. Fresh from beating Hull’s First team in the league last week, Newcastle entered the match as overwhelming favourites and from WKH ÀUVW ZKLVWOH ORRNHG WR LPSRVH themselves on the game. Savitt and strike-partner Jonny Addey linked well up front and wingers Castillo and James Swainston were threatening throughout. :KHQ DQ $GGH\ VKRW ÁDVKHG across the face of goal, Castillo arrived late at the back post, but could only steer his shot into the side-netting. Moments later a great ball from Swainston dissected the defence and found Rakshi through RQJRDOEXWWKHPLGÀHOGHUFRXOGQ·W bring the ball down. Swainston had a chance of his own almost immediately afterwards, cutting inVLGHIURPWKHULJKWZLQJDQGÀULQJ a left-footed shot over. Chances continued to rain in on the Hull goal, with their weak defence not helped by the strong wind blowing across Cochrane Park. A Newcastle goal was ineviWDEOH DQG LW ÀQDOO\ DUULYHG WZHQW\ minutes in; George Coyle made a JUHDWUXQIURPPLGÀHOGEHIRUHEHing brought down in the penalty DUHD7KHEORQGHPLGÀHOGHUSLFNHG himself up and scored the penalty KLPVHOIÀULQJLWVWUDLJKWGRZQWKH middle of the goal. The Royals didn’t have to wait long for a second either, as Addey and Savitt continued to link well. 7KH+XOOGHIHQFHORRNRQLQKRUURUDQGGLVPD\DV1HZFDVWOH¶V¿UVWVWULQJHQMR\HGDIUXLWIXODIWHUQRRQLQIURQWRIJRDODW&RFKUDQH3DUNODVW:HGQHVGD\ Savitt missed a great chance, shooting just wide after great link-up play, but made amends moments later as Addey received a long-ball over the Hull defence and pulled the ball back to his strike partner for an easy tap-in. With Hull opting for just one striker, the ball remained permanently in the visitors’ half. As halftime neared, a melee in their box ensued, with Castillo seeing his VKRWGHÁHFWHGZLGH7KHOHIWZLQJer took the subsequent corner himself, and Tom Rakshi prodded the ball into the top of the net when the opposition defence failed to deal with the cross. At that point it began to look as WKRXJK WKH ÀQDO VFRUHOLQH FRXOG end up resembling a cricket score, and it was no surprise when a great team move produced a fourth goal just two minutes later. Coyle’s pass IURP PLGÀHOG UHOHDVHG 6ZDLQVWRQ behind the defence. The rightwinger crossed well to Rakshi, who pulled the ball back for CasWLOORDQGKLVSRZHUIXOÀQLVKPDGH it 4-0. If Hull blamed the weather for WKHLU GUHDGIXO ÀUVWKDOI VKRZLQJ they had no such excuse in the second-half; but with the wind behind them they again failed to trouble the home goal. Indeed, it took them until the 82nd minute WRÀQDOO\KDYHWKHLUÀUVWDQGZKDW proved to be only, shot on target. %\WKLVWLPHZLWKVRPHEHWWHUÀQ- ishing, Newcastle could have been LQGRXEOHÀJXUHV6DYLWWVKRWZLGH when well-placed, and Coyle’s low sliding-shot was saved. Meanwhile, Castillo should have doubled his tally from close-range and also saw an ambitious lob go well over the bar. Swainston also went close to a deVHUYHGJRDORIKLVRZQÀUVWVHHLQJ a low-shot saved, before he cut inside from the left-wing only to see his right-foot shot go wide. Substitute Danny Clements was also creating havoc in the Hull GHIHQFHÀUVWVHHLQJDULJKWIRRWHG shot saved and then completely wrong-footing a defender to feed Addey, who shot straight at the Hull keeper. That Newcastle still hadn’t added to their goal tally at this point was almost beyond belief, particularly when Savitt’s 35-yard free-kick cannoned off the crossbar, with the goalkeeper stood helplessly watching it pass over his head. 7KH 5R\DOV ÀQDOO\ DGGHG D ÀIWK goal in the closing stages; a deep cross was headed across the face of the goal, and when the keeper could only parry the shot clear, Clements arrived at the back post IRUWKHVLPSOHVWRIÀQLVKHV A huge victory was no more than what was expected of the Royals, and will have left ‘cupset’ fans disappointed. Nevertheless, the manner of their victory was certainly impressive. Second-string enjoy comfortable cup victory Men’s Football Newcastle 2nds 6KHIÀHOGUGV 1 Jimmy Booker at Cochrane Park Last Wednesday saw the Newcastle second-string successfully qualify for the next round of the BUCS Cup, after a performance full of determination, organisation and quality football proved too much for their South Yorkshire opponents. Despite a slow start from both teams, Newcastle looked far tidier in possession, with Elliot Connolly VWURQJDQGLQÁXHQWLDOLQWKHFHQWUH of the park. The hosts then took the game by the scruff of the neck. A long throw ZDV ÁLFNHG JRDOZDUGV DQG WLSSHG RYHU E\ WKH 6KHIÀHOG NHHSHU DQG the resulting corner was only just clutched at the last minute follow- ing a scramble in the six yard box. The very next attack saw Newcastle get the goal their pressure deserved, with Tom Stapleton leaving WKH 6KHIÀHOG FHQWUHKDOI IRU GHDG with a lovely turn and drive into the bottom left hand corner. The hosts were in the ascendency, and were desperately unlucky not to double their lead a few minutes later, when Mike Scott was put through by Connolly on the right ÁDQN EHIRUH GULYLQJ LQWR WKH ER[ and shooting against the base of the post. This seemed to act as a wakeup call for the visitors. Only some misSODFHG ÀQDO SDVVHV IURP PLGÀHOG prevented them from creating clear cut chances, as they steadily played their way back into the match. Newcastle keeper Weston Muaru faced a couple of tricky swirling crosses, that could have looped in as a result of the windy conditions, but he showed solid glove-work and agility in matching what was thrown at him. He and Newcastle, however, were controversially undone shortly before half-time. The Newcastle defence were adamant that the ball had gone out of play in the rightback position, but no linesman’s ÁDJ ZDV UDLVHG DQG WKH UHVXOWLQJ ball into the area was spilled by 0XDUX DW WKH IHHW RI WKH 6KHIÀHOG front man, who had the simple task of slotting home from close range. An explosive start to the second period saw Newcastle almost take the lead in the opening twenty seconds, as Stapleton was presented with a clear sight of goal on the back RIDVZLIWEUHDNGRZQWKHOHIWÁDQN but his shot was well parried. The game became stretched, with Newcastle’s set-piece play wreakLQJKDYRFLQWKH6KHIÀHOGER[DQG 6KHIÀHOG WKHPVHOYHV ORRNLQJ GDQgerous on the counter. The Steel City visitors then squan- dered two golden opportunities to steal the lead. A wonderful passing move saw a deep cross come in from the left and the runner IURP PLGÀHOG SRZHUIXOO\ KHDGHG straight at Muaru, when either side would have been a goal. A few minXWHV ODWHU VDZ RQH RI WKH 6KHIÀHOG strikers race clean through unchallenged, but inexplicably shot wide with only the keeper to beat. As is so often the case with teams that miss chances such as these, 6KHIÀHOGZHUHPDGHWRSD\GHDUO\ for their lack of composure in front of goal. Newcastle switched to a diamond 4-4-2 formation and with pace and trickery from Scott and Mike Peace on the wings, were soon WHUURULVLQJWKH6KHIÀHOGEDFNOLQH A beautiful Connolly free-kick had the keeper stranded and the woodwork shaking on the hour mark, and the hosts soon got their noses in front once more. It was Stapleton again who pounced on another loose ball, to bravely reach it before the keeper and ripple the net. From then on in, Newcastle were comfortable and added a third goal in the 80th minute. A well-worked corner strategy saw the ball played ORZ LQWR D FURZGHG DUHD ÀQGLQJ centre half Arthur Okonkuro, who neatly guided the ball home. 6FRWW QHDUO\ DGGHG D IRXUWK ÀYH minutes from time when put clean through, but was denied by some splendid goalkeeping. The full time whistle saw the hosts progress to the second round of the BUCS Cup. Skipper Gouland, who was forced off shortly into the second half with injury, spoke of his delight at the win: “I’m absolutely chuffed for the lads. It was a great performance”. He added, on his injury, that his foot had “swollen up like a balloon”. Here’s to a swift recovery for the skipper and a victory in the next round for Newcastle. THE COURIER Monday November 8 2010 43 BUCS Sport L.MACKENZIE Kicking on: last week’s convincing victory against Leeds Met at Cochrane Park ensures that NURL are continuing their strong start to the season, and establishing themselves as title contenders Leeds Met their match at Owls’ nest Men’s Rugby League Newcastle 1sts Leeds Met 2nds 38 10 Ian McPherson at Cochrane Park /DVW :HGQHVGD\ SURYHG D JUHDW GD\ IRU 185/ ZKHQ WKH )LUVWV UH WXUQHG WR ZLQQLQJ ZD\V ZLWK D FRPSUHKHQVLYH YLFWRU\ RYHU IHOORZ WDEOHWRSSHUV /HHGV 0HW DW &RFKUDQH3DUN 185/ PDGH VXUH WKH\ PDGH DPHQGV IRU ODVW ZHHN·V GHIHDW WR 6KHIÀHOGE\Á\LQJRXWRIWKHEORFNV DJDLQVW WKH 0HW GURQJRHV DQG SURYHG WRR WHQDFLRXV DQG LQWLPL GDWLQJ IRU WKH YLVLWRUV $ VWXQQLQJ VHFRQGKDOIGLVSOD\IURPWKH2ZOV HQVXUHG WKDW WKH\ EDQLVKHG WKH PHPRULHVRIODVWZHHNDQGIXUWKHU DIÀUPHG WKHPVHOYHV DV JHQXLQH OHDJXHFRQWHQGHUVWKLVVHDVRQ $Q HDUO\ ERQH VKDWWHULQJ WDFNOH IURP 185/ KHDUWWKURE -RH ¶'HDG OLIW·'DZVRQDQGSRZHUIXOUXQQLQJ IURP SURS 'DQLHO ¶&KRUOH\ &DNH· &DSDUURVVHWWKHWRQHIRUWKHKRVWV ZKRVHSK\VLFDOLW\ZRXOGSURYHWRR PXFK IRU WKH YLVLWRUV RYHU WKH PLQXWHV 7KH GHDWK PDFKLQH·V SUHVVXUH HYHQWXDOO\ WROG DV D ZHOOZRUNHG SDVVLQJPRYHIURPWKH2ZO·VEDFN OLQH JDYH ZLQJHU +DUU\ %D[WHU WKH RSSRUWXQLW\ WR FUDVK RYHU LQ WKH FRUQHU 7KH GHYDVWDWLQJ DFFXUDF\ RI 185/·V SDVVLQJ XQGHUOLQHG WKH WKUHDW RI WKHLU EDFN OLQH ZKR DUH EHFRPLQJUHFRJQL]HGDVRQHRIWKH PRVWSRWHQWLQWKHOHDJXH ,QWKHODWWHUVWDJHVRIWKHÀUVWKDOI WKHKRVWVUHPDLQHGRQWRS+RZHY HUDQLQWHUFHSWHGSDVVJLIWHG/HHGV D URXWH EDFN LQWR WKH PDWFK ZLWK WKHLU IHHEOH FHQWUH IXPEOLQJ D WU\ XQGHUWKHSRVWV 'HVSLWH WKH KRVW·V FRQVLGHUDEOH SRVVHVVLRQ WKH\ IRXQG WKHPVHOYHV OHYHODWWKHKDOIWLPHEUHDNNQRZ LQJWKDWDPRUHFOLQLFDOVHFRQGKDOI SHUIRUPDQFH ZDV UHTXLUHG WR VHH RIIWKHFRPSHWLWLYH/HHGVRXWÀW 7KHEUHDNSURYHGWREH WKHWXUQ LQJ SRLQW IRU WKH GHDWK PDFKLQH ZKR IRXQG WKHLU WHPSR LQ WKH VHF RQG KDOI $ VWXQQLQJ EUHDN IURP UHSODFHPHQW -RKQ .LQJZRRG VHW 185/RQWKHLUZD\DVWKHWDWWRRHG URFNHU EUXVKHG DVLGH D QXPEHU RI WDFNOHVRQKLVZD\WRWKHWU\OLQH 7KH2ZOV·VXSUHPHÀWQHVVEHJDQ WRWHOODJDLQVWWKHLQFUHDVLQJO\WLULQJ /HHGVGHIHQFHZLWK*DUHWK¶6WUDZ EHUULHVDQG&UHDP·+HUEHUWEDVKLQJ KLV ZD\ WKURXJK QXPHURXV /HHGV GHIHQGHUVRQO\WREHKHOGXSDWWKH ODVW/XFNLO\+DUU\%D[WHU·VSRDFK LQJLQVWLQFWVSURYHGWKHTXLFNHVWDV KHKHOSHGKLPVHOIWRKLVVHFRQGWU\ RIWKHPDWFK 185/·VEDFNVZHUHEHFRPLQJLQ FUHDVLQJO\ GRPLQDQW DV WKH PDWFK GHYHORSHG EXW LW LV LPSRUWDQW WR QRWH WKH LPPHQVH HIIRUW SXW LQ E\ WKH 1HZFDVWOH IRUZDUGV WKURXJK RXWWKHPDWFKZLWK'DYH.QR[DQG ORRVH IRUZDUG 0LNH :DUG SXWWLQJ LQ W\SLFDOO\ LQGXVWULRXV SHUIRUP DQFHV 6XEVWLWXWHV 0LNH 6PLWK DQG WKH HQRUPRXV5XVVHOO:HVWPDLQWDLQHG WKH IRUZDUG·V GRPLQDQFH ZLWK GHDGO\ UXQQLQJ OLQHV RII KRRNHU 5REVH&6HDJUHDYHVSURYLGLQJWKH HQJLQHURRPIRUDQXPEHURI185/ DWWDFNV $V WKH YLVLWRU·V KHDGV EHJDQ WR GURSWKH2ZO·VSOD\HGWKHLUWUXPS FDUG LQ WKH IRUP RI GpEXWDQW *HRUJH 0DWWKHZ +LV GLUHFW UXQ QLQJSURYHGWRRPXFKIRUWKHWLULQJ 0HW GHIHQGHUV DV KH FDSSHG RII D IDQWDVWLFKRPHGHEXWZLWKWZREULO OLDQWLQGLYLGXDOWULHV 0\OHV+XGVRQDOVRJOLGHGRYHUIRU D ODWH WU\ DIWHU EHLQJ SXW WKURXJK E\PDJLFDO185/IXOOEDFN6DPP\ %R\GZKRVHDELOLW\WRHYDGHWDFN OHV KDV OHIW GHIHQGHUV DOO RYHU WKH FRXQWU\VFUDWFKLQJWKHLUKHDGV 7KHUH ZDV MXVW HQRXJK WLPH IRU %D[WHUWRFRPSOHWHKLVKDWWULFNDQG FDSRIIDÀQHSHUIRUPDQFHIURPWKH 2ZOV LQ WKH ÀQDO PLQXWHV $IWHU D UHODWLYHO\ HYHQ ÀUVW KDOI WKH ÀW QHVV DQG LQWHQVLW\ RI 185/ VKRQH WKURXJK LQ WKH VHFRQG SHULRG DQG WKH YLVLWRUVUDUHO\ ORRNHG OLNH WKH\ ZHUHJRLQJWRFDXVHDQXSVHW )ROORZLQJWKLVFRPSUHKHQVLYHGH VWUXFWLRQ RI /HHGV 0HW WKH 2ZO·V JR LQWR QH[W ZHHN·V PDWFK DJDLQVW /LYHUSRRO -RKQ 0RRUHV ZLWK WKH EHOLHIWKDWWKHOHDJXHWLWOHLVZLWKLQ WKHLUJUDVSV :RPHQVQGV%UDGIRUGVWV :RPHQVVWV%LUPLQJKDP 1sts :RPHQVQGV<RUNVWV 0HQVUGV1RUWKXPEULD UGV 0HQVWKV<RUN6W-RKQ 1sts :RPHQVQGV6KHIÀHOG +DOODPVWV Netball Rugby League Rugby Squash BUCS Results - 3rd November Badminton 0HQVVWV6KHIÀHOGVWV Womens 1sts 3-5 Durham 1sts Basketball 0HQVVWV&HQWUDO/DQF 1sts 0HQVQGV/HHGV0HW QGV 0HQVUGV&XPEULD &DUOLVOHVWV :RPHQVVWV%UDGIRUG 1sts Fencing 0HQVVWV/DQFDVWHU 1sts Football 0HQVVWV+XOOWKV 0HQVQGV6KHIÀHOGUGV :RPHQVVWV/HHGVQGV Hockey 0HQVVWV<RUNUGV 0HQVUGV6KHIÀHOGQGV 0HQVWKV6KHIÀHOGUGV :RPHQVVWV6KHIÀHOG+DO ODPVWV Lacrosse VWV/HHGV0HWVWV QGV1RUWKXPEULDWKV 0HQVVWV8:(+DUWSXU\ 0HQVQGV5REHUW*RUGRQ 0HQVVWV/HHGV0HW QGV 0HQVVWV/HHGVVWV :RPHQVVWV6KHIÀHOGVWV Table Tennis 0HQVVWV1RWWLQJKDPVWV Tennis 0HQVVWV6XQGHUODQGVWV :RPHQVVWV1RUWKXPEULD 1sts Volleyball 0HQV<RUN6W-RKQVWV :RPHQV0DQFKHVWHUVWV 44 Monday November 8 2010 THE COURIER Owls make heads turn > Sport, page 43 Sports Editors: Paul Christian, Jamie Gavin and Tom James - courier.sport@ncl.ac.uk Sports Editors: Jono Taylor, Wills Robinson and Kat Bannon - courier.sport@ncl.ac.uk L.MACKENZIE Calamity at Cochrane: Newcastle were comprehensively beaten last Wednesday to end their Championship campaign prematurely. The latest defeat has now extended their winless streak to a worrying four matches Face of the defeated Hartpury heartache for Royals as Gloucestershire side dump hosts out of the Championship for second consecutive year Men’s Rugby Union Newcastle 1sts Hartpury 1sts 12 51 Jono Taylor Sports Editor at Cochrane Park Last Wednesday proved a day to forget for Newcastle, after enduring a tough afternoon at the hands RI D FOLQLFDO +DUWSXU\ RXWÀW 'HVSLWHÀJKWLQJXQWLOWKHYHU\HQGWKH Royals were eliminated from the Championship for the second year running by the hugely impressive YLVLWRUVIURP*ORXFHVWHUVKLUH The spectators at Cochrane Park last week experienced a bitterly cold and windy day, while on the pitch, Newcastle were blown away E\WKHHIÀFLHQF\DQGLQWHQVLW\IURP WKH+DUWSXU\VWDUWLQJ;97KHYLVLtors ran in an impressive nine tries, in a game that will not live long in the memories of the Royals’ faithIXO Fashioning their updated white strip, Newcastle began brightly, and were unfortunate not to take an early lead after a promising attack led by centre Ed Yarnton broke down after a strong Hartpury reVLVWDQFH It was therefore ironically the visitors who took the lead moments ODWHU:LWKWKH+DUWSXU\IURQWHLJKW drawing the Newcastle forwards into a rook, the ball was quickly spread wide, and after evading two missed tackles, the Hartpury wing- er took advantage of the space in WKH PLGÀHOG WR WRXFKGRZQ LQ WKH FRUQHU Windy conditions at Cochrane Park ensured that goal-kicking was largely fruitless, while the early stages of the match saw a host of misjudged kicks sailing into touch RQWKHIXOO$VDUHVXOWWKHWLHVWUXJJOHG WR ÀQG DQ\ HDUO\ PRPHQWXP or consistency, with Newcastle struggling to keep ball-in-hand and supply their back three with any DUWLOOHU\ 'HVSLWH FRQFHGLQJ WKH RSHQLQJ points of the match, the home side kept playing in the right manner, but were often thwarted by an agJUHVVLYH +DUWSXU\ UXVKGHIHQFH Such aggression paid off after only ten minutes, with a crushing driving maul by the Gloucestershire side penetrating the hosts’ try-line for the second time in succession, and with it, doubling their early DGYDQWDJH $V WKH ÀUVW KDOI GHYHORSHG WKH +DUWSXU\ WLJKW ÀYH JUHZ LQ ERWK dominance and stature, and the home side’s depletion in the forZDUGV JUHZ PRUH DSSDUHQW :LWK a number of forwards graduating last year, the new-look Royals VFUXPLVXQGHUVWDQGDEO\VWLOOÀQGLQJLWVIHHW The visitors proved relentless and continued to play some scintillating UXJE\ +DUWSXU\ VFRUHG WZR PRUH tries before the break, and after a JUXHOOLQJ ÀUVW SHULRG WKH 5R\DOV trailed 0-22 and were in desperate QHHGRIVRPHLQVSLUDWLRQ The half-time interval saw the Newcastle management plea for more communication, and demanded the team to intimidate the GRPLQDQW+DUWSXU\EDFNOLQH The second half began in a similar IDVKLRQWRWKHHQGRIWKHÀUVWZLWK WKHYLVLWRUVÀUPO\RQWKHIURQWIRRW $ QXPEHU RI FRXUDJHRXV WDFNOHV from Sam Shires ensured that the Hartpury dominance did not turn LQWRLPPHGLDWHSRLQWV 'HVSLWH 6KLUHV· IHDUOHVV GHIHQFH the Newcastle back-line again appeared speechless, as their lack RI FRPPXQLFDWLRQ VLJQLÀFDQWO\ KLQGHUHG WKHLU SURJUHVV $IWHU D number of forward phases, Hartpury once again spread the ball wide and took advantage of a huge overlap, with the full-back touchLQJGRZQZLWKHDVH The visitors added a sixth try shortly after, with the Newcastle forwards unable to slow down a destructive rolling maul, which eventually collapsed over the RoyDOV·OLQH The frustrations for the hosts were YLVLEOHDIWHUDFRXSOHRITXLFNÀUH incidents off-the-ball, the referee spoke to both captains, and gave WKH VLGH D ÀQDO ZDUQLQJ EHIRUH KH ZRXOGEHIRUFHGWRXVHKLVFDUGV The warning again fell upon deaf ears however, as only moments later replacement Rob Fee was banished to the sin bin for allegedly SXOOLQJ GRZQ D PDXO LOOHJDOO\ , was later interestingly informed by his teammates that this was Fee’s third caution in the opening four JDPHVWKLVVHDVRQ Newcastle paid a heavy price for WKHLU QXPHULFDO GLVDGYDQWDJH $ seventh try for the visitors ensued following another destructive move Men’s 1st Rugby Results v Leeds Met - 20 -13 - Lost v Loughborough - 58 -11 - Lost v Leeds - 34 - 24 - Lost v Hartbury - 51 - 12 - Lost Loughborough Leeds Metropolitan Durham Northumbria Leeds Nottingham Newcastle W 3 2 2 1 1 0 0 L 0 1 0 1 1 3 3 Pts 9 6 6 3 3 0 0 Time to regroup: the squad will need to up their game if their season is to recover from such a disastrous start by the forward pack, and the Royals were facing a whitewash with WKHVFRUHDW $V WKH ÀQDO WHQ PLQXWHV ORRPHG Newcastle refused to let their heads drop, and were rewarded for their GHWHUPLQDWLRQZLWKWKHLUÀUVWWU\RI WKH PDWFK 3LFNLQJ XS WKH EDOO RQ WKH ULJKWZLQJ 'DYLG 6ZHDWPDQ dissected the visitor’s defence with an incisive grubber kick, and after collecting, skipped past the HartSXU\ IXOOEDFN WR ÀQLVK D EULOOLDQW VRORWU\ Sweatman’s effort appeared to invigorate the home side, and as it so often happens, Newcastle added a VHFRQGTXLFNÀUHWU\$IWHUSXWWLQJ together a number of phases in the Hartpury half, Sam Shires burst through the visitor’s defence with ease, and crowned off his faultless GLVSOD\ZLWKDGHVHUYHGWU\ The Royals did disappointingly concede two late tries, which left WKHÀQDOVFRUHDWDGHPRUDOLVLQJ +RZHYHU 1HZFDVWOH ZLOO WDNH heart from their refusal to let their heads go down, and will accept that the better team were victorious RQWKHGD\ 7KH ÀUVW WHDP DUH QRZ ORRNLQJ ahead to next week’s crunch BUCS game against Nottingham, before entertaining rivals Northumbria at &RFKUDQH3DUNWKHIROORZLQJZHHN For management and players alike, last week proved a harsh and painful lesson for NURFC, but one that may well prove an important one IRUWKHUHVWRIWKHVHDVRQ