MA Professional Design Practice
Transcription
MA Professional Design Practice
MA Professional Design Practice Thesis Handbook 2012 | 2013 Pick battles big enough to matter, small enough to win Jonathan Kozel Table of Contents Part 01 | Production requirements for the thesis ................................................................................. 3! Thesis schedule, key dates 2012 | 2013 .............................................................................................. 3! Assessment submission essentials ...................................................................................................... 4! Citing references in your thesis ............................................................................................................ 5! The learning and reflective report......................................................................................................... 5! General production of thesis................................................................................................................. 6! Hard binding your final thesis ............................................................................................................... 8! Title page content and layout ............................................................................................................... 9! Declaration page ................................................................................................................................ 10! Part 02 | Structure for the thesis (18,000-20,000 words).................................................................... 11! Abstract (not included in main word count) ........................................................................................ 11! (First section/Chapter 01) | Introduction ............................................................................................. 11! (Second section/Chapter 02) | Literature review ................................................................................ 12! (Third section/Chapter 03) | Research design.................................................................................... 13! (Fourth section/Chapter 04) | Presentation/analysis of primary data ................................................. 15! (Fifth section/Chapter 05) | Conclusions and recommendations........................................................ 15! Referencing and quotation in your thesis ........................................................................................... 17! Optional outline structure for reflective report..................................................................................... 20! Considerations when planning your time............................................................................................ 22! Recommended texts for Research Design......................................................................................... 22! Part 03 | Assessment ............................................................................................................................ 23! Learning outcomes of the research module ....................................................................................... 23! Assessment criteria for the thesis and reflective report...................................................................... 24! 2 Part 01 | Production requirements for the thesis Thesis schedule, key dates 2012 | 2013 It is essential that the following schedule of deadlines is adhered to, as each stage in the thesis process will impact on subsequent stages. Thesis week 01 | 29th October – 2nd November November 26th 10min presentation of progress to peers and staff Mon 26th November 11am – 12.30pm December 6th th Draft Thesis Proposal – 6 December 2-5pm Submit hard copy to thesis co-ordinator for feedback January 10th !!!th Thesis Proposal – !"##$%&'%() 2-5pm Arrange a suitable time to meet and submit a copy of revised proposal to thesis advisor th for feedback and upload soft copy on web.courses by 7pm Thursday 10 January Thesis week 02 | 21st – 25th January February 4th 10min presentation of progress to peers and staff Mon 4th February 11am – 12.30pm March 5th Upload 1st draft of thesis (literature review) on web.courses by 7pm Tuesday 5th March and arrange a suitable time to submit hard copy to your thesis advisor for feedback April 29th th 10min presentation of progress to peers and staff Mon 29 April 11am – 12.30pm Thesis week 03 | 6th – 10th May June 4th Upload 2nd draft of thesis (revised literature review and research design) on web.courses th by 7pm Tuesday 4 June and arrange a suitable time to submit hard copy to your thesis advisor for feedback September 2nd Arrange to submit a copy of your draft thesis to your thesis advisor. NB: A submission must be made on this date — students who do not submit on this date are not eligible to make a final submission October 17th | Thesis deadline for summative assessment 11 – 12pm, submission of thesis components to thesis co-ordinator in staff room 217 (Please note that dates may be subject to change, where this occurs students will be notified accordingly) Thesis Handbook, MA Professional Design Practice, produced by John Greene, 2006 updated 2007, 2008, 2012 3 Assessment submission essentials The final submission on 17.10.13 should include: Three softbound copies of thesis Three copies of reflective report One electronic copy in MS word/PDF format on CD Submission Present all copies of the thesis, reflective report and CD to staff room 217 to the thesis coordinator between 11 – 12pm on the final date of submission. Thesis word count The thesis should be between 18,000 and 20,000 words. The word count should not include the prelims, end matter or reflective report. Hard bound copy for the library The thesis is not considered a published work until it has been hard bound and submitted to the thesis co-ordinator for inclusion in the library catalogue. Submission of hardbound copies takes place after the thesis has been assessed (usually late November). Theses that are posted should be clearly marked for the attention of the thesis co-ordinator with the correct address. (The school can take no responsibility for items lost in the post). Thesis weeks There are three thesis weeks, where students have no scheduled classes. These periods should allow students to spend concentrated periods working on their research. Thesis work in progress seminars Mon 26th November | Mon 4th Feb | Mon 29th April, 11am – 12.30pm. Each student is required to present his or her work to date (5 mins), outline their completion strategy and field some questions from a panel of academic staff and peers (5mins). These sessions are compulsory. The seminars provide students with the opportunity to clarify their position and their thinking around the research topic as well as receiving advice and feedback on their approach. Students are then requested to post their presentation on web.courses.dit.ie > DT 548-1 MA in Professional Design Practice – Research > Assignments, as a record of their participation in the process. Draft submissions There are interim submissions indicated in the schedule, these are designed to help students manage their time during the research process. They are also key stages in the feedback process. If students fail to meet these deadlines they miss the opportunity to receive meaningful feedback from their thesis advisor. The quality of subsequent work can be dramatically impaired as the workload becomes harder to manage the more it falls behind schedule. The final draft that is submitted to your supervisor on September 2 nd should be as near to completion as possible, at this stage it will only be feasible to tidy up Thesis Handbook, MA Professional Design Practice, produced by John Greene, 2006 updated 2007, 2008, 2012 4 and make minor editorial corrections before you submit your thesis for summative th assessment on the 17 of October 2013. Thesis advisors Thesis advisors should be available from early January 2012 till June 22nd 2011. The thesis advisor is a valuable resource provided to each student, it is strongly recommended that students make the most of this resource while it is available. The obligation rests solely with the individual student to maintain regular contact with their advisor throughout the research process. There is no thesis advisory service between June 22 nd and September 2nd. Students should plan their schedule accordingly. Students should also keep a record of the meetings, advice and feedback that they receive from their thesis advisors so that this record can be referred to when completing research independently. A thesis meeting log template is available to download from web.courses: DT548-1 Professional Design Practice – Research (Course content home page>useful material>thesis meetings log. This record is also useful when evaluating how effectively this process was utilised as part of your learning in your reflective report. Citing references in your thesis The method of citing references to be used for the MA thesis is the Harvard System. Examples of how to use the Harvard System correctly can be found in Part 02 of the thesis handbook on p.16 and further guidance can be found in Anderson, J and Poole, M th (2001) Assignment and Thesis Writing, 4 ed, John Wiley and Sons, Brisbane. The learning and reflective report The learning and reflective report is an important part of the thesis assessment process but it is not part of the thesis document. The report should be submitted separately along with your thesis. Suggestions for structure and content for the reflective report can be reviewed on p.20 in Part 02 of the thesis handbook. Students are encouraged to keep a reflective diary of their learning throughout the research process. Students can then accurately reflect on different aspects of the process in a more meaningful and effective manner. Students who have kept a reflective diary for this purpose have performed much more strongly on the reflective component than those who have not. Thesis Handbook, MA Professional Design Practice, produced by John Greene, 2006 updated 2007, 2008, 2012 5 General production of thesis Margins For binding purposes every page of the dissertation or thesis must meet these minimum margin standards: Top: 1 inch Bottom: 1.25 inch Right: 1 inch Left: 1.5 inch (binding edge) All thesis material must fit within these margin requirements (including tables, page numbers, figures, and graphs). The margins used should be consistent throughout the manuscript. No headers or footers giving the titles of the thesis, chapters, or sections are allowed. Fonts and Font Size Times New Roman is the standard font to be used in the thesis submission. Twelve point is the required size for the body of the text and horizontal alignment should be justified. All print should be letter quality with dark black characters that are consistently clear and dense. Line Spacing The thesis, including the abstract, acknowledgments and introduction, must be one and one-half spaced. Spacing must be used consistently throughout the document. Endnotes, bibliographic entries, long quotations, items in lists, and appendices may be singlespaced. The line spacing observed in a thesis must be consistent throughout, including the spacing between a chapter heading and the first line of text, space before and after subheadings, as well as space between paragraphs. Style sheets are recommended to assist in maintaining consistency within the document and facilitating accurate generation of a table of contents. Pagination Every page of the entire thesis must be numbered, except for the title page. Page numbers must appear in the same location on each page and be consistent in font size and style, not less than .5 inch from the edge of the page. The Thesis committee recommends placing page numbers at the bottom centre of the page. Preliminary pages of a thesis are numbered in lowercase roman numerals. The first page of the thesis text follows the preliminary pages and begins in Arabic numbering with 1. Paper Both copies of the thesis must be submitted on white, A4 paper. The Thesis committee accepts 90gsm, standard grade paper. Print Quality Thesis copies submitted should be of laser quality. If you are concerned about print quality, ask your thesis advisor for advice. Excellent quality photocopies without any smudges or blemishes may be submitted. Corrections made with correction fluids or tapes are not acceptable. Thesis Handbook, MA Professional Design Practice, produced by John Greene, 2006 updated 2007, 2008, 2012 6 Organisation of Materials All theses must be organised utilising the following three sections: preliminary pages, text pages, and reference/appendix pages. Preliminary pages of a thesis are numbered in lowercase roman numerals. The first page of the thesis text follows the preliminary pages and begins in Arabic numbering with 1. The tables below attempt to clarify the pagination rules and the arrangement of those pages. The manuscript must be arranged in the following sequence: Preliminary pages, text and end matter __________________________________________________________________ Prelims Pagination Required Optional Title Page page “i” but does not appear * Declaration page ii * Abstract counts as page “iii” * Dedication number as appropriate * Acknowledgments continue with roman numerals * Table of Contents continue numbering List of Figures continue numbering * List of Tables continue numbering * List of Illustrations continue numbering * Start of text matter Pagination Introduction arabic numbering * Main chapters continue numbering * Conclusions continue numbering * Recommendations continue numbering * End matter Pagination Bibliography continue with Arabic numerals * Required Required Optional Optional * Appendices continue with Arabic numerals * __________________________________________________________________ Structure The structure of the thesis should follow the guidelines issued in Part 02 of the handbook. Students must use the recommended structure. Deviation is only permitted where consent has been granted by your thesis advisor. Thesis Handbook, MA Professional Design Practice, produced by John Greene, 2006 updated 2007, 2008, 2012 7 Hard binding your final thesis It is not necessary for you to hard bind for the assessment, however two hardbound copies should be produced with one copy required for the library. The thesis should be hard bound in black with gold foil blocked lettering. The cover should include the thesis 2013 title, year of award, student name and award type. MA Professional Design Practice John Greene Alcohol consumption by MA students attempting to finish their thesis John Greene MA 2013 Thesis Handbook, MA Professional Design Practice, produced by John Greene, 2006 updated 2007, 2008, 2012 8 Title page content and layout Your title page should follow the layout and content of the example below. Alcohol consumption by MA students attempting to finish their thesis By JOHN GREENE THESIS Submitted in partial fulfillment of the requirements for the degree of Master of Arts in Professional Design Practice School of Art, Design, and Printing, College of Arts & Tourism Dublin Institute of Technology, 2013 Thesis Handbook, MA Professional Design Practice, produced by John Greene, 2006 updated 2007, 2008, 2012 9 Declaration page Your declaration page should follow the layout and content of the example below. Declaration I hereby certify that the material submitted in this thesis towards award of the Masters in Professional Design Practice is entirely my own work and has not been submitted for any academic assessment other than part-fulfillment of the award named above. Signature of candidate:…………………………………………. Date: …………………………… Thesis Handbook, MA Professional Design Practice, produced by John Greene, 2006 updated 2007, 2008, 2012 10 Part 02 | Structure for the thesis (18,000-20,000 words) Abstract (not included in main word count) An abstract is a short informative summary of the thesis. It is written after the thesis is completed, although it is intended to be read first. A descriptive abstract identifies the areas covered in the thesis, the methods used to achieve this and a summary of outcomes as a result of the research. It is an extended statement of purpose, scope and methods. The abstract should be around 150-200 words in length. It should be written in the third person using passive voice: The methods used to conduct…, Evidence is presented that indicates… The abstract should follow the title page in the thesis structure. (First section/Chapter 01) | Introduction 1.1 Background Set the scene for the reader, briefly giving some background information on the research area and the current situation that led to the formulation of the research question or hypothesis. Explain why the topic for this piece of research is being pursued. Note: Remember the research question or hypothesis is the main driver for your research everything will come back to this. Anything that you undertake should relate in someway to answering this question. By the time you come to writing the thesis you should have refined the question sufficiently so that it is focused and the research is in-depth. If it is too broad you will be unable to cover all areas to a sufficient level. Keep coming back to the research question refining it as you become informed by the literature. 1.2 Aims and objectives From the research question establish clearly for the reader what the main aim of the thesis is. Once you state this clearly and succinctly you can more readily convince the reader that you have a clear focus and plan for the thesis. In support of your aim you should also clearly outline the objectives. These are derived from the sub-questions that you have identified through your analysis and interrogation of the question. The objectives need to be achieved so that you can successfully address the aim. This should then enable you to answer your research question. Each objective should also be in some way interlinked so that you can indicate what aspect of the research question/aim is being addressed through each objective. Note: Avoid too many or too few objectives (between 3 and 4). The language should be positive and brief. An example of an objective might be to state the following: Determine what is meant by the term, strategic branding. This provides a clear context for the study so that the data gathered can be… Other examples might include the following terms: Identify, Explain, Define, Investigate, Analyse, Establish etc. Produced by L Reddy in consultation with the MA in Professional Design Practice Thesis Advisory Team 2008, updated 2012 11 1.3 Context Provide justification for the research and identify the key stakeholders—How does the research contribute to the current body of knowledge?/What impact will it have?/Who will benefit? 1.4 Research rationale Provide a brief outline of the layout of the document in relation to the research plan. Explain how the study sets out to address the research question and achieve the overall aim in conjunction with the objectives previously identified. For example: The study can be broken into x number of sections… The first part of the thesis focuses on … in order to…. The second section addresses… so that… The following chapter then examines… in relation to…. Finally… (Second section/Chapter 02) | Literature review You may split this over more than one chapter if you wish according to the different themes or categories you have identified. However, please ensure that there is a high level of interlinked information between each area. You should endeavour to demonstrate your competency in organising and synthesising the secondary data you have gathered. 2.1 Introduction Briefly state the purpose of the review. Outline the main areas and key issues that are discussed in the literature as well as explaining the logical sequence, relevance and focus for this review in the overall context of the research (Research Q, Aims and Objectives). Note: Essentially what you are doing in the introduction of your literature is stating what is going to be discussed, why it is discussed and justifying the flow of the text under your different themes. Once you have stated this, you should proceed with the main body of the literature. 2.2 Theme/Category 01 Identifies current positions, trends, arguments and component issues relating to the topic that informs your research. 2.3 Theme/Category 02 Identifies current positions, trends, arguments and component issues relating to the topic that informs your research. 2.4 Theme/Category 03 Identifies current positions, trends, arguments and component issues relating to the topic that informs your research. Note: The above is not prescriptive of the number of themes or sections that you will have in the literature; it is merely an example to indicate that you should be breaking the literature down into sections. Under each theme or section, you should identify what the current literature says about these areas carefully using headings and subheadings so that the review is clearly signposted. The sequence should always remain logical and Produced by L Reddy in consultation with the MA in Professional Design Practice Thesis Advisory Team 2008, updated 2012 12 have a natural flow from one section to the next. It may also be necessary to sum up key points before moving to the next section. The literature review is heavily referenced from appropriate sources. Use quotation to support key points and where possible combine references from multiple sources to demonstrate through your analysis that you are able to appropriately organise the information you have gathered. Remain objective, expressing no personal opinions and be sure to present all sides of any argument. Support all of your statements with fact. 2.5 Analysis of the literature Once you have sufficiently covered the main topics of your review you should link the information together. You do not necessarily have to do this at the end, it may be done at various points within the chapter but remember it should suit the flow of the document. There should be a level of critical analysis in relation to the information gathered so that you can successfully determine where the current gaps exist and identify further questions for primary research. Critical analysis means that you have explored a set of questions or concepts in relation to your objectives. Through this analysis you should compare and contrast different views; examine the strengths and weaknesses of any current theories or perspectives; objectively draw relevant conclusions. It is not a list of areas that are summarised from different sources. 2.4 Summary Provide a summary of the key points raised in the review and the conclusions that can be drawn from the literature at this stage. Identify to what extent you have met any of the outlined objectives. You should then successfully identify any gaps or evidence that needs to be pursued further through primary research to successfully address the research question. (Third section/Chapter 03) | Research design This section should go into detail about the research design of your thesis and demonstrate how it is suited to your research topic and question. This section like the previous one is heavily referenced. You should draw on references and appropriate quotation from best practice in research to help inform the decisions you have made around the appropriate research design. When developing the design it is best to start with the question, identify suitable methods for your research needs and then locate this within a theoretical perspective and epistemology. 3.1 Introduction Briefly state the purpose of the research design as part of the research process. Outline the key points that are discussed in the chapter and their relevance to the research question and approach to the thesis. 3.2 Theoretical perspective Briefly explain your understanding of epistemology. Identify the two main contrasting theories that exist around the philosophical nature of knowledge. Explain the appropriate connection between your research and your chosen epistemological stance by linking it to Produced by L Reddy in consultation with the MA in Professional Design Practice Thesis Advisory Team 2008, updated 2012 13 the research question and focus of the study. Identify some of the theoretical perspectives that exist within your epistemological stance. Define the perspective(s) that is most suited to your research linking it to the research approach and the main aim of the thesis. Identify the nature of your role as the researcher. Note: At taught masters level you are not required to go into this area in great depth, but for postgraduate research you should be able to demonstrate that you can define the term epistemology and have attempted to locate your research within an appropriate paradigm. 3.3 Methodology You should provide an argument that justifies the chosen methodology for your research design. Explain how this overall strategy of inquiry/investigation/exploration is most suited for your research. Indicate how the principles and procedures associated with your chosen methodology informs both the research process and the choice of methods for your thesis. 3.4 Research methods Discuss the suitability of the chosen research methods and the particular tools to be used for the study. Explain their role and function and how they are linked to each other as part of the research process. Discuss the advantages and weaknesses that might be associated with your chosen methods. Briefly outline how the chosen methods were deemed more appropriate than others. Explain how these tools are implemented as part of the study; explain how the research was conducted; how sample sizes or participants were identified as well as justifying the suitability of your chosen candidates. The development of specific tools and how they were tested or piloted should also be explained. The reliability and validity of expected results should also be discussed which might include areas such as objectivity and generalisation. 3.5 Ethics Give a brief discussion of any ethical issues attached to the research. This might include: confidentiality, permissions, objectivity in presenting information, correspondence and agreements between you and participants, anonymity of participants, your responsibility as the researcher. 3.6 Scope Identify the scope of the study, as well as explaining the purpose of chosen limits and identifying available options in relation to the timeframe available. 3.7 Summary Give a brief summary of the key points discussed in the chapter and link them to the overall research plan to lead into the next chapter that deals with the information gathered from this approach. Produced by L Reddy in consultation with the MA in Professional Design Practice Thesis Advisory Team 2008, updated 2012 14 (Fourth section/Chapter 04) | Presentation/analysis of primary data 4.1 Introduction Briefly give an introduction to the main focus and purpose of this chapter linking in with information presented so far in the literature and the research design. Once you have stated this you should then proceed to present the data that was gathered using your various research methods. 4.2 Research method one (eg case study) Outline what was sought and compare and discuss this with the information actually obtained by using this method. 4.4 Research method two (eg interview) Outline what was sought and compare and discuss this with the information actually obtained by using this method. 4.4 Analysis Compare and contrast the actual data from the primary research identifying trends or patterns that have arisen. Determine what can be strongly concluded or suggested from this information. Evaluate this with the findings from the various categories in your literature and discuss in relation to the context of your research topic. Once again you should be linking back to the aim and objectives. Discuss any unexpected findings and their relevance to the research. Evaluate what was sought and compare with how effectively this information was gathered. Identify any remaining gaps or weaknesses in addressing the research question. 4.5 Summary Give an overall summary of the key points identified in the chapter and link to the focus of the final chapter. (Fifth section/Chapter 05) | Conclusions and recommendations 5.1 Introduction Briefly give an introduction to the main focus of this chapter linking with the initial research question, aim and objectives. 5.2 Conclusions State the conclusions that can be drawn and those that can only be suggested taking into account validity and reliability and making clear links to the data discussed in previous chapters. No new information should be presented at this stage. Anything presented in this section should stem directly from data already presented within the main body of the thesis. State each conclusion clearly; avoid ambiguity and link to the relevant objective(s). Note: Your target for this section is to tie up the threads of discussion that began with your research question through your aim and objectives, are now woven through the literature and primary research and are finally completed in this section of the study. Produced by L Reddy in consultation with the MA in Professional Design Practice Thesis Advisory Team 2008, updated 2012 15 5.3 Recommendations State any recommendations that can be identified from the study or implications that have emerged as a result of the study with reference to future practice or recommended action. For instance, you may have uncovered areas of interest linked to your topic but outside the scope of this study but that could be pursued further in another study. You may also have identified that you cannot draw complete conclusions in some areas and therefore make recommendations on how they could be followed up identifying how this would further benefit your research. 5.4 Summary Give a final summary identifying how well the research question has been addressed with reference to what can strongly be concluded or merely suggested. Produced by L Reddy in consultation with the MA in Professional Design Practice Thesis Advisory Team 2008, updated 2012 16 Referencing and quotation in your thesis Remember the Harvard system of referencing is the required standard for the thesis. No other referencing method should be used. Citations, use of quotation and the bibliography should consistently follow the author-date method associated with the Harvard system. Below are some common examples of using quotations or references in the main text and the format for some different types of publications in the bibliography. For further examples and information on how to use this system, please refer to Chapters 10 and 13 in Anderson, J and Poole, M (2001) Assignment and Thesis Writing, 4th ed, John Wiley and Sons, Brisbane (lib ref: 808.066). Short quotations Using another author’s exact words (three lines or less). Quotes are embedded in the text identified with quotation marks at the start and end of the quotation. There are a number of ways that short quotations can be embedded into the text but in all cases you must acknowledge the author(s) surname, year of publication and page number. You should endeavour to vary how you use quotation in the text, see examples below. Example A: ATF was ill prepared for the rising demand of modernist typefaces in the 1920s. “There were few stylistically daring typefaces in ATF’s massive 1923 specimen book, except perhaps for faces like Hobo and Souvenir, both Benton designs” (Pankow 2001, p.241). Example B: According to Pankow (2001, p.241) “There were few stylistically daring typefaces in ATF’s massive 1923 specimen book, except perhaps for faces like Hobo and Souvenir, both Benton designs”. Such criticism suggests that ATF were not prepared for the sudden demand of modernist typefaces in the 1920s. Example C: Pankow (2001) states that “There were few stylistically daring typefaces in ATF’s massive 1923 specimen book, except perhaps for faces like Hobo and Souvenir, both Benton designs” (p.241) – an indication that ATF had been ill prepared for the demand of modernist typefaces that emerged during that period. Long quotations (More than three lines) do not use quotation marks. The quotation is differentiated from the main text by starting on a new line with single spacing and is justified and indented on both sides (1cm). The author(s) surname, year of publication and page number appear underneath the quotation (range right) in brackets. Example: The lack of standards by which to judge graphic design is widely admitted. If architecture, at another extreme, is overburdened with debate, graphic design suffers from an almost complete absence of discussion and of common ground. The profession is young, its field is wide, purposes and budgets vary enormously, and the products are abundant and often necessarily ephemeral. (Kinross 2002, p.94) Produced by L Reddy in consultation with the MA in Professional Design Practice Thesis Advisory Team 2008, updated 2012 17 References Citations or references in your thesis are used when you are paraphrasing or referring to views, arguments, ideas or research from another author. In these cases you are only required to include the author(s) and year of the publication. Example A: Acknowledging source Golden (2001) criticises the growing desire among prominent typographers to over intellectualise their work in publications and conferences and mourns the negative impact this has on impressionable novice designers attempting to enter the profession. Example B: More than one author There are those that hold the view that all design is political and that consciously or unconsciously any design solution embodies a political world-view, either from those that commission design or those that produce it (Baldwin and Roberts 2006). For subsequent references of the same publication: (Baldwin et al. 2006) Example C: Same point from several works An essential component of any designer’s repertoire is the ability to communicate effectively (Shaughnessy 2005; Potter 2002). Example D: Same author from several works There is considerable evidence to champion the merits of analysis and reflection as an integral part of the design process (Schön 1983, 1987, 1991). Example E: An author cites another author Cormac (cited in Cross 2007) puts forward the argument that problem solving cannot be achieved through absorption of facts and synthesis of information alone. Bibliography The bibliography should list all relevant sources that have been consulted or cited in the main text of the thesis. The list should appear in alphabetical order. You may sub-divide the list into different types of publications if you wish (books, journals, online material etc). When the same author has published several titles they should appear chronologically. When publications from the same author are listed from the same year they should be listed as a, b, c etc and this should correspond with labeling in the main text (Heller 2001a, 2001b etc). The format for the Harvard System for most publications applies in the bibliography as follows: Author’s surname (comma) and initial of first name: Shaughnessy, A Year of publication (in brackets): (2005) Title of publication (title case in italics followed by a comma): How to be a Graphic Designer without Losing your Soul, Publisher (comma): Princeton Architectural Press, Place of publication (period): New York. Produced by L Reddy in consultation with the MA in Professional Design Practice Thesis Advisory Team 2008, updated 2012 18 The following is a list of different types of publications and a note of how they should be formatted in the bibliography. For a single author this appears as: Kvale, S (1996) Interviews: An Introduction to Qualitative Research Interviewing, Sage Publications, California. For two authors ‘and’ is used not an ampersand (&): Baldwin, J and Roberts, L (2006) Visual Communication from Theory to Practice, Ava Publishing, Lausanne. If there are several authors, all are acknowledged in the bibliography with a comma used to separate authors except for the last, where the word ‘and’ is used, appearing as: Bieret, M, Drentell, W, Heller, S and Holland, D (1997) Looking Closer 2–Critical Writings on Graphic Design, Allworth Press, New York. When an edition of the book is required it appears as a numeral with the appropriate st, nd, abbreviation such as 1 2 etc. this is then followed by the abbreviation ‘ed’: Anderson, J and Poole, M (2001) Assignment and Thesis Writing, 4th ed, John Wiley and Sons, Brisbane. A chapter or article in a publication is listed with the author of the chapter, followed by the title of the chapter. The word ‘In’ is then added with the editor (et al for more than two editors) and the rest of the information about the publication given. There is also the addition of page numbers indicating where the chapter appears within the book. Note that it is still the title of the publication that appears in italics and the editor is given the first name initial followed by the surname, such as: Ilyin, N (1994) Fabulous Us: Speaking the Language of Exclusion, In M. Bieret et al. (eds) Looking Closer 2–Critical Writings on Graphic Design, Allworth Press, New York, 37-39. A report is listed in a similar way to a book title with the institution replacing the author if there is no specific author given and appears as follows: Enterprise Ireland, (1999) Opportunities in Design, Strategies for Growth in the Irish Sector, Enterprise Ireland, Dublin. E-journals have the added information of the volume and issue number of the journal as well as the page numbers indicating where the article appears in the journal. The medium is indicated, in this case an online source this is accompanied by the database where it was obtained and the date it was accessed. Again note that it is the publication that appears in italics. The inclusion of full text availability or abstract is also indicated: Cross, N and Dorst, K (2001) Creativity in the Design Process, Design Studies 22 (5) 425-437. Full text [online]. Available: Sciencedirect [Accessed July 1 2004]. If a website is referenced where there is no author, the institution or corporation replaces the author and the full URL with the date accessed is given: Design Council (2008) Design Methods [online]. Available: http://www.designcouncil.org.uk/en/ About-Design/Design-Methods/ [Accessed May 1 2008]. A document from the Internet still requires the same information as a standard publication but again the URL and the date of access is recorded: Produced by L Reddy in consultation with the MA in Professional Design Practice Thesis Advisory Team 2008, updated 2012 19 Higher Education Authority (2005) Review of Quality Assurance Procedures in Irish Universities: High Level Reference Panel Chaired by Mr. J Dunne, Higher Education Authority, Dublin. [online]. Available: http://www.hea.ie/index.cfm/page/sub/id/833 [Accessed April 7 2005]. Conference proceedings also include the conference association, the location and dates of the conference: Corso, R (2004) The creative dimension in art and design education, In A. Davies (ed) Enhancing curricula: towards the scholarship of teaching in art, design and communication, CLTAD, London. Proceedings of the UK, CLTAD 2nd International Conference, Royal Institute of Architects UK, April 10-12th. Optional outline structure for reflective report Note: This is a separate document that you should complete when you have finished your thesis. You are expected to give a reflective account of how well the research remained aligned to the research plan. You should identify any gaps that exist through evaluating your thesis as a piece of research addressing the strengths and weaknesses as well as the key learning points. You are also expected to reflect on the body of knowledge that you have acquired around your chosen topic. This is only a guideline structure for the report. It is not meant to restrict your views on what you have learned from completing a piece of research but to aid you in clarifying and organising your thoughts. However you decide to structure the report, ensure that you clearly signpost your reflections using headings and subheadings within each section with a summary of learning at the end. 6.1 Introduction Briefly give an introduction to the report outlining what you are going to discuss and the sequence you are going to discuss this information. 6.2 Personal goals Outline any personal goals that you hoped to achieve by conducting this research and reflect on how well they were addressed through completing the project. 6.3 Research topic Explain why you chose to pursue this area for your thesis. Outline your prior knowledge and evaluate and reflect on how you have added to your own body of knowledge in this area and the value of this for you in future practice. You might also reflect on the value of the research for other stakeholders in its finished state and determine whether this is different from your initial expectations. 6.4 Research process Briefly outline the personal learning achieved having completed a piece of research at Masters level. Reflect on the process of defining your research question and the development of a proposal; clarifying your aims and objectives; engaging with the literature on your topic; consulting the literature on how to conduct research; developing a methodology to effectively analyse this information and accurately draw conclusions. Produced by L Reddy in consultation with the MA in Professional Design Practice Thesis Advisory Team 2008, updated 2012 20 Within this section, you should discuss the strengths and weaknesses within your approach and how it might differ in the future. 6.5 Conducting a literature review Reflect on how well you conducted your literature searches and review. Evaluate this against best practice in this area so that you can successfully identify the strengths and weaknesses. You might also reflect on the value of research gathering in relation to your future practice. 6.6 Research methods and tools Briefly outline the research methods you used for your thesis and what you hoped to achieve by using them. Reflect on how well you implemented and conducted your research, again comparing it with best practice to help evaluate strengths, weaknesses and future implications. Reflect on the key learning points for you in this area and the relevance of these insights against what you had initially thought before you started the process. 6.7 Supervision and seminars Reflect on how effectively you utilised your supervisor and your work-in-progress seminars to progress the thesis through its various stages. Briefly discuss the areas that you considered worked well and those that did not, discussing what you felt the purpose of these sessions was and whether this view has altered through your experience. 6.8 Time management Reflect on how you managed your time through the research process and how effectively you used interim deadlines and drafts to stay on target. How might you use the learning points from this to develop your time management for major projects in the future? 6. Summary Give an outline summary of main points of reflection and the key learning points that you have met as a result of completing a piece of research of this nature. Produced by L Reddy in consultation with the MA in Professional Design Practice Thesis Advisory Team 2008, updated 2012 21 Considerations when planning your time It is worth noting that the research component is worth 30ECTS credits, this equates to a recommended time commitment on the thesis of 600 hours. If you work 6 hours per day, 5 days per week on the thesis it would take 5 months to reach the 600 hours that are recommended. The reflective report is worth 10% of the marks and should therefore be allocated 60 hours, which is 6 hours per day for 10 days. Recommended texts for Research Design There are a number of recommended texts listed on web.courses that can assist you while completing your thesis. The following list is selected books that may be of particular interest to you when developing your research design in relation to theoretical perspectives and methodology. They may also be helpful when completing your literature review. • Bell, J (2005) Doing Your Research Project, 4th ed, Open University Press, Maidenhead. Lib ref: 808.066 / 300.72 (17 copies available) • Blaxter, L, Hughes, C and Tight, M (2006) How to Research, 3rd ed, Open University Press, Berkshire. Lib ref: 001.42 / 808.066 (20 copies available) • Collins H (2010) Creative research: the theory and practice of research for the creative industries, AVA Academia, Lausanne. Lib ref: 707.2 (1 copy available 3 on order) • Crotty, M (1998) The Foundations of Social Research: Meaning and Perspective in the Research Process, Sage, London, Lib ref 300.72 (9 copies available) • Denscombe, Martin (2007) The Good Research Guide, 3rd ed, Open University Press, Maidenhead. Lib ref: 808.066 / 300.72 (8 copies available) • Hart, C (2005) Doing your Masters Dissertation, Sage, London. Lib ref: 808.066 (7 copies available) • Hart, C (1998) Doing a Literature Review, Sage, London. Lib ref: 300.72 / 808.066 (17 copies available) • Wisker, G (2001) The Postgraduate Research Handbook: Succeed with your MA, MPhil, EdD and PhD, Palgrave, UK. Lib ref: 001.42 / 808.066 (14 copies available) Note: Remember to review any further reading lists in these books which can direct you to other material that may be useful for more specific areas relating to your particular methodology and methods. Produced by L Reddy in consultation with the MA in Professional Design Practice Thesis Advisory Team 2008, updated 2012 22 Part 03 | Assessment Learning outcomes of the research module Upon completion of the research module students are expected to demonstrate mastery of the following learning outcomes: 1 Choose a suitable research topic relevant to the broad discipline of graphic design practice. 2 Formulate a hypothesis and research question and develop a research proposal. 3 Plan and manage the complexities associated with an independent research project. 4 Conduct a critically focused literature review. 5 Evaluate and choose various research methods appropriate to a specific research project. 6 Conduct an analysis of data demonstrating their ability to integrate knowledge collected from a range of primary and secondary sources. 7 Draw conclusions from the evidence compiled and formulate judgments that enable them to make appropriate recommendations. 8 Write a dissertation investigating or testing a hypothesis from a research proposal that is informed by the forefront of learning in their field of research. 9 Reflect upon and critically evaluate the research process and learning outcomes. The full descriptor for the research module is available on web.courses: DT548-1 Professional Design Practice – Research (Course content home page>course material>MA PDP research module. Produced by L Reddy in consultation with the MA in Professional Design Practice Thesis Advisory Team 2008, updated 2012 23 Assessment criteria for the thesis and reflective report The assessment matrix below is used to determine how effectively a student has met the learning outcomes of the research module through the assessment of both the thesis and the reflective report. Therefore students are encouraged to review the assessment sheet and evaluate their own body of work at different stages of the process. This can be useful in determining where current strengths and weaknesses may exist and identify actions that need to be taken to develop their work further. A pdf of this assessment sheet is available on web.courses: DT548-1 Professional Design Practice – Research (Course content home page>useful information>assessment criteria. Produced by L Reddy in consultation with the MA in Professional Design Practice Thesis Advisory Team 2008, updated 2012 24 Both the thesis and the reflective report are read and assessed by the your thesis advisor and a second reader. The final marks are recorded on the sheet below and presented with your work to the external examiner for summative assessment. Produced by L Reddy in consultation with the MA in Professional Design Practice Thesis Advisory Team 2008, updated 2012 25