Bobby Jackson

Transcription

Bobby Jackson
JazzWeek
jazzweek.com • May 18, 2005
with airplay data powered by
Volume 1, Number 26 • $7.95
In This Issue:
Ella, Al Jarreau
Receive Ford
Honors in
Detroit. . . . . . 4
Eldar Plans
Club Tour. . . . 6
Nascimento
Inks Deal With
Savoy . . . . . . 9
3rd Annual
JazzWeek
Awards
Ballot . . . . . 12
Reviews and
Picks . . . . . . 18
Jazz Radio . 20
Smooth Jazz
Radio. . . . . . 25
Radio
Panels . . . . . 29
News. . . . . . . 4
Radio Q&A:
BOBBY JACKSON
Music Director/Producer
Cleveland’s WCPN
page 14
Charts:
#1 Jazz Albums – Eldar and Gary Burton
#1 Smooth Album – Kenny G
#1 Smooth Single – Nils
This Week
JazzWeek
EDITOR
Ed Trefzger
CONTRIBUTING EDITORS
Keith Zimmerman
Kent Zimmerman
Tad Hendrickson
CONTRIBUTING WRITER
Tom Mallison
PHOTOGRAPHY
Barry Solof
PUBLISHER
Tony Gasparre
ADVERTISING: Contact Tony Gasparre
(585) 235-4685 x3 or
email: tony.gasparre@jazzweek.com
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Mediaguide
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JazzWeek (ISSN 1554-4338)
is published weekly by
O
ne of the things that I’ve been most pleased about since we
relaunched JazzWeek as a weekly publication is the chance
to feature our friends in radio. This week, Bobby Jackson is
in the Q&A spotlight. Bobby is creating some terrific nationalcaliber programming in Cleveland, but with a local perspective.
And the joining of WCPN with TV and internet operations is
leading to some unique opportunities. Creative programmers like
Bobby and stations like WCPN help keep our format and music
vibrant.
Please don’t forget that nominations are open for only one more
week for the 2005 JazzWeek Awards, which will be announced
and presented at our annual awards luncheon on June 25 at the
JazzWeek Summit in Syracuse. Please fax or email your ballot (on
page 12) to us by noon ET on Tuesday, May 24. We’ll compile
the most nominated in each category and print the final ballot in
the May 25 issue.
The complete listing of workshops for this year’s JazzWeek
Summit is on page 8 of this issue. Our Thursday night showcase
includes the legendary Mike Longo, and Mack Avenue recording
artists Ilona Knopfler and Ron Blake – and we’re close to adding
one more act to the lineup. It should be a great evening. The Summit registration fee goes up after May 31, so please register soon
if you can. Don’t forget, all registrants receive VIP seating at the
festival, and all subscribers receive a $50 discount on registration.
To register, visit jazzweek.com/summit/, or you may use the registration form on page 7 of this issue.
– Ed Trefzger, Editor
2117 Buffalo Road
Suite 317
Rochester, NY 14624
phone: (585) 235-4685
fax: (585) 235-4685
info@jazzweek.com
Copyright ©2005
Yellow Dog Communications Inc.
jazzweek.com • May 18, 2005
JazzWeek
2
Contents
May 18, 2005
6
14
20
25
News . . . . . . . . . . . . . . .
Ella, Al Jarreau Receive Ford Honors . . . . .
Eldar Plans U.S. Club Tour . . . . . . . . .
JazzWeek Summit Conference Agenda . . . .
Four More Jazz Imprints Ink Deal with eMusic .
Milton Nascimento Signs Deal With Savoy Jazz .
Essentially Ellington Winners Chosen . . . . .
Monica Zetterlund, 67. . . . . . . . . . .
2005 JazzWeek Awards Nomination Ballot . .
Birthdays . . . . . . . . . . . . . . .
Features
Radio Q&A: WCPN’s Bobby Jackson . . . . .
Reviews and Picks . . . . . . . . . . . .
Drew Gress . . . . . . . . . . . . .
Luciana Souza . . . . . . . . . . . .
Joshua Redman Elastic Band . . . . . .
SFJAZZ Collective. . . . . . . . . . .
Jazz Charts . . . . . . . . . . .
Jazz Album Chart . . . . . . . . . . . .
Jazz Add Dates . . . . . . . . . . . . .
Jazz Current CDs . . . . . . . . . . . .
Jazz Radio Panel . . . . . . . . . . . .
Smooth Jazz Charts . . . . . .
Smooth Album Chart . . . . . . . . . . .
Smooth Singles Chart . . . . . . . . . . .
Smooth Current CDs . . . . . . . . . . .
Smooth Radio Panel . . . . . . . . . . .
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Cover photo: Bobby Jackson (courtesy WCPN)
JazzWeek
Volume 1 Issue 26
jazzweek.com • May 18, 2005
JazzWeek
3
News
Ella, Al Jarreau Receive Ford Honors
DETROIT, Mich., May 12 – Ford
Motor Company and the Charles H.
Wright Museum of African American
History will honor 2005 Ford Freedom Award recipient Ella Fitzgerald and Ford Freedom Award Scholar Al Jarreau during a black-tie gala at
the museum on Tuesday, May 24. The
Ford Freedom Award proceeds support the museum’s educational programs, exhibits, and community outreach initiatives.
The Ford Freedom Award, created in 1999, is presented posthumously
to distinguished individuals who dedicated their lives to improving the African American community and the
world in general. A brass plate bearing
Fitzgerald’s name will be added to the
museum’s Ring of Genealogy, the centerpiece of the Ford Freedom Rotunda
lobby, and will be unveiled during the
awards program. Fitzgerald’s son, Ray
Brown Jr., will accept the award on her
behalf.
The Ford Freedom Award Scholar honor is bestowed upon a living individual who has demonstrated excellence in the field of the award recipient.
Jarreau will speak to nearly 1,700 students, including winners of the Ford
Freedom Award Essay Contest hosted
by Detroit Newspapers in Education,
at the Ford Freedom Award Scholar’s
Lecture on Wednesday, May 25 at 11
a.m. The event will be held at Detroit’s
Music Hall.
“Ford is proud to partner with the
Charles H. Wright Museum of African American History in celebrating
the accomplishments of Ella Fitzgerald
and Al Jarreau,” said Ziad Ojakli, group
vice
president of corporate affairs
at Ford Motor Company.
“The success
of these two
extraordinary
i nd i v idu a l s
illustrates the
ability music Ella Fitzgerald
has to bring people together.”
“The Museum thanks Ford Motor
Company for its continuing support of
the Ford Freedom Award,” said Christy Coleman, president and CEO of the
Charles H. Wright Museum of African American History. “With support from corporations like Ford, we
will continue to thrive and serve the
continued ...
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jazzweek.com • May 18, 2005
Bradley Leighton • Jazz Week • 1/3 pag. Horz 8" x 3.5"
DISTRUBUTED BY
VISIT BRADLEY ONLINE AT
WWW.BRADLEYLEIGHTON.COM
JazzWeek
4
News
Ella, Jarreau (continued)
jazzweek.com • May 18, 2005
Advertise in
JazzWeek
Call Tony Gasparre at
(585) 235-4685, ext. 3
or email
tony.gasparre@jazzweek.com
gra
n
Co
tion
tula
s to the New and Improved
Jaz
zW
ee
k
!
community by providing exhibitions and educational programs, so that people of all ages and backgrounds can learn
about African American history and culture.”
Dubbed the “First Lady of Song,” Ella Jane Fitzgerald
was the most popular female jazz singer in the United States
for more than half a century. During her lifetime, she sold
over 40 million albums and won 13 Grammy awards. Born
in Newport News, Va., Fitzgerald began singing after impressing the audience at the Apollo Theater’s Amateur
Night in 1934. She could imitate every instrument in an
orchestra and worked with all the jazz greats, from Duke
Ellington, Count Basie, and Nat King Cole to Frank Sinatra, Dizzy Gillespie, and Benny Goodman. She performed
at top venues all over the world, and her audiences were as
diverse as her vocal range. Fitzgerald received the National
Medal of Arts, France’s Commander of Arts and Letters
Award, Kennedy Center Honors, and numerous honorary
doctorates for her continuing contributions to the arts. She
died on June 15, 1996.
The unique vocal style and innovative musical expressions of singer/songwriter Al Jarreau have
made him one of the
most exciting and critically acclaimed performers of our time,
earning him five Grammy Awards, numerous international music
awards, and accolades
worldwide. His artistry
began in his childhood
home of Milwaukee,
Wis., where Jarreau, the Al Jarreau
son of a minister/foundry worker, sang with his brothers. His recording career exploded with his debut album We Got By (1975), and a progression of successful albums earned him superstar status
and an international following. Jarreau is the only singer
ever to have won Best Vocalist Grammys in three separate
and distinct categories (jazz, R&B, and pop). He released
his latest album, Accentuate the Positive, in 2004.
The Charles H. Wright Museum of African American
History, founded in 1965, is the world’s largest institution
dedicated to preserving African American history and culture. JW
Reach radio programmers
“
The Most
Thorough &
Effective Radio
Promotion
Campaigns
Available
”
1 6 8 0 No r t h Vi n e Ave. , S u i te 1 2 0 6
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JazzWeek
5
News
Eldar Plans U.S. Club Tour
E
Frank Okenfels
Eldar will tour major jazz clubs this year.
ighteen-year-old pianist Eldar,
whose self-titled debut tops the
JazzWeek Jazz Album chart for
a second consecutive week, will tour
several major jazz clubs this spring
and summer. Dates include: Yoshi’s in
Oakland, Calif., on June 6; Jazz Alley
in Seattle, June 7-8; Dizzy’s in New
York, June 14-19; Connecticut casino resort Mohegan Sun, June 21-22;
Scullers in Boston, June 23; Zanzibar
in Philadelphia, June 24-25; and Blues
Alley in Washington, D.C. on June
26.
His fall schedule includes dates in
Los Angeles and Orange County, Calif., Washington, D.C., and with the
Lincoln Center Jazz Orchestra at Rose
Hall in New York.
Eldar left his native Kyrgyzstan for
the United States in 1998, a boy of 11
with a slight grasp of English but an
astonishing natural talent that immediately captured the attention of the
jazz world. In the last seven years, with
the support of his family, he has established American roots as he continued
his education, absorbed the culture,
honed his technical skills and emerged
as one of the most distinctive jazz pianists of the new generation.
He has been featured on the 42ⁿd
annual Grammy Awards broadcast,
appeared on Marian McPartland’s
Piano Jazz series on NPR and CBS’s
Sunday Morning. On May 8, NPR’s
Weekend Edition did a major feature on
Eldar. JW
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JazzWeek
6
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JazzWeek Summit 2005
Conference Agenda
Unless otherwise noted, all events held at Marx Hotel and
Conference Center, Syracuse, N.Y. Topics, panelists and
times may be subject to change.
Thursday, June 23
8:30 AM – Check-in and Registration
Coffee, tea, carbs, and a hundred hellos to one another.
10:00 AM – Welcome and Keynote Address
Featured Speakers: Frank Malfitano, Syracuse Jazz Fest, and
Nick Pirro, Onondaga County Executive. Others TBA.
10:30 AM – Panel Session: Can Jazz Stations Market
Themselves?
Friday, June 24
9:00 AM – Coffee/Tea and More Carbs
9:30 AM – Panel Session / Workshop: The Art of the Interview.
Sponsored by The Jazz Journalists Association
Whether if it is for print, radio or television, you should be
prepared on how to conduct an interview. Learn how to get the
most out of an interview with our own contributing editor Tad
Hendrickson as the moderator. Others TBA.
11:00 AM – Panel Session: Core Values
Time to take a closer look at the Walrus Study and how this
data can impact your station for the better.
Lunch Break
Everyone is looking for an audience, but sometimes radio needs
to give people an initial reason to tune into a station in the
first place. Listen to and share some ideas about advertising,
sponsorships, and community outreach programs.
1:30 PM – Workshop: Baby With The Bath Water – Part Two
Lunch Break
3:15 PM – Panel Session: Jukebox Jury
1:30 PM – Workshop: Baby With The Bath Water – Part One
You know it! You’ll love it or hate it! Time to shake the wax out
of your ears and watch our panelists and attendees vote yea or
nay on forthcoming jazz releases.
Just because 99% of jazz heard in the United States is on
public radio does not mean basic commercial radio practices
need to be ignored. This workshop will explore how public
radio can learn the basics from commercial radio practices and
research.
After having some time to digest Part One, it is now time to
discuss how to implement those practices. How can you use
those tools to get your station to the next level?
Dinner break and the opening night of the Syracuse Jazz
Fest at Onondaga Community College, with VIP seating and
hospitality for all Summit participants.
3:00 PM – Workshop: How Can We Work Together Better?
Attendees will split up into three groups: radio in one group,
promotion and label people in a second group, and artists in
a third group. Each group will then identify what they would
like to change about their efforts in Jazz Radio. Twenty to
thirty minutes later, each group will join together and discuss
their ideas with the others. The goal is to see if there are any
common ideas that can be reached and implemented together.
Saturday, June 25
9:00 AM – Coffee/Tea and More Carbs
10:00 AM – Panel Session: Smilin’ and Dialin’ with Mediaguide
Dinner Break
Now that Mediaguide is counting the spins for the charts,
learn what has changed during this weekly dynamic between
labels, the independent promoters and the program and music
directors.
7:00 PM – JazzWeek Showcase, Everson Museum
Noon – JazzWeek Awards Luncheon, location TBA
Reception and cocktail hour first
2:30 PM – Town Meeting
Schedule of performers:
“Nothing But a Family Thing 4” – Just keepin’ a good thing
going. Just like any family it is time to discuss, argue and
maybe laugh like any good family does. What have we learned
and what are we going to do?
• Ilona Knopfler
• Mike Longo Trio
• The Ron Blake Band
jazzweek.com • May 18, 2005
Afterwards, for those staying in town, it’s back up to the
Syracuse Jazz Fest!
JazzWeek
8
News
Four More Jazz Imprints
Ink Deal with eMusic
NEW YORK, May 10 – Four jazz labels are among the
latest to sign up with eMusic, the world’s No. 2 digital
download service, selling more than two million tracks
monthly. eMusic now counts over 625,000 tracks and
65,000 titles from more than 35,000 artists.
MAXJAZZ, Vancouver-based Songlines, PI Recordings, and composer Ned Rothenberg’s label for his own
collaborative works, Animul Records, now have tracks
available for purchase through eMusic.
“eMusic is an attempt to find and cater exclusively
and extensively to music buyers who want non-major label
music,” said David Pakman, COO of eMusic.
eMusic was not only the first service to sell songs and
albums in the popular MP3 format, it was the first company to launch a digital music subscription service. Unlike other services that employ copy restriction, eMusic
allows members complete flexibility to burn CDs, transfer to MP3 devices and make multiple copies for personal
use.
Milton Nascimento Signs
Deal With Savoy Jazz; July
Release of Pieta Planned
SANTA MONICA, Calif. – Savoy Jazz has signed Brazilian singer and songwriter Milton Nascimento.
The Rio de Janeiro native is considered a pioneer in
the Latin, Jazz and World music genres and returns with
an album of original compositions, Pieta, a tribute to his
stepmother Lilia, who raised him and introduced him to
music. The album is slated for a July 26 release.
The release of Pieta precedes Milton’s first North
American tour in 10 years and is targeted to begin in September. More details to be announced shortly
Since his double album debut, Clube da Esquina in
1972, Nascimento has recorded at least 28 solo albums
and collaborated with musicians such as Paul Simon,
Peter Gabriel, Sarah Vaughn. Pieta features guests Pat
Metheny, Herbie Hancock, Eumir Deodato, Maria Rita
Mariano and Simone Guimaraes.
Joshua Sherman, senior director of A&R for Savoy
Jazz, said, “To work with an artist like Milton on his first
U.S. release in more than six years is a great thrill for Savoy Jazz.”
jazzweek.com • May 18, 2005
JazzWeek
9
News
Essentially Ellington Winners Chosen
NEW YORK, May 15 – Three high
school jazz bands took top honors in
Jazz at Lincoln Center’s 10th Annual Essentially Ellington High School
Jazz Band Competition and Festival.
The winning group was the New
World School of the Arts High School
Jazz Ensemble, Miami, Fla. In second
place was the Roosevelt High School
Jazz Band, Seattle, Wash., and in
third place, Mountlake Terrace High
School Jazz Ensemble I, Mountlake
Terrace, Wash.
This was the first time the competition was held in Jazz at Lincoln Center’s new home, Frederick P. Rose Hall.
Each band was chosen from among 15
finalists by a panel of judges composed
of distinguished jazz musicians: Dr.
David Baker, Director of Jazz, Indiana
University, and Music Director, Smithsonian Jazz Masterworks Orchestra;
composer, conductor
and Ellington authority David Berger; jazz historian,
author,
composer
and conductor, GunFrank Stewart/Jazz at Lincoln Center
ther Schuller; and
Winner New World School of the Arts (Miami, Fla.) performs at
Jazz at Lincoln CenAvery Fisher Hall.
ter Artistic Director,
ist. The Lincoln Center Jazz OrchesWynton Marsalis.
tra with Marsalis then performed a set
Essentially Ellington culminat- of Ellington compositions that Jazz
ed in a concert at Avery Fisher Hall, at Lincoln Center will distribute to
at which each of the three top-plac- high schools for Essentially Ellington
ing bands performed two Elling- 2006.
ton compositions, one alone and one
In addition, Jazz at Lincoln Cenwith Wynton Marsalis as guest solocontinued ...
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jazzweek.com • May 18, 2005
JazzWeek
10
News
Essentially Ellington (continued)
ter recognized the first place winner
in the third Essentially Ellington Essay Contest: Karl Stabnau of Eastman Youth Jazz Ensembles, Rochester, N.Y. The contest invited students
from all participating high schools to
submit an essay describing a personal
experience with jazz.
At the awards ceremony, Marsalis said, “I am very proud that everyone listened and cheered for one another. It’s an expansion of feeling, a
genuine feeling that crosses generations. We’ve enjoyed hearing you all
and didn’t take your hard work lightly.
You have to be responsible for elevating a circumstance to a certain standard – make something happen and
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do it with soul.”
Essentially Ellington is the largest of the over 450 events that Jazz
at Lincoln Center will produce this
year. This unique music education program has provided original arrangements of Duke Ellington’s music to
over 200,000 high school musicians
in more than 3,500 schools nationwide in its ten year history. Essentially
Ellington has produced and distributed over 50,000 copies of 60 previously
unavailable scores. Seventy-six finalist
bands have come to New York City to
compete in the annual Essentially Ellington High School Jazz Band Competition and Festival.
A complete list of winners may be
found at the Jazz at Lincoln Center
web site, jalc.org. JW
Passings
Monica Zetterlund, 67
Swedish jazz singer Monica Zetterlund,
who was best known in America for
a 1964 album recorded with pianist
Bill Evans, Waltz for Debby, died in an
apartment fire in Stockholm on May 12.
She was 67. Swedish news reports said
she had been smoking in bed.
Zetterlund suffered from scoliosis of the
spine, which made it difficult to leave her
apartment. During the last years of her
career, she often had to be helped onto
the stage, and sang sitting down.
She first gained notoreity in the U.S. after
a 1960 television appearance with Steve
Allen.
Zetterlund was married three times and
is survived by her only daughter, actress
Eva-Lena Zetterlund, and her partner,
Magnus Roger.
The Dr. Jazz Test For
“Promotionitis”
Do you suffer from these symptoms?
Tighness of Budget
Distributor Complications
Depressed Sales
Air Play Rejection
Elevated Blood Pressure or Ulcers
call Dr. Jazz immediately
If you answer yes to any of the above,
800-955-4375
������������
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jazzweek.com • May 18, 2005
JazzWeek
11
JazzWeek Summit 2005
2005 Awards Nomination Ballot
Please vote for up to three nominees in each category. (Station
and label categories are defined below.) Fax completed ballots
to 585-235-0509 or email to: tony.gasparre@jazzweek.com.
Deadline noon ET May 24.
Independent Promotion Company of the Year
Station of the Year – Major Markets 1-25
3.
1.
Major Label of the Year
2.
1.
3.
2.
Station of the Year – Medium Markets 26-79
3.
1.
Independent Label of the Year
2.
1.
3.
2.
Station of the Year – Smaller Markets 80 and under
3.
1.
Record of the Year 4/5/04 – 4/04/05
2.
1.
3.
2.
Programmer of the Year – Major Markets 1-25
3.
1.
Vocalist of the Year
2.
1.
3.
2.
Programmer of the Year – Medium Markets 26-79
3.
1.
Instrumentalist of the Year
2.
1.
3.
2.
Programmer of the Year – Smaller Markets 80 and under
3.
1.
2005 Duke Dubois Humanitarian Award
2.
1.
3.
2.
Record Company Promotion Representative of the Year
3.
1.
(The Duke Dubois award is a one-time honor. Previous recipients
Tom Mallison and Dick LaPalm are not eligible.)
2.
1.
2.
3.
Major Market Stations, 1-25: WBGO, KKJZ, WBEZ, WCFJ/WSBC, KCSM, KNTU, WRTI, KTSU, KUT, WGBH, WFNX, WICN, WDET, WCLK, WEMU, WDNA, KPLU,
KJZZ, KBEM, KSDS, WSIE, WEAA, WUSF, KUVO, WDUQ, KMHD, WCPN, and CJRT.
Medium Markets 26-79: KXJZ, KRTU, WUCF, WHRV, KSJS, WNCU, WSHA, WMOT, WWOZ, WUMR, WBFO, WGMC, KUAZ, WGVU, WAER, KFSR, and KIOS.
Small Markets 80 and under: WXUT/WXTS, WTEB, KEWU, KMUW, WJSU, WFSS, WUCX, WGLT, KANU, KIPO, KCCK, KSMF, KSUT, WWSP, WCMU/WUCX,
KUNR, and WUAL.
Major Labels: Sony Classical, Blue Note, Verve Music Group, Columbia/Legacy, Telarc Records, Concord Music Group, Warner Bros./Nonesuch, and
Fantasy/Milestone.
Independent Labels: All others not included in the Major Label category.
News
Birthdays
May 18
Big Joe Turner (1911)
Kai Winding (1922)
May 19
George Auld (1919)
Cecil McBee (1935)
Sonny Fortune (1939)
Tom Scott (1948)
May 20
Jimmy Blythe (1901)
Bob Florence (1932)
Charles Davis (1933)
Rufus Harley (1936)
Ralph Peterson (1962)
May 21
Fats Waller (1904)
Lawrence Marable (1929)
Christian McBride (1972)
May 22
Sun Ra (1914)
May 23
Artie Shaw (1910)
Rosemary Clooney (1928)
Marvin Stamm (1939)
Famoudou Don Moye (1946)
Richie Beirach (1947)
Ken Peplowski (1959)
May 24
Archie Shepp (1937)
Charles Earland (1941)
jazzweek.com • May 18, 2005
May 25
Jimmy Hamilton (1917)
Marshall Allen (1924)
Phil Ranelin (1939)
Wallace Roney (1960)
May 26
Shorty Baker (1914)
Miles Davis (1926)
Lew Tabackin (1940)
May 27
Albert Nicholas (1900)
Bud Shank (1926)
Ramsey Lewis (1935)
Niels-Henning Ørsted Pedersen (1946)
Dee Dee Bridgewater (1950)
Gonzalo Rubalcaba (1963)
May 28
Andy Kirk (1898)
Tommy Ladnier (1900)
Russ Freeman (1926)
May 29
Eugene Wright (1923)
Freddie Redd (1927)
Hilton Ruiz (1952)
Kenny Washington (1958)
May 30
Sidney de Paris (1905)
Benny Goodman (1909)
Dave McKenna (1930)
Harry Beckett (1935)
May 31
Red Holloway (1927)
Louis Hayes (1937)
June 1
Hal McKusick (1924)
Lennie Niehaus (1929)
June 2
Marty Napoleon (1921)
June 3
Dakota Staton (1931)
Ted Curson (1935)
Grachan Moncur III (1937)
Jack Wilkins (1944)
June 4
Britt Woodman (1920)
Oliver Nelson (1932)
Anthony Braxton (1945)
Paquito D’Rivera (1948)
June 5
Pete Jolly (1932)
Misha Mengleberg (1935)
Peter Erskine (1954)
June 6
Jimmie Lunceford (1902)
Al Grey (1925)
Grant Green (1931)
Monty Alexander (1944)
June 7
Tal Farlow (1921)
Beryl Booker (1922)
Tina Brooks (1932)
June 8
Bill Watrous (1939)
Julie Tippett (1947)
JazzWeek
13
Radio Q&A:
Bobby Jackson
Music Director/Producer
WCPN- 90.3 FM
by Tad Hendrickson
A
nyone who’s hung out with Bobby Jackson knows that he’s
never at a loss for words. Right now Jackson has a lot on his
plate, but his enthusiasm for the music and his work with
photos provided by
Bobby Jackson and WCPN WCPN-FM is as strong as ever. If that wasn’t enough, we also get
a rebuttal to my critical review of the Lincoln Center Jazz Orchestra’s A Love Supreme in JazzWeek (Vol 1, Issue 8, Jan. 12, 2005.)
JazzWeek recently caught up with Jackson in cyberspace.
JW: So you’re getting ready to move (at both home and work). What’s it like
to do radio when you are living out of boxes?
BJ: Keeping your priority work right out in front of you in a special box so it
doesn’t get lost in all those other boxes at work and home. It’s kind of tough
on a person who has learned to think out of the box as a way of life.
And you’re getting ready to do a fund raiser too? Talk about multi-tasking!
BJ: Got a special box for that too! Any record companies out there with special
box sets for WCPN-FM fundraising purposes can send them to ....
continued ...
jazzweek.com • May 18, 2005
JazzWeek
14
Q&A: Bobby Jackson
(continued)
You’re in the unique situation where public television and public radio have
been merged into one company. How does it work?
“Syndicated
programs that
seek to serve
multiple markets
cannot compete
with public radio
stations that
are committed to
the pulse of their
communities.”
The television, radio and internet website components of programming at
Ideastream, Inc. meet once per week in what we called PHT (Program Harmonizing Team). We discuss what each of us is doing and try to see if we can
program across the several platforms that we wield. We are learning each others language and methods. It’s changing the culture of how we do things for
the greater good of the organization.
This current “move” we’re undertaking will blend both cultures into the same
building which is a refurbished space in the Playhouse Square area, smack dab
in downtown Cleveland. The construction is done to the tune of between 20
and 30 million dollars. I think once we are all in the same place some amazing opportunities for both entities will emerge. Radio is currently moving first,
then the television component. The target date for both to finally be moved in
is around November.
What are some of the cross-format successes you’ve had?
The first successful venture we did from the music side of the organization as
a cooperative radio and television programming venture was the Ken Burns’
Jazz project a few years back. We simulcast the series on radio, TV and internet as the series translated over each stream remarkably well. Each of those
ten shows of that series weren’t all two hours in length which gave us the opportunity to add our own programming at the conclusion of the shorter episodes. We talked about what was going on in Cleveland in keeping with what
was happening on a particular episode with still photos and talking heads from
Northeast Ohio. We also used our website to provide a transcribed interview I
conducted with Ken Burns six months earlier before the series actually hit the
airwaves across the country. The results of our efforts found us with the highest viewership and time spent listening per capita of any area in the country.
Do you move your audiences from format to format?
Our efforts have produced an upswing in both TV and radio audience. We
drive people to our website from both TV and radio and provide them with
links and information that allow them to dig deeper into the subjects that we
cover. We also drive our audience to our website during live radio shows to
showcase cyberspace art galleries we create.
How has the move from radio to TV been for you?
The professional move is intriguing as I’ll be doing more television using a jazz
lens and aesthetic when the smoke clears. The possibilities are multi-fold and
provocative. I’m currently trying to stock up on jazz DVD’s with an eye out on
programming possibilities. Maybe even a jazz music video show with a different slant than what we normally see with the conventional, commercial music
video shows.
continued ...
jazzweek.com • May 18, 2005
JazzWeek
15
Q&A: Bobby Jackson
(continued)
What keeps you interested in working in the radio format. Can you talk
about some the things you have to do differently in television?
First of all, I have a great face for radio. Not that my Mom had any ugly children (SHE DIDN’T, thank you ...), but I love the anonymity that radio provides you as a host. The visual component such as make up and clothes are a
real drag. I also love the mission of public radio and have no desire to work
on the commercial radio side. There’s something personally fulfilling and rich
about serving your community with music, art, culture and information that
makes one appreciate where they live and to have a greater sense of the beauty
of the world around us. It’s not about the money; it’s about the quality of the
living.
You’re probably one of the biggest advocates of local programming out
there. Why do you place such an emphasis on this approach?
Simply put, it is the strength of public radio.
Syndicated programs that seek to serve multiple
markets cannot compete with public radio stations that are committed to the pulse of their
communities. In the case of Cleveland, that also
goes for public television where a huge emphasis on local programming is currently happening. We are a great resource of information about
stuff that happens here. We do it better than local news entities in many circumstances because
we can take time to dig deeper with call in shows,
web materials, etc. We’re not limited to the brief
sound bite.
Bobby Jackson and son Xavier Sylvia-Jackson joined backstage in 2004 at
the 50th Newport Jazz Festival by (from left) Percy Heath, Roy Hargrove, and
Jimmy Heath.
What do you do specifically to tailor your show
to fit the needs of your community?
We focus on telling the stories of events that happen around our community such as concerts, museum exhibits, theater, news, community forums,
sports, etc. We use this music as a lens to make those connections.
How would describe your own programming style?
Fun, eclectic, educational, probing beneath the surface and engaging. Did I
mention fun!?
You’re getting ready to do a huge Wayne Shorter show. How much work
does it take? It seems like a logistical nightmare trying to line all these people up, including Wayne himself.
jazzweek.com • May 18, 2005
I was really inspired by Michelle Mercer’s treatment of Wayne Shorter in her
book, Footprints: The Life and Work Of Wayne Shorter. Having spoken to Wayne
continued ...
JazzWeek
16
Q&A: Bobby Jackson
(continued)
over the years as well as being a fan of his music, I thought she really captured
his voice and his unique way of looking at the world. His creative process
of musically interpreting the unknowable and seeing the unseen really came
through for me in her book. I was inspired to tell Wayne’s story in a similar way through my medium of radio programming. I’d like to create a show
that speaks not only to what Wayne has done musically but to reveal more
about Wayne’s perspective on life itself.
“We focus on
telling the
stories of events
that happen
around our
community.
... We use this
music as a lens
to make those
connections.”
For example, there was a story told in her book about the Blue Note Supernova session where Maria Booker Lucien is singing “Dindi” and she begins to
cry. They cut her mic off and continued the song. I remember the first time
I heard that and often wondered what in the hell happened in the studio that
day? In Mercer’s book she explained that Wayne heard the playback and got
excited. He said, “Keep that! Keep that! That’s life we just captured on tape!”
I felt that without knowing exactly what happened. That story from Mercer’s
book was just a small instance in her telling of Wayne’s story that inspired
me. I want to articulate my storytelling as a radio broadcaster in similarly
profound way. We’re featuring interviews with many people from inside and
outside of Wayne’s life during this special which will probably be four hours
in length. Some of the people I’m speaking with include Wayne and his wife
Caroline, Maria Lucien, Amiri Baraka, Herbie Hancock, Dick LaPalm, Rachel Z, Eric Gould and others.
Music is how we know Wayne, but it is only a small part of what Wayne is as
a human being. As a young musician from this area told me years ago (saxophonist Jonathan Hartman), “It’s about the music, but the music is not what it’s
all about. It’s how the music connects us as people is what’s more important.” I
like making those connections through my canvas of radio programming.
You recently took me to task via email about my Lincoln Center Jazz Orchestra review; want to give a public rebuttal as well?
I didn’t quite agree with you about Wynton’s treatment of A Love Supreme with
LCJO particularly the comments about the triteness of the section in “Acknowledgement” where the individual instruments are singing singularly “A
Love Supreme.” For me, it felt like the instruments were representing a voice
for every living thing on earth that had breath, from the biggest to the smallest. It reminded me of the verse in Psalm 150 where it says, “Let everything
that has breath praise the Lord.” I also liked where the singular instruments
were arranged to voice the prayer in the 4th movement, “Psalm.” Of course
we both know this piece was never orchestrated for a large ensemble before,
but Wynton brought some things to it that were interesting and unique. Elvin Jones himself gave it high praise after hearing it. I don’t like all of his views
about the music, but whatever. People disagree with me too on different aspects of it. It’s one of those things that make life interesting. JW
jazzweek.com • May 18, 2005
JazzWeek
17
Reviews and Picks
time around the gifted singer plays oppo7 Black Butterflies (Premonition)
site of four different
BASSIST DREW GRESS can be found in the bands of Fred guitarists, including
Hersch, Don Byron, Ravi Coltrane as well as occasional- the mind-boggling
ly leading his own excellent groups. Here on his third do- Romero Lubambo.
Souza’s scat chops are
mestic effort, Gress
proudly displayed on
heads up an impres“Sambadalu” as she
sive quintet of Tim
skitters through the
Berne (alto), Ralph
song lightning fast
Alessi (trumpet), riswith distinct melody
ing star Craig Taborn
that matches guitar(keyboards) and Tom
ist Marco Pereira note for note. Those looking for a sentiRainey (drums), leadmental ballad will enjoy “Aparecida,” while those looking
ing the crew through
for a fuller sound can turn to “Chorinho Pra Ele,” which
program that balancfeatures Souza on percussion while also turning another
es chamber music eldazzling scat performance. At turns sunny, sentimental,
egance, modal post
and downright somber, Duos II is a tour de force by one of
bop swing and avantgarde adventurousness. He imbues this set of nine compo- jazz most important singers of right now.
– Tad Hendrickson
sitions with a rich harmonic ear and tricky time signatures,
Contact: Garrett Shelton
revealing a composer who has really done his homework in Phone: (646) 519-3560
assembling these songs, going much further than putting Email: sunnyside-gs@attglobal.net
a catchy melody next to a good groove. “Low Slung/High Add Date: May 25
Strung” features a bit of studio trickery from producer Da- Release Date: May 24
vid Torn (who has a real talent for making albums sound
three dimensional), but those looking for something a lit- Joshua Redman Elastic Band
tle less chaotic should enjoy the fine and mellow “Like It
Never Was” or the tricky but hard swinging “Bright Idea.” Momentum (Nonesuch)
Great music from a great band. – Tad Hendrickson
Drew Gress
SFJAZZ Collective
Contact: Groov Marketing
Phone: (877) GROOV 32
Email: jazz@groovmarketing.com
Add Date: May 25
Release Date: May 24
SFJAZZ Collective (Nonesuch)
THESE TWO RELEASES showcase the breadth of Joshua Redman’s interest these days. Both released the same day on
Redman’s new label, Nonesuch, and both are relatively new
projects from a saxophonist who spent much of the ‘90s
Luciana Souza
playing with an acoustic quartet. For Momentum, Redman,
organist Sam Yahel and drummer Jeff Ballard roar through
Duos II (Sunnyside)
a set of greasy originals (the acrobatic “Sweet Nasty” gets
SPLITTING HER TIME between the U.S. and Brazil, Luciana the nod here) and tasty covers (Led Zeppelin’s “The CrunSouza is equally at home with jazz as she is with Brazilian ge” is funky and hard hitting). Totally down for the party,
sambas and bossa novas. Here on her sixth album she fol- Redman honks more than he skronks, playing licks better
lows up 2002’s Grammy-nominated Duos with Duos II. This
continued ...
jazzweek.com • May 18, 2005
JazzWeek
18
Reviews and Picks
Joshua Redman
SFJAZZ Collective (continued)
suited for a dingy bar
or roadhouse than
the fine environs of a
classy jazz club. Conversely, class is an apt
descriptor for the
SFJAZZ Collective.
The octet, which also
features saxophonist Miguel Zenon,
vibesman
Bobby
Hutcherson, trumpeter Nicholas Payton and pianist Renee Rosnes, creates a
thoughtful little-big
band sound that can
swell with rich harmonies or drop down
to a few members for
smaller interludes.
Strong originals by
members (Redman’s
“Rise and Fall” has
a real sense of drama)
alternate with three Ornette Coleman songs, including the
excellent “Peace.” Two different flavors that jazz fans can
both savor, both are fine new entries that widen this aging
young lion’s catalog.
– Tad Hendrickson
Contact: Jane Dashow
Phone: (212) 679-1445
Email: jazzdog@nyc.rr.com
Add Date: May 25
Release Date: May 25
Editors’ Picks
Sonny Stitt Work Done (HighNote)
This 1976 Keystone Korner recording finds Sonny at his peak.
Although the recording quality is a little rough, the performance
shines through like a diamond. This recording is also a reminder
that today’s jazz standards are really just a reflection of popular
music back in its day: “You are the Sunshine of My Life” was
a current hit back then. Backing Sonny is Ray Drummond on
bass, Ed Kelley on piano, and, “Smiley” Winters on the drums.
Other Key Tracks: “Constellation” and “On A Clear Day (You Can
See Forever.)” – TG
Rosario Giuliani More Than Ever (Dreyfus Jazz)
If you are not yet familiar with saxophonist Rosario Giuliani, then
get prepared. This new record has a fresh voice that hooks you
from the first track to the last, a straight-ahead recording with a
European edge to it. This one should make the phones ring off
the hook, err, I mean cradle. Richard Galliano and Jean-Michel
Pilc sit in on a few of tracks. Key Tracks: “More Than Ever,”
“Dream House,” and “Mr. R.G.”. – TG
Gabriel Mark Hasselbach and The Jazz Perpetrators
Swingin’ Affair (Wind Tunnel)
This is not a repeat of a pick we did about a month ago.
Gabriel works both sides of the jazz street (Jazz and Smooth
Jazz). This time around, it’s a traditional jazz recording with a
mixture of instrumental and vocal tracks. Gabriel pays homage
to Louis Armstrong and Horace Silver on this enhanced CD
with interactive content that includes videos, pictures, and
interviews. Your listeners should have fun listening to this disc.
Key Tracks: “Señor Blues,” “El Tapatico,” and “Kiss Me Baby,”
featuring Dee Daniels on vocals. – TG
Sara Lazarus Give Me The Simple Life (Dreyfus Jazz)
Vocalist Sara Lazarus won the Thelonious Monk International
Jazz Competition for jazz vocals in 1994. Afterwards, she took
to residing and performing in France for the eleven years. On
her U.S. debut, her vocal style is very enjoyable, warm and has
an irrepressible swing to it. She has put together an interesting
mixture of songs with the help of Bireli Lagrène on guitar and
drummer Winard Harper. Key Tracks: “It’s Crazy,” “Some of My
Best Friends Are The Blues,” and “Morning.” – TG
Keith Jarrett Radiance (ECM)
A R T.
ASK
FOR
M O R E.
For more information about the
importance of arts education, please contact
www.AmericansForTheArts.org.
Pianist Keith Jarrett has two speeds these days, either playing
with his Standards Trio or solo. The two-disc Radiance is
the newest in a line of solo albums that began with 1971’s
Facing You. Laid out over two discs in numbered parts that are
wholly improvised during two live concerts, the album sizzles
with Jarrett’s mix of static avant-garde musings, beautiful
heartbreaking melodic tunes (the 10-minute “Part 15” is a
stunner) and rambunctious swing. People will always talk
about the Koln Concerts, Sun Bear Concerts and the recent
The Melody At Night, With You, yet Radiance is every bit as
impressive. – TH
– compiled by Tony Gasparre and Tad Hendrickson
jazzweek.com • May 18, 2005
JazzWeek
19
Jazz Radio
Eldar and Gary Burton tie at No. 1
Most Added, Biggest Increase in Spins: Joe Lovano
E
Pianist Eldar ties at No. 1 on this week’s chart
with his self-titled debut on Sony Clasical.
Gary Burton’s Next Generation (Concord) returns
to No. 1 in a tie this week.
jazzweek.com • May 18, 2005
ldar’s self-titled release (Sony Classical) and Gary Burton’s Next Generation (Concord Jazz) tied for the No. 1
spot on this week’s Jazz Album Chart with
314 spins.
Back In New York (Concord Jazz) from the
Scott Hamilton/Bill Charlap Trio moves
intto the No. 3 Spot with airplay with 265
spins.
Joyous Encounter (Blue Note) from Joe
Lovano, is Most Added with 21 adds, and
is has the hightest Increased Airplay with
135 spins.
Jazz Album Chart
p. 21
Jazz Add Dates
p. 22
Jazz Current CDs
p. 23
Jazz Radio Panel
p. 29
JazzWeek 20
JazzWeek Jazz Album Chart
May 18, 2005
TW
1
1
3
4
5
6
7
8
9
10
11
12
13
13
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
29
LW
1
2
3
30
4
6
8
5
38
10
17
13
18
14
15
7
12
19
21
9
22
41
11
25
20
16
46
24
26
30
2W Peak Artist
5
1 Eldar
4
1 Gary Burton
3
3 Scott Hamilton/Bill Charlap Trio
NR
4 Joe Lovano
7
4 Curtis Fuller
1
1 Monty Alexander
13
7 John Pizzarelli
2
2 One More
NR
9 John Scofield
9
7 Amina Figarova
NR
11 Steve Hobbs
29
12 Marian McPartland & Friends
21
13 Cheryl Bentyne
12
11 Yellowjackets
9
6 BeatleJazz
6
6 Babatunde Lea
42
12 Vic Juris
19
12 Phil Woods
24
19 Alan Pasqua
9
1 David Newman
17
11 The Chris Walden Big Band
28
10 Bireli Lagrene & Gipsy Project
8
1 Joey DeFrancesco w/Jimmy Smith
33
24 Lea DeLaria
16
6 Avishai Cohen Trio & Ensemble
20
16 Marcus Miller
NR
27 Dana Landry
18
12 Kurt Rosenwinkel
24
24 Curtis Stigers
23
3 Kevin Mahogany
Release
Eldar
Next Generation
Back In New York
Joyous Encounter
Keep It Simple
Live At The Iridium
Knowing You
Music of Thad Jones
That’s What I Say: The Music of Ray Charles
Come Escape With Me
Spring Cycle
85 Candles-Live In New York
Let Me Off Uptown
Altered State
With A Little Help From Our Friends
Suite Unseen: Summoner of the Ghost
A Second Look
Groovin’ To Marty Paich
My New Old Friend
I Remember Brother Ray
Home Of My Heart
Move
Legacy
Double Standards
At Home
Silver Rain
Journey Home
Deep Song
I Think It’s Going To Rain Today
Big Band
31
32
33
34
35
35
37
38
39
39
41
42
43
44
44
46
46
48
49
50
27
23
33
35
35
NR
37
44
32
34
40
28
39
48
43
42
29
NR
44
NR
24
37
31
36
27
NR
14
42
34
41
42
14
48
31
38
40
22
NR
30
42
Schuur Fire
Mercy Streets
La Espade de la Noche
Throwback
Overtime
In Flux
Blackbird
Cannonball-Coltrane
Vol 5: Carnival
Place & Time
One Foot In The Swamp
Gypsy In My Soul
Jumping The Creek
Closer
Parker’s Mood
Easy On The Heart
Is It You?
Energie
Tomo
Terra Firma
24
23
26
34
13
35
1
38
16
34
28
8
39
3
3
40
3
48
9
13
Diane Schuur w/ Caribbean Jazz Project
Kate McGarry
Ted Nash & Odeon
Kermit Ruffins
Dave Holland Big Band
Ravi Coltrane
Shelly Berg Trio
Luther Hughes
Los Hombres Calientes
Anat Cohen
John Ellis
Connie Evingson
Charles Lloyd
David Sanborn
Stefano di Battista
Judy Wexler
Randy Johnston
Jim Payne
Reed Kotler
Ken Walker Sextet
Most Added
Joe Lovano Joyous Encounter (Blue Note)
Bill Cunliffe Imaginacion (Torii Records)
Peter Martin In The P.M. (MAXJAZZ)
Dana Landry Journey Home (Summit)
Ravi Coltrane In Flux (Savoy Jazz)
jazzweek.com • May 18, 2005
+21
+16
+16
+15
+14
Label
Sony Classical
Concord Jazz
Concord Jazz
Blue Note
Savant
Telarc Jazz
Telarc Jazz
IPO Recordings
Verve Music Group
Munich Records
Random Chance
Concord Jazz
Telarc Jazz
Heads Up
Lightyear
Motema
Mel Bay
Jazzed Media
Cryptogramophone
HighNote
Origin Records
Dreyfus Jazz
Concord Jazz
Telarc
Razdaz
Koch Records
Summit
Verve Music Group
Concord Jazz
Zebra Records/Mahogany
Jazz
Concord Records
Palmetto
Palmetto
Basin Street
Dare2/Sunnyside
Savoy Jazz
Concord Jazz
Primrose Lane
Basin Street
Anzic Records
Hyena Records
Minnehaha Music
ECM
Verve Music Group
Blue Note
Rhombus
HighNote
Savant
Torii Records
Synergy Music
airplay data
powered by
TP
314
314
265
248
218
211
204
194
192
191
177
173
163
163
162
161
155
145
142
137
134
132
130
127
125
123
122
121
120
120
LP
320
319
264
113
239
224
190
236
99
173
150
165
149
154
153
192
166
146
138
188
131
87
171
127
144
152
80
128
126
113
+/- Weeks Stations
-6
6
54
-5
6
59
1
6
47
135
2
47
-21
5
51
-13
12
51
14
7
47
-42
9
45
93
2
38
18
10
47
27
2
43
8
4
35
14
4
39
9
10
37
9
10
41
-31
7
45
-11
3
41
-1
10
35
4
3
39
-51
16
35
3
13
31
45
15
29
-41
15
39
0
5
32
-19
13
38
-29
7
26
42
2
39
-7
11
38
-6
5
35
7
15
28
118
110
109
107
98
98
97
95
92
92
89
88
87
86
86
80
80
79
78
68
124
130
104
102
102
36
101
81
110
103
90
120
95
75
82
83
117
65
81
66
-6
-20
5
5
-4
62
-4
14
-18
-11
-1
-32
-8
11
4
-3
-37
14
-3
2
5
4
4
4
12
1
20
3
10
4
7
9
3
18
17
6
15
1
15
17
34
35
38
29
35
28
31
29
29
32
19
29
28
22
22
25
19
20
17
16
Adds
0
0
0
21
2
1
3
1
9
0
7
5
3
1
0
0
6
0
5
0
3
0
1
0
0
1
15
1
4
1
0
2
0
2
0
14
0
5
0
3
1
0
2
0
0
1
1
0
1
0
Increased Airplay
Chartbound
Joe Lovano Joyous Encounter (Blue Note)
+135
John Scofield That’s What I Say: The Music of Ray
Charles (Verve Music Group)
+93
Ravi Coltrane In Flux (Savoy Jazz)
+62
Bireli Lagrene & Gipsy Project Move (Dreyfus Jazz)+45
Dana Landry Journey Home (Summit)
+42
Kevin Stout & Brian Booth Tales Of The Tetons (Jazzed 5 Records)
Roz Corral Telling Tales (Blujazz)
Bradley Leighton Just Doin’ Our Thang (Pacific Coast Jazz)
Nguyen Le Quartet Walking On The Tiger’s Tail (ACT)
Paul Combs’ Pocket Big Band Live At Chit Chat (Sea Breeze Jazz)
The Bad Plus Blunt Object: Live In Tokyo (Sony)
Mark Masters Ensemble Porgy & Bess Redefined! (Capri)
Brian Bromberg It’s About Time (Artistry)
Doug Wamble Bluestate (Marsalis Music/ Rounder Records)
The Mike Vax Big Band Next Stop – Live ... On The Road (Summit)
All monitored airplay data is owned by Mediaguide, Inc. ©2005 Mediaguide, Inc.
JazzWeek
21
Jazz Radio Adds
Here are upcoming add dates for new releases, and add dates that have passed during the last few weeks. This listing was current as of press time.
April 4, 2005
May 4, 2005
Anat Cohen – Place & Time (Anzic Records)
Scott Hamilton/Bill Charlap Trio – Back In New York (Concord Records)
Ted Nash & Odeon – La Espade De La Noche (Palmetto)
April 5, 2005
Kate McGarry – Mercy Streets (Palmetto)
April 11, 2005
Dave’s True Story – Nature (BeBop Records)
Keeley Smith – (Concord Records)
Roz Corral with the Bruce Barth Sextet – Telling Tales (Blujazz)
Curtis Fuller – Keep It Simple (Savant)
Diane Schuur And The Caribbean Jazz Project – Schuur Fire (Concord
Records)
Jim Payne – Energie (Savant)
Nguyen Le Quartet – Walking On The Tiger’s Tail (The Act Company)
April 12, 2005
Carolyn Leonhart – New 8th Day (Sunnyside)
Joe Gilman Trio – Time Again: Brubeck Revisted Vol. 2 (Sunnyside)
April 18, 2005
Curtis Stigers – I Think It’s Gonna Rain Today (Concord Records)
Herb Silverstein & Friends – Beach Walker (Silvertunes Music Productions)
April 19, 2005
Alan Pasqua – My New Old Friend (Cryptogramophone)
April 25, 2005
Bradley Leighton – Just Doing Our Thang (Pacific Coast Jazz)
Jack DeJohnette & Foday Musa Suso – Music From The Hearts Of The
Masters (Kindred Rhythm / Golden Beams)
May 9, 2005
Daria – Feel The Rhythm (Jazzmup Records)
Eric Comstock – No One Knows (Harbinger Records)
Gabriel Mark Hasselbach – Swingin’ Affairs (Wind Tunnel)
John Scofield – That’s What I Say (Verve Records)
May 10, 2005
Lorraine Feather – Dooji Wooji (Sanctuary)
Paul Grabowsky – Tales Of Time And Space (Sanctuary)
Jeff Siegel – Magical Spaces (CAP)
May 15, 2005
Bill Cunliffe – Imaginacion (Torii)
Benny Lackner Trio – Not The Same (Nagel Heyer)
May 15, 2005
Rosario Giuliani – More Than Ever (Dreyfus Jazz)
Sara Lazarus – Give Me The Simple Life (Dreyfus Jazz)
Twana Rhodes – Thru The Night (Nagel Heyer)
May 16, 2005
Jo Ann Daugherty – Range of Motion (Blujazz)
John Goldman – In Walked Pierre (Blujazz)
Rosario Giuliani – More Than Ever (Dreyfus Jazz)
Sara Lazarus – Give Me The Simple Life (Dreyfus Jazz)
May 17, 2005
Ron Blake – Sonic Tonic (Mack Ave.)
April 27, 2005
Catherine Dupuis – The Rules of the Road (Bearheart Records)
May 2, 2005
Daniel Benzali – Benzali (Rio Cat)
Gordon Johnson – Trios Version 3.0 (Tonalities)
Mark Masters Ensemble – Porgy & Bess Redefined (Capri Records)
Dana Landry – Journey Home (Summit)
Enrico Pieranunzi - Charlie Haden - Paul Motian – Special Encounter (CAM
Jazz)
Guillermo Klein – Una Nave (Sunnyside)
Kenny Wheeler - Chris Potter - Dave Holland - John Taylor – What Now?
(CAM Jazz)
May 3, 2005
Dena DeRose – A Walk In The Park (MAXJAZZ)
Peter Martin – In The P.M. (MAXJAZZ)
Dr. John – The Best of the Parlophone Years (Blue Note)
Marty Nau – At The Bouquet Chorale (Summit)
Michelle Latimer – Sings & Plays (Cool Note)
Mike Vax Big Band – Next Stop (Summit)
May 23, 2005
Anne Burnell – Blues In The Night: Songs by Harold Arlen (Spectrum
Music)
Lizz Wright – Dreaming Wide Awake (Verve Records)
May 24, 2005
Dave Brubeck – London Flat, London Sharp (Telarc)
Tony DeSare – Want You (Telarc)
Luciana Souza – Duos II (Sunnyside)
May 25, 2005
Tim Reis – Stones Project (Concord Records)
May 30, 2005
The Frank and Joe Show – 66 2/3 (Hyena Records)
June 6, 2005
Paul Anka – Rock Swings (Verve Records)
Rita Coolidge – And So Is Love (Concord Records)
June 13, 2005
Wayne Shorter – Beyond The Sound Barrier (Verve Records)
Eddie Palmieri – Listen Here! (Concord Picante Records)
Note: JazzWeek industry subscribers may update this information online at jazzweek.com.
Add dates may also be submitted via email to adds@jazzweek.com.
jazzweek.com • May 18, 2005
JazzWeek 22
Jazz Radio Currents
Greg Abate
Ahmed Abdullah’s Dispersions of
the Sprit of RA
Bob Acri
Sandro Albert
Eric Alexander
Monty Alexander
Herb Alpert & The Tijuana Brass
Carl Amundson & The Modern
Guitar Quintet
The William Ash Trio
Grazyna Augucik
Babatunde Lea
The Bad Plus
Jeff Baker
Bill Banfield
Denys Baptiste
Patricia Barber
BeatleJazz
Opie Bellas
The Marco Benevento/Joe Russo
Duo
Tony Bennett
Cheryl Bentyne
Shelly Berg Trio
Jeff Berlin
Ron Blake
Jane Ira Bloom
Salvatore Bonafede
Debby Boone
Chris Botti
Joe Bourne & The Gary Moran Trio
Ron Brendle Trio
Zach Brock & The Coffee Achievers
Brian Bromberg
Maurice Brown
Jimmy Bruno
Katie Bull
Gary Burton
Michel Camilo
Caribbean Jazz Project
Amanda Carr
Ray Charles
Corey Christiansen
Jim Cifelli
Chiara Civello
Jeff Coffin
Anat Cohen
Avishai Cohen Trio & Ensemble
Tom Collier
Collier & Dean
Ravi Coltrane
Paul Combs’ Pocket Big Band
Eric Comstock
Bill Connors
Roz Corral
Chris Cortez
Bill Cunliffe
Lars Danielsson
Daria
Bobby Darin
Dave’s True Story
Orbert Davis
Horace Is Here
Traveling The Spaceways
Koko Jazz
Planet Arts
w/Lew Soloff/Frank Wess/Ed
Thigpen/George Mraz/Diane Delin
The Color Of Things
Dead Center
Live At The Iridium
Lost Treasures
Guitarists
Blujazz
The Phoenix
The Light
Suite Unseen: Summoner of the
Ghost
Blunt Object: Live In Tokyo
Monologue
Striking Balance
Let Freedom Ring
Live: A Fortnight In France
With A Little Help From Our Friends
Faces
Reason to Buy the Sun
Smalls Records
GMA Records
Motema
The Art Of Romance
Let Me Off Uptown
Blackbird
Lumpy Jazz
Sonic Tonic
Like Silver, Like Song
Journey To Donnafugata
Reflections Of Rosemary
When I Fall In Love
Remembering Mr. Cole
Photograph
Chemistry
It’s About Time
Hip To Bop
Solo
Love Spook
Next Generation
Solo
Here and Now: Live In Concert
Tender Trap
Genius Loves Company
Awakening
Groove Station
Last Quarter Moon
Bloom
Place & Time
At Home
Mallet Jazz
Duets
In Flux
Live At Chit Chat
No One Knows
Return
Telling Tales
Mum Is The Word
Imaginacion
Libera Me
Feel The Rhythm
Live At The Desert Inn
Nature
Blue Notes
Columbia
Telarc Jazz
Concord Jazz
M.A.J. Records
Mack Avenue
Artist Share
CAM
Concord
Columbia
Jonaja
Lo Note
Secret Fort
Artistry
Brown Records
Mel Bay
Corn Hill Indie
Concord Jazz
Telarc Jazz
Concord Picante
Original Music
Concord
Mel Bay
Short Notice Music
Verve/Forecast
Compass
Anzic Records
Razdaz
Origin Records
Origin Records
Savoy Jazz
Sea Breeze Jazz
Harbinger Records
Tone Center
Blujazz
Blue Bamboo
Torii Records
HighNote(ACT)
Jazz M Up
Concord Records
Be Pop Records
3 Sixteen
jazzweek.com • May 18, 2005
215 Records
HighNote
Telarc Jazz
Shout Factory
Blue Line Music
Sony
OA2 Records
Innova
Dune Records
Blue Note
Lightyear
Bella Blue
Ropeadope
Joey DeFrancesco w/Jimmy Smith
Jack DeJohnette & Foday Musa
Suso
Lea DeLaria
Bettina Devin
Stefano di Battista
Bob Dorough
Dave Douglas
Rosanne Drago
Catherine Dupuis
E.S.T.
Martin Eagle & Friends
Eldar
John Ellis
Connie Evingson
Savoir Faire
Dale Fielder
Amina Figarova
Jeni Fleming Acoustic Trio
Helane Fontaine
Curtis Fuller
Paul Grabowsky
Onaje Allan Gumbs
Rigmor Gustafsson & The Jacky
Terrason Trio
Tord Gustavsen Trio
Michael Hackett
Dan Haerle Trio
Scott Hamilton/Bill Charlap Trio
Happy Apple
Roderick Harper
Donald Harrison
John Hart
Carol Heffler
Fred Hersch Ensemble
Hiroshima
Steve Hobbs
Dave Holland Big Band
The Hot Club of San Francisco
Luther Hughes
Abdullah Ibrahim
Christian Jacob
Al Jarreau
Keith Jarrett
Gordon Johnson
Randy Johnston
Vic Juris
Katahdin’s Edge
Roger Kellaway
Legacy
Music From The Hearts Of The
Masters
Double Standards
Dangerous Type
Parker’s Mood
Sunday At Iridium
Mountain Passages
Hot Sophisticated Jazz Now
The Rules of the Road
Seven Days of Falling
A Welcoming Beauty
Eldar
One Foot In The Swamp
Gypsy In My Soul
Running Out Of Time
Baritone Sunride
Come Escape With Me
Once Around The Sun
My Greenbrier Season
Keep It Simple
Tales Of Time & Space
Remember Their Innocence
Close To you
Concord Jazz
Golden Beam /
Kindred Rhythm
Telarc
Self-Produced
Blue Note
Arbors
Greenleaf Music
Self-Produced
Bearheart Records
215 Records
Hawksnest
Sony Classical
Hyena Records
Minnehaha Music
Delmark
Clarion Jazz
Munich Records
SVFM
Curly Girl
Savant
Sanctuary
Ejano
HighNote(ACT)
The Ground
ECM
Circles
Summit
Standard Procedure
Blujazz
Back In New York
Concord Jazz
The Peace Between Our Companies Sunnyside
The Essence Of...
RHM
Free Style
Nagel Heyer
Indivisible
Hep Jazz
Exactly
Peeka Records
Leaves Of Grass
Palmetto
Obon
Heads Up
Spring Cycle
Random Chance
Overtime
Dare2/Sunnyside
Postcards From Gypsyland
Lost Wax Music
Cannonball-Coltrane
Primrose Lane
A Celebratiom
Enja/Justin Time
Styne and Mine
WilderJazz
Accentuate The Positive
Verve Music Group
Radiance
ECM
Trios Version 3.0
Tonalities
Is It You?
HighNote
A Second Look
Mel Bay
Step Away
Incline Records
I Was There - Roger Kellaway Plays IPO Recordings
From The Bobby Darin Songbook
Chaka Khan
Classikhan
AGU Sanctuary
Records
Guillermo Klein
Una Nave
Sunnyside
Kneebody
Kneebody
Koch
Cliff Korman and the Brazilian Tinge Migrations
Planet Arts
Reed Kotler
Tomo
Torii Records
Ladysmith Black Mambazo
No Boundaries
Heads Up
Bireli Lagrene & Gipsy Project
Move
Dreyfus Jazz
Dana Landry
Journey Home
Summit
Queen Latifah
The Dana Owens Album
Qwest
Michelle Latimer
Sings and Plays
Cool Note
Nguyen Le Quartet
Walking On The Tiger’s Tail
ACT
Bradley Leighton
Just Doin’ Our Thang
Pacific Coast Jazz
Carolyn Leonhart
New 8th Day
Sunnyside
JazzWeek 23
Jazz Radio Currents
Jay Leonhart
Ron Levy’s Wild Kingdom
Lincoln Center Jazz Orchestra
Charles Lloyd
Mike Longo and the New York State
of the Art Jazz Ensemble
Jeff Lorber
Los Hombres Calientes
Joe Lovano
Sylvain Luc
Kevin Mahogany
Cool
Voodoo Boogaloo
A Love Supreme
Jumping The Creek
Oasis
Sons of Sound
Levtronic
Palmetto
ECM
CAP
Flipside
Vol 5: Carnival
Joyous Encounter
Ambre
Big Band
Gabriel Mark Hasselbach
Thomas Marriott
Wynton Marsalis
Swingin’ Affair
Individuation
Unforgivable Blackness: The Rise
and Fall of Jack Johnson
Eternal
Narada Jazz
Basin Street
Blue Note
Dreyfus Jazz
Zebra Records/Mahogany Jazz
Wind Tunnel
Origin
Blue Note
Branford Marsalis Quartet
Marsalis Music/
Rounder Records
MAXJAZZ
SCM
Saguaro Beach
Heads Up
Capri
Basin Street
Peter Martin
Scott Martin
Will Martin
Hugh Masekela
Mark Masters Ensemble
Irvin Mayfield & The Orleans Jazz
Orchestra
Kate McGarry
Marian McPartland
Marian McPartland & Friends
Charles McPherson w/ Strings
Medeski Martin & Wood
Pat Metheny Group
Marcus Miller
Tony Monaco
Grachan Moncur III
Jane Monheit
Monk’s Music Trio
Jason Moran
Dan Nadel
Ted Nash & Odeon
The Marty Nau Group
Jacqui Naylor
Shelley Neill
Ed Neumeister Quartet
David Newman
Russ Nolan
Nouvelle Vague
Octobop
In The P.M.
Menudo and Gritz
Morning
Revival
Porgy & Bess Redefined!
Strange Fruit
Darek Oles
One More
Alan Pasqua
Jim Payne
Jim Pearce
Like A Dream
Music of Thad Jones
My New Old Friend
Energie
Washington Square Park
Ken Peplowski
Houston Person
Madeleine Peyroux
Enrico Pieranunzi (W/ Charlie
Haden, Paul Motian)
Leslie Pintchik
John Pizzarelli
Marc Pompe
Michel Portal & Richard Galliano
The Devere Pride Trio
Dafnis Prieto
Nelson Rangell
Easy To Remember
To Etta With Love
Careless Love
Special Encounter
Palmetto
Concord
Concord Jazz
Clarion Jazz
Blue Note
Nonesuch
Koch Records
Summit
Capri
Sony Classical
CMB Records
Blue Note
Nadel Music
Palmetto
Summit
Ruby Records
Cobalt Blue
Meistero
HighNote
Rhinoceruss
Peacefrog
Mystic Lane Productions
Cryptogramophone
IPO Recordings
Cryptogramophone
Savant
Oak Avenue
Publishing
Nagel Heyer
HighNote
Rounder
CAM
So Glad To Be Here
Knowing You
You Must Believe In Swing
Concerts
... As In A Morning Sunrise
About The Monks
My American Songbook Vol. 1
Ambient
Telarc Jazz
Cadence Jazz
Dreyfus Jazz
The Davis Group
Zoho Music
Koch
Mercy Streets
Piano Jazz w/ Steely Dan
85 Candles-Live In New York
A Tribute To Charlie Parker
End of The World Party
The Way Up
Silver Rain
Firey Blues
Exploration
Taking A Chance On Love
Think Of One
Same Mother
Brooklyn Prayer
La Espade de la Noche
At The Bouquet Chorale
East/West Birdland - Yoshi’s
entree blue
New Standards
I Remember Brother Ray
Two Colors
After Dark
jazzweek.com • May 18, 2005
Paul Renz & Friends
Roditi / Ignatzek / Rassinfosse
Wallace Roney
Linda Ronstadt
Ted Rosenthal/Bob Brookmeyer
Kurt Rosenwinkel
Gonzalo Rubalcaba
Kermit Ruffins
Sakesho
David Sanborn
Rebecca Sayre
Diane Schuur w/ Caribbean Jazz
Project
John Scofield
The Jim Seeley/Arturo O’Farrill
Quintet
Shapes
Hubbub
Light In The Dark
Prototype
Hummin’ to Myself
One Night In Vermont
Deep Song
Paseo
Throwback
We Want You To Say
Closer
This Is Always
Schuur Fire
Gabwalk Records
Nagel Heyer
HighNote
Verve Music Group
Planet Arts
Verve Music Group
Blue Note
Basin Street
Heads Up
Verve Music Group
Becca
Concord Records
That’s What I Say: The Music of Ray Verve Music Group
Charles
Zoho Music
The Big Picture
Burnin’ Down The
House Productions
Avery Sharpe Trio
Dragonfly
JKNM
Archie Shepp & Mal Waldron
Left Alone Revisited: Tribute To Billie Synergy Music
Holiday
Ben Sidran Quartet
Bumpin’ At The Sunside!
Nardis
Herb Silverstein & Friends
Beach Walker
Silvertunes Music
Productions
Doctor Lonnie Smith
Too Damn Hot
Palmetto
Keely Smith
Vegas ‘58 - Today
Concord
The Stamm/Soph Project
Live At Birdland NYC
Jazzed Media
Patches Stewart
Blow
Koch
Curtis Stigers
I Think It’s Going To Rain Today
Concord Jazz
Kevin Stout & Brian Booth
Tales Of The Tetons
Jazzed 5 Records
Andy Summers
The X Tracks
Fuel 2000
Bill Tapia
Duke Of Uke
Moon Room Records
Times 4
Seductivity
GTM
Mel Torme, Gerry Mulligan & George The Classic Concert Live
Concord Jazz
Shearing
Steve Turre
The Spirits Up Above
HighNote
Two Siberians
Out of Nowhere
Heads Up
Belinda Underwood
Underwood Uncurling
Cosmik Muse
Rekords
Manuel Valera
Forma Nueva
MAVO Records
Martijn van Iterson Quartet
The Whole Bunch
Munich Records
Various Artists
Blue Note Perfect Takes
Blue Note
The Mike Vax Big Band
Next Stop - Live... On The Road
Summit
Steve Venz
Scoop
Daal Jazz
The Chris Walden Big Band
Home Of My Heart
Origin Records
Ken Walker Sextet
Terra Firma
Synergy Music
Doug Wamble
Bluestate
Marsalis Music/
Rounder Records
Wasilewski, Kurkiewicz &
Trio
ECM
Miskiewicz
Harry Watters
Out Of A Dream: Love Songs
Summit
Judy Wexler
Easy On The Heart
Rhombus
Kenny Wheeler
What Now?
CAM
Kenny Wheeler & John Taylor
Where Do We Go From Here?
CAM
Wesla Whitfield
In My Life
HighNote
Scott Whitfield Jazz Orchestra
The Minute Game
Summit
Joe Williams
Havin’ A Good Time!
Hyena Records
Abram Wilson
Jazz Warrior
Dune Records
Dave Wilson Quartet
Through The Time
Dreamscape Records
Chris Winters
Impressions
Blujazz
Ben Wolfe
My Kinda Wonderful
Planet Arts
Phil Woods
Groovin’ To Marty Paich
Jazzed Media
Victor Wooten
Soul Circus
Vanguard
Savina Yannatou & Primavera En Sumiglia
ECM
Solonico
Yellowjackets
Altered State
Heads Up
JazzWeek 24
Smooth Jazz Radio
Nils Tops Singles, Kenny G Tops Albums Again
Nelson Rangell Has Most Added Album and Single
K
Kenny G’s At Last ... (Arista) once again takes the top
spot on the album chart this week.
enny G remains in the No. 1 spot on the
Smooth Jazz Album Chart with At Last
...The Duets Album (Arista). Moving into
the No. 1 spot on this week’s JazzWeek Smooth
Singles chart is “Pacific Coast Highway” from
Pacific Coast Highway by Nils (Baja.)
Staying at the No. 2 spot on the Smooth Jazz
Album Chart is Boney James’ Pure (Warner
Bros.)
Nelson Rangell has the most added album on
this week’s Smooth Album Chart with My American Songbook Vol. 1 (Koch) and the most added
single with “Don’t You Worry About A Thing”
on the JazzWeek Smooth Singles Chart.
Smooth Album Chart
p. 26
Smooth Singles Chart
p. 27
Smooth Current CDs
p. 28
Smooth Radio Panel
p. 29
Title track “Pacific Coast Highway” from Nils (Baja) is
the week’s No. 1 single.
jazzweek.com • May 18, 2005
JazzWeek 25
JazzWeek Smooth Album Chart May 18, 2005
TW
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
LW
1
2
3
5
6
4
7
8
9
14
18
12
10
15
17
24
21
20
13
23
16
27
25
19
29
26
22
28
37
31
33
32
30
36
35
42
38
39
34
45
40
41
43
44
47
46
51
48
49
55
2W Peak Artist
1
1 Kenny G
2
2 Boney James
3
1 Dave Koz
7
4 Nils
6
5 Michael Lington
4
4 Euge Groove
5
3 Paul Brown
8
1 Various Artists
9
9 Anita Baker
15
10 Paul Taylor
22
1 Wayman Tisdale
14
12 Steve Cole
13
10 Chris Botti
17
14 3rd Force
16
15 Chuck Loeb
21
16 David Sanborn
24
17 Jeff Lorber
18
14 Nick Colionne
10
4 Mindi Abair
20
16 Fourplay
11
4 Tim Bowman
25
21 Joyce Cooling
28
3 Paul Jackson, Jr.
23
6 Marion Meadows
31
18 Pieces Of A Dream
26
1 Gerald Albright
19
1 Soul Ballet
29
5 Chris Botti
41
29 Ken Navarro
30
9 Peter White
34
18 Najee
33
5 George Benson
27
2 Norman Brown
37
33 Pamela Williams
38
35 Michael McDonald
36
36 Alexander Zonjic
32
14 Ray Charles
40
20 Dan Siegel
39
30 Various Artists
42
18 Praful
43
26 Richard Smith
35
35 Marcus Miller
47
37 Seal
44
29 Daryl Hall & John Oates
46
31 Rick Braun
45
14 Marc Antoine
48
22 Seal
53
16 Kim Waters
51
11 Queen Latifah
58
41 Urban Knights
Release
At Last...The Duets Album
Pure
Saxophonic
Pacific Coast Highway
Stay With Me
Livin’ Large
Up Front
Forever, For Always, For Luther
My Everything
Nightlife
Hang Time
Spin
When I Fall In Love
Driving Force
When I’m WIth You
Closer
Flipside
Just Come On In
Come As You Are
Journey
This Is What I Hear
This Girl’s Got To Play
Still Small Voice
Player’s Club
No Assembly Required
Kickin’ It Up
Dream Beat Dream
A Thousand Kisses Deep
Love Coloured Soul
Confidential
Classic Masters
Irreplaceable
Up ‘N’ at ‘Em [Single]
Sweet Saxations
Motown
Seldom Blues
Genius Loves Company
Inside Out
Rendezvous Lounge, Vol.1
One Day Deep
Soulidified
Silver Rain
Seal IV
Our Kind Of Soul
Esperanto
Mediterraneo
Best: 1991-2004
In The Name Of Love
The Dana Owens Album
Urban Knights V
Label
Arista
Warner Bros.
Capitol
Baja
Rendezvous
EMI
GRP
GRP
Blue Note
Peak
Rendezvous
Narada Jazz
Columbia
Higher Octave
Shanachie
Verve
Narada Jazz
Will Keys
GRP
BMG
Liquid 8
Narada Jazz / Virgin
Blue Note
Heads Up
Heads Up
GRP / VMG / UMG
215
Columbia
Positive Music
Columbia
Capitol / EMI
GRP / VMG / UMG
Warner Bros.
Shanachie
Motown
Heads Up
Concord
Native Language
Rendezvous
Rendezvous
A440
Koch
Warner Bros.
U-Watch
Warner Bros.
Rendezvous
Warner Bros.
Shanachie
AM / UMG
Narada
Most Added
Increased Airplay
Nelson Rangell My American Songbook Vol. 1 (Koch)+5
Ken Navarro Love Coloured Soul (Positive Music) +2
Smokey Robinson My World: The Definitive Collection
(Motown)
+2
Patches Stewart Blow (Koch)
+1
Grady Nichols Sneak (Compendia)
+1
Cheryl Bentyne Let Me Off Uptown (Telarc)
+1
Nils Pacific Coast Highway (Baja)
Michael Lington Stay With Me (Rendezvous)
David Sanborn Closer (Verve)
Ken Navarro Love Coloured Soul (Positive Music)
Eric Darius Night On The Town (Higher Octave)
Wayman Tisdale Hang Time (Rendezvous)
jazzweek.com • May 18, 2005
airplay data
powered by
TP
980
819
769
694
663
640
520
449
412
392
369
360
357
344
343
329
316
316
313
294
291
285
257
255
249
248
243
233
217
208
208
199
191
178
178
173
163
162
162
155
150
147
141
137
131
127
118
118
116
116
LP
993
828
784
623
609
659
567
453
423
370
332
377
393
363
335
284
301
314
377
289
363
258
281
330
232
267
291
244
178
225
204
207
230
181
185
154
170
169
187
148
164
155
153
152
128
135
114
125
122
86
+/- Weeks Stations
-13
23
35
-9
28
35
-15
28
34
71
17
33
54
28
34
-19
28
34
-47
23
33
-4
23
34
-11
20
32
22
10
31
37
28
34
-17
9
29
-36
23
31
-19
16
28
8
14
31
45
18
28
15
16
28
2
28
30
-64
28
31
5
28
25
-72
20
32
27
23
28
-24
28
32
-75
28
31
17
28
20
-19
28
34
-48
28
33
-11
28
33
39
14
22
-17
23
28
4
28
31
-8
28
32
-39
28
28
-3
16
16
-7
18
31
19
23
14
-7
21
22
-7
28
22
-25
28
18
7
28
30
-14
23
27
-8
8
15
-12
20
28
-15
20
18
3
23
27
-8
28
23
4
20
28
-7
23
24
-6
23
19
30
23
31
Adds
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
2
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
Chartbound
+71
+54
+45
+39
+37
+37
Nelson Rangell My American Songbook Vol. 1 (Koch)
Craig Chaquico Midnight Noon (Higher Octave)
Hiroshima Obon (Heads Up)
Patches Stewart Blow (Koch)
Al Jarreau Accentuate The Positive (VMG)
Smokey Robinson My World: The Definitive Collection (Motown)
Victor Wooten Soul Circus (Vanguard)
Various Artists A Smooth Jazz Romance (Native Language)
Andy Summers The X Tracks (Fuel 2000)
All monitored airplay data is owned by Mediaguide, Inc. ©2005 Mediaguide, Inc.
JazzWeek 26
JazzWeek Smooth Singles Chart May 18, 2005
TW
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
LW
2
1
4
6
3
5
7
10
8
9
11
14
17
13
12
16
15
20
18
24
23
25
27
21
19
26
22
30
29
28
31
36
34
32
35
37
33
40
39
38
47
48
44
42
41
43
46
45
49
52
2W Peak Artist
5
1 Nils
1
1 Boney James
2
2 Kenny G & David Sanborn
7
4 Michael Lington
4
3 Euge Groove
3
1 Dave Koz
6
5 Paul Brown
12
8 Paul Taylor
9
8 Kenny G & Earth Wind, & Fire
10
9 Steve Cole
15
11 3rd Force
14
12 Chuck Loeb
18
13 Jeff Lorber
13
10 Chris Botti
8
1 Tim Bowman
16
11 Anita Baker
11
3 Mindi Abair
20
18 Fourplay
17
1 Soul Ballet
23
16 David Sanborn
24
21 Paul Jackson, Jr.
25
1 Wayman Tisdale
35
23 Ken Navarro
22
1 Gerald Albright
21
5 Marion Meadows
26
5 Chris Botti
19
2 Norman Brown
27
27 Joyce Cooling
30
26 Pamela Williams
31
11 Nick Colionne
29
1 Richard Elliot
28
28 Alexander Zonjic
34
16 Pieces Of A Dream
32
3 George Benson
37
15 Dan Siegel
33
29 Marcus Miller
39
5 Paul Jackson, Jr.
55
38 Wayman Tisdale
38
31 Nick Colionne
40
24 Daryl Hall & John Oates
44
14 Dave Koz
45
29 Paul Brown
41
13 Seal
43
28 Rick Braun
49
39 Seal
42
21 Paul Jackson, Jr.
46
22 The Ramsey Lewis Trio
47
33 Richard Smith
36
13 Ray Charles
54
50 Michael McDonald
Release
Pacific Coast Highway
Stone Groove (w/ Joe Sample)
Pick Up The Pieces
Two Of A Kind (w/ Chuck Loeb)
XXL
Let It Free
Moment By Moment
Nightlife
The Way You Move
Thursday
Believe In Me
Tropical
Ooh La La
No Ordinary Love
Summer Groove
How Does It Feel
Come As You Are
Fields Of Gold
Cream
Tin Tin Deo
Never Too Much
Ain’t No Stoppin’ Us Now
You Are Everything
To The Max
Sweet Grapes
Back Into My Heart
Up ‘N’ At ‘Em
Camelback
Fly Away With Me
It’s Been Too Long
Your Secret Love
Leave It With Me
It’s Go Time
Softly, As In A Morning Sunrise
In Your Eyes
Silver Rain
Walkin’
Ready To Hang
High Flyin’
I’ll Be Around
All I See Is You
24/7
Walk On By
Daddy-O
Love’s Divine
It’s A Shame
The In Crowd
Sing A Song
You Don’t Know Me (w/ Diana Krall)
Ain’t No Mountain High Enough
Label
Baja
Warner Bros.
Arista
Rendezvous
EMI
Capitol
GRP
Peak
Arista
Narada Jazz
Higher Octave
Shanachie
Narada Jazz
Columbia
Liquid 8
Blue Note
GRP
BMG
215
Verve
GRP
Rendezvous
Positive Music
GRP / VMG / UMG
Heads Up
Columbia
Warner Bros.
Narada Jazz / Virgin
Shanachie
Will Keys
GRP
Heads Up
Heads Up
GRP / VMG / UMG
Native Language
Koch
Blue Note
Rendezvous
Will Keys
U-Watch
Capitol
GRP
Warner Bros.
Warner Bros.
Warner Bros.
Blue Note
Narada Jazz
A440
Concord
Motown
airplay data
powered by
TP
694
677
577
566
566
490
394
392
377
360
344
343
316
304
291
282
277
260
243
236
231
227
216
212
206
195
191
184
178
177
175
173
165
155
152
143
142
141
136
130
124
122
118
116
115
115
112
106
104
103
LP
623
698
571
503
584
540
454
370
392
377
363
335
301
341
363
312
331
260
291
218
225
202
177
232
284
185
230
170
173
176
169
154
159
166
159
150
164
126
138
146
113
108
114
116
124
116
113
114
106
100
+/- Weeks Stations
71
17
33
-21
27
33
6
23
34
63
28
31
-18
28
31
-50
28
32
-60
23
33
22
10
31
-15
19
30
-17
9
29
-19
16
28
8
14
31
15
16
28
-37
23
31
-72
20
32
-30
20
24
-54
28
30
0
28
24
-48
28
33
18
18
27
6
13
25
25
28
33
39
14
22
-20
28
33
-78
28
30
10
28
33
-39
28
28
14
23
21
5
16
16
1
28
25
6
23
29
19
23
14
6
28
18
-11
28
31
-7
28
21
-7
8
15
-22
28
29
15
5
12
-2
23
26
-16
20
17
11
28
26
14
23
28
4
20
28
0
23
24
-9
20
28
-1
28
30
-1
23
19
-8
23
23
-2
21
21
3
17
27
Most Added
Increased Airplay
Chartbound
Nelson Rangell “Don’t You Worry ’Bout A Thing”
(Koch)
Ken Navarro “You Are Everything” (Positive Music)
Paul Jackson, Jr. “Never Too Much” (GRP)
Smokey Robinson “My World” (Motown)
Nils “Pacific Coast Highway” (Baja)
+71
Michael Lington “Two Of A Kind” (w/ Chuck Loeb)
(Rendezvous)
+63
Ken Navarro “You Are Everything” (Positive Music) +39
Eric Darius “Night On The Town” (Higher Octave) +37
Wayman Tisdale “Ain’t No Stoppin’ Us Now”
(Rendezvous)
+25
Dave Koz “Love Changes Everything” (Capitol)
Bass X “Vonnie” (Liquid 8)
Pieces Of A Dream “Lunar Lullaby” (Heads Up)
Candy Dulfer “Finsbury Park, Cafe 67 (Radio Mix)” (Eagle)
David Sanborn “Don’t Let Me Be Lonely Tonight” (Verve)
Eric Darius “Night On The Town” (Higher Octave)
Craig Chaquico “Dream Date” (Higher Octave)
Novecento “Easy Love” (w/ Stanley Jordan) (Favored Nations)
Praful “One Day Deep” (Rendezvous)
(9 Singles at +1)
jazzweek.com • May 18, 2005
+5
+4
+3
+2
All monitored airplay data is owned by Mediaguide, Inc. ©2005 Mediaguide, Inc.
Adds
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
1
0
0
3
0
4
0
0
0
0
0
0
0
0
0
0
0
0
0
0
1
0
0
0
0
0
0
0
0
0
0
0
0
JazzWeek 27
Smooth Jazz Radio Current Albums
3rd Force
Mindy Abair
Greg Adams
Sandro Albert
Gerald Albright
Herb Alpert & The Tijuana Brass
Marc Antoine
Marc Antoine
Anita Baker
Bob Baldwin
Walter Beasley
Pete Belasco
Regina Belle
David Benoit / Russ Freeman
George Benson
Matt Bianco
Driving Force
Come As You Are
Firefly
The Color Of Things
Kickin’ It Up
Lost Treasures
Mediteraneo
The Very Best of Marc Antoine
My Everything
Brazil Chill
Go With The Flow
Deeper
Lazy
Benoit Freeman Project 2
Irreplaceable
Matt’s Mood
Theo Bishop
Debby Boone
Chris Botti
Chris Botti
Tim Bowman
Jeff Bradshaw
Rick Braun
Toni Braxton
Braxton Brothers
Bridge To Havana (f. Gladys Knight)
Brian Bromberg
Norman Brown
Paul Brown
Alex Bugnon
Cabo Frio
Jonathan Cain
Bobby Caldwell
Sergio Caputo
Larry Carlton
Craig Chaquico
Ray Charles
Club 1600
Steve Cole
Steve Cole
Nick Colionne
Joyce Cooling
Couch Potato Allstars
Brian Culbertson
Eric Darius
Will Downing
Carol Duboc
George Duke
Richard Elliot
Tommy Emmanuel
Fattburger
Helane Fontaine
Fourplay
A. Ray Fuller
Garry Goin
Jeff Golub
Al Green
Euge Groove
Onaje Allan Gumbs
Hall & Oates
Paul Hardcastle
Newport Nights
Reflections Of Rosemary
A Thousand Kisses Deep
When I Fall In Love
This Is What I Hear
Bone Deep
Esperanto
Ultimate Toni Braxton
Rollin
Bridge To Havana
Choices
West Coast Coolin’
Up Front
Southern Living
Island Dance
Bare Bones
Perfect Island Nights
That Kind of Thing
Sapphire Blue
Midnight Moon
Genius Loves Company
Ridin, High
NY LA
Spin
Just Come On In
This Girl’s Got to Play
Jazz For Couch Potatoes
Come On Up
Night On The Town
Emotions
All Of You
Duke
Ricochet
Endless Road
Work To Do
My Greenbrier Season
Journey
The Weeper
Goin’ Places
Soul Sessions
The Absolute Best
Living Large
Remember Their Innocence
Our Kind Of Soul
The Jazzmasters 4
Everette Harp
Gabriel Mark Hasselbach
Hil St. Soul
Hiroshima
Hiroshima
Incognito
Paul Jackson Jr.
Boney James
Al Jarreau
Jazz Crusanders
Marcus Johnson
All For You
Gabriel... First Name Basis
Copasetik & Cool
The Bridge
Obon
Who Needs Love
Still Small Voice
Pure
Accentuate The Positive
Soul Axess
Urban Groove
Ronny Jordan
Ronny Jordan
Jeff Kashiwa
Kem
Kenny G
Alicia Keys
Chaka Khan
At Last
After 8
Peace Of Mind
Kemistry
At Last...The Duets Album
The Diary Of Alicia Keys
Classikhan
jazzweek.com • May 18, 2005
Higher Octave
GRP
215 Records
215 Records
GRP
Shout Factory
Rendevous
Verve Music Group
Blue Note
A440 Music Group
N-Coded Music
Compendia
Peak
Peak
GRP
Universal Music
Group
Native Language
Concord
Columbia
Columbia
Liquid 8
Hidden Beach
Warner Bros.
LaFace
Peak
Pyramid
A440 Music Group
Warner Bros.
GRP
Narada Jazz
Kezia Records
Reality/AAO Music
Sin-Drome
Idiosyncrasy Music
Bluebird
Higher Octave
Concord
N-Coded Music
Warner Bros.
Narada Jazz
Three Keys Music
Narada Jazz
Shanachie
Warner Bros.
Higher Octave
GRP
Gold Note
BPM / Navarre
GRP
Favored Nations
Shanachie
Curly Girl
RCA / Victor
A Ray Artists Music
Compendia
GRP
EMI
Narada
Ejano
U-Watch
Trippin’ N’ Rhythm
Records
A440 Music Group
Wind Tunnel
Shanachie
Heads Up
Heads Up
Narada Jazz
Blue Note
Warner Bros.
Verve Music Group
True Life
Marimelj Entertainment
N-Coded Music
N-Coded Music
Native Language
Motown
Arista
J Records
AGU Sanctuary
Records
Dave Koz
Pattie LaBelle
David Lanz
Queen Latifah
Ronnie Laws
Michael Lington
Liquid Soul
Chuck Loeb
Chuck Loeb
Jeff Lorber
Torcuato Mariano
Eric Marienthal
Hugh Masekela
Keiko Matsui
Maysa
Michael McDonald
Michael McDonald
Marion Meadows
Marcus Miller
Chieli Minucci
Chieli Minucci
Najee
Najee
Ken Navarro
Ken Navarro
Grady Nichols
Grady Nichols
Nils
O’2L
Andrew Oh
Steve Oliver
Renee Olstead
Pieces Of A Dream
Doc Powell
Doc Powell
Praful
Nelson Rangell
Nelson Rangell
The Rippingtons
Smokey Robinson
Linda Ronstadt
David Sanborn
David Sanborn
Seal
Seal
Dan Siegel
Simply Red
Richard Smith
Jimmy Sommers
Soul Ballet
Special EFX
Spyro Gyra
Stanley B.
Wonder Stevie
Patches Stewart
Curtis Stigers
Andy Summers
Paul Taylor
Paul Taylor
J. Thompson
Wayman Tisdale
Nester Torres
Two Siberians
Urban Knights
Luther Vandross
Various Artists
Various Artists
Various Artists
Various Artists
Vlad
Andre Ward
Kim Waters
Kim Waters
Kirk Whalum
Peter White
Bernie Williams
Pamela Williams
Jim Wilson
Victor Wooten
Yellowjackets
Alexander Zonjic
Saxophonic
Timeless Journey
The Good Life
The Dana Owens Album
Everlasting
Stay With Me
Evolution
eBop
When I’m WIth You
Flipside
Diary
Sweet Talk
Revival
Wildflower
Smooth Sailing
Motown
Motown Two
Player’s Club
Silver Rain
Night Grooves
Jewels
Embrace
Classic Masters
All The Way
Love Coloured Soul
Sophistication
Sneak
Pacific Coast Highway
Doyle’s Brunch
Silk
3-D
Renee Olstead
No Assembly Required
97th & Columbus
Cool Like That
One Day Deep
Look Again
My American Songbook Vol. 1
Let It Ripp
My World: The Definitive Collection
Hummin’ to Myself
Time Again
Closer
IV
Best: 1991-2004
Inside Out
Home
Soulidfied
Love Life
Dream Beat Dream
Party
The Deep End
All For Love
The Definitive Collection
Blow
I Think It’s Going To Rain Today
The X Tracks
Steppin’ Out
Nightlife
Romantic Night
Hang Time
Sin Palabras
Out of Nowhere
Urban Knights V
Dance With My father
Forever, For Always, For Luther
Wedding Songs: A Body & Soul
Collection
Princess Diaries 2 : Royal Engagement [Original Soundtrack]
Rendezvous Lounge, Vol.1
Vladosphere
Steppin Up
Someone To Love You
In The Name Of Love
Into My Soul
Confidential
The Journey Within
Sweet Saxations
River
Soul Circus
Altered State
Seldom Blues
Capitol
Island /Def Jam
Decca
Qwest
Holland Group
Rendevous
Shanachie
Shanachie
Shanachie
Narada Jazz
215 Records
Peak
Heads Up
Narada
Encoded
Motown
Motown
Heads Up
Koch Records
Shanachie
JVC
N-Coded Music
Capitol
Shanachie
Positive Music
Compendia
Compendia
Baja/TSA Records
Peak
Ark Music
Koch Records
143 Records/Reprise
Heads Up
Heads Up
Heads Up
Rendezvous/N-Coded
A440 Music Group
Koch
Peak
Motown
Verve Music Group
Verve Music Group
Verve Music Group
Warner Bros.
Warner Bros.
Native Language
Simply Red
A440 Music Group
Higher Octave
215 Records
Shanachie
Heads Up
Motown
Koch
Concord Jazz
Fuel 2000
Peak/Concord
Peak
AMH Records
Rendevous
Heads Up
Heads Up
Narada
J Records
GRP
Time Life
Walt Disney
Rendevous
Unis
Orpheus
Shanachie
Shanachie
Warner Bros.
Columbia
GRP
Shanachie
Hillsboro
Vanguard
Heads Up
Heads Up
JazzWeek 28
Jazz Station Panel
Call letters
CJRT-FM*
KANU-FM
KBEM-FM
KCCK-FM*
KCLU-FM
KCSM-FM
KEWU-FM
KFSR-FM
KIOS-FM
KIPO-FM*
KJZZ-FM
KKJZ-FM
KLCC-FM
KMHD-FM
KMUW-FM
KNTU-FM
KPLU-FM
KRTU-FM
KSDS-FM
KSJS-FM
KSMF-FM*
KSUT-FM*
KTSU-FM
KUAZ-FM
KUNR-FM*
KUNV-FM
KUT-FM
KUVO-FM
KXJZ-FM
WAER-FM*
WBEZ-FM
WBFO-FM
WBGO-FM
WCFJ/WSBC*
WCLK-FM
WCMU/WUCX-FM
WCPN-FM
WDCB-FM*
WDET-FM
WDNA-FM
WDUQ-FM
WEAA-FM
WEMU-FM*
WFNX-FM
WFSS-FM
WGBH-FM
WGLT-FM
WGMC-FM
WGVU-FM
WHRV-FM
WICN-FM*
WJSU-FM
WMOT-FM
WNCU-FM
WRTI-FM
WSHA-FM
WSIE-FM
WTEB-FM
WUAL-FM
WUCF-FM
WUMR-FM
WUSF-FM
WVPR/WVPS-FM
WWOZ-FM
WWSP-FM*
WXUT/WXTS-FM
Music Choice
Sirius*
Frequency
91.1
91.5
88.5
88.3
88.3
91.1
89.5
90.7
91.5
89.3
91.5
88.1
89.7
89.1
89.1
88.1
88.5
91.7
88.3
90.5
89.1
91.3
90.9
89.1
88.7
91.5
90.5
89.3
88.9
88.3
91.5
88.7
88.3
1470 AM
91.9
89.5/90.1
90.3
90.9
101.9
88.9
90.5
88.9
89.1
101.7
91.9
89.7
89.1
90.1
88.5
89.5
90.5
88.5
89.5
90.7
90.1
88.9
88.7
89.3
91.5
89.9
91.7
89.7
94.3
90.7
89.9
88.3
Market
Toronto, ON
Topeka, KS
Minneapolis - St. Paul, MN
Cedar Rapids, IA
Los Angeles, CA
San Francisco, CA
Spokane, WA
Fresno, CA
Omaha, NE - Council Bluffs, IA
Honolulu
Phoenix, AZ
Los Angeles, CA
Eugene-Springfield, OR
Portland, OR
Wichita, KS
Dallas - Ft. Worth, TX
Seattle - Tacoma, WA
San Antonio, TX
San Diego, CA
San Jose, CA
Ashland, OR
Ignacio, CO
Houston - Galveston, TX
Tucson, AZ
Reno, NV
Las Vegas, NV
Austin, TX
Denver - Boulder, CO
Sacramento, CA
Syracuse, NY
Chicago, IL
Buffalo - Niagara Falls, NY
New York, NY
Chicago, IL
Atlanta, GA
Mount Pleasant – Saginaw/Bay City/Midland, MI
Cleveland, OH
Chicago, IL
Detroit, MI
Miami - Ft. Lauderdale - Hollywood, FL
Pittsburgh, PA
Baltimore, MD
Ypsilanti, MI
Boston, MA
Fayetteville, NC
Boston, MA
Peoria, IL
Rochester, NY
Grand Rapids, MI
Norfolk - Virginia Beach - Newport News, VA
Worcester,MA
Jackson, MS
Nashville, TN
Raleigh - Durham, NC
Philadelphia, PA
Raleigh - Durham, NC
St. Louis, MO
Greenville,NC
Tuscaloosa, AL
Orlando, FL
Memphis, TN
Tampa - St. Petersburg - Clearwater, FL
Burlington, VT-Plattsburgh, NY
New Orleans, LA
Wausau-Stevens Point, WI
Toledo, OH
National Distribution
National Distribution
jazzweek.com • May 18, 2005
Smooth Station Panel
Rank
N/A
195
16
204
2
4
93
68
73
62
15
2
171
24
95
5
14
30
17
33
207
N/A
7
63
231
38
7
22
26
79
3
52
1
3
11
131
25
3
10
12
23
20
10
133
128
8
149
54
67
40
8
123
44
43
6
43
19
87
133
39
48
21
220
46
198
85
N/A
N/A
Call letters
KAJZ-FM
KBZN-FM
KEZL-FM
KHJZ-FM
KIFM-FM
KJCD-FM
KJZI-FM
KJZY-FM
KKSF-FM
KKSJ/KTSJ-FM
KLJT-FM
KMGQ-FM
KOAI-FM
KOAS-FM
KRVR-FM
KSKX-FM
KSMJ-FM
KSSJ-FM
KTWV-FM
KWJZ-FM
KYOT-FM
WBRH-FM
WEIB-FM
WFJZ-FM
WFSK-FM
WGPR-FM
WJAB-FM
WJJZ-FM
WJSJ/WSJF-FM
WJZA/WJZK-FM
WJZI-FM
WJZL/WJZO-FM
WJZR-FM
WJZW-FM
WJZZ-FM
WLOQ-FM
WLVE-FM
WNUA-FM
WNWV-FM
WPMJ-FM
WQCD-FM
WSJT-FM
WSJW-FM
WSMJ-FM
WVAS-FM
WVMV-FM
WXJZ-FM
WYJZ-FM
Music Choice
Frequency
101.7
97.9
96.7
95.7
98.1
104.3
100.3
93.7
103.7
105.9
102.3
97.5
107.5
105.7
105.5
105.5
97.7
94.7
94.7
98.9
95.5
90.3
106.3
106.7
88.1
107.5
90.9
106.1
105.5
103.5
93.3
93.1
105.9
105.9
107.5
103.1
93.9
95.5
107.3
94.3
101.9
94.1
92.7
104.3
90.7
98.7
100.9
100.9
Market
Albuquerque, NM
Salt Lake City - Ogden - Provo, UT
Fresno, CA
Houston - Galveston, TX
San Diego, CA
Denver - Boulder, CO
Minneapolis - St. Paul, MN
San Francisco, CA
San Francisco, CA
Lafayette, LA
Tyler-Longview, TX
Santa Barbara, CA
Dallas - Ft. Worth, TX
Las Vegas, NV
Stockton, CA
Colorado Springs, CO
Bakersfield, CA
Sacramento, CA
Los Angeles, CA
Seattle - Tacoma, WA
Phoenix, AZ
Baton Rouge, LA
Hartford - New Britain - Middletown, CT
Ft. Wayne, IN
Nashville, TN
Detroit, MI
Huntsville, AL
Philadelphia, PA
Jacksonville, FL
Columbus, OH
Milwaukee - Racine, WI
Louisville, KY
Rochester, NY
Baltimore, MD
Atlanta, GA
Orlando, FL
Miami - Ft. Lauderdale - Hollywood, FL
Chicago, IL
Cleveland, OH
Peoria, IL
New York, NY
Tampa - St. Petersburg - Clearwater, FL
Harrisburg - Lebanon - Carlisle, PA
Baltimore, MD
Montgomery, AL
Detroit, MI
Gainesville - Ocala, FL
Indianapolis, IN
National
Rank
71
31
68
7
17
22
16
4
4
102
148
204
5
38
82
97
83
26
2
14
15
84
50
105
44
10
116
6
49
35
32
55
54
20
11
39
12
3
25
149
1
21
80
20
152
10
87
41
N/A
Note: WSSM, St. Louis, has changed formats and is dropped from the panel.
Airplay of all stations, except as noted, is monitored by Mediaguide.
To apply to become a member of a station panel, contact Tony
Gasparre at (585) 235-4685, or email tony.gasparre@jazzweek.com.
*Denotes station not monitored by Mediaguide. Station submits a weekly airplay report.
JazzWeek 29
AT
Where Jazz Meets Pop, Rock & Soul
Headliners & National Artists on the Carrier Main Stage
Friday, June 24
Saturday, June 25
Sunday, June 26
• TRIO!
- Stanley Clarke - Bela Fleck
- Jean Luc Ponty
• Randy Brecker / Bill Evans
Soulbop Band featuring
Hiram Bullock, Rodney Holmes,
Dave Kikowski and Victor Bailey
• Ron Blake Band
•
•
•
•
• Smokey Robinson
• Toph-E & The Pussycats
featuring Will Lee,
Ralph McDonald, Chris Parker,
Cliff Carter and David Mann
• Corey Christiansen
Gino Vannelli
Mike Longo Trio
Club Django Sextet of Toronto
Ilona Knopfler
Free admission • Over 30 bands • 3 stages of continuous music
Frank Malfitano • Artistic Director
Hotel info: www.marxsyracuse.com
>