seize the day make them hear you
Transcription
seize the day make them hear you
THE MASSED VOICES OF INSPIRATION AND ROYAL NORTHERN SINFONIA, ORCHESTRA OF SAGE GATESHEAD PRESENT MAKE THEM HEAR YOU A spectacular summer concert featuring songs of triumph and defiance SATURDAY 16 JULY 2016, 6PM HALL ONE, SAGE GATESHEAD N O M TS RO KE F R C E AP TI AL 7 S 2 TICKET OFFICE: 0191 443 4661 BOOK ONLINE: WWW.SAGEGATESHEAD.COM THE MASSED VOICES OF INSPIRATION AND ROYAL NORTHERN SINFONIA, ORCHESTRA OF SAGE GATESHEAD PRESENT SEIZE THE DAY 20 MARCH 2016 HALL ONE, SAGE GATESHEAD MUSIC DIRECTOR: GARY GRIFFITHS NARRATOR: CHARLIE CHARLTON PROLIFIC AND VERSATILE Welcome to the first of our occasional series of concerts featuring the work of just one composer. Alan Menken is such a prolific and versatile writer that the only problem we really had was knowing what to leave out. We have had great fun this term delving down to find our inner princesses. The sheer variety of styles has been a challenge, but one to which the singers always rise with aplomb. From the epic pop ballads to the cartoon exaggerations, they can cope with it all. Alan Menken was born on 22nd July 1949 at French Hospital in New York City, to boogie-woogie piano-playing dentist, Norman Menken and young aspiring actress and playwright, Judy Menken. For many of us, singing the medley from The Hunchback of Notre Dame will forever be associated with our trip a few years ago to Paris, where we sang this medley while floating down the Seine, underneath the magnificent cathedral itself. That is an experience that could never be recreated but we will be returning to Disneyland Paris later this year to perform in their Christmas Choral Celebration. If you fancy joining us then see our website for details on how to join the choir. Who knows where it will take you. Gary Griffiths, Inspiration Music Director and Founder About Gary… I have been singing for as long as I can remember. Wolverhampton Grammar School was my major musical influence – School Choir, Choral Society, Musical Theatre Group, Jazz Band – alongside the Youth Orchestra and the Concert Band. When it came to University it had to be music, and so to York. Three wonderful years of music making also included being Chorus Master for York Light Opera and MD for Pickering Musical Society. I then became a tenor in the Choir of York Minster with all that entails; daily services as well as many world tours, concerts and recordings. After 18 years, I left and became part of the creative team behind the formation of SingLive. Now, with Inspiration as my sole focus, I really do have my dream job. Weekly rehearsals and trips around the country and abroad are a joy. ROYAL NORTHERN SINFONIA ORCHESTRA OF SAGE GATESHEAD Royal Northern Sinfonia, Orchestra of Sage Gateshead, is the UK’s only full-time chamber orchestra and the leading professional orchestra in the North East. Since its inception in 1958, it has built a distinctive reputation CLIFF LEE SIGNED SONG INTERPRETER as a fresh-thinking and versatile orchestra, performing with a trademark zest and stylistic virtuosity. It is the only UK orchestra to have a purpose-built home for all Cliff is an experienced BSL communicator who has worked with Sage Gateshead since 2004. Amongst other projects, Cliff has set up several signed song choirs within the North East. He also runs courses for teachers and other trainers and facilitates Sign Song workshops across the community. Cliff holds a BSL Level 3 certificate, and has completed a teaching degree. In his spare time he is learning to play the piano and enjoys nothing more than looking after his twin grandsons. its rehearsals, concerts and recordings. ‘There is no better chamber orchestra in Britain’, The Guardian Cliff has been working with Inspiration since they started in 2009. He loves working with the choir and is looking forward to introducing more people to the joy of song through the beauty of sign language. Playing a wide repertoire of diverse orchestral music, Royal Northern Sinfonia works regularly with a roster of globally renowned artists from all genres. The new season sees the orchestra work with Christian Tetzlaff, Christian Lindberg, Olli Mustonen, Paul McCreesh, Robert Levin, Montenegrin guitarist Miloš Karadaglić and a host of world-class singers including Sally Matthews, Karen Cargill and Elizabeth Watts. They have also collaborated with leading popular voices such as Sting, Ben Folds and John Grant. The orchestra contributes to the continuing re-invention of orchestral repertoire with regular commissions and premieres, most recently from Benedict Mason and David Lang, John Casken and Kathryn Tickell. Open in its approach and broad in its reach, Royal Northern Sinfonia engages audiences and communities throughout its own region as well as further afield, with residencies at festivals from Aldeburgh to Hong Kong, as well as regularly featuring in the BBC Proms and neighbouring Edinburgh Festival. Back home at Sage Gateshead, Royal Northern Sinfonia works with adults of all ages and young people, through the Young Musicians Alan attended New York University’s College of Arts and Sciences where he drifted from pre-med to anthropology, then to philosophy, finally graduating with a degree in musicology. Programme and In Harmony project, both of which provide unbeatable instrumental learning opportunities. This season is the first with new Music Director Lars Vogt, along with new Principal Guest Conductor, Julian Rachlin. Both internationally-renowned soloists perform as well as conduct throughout the season, alongside Conductor Laureate, Thomas Zehetmair. For more information about the orchestra and its home, visit sagegateshead.com CHARLIE CHARLTON NARRATOR Charlie Charlton co-presents the Breakfast Show with Alfie Joey on award-winning BBC Newcastle, weekdays, 7 – 10am. The station now reaches more people than any other local BBC radio station outside London. Charlie also presents on BBC Radio 5Live, and has reported for the World Service and 6Music. Her interviews have also featured on Panorama and Newsnight. Charlie is a well-known face, presenting the television news for BBC Look North, and reporting for the regional current affairs programme Inside Out. Born in Gateshead, Charlie studied and worked in London and overseas, before heading back to her beloved North East more than ten years ago. Charlie is patron of the charity Changing Lives which helps homeless and vulnerable people across the region, and is patron for a charity in Newcastle for disabled children and their families. MARK DEEKS DEPUTY MUSIC DIRECTOR SUE MITCHELL DIRECTOR OF COMMUNITY INVOLVEMENT MALLORY SMITH REHEARSAL MANAGER Mark has a wealth of experience as a pianist, performer, arranger, musical director and lecturer. His awardwinning company Music Newcastle is a recommended supplier of live music to some of the top venues in the North East. Mark’s MD credits include the ‘Stepping Out’ autobiographical show of Faye Tozer (Steps), running Christmas choirs for BBC Newcastle and Magic Radio, local productions of ‘West Side Story’, ‘Buddy’ and ’The Sound Of Music’, and co-writing the music for ‘Monopolise’, the one-man comedy musical by Alfie Joey (BBC). Mark has also been commissioned to write brass arrangements for the 2016 ‘Sunday for Sammy’ shows at the City Hall. He is also the MD for Inspiration’s ‘sister’ choirs in Newcastle and Leeds, Echo. What a treat it’s been this term to sing familiar childhood songs and embrace our inner princesses! Singing Hunchback again also immediately transports me on to a Bateau Mouche down the Seine – such a fantastic experience and one that will be etched in many of our singers’ memories. We’re never short of ideas for future events and there is always much to consider in the planning stage, whatever the event or concert. I do believe that it’s the effort that goes on behind the scenes that makes whatever we do a success and I love the variation these opportunities bring. Bookings are also starting to come in for smaller events for summer and beyond. If you would like us to sing for you then please get in touch and hopefully we can arrange this. I‘m Mallory, of the Sue n’ Mal gang who sign 300 or so people in on rehearsal nights (big thanks to Sheila, Jill and Lindsay and Anna too). So here we are. It’s another spring concert but no sight or sound of an Easter hymn this time. Instead we are romping through any amount of Alan Menken hits. For a change nearly all the words are in English – hurrah! However, there are an awful lot of them and some of them are quite fast too, so equally as challenging to learn. Hopefully we have managed to untie our tongues, so you can enjoy the really clever lyrics we ‘present for you today’ and ‘make you shout encore’! SINGER SPOTLIGHT ANGELA LAWERY How long have you been singing? I’ve been singing for as long as I can remember. The first time I sang in front of an audience, that wasn’t just made up of my Mam, Dad or Gran, was in middle school. What made you join Inspiration? I saw an Inspiration Christmas concert and thought, “Wow that sounds amazing, I want to be a part of this!”. Being part of something like Inspiration is extremely rewarding. Hearing all of our voices together with Royal Northern Sinfonia is something special. Do you sing with any other groups or choirs? Angela lives in Blyth. She is 28 and a primary school teacher. She has been a member of Inspiration for three years but took a little break last year to fulfil a life long dream of performing at the Theatre Royal, Newcastle. Currently I am only singing with Inspiration. Last year I took a little break to do a few other shows. I took part in Sister Act with Newcastle Musical Theatre Company, where I took a lead role as Sister Mary Robert at the Theatre Royal. It was a dream come true to sing on that stage with such a talented cast. Another performance highlight from last year was being able to say I was playing a princess in a pantomime. That was the first pantomime I have done and I have to admit, I’ve caught the bug and loved it! What kind of music do you most enjoy singing? Mostly I enjoy singing musicals which is why this show is extra special to me. I also get to sing the solo I sang in Sister Act – ‘The Life I Never Led’. I’m really looking forward to singing it with the orchestra. If you could sing anywhere in the world where would it be? Unfortunately due to work I was unable to attend Inspiration’s trip to NYC so missed the chance to sing there. It’s my dream to sing on Broadway or somewhere closer to home, The Royal Albert Hall. What’s your favourite highlight since joining Inspiration? Menken has collaborated with many lyricists including Howard Ashman, Tim Rice, Glenn Slater, Stephen Schwartz and David Zippel. Being able to share the magical moments with my fiancé Mark (Inspiration’s Deputy Music Director). This concert is the week before our wedding so knowing it is my last performance as Angela Lawery and having Mark play along side me is extra special. I hope I make him proud. What would your say to anyone unsure about trying singing as a hobby? You’ve got nothing to lose so go for it! I promise you will love it. SEIZE THE DAY ACT ONE SEIZE THE DAY ACT TWO Seize the Day Little Shop Of Horrors Medley Newsies | Menken Listen out for… the ‘a cappella’ choir opening. Literally meaning ‘as in chapel’ – the singers alone, with no accompaniment. Little Shop Of Horrors | Menken and Ashman Soloist: Katherine Saunders Listen out for… the very tongue-in-cheek grand opening section which soon gives way to the more upbeat, sixties feel. When the choir are singing the song ‘Downtown’ the strings of the orchestra play Petula Clark’s hit of the same name; one of the few mashups in this concert. A Whole New World With eight Academy Awards only composer Alfred Newman (nine wins) and Walt Disney (22 wins) have received more Oscars than Menken. He has also won eleven Grammy Awards and a Tony Award. Aladdin | Menken and Rice Listen out for… when our arrangement becomes a duet between choir and orchestra, with the orchestra on the tune (‘a whole new world’), and the choir singing the countermelody (‘every turn a surprise’) echoing the original song which was a duet. Prince Ali Aladdin | Menken and Rice Listen out for… the animals and try and count them. There are hundreds! Part Of Your World The Little Mermaid | Menken and Ashman Soloist: Amy Slater Listen out for… the drooping phrases for the singer (e.g. ‘wish I could be’), indicating a sense of resignation, contrasting with the rising phrases (e.g. ‘up where they run’), indicating hope. Under The Sea The Little Mermaid | Menken and Ashman Listen out for… more animals! This time in a band, carp/harp, newt/flute, bass/brass. The Life I Never Led Menken’s first big break came when playwright and lyricist Howard Ashman asked him to collaborate on the 1979 play ‘God Bless You, Mr. Rosewater’. Sister Act | Menken and Slater Soloist: Angela Lawery Listen out for… an interesting structure, beginning quite resigned, soon growing in confidence with phrases beginning on ever higher notes, then retreating back into self doubt before rising again, finishing with an air of quiet resolve. I See The Light Tangled | Menken and Slater Listen out for… the simplicity of the melody and underlying harmony, nevertheless this packs quite a punch. Ever Ever After Enchanted | Menken and Schwartz Listen out for… lots of overlapping vocal lines creating a layered effect of echoes and ambience. Santa Fe Newsies | Menken Pocahontas Medley Soloist: Sara Morgan Pocahontas | Menken and Schwartz Listen out for… the contrast in music between the unyielding incoming Virginia Company (‘in sixteen hundred seven’ and ‘mine boys, mine’) and the beautiful fluid music for the indigenous people (‘just around the riverbend’ and ‘colours of the wind’). Beauty And The Beast If I Can’t Love Her Beauty And The Beast | Menken and Ashman Soloist: Patrick Love Listen out for… what starts off as a plaintive plea (‘no beauty can move me’) becoming stronger and stronger towards the end with unprepared rising key changes, creating a sense of mounting anger, until the final ‘let the world be done with me’. Listen out for… the many different sections giving it a real story telling feel, almost a miniature show in itself. Also the unusually large interval in the main melody of a rising minor 7th (‘Santa Fe’). Beauty And The Beast | Menken and Ashman Soloist: Anne Marie Gardener Listen out for… the original ballad version initially sung by a solo voice, with the choir then taking over in the same style. The key change and the introduction of the rhythm section of the orchestra (drums, bass) is then a nod to the very successful pop version recorded by Celine Dion. Be Our Guest The Hunchback Of Notre Dame Medley Beauty And The Beast | Menken and Ashman The Hunchback Of Notre Dame | Menken and Schwartz Listen out for… the opening motif representing the bells of Notre Dame. This recurs throughout to punctuate the medley and returns triumphantly at the very end, defiantly in a major key. Listen out for… cartoon interjections from the choir when backing the soloists exaggerating the feeling of being completely over the top, and a huge Broadway finish. Soloist: Gary Manson and Kirsten Walton INSPIRATION’S SINGERS Lynn Adamson David Dick Clare Hagan Norma Luke Anni Proud Pauline Sibbald Helen Taylor Jennifer Wade Ki Anglesea Susan Dinning Margot Haigh Debbie MacQueen Helen Pryor Gill Simpson Lorna Taylor Anna Walker Ray Anglesea Roger Dinning Cynthia Hall Gary Manson Anne Ransome Amy Slater Caroline Taylor Suzanne Walker Louise Antons Irene Dolan Vivienne Hall Ian Marr Allan Reekie Brenda Slater Janice Taylor Bronwyn Walton Angela Appleby Audrey Donaldson Jill Hanna Maureen Marshall Jon Rees Angela Small Marie Thom Kirsten Walton Barbara Armstrong Laura Donelly Jill Hardman Gill Marshall Janet Richardson Helen Smith Joanna Thompson Elliott Ward Barbara Bainbridge Elizabeth Doran Janice Harris Anne Maughan Kathleen Richardson Maureen Smith Julie Thompson Sarah Watling Sue McCarthy Alison Rigg Mallory Smith Daphne Thornton Marie Waugh Elizabeth McCoull Kathy Roberts Judy Smith Tony Thornton Kate Welford Lynn Robinson Janice Smith Caroline Tickle Mary Wellington Barbara Roper Liz Soloman Sakeenat Tijani Claire Whitfield Fiona Routledge Erica Souter Joanne Tindle Annie Wilks Alison Russell Jane Speak Brenda Tonks Suzanne Williams Denise Saunders Margaret Spedding Sarah Toogood Anne Woodhead Katherine Saunders Margaret Stamp Alan Towers Graham Wykes Veronica Schubeler Geoff Steele Rebecca Trevarrow Carolyn Zammit- Stan Scorer Laura Straker Jill Turnbull Maempel Margaret Scullion Lawrence Straker Maddy Upton Michael Shoesmith Barry Sweeney Rachel Vaclik Freda Barber Kim Barry Susan Dove Aileen Drummond Lesley Hehir Elizabeth Hewett Anne Bartle Linda Duckworth Carol Hindhaugh Glynis McGlen Lindsay Bellwood Steve Duncan Julie Hobson Dorothy McGuiness Anjanette Berrie Becky Dunn Alan Hobson Susannah McKeag Peter Berrie Eva Eden Judith Hodson Irene McIane Margaret Bolam Richard Edmunds Dawn Holmes Maureen McPhee Emma Bosomworth Mandy Elkin Helen Holmes Anna Meikle Joan Bradford Ann Ellis Michael Humble Sue Mellon Donald Bradford John Emmerson Jean Humphrey Sheila Millen Collette Brady Glynis Evans Dominic Inman Elaine Mills Clare Brayson Jennifer Falconer Helen Jarvis Sue Mitchell Dawn Briggs Jean Falkous Helen Jefferson Sara Morgan Peter Brougham Carolyn Fenton Angela Johnson Sue Morgan Winifred Brown Vivien Frazer Peter Johnson Vivienne Muir Trish Bryans Anne Marie Gardener Fiona Jones John Muir Diana Buchan Evelyn Gardner Grenville Jones Nicola Mulgrew Liz Buchan Joyce Gibson Elizabeth Keller John Munro Lynn Cain Judith Gibson Anne Kent Janice Mylroi Gloria Cain Bert Gibson Alison Kerr Christine North Amanda Canlett Maureen Gilroy Patricia Kidd Lou Okello Carol Capaldi Sandie Ginks Nigel Kidwell James Orange Kirsty Carr Bob Gladwin Sheila Kimber Heather Page Elizabeth Carr Rose Goldie Liz Knight Monica Parker Maureen Carrahar Brenda Graham Liz Kreibich David Parker Sheila Carruthers Sarah Graham Jean Latimer Jill Parkin Simon Coatsworth David Graham Angela Lawery Pam Patterson Linda Corrie Anne Graney Alyson Laws Ron Patterson Susan Craigs Jean Greenwood Alice Leaver Ann Paxton Peter Crichard Dorothy Gregory Gill Lisk Richard Pickersgill Margaret Criddle Alison Griffin Patrick Love Jeff Platt Linda Cruickshank Patricia Gulliver Wendy Lowdon Sheila Platt Bryony Cufflin Christopher Gulliver Patricia Lowery Melody Price Mark Davies Louise Gulliver William Lowther Sheila Price Menken’s first significant critical and commercial acclaim came in 1982 with the Off-Broadway production of ‘Little Shop of Horrors’ written in collaboration with Howard Ashman. Keep up to date with all the latest news from Inspiration and Echo by visiting www.inspirationuk.com or join us on Facebook at www.facebook.com/inspirationandecho COMMUNITY CHOIRS AND MUSICAL FRISSIONS When Southampton teenager Isaac Watts complained to his father that church music was boring, he replied, “Why don’t you give us something better, young man!” ‘Joy To The World’ was just one of the more than seven hundred hymns he wrote and three hundred years later I think he would have been delighted to have sat in his home town Guildhall and heard Inspiration Southampton’s Christmas concert featuring his celebrated carol. On his way in he might have passed his marble statue in Watts’ Park, heard the Guildhall clock tower ring out with a verse of ‘O God Our Help in Ages Past’, and then joined a packed audience enjoying an afternoon of far from boring music. …everyone can have their own individual, spine-tingling moments. There were moments in the concert when he might have noticed me, second row back on the right, unable to sing: not because I’d forgotten the words but simply due to an overwhelming, choking surge of emotion. It may have been prompted by noticing the rhythmic particular point in the music. Our own autobiographical experiences interact with the musical devices – so we can find different pieces of music rewarding. Friends in the audience texted me during the interval, “I’m loving this” and, “There is a lot of emotion out here,” so it seems the frissons were felt out there too. The BBC report explains that one major component seems to be the way the brain monitors our expectations. From the moment we are born (and possibly before), we begin to learn certain rules that characterise the way songs are composed. If a song follows the conventions too closely, it is bland and fails to capture our attention, (which is why Isaac Watts complained to his father.) If a song breaks the patterns too much, it sounds like noise. But when composers straddle the boundary between the familiar and unfamiliar, playing with our expectations using unpredictable flourishes (like appoggiaturas or sweeping harmonic changes), they hit a sweet spot that pleasantly teases the brain, and this may produce a ‘musical frisson’… and I stop singing! Evidence for the social and medical benefits of singing, and particularly of singing together with others, have been well publicised recently. My niece’s GP husband in Cumbria is now prescribing a community choir to patients. sway of the Bournemouth Symphony Orchestra violins, So, it was with renewed expectation and excitement a fall of notes from the harp, a memory of times past. that we met up with friends old and new for our first According to recent studies (reported by David Robson on the BBC Future website) I am not alone and, although there are some recognised ‘triggers’ – sudden changes in harmony, dynamic leaps (from soft to loud), and melodic appoggiaturas (dissonant notes that clash with the main melody, like you’ll find in Adele’s spring term rehearsal. We were leaving behind Isaac Watts and looking forward to the frisson-filled world of Alan Menken. I’m not sure if he’s ever been to Southampton but, as he says in ‘Raise Your Voice’: ‘First rule of singin’: get the rafters ringin’!’ Like Isaac Watts before him, his music will certainly not be boring! ‘Someone Like You’) which seem to be particularly Alan Matlock powerful – everyone can also have their own individual, Singer with Inspiration Southampton spine-tingling moments. If you would like to join our singers for our summer ‘Musical frissons’, or ‘skin orgasms’ as they are sometimes concert ‘Make Them Hear You’ then please visit known, cause a physiological change that’s locked to a www.inspirationuk.com for more details. …they hit a sweet spot that pleasantly teases the brain. ORCHESTRA SPOTLIGHT JESSICA LEE How did you become a musician? My musical journey started when I became one of the first girl choristers at Salisbury Cathedral in 1991. I began playing the clarinet at age nine whilst at Salisbury. Where are you from originally? I grew up in Chichester, West Sussex. Where did you study? Jessica Lee has played with Royal Northern Sinfonia since 2009 and is Principal Clarinet. I studied at The Royal College of Music (RCM), graduating with a first class honours degree in 2004. There I studied with Janet Hilton, Michael Collins and Tim Lines. Following this I gained my PGDip with distinction from the RCM where I was the WilkinsMackerras scholar, supported by a full grant from the Arts and Humanities Research Council. How did you come into your current position within the orchestra? Following my studies I enjoyed a busy freelance career in London working with the orchestra of the Royal Opera House, the London Symphony Orchestra, English National Opera and the BBC Symphony Orchestra. I auditioned for my current position with Royal Northern Sinfonia in 2008, was given a trial, and was offered the position of Second Clarinet/Principal Bass Clarinet about six months later. In fact, my first official concert was with Inspiration! DATES FOR YOUR DIARY THANKS TO… ‘Make Them Hear You’ with Inspiration and Royal Northern Sinfonia Saturday 16 July 2016, 6pm, Sage Gateshead Ticket Office: 0191 443 4661 www.sagegateshead.com ON SALE FROM 27 APR A spectacular summer concert featuring songs of triumph and defiance. From Sir Andrew Lloyd Webber we have ‘Love Never Dies’, ‘With One Look’ and ‘Anything But Lonely’. From the amazing show Ragtime we have our title track, ‘Make Them Hear You’ and ‘Till We Reach That Day’. From Wicked we have ‘Defying Gravity’ and we will also explore the world of the pop anthem, with Adele’s ‘Rolling In The Deep’, and the famous ‘You Raise Me Up’. These and many more are all given the unique Inspiration treatment, performed alongside a world class symphony orchestra. Thanks as always to the small army of volunteers who help to keep Inspiration going, both in public and behind the scenes. Mal and her ladies, Jane and Barbara, Penny, Chris, Margaret and Denise, Sue, Linda and Peter. Mark and Steven of course, and especially Sue Mitchell, without whom it just wouldn’t happen. For all the practical and emotional support I am very, very grateful – Gary ‘Make Them Hear You’ with Inspiration and Orchestra Of Opera North Sunday 17 July 2016, 4pm, Leeds Town Hall Box Office: 0113 224 3801 www.leedstownhall.co.uk ‘Make Them Hear You’ with Inspiration and Bournemouth Symphony Orchestra Sunday 7 August 2016, Meyrick Park, Bournemouth Box Office: 01202 669925 www.BSOlive.com Part of the BSO Summer Proms in the Park North Music Trust is registered in England as a company limited by guarantee, number 4044936 and as a charity, number 1087445. Echo Newcastle present: Legends Before entering the world of musicals, Menken was a songwriter for Sesame Street, performed in clubs, composed advertising jingles and also worked as a ballet accompanist. What have been your highlights since playing with RNS? Date and venue to be announced on www.inspirationuk.com very soon. My highlights have been working with two inspiring music directors; Thomas Zehetmair and now Lars Vogt. Many artists create music that makes our world a better place, but not all of them are responsible for discographies that continue to resonate with fans generation after generation. Join us as Echo visits the music of some of pop history’s most iconic artists, featuring Bob Marley, R.E.M., the recently departed David Bowie, and a certain well-known family called Jackson! Why do you love the Inspiration concerts? The fact that the choir gives it their all! Echo Leeds present: Legends Friday 22 July 2016, 7.30pm The Venue, Leeds College of Music Box Office: 0113 222 3434 www.lcm.ac.uk/whats-on Programme and Inspiration website designed by Penny Wilson www.penny-wilson.co.uk Programme printed by Deakin Printers www.deakinprinters.com Pictures courtesy of David Tiernan, Pete Harrison, Penny Wilson, Mark Savage, Jo Cox
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