christmas catalogue 2006

Transcription

christmas catalogue 2006
C H R I S T M A S C ATA L O G U E
2006
.
91 - 93 Walton Street London SW3 2HP
Tel: +44 (0)207 581 9056 Fax: +44 (0)207 581 1336
info@coskunfineart.com www.coskunfineart.com
Francis Bacon
1909 - 1992
Triptych August 1972-1989
Three Lithographs on Arches paper
Individually signed in pencil lower right, and numbered in pencil lower left
Edition: 180
Paper: 35 3/8 × 24 5/8 inches (90 × 62.5 cm)
Image: 25 3/4 × 19 1/8 inches (65.5 × 48.5 cm)
Triptych 1983-1984
Three Lithographs on Arches paper
Individually signed in pencil lower right, and numbered in pencil lower left
Edition: 180
Paper: 35 3/8 × 24 5/8 inches (90 × 62.5 cm)
Image: 26 3/8 × 19 5/8 inches (67 × 50 cm)
Robert Indiana
b.1928
Love 1996
From the set of twelve Serigraphs in colours
on ANW Crestwood Museum Edition paper
Signed and dated in pencil, numbered
Edition: 200
61 × 51 cm
Love 1996
From the set of twelve Serigraphs in colours
on ANW Crestwood Museum Edition paper
Signed and dated in pencil, numbered
Edition: 200
61 × 51 cm
Love 1996
From the set of twelve Serigraphs in colours
on ANW Crestwood Museum Edition paper
Signed and dated in pencil, numbered
Edition: 200
61 × 51 cm
Love 1996
From the set of twelve Serigraphs in colours
on ANW Crestwood Museum Edition paper
Signed and dated in pencil, numbered
Edition: 200
61 × 51 cm
Roy Lichtenstein
1923 - 1997
Sandwich and Soda 1964
I Love Liberty 1982
Screenprint on clear plastic
From the X + X (Ten Works by Ten Painters) portfolio
Signed and dated
Edition: 500
Sheet: 20 × 24 inches
Image: 19 × 23 inches
Corlett 35
Screenprint on Arches 88 paper
Numbered, signed and dated in pencil lower right
Edition: 250, plus 73 AP
Sheet: 38 3/8 × 27 1/8 inches
Image: 32 3/8 × 21 1/8 inches
Corlett 192
Reflections on Crash 1990
Forms in Space 1985
Screenprint on BFK rives paper
Signed numbered and dated in pencil lower right
Edition 125, plus 20 AP
Sheet: 35 3/4 × 52 inches
Image: 31 1/8 × 42 1/2 inches
Corlett 217
From the Reflections Series
Lithograph, screenprint, relief, and metalized PVC
collage with embossing on mold-made Somereset paper
Numbered, signed and dated in pencil lower right
Blind stamp, lower right
Workshop number on verso in pencil, lower left
Edition: 68, plus 16 AP
Sheet: 59 1/8 × 75 inches
Image: 53 1/16 × 69 inches
Corlett 239
Reflections on Hair 1990
Reflections on Conversation 1990
From the Reflections Series
Lithograph, screenprint, woodcut, and metalized PVC
collage with embossing on mold-made Somerset paper
Numbered, signed and dated in pencil lower right
Edition: 68, plus 16 AP
Sheet: 53 3/4 × 66 7/8 inches
Image: 47 1/8 × 60 3/4 inches
Corlett 240
From the Reflections Series
Lithograph, screenprint, woodcut, and metalized PVC collage
with embossing on mold-made Somerset paper
Numbered, signed and dated in pencil, lower right
Blind stamp, lower right
Workshop number on verso in pencil, lower left
Edition: 68, plus 16 AP
Sheet 56 1/8 × 45 inches
Image 49 9/16 × 38 7/8 inches
Corlett 241
Reflections on Brushstrokes 1990
From the Reflections Series
Lithograph, screenprint, woodcut, and metalized PVC
collage with embossing on mold-made Somerset paper
Numbered, signed and dated in pencil lower right
Blind stamp, lower right
Workshop number on verso in pencil, lower left
Edition: 68, plus 16 AP
Sheet: 57 1/8 × 71 inches
Image: 50 9/16 × 64 15/16 inches
Corlett 242
Reflections on The Scream 1990
From the Reflections Series
Lithograph, screenprint, woodcut, and metalized PVC
collage with embossing on mold-made Somerset paper
Numbered, signed and dated in pencil lower right
Edition: 68, plus 16 AP
Sheet: 48 3/4 × 65 3/8 inches
Image: 42 3/8 × 59 1/4 inches
Corlett 243
Reflections on Minerva 1990
From the Reflections Series
Lithograph, screenprint, relief, and metalized PVC
collage with embossing on mold-made Somerset paper
Numbered, signed and dated in pencil, lower right
Edition: 68, plus 16 AP
Sheet: 42 x 51 inches
Image: 35 7/16 × 45 11/16 inches
Corlett 244
Oval Office 1992
Screenprint on Rives roll paper
Numbered, signed and dated in pencil lower right
Edition 175 plus 25 AP, 8PP, 12 exhibition proofs
Sheet: 35 5/8 × 45 7/16 inches
Image: 29 1/4 × 39 inches
Corlett 277
Water Lily 1993
Screenprint on Lana Royale paper
Numbered, signed and dated in pencil, lower
right. Blind stamp, lower right: copyright symbol.
Stamped on verso, lower left. Workshop number
on verso in pencil, lower left.
Edition: 130, plus 28 AP
Sheet: 18 × 23 inches
Image: 12 × 17 1/16 inches
Corlett 281
Water Lily 1993
Screenprint on Lana Royale paper
Numbered, signed and dated in pencil, lower
right. Blind stamp, lower right: copyright symbol.
Stamped on verso, lower left. Workshop number
on verso in pencil, lower left.
Edition: 130, plus 28 AP
Sheet: 18 × 23 inches
Image: 12 × 17 1/16 inches
Corlett 281
Two Nudes 1994
From the Nudes Series
Relief print on Rives BFK mold-made paper
numbered, signed (rf Lichtenstein), and dated ('94)
in pencil, lower right
Edition: 40, plus 12 AP
Sheet: 48 1/6 × 41 3/16 inches (122.2 × 104.5 cm)
Image: 41 5/8 × 35 1/16 inches (105.6 × 89.1 cm)
Corlett 284
Two Nudes State I 1994
From the Nudes Series
Relief print on Rives BFK mold-made paper
Inscribed (State 1), numbered, signed (rf Lichtenstein),
and dated ('94) in pencil, lower right
Edition: 10, plus 6 AP, 1 RTP, 1 PPI, 1 PPII, 1 T Glimp, 1A
Sheet: 48 1/6 × 41 3/16 inches (122.2 × 104.5 cm)
Image: 41 5/8 × 35 1/16 inches (105.6 × 89.1 cm)
Corlett 285
Nude with Blue Hair State 1 1994
From the Nudes Series
Relief print on rives BFK mold-made paper
Inscribed (State 1), numbered, signed (rf Lichtenstein),
and dated ('94) in pencil, lower right
Edition: 10, plus 6 AP, 1 RTP, 1 PPI, 1 PPII, 1 T Glimp, 1A
Sheet: 57 7/8 × 37 5/8 (147 × 95.5 cm)
Image: 51 5/16 × 31 11/16 (130.4 × 80.5 cm)
Corlett 287
Thinking Nude State 1 1994
From the Nudes Series
Relief print on rives BFK mold-made paper
Inscribed (State 1), numbered, signed (rf Lichtenstein), and
dated ('94) in pencil, lower right
Edition: 10, plus 6 AP, 1 RTP, 1 PPI, 1 PPII, 1 T Glimp, 1A
Sheet: 42 1/8 × 61 inches (107 × 156.9 cm)
Image: 35 5/8 × 55 7/8 inches (89.8 × 142 cm)
Corlett 290
Henri Matisse
1869 - 1954
Poesies Antillaises
From the set of 28 unsigned lithographs
Conceived 1950-53; published in 1972
Printed on Arches paper
Edition: 250 (numbered 1-250)
38.3 × 29.2 cm
Printer: Mourlot Freres, Paris (illustrations), Fequet et Baudier, Paris (text)
Publisher: Fernand Mourlot, Paris, 1972
Claude Duthuit Henri Matisse: Catalogue raisonne des ouvrages illustres, no.37
Poesies Antillaises
From the set of 28 unsigned lithographs
Conceived 1950-53; published in 1972
Printed on Arches paper
Edition: 250 (numbered 1-250)
38.3 × 29.2 cm
Printer: Mourlot Freres, Paris (illustrations), Fequet et Baudier, Paris (text)
Publisher: Fernand Mourlot, Paris, 1972
Claude Duthuit Henri Matisse: Catalogue raisonne des ouvrages illustres, no.37
Joan Miró
1893 - 1983
Trace sur la paroi V 1967
Escalade Vers La Lune 1969
Etching and aquatint with carborundum
in colours on Mandeure rag paper
Signed in pencil and numbered
Edition: 75
58.5 × 92.5 cm
Dupin 443
Etching and aquatint in colours on Mandeure rag paper
Signed in pencil and numbered
Edition: 75
104.5 × 75 cm
Dupin 496
Exile Noir 1969
Grand Carnassier 1973
Etching and aquatint with carborundum
in colours on Arches wove paper
Signed in pencil and numbered
Edition: 50
106 × 68 cm
Dupin 497
Aquatint with etching and carborundum in colours
Signed in pencil and numbered
Edition: 75
106 × 69.5 cm
Dupin 502
Archipel Sauvage II 1970
Etching and aquatint on arches paper
Signed and numbered in pencil
Edition: 35
58.5 × 92 cm
Dupin 528
Archipel Sauvage V 1970
Etching and aquatint on arches paper
Signed and numbered in pencil
Edition: 35
58.5 × 92 cm
Dupin 531
Frappeuse de Silex 1973
Etching, aquatint and carborundum on Arches paper
Signed in pencil and numbered
Edition: 50
73.5 × 104 cm
Dupin 579
Serpentine 1979
Aquatint, etching and
corborundum on arches paper
Signed and numbered in pencil
Edition: 50
100.5 × 70 cm
L'Ange Crible 1973
Incisiva 1974
Aquatint on Arches paper
Signed and numbered in pencil
Edition: 50
104.5 × 73.5 cm
Dupin 571
Aquatint on Arches paper
Signed and numbered in pencil
Edition: 75
86 × 62 cm
Emehpylop 1974
Arlequin Enturbanne 1980
Dry-Point and cement imprint
on Mandeure rag paper
Signed and numbered in pencil
Edition: 75
104 × 75 cm
Dupin 451
Lithograph
Signed and numbered in pencil
Edition: 50
90 × 61 cm
ML VI no.1196
Pablo Picasso
1881 - 1973
L'espagnole 1962
Homme barbu couronne, 1962
Linocut in colours
Signed in pencil (lower right) and numbered (lower left)
Edition: 50
35 × 27 cm
Bloch 1088
Linocut in colours
Signed in pencil (lower right) and
numbered (lower left)
Edition: 50
35 × 27 cm
Bloch 1104
La Dame a la Collerette 1963
Linocut in colours
Signed and numbered
Edition: 50
53 × 40 cm
Bloch 1147
Tete de Femme No. 6. Portrait de Dora Maar 1939
Aquatint
29.8 × 23.7 cm
Stamped with Marina Picasso Collection stamp
Edition: 106 proofs, unpublished
Bloch 1338
Aquatint 27 May 1968
Signed in pencil
Edition: 50
12 × 6 cm
Bloch 1598
Aquatint 29 May 1968 I
Signed in pencil
Edition: 50
8.5 × 6 cm
Bloch 1601
Aquatint 2 June 1968 I
Signed in pencil
Edition: 50
8.5 × 6 cm
Bloch 1616
Aquatint 2 June 1968 II
Signed in pencil
Edition: 50
8.5 × 6 cm
Bloch 1617
Aquatint 20 July 1968 IV
Signed in pencil
Edition: 50
18 × 22 cm
Bloch 1692
Aquatint 17 July 1968 III
Signed in pencil
Edition: 50
15 × 22 cm
Bloch 1688
Aquatint 20 September 1968 I
Signed in pencil
Edition: 50
21 × 26.5 cm
Bloch 1807
Aquatint 1 October 1968 I
Signed in pencil
Edition: 50
22.5 × 32.5 cm
Bloch 1825
Auguste Rodin
1840 - 1917
Homme qui marche sur colonne
(à fondre)
Bronze
354 × 60 × 39 cm
Signature, number and inscriptions:
‘A Rodin, no 05/08 © by musée Rodin
2006/Coubertin, Fondeur, Paris’
La Méditation dite de la Porte
Bronze
49.3 × 20.9 × 26.3 cm
Signature, number and inscriptions:
‘A Rodin, no 05/08 © by musée Rodin
2004/E. Godard, Fondeur, Paris’
Génie du Repos Éternel
Bronze
193 × 100 × 91 cm
Signature, number and inscriptions:
‘A Rodin, no 8/8 © by musée Rodin
1996/Coubertin, Fondeur, Paris’
Ugolin de la Porte
Bronze
41 × 61.5 × 41 cm
Signature, number and inscriptions:
‘A Rodin, no 01/08 © by musée
Rodin/Coubertin, Fondeur, Paris’
La Création
Bronze
20 × 25.5 × 11 cm
Signature, number and inscriptions:
‘A Rodin, no 03/08 © by musée Rodin
2006/E. Godard, Fondeur, Paris’
Polyphème et Acis
Bronze
29.2 × 22.6 × 15.1 cm
Signature, number and inscriptions:
‘A Rodin, no 1/8 © by musée Rodin
2006/Coubertin, Fondeur, Paris’
Le Baiser
Torse masculin du Baiser
Bronze
51 × 41.8 × 34 cm
Signature, number and inscriptions:
‘A Rodin, no 04/08 © by musée Rodin
1996/E. Godard, Fondeur, Paris’
Signed on the base ‘Rodin’, stamped with the foundry mark, ‘F.Barbedienne Fondeur’
Bronze with dark patina
10 inches (26 cm)
This work will be included in the forthcoming Catalogue Critiqu de l'Oeuvre Sculpte
d'Auguste Rodin being currently prepared by the Comite Rodin under the directior of
Jerome LeBlay under the archives no 1999V944B
Éternel Printemps
Apollon écrasant le serpent python
Bronze
119.4 × 83.8 × 43.2 cm
Signature, number and inscriptions:
‘A Rodin, no 02/08 © by musée Rodin
1996/Coubertin, Fondeur, Paris’
Signed on the base ‘Rodin’, stamped ‘Barbedienne. Fondeur’
Bronze with dark brown patina
15 3/4 × 19 × 11 3/4 inches (40 × 49 × 30 cm)
Conceived in 1884, cast between 1898 and 1918 in an edition of 80
This work will be included in the forthcoming Catalogue Critiqu de l'Oeuvre
Sculpte d'Auguste Rodin being currently prepared by the Comite Rodin under
the directior of Jerome LeBlay under the archives no 2000V950B.
Femme accroupie et Martyre (à Fondre)
Bronze
65.60 × 41.60 × 36.50 cm
Signature, number and inscriptions:
‘A Rodin, no 5/8 © by musée Rodin
2006/E. Godard, Fondeur, Paris’
Les Trois Vertus (à fondre)
Bronze
28.7 × 24 × 15.5 cm
Signature, number and inscriptions:
‘A Rodin, no 03/08 © by musée Rodin
2006/E. Godard, Fondeur, Paris’
Femme qui se peigne
Bronze
24.00 × 14.50 × 13.70 cm
Signature, number and inscriptions:
‘A Rodin, no 03/08 © by musée Rodin
2002/E. Godard, Fondeur, Paris’
L’Ecclesiaste
Bronze
24.9 × 25.8 × 28 cm
Signature, number and inscriptions:
‘A Rodin, no 05/08 © by musée Rodin
1999/E. Godard, Fondeur, Paris’
Martyre, pm
Bronze
61 × 41 × 16.3 cm
Signature, number and inscriptions:
‘A Rodin, no 02/08 © by musée Rodin
1995/E. Godard, Fondeur, Paris’
Nu féminin agenouillé, penché vers l’avant
Bronze
16.5 × 11.3 × 19.5 cm
Signature, number and inscriptions:
‘A Rodin, no 04/08 © by musée Rodin
2004/E. Godard, Fondeur, Paris’
Petite Main Droite
Petite Main Gauche
Signed and stamped with the foundry mark ‘A. Rudier Fondeur Paris’
Bronze with dark green patina
4 5/8 inches (11.8 cm)
This work will be included in the forthcoming Catalogue Critiqu de l'Oeuvre
Sculpte d'Auguste Rodin being currently prepared by the Comite Rodin under
the directior of Jerome LeBlay under the archives no 2000V947B.
Signed, stamped with the foundry mark ‘G. Rudier Fondeur Paris’ and
‘© by Musée Rodin, 1964’
Bronze with green patina
4 5/8 inches (11.8 cm)
Executed circa 1885-1910
This work will be included in the forthcoming Catalogue Critiqu de l'Oeuvre
Sculpte d'Auguste Rodin being currently prepared by the Comite Rodin under
the directior of Jerome LeBlay under the archives no 2000V949B.
Hiroshi Sugimoto
b.1948
Galvez House (Luis Barragan) 2002
Satelite City Towers (Luis Berragan) 2002
Black and white photograph
Signed recto on mount in pencil
Blind stamped recto in margin, lower right
Edition: 25
20 × 24 inches
Black and white photograph
Signed recto on mount in pencil
Blind stamped recto in margin, lower right
Edition: 25
20 × 24 inches
Austrian Post Office 2001
Black and white photograph
Signed recto on mount in pencil
Blind stamped recto in margin, lower right
Edition: 25
20 × 24 inches
Eiffel Tower 1998
Black and white photograph
Signed recto on mount in pencil
Blind stamped recto in margin, lower right
Edition: 25
20 × 24 inches
Tokyo International Forum 1999
Black and white photograph
Signed recto on mount in pencil
Blind stamped recto in margin, lower right
Edition: 25
20 × 24 inches
Saint Benedict Chapel (interior) 2000
Black and white photograph
Signed recto on mount in pencil
Blind stamped recto in margin, lower right
Edition: 25
20 × 24 inches
Kunsthaus Bregenz 2000
Chrysler Building 1997
Gelatin Silver Print
Signed on a label affixed to the aluminium backing
Edition: 5
58 3/4 × 47 inches
Black and white photograph
Signed recto on mount in pencil
Blind stamped recto in margin, lower right
Edition: 25
20 × 24 inches
Andy Warhol
1928 - 1987
Gee, Merrie Shoes c. 1956
December Shoe c.1955
Offset lithograph and hand coloured watercolour on paper
Stamped with the Estate of Andy Warhol and Andy Warhol
Foundation for Visual Arts
Initialled TJH in pencil
9 7/8 × 14 inches (25 × 35.6 cm)
Offset lithograph and watercolour on paper
Signed and Titled (lower left)
Stamped by the Estate of Andy Warhol and The Andy Warhol
Authentication Board, Inc. and
numbered on reverse
9.25 × 8 inches (23.5 × 20.2 cm)
Candy box (Heart patterned White) 1979-84
Synthetic polymer and silkscreen inks on canvas
Stamp signed verso by the Estate of Andy Warhol
Recorded by the Estate of Andy Warhol: Catalogue: PA 86.029
14 × 11 inches
Candy Box (Heart Patterned Yellow) 1979-84
Synthetic polymer and silkscreen inks on canvas
Stamped signed verso by the Estate of Andy Warhol
Recorded by the Estate of Andy Warhol: Catalogue: PA 86.026
14 × 11 inches
Guns 1985
Synthetic polymer and silkscreen inks on canvas
Stamped by the Estate of Andy Warhol and initialled
by the executor of the Estate Vincent Freemont
Recorded by the Estate of Andy Warhol: PA15.034
16 × 20 inches
Dollar Sign 1982,
Synthetic polymer and silkscreen inks on canvas,
Signed, stamped by the Andy Warhol Art
Authentication, Inc,
Recorded by the Estate of Andy Warhol: A116.062
20 × 16 inches
Marilyn Monroe (Marilyn) 1967
Pink Marilyn 1985
45.5 × 35.5 cm
Synthetic polymer paint and
silkscreen ink on canvas
Signed by Warhol, dated and
signed by Frederick Hughes
From the portfolio of ten screenprints on paper
Signed in pencil and numbered with a rubber stamp on
verso; some signed in ball-point pen; some
initialled on verso; some dated.
Edition: 250, 26 AP signed and lettered A-Z on verso
36 × 36 inches (91.4 × 91.4 cm)
Feldman & Schellmann II.23
Banana 1966
screenprint on styrene
some have stamped signature on recto, some
signed on verso. Some stamped AP on
recto, some dated
Edition: approximately 300
17 × 36 inches (43.2 × 91.4 cm)
Feldman & Schellmann II.10
Chicken and Dumpling (Campbell’s Soup II ) 1969
Screenprint on paper
Signed and numbered with a rubber stamp on verso
Edition: 250 (numbered 1-250), 26 AP (lettered A-Z)
35 x 23 inches (88.9 x 58.4 cm)
Feldman & Schellmann II.52
Flowers 1970
From a portfolio of ten screenprints on paper signed in ball-point pen
and numbered with a rubber stamp on verso; some dated
Edition: 250, 26 AP signed and lettered A-Z in ball point pen verso
36 × 36 inches (91.4 × 91.4 cm)
Feldman & Schellmann II.65
Flowers 1970
From a portfolio of ten screenprints on paper signed in ball-point
pen and numbered with a rubber stamp on verso; some dated
Edition: 250, 26 AP signed and lettered A-Z in ball point pen verso
36 × 36 inches (91.4 × 91.4 cm)
Feldman & Schellmann II.70
Mao 1972
Vote McGovern 1972
Screenprint on Arches 88 paper
signed and numbered in ball-point pen on verso
Edition: 250
42 × 42 inches (106.7 × 106.7 cm)
Feldman & Schellmann II.84
From a portfolio of ten screenprints on
Beckett High White Paper
Signed in ball-point pen and numbered with
a rubber stamp on verso
Edition: 250, 50 AP
36 × 36 inches (91.4 × 91.4 cm)
Feldman & Schellmann II.92
Mao 1972
Portfolio of ten screenprints on Beckett High White Paper
Signed in ball-point pen and numbered with a rubber stamp on verso
Edition: 250, 50 AP
36 × 36 inches (91.4 × 91.4 cm)
Feldman & Schellmann II.90-II.99
Mick Jagger 1975
From a portfolio of ten screenprintson Arches Aquarelle (Rough) paper
Signed (lower right) and numbered in pencil (lower left). Some signed in felt pen.
Most of the prints are also signed in black, green, or red felt pen by Mick Jagger
Edition: 250, 50 AP, 3 PP
43.5 × 29 inches (110.5 × 73.7 cm)
Feldman & Schellmann II.139
Mick Jagger 1975
From a portfolio of ten screenprintson Arches Aquarelle (Rough) paper
Signed (lower right) and numbered in pencil (lower left). Some signed in felt pen.
Most of the prints are also signed in black, green, or red felt pen by Mick Jagger
Edition: 250, 50 AP, 3 PP
43.5 × 29 inches (110.5 × 73.7 cm)
Feldman & Schellmann II.140
Mick Jagger 1975
From a portfolio of ten screenprintson Arches Aquarelle (Rough) paper
Signed (lower right) and numbered in pencil (lower left). Some signed in felt pen.
Most of the prints are also signed in black, green, or red felt pen by Mick Jagger
Edition: 250, 50 AP, 3 PP
43.5 × 29 inches (110.5 × 73.7 cm)
Feldman & Schellmann II.141
Mick Jagger 1975
From a portfolio of ten screenprintson Arches Aquarelle (Rough) paper
Signed (lower right) and numbered in pencil (lower left). Some signed in felt pen.
Most of the prints are also signed in black, green, or red felt pen by Mick Jagger
Edition: 250, 50 AP, 3 PP
43.5 × 29 inches (110.5 × 73.7 cm)
Feldman & Schellmann II.142
Skulls 1976
From a portfolio of four screenprints on Strathmore Bristol paper
signed and numbered in pencil as follows: II.157 and II.159 - lower left; II.158
- lower centre; II.160 - signed lower right, numbered lower left
Edition: 50, 10AP
30 × 40 inches (76.2 × 101.6 cm)
Feldman & Schellmann II.157
Skulls 1976
From a portfolio of four screenprints on Strathmore Bristol paper
signed and numbered in pencil as follows: II.157 and II.159 - lower left; II.158
- lower centre; II.160 - signed lower right, numbered lower left
Edition: 50, 10AP
30 × 40 inches (76.2 × 101.6 cm)
Feldman & Schellmann II.160
After The Party 1979
Screenprint on Arches 88 paper
Numbered in pencil lower right ; stamped by The Estate of Andy Warhol and the Andy
Warhol Foundation for the Visual Arts, Inc., and numbered initialled TJH verso
Included with the Gold Edition of the 1979 book Exposures by Andy Warhol, published
by Grosset & Dunlap, Inc. New York
Edition: 1,000, 30AP, 3 PP, 10HC
21.5 × 30.5 inches (54.5 × 77.4 cm)
Feldman & Schellmann II.183
Ladies and Gentlemen XXI/L, 1975
Screenprint on Paper
numbered in Roman numerals and signed and numbered in
pencil on verso
Edition: 250, 50 AP
37 × 25 inches (95.2 × 64.8 cm)
Feldman & Schellmann II.27
Shadows II 1979
Portfolio of six screenprints with diamond dust
Signed and numbered in pencil on verso
Edition: 10 (Each print is Unique)
109.2 × 77.5 cm (43 × 30.5 inches)
Feldman & Schellmann II.210-215
available individualy or as a complete porfolio
Ten Portraits of Jews of the Twentieth Century 1980
Portfolio of ten screenprints on Lenox Museum BoardSigned and numbered from the
edition of 200 as followsGertrude Stein, Martin Buber, Albert Einstein, George Gershwin,
Golda Meir, Sarah Bernhardt, Sigmund Freud - lower right; Franz Kafka, Louis Brandeis,
The Marx Brothers - lower left 40 × 32 inches (101.6 × 81.3 cm)
Feldman & Schellmann 226 – 235
available individualy or as a complete porfolio
Shoes 1980
Shoes 1980
From the portfolio of five screenprints with diamond dust on Arches
Aquarelle (Cold Pressed) paper
Signed and numbered in pencil (verso)
Edition: 60
40 × 59 inches (102.2 × 151.1cm)
Feldman & Schellmann II.253
From the portfolio of five screenprints with diamond dust on
Arches Aquarelle (Cold Pressed) paper
Signed and numbered in pencil (verso)
Edition: 60
40 × 59 inches (102.2 × 151.1 cm)
Feldman & Schellmann II.255
Superman (Myths) 1981
The Witch (Myths) 1981
From a portfolio of ten screenprints with diamond dust on Lenox
Museum Board
Signed and numbered in pencil (lower right)
Edition: 200, 30 AP, 5 PP, 5 EP
38 × 38 inches (96.5 × 96.5 cm)
Feldman & Schellmann II.260
From a portfolio of ten screenprints on Lenox Museum Board
Signed and numbered in pencil (verso)
Edition: 200, 30 AP, 5 PP, 5 EP
38 × 38 inches (96.5 × 96.5 cm)
Feldman & Schellmann II. 261
Dracula (Myths) 1981
From a portfolio of ten screenprints on Lenox Museum Board
Signed and numbered in pencil (lower right)
Edition: 200, 30 AP, 5 PP, 5 EP
38 × 38 inches (96.5 × 96.5 cm)
Feldman & Schellmann II.264
Mickey Mouse (Myths) 1981
Silkscreen with diamond dust on Lenox Museum Board
Signed and numbered 22/200 in pencil (lower left)
Edition: 200, 30AP, 5PP, 5EP, 30TP
38 × 38 inches (96.5 × 96.5 cm)
Feldman & Schellmann II.265
$ (Quadrant) 1982
From the portfolio of two screenprints on Lenox Museum Board
Signed and numbered in pencil. Each print is unique
Edition: 60, 10 AP, 3 PP
40 × 32 inches (101.6 × 81.3 cm)
Feldman & Schellmann II.283
$ (Quadrant) 1982
From the portfolio of two screenprints on Lenox Museum Board
Signed and numbered in pencil. Each print is unique
Edition: 60, 10 AP, 3 PP
40 × 32 inches (101.6 × 81.3 cm)
Feldman & Schellmann II.284
African Elephant (Endangered Species) 1983
From a portfolio of ten screenprints on Lennox Museum Board
Signed and numbered in pencil lower right
Edition 150, 30AP, 5 PP, 5EP, 3HC, 10 numbered in Roman
numerals, 1BAT, 30 TP
38 × 38 inches (96.5 × 96.5 cm)
Feldman & Schellmann II.293
San Francisco Silverspot 1983
From the Endangered Species Portfolio
Screenprint in unique colours on Lenox Museum Board
Signed and numbered in pencil lower right
Edition: TP 1/30 (Unique Print)
38 × 38 inches (96.5 × 96.5 cm)
Feldman & Schellmann IIB.298
Black Rhinoceros 1983
Orangutan, from the Endangered Species series 1983
Portfolio a portfolio of ten screenprints on Lenox Museum Board
Signed and numbered in pencil lower right
Edition: 150, 30AP, 5PP, 5EP, 3HC, 10 numbered in Roman numerals, 1BAT, 30TP.
38 × 38 inches (96.5 × 96.5 cm)
Feldman & Schellmann II.299
From a portfolio of ten screenprints on Lennox Museum Board
Signed and numbered in pencil lower right
Edition: 150, 30AP, 5 PP, 5EP, 3HC, 10 numbered in Roman
numerals, 1BAT, 30 TP
38 × 38 inches (96.5 × 96.5 cm)
Feldman & Schellmann II.301
Grace Kelly 1984
Ingrid Bergman as herself 1983
Screenprint on Lenox Museum Board
Signed and numbered in pencil lower right
Edition: 225, 30 AP, 8PP, 2 HC, 50 numbered in
Roman numerals, 20 TP
40 × 32 inches (101.6 × 81.3 cm)
Feldman & Schellmann II.305
From the portfolio of three screenprints on Lenox Museum Board
Signed and numbered in pencil lower right
Edition: 250, 20AP, 5PP, 30HC, 30TP
38 × 38 inches (96.5 × 96.5 cm)
Feldman & Schellmann II.313
Ingrid Bergman as the Nun 1983
From a portfolio of three screenprints on Lenox Museum Board
Signed and numbered in pencil lower right
Edition: 250, 20AP, 5PP, 30HC, 30TP
38 × 38 inches (96.5 × 96.5 cm)
Feldman & Schellmann II.314
Ingrid Bergman (with hat) 1983
From a portfolio of three screenprints on Lenox Museum Board
Signed and numbered in pencil lower right
Edition: 250, 20AP, 5PP, 30HC, 30TP
38 × 38 inches (96.5 × 96.5 cm)
Feldman & Schellmann II.315
Reigning Queens (Royal Edition) Queen Ntombi Twala of Swazliland 1985
Queen Elizabeth II of the United Kingdom 1985
From the portfolio of sixteen screenprints on Lenox Museum Board
Signed and numbered lower right in pencil
Edition: 40, 10 AP, 5 PP, 3 HC, 30 TP
39 1/8 × 31 1/2 inches (100 × 80 cm)
Feldman & Schellmann II.335
A complete portfolio of four Screenprints
on Lenox Museum Board with Diamond Dust
Signed and numbered in pencil Lower left
Edition: 30, 5 AP, 2 PP
39 3/8 × 31 1/2 inches (100 × 80 cm)
Feldman & Schellmann II.346 x II.349
Paramount (Ads) 1985
From a portfolio of ten screenprints on Lenox Museum Board
Signed and numbered in pencil, lower left
Edition: 190, 30 AP,5 PP, 1 BAT, 30 TP, 5 EP, (3/5 EP)
38 × 38 inches (96.5 × 96.5 cm)
Feldman & Schellman 352
Chanel (Ads) 1985
From a portfolio of ten screenprints on Lenox Museum Board
Signed and numbered in pencil lower left
Edition: 190, 30 AP, 5 PP, 5 EP, 10 HC, 10 in Roman Numerals, 1 BAT
38 × 38 inches (96.5 × 96.5 cm)
Feldman & Schellmann II.354
Van Heusen Ronald Reagan (Ads) 1985
From a portfolio of ten screenprints on Lenox Museum Board
Signed and numbered in pencil, lower right
Edition: 190, 30 AP,5 PP, 1 BAT, 30 TP, 5 EP
38 × 38 inches (96.5 × 96.5 cm)
Feldman & Schellmann II.356
The New Spirit Donald Duck (Ads ) 1985, 1985
From a portfolio of ten screenprints on Lenox Museum Board
Signed and numbered in pencil lower left
Edition: 190, 30 AP, 5 PP, 5 EP, 10 HC, 10 in Roman Numerals, 1 BAT
38 × 38 inches (96.5 × 96.5 cm)
Feldman & Schellmann II.357
Love 1983
From a portfolio of three screenprints on Rives BFK paper
Signed and numbered in pencil lower left
Edition: 100, 10AP, 2PP, 5EP
26 × 19 5/8 inches (66 × 49.8 cm)
Feldman & Schellmann II.312
Frolunda Hockey Player, 1986
Screenprint on Lenox Museum Board
Signed and numbered in pencil lower left
Edition: 100, 20AP, 5 PP
39 3/8 × 31 inches (100 × 80 cm)
Feldman & Schellmann II.366
Cowboys and Indians 1986
Portfolio of ten screenprints on Lenox Museum Board
Signed and numbered in pencil as follows: Annie Oakley, General Custer, Kachina
Dolls, Plains Indian Shield, Mother and Child, Geronimo, Indian Head Nickel lower left.
John Wayne, Northwest Coast Mask, Teddy Roosevelt lower right. Some John Wayne
prints are unique and dated and marked unique on verso
Edition 250, 50 AP, 15 PP, 15 HC, 10 numbered in Roman
numerals
36 × 36 inches (91.4 × 91.4 cm)
Feldman & Schellmann II.377-386
Beethoven 1987
From the portfolio of four screenprints on Lenox Museum Board
Signed and numbered verso by the Estate of Andy Warhol, the
publisher, and the printer on a stamped certificate of authenticity
Edition: 60, 15 AP, 10 PP, 20 numbered in Roman Numerals, 72
individual TP not in portfolios
Signed and numbered verso by the Estate of Andy Warhol, the
publisher, and the printer on a stamped
certificate of authenticity
40 × 40 inches (101.6 × 101.6 cm)
Feldman & Schellmann II.393
Beethoven 1987
From a portfolio of four screenprints on Lenox Museum Board
Signed and numbered verso by the Estate of Andy Warhol, the
publisher, and the printer on a stamped
certificate of authenticity
Edition: 60, 15 AP, 10 PP, 20 numbered in Roman Numerals,
72 individual TP not in portfolios
Signed and numbered verso by the Estate of Andy Warhol, the
publisher, and the printer on a stamped certificate of authenticity
40 × 40 inches (101.6 × 101.6 cm)
Feldman & Schellmann II.392
Lenin 1987
Screenprint on Arches 88 paper
Signed and numbered in pencil on a stamped certificate
of authenticity by the Executor of The Estate
of Andy Warhol (verso)
Edition 150, 30AP, 5 PP, 5EP, 3HC,
10 numbered in Roman numerals, 1BAT, 30 TP
39 3/8 × 29 inches (100 × 74.9 cm)
Catalogue: Feldman & Schellmann II.403
Black Lenin 1987
Screenprint on Arches 88 paper
Signed and numbered in pencil (lower left)
Edition:120, 24 AP, 6 PP, 10 HC
39 3/8 × 29 inches (100 × 74.9 cm)
Feldman & Schellmann II.402
Moonwalk 1987
From a portfolio of two screenprints on Lenox Museum Board
Signed with a printed signature and numbered in pencil lower
right. The prints are also numbered in pencil and signed in pencil
on verso by the executor of The Estate of Andy Warhol, the
publisher, and the printer on a stamped certificate of authenticity
Edition: 160, 31 AP, 5PP, 5EP, 66 individual TP not in portfolios
38 × 38 inches (96.5 × 96.5 cm)
Feldman & Schellmann II.404
Moonwalk 1987
From a portfolio of two screenprints on Lenox Museum Board
Signed with a printed signature and numbered in pencil lower right.
The prints are also numbered in pencil and signed in pencil on verso
by the executor of The Estate of Andy Warhol, the publisher, and the
printer on a stamped certificate of authenticity
Edition: 160, 31 AP, 5PP, 5EP, 66 individual TP not in portfolios
38 × 38 inches (96.5 × 96.5 cm)
Feldman & Schellmann II.405
Camouflage 1987
From a portfolio of eight screenprints on Lenox Museum Board
Signed and numbered in pencil on verso by the executor of
The Estate of Andy Warhol on a stamped
certificate of authenticity
Edition: 80, 3PP, 1EP, 84 individual TP not in portfolios
38 × 38 inches (96.5 × 96.5 cm)
Feldman & Schellmann II.407
Camouflage 1987
From a portfolio of eight screenprints on Lenox Museum Board
Signed and numbered in pencil on verso by the executor of
The Estate of Andy Warhol on a stamped
certificate of authenticity
Edition: 80, 3PP, 1EP, 84 individual TP not in portfolios
38 × 38 inches (96.5 × 96.5 cm)
Feldman & Schellmann II.409
Madonna and Self-Portrait with Skeleton’s Arm (after Munch) 1984
Muhammad Ali 1978
Screenprint on Lenox Museum Board
Stamped by The Estate of Andy Warhol and the
Andy Warhol Foundation for the Visual Arts, Inc.,
and numbered UP 35.43 and initialled TJH on the reverse
Unique Print
32 × 40 inches ( 81.3 × 101.6 cm)
Feldman & Schellmann IIIA.62
A pair of Screenprints on Curtis Rag paper
Stamped by The Estate of Andy Warhol and the Andy Warhol
Foundation for the Visual Arts, Inc.,
and numbered PT 074B UT.002/074C UT.004 and initialled
TJH on the reverse
45 x 35 inches (114.3 x 88.9 cm) each
Shah of Iran c.1978
Screenprint on Curtis Rag paper
Stamped by The Estate of Andy Warhol and the Andy Warhol Foundation
for the Visual Arts, Inc.,
and numbered UP 41.81 and initialled TJH on the reverse
Unique Print
45 × 35 inches (114.3 × 88.9 cm)
Feldman & Schellmann IIIC.38
Giorgio Armani c. 1981
Screeprint on newsprint paper
Stamped by The Estate of Andy Warhol and the Andy Warhol
Foundation for the Visual Arts, Inc.,
and numbered UP 42.01 and initialled TJH on the reverse
Unique Print
48 × 36 inches (122.5 × 92.1 cm)
Feldman & Schellmann IIIC.58
Alfred Hitchcock 1983
Gerard Depardieu 1986
Screenprint on Saunders Waterford (Hot Pressed) paper
Stamped by The Estate of Andy Warhol and the Andy Warhol Foundation
for the Visual Arts, Inc., and
numbered UP 41.22 and initialled TJH verso
Unique Print
30 × 20 inches (77.5 × 52.7 cm)
Feldman & Schellmann IIIB.14
Screenprint on coloured graphic art paper
Stamped by The Estate of Andy Warhol and the Andy Warhol
Foundation for the Visual Arts, Inc.,
and numbered UP 42.07 and initialled TJH on the reverse
15 × 11 1/2 inches (38.7 × 29.2 cm)
Feldman & Schellmann IIIB.48B
Tom Wesselman
Study for Beautiful Bedroom Kate 1982
Coloured pencil and tracing paper
Signed and dated lower left verso
14 x 19.7 cm
1931 - 2004
Study for Sunset Nude with Mondrian 2003
Ink and coloured pencil on 100% rag tracing paper
Signed and dated in pencil lower right
8.5 x 12.4 cm
..
Study for Sunset Nude with Matisse 2003
Liquitex on paper
Signed and dated in pencil lower right
8.8 x 10.6 cm
.
Printed by Healeys Printers, Ipswich.
.
.

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