Why Colin Fletcher walks_Backpacker July88
Transcription
Why Colin Fletcher walks_Backpacker July88
lllilllffillililililllltilill VOLUME16 NUMBER 4 ISSUE87 JULY 1988 FMTT]R6 28 WHY COLIN FTETCHERVALI(S The author of the backpackcr's biblc h:r-ssome advice: take a h:'Jrre.B1tMa*Janhbs GETTING YOUR @AT Md goat-sto the list of prrc* srimals \lru cln take up ttre trail. B1tFrandeetobnwn 40 THE WORLD BETWEEN TIIE WAVES rou spend more time paddling than walking. ln the land of the crihxx. 34 ByJefr Ranl& PORTFOLIO: RICHARD IIAMILTON SMITH , : 6 Talie narural light, add water and patience, and you ha',e one-of-a-kind phuc4raphs. B1t Daoe Gebbell DOORWAY TO TIIE SPIRIT WORLD There's a place in Arizona where vour hiking companions are out of this wodd. By Cbarles Nlchens T 54 I e I I tr PAGE48 II\NKEEPERS TO THE WEARY To hikers on the,{ppalachian Trail, this stoporer is lust like home. By Clndy 60 Ra*s DEPARTMENTS BACKCOLINTRf Introductions, assumptionsand commitments. 6 LETTERS FOOTNOTES Bhsdng birdhouses;savingwolres with semantics;using a ladder to solo Mt. McKinlgvin winter; giving birth to a trail. AI Caught unprepared in the wilds? You might har.e a gu>d time, LARGE GEOSPItrRE BODY 5 when it comesto narure.all creaturesharc a mean streak. H'NGUAGE Don't let your thirst get the best of you 1.0 16 E L8 o z 9 24 PAGEi{ BEHIhID Tm WILDERI\ESS WEEKEIYD GETTING STARIED OUTFITTING JUST HEARD BACICALK I.A,BEL \?hv are equipmentmakersgivingawayprofits? e phce in Illinois with hidden canvons. How to climb up rocks,and whv vou'd want to. uant to be chic in camo?rVear*ris tent. PlusDacks. Rcxli clinrbing srgalsthe 1988 SIA show Tc=s errn our nxl.r tl-erlers fieldtesters won't trv 26 6s 73 78 81. 88 COVER:Photoby TedStreshinsky Brcxprcxen,includingWTLDERT€sS C^rf,rrc and B^c{mcr<enFmnores (ISSN 0277-876X).Volume 16, Number 4, lssue 87, July 1988. Becxpro<enrs p.JUishedbi' npnthly by Rodale ftess, Inc., 33 E. MiDr St.. Emrnaus. PA 18098. Subscriptixls are $18 per )rear (six issu€s) in the U.S., $21 in Canada. S23 etssYhere. S€s|+ mafirE ofic6. POSTMASTER: Send address changes to: Bacxprcxen.3$E. MirD. $.. Errmals PA 1S(8. Fo. dass postage paid at Emmaus, PA, and at ditiI|al information abort yutr subscriptix|, ffile to: B^o(p^o(ea.iXl E. Mirpr St., Emnnus, PA 18098. Please allor eight urceks for charpe ol aclclress lnclrb old address, as wsll as new, enclosing an address hbel ftorn a rec€rd is$e il possible. BackpackerlJuft 1988 3 had to sweet-talk my way through two secretariesjust to harrehis New York editor sa,v,"I doubt very much that he'd be interested,"and refuse to give me his telephone number. Perturbed and verging on misanthropic,I kept the editor on the line explaining, complaining,lying and generallymaking a fuss. "I had bener admit right away that walking can in the end become an addiction, and that it is then as deadly in its fashion as heroin or television or the stock exchange. But even in this final stage it remains a quite delectable madness, very good for saniry and I recommend it with passion." A whole generation of wildemess walkers grew up on those words. Fletcher had been at his computer screen when I arrived. Although a self-acknon'ledged "solitary son-of-a-bitch," he still had invited me out to his home for a qeekend of *alking and talking about *alking. Accordinglr,, not more than an hour after I arrired, Fletcher suggested we take a *alk. "Gets the luices flowing." He donned a pair of ruggd, baggl'shorts, slipped into some light hiking shoes, locked the door behind him, and led off uphill into a warm, pastel California o,ening. "Everv day that I don't play tennis I try to walk up the hill behind my house. At a brisk pace, it's a 40-minute iaunt. Preferably, I walk up the hill or plav tennis six out of soren days a week-unless, of course, I'm backpacking. For reallv gening in shape, walking uphill is erccellent." Once in a blue moon, pigheadedness pays off. A week later I lifted the phone and heard a deep voice say in an English accent. "Hello. this is Colin Fletcher." Success. A month later I was in a red Nissan rental, wiggling through the remote red hills of northern California in search of a mailbox with a decoy name on it. Considering Colin Fletcher's need for pri q', it should come as no surprise that he tries to hide his whereabouts with an alias. lfhat was surprising was that I passed by his place three times before geaing it right. The house behind the mailbox was perched on a steep slope hidden in high grass, flowers and trees. A solid, gra.vbearded man wearing black horn-rimmed glasses opened the door, smiled, shook my hand vigorouslv and immediately dragged me off to his office. Colin Fletcher was writing. That's what he does. That's what he's known for. It has been exactlv two decades since the debut of Tbe Complete Valker, a classic that critics harc since referred to as the backpacker's bible. Then C2rneTbe Nau Complete Valker, and four vears ago, Tbe Complete \Valker III. The first paragraph ofeach rersion is identical: letcher doesn't look like ttre kind of man who needs to get in shape. At 65, his gait is rhythmic, his legs heavily muscled, and gaugingfrom the length and quicknessof his stride,his lungs must be accustomed to exertion. B,v fate or function, Colin Fletcherhasbeenwalking,in someform or another, since he can remember, W Corw FTnTcHER k 1 I U p Becauseit's a delectable madness that's good for sanity. 6 ts 9 d BY MARK JENKINS BackpackerlJuly 1988 29 Hlecflng on hlc loumey durlng |tte t963 wolk, Colln Fleilchergpzesdo$rn lhe Grund Coryon. Herrc fh€tlrst to nolk lls lengilhbelow llre rlm. "'Vhen I was a kid I knerr that the universe was created for bovs to fish in. .\rd fishing, trout fishing an\s'a\', inlolres gctting ttrere-walking." That sr'.rsrr-rEngland before the war. Then came six rears in the service doing a rather differcnt kir.rd of walking, usualll *'ith a hcan pack. "And vou'd think that mruld cure me, but it didnt." After V'orld \\ar ll. Fletcher moved to Africa. He farmed for several vears in Kenra. then sent south to supervise the constnrclion of a road in what is now Zimbabne. Then it sas back up to the Nonhern Henrisphere where he spent a couple of vears in Canada, ostensibll' as a prospector, *alking through woods. "Somethir.rgclose to backpackng," he recalls. It nas in ttre late 1950s,when the wcrrd "backpacking" was unrecognizable to most Americans, that Fletcher made his first long walk. "I was regarded as cran'. I ttrink initiallr', I thought of *alking up ttre coast. But the idea evolved into walking up California, taking the forcst number of steps on blacktc-lp.I can remember the first road I crossed. I tcrck as few big steps across it as I could. That's an artificial sort of thing, but it has its place in the evolution because it pushed me to take the route I took." It was a route that hugged the Colorado River from where it entered Nlexico, crossed the lrlojave Desert and Death Vallev,rode the spine of the Sierra northward until it ran out, then marched 200 miles through sagebrush countn to Oregon. ut of that walk came The Tltousand-Mile 9tmmer, and a char.rgedColin Fletcher. "After that. immediatelv after that, I would go up rwo davs, a dar', a v,eek backpacking. It beczmre a method of operation." ln 1963, Fletcher walked down into the labr-rinth of the Grand Canvon, alone. Two months later he emerged at the other end, becoming the first person known to have walked the length of the Grand Canvon below the rim. The enValked suing book, Tbe Man Wo Tbrougb Time, has become another classic in wilderness writing. A generation later, Fletcher is still walking, still backpacking and still writin€l ab<.rutit. "The man who walked through time" has done just that. Backpacking for Fletcher has not been a fad, a pastime, or even a spon. "For me, I must sav it is almost a way of life." Drv leaves crackle underf<x,rt as eur trail contours through patches of brown scrub brush. The sun has iust slid from N Jull' |988/Backpacker sight. The rich orange hue that has stained the landscape for the past half hour begins to drain awal'.Our conrcrsation turns to meaning, reasons, and motives for ualking. "Sometimes it's iust the sheer challenge of doing it. The degree of phvsical challenge changes trip to trip. Iook, psvcholog' npes miss the point br- calling such things masochistic or some such thing. Tisnt like that at all, is it? It's just a nice challenge. You get out there and vou don't knon'whether l'ou're going to amble for a couple of hours or go like hell for three dars. RecentlvI spent firre davs in the backcountrv', alone, iust as a matter of course. There are times when l'ou go and vou just need phvsical exercise.Just getting up a hill and srr,'eatingis awful damn nice." I notice our pace, although moderate, has raised beads of perspiration on mr' forehead. The hill we're walking isn't reallr a hill. but therr it's not quite a nlour)tain either. Something in between. The path winds beneath arching black cclnor.rwoods, then abruptlv steepens. I feel the faintest drop in temperature. The clouds have vanished. Conversation lags, and mv mind begins to wander. A footr-rotefrom Tlc Complete Valker 111comes to mind: "Fletcheritis is a recurring and scurq' condition (wpicalh; a horrendous slump with variel;atedsvmpton-rs,uniformlv exhausting and dire, or semi-dire) that oozes into existenceat such momertts of crisis as the onset of a nor b<nk. A different d(rctor, whom I had acquainted with the correct medical terminolotrp', once tdld another patient,'Hmm, in m1'opir-rion vou'\€ got Fletcheritis.' The patient sured, rcund-eved. 'Nlv God, what's that?' '\t!'ell, the wav to cure it is to go au'av and get drunk. And if possible, laid. Then call me tomorros/ and tell me how lou feel.' The 'You srere dead right,' patient dulv called. 'l he said. feel great.'" Fletcher is defining a universal condidon: fear of a challenge. Still pushing uphill, I quen' Fletcher about his motilations for n'riting lbe Complete lvalker series. He doesn't respond for a moment, nor does he break Colin Fletcherhaswdlked npre miles than many people hare driren. So who better to listen to wtren it comestime for advice?r$(rtlatfolloqr are a fenr choice Flercherismsthat may make for a better trek B0OIS: 'In nery-techboots tlrc nub question is the sole anachment's reliability. But the answerseemsto be *rat, beyord grossand obvious deformrty,looking will not tell 'ou much. Other *un rely on *re maker'sreputation, all )0r can do is tl€ar &e damnedthings and see if they hold up. The secondcriteriqr in choosinglour boots is fit. The *frd criterion is fit. And the ficunh criteri<xris fit." VALI$NG $f,AFFS:'Althoughttrc \ast maiority of walken ne!€r elren *rink of using a walking $aff, I unh€si' ErinSty include it amongttre foundations of the housethat tratrclson my back The ottrer day I uas solemnlyadvised *ut doing so is errenfurttrer out of the mainstream*xan wh€ri I wrote the last edition of this book OK call me Eddy,but I still take my staffalong almostas automaticallyas I take my pack.lt's a third leg to me." TIIE FIASHLIGIIT: 'After dark )'crr must alvap kncmre<actlywhere cadence.Therr *'ithout lcx*ing at me, he answers."\(,':rlkingis a ntealts to an end. It's important to be conrpetent at it so it doesr-r'tget ir1rhe *'ar'. It s like n'pir-rgor n'ritir-rg.\'<ru'renot particularlv interested in beir-rga gtnd npist. It's not the aim. But \ou'\e got to learn to do it I'ithout thinkir-rg.ther-r\ou c:ut get (nt to rvhat mafters. ''The rhrrlrrrro[ salkirrg is ven important. You can't rvalk cfficientlv I'ithout walkir-rgin rhrthnt. Ytru v,'on't get there. For me, real n'alking doesr-r'rbep;in until \()u've ntastereddtc linle things-rhrthm, backpackir-rg techniques. et cetera. That's rather the poinr Of The Cctmplete VZtlken." ilence again. TI'rc stars are beginning t() pull tl-renrselres out of thc blue. Suddcnlv I'm aqare of a ccrtain ironr'. Flctcher is a solitrrrr nalker. He prefcfs t() *alk aklte "Listen.I harc rr'alkedsitlr Jrcoplc I took a 10-davqalk nith ll {ood ir':crrd. rlto ;rt the end dccllrecl ntc :r bkxrdv ntountairtg()at.Thxt tril) \\er'ttirnc I heve trcasionallvg<>ncu itlr .qr()ul)\ lrrd I l'rate it. I don't feel I nr orrr rlrcrc \\'irh a group, I feel a-sif I'nr cut oll li ,nr slret I nent out dterc for. u.rlkirrg\\ lri. \, ,t|tc()nc.\1)Uiust Vvv "To me tbe great ualue is going out wbqe J,ou escape all tbe brciness of u.ards." drn't have the freedom to let rour mind n-.urder. "To me the great value is going out q'here rou escape all the business of q'ords. We need this balance berneen the conceptual business of q'ords, q.hich is dre q'orld ne live in most of the tin-re.and the doq,n-to-eanhgritn' realin of getting ()ut into v,'hat I call the green v,'orld." An<xher passageof Fletcher's writing c()mes to mind, this time from a chapter called "Vhv Walk?" that I fcrund in i"l:e Complete Valker IIL "Perhapsif rou fcrundit suited \ou, \ou learned alrout solitude. Rcal solitude. Not the kind s'idr nro or 10 <x'20 other rrms strung up l'rerrrrrd tl)e nt,\t trcc llolc. Not the kir.td*'here frrr hlli thc dav vou talk q'ith other huntans.instc:rclr>f'q'ith the rest of the v,'orld. q'ith x>ursclf. tsut the kir-rdwhere vou feel cheated if'rcu nteer m()re than nvo per4tle a ncck: a bit bruised if vou have to exchange ntore than (me-s'ord greetings. Tl.rc kind in q'hich vou learn about silencc and peace aurdthc n'idcr circles.' "Sounds like some kind of escape."I sar',conring back to the corrrcrsation.h.r the bluc darknessbefore thc r.r-uxrn rises. I can't see his face. but his hcad jcrks mv direc-titx-r. 'Ycs, escape is true, and ret escape has pejorative connourtions.The suggestion is rou're escaping fronr realin and I dor-r't thinli vou are lt all. \ou rc cscaltingto realin: tsut it's r-rotescape in thc sense of escapism, n'hich is n'atching daitimc soaps on telo'ision, n'l'ricl'rne all knon' gircs \'()u cancer of the brain, and n'hich vou n(xice I distinguish ven rnarkedlv from watching the 49ers." A krrv, ribald laugh COLIN FI-ETCHERON GEAR the flashlight is. Odrcnvise, chaos.IM-v flashlight spends dre night ir.r an easyto-feel position in onc bcdside boot. And I used to hare a nrle tlut when it was in intermittent use. such a; before and during dirrner, I ncrer let go m_v ffasp on it wi*rout puning ir in rhe p<xket designated for the night. Vhich p<xket depends on svhat I s-,rs searing. This rule is so stricl that I rarclr' break it more than three or four times a night." FLUFFING TIIE SLEEPING BAG: 'Although I am told that manv people fail to do so, it seems onl-v commorr sense that before v<,ruget into bed ar night vou should alwals shalie rhe sleeping bag bv *re edges, and so fluff up the do$,n or elen smthedc fill and suffirse it wi*r the air gxkets ttrat acnrallv keep !'ou warm. At this point in the first edition of this book I wrore: 'One of these nights I must trv it out.' I'm happv to repon drat the act of writing *lat sentence prodded me into doing the iob fairlv regularlr: It's good to knos'firsthand that the bJok has aught somebodv something." TIIE WARDROBE: "I belong, unreserrcdlli to the fusst', thermallv responsive faction. lwi*r e€rv !?riation of effon and environment I bunon and unbunon, unzipper and rezipper, peel and restore and then peel again. I find ttut in anv but frigid weather it rakes barely a mile of walking and a side glance of surnhine to suip me down to hat, shorts, socks and boots. That, I find, is *re wav to walk.'With air pl4. ing freelv <>r€r)'our skin vou feel tq/ice as fresh as vou did with a shin on," NO WARDROBE: "Noq/, nakedness is a delightful condition, and by walking naked you garn far more than coolness. You feel an une<pected sense of freedom from restraint. An uplifting and almost delirious sense of simplicinr In this nor simpliciw you soon find that vou har,e become, in a nor and surer sense, an integral pan of the simple, comples( world rou are walking through. And tfren you are reallv *alking." "PhotograNON.PHOTOGRAPIfI: phr'. I suddenly, understood, is not reallv compatible with contemplation. Ia details are tcxr insistent. Th.y- are alwavs buzzing around.!'our mind, clouding the fine focus of appreciation. You rarelv realize this painful fact at the time, and vou cannot do much about it ewn if vou do. But that day in the Grand Canvon, after the qu'nera had broken, I found mvself savoring in a nenr'wav o,enthing around me. Instead of stopping brieflv to photograph and forget, I stood and stared, fr,xing truer images on the emulsion of memory. And dre q'eek, set free, became a camiral." GTIIDEBOOIG: "l'm sorrv nor that, in an afiempt to be tolerant and reasonable, I corked mv tnre feelings. And I'm damned if I'll pus*{rnt around anv longer. I loathe trail guides, strong and sour from the bottom of my gul Thq'gnaw at the tapru)ts of $'hat I iudge wilderness walking (or anv kind of sane walking) to be all about. The *trole idea, surelr', is to cast off the coordinates of civilization. You want to get awav from it all." Tlreabrc werp6 mcfom The Complete Valker lll b1, Colin Fletcber, 1974,1984 $,Colin coplrigbt @19.0€., Fletcber; and The New Complete tValker, Second Edition, Raised, Enleged cnd UMated b),Colin Fletcler; conrigbt a 1968, 1974 4, Colin Fletclnr. R@rintedb,Frm,$iolt of Nfred e. Krcpf, Inc.,Nan,Yo*. BackpackerlJult l9SS 3l echoes dov"rr orrr the lower hills. rVe've contoured around the massive, dark, dinosaur hump of land and curled up be,vond the trees. A bonv hook of a moon is just freeing itself from the horizon. The red hills beloq'have turned maroon and roll like ancient qanes anav in anery direction. Our pace has been smooth and consistent, brisk eren though it has been all uphill. I begin to think of the last long mcnnlit qalk I took, the last long moonlit ski tour, Out of nowhere, Fletcher sa,vs,"You know, if I've got a panicular problem to solve. I'll walk this hill before breaKast. To me there are two places, walking and in the shower." A blanket of silence muffles his laughter. The rough, rounded summit of our hill appears ahead ofus. Not a breath ofwind. An airv, cool blue light spills across the landscape. That strange sense of timelessness begins to brush acrosS the slcr Fletcher continues: "Sometimes I come up here and achieve nothing, except mar,be to clear drings a linle bit. I'm not saving orery time I come up I get a golden idea. Hell, no. But I do find, almost always, as soon as I get out in the green world, sometime during the day there's a moment when mv mind's really"going. "It's where my head goes that makes a good walk. I come out here almost as an antidote. I live by words, but I need the contrast. It's iust getting the hell up here. Getting some fresh air and gening the blood moving. It helps my thinking. Getting up here and getting the noise out of dre wav" Finallv we're at the top. rVe stop and look. Ve could be almost anlvhere. A thin seam of red along the horizon separates blue from black. The cluster of faint orange lights far below could easily be tribal campfires in the Rift Valle.v, or streetlamps in a small English village. After a few minutes, we turn and begin to saunter down through an absolutelv still night. I hear Fletcher laughing to himself "Listen, it's reallv quite simple. Valking girres me perspectire. To me, the idea that a beautiful grove of trees is like a cathedral is a lot ofcrap. The cathedral is like a grore of trees. Tisn't so much walking, it's what walking puts,vou in touch wi*r. "Comes don'n to this: Either vou'\€ got the world by them, or it's got you by them. You go out for a walk, a long walk, or iust up the hill, and it loosens its grasp. You've wrenched them free. It's the tesdcular imDerati\€." T \Ybenbe's not at bis Laramie, Vytming, bome uriting, climber Mark Jenkinsprefas more tertical jaun*, strcb as tlne lE lns made up Mt. ELV6I and Mt. f\erya. 32 id Julv l988/Backoacker Tn^onDanner boots at these frnestores: {t.{sIi{ AfthonF Brrster's&p. Sroc Cm KrngSpningfus R.E,I. Tmk N Tnil ARtZOl{A nrcnirArizmaHikingShack hrscott. 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