September 2014 - Russell Kaplan Auctioneers

Transcription

September 2014 - Russell Kaplan Auctioneers
auctioneers
auctioneers&property
Art & Antiques Auction
Fine Art
Session
Fine
Art2
13 September 2014
Session 2
-1-
P135, William Kentridge, Bird Catcher
auctioneers
Art Auction
Saturday, 13 September 2014
1:00 PM
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P01
Battiss, Walter Whall
(South African 1906 - 1982)
Tree in Landscape
Pen and ink, signed
52 x 35,8cm
R5 000 – R8 000
P02
Sumner, Maud Eyston
(South African 1902 - 1985)
Nude study
Charcoal, signed
60 x 44cm
R5 000 – R8 000
-2-
P03
P04
Boonzaier, Gregoire Johannes
(South African 1909 - 2005)
Boonzaier, Gregoire Johannes
(South African 1909 - 2005)
Cannas
Morning glory
Hand coloured linocut, signed, 1978
37,5 x 28cm
R1 500 – R2 500
Linocut, signed, 1978
35 x 24cm
R1 000 – R1 500
P05
Catherine,
Norman Clive
(South African
1949 - )
Party People
Lithograph, signed,
edition 89/120
47 x 64cm
R3 000 – R5 000
-3-
P06
Battiss, Walter Whall (South African 1906 - 1982)
Orgy
Screenprint, signed, edition 10/40
40,5 x 57cm
R7 000 – R10 000
P07
Le Roux, Isabel (South African 20th Century),
Man and woman
Oil on board, signed
39 x 31cm
R1 500 – R3 500
-4-
P08
Battiss, Walter Whall ( South African 1906 - 1982 )
Three figures
Screenprint, signed, Artist proof
44 x 58cm
R7 000 – R10 000
-5-
P09
Garizio, Gian-Piero (South African 1931 - )
Still Life blue vase with Poppies
Oil on board, signed, 50 x 75cm
R3 000 – R6 000
P10
Kentridge,
William Joseph
(South African
1955 - )
What Will Come
exhibition poster
Signed, edition
123/250
51 x 78cm
R3 000 – R5 000
-6-
P11
Catherine, Norman Clive
(South African 1949 - )
Fook Island
Poster, signed
87 x 60,5cm
R2 000 – R4 000
P12
Kumalo, Sydney Alex
(South African 1935 - 1988)
Lady with hat
Pastel and mixed media on paper, signed
75 x 54,5cm
R5 000 – R8 000
-7-
P13
Skotnes, Cecil Edwin Frans
(South African 1926 - 2009)
Figure Study
Pencil an crayon, signed, 77
87,5 x 60cm
R3 000 – R5 000
P14
Ampenberger, Stefan (South African 1908 - 1983)
House and trees
Oil on paper on board, signed, 69
27,5 x 38cm
R1 500 – R2 500
P15
Krige, Francois (South African 1913 - 1994)
Woman at Well
Charcoal, signed
23 x 20cm
R2 000 – R3 000
-8-
P16
Battiss, Walter Whall (South African 1906 - 1982)
To Supply Your Own Title
Pen and ink, signed
37 x 52,5cm
R10 000 – R15 000
-9-
P17
Boonzaier, Gregoire Johannes (South African 1909 - 2005)
Figure and house in landscape
linocut, signed
22 x 16cm
R1 000 – R1 500
P18
P19
De Jongh, Tinus (Marthinus - Johannes)
(South African 1885 - 1942)
De Jongh, Tinus (Marthinus - Johannes)
(South African 1885 - 1942)
The Old Mill Ceres Cape
Neethlingshof Stellenbosch Cape
Etching, signed
21 x 27,5cm
R1 000 – R2 000
Etching, signed
22 x 27cm
R1 000 – R2 000
P20
Kobeli, Eli (South African 1932 - 1999)
Washday
Mixed media on paper, signed
49 x 71cm
R1 500 – R2 500
- 10 -
P21
Rose-Innes,
Alexander
(South African
1915 - 1996)
Arniston,
Watercolour, signed
37 x 55cm
R5 000 – R8 000
P22
Caldecott, Harry Stratford (Strat) (1886 - 1929)
Figures with donkeys
Charcoal
25,5 x 18cm
R2 000 – R4 000
P23
Jaroszynska,
Karin (South
African 1937 - )
Three figures
Mixed media on
paper, Signed, 71
67 x 102cm
R2 000 – R4 000
- 11 -
P24
Maseko, Joe (Joseph Ramapulane) (SA)
Soon to be Married
Mixed media on card, signed
63,5 x 44cm
R1 500 – R2 500
P25
Du Plessis, Hannes (South African 1950 - )
Riverscape
Oil on canvas, signed
89 x 120cm
R6 000 – R9 000
- 12 -
P26
Claerhout, Fr. Frans (South African 1919 - 2006)
Mothers with babies
Mixed media on paper, signed
58 x 42cm
R2 000 – R3 000
P27
De Jongh, Tinus (Marthinus - Johannes) (SA 1885 - 1942)
Entrance Castle with tower
Etching, signed
29.5 x 19,5cm
R1 000 – R2 000
P28
Portway, Douglas Owen
(South African 1922 - 1993)
Seated woman, recto;
sketch of woman, verso,
Mixed media on paper, signed
32,5 x 21cm
R3 000 – R5 000
- 13 -
P29
Van Essche, Maurice
(South African 1906-1977)
Nude Study
Pen and ink, signed, 65
30 x 42,5cm
R1 500 – R2 500
P30
Kobeli, Eli (South African 1932 - 1999)
Saturday
Mixed media and oil on paper, signed, 98
45,5 x 66cm
R1 500 – R2 500
P31
Laubscher, Erik
(South African
1927)
Plateau
Chalk pastel and
wash on card, signed
35 x 53,5cm
R3 000 – R5 000
- 14 -
P32
Von Michaelis,
Heinrich H J
(South African
1912 - 1990)
The Storm
Oil on board,
signed, 1945
72 x 90cm
R4 000 – R6 000
P33
Kentridge, William Joseph
(South African 1955 - )
Magic Flute poster
Signed, 75 ,5 x 52cm
R3 000 – R5 000
- 15 -
P34
Catlin, Gail Deborah (South African , 1948)
Abstract Composition
Oil, canvas, net and mixed media on board
100 x 176cm
R7 000 – R10 000
- 16 -
P35
Laubser, Maria
Magdalena
(Maggie)
(South African
1886 - 1973)
Fish study
Pencil on paper,
signed
16 x 24cm
R2 000 – R3 000
P36
Westbrook, Walter Edward
(South African 1921 - )
House (rear) from George
Street, Kimberley
Watercolour and pencil, signed
22,5 x 27cm
R1 000 – R2 000
P37
Caldecott, Harry
Stratford (Strat)
(1886 - 1929)
Sketch
Pen and ink
16 x 25cm
R3 000 – R5 000
- 17 -
P38
Catherine, Norman Clive
(South African 1949 - )
Self Portrait
Screenprint, signed
57 x 44,5cm
R3 000 – R5 000
P39
Fisher, Julian D (South African 20th Century)
Boats in harbour
Oil on board, signed
60 x 91cm
R1 000 – R1 500
P40
Le Roux, Isabel
(South African
20th Century)
Harbour scene
Oil on board, signed
64 x 95cm
R3 000 – R6 000
- 18 -
P41
Andersen, Nils (South African 1897 - 1972)
Landscape with maize crops
Watercolour, signed
34,5 x 52,5cm
R4 000 – R6 000
P42
Koenig, Dezso
(South African 1902 - 1972)
Street scene with figures
Watercolour, signed
27 x 36cm
R1 000 – R1 500
- 19 -
P43
Schimmel, Fred (South African 1928 - 2009)
Abstract composition
Oil on canvas, signed, 02
90 x 120cm
R15 000 – R20 000
- 20 -
P44
Mayer, Ernst Karl
(Erich)
(South African
1876 - 1960)
Bushveld scene
Watercolour, signed,
1950
12,5 x 21,5cm
R2 500 – R3 500
P45
Van Der Leck, Casey (South African 20Th Century)
Cape farm scene
Oil on canvas, signed
98,5 x 148cm
R7 000 – R10 000
- 21 -
P46
Andersen, Nils (South African 1897 - 1972)
Cape Dutch homestead
Oil on board, signed
45 x 60cm
R1 000 – R1 500
P47
Knowland, Dennis George
(British 1918 - 1985)
Spanish mountain villa
Oil on canvas, signed
63,5 x 63,5cm
R2 000 – R4 000
P48
Van Vuuren, André
(South African 1945 - )
Abstract composition
Oil on canvas, signed, 87
122 x 91,5cm
R5 000 – R8 000
- 22 -
P49
Vermeiren, Jan (South African 1949)
Op die Schooner
Etching, signed, E.A. 14/30
36 x 40,5cm
R1 000 – R2 000
P50
Klar, Otto (South African 1908 - 1994)
Rough seas
Pastel, signed
16,5 x 49cm
R2 000 – R3 000
P51
Kors, Stanislaw
(Polish 1935 2002)
Abstract
composition
with birds
Oil on canvas,
signed, 87
118 x 200cm
R3 000 – R6 000
- 23 -
P52
Du Plessis, Hannes (South African 1950 - )
Landscape
Oil on board, signed, 92
60 x 80cm
R3 000 – R6 000
P53
Sash, Cecily (South African 1924 - )
Abstract composition
Mixed media on paper, signed, 61
14 x 68cm
R3 000 – R5 000
- 24 -
P54
Alexander, Keith Savel (South African 1946 - 1998)
Tractor in shed
Oil on canvas, signed, 80
55 x 75,5cm
R45 000 – R55 000
Almost two thirds of this immaculately detailed painting is expended on the sky. And not the majestic sky typically
captured in romanticised landscape paintings, but a midday sky in the platteland of southern Africa. Keith Alexander
is famous for his paintings of seeming nothingness. Here, a small tractor stands forlorn under the meagre shade of a
shed. There is nothing bar a few scattered trees for miles. The grass around the tractor suggests that perhaps it has
been out of use for some time. The work that Alexander is commonly lauded for are his hyper-real surrealist visions of
the Namib desert, which have a post-apocalyptic feel for the way they blend the sublime landscape and the ruins of
man’s existence. In this more subtle painting, Alexander is still able to capture this sense, but in a way that sits quietly,
almost ominously beneath the surface.
Reference: ROBBINS, D. 2000. Keith Alexander: The Artist in Retrospect. Johannesburg: Jonathan Ball.
- 25 -
P55
Skotnes, Cecil Edwin Frans
(South African 1926 - 2009)
Red, white and black face
Woodcut, signed, edition 15/55
56 x 41cm
R2 000 – R3 000
P56
Vermeulen-Breedt,
Marie (South
African 1954 - )
Still life with
cherry blossoms
and Chinese
Figurine
Oil on canvas, signed
59,5 x 44cm
R10 000 – R15 000
- 26 -
P57
Spears, Frank Sydney (South African 1906 - 1991)
Venetian Canal scene
Oil on board, signed
52 x 67,5cm
R10 000 – R15 000
- 27 -
P58
Schimmel, Fred (South African 1928 - 2009)
Abstract composition
Oil on canvas, signed, 2000
107 x 152cm
R15 000 – R20 000
- 28 -
P59
Boshoff, Adriaan (South African 1935 - 2007)
Still Life with Yellow Daisies
Oil on board, signed
75 x 90cm
R60 000 – R90 000
- 29 -
P60
De Jong, Ernst (South African 1934 - )
Abstract Bushveld landscape
Carved, incised and painted panel, signed, 77, edition 44/200
23 x 23cm
R800 – R1 200
P61
Van Essche,
Maurice
(South African
1906-1977)
Figure study,
Pen and pencil,
authenticated by Carl
Buchner, recto - single
figure and verso figures in landscape.
26 x 17,5cm
R1 500 – R2 500
P62
Sdoya, Carlo
(South African
1914 - 1996)
Flower Seller
President Str,
City Hall JHB
Oil on board, signed
36,5 x 47cm
R2 000 – R4 000
- 30 -
P63
Boyley, Errol (South African 1918 - 2007)
Saldanhna C.P. Boats
Oil on board, signed
34,5 x 44,5cm
R15 000 – R20 000
- 31 -
P64
Hodgins,
Robert Griffiths
(South African
1920 - 2010)
Otto en die rooi
gevaar exhibition
poster
Signed
38 x 47cm
R3 000 – R5 000
P65
Wiles, Lucy Mary
(South African 1920 - 2008)
Norsebenzele
Oil on canvas on board, signed
40 x 30cm
R2 000 – R3 000
- 32 -
P66
Klar, Otto (South African 1908 - 1994)
Fishermans cottages
Oil on board, signed
21,5 x 44cm
R10 000 – R13 000
- 33 -
P67
McCaw, Terence John (South African 1913 - 1978)
River Scene with boats
Oil on board, signed, 53
45 x 55cm
R20 000 – R30 000
- 34 -
P68
Carter, Sydney
(South African
1874 - 1945)
Street Scene
with Figures
Watercolour, signed
27 x 37cm
R2 000 – R3 000
P69
Hancock, Bruce (South African 1912 -1990)
Farm Cottages Cape
Oil on board, signed
45 x 60cm
R3 000 – R5 000
- 35 -
P70
Nice, Christiaan (South African 1939 - )
Farmhouse with Donkey Cart
Oil on board, signed, 77
39 x 50cm
R20 000 – R30 000
- 36 -
P71
Squibb, Ruth Audrey
(South African 1928 - )
Farmhouse
Oil on board, signed
61 x 90cm
R4 000 – R6 000
P72
Catherine, Norman Clive (South African 1949 - )
Joy ride
Lithograph, signed, edition 7/45
75 x 105cm
R12 000 – R16 000
- 37 -
P73
Büchner, Carl
(South African 1921 - 2003)
Portrait Young Boy
Oil on board, signed
26 x 16cm
R6 000 – R10 000
P74
Dykman, Henry John (South African 1893 - 1972)
The Chalice
Oil on canvas, signed, 1948
64 x 46cm
R2 000 – R3 000
- 38 -
P75
Kentridge, William Joseph
(South African 1955 - )
Der SÜDLICHE STERNHIMMEL
exhibition poster Goodman Gallery
Johannesburg 2003
Signed, edition 114/220, 67 x 72cm
R4 000 – R6 000
P76
Van Vuuren, André
(South African 1945 - )
Abstract composition
Oil on canvas, signed, 87
122 x 91,5cm
R5 000 – R8 000
P77
De Jongh, Tinus (Marthinus - Johannes)
(South African 1885 - 1942)
Neethlingshof
Etching, signed, 21 x 28,5cm
R1 000 – R2 000
P78
De Jongh, Tinus (Marthinus - Johannes)
(South African 1885 - 1942)
Weltevreden
Etching, signed, 21 x 28,5cm
R1 000 – R2 000
- 39 -
P79
Catherine, Norman Clive (South African 1949 - )
The Bathers
Oil on canvas, signed
60 x 50cm
R30 000 – R50 000
A common subject in the 18th through the 20th century, the rendering of the body while bathing arguably began as
a demure way in which to depict the nude figure. In later years, as an established subject, artists used it as a base
for stylistic experiments. Notably, the French Post-Impressionist painter, Paul Cézanne began to image groups of
bathers in naturalistic settings, near lakes and in wooded groves. In this unusual work by Norman Catherine, two
male figures lie in corpse-like poses near the edge of a dam. Peering at them from a few meters away is a hyenalike animal, which seems to be strangely glowing. The image, which we see from above, is simultaneously eerie and
playful. The figures each wear a tight-fitting swimming costume in the style pioneered by Speedo International Ltd. in
the 1950s, which, in addition to their muscular torsos, suggests that the two figures might be sunbathing. In contrast
the atmosphere and lighting of the scene, as well as the odd glow of the animal, give the sense that this is taking place
at night. Hazel Freidman suggests that Catherine’s work is “predominantly gender-specific”, often depicting males
as “castrated monsters”. This is often contrasted with a symbol of femininity: “principally seen in the symbolic sense,
through Catherine’s technicolour depictions of nature”. This artwork seems to conform to this interpretation, supporting
Friedman’s argument that: “In Catherine’s work nature is not a pastoral paradise. It is either an anarchic jungle, a toxic
wasteland, the site of grotesque experiments or a battle zone where primal conflicts of power and powerlessness are
played out.”
Reference: FRIEDMAN, H. 2000. Norman Catherine. Johannesburg: Goodman Gallery. p. 105.
- 40 -
P80
Jansen Van Vuuren, Louis (South African, 1949)
As Die Maan Breek Blom Die Son
Oil on board, signed
75 x 56cm
R10 000 – R15 000
- 41 -
P81
Mabaso, Dumisani Abraham
(South African 1955 - )
Abstract Composition
Monoprint, signed, 98, edition 1/1
63 x 46cm
R1 000 – R2 000
P82
Nel, Mathijs Isak
(Thijs) (South
African 1943 - )
Studio Window
Oil on canvas,
signed, 86
105 x 121cm
R2 000 – R4 000
- 42 -
P83
Pemba, George
Mnyalaza Milwa
(South African
1912 - 2001)
Ready for
The Dance
Oil on canvas,
signed, 47
36 x 28,4cm
R150 000 – R200 000
Ready for The Dance is a painting of a young Xhosa woman in an ethnographic style typical of the time. George Pemba
was likely to have been influenced by his contemporaries including Dorothy Kay and Barbara Tyrell, with whom he
exhibited in the 1940s. It is also likely that this painting was shown at an exhibition of painting and beadwork organised
by Killie Campbell at in 1947, or alternatively at Pemba’s solo show in Port Elizabeth in 1948. The title, as well as the
dress of the subject and her slightly submissive seated pose on a straw mat, suggests that she is imaged before the
Ntonjaan initiation ceremony, which marks the transition into adulthood. The attention to detail in the painting allows
us insight into the cultural specificity of the moment. The subject wears a short, wrap-around, red skirt, an unomtidili
nesipeliti. On her forehead, she wears headband, an idayimane, associated with courtship. In addition to this detail, or
perhaps, despite this, Pemba captures a particular tension in this small and intimate painting. The dramatic light, which
casts a shadow on the left of the subject, her resigned and pensive expression, and the nervous tension in her fingers,
suggests much more than a simple study of an ethnographic type.
References: 1. PROUD, H. 1996. George Milwa Mnyaluza Pemba: Retrospective Exhibition. Cape Town: South African National Gallery.
p. 17. 2. COSTELLO, D. 1990. Not Only For Its Beauty: Beadwork And Its Cultural Significance Among The Xhosa-speaking Peoples.
Pretoria: University of South Africa. pp. 39, 43.
- 43 -
P84
Blom, Wim (South African 1927 - )
Reclining figure
Oil on canvas, signed, 72
80,5 x 70,5cm
R6 000 – R10 000
- 44 -
P85
Catherine, Norman Clive (South African 1949 - )
Mating Call
Carved and painted wood, signed
35,5cm height
R10 000 – R15 000
- 45 -
P86
Waldeck (20th Century)
Horse with Rider
Bronze, signed
11,5cm height
R1 200 – R1 800
P87
Klar, Otto (South African 1908 - 1994)
Kwazulu
Pencil on paper, signed, 16.8.80
10,5 x 20,5cm
R1 000 – R1 500
P88
Chait, Laurence (South African 1943 - )
The Couple
Marble, signed
51,5cm height
R8 000 – R12 000
- 46 -
P89
Lipkin, Aileen (South African 1933 - 1994)
Portfolio From Bamako to the Dogon Country October 1975,
41,5 x 27,5cm
R1 000 – R2 000
P90
Villa, Edoardo (South African 1915 - 2011)
Bronze plaque and leather bound book
Edition 32/50, cast by Vignali Foundry 2005
18 x 21cm
R20 000 – R25 000
- 47 -
P91
Mayer, Ernst Karl (Erich)
(South African 1876 - 1960)
Voortrekker family
Watercolour and pencil, signed
17 x 25cm
R1 000 – R2 000
P92
Den Hengst, Jan (Dutch 1904-1983)
Cadegus Spanje
Oil on canvas, signed
59 x 39cm
R2 000 – R4 000
P93
Mayer, Ernst
Karl (Erich)
(South African
1876 - 1960)
Pencil on paper,
Two works,
one signed
8,5 x 5,5cm &
9 x 15cm
R1 000 – R1 500
- 48 -
P94
P95
Knowland, Dennis George
(British 1918 - 1985)
Lončarić, Dreagica (Croatian 1956 - )
Spanish church
Reverse oil on glass, signed
50 x 50cm
R1 500 – R2 500
The Market
Oil on canvas, signed
34 x 29cm
R2 000 – R4 000
P96
Kors, Stanislaw
(Polish 1935 2002)
To Somewhere
Oil on canvas,
signed, 84
119 x 189cm
R3 000 – R6 000
P97
Fisher, Julian D (South African 20th Century)
Abstract cityscape
Oil on board, signed, 88
39 x 59,5cm
R1 000 – R1 500
- 49 -
P98
Meerkotter, Dirk Adriaan (South African 1922 - )
Abstract Composition
Oil on canvas, signed
101,5 x 101,5cm each
R14 000 – R18 000
- 50 -
P99
Mason Attwood, Judith Seelawder
(South African 1938 - )
Skull
Lithograph, signed, 73, edition 65/65
43 x 62cm
R1 500 – R2 500
P100
Van Vuuren,
André (South
African 1945 - )
Villa in Provence
Oil on canvas, signed,
2001
91 x 75cm
R7 000 – R9 000
- 51 -
P101
Conradie, Johan (South African 1973 - )
Female portrait
Oil on canvas, signed, 2010
77cm diameter
R2 000 – R3 000
P102
Squibb, Ruth Audrey
(South African 1928 - )
Street Scene
Oil on board, signed
50 x 60cm
R2 000 – R4 000
P103
Kearney, Robin
(South African 1944 - )
View from deck
Oil on canvas, signed
74,5 x 100cm
R5 000 – R8 000
- 52 -
P104
Fassianos, Alecos (Greek, 1935)
Cyclist
Lithograph, signed, edition E.A. 3/75
63 x 45,5cm
R1 500 – R2 500
P105
Fasciotti, Titta
(South African
1927 - 1993)
Landscape
Oil on board, signed
29 x 39cm
R5 000 – R8 000
P106
Hancock, Bruce (South African 1912 -1990)
Farmhouse with figures
Oil on board, signed
35 x 25cm
R2 000 – R3 000
- 53 -
P107
Lugg, Jack (South African 1924 - )
Figures and donkey
Woodcut, signed
26 x 12,5cm
R500 – R1 000
P108
Mokgosi, Nat
(Nathaniel
Ntwayakgosi)
(SA 1946 - )
Abstract
composition
figures
Mixed media on
paper, signed, 77
24 x 45cm
R1 500 – R2 500
P109
Wenning, Pieter Willem Frederik (South African 1873 - 1921)
Donga
Etching
9 x 27cm
R1 000 – R2 000
- 54 -
P110
Mayer, Ernst Karl (Erich) (South African 1876 - 1960)
Bush & Hill
Watercolour and pencil, signed, two works
13 x 19cm each
R1 500 – R2 500
P111
P112
Dali, Salvador (Spanish 1904 - 1989)
Dali, Salvador (Spanish 1904 - 1989)
Le Chevalier Chretien
Don Quichotte
Hand painted tile, signed, edition 220/490
25 x 20cm
R2 500 – R3 500
Handpainted tile, signed, edition 221/490
25 x 20cm
R2 500 – R3 500
- 55 -
P113
Bosch, Anton (South African 1958 - )
Kite Flying
Hand painted and glazed ceramic tile, signed
62 x 43cm
R10 000 – R15 000
- 56 -
P114
Lamb, Peter (South African 1905 – 1963)
Portrait Young Boy
Oil on canvas, signed, 44
60 x 50cm
R1 000 – R2 000
P115
Nel, Mathijs Isak (Thijs)
(South African 1943 - )
Tree trunk
Oil on canvas, signed, 88
80 x 70cm
R1 000 – R2 000
- 57 -
P116
Carter, Sydney (South African 1874 - 1945)
Near Mamre Cape
Oil on canvas, signed
50 x 60cm
R8 000 – R12 000
P117
Mason Attwood, Judith Seelawder (South African 1938 - )
Ars Simia Naturae
Lithograph, signed, 84, edition A.P. 18/20
64 x 46cm
R1 500 – R2 500
- 58 -
P118
Moore, Henry (British, 1898-1986)
Reclining Figure
Lithograph, signed, edition 34/50
31 x 38cm
R12 000 – R16 000
- 59 -
P119
Bosch, Anton
(South African
1958 - )
Knysna Lourie
Hand painted
ceramic tile
66 x 52cm
R7 000 – R10 000
P120
Bosch, Esra (South African 1951 - )
Arum Lilies
Hand painted ceramic tile
30 x 30cm
R1 000 – R2 000
- 60 -
P121
P122
Battiss, Walter Whall
(South African 1906 - 1982)
Battiss, Walter Whall
(South African 1906 - 1982)
Untitled: Text
Abstract Composition
Screenprint, 34 x 48,5cm
R2 000 – R3 000
Screenprint, 76 x 55,5cm
R2 000 – R3 000
P123
Motswai, Thomas
Tommy Trever
(South African
1963 - )
The Politician’s
Wedding
Pastel on paper,
signed, 1997
70,5 x 106cm
R4 000 – R6 000
P124
Maseko, Joe (Joseph Ramapulane) (SA)
Township Scene
Watercolour, signed
56 x 77cm
R1 000 – R2 000
- 61 -
P125
Hart, Rodan Kane
(South African 1988 - )
Shapes: Rotated
Painted steel, 2,8 x 1,5cm
R10 000 – R15 000
- 62 -
P126
Coleman, Trevor (South African 1936 - )
Island Scene
Oil on canvas, signed, 2007
121 x 91cm
R6 000 – R10 000
- 63 -
P127
Langa, Moshekwa
(South African
1975 - )
Music man
Mixed media on
paper, signed on
reverse and dated
1998/9
140 x 100cm
R20 000 – R30 000
Moshekwa Langa takes inspiration from his daily life, its routine, its boredom, and indifference. His practice is almost
biographical in that sense – his artworks are a record of his experiences, his movement through places, and of the
people he meets. As a child he began drawing as a process of map-making; making sense of his place in the world.
This abstracted portrait of a ‘music man’ has clear traces of mapping conventions, blue pools and red roofs are simple
shapes of colour, and pathways are simple lines. The figure, who is arguably the music man the title refers to, is almost
lost within all this detail – a small white figure on the edge of a large pond. On another level, the image suggests a
conceptual mapping perhaps of sound or rhythm. Langa says of his work: “the drawings and collages for me function
like diaries and time keepers, so even using or implicating vinyl grooves, strings of thread, branches, wools, I think give
a sense of timekeeping.”
Reference: GOODMAN GALLERY. 2012. Moshekwa Langa/ Mogalakwena. [Online]. Stable URL: http://www.goodman-gallery.com/
exhibitions/312.
- 64 -
P128
Langa, Moshekwa (South African 1975 - )
Two Figures under a Tree
Mixed media on paper, signed on reverse and dated 2000
140 x 100cm
R20 000 – R30 000
- 65 -
P129
Borbereki, Zoltan (South African 1907 - 1992)
Standing figure
Carved ivory, signed
41cm height
R7 000 – R10 000
- 66 -
P130
Boyley, Errol (South African 1918 - 2007)
Riverglade
Oil on board, signed
68 x 100cm
R25 000 – R35 000
- 67 -
P131
Boshoff, Adriaan (South African 1935 - 2007)
Scene at Apies River Pretoria
Oil on canvas, signed
69 x 115,5cm
R70 000 – R100 000
- 68 -
P132
Bonney, Peter (South African 1953 - )
Matroosberg Mountains, Cape
Oil on canvas, signed, 90
100,5 x 151,5cm
R15 000 – R25 000
- 69 -
P133
Battiss, Walter Whall (South African 1906 - 1982 )
Distant Storm
White ink on paper, signed
35 x 50cm
R8 000 – R12 000
- 70 -
P134
Smith, Richard John Templeton (South African 1947 - )
Okavango Night
Oil on canvas, signed, 1993
110,5 x 120cm
R10 000 – R15 000
- 71 -
P135
Kentridge, William Joseph (South African 1955 - )
Bird Catcher
Pigment print on wove paper, signed, edition 58/60
150 x 108cm
R60 000 – R80 000
- 72 -
P136
Walter Oltmann, Marco Cianfanelli, Lawrence Lemaoana, Pat Mautloa
Lithograph, signed, edition 68/100 & 69/100,
36 x 29cm each
R3 000 – R6 000
- 73 -
P137
Nhlengethwa, Jabulane Sam
(South African 1952 - )
The Swinging Light
Collage and oil on canvas, signed, 2002
50 x 50cm
R3 000 – R6 000
P138
Sibiya, Lucky Madlo (South African 1942 -1999)
The Feasting at Mabatha’s Kraal
Woodcut, signed, 1975, edition 152/225
72,5 x 51cm
R2 000 – R3 000
P139
Sibiya, Lucky Madlo (South African 1942 -1999)
Dingaans Fight
Woodcut, signed, 1975, edition 152/225
72,5 x 51cm
R2 000 – R3 000
- 74 -
P140
Van Der Merwe, Eben (South African 1932 - )
Reclining nude
Oil on board, signed, 78
90 x 134cm
R10 000 – R15 000
- 75 -
P141
Battiss, Walter Whall (South African 1906 - 1982 )
The Milk of Human Blindness
Pen, ink and pencil, signed, 6 Jan 1982 3:48pm
29 x 43cm
R8 000 – R12 000
- 76 -
P142
Harris, Cornwallis
Collection of ten prints
15 x 22,5cm & 22,5 x 15cm
R1 500 – R2 500
P143
Le Roux Smith Le Roux
(South African, Born After
1914 - Died After 1963)
Harvesting
Mixed media on paper, signed
34,5 x 50cm
R2 000 – R3 000
- 77 -
P145
Lourens, M. J. (South African 1973 - )
Star Fish’s Garment
Bronze, signed, edition 5/7
26cm height
R8 000 – R12 000
- 78 -
P146
Du Toit, Guy Pierre (South African 1958 - )
War Machine
Bronze, 7cm ex base
103,5 incl base
R2 000 – R5 000
- 79 -
P147
Maseko, Mizraim (South African 1927 - 1994)
Zulu warrior and seven other Zulu figures,
Fabric paint on silk scarf, signed, eight works in the lot
75,5 x 84cm
R1 500 – R1 500
- 80 -
P149
Flint, William Russell (Scottish 1880 - 1969)
Riverscene
Watercolour, certified on reverse by Susan Russell Flint and Christies stamp 1980
17 x 25cm
R15 000 – R20 000
Credit
*S V – Stacey Vorster is a lecturer in the Wits History of Art department as well as the curator of the
Constitutional Court Art Collection.
- 81 -
P54, Keith Alexander, Tractor in shed
auctioneers
www.rkauctioneers.co.za

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