- Plugs `N Pixels
Transcription
- Plugs `N Pixels
October 2004 Clickable Canvas Collator Creating Canvoramas Real Terrain Generators Third-party enhancements Box art created in Canvas! Here’s how Background scenic created with Planetside’s Terragen In this seventeenth issue of The Canvangelist ezine we fill the entirety of 36 pages with a collection of new and interesting creative inspiration! It takes a couple of months to put together a publication of this magnitude, but the results are worth it – so long as you are inspired to fire up Canvas and stretch your imagination and improve your graphic skills. Speaking of which, you will soon see how I rose to a challenge and used Canvas as the main application to design web, interface and print graphics for Jetsoft Development. The landscape orientation of this issue’s layout is intended to compliment the artificially generated terrain illustrations featured here (the result of my exploring a new kind of illustration technique I had not tried before. Now I’m hooked!). You can have a lot of fun making realistic scenics in Canvas, then you can go above and beyond and explore the universe with dedicated terrain- and worldgeneration applications such as Terragen and MojoWorld. It’s always enlightening to explore the latest in third-party creativity and productivity software that can enhance your Canvas experience. Take advantage of the special offer from Auto FX and learn about new software titles from other major developers. Then enjoy the wild and fun Photoshop training DVD from DesignsByMark. Mike Bedford, the Canvangelist / mike@canvangelist.com / www.canvangelist.com The Padre, Canvas Evangelist 3-7...Jetsoft Canvas designs 8...Creating Canvorama terrains 9-10...Pandromeda MojoWorld 11-12...Planetside Terragen 13...Art Parts 14...Canvangelist Collection Scenics 15-17...Auto FX Painter’s Edge bundle 18-19...Digital Anarchy Background Designer 20-21...Little Inkpot Software 22-24...Shortcut PhotoArtist/PhotoZoom 25-26...Reindeer Graphics Optipix 3 27...Picto iCorrect Edit Lab 4.5 Pro 28...Kodak Digital GEM Pro 29...Asiva JPEG Deblocker 1.0 30...Photoshop Roadmap papers 31-32...Extensis Portfolio 7 33-34...macXware Mac snacks 35...Mark’s 101 Photoshop Tips 36...Letters and comments Receive 15% off Lucis Art products when you use “canvangelist” as the coupon code! www.lucisart.com Canvas played a large role in the design of Jetsoft’s website and product packaging (see pages 3-7). ISSUE #17 FEATURES: Using Canvas for product design; creating landscapes in Canvas and dedicated terrain applications www.scanhelp.com The engineers at Jetsoft Development commissioned me to design and produce application icons for two software titles they were planning. This was an entirely different type of design than I was used to, but armed with Canvas, I decided to accept this challenge. After all, Canvas has enabled me to do everything else I wanted to do thus far! I’m happy to say the experiment worked and the final results are now visible in the interfaces of Collate (shown here) and in Art-Scan Pro 5 (p. 6). I started my designs by creating the underlying button backgrounds (including specular highlight) with Alien Skin’s Eye Candy 4000 Glass filter, adjusting them according to the final desired size. I replicated the buttons into groups of four as needed to represent the different states for each icon. This was the easy part... The next step was to come up with iconic symbols that represented the functionality of each button. As I visualized each concept, it was easy to draw it out in Canvas using combinations of basic shapes. The illustrations at right and on page 6 show a number of these symbols enlarged for detail. The finished designs were rendered in Canvas, saved as TIFFs and resaved as Windows bitmap files from Photoshop for maximum compatibility. I also used Canvas to create splash screen and packaging designs for Jetsoft products. See the next few pages for examples of this work, which makes use of both vector and bitmap objects. Canvas’ vector capabilities were utilized to produce functional button icons for Jetsoft Development’s Collate application. The Collator comes alive in Canvas! I use Canvas to create marketing artwork for Jetsoft Development’s “Collate” Along with the task of creating the interface buttons for Collate (see previous page), I was also commissioned to provide the box design from scratch! Again, Canvas made this work flexible and easy. Jetsoft Collate is designed to enable the user to edit multi-page PDF and TIFF documents, including provision for adding, removing, splitting, merging and re-arranging pages. The package design needed to reflect this. So I fired up Canvas and came up with different collator concepts. Using simple vector shapes filled with gradients, the machine took on an almost realistic metal sheen. I easily added image objects and transparency effects as needed. Two unused versions are shown above. A collection of vector shapes add together to form a 3D metallic sheen collator machine! Here is the final version of the Canvas Collator. The tools in Canvas provided the complete solution to creating this artwork, from vector shapes with gradients, soft drop shadows, text, Easy Shapes with transparency to image editing capability. Another Canvas success story! See more of my made-in-Canvas designs for Jetsoft on the following pages. The blue borders, text and art for the package design were created in Canvas as a flat layout, rendered at 600 ppi, then brought into Photoshop for the final skewing onto an existing 3D box template. www.scanhelp.com The newly released Jetsoft Art-Scan Pro 5 scanner driver offers professional level options for preparing and editing your scans. Of interest to Canvas users is the fact that the small image at the upper left of the interface as well as the functional button icons (and product packaging) were all created in Canvas! The flower bouquet was created in the free Microsoft Expression app. Made-in-Canvas button icons shown at actual design size. A total of four button states were prepared for each. In addition to the box artwork (see issue #16) and button icons (previous pages), Art-Scan Pro 5 uses my made-inCanvas composite images for its installer/splash screens and GUI. The final designs were laid out and rendered right in Canvas. Finally, the scanhelp.com website header (above) was also designed in–you guessed it!–Canvas. In addition to Canvas, I had a little help from the following: Auto FX Photo Graphic Edges (film strips), Alien Skin Splat (picture frame), MS Expression (flower bouquet). As we enter the exciting world of artificial terrain generation, let’s take a look at how Canvas can be used for this type of work. The cover illustration was created in Canvas using only vectors with solid fills, gradients and SpriteEffects (for the background, mountains and wispy clouds). The water gradient fill was treated with several imaging filters to create the ripples; the uppermost clouds were created with Terragen (page 11) and added to the scene later. For the snow covered mountains below I also started with vector shapes, traced over a photo of the actual mountain range (from The Canvangelist Collection DVD stock photos) with the Polygon tool. The snow-like and rocky fills come from TheCanvasWizards Canvas add-ons collection of paper textures. I duplicated each mountain shape, filled them with different paper textures, and blended them together using the Directional Transparency tool before rendering. Simple vector shapes, interesting texture fills and a gradient mask are all you need to create realistic Canvoramas! www.pandromeda.com My Mojo-craft banks silently over the alien waterfront as I explore the odd features of this mysterious planet. I pause midf l i g h t t o ge n e rat e a h i - re s image render of the scene stretched out below me. As I resume my flight, I can choose to descend for an even closer view, or retreat to the safety of a high altitude orbit – all the while maintaining a depth of mathematical fractal detail in the results that must be seen to be believed. The vehicle that makes this level of exploration possible is the incredible MojoWorld Generator 2.0 from Pandromeda. MojoWorld, based on the fractal geometry of Benoit Mandelbrot and refined by Dr. F. Kenton “Doc Mojo” Musgrave, has been discovered by Hollywood and has been used for major movie effects such as those in Twentieth Century Fox’s recent movie, “The Day After Tomorrow”. Because of its reliance on fractal mathematics, MojoWorld is able to render a landscape or an entire p l a n e t a r y s y s t e m i n a m a z i n g, never-ending detail. The images on this page illustrate how incredible this is: The planet at upper left was created and rendered from the viewpoint of planetary orbit. I then went back into the original file, then zoomed in until I was close enough to the planet’s surface to make out details in the land and seas. The lo-res screenshots below illustrate this progressive concept even more dramatically. You can experience this miracle that is MojoWorld by downloading the free MojoWorld Transporter from the Pandromeda website and immediately begin exploring the unique wonders of parametric hyperspace. When you’re ready to create your own planet, the MojoWorld Generator will take you where you want to go. An entire online community has arisen around MojoWorld which you can access from within the application itself. Come join in! Explore the endless dimensions of Parametric Hyperspace! I’m new to terrain modeling – can’t you tell from looking at these images? www.planetside.co.uk Cloud cover, atmospheric haze effects and lighting intensity and direction can also be edited separately. When you wish to see some immediate results from your settings, use the Rendering Control window’s Render Preview button to generate a small thumbnail in adjustable quality (see screenshot at far right). The 3D Preview window (immediate right) is a lores means of navigating your scene in real time by clicking and dragging. If you adjust your camera’s position using the drag points in the Rendering Control dialog, the 3D view will reflect your travels. For your final render, adjust the Render Settings, render to file, come back later to see the results! No, you can’t, because Terragen from Planetside Software makes it so easy to generate photo-realistic terrains from scratch. Quickly! The sample images on these pages were produced within several hours of launching Terragen for the first time. Practiced users can have final results ready to render in minutes. The process is simple: Begin by clicking on the Landscape button to specify and generate a random terrain (or import a real one via geological data images). Specify the size and radius of the terrain, glaciation and canyonization, add surface maps (snow, desert, etc.), even combine with additional terrains. Further edit your landscape by scultping with the paint brush. If you have water in the scene, you can easily edit the parameters of waves, reflections, the sub-surface and shoreline. The screenshots on this page demonstrate the high level of creative control Terragen offers its users. At immediate right is the Water dialog; next to it is an enlarged view of the Landscape onto which you can paint terrain changes. The Landscape dialog is where you actually generate or load your terrain, while also choosing a camera angle and adding surface maps, terrain effects and managing plug-ins. Finally, the Lighting Conditions dialog accepts input to adjust the Sun’s direction and angle, as well as background light and atmospheric conditions. Once your Terragen terrain is finished rendering, you can apply various imaging effects to the scene to create different moods. From top to bottom, I used buZZ Simplifier, Lucis Art, Alien Skin Xenofex Lightning and Plugin Galaxy Sunshine. Since I was already making terrain images for this issue and to celebrate the release of a new Art Parts collection, I thought I’d try making an entire landscape from Art Parts clip art (colorized in Canvas). It worked! The goofy illustrative offerings from Ron and Joe are perfect for adding a unique sense of humor to your designs. Check out the new Art Parts CD-Ron 6 at www.ronandjoe.com (see page 31 for thumbnail examples of the new illustrations). From the clouds above to the dirt below... royalty-free stock photographs. www.canvangelist.com/dvd For a limited time, Auto FX Software is offering a powerful creative bundle that combines Corel Painter 8 and Auto FX Photographic Edges 6, plus training CDs for both! ral natu is f o is bo com work. Th e of e v i t rt tag ea al cr rt your a e advan u can h t e l k a o e is a ill jumpst ou can ta s case, y f fer, l d n Bu thi eo ey tw Edge fects tha als wher ollars. In ited-tim s r e a int of d e ef e de 0! Lim The P and edg softwar undreds ver $35 o h ia re med those ra nd save 9, saving oon! f 9 s ra one o cial of fe dle for $1 ends e a sp this bun buy www.autofx.com The power of Painter combined with the ultimate photographic edge effects equals unlimited creativity! Fans of natural media effects know that Corel Painter is the standard for this type of creative work. If you have kids you will appreciate how clean the work area is after an art session in Painter! The screenshots at right show some of the many capabilities Painter offers for both direct painting and filtered adjustment of photographs (woodcut, sketch, distress, screen, etc.). Choose freely from among and combine any of over 30 traditional art brushes and techniques, including airbrushes, charcoal, felt pens, oils, pastels and water color. The power of Painter becomes vividly evident when you open your finished artwork in Auto FX Photographic Edges 6, the other half of this special bundle. PGE draws from 2 CDs full of edge and frame effects to present you with almost endless choices to enhance your images and artwork. Preset styles help you get started quickly, and all effects are completely editable (see screenshot above). My daughter Rachel, age 9, is the artist in the family so I put her to work in Corel Painter 8. She came up with this scene all by herself, after which I added an edge effect with Auto FX PhotoGraphic Edges 6. Get up to speed with Painter and Photographic Edges with the two included training CDs, one from Corel with lynda.com and one from Auto FX Software www.autofx.com www.digitalanarchy.com Photographers spend a lot of money on paper roll and muslin backgrounds. This approach is centuries old! If you’ve already got a computer, there’s no good reason to be carrying that expense. D i g i t a l A n a rc h y r e c e n t l y r e l e a s e d Backdrop Designer, the perfect answer to fulfilling your background needs. Original It‘s easy to get started with the supplied presets (top). Combine them with shadow and bump maps for realistic backdrops. You’ll recall from a previous issue of The Canvangelist that Digital Anarchy also markets Primatte Chromakeyer 2.0, a plug-in that creates masked images for bluescreen effects (screenshot above). When used together with Backdrop Designer, the two are a powerful imaging combination. In the examples here, I used Primatte to select and remove the green screen background from the portrait. In backdrop Designer, I reviewed and chose from among the large quantity of presets (in this case, I used Corroded Wall from the Stone collection). The masked image was combined with the digital backdrop, and a new composite was born! Now there’s no more justification for expensive and exotic location photography... Here’s a wonderful plug-in from Little Ink Pot Software that is dedicated to turning your images into very realistic sketches. For Windows only, Sketcher offers seven levels of effect application and a choice from among several pencil sketch styes, along with blending. I applied Sketcher to an image of a folding camera and got a charming classic effect which was the perfect companion for the paper background from The Photoshop Roadmap (see page 30). www.littleinkpot.co.uk www.littleinkpot.co.uk In addition to the Sketcher plugin, Little Ink Pot also markets the Thredgeholder Pro and Photo Grey plug-ins, as well as a few freebies. Thredgeholder (shown at left) concerns itself with edge detection and supports the processing of individual RGB, IUV and LAB channels. Threshold and contrast is adjustable for each channel. My photo of the fallen David statue (the result of an earthquake) was rendered in outline form with almost no effort. PhotoGrey, which comes included with the full version of Sketcher, can be used to convert color images to grayscale using selective color filtering (choose any color as the filter to emulate different film types and color sensitivities). Apply PhotoGrey to color images as well, choosing from blue or red filters, alone or in combination, along with a gradient effect. www.trulyphotomagic.com Your kids (or the kid in you) will love this one! Out of The Netherlands come a couple of Truly Photo Magic imaging applications by Shortcut. The first is PhotoArtist, and it’s about as easy to use as can be. With your image opened in PhotoArtist you can choose from a pulldown menu of effects. For each effect you choose, you will be presented with one or more preset choices. Select a brush size and transfer mode, and begin painting the effect onto your photo. Or apply the effect immediately to the entire image. It’s that easy–your kids will love it! In the examples at right I combined effects, painting a little of each onto the orginal. PhotoArtist brings out the art in your images and the artist in you Those of you who like to go people watching at the beach may want to check out Shortcut PhotoZoom Pro. An update of the powerful S-Spline image interpolation technology, PhotoZoom gives incredible results when a small area of an image needs to be upscaled, or an entire image made into a poster. My sample photo (background) was taken from the Santa Monica, California pier looking toward the crowded beach with a 4-megapixel Minolta S-404. I selected the little girl in the white hat and dress for my test subject (see oval). I cropped the girl while keeping the image at actual size (no resampling). Next, I used PhotoZoom to enlarge her to approximately 8x10 at 300ppi. You can see the degree of cleanup taking place in the PhotoZoom dialog (below left)! On the next page I compare PhotoZoom to similar products. Judge for yourself! PhotoZoom wipes clean the rough pixelation of digital images The original unretouched, cropped digital camera image is shown at left at actual size (100%). Below are crops at 100% from the interpolated images after being treated with PhotoZoom and its competitors, as well as Canvas 9. Final image target size was approximately 8x10 at 300 ppi. It’s interesting to see how each resampling plug-in handles image upscaling. While each has its own style and technique, PhotoZoom seems to provide the most natural upscaling appearance overall. PhotoZoom is invaluable when you are faced with making a large image out of a small one, such as when the client asks for a poster-sized blowup of a standard digital file. Download the free trial version and see how it can help you with your image interpolation needs. PhotoZoom SmartScale Optipix 3 Gen. Fractals Canvas 9.0.4 Reindeer Graphics has recently updated their Optipix suite of image correction plug-ins to version 3, adding 5 all-new plug-ins and improving performance of the existing ones. Among the new features is Refocus (right), intended for correcting focus and blurring problems in your images. Reindeer Graphics’ Optipix is back with five new functions and substantial improvements to the speed, consistency and usability of all the dialogs in the suite. Here are some examples: Optipix 3 offers a new Interactive Interpolation dialog for upscaling your small images for larger output. Adjust Sharpness, Edge Strength and Grain. The GrainMaker plug-in (above) is one of the five new features in Optipix 3.0. Choose from three levels of grain scale (Fine, Medium and Broad) while adjusting the Grain Strength as needed. I added a full dose of Broad grain to the image at lower left, creating an artsy paper-like effect in the early evening sunset scene. The new JPEG Cleaner was used on the image of the ceramic face to reduce the effects of JPEG compression blocking. www.reindeergraphics.com Optipix 3's Auto Contrast plug-in uses exposure values to help balance the tones in your difficult images. In the example above, the shadow areas of the sunset image were opened, with the details in those areas made easily discernable. PictoColor Corporation recently released the new iCorrect EditLab Pro 4.5 plug-in and standalone version. I find using iCorrect Editlab one of the easiest and quickest ways of getting the best color out of my images, whether scanned or digital source. The image of the office building in Universal City, California (below), scanned from the original negative, suffered from a weird blue haze in the hills and on the building. Literally one click on a neutral area of the image shifted the colors back to an accurate range. My digital camera shot of the mountain scene was a bit gray and muddy, but after taking a few neutral samples in iCorrect, the scene was much improved. The screenshot at right shows the simple interface. Note the grayscale strip with the original color cast in the middle of the squares. It’s an easy way to see how much correction is being applied as you make samples. The iCorrect Editlab 4.5 standalone version offers “Process QT,” a batch color correction feature, where you apply a single correction style or ICC input profile to an entire folder of images. www.picto.com www.asf.com Images by nature are dirty, like a big sooty city, whether they originate from a traditional film source or are produced digitally. Either you’re dealing with grain or pixels, which interfere with the clarity of your images. Kodak’s digital GEM Pro addresses this grimy reality by allowing you to deal with noise and grain problems separately (there’s an option to view the noise or grain by itself as you work for the most effective editing). My image of the Chrysler Building in New York City was scanned from a 35mm negative, and it shows. But once the digital GEM plug-in was applied, the grain was easily brought under control (see comparison at right). The JPEG image format is so popular that sometimes it becomes a liability in our efforts to improve our images. If you try to make enhancements on a JPEG, you will end up with unwanted and exaggerated artifacts. JPEG Deblocker addresses this problem. Using the power of Asiva technology in the familiar Asiva interface, you can prepare your JPEG for further editing by the process of deblocking in either the HSV or YUV color space. After this treatment in JPEG Deblocker, you can more safely and successfully make color corrections without having to worry about interference from underlying JPEG compression artifacts. This is a wiser approach than further editing JPEGs without this preparation and protection. www.asiva.com www.photoshoproadmap.com While we do our designs on the computer, there’s no reason they need to look sterile. If you still need the appearance of real paper, here is your answer from The Photoshop Roadmap informational resource website. Their Paper Backgrounds are a collection of 25 unique paper textures in high resolution (1181 x 1654 pixels) image files, available for online purchase and download. A sampling of the complete set is shown here. Imagine using these as background textures for invitations, online resumes, creative image composites and more! While you’re at the Photoshop Roadmap website, read up on the latest in Photoshop plugins, check out the many tutorials and take advantage of the ongoing special offers. If you’re like me and you create, collect and store thousands of digital files, you need some powerful solution for managing them. Extensis Portfolio 7 continues the Extensis tradition of offering professional level digital asset cataloging with ease-of-use. End your image management chaos now! Portfolio 7 enables you to search for specific images on your system using keywords, browse stock photo catalogs without needing the original CD, create image slideshows, build image collection websites, burn images directly to CD or DVD, extract and embed metadata and much more. Art Parts recently released CD-RON 6 of their unique wacky and wonderful illustrations. Portfolio 7 made it very easy to scan the entire CD in one shot, after adding the images to a Portfolio catalog (as shown above). The preview window enlarges a selected image file for closer examination. To create the Art Parts scenic on page 13, I simply dragged-and-dropped thumbnails from the Portfolio 7 catalog window into Canvas, placing the actual artwork directly onto the page (bypassing the native Canvas methods). An exciting capability of Portfolio 7 is Portfolio NetPublish. Now you can dynamically publish your Portfolio catalog to a server, where multiple users can access the image collection via the internet, and download image files as needed. There’s no need for your staff to understand web programming–Portfolio provides all the tools and templates. Write DVDs and CDs right from Portfolio! www.extensis.com You might consider macXware’s Mac applications as healthy snacks for your Mac! They offer several small OS-X applications to help you with your daily productivity needs. At right is MacBurn, a low cost, full-featured CD/DVD burning application. Erase CDRW discs and make disc images too! At far right is AppSwitch, part of the MacPac, a handy way to switch among running applications from the menu bar. www.macxware.com RadicalSqueeze (above) takes your files and folders and makes compressed Zip, Tar and GZip files out of them. Great for saving bandwidth when emailing or space when archiving your work. MacCabinet (right) solves the common problem of stray files all over your desktop. Simply drag files and folders into the customizable window, and your desktop is clean! For basic image enhancements and adjustments, RadicalPhoto (left) does the trick, with settings for Levels, Hue/Saturation, Ef fects, Motion Blur and Rotate/Flip. The interface is so simple young children can even learn the tricks of image editing with it. RadicalPhoto can read and write the JPEG 2000 format, along with BMP, JPEG, MacPaint, Photoshop, PICT, PNG, SGI, TGA and TIFF. FontManager (bottom left) can locate and preview fonts in your collection. Once you find the appropriate font, you can activate or install it. Preview the font’s appearance by typing a custom text sample in the preview window. The fonts shown here are from the MoreMacFonts collections. If you have a need for a quick logo or letterhead, The LogoCreator is the simplest means! Select from a m o n g m a n y i n cl u d e d t e m p l at e s a n d a r t i s t i c elements (or import your own), combine with custom text, export as PDF or an image file. The new LogoCreator Expansion Pack (samples shown below) increase the available number of artistic elements. macXware: Snacks for your Mac! www.designsbymark.com It’s great to be able to watch training videos for your favorite software, but you run the risk of falling asleep with your head on the keyboard. That’s NOT going to happen with these 101 Totally Awesome Photoshop CS Tips! Mark warns that “This DVD may permanently change the way you think about Photoshop forever” (in a good way). There’s Photoshop training, and then there’s FUN Photoshop training! Mark’s high-powered delivery will keep you alert and learning as you tackle such subjects as Photo Retouching and Repairing, Special Effects, Enhancing and Polishing Images, Correcting Exposure and Color and Productivity. Which pretty much covers all that’s important. It’s obvious Mark knows his stuff, as evidenced by the industry credits and free tutorials on his website. If you’re not up to speed in Photoshop, with him you soon will be! To get a pure Photoshop training jolt preview, check out t h e f r e e o n l i n e s a m p l e v i d e o s f ro m t h e DV D a t http://designsbymark.com/marks101tips/! Very cool -- thanks man Andrew Welch, el Presidente, Ambrosia Software, Inc. Thank you very much! This is the first time I’ve ever seen this pub. Sweet zine you have there! I’m kinda partial to bright colored material with lots of things going on. You‘re singing my tune. =) Sam Crutsinger, Media Kingpin, TackyShirt Great job on #16, it looks great as usual! Thank you for your continued support of our products, I love the way that you present the Canvangelist, and you always do a great job reporting on our filters. Josh Haftel, Product Manager, nik multimedia, Inc. I appreciated visiting your site and your work. You deserved that coverage! I really like Canvas...it always cheers me up to see Canvas thriving in the digital world. Cesar Alsina, www.graphicbiz.biz Thanks for the nice reviews. If you are interested, I added a new page on my website that talks about skin color in a little more detail. Kirk Lyford, www.phototune.com/skintune_tech.html Thanks Mike, I really enjoy the Canvangelist. Thank you for your continued support. Jason Zazzi, Marketing Manager, Andromeda Software, Inc. New from you software is You Control Fonts, a great way to preview your many fonts in their original typefaces and organize them by families, favorites and sizes. Here I am previewing part of the macXware MoreMacFonts collection. www.yousoftware.com Thanks for the reviews, it‘s greatly appreciated. Jim Tierney, Digital Anarchy I was looking at the latest Canvangelist just today and thinking what a great piece of work it looked. BTW: Love the graphic styling of the website!! I‘ve always felt, with the possibilities of the web, it a shame that sites look so mundane and uniform. David Coombes, Little Ink Pot Software Well, you’ve gone and done it. Are you an overachiever or something? Everything sparkles with cleanness–and lots of fun to go through some of the stuff. Really informative. Thanks for letting us in on it. Darlene Gilligan email the Canvangelist! mike@canvangelist.com Night ocean scene created with Digital Element’s Aurora 2.0