Progenitor 2010 - Arapahoe Community College
Transcription
Progenitor 2010 - Arapahoe Community College
Progenitor 2010 Art & Literary Magazine Volume XLVI Arapahoe Community College Littleton, Colorado Staff & Acknowledgments Progenitor Staff Editor Assistant Editor Assistant Editor Literary Director Literary Assistant Art Director Managing Editor Graphic Designer Advisor Cheryl Leung Anthony Cox Hayden Raven Hathaway Dee Duerksen Haley Livermore Matt Fjelsted Jeremy Livermore Mary Heinritz Chris Ransick Acknowledgments Smoke Art Graphic Design Art & Design Assistance Advertising ACC Writers Studio Nick Burrusch Aileen Gaumond Thomas Lin Kasha Michalska Romancing the Bean Starbucks Arapahoe Avenue Dr. Kathryn Winograd Many thanks also to all those who submitted their stories, poetry and art to the 2010 Progenitor. i Contents: Art Clare 1 Joan Lee A Night in Venice 6 R. J. Mariano The Chef 9 Joan Lee Leaving Hope 21 Jonathan Reyes They Live 25 Addie Johnson Athena 30 Cilla Englert Doumo 35 R. J. Mariano Nude 41 Joan Lee Composition N1 46 Olga Esquibel Reclining Model Jen 57 Bob Barr Contemplator 60 Joan Lee Sun Over Kansas 63 Aileen Gaumond Contents: Literature Jack’s Dad 2 Peppered Molasses 12 Ellen Schroeder Mackey Inner Light 13 Linda Lay Pessimism & Optimism 16 Leah Hill Uninvited Guests 17 Courtney James Fried 24 Ellen Schroeder Mackey Going to Seed 26 Ginny Hoyle Pigeon Toes 27 Margie Warsavage Murdering the Innocents 32 Sophia Baldwin Ninety-eight Degrees 33 Lynn Wagner Immortality 37 Rachelle Hubbell After the Bullet Rain 38 Chadijah Siregar Ronald L. Lloyd Sandbox Dreams 49 Evan Salvador The Last Shot 52 Rowena Alegría iv “Dad! Hey, Dad! Dad? You in there?. . .Dad?” I could hear Jack hollering at the kitchen door. He was coming by to check up on me. I’d had chemo the day before, and Christ, talk about the cure being worse than the cause, the cancer. He had driven me through chilly fall rain over to Des Moines for my third session, and hung around until I told him to get the hell out of there since there wasn’t anything he could do while I was hooked up to the dripping poison. That’s really what it is, you know. Poison. It’s supposed to kill the cancer cells, or at least slow them down. Unfortunately, it does bad things to everything else, too. I debated whether to bother with the whole damn thing. I’m over seventy and pretty near useless anyway. Finally, I went to the doc, who comes to North Fork on Tuesday, to get some pills for what I thought was just one of those flus that comes in from Asia with the birds. So he says he wants me to have some tests. That is always a bad sign. I have never needed to go to a doctor, except when I broke something on the job, or got cut bad enough to need stitches. Jack had come back smelling a little beery after the four hours I was connected to the poison machine. We had made the forty-mile drive back to North Fork mostly in silence. We each smoked a couple of cigarettes. Another couple of smokes weren’t going to make any difference to my health. The damage had been done already. Jack had given them up a few times, but usually Facing Page: got back into the habit after one of his divorces. He dropped me off at the house, wanting to know if I wanted to go down to the Corner Tap or Dusty’s Café for some supper, instead. “No thanks, son,” I’d answered. “I think my own company is all I can stand tonight.” I was lying on the linoleum floor in the bathroom, had been since about 3:00 a.m. It was daylight by then, just what time, I wasn’t sure. I’d had to pee. I made my way into the bathroom and just fainted dead away, like a woman, right in the middle of relieving myself. I must have slid down around the stool in a heap, in about half the puddle that hadn’t made it where it was supposed to go. When I woke up, I couldn’t move much, except to shiver. I had not been like this on a bathroom floor since I was a kid, after too much beer. I tried to get up, but I was just too damn weak. I was about to get part of that old, pink, chenille rug pulled over me, and then I must have passed out again. Ronald L. Lloyd Jack’s Dad I lost the wife, Marylou, about five years ago. She was lucky, like in Kenny Roger’s The Gambler song, “the best that you can hope for is to die in your sleep.” She had an aneurism that just decided to pop during the night. I’d got up to get ready to go to work—I was about ready to retire—and after I shaved, I went back in to say goodbye, and she hadn’t moved. I just sat there with her for a while and cried. There wasn’t much use to be in a hurry to call for the Emergency Medical Technicians. Clare by Joan Lee Ink Wash 18” x 24” 2 Jack’s Dad She was already cool to the touch. She had been a good old girl. We had never had much, but we got along pretty well, once we learned to tolerate those little things in each other that weren’t likely to change. I had always wanted to farm, as dumb as that may seem. There was just something about hitching up a tractor to a plow or disk, tearing up the ground, and then getting something to grow. So, after I got back from Korea and we got married, I worked around as a hired man for different farmers for a while. Finally, I rented the old Wilson place north of North Fork. There was a forty with a decent shallow well, a run-down house, and equally run-down barn and out-buildings. None had seen paint in some time. The farm had a lay-down eighty-acre piece which was all tillable, although Old Man Wilson had farmed the crap out of it before he quit, just wore it out. I borrowed $2,500 from Myron at the North Fork State Bank, bought a used Farmall “H” tractor and a three-bottom plow, found a disk and a harrow at a farm sale that winter, and I was in business. Well, you know how it is. I was bull-headed. I kept struggling along, trying to guess when to buy a few head of feeder calves to feed corn to, or breed some old sows, thinking the hog market would be good next year, and driving the township gravel truck to tide me over until I sold something. I would hope it would rain because it was too dry, or wouldn’t rain if there was hay on the ground, or wouldn’t hail because I couldn’t afford the insurance that year. We had our first son, Bob, in ’55, and Jack in ’57. Marylou had “female problems,” so after Jack was born, the doc said she couldn’t have 3 any more kids and that was that, as far as family was concerned. That was all right, I guess. We couldn’t have afforded any more, anyway. Marylou waited tables at Dusty’s Café on Main Street, and that helped a lot. We hung in there on the farm until ’67. The Wilson kids, who had inherited the place and had moved away to bigger and better things in the city, finally decided to sell the land out from under us. But, it was their land. They could do as they pleased with it, and we couldn’t afford it. We had a farm sale for the equipment and the assorted junk we had accumulated over the years. It was a miserable January day with the machinery all lined up in the barnyard, and tools and junk on hayracks as usual. All the neighbors stood around in their earflap caps, shitty coveralls, and insulated boots, smoking cigarettes and pipes of Velvet, nodding their heads when they wanted to bid on something. The wind was blowing out of the north about fifteen miles an hour, so most folks stayed in the corner of the machine shed. The Ladies Aid Society from our church had set up a lunch stand there with sloppy joes, home-made pie, and coffee for sale. It was a tough day. Regardless of all the forces out there beyond our control, I still felt like a huge failure. I think the boys, being twelve and fourteen, could sense how Marylou and I felt. We had to find a place to live. There was this little house on the east edge of North Fork along the old highway. It was one of those tiny, cheap prefab deals popular after the war in the ’40s, ordered through the lumberyard and shipped out in pieces. It was just a matter of digging a hole, slapping in a cement block foundation wall, and nailing the walls together. We had enough cash Jack’s Dad after selling the farm implements for a little down payment. I talked to Myron down at the bank, who appreciated the fact that I always paid back my operating loans during the ten years of farming. I had a line on a couple of jobs, one of which came together. Shortly, we were the proud owners of a house in town and the mortgage that comes along with it. It had two bedrooms the size of closets in new houses nowadays, a living room with space for a small dining table in one end, and a kitchen. It did have running water, with a toilet and shower in the basement, which was better than the places either Marylou or I had lived in as kids. A few years ago, we popped a little addition out the back for a real bathroom and a laundry room. We were used to small, so we didn’t make those very big either. I was hoping Jack would get his butt in the house pretty quick. I was getting stiff as a corpse, and even though I was probably going to be one soon enough, I wanted to get warmed up again first. Things were kind of blurry. I tried to holler back at Jack, but I couldn’t. I could move one arm a little, but that was all. I had quit shivering, and finally figured out I’d had a stroke, on top of the cancer. “Jesus, Dad! What’s wrong?” I would have responded if I’d been able, but Jack had finally found me. The tricky part was getting my useless legs pushed out of the way of the door in that damned puny bathroom, and then him squeezing through the door without stepping on me. I raised the one arm that worked a little, but it fell back behind me on the wad of bathrobe and chenille rug. He finally got in, and lifted me to a sitting position, propped against the wall like a doll. I had got down to about 135 pounds, which isn’t much for 5’10”, so it wasn’t too tough. I hadn’t realized it before, but my bowels must have relaxed, too, and I had messed myself besides having lain in a pool of urine for about five hours. “Dad, talk to me. What happened?” He squinted at me like he was nearsighted, but didn’t comment about the smell that must have been a little repulsive. I tried to say that it didn’t much matter what happened, but all I could feel was my lower lip sort of twitching and pulling sideways to the left, and some drool slipping out and down my chin. “We got to get you out of here. I’ll get you to the bed and call the ambulance.” That made sense to me, although I couldn’t say so. Jack was still pretty strong for someone near fifty, having not backed up from the trough much lately, and not having a physical job. He reached under my armpits and pulled me up on the stool. He kicked the door all the way open and dragged me like a sack into the bedroom. It was closer to each other than we had been in years. He let me down gently onto the bed and threw some covers over me. “I’ll be right back.” We only had one phone, and it was in the kitchen. I could hear the clack of the phone buttons being pushed. “Margie, it’s Jack. My dad’s had a spell. I need the ambulance out here at his place.” There were a few seconds of silence, then, “You’ve got to be kidding!” 4 Jack’s Dad A few more seconds of silence, and then the crash of the receiver. I’ve always been impressed with the durability of phones. They hold up better than a ball-peen hammer. “There’s been a wreck down on the interstate, and they’re already hauling a guy to Des Moines.” I figured he would come up with a plan. I wasn’t in any pain; I just couldn’t move anything except my left arm a little, and the left side of my face could grimace. At least, that’s the way it felt. “You just hang on. I’ll have to haul you to the hospital myself.” He stormed out of the room, down the hall, and out the kitchen door. I could hear the screen door slap shut. Jack had a big old rusted-out boat of a Mercury that I could hear him cranking up. The muffler was shot, so I could tell that he was pulling it up on the grass, close to the door. The spring on the screen door screeched, and Jack came huffing into the bedroom. He made a mummy out of me with the bedclothes and hoisted me up on his shoulder. Somehow, he got me down the hall and through the kitchen without banging my head against the wall. The old Merc had bucket seats, and he had reclined the passenger side partway. “I’m going to throw you in up here with me, so I can keep an eye on you.” Yesterday’s rain had turned to snow overnight. A couple of inches had accumulated. It was of the fine sand variety, stinging any bare skin exposed to the north wind. He slipped the transmission into reverse and spun back off the snow-covered grass onto the gravel, pulled it down into drive, and commenced to dig 5 a couple of holes in the driveway before pulling onto the old highway heading west into town. He had driven like that ever since he was fourteen. I could just see the naked tree limbs in the front yards of the mix of houses along Main Street, and then the tops of the commercial buildings as we got downtown. We flew by the feed store, Dusty’s Café, the long-closed dime store, and I could just see the top of the bank building, now renovated into the Corner Tap. If anybody was looking, I expect they wondered what the hell Jack was up to, doing forty-five down Main in the snow, with a mummy in the front seat. “Screw it,” Jack hissed. I could see the bright, red lens of the old‑ fashioned overhead traffic light flash by as we took a hard left through the town’s main intersection. We were subject to a fifty-dollar fine already, I thought, as the left corner of my mouth moved up slightly, trying to smile. Jack had not bothered about cinching me in with a seatbelt. There was nothing I could do to keep from pitching over against the door as we slid into the turn. I rolled back abruptly as we headed south. The old fourbarrel carburetor moaned, sucking air as Jack tromped the accelerator. “Dad, remember that day when old Dewey had me and Billy Anderson pulled over here for dragging from the stoplight after school?” I remembered. Dewey was about sixty at the time, and kind of an oversized Barney Fife. The high school, an old brick pile situated just north of the intersection, closed not long after Jack graduated. Dewey usually parked along a side street where he was visible in his cherry-top black sedan. That day, he was just coming into position A Night in Venice R. J. Mariano Digital Photograph 6 Jack’s Dad as the light changed. Neither Jack nor Billy could see him, so they peeled out side by side on the green light, heading south out of town. Jack told me Dewey didn’t even have time to stop. He just turned south after them and lit up his cherries. I happened to be coming north from my shift at Magic Plastics on down along I-80, just as he got them shut down. Jack wanted to disappear, but I just drove by, smiled, and waved. It looked like Dewey had things under control. Like I said, Jack had driven that way forever. That episode cost him fifty bucks, and he'd regularly contributed to city, county, and state coffers ever since. Two minutes later, we were at the interstate. I couldn’t see out well enough to tell how many cars were at the Antique Mall, formerly the Magic Plastics building. Both Jack and I had worked there when it was a going concern. “I wonder how that old sonofabitch, Wendell, is doing,” Jack muttered. I supposed he was doing all right. Wendell had started Magic Plastics with some inheritance money, and built it into a good business. Eventually, he and his secretary had run off to one of those resort places in Mexico, after he had secretly sold the business. The new owners couldn’t make it go, and it folded in a couple of years. A bunch of us were left without work. Wendell is probably down there sitting on a beach sipping margaritas. I didn’t feel as strongly as Jack about old Wendell. There were times when I had wished I had the money and guts to run away to Mexico. Or even that much imagination. Jack slowed down the Mercury enough to make the entrance ramp onto eastbound I-80, and then he tromped it again as he hunched up over the steering wheel. We fishtailed a bit, but he 7 Jack’s Dad straightened it out. It is a good thing for Jack that your smelling sense kind of shuts down if the source of the odor doesn’t go away. I imagined the car smelled like the county nursing home, where I did not intend to go. But then, I realized if I didn’t get unparalyzed, I might not have anything to say about it. Jack pushed the heater control to the max position, and turned the fan on high. I couldn’t feel it, except on the left side of my face. “Have you talked to Bob this week?” He looked over at me, and then must have realized there would be no response. Or maybe he thought it was like keeping someone from going into shock: you keep talking to them and trying to get them to respond and stay awake. That was from the first- aid classes we had taken while at Magic Plastics. I tried to say something, but just drooled a bit more. I suppose my state of being was a little like when people talk about near-death experiences. You’re up there, looking down at what's going on around you. What I saw was this fifty-year-old guy going to seed, hauling his old man to the hospital, wondering if the old fart was going to make it. And I wondered, if I didn’t, would he pull off at the next exit and just sit there for a while, like I did when his mother died? Bob was an escapee, I guess you’d say. He had gotten out of North Fork. You never know why some people succeed, whether it’s a teacher or preacher, or just how things around them affect them somehow. Maybe Jack didn’t get too far because Bob was a tough act to follow. Bob was Mr. Straight Arrow, a star in all the sports they had at North Fork High: football, basketball, and track. He was also the salutatorian of his class. He got a scholarship to Dubuque, where he played some sports, got good grades, and decided to continue at the seminary after he got his bachelor’s degree. Lord knows, we didn’t have any money to help him. Marylou probably encouraged him more than I did. We never liked anybody being uppity, which, to me, meant being a working stiff was good enough as long as you were honest and worked hard. But, I guess Marylou thought that as long as you didn’t forget where you came from, getting ahead a little was okay, too. We were slipping a little going up the hills in the snow. It was one of those trips where your rear end puckers up. But I couldn’t even tell if I was puckered. I was afraid Jack would need the hospital, too, if the car swapped ends, slid down one of those steep embankments, and rolled over. The Department of Transportation trucks had been out. You could see the little snow windrows on the edge of the highway, but the snow was staying ahead of them. I could just see out across the rolling, terraced corn fields about a quartermile. I always marveled at the money it must have cost to move all that dirt for the terraces so the good soil wouldn’t wash down the creek. When I farmed, you just worried about the rows looking real straight, regardless whether they went straight up and down the hills. “I saw Kelly at the Corner Tap yesterday after we got back. She said Annie and Marty, a boy Annie met at school, are going to have a kid.” Kelly was Jack’s first wife, his high school sweetheart. He got her pregnant, of course. He could always manage to do that. Annie was their daughter’s daughter, our great-granddaughter, eighteen years old, I think she is. I wanted to tell him they were too young. But I’m sure he knew that by now. Kelly and Jack’s marriage had not 8 The Chef Joan Lee Pastel 18" x 24" 9 Jack’s Dad lasted more than a couple of years. They had to get married that summer after high school. Their little girl came along in January. Kelly had gotten fat while she was pregnant and stayed that way like many women do. Jack just wasn’t ready to be tied down. His mom and I tried to get him to hang in there with Kelly and the girl, who they named Lorna, but that wasn’t enough. You think you’ve raised a kid to be responsible, but with Jack, it didn’t take soon enough. It looked to be something that got passed down, no matter what you did. Kelly finally got fed up with Jack being out hootowling every night and got a lawyer. Kelly was a tough woman. Whenever Jack was behind on child support, she would go down to the Corner Tap with Lorna in her arms and confront him right in the tavern in front of God and everybody and chew him out royally. He would then cough up the money he owed her. “Annie and Marty are living together in Ames. He’s a sophomore at ISU, and Annie just started last fall.” I flat couldn’t believe little Annie was pregnant. This was going to make four generations of too-early babies. I wondered if they would get married. Regardless, it meant I would be a greatgreat-grandfather. At least I wouldn’t have to worry about being in one of those five-generation group pictures you see in the local papers. I knew I probably wasn’t lasting another nine-months. That situation was interesting enough, but to me it meant the great-great grand-person was really old, and too many people had gotten married way too soon. I must have gone unconscious for a while. Then, I heard through the rumble of the Mercury’s muffler and the fog in my brain, “I really miss Mom, you know. I never knew anybody who worked harder than she did.” He was right about that, for sure. I always worked at my job hard enough, but when I got off, I liked to have a beer and take it easy. She had always had one full-time job and something else going besides. She had a garden every summer. She canned and froze vegetables from the garden, along with fruit from the trees that she made me plant right after we moved into the little house on the edge of town. I’d spade up the garden plot for her, but after struggling and not making it farming after years of trying, I just couldn’t get into being a garden-and-yard man. She put up a sign along the road in front of the house to sell the extras. Not just a white board with “Corn” or “Beans” slapped on with a twoinch brush, but she went down to the hardware store (we still had one then) and bought a stencil set and lettered up a real nice sign. Then, one spring she got me to build a fancy vegetable stand right by the driveway. When she had to go into work at Dusty’s Café for the supper shift, she would leave out the produce and a gallon pickle jar with a slot cut in the top for money. The honor system. You sure as hell couldn’t do that nowadays; the meth heads would scrape out every last penny. Part of the time, I would be working second shift at Magic Plastics, or just having a cold one down at the Corner Tap. “I know I disappointed you and Mom. I know I should have kept my pecker in my pants and gone on to school,” Jack said as he looked toward me again. 10 Jack’s Dad We had to be getting close to Des Moines, but I couldn’t read the signs. The wind had picked up again and plastered the signs with snow. We had never talked much, me and Jack. To me, it was all right if he just got a job, got married, and raised a family. He thought he and I didn’t say much to each other. Hell, my old man did most of his talking to us kids with the back of his hand, or with his belt. Finally, the snow let up a little, and I could see some of the high-rise apartments and office buildings off to the south of the highway. I could see we were passing under I-35, which comes up from Kansas City and joins I-80 on the west side of town. The snow was swirling up under the concrete of the overpass. There’s an off-ramp from I-35 for those wanting to head east into downtown Des Moines. “I know I should have stayed married. I just diddled around and got by, and stayed in North Fork. I know you told folks I didn’t have any ambition like Bob had.” Yes, he should have stayed married, but it was fine if he stayed in North Fork. “Oh, shit! What is that idiot trying to do?” There had been work at Magic Plastics, and elsewhere, when they shut down, if you could stand a cut in pay. No, I don’t think I ever said he didn’t have as much ambition as Bob. I think he just built it up in his own mind when I would say something positive about Bob. I had realized pretty early that Bob was Bob, and Jack was Jack. We were going through a hilly stretch. Jack had tucked in behind a Walmart semi; I could barely see the top of the W. It was batting right along, and Jack must have decided he would let the Wally driver run into whatever was in front hiding in the snow, which was getting heavier. I could hear and then see another semi coming up alongside us. We rolled and slid along like that for a while. I was never comfortable being boxed in like we were. 11 I couldn’t see the car coming on the ramp from the south. But I did feel and hear the sickening bump of two cars in the same space at the same time. In my mummy wrap, I rolled toward the door and banged my head on the window. I felt the Mercury start to spin around like a slowmotion carnival ride. Jack was furiously cussing and working the steering wheel, but we were out of control. We slid off into the slight ditch beyond the entrance ramp and on across the lumpy, snow-covered grass. As we came to a stop, we were all jumbled up with Jack falling over me. The car was still upright. He grabbed the steering wheel and pulled himself back into his seat. “Dad! Dad! Are you alright? Dad! I love you!” I could just barely feel the tear sliding down my left cheek. She beat molasses spiked with pepper dust And cracked the eggs against the smooth glass bowl. A biting, ruthless line of Pfeffernuesse The nut-brown discs lay splayed on spicy souls. She rolled exotic anise, star-infused White licorice pillows stamped with square reliefs. Smart Springerle, brick-baked, soon stand accused Tooth-breaker, hard on hard, each bird and leaf. He tapped the granite cookie on the plate. "Why's everything you bake so hard and dry?" He gnawed the concrete-cornered sweet, his fate. "My mother used to make these tenderly." "As soft and bland as applesauce, what pap! No spine," she crunched as eyes of ginger snapped. Ellen Schroeder Mackey Peppered Molasses 12 Linda Lay Inner Light When darkness tries to overwhelm my soul As gray of skies prevents the yellow sun, I find a way to make the scattered whole By giving in to laughter and some fun. I cannot change the dreary light of day, Or make the seasons bend to my command, But in my mind I choose to make a way To work with mental powers or with hand. ’Tis much more pleasant to give rise to hope Than let the fickle sun decide for me. Besides, it gives a broader, vaster scope And opens varied opportunity. While snow or rain may dim the sun’s fine power, I live in light each minute and each hour. 13 Optimism Selfless love exists It’s stupid for anyone to think that They are all on their own Everyone will feel that We look out for one another One can never claim that Death by suicide will be normal In the future I will love, and be loved I cannot imagine that Thirty years from now only lust, not love, will exist Sociologists say that This is a selfish society But this hasn’t been what I’ve experienced People have said that they love you Ever since childhood Allow me to elaborate Love Is what you find when you expect Solitude I am right, because Pessimists know that They don’t matter In the future, I’ll tell people that “You can never belong” Is a lie, and “You are never alone” You may not have realized this, however You may not have realized this, however “You are never alone” Is a lie, and “You can never belong” In the future, I’ll tell people that They don’t matter Pessimists know that I am right, because Solitude Is what you find when you expect Love Allow me to elaborate Ever since childhood People have said that they love you But this hasn’t been what I’ve experienced This is a selfish society Sociologists say that Thirty years from now only lust, not love, will exist I cannot imagine that I will love, and be loved In the future Death by suicide will be normal One can never claim that We look out for one another Everyone will feel that They are all on their own It’s stupid for anyone to think that Selfish love exists & Leah Hill Pessimism 16 Courtney James Uninvited Guests “Sounds like she was a prissy-foot, doesn’t it?” the woman whispered in a conspiratorial tone to Mildred. She leaned over and whispered in the other woman’s ear. “Fine, you got me. I have no idea who this woman is; how did you guess?” Mildred’s eyes widened slightly and she looked at the woman next to her in the pew. “Well, I don’t think they are exactly doing Vivian justice, is that what you mean?” “Ha!” The woman let out a little spurt of triumph that was a touch too loud for her surroundings. She looked around to make sure that she had not attracted anyone’s notice, then turned back to Mildred and hissed, “Because this is the third one of these things that I’ve seen you at, that’s why, and there isn’t a connection among any of these dead people that I can think of. And it’s not exactly like they’ve all been on the same side of town or anything.” The woman frowned and leaned away from Mildred slightly, as if she was far-sighted and trying to bring her into focus. “I would have sworn. . .” she leaned in closer, her gaudy red lipstick and painted-on eyebrows causing Mildred’s stomach to shift slightly. “You didn’t know her either, did you?” “Of course I knew her!” Mildred retorted, fidgeting uncomfortably. “Why else would you come to one of these things?” “Well, I didn’t know her. I just like memorial services, that’s all. I come to them all the time. You just don't look like you belong here either. Sorry.” She turned away from Mildred huffily. Their mutual silence resumed as a mousey little man of about forty took the pulpit for the next eulogy. Mildred was feeling increasingly ashamed of herself. She took a breath as though she were about to speak, but then thought better of it. “Well, I’m not sure what more I can add about Vivian,” the little man was saying, “Everyone else has pretty much summed it up. Vivian had a lot of influence in all of our lives, and it will be interesting to see how we, er…get along without her. So, without further ado, I’ll let Father Marcus lead the closing prayer.” As he fled the pulpit, Mildred was compelled by a spurt of honesty that she would instantly regret. 17 Mildred sat back and looked straight ahead of her, aghast. Ever since she’d adopted this hobby, she’d been careful not to be found out. It not only infuriated her that she had been discovered by someone who was doing the same thing, it infuriated her that anyone else was doing it at all. She glanced at her companion a time or two before she finally responded a little nastily, “What do you think you are doing, taking advantage of these grieving people’s hospitality?” The woman let out a shriek of indignation, causing a bald man in front of them to turn around. Mildred quickly shoved her hanky in the woman’s face and murmured reassuringly to the man, “I think I’d better take her out of here for a few minutes, it’s just too much, poor thing.” She took the woman who, by this time, was sobbing a little too obligingly, by the arm and firmly led her out of the church. As soon as the door shut behind them, the woman pocketed the handkerchief. “Now if that isn’t the pot calling the kettle black! Taking advantage of their hospitality, indeed. Hmph.” Uninvited Guests She turned towards the sidewalk and gestured. “It’s such a lovely day, shall we go have some lemonade? I saw an adorable little café just down the street. By the way, what’s your name? I’m Frances.” She thrust out her hand with something of the air of a little puppy-dog that was just dying for attention—albeit a pudgy, middle-aged puppy-dog with painted-on eyebrows. Mildred drew back almost involuntarily, clutching her purse to her chest to avoid shaking the woman’s hand. Mildred couldn’t think how to extricate herself from this situation. “No!” she finally exclaimed. “What?” “Everything!” Mildred gestured expansively. “I don’t want to tell you my name, I don’t have to have lemonade with you, and I don’t want to see you ever again, do you understand?” Frances looked at her in shock, her painted eyebrows raised high. After a moment, she said, “Good grief!” and stalked off, clutching her large white purse. Mildred reached home in a state of excitability. It wounded her pride that anyone beside herself should make a hobby out of attending memorial services. It was a sophisticated hobby. Not just anybody would appreciate, or even understand, such a hobby. To find someone with such bad taste stealing in on her pastime was distasteful and offensive, in the extreme. Not to mention the fact that Frances had unsettled her enough to make her lose her cool, something that Mildred was careful not to do too often. As she parked her green Buick in her driveway and pushed the car door open, she already had determined to put the incident out of her mind. It was the only thing she could do. After all, perhaps she had misunderstood the woman. Maybe she didn’t attend memorials as a hobby, maybe she had known all the people at whose memorials she had seen Mildred. But it was doubtful she would have thought much more about Frances, even if she'd wanted to. As soon as she walked in the house, she could see the red light flashing on her answering machine. She hit the play button and went to hang up her coat. Immediately, she was confronted by her sisterin-law’s hysterical voice saying that something had happened to Richard, Mildred’s brother. It sounded like he’d had a heart attack. Almost two weeks later, Mildred was in a funeral home, standing at the front of the room, just off to the side from the table that held a portrait of her brother and the urn that contained his ashes. She felt faintly nauseous from the scent of too many cut flowers, or maybe from listening to the condolences of well-wishers as she held her place in the reception line. She pulled her mind back to the person that was speaking to her, the woman who had lived across the street from her brother. “He was washing his car, you know,” the neighbor was saying. “When he first fell, I thought maybe he had slipped in the soap or something, though I did think he kind of acted funny just before that. Then I realized he was clutching his chest, and my word, I was just scared out of my wits. I never saw anybody have a heart attack before, and I wasn’t sure if I should go over there to him or call 911. I just didn’t know what to do! Finally, Stanley came in the room and said—” Not really wanting to hear this again, Mildred looked past the neighbor’s shoulder and saw a flash of garish red hair. She had noticed it earlier, too, but hadn’t had time to make the connection. 18 Uninvited Guests Now, however, she could see this woman was definitely past middle age, but unlike Mildred’s closely trimmed layers, this woman sported a stiff, overblown perm. The woman turned her face toward Mildred, affording a glimpse of her unmistakably gaudy lipstick. Mildred drew herself up visibly and turned her attention back to the annoying neighbor. “Yes, my dear, I’m sure you did the very best you could for him. The doctors say it wouldn’t have made any difference; it was just his time. I’m afraid you’ll have to excuse me now, I see that someone in the back needs my attention. Be sure to get some of those éclairs before you go.” She hurried back to the table where she had spotted the interloper, and advanced upon her. Almost as soon as Mildred had identified her, Frances had also recognized Mildred and realized that she had made a big mistake. By the time Mildred reached Frances, she was actively participating in a conversation with Mildred’s cousins about colonoscopy experiences. Mildred smiled appropriately as she gently slithered into the group. She took Frances’ arm and sweetly said to the group at large, “You’ll have to excuse us for a moment,” as she led her out into the hall. “Listen, I don’t know whether you were aware that I was involved with this service or not, but it doesn’t matter. You need to leave right now,” Mildred said as she propelled Frances down the hall toward the exit. “I don’t see why,” was the response. “Because I know what you are doing here and I don’t like it. I don’t want you here gawking at my family and friends. You have to go.” 19 Uninvited Guests “I was getting on quite well with your family and friends back there, and I think you’ll have a lot more questions to answer if you kick me out of here than you would if I stayed.” you don’t come back in. Come back in for a few minutes, but as soon as you can slip out without attracting attention, please do so. And wipe that ridiculous lipstick off your face.” “I don’t believe that,” Mildred said slowly, mentally evaluating what the chances were of this gaudy woman fitting in with her acquaintances. They were frighteningly good, she decided. She started to walk away, but turned back as a new thought struck her. “Just in case anyone asks me about you, what name are you using today?” “And besides that, missy, I’d like to know why you think you get to be so high and mighty with me. I’ll wager you’ve done the very same thing more times than you can count. If it’s good enough for you to do to somebody else, then it’s good enough to be done to you, as well. Not that I’m quite sure what it’s doing to you, anyway. It’s not exactly like I’m a young bimbo swooping in to give your brother’s wife a scare. I’m just a harmless, bored old lady like your—” Mildred’s indignation, which had been mounting with each word Frances uttered, reached its peak and her hand flew up and struck the woman across her face, smearing the tacky lipstick up above one side of her mouth. Mildred was instantly horrified at her own actions and started to raise her hand to her own mouth. Just in time, she noticed the woman’s smeared lipstick, and awkwardly lowered her hand to her side, where she kept it held out slightly so that it wouldn’t touch her dress. She didn’t know what to say after that. She was too ashamed of herself to continue to be rude, but it was impossible to apologize. Frances just gave her a deep, throaty chuckle, which unsettled Mildred even more. “I’m sorry,” Frances said, “Perhaps I was a little too rude there, given the circumstances, but the truth hurts.” “I shouldn’t have struck you,” Mildred managed stiffly, “and I suppose people will think it odd if “My name is Frances.” “Is that your real name?” “Yes, that’s my real name,” she said, mocking Mildred’s disdain. “You use a fake one at funerals, then? I’ve always found that honesty is the best policy.” Frances sniffed with exaggerated dignity. Her appalling makeup kept her from achieving quite the desired affect. “Hmph!” Mildred stalked back into the room where the service was being held. She paused inside the door at a table of hors d’oeuvres and picked up a napkin to wipe the lipstick off her hand. It made a stain that, with her present guilty conscience, reminded her of blood. She tried to wad the napkin so that it wouldn’t show in the trash can, and headed back up to the front of the room to stand beside her sister-in-law with an appropriately wan expression pasted on her face. Her mind wandered back to Frances as she stood and talked to people, comforting those who had come to comfort her, as she had always thought of the ritual. Somehow, this service seemed to have less meaning and necessity than it had when she’d watched other people’s services. It wasn’t as though she hadn’t been an active participant in one before; she’d buried enough family members and friends for this to be as routine an event as it ever could be. Maybe that’s why she had such a curious detachment and interest in attending other people’s services in the past few years. 20 Leaving Hope 21 Leaving Hope Jonathan Reyes Oil on Panel 47-3/4" x 23-3/4" 22 Uninvited Guests But today was different. She couldn’t help thinking about how that boorish Frances was part of this gathering, not only observing and deriving entertainment from noticing the trends of human behavior, her family’s behavior, but also mingling and getting along famously with said family. To have a perfect stranger blend in, and become a vibrant part of an event like this, made her realize how pointless the rhythms and rituals of memorials can be. Certainly, they could bring comfort to those left behind, but like any ceremony, they could also seem like a formula to be worked through, solely for the point of showing your work on a piece of paper. They had to be conducted simply to prove that you cared, but even if you didn’t, even if you were an interloper like Frances was today, no one would ever know the difference. Part of her already knew that, and probably that was one of the reasons why she had enjoyed going to services as a disinterested spectator. But Mildred didn’t go out of her way to make a big hit with the attendees of these events. Discretion, she felt, was the best approach. She would say a few words here and there to other guests, offer an assumed name, and whenever she was asked vaguely explain that she had known the deceased “here and there, over the years.” It gave her great delight to see how easily this explanation was swallowed, and how little anyone suspected she was an interloper. But here was Frances, going out of her way to be friendly and interact with the family, and what difference did it make? None. She wasn’t disrupting the gathering any more than Mildred herself had, dozens of time in the past. Neither was she making the memorial any more or less meaningful for anyone involved. This was what Mildred found so disillusioning. 23 After the majority of people had paid their respects and taken time for a bite to eat, Mildred saw Frances take leave of the cousins and exit. She heaved a sigh of relief, and then unaccountably felt guilty for it. A while later, all the guests had gone, and only Mildred and a couple of others remained to pack up the flowers and articles that they had brought for the service. Just as Mildred was about to leave, Frances crept back in and accosted her. “I’m sorry that I upset you today. I really didn’t know it was a relative of yours. I just want you to know that.” She stopped shyly and fiddled with the handles of the large purse that was hanging from her hands. “I don’t know if this is the right thing to say or not, but there’s a funeral for a rich old lady over in Cherry Creek next Friday. In that part of town, I’d expect they’d spare no expense. If you want to, maybe we could drive over together.” Mildred half opened her mouth to say something scathing, but stayed frozen for a moment. “No, I don’t think…I think maybe I’ve had enough of funerals for a while,” she finished honestly. Frances nodded. She started to turn away, but then stopped and said, “You don’t want to meet up for coffee sometime, do you?” Mildred automatically started to compose a refusal in her head, but instead of uttering it, she found herself saying, “Yes, I guess I could. That might be nice.” She smiled. This is what comes of doing rage By the book. Bathroom tiles, flecked With raw yellow slime. The faucet dripping ooze. It had been a self-help book Of course. Coping with Anger Or some such name. Its author advised brightly, “A dozen raw eggs can do the trick. Shatter all your hurts, Release frustration The bathtub cleans up quick.” Ellen Schroeder Mackey Fried The first egg she called Betrayal Hurled it in the drain. It fractured then, and splattered A crunchy eggshell rain. The second she dubbed Injustice Flung it toward the spout Slick mucus—blast!—exploded The devil to clean out. Two eggs in pieces. Her rage still whole. And now a crispy, gooey bath to clean. She sighed, placed the remaining Eggs gently in their pods She wadded up the paper towels Wiped gold stalactites from the ceiling Peeled lacquered shell from Italian tile Pulled bits and pieces with tiny tweezers From the drain’s whirling pool. 24 They Live Addie Johnson Chalk Pastel 18” x 12” 25 Asters and mint go brazenly to seed under another opaque white sky. The day is like a cup. I turn it over in my hands. It is smooth and round, full of nothing at all. From the window, I see my childhood playing under the broad reach of a maple, lining up dolls for tea. Ginny Hoyle Going to Seed My adolescent self watches, shrugs, leaves for the beach. The young woman I was walks into the yard, baby on her hip. She sits down with the tea and the dolls and her child becomes a woman, too. They look at me and wait but I have little to say. I remember a rough draft of a bold plan, the arc of possibility I threw carelessly across my shoulders on cool nights, the taste of ambition like buttered toast, but that is all. Across a gulf of unwritten years, the women watch and wait. The day is like a cup. I run a fingertip around its rim and lean into silence. The air is full of seeds. 1st Place Co-Winner Poetry 2009 Writers Studio Literary Contest 26 Margie Warsavage Pigeon Toes My father was average height. His hair was brown and thinning, though he was still in his early thirties. His eyes were large and dark brown with thick eyelashes. His eyes were his best feature. I was his only child, a girl, and a small girl, at that. I was fair, like my mother. My hair was thin, nearly white, and stringy. It wouldn’t hold a curl. My feet turned inward. I understood I had a condition called pigeon toes. The two of us walked the streets of an old Denver neighborhood most evenings. The neighbors, sitting on their porches, knew us and waved hello. They smiled at the little twist step my father and I made every so often. They thought it was a game. They didn’t know my young father was on a mission. Our neighborhood wasn’t much, just a few old houses with a church on one corner and a small grocery store on the other. But in those days, I thought it was fine. Just two blocks away, there was a kind of Main Street that provided for our shopping. There were several stores on that street, but the one I liked best was the Rexall Drugstore. At night, its neon sign cast its glow on an old man and his tamale wagon. We sometimes bought six tamales for our dinner and when the man lifted the lid and reached in with his tongs, the evening air was filled with steam and the smell of meat and spices. The old man wrapped our tamales in paper and put them in a sack. Often, my dad carried his tamales in one arm and me in the other. I was still pretty young and, though I managed to walk the two blocks to the drugstore, sometimes my legs got tired walking home. Dad decided it was because of my pigeon toes. That’s when he devised our little game. As we walked, he would sometimes call out, “Ready? Turn your foot out, step!” I would throw my foot to the side and step down. Sometimes he called 27 it for the left foot, sometimes for the right. At first, he didn’t call it often, and I would walk in anticipation of the call. He did the steps with me. As my legs got stronger, he’d call out a number. If he said “three” we did three with each foot. As I got older and stronger our number increased. We sometimes went half a block before he’d make the call, and then we might do eight or ten. To me, it was a game. To him, it was a way to straighten his child’s feet. Often, on nights we didn’t walk, we sang together. My father played the guitar and had a small repertoire of old Jimmie Rodgers’ train songs. He taught several of them to me. “Peach Pickin’ Time in Georgia” was my favorite. “When it’s peach pickin’ time in Georgia Apple pickin’ time in Tennessee Cotton pickin’ time in Mississippi It’s gal pickin’ time for me.” Dad always pointed at me when we got to that last line. It was during this singing when he decided I had a sense of rhythm. My feet might not work right, but my hands did. That’s when he taught me a little hand jive. We did it to the rhyme of Peas Porridge Hot, but we substituted the old cowboy verse his father had taught him. “Bacon in the pan, Coffee in the pot, Get up now, boys, And eat it while it’s hot.” We started out slowly, and got faster with each repetition until it felt as if our hands were flying. We considered the song and the rhyme our act, and performed it for my mother and any relatives who would be our audience. When they applauded, I made sure my feet were straight and bowed. Pigeon Toes In those days, The Denver Post was an evening newspaper and most people had it delivered to their homes. In my family, it was different. My dad extended our walks by several blocks to downtown Denver, where he bought his copy from the newsboy, Johnny. Johnny hollered out the headlines as he passed out the newspapers and pocketed his coins. This sounds like a page out of Norman Rockwell’s America, but it was far from it. This was the early 1940s, the years of World War II, and the headlines that Johnny called out spoke of battles, bombings, and death. The newsboy’s voice was deep and gravelly, and I could hear it as we approached his stand on the corner of 16th and Curtis Streets, in front of Neisner’s five-and-dime. There was a streetcar stop nearby and many people hurried from the buildings and rushed to catch the streetcar. Dad and I walked those streets year round, but I especially liked the wintry evenings when people buttoned up their coats and held out their gloved hands to give their coins to the newsboy. Not many people spoke to the newsboy—he was too busy calling out headlines to respond anyway— but my father always did. “Hi there, Johnny.” “Evening, Johnny.” “Thank you, now.” I was small—probably six or seven years old— and to me, the whole place was bustling with shoppers and working people carrying bags and purses, jostling Dad and me as they rushed in every direction with their newspapers. Johnny kept a large rock on top of his stack of newspapers. He wore a canvas apron with pockets in the front where he dropped his coins. Mostly, he kept busy waving a newspaper, calling out, 28 Pigeon Toes “Read all about it!” Then he would hand over a paper, drop the coin in his apron pocket, pull another paper from the stack, and slam down the rock. It was a routine I admired. One cold, misty night, which will always stand out in my memory, he nodded and smiled briefly as my father said, “Evening, Johnny,” and, I noticed, gave him some extra coins. Johnny’s head was as large as my father’s, but his hair was black and curly, and tended to fall around his face. He had whiskers on his face. He lifted his rock with a small hand. As he turned back to his stack of newspapers that night, he was eye level with me. He looked right at me, and I started to smile and be friendly like my dad. But Johnny’s brief gaze was not inviting. Rather, I felt warned off. Perhaps there had been other children who had made hurtful comments. My dad squeezed my hand. “Want to look in the windows?” It was holiday time. There were decorations on the street lamps and colored lights and toys in Neisners’ windows. As we stood there, looking in the windows, Johnny’s deep voice rang out again. “Read all about it!” “Daddy,” I said, “Johnny is different.” “He is,” Dad said. “Johnny is a dwarf. He’s a grown man. He just never got very big. He sells the newspapers to earn his living.” We turned then, and walked away from the bustling crowd. As always, I counted the traffic lights as we walked home. I breathed deeply as we passed the tobacco shop. Maybe the door would open and I would smell the pipe tobacco and cigar smoke. I jumped over all the sidewalk cracks—didn’t want to break my mother’s back. That night, back in our warm house, my father drank his last cup of coffee of the day as he read his newspaper. He passed me the funnies and, as I stretched out on the floor, I wondered what Johnny went home to. * * * Once a month, we extended our evening walk beyond Johnny and his newspaper stand to the big, dark house where we visited our landlord and paid our rent. There must have been ten stone steps leading up to the front door, and I walked them with dread. I knew that as soon as we rang the doorbell, we would hear the low growl of the big, black dog that waited on the other side of the door. Child that I was, I thought he should have been called Blackie. But no, his name was Anthracite, after some kind of coal. Our landlord had a secretary named Audrey. She was a tall lady who lived in the house and seemed to do everything, because our landlord was old and sat in a wheelchair. Audrey opened the door and held Anthracite by his collar. She said it was very nice to see us, and I believed her, because she seemed lonely. It was always the same. Audrey and Anthracite led us down a dimly lit hall and into the room where our landlord sat behind a large desk. Facing Page: Athena by Cilla Englert Ink on Paper 8-½” x 11” 29 Pigeon Toes The only light came from a desk lamp with a green glass shade. The rest of the room was taken up with shelves full of books and big, overstuffed chairs. We stood while my father paid our rent. He took the bills from his wallet, not leaving many, and handed them to the old man, who reached out with a hand so thin and curled, it made me think of a bird’s foot. Anthracite dropped noisily to the floor beside the desk and Audrey began writing a receipt in a big book. The landlord didn’t seem interested in Dad’s money. He dropped it on the desk, then he motioned for me to come closer. He always did this. He patted my head and smiled. My dad had told me our landlord didn’t get much company and, like most older people, he enjoyed seeing little children. “Audrey,” the old man said, “see if you can find a cookie for our little friend.” And so, Audrey went to the kitchen and brought out yet another pair of dried-out Fig Newtons on a napkin. Dad helped me scoot into one of the scratchy mohair chairs, and he got comfortable in the other. He acted like we had all the time in the world. I nibbled at a Fig Newton and heard my dad ask the old man how he had been feeling. This opened up the familiar conversation where we heard about doctor’s visits and old medicine that wasn’t working, and new medicine that might help, and hot water bottles and soup. My father listened, just as interested as he could be. Eventually he got up and tucked the old man’s 31 blanket around his legs. He gave Anthracite a good patting and said how lucky the old man was to have such a great dog. Then, he reminded the man how nicely Audrey kept his house. I remember one night while all this was going on, I realized that my father had put a nearly empty wallet back in his pocket and the landlord had a stack of money on his desk, yet my father was the one who smiled. We walked home by way of Johnny’s corner, where Dad bought his newspaper, then on to our own neighborhood and the Rexall Drugstore. We always stopped in on our rent-paying night. I had my choice of a chocolate bar. I spent a long time deciding, then I always chose a Baby Ruth. If Dad had enough money left, he might buy my mother a small trinket. Once, he bought her a bar of pink soap shaped like a rose, which I thought was truly elegant. If he didn’t have enough for something special, he would buy her a chocolate bar too. We each got a treat of some kind. The two blocks home were easy for me then. But still, I anticipated my father’s call. He could say five, ten, or fifteen. Any number, it wouldn’t matter. I was ready. 1st Place Nonfiction 2009 Writers Studio Literary Contest Oh slender body, with abdomen attached to stinging mouth, what are you doing, clinging to the brick of my garage? Is it because your children are behind that brick? The brick I pushed back in place to crush your children? Go away! Go away! I feel no pity for your hovering parental suffering. I will spray you with wasp poison, until you die. I fear you. I have felt your sting, swelled and choked on your venom. You will not raise another wasp family behind the garage brick. Away with you! You may drink the nectar from my roses. I will caulk the brick’s seams and bury your children in a garage mausoleum. Sophia Baldwin Murdering the Innocents 32 Lynn Wagner Ninety-eight Degrees My tongue an iris bent low to your body stem whitening in the crease. To be broken like that, having green bleed away so that by June the flower’s gone, succumb to summer heat, long-sleeved leaves no longer praising. You roll to your side of the bed. Noon. So hot I put on jazz. Holiday singing Summertime and the living is—but it’s nowhere near easy. Listen, the mourning doves outside my window each day repeat their blues, a low breathing: in / out / in. Then out, out, out. They know that death sits with them, there on the telephone wire. I reach for your hand and admire the way your thumb covers my knuckles, pulling me along. The world is too much with us, baby, late and soon—that’s the way you sing it when you bend down close to me. Abandoned this body would dissolve in water in less than a decade, half that if it were summer all the time. I can’t save myself 33 Ninety-eight Degrees in the dark boat of your love. If it were dusk there’d be some relief from this heat. I’m waiting for the rinse of afterglow t o soothe the sky. For songbirds to finally tuck closed beaks beneath their wings. You don’t believe the branches move at all in this haze but I tell you they do. I tell you the wires will soon send signals into separate houses and each television’s wide box of moving blue, in time, will kiss to a single white star and with a hum and a crinkle go out. I’m waiting for that. Not the darkness but the hum. When I called out God, it was a different kind of prayer. When I said go, I meant take me. Summer has settled into this city, two tiger lilies grow near the wall. The smaller one tipped up to a satellite dish, or maybe it’s the moon. While the head of the other bows a little lower. 1st Place Co-Winner Poetry 2009 Writers Studio Literary Contest Following Pages: Doumo by R. J. Mariano Digital Photograph 34 Rachelle Hubbell Immortality A man once wept bitterly, openly before me and I felt pity then for both of us. I wanted all the noise to stop because I knew how happy a stone felt deep in the ground during a quiet rain— Nothing but the gentle thud about and the cool earth below. Surely on each corpse’s face there is a smile. On that intimately familiar face, now estranged entirely because of the line formed across the lips— the effigy in life unknown. A smile in the face not meant for carnal awareness, a smile for someone we do not know or understand. Beyond the mirror of the world, we are hypnotized by the image of ourselves, a beautiful form without a face. 37 Another body was found again at dawn in the traditional market, right when the sellers were about to open their kiosks. Nobody noticed it at first, because it was wrapped in a gunnysack, leaning against an acacia tree at the market’s entrance. When the farmers’ trucks came to deliver their goods, one of the traders kicked the sack aside to place his own goods under the tree, and it caused the bloody body parts to spill out onto the ground. As was becoming more and more common, it was mutilated beyond recognition. Leila found out the whole story later that day. But early that morning, she was awakened from her sleep because of the myriad of people in the market screaming, crying and calling out Allahu Akbar—God is Greater—to express their astonishment. She immediately jumped out of her bed and ran to the window to look out at the scandalized bazaar. Her bedroom was on the second floor of a rented house next to the traditional market, so she got a good view of the western side. The dim light of the sun’s first rays had yet to break the remainder of the night. Traders had hung oil lamps on poles in front of makeshift tarpaulin kiosks, and yellow specks from the sputtering oil flickered like thousands of fireflies. Under the diffused glow of lights, Leila saw people running around erratically. All sense of decorum was gone. Women shamelessly rolled up their long skirts, baring their feet, so they could run faster. Men were puking in every corner. Leila shuddered, leaning against the window sill, horrified. She knew there must have been another murder, but she didn’t know what to do other than prostrate herself on the floor and pray that all of the terrors would end, that she’d get out of this damned place as soon as possible. She didn’t understand. Weren’t all the killings supposed to have ended by now? Hadn’t Suharto, the Indonesian dictator for thirty-two years, been toppled already by the students’ movement? Hadn’t Habibie, Suharto’s successor, announced that he’d ended the military operation in Aceh? That was why Leila hadn't rejected her employer’s decision last year to transfer her to the bank’s small-town branch in the Aceh province. She had thought it would already be safe to live and work in this province. Since she had been promoted to a supervisor at the branch bank, she didn’t want to lose the opportunity. Now, it looked like she’d probably made the wrong decision. Chadijah Siregar After the Bullet Rain Leila cast her gaze around her small, drab bedroom. The chipped wall seemed to leer at her in a frightening grin. The smell of the dank air rising from the damp mattress and the old furniture became stronger than ever. When she had moved out to the province about a year ago, it seemed like a good idea to rent the cheap, dreary house which sat next to the market. But now, she regretted the decision, because it seemed like the Indonesian military also thought it was a fabulous idea to throw the people they had just tortured and mutilated into the market square. She wished it was Friday, when she could just pack up her bag and take off to Medan, the capital city of the neighboring province, where her parents and fiancé lived, where the curse of the black gold didn’t attract monsters and petrify the people. She burst into tears. Leila had never thought that she might lose her career. She had always wanted to be someone on her own, despite the protests from her fiancé, Ary, who insisted that they get married soon and she become a good housewife. 38 After the Bullet Rain Ary might be right after all, that her place was probably just at home. She hated the idea. But if ambition made her end up in a place like this, it might’ve been better for her to just give it up. Leila grabbed her cell phone and dialed Ary’s number. Ary answered the call on the twelfth ring. His nasal voice sounded a bit upset when he said, “Yes, hello!” “Print the wedding invitations,” croaked Leila. “What?” Ary cried out in surprise. “Print the wedding invitations. I don’t care about the date. Just let me know soon so that I can hand in my two-week notice.” She finished her sentence in almost one breath. Her heart raced. “I just want to get out of this damn place as soon as possible.” There was silence at the other end of the phone. When he finally spoke, Ary sounded confused, “Are you alright?” No, I’m not, Leila thought. She wanted to scream it out, to tell Ary about her fears, but she didn’t know where to start. She didn’t want to hear him say “I told you so” in the condescending tone that she hated so much. But then again, she never felt really comfortable talking about her feelings with Ary. When she started seeing him four years ago, his pompous manner was compensated by his ardor and affection for her, which made her feel flattered. But when the thrill was over, it was already too late to break up with him. Their families knew each other well. They were the ones who forced Ary and Leila to get engaged when she was about to move to Aceh. 39 After the Bullet Rain “I’m okay,” said Leila weakly at last. “I just, it’s just, print the invitations, okay?” She ended the conversation. The sound of the people screaming outside had also faded away. She knew the merchants had probably gone home in the vague hope that their walls would provide enough protection against the monsters out there. As if it would stop the military from tormenting the people. Leila had heard the soldiers didn’t even hesitate to kill a heavily pregnant woman some time ago, before the eyes of every Tiro villager. It was because the soldiers accused the poor woman’s husband of being one of the Free Aceh Movement’s soldiers, the local rebel group. Leila shivered again. She couldn’t imagine going out of the house today, but she knew she had to. She had to go to work. Moreover, she had to let Hendi know about her abrupt decision. Poor Hendi, she thought sadly. But then again, it was she who would probably suffer more from the decision. Hopelessly, she closed her eyes, wrapped her arms around her knees and rocked her body from side to side while reciting some verses of the Koran to ease her mind. She wished she could set aside the thoughts of all the tragedies around her and their implications in her own life, a stranger in the Acehnese land. She just wished that this time, she had made the right decision. * * * Hendi looked into Leila’s eyes in astonishment. “You’re kidding me!” he cried. “No, I’m not,” said Leila weakly. “We’re finished. I’ve decided to marry Ary.” Hendi went silent as he contemplated the girl’s face, recalling how they had met almost a year ago in a party conducted by ExxonMobil, his employer. Leila attended as the representative of her bank, and she immediately caught Hendi’s attention. She was not very beautiful, but captivating with her graceful gestures. Even Hendi was surprised when he found himself begging Leila to go out with him two weeks later. He couldn’t even tell himself to give up when Leila told him about being engaged. It took four months for Hendi to persuade and convince Leila that it was okay to still open her eyes to another possibility before she got married, before she sealed her fate to one man forever. Perhaps it would’ve been better if he had just looked for another girl who was more available. Or more beautiful. He knew he himself was not handsome. His eyes stood too close together, his teeth had nicotine stains, and his lips were too wide. But, certainly he had dated prettier girls before, and he knew he could still attract another one. At least someone who was not engaged to another man. But he cared for Leila. He liked to watch how those big, black, dreamy eyes changed their expression so quickly, from fierce to melancholic, then to pensive, the most beautiful and engaging kaleidoscope Hendi had ever seen. He loved to listen to her sharp voice and her bright laughter. He loved to hear of her dreams and her passion, her fear and her anger. He thought he would have more time to win her heart completely. He had been so certain that he could secure his place beside her forever if he were given a bit of time. But now, all of a sudden, he’d lost his chances. 40 Nude Joan Lee Pen and Ink 23-¾” x 17-¾” 41 After the Bullet Rain “Are you sure you want to marry this guy? I thought you weren’t so sure. I thought you didn’t really feel comfortable with him,” said Hendi. Leila’s lips trembled. Tears welled up in her eyes. Hendi saw some of his colleagues, who were also having their lunch at the Minang restaurant across their office compound, cast their curious glances at them, but he didn’t care. He wouldn’t have cared even if the building suddenly fell apart. He couldn’t even imagine what his life would be like, now that the girl in front of him had refused to have him in her life. Finally, Leila found her voice. “I just want to feel secure, Hendi. I won’t find it here. I don’t want to live in this place.” “You’re just shocked, and I can understand that,” said Hendi softly, voice trembling. He was hanging on a very thin thread of hope that the girl would change her heart because of whatever he said. “I would’ve been shocked, too, if I woke up to that kind of scene. But you can’t make these decisions when you’re in shock.” Leila looked out the window beside their table. The street outside was dusty. Coconut trees grew densely in the vicinity, their wide, needle-like leaves rustling and dancing in the hot tropical wind. A high barbed-wire fence demarcated the green area where the restaurant stood, with the modern industrialized area on the other side, where concrete form stood upon another concrete form, completely concealing the soil. Soldiers in green uniforms stood guard against the fence, watching their surroundings with observant eyes, holding up big, black machine guns proudly. Giant, silver oil tanks rose in the background; huge ExxonMobil signs brazenly crowned some of the tanks. “You are part of the problem,” said Leila suddenly. “What do you mean?” asked Hendi. “You work there. You work for the oil company. All of this wouldn’t have happened if only they hadn’t found oil in this country,” retorted Leila. “I work for a living. Is that wrong?” Leila didn’t reply. She just wiped away her tears in silence. Hendi held her hands, saying softly, “I will respect every decision you make, but please don’t judge me for what I do. I work hard for a living, and I don’t hurt other people. Don’t cast blame on everything I do just because you want to feel better about yourself.” Tears streamed heavily down Leila’s cheeks. “I’m sorry,” she said. “You’re right. I’m sorry.” She got up from her seat and crossed the table to hold Hendi briefly. ”Goodbye.” She walked out of the restaurant, leaving Hendi still trying to absorb what had happened and deal with his shock and sadness. * * * The world seemed to have shrunk all of a sudden, leaving less room to move in, and less air to breathe. Hendi’s head was in turmoil the whole day. Everything passed by vaguely, as if in a dream. He didn’t even know how he’d arrived at the field adjacent to the yard of a small mosque. Hundreds of people flocked into the field, facing an elevated podium where an old man, with both beard and fez as white as his cotton tunic, was giving a passionate sermon. Born in a Javanese household, Hendi couldn’t understand a word the old man was saying in the Acehnese language. 42 After the Bullet Rain However, Hendi stood silently in his spot and let his mind wander to the crescent moon that hung low in the bright night sky. He missed Leila so much. This was the kind of thing they could laugh at together; how stupid it was to attend a sermon you didn’t understand. At once, he felt a fervent urge to talk with Leila, but he knew he couldn’t. He was certain she wouldn’t talk to him. Besides, the mass around him might get upset because of his rudeness. Everybody knew the Acehnese could become ferocious when they were passionate about something, and one of those things was religious sermons like this. But Hendi couldn’t hold back his urge to have some kind of contact with Leila, to hold on to the vague feeling that he still had her in his life. He took his cell phone from his pocket and sent a text message to her. Leila didn’t reply. It was something Hendi had expected, but it still disappointed him. Fifteen minutes later, the sermon ended. The crowd moved slowly to the street. A lot of them chatted cheerfully with each other as they walked back to their homes. Hendi solemnly observed his surroundings and childishly wished he had someone to talk to. Suddenly, a group of people at the far end of the street cried out in pain. Others instantly ran forward to find out what had happened, and Hendi was swept along by the crowd. The crowd arrived at a military compound that was enclosed by a high concrete wall, like a fort. Dozens of soldiers where positioned in sentry boxes perched atop points of the wall. The soldiers grinned at the crowd and threw cobblestones as big as mangoes at them. Hendi saw dozens of people fall to the ground and writhe in pain, clutching at parts of their bleeding bodies. 43 At once, the curious crowd had turned into a panicked mass. The horde ran frantically to get away from the compound. Countless people got shoved and stepped on, but nobody cared. Everybody was just trying to survive. A moment later, the situation became worse as a series of shots erupted into the atmosphere already suffocated with screams and cries. The stinging smell of gunpowder mingled with the choking dust rising up from the ground as the frightened mass exploded in panic. Hendi stared around the military compound. He couldn’t believe the soldiers would be so brazen as to shoot at the people. They weren’t. The soldiers hadn't directed their guns at the crowd. They had pointed their guns to the sky, but the effect was even more terrifying. The bullets fell from the sky like rain, hitting the people randomly without their being able to predict where the bullets fell from. Dozens of people suddenly fell down around Hendi, motionless, eyes wide open, displaying their last horror. Hendi kept calling out “Allahu Akbar,” expecting that he’d meet the same fate at any moment, that it would be the end of his life. Some men near him also seemed to have surrendered to their fate. They, too, called out for God. Hendi saw the old man who had given the sermon struggling to drag the bodies to the street side, to save them from the stomping feet of the panicked mass. He was crying, and looked fragile, but also focused on what he was doing. Hendi’s heart leaped, and he started to copy the old man, to move the dead bodies aside. The old man turned his head, trying to smile at Hendi despite his tears and trembling lips. After the Bullet Rain “Thank you,” he said sincerely between his heavy breathing. “You’re welcome,” said Hendi, trying to smile back at the old man too, but somehow, his lips seemed to have forgotten how to smile. Just then, a bullet fell from the sky and penetrated the old man’s head. A piercing crack broke into the already strident air as his skull ruptured. Blood gushed out from the exposed brain as he fell down silently, a frozen smile still etched on his creased face. Hendi wailed, and lurched forward to catch the old man’s body, forgetting about his own security. Distraught, he wrapped his arms around the old man as if he were his own father. When Hendi dragged the old man aside, he felt as if his own soul had flown away. * * * Leila hadn’t expected Ary to come. But here he was, at the threshold of the front door of her rented house, smiling radiantly with a bouquet of flowers in his hand. “I was surprised this morning, but it was a wonderful surprise,” he said, thrusting the flowers into Leila’s hands. Leila only smiled weakly. She didn’t know what to say. She didn’t even know whether she should invite him to come inside. The night had become old. The neighbors could report her to the community leader for inviting a man who was not her husband into her house. “Um, thank you. I really appreciate this,” said Leila awkwardly. “However, I don’t know how to say this, but, where will you stay tonight?” 44 After the Bullet Rain “What do you mean? Can’t I stay here?” Ary burst out. His face clearly showed signs that he was getting upset. “You look pale,” said Ary. “We’d probably better get you into the house, rather than staying exposed out here.” “No,” said Leila. “This is Aceh, you know. Not Medan. The neighborhood could evict me from this house if they aren’t pleased with my conduct.” “No, no, no, no!” said Leila immediately, sensing the neighbors’ curious glances at her. “You have to go now. It’s late already. Just go back to Medan.” “Bullshit!” burst Ary. “You’ve paid your rent already, haven’t you? So it is none of their business what you do in your own home.” “I told you, this is Aceh, not Medan,” said Leila desperately. She didn’t know how else she could make Ary understand the situation. She remembered Hendi’s text message a few minutes ago. Suddenly, she missed him very much. Out of the blue, a series of shots from afar reverberated through the air. Leila jumped. The doors of the neighbors’ houses were thrown open as the men rushed out of the houses to find out what was going on. Leila ran across her front yard and out the gate to gather with the neighbors on the street side. She could hear Ary’s footsteps behind following her. “What happened?” asked one of the neighbors. “I don’t know,” said Leila. They waited together in silence, trying to guess where the sounds of the gunfire had come from. “I think it came from the mosque,” said another neighbor. “No! No! It didn’t!” said Leila fervently. But her heart palpitated at once. Her knees felt weak. Her mind flew to Hendi’s text message, telling her how stupid he was to attend a sermon he didn’t understand. The message had felt bittersweet, but funny at the time. Now, it only felt terrifying. 45 At that moment, a group of men and women appeared from every corner of the neighborhood. They were crying out and running frantically. “What’s going on?” asked the neighbors. “They shot the people! They shot the people who attended the sermon at the mosque!” cried the oncoming crowd. “No!” cried Leila in one long breath. Suddenly, her knees gave way. She dropped to the ground and wept. “Leila, what’s wrong? Are you alright?” asked Ary. Leila couldn’t answer him. She watched the streets where people kept appearing with blood tracks all over their bodies. “Oh, masya Allah! So many died! So many died!” they cried. Leila couldn’t help but hope that she would still see Hendi one last time. She wanted to call out his name. She wanted to say how sorry she was, and how she had made the wrong decision once more. Now that she’d probably never see him again, she knew how much he meant to her, how much she loved him. As if answering her wish, Hendi appeared a moment later, running from a corner to approach Leila’s house. He was soaked in blood, but Leila didn’t care. She got up from the ground and dashed forward to wrap her arms around the man. She could feel Ary’s eyes following her, his mouth agape, but she didn’t care. She held Hendi and poured her eyes out on his chest. Composition N1 Olga Esquibel Mixed Media 30” x 21-¼ “ 46 After the Bullet Rain “I’m sorry. Perhaps I should’ve gone back to my own house,” murmured Hendi, his eyes glancing to Ary, who was still frozen. “I just…I could only think of you after what happened at the mosque.” “It doesn’t matter. I’m so glad I could still see you,” whispered Leila back. “I thought they might’ve killed you. I thought you’d died. God, I’m so sorry. I couldn’t stop cursing myself.” Leila paused, trying to control her emotion. “Now I know. I love you more than I thought I did,” Leila could hear Ary gasp and the neighbors gossip in murmurs. She was surprised to find that it didn’t matter at all. A moment later, Leila turned around to face Ary who stared at her, wide-eyed. “I’m sorry,” she said. “I admit, I have been cruel to you. I have been unfaithful. I have been seeing this man for several months, and I’m in love with him.” Leila touched Ary’s shoulder briefly. She took off the ring on her ring finger and handed it to Ary. “I’m sorry,” she whispered. Suddenly, Ary dashed forward and launched himself at Hendi, attacking him ferociously with his fists. The neighbors immediately gathered themselves around Ary to pull him back. Some neighbors dragged Hendi to hide him in their house, while another neighbor shoved Leila into her own home. It took hours for Ary to calm down. After throwing stones at Leila’s house until after midnight, he finally took off and left the neighborhood, still crying. The neighbors warned them to wait until the sun had fully risen for their journey back to Medan. 47 After the Bullet Rain But, people in love are impatient. At dawn, after the congregational prayer at a neighbor’s house, Leila and Hendi got into Leila’s car and headed to Medan. They wanted to tell Leila’s parents as soon as possible about their relationship, before Ary and his family ran amok with that information. A group of men jumped out of the trees onto the street, several feet in front of the car. They wore loose, grey tunics and pants, and blocked the road like a group of elephants. Some of them pointed huge machetes that looked more like swords in Leila’s eyes. The ones at the forefront aimed rifles at the car. “Don’t take off your head cover even for a moment,” said one of the neighbors. “We don’t know where the rebels are these days. Rumor has it that they often stop passing cars to ask for donations. But they are merciless to any woman who doesn’t wear her head cover. I heard they won’t hesitate to slay a woman if they don’t like her attire, either.” He scoffed, then added ironically, “Maybe they’ve learned how to be merciless from the military.” Leila quickly coiled her pashmina around her head, but it was too late. She caught some of the rebels’ eyes watching her movement. The rebels who had seen her adjust her pashmina rushed to the car. The rest followed them at once. The men ferociously knocked on the car’s closed windows. Leila smiled. “Yes, I will remember,” she said heartily. “Thank you very much.” Leila could feel the blood leaving her face. But Hendi looked more resolute than her as he took her right hand into his, and squeezed it lovingly. Her heart felt light in her chest. She couldn’t stop smiling. She knew she had made the right decision this time. She noted Hendi couldn’t stop smiling either. “Open! Show your marriage certificate! Explain why your woman doesn’t wear her head cover appropriately!” they shouted. “We’ll face this together,” he said. Hendi opened the car door. The car went down a road that crossed the small city. The sky was just starting to get brighter when they arrived at a nowhere land where dense trees lined the road. Leila reached into the back seat to get a small bag containing their breakfast boxes and a thermos of coffee. Her head cover caught on the back of her seat. The intricately woven pashmina slithered down her hair and hung loosely around her neck. Just then, Hendi suddenly braked his car, causing Leila to bounce fiercely in her seat. “The Free Aceh Movement!” he gasped. 48 Evan Salvador Sandbox Dreams Marching through the hallways In our single-file lines Aloof from the real world Or maybe just simplified Awaiting our outside freedom Inhaling our insufficient meal The occasional humorous fart Or a nasal regurgitation of milk Creating our own fantasies Imagination robust and believable The splintered wood chips Might actually be molten lava Misbehaving and trouble-making Punished into silence Time to reflect on your wrong-doings Or moments to search for boogers Snippets of colored parchment Immersed in globs of glue Smeared on hands and clothing Or even consumed by the curious Our worries are of vegetables Our fears are basement beasts Looking forward to ridiculous cartoons Avoiding the noises in the closet Instant satisfaction or disappointment Amusement so easy to come by When lollipops and band-aids Turn tears to smiles Everything is fascinating Everything is unknown The simplest of moments Marching through the hallways 49 Modesta Sanchez woke with an ache in her bladder and a cramp in her toe. The bathroom drip, drip, drip—just ten feet down the hall—seemed at once near and Antarctic. She opened her eyes and looked right out of her room, willing herself to roll off the bed, sit up, grip the headboard she and Philbert had bought on time so long ago, and steady herself on the walker. If the oxygen was untangled, she could go the twenty or so steps, work out the cramp and relieve herself in peace. Modesta peered sideways down the hall. The olive-colored carpet looked pretty good considering how long it had been since a shampooing, and she could almost see her photo gallery, the gold-plated 8x10s of the kids, from First Communion to cap and gown. For Carlos at least. A GED for Tina, once she left that sonamabiche. Only Carlos had a real wedding. Well, at least there was a church. Even if it didn’t last. But he’d made Modesta take down the photo. Then the grand babies, whom she probably loved more than her kids, though one caused just as much heartache as her mother. Modesta couldn’t recall a picture of her great-granddaughter but swore they’d given her one. She distinctly remembered taking down a picture of herself from so long ago she didn’t even recognize that woman anymore and sliding another image into the frame. She thought it had been the baby. When she was feeling better she’d check. When she was better, she often passed the time admiring her gallery of the people she lived for. She studied each face, mining her memory for that moment of the past. Her favorite was the family portrait taken at Momma and Daddy’s fiftieth wedding anniversary party. The photographer had somehow squeezed in the whole familia: Momma and Daddy, their nine grown children plus their spouses and kids. They all looked young, handsome and happy, even from so far away. Their kids were still school age. Her sister still on her first husband. Modesta’s hair still as black as Momma liked her coffee, and without any help from Miss Clairol. How Modesta missed Momma and Daddy. All those years at the bakery seemed like someone else’s life, but the ones at the tamaleda—Daddy cleaning ojas, Momma spreading masa, their eldest daughter scooping on red chile—had given Modie a reason for being, even if the only one getting rich was her brother. She didn’t give a damn about the money. She’d give up every nickel to hear Daddy’s old Pontiac pull into the parking lot again, no matter how many spaces it took, to sit on the stoop outside the kitchen during a smoke break with Momma and watch the girl dress the mannequins in the window at Janet Lee’s Near New. Rowena Alegría The Last Shot Modesta heard Philbert shuffle into the kitchen to make coffee. She knew it was harder for him. Not because he was sicker but because she had always been the strong one. When he’d been laid off, years ago now, she’d worked extra hours at the bakery, sometimes four in the morning till six or eight at night. No matter when she returned, Philbert would usually be waiting for her, sitting at the kitchen table with a can of his best friend, Miller, and a pile of cigarette butts. On late nights he was starving and she’d fry potatoes and pork chops and warm up the leftover green chile before she even peeled off her dusty uniform. Philbert had aged twenty years when he’d fallen off that ladder and broken his leg, probably because he couldn’t fish and hunt anymore. When had that been? Only a couple of years, maybe, though it seemed like more. She had 52 The Last Shot watched him shrivel up in that hospital bed and wondered if he would die. She thought that only happened to old people with broken hips. And she’d never thought of her husband as old. But Philbert had been sick a long time, completely helpless for months. Modesta sacrificed everything for his care, all the while worrying about the tamale shop, long without Momma and Daddy and suddenly without her, too. She never stopped fretting that the kids would burn the lard and flour and make the whole crew puke with the stink. She kept promising her brother she’d be back, though she’d begun to wear oxygen by then. She was sick, all right, but not from any ailment of her own. Modesta spent all day fetching cans of Squirt, changing the TV, opening and closing curtains, and, during the worst of it, when the cast came all the way up to his nalgas, having to help him onto the potty chair and then wipe. They didn’t look at each other afterward, and she was glad. Philbert didn’t want to take the antibiotics. He wanted a Miller’s. He was sick of soup and couldn’t she make enchiladas instead? Damn that doctor and his bland diet. Should he starve to death? And when could he have another pain pill? She thought she’d kill Philbert before he got well. Then he found her when she collapsed. Modesta thought it was just a little cough. The doctor said bronchial pneumonia could have been the death of her, that she was lucky to go home. How happy she’d been to see her room again, to sleep in her old bed. But if she had known how much time she’d spend there, she would have brightened the walls, hung something besides the tearful picture of Christ and the silver crucifix, 53 and bought a new mattress, the firmest one they had, so she could roll over and not up the hill and out of the sleepy valley. Philbert had slept on the couch since his accident anyway and was happy there with the big TV. She didn’t mind the small screen, so long as it had cable. And she didn’t mind his coffee. He wasn’t always careful to place the filter, so she fished out black specks before she drank. But at least he’d learned to make it. Better than live without it. She could hear him still, banging around in the kitchen, and she waited for the gurgle of the coffee pot. The blast shook her off her pillow. “Philbert?” she called, already reaching for the phone. “It’s okay, Modie,” he said, his voice too small to be reassuring. “Goodbye.” The sound of the second shot caromed through her body. “Philbert?” she called. “Philbert!” she shouted, her hand trembling so she could hardly dial 911. “There’s been an accident,” she said, forcing her words past the blockage in her throat, the tightness in her ribs. “I can’t get out of bed.” Modesta called her grandson next. Program and 1, just like he’d shown her. “Mijo?” she said, her voice quavering. “Grandma, what’s wrong?” “Your grandpa. . .” The words crumbled in the air. “I’ll be right there.” She listened to the dial tone to avoid the silence, then dropped the receiver. “Philbert!” she screamed. The Last Shot Modesta looked down the hallway, strained her eyes to see past the walls, around the corner. She pulled off the blankets. Looked down the hall again. “Philbert!” A distant cry paralyzed her. Laying perfectly still, she heard it grow louder, whining with each turn. She looked down at her chest, for the thumping of her heart, and realized she battled to draw breath. The oxygen tube had shifted, twisted off her ears and away from her nose. She reached up for the prongs that were supposed to sit on her upper lip and found skimpy, messy curls and flaccid skin, a cheekbone once high and proud and now a knob in her face. When had she grown so thin? Like Momma. Just like Momma. A bag of bones. Modesta wanted to call out again but could not. She finally righted the oxygen and lay waiting for it to fill what small segment of her lungs still functioned. The howl of the siren grew louder. Her heart puttered in her chest. They’ll be here any second, she whispered to herself and her parts, pulling up the blankets again. Everything will be okay. Then she gasped, small but sharp. What if they couldn’t get in? Philbert had installed so many locks on the front door— a dead bolt, a chain, a bar—an ax might be the only way past. And who could afford a new door? Modesta looked again down the hallway. If the bathroom lay at the end of the earth, the front door lodged on the moon. The knock hammered home her uselessness. The firefighters pounded. They shouted. Modesta tried to reply. She heard boots tromp past her window and up the driveway toward the back. The screen door to the covered patio squeaked then crashed against the wooden frame. The knock on the back door was quick, perfunctory, and then a strong voice filled the kitchen: “Fire department.” Philbert had left the back door open! A shocked Modesta cried, “Help him!” She was sure the fireman wouldn’t hear but both startled and immeasurably relieved when dark blue pant legs appeared in the hallway. She heard other footsteps and the murmur of male voices but they seemed so far away. Her fireman spoke softly, took her pulse, and checked her oxygen. “A little poke,” he said, pushing a needle into her arm. He wasn’t Spanish, but he had kind, brown eyes. “Just breathe,” he said. Modesta tried to push the morning out of her mind, attempted to roll it back to her first thought of the day. Her face flushed and she squeezed her eyes tight when she realized there was no longer any pressure on her bladder. She drew the blankets up to her neck with her free hand, vowing not to let the fireman pull them down. With her eyes closed, the sounds from the other room amplified. The men spoke quietly, and though she told herself she didn’t want to hear, she strained to make out the words. “Is he okay?” she asked. The fireman patted her hand. “Worry about you right now,” he said. Modesta forced back tears and extracted her hand. She never worried about herself. And how could she not worry about Philbert right now? What a ridiculous thing to say. At the sound of a louder voice, urgent and demanding, they both turned. 54 The Last Shot “My grandson,” Modesta said, already reaching for him. The fireman nodded and left the room. He returned with Amory, who fell to his knees and cried beside his grandmother’s bed. She ran her fingers through his dark curls. Amory was her daughter’s only son, from her first marriage to that hard drinking, heroin shooting, good for nothing hippy son of a bitch. It was his fault her daughter ever did any of those things, his fault Amory was born a firecracker, shooting off in every which direction, fast and furious and out of control. His mother was too young, too spaced out to handle him. Funny how things worked out. Modesta’s first husband had been killed in Korea, before he ever held their son. Maybe Philbert hadn’t liked the boy because he wasn’t his. It was a different time. Then she gave Philbert only a daughter. He spoiled her rotten, didn’t even allow spanking, and never said he wanted a boy. But Amory was the son Philbert never had, the one he taught to tie a leader, to cast away from the trees, to clean a rifle and track elk. As difficult as the boy had been—they’d had no choice but to swat his bottom occasionally—it had always seemed easier just to love him. Maybe the pressure was less because he wasn’t truly theirs. Or maybe they were making amends for her son. And thank God for that. Because who was there when Philbert and Modesta needed to stop the toilet running or to keep the dryer drying? He kept Philbert company, even if they only watched the Broncos on TV and drank beer. Amory made a good red chile, too—not as good as hers, of course—but he kept her from starving altogether. 55 The Last Shot Who knew he’d turn out to be such a good boy? No. A good man. Modesta’s hand rose and fell with his sobs, which hurt her deeper than the arthritis. “Ya, ya, ya,” she said. Enough already.“You’ll give yourself a headache. He’ll be okay.” What did the fireman say? Amory smoothed back his grandmother’s bangs and kissed her forehead. The fireman swapped out her tubes for a mask. When another fireman appeared, pushing a gurney, Modesta protested. Amory would take care of her. He’d clean up the mess. But they lifted her so quickly that maybe nobody noticed. They whisked her through the hallway, her photos a blur. They raced through the kitchen, too, giving her no chance to check on her husband, and out the back door. She couldn’t speak through the stupid mask. The early morning sun burned her eyes. She opened them again when she felt the wheels collapse beneath her. “What the hell are you doing?” she asked. Her firefighter patted her hand and left. Damn him. Why did they whisper? Aii! She hated IVs. Her whole arm would bruise. And the bright lights. She couldn’t lift her eyelids. The siren’s cry slowly faded away. Carlos’s raspy voice woke Modesta from a deep sleep. She didn’t need her glasses to spot him, standing by the window, nearly a head taller than everyone else. “What are you doing here?” she asked him. Despite his long legs, Carlos was the last one to reach her bedside. “How’re you feeling?” he asked. “Fine,” Modesta lied. She felt heavy and sticky, her body and brain so gooped up that nothing moved right. “What are you doing here?” she asked again. Carlos looked down, his lower lip pulling his mustache over his upper teeth. He covered her hand with his. “I’ve come to take you home with me,” he said. Modesta caught her breath. She looked around the hospital room. Tina took her other hand. Amory bit his lip. “What did you say?” Modesta asked her son. “I said I’m gonna take you home with me.” “Home where?” “My home.” “In the desert?” “Tucson, Modie.” Modesta looked at Amory, whose gaze fell, and then at Tina. “What about your dad?” “Momma,” Tina said, squeezing her mother’s fingers. “Daddy’s gone.” “Gone where?” Modesta demanded. “What the hell are you talking about?” Her kids looked at each other like they’d broken one of Momma’s santos and couldn’t come up with a good lie.“Where’s Philbert?” she demanded. Tina held tight her mother’s hand. “He’s dead, Momma,” she said. “He shot himself.” “No,” Modesta whispered, as it all came rushing back. She jumped at the memory of the sound, sickened by the image that came to mind: Philbert, her Philbert, with his shotgun in his mouth, pulling the trigger. “No!” she cried. 56 Reclining Model Jen Bob Barr Charcoal on Parchment 22-½” x 15-½” 57 The Last Shot Modesta dug her head into the pillow, begging her mind to stop, but the scene kept replaying until she thought she would vomit. The kids tried to comfort her, she heard their murmurs beyond the blast. And when the nurse came Modesta asked her to please help Philbert. “Please,” she said. In her dreams, Modesta saw Philbert, young and good-looking, his dark curls slicked back, his uniform perfectly creased, his chocolate eyes melting her. Oh, he was such a fabulous dancer! How happy she was when he reached for her. Her skirt swished on the turns and when her smile met his, he pulled her close enough to smell his Aqua Velva. She felt girlish and gorgeous and free, forgetting for the moment that her husband would never return, that she had a son to raise alone, and that she had cursed God when the sun returned that morning. When the song ended, Philbert grasped her hand, walked off the linoleum dance floor, past the tables and chairs, the clinking bottles, glowing cigarettes and drunken giggles. He didn’t say a word, but Modesta followed, out the double doors and right into their kitchen. His shotgun sat on the table. The blast woke Modesta. Modesta looked around the darkened hospital room. Carlos slept on a chair, poor thing. He’d get a stiff neck. A line of light leaked around the door, letting in more silence. Modesta woke her son. “There were two shots,” she said. “I heard two shots.” “It doesn’t matter, Modie.” “Why two? Did he miss?” Carlos shrugged. 58 The Last Shot “He missed?” “Who knows?” Carlos said. “Maybe he was just getting his courage up.” “I want to go home,” Modesta said. “I want to see Philbert.” “He’s not there.” “Then take me where he is. Then take me home.” “You can’t see him, Modie,” Carlos said. “There’s nothing left to see. You can say goodbye to him at the funeral home later. Or at the rosary.” “Then we can go home?” “We’ll go home to Tucson in a week or two. Once we get the house packed and cleaned and ready for sale.” “You’re selling my house?” “Modie,” Carlos said. “Remember I told you I was taking you home with me? You can’t stay in that big house by yourself. Who would take care of you?” “Who took care of me before?” Carlos stroked his mustache with a finger and thumb. She was surprised to see spots on his hands. “What difference does it make?” he asked. “Amory could do it.” “He has to work.” “Tina doesn’t work.” “Tina also can’t keep a roof over her head.” “She could move in with me.” 59 Carlos smiled, one corner of his mouth higher, his eyebrows raised. “How long do you think that would last? What was it the last time? Three weeks? A month?” Modesta stared at her son and wondered if the dim light was fooling her old eyes. The shadows hid her boy from her, carving a new man from familiar flesh and bone. Where was the miniature of the young man she’d loved? Carlos was decades older than his father ever lived to be. His eyelids had begun to droop and white hairs sprung from his eyebrows and salted his mustache. She wondered if his father would ever have looked like this. It was like running into a familiar stranger at the Kmart, smiling and nodding and then puzzling the day through about who the hell that was. Had it been so long since she’d seen him last? He’d come for Christmas. Wait. No. They’d come on vacation and then spent most of it in a tent or some nonsense. But wasn’t that years ago? “Steph and I are gonna take care of you now,” Carlos said. “But we can’t do it from Tucson, and we’re not moving back here.” “But I’ve never lived anywhere but here.” “You’ll like Tucson,” Carlos said. “I like Denver,” Modesta said. Modesta had been to Amory’s home only once, when he first moved in. The emphysema was already a hassle then, but she’d insisted he needed her help to clean so he would take her and Philbert over. The tiny bungalow, on a small lot with a sour cherry tree in the front yard, wasn’t too far from her house. Amory talked of his plans Contemplator Joan Lee Watercolor 16” x 23” 60 The Last Shot to replace his avocado-colored appliances and pink toilet, maybe tear up the carpet and refinish the floors. She teased that the timing was good since he didn’t have any furniture to move out of the way. With nothing else to do, Modesta slept. Once she woke to the sound of rustling and discovered her great-granddaughter digging through the toys and tossing them onto the floor. “What are you doing, mija?” Modesta asked. He had already set up the stereo and put on Perry Como for his grandpa. The cable guy was coming Monday. They ordered pizza and Amory made a table and chairs out of boxes. Then he pulled his only real chair—Philbert’s old recliner—into the kitchen so Modesta could talk to him while he scrubbed the fridge. She offered to tackle the sink. The little girl toddled over to the bed and tried to pull off the blankets. “Mine,” she said. “Mine,” she screamed again and again as Amory carted her out. “This is the only sponge I’ve got,” Amory said, closing the cabinet when she swore she saw some there. He found a screwdriver for Philbert so he could “fix” things. This time, when they arrived from the hospital, Amory’s place was not quite so empty, and they had a hell of a time fitting her wheelchair through. She didn’t even recognize the ridiculous room he put her in: a stripe of flowered wallpaper wound all the way around, with matching bedspread and curtains. The floral stripe lined the sheets and pillowcases, too. Butterflies hung on the walls. “The baby stays here a lot,” Amory explained. It took Modesta a moment to understand that he meant her great-granddaughter. The room was barely big enough for a twin bed, a toy box and a nightstand, where Carlos stacked Modesta’s medicine vials and a giant water bottle with a straw that all the kids scolded her for not drinking. Heavy to hold and impossible to suck, they said she was just being difficult. “You have to drink your water, Momma,” they scolded. Like they had ever drank their milk or ate their broccoli. They could have at least brought her TV. 61 Modesta traced the vine from one end of the wallpaper border to the other. In two spots, it didn’t quite line up, and the stem just vanished. It was no reason to get angry, but she did anyway. She refused to answer when Carlos called her Modie, though he had called her nothing else for at least thirty years. She snapped at Amory when he came to check her water and make her take another fistful of tablets. And when Tina inquired about the proceeds of the house, Modesta said, “I’m dropping every dollar into a slot machine, one at a time.” “You’re just talking crazy, Momma,” Tina said. You’d never do it.” “As soon as Amory can take me to Vegas,” Modesta said, glaring at her daughter until she left her alone. Modesta wished all of them would just let her be. She needed sleep, her body begged for rest, pulling on her eyelids, weighing down her limbs. But sleep came with dreams and Modesta fought it until her body fought back. The pains began on her left side and spread up and down until she looked to see who was stabbing her. She didn’t complain but accidentally let out a cry that betrayed her. The Last Shot “No more hospitals,” she said. “No more medicine.” The doctor said, “Shingles.” The chain link fence did little to separate the funeral home—a flat-roofed building with neat bushes—from an abandoned Kmart. Carlos drove his rented compact up to the ramp on the west side. He left Modesta in the car, with the air-conditioning on frigid, while he retrieved the wheelchair and oxygen tank from the trunk. Modesta’s children had been at the home all day, welcoming guests and sitting with Philbert. She had passed the time in Amory’s flowered room, tortured by the pain and fever of her own body, by a useless bladder and by horrific dreams— sometimes Philbert shot her with that first bullet, the practice one, the one they said took a chunk out of the ceiling above the refrigerator. As each one took a break from the visitation to care for her, she begged them to take her to the funeral home. “Wait till the rosary, Momma,” they’d said. Damn them. Carlos opened the door. “Let me help you out, Modie,” he said, reaching into the car, his gentle fingers like paring knives. “What time is it?” Modesta asked. “About 5:30.” “But it’s not even dark.” “For the rosary?” “Why?” “Rosaries should be at night.” “Who said? Watch your leg.” “And they should be at a church. This isn’t a church.” “Modie. We’re lucky Uncle’s a deacon or no one would even be saying a rosary.” Amory kissed his grandmother and carried her oxygen tank. Tina kissed her then rattled on about the unbearable heat. It wouldn’t be so bad if you lost a few pounds, Modesta thought as Carlos wheeled her into the home. The entrance hall, bright with light pouring in large windows, their heavy wine-colored drapes not drawn, was as cold as the walk-in freezer at the tamale shop. Modesta caught a chill the moment they entered, though she wore a sweater and thick knee-high stockings. A hunched old man in a charcoal-colored suit greeted Carlos by name and handed both him and his mother a small card. Philbert Sanchez, the cover said, over a wavy American flag. Modesta didn’t open it. She didn’t even turn it over. But she gripped it so tightly it curved around her thumb. She heard Amory whisper to Tina. “Should we let her sit over here for now, Mom?” “It’s July.” “She’s supposed to greet everybody out here afterward.” “Shouldn’t we wait until dark?” “But Grandpa’s in there.” “For what?” “And where else would he be, Amory? Fishing?” 62 Sun Over Kansas Aileen Gaumond Digital Photograph 63 The Last Shot The casket stood at the front of the chapel, draped in an American flag. Beside it, on a spindly table surrounded by foiled baskets of mums, sat Modesta’s one big, framed photo of her husband, which was probably forty years old. Carlos wheeled his mother to the first pew on the right, not ten feet away. “You okay, Modie?” “Don’t call me that,” she said. “I’m your mother. Did you take that picture off my wall?” “We needed something since we couldn’t open the casket.” “That’s mine, you know.” “I know.” “I want it back.” “You’ll get it back.” “Did you take any of the others?” “We just needed that one, Modie.” Despite the pain the motion caused her, Modesta grabbed her son’s hand. Since that very first time he’d addressed her by her given name—strutting into her kitchen waving his new driver’s license and the keys to Daddy’s sputtering Mercury, which he’d bought for fifty bucks—the question had nagged her. “Why?” she asked. “Why what?” She looked into her son’s face, searching for the baby she’d once loved so much and finding a man she hardly knew. It was too much. “Don’t call me that,” she said, wishing she’d said it long ago. “I’m still your mother. And those are my pictures. You can have them all when I’m dead, but I’m not dead yet.” Wiggling her cold toes, Modesta wished for a blanket. She looked at the photo of Philbert, how he used to be—handsome and smug—and was surprised at just how long it had been since she’d last seen that man, that smirk. How long had he been gone? She couldn’t recall that either. Her eyes were drawn to the red, white and blue. Philbert lay under there. What was left of him. Her Philbert. Her husband. Forty-seven years together boiled down to this. The son of a bitch. In all those years, they’d been apart only when he’d gone hunting or fishing, or while she worked or visited her sister in Texas. Oh, they’d fought, too. Damn had they fought! He’d pushed her around some when they were young, and drunk, and she’d thrown him out two or three times. He’d taken a girlfriend once, too. A fling. An extended fling. But that was it. Forty-seven years minus a few weeks. Had they been happy? Long ago, perhaps. She couldn’t remember. But would he have done this if they had? And what kind of life were they living, anyway? Seldom seeing anyone other than Amory, and a daughter and granddaughter who came when they needed money. They didn’t really have much to say to each other. But forty-seven years, after all, was a long time. They’d said pretty much everything at some point. Modesta knew Philbert like she knew how to breathe. She knew the sound of his truck from a block away, his limp in the driveway and the smell of his skin when he drank rum instead of Miller’s. Modesta knew Philbert’s disappointments and desires before he did. Or so she had believed. His suicide had been his first surprise in years. And suddenly everything was suspect. 64 The Last Shot Modesta stared at the stripes. How neatly the red and white were stitched together, and what a pretty contrast between. If she felt better, she’d get up and touch the cloth. The material looked thick and fine. So warm. But her subtlest movement triggered pain, sharp, mean, and unforgiving. So Modesta sat, listening as people filed into the pews. Her siblings hugged her and it hurt. Her daughter, granddaughter and great-granddaughter, as alike as those stacking dolls, took seats in the pew beside her. She turned to ask about the baby’s picture and noticed their dresses, sleeveless and colorful and bright. But before Modesta could criticize she realized she wasn’t wearing black either. Nor was Carlos, nor Amory. Nor anyone else. And they weren’t crying. Modesta heard laughter and chatter instead of weeping. Her own eyes remained dry. She peered again at the stripes then looked away. Modesta searched the chapel for sorrow. Philbert’s brother held his wife’s hand and stared straight ahead, but he smiled when a cousin patted him on the back and asked, “How’s it going comp’?” Their own compadre, Tina’s godfather, grinned and waved at friends and family he probably hadn’t seen since the last funeral as he made his way to the front pew. He stopped smiling as he bowed and made the sign of the cross, as he kissed Modesta’s cheek and said, “I’m sorry,” but not two minutes later she heard him chuckle. She thought she heard a woman’s sob, but it, too, turned out to be laughter. Modesta’s granddaughter answered her cell phone and tried to keep her daughter from crawling under the pew. Their giggles embarrassed Modesta. The baby didn’t know, but what excuse 65 The Last Shot did her mother have for showing so little respect to her grandfather? He was dead for chrissakes. Didn’t anybody care? Maybe Modesta’s tears would help them realize. She looked again at the casket. Philbert. Her Philbert. The one who. . .Modesta searched her memory for special times, scoured her heart for tender feelings. Philbert had inspired plenty of things in her. Perhaps tenderness wasn’t one of them. Surely she missed him. Not quite like she missed Momma and Daddy. But that was different. And thank God it didn’t feel like it had when her first husband died—like a January wind swirling through her chest. Their son was just sitting up at the time, and Modesta couldn’t look at him, the spitting image of his father, without collapsing to her knees from the weight of the sorrow. She’d wanted to kill herself, would have maybe if not for the boy, whom she maybe never loved quite the same way again. Then Philbert had come along. And she was saved. But without her son—who chose to grow up with Modie’s little brothers and sisters rather than move in with her and her new husband. She pictured Carlos suddenly, all curls and chubby cheeks, clinging to Momma and crying, “Mommy! Mommy!” She remembered his dimpled fingers reaching as she got into Philbert’s car. “Mommy,” he cried. “Mommy!” Philbert pulled away. “Look at that,” he said.“He’s already calling her Mommy.” She recalled the words as his first slap but couldn’t remember how long it had taken her to believe them. As Modesta’s brother asked them all to pray, Amory reached for his grandmother’s hand. He didn’t seem to notice how cold it was, and Modesta tried not to shiver. “Take me outside,” she said. “But Grandma, we’re starting.” “I’m not starting,” she said. “It’s too cold in here.” Her brother spoke into the microphone, “Hail Mary, full of grace, the Lord is with Thee.” Around her their relatives replied, “Blessed art Thou amongst women and blessed is the fruit of Thy womb, Jesus.” Again and again they spoke the words. Modesta wondered if anybody heard them. She didn’t want to. So she sang. “Don’t sit under the apple tree with anyone else but me, anyone else but me, anyone else but me.” Amory shushed her gently, and when she kept singing, put his finger to his lips. “I used to sing that song to you when you were a colicky baby,” she said. “Until we were both hoarse and you collapsed right here in a precious lump.” She patted her chest. “Do you remember?” “I don’t remember, Grandma,” he whispered. “But we should probably talk about it later, okay?” “There is no later, Carlos,” she said. 1st Place Fiction 2009 Writers Studio Literary Contest 66 Colophon Progenitor 2010 was created using Adobe InDesign CS4 and Adobe Photoshop CS4. Typefaces used were Scythe and Adobe Garamond Pro. Our printing was done by MIDO Printing using 100# Topkote Dull Text, White paper for the text pages and 120# Sterling Ultra Dull Cover, White paper for the cover. Accent pages are on 29# Glama Natural, Clear. Progenitor is produced by the Literary Magazine Production class at Arapahoe Community College, Littleton, Colorado. Funding for the publication is provided by the English Department. To insure impartiality in the selection of pieces submitted for publication, contributor’s names were removed prior to evaluation by the staff. Opinions expressed in the Progenitor do not necessarily reflect those of the Progenitor staff or the administration, faculty, staff, or students of Arapahoe Community College. Submissions are the sole property of the contributor. Submission Guidelines Progenitor accepts only original material that has not been published elsewhere. Submission limits are up to five poems, three short poems, and three essays. All manuscripts must be typed, numbered by page, double-spaced, and the author’s name must be omitted from the manuscript. A separate page must be attached to each entry with the submitter’s name, physical address, e-mail, telephone number, and the title of work(s). Progenitor publishes black and white and color photographs, as well as artwork. Artists working in three-dimensional materials can submit high quality photos of their work for consideration. Artwork should be mounted and covered to protect it during staff evaluation, and the mounting should be easily removable for ease of handling during production. Submissions for the 2011 Progenitor must be received by February 16, 2011. Entries may be hand-delivered, mailed or e-mailed to Progenitor. Mailed entries should be sent to: Progenitor Magazine, c/o School of Liberal Arts and Professional Programs, Arapahoe Community College, 5900 South Santa Fe Drive, Littleton, CO 80160-9002. You may also e-mail us at progenitor@arapahoe.edu. Copyright 2010 Progenitor. Rights revert to the author upon publication with the provision Progenitor receives credit. 67