2013 Remote Sports Production Yearbook

Transcription

2013
THE COMPLETE GUIDE TO
REMOTE PRODUCTION
SERVICES & TECHNOLOGY
REMOTE SPORTS
PRODUCTION
YEARBOOK
a Sports Video Group
Publication
featuring the seventh ANNUAL
Remote services
DIRECTORY
260 Fifth Ave., Ste. 600
New York, NY 10001
Tel: 212.481.8140
Fax: 212.696.1783
www.sportsvideo.org
Paul Gallo, Executive Director
paul@sportsvideo.org
Tel: 212.696.1799
Martin Porter, Executive Director
marty@sportsvideo.org
Tel: 516.767.6720
Ken Kerschbaumer,
Executive Director, Editorial
kenkersch@sportsvideo.org
Tel: 212.481.8140
Jason Dachman, Managing Editor
jason@sportsvideo.org
Tel: 646.861.2373
Brandon Costa, Senior Editor
brandon@sportsvideo.org
Tel: 646.861.2370
Karen Hogan, Associate Editor
karen@sportsvideo.org
Tel: 646.559.0434
Susan Qualtrough, Copy Editor
susan@sportsvideo.org
Riva Danzig, Art Director
riva@danzigdesign.com
Tel: 917.602.4588
Rob Payne,
Managing Director,
Worldwide Sponsor Development
rob@sportsvideo.org
Tel: 212.481.8131
Andrew Lippe, Membership & Client Services
Manager
andrew@sportsvideo.org
Tel: 212.481.8133
Andrew Gabel, Manager, Sponsor
Development
agabel@sportsvideo.org
Tel: 646.998.4554
Hayley Gordon, Sponsorship Coordinator
hayley@sportsvideo.org
Tel: 646.524.7497
Cristina Ernst, Circulation Manager
cris@sportsvideo.org
Tel: 917.309.5174
About SVG
The Sports Video Group was formed in 2006 to support the professional community that relies on video,
audio, and broadband technologies to produce and distribute sports content. Leagues, owners, teams, players,
broadcasters, Webcasters, and consumer-technology
providers have joined SVG to learn from each other,
turn vision into reality, and implement innovations,
while sharing experiences that will lead to advances
in sports production/distribution and the overall
consumer sports experience.
Mission:
To advance the creation, production, and distribution of sports content.
To provide a knowledge resource for the growing
community of sports video professionals working for
broadcast/broadband organizations, professional teams
and leagues, collegiate and secondary schools, and
facilities.
To facilitate a dialogue with manufacturers, suppliers,
and technology developers that will improve the quality
and profitability of sports programming.
PRINTED IN THE USA
FROM THE EDITORIAL DIRECTOR
12 E
nd of an Era
Executive Roundtable
17 ‘Our Trucks Are as Busy as Ever’
Vendor execs see booming business in
ratings, rights deals, multiscreen
ineering Report
Eng
31 T
ruck Design: Baseband’s Last
Hurrah?
The future of 4K, 3D may be hazy, but
the move to IP is in sight
NEW TRUCK PROFILES
50
54
58
63
69
74
80
84
89
94
98
102
106
Crosscreek Television
CSP Mobile Productions
D2 Productions
Dome Productions
Game Creek Video
IMS Productions
MIRA Mobile Television
Mobile TV Group
NEP Broadcasting
Proshow Broadcast
Token Creek Mobile TV
Trio Video
Turner Studios
remote Services Providers
1163ality Technica
Advanced Mobility
Aerial Video Systems
All Mobile Video
Alpha Video
ARCTEK
120 Axis Global
Azzurro Systems Integration
Beck Associates
Bexel Broadcast Services
124Broadcast Services Intl.
CAMERON PACE Group
CAT Entertainment Services
CBC Mobile Productions
CBT Systems
128 Cinesys-Oceana
Clark Media
Communications Engineering
Corplex
Diversified Systems
132 E
ncompass Digital Media
F&F Productions
Filmwerks
Frontline Communications
Gearhouse Broadcast
Table of Contents
Published by
Sports Video group
2013REMOTE SPORTS
PRODUCTION YEARBOOK
136Gerling & Associates
Illumination Dynamics
IMT
Kodiak Mobile Television
Lyon Video
Mansion Mobile Television
140 M
etrovision Production Group
NES Communications Services
On Call Communications
PACSAT
Platinum Upline Services
PSSI/Strategic TV
144 Reality Check Systems
Show Partners
SkyCam/CableCam
SOS Global Express
The Systems Group
148 VCA
VER
YES Productions
VENDOR SERVICES DIRECTORY
158 Crew Services
Regional Listing
170 Crew Services
Alphabetical Listing
182 Generators
Regional Listing
194 Generators
206 Remote Production Units
Regional Listing
208 Remote Production Units
214 Satellite Trucks
Regional Listing
220 Satellite Trucks
227 Mobile Sports
Production Gearbase
Details of equipment found in nearly
200 HD, SD, and 3D trucks
258 Ad Index
Directory of SVG sponsors
remote Sports Production Yearbook 2013
7
SVG Advisory Board
12
The Sports Video Group is comprised of leading industry
figures who are committed to technical excellence in the
sports industry. Members help guide the direction of the
organization, consult on various group initiatives, and
enable more dialogue across different industry segments.
Chairman
Steve Hellmuth, NBA, EVP, Operations and Technology
Advisory Board Members
Ken Aagaard, CBS Sports, EVP, Operations and
Production Services
Adam Acone, NFL Network, Director,
Media Operations & Planning
Glenn Adamo, NFL ,VP,
Media Operations and Broadcasting
Peter Angell, IEC in Sport, COO
Andrea Berry, Fox Network Engineering and Operations,
SVP, Broadcast Operations
Chuck Blazer, FIFA, Executive Committee
David Catzel, Microsoft, Platform Services Adviser, DPE
Chris Calcinari, ESPN, VP, Event Operations
Jason Cohen, HBO Sports, Director
Joe Cohen, HTN Communications, Chairman and CEO
Michael Cohen, Industry Consultant
Don Colantonio, ESPN,
Senior Director of Production Enhancements
Cindy Cortell, MLB Network, Director of IT
Michael Davies, Fox Sports, VP, Field Operations
Preston Davis, ABC, President,
Broadcast Operations and Engineering
Scott Davis, Industry Consultant
Jim DeFillipis, Fox Technology Group, SVP,
Television Engineering
Ed Delaney, YES Network, SVP,
Broadcast Operations and Engineering
Jed Drake, ESPN, SVP and EP, Event Production
Dave Dukes, PGA Tour Entertainment, Senior Director,
Technical Operations
Russell Gabay, Major League Baseball International,
VP and Executive Producer
Jerry Gepner, L5 Media Services,
Media and Technology Executive
Steve Gorsuch, USTA Billie Jean King Tennis Center,
Director of Broadcast Operations
Mark Haden, MLB Network, VP, Engineering and IT
Deb Honkus, NEP Broadcasting, Chairman
George Hoover, NEP Broadcasting, CTO
Jeff Jacobs, MTV Networks, VP,
Production Planning and Strategies
Robert D. Jordan CFE, Venue Research and Design,
Managing Partner
John Kvatek, University of Central Florida Athletics
Association, Director of Video Services
John Leland, Origin Digital, VP,
Global Media Operations
Louis Libin, Broad Comm, President
Jodi Markley, ESPN, SVP, Operations
Michael Meehan, NBC Sports, VP
Ken Norris, UCLA, Director of Video Operations
Gary Olson, CONCACAF, CTO
Chuck Pagano, ESPN, EVP and CTO
Del Parks, Sinclair Broadcast Group, VP, Engineering
and Operations
Patty Power, CBS Sports Network, SVP, Operations
Paul Puccio, Industry Consultant
Scott Rinehart, Fighting Irish Digital Media, Lead
Technologist
Larry Rogers, FirstInTV, President
Mike Rokosa, NBA, VP, Engineering
Bob Ross, CBS, SVP, East Coast Operations
Tom Sahara, Turner Sports, VP,
Operations and Technology
Chuck Scoggins, Industry Consultant
Bruce Shapiro, Speed, Coordinating Technical Producer
Jack Simmons, Fox Sports, SVP, Production
Don Sperling, New York Giants Entertainment,
VP and Executive Producer
Jerry Steinberg, Fox Sports, SVP, Field Operations
Susan Stone, MLB Network, SVP, Operations
Patrick Sullivan, Game Creek Video, President
John Ward, DIRECTV Entertainment, SVP,
Production & Traffic Operations
Ernie Watts, Turner Studios,
Senior Director of Technical Ops, Live Events
Jeff Willis, ESPN,
Coordinating Technical Manager of Events
Richard Wolf, ABC, SVP, Telecommunications &
Network Origination Services
Dave Zur, Altitude Sports & Entertainment,
VP, Operations
From the Editorial Director
Remote Production 2013:
End of an Era
T
he 2013 Remote Sports Production Yearbook once again shines a spotlight
on new trucks and rebuilds updating older trucks. Across the board, such
trucks, numbering nearly 25, have made the move to a 3-Gbps infrastructure and
next-generation tools like the latest EVS servers, Grass Valley and Sony production switchers, IP-based routing, fiber, and more.
And, while they are the next generation of trucks, they can also be considered
the start of the last generation of trucks we have come to know and love: beginning next year, remote-production-truck suppliers looking to build a new truck
that will be on the road through 2020 will have to begin considering how to make
a truck easily upgradeable to 4K — or even to 8K if networks like NHK are to be
believed.
Many of the challenges of such a move are outlined in the Executive Roundtable and Engineering Report, which begin on page 17. There is still plenty that
the equipment-manufacturing community needs to do before 4K production for
sports becomes a reality. And that work most likely means that it will be at least
two years before we will need to add a “4K-capable” column in the Gearbase section, which begins on page 227.
Any uncertainty about tomorrow, however, is offset by a growing certainty in
the current opportunities for remote-service providers. A number of new regional networks have begun broadcasting, and all networks will continue to expand
their live event coverage in 2013. All of that additional content creates new means
for remote-production-service providers to get access to capital for future builds.
There are, of course, plenty of challenges. The escalating cost of rights is pressuring production teams to do more with less. But then again, the escalating costs
are also putting pressure on the bean counters to make sure the production team
can make billion-dollar investments look like a billion bucks on-air. Hence, the
constant tug of war over production enhancements vs. budgetary constraints.
Fortunately, the production teams are increasingly able to make their case and
add next-generation enhancements, such as super-high-speed cameras and 4K
production tools.
The constant pressure to drive profits is also creating pressure to keep more
personnel at home. It is unclear what portions of the production team can be kept
home, but it is certainly apparent that the pipes between the broadcast center and
the remote facilities are robust enough that more and more creative personnel —
graphics artists, editors — may be able to stop being road warriors.
We hope you enjoy this year’s Yearbook and find it a worthwhile resource
throughout the year as you seek the production trucks and services that best
meet your needs. Although the nature of those services may change in the coming years, one thing is certain: this Yearbook will always help you get your job
done more quickly and efficiently.
Ken Kerschbaumer, SVG Editorial Director
Vendor execs see booming business in rising
ratings and rights deals, not to mention the
multiscreen revolution
By Jason Dachman
‘Our Trucks Are as Busy as Ever’
A
s Nielsen ratings and the value of media-rights deals for live sports
programming continue to skyrocket, the remote-production industry
finds itself in an enviable position. With a growing number of eyeballs
watching and dollars invested, rightsholders are more intent than ever on
delivering the best possible production quality in their live sports telecasts, which is good news for the vendors that supply the trucks, equipment, and skilled engineers at the production compound.
Even with autumn work stoppages in two
consecutive years, national and regional sports
networks’ demand for HD mobile units continues to
escalate and SD trucks fall by the wayside. Meanwhile,
the exponential growth of multiplatform distribution
and the proliferation of college-conference and
regional sports networks throughout the U.S. offer
potentially lucrative new revenue streams for remoteproduction providers.
“I think it is a very good time right now for
our business,” says Pat Sullivan, president/owner,
Game Creek Video. “There is a lot of activity in the
regional-sports-network area and the networks that
are being developed by college conferences. People
are asking for more cameras and more replay
devices, and our trucks are as busy as ever.”
Nonetheless, significant challenges remain for
the industry, namely the danger of labor strife
among the big-four pro sports leagues, spastic gas
prices and travel costs for crew, the eternal issue
of obtaining financing for new trucks, and finding
the next generation of engineers in an increasingly
IT-centric world.
“We are in a terrific industry, so long as a league
does not lock out or strike,” says Phil Garvin,
president/founder/co-owner, Mobile TV Group.
“But we have had two out of four major leagues —
and almost three — do just that in the past year.
And that’s when the banks can become concerned.
When we have a lockout, the impact is enormous
because it is not just one team, it’s the whole league.
That is very unusual for an industry. There is no
bright side to that kind of situation.”
Vendors Begin To See $$$ Trickle Down
Regardless of the loss of NBA and NHL (and
nearly NFL) dates due to labor-related work
stoppages, one thing is certain: the sports industry
as a whole has never been a more lucrative business.
And as both national and regional sports networks
fork out more and more money for the rights to live
sports programming, remote-production providers
are beginning to reap the rewards.
“As the rights fees go up and the competition
for those rights increases, quality and reliability of
production become absolutely crucial,” says Garvin.
“I think it is a very good time right now for our business. There is a
lot of activity in the regional-sports- and college-conference-network
area. People are asking for more cameras and replay devices, and our
trucks are as busy as ever.” —Pat Sullivan, Game Greek Video
17
“The networks are under so much pressure to
deliver now that they are willing to pay a little extra
to get that added level of assurance. That was always
true for a big playoff game, but it is now true at
almost every level.”
With the overall cost of these sports properties
on the rise, the production budget becomes less
of a factor in the bottom line. Many truck vendors
see this as an opportunity to augment productions
with additional facilities in an effort to enhance the
overall quality of the show.
“We have definitely started to see the effects [of the
huge rights deals],” says Sullivan. “If [rightsholders]
are going to invest multiple millions or even billions
of dollars in this content, the trucks quickly become a
very small component in the overall cost of producing
these events. A modest increase in what they pay for
mobile facilities can end up creating a significant
increase in the quality of the final product.”
Multiscreen Distribution
Sports productions across the country are getting
additional trucks and gear as a result of the multiscreen
revolution of the past few years. The linear telecast is
now just one element in a multipronged production
effort at high-profile events like golf majors, tennis
Grand Slams, and others.
“In all the new rights-fees deals, there are
components of those contracts that address
secondary-screen distribution, which shows me
that there is going to be more focus on how we are
going to be able to supply multiple feeds out of one
truck or one compound,” says Mike Werteen, SVP
of sales and client services, NEP Broadcasting. “That
means more facilities and more equipment, which
obviously bodes well for what we do.”
Sullivan says Game Creek trucks have been brought
in specifically to handle streaming productions at
live sports events on several occasions over the past
year, and his company is not alone.
“We are starting to see people think more about
the different revenue streams — second-screen
and Internet distribution — that could be available
from an event that is already being covered,” says
Corplex President/Partner Scott West. “They are
already covering these events, so why not find new
ways to sell the same content? That requires more
22
infrastructure on the compound, which is good
news for the truck business because they need more
trucks and gear in order to make that happen.”
Meanwhile, lower-profile college events that may
not have warranted even a three-camera shoot
just five years ago are being streamed online to a
newfound audience. In addition to ESPN3, which
streams hundreds of live college events each year,
colleges around the country are looking to increase
their brand and exposure by streaming their
athletics events online.
“We have one SD truck left in our fleet,” says CSP
Mobile President Len Chase. “That truck exclusively
works for ESPN3, so it’s created a little niche
business for us. We are seeing more and more cases
where our signal is being divvied up. Our regular
network broadcast or a local RSN feed is also
being utilized for mobile devices and second-screen
[platforms]. Our new truck is set up with four
transmission paths just for that reason.”
The RSN Effect
Over the past year, new regional sports networks
have popped up across the U.S., headlined by the
Lakers-fueled Time Warner Cable SportsNet and
Deportes in Los Angeles and a septet of Pac-12
Networks scattered throughout the western half of
the country (new RSNs also launched in Houston,
New Orleans, and San Diego). TWC Deportes,
the first dedicated Spanish-language RSN in the
country, could be a sign of things to come for the
market, creating yet another potential new revenue
stream for mobile-truck providers.
“Regional sports shows are getting extremely
complex,” says Garvin. “In addition to home and
away feeds, we are producing Spanish feeds now.
And then, sometimes leagues and league networks
will want a clean feed. Then you add in all the
second-screen aspects. In the end, what was a pretty
small show 10 or 20 years ago at the RSN level is
now an awfully big show.”
Financing Remains Tough
With SD trucks nearly off the road entirely,
vendors are rolling out HD units at a rapid pace,
with an eye on potential new markets in the college
and regional sectors. Mobile-production vendors
“We are starting to see people think more about the different revenue
streams — second-screen and Internet distribution — that could be
available from an event that is already being covered.”
—Scott West, Corplex
“Regional sports shows are getting extremely complex. In addition to
home and away feeds, we are producing Spanish feeds. Sometimes
leagues and league networks want a clean feed. Then you add in all
the second-screen aspects.” —Phil Garvin, Mobile Television Group
launched more than 20 new or rebuilt trucks
during 2012, with many more on the way in
2013. However, despite the high-octane output of
new HD trucks, obtaining the financing for them
remains a constant obstacle.
“It is easier to get capital [to finance new trucks]
today than it was during the economic downturn
four years ago, no question about that,” says
Werteen. “But we are also entering our second
straight year of a major work stoppage in pro
sports, and that hurts everybody. There are business
plans that are built upon the assumption that that
revenue will be there for us. So when labor disputes
happen, it is painful for everyone.”
Dealing With Work Stoppages
Although the Republican primary race and
presidential election of 2012 helped offset lost
business from the NBA and NHL lockouts, mobile
providers still have seen their bottom line take a hit.
“Unfortunately, you are always going to have
work stoppages; it’s just a downside of the business,”
says Sullivan. “We have been fortunate in that we
have made up some of that revenue through the
debates and inauguration and such, but it is still a
very good-size hit.”
While companies like Corplex have looked to
differentiate their business in an effort to protect
themselves from future work stoppages (picking up
more events along the lines of skiing, rodeo, etc.),
there is no way to truly future-proof the business
from a lockout.
“Not only do you have a risk of losing a huge
percentage of your work, but you also can’t replace
it until the league cancels the whole season,”
explains Garvin, who has pledged that there will
be no lockout-related layoffs at MTVG. “So you
are sitting there not knowing whether your truck is
booked or not two weeks out. And you can’t rebook
your truck because you have to honor those original
dates. We aren’t left with a lot of alternatives.”
Fuel, Travel, and Engineers
In addition to the looming risk of a work
stoppage, mobile-production–truck providers also
face year-in/year-out hurdles like fluctuating fuel
prices and travel costs.
26
“We’ve always dealt with [gas and travel prices],
but it’s to a point now where it’s critical,” says
Crosscreek Television Productions President/
CEO Spruce McCree. “Much like everybody else,
we’re trying to negotiate and have been somewhat
successful with factoring [fuel and travel] rates
into our contracts. But it certainly doesn’t offset
the terrible rise in costs that we’re paying. You just
have to do a lot of volume and be creative in what
you do there.”
Another constant challenge is the search for
highly skilled engineers as the truck business
becomes a more IT-centric ballgame.
“The big challenge for us continues to be finding
high-quality engineers,” says Sullivan. “That is
always going to be a challenge because it is a very
specialized position and it is more difficult for us
as we get bigger. Our ability to put engineers who
are up to our standards on every truck is becoming
more and more difficult.”
Sullivan does, however, see great value in
establishing relationships with both the military
and local universities — as Game Creek has done
with the Navy and schools like UMass-Lowell — in
order to scout the next crop of engineers.
Bottom Line: Business Is Booming
Despite these obstacles and tumultuous labor
situations, the remote-sports-production industry
can boast a solid bill of health. With ratings, ad
revenue, and media-rights investment up almost
across the board, sports networks and broadcasters
are more willing than ever to open their wallets to
enhance the production quality of their telecasts.
That means greater revenues for mobile-production
providers and plenty to be thankful for going into a
promising 2013 campaign.
“Personally, when I see these escalating rights
deals, I feel bullish about our place in the industry
and the industry as a whole,” says Werteen.
“Obviously, when there is that much money spent
on rights fees, it means that live sports has been
targeted as destination viewing for television
viewers. If [networks] are going to pay that much
money for live sports, there is going to be a focus on
getting the most exposure possible for that content,
and that bodes well for our industry.”
The future of 4K, 3D, and other formats may be hazy,
but the move to IP is clearly in sight
Engineering Report
Truck Design:
Baseband’s Last Hurrah?
By Ken Kerschbaumer
T
he state of remote-production–truck engineering continues in an
evolutionary phase as the transition to IT-based signal transport, embedded audio, and the ability to push and pull content from the field to a
broadcast center via fiber continue to make advances. But the beginning
of a revolutionary phase is also taking place.
But the beginning of a revolutionary phase is also taking place.
Trucks will continue to move
beyond baseband infrastructures
and become central hubs where
content comes and goes as files, IP
signals, and, of course, live camera feeds. And, as viewers demand
more super-slow-motion shots,
there is a need to expand the superslow-motion camera beyond one
or two cameras on a show.
Companies
like
Inertia
Unlimited, Fletcher Chicago, and
NAC Imaging dominate the superslow-motion–camera market,
thanks to cameras that can shoot
well above 600 frames per second
and continue to offer improved
performance in night-game situations. Meanwhile,
the more traditional camera manufacturers — Sony,
Grass Valley, Ikegami — offer cameras that can
shoot only upwards of 180 frames per second. But
Phil Garvin, president/founder/co-owner, Mobile
TV Group, foresees a day when standard truck
cameras offer ultra-slow-motion capability.
“That will make [using ultra-slow-motion] a lot
easier [to maintain], and I think the way we offer
ultra-slo-mo to the customer is going to change
dramatically over the next few years,” he explains.
“Someday, the manufacturers of cameras will make
new features available simply through software
upgrades. The customer is going to be able to request
features via these upgrades on a game-by-game
Ultra-slow-motion cameras like NAC Image Technology’s HiMotion II are seen more and more often at live sports productions across the country.
basis.”
One company looking to fulfill that promise is
Grass Valley. The company’s newest cameras, the
LDX series, will eventually offer the ability to add
features to the camera and turn them off as needed.
So the ability for remote-production companies
to pay for the ultra-motion feature only when it is
needed could drastically change the marketplace.
“I wouldn’t be surprised to someday see a client
ask us to provide them with all high-frame-rate
cameras at every position,” says Game Creek Video
President Pat Sullivan. “That would significantly
REMOTE Sports Production Yearbook 2013
31
Engineering Report
change the dynamic of how we buy
cameras. And to use a term that
our engineers use, there is a certain
science-project element to these
projects that still needs to be figured
out.”
The potential demand for more
high-frame-rate cameras is not
the only area of acquisition that is
beginning to impact the remoteproduction world. One of the hottest
phrases on the lips of industry
professionals is Ultra HD, or 4K.
Fox Sports, for example, is using a
4K camera to capture images that
can be zoomed in, providing HD-quality close-up
extractions of things like a foot touching an end line
in football.
“I hear more about 4K than 1080p these days,”
says Garvin. “Nobody gets too excited about 1080p
because it’s not a huge difference [in quality] by the
time it gets to the home. And, while I think 4K is
interesting, I don’t think that I have to worry about
it right now. Initially, it will be used for a portion of
the HD production, and then we’ll see where we go
from there.”
Scott West, president/partner of Corplex,
says 4K is certainly something he is aware of
and investigating. “The question is, when will the
technology shake out to a point where the networks
will be able to transmit or will they just archive?”
he says. “There also has to be a business model
that makes that work. Is that the next step, like
SD to HD? Maybe. We are not willing to spend
money tomorrow, but we have our engineering staff
keeping apprised of the developments in that.”
The good news for all truck companies is that,
outside of the cameras, there is still another year or
two of product development before other equipment
— production switchers, EVS servers, camera-control
gear — becomes truly 4K-friendly. Right now, for
example, it is impossible to cut a multicamera 4K
production from a production switcher.
That ability to wait is important for another
reason: it allows the rest of the TV industry to
attempt to figure out where it wants to go.
Fox Sports deploys a Sony F65 4K camera (shown here at
MetLife Stadium) to create a Super Zoom feature during its
NFL coverage.
“When it comes to moving images to the home,
there is no clear focus as to where the industry
is going,” says NEP Broadcasting CTO George
Hoover. “And these are not decisions that any one
network or organization can make on their own.”
Product development for the manufacturers is
not cheap, and making 3D- or 4K-capable products
when it is unclear if or when the market will develop
carries risk. The same goes for a production truck
that is meant to have a life cycle of at least seven
years. Does 1080p become a real service delivered by
cable and satellite operators? Can 3D gain traction
courtesy of glasses-free displays? And how about
4K and, eventually, Super Hi-Vision (8K)? NHK
says it will have complete 8K production workflows
developed by 2016.
If a truck rolled out in 2013 is expected to be on
the road until 2020, how can it be future-proofed
when the equipment does not yet exist? That is one
reason signal transport within the truck and outside
the truck is becoming so important. A prodigious
shift toward IP-centric routing and distribution
infrastructures is just beyond the horizon, and
NEP’s latest trucks to hit the road — ND6 and
Entourage — represent what may be the company’s
final generation of traditional baseband-video
trucks.
“There are some radical advances just around
the corner next year.”
George Hoover, NEP Broadcasting
36
Engineering Report
“The next generation of
trucks will really change
the way that routing and
distribution is done,”
says Hoover. “We will
move to more IP-centric
infrastructures, which are
not quite out there just yet,
but they are right around
the corner. Some of the
technical standards that
will allow that evolution to
happen are getting ready to
be certified by the various
standards organizations,
like IEEE, SMPTE, and
AES. There are some radical
advances just around the corner next year.”
The move to IP-centric infrastructures also
will open up more and more opportunities for
production personnel — graphics operators,
even those on the front bench — to remain home
and control camera feeds and other aspects of
production from a production-control room tied to
the venue and truck via fiber.
The problem now is that the level of connectivity
needed to make those workflows applicable on a
wide scale is not quite in place. More important,
by the time the new production-control room is
constructed and outfitted with equipment and fulltime personnel, the cost savings may prove negligible.
And not only do cameras and microphones still
need to be placed and maintained, but there are the
additional risks of connectivity problems and also of
being unable to solve technical problems or react to
a breaking story.
“Compromise is not something that can be done
[on a grade-A event],” notes Hoover.
Of all the next-generation options on the table,
1080p is closest to becoming reality. The vast
majority of trucks built in the past three years are
capable of 1080p production, and Game Creek
Video, for example, now has nearly half its fleet
capable of 1080p work.
“When we started building these trucks — the
first was for YES Network — it was in the midst of
all the 3D hype,” says Sullivan. “My discussions with
Paul Boner and Jason Taubman [VP of engineering
All Game Creek trucks built from now on — including the newly
unveiled Apollo shown here — will be 1080p-capable.
and VP of design/new technology, respectively, at
Game Creek Video] centered around the concept
that, if we made our trucks 3G-capable, then 3D
would not be a huge leap to take if that is the way
the industry ended up going. At the same time,
the network gurus are always saying that 1080p is
ultimately where they want to be, so why not just
build a truck that way?”
West says Corplex has also taken steps to be
1080p/3D-capable via 3G routing and signal
distribution: “Our last truck was built with 1080p
cameras, and, as soon as Grass Valley brings out
the frame for the [necessary] switcher, we have an
agreement to purchase that already. We are trying
to get to that level.”
But all the steps taken by the production-truck
community to future-proof the trucks mean
nothing if there is no clear understanding of what
clients need. During the HD transition, five or six
companies were able to lay out a vision and gain
consensus that HD was the way forward.
“But now the decision-makers are in the hundreds,”
says Hoover of a continually expanding cable,
broadcast, and online universe. “Content producers
and distributors need to guide manufacturers, as we
cannot sustain false starts like 1080p and 3D. They
need a roadmap for 2025: no one can afford to flip
technology every two years.”
All the steps taken by the production-truck community
to future-proof the trucks mean nothing if there
is no clear understanding of what clients need.
40
new truck
Profiles
In this year’s edition of the Remote Sports
Production Yearbook, we once again shine a
light on production-truck vendors’ latest and
greatest offerings. In the following pages, you
will find in-depth profiles of the units that hit
the market in 2012 and those set to debut in
early 2013.
These articles will allow you to learn about
the newest trucks on the road, the innovations
found within them, and the equipment that
resides inside their walls. Not only can you
find out if a particular truck meets your
needs, but you can also better understand the
design and engineering philosophy behind it,
as well as the latest engineering trends being
embraced in today’s market.
For details on equipment in the trucks covered and the suppliers’ other offerings, turn to
the Mobile Gearbase section, beginning on
page 227.
45
Profiles
Voyager 11 Expands HD Fleet to Five
By Brandon Costa
L
ocated in the Birmingham, AL,
suburb of Alabaster, Crosscreek
Television Productions prides itself on
serving its niche marketplace. Be it
NHRA broadcasts for ESPN or SEC
football games, Crosscreek may be a
picturesque, mom-and-pop production company, but you’d never know it
from its rapidly expanding fleet of HD
mobile-production units.
50
After releasing the brand-new Voyager
10 in December 2011, Crosscreek quickly
followed up with Voyager 11. To build it,
the company gutted one of its original SD
trucks, Voyager 6, and filled it up with completely
new gear, adding another unit to its HD fleet, which
now goes five deep.
“You’d never know it’s not a new truck until you
saw the rivets on the outside,” cracks President/CEO
Spruce McRee.
Voyager 11, a 53-ft. expando trailer, is built around
a Grass Valley Kalypso 4.5M/E HD switcher and
comes with eight Sony HDC 1500L cameras (the truck
has capability for 12 cameras), a bevy of FUJINON
lenses, and a Calrec Artemis audio console. Graphics
engine is Chyron’s HyperX3 Lyric Pro software.
The truck is also wired for 12 tape machines and
40 channels of EVS server.
Crosscreek selected Cobalt Digital to provide,
commission, and configure a signal-distribution system for Voyager 11. Cobalt supplied a card-based
solution comprising its 9901-UDX 3G/HD/SD up/
down/crossconverters with frame syncs, a 9821
downconverter with HD/SD-SDI input, HD/SD-SDI
reclocking, SD-SDI and analog video/audio outputs,
and distribution amplifiers. The system is controlled
by OGCP-9000 control panels.
Technological enhancements and new trucks have
become a constant at Crosscreek. Additional facilities and resources are in response to a constant need
to support the rapidly growing pool of content in the
southern U.S.
“[It] made sense to us [to add two trucks] because
we had turned away work, and the opportunity to
have another truck in our HD fleet to help our
Voyager 11 is housed in the trailer that used to be Voyager 6.
arrangements with ESPN and NHRA was important
to us,” says VP of Engineering John Peers.
Over the past couple of years, McRee has seen his
company’s profile increase exponentially, and that in
turn has paid huge dividends in seeking financing for
projects like Voyager 10 and Voyager 11.
“We had to prove ourselves,” he says. “Once [Voyager] 8 rolled out and did its very first show, we’ve
had all kinds of compliments about what a great job
we did and what a great truck it was. The proof was
in the pudding. Once the trucks got out there and
started working and doing well, the financial people
started seeking us out, and we’ve been very fortunate
to get some attractive deals, which you’ve got to do in
this business; the margins are just too tight. Being a
small company, years ago, we were having to borrow
money at 12% interest. Now we’re down in the 4%
range. It’s just one of those things that you’ve got to
ride out and prove yourself and have a good track
records and contracts.”
CROSSCREEK TELEVISION PRODUCTIONS
100 Airpark Ct., Alabaster, AL 35007
205.663.4411
www.crosscreektv.com
Profiles
HD2 Rolls Out in Time for Fall Sports Frenzy
By Karen Hogan
T
54
his fall, CSP Mobile Productions added HD2 to
its mobile fleet. The 53-ft. expando, wired for 16
cameras with 720p and 1080i capabilities, will be
deployed for ESPN’s coverage of Big East basketball
and provide the company with additional inventory
during the hectic fall sports season.
HD2 features a slightly larger infrastructure than
HD1, with two EVS HD LSM XTS replay servers
configured for eight channels and one set up for four;
Grass Valley HD Kayenne production switcher;
Utah Scientific HD video router; Chyron HyperX3.1
HD graphics; Cobalt Digital up/down/crossconversion gear; and RTS Adam intercom system.
The mobile unit will be equipped with 10 Ikegami triax/fiber base stations, 10 HDK-77EC handheld cameras, six system expanders with 7-in.
viewfinders, and an assortment of Canon lenses.
“[CSP Mobile Productions] carries both fiber and
triax on [our] trucks all the time, so it doesn’t matter whether we’re in a place where we’ve got to
home run everything or if there’s full-blown SMPTE
[and] they are triaxed,” says President Len Chase.
“The trucks are capable of very easily — a matter of
a couple switches — [going] between fiber and
triax. We’re doing the same thing with HD2.”
Opting for a Calrec Artemis audio console, CSP
Mobile Productions set out to double the amount of
MADI used in HD2. Although HD3 (the company
converted its SD3 unit in October 2010) features
128 channels, HD2 has been installed with four
BNC cables carrying 64 channels for a total of 256.
The enhanced MADI interface will allow additional audio pass between the audio router and
console, EVS replay servers (HD3 is configured to
five channels, whereas HD1 has six and HD2 eight),
and intercom system.
“[The Artemis console] handles a much larger
capacity on the MADI side of the world, as well as
the digital side,” he explains. “It just lends itself to
that because, in the Omega console, we actually hit
our limit. The 256 [channels of] MADI that we’re
looking at right now [would have] maxed out that
console [because] it can’t go any higher than that.”
HD2 offers double the MADI capability of HD3.
Integrated by New Hampshire-based Little Bay
Broadcast Services, HD2 will roll out on the first
mobile trailer constructed by Michigan-based Kentucky Trailer Technologies. That may be a new name
in the mobile-unit space, but the company is no
stranger to building quality sports-production trucks.
Kentucky Trailer Technologies acquired Calutech
Mobile Solutions’ engineering and manufacturing
properties. In 2010, Calutech constructed the trailer
for HD2’s predecessor, HD1, which hit the road in
March 2011. When CSP Mobile Productions decided
to build a new mobile unit earlier this year, Chase
connected with Phil Bingham, director of Mobile
Broadcast/Medical for Kentucky Trailer Technologies, who had made the transition from Calutech.
“We’re really hoping this relationship that we’re
starting with Kentucky Trailer Technologies is going
to be a solid one. We’ve been very happy with our
Calutech [trailer],” says Chase. “[Kentucky Trailer
Technologies] is promising us the same-quality
trailer that Calutech built, and I think that relationship [is off to] a great start. I think they could be a
real powerhouse in the mobile world.”
15 Willey Rd., Saco, ME 04072
207.282.9680
www.cspmobile.com
Profiles
D2 Productions
Compact, Affordable Genesis Looks To Bring
HD to the Masses
By Brandon Costa
I
58
t wasn’t too long ago that HD broadcasts were
a luxury. Today, even for the smallest college
conferences or minor-league franchises, they’re a
necessity. That can prove a tremendous financial
challenge for video and broadcast professionals purchasing gear. Fortunately for them, technology companies are finding ways to bridge the monetary gap.
D2 Productions’ new Genesis HD mobile unit is
the latest example.
“To participate in broadcast today, you really
have to be in HD,” says David Walzer, general
partner at D2 Productions. “So I think, for a lot of
colleges, especially smaller schools, there’s not a lot
of opportunity because the HD production can be
far up and out of their price range.
“We feel there is this middle market that is
underserved,” he continues. “They can certainly Webstream, but, if they are looking to do something that is
suitable for broadcast, I think this truck will allow them
to do that at a price point that has never really been
possible for them before. We are enabling the market
for smaller schools to enter the broadcast world.”
The 24-ft. Genesis is compact in size and affordable
in price. It is built around a core of NewTek gear that
includes the TriCaster 850 Extreme switcher and the
3Play 425 replay system. D2 hopes to capitalize on
the burgeoning college market that features loads of
live-game opportunities.
“There’s this movement to get every sporting event
played online, and each game doesn’t have to be a
huge $40,000 production,” says Walzer, “but they do
want it to look professional with replay and graphics.
I think the equipment that we are putting into the
truck enables that to happen for the first time.”
Genesis’s production arsenal also contains a Black
magic Design 40x40 HD-SDI router; three AJA FS2
dual-channel frame syncs; three Sony 32-in. multiview
monitors, a 19-in. program monitor, and three 19-in.
standalone video monitors; a Plura 217 engineering
monitor; an Ensemble BE-56 test-signal generator;
and Grass Valley distribution and conversion tools.
Four Sony PMW-EX3 cameras drive the broadcast,
Genesis targets the lower-budget market with a compact size and
affordable price.
and the mobile unit has the capacity for six cameras.
“A lot of the stuff in the truck we are taking is
stock items, and we’re either customizing them or
augmenting them to optimize them for broadcast,”
says Walzer. “With EX3s, we’re taking the stock
camera but taking off the stock lens and putting on true
sports lenses and longer lenses. We are customizing
rear controls, viewfinders, the whole thing, in order to
make them user-friendly for the sports world.”
According to Walzer, since its debut, Genesis has
been picking up higher-profile events, including a
college-soccer broadcast for CBS Sports Network.
“I think, until you see the truck in action, there’s
always a question in people’s minds: ‘Does this thing
work?’” says Walzer. “There’s still this stigma, when
people hear the word TriCaster and/or trailer, that
there’s this preconceived notion of what it is.
“Our goal here was to build a solid production
platform in a trailer using NewTek technology,”
he continues. “I think we’ve done that and we’re
proving that we can create a benchmark standard for
this class of production facility. Everybody that does
a show on this thing is just amazed that they got that
caliber of show out of this truck.”
D2 PRODUCTIONS
80 Northboro Rd. East, Marlborough, MA 01752
508.485.0300
www.d2productions.com
Profile
Dome Productions
Two Expandos Roll Out; ‘Sidecar’
Market Grows
By Brandon Costa
I
t was a busy year north of the border for
Toronto-based Dome Productions. Two new
53-ft. expando trucks hit the road in 2012, and
the company set its eyes on the second-screen and
small-event markets.
“Content is king out there, and I always look at
it as someone has to facilitate that,” says SVP/GM
Mary Ellen Carlyle. “As there’s more non-broadcasters producing content, it’s an opportunity for
the mobile industry.”
Intended to capitalize on a boom in content in
both Canada and the U.S., Dome’s two newest
trucks — Atlantic and Pacific — are 53-ft. mobileproduction trucks that advance the company’s
new commitment to 3G and 1080p signal-flow
technology.
“These are what we would consider our A-level
trucks, covering most of our primetime programming,” says Director of Engineering Mike Johnson.
The trucks are very similar to each other in
terms of layout and gear, which are similar to
those of other models in the Dome fleet. Atlantic
and Pacific feature the latest gear provided by
some traditional Dome partners, including EVS
and Chyron.
EVS’s XT3 servers play a key role in making the
truck fully 3G, enabling higher-speed file transfers.
The 3G capabilities of the XT3 help Dome connect
stereo 3D cameras using a single link. Its loop
recording technology and networking capabilities
give operators complete media control from ingest
to playout, including live editing, slow-motion
replays, multichannel playback, and transfer to
third-party systems, such as craft editors, automation, archiving, or storage. The XT3 also offers
additional camera recording, superior live sports
graphics, and the advanced edit-while-recording
feature during special sports events.
The only portion of the trucks that does not support 3G/1080p is the production switcher, a Grass
Valley 4M/E Kayenne.
Atlantic and Pacific offer new-model cameras
Pacific is one of Dome’s two trucks launched in 2012.
from Sony. The HDC-2400 series camera has the
same features and capabilities as its predecessor,
the HDC-1500, but allows native 1080p image
origination, a 2X frame-rate output at 1080i for
enhanced motion replay, and a no-“lunchbox”required triax or fiber cable connection.
Also available on board each truck are 11 FUJINON lenses, a Calrec Artemis Beam audio console, and a Chyron HyperX3 and Lyric Pro for
graphics.
A feature on Dome’s latest line of trucks is an
uplink for the tractor portion of the rig and a
small satellite cabin positioned on the back of
the tractor.
“Now, with the main production unit, you can
do satellite uplinking as a backup service for the
main production and fiber delivery,” says Johnson.
“It’s a nice feature to have. We can do that because
the facilities and the technology allow us to do
that. To service that kind of signal and uplink is a
lot lighter and more compact than ever.”
DOME PRODUCTIONS
1 Blue Jays Way, Ste. 3400,
Toronto, ON M5V-1JS
Tel: 416.341.2001
Fax: 416.341.2135
www.dome productions.com
63
Profiles
DOME PRODUCTIONS continued from previous page
This year, Dome is also excited about another of
its newest projects, CompanionTV. Referred to as
a “sidecar” facility, it takes aim at both secondscreen–supported shows and smaller events that
don’t require a major truck.
CompanionTV is a small-format production
trailer that can be towed with a van or a truck. The
sidecars are based on the NewTek TriCaster
TCXD850 Extreme and include a Digital Rapids
StreamZHD encoder unit, a small Mackie audio
board, and three Sony PMW-EX3 cameras.
“It’s a lot more nimble production package that
we can create audio/video production for publishing in some fashion,” says Johnson, “whether it’s
Web streaming or live delivery.”
CompanionTV’s StreamZHD encoder handles
multiple delivery formats. Used in conjunction
with Dome’s content-delivery network, it is able to
deliver content in custom-tailored formats for
iPhones, Blackberrys, and Android devices as well
as personal computers.
Despite its initial design to serve as a support
vehicle, says Carlyle, CompanionTV has been getting
much attention as a primary production vehicle.
“We haven’t really dived into the supplement
side of it yet, as the major broadcasters are just
starting to play with that,” she says. “It can go
independently or adjacent to a mobile, but it’s a
totally different rate card and still comes with EX3
cameras versus a Sony 1500 or 2500 camera.”
Dome plans to forge on with its successful sidecar business, rolling out more before the end of the
calendar year. With all these new facilities, business is clearly booming in the great white north.
“The market is good,” says Carlyle. “With this
Atlantic is fully 1080p-capable with the exception of the GV
Kayenne switcher
64
Dome’s newest project: CompanionTV, a “sidecar facility”
whole industry and the way that it’s changing, the
one thing you can count on is live sports. I also
think whether it’s a broadcaster or a Webcaster or
a BDU [cable company], they still need content.
The only thing that’s really driving live audiences
is live sports.
“Down in the States,” she continues, “you guys
are seeing tremendous growth at the colleges, and
now, with more high school content, that allows us
to jump into that smaller market with our smaller
trucks. In Canada, there’s little growth. In the U.S.,
things have grown quite a bit.”
Atlantic hit the road in October, making its
debut during a TSN Canadian Football League
telecast right in Dome’s backyard: the Rogers
Centre in Toronto. Pacific, which debuted in
September, was only four days old when it assisted
CAMERON PACE Group on Sky Sports’ 3D
broadcast of the Ryder Cup.
CompanionTV has also been very active,
working smaller events such as boxing, film
festivals, and even coverage of a budget meeting
at the Ontario government’s Ministry of
Finance. Its marquee event thus far was
powering Sportsnet Connected’s coverage of
the 2012 World Series in Detroit.
The Toronto Blue Jays took advantage
of Dome’s second-screen capabilities —
hosting a Website with viewer-selected
alternative camera angles, accessible on
any computer or portable device, instant
replays (viewable within 30 seconds of the
action) — during the team’s home opener
in April.
Profile
GAME CREEK VIDEO
A Quartet of New Trucks for NFL Network,
CSN Houston
By Ken Kerschbaumer
and
Jason Dachman
G
ame Creek Video was one of the busiest
builders in the remote-production industry in 2012, rolling out four trucks: a pair for
NFL Network’s Thursday Night Football package and another pair for the recently launched
Comcast SportsNet Houston’s Rockets and
Astros coverage.
The NFL Network’s expanded slate of
Thursday-night games this season is being
produced out of Pride and Glory, two new
53-ft. double-expando trucks. Pride is home to
the network pregame show, and game production
takes place in Glory. In 2013, both units will handle
not only NFL games but also the Combine, NFL
Draft, and the Hall of Fame games.
“Pride and Glory are cut from the same cloth,
although Glory has a full-time B unit,” says
Game Creek VP of Design and New Technology
Jason Taubman. “There is now a fiber tether
between Pride and Glory so that they can merge
the infrastructure and work together as one unit.
There are 16 strands of fiber connecting the two
trucks so we don’t need three days to run 100
pieces of copper. We can be up and running within
a couple of hours of dropping the trailer. It’s plugand-play.”
Also easing that integration is an RTS tri-bus
expansion for the Adam intercom that results in 64
intercom channels that allow everyone in the three
units to communicate.
“It allows intercom frames to be expanded so
that one can span into another truck or location
and hook up with fiber to form one large frame,”
says Taubman. “Before, we used VoIP, which
works fine, but it can result in a tiny bit of delay
that can lead to echoes.”
The NFL Network production is a big one, with
10 cameras used during the pregame show and 14
Sony 2500 cameras for the games as well as two
Inertia Unlimited XMo high-speed cameras, two
super-slo-mos, a Skycam, blimp cameras, and a
Pride is home to NFL Network’s weekly Thursday Night
Football pregame show.
number of robotics. A 4M/E Grass Valley Kayenne
production switcher is at the center of operations.
The 12 EVS operators (all working on the latest
XT3 servers) are located in the Glory B unit, but the
equipment is in the A unit.
“That allows all of the EVS operators to be in one
place and also allows the producer and director to
be within arm’s reach of the graphics and editorial
folks so they can interact,” adds Taubman.
Audio will be handled by two Calrec Apollo
boards. Helping future-proof the trucks is a 3-Gbps
Evertz router that can support 1080p/60 or 3D needs
in the future. The video router is 567x1,152, and
the audio is 2,560x2,560 embedded, 1,536x1,536
MADI, 576x576 AES, and 384x384 analog for a
total of 5,056x5,056. The 3-Gbps pipes open up a
host of new distribution options, but the bottleneck
is that only the cameras can currently pass 3-Gbps
signals; the EVS replay servers compress the signal
down to 200 Mbps.
“Baseband video may go away, and we may be
moving IP packets around,” says Taubman. “But
Game Creek Video
23 Executive Dr., Hudson, NH 03051
Tel: 603.882.5222 / Fax: 603.882.5444
www.gamecreekvideo.com
69
Profiles
70
Game creek continued from previous page
it’s not ready for primetime yet.”
As with Justice and Victory, Game Creek took a
unique strategy in building facilities for the newly
launched Comcast SportsNet Houston. Rather
than use the single-truck dual-feed model used
by the bulk of RSNs for home/away shows, Game
Creek created a pair of trucks that work in tandem
to produce Rockets and Astros telecasts: a 53-ft.
HD truck for the home show and a 44-ft. truck for
the away show.
“Historically, these contracts have been serviced
by a single truck that does dual feeds, but we are
taking a different approach,” says Taubman.
“We are providing them a high-end truck for
standalone home shows and a second smaller
truck with more-limited infrastructure in it for
away shows to use.”
Apollo, the 53-footer, and Gemini, the
44-ft. unit, will work almost exclusively for
CSN Houston (although the contract is not
exclusive), which was launched in October after
the Astros and Rockets agreed to a $3.2 billion,
20-year deal with Comcast in fall 2010 (the
Astros and Rockets hold a combined 77% stake
in the network).
“We are hoping that this kind of [model] catches
on, and that it is something RSNs are interested in
doing,” says Taubman. “We have been looking for
an excuse to build one of these mini trucks for a
while. And we hope that, once it gets out into the
wild, some other entities take a look at it and see that
it is something they like more than a gigantic truck
doing a dual feed. These trucks can also work out
well for some of the smaller, yet high-profile shows.”
Apollo marks the third incarnation of Game
Creek’s Justice-class truck, following in the
footsteps of Justice (2011) and Larkspur (2010).
Apollo features a nearly identical layout to its
predecessors and is also built around a Kayenne
switcher. Where Justice and Larkspur feature a
Calrec Apollo audio console, the Apollo truck will
mark Game Creek’s first installment of an Artemis
console.
The unit also features Sony HDC2500 cameras
with Canon lensing, two six-channel EVS XT3
replay servers, and three four-channel EVS RO
(replay-only) servers, Boland LCD monitors,
Chyron graphics, an Evertz EQX video router, and
EMR audio router.
Gemini is built around a Grass Valley Kalypso
switcher and a Calrec Omega audio console.
Game Creek’s 53-ft. Apollo truck (shown here) teams with a
smaller, 44-ft. unit for CSN Houston’s live Rockets and Astros
coverage.
“They are going to share some cameras and
be hooked together with a fiber tether,” says
Taubman. “They will be able to share basically
their entire infrastructure back and forth. But the
key difference between this and the past [dual-feed
model] is that this mini truck can stand alone. It
is its own little truck that is completely capable of
doing a high school basketball game or an NBA
away show. It’s just capped at 10 cameras and five
EVS’s.”
Game Creek also upgraded its Freedom and
Patriot 53-ft. expando trucks over the summer. Both
now have flat-screen monitors with multiviewers
as well as command-control monitoring so that
Game Creek staffers in New Hampshire can
remotely ensure that the trucks are operating as
expected. Patriot also received an upgrade via a
Calrec Alpha console with Bluefin technology with
96 faders and new phone systems.
Profiles
IMS Productions
B Units Roll Out for TWC Sports
Deportes, IndyCar
By Karen Hogan
I
74
MS Productions may have originated as media
partner to the Indianapolis Motor Speedway,
but its multimedia production services extend far
beyond the track. Well-versed in HD live event
production, the company recently inked a deal
with the new Time Warner Cable regional sports
network to support its Spanish-language feed.
While plans to build an A unit are still in the
works, IMS Productions’ newest B unit has hit the
road.
“For Time Warner Cable, we built a small
straight-body truck that handles their Deportes
feed,” says Paul Nijak, director of engineering,
IMS Productions. “It has been built and rolled,
and that truck links up to an A unit that we have
in place out there for this year.”
The 35-ft. straight-body truck houses a 1M/E
Grass Valley Kalypso switcher, Chyron HyperX3
graphics engine, and Evertz multiviewers.
For the upcoming 2012-13 season, IMS Productions’ Time Warner Cable B unit will supplement YES Productions’ HD 2, which was secured
through Alliance Productions (both IMS and YES
are members of Alliance Productions). Time Warner Cable Deportes will broadcast Lakers, Galaxy,
and Sparks, as well as Mountain West Conference
football and basketball and California Interscholastic Federation high school games.
In addition to the Time Warner Cable B unit,
IMS Productions plans to roll out an additional
B unit for IndyCar racing and other large events.
Super B will supplement the A unit of the race’s
broadcast partner and will be used primarily to
distribute cameras and signals throughout the race
compound.
“We needed a better way to handle distribution — both audio and video,” says Nijak, “and
this truck is going to be able to distribute up to a
hundred cameras to four different A units.”
Super B will also house IMS Productions’ new
robotic camera system. Including its very own
unique housing and mounting process, the system
debuted during the 2012 IndyCar series. The system is designed to operate on single-strand fiber
IMS’s newest B unit will support Time Warner Cable
Deportes in Los Angeles.
and provides HD video, telemetry, four channels
of audio, and camera control.
“We designed them strategically for racing, but
they can be used anywhere,” says Nijak. “They’re
really reliable.”
The 53-ft. expando will house two Chyron
HyperX3 graphics engines, Evertz multiviewers,
and Cobalt Digital crossconversion. The highlight
of the B unit, however, is the Calrec Artemis audio
console with submix capabilities.
In addition to video and audio distribution,
Super B will be responsible for second-screen
distribution.
“I’m moving some gear out of a different truck
into [Super B] that does Web streaming for IndyCar; we are into that pretty heavily for IndyCar,”
Nijak explains. “We also stream in-car cameras to
Verizon cellphones, and that’ll all be done out of
that truck as well.”
Both IMS Productions Super B and Time Warner Cable B unit were integrated in-house; the
Super B unit was built by Ohio-based Engineered
Mobile Solutions.
IMS PRODUCTIONS
4555 W. 16th St., Indianapolis, IN 46222
317.492.8770
www.imsproductions.tv
Profiles
M12HD Points to a New Future
By Brandon Costa
C
80
onfident in the burgeoning sports-television
industry on the West Coast — this year has seen
the launch of Fox Sports San Diego, seven Pac-12
networks, and Time Warner Cable’s pair of new
Lakers networks — MIRA began building M12HD
without a contract.
“We were just convinced that we were going to
get an opportunity,” says VP/GM Frank Taylor,
“and we just wanted to be sure that we were already
well down the road to being able to handle that
opportunity before it coalesced into something we
could get our arms around.”
When Pac-12 Enterprises came calling and the
two sides were able to strike a deal, M12HD proved
a perfect fit.
“As we got deeper into discussions with the
Pac-12 and we had a look at their RFP [request for
proposal] for their A-level football and basketball,
there were things we knew we had to be sure were
going to be on board any truck we were going to
dedicate to that A-level package,” says Taylor. “M12
ended up meeting 99% of the specs that they had in
their RFP for the A-level events already.”
The 53-ft. expando is similar in size and layout
to other trucks in the MIRA fleet — most notably
M7HD, M9HD, and M11HD — but the company
made significant technological changes that point
its future in a new direction. M12HD has an Evertz
router, whereas other MIRA trucks use PESA.
Instead of Sony cameras, it features 12 Grass Valley
LDK 8000 Elite cameras coupled with FUJINON
lenses, including two 101X lenses. M12HD is also
the first MIRA truck to use a Grass Valley Kayenne
HD production switcher.
According to Taylor, though, the biggest changes
are on the audio side, with MIRA upgrading to Calrec’s
Artemis Beam with Bluefin2 and Hydra2. Extensive
audio embedding/de-embedding is incorporated,
supporting 48 video sources. In addition, there is a
256x256 MADI interface to the Evertz router.
As the slickest truck in MIRA’s fleet, M12HD
regularly served as the mobile unit of choice for all
of Pac-12 Networks’ A-level broadcasts on football
Saturdays and will continue to be the top truck
throughout the men’s and women’s basketball season.
“We have worked together for a long time,” says
M12 is centered on a Grass Valley Kayenne switcher.
Leon Schweir, SVP of production and operations,
Pac-12 Networks. “So they understand our markets
and know our universities very well. We figured,
with us launching new networks in new facilities,
we should also have a new truck, so their cuttingedge M12HD equipment will fit in nicely.”
Taylor and the rest of the MIRA Mobile team
were thrilled when they landed the Pac-12 package,
which was officially announced in April.
“As you can imagine, we were pretty pleased,” he
laughs. “It was something that we had our sights set
on for a long time. As the largest West Coast mobilefacilities company, this wasn’t something that
suddenly occurred to us was a great idea. We were
very focused about putting together a partnership
with the Pac-12 Networks because we knew it would
likely be the single biggest thing to change in the
western-U.S. marketplace in our business ever.”
To help handle the work load, MIRA converted
M6 from SD to HD, getting it on the road in
November, just in time to tackle the more than 100
men’s and women’s basketball games.
“The big challenge for us on the mobile side
is just the sheer number of events; it’s a massive
undertaking,” says Coll. “There is still a tremendous
amount of truck events that they are going to be
doing, and that, I think, for a company like MIRA
is pretty daunting. It’s a big challenge, but we’re up
for it.”
MIRA MOBILE
25749 SW Canyon Creek Rd.,
Wilsonville, OR 97070
Tel: 503.464.0900 • Fax: 505.464.0897
www.miramobile.com
Profiles
Mobile TV Group
As Regional-Sports-Net Market Grows,
Annual Expansion Continues
By Jason Dachman
M
84
obile TV Group may boast one of the largest
fleets in the remote-production industry, but
the company has no plans to halt the annual expansion of its fleet. Even at 25 trucks strong, MTVG
plans to follow up the fall debut of 31HDX by rolling
out an additional pair of dual-feed HD 53-ft. expando
mobile units in December and April. And the recent
flurry of lucrative rights deals involving regional
sports networks — MTVG’s primary market — suggest that expansion is unlikely to halt anytime soon.
31HDX bears a striking resemblance to predecessors 28, 29, and
“We are aiming for two new trucks a year, and 30 in both layout and gear.
sometimes we hit three,” says President/co-founder
Phil Garvin. “Maybe it ends up being two a year plus spectacular,” says Garvin. “We have always used
another refurbished truck, but it will always be at Grass Valley triax cameras, but they have moved
from analog triax to digital triax, and it’s made a
least two a year.”
31HDX, the latest addition to the MTVG fleet, tremendous difference. The digital triax gives you a
hit the pavement this month in Phoenix, working little longer cable length, makes it more reliable, and
Suns, Coyotes, and Diamondbacks games for Fox gives you a much better image.”
In December, 32HDX will replace 11HDX in St.
Sports Arizona. The unit will also make its way to
Louis (Fox Sports Midwest), covering Cardinals
Los Angeles and Salt Lake City when needed.
The dual-feed truck, which strongly resembles baseball and Blues hockey. The unit will also sneak
recent MTVG additions 28HDX, 29, and 30, down to Nashville and Memphis to assist MTVG in
rides on a brand-new chassis built by Frontline those markets. The gear complement will be largely
Communications and features a Grass Valley the same as 31HDX with the exception of the audio
Kayenne switcher (4.5M/E), Calrec Artemis audio console, which will be a Euphonix unit rather than
console, and Chyron HyperX2 (primary feed) and Calrec Artemis.
Also on the horizon is 33HDX, which will likely
HyperX3 (secondary feed) graphics.
However, MTVG has kicked up its replay and replace 12HDX in Minneapolis (Fox Sports North),
routing capabilities compared with other recent covering Twins, Timberwolves, Wild, and college
HDX units. 31HDX includes two six-channel EVS games.
Both 11HDX and 12 will stay active, covering a
XT3s, one six-channel XT2, and two four-channel
variety of events throughout the country for MTVG
XT2s, as well as a more robust Grass Valley router.
“It is very similar to our recent trucks, except that and subbing for other mobile-truck vendors when
there are more channels of EVS and all channels they are overbooked.
now have EVS SpotBox, which was a major
upgrade to all of our mobile units nationwide,”
Midwest Office
says Garvin. “The router is also larger, which
Minnesota/Wisconsin
379 W. 60th St.
opens up a lot of new options.”
Minneapolis, MN 55419
In addition, 31HDX — like all of MTVG’s
Tel: 952.922.2373 / Fax: 952.487.9124
latest trucks — is equipped with 10 Grass Valley
Main Office
Dallas Office
LDK8000 cameras, which run on digital triax,
2400 N. Ulster St.
2909 Taylor St.
Denver, CO 80238
Dallas, TX 75226
outfitted with Canon lenses.
Tel: 303.388.8500 / Fax: 303.388.3773 Tel: 214.651.1446 / Fax: 214.571.9225
“These Grass Valley cameras really are
Duplicating Layouts Cuts Costs,
Makes for More-Efficient Operation
Profile
NEP Broadcasting
By Ken Kerschbaumer and Jason Dachman
2
012 was a busy time for NEP Broadcasting,
which rolled out six brand-new mobile-production units, highlighted by NEP Supershooters’ ND5
and ND6, NEP Denali’s Silver, and Sweetwater’s
Entourage.
“We are continuing to build upon our legacy and
refine our [fleet],” says NEP CTO George Hoover.
“We continue to make improvements to make our
[mobile units] as state of the art as possible with the
addition of proven and reliable technology.”
ND5, which was used by NBC Sports Group
for its NHL coverage before moving on to Notre
Dame college football in the fall, is a single truck
unit geared toward sports production and lightentertainment shows. Similar to Supershooters 16,
18, and 20, ND5 features a large three-tier control
room, a back-to-back layout in the tape area, and
virtual monitor walls throughout.
It is built around a Grass Valley Kalypso switcher
(3.5M/E and 90 inputs) and a PESA HD router
(192x176). The truck is also equipped with a
Chyron HyperX3 graphics system, five six-channel
EVS XT3 slow-motion replay systems (as well as
EVS Spot Box, XFile, and IPDirector), and a full
complement of Sony HDC1000 and HDC1500
cameras with Canon lenses.
At the center of the audio infrastructure is a Calrec
Artemis Beam console featuring Bluefin2 high-
NEP broadcasting
2 Beta Dr.
Pittsburgh, PA 15238
Tel: 800.444.0054
ND5 (shown here) and ND6 feature nearly identical layouts
that make it easier for engineers to work on one, then the other.
density signal processing (totaling 340 channels
and six MADI interfaces), three Calrec Hydra2
I/O boxes, and a PESA distributed-audio router.
Sennheiser mics, shotgun mics, and announcer
headsets are also on board.
Later in the year, NEP rolled out ND6. Essentially
a carbon copy of ND5, it features a large, three-tier
control room and a back-to-back layout in tape that
has already been deployed across five additional
trucks in the fleet. In addition, the virtual-monitorwall configuration is compatible with ND5, SS16,
SS18, and SS20, allowing production teams to
move more easily between trucks when necessary.
NEP Studios – NYC
NEP Studio 54
513 West 54th St.
New York, NY 10019
Tel: 212.468.1833
Fax: 212.468.1890
NEP Studio 33
503 West 33rd St.
New York, NY 10001
Tel: 212.649.6399
Fax: 212.760.2821
NEP Midtown Studios
885 Second Ave.
New York, NY 10017
Tel: 212.548.7700
Fax: 212.355.0523
NEP Production Center
727 Eleventh Ave.
New York, NY 10019
Tel: 212.649.6242
Fax: 212.974.1120
NEP Studio 37
36 West 37th St.
New York, NY 10018
Tel: 212.695.7704
Fax: 212.268.7920
NEP 5th Ave. Studios
401 Fifth Ave.
New York, NY 10016
Tel: 212.401.4981
Fax: 212.685.4317
NEP Penn Studios
401 Seventh Ave.
New York, NY 10001
Tel: 212.299.4866
Fax: 212.299.4867
NEP Screenworks –
Corona, CA
1580 Magnolia Ave.
Corona, CA 92879
Tel: 951.279.8877
NEP Denali – Burbank, CA
2 Theta Dr.
Burbank, CA 15238
Tel: 800.444.0054
New Jersey Field Office
96 Route 173 West
Hampton, NJ 08827
Tel: 908.735.4066
Hawaii 808.676.3800
89
Profiles
NEP continued from previous page
“One of our reasons for making two nearly
identical trucks was that the infrastructure and
setup configurations can port back and forth
between trucks,” says Hoover. “So an EIC who is
doing a show on ND6 and did a show last week on
ND5 can simply log on, plug in that monitor-wall
configuration, and have the truck preloaded.”
In addition to convenience, this interchangeable
configuration allows clients like NBC to
significantly reduce personnel costs.
“We’re all being driven by the need to contain
costs, and the biggest costs facing our clients after
rights fees is on-site manpower: hotels, per diem,
airfares, and so on,” says Hoover. “So anything we
can do to make that more efficient is a huge upside,
particularly if you have a client working in a family
of trucks and moving back and forth.”
ND6 features a Grass Valley Kalypso 3.5M/E
switcher (90 inputs), five EVS XT3 replay systems,
a Chyron HyperX3 graphics system, PESA HD
(192x160) and audio routers, and a virtual-monitor
wall with a Harris multiviewer. The truck is wired
for 16 CCUs and features Sony cameras (HDC1000s
and HDC1500s) with Canon lenses and Vinten
heads/tripods.
In terms of audio, the truck supports multichannel
embedded audio and features a Calrec Artemis
Beam console with Bluefin2 high-density signal
processing, which allows for 340 channels of audio
(170 stereo and 56 5.1 surround). The truck is also
equipped with Sennheiser and Sony microphones.
“We took more of an evolutionary approach
with these trucks,” says Hoover. “We’re trying to
improve the layout, monitor-wall designs, and
things that people have really liked when we’ve
done them in the past.”
ND6 debuted for NBC at the Belmont Stakes
and worked various Comcast and NBC Sports
Group shows throughout the rest of the year.
With respect to entertainment-level trucks, two
ND5’s audio infrastructure is highlighted by a Calrec Artemis
Beam console.
90
were introduced by NEP: Silver and Entourage.
Silver, which was originally referred to as Arizona
upon its debut at the 2012 Academy Awards, is
an entertainment-specific truck with a similar
layout and design to NEP Denali’s California truck
(which debuted in summer 2011).
With a wide two-tier control room and a large
audio room with seating for three, this singletruck unit is geared toward multicamera reality
programs and light entertainment. NBC also used
Silver to produce The Voice.
“[Silver] is a slightly smaller version of [California]
with the same physical footprint and equipment
complement,” says Hoover. “The only real difference
is that California has a massive audio infrastructure
designed to do a show like the Tony Awards or
Kennedy Center Honors without a separate audio
truck, while [Silver] just has a smaller audio
infrastructure intended for shows that don’t have a
live orchestra.”
At the heart of Silver is a Grass Valley Kalypso
switcher and Trinix HD router. On the audio side
is a Calrec Alpha audio console with MADI and
Hydra, and a Grass Valley Apex audio router.
In addition, Silver features wiring for 20 tape
machines and two EVS servers, virtual-monitor
walls throughout, and Sony cameras.
“We have [NEP Denali units] Summit and
California to do big really big audio shows,” says
Hoover. “But, for shows like The Voice, America’s
Got Talent, or So You Think You Can Dance,
audio is not typically the total [responsibility] of
the mobile unit. Either it is all prerecorded, or it
is being done by a separate audio truck. Silver is
perfectly suited for shows like this.”
And then there is Entourage. Focused squarely at
NEP’s Sweetwater entertainment-focused division,
it features a similar footprint to the company’s
Silver and Cobalt units, including an oversize
audio room that is integral to many live music
shows.
As for gear, the Entourage is equipped with a
Sony MVS8000A Switcher (80 inputs), a Studer
Vista 5 audio console, a Harris HD/SD router,
a discrete production-monitor wall, Shure and
Sennheiser microphones, an Avid Deko 3000 HD/
SD character generator (upon request), and Sony
cameras with FUJINON lenses.
Says Hoover, “Entourage also [targets] clients of
the Denali model who are interested in a different set
of technologies depending on what they would like to
use and are familiar with.”
Profiles
Proshow Broadcast
Maestro Aims To Master Mid-Level Market
By Jason Dachman
A
94
s the number of 53-ft. HD production trucks
on the road continues to grow and SD trucks
gradually make their way to the halls of history, a
growing middle sector has developed in the sportsproduction market and demands HD quality at
an SD price point. With this in mind, Proshow
Broadcast launched its second 40-ft. HD mobile
unit in August, with its sights set squarely on this
burgeoning market.
“We are not chasing major sports contracts; that
market is well served already. But there is a lot of
room for B-level work and lower where we see
opportunity,” says Proshow President Tim Lewis.
“We have already proven that we can serve that
market well. This is just the next step so that we
are able to serve it better.”
Dubbed Maestro, the new truck is similar to
Prodigy, a 40-ft. unit that has served a variety of
mid-level HD shows over the past three years: college
football (Oregon Ducks), NBA dual feeds (Phoenix
Suns), minor-league sports (WHL hockey for ROOT
Sports), and a variety of entertainment shows.
“We loved that sweet spot that Prodigy seemed
to hit, but we wanted to take it to the next step
without having to get into a full trailer,” says
Lewis. “First, we were more than a little tight on
space [in Prodigy]. Second, we wanted [to have]
a bit bigger footprint but still stay in that compact
40-ft.–head-to-tail truck.”
Maestro is housed in a Gerling & Associates 40-ft.
Super Stallion (on a Peterbilt chassis) with 30-ft.
expando (Prodigy is a straight truck), alleviating
the issue of cramped quarters. In addition, Proshow
worked with founder/President Fred Gerling and
his team to develop an air-conditioning system and
floor plan that maximize space (40 ft. long x 8 ft. 6 in.
wide x 13 ft. 3 in. high) and weight. Maestro’s layout
accommodates eight seats in the production room,
five in the EVS/tape area, and two in the video.
“Once they get inside,” says Lewis, “people are
going to be surprised that they are not in a full
trailer.”
Prodigy features a Sony MVS8000 switcher and
a Yamaha audio console, but Lewis believed that
Maestro “needed to get a switcher and an [audio
ProShow’s compact Maestro unit debuted in August.
console] that people were more used to.” Toward
that end, Proshow built Maestro around a Grass
Valley Kalypso 4M/E switcher and a Calrec Omega
console with Bluefin technology, both of which are
familiar to most freelance operators.
Maestro’s equipment complement also includes
two six-channel EVS XT2 replay servers (though it
is wired for a total of three six-channel EVS servers
and eight VTRs) and an EVS XF2 removable
server, a Chyron Duet HyperX3 HD graphics
system, Sony HDS Series router (128x128 HD video
or 128x128 AES audio pairs) and BMD HD video
router, and an RTS ADAM-CS 64-port matrix
intercom. The production room features a Marshall
LCD monitor wall with Miranda multiviewers.
The truck carries a full eight-camera
complement (Sony HXC100 units primarily with
Canon lenses and a Sony PMW-EX1 XDCAM
EX camcorder) and is wired for a maximum of
12 triax cameras.
“As those 53-ft. SD units start going offline
more quickly, the demand will rise for HD, but
no one is willing to double their cost for it,” says
Lewis. “We are in a good position for those smaller
networks that are looking for an HD solution that
can do a six-camera game at a good rate.”
PROSHOW BROADCAST
3095 Hebb Avenue, Vancouver, BC, V4M-5V3
Tel: 604-293-1771
http://www.proshow.com
Profiles
TOKEN CREEK MOBILE TV
Chippewa Delivers All-in-One Sports
Production
By Karen Hogan
O
98
ne of the nation’s fastest-growing mobile-HDand digital-television-production companies
will grow even more before 2012 draws to a close.
Token Creek Mobile Television, based in Waunakee,
WI, will add Chippewa to a fleet that already boasts
Varsity, Hiawatha, and Sioux.
“We saw a need that there were still more HD
resources needed in our field, [and] we want to
grow the company,” says Brendan Clark, director
of engineering, Token Creek. “[Chippewa] is built
primarily for sports, but we also do corporate and
entertainment shows as well.”
At the heart of Chippewa is a PESA HD 288x576
multirate video router and 3G-capable Cobalt
Digital signal-processing gear, including Cobalt’s
HPF-9000 high-power frames populated with
HD-SDI reclocking, MADI, and audio DAs; frame
syncs; and Cobalt’s 9901-UDX-HD 3G up/down/
crossconverters with 16 channels of AES embedding
and color-correction software.
The 48-ft. expando features a Grass Valley HD
Kayenne 4.5M/E HD switcher with 96 inputs and
48 outputs, and six keyers per M/E (total of 30).
Graphics are handled by Chyron HyperX3 dualchannel HD-SDI clips players and Lyric PRO 8.1
and Windows XP. Chippewa is wired for 14 tape
machines and includes two EVS XT3 servers with
six channels and four channels, respectively.
Ten Grass Valley LDX8000 cameras equipped
with FUJINON lenses and two JVC HD
GYHM750ULL camcorders compose the camera
complement, supported by six Cartoni Delta heads
and sticks and eight Vector 70 heads with quickset
tripods. In total, Chippewa is wired for 12 cameras
and can handle both SMPTE fiber and triax.
The monitor wall features NEC, Marshal,
and Sony flat-panel technology. A 272x272 RTS
ADAM system that is populated for 104x104
serves communications.
For audio, Token Creek selected a Calrec
Artemis with Bluefin desk with 64 faders and
MADI interface. The console features 128 analog
inputs and 64 outputs, as well as 128 AES inputs
and 128 outputs.
“We’re pretty excited about it,” says Clark. “It’s
going to have a very substantial audio complement
Token Creek’s Chippewa debuted on Thanksgiving, covering the
Detroit Holiday Parade for WDIV-TV.
on it. It’s going to be a nice powerful truck in a relatively small footprint.”
Integrated by Beck Associates, Chippewa completed its first production during Thanksgiving week.
The truck will serve a variety of shows in the coming
months, primarily covering college football and college basketball but without a network contract.
“It’s a for-hire truck that’s built on our specs, so
it’s [available for various productions],” explains
Clark. “We do [productions] for ESPN regional, for
Raycom Sports, [and] for Alliance Productions.”
Chippewa does not require a B unit, allowing it
to serve a variety of productions.
“The business still seems to be growing right
now,” Clark observes. “We see a lot of people moving towards large — A, B, or more — units, and we
try to stay in a single-truck package.
“We try to design [trucks] so that they’ll work in all
kinds of applications,” he continues. “The main thing
we try to design for is flexibility, so we try to make it a
solid unit that’s rapidly deployable, quick and easy to
set up for a set-shoot-strike day, but has the infrastructure to do a very large show as well.”
TOKEN CREEK
501 Moravian Valley Rd.,
Waunakee, WI 53597
Tel: 608.849.4965 / Fax: 608.849.4035
www.tokencreek.com
Profiles
Trio Video
Forging Ahead Under NEP Banner
By Brandon Costa
2
102
012 marked the dawn of a new era for Trio
Video, with NEP Broadcasting acquiring the
Chicago-based mobile-production vendor in
March. Most noted for its Chicago sports influence
and concert production, Trio Video has turned
over a new leaf as an arm of NEP while maintaining its well-established name.
“Being a part of NEP has really broadened our
access to resources, which helps us better serve our
clients, being able to offer them a wider range of
products and facilities to the whole NEP family,”
says Trio Video VP Jack Walsh, who remained on
board with co-founder Gary Meagher to run the
Trio brand and its Chicago facility.
Included in the deal for Trio was new truck
Aqua. The 55-ft. expando is a rebranded and
remodeled NCP 3, which came over to Trio in
September. According to Walsh, it underwent a
significant amount of client-specific rendering to
better serve its primary client, Comcast SportsNet
Chicago.
One of those renderings was to accommodate
dual feeds, which Trio Video assists with often for
visiting broadcasters at the United Center.
“A lot of the dual feeds just work off of a Grass
Valley 1M/E panel off the Kalypso,” says Walsh. “So
what we did was take the Kalypso switcher in this
truck and put it on sliders so, when it does a dual
feed, it slides up to the monitor wall, which creates
a hole in the front console frame, and we drop in a
1M/E panel there.”
Aside from dual feeds, Aqua also functions as a
standalone broadcast vehicle. Besides a Grass Valley
Kalypso 4M/E production switcher, it was also refitted with a Calrec analog audio-mixing console. In
the remodeling, all replay servers were upgraded to
EVS XT2. The truck also comes with a Chyron Duet
HyperX3 HD for graphics and 10 Thompson 6000
cameras that are 720p- and 1080i-capable.
Having already cornered most of the Chicago
sports scene with Comcast SportsNet, Trio’s Aqua
handles Bulls and Blackhawks games but is not tied
to just the United Center. It also works Chicago Fire
(MLS) games and any other projects it can pick up
across the country.
After NEP acquired Trio Video in March, NCP3 was remodeled
and rebranded as Aqua.
For the immediate future, there are no further
plans for Trio Video to expand its fleet of five HD
trucks and two B units. All new truck decisions now
go through NEP’s Pittsburgh office.
“It’s a joint discussion,” says Walsh. “The discussion hasn’t come up for a new trailer for our division
at all, but, for other equipment upgrades that have
come along, we put in a cap-ex request for what gear
we need and why we think we need it and submit
that to Pittsburgh.
“It used to be that we would all get together and
[say] we need a new truck, let’s build it,” he continues. “Now it has to go to Pittsburgh. The good thing
about that is that I don’t have to go pitch it to the
bank at this point, but our associates in Pittsburgh
have to justify it.”
TRIO VIDEO
2132 W. Hubbard
Chicago, IL 60612
Tel: 312.421.7060 / Fax: 321.421.0361
www.nepinc.com/welcome/trio_video
Profiles
Turner Studios
Pair of New HD Mobile Units Set To Hit the
Road in Early 2013
By Jason Dachman
T
106
urner Studios is poised to roll out two remoteproduction trucks in the first half of 2013, marking the launch of a new era for the Atlanta-based
mobile unit provider. After debuting in 2001 as SD
trucks, Turner’s current pair of mobile units were gutted and upgraded to HD in 2004 and will now be
retired after nearly 12 years on the road. The new
units are set to debut in February and April, respectively.
“We are still running trucks that are close to firstgeneration HD, so this is a big step up for us,” says
Ernie Watts, senior director of technical operations,
live events and field operations. “It opens up the door
and gives us the backbone to do a lot of new things like
3G and 1080p in the future. We feel this equipment will
serve us well in the future, and we are now a couple of
steps ahead of the game, from a technical standpoint.”
The identical 53-ft. expando trailers were built
by Gerling & Associates and will be integrated by
Beck Associates (which also integrated the original
SD units in 2000-01) in Austin, TX. Turner Studios,
which supplies the trucks to Turner Sports and a
variety of outside clients, expects the units to have a
lifespan similar to their predecessors’.
“On trailer bodies, we like to see a 10-year service
life,” says Director of Technical Operations Bob
McGee. “And over the life of the truck, we know they
are going to undergo anywhere from one to three
substantial renovations — up to and including redoing all the wiring and infrastructure.”
Turner Studios began investigating design of the
new trucks in late 2009, when much of the gear that
will end up in the final product had not yet begun to
hit the market. For example, both trucks will feature
the latest Grass Valley Kayenne switchers (4M/E),
Evertz EQX video routers, and Sony HDC-2500
cameras, all of which either had not yet been released
or have been significantly updated since 2009.
In addition, the two new trucks will offer a Calrec
Alpha audio console (with Bluefin technology), Chyron
HyperX3 graphics, 12 Sony HDC-2500s with Canon
lenses, and a total of 33 NEC LCD monitors throughout the audio, production, tape, and video areas.
Turner’s TS1 (shown here) and TS2 will come off the road in
early 2013 to pave the way for two brand-new HD trucks.
Although the complement of EVS replay servers
will initially match that of Turner’s current trucks
(two six-channel and two four-channel EVS XT2+s),
the two new units are wired for 10 eight-channel
EVS XT3s, providing plenty of room for expansion.
“The new truck is wired to have a very large EVS
[complement],” says McGee. Production needs never
seem to decrease, just increase, so we have to be prepared for whatever they might ask for in the future.”
In designing the new trucks, Turner Studios Field
Operations focused heavily on lighting, to reduce
energy consumption. Using low-power and low-heat
Whelen LED technology rather than traditional halogen bulbs for much of the interior and exterior lighting, Turner significantly cut down on consumption
and lightened the load on air-conditioning units.
“We use LED everywhere in the truck, including
the outside strike lights,” says McGee. “Yes, the lights
are pricier, but they are very bright, and the stated
service life is now about 40,000 hours, which is pretty
much unheard of. The main reason for going this way
is lower power consumption and reduced thermal
loading on the A/C system.”
Turner Studios
Field Operations, 820 Ralph McGill Blvd.
Atlanta, GA 30306 404.524.3911
www.turnerstudios.com
REMOTE
services
Providers
As part of SVG’s effort to provide Yearbook readers with an in-depth overview of the vendors
within their industry, this year’s Mobile Services Providers section covers everything from
mobile-production–truck and power-generator
vendors to trailer builders, system integrators,
and equipment-rental companies.
The section highlights more than 40 of the industry’s most important and well respected companies. For contact information for these companies and other SVG sponsors, turn to page 258.
3ality Technica
page 116
Advanced Mobility
116
116
All Mobile Video
116
Alpha Video
116
Arctek Satellite
116
Axis Global Logistics
120
Azzurro Systems Integration
120
Beck Associates
120
Bexel Broadcast Services
120
Broadcast Services International
124
CAMERON PACE Group
124
124
124
CBT Systems
124
Cinesys-Oceana128
Clark Media
128
Communications Engineering Inc. page 128
Corplex128
Diversified Systems
128
Encompass Digital Media
132
F&F Productions
132
Filmwerks International
132
132
Gearhouse Broadcast
132
Gerling and Associates
136
136
IMT136
Kodiak Mobile Television
136
Lyon Video
136
Mansion Mobile Television
136
Metrovision Production Group
140
NES Communication Services
140
On Call Communications
140
PACSAT140
Platinum Uplink Services
140
PSSI/Strategic TV
140
Reality Check Systems
144
Show Partners
144
SkyCam/CableCam
SOS Global Express
144
The Systems Group
144
VCA148
VER148
YES Productions
148
Remote Sports Production Yearbook 2013
113
Remote Services Providers
®
Headquartered in Burbank, CA, 3ality Technica is
an innovator, manufacturer, and provider of stereoscopic 3D production systems and technology.
3D broadcaster BSkyB and the HBS feeds from
the FIFA World Cup have based their live event
productions on 3ality Technica’s technology.
The company’s broadcast partners include TV
Globo (Brazil), Telegenic (UK), CCTV (China),
BTV (Beijing), Topvision (Germany), Sky Sports
(UK), and Fuji TV (Japan).
Elements, a division of 3ality Technica, is dedicated to designing and manufacturing professional
camera accessories for filmmakers working in all
types of production environments. New products
include key camera solutions for the Micron for
Sony NEX-FS700 and the Canon C300/C500. All
of the small-camera support solutions provide the
same protection and durability as the standard
cinema-size accessories.
The Chicago-based company designs and builds
high-quality, innovative mobile equipment trailers for the healthcare, television-broadcast, and
banking industries and for special events and
sports events around the world. It has nearly 30
years’ experience doing business nationally and
internationally in the trailer industry.
Advanced Mobility recently refurbished the
Token Creek Chippewa and completed repairs
on NEP mobile-production trailers. The work
included complete modification of the expando,
reworking the slide-out mechanism, and adding
lightweight flooring. All interior walls and ceiling
were replaced, with new LED lights throughout,
and all lower-compartment doors were replaced
with lighter-weight frames, doors, and handles.
A provider of HD RF cameras and aerial production, AVS inventories 45 Link HD RF systems
worldwide and three Cineflex V14-HD gyro-stabilized HD aerial cameras and offers a single-unit,
single-carrier wireless 3D HD solution.
AVS’s 12-lb. wireless P1 camera system is the
preferred Steadicam camera package for Dancing
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With the Stars, American Idol, America’s Got
Talent, NBC’s Sunday Night Football, ESPN’s
Monday Night Football, NFL Network, and a
variety of award shows, including the Academy
Awards.
AVS also provided the HD RF cameras and
aerials for Monday Night Football, NFL Network,
the MLB Playoffs and World Series, and Deadliest
Catch. For the 2012 US Open tennis tournament,
AVS was enlisted to provide the wireless services for more than 375 hours of coverage spread
among CBS, ESPN, Tennis Channel, and Sky TV.
The provider of end-to-end video and audio solutions for entertainment, sports, and news programming and events is built on a foundation of innovation, service, and integrated resources. The company
remains committed to technology, both that available today and what will be available in the future.
According to the company, it pioneers and masters
new ideas, like HD video, before others adopt them.
The Alpha Video Sports & Entertainment Group is
a system integrator for large-venue technology systems in collegiate and professional sports facilities.
After wrapping up projects for Penn State
University and the Miami Marlins, the Sports
Group turned its attention to several other HD
control-room integrations. For the Tennessee
Titans, Alpha Video completed a new HD control
room at Nashville’s LP Field that is driving the
largest end-zone LED displays in the NFL. The
company also completed the first phase of an HD
upgrade for the Atlanta Hawks at Philips Arena.
Alpha Video is in the final stages of completing
a large technology upgrade for the University of
Minnesota.
As the calendar turned to fall, Alpha Video started integration of a new HD control room for the
University of Kansas at historic Allen Fieldhouse.
2012 started out with a bang for ARCTEK. January
saw a record number of transmissions for its four
uplink trucks (two Ku- and two C-band), all based
on the Sprinter chassis and equipped with HD
encoding and monitoring.
The company was in Iowa with multiple trucks
for news coverage of the Presidential Caucus.
Its White truck headed to the West Coast for
eight weeks of college basketball. College hockey,
college basketball, and HD encoding kept the rest
of the fleet busy around the Midwest.
The Minneapolis-based satellite-transmission
provider also worked conference basketball tournaments, racing, and Major League Baseball.
These highlights — along with breaking-news
coverage, corporate events, and plenty of college
football — keep the company busy from coast to
coast.
Axis’s service to the industry accelerated significantly this past summer. Early in the summer,
Axis coordinated multitrailer loads of staging
equipment for a major music-awards event on the
West Coast, including the time-sensitive pickup
of equipment from multiple sources and reprioritizing loads to successfully deliver equipment per
a customer’s exact delivery schedule.
Next, Axis did a pickup from two equipmentrental companies on the West Coast, delivering
it to the U.S. Tennis Association at Arthur Ashe
Stadium in New York City for a major broadcaster.
Axis moved on to politics and provided logistics
support to broadcasters at the Republican National
Convention in Tampa, FL, and the Democratic
National Convention in Charlotte, NC. On all of
these jobs, Axis provided its on-site project-management team along with its Web-based on-line
LogiView asset-management system and AxisTrak
transportation-management system.
The Azzurro Group’s new AzzurroCam transportable camera system was recently deployed at
the New York Jets training camp and is currently
responsible for daily transmission of all press conferences airing on NFL Network and NYJets.com.
It integrates seamlessly with NFL Network’s existing TeamCam system currently installed at more
than 48 locations throughout the U.S.: every NFL
team site, NFL League offices, and several remoteanalyst home and office locations.
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AzzurroCam requires minimal setup time with
little advance notice necessary. Capable of transmitting HD or SD over existing public Internet,
the unit provides a total portable production
solution yet is small enough to be checked airport
baggage.
Based in Austin, TX, Beck
Associates has been integrating
television facilities for more than
30 years. The company provides
a full range of design, consulting,
engineering, and integration services and strives
to improve and refine its process and product
with every project.
Recent sports-related projects include the
University Athletic Association, Gatorvision
(University of Florida); Comcast SportsNet San
Francisco; Comcast SportsNet Houston; a new
sports-news facility for WVUE in Benson Tower
at the New Orleans Saints’ Champion Square;
the newest Crosscreek Television Productions
mobile-production unit, Voyager 11; and Token
Creek Mobile Television’s newest HD mobile
unit, Chippewa.
Beck Associates is currently integrating two
new mobile-production units for Turner Sports.
Bexel, a unit of Vitec Group’s Services Division,
provides efficient portable solutions in the form of
scalable flypacks and production trailers.
The customizable Hercules flypack for
remote and space-constrained venues is flexible
and rugged and can be shipped anywhere in
the world. It features a Sony MVS7000X 4M/E
multi
f ormat digital production switcher; a
Calrec Artemis Beam digital audio console
with Bluefin2 high-density signal processing,
48 multilayer faders, and Calrec Hydra2 I/O;
and custom production monitor wall with up
to 224 virtual displays using Evertz multi-image
display processors. Also included is an Evertz
EMR 160x288 multiformat video router (11
XLink outputs); audio router with 576x576 AES,
96x96 analog audio, 20 MADI ports; multiple
EVS LSM XT2+ six-channel HD DDRs; and
Sony or Panasonic multiformat HD VTRs.
In addition to Hercules, Bexel’s Elements
flypack systems are customizable from two to
12 cameras. Depending on the client’s needs, all
systems can be augmented with complementary
equipment including audio, RF audio,
communications, graphics, fiber-optic systems,
and wireless video.
Bexel has also sustained success with its three
mobile-production facilities, including BBS One,
a configurable 53-ft. facility designed to enable 2D
or 3D production, digital editing, EVS workflows,
or online production applications.
BSI-TV was chosen as “leading technology solutions partner” by CBC as it prepares for its role
as host broadcaster of the 2015 Pan/Parapan
American Games. CBC/Radio-Canada has partnered with Canadian company BSI-TV to provide
engineering and technical production throughout
the broadcast.
BSI-TV has been providing technical production to the remote-television business for more
than 35 years. Other credits include more than
18 Olympic Games, major world championships, and more than 12 Emmy Awards. In the
past year, BSI-TV has provided technical production, Airpac facilities, and crew for world
championships in Shanghai, and Daegu, Korea;
Euro 2012; Ryder Cup; and at the London
Olympic Games.
CAMERON PACE Group specializes in providing
innovative and integrated business solutions for
live production. CPG is an industry leader in 3D
technologies and production services and has an
extensive mobile fleet for 5D production.
Co-founded by James Cameron and Vince Pace,
CPG is advancing 5D production through development of products, solutions, and creative tools
for use across all media channels. In 2012, CPG unveiled and deployed its latest innovative solutions
to wide acclaim, from SmartRigs to the Shadow
line, which comprises the Handheld ShadowCam,
Shadow4K, and the ShadowCaster A units.
CPG also delivered the X Games and the college
football season for ESPN as 5D productions, each
production delivering both a 2D and a 3D broadcast. The Winter X Games deployed three dozen
3D cameras. In September, CPG and Sky Sports
produced the Ryder Cup in 3D, with Sky 3D showing more than 30 hours of live coverage.
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CES has been busy with U.S. professional sports
and college athletic events over the past year: ESPN/
ABC fall college football season games, MLB playoffs,
NBA All-Star Game, NASCAR Speed Week, and the
Daytona 500. In addition to powering up network
remote-broadcast compounds, company technicians
engineered supplemental HVAC for the mobile units
in some of the cities that experienced record temperatures this summer. Internationally, CES has opened
offices in Europe and South America and recently
worked with Comcom in coordinating temporary
power for a UFC fight at HSBC Arena in Rio de
Janeiro.
2012 has been a busy year for CBC Mobile
Productions. In January, the company launched
HD mobile Infinity a 53-ft. expando designed to
provide the look and feel of a large mobile but serve
midsize production budgets. In the spring, the
company secured a multiyear Fox Sports collegefootball package.
In a partnership with Broadcast Services
International and CBC/Radio-Canada, CBC
Mobile Productions was awarded the contract to
provide host broadcast services for the 2015 Pan/
Parapan American Games.
The company has an HD fleet, combined with
value-added support, production coordination,
and crewing services available to offer full turnkey
solutions. In the business for more than 50 years,
CBC Mobile Productions is a commercial entity
of CBC/Radio Canada and does not receive any
government subsidies.
Official logotype
09_09_30
With more than 30 years of industry
experience in systems integration
and engineering for the television
broadcast industry, CBT Systems
provides innovative workflow technology and customized integration and
engineering solutions. CBT serves clients and projects ranging in both size and scope in sports broadcasting, television broadcasting, video production,
and corporate video.
CBT Systems is responsible for MLB Network’s
BallPark Cam system, installed in ballparks across
the country. The project, which originated out
of a need for cost-effective and superior media
delivery, earned a Tech Emmy nomination for
MLB Network. At the heart of the BallPark Cam
is CBT’s ShowFlow production technology.
CineSys-Oceana is the result of the merger of two
distributors of hardware, software, and specialized
services to the media and entertainment industry. The company serves as a systems provider
for broadcast, digital production, postproduction,
new media, and high-end digital computing.
CineSys, founded in 1997, is well-known as a
supplier of motion-picture hardware, software,
and engineering support in the southern U.S.
Oceana Digital, headquartered in Toronto,
supplies systems, support, and software across
Canada and the northeastern U.S.
With offices in New York, Miami, Atlanta, Dallas,
Houston, Toronto, and Vancouver, the new CineSysOceana will continue to provide sales and support
services to the media and entertainment industry in
most major production centers across the continent.
TM
Clark Media provides corporations, production
companies, and networks with broadcast-equipment rentals and production services. The company has extensive experience providing modular video and audio systems for the production
of in-studio and on-location television series and
events. Clark Media provides the assurance of 24/7
support and depth of resources to provide additional equipment at a moment’s notice.
Clark Media designs and builds mobile
HD-production solutions for clients at a cost-effective price; the goal is to provide a smaller but powerful production vehicle that offers quality production equipment with a proven layout and workflow.
The company plans to accomplish this by taking
advantage of new HD technologies that offer cost
and weight savings previously unavailable.
A Newington, VA, consulting, design, and systemsintegration company, CEI
represents more than 600
equipment manufacturers for
project integration and direct
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equipment sales. The company also operates a
service and support organization, available to
the sports-media industry nationwide, from its
service depot in Virginia and on-site field repair
and maintenance services. CEI service engineers
receive regular industry training and authorized
certification to keep pace with new products and
technologies.
Corplex is looking forward to a busy fall. It
started in August with the company’s Platinum
unit’s work on ESPN’s Little League Regionals
broadcasts while its other two units, Iridium and
Chromium, were involved with Fox News’ RNC
and DNC Convention broadcasts. Iridium also
worked on CBS’s PGA Championship coverage.
Platinum helped kick off the NFL season with
CBS Sports, and Iridium broadcasts for both CBS
and Fox this season.
In September, Corplex’s challenge was European
Tour Productions’ broadcast of the 2012 Ryder
Cup at Medinah, IL, outside of Chicago, the company’s home base. Corplex had both Iridium and
Chromium on-site for ETP with more than 40
cameras. October brought the MLB playoffs, with
Chromium and Iridium broadcasting for both
Turner and MLB International.
Diversified Systems was awarded the task of building the nascent Pac-12 Enterprises’ San Franciscobased production facility, and the team was headed by lead systems architect Greg Doyle.
The Pac-12 Enterprises project was unlike any
challenge Diversified had ever taken on. With work
beginning in December, the company had only
eight months to get a fully operational broadcast
online to serve not one but seven new networks.
To combat the time crunch, Diversified began
a prebuild, with racks of gear and infrastructure
constructed in its Santa Clara, CA, fabrication
shop prior to the crew’s entering the Pac-12 facility,
which didn’t have its formal groundbreaking until
mid February.
Diversified also worked with Time Warner Cable
to build the new Los Angeles Lakers network. That
project began in July 2011 and won’t be completed
until the network hits air in late October.
As a provider of digital-media origination, distribution, and transmission for sports leagues and
broadcasters worldwide, Encompass offers HD,
SD, and IP services including fixed teleport and
remote satellite-uplink transmission for backhauls,
production, and origination services. The company is home to a large number of sports-owned,
-operated, and -themed networks. Via its fully
integrated facilities, Encompass provides seamless
disaster recovery and archival solutions, giving its
clients an alternative, cost-effective game plan.
As Encompass partners with various sports
leagues, its fleet of C- and Ku-band satellite trucks
can be spotted on the road heading to some of
America’s most watched sports events. Clients
include CBS Sports Network, ESPN, Gol-TV,
IMG College, NASCAR Media Group, MLB, NFL
Network, NHL, ROOT Sports, Tennis Channel,
TVG, Speed, YES Network, and WWE.
On a mission to provide one of the youngest,
best-equipped, and custom-configurable fleets of
HD remote-broadcast mobile-production units
in the industry, F&F Productions has upgraded
its current fleet. This strong belief made the decision obvious to renovate instead of expanding
the fleet to ensure quality production trucks.
Among the upgrades to GTX-12 was a Calrec
Artemis Beam with Bluefin2 audio board, a virtual
monitor wall in videotape, and an interior face-lift.
GTX-14 also was upgraded to the Calrec Artemis
Beam with Bluefin2, along with an improved truck
interior. And GTX-15 received a renovated interior
to go along with the new Grass Valley Kayenne
HD switcher. All the B units were upgraded with
Blackmagic routers, new patch panels, DAs, and
HD-SDI monitors to increase versatility.
This year may be Filmwerks’ busiest yet in providing reliable and redundant power, climate control,
mobile studios, and site lighting to productions
from coast to coast.
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With launch points in major cities across the
country, along with a combination of experience
and dedicated staff, Filmwerks is able to provide
exceptional service for successful, memorable
events wherever they may be. All packages are
custom-built to suit any job or footprint.
Filmwerks is highly active in the sports world,
providing power and additional resources to various users at the US Open tennis tournament
and to CBS for its SEC football productions.
Filmwerks has also worked with the ESPN College
Gameday crew for more than a decade.
Frontline’s production trailers are designed and
manufactured as mobile production suites, providing all the features and equipment found in
fixed production facilities and offered in lengths
up to 53 ft. The custom-designed and -manufactured trailers are available in either straightbody or slide-out designs and with single or dual
slide-outs in various lengths. Frontline offers a
96-in. interior width for up to five full equipment racks across the trailer; coach work uses
the lightest composite materials to minimize
delivered trailer weight. Recently, the company
saved nearly 3,000 lbs. in delivered weight using
aluminum for major components. Several floorplan options are offered, with engineering services available to design custom layouts for up
to 30 operators. The result: durable and reliable
mobile-production trailers.
Specializing in broadcast-equipment rental,
equipment sales, project solutions, and systems
integration, Gearhouse Broadcast offers experience and a track record in major world sports
events.
At IBC2012 in Amsterdam, Gearhouse Broadcast
announced a strategic sales and market-development
agreement with Hitachi Kokusai Electric Europe.
The agreement provides Gearhouse Broadcast with
prime distribution rights to all Hitachi broadcast
cameras in many international territories.
Late 2011 and early 2012 were totally unlike any
time in Gerling history, with more orders placed
in that period than ever before, each requiring
completion in time for the 2012 NFL season.
In January, the Gerling staff went on full
overtime and did not take any time off until late
July, custom-designing and delivering more than
13 new trailers primarily targeted at the 2012 NFL
season. Gerling also custom-built and delivered
21 other trucks over the period, making 2012 the
company’s largest year to date.
Innovations and a return to some shorter trailers were highlights of the year, with five added
trailers currently working their way through construction.
For 11 years, ID, a subsidiary of ARRI CSC and an
ARRI Group Company, has provided lighting and
power for many prominent sports events across the
nation. Among them: Monday Night Football, college
football, X Games, Red Bull events, Golf Channel,
Speed TV, and Sunday Night Baseball. To provide
improved, efficient lighting and power options, ID
constantly adapts to the customers’ changing needs.
The company focuses on making technological
and environmentally friendly decisions, purchasing new low-emission generators that will comply
with EPA regulations for years to come. ID is also
investing in state-of-the-art LED lighting fixtures
for remote ops and booth lighting.
IMT is a consulting, design, construction, and
systems-integration company providing scalable
technology systems for business operations. This
year, it announced a new Sports Digital Asset
Management Service specifically designed for the
athletics industry. For sports-content owners and
producers, having a digital-asset–management
strategy has become an essential part of doing
business and affects virtually every aspect of the
organization’s operations and future multimedia
ROI opportunities.
As an example, IMT worked with Tennis Channel
to design and build a new file-based workflow,
which allows its broadcast, editorial, graphics, and
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postproduction teams to share and archive content.
IMT addresses these major market sectors: Media
& Entertainment, Information Technologies (IT),
Education, and Telecommunications. Through an
active engagement process, IMT consultants and
engineers collect, interpret, refine, design, build,
and maintain technology systems that deliver
optimum results for clients. Kodiak Mobile Television is a full-service mobileproduction company located in Broken Arrow,
OK. Its new Grizz HD was designed and built to
be a compact, efficient HD unit while providing
the production tools clients require. The 45-ft.
trailer has a three-bench production area, audio,
tape/server, and video/engineering, all in separate
rooms. At less than half the weight of a 53-ft.
trailer and by not needing a B unit, it offers fuel
savings and reduced crew expenses to save clients
money. Grizz HD is equipped for posted shows
and corporate events. The 2013 schedule already
has it on location from Florida to California and
Austin, TX, to Indianapolis.
Lyon Video mobile-production
trucks stayed busy this past summer, working such events as the US
Open tennis tournament for CBS
and CBS Sports Network, Major
League Baseball for ESPN and Fox
Sports, college football for ESPN/ABC, the Little
League World Series studio feed for ESPN, and
MLS coverage in Dallas; Columbus, OH; Salt
Lake City; and Houston. In addition, Lyon units
worked NFL preseason contests for the Bengals,
Steelers, Packers, and Redskins. And Lyon Video
has been all over the race track with Speed, covering the Barrett Jackson Auto Auction, TORC
Racing, Grand AM racing, and Moto GP.
Lyon Video is currently building two mobile
units for ESPN’s Longhorn Network, with plans
to roll them out in early 2013.
With facilities like the ME-2HD 53-ft. expanding
mobile unit, Mansion Mobile Television is setting
the standard for HD television production. Located
in Branson, MO, the company is in close proximity
to most major cities in the Midwest. Its facilities
are intended to make any sports, entertainment, or
corporate event the best it can be.
HD
METROVISION
Production Group
Metrovision Production Group offers a full spectrum of communication and production services, including mobile production, satellite transmission, IP media, live-event presentation, and
broadcast-equipment rentals. It has served clients
across North America since 1988. Along with
having a fleet of mobile units and extensive equipment inventory, Metrovision takes a turnkey,
solutions-driven approach, combining technical
expertise with strong commitment to customer
service.
NES Communication Services has added multicamera HD production services to its product
offering, deploying both a production flypack
and an HD-production/Ku hybrid truck to cover
a variety of events. Since the early-June launch,
NES has handled more than a dozen events,
including six soccer split feeds and two boxing
programs. The addition of the HD production
resources along with C- and Ku-band trucks and
flyaway antennas makes NES a single stop for HD
production and transmission services for events
worldwide.
An automated satellite
solution from On Call
Communications gave
KKTV Colorado Springs,
CO, an advantage over its
competition with the ability to deliver live coverage of the Waldo Fires.
KKTV used 3G/4G aggregation packs, combining
them with QuickSPOT, a mobile, automated
satellite solution that provides on-demand satellite
Internet service. The service provides a dedicated
satellite link that delivers high-quality, stable video
streams when microwave is unavailable or 3G
coverage is unreliable.
In the midst of the worst fire ever to hit the city
140
of Colorado Springs, KKTV delivered 130 hours
live, continuous coverage to the community from
areas where the station typically would not be able
to get a signal out.
A full-service video- and
audio-production, postproduction, and satellitetransmissions company,
PACSAT provides services nationally and internationally from its headquarters in Sacramento,
CA. It provides services in the West, Midwest,
Southwestern, and Southeastern U.S. for major
news, sports, entertainment, advertising, corporate,
and government clients.
I N T E R N AT I O N A L
Platinum Uplink Services is the Upper Midwest’s
newest fully HD mobile satellite-uplink provider.
The company’s state-of-the-art satellite-uplink
truck is wired for eight cameras and six transmission paths, giving clients the flexibility and technology they need during production. The new truck,
after two months of in-the-field service, received
positive feedback and created new demand for the
company.
To better serve clients, Platinum Uplink Services
recently added another HD/SD Ericsson Voyager
II encoder. The company now travels with three
HD/SD and MPEG-2/4 encoders, allowing it to
serve a wider variety of events large or small.
Platinum Uplink Services is a boutique company specializing in mobile satellite services. The
ability to effectively cover sports and news events
depends on quality equipment and excellent
mobile satellite engineers.
PSSI has designed and integrated a six-camera
HD production and uplink truck. The 35-ft. unit
was built to support the company’s growing base
of customers requiring HD remote-production
services. PSSI has also been selected as the primary
HD satellite transmission company for Pac-12
Networks, providing Ku- and C-Band satelliteuplink trucks, satellite transponder space, HD
encoding, fiber coordination, and overall out-
side management of remote digital transmission
operations.
PSSI will support Pac-12 Networks throughout
its six regions. Its production-uplink truck (K-34)
is also part of the offering to Pac-12, producing
soccer, field hockey, volleyball, and swimming
shows.
PSSI will also provide Pac-12 with on-site production-management services and tech support.
Currently, PSSI is supporting the content delivery
of up to 15 Pac-12 events each week with Ku
uplinks, production, and digital satellite space.
For the start of the 2012 season,
Golf Channel turned to Reality
Check Systems and design partner Cake Studios to deliver a
complete rebrand for their flagship show Golf Central. RCS and Cake provided a
turnkey solution: initial concept, design of the show
logo, open/pre-rendered animations, and Vizrt realtime graphics package.
Earlier this year, Reality Check Systems
developed custom graphics and software for
Mediatec to support a multilanguage platform
covering the International Ice Hockey
Federation World Championships in Helsinki
and Stockholm.
RCS designed, programmed, and supplied
hardware for the HD ticker for MASN, launched
in February 2012. The installation includes
authoring of ticker content on revolving playlists; breaking news; automated score data for
MLB, NFL, NBA, NHL, CBK, and CFB; integration with master-control automation; and
remote-control operation for manual insertion
and removal during commercial.
Founded in 1985, Show Partners provides production,
operations, and engineering solutions, specializing in
remote television and live event productions. From
original programming to world-class sports events,
the company has proved its ability to execute complex
shows and handle the challenges and constraints that
are always present in the industry.
In 2011, founder/CEO Michael S. Mantovani
resumed the role of president. Mantovani, a sixtime Sports Emmy Award recipient, has successfully realigned the company based on its original
mission statement and core values.
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The SkyCam and CableCam systems center on a
sophisticated, computer-controlled cable suspension system that supports, stabilizes, and allows
three-dimensional movement of a camera to capture overhead video of major events.
Although early versions of aerial camera systems were developed in the 1980s, SkyCam’s
introduction to football started with the XFL in
2001. The NFL first incorporated the technology
in 2003, when ESPN added SkyCam to certain
broadcasts, and Fox did the same with CableCam.
In 2006, SkyCam and CableCam were jointly
acquired and, in subsequent years, were restructured into a service-oriented business with a focus
on technology investment and cost-efficiencies. As 2012 reached its midway point, SOS Global
Express again expanded its worldwide offerings
to new and existing customers. The high point
of the half-year mark was certainly the London
Olympic Games, where the company deployed
a seasoned team of professionals to handle
customers from around the world, including
broadcasters from the U.S., Japan, Brazil, EU,
UK, and Mexico.
After the London Games closed, the SOS Global
team rapidly loaded and managed a charter aircraft
with a departure four days later to customers
awaiting gear for setup at the US Open tennis
tournament in Flushing Meadows, NY. This all
came on the heels of a successfully executed Euro
2012 in Poland and Ukraine.
Company focus then moved to the 26th NFL
season and MLB postseason, along with a full
schedule of other challenging and interesting
projects. The International team shifted to the east
and south towards Russia and Brazil.
The Systems Group has provided strategic,
technical, and operational support to global
broadcasters for more than 20 years, including consultation, architectural planning, system design, project management, procurement,
and advanced systems integration. The company’s consulting services comprise Operational
Analysis, an in-depth examination of current
operations; Space Programming, which defines
room complements, square footage, space, and
adjacency requirements for optimized workflows; Conceptual Design, which provides an
elegant engineering solution with defined technology parameters; Architectural Planning,
which aligns architectural plans with current
and future technical and operational needs;
Budget Development, which balances the preliminary equipment budget between financial
constraints and operational expectations; and
Technical Specification, which conclusively
defines and documents critical project data,
such as preliminary technical drawings, working
budgets, and project timeline.
VCA is one of the 10 largest systems integrators in
the U.S., with offices in New York, New Jersey, and
Pennsylvania.
Projects with MSG Networks, MSG Varsity, and
Rutgers football, along with new display technology
from Christie Digital and postproduction systems
from Avid, place VCA in a position to integrate all
elements of live coverage, postproduction, digital
signage, asset management, and IT infrastructure
to create a complete communications solutions.
VCA worked closely with New York-based
regional sports network SNY on the design and
build of its new Daily News Live studio set. VCA
helped select and implement nine NEC 55-in.
ultra-narrow bezel monitors in a 3x3 configuration
in a custom-built video-wall mount.
148
VER (Video Equipment Rentals) is a broadcast-,
AV-, audio-, computer-, lighting-, and creativeLED-equipment-rental company.
VER has presence with 23 offices across the
U.S., Canada, and Europe, providing equipment
everywhere in the world. The company’s extensive
inventory includes HD cameras/camera systems,
custom flypacks, VTRs, DDRs, EVS, fiber, superslo-mo systems, audio, and more.
2012 has been a good year for YES Productions,
with the normal NBA, college-basketball, baseball,
and soccer events, as well as the usual mix of
concerts, corporate shows, and various sports
events.
This summer, YES Productions upgraded the
router in HD 1 and HD 2 with new controller
cards, fiber input, and output cards. The Adam
systems were also some updated with new
controller cards and interface units. An additional
camera was added to each truck, bringing the
total to 10 cameras on HD 1 and nine cameras
on HD 2.
This fall, the company is busy with ESPN, CBS Sports
college football, and Cox Sports. During the NBA
season, HD 1 will remain in the New Orleans area for
various clients, and HD 2 will travel to the West Coast
for a season covering the Los Angeles Lakers.
vendor
Services
Courtesy of
Directory
The SVG Mobile Production Yearbook is, once
again, proud to partner with ProductionHub
to offer a comprehensive directory for those in
search of crewing services, generators, satellite
trucks, remote-production units, and much
more.
ProductionHub.com provides a valuable
online resource, listing not only the vendors
covered here but a wealth of other services as
well. The site also has one of the top job boards
in the industry, a valuable tool for freelancers
seeking work and for sports networks and content creators looking to fill positions.
Feel free to use the services directories here
as a starting point for finding the providers
that best meet your needs, but also be sure to
visit www.productionhub.com for updated information on potential suppliers.
153
Crew Services* — Regional Listing
City
Company Name
Website
Phone
Alaska
Arizona
Anchorage
Lake Havasu City
Mesa
Phoenix
Phoenix
Phoenix
Phoenix
Little Rock
Alhambra
Apple Valley
Burbank
Burbank
Fairfax
Hollywood
Huntington Beach
Irvine
Lake Elsinore
Los Angeles
Los Angeles
Los Angeles
Los Angeles
Oceanside
Sacramento
Alaska Locations
Jeff London Productions
East-West Productions
Burke Brothers Productions
Crew West Inc
High-End Labor Pool
No Jip Lighting
Film Gear Rentals
Computer Tradeshow Rentals
TCB Event Medical Services
Cast & Crew Entertainment Services
NABET - CWA Local 53
Creative Presentations
Surreel
Camera Corps, The
Kwokman Productions
California Cart Builder
Epicenter Films
HAIR BY SAPPHIRE
Production Reference Services
Run & Gun Production Services
Available Light/JT Services
Studio Center, The
Crystal Pyramid Inc. dba Crystal Pyramid
Productions
Photo Styling Workshops
San Diego Production Centre
Satellite Digital Teleproductions (S.D.T.V.)
Wire Wizards
Christie Every Productions
Industry 415 Creative Production Agency
Tom Piozet - Home Planet Productions/
Home Planet Post
Wintech Video
Renee Garcia Casting/RG Casting
Film in Colorado
Crew Connection
Weiler Production Services
ICA Creative Crews
Affect Films
Camera Crew Miami
Spiral Crews
Crew West / Satellink Communication
Service
Bear Crew
Neon Flair
Crew Call
Pixel 1080
A Core Group Cannestro
Local Motion
Florida Film & Video
Cameras International
Ren Scott Creative Marketing
Crew Atlanta/The Big House Motion Picture
Co.
Lighting & Production Equipment
www.filmalaskalocations.com
www.guardianpictures.com
www.eastwestproductions.com
www.burkebrothersproductions.com
www.crewwestinc.com
www.highendlaborpool.com
www.HairbySapphire.com
www.prodrefservice.com
www.rgps.tv
www.JTServices.com
www.thestudiocenter.com
(907) 783-2143
(928) 566-1366
(480) 491-8312
(602) 321-0398
(888) 444-2739
(602) 225-2454
(602) 684-0580
(501) 920-3392
(386) 481-8783
(877) 526-7306
(818) 848-6022
(818) 846-0490
(415) 785-3897
(323) 464-3975
(714) 846-2461
(949) 679-2089
(866) 347-1010
(213) 534-3100
(310) 963-2067
(310) 275-8002
(310) 463-4394
(800) 439-1605
(916) 564-9333
www.crystalpyramid.com
(619) 644-3000
www.theinvisiblestylist.com
www.sdpcentre.com
www.sdtv.com
www.WireWizards.tv
www.everyproductions.com
www.industry415.com
(619) 295-1456
(858) 573-9313
(619) 293-7777
(619) 992-0549
(415) 902-0309
(415) 954-0988
www.homeplanetproductions.com
(805) 965-9848
www.wintechvideo.com
www.reneegarciacasting.com
www.filmincolorado.com
www.crewconnection.com
www.weilerproductions.com
www.filmvideo.com
www.cameracrewmiami.com
(818) 501-6565
(323) 532-7264
(303) 946-1199
(800) 352-7397
(303) 470-5696
(800) 835-9292
(818) 253-1247
(800) 800-1361
www.satellinkwest.com
(863) 698-4313
Vendor Services Directory
Courtesy of
State
Arkansas
California
San Diego
San Diego
San Diego
San Diego
San Diego
San Francisco
San Francisco
Santa Barbara
Colorado
Connecticut
Florida
Sherman Oaks
West Hollywood
Denver
Evergreen
Highlands Ranch
Fairfield
Bradenton
Fort Lauderdale
Hollywood
Lakeland
Margate
Miami
Orlando
Orlando
Palm Beach
Pompano Beach
St. Petersburg
Tampa
Tampa
Georgia
Atlanta
Atlanta
Atlanta
www.filmgearrentals.com
www.tcbeventmed.com
www.castandcrew.com
www.nabet53.org
www.cpresents.com
www.surreel.com
www.cameracorps.com
www.kwokmanproductions.com
www.californiacartbuilder.com
www.localmotionlabor.com
www.flhd.tv
www.camerasinternational.com
www.renscottcreativemarketing.com
(954) 509-0738
(305) 467-6556
(407) 363-9055
(813) 777-0720
(561) 644-8566
(954) 786-8904
(727) 369-0732
(813) 831-1553
(813) 872-8350
www.crewatlanta.net
(888) 887-6884
www.encompass-m.com
www.lpe.com
(800) 243-1995
(800) 275-3721
www.neonflair.com
www.crewcallinc.com
www.pixel1080.com
*All information is subject to change. For the most current contact information, please visit www.productionhub.com
158
Courtesy of
State
Hawaii
Idaho
Illinois
Indiana
Iowa
Kansas
Kentucky
Louisiana
Maryland
Massachusetts
Michigan
Minnesota
Missouri
Nevada
New Jersey
New Mexico
New York
City
Company Name
Website
Phone
Atlanta
Atlanta
Atlanta
Kailua
Kailua
Nampa
Chicago
Grayslake
Indianapolis
Ankeny
Hiawatha
Topeka
Louisville
New Orleans
Annapolis
Baltimore
Baltimore
Fulton
North Potomac
Potomac
Silver Spring
Silver Spring
Brookline
Canton
Concord
Gardner
Newton
Clawson
Troy
Warren
Minneapolis
Kansas City
Springfield
Henderson
Las Vegas
Las Vegas
Las Vegas
Las Vegas
Las Vegas
Las Vegas
Las Vegas
Gloucester City
Albuquerque
Catskill
Hauppauge
Howard Beach
Kings Park
Manhattan
Nassau
New York
New York
New York
New York
New York
New York
Phase 3 Media
Stylesession Firm
Visual Tellers
Lewis Communications
NOA Production
Chris Wade Media
Event Engineering
Clarion Production Services
Efroymson Services
Production Support Services
Metro Studios
Video Concepts
Duckworks
Nola Medic
World Class Video
BlueRock Productions
Sand Dollar Productions
Crews Control
Media Central
Asia Broadcast
Alacer Video Production Services
Metro Teleproductions
The New England Institute of Art
Central Booking Service
Crew Boston Video Production Services
RJ Cleaning Service
Green Line Group
Mezzanine
Midwest Video
Live Out Loud Productions
STAR Tutoring Service
Sportstaff
Jeff Nene Production & Design
Premiere Production Services
Avenger Productions
Brooks Vision Entertainment
Carafelli Productions
Got Films
JCS Broadcast Video Productions
LV Productions HD
Production Central Group
Axis Video
Stew Casting
Northeastern Broadcast Services
Thaler Films
NY Crew Power Production Services
Jammin Design Productions
The People’s DP
Golden Lamb Productions
Atlantic Television
Aurora Coast Productions
DailyHires.com
Film Friends
Filmwerk Media
Hired Gun Video
www.phase3media.com
www.stylesessionfirm.com
www.visualtellers.com
www.lewiscommunications.tv
www.NOAPro.com
www.chriswademedia.com
www.eventengineering.com
(866) 454-8127
(404) 692-1706
(323) 999-1057
(808) 946-8100
(808) 366-1515
(208) 850-0400
(773) 645-2000
(847) 543-1188
(317) 253-7832
(515) 965-3761
(319) 363-2002
(785) 273-9003
(502) 637-7840
(504) 715-6003
(410) 224-0204
(410) 358-7000
(336) 529-3964
(800) 545-2739
(301) 217-0049
(301) 605-7629
(301) 754-0093
(301) 608-9077
(617) 739-1700
(781) 364-1880
(978) 369-8944
(978) 340-0930
(617) 663-5240
(248) 709-6560
(248) 583-3630
(248) 238-8804
(612) 866-0566
(816) 505-5533
(417) 860-2196
(702) 248-2580
(702) 655-3339
(866) 286-4122
(702) 525-1129
(702) 838-9143
(800) 791-8671
(310) 593-1921
(702) 395-7216
(856) 379-0873
(505) 489-2257
(518) 634-2511
(631) 851-2000
(718) 843-3038
(631) 292-9632
(646) 415-7782
(518) 766-4358
(212) 625-9327
(212) 375-0700
(888) 696-1800
(212) 620-0084
(212) 645-6668
(518) 755-6313
www.productionsupport.com
www.metro-studios.com
www.morganatkinson.com
www.netvibes.com/worldclassvideo
www.bluerockproductions.com
www.sanddollarproductions.com
www.CrewsControl.com
www.mediacentral.net
www.absatellite.net/services/index.html
www.alacervideo.com
www.mtitv.com
www.artinstitutes.edu/boston/
www.centralbookingservice.com
www.crewboston.com
www.rjcleaning.com
www.glgtv.com
www.liveoutloudproductions.com
www.startutoring.com
www.sportstaffcrews.com
www.premierepro.com
www.avengerproductions.com
www.brooksvision.com
www.carafelliproductions.com
www.gotfilms.com
www.jcsvideo.com
www.LVproductionsHD.com
www.nebroadcast.com
www.thalerfilms.com
www.jammindesignproductions.com
www.thepeoplesdp.com
www.glpvideoproduction.com
www.atlantictv.com
www.AuroraCoast.com
www.dailyhires.com
www.film-friends.com
www.filmwerk.tv
www.HiredGunVideo.com
162
Courtesy of
State
North Carolina
Ohio
Oklahoma
Oregon
Pennsylvania
Rhode Island
South Carolina
Tennessee
Texas
Utah
Virginia
Washington
City
Company Name
Website
Phone
New York
Leftfield Pictures, featuring Leftfield
Rentals and Crews
Max Curious Productions
Mobile Video Productions
Moving Picture Crew
NBTV Studios
Video Dimensions
Entertainment Services
Carr-Hughes Productions - Adirondack
LADIEKADIVA.com
Production Management Specialist
Swirl Films/Rentals
iO Productions
DPT Productions
Production Services
Oklahoma Film Commission
2 Girls Catering & Craft Services
ROSTER
CrewStore
Wonderful Machine
Total Production Services
Cortron Media
H & H Care
Towerstream
Location Carolina
Turners Movie Medics
Proshow Systems
Junction Entertainment
Film Ready Face
Quick-It Courier
5 Star Services
KRD Media Group
InMotion Imagery
Texas World Television
Digital Network Associates
Paul Flanagan Productions
Five Point Six Studios
E-Z Moving
RMS Services
Spotkick Productions
Accent Media
LDM Worldwide Productions
Production Services NW
www.leftfieldpictures.com
(212) 564-2607
www.maxcurious.com
www.mobilevideoproductions.net
www.movingpicturecrew.com
www.NBTVstudios.com
www.tech-ops.com
www.videodimensions.net
www.entertainmentservices.us
www.carr-hughes.com
www.ladiekadiva.com
www.arenaspecialistslive.com
www.swirlfilms.com
www.ioproductions.net
www.dptproductions.com
www.ProductionServicesLLC.com
www.oklahomaproductionguide.com
www.twogirlscatering.com
www.rosterreps.com
www.thecrewstore.com
www.wonderfulmachine.com
www.tpsweb.com
www.cortronmedia.com
(212) 706-8200
(212) 924-9616
(800) 800-1361
(212) 500-2087
(212) 465-1318
(212) 262-5453
(315) 335-4645
(518) 584-0202
(919) 272-7555
(704) 708-6773
(910) 798-2934
(513) 561-1459
(405) 848-5952
(405) 568-2079
www.FivePointSix.com
www.ezmovingslc.com
www.rmsservices-pro.com
www.SpotKickProductions.com
www.accentmediainc.com
www.ldmworldwide.com
www.psninc.com
(503) 318-1719
(503) 381-2067
(484) 688-0142
(610) 260-0200
(888) 877-1178
(412) 302-4072
(412) 760-5881
(866) 848-5848
(843) 224-0691
(843) 367-8117
(901) 372-0550
(615) 915-1559
(727) 214-8624
(615) 595-6844
(865) 806-3351
(512) 565-9423
(214) 748-2225
(817) 572-4600
(281) 738-2329
(281) 633-0913
(210) 558-6777
(801) 347-7786
(435) 215-4814
(703) 717-1086
(703) 356-9427
(206) 463-1902
(206) 542-1154
I.A.T.S.E. Local 22
www.iatselocal22.com
(202) 269-0212
Maslow Media Group
Vidrios Imaging & Sound
Grassland Media
Golden Icon
www.maslowmedia.com
(202) 965-1100
(301) 233-6594
(608) 238-7575
(715) 849-4266
New York
New York
New York
New York
New York
New York
Rome
Saratoga Springs
Cary
Matthews
Wilmington
Cincinnati
Oklahoma City
Oklahoma City
Tulsa
Gladstone
Portland
Clifton Heights
Conshohocken
Philadelphia
Pittsburgh
Pittsburgh
Middletown
Mount Pleasant
Summerville
Bartlett
Madison
Nashville
Nashville
Seymour
Austin
Dallas
Fort Worth
Humble
Richmond
San Antonio
Salt Lake City
Washington
Alexandria
McLean
Seattle
Seattle
Washington,
DC
Wisconsin
Madison
Wausau
www.towerstream.com
www.locationcarolina.com
www.proshowsystems.com
www.junctionentertainment.com
www.filmreadyface.com
www.quick-itcourier.com
www.fivestarportables.com
www.krdmediagroup.com
www.inmotionimagery.com
www.twtv.net
www.digitalnetworkassociates.com
www.grasslandmedia.com
www.goldenicon.com
166
Courtesy of
Crew Services*—Alphabetical Listing
COMPANY Name
City
State
Website
Phone
2 Girls Catering & Craft Services
5 Star Services
A Core Group Cannestro
Accent Media
Affect Films
Alacer Video Production Services
Alaska Locations
Asia Broadcast
Atlantic Television
Aurora Coast Productions
Available Light / JT Services
Avenger Productions
Axis Video
Bear Crew
BlueRock Productions
Brooks Vision Entertainment
Burke Brothers Productions
California Cart Builder
Camera Corps, The
Camera Crew Miami
Cameras International
Carafelli Productions
Carr-Hughes Productions Adirondack
Cast & Crew Entertainment
Services
Central Booking Service
Chris Wade Media
Christie Every Productions
Clarion Production Services
Computer Tradeshow Rentals
Cortron Media
Creative Presentations
Crew Atlanta / The Big House
Motion Picture Company
Crew Boston Video Production
Services
Crew Call
Crew Connection
Crew West / Satellink
Communication Service
Crew West Inc
Crews Control
Crewsouth
CrewStore
Crystal Pyramid Inc. dba Crystal
Pyramid Productions
DailyHires.com
DPT Productions
Duckworks
E-Z Moving
East-West Productions
Efroymson Services
Entertainment Services
Epicenter Films
Gladstone
Seymour
Palm Beach
McLean
Bradenton
Silver Spring
Anchorage
Potomac
New York
New York
Oceanside
Las Vegas
Gloucester City
Margate
Baltimore
Las Vegas
Phoenix
Lake Elsinore
Huntington Beach
Fort Lauderdale
Tampa
Las Vegas
Oregon
Tennessee
Florida
Virginia
Florida
Maryland
Alaska
Maryland
New York
New York
California
Nevada
New Jersey
Florida
Maryland
Nevada
Arizona
California
California
Florida
Florida
Nevada
www.twogirlscatering.com
www.fivestarportables.com
www.bluerockproductions.com
www.brooksvision.com
www.burkebrothersproductions.com
www.californiacartbuilder.com
www.cameracorps.com
www.cameracrewmiami.com
www.camerasinternational.com
www.carafelliproductions.com
(503) 318-1719
(865) 806-3351
(561) 644-8566
(703) 356-9427
(818) 253-1247
(301) 754-0093
(907) 783-2143
(301) 605-7629
(212) 625-9327
(212) 375-0700
(800) 439-1605
(702) 655-3339
(856) 379-0873
(954) 509-0738
(410) 358-7000
(866) 286-4122
(602) 321-0398
(866) 347-1010
(714) 846-2461
(800) 800-1361
(813) 831-1553
(702) 525-1129
Saratoga Springs
New York
www.carr-hughes.com
(518) 584-0202
Burbank
California
www.castandcrew.com
(818) 848-6022
Canton
Nampa
San Francisco
Grayslake
Alhambra
Pittsburgh
Fairfax
Massachusetts
Idaho
California
Illinois
California
Pennsylvania
California
www.centralbookingservice.com
www.chriswademedia.com
www.everyproductions.com
www.cortronmedia.com
www.cpresents.com
(781) 364-1880
(208) 850-0400
(415) 902-0309
(847) 543-1188
(386) 481-8783
(412) 302-4072
(415) 785-3897
Atlanta
Georgia
www.crewatlanta.net
(888) 887-6884
Concord
Massachusetts
www.crewboston.com
(978) 369-8944
Orlando
Evergreen
Florida
Colorado
www.crewcallinc.com
www.crewconnection.com
(407) 363-9055
(800) 352-7397
Lakeland
Florida
(863) 698-4313
Phoenix
Fulton
Birmingham
Clifton Heights
Arizona
Maryland
Alabama
Pennsylvania
www.crewwestinc.com
www.CrewsControl.com
www.crewsouth.com
www.thecrewstore.com
(888) 444-2739
(800) 545-2739
(866) 816-2739
(484) 688-0142
San Diego
California
www.crystalpyramid.com
(619) 644-3000
New York
Humble
Oklahoma City
Louisville
Salt Lake City
Mesa
Indianapolis
Atlanta
Rome
Los Angeles
New York
Texas
Oklahoma
Kentucky
Utah
Arizona
Indiana
Georgia
New York
California
www.dailyhires.com
www.dptproductions.com
www.morganatkinson.com
www.ezmovingslc.com
www.eastwestproductions.com
(888) 696-1800
(281) 738-2329
(405) 848-5952
(502) 637-7840
(801) 347-7786
(480) 491-8312
(317) 253-7832
(800) 243-1995
(315) 335-4645
(213) 534-3100
www.accentmediainc.com
www.filmvideo.com
www.alacervideo.com
www.filmalaskalocations.com
www.absatellite.net/services/index.html
www.atlantictv.com
www.AuroraCoast.com
www.JTServices.com
www.avengerproductions.com
www.encompass-m.com
www.entertainmentservices.us
170
Courtesy of
Crew Services*— E-N
COMPANY Name
City
State
Website
Phone
Event Engineering
Film Friends
Film Gear Rentals
Film in Colorado
Film Ready Face
Filmwerk Media
Five Point Six Studios
Florida Film & Video
Golden Icon
Golden Lamb Productions
Got Films
Grassland Media
Green Line Group
H & H Care
HAIR BY SAPPHIRE
High-End Labor Pool
Hired Gun Video
I.A.T.S.E. Local 22
ICA Creative Crews
Industry 415 Creative Production
Agency
InMotion Imagery
iO Productions
Jammin Design Productions
JCS Broadcast Video Productions
Jeff London Productions
Jeff Nene Production & Design
Junction Entertainment
KRD Media Group
Kwokman Productions
LADIEKADIVA.com
Leftfield Pictures, featuring
Leftfield Rentals and Crews
Lewis Communications
Lighting & Production Equipment
Live Out Loud Productions
Local Motion
Location Carolina
LV Productions HD
Maslow Media Group
Max Curious Productions
Media Central
Metro Studios
Metro Teleproductions
Mezzanine
Midwest Video
Mobile Video Productions
Moving Picture Crew
NABET - CWA Local 53
NBTV Studios
Neon Flair
No Jip Lighting
NOA Production
Nola Medic
Northeastern Broadcast Services
Chicago
New York
Little Rock
Denver
Nashville
New York
San Antonio
St. Petersburg
Wausau
Nassau
Las Vegas
Madison
Newton
Pittsburgh
Los Angeles
Phoenix
New York
Washington, DC
Fairfield
Illinois
New York
Arkansas
Colorado
Tennessee
New York
Texas
Florida
Wisconsin
New York
Nevada
Wisconsin
Massachusetts
Pennsylvania
California
Arizona
New York
www.eventengineering.com
www.film-friends.com
www.filmgearrentals.com
www.filmincolorado.com
www.filmreadyface.com
www.filmwerk.tv
www.FivePointSix.com
www.flhd.tv
www.goldenicon.com
www.glpvideoproduction.com
www.gotfilms.com
www.grasslandmedia.com
www.glgtv.com
(773) 645-2000
(212) 620-0084
(501) 920-3392
(303) 946-1199
(727) 214-8624
(212) 645-6668
(210) 558-6777
(727) 369-0732
(715) 849-4266
(518) 766-4358
(702) 838-9143
(608) 238-7575
(617) 663-5240
(412) 760-5881
(310) 963-2067
(602) 225-2454
(518) 755-6313
(202) 269-0212
(800) 835-9292
San Francisco
California
www.industry415.com
(415) 954-0988
Dallas
Cincinnati
Kings Park
Las Vegas
Lake Havasu City
Springfield
Madison
Austin
Irvine
Cary
Seattle
Texas
Ohio
New York
Nevada
Arizona
Missouri
Tennessee
Texas
California
North Carolina
Washington
www.inmotionimagery.com
www.ioproductions.net
www.jammindesignproductions.com
www.jcsvideo.com
www.guardianpictures.com
www.junctionentertainment.com
www.krdmediagroup.com
www.kwokmanproductions.com
www.ladiekadiva.com
(214) 748-2225
(513) 561-1459
(631) 292-9632
(800) 791-8671
(928) 566-1366
(417) 860-2196
(615) 915-1559
(512) 565-9423
(949) 679-2089
(919) 272-7555
(206) 463-1902
New York
New York
www.leftfieldpictures.com
(212) 564-2607
Kailua
Atlanta
Warren
Pompano Beach
Mount Pleasant
Las Vegas
Washington, DC
New York
North Potomac
Hiawatha
Silver Spring
Clawson
Troy
New York
New York
Burbank
New York
Miami
Phoenix
Kailua
New Orleans
Catskill
Hawaii
Georgia
Michigan
Florida
South Carolina
Nevada
www.lewiscommunications.tv
www.lpe.com
www.liveoutloudproductions.com
www.localmotionlabor.com
www.locationcarolina.com
www.LVproductionsHD.com
www.maslowmedia.com
www.maxcurious.com
www.mediacentral.net
www.metro-studios.com
www.mtitv.com
(808) 946-8100
(800) 275-3721
(248) 238-8804
(954) 786-8904
(843) 224-0691
(310) 593-1921
(202) 965-1100
(212) 706-8200
(301) 217-0049
(319) 363-2002
(301) 608-9077
(248) 709-6560
(248) 583-3630
(212) 924-9616
(800) 800-1361
(818) 846-0490
(212) 500-2087
(305) 467-6556
(602) 684-0580
(808) 366-1515
(504) 715-6003
(518) 634-2511
www.HairbySapphire.com
www.highendlaborpool.com
www.HiredGunVideo.com
www.iatselocal22.com
Connecticut
New York
Maryland
Iowa
Maryland
Michigan
Michigan
New York
New York
California
New York
Florida
Arizona
Hawaii
Louisiana
New York
www.mobilevideoproductions.net
www.movingpicturecrew.com
www.nabet53.org
www.NBTVstudios.com
www.neonflair.com
www.NOAPro.com
www.nebroadcast.com
174
Courtesy of
Crew Services* — N-W
COMPANY Name
City
State
NY Crew Power Production
Services
Oklahoma Film Commission
Paul Flanagan Productions
Phase 3 Media
Photo Styling Workshops
Pixel 1080
Premiere Production Services
Production Central Group
Production Management Specialist
Production Reference Services
Production Services
Production Support Services
Proshow Systems
Quick-It Courier
Ren Scott Creative Marketing
Renee Garcia Casting/RG Casting
RJ Cleaning Service
RMS Services
ROSTER
Run & Gun Production Services
San Diego Production Centre
Sand Dollar Productions
Satellite Digital Teleproductions
(S.D.T.V.)
Spiral Crews
Sportstaff
Spotkick Productions
STAR Tutoring Service
Stew Casting
Studio Center, The
Stylesession Firm
Surreel
Swirl Films/Rentals
TCB Event Medical Services
Texas World Television
Thaler Films
The New England Institute of Art
The People’s DP
Tom Piozet - Home Planet
Productions/Home Planet Post
Towerstream
Turners Movie Medics
Video Concepts
Video Dimensions
Vidrios Imaging & Sound
Visual Tellers
Weiler Production Services
Wintech Video
Wire Wizards
Wonderful Machine
World Class Video
Website
Phone
Howard Beach
New York
Tulsa
Richmond
Atlanta
San Diego
Orlando
Henderson
Las Vegas
Matthews
Los Angeles
Oklahoma City
Seattle
Ankeny
Bartlett
Nashville
Tampa
West Hollywood
Gardner
Washington
Portland
Los Angeles
San Diego
Baltimore
Oklahoma
Texas
Georgia
California
Florida
Nevada
Nevada
North Carolina
California
Oklahoma
Washington
Iowa
Tennessee
Tennessee
Florida
California
Massachusetts
Utah
Oregon
California
California
Maryland
www.oklahomaproductionguide.com
www.arenaspecialistslive.com
www.prodrefservice.com
www.ProductionServicesLLC.com
www.psninc.com
www.productionsupport.com
www.proshowsystems.com
www.quick-itcourier.com
www.renscottcreativemarketing.com
www.reneegarciacasting.com
www.rjcleaning.com
www.rmsservices-pro.com
www.rosterreps.com
www.rgps.tv
www.sdpcentre.com
www.sanddollarproductions.com
(281) 633-0913
(866) 454-8127
(619) 295-1456
(813) 777-0720
(702) 248-2580
(702) 395-7216
(704) 708-6773
(310) 275-8002
(405) 568-2079
(206) 542-1154
(515) 965-3761
(901) 372-0550
(615) 595-6844
(813) 872-8350
(323) 532-7264
(978) 340-0930
(435) 215-4814
(503) 381-2067
(310) 463-4394
(858) 573-9313
(336) 529-3964
San Diego
California
www.sdtv.com
(619) 293-7777
Hollywood
Kansas City
Alexandria
Minneapolis
Albuquerque
Sacramento
Atlanta
Hollywood
Wilmington
Apple Valley
New York
Fort Worth
Hauppauge
Brookline
Manhattan
Florida
Missouri
Virginia
Minnesota
New Mexico
California
Georgia
California
North Carolina
California
New York
Texas
New York
Massachusetts
New York
www.sportstaffcrews.com
www.SpotKickProductions.com
www.startutoring.com
www.thestudiocenter.com
www.stylesessionfirm.com
www.surreel.com
www.swirlfilms.com
www.tcbeventmed.com
www.tech-ops.com
www.twtv.net
www.thalerfilms.com
www.artinstitutes.edu/boston
www.thepeoplesdp.com
(816) 505-5533
(703) 717-1086
(612) 866-0566
(505) 489-2257
(916) 564-9333
(404) 692-1706
(323) 464-3975
(910) 798-2934
(877) 526-7306
(212) 465-1318
(817) 572-4600
(631) 851-2000
(617) 739-1700
(646) 415-7782
Santa Barbara
California
www.homeplanetproductions.com
(805) 965-9848
Philadelphia
Middletown
Summerville
Topeka
New York
Washington, DC
Atlanta
Highlands Ranch
Sherman Oaks
San Diego
Conshohocken
Annapolis
Pennsylvania
Rhode Island
South Carolina
Kansas
New York
www.tpsweb.com
www.towerstream.com
Georgia
Colorado
California
California
Pennsylvania
Maryland
www.visualtellers.com
www.weilerproductions.com
www.wintechvideo.com
www.WireWizards.TV
www.wonderfulmachine.com
www.netvibes.com/worldclassvideo
(888) 877-1178
(866) 848-5848
(843) 367-8117
(785) 273-9003
(212) 262-5453
(301) 233-6594
(323) 999-1057
(303) 470-5696
(818) 501-6565
(619) 992-0549
(610) 260-0200
(410) 224-0204
(718) 843-3038
www.phase3media.com
www.theinvisiblestylist.com
www.pixel1080.com
www.premierepro.com
www.videodimensions.net
178
Courtesy of
Generators* — Regional Listing
State
City
Company Name
Website
Phone
Alaska
Anchorage
Northern Lights Marine
Generators
SolarAlaska
Sound Lighting F/X
Reel - Men
United Rentals - Phoenix
RSC Rental Service
H & E Equipment Services
Laark Honeywagons
Event Power
Mike Van Dine Power & Light
AC Power Distribution
United Rentals - Burbank
Studio Air Conditioning
Rentals
Multiquip
Location Air
Cinerep International
SMS Generators
Century Studio
La Brea Air
W.A. Benjamin Electric
Westside Production Services
Atlas Sales & Rentals
Norco Equipment Rentals
Hollywood Honeywagon &
Production Vehicles
Star Power Generators
Temp Power Systems
Andrus Lighting and Grip
Cresco Production Express
Santa Clarita Movie Ranch
Top Productions
Cinema Air
Dadco
Lex Products
Command
EmPower
IIS Group Optimum Power &
Environment
Garrett Sound & Lighting
Production Power & Air
Production Toolbox Services
Sidram Power
Americas Generators
MAGIC II Lighting and Grip
Megawattage
Mobile Power & Air
Unique Producers Service
DataPro Systems
Hollywood Rentals Production
Services - Orlando
Walker Miller Equipment
www.northern-lights.com
(907) 562-2222
www.solaralaska.com
www.soundlightingfx.com
www.reelmeninc.com
www.ur.com
www.rscrental.com
www.he-equipment.com
www.laarkhoneywagons.com
www.eventpowerpro.com
www.powerlight.net
www.acpowerdistribution.com
www.ur.com
www.studioairconditioning.com
(907) 235-6842
(602) 722-0783
(602) 286-6800
(602) 273-7401
(480) 905-3300
(520) 770-1120
(818) 516-6474
(501) 351-5837
(510) 749-9475
(818) 848-4004
(818) 842-5288
(818) 222-4143
www.multiquip.com
www.locationair.tv
www.cinerepamps.com
www.smsgenerators.com
www.es-cat.com
www.centurystudio.com
www.labrearentals.com
www.benjaminelectric.com
www.atlassales.com
www.norcoequipmentrentals.com
www.hollywoodhoneywagon.com
(800) 421-1244
(855) 444-4757
(818) 882-2677
(818) 361-2151
(310) 631-7700
(310) 287-3600
(800) 452-2732
(213) 749-7731
(310) 244-2700
(800) 972-6600
(951) 371-1231
(818) 763-1966
www.starpowergenerators.com
www.temppower.com
www.andruslighting.com
www.illuminationdynamics.com
www.crescorent.com
www.santaclaritamovieranch.com
www.top-productions.com
www.cinemaair.com
www.dadcopowerandlights.com
www.lexproducts.com
www.cmnd.com
www.empowergenerators.com
www.optimumpower.com
(818) 982-2200
(714) 223-5600
(619) 521-0585
(818) 686-6400
(415) 920-2801
(661) 268-1891
(415) 332-3005
(805) 732-6517
(818) 768-8886
(818) 768-4474
(727) 724-1220
(866) 751-9644
(954) 421-2828
www.garrettsound.com
www.productionpowerandair.com
www.productiontoolbox.com
www.sidrampower.com
www.gopower.com
www.magic2lighting.com
www.megawattage.com
www.aparty4less.com
www.uniqueproducers.com
www.es-cat.com
www.dataprosystems.com
www.hollywoodrentals.com
(954) 777-3277
(954) 739-2468
(954) 463-4820
(954) 989-8898
(305) 592-6800
(305) 685-1811
(954) 302-3565
(305) 235-9188
(305) 681-7627
(407) 855-6195
(407) 292-4282
(407) 354-2555
www.walkermiller.com
www.es-cat.com
(407) 299-2620
(904) 737-7730
Arizona
Arkansas
California
Fairbanks
Mesa
Phoenix
Phoenix
Scottsdale
Tucson
Mena
North Little Rock
Alameda
Burbank
Burbank
Calabasas
Carson
Cerritos
Chatsworth
Chatsworth
Compton
Culver City
Culver City
Los Angeles
Marina del Rey
Newark
Norco
North Hollywood
Connecticut
Florida
North Hollywood
Placentia
San Diego
San Fernando
San Francisco
Santa Clarita
Sausalito
Simi Valley
Sun Valley
Stamford
Clearwater
Dania
Deerfield Beach
Fort Lauderdale
Fort Lauderdale
Fort Lauderdale
Hollywood
Miami
Miami
Miami
Miami
Miami
Orlando
Orlando
Orlando
Orlando
St. Augustine
182
City
Company Name
Website
Phone
Georgia
Tampa
Atlanta
Atlanta
Production Services & Systems
Hertz Energy Services
PC&E (Production Consultants
& Equipment)
Wavelength Generators
Ross SysCon
Toolmaster Hawaii
Northern Lighting & Power
Koch Creative Enterprises
Gull Wing Industries
Pratt Audio - Visual & Video
Musco Lighting
Lights On Kansas City
Prime Light
Digital FX
Event Rental
Center Staging
Aggreko
Available Lighting
Nola Film Logistics
Silver Screen Supply
TOPP Portable Air
Annapolis Mobile Power
Services
Washington Source for
Lighting
Kohler Event Services
Munters Corporation - MCS
Headquarters
High Output - Boston
ScreenLight & Grip
CMT
Thermalogic
Equipment 4 Rent
Immedia
Essential Sound Products
Broadway Rental Equipment
Ziegler Power Systems
Dean Machinery
CK Power Products
Current Events
Filmlites
Fourth Phase
United Rentals - Reno
Risco
Sunbelt Rentals
SBP Industries
Serious Grippage & Light
Abbey Rent-All
Pro AV Source
United Rentals - Brooklyn
On Site Energy
H.O. Penn Machinery
Ace Rentals and Staging
Available Light
Silvertrucks Lighting
www.psstampa.com
www.hertzequip.com
www.pce-atlanta.com
(813) 354-1913
(678) 848-5996
(404) 609-9001
www.wavelengthgenerators.com
www.rosssyscon.com
www.toolmasterhawaii.com
www.northernlightingandpower.com
www.gull-wing.com
www.prattav.com
www.musco.com
www.lightson.com
www.paddock.com/primelight
www.digitalfx.tv
www.neworleansevent.com
www.centerstaging.net
www.aggreko.com
www.availablelighting.com
www.nolafl.com
www.silverscreensupplies.com
www.spotcool.com
www.annapolismobilepower.com
(404) 687-9511
(912) 238-5800
(808) 246-1000
(847) 671-9695
(317) 846-3443
(800) 838-1482
(515) 280-9800
(800) 825-6030
(913) 362-6940
(913) 226-0849
(888) 898-6010
(504) 362-8368
(504) 247-0020
(504) 461-0556
(504) 831-5214
(504) 309-6612
(504) 737-0555
(800) 892-8677
(410) 758-0450
www.thewashingtonsource.com
(301) 779-8185
www.kohlereventservices.com
www.munters.com
(866) 732-8734
(800) 686-8377
www.highoutput.com
www.screenlightandgrip.com
www.habitatmonitor.com
www.thermalogic.com
www.equipment4rent.net
www.immedia1.com
www.essentialsound.com
www.broadwayrental.com
www.zieglerinc.com
www.deancat.com
www.ckpower.com
www.watts-on-wheels.com
www.filmlitesmt.com
www.prg.com
www.ur.com
www.riscorv.com
www.es-cat.com
www.sunbeltrentals.com
www.sbp4juice.com
www.seriousgrippage.com
www.abbeyrent.com
www.proavrentals.net
www.ur.com
www.onsite-energy.com
www.hopenn.com
www.acerentals.com
www.alny.net
www.silvercupstudios.com
(781) 364-1800
(781) 326-5088
(978) 768-2555
(800) 343-4492
(508) 583-5500
(508) 791-3366
(248) 375-2655
(763) 533-1680
(612) 445-4292
(816) 200-5470
(314) 868-8620
(314) 204-5119
(406) 587-0226
(702) 942-4572
(775) 789-6000
(732) 872-7722
(908) 272-8400
(856) 779-2772
(908) 412-8630
(505) 473-1566
(718) 428-0400
(800) 884-0653
(718) 456-8546
(800) RENTAL1
(631) 654-4400
(718) 943-0840
(718) 707-9670
(718) 906-2000
Courtesy of
State
Hawaii
Illinois
Indiana
Iowa
Kansas
Louisiana
Maryland
Atlanta
Savannah
Lihue
Schiller Park
Carmel
Alta
Des Moines
Oskaloosa
Kansas City
Overland Park
Baton Rouge
Hammond
Harvey
Kenner
New Orleans
New Orleans
New Orleans
Beltsville
Centreville
Hyattsville
Severn
Massachusetts Amesbury
Michigan
Minnesota
Missouri
Montana
Nevada
New Jersey
New Mexico
New York
Canton
Dedham
Hamilton
Hudson
West Bridgewater
Worcester
Rochester
Brooklyn Park
Shakopee
Kansas City
St. Louis
St. Louis
Bozeman
Las Vegas
Reno
Atlantic Highlands
Kenilworth
Maple Shade
South Plainfield
Santa Fe
Bayside
Brooklyn
Brooklyn
Hicksville
Holtsville
Long Island City
Long Island City
Long Island City
186
City
Company Name
Website
Phone
New York
Mineola
Nanuet
New Paltz
New Rochelle
New York
New York
Pine Bush
Staten Island
Denver
Thomas Cestare
Dynamic Productions
Stark Lighting & Generator
Tri-state Electric
CSI Rentals
RGH Productions
Pine Bush Equipment
Goblin Lighting Services
Cooke Rentals
www.thomascestareinc.com
www.dynamic-prod.com
www.starklighting.com
www.tri-state-electric.com
www.csirentals.com
www.rghlighting.com
www.pbeinc.com
www.goblininc.com
www.cookerentals.com
(516) 742-5550
(845) 624-5101
(347) 538-6501
(866) 947-3252
(212) 243-7368
(212) 947-4749
(845) 744-2006
(718) 447-7157
(704) 483-2722
Wilmington
Ray
Gregory Poole Equipment
NOV Portable Power
www.gregorypoole.com
www.Nov.com/portablepower
(888) 646-7368
(701) 339-8870
Massillon
Oklahoma City
Portland
Havertown
Pittsburgh
HydroThrift
Toucan Productions
Peterson Caterpillar
Gaffer Baron
Air Conditioner Rental And
Leasing
High Output - Providence
All Occasions Party
www.hydrothrift.com
www.toucanlighting.com
www.petersoncat.com
www.gafferbaron.com
www.acrental.com
(330) 837-5141
(405) 943-9036
(503) 288-6411
(610) 449-6550
(800) 581-4844
www.es-cat.com
www.highoutputrhodeisland.com
www.alloccasionsparty.com
(888) 296-4492
(401) 521-0676
(843) 554-6334
High Output - Charleston
Neff Rental
Paladin Equipment Rentals
Rathbone Energy
Cine Power Systems
Smoky Mountain Grip &
Lighting
Citation Film & Tape Support
R & R Lighting
Regenerators Manufacturing
Juice Goose/Whitenton
Industries
MC Lighting & Production
Services
Whitenton Industries
Panavision - Dallas
Burrell Enterprises
LitePOWER
Aggreko
NRG Systems
Pacific Grip & Lighting Seattle
Kohler Event Services
www.highoutputcharleston.com
www.neffrental.com
www.rathboneenergy.com
www.cinepowersystems.com
www.smokymtngrip.com
(843) 722-3600
(843) 760-6333
(843) 819-6401
(800) 223-1775
(615) 521-6857
(865) 947-5483
www.citationsupport.com
www.es-cat.com
www.texasgenerators.com
www.regenerators.com
www.juicegoose.com
(615) 298-5252
(214) 638-1400
(214) 341-3222
(972) 552-3944
(713) 772-1404
www.mclighting.com
(713) 723-1393
www.juicegoose.com
www.panavision.com
www.litepower.com
www.litepower.com
www.aggreko.com
www.nrgsystems.com
www.pacific-grip.com
(713) 772-1404
(972) 929-8585
(972) 475-8111
(972) 475-8111
(281) 298-9151
(802) 482-2255
(206) 622-8540
(888) 769-3794
Courtesy of
State
North
Carolina
North
Dakota
Ohio
Oklahoma
Oregon
Pennsylvania
Rhode Island North Kingstown
Providence
South
Charleston
Carolina
Charleston
Charleston
Charleston
Tennessee
Dandridge
Franklin
Knoxville
Nashville
Dallas
Dallas
Forney
Houston
Texas
Houston
Wisconsin
Sheboygan
Vermont
Washington
Houston
Irving
Rowlett
Rowlett
Spring
Hinesburg
Seattle
190
Courtesy of
Generators* — Alphabetical Listing
COMPANY Name
City
State
Website
Phone
Abbey Rent-All
AC Power Distribution
Ace Rentals and Staging
Aggreko – Texas
Aggreko, Inc. – Louisiana
Air Conditioner Rental and Leasing
All Occasions Party
Americas Generators
Andrus Lighting and Grip
Annapolis Mobile Power Services
Atlas Sales & Rentals
Available Light
Available Lighting
Broadway Rental Equipment
Burrell Enterprises
Center Staging
Century Studio
Cine Power Systems
Cinema Air
Cinerep International
Citation Film & Tape Support
CK Power Products
CMT
Command
Cooke Rentals
CSI Rentals
Current Events
Dadco
DataPro Systems
Dean Machinery
Digital FX
Dynamic Productions
EmPower
Equipment 4 Rent
Essential Sound Products
Event Power
Event Rental
Filmlites
Fourth Phase
Gaffer Baron
Garrett Sound & Lighting
Goblin Lighting Services
Gregory Poole Equipment
Gull Wing Industries
H & E Equipment Services
H.O. Penn Machinery
Hertz Energy Services
High Output - Boston
Bayside
Burbank
Long Island City
Spring
Kenner
Pittsburgh
Charleston
Miami
San Diego
Centreville
Newark
Long Island City
New Orleans
Brooklyn Park
Rowlett
Compton
Orlando
St. Augustine
Kenilworth
North Kingstown
Dallas
Harvey
Culver City
Franklin
Simi Valley
Chatsworth
Nashville
St. Louis
Hamilton
Clearwater
Denver
San Francisco
New York
St. Louis
Sun Valley
Orlando
Kansas City
Baton Rouge
Nanuet
Dania
West Bridgewater
Rochester
North Little Rock
Hammond
Bozeman
Las Vegas
Havertown
Fort Lauderdale
Staten Island
Wilmington
Alta
Tucson
Holtsville
Atlanta
Canton
New York
California
New York
Texas
Louisiana
Pennsylvania
South Carolina
Florida
California
Maryland
California
New York
Louisiana
Minnesota
Texas
California
Florida
Florida
New Jersey
Rhode Island
Texas
Louisiana
California
Tennessee
California
California
Tennessee
Missouri
Massachusetts
Florida
North Carolina
California
New York
Missouri
California
Florida
Missouri
Louisiana
New York
Florida
Massachusetts
Michigan
Arkansas
Louisiana
Montana
Nevada
Pennsylvania
Florida
New York
North Carolina
Iowa
Arizona
New York
Georgia
Massachusetts
www.abbeyrent.com
www.acpowerdistribution.com
www.acerentals.com
www.aggreko.com
www.aggreko.com
www.acrental.com
www.alloccasionsparty.com
www.gopower.com
www.andruslighting.com
www.annapolismobilepower.com
www.atlassales.com
www.alny.net
www.availablelighting.com
www.broadwayrental.com
www.litepower.com
www.es-cat.com
www.es-cat.com
www.es-cat.com
www.es-cat.com
www.es-cat.com
www.es-cat.com
www.centerstaging.net
www.centurystudio.com
www.cinepowersystems.com
www.cinemaair.com
www.cinerepamps.com
www.citationsupport.com
www.ckpower.com
www.habitatmonitor.com
www.cmnd.com
www.cookerentals.com
www.crescorent.com
www.csirentals.com
www.watts-on-wheels.com
www.dadcopowerandlights.com
www.dataprosystems.com
www.deancat.com
www.digitalfx.tv
www.dynamic-prod.com
www.empowergenerators.com
www.equipment4rent.net
www.essentialsound.com
www.eventpowerpro.com
www.neworleansevent.com
www.filmlitesmt.com
www.prg.com
www.gafferbaron.com
www.garrettsound.com
www.goblininc.com
www.gregorypoole.com
www.gull-wing.com
www.he-equipment.com
www.hopenn.com
www.hertzequip.com
www.highoutput.com
(718) 428-0400
(818) 848-4004
(718) 943-0840
(281) 298-9151
(504) 461-0556
(800) 581-4844
(843) 554-6334
(305) 592-6800
(619) 521-0585
(410) 758-0450
(800) 972-6600
(718) 707-9670
(504) 831-5214
(763) 533-1680
(972) 475-8111
(310) 631-7700
(407) 855-6195
(904) 737-7730
(908) 272-8400
(888) 296-4492
(214) 638-1400
(504) 247-0020
(310) 287-3600
(615) 521-6857
(805) 732-6517
(818) 882-2677
(615) 298-5252
(314) 868-8620
(978) 768-2555
(727) 724-1220
(704) 483-2722
(415) 920-2801
(212) 243-7368
(314) 204-5119
(818) 768-8886
(407) 292-4282
(816) 200-5470
(888) 898-6010
(845) 624-5101
(866) 751-9644
(508) 583-5500
(248) 375-2655
(501) 351-5837
(504) 362-8368
(406) 587-0226
(702) 942-4572
(610) 449-6550
(954) 777-3277
(718) 447-7157
(888) 646-7368
(800) 838-1482
(520) 770-1120
(631) 654-4400
(678) 848-5996
(781) 364-1800
194
Courtesy of
Generators* — H-R
COMPANY Name
City
State
Website
Phone
High Output - Providence
High Output - Charleston
Hollywood Honeywagon &
Production Vehicles
Hollywood Rentals Production
Services - Orlando
HydroThrift
IIS Group Optimum Power &
Environment
Immedia
Juice Goose/Whitenton Industries
Koch Creative Enterprises
Kohler Event Services - Maryland
Kohler Event Services - Wisconsin
La Brea Air
Laark Honeywagons
Lex Products
Lights On Kansas City
LitePOWER
Location Air
MAGIC II Lighting and Grip
MC Lighting & Production Services
Megawattage
Mike Van Dine Power & Light
Mobile Power & Air
Multiquip
Munters - MCS Headquarters
Musco Lighting
Neff Rental
Nola Film Logistics
Norco Equipment Rentals
Northern Lighting & Power
Northern Lights Marine Generators
NOV Portable Power
NRG Systems
On Site Energy
Pacific Grip & Lighting - Seattle
Paladin Equipment Rentals
Panavision - Dallas
PC&E (Production Consultants &
Equipment)
Peterson Caterpillar
Pine Bush Equipment
Pratt Audio - Visual & Video
Prime Light
Pro AV Source
Production Power & Air
Production Services & Systems
Production Toolbox Services
R & R Lighting
Rathbone Energy
Reel - Men
Regenerators Manufacturing
RGH Productions
Risco
Ross SysCon
Providence
Charleston
North Hollywood
Rhode Island
South Carolina
California
www.highoutputrhodeisland.com
www.highoutputcharleston.com
www.hollywoodhoneywagon.com
(401) 521-0676
(843) 722-3600
(818) 763-1966
Orlando
Florida
www.hollywoodrentals.com
(407) 354-2555
Massillon
Deerfield Beach
Ohio
Florida
www.hydrothrift.com
www.optimumpower.com
(330) 837-5141
(954) 421-2828
San Fernando
Worcester
Houston
Carmel
Severn
Sheboygan
Culver City
Mena
Stamford
Kansas City
Rowlett
Cerritos
Miami
Houston
Miami
Alameda
Miami
Carson
Amesbury
Oskaloosa
Charleston
New Orleans
Norco
Schiller Park
Anchorage
Ray
Hinesburg
Hicksville
Seattle
Charleston
Irving
Atlanta
California
Massachusetts
Texas
Indiana
Maryland
Wisconsin
California
Arkansas
Connecticut
Kansas
Texas
California
Florida
Texas
Florida
California
Florida
California
Massachusetts
Iowa
South Carolina
Louisiana
California
Illinois
Alaska
North Dakota
Vermont
New York
Washington
South Carolina
Texas
Georgia
www.illuminationdynamics.com
www.immedia1.com
www.juicegoose.com
www.panavision.com
www.pce-atlanta.com
(818) 686-6400
(508) 791-3366
(713) 772-1404
(317) 846-3443
(866) 732-8734
(888) 769-3794
(800) 452-2732
(818) 516-6474
(818) 768-4474
(913) 362-6940
(972) 475-8111
(855) 444-4757
(305) 685-1811
(713) 723-1393
(954) 302-3565
(510) 749-9475
(305) 235-9188
(800) 421-1244
(800) 686-8377
(800) 825-6030
(843) 760-6333
(504) 309-6612
(951) 371-1231
(847) 671-9695
(907) 562-2222
(701) 339-8870
(802) 482-2255
(800) RENTAL1
(206) 622-8540
(843) 819-6401
(972) 929-8585
(404) 609-9001
Portland
Pine Bush
Des Moines
Overland Park
Brooklyn
Fort Lauderdale
Tampa
Fort Lauderdale
Dallas
Dandridge
Phoenix
Forney
New York
Atlantic Highlands
Savannah
Oregon
New York
Iowa
Kansas
New York
Florida
Florida
Florida
Texas
Tennessee
Arizona
Texas
New York
New Jersey
Georgia
www.petersoncat.com
www.pbeinc.com
www.prattav.com
www.paddock.com/primelight
www.proavrentals.net
www.productionpowerandair.com
www.psstampa.com
www.productiontoolbox.com
www.texasgenerators.com
www.rathboneenergy.com
www.reelmeninc.com
www.regenerators.com
www.rghlighting.com
www.riscorv.com
www.rosssyscon.com
(503) 288-6411
(845) 744-2006
(515) 280-9800
(913) 226-0849
(800) 884-0653
(954) 739-2468
(813) 354-1913
(954) 463-4820
(214) 341-3222
(800) 223-1775
(602) 286-6800
(972) 552-3944
(212) 947-4749
(732) 872-7722
(912) 238-5800
www.labrearentals.com
www.laarkhoneywagons.com
www.lexproducts.com
www.lightson.com
www.litepower.com
www.locationair.tv
www.magic2lighting.com
www.mclighting.com
www.megawattage.com
www.powerlight.net
www.aparty4less.com
www.multiquip.com
www.munters.com
www.musco.com
www.neffrental.com
www.nolafl.com
www.norcoequipmentrentals.com
www.northernlightingandpower.com
www.northern-lights.com
www.Nov.com/portablepower
www.nrgsystems.com
www.onsite-energy.com
www.pacific-grip.com
196
COMPANY Name
City
State
Website
Phone
RSC Rental Service
Santa Clarita Movie Ranch
SBP Industries
ScreenLight & Grip
Serious Grippage & Light
Sidram Power
Silver Screen Supply
Silvertrucks Lighting
Smoky Mountain Grip & Lighting
SMS Generators
SolarAlaska
Sound Lighting F/X
Star Power Generators
Stark Lighting & Generator
Studio Air Conditioning Rentals
Sunbelt Rentals
Temp Power Systems
Thermalogic
Thomas Cestare
Toolmaster Hawaii
Top Productions
TOPP Portable Air
Toucan Productions
Tri-state Electric
Unique Producers Service
United Rentals - Brooklyn
United Rentals - Burbank
United Rentals - Phoenix
United Rentals - Reno
W.A. Benjamin Electric
Walker Miller Equipment
Washington Source for Lighting
Wavelength Generators
Westside Production Services
Whitenton Industries
Ziegler Power Systems
Scottsdale
Santa Clarita
South Plainfield
Dedham
Santa Fe
Hollywood
New Orleans
Long Island City
Knoxville
Chatsworth
Fairbanks
Mesa
North Hollywood
New Paltz
Calabasas
Maple Shade
Placentia
Hudson
Mineola
Lihue
Sausalito
Beltsville
Oklahoma City
New Rochelle
Miami
Brooklyn
Burbank
Phoenix
Reno
Los Angeles
Orlando
Hyattsville
Atlanta
Marina del Rey
Houston
Shakopee
Arizona
California
New Jersey
Massachusetts
New Mexico
Florida
Louisiana
New York
Tennessee
California
Alaska
Arizona
California
New York
California
New Jersey
California
Massachusetts
New York
Hawaii
California
Maryland
Oklahoma
New York
Florida
New York
California
Arizona
Nevada
California
Florida
Maryland
Georgia
California
Texas
Minnesota
www.rscrental.com
www.santaclaritamovieranch.com
www.sbp4juice.com
www.screenlightandgrip.com
www.seriousgrippage.com
www.sidrampower.com
www.silverscreensupplies.com
www.silvercupstudios.com
www.smokymtngrip.com
www.smsgenerators.com
www.solaralaska.com
www.soundlightingfx.com
www.starpowergenerators.com
www.starklighting.com
www.studioairconditioning.com
www.sunbeltrentals.com
www.temppower.com
www.thermalogic.com
www.thomascestareinc.com
www.toolmasterhawaii.com
www.top-productions.com
www.spotcool.com
www.toucanlighting.com
www.tri-state-electric.com
www.uniqueproducers.com
www.ur.com
www.ur.com
www.ur.com
www.ur.com
www.benjaminelectric.com
www.walkermiller.com
www.thewashingtonsource.com
www.wavelengthgenerators.com
(480) 905-3300
(661) 268-1891
(908) 412-8630
(781) 326-5088
(505) 473-1566
(954) 989-8898
(504) 737-0555
(718) 906-2000
(865) 947-5483
(818) 361-2151
(907) 235-6842
(602) 722-0783
(818) 982-2200
(347) 538-6501
(818) 222-4143
(856) 779-2772
(714) 223-5600
(800) 343-4492
(516) 742-5550
(808) 246-1000
(415) 332-3005
(800) 892-8677
(405) 943-9036
(866) 947-3252
(305) 681-7627
(718) 456-8546
(818) 842-5288
(602) 273-7401
(775) 789-6000
(213) 749-7731
(407) 299-2620
(301) 779-8185
(404) 687-9511
(310) 244-2700
(713) 772-1404
(612) 445-4292
www.juicegoose.com
www.zieglerinc.com
Courtesy of
Generators* — R-Z
198
Remote Production Units* — Regional
State
Courtesy of
Alabama
Alaska
Arizona
Arkansas
California
City
Company Name
Website
Phone
Alabaster
Productions
Control 1 Communications
Corredo Media Solutions
Dan Black Studios
AVS Media Group
Alaska Mobile Productions
Cox Creative Studios
Skyline Productions
Alliance Productions
Hailstone Creek Productions
Jones Mobile Television
Clark’s Video Group
Apache Rental Group
Pacifico Television Engineering
Touring Video
Coastal Media Group
Cinerep Amps
E-N-G Mobile Systems
21 Lakes Media Group
Mojave Film Services
Cinelease
Digital Media Group
J-Lab Company
UniSat: Universal Satellite
Communications
PACSAT
SWATV Entertainment
Brickley Production Services
Global Link Productions
South Valley Mobile Television
Buboosky
Mobeon
PSSI Global Services - Strategic
Television
Total New Technology
Schulman Mobile Video
CENTRO NET Productions
VTR Specialists
Sweetwater Digital Productions
VideoWorks
Mobile TV Group
Production Services International
Slipstream Media
Yellow Gal High Definition
(YGHD)
Conover Production Services
Fountainhead Production
(205) 663-4411
www.control1comm.com
www.coxcreativestudios.com
www.skylinevideo.com
www.allianceproductions.com
www.hailstonecreek.com
www.jmtv.com
www.clarksvideogroup.com
www.apacherentalgroup.com
(205) 706-9524
(251) 533-5433
(334) 279-6036
(251) 621-1200
(907) 762-9268
(623) 328-4778
(480) 345-8009
(501) 219-2653
(501) 371-9515
(501) 376-1993
(479) 636-7111
(818) 842-9944
www.pacificobroadcast.com
(818) 566-9706
www.touringvideo.com
www.coastalmediagroup.com
www.cinerepamps.com
www.e-n-g.com
www.21lakes.com
www.cinelease.com
www.digitalmedia.tv
www.j-lab.com
(818) 504-3500
(818) 880-9800
(818) 882-2677
(800) 662-4522
(951) 278-4151
(760) 799-4414
(818) 841-8282
(818) 974-4000
(310) 457-4090
www.unisatmobile.com
(562) 483-4800
www.pacsat.com
(800) 672-2728
www.sdtv.com
(619) 293-7777
www.swatv.com
www.brickley.com
www.crescorent.com
www.globalinktv.com
www.southvalleymobiletelevision.com
www.buboosky.com
www.mobeon.com
(619) 746-2390
(415) 864-6600
(415) 920-2801
(408) 465-2787
(408) 230-5694
(661) 510-7650
(888) 789-2463
www.pssiglobal.com
(310) 575-4400
www.totalnewtechnology.com
www.schulmanmv.com
www.centronetproductions.com
www.vtrspecialists.com
(866) 383-6828
(323) 785-2528
(310) 237-5653
(707) 453-1343
www.svptv.com
(818) 902-9500
www.videowks.com
www.mobiletvgroup.com
(626) 338-4820
(303) 542-5555
www.psiiusa.com
(303) 757-8400
www.ssmediatv.com
(303) 353-9425
www.yghdtv.com
(720) 255-1640
www.conover.net
www.fountainhd.net
(203) 877-5427
(860) 658-4838
Jemison
Mobile
Montgomery
Spanish Fort
Anchorage
Phoenix
Phoenix
Little Rock
Little Rock
North Little Rock
Rogers
Burbank
Burbank
Burbank
Calabasas
Chatsworth
Concord
Diamond Bar
Joshua Tree
Los Angeles
Los Angeles
Malibu
Norwalk
Sacramento
San Diego
San Diego
San Francisco
San Francisco
San Jose
San Martin
Santa Clarita
Santa Monica
Sherman Oaks
Stockton
Sunland
Torrance
Vacaville
Van Nuys
Colorado
West Covina
Denver
Denver
Englewood
Englewood
Connecticut
Milford
Simsbury
www.danblackstudios.com
www.avsmediagroup.com
200
State
City
Company Name
Website
Florida
Boca Raton
Cape Canaveral
Clearwater
Clearwater
Clearwater
Fort Lauderdale
Fort Lauderdale
Fort Lauderdale
Fort Lauderdale
Fort Lauderdale
Jacksonville
Lake Mary
Miami
Mobile Studios
Communications Concepts
F & F Productions
Oshkosh Specialty Vehicles
Digital Comm Link
Global Technical Solutions
Mobile Content Providers
MSR Mobile Stage Rentals
Remote Telecast
HMTV
Skystorm Productions
Christian Media Group
Fireland Productions & Satellite Services
News Edits
Tfactor Mobile Television
Encanta Productions
Mirikesh Production Motorcoach & Trailer
Orbital Communications
TMR Television Mobile
Resources
10-20 Productions
National Teleproductions
KEF Media Associates
Mobile Stage Network Rentals
& Sales
Narrow Path Productions
Turner Studios
Talking Rock Communications
Lightnin’ Production Rentals
Gunner Live
AgoraTV
Keith Nealy Productions
John Guild Communications
Shoot It Live
George Cambra Movie Production Trucks
Big Shoulders Digital Video
Productions
GigRig Chicago
Trio Video
Satellite Technology Systems
Corplex Television
Advanced Mobility Specialty
Vehicles
ScheffTech Productions
HD Roadie Mobile Entertainment
Calutech Mobile Solutions
LeSEA Productions
Lakeshore Productions
CVM Productions
www.mobilestudios.com
www.cciflorida.com
www.fandfproductions.com
www.frontlinecomm.com
www.oshkoshsv.com
www.dclinc.net
Florida
Courtesy of
Remote Production Units* — Regional Listing
Miami
Miami
Miami
Miami Beach
Miami Beach
Orlando
Orlando
Georgia
Tampa
West Palm Beach
Atlanta
Atlanta
Atlanta
Hawaii
Atlanta
Atlanta
Jasper
Lawrenceville
Lilburn
Marietta
Hawi
Honolulu
Honolulu
Kapolei
Illinois
Chicago
Chicago
Chicago
Crystal Lake
Lake Bluff
Monee
Peoria
St. Charles
Indiana
Hammond
Indianapolis
Merrillville
Mishawaka
Phone
www.mcp-media.com
www.mobilestagerentals.com
www.remotetelecast.tv
www.televisiontrucks.com
www.skystorm.com
www.cmgshows.com
(877) 777-7147
(321) 783-5232
(727) 530-5000
(727) 573-0400
(727) 573-0400
(877) 532-5438
(954) 583-8001
(954) 895-8061
(877) 882-8889
(209) 534-9988
(904) 223-0742
(407) 328-4747
(786) 286-4942
www.firelandtv.com
(305) 386-6882
www.newsedits.com
www.tfactor.tv
www.encanta.com
(786) 515-9796
(305) 597-0430
(305) 673-5958
www.mirikesh.com
(786) 295-3969
www.orbitalcom.tv
(800) 682-4364
www.tvmr.com
(407) 737-0046
www.ntpfla.com
www.encompass-m.com
www.kefmedia.com
(813) 300-4221
(561) 689-9271
(800) 243-1995
(404) 605-0009
www.mobilestagenetwork.com
(516) 882-5412
www.narrowpath.tv
www.talkingrockcommunications.com
www.lightnin.net
www.gunnerlive.com
www.agoratv.tv
www.keithnealy.com
www.john-guild.com
www.shootitlive.tv
(770) 704-8000
(404) 885-4876
(706) 692-6450
(770) 963-1234
(678) 313-6001
(678) 581-3750
(808) 882-7772
(808) 596-2211
(808) 371-3023
(808) 845-1546
www.bigshoulders.com
(312) 540-5400
www.gigrigchicago.com
www.triovideo.com
www.stslivetv.com
www.corplex.tv
(312) 666-9900
(312) 421-7060
(800) 838-1472
(888) 673-5400
www.amstcorp.com
(708) 235-2800
www.schefftech.com
(309) 524-5865
www.hdroadie.com
(630) 918-7000
www.kytrailer.com
www.whmbtv.com
www.lakeshoreproduction.com
www.cvmproductions.com
(219) 845-1695
(317) 773-5050
(219) 756-5656
(574) 256-0068
202
Courtesy of
State
City
Company Name
Website
Phone
Kansas
Noblesville
Olathe
www.leseaproductions.com
www.freebirdtv.com
(317) 773-5050
(913) 209-2788
Kentucky
Lexington
www.hammondcg.com
(859) 254-1878
Louisiana
Louisiana
Maine
Baton Rouge
New Orleans
New Orleans
Saco
www.lbp.org
www.satctr.com
www.yesproductions.org
www.cspmobile.com
(225) 767-4220
(504) 915-8244
(800) 736-8812
(207) 375-6052
Maryland
Phoenix
www.sheffieldav.com
(800) 355-6613
www.wolfcoach.com
www.tmcrecycles.com
www.videoportc.com
(978) 568-5100
(508) 580-6701
(508) 485-0300
(413) 478-1745
www.remotefacilities.com
(781) 246-8300
www.scp-media.com
www.ciivideo.com
www.moonlinksat.com
www.commonworld.com
www.ctnstudios.com
(517) 507-0383
(734) 459-3936
(586) 323-9590
(651) 582-0502
(763) 767-6525
www.arcteksat.com
(612) 623-1986
Minneapolis
Branson
Kansas City
Springfield
St. Louis
St. Louis
Las Vegas
Las Vegas
LeSEA Productions
Freebird Communications
Hammond Communications
Group
LPB HD Production Truck
Satellite Center
YES Productions
Sheffield Audio Video
Productions
Wolf Coach
Technology Management
D2 Productions
VideoPort Communications
Remote Facilities Consulting
Services
SCP Media
Cii Productions
Moonlink Satellite
Common World Productions
CTN Studios
Arctek HD Satellite
Productions
RumJungle Media
Mansion Mobile TV
Cashmark Media
TL Mobile Television
Broadcast Biscuit
Spot Media Production Group
CoverEDGE Las Vegas
RentLEDsigns.com
www.rumjungle.com
www.mansionmobile.tv
www.cashmarkmedia.com
www.broadcastbiscuit.com
www.spotmediatransfer.com
www.coveredge.com
www.RentLEDsigns.com
(952) 472-5525
(417) 699-3158
(816) 861-4200
(417) 877-0025
(314) 308-2689
(314) 667-5915
(800) 822NEWS
(888) 920-4485
Hudson
Game Creek Video
(603) 882-5222
Pelham
East Rutherford
Hackensack
Maywood
Ramsey
Voorhees
Wayne
Flushing
Flushing
www.thistlecommunications.net
www.vsg.tv
www.patchamp.com
www.mobilexstream.com
www.nysportsvideos.com
www.broadcastcenterstudios.com
www.visionquestproductions.com
www.interfacetv.com
www.multimedianetworknews.com
(603) 598-5100
(888) 700-4388
(201) 457-1504
(800) 382-2072
(201) 825-7659
(856) 751-3500
(973) 686-9400
(718) 463-8700
(718) 809-7058
www.AdmiralVideo.com
(716) 651-9900
New City
New York
New York
Port Washington
Warwick
West Babylon
Thistle Communications
Venue Services Group
Patchamp
NE Productions
Jim Houston Productions
Broadcast Center Studios
Vision Quest Productions
Interface Communications
Multi Media Network News
Admiral Video Mobile
Productions
Flight 9 Satellite Services
All Mobile Video
KoKo - Baz Video & Film
ADM Productions
Centrex Communications
Village Video News
www.flight9.com
www.allmobilevideo.com
www.kokobaz.com
www.admproductions.com
www.centrexcom.com
www.vvn.com
(888) 354-4489
(212) 586-8616
(212) 674-6601
(516) 484-6900
(845) 987-1666
(631) 752-9311
North
Carolina
Apex
RMG Satellite Productions
www.rmgsat.com
(919) 363-3645
Ohio
Charlotte
Winston Salem
Columbus
Paradigm Broadcast Services
Spevco
Lyon Video
www.paradigmbroadcast.com
www.spevco.com
www.lyonvideo.com
(704) 995-9600
(336) 924-8100
(614) 297-0001
Massachusetts Auburn
Avon
Marlborough
Springfield
Wakefield
Michigan
Minnesota
Lansing
Plymouth
Sterling Heights
Arden Hills
Coon Rapids
Minneapolis
Missouri
Nevada
New
Hampshire
New Jersey
New York
Lancaster
204
Courtesy of
State
City
Company Name
Website
Phone
www.remoteriley.com
www.custommobileproducts.com
www.firstcalluplinks.com
www.tvmobile.net
www.gerlinggroup.com
www.alliedbroadcastgroup.com
www.winnercomm.com
www.miramobile.com
www.broadcastassociates.com
www.invica.net
www.mediamadeeasy.com
(614) 864-7900
(440) 779-2740
(800) 951-6707
(740) 965-5727
(740) 965-2888
(567) 644-4847
(918) 250-5353
(918) 254-4701
(918) 496-1900
(503) 464-0900
(610) 754-6800
(717) 577-6601
(877) 860-5255
www.pmtv.com
(610) 768-1770
Lancaster
Allentown
Philadelphia
Pittsburgh
Pittsburgh
West Chester
Mobile Production Services
Custom Mobile Products
First Call UPLinks
Bennett Systems
Shawn Snider Studios
Allied Broadcast Group
LeSEA Productions
Winnercomm
J A Taylor & Associates
Invica
Media Solutions
PMTV - Producers Management TeleVision
Proviaus
New Century Productions
NEP Broadcasting
Viewpoint Production Services
CCI Communications
www.proviaus.com
www.nepinc.com/welcome/ncp
www.tpsweb.com
www.nepinc.com
www.viewpoint.tv
www.ccivideo.com
(717) 842-0440
(610) 798-4014
(888) 877-1178
(800) 444-0054
(800) 820-0402
(610) 296-7233
Myrtle Beach
Satellite Papa
www.satellitepapa.com
(843) 333-5963
Goodlettsville
Hendersonville
Hendersonville
Memphis
Murfreesboro
Argyle
Austin
Beaumont
Dallas
Dallas
Video One Productions
Camp Digital
Stokes Production Services
KNO Productions
Tennessee Digital Video
GoVision
Earl Miller Productions
Bounce Multimedia
Texas TV Trucks
Tricam Video Productions
Advanced Containment
Systems
Shook Mobile Technology
TriVan Truck Body Texas
Videolines Mobile Television
Colonial Williamsburg Productions
Jonas Jensen Studios
www.vopinc.com
www.campdigital.net
www.stokesvideo.com
www.knoproductions.com
www.tndv.com
www.jumbo.tv
www.earlmillerproductions.com
www.bouncemultimedia.com
www.TexasTVTrucks.com
www.tricamvideo.com
(615) 859-1521
(615) 826-0122
(615) 822-6500
(901) 729-8770
(615) 585-6528
(940) 464-2320
(512) 458-4343
(409) 860-5551
(972) 570-1118
(817) 909-4137
www.acsi-us.com
(713) 987-0336
www.shook-usa.com
www.trivan.com
www.videolinesmobiletv.com
(281) 738-2329
(210) 651-5700
(866) 874-8261
(801) 580-9474
www.history.org/productions
(757) 220-7143
www.jonasjensen.com
www.psninc.com
(800) 776-5554
(206) 463-1902
(206) 542-1154
Locked On Communications
www.locked-on.net
(410) 923-2979
Columbus
North Olmsted
Poland
Sunbury
Sunbury
Troy
Oklahoma
Broken Arrow
Tulsa
Tulsa
Oregon
Wilsonville
Pennsylvania Boyertown
Harrisburg
Harrisburg
King Of Prussia
South
Carolina
Tennessee
Texas
Houston
Virginia
Williamsburg
Washington
Auburn
Seattle
Seattle
Utah
Humble
Schertz
Waco
Sandy
Washington,
DC
Wisconsin
Waunakee
Token Creek Mobile Television www.tokencreek.com
(608) 849-4965
206
Courtesy of
Remote Production Units* — Alpha
COMPANY Name
City
State
10-20 Productions
21 Lakes Media Group
ADM Productions
Admiral Video Mobile Productions
Advanced Containment Systems
Advanced Mobility Specialty Vehicles
AgoraTV
Alaska Mobile Productions
All Mobile Video
Allied Broadcast Group
Apache Rental Group
Arctek HD Satellite Productions
AVS Media Group
Bennett Systems
Big Shoulders Digital Video Productions
Bounce Multimedia
Brickley Production Services
Broadcast Biscuit
Broadcast Center Studios
Buboosky
Calutech Mobile Solutions
Camp Digital
Cashmark Media
CCI Communications
CENTRO NET Productions
Christian Media Group
Cii Productions
Cinelease
Cinerep Amps
Clark’s Video Group
Coastal Media Group
Common World Productions
Communications Concepts
Conover Production Services
Corplex Television
Corredo Media Solutions
CoverEDGE Las Vegas
Cox Creative Studios
Crosscreek Television Productions
CTN Studios
CVM Productions
D2 Productions
Dan Black Studios
Digital Comm Link
Digital Media Group
Earl Miller Productions
Tampa
Diamond Bar
Port Washington
Lancaster
Houston
Monee
Marietta
Anchorage
New York
Little Rock
Broken Arrow
Burbank
Minneapolis
Spanish Fort
Sunbury
Chicago
Beaumont
San Francisco
St. Louis
Voorhees
Santa Clarita
Hammond
Hendersonville
Kansas City
West Chester
Warwick
Torrance
Miami
Plymouth
Los Angeles
Chatsworth
Rogers
Calabasas
Williamsburg
Arden Hills
Cape Canaveral
Milford
Jemison
Lake Bluff
Mobile
Las Vegas
Phoenix
San Francisco
Alabaster
Saco
Coon Rapids
North Olmsted
Mishawaka
Marlborough
Montgomery
Fort Lauderdale
Los Angeles
Humble
Concord
Austin
Florida
California
New York
New York
Texas
Illinois
Georgia
Alaska
New York
Arkansas
Oklahoma
California
Minnesota
Alabama
Ohio
Illinois
Texas
California
Missouri
New Jersey
California
Indiana
Tennessee
Missouri
Pennsylvania
New York
California
Florida
Michigan
California
California
Arkansas
California
Virginia
Minnesota
Florida
Connecticut
Alabama
Illinois
Alabama
Nevada
Arizona
California
Alabama
Maine
Minnesota
Ohio
Indiana
Massachusetts
Alabama
Florida
California
Texas
California
Texas
Website
www.21lakes.com
www.admproductions.com
www.AdmiralVideo.com
www.acsi-us.com
www.amstcorp.com
www.agoratv.tv
www.allianceproductions.com
www.alliedbroadcastgroup.com
www.apacherentalgroup.com
www.arcteksat.com
www.avsmediagroup.com
www.tvmobile.net
www.bigshoulders.com
www.bouncemultimedia.com
www.brickley.com
www.broadcastbiscuit.com
www.broadcastcenterstudios.com
www.buboosky.com
www.kytrailer.com
www.campdigital.net
www.cashmarkmedia.com
www.ccivideo.com
www.centrexcom.com
www.centronetproductions.com
www.cmgshows.com
www.ciivideo.com
www.cinelease.com
www.cinerepamps.com
www.clarksvideogroup.com
www.coastalmediagroup.com
www.commonworld.com
www.cciflorida.com
www.conover.net
www.corplex.tv
www.coveredge.com
www.coxcreativestudios.com
www.crescorent.com
www.cspmobile.com
www.ctnstudios.com
www.cvmproductions.com
www.dclinc.net
www.digitalmedia.tv
wwww.digitalnetworkassociates.com
www.e-n-g.com
www.earlmillerproductions.com
Phone
(813) 300-4221
(951) 278-4151
(516) 484-6900
(716) 651-9900
(713) 987-0336
(708) 235-2800
(678) 581-3750
(907) 762-9268
(212) 586-8616
(501) 219-2653
(918) 250-5353
(818) 842-9944
(612) 623-1986
(251) 621-1200
(740) 965-5727
(312) 540-5400
(409) 860-5551
(415) 864-6600
(314) 308-2689
(856) 751-3500
(661) 510-7650
(219) 845-1695
(615) 826-0122
(816) 861-4200
(610) 296-7233
(845) 987-1666
(310) 237-5653
(786) 286-4942
(734) 459-3936
(818) 841-8282
(818) 882-2677
(479) 636-7111
(818) 880-9800
(757) 220-7143
(651) 582-0502
(321) 783-5232
(203) 877-5427
(205) 706-9524
(888) 673-5400
(251) 533-5433
(800) 822-NEWS
(623) 328-4778
(415) 920-2801
(205) 663-4411
(207) 375-6052
(763) 767-6525
(440) 779-2740
(574) 256-0068
(508) 485-0300
(334) 279-6036
(877) 532-5438
(818) 974-4000
(281) 738-2329
(800) 662-4522
(512) 458-4343
208
Courtesy of
Remote Production Units* — E-M
COMPANY Name
City
State
Website
Phone
Encanta Productions
F & F Productions
Fireland Productions & Satellite Services
First Call UPLinks
Fountainhead Production
Freebird Communications
Game Creek Video
George Cambra Movie Production Trucks
GigRig Chicago
Global Technical Solutions
GoVision
Gunner Live
Hailstone Creek Productions
Hammond Communications Group
HD Roadie Mobile Entertainment
HMTV
Invica
J-Lab Company
Jim Houston Productions
John Guild Communications
Jonas Jensen Studios
Jones Mobile Television
KEF Media Associates
Keith Nealy Productions
KNO Productions
KoKo - Baz Video & Film
LeSEA Productions
LeSEA Productions
LeSEA Productions
Lightnin’ Production Rentals
Locked On Communications
LPB HD Production Truck
Lyon Video
Mansion Mobile TV
Media Solutions
Mirikesh Production Motorcoach &
Trailer
Mobeon
Mobile Content Providers
Mobile Production Services
Mobile Stage Network Rentals & Sales
Mobile Studios
Mobile TV Group
Mojave Film Services
Moonlink Satellite.
MSR Mobile Stage Rentals
Miami Beach
Atlanta
Clearwater
Miami
Poland
New City
Simsbury
Olathe
Clearwater
Hudson
Kapolei
Sunbury
Chicago
San Jose
Fort Lauderdale
Argyle
Lilburn
Little Rock
Lexington
St. Charles
Jacksonville
Flushing
Harrisburg
Boyertown
Malibu
Ramsey
Honolulu
Auburn
North Little Rock
Atlanta
Hawi
Memphis
New York
Merrillville
Seattle
Indianapolis
Noblesville
Tulsa
Lawrenceville
Washington, DC
Baton Rouge
Columbus
Branson
Harrisburg
Wilsonville
Florida
Georgia
Florida
Florida
Ohio
New York
Connecticut
Kansas
Florida
New Hampshire
Hawaii
Ohio
Illinois
California
Florida
Texas
Georgia
Arkansas
Kentucky
Illinois
Florida
New York
Pennsylvania
Pennsylvania
California
New Jersey
Hawaii
Washington
Arkansas
Georgia
Hawaii
Tennessee
New York
Indiana
Washington
Indiana
Indiana
Oklahoma
Georgia
www.encanta.com
www.encompass-m.com
www.firelandtv.com
www.flight9.com
www.fountainhd.net
www.freebirdtv.com
Louisiana
Ohio
Missouri
Pennsylvania
Oregon
www.jumbo.tv
www.gunnerlive.com
www.hailstonecreek.com
www.hammondcg.com
www.hdroadie.com
www.televisiontrucks.com
www.interfacetv.com
www.invica.net
www.j-lab.com
www.nysportsvideos.com
www.john-guild.com
www.jonasjensen.com
www.jmtv.com
www.kefmedia.com
www.keithnealy.com
www.knoproductions.com
www.kokobaz.com
www.whmbtv.com
www.lightnin.net
www.locked-on.net
www.lbp.org
www.lyonvideo.com
www.mansionmobile.tv
www.miramobile.com
(305) 673-5958
(800) 243-1995
(727) 530-5000
(305) 386-6882
(800) 951-6707
(888) 354-4489
(860) 658-4838
(913) 209-2788
(727) 573-0400
(603) 882-5222
(808) 845-1546
(740) 965-2888
(312) 666-9900
(408) 465-2787
(954) 583-8001
(940) 464-2320
(678) 313-6001
(501) 371-9515
(859) 254-1878
(630) 918-7000
(904) 223-0742
(718) 463-8700
(717) 577-6601
(610) 754-6800
(310) 457-4090
(201) 825-7659
(808) 596-2211
(800) 776-5554
(501) 376-1993
(404) 605-0009
(808) 882-7772
(901) 729-8770
(212) 674-6601
(219) 756-5656
(206) 463-1902
(317) 773-5050
(317) 773-5050
(918) 254-4701
(770) 963-1234
(410) 923-2979
(225) 767-4220
(614) 297-0001
(417) 699-3158
(877) 860-5255
(503) 464-0900
Miami Beach
Florida
www.mirikesh.com
(786) 295-3969
Santa Monica
Fort Lauderdale
Columbus
Atlanta
Boca Raton
Denver
Joshua Tree
Sterling Heights
Fort Lauderdale
California
Florida
Ohio
Georgia
Florida
Colorado
California
Michigan
Florida
www.mobeon.com
www.mcp-media.com
www.remoteriley.com
www.mobilestagenetwork.com
www.mobilestudios.com
www.mobiletvgroup.com
(888) 789-2463
(954) 895-8061
(614) 864-7900
(516) 882-5412
(877) 777-7147
(303) 542-5555
(760) 799-4414
(586) 323-9590
(877) 882-8889
www.gigrigchicago.com
www.globalinktv.com
www.moonlinksat.com
www.mobilestagerentals.com
210
Courtesy of
Remote Production Units* — M-T
COMPANY Name
City
State
Website
Phone
Multi Media Network News
Narrow Path Productions
National Teleproductions
NE Productions
NEP Broadcasting
New Century Productions
News Edits
Orbital Communications
Oshkosh Specialty Vehicles
Pacifico Television Engineering
PACSAT - California
Paradigm Broadcast Services
Patchamp
PMTV Producers Management TeleVision
Production Services International
Proviaus
PSSI Global Services Strategic Television
Remote Facilities Consulting Services
Remote Telecast
RentLEDsigns.com
RumJungle Media
Satellite Center
Satellite Papa
ScheffTech Productions
SCP Media
Shawn Snider Studios
Sheffield Audio Video Productions
Shoot It Live
Skyline Productions
Skystorm Productions
Slipstream Media
South Valley Mobile Television
Spevco
Spot Media Production Group
Stokes Production Services
SWATV Entertainment
Sweetwater Digital Productions
Technology Management
Tennessee Digital Video
Texas TV Trucks
Tfactor Mobile Television
TL Mobile Television
TMR Television Mobile Resources
Token Creek Mobile Television
Total New Technology
Flushing
Atlanta
West Palm Beach
Maywood
Pittsburgh
Allentown
Miami
Orlando
Clearwater
Burbank
Sacramento
Charlotte
Hackensack
New York
Georgia
Florida
New Jersey
Pennsylvania
Pennsylvania
Florida
Florida
Florida
California
California
North Carolina
New Jersey
www.multimedianetworknews.com
www.narrowpath.tv
www.ntpfla.com
www.mobilexstream.com
www.nepinc.com
www.nepinc.com/welcome/ncp
www.newsedits.com
www.orbitalcom.tv
www.oshkoshsv.com
www.pacificobroadcast.com
www.pacsat.com
www.paradigmbroadcast.com
www.patchamp.com
(718) 809-7058
(770) 704-8000
(561) 689-9271
(800) 382-2072
(800) 444-0054
(610) 798-4014
(786) 515-9796
(800) 682-4364
(727) 573-0400
(818) 566-9706
(800) 672-2728
(704) 995-9600
(201) 457-1504
King Of Prussia
Pennsylvania
www.pmtv.com
(610) 768-1770
Denver
Seattle
Lancaster
Colorado
Washington
Pennsylvania
www.psiiusa.com
www.psninc.com
www.proviaus.com
(303) 757-8400
(206) 542-1154
(717) 842-0440
Sherman Oaks
California
www.pssiglobal.com
(310) 575-4400
Wakefield
Fort Lauderdale
Las Vegas
Apex
Minneapolis
New Orleans
San Diego
Myrtle Beach
Crystal Lake
Peoria
Sunland
Lansing
Troy
Phoenix
Schertz
Honolulu
Phoenix
Lake Mary
Englewood
San Martin
Winston Salem
St. Louis
Hendersonville
San Diego
Van Nuys
Jasper
Avon
Murfreesboro
Dallas
Miami
Pelham
Springfield
Orlando
Waunakee
Stockton
Philadelphia
Massachusetts
Florida
Nevada
North Carolina
Minnesota
Louisiana
California
South Carolina
Illinois
Illinois
California
Michigan
Ohio
Maryland
Texas
Hawaii
Arizona
Florida
Colorado
California
North Carolina
Missouri
Tennessee
California
California
Georgia
Massachusetts
Tennessee
Texas
Florida
New Hampshire
Missouri
Florida
Wisconsin
California
Pennsylvania
www.RentLEDsigns.com
www.rmgsat.com
www.rumjungle.com
www.satctr.com
www.sdtv.com
www.stslivetv.com
www.schefftech.com
www.schulmanmv.com
www.scp-media.com
(781) 246-8300
(209) 534-9988
(888) 920-4485
(919) 363-3645
(952) 472-5525
(504) 915-8244
(619) 293-7777
(843) 333-5963
(800) 838-1472
(309) 524-5865
(323) 785-2528
(517) 507-0383
(567) 644-4847
(800) 355-6613
(210) 651-5700
(808) 371-3023
(480) 345-8009
(407) 328-4747
(303) 353-9425
(408) 230-5694
(336) 924-8100
(314) 667-5915
(615) 822-6500
(619) 746-2390
(818) 902-9500
(706) 692-6450
(508) 580-6701
(615) 585-6528
(972) 570-1118
(305) 597-0430
(603) 598-5100
(417) 877-0025
(407) 737-0046
(608) 849-4965
(866) 383-6828
(888) 877-1178
www.sheffieldav.com
www.shook-usa.com
www.shootitlive.tv
www.skylinevideo.com
www.skystorm.com
www.ssmediatv.com
www.southvalleymobiletelevision.com
www.spevco.com
www.stokesvideo.com
www.swatv.com
www.svptv.com
www.tmcrecycles.com
www.tndv.com
www.tfactor.tv
www.tvmr.com
www.tokencreek.com
www.totalnewtechnology.com
www.tpsweb.com
212
Courtesy of
Remote Production Units* — T-Y
COMPANY Name
City
State
Website
Phone
Touring Video
Tricam Video Productions
Trio Video
TriVan Truck Body Texas
Turner Studios
UniSat:
Universal Satellite Communications
Venue Services Group
Video One Productions
Videolines Mobile Television
VideoPort Communications
VideoWorks
Viewpoint Production Services
Village Video News
VTR Specialists
Winnercomm
Wolf Coach
Yellow Gal High Definition (YGHD)
YES Productions
Burbank
Dallas
Chicago
Waco
Atlanta
California
Texas
Illinois
Texas
Georgia
www.touringvideo.com
www.tricamvideo.com
www.triovideo.com
www.trivan.com
(818) 504-3500
(817) 909-4137
(312) 421-7060
(866) 874-8261
(404) 885-4876
Norwalk
California
www.unisatmobile.com
(562) 483-4800
East Rutherford
Goodlettsville
Sandy
Springfield
West Covina
Pittsburgh
West Babylon
Wayne
Vacaville
Tulsa
Auburn
Englewood
New Orleans
New Jersey
Tennessee
Utah
Massachusetts
California
Pennsylvania
New York
New Jersey
California
Oklahoma
Massachusetts
Colorado
Louisiana
www.vsg.tv
www.vopinc.com
www.videolinesmobiletv.com
www.videoportc.com
www.videowks.com
www.viewpoint.tv
www.vvn.com
www.vtrspecialists.com
www.winnercomm.com
www.wolfcoach.com
www.yghdtv.com
www.yesproductions.org
(888) 700-4388
(615) 859-1521
(801) 580-9474
(413) 478-1745
(626) 338-4820
(800) 820-0402
(631) 752-9311
(973) 686-9400
(707) 453-1343
(918) 496-1900
(978) 568-5100
(720) 255-1640
(800) 736-8812
Satellite Trucks* — Regional Listing
State
City
Company Name
Website
Phone
Alabama
Jemison
Montgomery
(205) 706-9524
(334) 279-6036
Arizona
Chandler
www.atci.net
(480) 844-8501
California
Phoenix
Prescott
Concord
Dan Black Studios
ATCI - Antenna Technology Communications
Crew West
Desert Sky Media
RTM - Remote Transmission
Management
Digital Media Group
Flying Cow Satellite Services
Remote Telecast
TVU Networks
PACSAT - California
Satellite Digital Teleproductions
(S.D.T.V.)
Central Coast Uplink
Broadlogic Network Technologies
Global Link Productions.
Todocast
Anacom
PSSI Global Services - Strategic
Television
Pansat Satellite TV System
Prolink/MSI
Newtec America
Advanced Microwave Components
F & F Productions
Calhoun Satellite Communications
www.crewwestinc.com
www.chamberorganizer.com
www.e-n-g.com
(888) 444-2739
(888) 728-8782
(800) 662-4522
www.rtmhd.com
(866) 786-4389
www.digitalmedia.tv
www.flyingcowsat.com
www.tvupack.com
www.pacsat.com
(818) 561-6798
(310) 372-4759
(209) 534-9988
(650) 969-6732
(800) 672-2728
www.sdtv.com
(619) 293-7777
www.centralcoastuplink.com
www.broadlogic.com
www.globalinktv.com
www.todocast.tv
www.anacominc.com
(831) 325-5271
(408) 452-3300
(408) 465-2787
(949) 655-1036
(408) 519-2062
www.pssiglobal.com
(310) 575-4400
www.pansatusa.com
www.schulmanmv.com
www.prolinkonline.com
www.newtec.be
www.advancedmicrowave.com
www.calhounsat.com
(818) 367-8269
(323) 785-2528
(720) 529-9743
(203) 323-0042
(727) 571-1008
(727) 530-5000
(727) 573-0400
(305) 655-2629
Fresno
Los Angeles
Los Angeles
Modesto
Mountain View
Sacramento
San Diego
San Francisco
San Jose
San Jose
San Juan Capistrano
Santa Clara
Sherman Oaks
Colorado
Connecticut
Florida
Sun Valley
Sunland
Commerce City
Stamford
Clearwater
Clearwater
Clearwater
Dania
214
Courtesy of
State
City
Fort Lauderdale
Fort Lauderdale
Fort Lauderdale
www.satamerica.com
www.glasat.com
www.newsedits.com
www.overonamerica.com
(800) 966-3822
(786) 210-2235
(786) 515-9796
(305) 357-5891
www.acst-uplink.com
(352) 687-3587
www.lowerysatellite.com
www.mobilecast-live.com
www.Telepointstudios.com
www.tvmr.com
www.encompass-m.com
www.gunnerlive.com
www.agoratv.tv
www.NOAPro.com
www.stslivetv.com
www.wtvpvideo.org
www.aissatellite.com
www.1800usalink.com
www.easisat.com
www.bairdsatellitesupports.com
www.nsccom.com
www.satctr.com
www.cspmobile.com
www.absatellite.net
www.RemoteBroadcastServices.com
www.polatis.com
(407) 859-7940
(407) 376-8379
(407) 859-7940
(407) 737-0046
(800) 243-1995
(706) 692-6450
(678) 313-6001
(678) 581-3750
(808) 366-1515
(800) 838-1472
(309) 677-4747
(630) 466-4304
(847) 556-1056
(219) 756-5656
(888) 327-4797
(319) 233-3561
(800) 543-1584
(504) 915-8244
(207) 375-6052
(301) 605-7629
(201) 312-5531
(978) 327-5080
(781) 246-8300
www.sepatriot.com
www.misat.com
www.PSBsatellite.com
www.arcteksat.com
www.rumjungle.com
www.ingwellcommunications.com
www.sateng.com
www.rapcomm.com
www.crewwestinc.com
(800) 470-3510
(734) 761-9011
(651) 768-9150
(612) 623-1986
(952) 472-5525
(612) 839-5154
(800) 932-1555
(314) 667-5915
(406) 490-1895
(480) 367-6888
(603) 598-5100
Holmdel
Old Bridge
Wayne
Whippany
Albuquerque
Flushing
Hauppauge
Nanuet
New City
New York
Musicam USA
Fulton Production and Consulting
A3 Media
Crew West
Miteq
American Satellite Uplink
All Mobile Video
www.musicamusa.com
www.satellitedownlink.com
www.a3mediallc.com
www.crewwestinc.com
www.interfacetv.com
www.miteq.com
www.americansatelliteuplink.com
www.flight9.com
(732) 739-5600
(917) 312-9894
(973) 686-9400
(800) 881-0569
(888) 444-2739
(718) 463-8700
(631) 439-9108
(845) 352-0998
(888) 354-4489
(212) 727-1234
Wakefield
New Mexico
New York
(863) 698-4313
Orlando
Orlando
Orlando
Orlando
Georgia
Atlanta
Jasper
Lilburn
Marietta
Hawaii
Kailua
Illinois
Crystal Lake
Peoria
Sugar Grove
Wauconda
Indiana
Merrillville
Iowa
Clear Lake
Waterloo
Kentucky
Florence
Louisiana
New Orleans
Maine
Saco
Maryland
Potomac
Massachusetts Ashland
Billerica
Montana
Nevada
New
Hampshire
New Jersey
Pelham
Ocala
Missouri
Phone
Albion
Ann Arbor
Cottage Grove
Minneapolis
Minneapolis
St. Paul
Kansas City
St. Louis
Butte
Las Vegas
Melbourne
Miami
Miami
Miami
Minnesota
Website
Digital Comm Link
Remote Telecast
RemoteOne Communications
Crew West/Satellink
Communication Service
BAF Satellite & Technology
GLASAT.com
News Edits
Overon America
Atlantic Coast Satellite
Telcommunications
Lowery Satellite Services
MobileCast-Live
Telepoint Studios
Gunner Live
AgoraTV
NOA Production
WTVP
A I S Satellite Communications
Satellite Communication Systems
Efficient Antenna Systems
Baird Satellite Supporting Systems
Nickless Shirmer & Co.
Satellite Center
Asia Broadcast
Remote Broadcast Services
Polatis
Remote Facilities Consulting
Services
Satellite Export & Engineering
Michigan Satellite Systems
PSB Satellite
RumJungle Media
Ingwell Communications
Satellite Engineering Group
Spot Media Transfer
RapComm
Crew West
Lakeland
Michigan
Company Name
www.dclinc.net
www.remoteonecommunications.com
(877) 532-5438
(954) 295-1735
(954) 707-0765
216
Courtesy of
State
North
Carolina
Ohio
Pennsylvania
Company Name
Website
Phone
New York
New York
Victor
Warwick
West Babylon
Liman Video Rental
GCS
Village Video News
www.lvrusa.com
www.metrovision.tv
www.globalcoms.com
www.centrexcom.com
www.vvn.com
(212) 594-0086
(212) 989-1515
(585) 742-9100
(845) 987-1666
(631) 752-9311
Apex
www.rmgsat.com
(919) 363-3645
Charlotte
Charlotte
Winston Salem
Cincinnati
New Middletown
North Olmsted
Poland
Rocky River
Sunbury
Boyertown
Harrisburg
www.allstarscomm.com
www.nomadic-comm.com
www.spevco.com
www.centralsat.com
www.sureshotsat.com
www.telenetmedia.net
(704) 377-9393
(866) 519-7723
(336) 924-7927
(513) 821-7200
(330) 542-0900
(440) 779-2740
(800) 951-6707
(216) 276-8841
(740) 965-2888
(610) 754-6800
(877) 860-5255
www.quintechelectronics.com
(800) 839-3658
www.pmtv.com
(610) 768-1770
Malvern
Philadelphia
West Chester
All Stars Communications
Nomadic Communications
Spevco
Central Satellite Service
Sure Shot Transmissions
First Call UPLinks
TeleNet Media
Media Solutions
Quintech Electronics &
Communications
PMTV - Producers Management
TeleVision
Liberty Uplink
Raider Productions
www.libertyuplink.com
www.tpsweb.com
www.raiderproductions.tv
(215) 964-5222
(888) 877-1178
(610) 793-3000
Myrtle Beach
Satellite Papa
(843) 333-5963
Cordova
Nashville
Austin
Austin
Dallas
Denton
Fort Worth
Houston
Missouri City
Schertz
Salt Lake City
Glen Allen
Virginia Beach
Prolink Satellite
NorthStar Studios
ATX|HD
Olivier Video Productions
Texas TV Trucks
WSC HD Productions
Applied Telecommunications
PACSAT
World Teleport
Bonneville Satellite
SkyWire Communications
Atlantic Satellite
Colonial Williamsburg
Productions
Wild Hare Satellite.
www.prolinksat.com
www.northstarstudios.tv
www.ovptv.com
www.wschdproductions.tv
www.appliedtelecominc.com
www.pacsat.com
www.worldteleport.com
www.shook-usa.com
www.bonneville.com
www.skywireuplink.com
www.atlanticsat.com
(901) 356-2394
(800) 605-3590
(800) 338-6862
(281) 300-5416
(972) 570-1118
(940) 483-9200
(817) 763-5992
(800) 672-2728
(281) 741-8753
(210) 651-5700
(801) 575-7500
(877) 575-9947
(757) 318-3500
(757) 220-7143
www.wildharesat.com
(360) 573-6850
Dawnbreaker Communications
www.dawnbreakercommunications.com (202) 288-0805
LiveOnSite
NPR Satellite Services
The Media Center
DH Satellite
www.liveonsite.com
www.nprss.org
www.themediacenter222.com
www.dhsatellite.com
Indiana
King Of Prussia
South
Carolina
Tennessee
Texas
City
Utah
Virginia
Williamsburg
Washington
Washington,
DC
Ridgefield
West Virginia Charleston
Wisconsin
Prairie Du Chien
(703) 431-4332
(202) 513-2626
(304) 720-5466
(800) 627-9443
218
Courtesy of
Satellite Trucks* — Alphabetical Listing
COMPANY Name
City
State
Website
Phone
A I S Satellite Communications
Sugar Grove
Illinois
www.aissatellite.com
(630) 466-4304
A3 Media
Whippany
New Jersey
www.a3mediallc.com
(800) 881-0569
Advanced Microwave Components
Clearwater
Florida
www.advancedmicrowave.com
(727) 571-1008
AgoraTV
Marietta
Georgia
www.agoratv.tv
(678) 581-3750
All Mobile Video
New York
New York
(212) 727-1234
All Stars Communications
Charlotte
North Carolina
www.allstarscomm.com
(704) 377-9393
American Satellite Uplink
Nanuet
New York
www.americansatelliteuplink.com
(845) 352-0998
Anacom
Santa Clara
California
www.anacominc.com
(408) 519-2062
Applied Telecommunications
Fort Worth
Texas
www.appliedtelecominc.com
(817) 763-5992
Minneapolis
Minnesota
www.arcteksat.com
(612) 623-1986
Asia Broadcast
Potomac
Maryland
www.absatellite.net
(301) 605-7629
ATCI - Antenna Technology Communications
Chandler
Arizona
www.atci.net
(480) 844-8501
Atlantic Coast Satellite Telcommunications
Ocala
Florida
www.acst-uplink.com
(352) 687-3587
Atlantic Satellite
Virginia Beach
Virginia
www.atlanticsat.com
(757) 318-3500
ATX|HD
Austin
Texas
BAF Satellite & Technology
Melbourne
Florida
www.satamerica.com
(800) 966-3822
Baird Satellite Supporting Systems
Waterloo
Iowa
www.bairdsatellitesupports.com
(319) 233-3561
Bonneville Satellite
Salt Lake City
Utah
www.bonneville.com
(801) 575-7500
Broadlogic Network Technologies
San Jose
California
www.broadlogic.com
(408) 452-3300
Calhoun Satellite Communications
Dania
Florida
www.calhounsat.com
(305) 655-2629
Central Coast Uplink
San Francisco
California
www.centralcoastuplink.com
(831) 325-5271
Central Satellite Service
Cincinnati
Ohio
www.centralsat.com
(513) 821-7200
Warwick
New York
www.centrexcom.com
(845) 987-1666
Williamsburg
Virginia
(757) 220-7143
Jemison
Alabama
(205) 706-9524
Crew West
Phoenix
Arizona
www.crewwestinc.com
(888) 444-2739
Crew West
Las Vegas
Nevada
www.crewwestinc.com
(480) 367-6888
Crew West
Albuquerque
New Mexico
www.crewwestinc.com
(888) 444-2739
Crew West/Satellink Communication Service
Lakeland
Florida
(863) 698-4313
Saco
Maine
www.cspmobile.com
(207) 375-6052
North Olmsted
Ohio
(440) 779-2740
Dan Black Studios
Montgomery
Alabama
(334) 279-6036
Dawnbreaker Communications
Washington, DC
www.dawnbreakercommunications.com
(202) 288-0805
Desert Sky Media
Prescott
Arizona
www.chamberorganizer.com
(888) 728-8782
DH Satellite
Prairie Du Chien
Wisconsin
www.dhsatellite.com
(800) 627-9443
Digital Comm Link
Fort Lauderdale
Florida
www.dclinc.net
(877) 532-5438
Digital Media Group
Los Angeles
California
www.digitalmedia.tv
(818) 561-6798
Concord
California
www.e-n-g.com
(800) 662-4522
Efficient Antenna Systems
Clear Lake
Iowa
www.easisat.com
(888) 327-4797
Atlanta
Georgia
www.encompass-m.com
(800) 243-1995
F & F Productions
Clearwater
Florida
(727) 530-5000
First Call UPLinks
Poland
Ohio
(800) 951-6707
New City
New York
www.flight9.com
(888) 354-4489
Flying Cow Satellite Services
Los Angeles
California
www.flyingcowsat.com
(310) 372-4759
(800) 338-6862
220
Courtesy of
Satellite Trucks* — F-R
COMPANY Name
City
State
Website
Phone
Clearwater
Florida
(727) 573-0400
Fulton Production and Consulting
Old Bridge
New Jersey
www.satellitedownlink.com
(917) 312-9894
GCS
Victor
New York
www.globalcoms.com
(585) 742-9100
Sunbury
Ohio
(740) 965-2888
GLASAT.com
Miami
Florida
www.glasat.com
(786) 210-2235
San Jose
California
www.globalinktv.com
(408) 465-2787
Gunner Live
Lilburn
Georgia
www.gunnerlive.com
(678) 313-6001
Ingwell Communications
St. Paul
Minnesota
www.ingwellcommunications.com
(612) 839-5154
Flushing
New York
www.interfacetv.com
(718) 463-8700
Boyertown
Pennsylvania
(610) 754-6800
Merrillville
Indiana
(219) 756-5656
Liberty Uplink
Malvern
Pennsylvania
www.libertyuplink.com
(215) 964-5222
Liman Video Rental
New York
New York
www.lvrusa.com
(212) 594-0086
LiveOnSite
Washington, DC
www.liveonsite.com
(703) 431-4332
Lowery Satellite Services
Orlando
Florida
www.lowerysatellite.com
(407) 859-7940
Media Solutions
Harrisburg
Pennsylvania
(877) 860-5255
New York
New York
www.metrovision.tv
(212) 989-1515
Michigan Satellite Systems
Ann Arbor
Michigan
www.misat.com
(734) 761-9011
Miteq
Hauppauge
New York
www.miteq.com
(631) 439-9108
MobileCast-Live
Orlando
Florida
www.mobilecast-live.com
(407) 376-8379
Musicam USA
Holmdel
New Jersey
www.musicamusa.com
(732) 739-5600
News Edits
Miami
Florida
www.newsedits.com
(786) 515-9796
Newtec America
Stamford
Connecticut
www.newtec.be
(203) 323-0042
Nickless Shirmer & Co.
Florence
Kentucky
www.nsccom.com
(800) 543-1584
NOA Production
Kailua
Hawaii
www.NOAPro.com
(808) 366-1515
Nomadic Communications
Charlotte
North Carolina
www.nomadic-comm.com
(866) 519-7723
NorthStar Studios
Nashville
Tennessee
www.northstarstudios.tv
(800) 605-3590
NPR Satellite Services
Washington, DC
www.nprss.org
(202) 513-2626
Olivier Video Productions
Austin
Texas
www.ovptv.com
(281) 300-5416
Overon America
Miami
Florida
www.overonamerica.com
(305) 357-5891
PACSAT
Houston
Texas
www.pacsat.com
(800) 672-2728
PACSAT - California
Sacramento
California
www.pacsat.com
(800) 672-2728
Pansat Satellite TV System
Sun Valley
California
www.pansatusa.com
(818) 367-8269
PMTV - Producers Management TeleVision
King Of Prussia
Pennsylvania
www.pmtv.com
(610) 768-1770
Polatis
Billerica
Massachusetts
www.polatis.com
(978) 327-5080
Prolink Satellite
Cordova
Tennessee
www.prolinksat.com
(901) 356-2394
Prolink/MSI
Commerce City
Colorado
www.prolinkonline.com
(720) 529-9743
PSB Satellite
Cottage Grove
Minnesota
www.PSBsatellite.com
(651) 768-9150
PSSI Global Services - Strategic Television
Sherman Oaks
California
www.pssiglobal.com
(310) 575-4400
Quintech Electronics & Communications
Indiana
Pennsylvania
www.quintechelectronics.com
(800) 839-3658
Raider Productions
West Chester
Pennsylvania
www.raiderproductions.tv
(610) 793-3000
RapComm
Butte
Montana
www.rapcomm.com
(406) 490-1895
Remote Broadcast Services
Ashland
Massachusetts
www.RemoteBroadcastServices.com
(201) 312-5531
Remote Facilities Consulting Services
Wakefield
Massachusetts
(781) 246-8300
222
Courtesy of
Satellite Trucks* — R-W
COMPANY Name
City
State
Website
Phone
Remote Telecast
Modesto
California
(209) 534-9988
Remote Telecast
Fort Lauderdale
Florida
(954) 295-1735
RemoteOne Communications
Fort Lauderdale
Florida
www.remoteonecommunications.com
(954) 707-0765
Apex
North Carolina
www.rmgsat.com
(919) 363-3645
RTM - Remote Transmission Management
Fresno
California
www.rtmhd.com
(866) 786-4389
RumJungle Media
Minneapolis
Minnesota
www.rumjungle.com
(952) 472-5525
Satellite Center
New Orleans
Louisiana
www.satctr.com
(504) 915-8244
Satellite Communication Systems
Wauconda
Illinois
www.1800usalink.com
(847) 556-1056
San Diego
California
www.sdtv.com
(619) 293-7777
Satellite Engineering Group
Kansas City
Missouri
www.sateng.com
(800) 932-1555
Satellite Export & Engineering
Albion
Michigan
www.sepatriot.com
(800) 470-3510
Satellite Papa
Myrtle Beach
South Carolina
(843) 333-5963
Crystal Lake
Illinois
www.stslivetv.com
(800) 838-1472
Sunland
California
www.schulmanmv.com
(323) 785-2528
Schertz
Texas
www.shook-usa.com
(210) 651-5700
SkyWire Communications
Glen Allen
Virginia
www.skywireuplink.com
(877) 575-9947
Spevco
Winston Salem
North Carolina
www.spevco.com
(336) 924-7927
Spot Media Transfer
St. Louis
Missouri
(314) 667-5915
Sure Shot Transmissions
New Middletown
Ohio
www.sureshotsat.com
(330) 542-0900
Jasper
Georgia
(706) 692-6450
TeleNet Media
Rocky River
Ohio
www.telenetmedia.net
(216) 276-8841
Telepoint Studios
Orlando
Florida
www.Telepointstudios.com
(407) 859-7940
Texas TV Trucks
Dallas
Texas
(972) 570-1118
The Media Center
Charleston
West Virginia
www.themediacenter222.com
(304) 720-5466
Pelham
New Hampshire
(603) 598-5100
Orlando
Florida
www.tvmr.com
(407) 737-0046
Todocast
San Juan Capistrano
California
www.todocast.tv
(949) 655-1036
Philadelphia
Pennsylvania
www.tpsweb.com
(888) 877-1178
TVU Networks
Mountain View
California
www.tvupack.com
(650) 969-6732
Village Video News
West Babylon
New York
www.vvn.com
(631) 752-9311
Wayne
New Jersey
(973) 686-9400
Wild Hare Satellite
Ridgefield
Washington
www.wildharesat.com
(360) 573-6850
World Teleport
Missouri City
Texas
www.worldteleport.com
(281) 741-8753
WSC HD Productions
Denton
Texas
www.wschdproductions.tv
(940) 483-9200
WTVP
Peoria
Illinois
www.wtvpvideo.org
(309) 677-4747
224
REMOTE sports
Production
Gearbase
For the seventh year, the SVG Remote Sports
Production Yearbook provides a comprehensive overview of the North American mobileproduction–unit landscape, with technology
overviews of nearly 200 HD, SD, and 3D trucks.
The equipment information listed for each truck
— cabling, audio console, cameras, graphics,
microphones, switcher, replay devices, still store
— is crucial in determining whether a remoteproduction facility fits your needs.
The Gearbase continues to be one of the most
important offerings in our annual Yearbook, providing a single source for comprehensive specs for
the trucks on the road. Although visiting dozens
of company Websites can get the job done, this
Gearbase offers a quick look at units currently
serving the remote–sports-production market.
An online version can be found at sportsvideo
.org, allowing you to search for the specific truck
that meets your needs throughout the year.
Contact information for many of the companies listed here starts on page 258.
227
Company
All Mobile Video
GearBase
Corplex
CP Mobile
Productions
Productions
Triax,
Triax,
1080p/60
1080p/60 SMPTE
Dimensions
HD/SD Capable
Fiber,
Dimensions HD/SD/
Fiber,or
or
3D
Capable
Both
Both
Audio
Audio Console
Console
(Channels)
(Channels)
Number of
Cameras
& Make
HD/3D
Y
Both
Studer Vista 8 (256)
18 Sony (9 3ality
Technica 3D Rigs)
HD
N
Both
24 Sony
HD
N
Both
14 Sony
HD
N
Both
16 Sony
HD
N
Both
14 Sony
Endurance
Straight
53' double
expando
60' triple
expando
53' triple
expando
53' triple
expando
53' triple
expando
53' expando
51'
SD
SD
N
N
Triax
Triax
Midas Legend 3000 (48)
Neve BTC (56)
12 Ikegami
8 Ikegami
ENCORE
53' expando
HD
N
Both
SSL C100 (96)
9 Sony, 2 Panasonic
POV
ÉVOLUTION
53' expando
HD
N
Both
Calrec Sigma w/Bluefin (80)
8 Sony, 2 Panasonic
POV
INFINITY
53' expando
HD
N
Both
PREMIERE
53' expando
HD
N
Both
SSL C100 (96)
9 Sony, 2 Panasonic
POV
CHINOOK
53' expando
SD
N
Triax
Calrec T-100 (48)
9 Sony, 2 Sony POV
1
14x30
HD
N
Fiber
Mackie (32)
5 JVC
Chromium HD
53' expando
HD/3G
Y
Both
Calrec Apollo 128 Fader (240) + 8
MADI
10 Sony
Iridium HD
53' expando
HD
N
Both
Calrec Sigma (144)
10 Sony
Platinum HD
53' triple expando
HD
N
Both
Calrec Alpha 100 (192)
10 Sony
HDRF 1
33'
HD/SD
Y
Fiber or RF
MIDAS (32)
6-8 HD RF
HDRF 5
53'
HD/SD
Y
Fiber or RF
MIDAS (32), STAGETEC (96)
8-12 HD RF
HDRF 6
53'
HD/SD
Y
Fiber or RF
MIDAS VERONA (48)
8-12 HD RF
Voyager 4
51' expando
SD
N
N
Yamaha PM4000 (48)
9 Sony
Voyager 7
48'
SD
N
N
Soundcraft Series 4 (44)
9 Sony
Voyager 8
53' expando
HD
Y
Both
Calrec Sigma Desk w/Bluefin (128)
19 Sony
Voyager 9
53' expando
HD
Y
Both
Calrec Sigma Desk w/Bluefin (128)
13 Sony
Voyager 10
53' expando
HD
Y
Both
Calrec Artemis (256, exp, to 340)
10 Sony
10 Sony
Epic 3D
Coastal
Media
Group
230
Truck
Truck Name
Name
Titan
Celebrity
Crossroads
Resolution
Calrec Artemis w/Bluefin (48 multi- 6 Sony, 2 Panasonic
layer)
POV
Voyager 11
53' expando
HD
Y
Both
Calrec Artemis w/Bluefin (48 multilayer)
HD1
53' expando
HD
N
Both
Calrec Omega
8 Ikegami
HD2
53' expando
HD
N
Both
Calrec Artemis
10 Ikegami
HD3
53'
HD
N
Both
Calrec Omega
8 Ikegami
SD5
40'
SD/ 16:9
N
Triax
Yamaha 3500 (56)
9 Ikegami
All information subject to change. Please contact the truck vendor’s
Website for the most current information on equipment and capabilities
PRODUCTION
Switcher,
M/E
Switcher,
MIX EFFECTS
Number Replay Devices
Still Store
Deko 3000, Chyron
18 Fujinon AvidHyperX3,
Infinit
As requested
Sony MVX8000X, 4M/E
4 EVS, 18 HDCAM
Sony
24 Fujinon
As requested
As requested
Sony MVS8000A, 4M/E
4 6-ch EVS; HDCAM
Sony
15 Fujinon
Chyron Infinit
As requested
Sony MVS8000, 4M/E
10 HDCAM or DigiBeta
Sony
16 Fujinon
Pinnacle Deko 3000
As requested
Sony MVS8000G, 4M/E
16 HDCAM
Sony
As requested
Sony MVS8000, 4M/E
12 HDCAM
Sony
As requested
As requested
GV Kalypso, 4M/E
GV4000, 3M/E
Leitch
Leitch
Graphics
Deko 3000, Chyron
14 Fujinon AvidHyperX3,
Infinit
12 Fujinon
Avid Deko 3000
9 Fujinon
Chyron Infinit
GV Kalypso, 4M/E
As requested
FOR-A HVS 300
4-ch Abekas Mira
9 Canon
Chyron HyperX3, Lyric Senn, Sony, Beyer, Shure,
Pro; Harris Inscriber G3
Crown
11 Canon
Chyron HyperX3, Lyric
Pro
Senn, Sony, Beyer
GV Kayenne, 4.5M/E
6 Canon, 2 Chyron HyperX3, Lyric
Fujinon
Pro, Inscriber G3
Senn, Crown, Sony
GV Kalypso, 4M/E
11 Canon
Chyron HyperX3, Lyric Senn, Sony, Beyer, Shure,
Pro, Inscriber G3
Crown
6 Canon, 4 Chyron HyperX3 Lyric
Fujinon
Pro, Inscriber G3
Senn, A-T, Sony, Shure,
EV, Crown
EVS, Tektronix Profile, as needed
10 DigiBeta or BetaSP, 2 VHS
3 6-ch EVS XT2+, XHub2, XFile2; 3
HDCAM, 2 HDSR, XDcam, DigiBeta,
BetaSP/SX; DVD
2 6-ch EVS XT3, 6-ch XT2+, 4-ch XS
SpotBox, XHub2, XFile2; HDCAM, HDSR,
XDcam, DigiBeta
2 6-ch EVS XT3, XHub2, XFile2; 2
HDCAM, HDSR, XDcam, DigiBeta,
Beta SP/SX; DVD
3 6-ch EVS XT2+, XHub2, XFile2; 3
HDCAM, 2 HDSR, XDcam, DigiBeta,
Beta SP/SX, DVD
6-ch EVS XT, 4-ch XT, RO XT; DigiBeta,
Beta SP/SX, DVD
GV Kalypso, 4M/E
GV Kalypso, 4M/E
GV Kalypso
GV Kayenne
GV Kalypso
GV Kalypso
GV Kalypso
Lenses
vary
Chyron HyperX
8 Fujinon,
7 Canon
Per client spec
15 Canon
Per client spec
15 Fujinon
Per client spec
N/A
N/A
Wired or wireless, call
32-ch Harris HD router
N/A
N/A
N/A
N/A
N/A
N/A
N/A
N/A
N/A
6-ch EVS XT, 4-ch XT, XFile; FFV, 4 DigiBeta, 6 Betacam
4-ch EVS XT2, XFile; 3 BetaSP,
3 DigiBeta, FFV
2 6-ch EVS XT2, 2 4-ch XT2, 3 RO XT2,
XFile2, XHub, IPDirector; 2 DigiBeta,
4 DVCPRO
6-ch EVS XT2, 4-ch XT, 3 RO XT2, XFile2,
XHub, IPDirector; 2 DigiBeta,
2 DVCPRO
6-ch EVS XT2+, 4-ch XT2+, XFile2,
Xhub; 2 DigiBeta, DVCPRO
6-ch EVS XT2+, 4-ch XT2+, XFile2,
XHub; 2 DigiBeta, DVCPRO
2 6-ch EVS XT2, 1 4-ch XT2, 4-ch RO
SpotBox, XFile, IPDirector; 4-ch K2 Solo,
HDCAM, HDDCV Pro, 2 DigiBeta
8-ch EVS XT3, 2 6-ch XT3, 4-ch RO
SpotBox, XFile, IPDirector; 4-ch K2 Solo,
HDCAM, HDDCV Pro, 2 DigiBeta; 2
6-ch XT2, 4-ch XT2, 4-ch RO SpotBox,
XFile, IPDirector; 4-ch K2 Solo, HDCAM,
HDDCV Pro, 2 DigiBeta; 6-ch EVS
XT, 4-ch XT2; 2 DigiBeta, 2 Beta SP,
FastFoward
6-ch/4-ch EVS XT2, 4-ch RO XT2 SpotBox, IPDirector; HDCAM, DVCPRO, 2
DigiBeta, FFV
4-ch EVS XT2, 4-ch LSM, XFile2; 2
BetaSP, 2 DigiBeta, FFV
Senn, Beyer, Sony, EV, GV Kayenne, 4M/E w/4-ch
4 6-ch EVS XT2, SpotBox, 2 XHub2;
Shure
Summit server
HDCAM, DigiBeta
Senn, Beyer, Sony, EV,
2
6-ch
EVS
XT2, 4-ch XT2, 4-ch RO XT2,
GV Kalypso, 4M/E
Shure
SpotBox, 2 XHub2; HDCAM, DigiBeta
2 6-ch EVS XT2, 4-ch XT2, 4-ch RO XT2,
Shure, Senn, A-T, Sony,
GV Kalypso, 4M/E
SpotBox, 2 XHub2; HDCAM, DigiBeta,
Sound Devices
BetaSP
11 Fujinon Chyron HyperX HD/SD
As requested
GV Kalypso, 4M/E
6 Canon, 3 Chyron HyperX HD/SD
Fujinon
EV, A-T, Sony, Shure
GV Kalypso, 4M/E
15 Fujinon
Chyron HyperX3
As requested
GV Kayenne, 4M/E
15 Fujinon
Chyron HyperX3
As requested
GV Kayenne, 4M/E
15 Fujinon
Chyron HyperX3
As requested
GV Kayenne, 4M/E,
12 Fujinon
Chyron HyperX3
As requested
GV Kalypso, 4M/E
10 Canon
Chyron HyperX3
Senn, EV, Sony
GV Kayenne, 4.5M/E
12 Canon
Chyron HyperX3
Senn, EV, Sony
GV Kayenne, 4.5M/E
10 Canon
Chyron HyperX3
Senn, EV, Sony
GV Kayenne, 4.5M/E
5 Fujinon
Chyron HyperX
Senn, EV, Sony
GV 4000. 3M/E
GearBase
Microphones
Lenses
Abekas
GV Kayenne
GV Kalypso w/Klip
Cache
GV Kalypso w/Klip
Cache
GV Keyenne
GV Kayenne
K2
GV Kayenne
K2
231
D2
Company
Productions
Game Creek Video
F&F Productions
Eco
Broadcast
Solutions
Dome Productions
GearBase
Truck Name
Triax,
Fiber, or
Both
Audio Console
(Channels)
Number of
Cameras
& Make
Genesis
24'x8'
HD
Y
SMPTE Fiber
Soundcraft GB8 (32)
5 Sony PMW-EX3
Horizon HD
53'
HD
N
Triax
10 GV
Majestic HD w/B-Unit
53'
HD
N
Triax
10 GV
Spirit HD
53'
HD
N
Both
Calrec Sigma (360)
10 Sony 1500
Trillium HD w/B-Unit
53'
HD
N
Both
Calrec Alpha 100 w/Bluefin (540)
10 Sony 1500
Tribute HD
53'
HD
N
Triax
Calrec (240)
10 GV
Thunder HD
53'
HD
Partial
Both
Calrec Sigma (360)
10 Sony 1500
Echo HD
53'
HD
Partial
Both
Calrec Sigma (360)
10 Sony 1500
Pacific HD
53'
HD
Except SWR
Both
Calrec Artemis (360)
10 Sony 2400
Atlantic HD
53'
HD
Except SWR
Both
10 Sony 2400
Unity
53'
SD
N
Triax
Calrec S2 (60)
9 Ikegami
ECO-3HD
30x20
HD
N
Triax
Yamaha (48)
9 Sony
GTX-11
53' expando
HD
N
Both
Calrec Omega w/Bluefin (96)
13 Ikegami
GTX-12
53' expando
HD
N
Both
13 Ikegami
GTX-14
53' expando
HD
N
Both
GTX-15
HD
Y
Both
Calrec Alpha w/Bluefin2 (128)
14 Ikegami
GTX-16
53' double
expando
53' double
expando
Calrec Artemis Beam Digital w/
Bluefin2 (128)
Calrec Artemis Beam Digital w/
Bluefin2 (128)
HD
Y
Both
Calrec Apollo w/Bluefin2 (128)
14 Ikegami
Eagle A & B
53' expando
HD
N
Both
10 Sony
Freedom A & B
53' expando
HD
N
Both
Calrec Sigma 100 (64)
12 Sony
Intrepid A & B
53' expando
HD
N
Both
Calrec Sigma 100 (64)
13 Sony
Northstar
53' expando
HD
N
Both
10 Sony
Patriot A & B
53' expando
HD
N
Both
12 Sony
14 Sony
14 Ikegami
Fox A, B, C (D, E)
2 53' expandos
HD
N
Both
Calrec Alpha w/Bluefin (96), Calrec
Sigma 100 (64)
Clipper A & B
53' expando
HD
N
Both
12 Sony
Liberty A & B
53' dual
expando
HD
N
Both
Calrec Alpha w/Bluefin (96)
12 Sony
Legends
53' expando
HD
N
Both
12 Sony
Dynasty A & B
53' dual
expando
HD
Y
Both
10 Sony
Larkspur
53' expando
HD
Y
Both
11 Sony
Victory A & B
53' dual
expando
HD
Y
Both
Calrec Apollo (144)
10 Sony
Justice
53' expando
HD
Y
Both
Calrec Apollo (144)
11 Sony
GCV-B1
GCV-B2
HD
HD
Y
Y
N/A
N/A
N/A
N/A
N/A
N/A
HD
Y
Both
Calrec Apollo (144)
10 Sony
Glory
53'
53'
53' dual
expando
53' dual
expando
HD
Y
Both
Calrec Apollo (144)
10 Sony
TBD
53' expando
HD
Y
Both
10 Sony
Pride A & B
234
1080p/60
Dimensions HD/SD Capable
2 Canon, 3
Canon
Graphics
Newtek Livetext
Pro
Lyric
14 Canon Chyron HyperX3,
Pro
Lyric
Pro
Lyric
Pro
Lyric
Pro
Lyric
Pro
Lyric
Pro
11 Fujinon
Pro
Lyric
11 Fujinon Chyron HyperX3,
Pro
Lyric
Pro
11 Canon
Switcher, M/E
3 Senn HMD26600XQ,
3 EV RE50, 3 Sony ECNewTek TriCaster 850
M77B, 4 Senn MKH416, Extreme w/control surface
4 Crown PCC-160
Still Store
NewTek 3Play 425
Integrated in TriCaster
GV Kalypso
GV Kayenne
GV Kalypso
A-T, Senn, EV
GV Kalypso, 4M/E
Senn, A-T, EV
GV Kalypso, 4M/E
Senn, A-T, EV
GV Kalypso, 4M/E
Senn, A-T, EV
GV Kalypso, 4M/E
Senn, A-T, EV
GV Kayenne, 4M/E
A-T, Senn, EV
GV Kalypso, 4M/E
A-T, Senn, EV
GV Kalypso, 4M/E
A-T, Senn, EV, Sony
GV Kayenne, 4M/E
A-T, Senn, EV, Sony
GV Kayenne, 4M/E
2 6-ch EVS XT2, 4-ch RO XT2, 4-ch XT2
SpotBox, Xhub; 2 HDCAM
2 6-ch EVS XT2, 4-ch RO XT2, XS
SpotBox, XHub, 2 HDCAM
2 6-ch EVS XT2, 4-ch RO XT2, 4-ch
SpotBox XS, XHub2; 2 HDCAM
SpotBox, XHub2; 2 HDCAM
2 6-ch EVS XT2, 4-ch RO XT3, XS
SpotBox, Xhub; 2 HDCAM
2 6-ch EVS XT2+, 4-ch RO XT2, 4-ch XS
2 6-ch XT3 LSM, 4-ch RO XT3, 4-ch XS
SpotBox, Xfile, 2 XHub3
2 6-ch XT3 LSM, 4-ch RO XT3, 4-ch XS
SpotBox, Xfile, 2 XHUB3
A-T, Senn, EV
GV Kalypso, 4M/E
2 6-ch EVS; 4 DigiBeta, BetaSP
6 A-T lav mics, 4 shot- Sony MVS-8000GSF, 2M/E
gun mics
5 Fujinon
Chyron Duet Hyper
LEX2
15 Fujinon
Chyron HyperX3
Senn, EV, Sony
GV Kayenne, 4M/E
15 Fujinon
Chyron HyperX3
Senn, EV, Sony
GV Kayenne, 4M/E
16 Fujinon
Chyron HyperX3
Senn, EV, Sony
GV Kayenne, 4M/E
16 Fujinon
Chyron HyperX3
Senn, EV, Sony
GV Kayenne, 4M/E
16 Fujinon
Chyron HyperX3
Senn, EV, Sony
GV Kayenne, 4M/E
11 Canon
As requested
Beyer, Senn, EV, Sony
GV Kalypso, 3M/E
15 Canon
As requested
GV Kalypso Duo, 3M/E
15 Canon
As requested
12 Canon
As requested
GV Kalypso, 3M/E
14 Canon
As requested
GV Kalypso, 3M/E
18 Canon
As requested
GV Kayenne, 4M/E
16 Canon
As requested
16 Canon
As requested
GV Kayenne, 4M/E
14 Canon
As requested
13 Canon
As requested
GV Kalypso
GV Kalypso
GV Kalypso
GV Kalypso
GV Kalypso
GV Kayenne
GV Kayenne
6-ch EVS, 2 HyperDeck SSD
Kayenne, Image Store,
4-ch K2 Summit server
GV Kalypso, 3M/E
2 4-ch EVS HD XT2, 2 6-ch HD XT2;
DVCPRO, DigiBeta
DVCPRO, DigiBeta
2 SRW5500, DigiBeta
2 4-ch EVS HD XT2, 2 6-ch EVS HD XT2,
2 DVCPRO, HDCAM, DigiBeta
4 6-ch EVS HD XT2; 2 SRW5500,
DVCPRO, DigiBeta
2 6-ch EVS XT2, 3 4-ch RO EVS;
DigiBeta, HDCAM, DVCPRO
2 6-ch EVS XT2, 3 4-ch RO XT2;
DVCPRO, HDCAM, DigiBeta
2 EVS XT2, 3 RO EVS; DVCPRO, DigiBeta
2 6-ch EVS XT2, 3 4-ch EVS RO,
2 6-ch EVS XT2, 4 6-ch XT2 Super Slo
Mo, 4 6-ch RO EVS; DVCPRO
HDCAM
DVCPRO, DigiBeta
3 HDCAM, DigiBeta
GV Kayenne, 4M/E
GV Kayenne
GV Kayenne
GV Kalypso
GV Kalypso
GV Kalypso
GV Kalypso
GV Kalypso
GV Kayenne
GV Kalypso
GV Kayenne
GV Kalypso
11 Canon
As requested
GV Kayenne, 4M/E
13 Canon
As requested
GV Kayenne, 4M/E
11 Canon
As requested
GV Kayenne, 4M/E
N/A
N/A
N/A
N/A
N/A
N/A
N/A
N/A
DigiBeta, DVCPRO
2 EVS XT2+, 4 RO EVS; DVCPRO,
DigiBeta
DigiBeta, DVCPRO
N/A
N/A
13 Canon
As requested
GV Kayenne, 4M/E
GV Kayenne
13 Canon
As requested
GV Kayenne, 4M/E
GV Kayenne
GV Kayenne, 4M/E
DigiBeta, DVCPRO
GV Kayenne
11 Canon
Microphones
As requested
GearBase
Lenses
GV Kayenne
GV Kayenne
N/A
N/A
235
Company
IMS
Productions
GearBase
Truck Name
MIRA Mobile
Metrovision
Mansion
Mobile TV
Lyon Video
JAS
Digital
Jones
Mobile
TV
Kodiak
Mobile
Tv
Triax,
Fiber, or
Both
Audio Console
(Channels)
Number of
Cameras
& Make
IMS HD1
53' expando
HD
Y
Both
Calrec Sigma (128)
16 Sony
IMS HD2
53' dual
expando
HD
Y
Triax
Calrec Sigma (128)
8 Sony
New Wave
30'
HD
N
Fiber
Yamaha M7CL (32)
8 Sony PDW700
JMTV
51' expando
SD
N
Triax
Yamaha PM4000 (56)
8 Sony
Grizz HD
45'
HD
N
Triax
7 GV LDK 3000+
Lyon-1
38' expando
HD
N
Both
Yamaha M7CL
(48)
6 GV
Lyon-2
38' expando
HD
N
Both
Yamaha M7CL
(48)
6 GV
Lyon-5
53' expando
HD
N
Triax
Calrec Q2 (120)
10 GV
Lyon-6
53' expando
HD
N
Triax
Calrec Alpha (160)
11 GV
Lyon-7
53' expando
HD
N
Triax
11 GV
Lyon-8
53' expando
HD
N
Both
13 GV
Lyon-9
50' expando
HD
N
Both
Calrec Omega Digital w/Bluefin
(160)
9 GV
Lyon-10
53' expando
HD
N
Both
Calrec Omega Digital w/Bluefin
(160)
10 GV
Lyon-11
53' expando
HD
Y
Both
Calrec Apollo w/Bluefin2 (1,020)
16 GV
Lyon-12
53' expando
HD
Y
Both
Calrec Artemis w/Bluefin2 (340)
12 GV
ME-1
50' expando
SD
N
Triax
Yamaha PM1D (128)
9 Ikegami
ME-2HD
53' expando
HD
N
Triax
SSL C-100HD (256)
11 GV, 2 Sony
robos
Metro HD-1
40' expando
HD/SD
N
Fiber
Studer Vista 5 Console (24)
10 Sony
Metro HD-2
40' expando
HD/SD
N
Fiber
8 Sony
Metro HD-3
40'
HD/SD
N
Fiber
Allen & Heath ML5000 (32)
6 Sony
MIRA M4HD
53' expando
HD
N
Both
Yamaha PM-5000 (64)
8 Sony
MIRA M5HD (dual feed)
53' expando
HD
N
Both
Yamaha PM-5000 (64)
10 Sony
MIRA M6
53' expando
SD
N
Triax
10 Ikegami
MIRA M7HD
53' expando
HD
N
Both
Calrec Sigma w/Bluefin (104 mono,
104 stereo)
10 Sony
MIRA M8HD
48' expando
HD
N
Both
7 Sony
MIRA M9HD
53' expando
HD
N
Both
Calrec Omega w/Bluefin (64 mono,
48 stereo)
104 stereo)
10 Sony
MIRA M10
53' expando
SD
N
Triax
Yamaha PM-4000 (56)
10 Ikegami
Both
104 stereo)
10 Sony
MIRA M11HD
238
1080p/60
53' expando
HD
N
Graphics
20 Canon
Chyron HPX
EVS XT2, 4 6-ch RO XT2, SpotBox,
Senn, Beyer, Shure, Sony GV Kalypso+K13, 4M/E 2 6-ch
XFile, SportsHub; DVCPRO, HDCAM
10 Canon
Chyron HPX
Senn, Beyer, Shure, Sony
GV Kayenne, 4.5M/E
6-ch EVS XT2, 4-ch EVS XT2, 2 4-ch
EVS XT2 RO, SpotBox, XFile, SportsHub,
DigiBeta
8 Fujinon
Chyron HyperX2
Shure
Sony MFS-2000, 1.4M/E
N/A
10 Fujinon
Chyron HyperX3
A-T, Beyer, PZM, Sony,
EV, Lectro
GV 4000, 3M/E
7 Fujinon
Chyron HyperX3
Senn, Sony, A-T, EV
GV Kayenne, 2.5M/E
6 Fujinon
Per request
Senn, A-T, Sony
GV Kalypso, 3M/E
6 Fujinon
Per request
Senn, A-T, Sony
GV Kalypso, 3M/E
10 Fujinon
Chyron HyperX2
Senn, A-T, Sony
GV Kalypso, 4M/E
12 Fujinon
Chyron HyperX2
Senn, A-T, Sony
GV Kalypso, 4M/E
12 Fujinon
Chyron HyperX2
Senn, A-T, Sony
GV Kalypso, 4M/E
19 Fujinon
Chyron HyperX2
Senn, A-T, Sony
GV Kayenne, 4.5M/E
11 Fujinon
Chyron HyperX3
Senn, A-T, Sony
GV Kalypso, 4M/E
16 Fujinon
Chyron HyperX3
Senn, A-T, Sony
GV Kalypso, 4M/E
20 Fujinon
Chyron HyperX3
Senn, A-T, Sony
GV Kayenne, 4.5M/E
12 Fujinon
Chyron HyperX3
Senn, A-T, Sony
GV Kayenne, 4.5M/E
9 Fujinon
Chyron HyperX w/CMix, Lyric 5.25 and 6.5
Senn, EV, Sony sports
complement
GV Kalypso, 3M/E
EVS 4-ch LSM, 4 DigiBeta, 2 Beta SP
GV Kalypso
Senn, EV, Sony
GV Kalypso, 4M/E
2 6-ch EVS, 4-ch RO EVS; 2 HDCAM,
XDCAM, DVCPRO, 2 DVD
GV Kalypso
A-T, Sony, EV
GV HD/SD Kalypso, 4M/E
2 Canon
100x, 5
Canon 86x, Chyron HyperX3, Lyric
3 Canon
8.0
22x, 2
Canon 11x
Lyric
Fujinon Chyron HyperX3,
Pro
Lyric
Pro
Lyric
Pro
Microphones
A-T, Sony, EV
A-T, Sony, EV
9 Canon
Chyron HyperX3
Senn, Beyer, EV, Shure,
Sony
11 Fujinon
2 Chyron HyperX3
Senn, EV, Shure, Sony
1 Canon, 9
Fujinon
Chyron HyperX3
Senn, A-T, Sony
12 Fujinon
Chyron HyperX3
8 Fujinon
Chyron HyperX3
Senn, Shure, Sony
12 Fujinon
Chyron HyperX3
10 Fujinon
Chyron LEX
Senn, EV, Sony
11 Fujinon
Chyron HyperX3
Switcher, M/E
6-ch EVS XT2, 4-ch RO XT2, 4-ch
SpotBox, XHub, XNet,
XFile; 2 DigiBeta, 2 BetaSP
2 6-ch EVS XT Nano, 8-ch Tightrope
ZePlay, HDCam, 2 DVCPro HD,
10 Ki Pro Rack
6-ch EVS XT2, 4-ch XT2, XFile, XHub;
FFV HD, DVCPRO HD, DigiBeta
6-ch EVS XT2, 4-ch XT2, XFile, XHub;
FFV HD, DVCPRO HD, DigiBeta
2 6-ch EVS XT2, 2 4-ch RO XT2, XFile2;
FFV HD, HDCAM, DVCPRO, DigiBeta,
BetaSP, DVD
6-ch EVS XT2+, 6-ch XT2, 4-ch RO
XT2+, 4-ch RO XT2, XT2+, SpotBox,
XFile2; DVCPRO, DigiBeta, BetaSP, DVD
2 6-ch EVS XT2, 2 4-ch XT2 RO, XT2,
SpotBox, XFile2; HDCAM, DVCPRO,
DigiBeta, BetaSP, DVD
3 6-ch EVS XT2, 3 4-ch RO XT2, XFile2;
HDCAM, DVCPRO, DigiBeta, BetaSP,
DVD
2 6-ch EVS XT2, 2 4-ch RO XT2, XT2,
SpotBox, XFile2; DVCPRO, HDCAM,
DigiBeta, BetaSP, DVD
2 6-ch EVS XT2, 4-ch XT2, 4-ch RO XT2,
XT2, SpotBox, XFile2; DVCPRO,
2 HDCAM, DigiBeta, BetaSP, DVD
4 6-ch EVS XT2+, 4-ch XS2+, SpotBox,
XFile2; DVCPRO, HDCAM, DigiBeta,
BetaSP, DVD
3 6-ch EVS XT2+, 4-ch RO XT2+, EVS
XT2+, SpotBox, XFile2; DVCPRO,
HDCAM, DigiBeta, BetaSP, DVD
2 6-ch EVS XT2, DigiBeta, DVD FFV,
DigiBeta, DVCAM, DVCPRO
EVS XT2, DigiBeta, DVD, FFV,
GV HD/SD Kalypso, 4M/E 2 6-ch
DigiBeta, DVCAM, DVCPRO
Sony HD/SD MVS-8000A 6-ch EVS XT2, DigiBeta, DVD, DigiBeta,
2.5M/E
DVCAM, DVCPRO
6-ch
EVS
XT2,
4-ch XT2, 4-ch RO XT2,
GV Kalypso, 4M/E
SpotBox, XFile; FFV
2 6-ch EVS XT2+, 2 RO XT 2+, SpotBox,
GV Kalypso, 4M/E
XFile; HD FFV, ClipStore, DigiBeta, Beta
SP
6-ch EVS XT, XFile; 4 DigiBeta, 2 BetaSP,
GV Kalypso, 4M/E
FFV
6-ch EVS XT2, 4-ch XT2, 2 4-ch RO
GV Kalypso, 4M/E
XT2, SpotBox, XFile; XDCAM, HDCAM,
DigiBeta, BetaSP
6-ch EVS XT2, 4-ch RO XT2, SpotBox;
GV Kalypso, 4M/E
2 DVD, BetaSP, DigiBeta
2 6-ch EVS XT2, 2 4-ch RO XT2,
GV Kalypso, 4M/E
SpotBox, XFile; DVCPRO, DigiBeta
6-ch
EVS XT, XFile; FFV, 4 DigiBeta,
GV Kalypso, 4M/E
2 BetaSP, 2 DVD
2 6-ch EVS XT2+, 2 4-ch RO XT2+, SpotGV Kalypso, 4M/E
Box, XFile; 1 DVCPRO, DigiBeta
Still Store
GearBase
Lenses
Sony
GV Kayenne
GV Kalypso
GV Kalypso
GV Kalypso
GV Kalypso
GV Kalypso
GV Kayenne
GV Kalypso
GV Kalypso
GV Kayenne
GV Kayenne
GV Kalypso
GV Kalypso
Sony MVS-8000A
GV Kalypso w/Klip
Cache
GV Kalypso w/Klip
Cache
GV Kalypso w/Klip
Cache
GV Kalypso w/Klip
Cache
GV Kalypso w/Klip
Cache
GV Kalypso w/Klip
Cache
GV Kalypso w/Klip
Cache
GV Kalypso w/Klip
Cache
239
Company
MIRA
Mobile
MIRA M12HD
53' expando
HD
N
Both
Calrec Artemis Beam w/Bluefin2 &
Hydra2 (104 mono, 104 stereo)
12 GV LDK 8000
Elite
2X
50' expando
SD
N
Triax
Soundcraft Europa (48)
8 Sony
5HDX
53' expando
HD
N
Triax
10 GV
NCP
MTV
Networks
MPS
Mobile TV Group
GearBase
Truck Name
242
1080p/60
Triax,
Fiber, or
Both
Audio Console
(Channels)
Number of
Cameras
& Make
7HDX
53' expando
HD
N
Triax
Euphonix System 5-B (96)
10 GV, 1 Ultra-Mo
Phantom V640
8HDX
53' expando
HD
N
Triax
10 GV, 1 Ultra-Mo
Phantom V640
11HDX
53' expando
HD
N
Triax
12HDX
53' expando
HD
N
Triax
14D
53'
SD
N
Triax
Yamaha PM 4000 (40)
16HDX
53' expando
HD
N
Triax
10 GV, 1 Ultra-Mo
Phantom V640
10 GV, 1 Ultra-Mo
Phantom V640
8 Sony
10 GV, 1 Ultra-Mo
Phantom V640
17HDX-S
40' expando
HD
N
Triax
Yamaha PM 5000 (48)
6 GV
18HDX-S
40' expando
HD
N
Triax
Yamaha PM 5000 (48)
6 GV
19HDX-S
40' expando
HD
N
Triax
Yamaha PM 5000 (48)
6 GV
20HDX
53' expando
HD
N
Triax
10 GV, 1 Ultra-Mo
Phantom V640
21HDX-S
48' expando
HD
N
Triax
Euphonix (84)
8 GV
22HDX-S
48' expando
HD
N
Triax
Euphonix (108)
23HDX-S
48' expando
HD
N
Triax
Euphonix (108)
8 GV, 1 Ultra-Mo
Phantom V640
8 GV, 1 Ultra-Mo
Phantom V640
PUMA HD
32' expando
HD
N
Triax
Yamaha (40)
6 GV
PUMA Colorado
32' expando
SD
N
Triax
Yamaha (40)
5 GV
24HDX
48' expando
HD
N
Triax
Euphonix MaxAIR (108)
8 GV
25HDX
53' expando
HD
N
Triax
26HDX
53' expando
HD
N
Triax
27HDX
53' expando
HD
N
Triax
Euphonix (24)
28HDX
53' expando
HD
N
Triax
Euphonix (24)
29HDX
53' expando
HD
N
Triax
Calrec Artemis
30HDX
53' expando
HD
N
Triax
Calrec Artemis
31HDX
53' expando
HD
N
Triax
Calrec Artemis
32HDX
53' expando
HD
N
Triax
Euphonix (24)
MPS 1
48'
SD 16:9
N
Triax
Yamaha PM-3500 (48x8x2)
MPS 3
28'
SD 16:9
N
Triax
Yamaha PM-2000 (48)
MU 4
50' expando
SD 16:9
N
Triax
Yamaha PM4000 (52x8x2)
MU 5
53' expando
SD 16:9
N
Triax
SSL Axiom MT+ (192)
Pegasus
54' double
expando
HD
Y
Both
Calrec Alpha (100)
10 GV, 1 Ultra-Mo
Phantom V640
10 GV, 1 Ultra-Mo
Phantom V640
10 GV, 1 Ultra-Mo
Phantom V640
10 GV, 1 Ultra-Mo
Phantom V640
10 GV, 1 Ultra-Mo
Phantom V640
10 GV, 1 Ultra-Mo
Phantom V640
10 GV, 1 Ultra-Mo
Phantom V640
10 GV, 1 Ultra-Mo
Phantom V640
6 Sony 700, 4 Sony
750
3 Sony BVP 900,
3 Sony BVP 950
6 LDK 10, 4 LDK
10P
6 Sony BVP 900, 4
Sony BVP 950
16 Ikegami
HDK79EC
Nereus
53' expando
HD
Y
Fiber
Lawo MC2/66
10 Ikegami HDK79EC
Barrie
53' expando
HD
Y
Fiber
Lawo MC2/56
4 Sony PMW-EX3,
4 Sony BRCH 700
Robotics
NCPII
53' expando
SD
N
Both
Yamaha PM 5000 (52)
11 Ikegami
NCPIII
53' expando
HD
Y
Triax
Calrec S (48)
10 GV
NCPIV
53' expando
HD
Y
Both
12 Ikegami, 1
Panasonic
Graphics
Microphones
Switcher, M/E
Still Store
13 Fujinon
Chyron HyperX3
Senn, Shure, Sony, Beyer
GV Kayenne 4.5M/E
2 6-ch EVS XT3, 2 4-ch RO XT2+, SpotBox, XFile; HDCAM, DigiBeta, XDCam
GV Kayenne w/Klip
Cache
10 Canon
Chyron HyperX2
A-T, Senn, EV, Sony
GV 3000, 3M/E
11 Canon
Chyron HyperX2
A-T, Senn, EV, Sony
GV Kalypso, 4M/E
11 Canon
Chyron HyperX2
A-T, Senn
GV XTEN DD, 4M/E
10 Canon,
1 Angenieux
3 EVS, 3 BetaSP
2 4-ch EVS XT, 6-ch XT2, DigiBeta, 2
BetaSP
2 4-ch EVS XT, 6-ch XT2, 4-ch RO XT;
DigiBeta, 2 BetaSP
GV Kalypso
GV Kalypso, Abekas
ClipStore
GV Kalypso, Abekas
ClipStore
Chyron HyperX2,
HyperX3
A-T, Senn
GV Kalypso, 4M/E
2 4-ch EVS XT, 6-ch XT2, 2 4-ch RO XT;
DigiBeta, 2 BetaSP
GV Kalypso, Abekas
ClipStore
A-T, Senn
GV Kalypso, 4M/E
12 Canon
Chyron HyperX2,
HyperX3
Chyron HyperX2,
HyperX3
Chyron LEX
Chyron HyperX2,
HyperX3
8 Canon
GV Kalypso, Abekas
ClipStore
GV Kalypso, Abekas
ClipStore
Sony
GV Kalypso, Abekas
ClipStore
Internal, Abekas ClipStore
A-T, Senn
GV Kalypso, 4M/E
Senn
Sony DVS 7250, 3.5M/E
A-T, Senn, EV
GV Kalypso, 4M/E
DigiBeta, 2 BetaSP
DigiBeta, 2 BetaSP
EVS, 3 BetaSP
2 4-ch EVS XT2, 6-ch XT2, 2 4-ch RO XT,
XFile; DigiBeta, 2 BetaSP
Chyron HyperX2
Senn, Sony, EV
GV Kayak-300, 3M/E
6-ch EVS XT, 6-ch RO XT; DVD
8 Canon
Chyron HyperX2
Senn, Sony, EV
GV Kayak-300, 3M/E
8 Canon
Chyron HyperX2
Senn, Sony, EV
GV Kayak-300, 3M/E
12 Canon
Chyron HyperX2,
HyperX3
A-T, Senn, EV
GV Kalypso, 4M/E
10 Canon
Chyron HyperX2
Senn, Sony, EV
GV Kalypso, 3M/E
12 Canon
Chyron HyperX2
Senn, Sony, EV
GV Kayak, 4.5M/E
9 Canon
Chyron HyperX
Senn, Sony, EV
GV Kalypso, 3M/E
DigiBeta, 2 BetaSP
6-ch EVS XT, 4-ch XT, 4-ch RO XT;
BetaSP, DigiBeta, DVD
DigiBeta, 2 BetaSP, DVD
6-ch EVS XT, 4-ch XT, 2 4-ch RO XT;
BetaSP, DVD
5 Canon
Chyron HyperX2
Senn, Sony, EV
GV Kayak, 2M/E
4-ch EVS XT, 4-ch EVS XT RO, BetaSP
5 Canon
Chyron HyperX2
Senn, Sony, EV
GV Kayak, 2M/E
4-ch EVS; DVCAM, DVD
12 Canon
12 Canon
9 Canon
9 Canon
Chyron HyperX2
Senn, Sony, EV
GV Kayak, 3.5M/E
11 Canon
Chyron HyperX2
Senn, Sony, EV
GV Kayenne, 4.5M/E
11 Canon
Senn, Sony, EV
GV Kayenne, 4.5M/E
Senn, Sony, EV
GV Kayenne, 4.5M/E
11 Canon
Chyron HyperX2,
HyperX3
Chyron HyperX2,
HyperX3
Chyron HyperX2,
HyperX3
Senn, Sony, EV
GV Kayenne, 4.5M/E
11 Canon
2 Chyron HyperX3
Senn, Sony, EV
GV Kayenne, 4.5M/E
11 Canon
Senn, Sony, EV
GV Kayenne, 4.5M/E
11 Canon
Chyron HyperX2,
HyperX3
Chyron HyperX2,
HyperX3
Senn, Sony, EV
GV Kayenne, 4.5M/E
6-ch EVS, 4-ch EVS, 4-ch RO EVS, XFile;
BetaSP, DigiBeta, DVD
2 4-ch EVS XT2, 6-ch XT2, 2 4-ch RO XT,
2 Xfile; DigiBeta, 2 BetaSP
4-ch EVS XT2, 2 6-ch XT2, 2 4-ch RO
XT2, 2 XFile; DigiBeta, BetaSP
4-ch EVS XT2, 2 6-ch XT2, 2 4-ch RO
XT2, 2 XFile; DigiBeta, Beta SP
3 6-ch EVS XT2, 2 4-ch RO XT2, 2 XFile;
DigiBeta, Beta SP
3 6-ch EVS XT2, 2 4-ch RO XT2, 2-ch
SpotBox, 2 XFile; DigiBeta
3 6-ch EVS XT2, 2 4-ch RO XT2, 2-ch
SpotBox, 2 XFile; DigiBeta
2 6-ch EVS XT3, 6-ch XT2, 4-ch XT2, 4-ch
RO XT2, 2 XFile; DigiBeta
11 Canon
Chyron HyperX
Senn, Sony, EV
GV Kayenne, 4.5M/E
5 EVS
6 Canon, 4
Fujinon
3 Canon, 3
Fujinon
6 Canon, 4
Fujinon
6 Fujinon,
5 Canon
Chyron Duet HyperX2
w/Cmix
EV, Sony, Shure, Senn,
Rohde
Rohde
Rohde
Rohde
GV Kalypso, 4M/E
4-ch EVS, 4-ch XT, 3 DigiBeta, 1 BetaSP,
FFV
GV Kalypso, 4M/E
2 4-ch EVS LSM, DigiBeta, 2 Beta SP, FFV
GV Kalypso
GV Kalypso, 4M/E
GV Kalypso
GV Kalypso, 4M/E
As requested
Sony MVS8000A, 4M/E
Sony MVS8000A
16 Fujinon
As requested
2 EVS XT2, 12 Sony SRW VTR
Sony MVS6000
4 Sony, others upon
request
Sony MVS6000, 2M/E;
MKS9011,1M/E as
requested
6-ch EVS XT, 4-ch XT2, XFile; 4 DigiBeta,
2 BetaSP, FFV
2 4-ch EVS XT, XFile; 4 DigiBeta, 2 Beta
SP, FFV
6-ch EVS XT, Xfile; 2 Sony DigiBeta, 16
Sony SRW VTR
As requested
Sony MVS7000X HD
2 EVS XT2; wired for 12 VTR
Sony MVS7000X
6-ch EVS XT, 4-ch HCT; FFV, 6 DigiBeta,
2 BetaSP
3 4-ch EVS XT, 4-ch RO EVS; HDCAM,
2 DigiBeta
2 6-ch EVS XT2, XT, 2 6-ch RO XT2, XT2,
SpotBox; 2 DigiBeta, BetaSP, DVCPRO,
GigE, Multicam 10
As requested
11 Canon
Chyron Duet
Chyron HyperX2 w/
Cmix
Chyron HyperX3
25 Fujinon
7 Canon
As requested
Senn, Sony, EV, Shure
8 Canon
As requested
GV Kalypso, 3M/E
13 Canon
As requested
GV Kalypso, 4M/E
GearBase
Lenses
Internal, Spot Box
Internal, Abekas ClipStore, SpotBox
GV Kalypso
GV Kalypso
As requested
As requested
243
Company
NEP
GearBase
Truck Name
Triax,
Fiber, or
Both
Audio Console
(Channels)
Number of
Cameras
& Make
NCPVII
53' expando
HD
Y
Triax
Calrec Alpha (96)
12 GV, 1 Panasonic
NCPVIII
53' expando
HD
Y
Both
12 Ikegami, 1 Sony
NCPIX
53' expando
SD
N
Triax
Yamaha PM1D (48)
9 Sony
NCPX
53' expando
HD
Y
Triax
16 GV, 1 Panasonic
NCPXI
53' expando
HD
Y
Both
10 Ikegami
NCPXII
53' expando
HD
Y
Triax
SSL C100 (92)
10 Sony
NCPXIV
53' expando
HD
Y
Both
10 Ikegami, 1
Panasonic
ND2
53' expando
HD
N
Both
Calrec Q2 (120)
Wired for 8 GV
ND3
53' expando
twin
HD
N
Both
Up to 24 Sony
ND4
53' expando
twin
HD
N
Both
Up to 24 Sony
ND5
53' expando
HD
N
Both
Calrec Artemis Beam with Bluefin
(64)
12 Sony
ND6
53' expando
HD
N
Both
Calrec Artemis Beam with Bluefin
(64)
12 Sony
Red & Black
53' expando
twin
HD
N
Triax
11 Sony
SS10
53' expando
twin
HD
N
Both
24 Sony
SS11
53' expando
HD
N
Both
10 Sony
SS14
53' expando
HD
N
Triax
Calrec Alpha (60)
10 GV
SS16
53' expando
with B unit
HD
N
Both
10 Sony
SS17
53' expando
HD
N
Both
10 Ikegami
SS18
53' expando
HD
N
Triax
11 GV
SS15
53' expando
HD
N
Both
12 Sony
SS20
53' expando
HD
N
Both
12 Sony
SS21
53' expando
twin with 3rd
unit
HD
N
Both
15 Sony, 5 GV
SS22
53' expando
HD
N
Both
Calrec Apollo w/Bluefin
12 Sony
SS24
53' expando
twin
HD
N
Both
15 Sony
SS23
53' expando
with B unit
HD
N
Triax
Calrec Alpha (64)
10 GV
HD
N
Both
14 Sony, 1 Panasonic
HD
N
Triax
10 GV
SS25
SS28
246
1080p/60
53' expando
twin with
carry-all truck
53' expando
with B unit
Graphics
Microphones
Switcher, M/E
13 Canon
As requested
GV Kalypso, 4M/E
14 Canon
As requested
9 Fujinon
As requested
GV Kalypso, 4M/E
18 Canon
As requested
GV Kalypso, 4M/E
11 Canon
As requested
GV Kalypso, 4M/E
12 Canon
As requested
Senn, EV, Sony
Sony MVS8000, 4M/E
13 Canon
As requested
GV Kalypso, 4M/E
10 Canon
As requested
Senn, Sony, EV, Shure,
Sanken
GV Kalypso, 4M/E
22 Canon
As requested
16 Canon
As requested
14 Canon
As requested
15 Canon
As requested
13 Fujinon
As requested
28 Fujinon
As requested
13 Canon
As requested
11 Fujinon
As requested
11 Canon
As requested
11 Canon
As requested
11 Canon
As requested
9 Canon,
2 Fujinon
As requested
10 Canon,
2 Fujinon
As requested
24 Canon
As requested
13 Canon
As requested
As requested
17 Canon
As requested
13 Fujinon
As requested
Senn, Sony, EV
15 Canon,
2 Fujinon
As requested
10 Canon
As requested
2 6-ch EVS XT2, 3 4-ch RO XT2, EVS
SpotBox; 2 HD DVCPRO, HDCAM,
2 DigiBeta, GigE, Multicam 10
6-ch EVS XT2, 4-ch XT2, 3 4-ch RO XT2,
XT2, SpotBox; DigiBeta, DVCPRO,
2 HDCAM, GigE, Multicam 10
6-ch EVS XT, 4-ch 4 XT; 4 DigiBeta,
BetaSP, FF
3 6-ch EVS XT2, 4 6-ch XT2, 6-ch XT2
SpotBox; 2 DigiBeta, 2 DVCPRO, GigE,
Multicam 10
2 6-ch EVS XT2, 3 4-ch RO XT2, SpotBox;
DVCPRO, 2 DigiBeta, GigE, Multicam 10
2 6-ch EVS XT2, 3 4-ch RO XT2, XT2
SpotBox; XDCAM, 2 DigiBeta, 2 BetaSP
2 6-ch EVS XT2, 2 6-ch RO XT2, XT2
SpotBox; 2 HDCAM, XDCAM, DigiBeta,
GigE, Multicam 10
Wired for 8 VTR and 4 EVS as requested
7 EVS HD LSM XT2, 2 HD LSM XT2, HD
LSM XT2, 4-ch SpotBox, 6-ch
SportsNet Hub, 3 XFile2, 3 IPDirector;
3 Sony SRW, 2 HDW, DVW A500
6 6-ch EVS XT2, SpotBox, SportsNet Hub,
GV Kalypso, 4M/E
IPDirector; GigE, DigiBeta,
3 HDCAM, HDCAM SRW
5 6-ch EVS XT3 LSM, XT2 SpotBox,
IPDirector, 2 EVS, XFile2; GigE
GV Kalypso, 3.5M/E
Jumboframe network; Sony HDCAM,
2 Sony XDCAM, DigiBeta
5 6-ch EVS XT3 LSM, XT2, SpotBox,
IPDirector, 2 EVS, XF2; GigE
GV Kalypso, 3.5M/E
Jumboframe network; Sony HDCAM,
2 Sony XDCAM, DigiBeta
2 6-ch EVS XT2, 4 XT2, SpotBox,
GV Kayenne, 4M/E
SportsNet Hub; 8 HDCAM, 2 SRW
4 6-ch EVS XT2, 2 6-ch XT2 Super
Sony MVS-8000, 4M/E
Motion, SportsNet Hub, SpotBox;
2 DigiBeta, 3 HDCAM SRW, 2 DVCPRO
3 6-ch EVS XT2, 4-ch RO XT2, XT2
GV Kalypso, 4M/E
SpotBox, SportsNet Hub; DigiBeta,
DVCPRO, 2 HDCAM
2 6-ch EVS XT2, 2 4-ch XT2,
GV Kalypso, 4M/E
SpotBox, SportsNet Hub; GigE, DigiBeta,
2 HDCAM
4 6-ch EVS XT2, SpotBox, SportsNet Hub;
GV Kalypso, 4M/E
2 HDCAM, DVCPRO, DigiBeta
2 6-ch EVS XT2, 2 4-ch EVS XT2, EVS
GV Kalypso Duo, 4M/E SpotBox, DigiBeta, 5 HDCAM, HDCAM
SRW
4 6-ch EVS XT2, EVS SpotBox, SportsNet
GV Kalypso, 4M/E
Hub, 1 SRW, DigiBeta
3 6-ch EVS XT2, 4-ch XT2, SpotBox,
GV Kalypso, 4M/E
SportsNet Hub; DigiBeta, 2 DVCPRO,
HDCAM, SRW, DigiBeta
5 6-ch EVS XT2, 4-ch XT2, SpotBox,
GV Kalypso, 4M/E
2 SportsNet Hub; DigiBeta, DVCPRO,
HDCAM, SRW, DigiBeta
9 6-ch EVS XT2, XT2+, 2 XT2, SportsNet
GV Kayenne Duo, 4.5M/E
Hub, 2 SpotBox, 5 SportsNet Hub;
DigiBeta, DVCPRO, SRW
5 6-ch EVS XT2, SportBox, SportsNet
GV Kalypso, 4.5M/E
Hub; 2 GigE Jumboframe, HDCAM,
DVCPRO, DigiBeta
6 6-ch EVS XT2, 2 SpotBox, SportsNet
Sony MVS-8000, 3.5M/E
Hub; 2 DigiBeta, 3 HDCAM, HDCAM
SRW, DVCPRO, DigiBeta
2 6-ch EVS XT2, 2 4-ch RO XT2,
GV Kalypso, 4M/E
SpotBox, SportsNet Hub; 2 DVCPRO,
HDCAM, 2 DigiBeta
6 4-ch EVS XT2, XT2, 3 6-ch XT2, SpotGV Kayenne, 4.5M/E
Box, SportsNet Hub; DigiBeta,
2 DVCPRO
2 6-ch EVS XT2, 3 4-ch XT2, SpotBox;
GV Kalypso, 4M/E
2 DigiBeta, DVCPRO, HDCAM
Sony MVS-8000A, 4M/E
Still Store
As requested
GearBase
Lenses
As requested
As requested
As requested
As requested
As requested
As requested
As requested
As requested
As requested
As requested
As requested
As requested
As requested
As requested
As requested
As requested
As requested
As requested
As requested
As requested
As requested
As requested
As requested
As requested
As requested
As requested
247
Company
PROSHOW
BroadCAST
NEP Denali
NEP
GearBase
Truck Name
Slipstream
Media
Raycom
Sports
Sweetwater
Number of
Cameras
& Make
HD
N
Both
Calrec Artemis (64)
10 Sony, 2 Panasonic
SS31
53' expando
HD
N
Both
10 GV
SS3
53' expando or
flypack
HD
N
Both
DiGiCo SD10B
6 GV, 2 Sony
SS32
53' expando
3D
Y
Both
Wired for 20 3D
SS4
52' expando
SD
N
Both
Calrec S2 (60)
10 Sony
SS2
48' expando
SD
N
Both
Yamaha PM 4000-48C (44)
13 Ikegami
SS7
52' expando
SD
N
Both
Calrec S2 (60)
14 Sony
California
53' expando
HD
N
Both
Calrec Apollo (144)
up to 16 Sony
Summit
53' expando
twin
HD
N
Both
up to 24 Sony
Gold
53' expando
SD
N
Both
Calrec Q2 (120)
12 Sony
Prodigy
40'
HD
N
Triax
Yamaha M7 (48)
6 Sony
Maestro
40' expando
HD
N
Triax
Calrec Omega (112)
8 Sony
HD1
53' expando
HD/SD
N
Both
R4
51'
SD
N
Triax
Calrec Omega Audio Console w/
Bluefin (48)
Yamaha PM 4000 (48)
8 Ikegami
SSM 1
53'
SD
N
Triax
Yamaha PM 3500 (48)
6 Sony
7 Sony
HD Link
Cobalt
Entourage
Pacific
Sapphire
TL Mobile
Television
Audio Console
(Channels)
53' expando
twin
ExpandoLink
250
Triax,
Fiber, or
Both
SS29
HDLA
SDTV 1080p/60
Hollywood
40' combo/
HD
expandable
32' combo
HD/SD
40' combo/
SD
expandable
A unit: 55'8"
long x 13'8"
high x 15'9" or
21'5" or 25'7"
wide expanded
depending on
HD
configuration; B
unit; 37' long x
13'6" high x 8'6"
wide without
tractor
60' wide x 13'8"
high x 15'1"
HD
wide expanded
without tractor
A unit; 47' long
x 13' high x 13'
wide; B unit; 40'
HD
long x 13' high x
8.5' wide
40' long x 12'
high x 12' wide
HD
expanded
50' expando
HD
9 Sony
Y
Both
Calrec Zeta (56)
Y
Triax
Yamaha 02R96 (24)
None
N
Triax
Allen & Heath ML4000 (40)
8 Sony
Fiber
Studer Vista
Sony according to
needs
Fiber
Studer Vista
Sony according to
needs
Fiber
2 cascaded Yamaha DM2000
Sony according to
needs
Fiber
Yamaha DM2000 Digital Audio
Console
Sony according to
needs
Triax
Yamaha PM4000 (44)
7 GV
N
Graphics
Microphones
Switcher, M/E
13 Canon
As requested
GV Kayenne, 4M/E
7 Canon,
3 Fujinon
As requested
As requested
GV Kalypso, 3.5M/E
8 Canon
As requested
As requested
As
requested
13 Canon
15 Canon,
1 Fujinon
15 Canon
As
requested
2 Canon,
up to 20
Fujinon
Fujinon
Still Store
3 6-ch EVS XT2, 2 6-ch RO XT2, SpotBox, SportsNet Hub; DigiBeta,
2 DVCPRO
3 6-ch EVS XT2, SpotBox; GigE,
SportsNet Hub, HDCAM, DigiBeta
As requested
Ross Carbonite 2, 1.5M/E
1 GV K2 Solo, 2 K2 Dyno Summit
As requested
5 6-ch EVS XT3, 6-ch XT3 SpotBox;
2 SRW dual stream, DVCPRO, 2 Blu-ray
4 6-ch EVS XT, XT SpotBox; 3 DigiBeta
As requested
As requested
As requested
As requested
As requested
Sony MVS-8000X, 4M/E
As requested
GV Kalypso, 4M/E
As requested
GV 4000, 3.5M/E
7 DigiBeta, BetaSP
As requested
GV Kalypso, 4M/E
4 6-ch EVS XT, SpotBox
As requested
As requested
GV Kalypso, 4M/E
Up to 16 VTRs and 5 servers on request
As requested
As requested
GV Kalypso Duo HD,
4M/E
20 VTRs or 7 EVS on request, 2 SpotBox
As requested
As requested
GV Kalypso, 4M/E
Up to 20 VTRs on request
As requested
5 Canon,
1 Fujinon
Chyron HyperX2
Senn, Sony, EV
Sony MVS-8000, 2.5M/E
2 6-ch EVS XT2 LSM; HDCAM,
DigiBeta, DVCPRO, XDCAM, DVD
Abekas Clipstore
7 Canon,
1 Fujinon
Chyron HyperX3
Senn, Sony, EV
GV Kalypso, 4M/E
GV Kalypso, Abekas
ClipStore
10 Canon Chryon HyperX3 HD/SD
Senn, A-T
GV Kayenne HD, 4M/E
8 Canon Chyron HyperX2 HD/SD
Senn, Sony, Shure
GV 3000-3T, 3M/E
2 6-ch EVS XT2 LSM; DigiBeta XDCAM,
DVD
2 6-ch EVS XT2+, 2 4-ch RO XT2+,
4-ch SpotBox, XFile
2 4-ch. EVS XT2+, 4-ch. RO
GearBase
Lenses
As requested
GV Kayenne
Abekas
4 Canon
Chyron LEX, Infinit
Senn, A-T, EV
GV 3000, 3M/E
5 BetaSP, FFV
Abekas
6 Canon
Chyron HyperX3
Senn, Sony
Sony MVS 8000, 4M/E
Sony
None
Chyron Max
Senn, Sony
Sony MFS-2000, 1.5M/E
8 Canon
Chyron Duet
Senn, Sony
DVS 7350, 3.5M/E
2 EVS XT2, XFile; 2 HDW-S2000,
PDW1500 XDCAM, Fast Forward
Sony BVW-75, BVW-D75, 2 PVW-2800
EVS XT; 6 Sony BVW-D75, DVW-500,
Doremi
Fujinon
according
to needs
Upon request
Shure, Senn
GV Kayenne, 4/5M/E
HD/SD options
Upon request
Fujinon
according
to needs
Upon request
Shure, Senn
Sony MVS8000A
HD/SD options
Upon request
Fujinon
according
to needs
Upon request
Shure, Senn
GV Kayak, 2.5M/E
HD/SD options
Upon request
Fujinon
according
to needs
Upon request
Shure, Senn
Sony, 1.5M/E
HD/SD options
Upon request
8 Angenieux,
2 Canon
Chyron HyperX
EV, Shure, Senn
GV Kayenne, 3M/E
6-ch EVS, 4-ch EVS, SpotBox, XFile;
2 DigiBeta/2 DVCPRO
Sony
251
Company
Token Creek Trio Video
Turner
Studios
YES
Productions
GearBase
Truck Name
1080p/60
Triax,
Fiber, or
Both
Audio Console
(Channels)
Number of
Cameras
& Make
Chippewa
48' expando
HD
N
Triax
Calrec w/Bluefin (56)
8 GV
Varsity
53' expando
HD
N
Triax
10 GV
Hiawatha
53'
SD
N
Triax
Allen & Heath (48)
10 Sony
Aqua
55' long x 13'6”
high x 20' wide
expanded without tractor
HD
N
Triax
Calrec S Series
10 GV Thomson
Phoenix
53' expando
HD
N
Triax
Calrec Sigma
9 GV Thomson
Rhythm
53' expando
HD
N
Triax
Calrec Sigma w/Bluefin
9 GV Thomson
Tango
53' expando
HD
N
Triax
Calrec Alpha
11 GV LDK 6000
Tempo
53' expando
HD
N
Triax
Calrec Omega
9 GV LDK 8000
Elite
TS1 (out of service Dec.
2012)
TS2 (out of service
Feb. 2013)
New TS1 (launches Feb.
2013)
New TS2 (launches April
2013)
53' expando
HD
Y
Both
12 Ikegami
53' expando
HD
Y
Both
12 Ikegami
53' expando
HD
Y
Both
12 Sony
53' expando
HD
Y
Both
12 Sony
HD1
53' expando
HD
N
Both
9 Ikegami
HD2
53' expando
HD
N
Both
8 Ikegami
TAKES THE
INITIATIVE!
Every association is judged
by what it contributes to
its industry. The following
industry initiatives are being
run by the members of SVG
year-round, backed by the
funding of our sponsors. From freelancers to the front
office, we know that we must
take care of our own and
SVG is proud to be making
this happen:
Graphics
Microphones
Switcher, M/E
10 Angenieux
Chyron HyperX3
Senn, A-T, Sony, Shure
GV Kalypso, 4M/E
15 Angenieux, 1
Fujinon
Chyron HyperX3
Senn, Shure, Sony
GV Kalypso, 4M/E
12 Fujinon
Chyron HyperX3
Senn, Shure, Sony
GV Kalypso, 4M/E
5 Canon, 4
Fujinon
Upon request
Senn, Shure, EV, Sony
GV Kalypso, 4M/E
10 Fujinon
Upon request
Senn, Sony
GV Kalypso, 4M/E
10 Fujinon
Upon request
Senn, Sony
GV Kalypso, 4M/E
12 Fujinon
Upon request
Senn, Sony
GV Kalypso, 4M/E
10 Canon
Upon request
Senn, Sony
GV Kalypso, 4M/E
13 Canon
Chyron HyperX3
GV Kalypso, 4M/E
13 Canon
Chyron HyperX3
13 Canon
Chyron HyperX3
13 Canon
Chyron HyperX3
Senn, Sony, Neumann,
Sanken
Sanken
Sanken
Sanken
10 Fujinon
Chyron HyperX3
Standard audio
GV Kalypso Duo HD
8 Fujinon
Chyron HyperX3
Standard audio
GV Kalypso Duo HD
GV Kalypso, 4M/E
GV Kayenne, 4M/E
GV Kayenne, 4M/E
6-ch EVS XT2, 4-ch XT2, 4-ch RO XT2,
XFile2, SpotBox, NetGuard Hub; BetaSP,
DigiBeta, DVCPRO, HDCAM
6-ch EVS XT2, 4-ch XT2, RO XT2, XFile2,
SpotBox, Sport Hub 2; BetaSP, DigiBeta,
DVCPRO, HDCAM
6-ch EVS XT2, 4-ch XT2, 4-ch RO XT2,
XFile2, SpotBox, NetGuard Hub; BetaSP,
DigiBeta, DVCPRO, HDCAM
6-ch EVS XT2 LSM, 4-ch RO XT2, wiring
for one more 6-ch EVS, XT2, 4-ch
SpotBox; GigE, 2 Digi, HDCAM
6-ch EVS XT2 LSM, 4-ch XT2 LSM, 4-ch
RO XT2, 4-ch SpotBox, wired for 1 more
EVS; GigE, GV KYNO, HDW, XDCAM,
DigiBeta
RO XT2, 4-ch XT2 SpotBox, wiring for 2
more EVS; GigE, HDW, XDCAM, DVW
2 6-ch EVS XT2 LSM, 4-ch RO XT2, 4-ch
XT2 LSM, 4-ch XT2, SpotBox, wiring for
one more EVS; GigE, HDW, 2 DigiBeta
RO XT2, 4-ch XT2, SpotBox, wiring for
1 more EVS; GigE, HDW, XDCAM, 2
DigiBeta
2 6-ch EVS XT, 2 4-ch EVS XT,
2 DigiBeta, 1 HDCAM, 2 SRW
2 6-ch EVS XT, 2 4-ch XT; 2 DigiBeta,
HDCAM, 2 SRW
HDCAM, 2 SRW
HDCAM, 2 SRW
6-ch EVS XT2, 4-ch XT2, 2 RO XT2, 4-ch
XS SpotBox, XNet, XFile, XHub; HDCAM,
DVCPRO HD, DigiBeta, FFV
6-ch EVS XT2, 4-ch XT2, 2 RO XT2, 4-ch
XS SpotBox, XNet, XFile, XHub; HDCAM,
DVCPRO HD, DigiBeta, FFV
Still Store
GV Kalypso
GearBase
Lenses
GV Kalypso
GV Kalypso
Upon request
Upon request
Upon request
Kalypso internal
Kalypso internal
GV Kayenne
w/ClipStore
GV Kayenne
w/Clip Store
GV Kalypso
GV Kalypso
All information subject to change. Please contact the truck vendor’s Website for the most current information on equipment and capabilities
www.dtvaudio.com
www.sportsbroadcastingfund.org
www.sportsvideo.org/wsmi
www.spsgonline.org
PRODUCED BY
www.sportsvideo.org/main/vip
www.schubincafe.com
Get involved
in these or
any initiatives
by contacting
Andrew Lippe at
andrew@sportsvideo.org
SVGSponsorDirectory / AdIndex
SVG Sponsor
Page
Level
Contact
email
phone
818-333-3000
3ality Technica
82
Corporate
Steve Schklair
steve@3alitydigital.com
Abekas
21
Premier
Junaid Sheikh
junaid@abekas.com
650-470-0903
AbelCine
73
Corporate
Alan Rosenfeld
arosenfeld@abelcine.com
212-462-0137
Active Storage
133
Corporate
Skip Levens
skip@getactivestorage.com
310-212-5248
Adobe Systems
27
Platinum
Rebecca Gerben Mehta
rgerben@adobe.com
408-536-4700
ADTEC Digital
38
Premier
Kevin Ancelin
kevina@adtecinc.com
904-720-2003
Advanced Mobility
Specialty Vehicles
225
Mobile
Mike Hardesty
mhardesty@amstcorp.com
708-235-2800
135
Mobile
Argyle Nelson
argyle@aerialvideo.com
818-954-8842
Back
Cover
Platinum
Christina Oliver
christinao@aja.com
530-271-3326
Mobile
Eric Duke
eduke@amvchelsea.com
212-727-9862
501-219-2653
AJA Video Systems
All Mobile Video
217
Mobile
Craig Farrell
Craig@allianceproductions.com
Alpha Video
213
Mobile
Jeffrey Volk
jeffv@alphavideo.com
952-841-3311
AmberFin
57
Corporate
David Abel
david.abel@amberfin.com
[44] 1256 317 500
ARCTEK Satellite
Productions
197
Mobile
Brian Stanley
bstanley@arcteksat.com
612-308-9079
978-795-4914
Corporate
Richard Dellacanonica
rhd@artel.com
Aspera
30
Premier
Michelle Munson
michelle@asperasoft.com
510-849-2386
ATEME
167
Corporate
Nicolas Moreau
n.moreau@ateme.com
[33] 169 358 945
Artel Video Systems
164
Corporate
Mike Edwards
medwards@atus.com
330-686-2600
Cover
2
Platinum
Nick Shilling
nick.shilling@avid.com
650-731-6405
Axis Global Logistics
118
Corporate
Brian Harvey
bharvey@axisg.com
718-906-2866
Axon Digital
151
Corporate
John Carapella
john.carapella@axon.tv
203-948-4098
Azzurro System
Integration
199
Mobile
Francis Luperella
fluperella@azzurrohd.com
201-784-2020
Beck Associates
179
Mobile
Fred Wright
fwright@becktv.com
512-252-7555
Bexel
29
Platinum
Scott Nardelli
snardelli@bexel.com
818-565-4206
Blackmagic Design
9
Platinum
Mel Atherton
melissa@blackmagic-design.com
[61] 3 9682 4770
Brevity
10
Platinum
Michael Jackman
mike@brevity.com
908-482-2727
Broadcast Services
International
177
Mobile
Jim Eady
jim@bsi-tv.com
905-332-2171
Broadcast Sports, Inc.
154
Corporate
Mark Polla
mark.polla@l-3com.com
410-564-2627
Calrec Audio
42
Premier
Kevin Emmott
kevin.emmott@calrec.com
[44] 1422 842159
Cameron-Pace Group
18
Platinum
Corey Bridges
corey@cameronpace.com
818-565-0005
Canon Broadcast
14
Platinum
Rich Eilers
reilers@cusa.canon.com
201-807-3342
Cartoni
77
Corporate
Elisabetta Cartoni
elisabetta@cartoni.com
[39] 06 4382002
CAT Entertainment
Services
205
Mobile
Phil Wessels
phil.wessels@ringpower.com
904-494-7550
CBC Mobile
Productions
253
Mobile
Dale Smith
dale.smith@cbc.ca
416-205-6513
CBT Systems
195
Mobile
Darrell Wenhardt
darrell@cbt-net.com
858-536-2927
Corporate
Kristin Kohler
kkohler@cellularspecialties.com
603-626-6677
401-349-4351
Audio-Technica
Avid
Cellular
Specialties, Inc.
258
Chyron
32
Premier
Mark Gederman
mgederman@chyron.com
CineSys/Oceana
175
Mobile
Brent Angle
brent.angle@cinesysinc.com
713-272-0732
Cisco
33
Premier
Michael Caponigro
mcaponig@cisco.com
408-527-6111
Clark Media
104
Mobile
Gary Snyder
garys@clarkmedia.com
610-694-9800
Clear-Com - A HME
Company
88
Corporate
Judy Cheng
judy.cheng@clearcom.com
510-337-6676
Cobalt Digital
34
Premier
Bob McAlpine
Bob.McAlpine@cobaltdigital.com
631-651-2713
Comcast Media Center
176
Corporate
Jeff Rohr
jeff.rohr@cable.comcast.com
303-486-3811
Communications
Engineering Inc.
169
Mobile
Phil Whitebloom
phil.whitebloom@commeng.com
703-550-5800
Corplex
232
Mobile
Scott West
scott@corplex.tv
847-457-1430
CP Communications
223
Mobile
Kurt Heitmann
kurt.heitmann@cpcomms.com
914-345-9292
Crosscreek
240
Mobile
Spruce McRee
spruce@crosscreektv.com
205-663-4411
SVG Sponsor
Level
Contact
email
phone
145
Corporate
Sandy deSosta
sandy.desostoa@crowncastle.com
724-416-2444
CSP Mobile
241
Mobile
Len Chase
len@cspmobile.com
207-282-9680
Daktronics
159
Corporate
Jay Parker
Jay.Parker@daktronics.com
605-692-0200
Dale Pro Audio
123
Corporate
Tim Finnegan
tim@daleproaudio.com
212-475-1124
DALET
92
Corporate
Raoul Cospen
rcospen@dalet.com
[33] 1 41 27 67 53
Cover
3
Corporate
Tom Masson
Thomas_Masson@Dell.com
636-474-9128
Deluxe Entertainment
125
Corporate
Fred Handsman
fred.handsman@bydeluxe.com
212-444-5510
DiGiCo
62
Premier
Jack Kelly
jackk@g1limited.com
516-249-1399
Diversified Systems
138
Mobile
Duane Yoslov
dyoslov@divsystems.com
408-969-1972
Dixon Sports
Computing
163
Corporate
Matt Collins
m.collins@dixonsports.com
562-439-0720
Dolby
127
Corporate
Kenneth Hunold
krh@dolby.com
212-767-1700
Dome Productions
Dell
233
Mobile
Mary Ellen Carlyle
mcarlyle@domeprod.com
416-341-2022
DTS
1
Platinum
Mark Seigle
Mark.Seigle@dts.com
425-522-0709
Elemental
Technologies
28
Premier
Whitney Seven
whitneys@elementaltechnologies.com
503-222-3212
Encompass Digital
Media
67
Corporate
Keith Kozicki
kkozicki@encompass-m.com
678-421-6830
Envivio
97
Corporate
Sarah Lum
selum@envivio.com
650-243-2710
Ericsson Television
Inc.
171
Corporate
Ed Giovannini
edward.giovannini@ericsson.com
203-268-1335
Eurovision
47
Premier
Jim Scott
jim.scott@eurovision.net
973-650-9577
Evertz
37
Premier
Joe Cirincione
joe@evertz.com
818-558-3910
EVS
66
Corporate
Greg Macchia
g.macchia@evs.tv
973-575-2111
F&F Productions
228
Mobile
Ryan Hatch
ryanh@fandfhd.tv
727-535-6776
Filmwerks Int’l.
215
Mobile
Mike Satrazemis
Michaels@filmwerksintl.com
910-297-8000
Fletcher Sports
137
Corporate
Tom Fletcher
tom@fletch.com
312-932-2703
For-A
103
Corporate
Pedro Silvestre
silvestre@for-a.com
201-944-1120
Front Porch Digital
141
Corporate
Phil Jackson
pjackson@fpdigital.com
303-926-5873
Frontline
Communications
201
Mobile
Bob King
rking@frontlinecomm.com
727-573-0400
Fujifilm/Fujinon
24
Platinum
Thom Calabro
tcalabro@fujinon.com
973-686-2409
Game Creek Video
245
Mobile
Pat Sullivan
sullgame@aol.com
603-821-2205
Gearhouse Broadcast
211
Mobile
Marc Genin
mgenin@gearhousebroadcast.com
818-955-9449
Gepco International
157
Corporate
Joe Zajac
jzajac@generalcable.com
847-227-1436
Gerling & Associates
219
Corporate
Fred Gerling
fredg@gerlinggroup.com
740-965-2888
Globecast
79
Corporate
Matthew Rosenstein
Matthew.rosenstein@globecast.com
212-332-2178
Glowpoint
191
Corporate
Stephen Vobbe
svobbe@glowpoint.com
973-855-3411
Grass Valley
6
Platinum
Dave Workman
Dave.workman@grassvalley.com
301-852-0676
Haivision
39
Corporate
Anna Kozel
anna@haivision.com
514-334-5445
Premier
Paulien Ruijssenaars
Paulien.Ruijssenaars@harmonicinc.
com
408-490-7021
Harmonic
41
Harris
35
Premier
Colleen Rauscher
colleen.rauscher@harris.com
303-476-4822
Hego
68
Corporate
Kevin Prince
kevin.prince@hegogroup.com
212-537-0158
Hitachi Kokusai
107
Corporate
Sean Moran
sean.moran@hitachikokusai.us
516-682-4431
HTN
126
Corporate
Joe Cohen
jcohen@htncom.com
212-239-3710
5 and
147
Premier
Nadia Sinigaglia
nsinigaglia@i-movix.com
[32] 0 65 554 110
I-MOVIX
Ikegami Electronics
43
Premier
Teri Zastrow
tzastrow@ikegami.com
201-368-9171
Illumination
Dynamics
189
Mobile
Rich Williams
rich@illuminationdynamics.com
818-686-6400
IMS Productions
248
Mobile
Ken Gardner
kgardner@brickyard.com
317-492-8719
Inertia Unlimited
46
Premier
Jeff Silverman
jeff@inertiaunlimited.com
802-368-2591
Integrated Media
Technologies
185
Mobile
Tom McGowan
tom.mcgowan@imtglobalinc.com
818-761-9770
8
Platinum
Peter Cleary
peter.cleary@intelsat.com
212-839-1812
Intelsat
SVG Sponsor Directory / Ad Index
Page
Crown Castle
259
SVG Sponsor
Page
Contact
email
phone
iStreamPlanet
20
Premier
Robin Cole
RCole@istreamplanet.com
702-492-5900
Joseph Electronics
119
Corporate
Gideon Uys
gideon@jfstv.com
972-922-3311
JVC
143
Corporate
Craig Yanagi
CYanagi@jvc.com
973-317-5176
4
Mobile
David Kearnes
david@kodiakmobile.tv
918-925-9877
416-292-0078
Kodiak Mobile
Television
Lawo
55
Premier
Herbert Lemcke
herbert.lemcke@lawo.ca
Level 3
23
Platinum
Kirsten Megahan
Kirsten.Megahan@Level3.com
720-888-4524
Corporate
Art Raymond
art@levelsbeyond.com
303-495-2424
Levels Beyond
Premier
Tim Carroll
tim@linearacoustic.com
717-735-3611
LiveU
86
Corporate
Ken Zamkow
ken@liveu.tv
201-742-5227
Lyon Video
244
Mobile
Chad Snyder
CHAD@LyonVideo.com
614-319-4071
Mansion Mobile
256
Mobile
Matt Adams
matt.adams@mariner-holdings.com
913-647-9700
Markertek
139
Corporate
Gregory DeCelle
greg@towerpower.com
845-246-2357
Masergy
114
Corporate
Dan Boland
dan.boland@masergy.com
630-632-2062
Metrovision
237
Mobile
Jim McGillion
jim@metrovision.tv
212-989-1515
MIRA Mobile
236
Mobile
Frank Taylor
ftaylor@miramobile.com
503-464-0661
2 and
3
Platinum
Jay Gravina
jay.gravina@miranda.com
201-995-1590
Linear Acoustic
Miranda
Mobile TV Group
257
Mobile
Philip Garvin
pgarvin@coloradostudios.com
303-542-5555
Motion Rocket
91
Corporate
Mark Carman
mark.carman@motionrocket.com
727-537-0836
Motorola Mobility
122
Corporate
Mark Schaffer
mark.schaffer@motorola.com
858-404-2382
MPE
142
Corporate
Tim Okon
tim@mpenyc.com
863-353-6212
MultiDyne
51
Premier
Frank Jachetta
frank@multidyne.com
516-671-7278
NAC Image
Technology
111
Corporate
Andy Hayford
ahayford@nacinc.com
[44] 1844 290585
NEP Broadcasting
226
Mobile
George Hoover
george.hoover@nepinc.com
800-444-0054
NES Communication
Services
221
Mobile
Keith Valeri
kvaleri@nescomm.com
508-842-4328
Corporate
Todd Bayne
todd.bayne@netinsight.net
860-406-1005
Net Insight
Corporate
Gail Costantini
gailc@netapp.com
646-497-8640
87
Corporate
Chris Wagner
Chris.Wagner@neulion.com
516-622-8357
NetApp
NeuLion
260
Level
NewTek
15
Platinum
Philip Nelson
philip@newtek.com
210-370-8266
NextComputing
60
Premier
Aaron Sherman
asherman@nextcomputing.com
603-459-2462
NVIDIA
61
Premier
Greg Estes
gestes@nvidia.com
650-255-4282
On Call
Communications
203
Mobile
Erin Ludden
erin@occsat.com
949-707-1985
ONE CONNXT
112
Corporate
Jodi Morelli
jmorelli@oneconnxt.com
203-249-2839
Orad
25
Premier
Shaun Dail
shaund@orad.tv
201-332-3900
Origin Digital
149
Corporate
Brittany Lorincz
blorincz@origindigital.com
201-537-8600
PacSat
193
Mobile
Steve Mallory
pacsatboss@pacsat.com
916-446-7890
Panasonic
59
Premier
Carter Hoskins
hoskinsc@us.panasonic.com
770-619-1779
PESA
108
Corporate
Dan Holland
dholland@pesa.com
256-726-9200
Phizzle
93
Corporate
Jeff Ryznar
jryznar@phizzle.com
216-310-6948
Platinum Uplink
Services
187
Mobile
Dustin Grubish
Dustin@PlatinumUplink.com
708-792-2100
PNC Equipment
Finance
131
Corporate
Russ Munson
russ.munson@pnc.com
714-969-6955
Polar Mobile
150
Corporate
Steve Van Mierlo
steve.vanmierlo@polarmobile.com
416-899-6738
ProductionHUB
263
Corporate
Steve Rotz
srotz@productionhub.com
877-629-4122
Proshow Audio Visual
Broadcast
229
Mobile
Tim Lewis
timlewis@proshow.com
604-293-1771
PSSI/Strategic TV
209
Mobile
Clayton Packard
cpackard@pssiglobal.com
310-575-4400
Quantel
134
Corporate
Brad Wensley
brad.wensley@quantel.com
212-812-1485
Reality Check Systems
11
Platinum
Jeff Heimbold
j.heimbold@realitychecksystems.com
323-465-3900
Riedel
Communications
65
Premier
Kelly Fair
kelly.fair@riedel.net
818-241-4696
Rimage
83
Corporate
Jason Evans
jason.evans@rimage.com
301-529-1015
Level
Contact
email
phone
613-652-4886
Ross Video
16
Premier
Steve Romain
sromain@rossvideo.com
Sennheiser
115
Corporate
Jeff Alexander
jalexander@sennheiserusa.com
860-434-9190
SES
48
Premier
Sean Tietjen
sean.tietjen@ses.com
609-987-4465
SGL Broadcast
155
Corporate
Doug Wynn
doug.wynn@sglbroadcast.com
608-345-1568
Show Partners
207
Mobile
Michael Mantovani
michaelm@showpartners.com
321-257-1854
Shure
160
Corporate
Jose Rivas
rivas_jose@shure.com
847-600-2000
Signiant
121
Corporate
Lisa Clark
lclark@signiant.com
781-221-4021
Skycam/Cablecam
78
Mobile
Nic Salomon
nic.salomon@skycam.tv
817-984-6848
SMT
96
Corporate
Don Tupper
d.tupper@smt.com
919-354-4799
Sony
13
Platinum
Mark Bonifacio
Mark.Bonifacio@am.sony.com
201-358-4190
SOS Global Express
44
Premier
Fernando Soler
fsoler@sosglobal.com
800-628-6363
Spectra Logic
56
Corporate
Hossein ZiaShakeri
hosseinz@spectralogic.com
303-449-6444
Sportvision
146
Corporate
Jeff Jonas
jeffj@sportvision.com
414-727-2105
Stats Inc.
130
Corporate
Nick Stamm
stamm@stats.com
847-583-2110
rebecca@storagedna.com
303-331-0524
818-920-3295
StorageDNA
173
Corporate
Rebecca Adler
Greenwell
Studer
75
Premier
Katy TemplemanHolmes
Katy.Templeman-Holmes@harman.
com
T-VIPS
109
Corporate
Steve Sloane
steve.sloane@t-vips.com
516-503 3104
T3Media
165
Corporate
Sal Siino
ssiino@t3media.com
720-382-2891
Tata Communications
72
Corporate
Kevin Watson
kevin.watson@tatacommunications.
com
703-547-6539
Tekserve
117
Corporate
Chris Payne
chrisp@tekserve.com
212-929-3645
Tektronix
49
Premier
Richard Duvall
richard.duvall@tektronix.com
503-627-3203
Telestream
95
Premier
Barbara DeHart
barbarad@telestream.net
530-470-1306
Teradek
81
Premier
Michael Gailing
michael.gailing@teradek.com
949-743-5774
The Studio - B&H
52
Premier
The Studio Team
corporatesales@bhphoto.com
800-947-9962
The Switch
161
Corporate
Jessica Mintz
jessica.mintz@theswitch.tv
323-645-8012
The Systems Group
181
Mobile
Chris Mehos
cmehos@tsg-hoboken.com
201-795-4672
The Tiffen Company
85
Premier
Rick Booth
rbooth@tiffen.com
631-609-3130
Tightrope Media
Systems
53
Corporate
Steve Israelsky
steve@trms.com
866-866-4118
Token Creek
249
Mobile
John Salzwedel
john@tokencreek.com
608-849-4965
TSE-Total Sports
Entertainment
105
Corporate
Jeanette Ehnerd
Jeanette@YourTSE.com
608-386-8800
TVU Networks
168
Corporate
David Robertson
drobertson@tvunetworks.com
646-510-1987
Utah Scientific
71
Corporate
Richard Hajdu
rhajdu@utsci.com
330-962-6502
VCA
172
Mobile
Dave Berlin
Dave@vca.com
212-967-4400
Video Equipment
Rentals (VER)
152
Corporate
Howie Rosenthal
hrosenthal@verrents.com
818-956-1444
VidyoCast
101
Premier
Jim O’ Brien
info@vidyocast.com
201-289-8597
Vision Research
76
Corporate
Patrick Ott de Vries
patrickottdevries@hotmail.com
973-692-4018
VISTA Satellite
183
Corporate
Joshua Liemer
jliemer@vistasat.com
954-838-0900
VisualOn
100
Corporate
Deepak Das
deepakdas@visualon.com
408-244-8801
VIZRT
19
Platinum
Isaac Hersly
ihersly@vizrt.com
646-746-0010
White Sands
Engineering/SEG
156
Corporate
Dave Lindemeyer
dlindemeyer@tvcinc.com
623-516-4210
Wohler
99
Premier
Don Bird
dbird@wohler.com
510-870-0865
XOS Digital
129
Corporate
Marlaine Hudgins
marlaine@xosdigital.com
407-404-5633
Yamaha Commercial
Audio Systems
110
Corporate
Paul Furtkamp
pfurtkamp@yamaha.com
714-522-9397
YES Productions
252
Mobile
Jim Moriarty
jim@yesproductions.com
504-840-4891
Corporate
Alex Neihaus
alex@zixi.com
781-890-9690
Zixi
Page
SVG Sponsor
261
Keeping sports TV rolling...
Thanks to the following
Truck Sponsors for making the
magic of sports television happen. These leading companies and their
hardworking crews deliver game action to fans throughout the year to
all corners of the world.
Alliance
PRODUCTIONS
bsi
BROADCAST SPORTS INC
an
Official logotype
09_09_30
HD
METROVISION
Production Group
I N T E R N AT I O N A L
company
when it comes to technology,
sports television leAds the wAy
we’re proud to represent those professionals who enrich the fan’s experience, break new barriers, and
establish new standards for all forms of live television, mobile, and broadband entertainment.
svg’s advocacy, communication, education, and market development activities
are made possible by the following sponsors:
PLATINuM SPONSORS
®
PREMIER SPONSORS
AbekAs • Adtec digitAl • AsperA • cAlrec Audio • chyron • cisco • cobAlt digitAl • digico • elementAl technologies • eurovision • evertz • hArmonic
• hArris • i-moviX • ikegAmi electronics • inertiA unlimited • istreAmplAnet • lAwo • lineAr Acoustic • multidyne • neXtcomputing • nvidiA • orAd • pAnAsonic • riedel
communicAtions • ross video • ses • sos globAl • studer • tektroniX • telestreAm • terAdek • the studio – b&h • the tiffen compAny • vidyocAst• wohler technologies
CORPORATE SPONSORS
3Ality technicA • Abelcine • Active storAge • Amberfin • Artel video systems • Ateme • Audio-technicA • AXis globAl logistics • AXon digitAl • broAdcAst sports • cArtoni
• cellulAr speciAlities inc. • cleAr-com • comcAst mediA center • crown cAstle • dAktronics • dAle pro Audio • dAlet • dell • deluXe entertAinment • diXon sports computing
• dolby • encompAss digitAl mediA • envivio • ericsson • evs • fletcher sports • for-A • front porch digitAl • gepco • gerling & AssociAtes • globecAst
• glowpoint • hAivision • hego • hitAchi kokusAi • htn • Joseph electronics • Jvc • levels beyond • liveu • mArkertek • mAsergy • motion rocket • motorolA • mpe
• nAc imAge technology • netApp • net insight • neulion • one connXt • origin digitAl • pesA • phizzle • pnc equipment finAnce • polAr mobile • production hub • quAntel
• rimAge • sennheiser • sgl • shure • signiAnt • smt • spectrA logic • sportvision • stAts inc. • storAgednA • tAtA communicAtions • t3mediA • tekserve • the switch
• tightrope mediA systems • tse–totAl sports entertAinment • t-vips • tvu networks • utAh scientific • ver • vision reseArch
• vistA sAtellite • visuAlon • white sAnds engineering/seg • Xos digitAl • yAmAhA • ziXi
MOBILE/INTEgRATOR SPONSORS
AdvAnced mobility speciAlty vehicles • AeriAl video systems • AlliAnce productions • All mobile video • AlphA video • Arctek sAtellite prods. • Azzurro system integrAtion
• beck AssociAtes • broAdcAst services int’l • cAt entertAinment services • cbc mobile productions • cbt systems • cinesys/oceAnA • clArk mediA
• communicAtions engineering inc. • corpleX • cp communicAtions • crosscreek • csp mobile • diversified systems • dome productions • f&f productions • filmwerks int’l
• frontline communicAtions • gAme creek video • geArhouse broAdcAst • illuminAtion dynAmics • ims productions • integrAted mediA technologies • kodiAk mobile
television • lyon video • mAnsion mobile • metrovision • mirA mobile • mobile tv group • nep • nes communicAtions services • on cAll communicAtions • pAcsAt • plAtinum
uplink services • proshow • pssi/strAtegictv • show pArtners • skycAm/cAblecAm • the systems group • token creek • vcA • yes productions
AdvAncing the creAtion, production,
& distribution of sports content
w w w.sp o r tsvid eo.or g

2013 Remote Sports Production Yearbook

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