catalogue

JUNE
14th
2016
BOUCHER, Pierre (1622-1717)
HISTOIRE VERITABLE ET NATVRELLE
Des Mœurs & Productions du Pays DE LA NOVVELLE FRANCE.
Rarissime et exceptionnel livre | Extremely rare and exceptional book
TUESDAY, JUNE 14TH 2016 AT 7:30PM
INTERNATIONAL ART | ANTIQUES AND OBJETS D’ART
20TH C. DESIGN | CANADIAN ART
VIEWING
From Friday, June 10, to the day of the auction, from noon to 5pm,
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Art auctioneer’s decisions are final (all
information
are
approximate).
Items
purchased at the auction must be paid for
immediately. A charge of 20% over and
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(when applicable) are added to all lots
purchased at the auction.
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Canadian Dollar. Condition report available on
request.
1
2
DE LA SERNA, Ismaël (1898-1968)
Still life with fruits Oil on canvas
Signed on the lower right : De
la. Serna 71x58cm - 28x22.75”
We also include a Certificate
of organization for the defense
of the Spanish historical and
natural heritage.
BERUETE Y MORET, Aureliano
(1845-1912) Landscape Oil on
canvas Signed on the lower
right : A. de Beruete 50.5x35cm 19.75x13.75”
3
4
WOU-KI, Zao (1920-2013)
Composition, 1963 Lithography
Signed on the lower right : Zao
Wou-ki Numbered on the lower
left : 59/125 50x65cm - 19.65x25.5”
O’NEILL, Terry (1938) “Brigitte
Bardot, Spain” Silver print Signed
on the lower right : Terry O’neill
76x50.5cm - 30x19.75”
5
6
LÉGER, Fernand (1881-1955)
“L’enfant à l’accordéon” Aquatint
colored on paper Signed
on the lower right : F.Leger
Numbered on the lower left :
59/75 47x56.5cm - 18.5x22.75” ©
Fernand Léger / SODRAC (2016)
LÉGER, Fernand (1881-1955)
The couple Lithography
Signed on the lower right :
F.Leger Signed on the plaque
on the lower right : F.Leger
Numbered on the lower left :
207/600 Countersigned on the
back : F.Leger Stamped of the
Fernand Leger museum at
Biot on the back. 67.5x54cm
- 26.5x21.5” © Fernand Léger /
SODRAC (2016)
7
7B
LÉGER, Fernand (1881-1955) The
cyclist Lithography Signed and
dated on the plaque on the
lower right : F.L.48 Signed on the
lower right : F.Leger Inscription
on the lower left : E.A 63x48cm
- 24.75x19” © Fernand Léger /
SODRAC (2016)
APPEL, Karel (1921-2006) Untitled
Serigraphy Signed on the lower
right : Appel Inscription on the
lower left : EA (Épreuve d’artiste)
51x66.5cm - 20x26”
8
9
MITCHELL, Joan (1926-1992)
Sunflower VI Etching and
aquatint on paper Signed on
the lower right : Joan Mitchell
Titled on the back : Sunflower
VI Numbered on the lower left :
61/75 59x49cm - 23.25x19.25”
BOUVARD, Antoine (1870-1955)
Gondola on the canal, Venice
Oil on canvas Signed on the
lower right : Bouvard 49.5x64cm
- 19.5x25”
10
11
VAN COUVER, Jan (HERMANUS
KOEKKOEK JR.) (1836-1909)
“On the R. Dort, Holland” Oil on
canvas Signed on the lower left
Titled and named on the frame
49.75x75cm - 19.5x29.5”
VAN DIEST, Adriaen (1655-1704)
Landscape of ruin at the
water’s edge Oil on canvas
Signed on the lower right : A
Diest 40x40cm - 15.75x15.75”
12
13
FRENCH SCHOOL - Circa
1860 Last rites Oil on canvas
146x193cm - 57.5x76”
ENGLISH SCHOOL - Circa 1820
“The body of George Peacock”
Oil on canvas 64X79.5cm 25.25x31.25”
14
15
MASURE, Georges-Paul (19 - 20th
Century) The woman in green
on Japanese background Oil on
canvas Signed on the lower left
: G.P.Masure 155x103cm - 61x40.5”
SORIANO MENENDEZ, Eduardo
(1941-2007) The carriage Bronze
with dark patina Signed on
the right : Soriano Wood base
107x47cm - 42x18.5”
16
17
PAUTROT, Ferdinand (1832-1874)
House of stag Bronze with dark
patina Signed on right : Pautrot
Marble base 57x34cm - 22.4x13.5”
MARTIN-FERRIÈRES, Jacques School of Bunch of flowers Oil
on canvas With a signature and
dated 1922 on the lower right
93x61cm - 36.50x24”
18
19
DE TOULOUSE-LAUTREC, Henri
(1864-1901) Yvette Guilbert Ink
on paper Monogramm on
the lower right 27.5x17.5cm 10.75x6.75”
MANNING DE VILLENEUVE, Lee
(1894-1980) Pirates Oil on canvas
Signed on the lower right: M de
V. Lee 82x61.5cm - 32.25x24.25”
20
21
LEFRANC, Roland (1931-2000)
Horseriders on the beach Oil
on canvas Signed on the lower
right : Roland Lefranc 36x44.5cm
- 14.25x17.5”
LEFRANC, Roland (1931-2000)
Fishermen Oil on canvas
Signed on the lower right :
Roland Lefranc 29x29cm 11.5x11.5”
22
21B
MATEJKO, Theo (c.1890-1946)
On the way Graphite on paper
Signed on the lower right : Teo
Matejko Inscription on the lower
left : 8 31x61cm - 12x24”
BOUCHER, Pierre (1622-1717)
HISTOIRE / VERITABLE / ET
/ NATVRELLE / Des Mœurs
& Productions du Pays /
DE LA NOVVELLE FRANCE.
/ Vulgairement dite / LE
CANADA./ Composé par PIERRE
BOVCHER. / Escuyer Sieur
de Gros-bois, & / Gouuerneur
des Trois-Riuieves, / audit
lieu de la Nouuelle- / France.
Paris, Florentin Lambert, M.
DC. LXIV. (1664). 12mo. a12,
A-G12. 12 ff., 168 pages. Mottled
calf (Contemporary binding).
Binding rubbed. Extremely rare
first edition and only pre-1800
edition.
23
24
BEAU, Paul (1871-1949) Louis XVI
style chiseled bronze window
box, with a decor of openwork
friese, with acanthus leaves on
the higher part, the lower part
decorated with a gilt bronze
greek vase with eagle head
shaped handles holding a
flower galrland in their beeks,
a ribbon and an embrasse,
with a fluted neck. 2 stamps
on the bottom : Paul Beau &
Co – Montréal H : 20.5cm - 8” D :
20cm – 8”
Rare COLT ‘’CLOVERLEAF’’
HOUSE PISTOL REVOLVER
Ca. 1871-1876 The Cloverleaf
was one of the first metallic
cartridge rear-loading revolver
to be produced by the Colt’s
Patent Firearms Manufacturing
Company. 3’’ round barrel
stamped : COLT’S HOUSE
PISTOL HARTFORD, CT.- USA
Brass frame stamped on top :
Pat. Sep.-19-1871. Sheath trigger.
Unusual 4 shors cylinder (hence
the name CLOVERLEAF) .41
centerfire caliber. Walnut grips.
Serial number 6582
25
26
ASSOMPTION SASH with
traditional colors red, blue,
orange, white and green
ornated with light braids on
each ends. QUEBEC, 19th
Century. 192x15cm - 75.5x6”
Provenance : In the same
family and by immemorial
succession.
Gilt chiseled crystal set with
foliage garland, flower and star
decor, the foot and the neck
ornated with pearl frieze and
light gilt border including : - 12
water glasses, - 12 white wine
glasses, - 12 red wine glasses,
- 12 digestif glasses, - 12 porto
glasses, - 10 liqueur glasses,
- 5 carafes and 4 corks, - 1
presentation dish, - 1 salad dish,
- 2 serving dishes.
26B
27
AUBERTIN, Bernard (1934-2015)
“Voiture brûlée” Model - burned
machine on table Signed
and dated on the lower right :
Bernard Aubertin, 2009 30x40cm
- 12x15.5” Provenance : Private
collection - Milan Bibliography
: Publication in the exhibition
catalogue Bernard Aubertin “
Voitures dans le feu” - page 25
LELEU, Jules (1883-1961) A pair
of ‘Acanthus’ model sconces in
chased gilt bronze. The design
has a broad acanthus leaf
trimmed with a coiled rope,
c. 1947. Stamped. Reference:
Jutheau, Viviane, Jules et André
Leleu, Éditions Olbia, Neuchâtel,
1996. A sconce of an identical
model illustrated on page 171.
28x18x13cm – 11x7x5’’
28
29
LELEU, Jules (1883-1961)
Chiseled ormolu “Double
torsade” sconce, two light
arms and interlacing pattern,
circa 1947. Reference: Françoise
SIRIEX, Leleu DécorateursEnsembliers, Editions Monelle
Hayoy, Paris, 2007, p. 342.
30x20.5x11.5cm - 11.75x8x4.5’’
LELEU, Jules (1883-1961)
Set of three bedroom wool
carpets decorated with foliage
an interlaces. Signed. The
largest: 232x122cm - 91.5x48”
The smallest: 134x66.5cm 52.74x26.25”
30
31
GEHRY, Frank (1929-) Set of
laminated and braided table
and four “Hat Trick” chairs,
KNOLL Edition, 1994
GEHRY, Frank (1929-) “Cross
check” laminated and braided
armchair, KNOLL Edition, 1992.
86x71x58.5cm – 34x28x23’’
32
33
GEHRY, Frank (1929-) Laminated
and braided “Hat Trick” armchair,
KNOLL Edition, 1994 85x58x53cm
– 33.5x27.75x21’’
MIES VAN DER ROHE, Ludwig
(1886-1969) Set of six “ Brno “
armchairs, white woolen seat,
back and armrest, chromed
metal frame. 80x59x52cm –
31.5x23.25x20.5’’
34
34B
KNOLL, Florence (1917-) Oval
table, white veined marble
top, chromed metal feet.
70x198x122cm – 27.5x78x48’’
SUZOR-CÔTÉ, Marc-Aurèle de
Foy (1869-1937) “Après la pluie,
Rivière Nicolet - Arthabaska” Oil
on cardboard Signed and dated
on the lower right: A. SuzorCôté 1916 Titled on the reverse
26.5x35cm - 10.5x13.75”
35
36
LITTLE, John Geoffrey Caruthers
(1928-) Québec, Basse-Ville Oil
on canvas Signed on the lower
right: John Little 61x76cm 24x30”
LITTLE, John Geoffrey Caruthers
(1928-) “Les remparts (Roger
playing with canon 66)” Oil on
canvas Signed on the lower
right: John Little Titled, signed,
dated, inscriptions and label on
the reverse: 1991 20x25.5cm 8x10”
36B
36C
FORTIN, Marc-Aurèle (1888-1970)
“Gros arbre près de Ste-Rose”
Watercolour and charcoal
Signed on the lower left: M.A.
Fortin Titled on a label and label
from the Musée Marc Aurèle
Fortin on the reverse 56x71cm
- 22x28” © Succession MarcAurèle FORTIN / SODRAC (2016)
FORTIN, Marc-Aurèle (1888-1970)
“Winter landscape (Ste-Rose)”
Oil on wood Titled and dated
on the reverse on labels from
the Kastel Gallerye and l’Art
Français: c. 1935 20x25.5cm 10x15
37
37B
COSGROVE, Stanley Morel (19112002) “Des arbres en été” Oil
on canvas Signed and dated
on the lower left: Cosgrove 57
Titled on the reverse on a label
from the Dominion Gallery
51x61cm - 20x24”
COSGROVE, Stanley Morel
(1911-2002) Trees Oil on canvas
Signed on the lower left:
Cosgrove 51x61cm - 20x24”
38
38B
COSGROVE, Stanley Morel
(1911-2002) Still life Oil on board
Signed on the lower left:
Cosgrove 30.5x40.5cm - 12x16”
MASSON, Henri Léopold (19071996) “Gatineau Valley” Oil on
canvas Signe do the lower left:
Henri Masson Titled and dated
on the reverse on a label: c. 1948
46x53cm - 18x21”
39
40
GERVAIS, Lise (1933-1998)
Abstraction OIl on canvas
Signed and dated on the lower
right: Gervais 64 101x81cm 38.75x31.75”
TOUPIN, Fernand (1930-2009)
“Boléro” Acrylic on canvas laid
on board Signed and dated on
the lower right: Toupin 85 Titled
on the reverse 114.5x195.5cm 45x77”
41
42
TOUPIN, Fernand (1930-2009)
“Caraïbes” Acrylic on canvas
laid on board Signed and dated
on the lower right: Toupin 85
Titled on the reverse 102x51cm
- 48x24”
TOUPIN, Fernand RCA (19302009) “Leit-Motiv” Oil on canvas
Signed and dated on the lower
rigt: Toupin 64 Signed and
titled on the reverse 81x65cm 32x25.5”
43
44
TOUPIN, Fernand (19302009) Brown composition
Watercolour on paper Signed
and dated on the lower right:
Toupin, 64 46x30cm - 18x11.75”
GAUCHER, Yves RCA (1934-2000)
Untitled Acrylic and charcoal
on paper Signed and dated
on the lower right: Gaucher 85
59x78cm - 23.25x30.75” © Yves
Gaucher / SODRAC (2016)
45
46
FRÈRE JÉRÔME, (Ulric-Aimé
Paradis, dit) (1902-1994) Red
movement Acrylic on paper
Signed and dated on the
lower right: Frère Jérôme 79
48x63.5cm - 19x25”
FRÈRE JÉRÔME, (Ulric-Aimé
Paradis, dit) (1902-1994) Violet
movement Acrylic on paper
Signed and dated on the
lower right: Frère Jérôme 79
48x63.5cm - 19x25”
47
48
DZAMA, Marcel (1974-) Modern
family Watercolour Signed on
the lower right: Marcel Dzama
29x22cm - 11.5x8.75”
FERRON, Marcelle (1924-2001)
Untitled, 1993 Mix media on
paper Signed on the reverse:
Ferron From the 1993 exhibition
in St-Bruno de Montarville
13x19cm - 5x7.5”
49
49B
RONALD, William (1926-1998)
“Carmen” Oil on paper Signed
and dated on the lower right:
Ronald 87 Signed, dated and
titled on the reverse 66x76cm
- 22x30”
BARBEAU, Marcel Christian
(1925-2016) “Mirages” Acrylic on
canvas Signed on the lower
righte: Barbeau Titled, signed
and dated on the reverse: 2011
51x61cm - 20x24”
50
51
BELZILE, Louis (1929-) Untitled
Oil on canvas Signed and dated
on the lower left: Belzile 92
76x102cm - 30x40”
LAFRANCE, Jean-Pierre (1943-)
“Nos Forets” (Série Feux de
Forets) Oil on canvas Signed on
the lower left: Lafrance Titled
and signed on the reverse
51x61cm - 20x24”
51B
52
DUMOUCHEL, Albert (1916-1971)
“Pavé chaud” Oil and collage on
canvas Signed and dated on
the lower right: A. Dumouchel
63 Titled, signed and dated on
the reverse 175x104cn - 69x41”
JÉRÔME, Jean-Paul (1928-2004)
Untitled Ink and watercolor on
paper Signed and dated on the
lower right: Jean-Paul Jérôme
26/9/70 66x51cm - 26x20”
53
53B
JÉRÔME, Jean-Paul (1928-2004)
“Jardin Rectangle D” Ink and
watercolour on paper Signed
and dated on the lower right:
Jérôme 26/9/70 Titled on the
reverse 65x51cm - 25.5x20”
BELLEFLEUR, Léon (1910-2007)
“Plein vol” Watercolour Signed
and dated on the lower right:
Leon Bellefleur 74 Titled on a
label on the reverse 51x38cm
- 20-15”
54
55
RAJOTTE, Yves (1932-) “P.S.T.” Oil
on canvas Signed and dated
on the lower right: Y. Rajotte 65
Titled, signed and dated on the
reverse: 101.5x81.5cm - 40x32”
RAJOTTE, Yves (1932-) “P.S.T.” Oil
on canvas Signed and dated
on the lower right: Y. Rajotte 64
Titled, signed and dated on the
reverse 101.5x81.5cm - 40x32”
56
56B
RAJOTTE, Yves (1932-) “A.S.T.
(Triptych)” Oil on canvas Signed
and dated on the lower left
on the left panel: Y. Rajotte
66 Titled, signed and dated
on the reverse of each panel
91.5x96.5cm - 36x38” each
LALIBERTÉ, Normand (1925-)
“Knight” Painted wood and
metal sculpture Signed and
dated on the base: Laliberté
88 Titled and signed on the
reverse H: 79cm - 31”
57
57B
SMITH, Michael (1951-) “Trees
in fading light” Oil on canvas
Signed, dated and titled on
the reverse: M. Smith 1994
162.5x138cm - 64x54”
BRANDTNER, Friedrich Wilhelm
Fritz (1896-1969) Urban scene
Watercolour Signed on the
lower right: F. Brandtner
43x53cm - 17x21”
58
59
HOPKINS, Tom (1944-2011)
“Release” Oil on canvas Signed
and dated on the lower right:
Hokins Titled, dated and signed
on the reverse: Tom Hopkins
1992 140x145cm - 55x57”
ROUSSEAU, Albert (1908-1982)
“Charlevoix” Oil on canvas
Signed on the lower right: A.
Rousseau Titled and dated
on the reverse on a label
91.5x122cm - 36x48”
60
61
COBURN, Frederick Simpson
(1871-1960) Jig Oil on canvas laid
on board Signed and dated on
the lower right: F.S. Coburn 01
71x51cm - 28x20”
COBURN, Frederick Simpson
(1871-1960) Violin player Oil on
canvas laid on board Signed
on the lower right: F.S. Coburn
43x35.5cm - 17x14”
61B
62
HAMMOND, John A. (1843-1939)
“Courtney Bay, Bay of Fundy” Oil
on cardboard Signed and dated
on the lower right: J. Hammond
1920 Titled and signed on the
reverse 14x21cm - 5.5x8.25”
RICHARD, René Jean (18951982) “Cap breton” Oil on board
Signed on the lower right: R.
Richard Titled on the reverse
30.5x40.5cm - 12x16”
63
64
GAGNON, René (1927-)
Landscape Oil on masonite
Signed on the lower right: René
Gagnon 152.5x122cm - 60x48”
BRUNI, Umberto (1914-) “Baie StPaul” Oil on canvas Signed on
the lower right: U. Bruni Titled
nad dated on the reverse on a
label: 1974 51x61cm - 20x24”
65
66
CONSTANTINEAU, Fleurimond
(1905-1981) “Le matin à Maricourt,
scène du Nouveau Québec sur
la mer arctique” Oil on masonite
Signed, dated and titled on
the lower right: 1968 Titled and
signed on the reverse 61x76cm
- 24x30”
MALTAIS, Marcella (1933-)
“Québec dans ses remparts” Oil
on canvas Signed and dated on
the lower right: Maltais 99-2000
Titled on the reverse on the
stretcher 89x130cm - 35x51”
67
68
HUDON, Normand (1929-1997)
“Le retour de Janine” Oil on
masonite Titled on the lower
left Signed and dated on the
lower right: Normand Hudon 87
25.5x35.5 cm - 10x14” Description
soon
HUDON, Normand (1929-1997)
“Tag” Oil on canvas Signed and
dated on the lower center:
Normand Hudon 81 Titled on
the reverse on the stretcher
18x13cm - 7x5”
69
70
HUDON, Normand (1929-1997)
“Notaire prospère” Oil on
maonite Signed and dated on
the lower right: Normand Hudon
94 Titled on the lower left
41x51cm - 16x20”
DER, John Frederic (1926-1996)
“Show off” Oil on masonite
Signed on the lower right: Der
Titled, signed and dated on the
reverse: 93 41x51cm - 16x20”
71
72
TATOSSIAN, Armand (1951-2012)
“Lily” Oil on canvas Signed on
the lower left: A. Tatossian Titled
and signed on the reverse
61x61cm - 24x24”
TATOSSIAN, Armand (1951-2012)
“Hot day in summer” Oil on
canvas Signed on the lower
right: A. Tatossian Titled and
signed on the reverse 76x102cm
- 30x40”
73
74
TATOSSIAN, Armand (1951-2012)
“Sous bois” Oil on canvas Signed
on the lower right: A. Tatossian
Titled and signed on the
reverse 76x102cm - 30x40”
PEPPER, George Douglas (19031962) Portrait Oil on canvas
board Signed on the lower right:
G. Pepper 40.5x30.5cm - 16x12”
75
76
D’après Jean DALLAIRE Coq
Licorne Stained-glass of Jean
Dallaire’s work, done at l’école
des Beaux Arts de Québec
88x64cm - 34.5x25.25”
PAQUIN, Pauline Thibodeau
(1952-) “La jeune artiste” Oil on
canvas Signed on the lower
left: P.T. Paquin Titled, signed
and dated on the reverse: 1990
61x76cm - 24x30”
77
78
BONMATI, Gabriel (1928-2005)
“Dès que s’éveillera la terre” Oil
on canvas Signed on the lower
right: Gabriel Bonmati Titled and
signed on the reverse 61x76cm
- 24x30”
PIVET, Pierre (1948-) “La
conversation” Oil on canvas
Signed on the lower right: Pivet
Titled on the revrse 122x91.5cm
- 48x36”
79
80
HORNYAK, Jennifer (1940-) Pierre
Elliot Trudeau au restaurant les
Chenêts Huile sur toile Signée
en bas à gauche: Hornyak
112x122cm - 44x48’’
RIOPELLE, Jean-Paul (19232002) Après la lettre Lithograph
Signed and numbered on
the lower right: RIopelle
30/150 73.5x54.4cm - 29x21.5”
© Succession Jean-Paul
RIOPELLE / SODRAC (2016)
81
82
RIOPELLE, Jean-Paul (19232002) “Avant la lettre, no. 106”
Lithograph Signed on the lower
right: Riopelle Numbered on
the lowee left: 15/150 71x46cm 28x18” © Succession Jean-Paul
RIOPELLE / SODRAC (2016)
GIGUÈRE, Roland (1929-) Untitled
Pastel on paper Signed and
dated on the lower right:
Giguère 69 66x51cm - 26x20”
82B
83
GOULET, Claude (1925-1994)
“Induction magnétique” Mix
media on canvas Signed, dated
and titled on the reverse: Goulet
74 102x102cm - 40x40”
ARTS, Alexis (1940-) “Après la
tempête (Côte des Neiges,
Queen Mary, Mtl, P.Q.)” Huile sur
toile Signed on the lower left:
Alexis Arts Titled, dated and
signed on the reverse: 1986
30.5x40.5cm - 12x16”
84
85
L’ARCHEVÊQUE, André (1923-)
“La ferme Raizenne, Oka” Oil on
canvas Signed on the lower
left: André L’Archevêque Titled
on the reverse on the stetcher
41x51cm - 16x20”
LECOR, Paul (dit Tex) (1933-)
“Le tomb’reau” Oil on canvas
Signed on the lower left: Paul
Tex Lecor Titled, dated and
signed on the reverse on the
stretcher: 84 25.5x30.5cm - 10x12”
86
86B
BOUCHARD, Lorne Holland
(1913-1978) “Road across the
pond, Baie St-Paul. October”
Oil on board Signed on the
lower right: Lorne H. Bouchard
Countersigned, titled and
dated on the reverse : 1954
30.5x40.5cm - 12x16” Description
soon
SAINT-CHARLES, Joseph (18681956) “Sans titre (cour arrière)”
Oil on cardboard Titled on the
reverse on a label Provenance:
Anna St-Charles Collection
11.5x18cm - 4.5x7”
86C
87
HARRIS, Robert (1849-1919)
Portrait of a lady Oil on board
Signed on the upper right:
Robert Harris 39x30.5cm 15.25x12”
TREMBLÉ, Léo-Paul (1923-) Still
life Pastel Signed on the lower
right: Tremblé 48x66cm - 19x26”
88
89
BEAULIEU, Paul Vanier (19101996) Untitled Watercolour
Signed and dated on the lower
right: P.V. Beaulieu 71 48x35.5cm
- 19x14”
BEAULIEU, Paul Vanier (19101996) Fruits Watercolour Signed
and dated on the lower right:
P.V. Beaulieu 69 28x21cm 11x8.25”
89B
90
MALTAIS, Marcella (1933-) Green
Abstraction Collage Signed and
dated on the lower left: Maltais
66 19x21.5cm - 7.5x8.5”
MUHLSTOCK, Louis (1904-2001)
Reclining nude Pastel Signed
on the lower left: Muhlstock
51x63.5cm - 20x25”
91
92
GIUNTA, Joseph (1911-2001) “Sur le
Mont-Royal” Oil on wood panel
Signed on the lower right: J.
Giunta Titled on the reverse
on the artist’s label 61x51cm 24x20”
DEL SIGNORE, Littorio (1938-)
Untitled Oil on canvas Signed
on the lower right: L. Del Signore
56x71cm - 22x28”
93
94
14K GOLD AND DIAMONDS
14K white gold ring set with
three brilliant cut diamonds
each weighting 0.20ct
approximately (approximate
total weight of 0.60ct) and its
matching 14K wedding ring set
with five little diamonds. Total
weight: 5.2gr.
COSGROVE, Stanley Morel
(1911-2002) Nude from the back
Charcoal on paper Signed
on the lower right: Cosgrove
63.5x43cm - 25x17”
95
14K GOLD AND RUBY
14K yellow and white gold ring
set with an oval ruby weighting
approximately 0.90ct in a
diamond entourage. Weight:
3.1gr.
96
PLATINUM AND DIAMONDS
Platinum ring set with nine
round diamonds (approximate
total weight of 0.3ct). Weight:
6.1gr.
97
98
JAPAN, MEIJI PERIOD, 19th C. Pair
of white Satsuma earthenware
glazed cylindrical vases
decorated with polychrome
and gold enamels of birds
among the branches of prunus
blossoms; flattened shoulder
with a prominent flared lip
narrow neck. H: 23cm - 9’’
JAPAN, MEIJI PERIOD, 19th C.
White Satsuma earthenware
glazed large bowl decorated
with polychrome and gold
enamels of a scene of a Sohei
(soldier-monks) duel. Marked
underneath. D: 34cm - 13.5’’
Expertise: Cabinet Portier, Paris
99
100
JAPAN, MEIJI PERIOD, 19th C.
White Satsuma earthenware
glazed lobed bowl decorated
with polychrome and gold
enamels of a scene of female
characters sitting on the terrace
of a pavilion in the shade of a
cherry tree, holding in their hand
the traditional Japanese fan on
lakeside landscape background;
the exterior decorated with
chrysanthemums and grapes.
Marked underneath. H: 7cm 2.75’’ D: 18.5cm - 7.25cm
Makuzu KOZAN (1842-1916)
Porcelain cup with iris
decoration, carved wooden
cover. Signed underneath. H:
11cm - 4.25’’ D: 15cm - 6’’
101
CHINA 19th c.
PORCELAIN baluster vase
with an enamelled décor of
chimeras on a flamed ground
with lingzhi fungus-like clouds,
and with a décor of engraved
reserved stripes. Mark on the
bottom: Chenghua Nian Zhi.
China, 19th century. Provenance:
Property of a Montreal private
collector. Height : 46cm – 18’’
102
CHINA- Early 20th c.
Polychrome cloisonné vase
bottle shaped with slender neck
decorated with flowers. China ,
early 20th C. H: 32cm - 12.5”
103
JAPANESE RACK AND PINION
(19th c.)
Wooden sculptured and
lacquered 19th c. japanese
rack and pinion representing a
stylized carp koi with a ball in
mouth which symbolise the
«bonnô» H:20cm 8” L:48cm - 19”
W:8cm 3”
103B
CHINA EARLY 20th c
CHINA EARLY 20th c. Sandstone
brushpot with representations
of a man on a donkey , trees
and calligraphic inscriptions.
29cm - 11.5”
104
TANGKA, TIBET - 19th c.
TANGKA, TIBET- 19th c. Tangka,
distemper on cloth, portraying
a seated white Tara at the
center, surrounded by four lama
Dimensions: 65x48cm - 25.50x19”
105
TANGKA
Tangka, distemper on cloth,
portraying at the center
Yamantaka, the god who
terminate and transcend death.
He has a blue skin orange
eyebrow which represents
fire. Dimensions: 46.5x34cm 18.25x13.25” without borders
106
TANGKA
Tangka, destemper on cloth,
representing a seated white
Tara at the center and a
war scene in the lower part
Dimensions: 60x42cm 23.50x16.50” without borders
107
108
ASIA
Pair of chinese quadrangular
wood tables, one of which
including a tray The biggest
measures: 76x36cm- 30x14.25”
109
ASIA
Asian wood console, the
polygonal tabletop standing on
four feet adorned with leaves
in the extremity, the belt with
sculpted decor. H: 34cm - 86.50”
L: 107.5cm - 42.25” l: 43cm - 17”
CHINA - 19th c. Pair of folding
armchairs, made in wood,
the backrest sculpted with a
lotus flower under a temple
and surmonted by a reserve
in the shape of a lingzhi.
Brass mounts. Dimensions:
104x62x47cm -41x24.50x18x50”
110
111
GALLÉ, Émile (1846-1904)
Small vase with base, orange
multilayer glass on opalescent
beige and amber background,
with flower decor, acid etched
cameo. Signed in cameo. H :
9.5cm - 3.75”
GALLÉ, Émile (1846-1904) Tube
shaped vase, green multilayer
glass on opalescent beige and
amber background, with flower
decor, acid etched cameo.
Signed in cameo. H : 25cm 9.75”
111B
111C
LALIQUE FRANCE - After to
René LALIQUE (1860-1945)
Crystal jar with Antique woman
decor, the cork with scribbed
gadroons. Signed on the
reverse, on the base : Lalique
France
LALIQUE FRANCE - After to
René LALIQUE (1860-1945)
Crystal presentation plate
with scribbed outlines and
opalescent leaf decor. Signed
on the reverse on the base :
Lalique France D : 28cm - 11”
111D
112
BRONZE
Pair of Art Deco style gilt bronze
statuettes depicting two egrets
and laying on a plexiglass base.
Inscription on the lower right:
“IV” Height (with the base): 33cm
- 13”
LALIQUE FRANCE - After to
René LALIQUE (1860-1945)
Set of three pieces : - A small
crystal vase, the handle with
opalescent lion head decor.
Signed on the reverse, on the
base : Lalique France H : 10cm
- 4” - A crystal ashtray with
opalescent round and star
decor, design Némours Signed
on the reverse, on the base :
Lalique France. H : 5cm - 2” - A
crystal Art Deco ashtray with
opalescent palm decor. Design :
Corfou-B Signed on the reverse
on the base : Lalique France H :
5cm - 2”
113
114
FRANZ HAGENAUER STUDIO
(1906-1986) African mother with
child Wood and bronze with
dark patina sculpture Mark on
the bottom: « Hagenauer Wien,
WHW, Made in Vienna Austria »
H: 32.50cm - 12.75”
FRANZ HAGENAUER STUDIO
(1906-1986) Segnender Christus
Wood and bronze sculpture
Mark on the bottom: « Atelier
Hagenauer Wien, WHW, Made
in Vienna Austria » H: 25cm 9.75”
115
PEDESTAL TABLE
Pedestal table made by Klaus
Nienkamper with white veined
marble top, resting on steel foot.
H: 52cm - 20.50” L: 51cm - 20”
116
117
118
AULENTI, Gae (1927-2012)
Table lamp model ‘’Pipistrello’’,
brushed, chromed and white
lacquer metal base, white
plastic shade. Martinelli Luce
label . H: 90cm - 35.5’’
AULENTI, Gae (1927-2012),
attributed to Floor lamp,
brushed metal base and
marble foot, white plastic
shade. H: 122.5cm - 48.25’’
119
120
CARMELLINI & TRONCONI - ITALY
Red and white plexiglass ‘’I
Personaggi’’ lamp. H: 180cm 70.75’’
Rectangular table lamp,
travertine base and copper
shade. European work. H:
75.5cm - 29.75’’
121
122
SCARPA, Tobia (1935-) ‘’Soriana’’
lounge chair, beige fabric
and chromed tubular metal.
66x94x104cm - 26x37x41’’
JACOBSEN, Arne (1902 - 1971)
- FRITZ HANSEN Black leather
‘’Egg’’ chair, polished aluminum
foot. FRITZ HANSEN label
underneath. 107x89x79cm 42x35x31’’
FANINI FAIN SPA / Ascoli Piceno
- MADE IN ITALY Rare black
moulded plastic SILVI model
vanity on casters , swivel and
retractable mirror opening
over compartments, padded
seat on casters with storage
compartment. Marked under
the seat. 72x53cm - 28.25x21’’
123
124
COLOMBO, Joe (1930-1971) for
ZANOTTA (1954-) Laminated
plastic laminate game table
with two trays, four corners
with small removable trays.
Stainless steel cylindrical-shape
feet. Inscriptions on each feet
: Inox 18/8 - zanotta - Italy. H :
70cm - 27.5” L : 97cm - 38.25” l :
97cm - 38.25”
VON KLIER, Hans (1934-) - ROSSI
ITALY Set of four IBIS chairs,
brushed metal base, black
plastic shell covered with
purple woollen fabric. Marked
underneath.
125
126
BELLINI, Marion (1935-) - B&B
ITALY “Le Bambole” ivory
corduroy living room set
comprising one settee, two
armchairs, one ottoman and
one lounge chair.
Attributed to FONTANA ARTE
- ITALY Set of three tempered
glass and chrome metal
coffee tables. The largest:
37x80.75x40.5cm - 14.5x31.5x15.75’’
127
128
TEAK
Two-parts teak buffet, three
drawers and glass panels.
145.5x100x46cm - 57.25x39.25x18’’
Attributed to FONTANA
ARTE - ITALY Tempered glass
coffee table. 51.5x100x100cm 20.25x39.25x39.25’’
129
SCIOLARI, Gaetano (1927-1994)
- LIGHTOLIER ITALY ‘’Cubic’’
chromed and brushed ceiling
chandelier, four arms and
twelve lights. 48x48x33cm 19x19x13’’ 48x48x33cm - 19x19x13’’
130
GLASS AND GOLD TONE METAL
Two light gold metal and glass.
130B
LEVINE, David (1948-)
Polychrome metal suspension
62x85cm -24.25x33.5”
131
CHROME
Pair of chromed metal lamps. H:
111cm - 43.75’’
13B
131C
GERMAN SCHOOL At the
banker’s office Oil on canvas
Inscription on the lower right:
“Copie” 157.5x180.5cm - 62x71.5”
PERRE, Henri (1828-1890) Farm
at the end of the trail Oil on
canvas Signed on the lower left:
H. Perré 38x31cm - 15x12.25”
132
132B
SWAN, John Macallan (1847-1910)
The lioness Watercolour Signed
and dated on the lower right: J.
M. Swan 1882 28x17cm - 11x6.75”
After BOUCHER François The
serenade Oil on canvas Signed
on the lower left : T.Roux
24.5x54cm - 9.75x21.25”
132C
132D
LOPEZ MEZQUITA, José María
(1883-1954) Portrait Oil on wood
Signed on left : Lopez Mezquita
50x42cm - 19.75x16.5”
BARNADAS FABREGAS, Ramón
(1909-1981) “Banvistes” Oil on
canva Signed and dated on
the lower right : Barnadas, 75
Titled, signed and dated on the
reverse 80x99cm - 31.5x39”
133
133B
Lot comprised of two
lithographs on paper printed
by J.T Bowen in 1847 after
John Woodhouse Audubon
and depicting two species of
North American squirrels: “Spermophilus Spilosoma”, N.22
- “Myodes Hudsonius”, N. 24 Each
measures: 51x63.5cm - 20x25”
DUTCH SCHOOL Snowy village
Oil on canvas Eligible signature
on the lower right 33x48cm 13x18.75”
133C
133D
A. VADENDRIES Country house
Oil on canvas Signed on the
lower right : A Vadendries
87.5x130.5cm - 34.25x51.25”
ATALAYA, Enrique (1851-1914) The
village Gouache and watercolor
on paper Signed on the lower
right : Atalaya 19x32cm - 7.5x12.5”
134
134B
MANERA, Enrico (1947-) Hunched
man Bronze sculpture and
celluloid base Signed, dated
et numbered under the base:
Enrico Manera 73 14/100 15x13cm
- 6x5”
DALI, Salvador (1904-1989)
Archangel Lithograph Signed
on the lower right: Dali
Numérotée en bas à gauche:
HC 76x57cm - 30x22.5”
134C
135
DALI, Salvador (1904-1989)
Flames Lithograph Signed on
the lower right: Dali Numérotée
en bas à gauche: HC 76x57cm
- 30x22.5”
Hellenistic Terracotta Face
Fragment, depicting a woman’s
face, possibly of Tanagra type,
with traces of yellow pigment
remains. Circa 2nd-1st Century
B.C. H : 2cm - 0.8” Provenance :
Estate of the architect PaulHenri Lapointe, died about 1980.
Private collection constitute by
acquisition in Paris in the 40,
50, 60.
136
137
A Hellenistic leaping Terra
Cotta Hunting Dog. Circa
2nd-1st Century B.C. 7.3cm
- 2.5” Provenance : Estate
of the architect Paul-Henri
Lapointe, died about 1980.
Private collection constitute by
acquisition in Paris in the 40,
50, 60.
Alexandrian Terra Cotta
Female Head, marl clay in
color, the head surmounted
by a disc-bun, the centrally
parted hair combed in Cnidian
style. Circa 1st Century B.C.
H : 4.6cm - 1.5” Provenance :
Estate of the architect PaulHenri Lapointe, died about 1980.
Private collection constitute by
acquisition in Paris in the 40,
50, 60.
138
139
Alexandrian Terra Cotta
Female Head, with traces of
limewash, the centrally parted
hair combed in Cnidian style,
the head on an elongated
neck surmounted by a discbun. Circa 1st Century B.C.
Provenance : Estate of the
architect Paul-Henri Lapointe,
died about 1980. Private
collection constitute by
acquisition in Paris in the 40, 50,
60. H : 5.2cm - 2”
140
Hellenistic Terra Cotta Oil Lamp,
small lamp with suspension
ring and obelisk-shaped cable
patterns. Circa 1st-2nd Century
A.D. 6.7cm - 3.5” Provenance :
Estate of the architect PaulHenri Lapointe, died about 1980.
Private collection constitute by
acquisition in Paris in the 40,
50, 60.
Lot of 5 Roman and Ptolemaic Objects,
including; Early Roman Terra Cotta Eagle
fragment, possibly from an oil lamp,
associated to Jupiter. In Greek and
Roman mythology, the eagle served as
Jupiter’s personal messenger. (circa 1st
Century A.D., 2.7cm, fragment with traces
of red pigment). Ptolemaic Terra Cotta
Head, the elongated head with traces of
green pigment, the hair pulled back and
arranged into a bun. (circa. 2nd-1st Century
B.C., 3.7cm, right side damaged and partly
missing, frontal disc-bun damaged, and
nose chipped). Early Roman Terra Cotta
Head, decorated with white pigment, a
ring of curled hair atop the head with a
second splayed at the back of the neck.
(circa 1st Century A.D., 2.4cm, ring damaged,
overal wear).” Group of 2 Terra cotta Heads,
comprising of a grotesque head with
black pigment remains, and orange-buff
clay male head. Circa 1st2nd Century A.D.
Provenance : Estate of the architect PaulHenri Lapointe, died about 1980. Private
collection constitute by acquisition in Paris
in the 40, 50, 60.
141
Bronze Bull Attachment, hollowcast, with raised prancing
forelegs. Circa 2nd-3rd Century
A.D. H : 5.5cm - 2” Provenance :
Estate of the architect PaulHenri Lapointe, died about 1980.
Private collection constitute by
acquisition in Paris in the 40,
50, 60.
142
143
Roman Bronze Bird, of
geometric style. Circa 2nd3rd Century A.D. 3.8cm - 1.2”
Provenance : Estate of the
architect Paul-Henri Lapointe,
died about 1980. Private
collection constitute by
acquisition in Paris in the 40,
50, 60.
Alexandrian Loom Weight,
conical in form, the tip in the
form of a Wairus head with
bulging eyes and incised details
to the bristles, pierced through
for suspension. circa 1st Century
B.C. 6.6cm - 2.3” Provenance :
Estate of the architect PaulHenri Lapointe, died about 1980.
Private collection constitute by
acquisition in Paris in the 40,
50, 60.
144
145
Group of Four Faience Amulets,
comprising of a Djed Pillar,
a Papyrus Column and two
Tyet (Knot of Isis) amulets.
Late period, circa 664-332 B.C.
Highest : 4cm - 1.5” Provenance :
Estate of the architect PaulHenri Lapointe, died about 1980.
Private collection constitute by
acquisition in Paris in the 40,
50, 60.
Group of Five Shabtis,
comprising of four in blue
faience and one in terra cotta.
Late period, circa 664-332 B.C.
6cm - 2.3” Provenance : Estate
of the architect Paul-Henri
Lapointe, died about 1980.
Private collection constitute by
acquisition in Paris in the 40,
50, 60.
146
147
Egyptian Faience Shabti
Fragment, with frontal rows
of inscriptions and a seedbag over his left shoulder.
Late period, circa 380-332
B.C. 7.8cm - 2.7” Provenance :
Estate of the architect PaulHenri Lapointe, died about 1980.
Private collection constitute by
acquisition in Paris in the 40,
50, 60.
Egyptian Wood Uraeus and
Djed Pillar, the uraeus in white
pigment with traces of blue,
red and yellow, surmounted by
a sun-disk, pierced through at
the back for suspension, and a
djed pillar fragment. Late period,
circa 664-332 B.C. Uraeus : 11cm
- 4” Djed : 6cm - 2” Provenance :
Estate of the architect PaulHenri Lapointe, died about 1980.
Private collection constitute by
acquisition in Paris in the 40,
50, 60.
148
149
Egyptian Bronze Cat, holllow
cast, seated with forepaws
together, the tail wrapped
around his right side. Late
period, circa 664-332 B.C. 7.3cm
- 2.5” Provenance : Estate
of the architect Paul-Henri
Lapointe, died about 1980.
Private collection constitute by
acquisition in Paris in the 40,
50, 60.
Egyptian Faience Gaming
Piece, light-blue in color, conical
form. New Kingdom, circa 15501080 B.C. 3.6cm - 1” Provenance :
Estate of the architect PaulHenri Lapointe, died about 1980.
Private collection constitute by
acquisition in Paris in the 40,
50, 60.
150
151
Egyptian Bronze Horus Falcon,
wearing the double crown,
standing over an olive branch.
Late period, circa 664-332
B.C. 7.4cm - 2.5” Provenance :
Estate of the architect PaulHenri Lapointe, died about 1980.
Private collection constitute by
acquisition in Paris in the 40,
50, 60.
Group of Three faience amulets,
comprising of Thoth, Anubis,
and Isis. Late period, circa 664332 B.C. 3.8cm - 1” Provenance :
Estate of the architect PaulHenri Lapointe, died about 1980.
Private collection constitute by
acquisition in Paris in the 40,
50, 60.
152
153
Near East Calcite Jar, with
flanked sides and flat base.
Circa 1000-700 B.C. 5.6cm - 1.9”
Provenance : Estate of the
architect Paul-Henri Lapointe,
died about 1980. Private
collection constitute by
acquisition in Paris in the 40,
50, 60.
Roman Votive Leg and Foot,
hollow left leg, perhaps an
element from a group, pierced
through for suspension.
Roman, circa 2nd-4th Century
B.C. 8.2cm - 3” Provenance :
Estate of the architect PaulHenri Lapointe, died about 1980.
Private collection constitute by
acquisition in Paris in the 40,
50, 60.
154
155
Egyptian Bronze Figure of
Harpocrates, wearing the red
crown and sidelock of youth
now partly missing. Circa 6th
Century B.C. 6.2cm - 2”
Egyptian Bronze Headrest
Fragment, from a statuette,
depicting an emerging Ibis
head, surmounted by the Atef
crown. Late period, circa 664332 B.C. 3.6cm - 1” Provenance :
Estate of the architect PaulHenri Lapointe, died about 1980.
Private collection constitute by
acquisition in Paris in the 40,
50, 60.
156
157
Egyptian Bronze Bastet, hollow
figure, depicted standing,
holding and aegis in her left
hand, a basket on left arm,
and a now missing sistrum
on her right hand. Late period,
circa 664-332 B.C. 7.4cm - 2.5”
Provenance : Estate of the
architect Paul-Henri Lapointe,
died about 1980. Private
collection constitute by
acquisition in Paris in the 40,
50, 60.
Egyptian Bronze Apis Bull,
striding forward with left legs,
wearing a sun-disk flanked by
a uraeus. Late period, circa 664332 B.C. 5cm - 2” Provenance :
Estate of the architect PaulHenri Lapointe, died about 1980.
Private collection constitute by
acquisition in Paris in the 40,
50, 60.
158
159
Egyptian Bronze Apis Bull,
hollow cast. Late period,
circa 664-332 B.C. 7cm - 2.5”
Provenance : Estate of the
architect Paul-Henri Lapointe,
died about 1980. Private
collection constitute by
acquisition in Paris in the 40,
50, 60.
Two Egyptian Bronze Amulets,
comprising of an Egyptian
Bronze Anubis Amulet
fragment, depicted with his
left arm and leg forward, the
suspension loop at the back
broken; and an uncleaned
amulet of Osiris. Late period,
circa 664-332 B.C. Provenance :
Estate of the architect PaulHenri Lapointe, died about 1980.
Private collection constitute by
acquisition in Paris in the 40, 50,
60. Highest : 3.8cm - 1”
160
161
Small Mesopotamian
Cuneiform Tablet, inscribed
with four rows on either side.
Circa 2000-1600 B.C. 3.6cm - 1”
Provenance : Estate of the
architect Paul-Henri Lapointe,
died about 1980. Private
collection constitute by
acquisition in Paris in the 40,
50, 60.
Roman Bronze Hercules,
depicted as a youth, holding
his club with his right hand,
the lionskin drape over his left
arm. Circa 2nd Century A.D.
5.4cm - 2” Provenance : Estate
of the architect Paul-Henri
Lapointe, died about 1980.
Private collection constitute by
acquisition in Paris in the 40,
50, 60.
162
163
Egyptian Faience Eye Amulet,
in the form of a cowrie shell,
openwork markings to form an
eye. Late period, circa 664-332
B.C. 2.2cm - 0.5” Provenance :
Estate of the architect PaulHenri Lapointe, died about 1980.
Private collection constitute by
acquisition in Paris in the 40,
50, 60.
Egyptian Faience Pataikos
Head, fragmented head
from an amulet. Late period,
circa 664-332 B.C. 1.8cm - 0.5”
Provenance : Estate of the
architect Paul-Henri Lapointe,
died about 1980. Private
collection constitute by
acquisition in Paris in the 40,
50, 60.
164
165
Egyptian Faience Nehebkau
Amulet, the snake god. Late
period, circa 664-332 B.C.
3cm - 1” Provenance : Estate
of the architect Paul-Henri
Lapointe, died about 1980.
Private collection constitute by
acquisition in Paris in the 40,
50, 60.
Group of 4 Faience Felines,
each with suspension piercings
at the neck. circa 1070-712 B.C.
2.5cm - 1” Provenance : Estate
of the architect Paul-Henri
Lapointe, died about 1980.
Private collection constitute by
acquisition in Paris in the 40,
50, 60.
166
167
Group of 8 Egyptian Faience
Amulets. Late period, circa 664332 B.C. 4.7cm - 1.5” Provenance :
Estate of the architect PaulHenri Lapointe, died about 1980.
Private collection constitute by
acquisition in Paris in the 40,
50, 60.
Group of 10 Egyptian Faience
Amulets. Late period, circa 664332 B.C. 3.5cm - 1” Provenance :
Estate of the architect PaulHenri Lapointe, died about 1980.
Private collection constitute by
acquisition in Paris in the 40,
50, 60.
168
169
Group of 7 Egyptian Faience
Amulets & Miscellaneous.
Late period, circa 664-332
B.C. 2.6cm - 0.5” Provenance :
Estate of the architect PaulHenri Lapointe, died about 1980.
Private collection constitute by
acquisition in Paris in the 40,
50, 60.
Group of 4 Roman Terra
cotta Oil Lamps. circa 2nd4th Century A.D. Provenance :
Estate of the architect PaulHenri Lapointe, died about 1980.
Private collection constitute by
acquisition in Paris in the 40,
50, 60.
170
170B
Roman Terra cotta Aphrodite,
covered in a chitton, wearing
a disc-bun with her hair
centraly parted at the center.
Circa 1st Century A.D. 9cm
- 3.5” Provenance : Estate
of the architect Paul-Henri
Lapointe, died about 1980.
Private collection constitute by
acquisition in Paris in the 40,
50, 60.
Group of Bronze Reproductions,
comprising of a bronze oil lamp,
a bronze figure, and uncleaned
bronze coins. After the Antique.
10.5cm - 3.4” Provenance :
Estate of the architect PaulHenri Lapointe, died about 1980.
Private collection constitute by
acquisition in Paris in the 40,
50, 60.
170C
CHINA-JAPAN LATE 19TH- EARLY
20TH c.
Set of 20 tobacco-box, various
materials. We also include
a lapis lazuli small box and
two lapis lazuli small animal
sculpture China-Japan late
19th- early 20th c.
170D
THAILANDE 17TH-18TH c.
Set of 14 Bouddhas heads.
Thailande, 17th-18th c. We also
include 3 different civilisations
heads
170E
CORINTHIAN
Fragment of a Corinthian
capital decorated with
acanthus leaves and volutes.
50x61cm - 19.75x24”
171
RCMP- GRC PARADE HAT Dated 1974
High quality beige felt with wide
brim. Size : 7 1/8 shown inside. The
sweatband is stamped in Gold:
R.C.M.P and BILTMORE. The brown
leather band around the crown
outside is in perfect condition and
its buckle is covered with leather,
sign of a vintage hat (42 years old).
Inside, this leather band is marked
R.C.M.P-25 and dated 1974. A leather
thong is present to retain the hat
from the back of the neck. Worn by
the Mounted Police Musical Ride and
in parades, receptions of heads of
states Etc… CONDITION : NEW
172
173
ORIGINAL HISTORICAL
DOCUMENT EDIT of LOUIS XV
KING of France and Navarre.
Dated 1760 (Pre Treaty of Paris.
Two pages , back to back, of 21
X 27 cms, on pure rag paper,
“ LOUIS by the Grace of GOD,
King of France and Navarre....
the continuation of the war
being indispensable, to reach
Peace, we want to supply to
our subjects…etc….’’ Given in
VERSAILLES in the month
ofmay 1760. Seven period
handwritten lines in margin on
last page. In Paris, At P.G Simon,
Printer of the Parliament. 1760.
RARE SWORD for a HIGH RANK
OFFICER –Non regulation.
Napoléon III . Nice mother of
pearl fluted grip Gilded, chased
single branch brass guard .
Chiseled ommel. Clamshell
with eagle over a thunderbolt.
Quillon ending with a fantastic
horned animal head. Superb
triangular straight blade 72 cms
long (28 1/2’’) engraved , gilded
and fire blued on its third.
174
174B
RARE PAIR of HIATT ANTIQUE
HANDCUFFS. Ca 1880-1900.
Model HIATT BEST DARBY nonadjustable handcuffs, having a
single locking position. These
nickel plated handcuffs are
in very good condition and
still retain their original key
stamped HIATT . Handcuffs
and key both have the same
serial number: 828. Stamped
on several places: HIATT BESTWARRANTED WROUGHT-British
made- Hard.
GARDNER STANLEY, Eric (18891970) Two letters writting on
typewritter and signed by the
writter Eric Stanley Gardner,
August 14, 1942 and December
7, 1959. We also include two
letters writting by typewriter
and signed by Eric Stanley
Gardner’s secretary, Jean
Bethell Gardner, April 16 1970 and
October 1, 1968
175
176
A CANADIAN MARKED WWI British
Pattern 1908 CAVALRY TROOPER’S
SWORD. Made in 1915 by Wilkinson Sword
Co. This sword, CAVALRY Pat 1908 MKI*
is universally recognized as the finest
sword ever produced for the British and
Commonwealth troops. The Pattern 1908
is also the last pettern of sword to be
adopted by the British Army. The strong
and excellent blade is straight tapered
with a single fuller and has a thick ‘’T’’ cross
section. One side of ricasso is stamped ‘’X’’
and WILKINSON. The other side shows the
date: 10-15 (Oct. 1915) and an Enfield Armory
inspection stamp. The back of blade
is stamped ‘’C-Broad Arrow) denoting
Canadian Gvt. Property as well as P08
(Model number). The original buff piece
(sword stop) is present . Grips: DERMATINE,
a molded light red-brown colored plastic.
The guard and grip are both in excellent
condition. Guard: sheet steel bowl with
beaded edge, is stamped RCHA (ROYAL
CANADIAN HORSE ARTILLERY) and
numbers ‘’3’’ 4-20 (April 1920). The scabbard
is tapered sheet steel with two rings. The
mouth piece is stamped ‘’C-Broad Arrow’’
and R.C.H.A 348 ,as well as 2-21 Both the
sword and its scabbard are in excellent
condition. (FEB. 1921) and WSC (Wilkinson
Sword Co)-16.
176B
ORTHODOX ICON - early 19th
Century Orthodox polychrome
wood icon representing
an Archangel and a small
Crucifixion; covered with a
metal plate with dark patina
resuming the theme of the
icon and finely decorated with
diamond and flower decor.
14x27cm - 13.50x10.75”
THREE Antique AMERINDIAN
LACROSSE sticks for the GAME
of LACROSSE. Ca 1920. Two for
players and one for goalie. All
three are made of steam bent
ash and the nets are partly
made of rawhide, like on older
snowshoes. Probably MOHAWK.
176C
ORTHODOX ICON - early 19th
Century Polychrome wood
orthodox icon representing
the Resurrection of the Christ
covered with a metal plate)
with dark patina resuming the
theme of the Resurrection
and finely decorated with
pearl, interlacing flower decor.
31x26cm - 12.25x10.25 “
176D
Orthodox icon representing
the resurrection in its
center, surrounded with the
representations of twelve
orthodox great feasts,
underlined by light gilt borders
on wood patina background
ornated with cyrilic inscriptions.
RUSSIA. 35.75x31.25cm - 14x12.5”
177
CANADIAN 100$ - GOLD - 1994
Canadian gold 100$ coin
commemorates the Second
World War. The reverse
highlights a portion of Canadian
artist Paraskeva Clark’s painting
entitled “Maintenance Jobs in
the Hangar”. 1994 Numbered
on the certificate : 30631/35000
Authenticity certificate. This
coin contains 58.33% of fine
gold and 41.67% of fine silver.
It weighs is 13.338 grams and
its diameter is 27mm. With its
original box.
178
CANADIAN 100$ - GOLD - 1996
Canadian gold 100$ coin
commemorates the 100th
anniversary of the first
major discovery of gold in
Klondike. 1996 Numbered on
the certificate : 09311/35000
Authenticity certificate. This
coin contains 58.33% of fine
gold and 41.67% of fine silver.
It weighs is 13.338 grams and
its diameter is 27mm. With its
original box.
178B
CANADIAN 100$ - GOLD - 1983
Canadian gold 22 Karat 100$
coin. The reverse depicts
the design of artist John
Jaciw of Windsor, the legend
“1583 - St. John’s - 1983” and
“Newfoundland - 100 dollars Terre-Neuve”. 1994 Numbered
on the certificate : 33162/35000
Authenticity certificate. This
coin contains 91.66% of fine gold
and 8.34% of fine silver. It weighs
is 16.965 grams and its diameter
is 27mm.
179
CANADIAN 100$ - 22K GOLD 1976
Canadian 22 karats gold 100$
coin issued issued following
the adoption of the law on
the 1976 Olympic Games by
the Parliament of Canada. The
reverse depicts an Athena
goddness portrait with an
athlete. 1976 Numbered on the
certificate : D41580 Authenticity
certificate. This coins weighs
16.965 grams and its diameter is
25mm. With original box.
179B
CANADIAN 100$ - 22K GOLD 1976
Canadian 22 karats gold 100$
coin issued issued following
the adoption of the law on
the 1976 Olympic Games by
the Parliament of Canada. The
reverse depicts an Athena
godness portrait with an
athlete. 1976 Numbered on the
certificate : B43874 Authenticity
certificate. This coins weighs
16.965 grams and its diameter
is 25mm.
180
CANADIAN 100$ - 22K GOLD 1976
Canadian 22 karats gold 100$
coin issued issued following
the adoption of the law on
the 1976 Olympic Games by
the Parliament of Canada. The
reverse depicts an Athena
godness portrait with an
athlete. 1976 Numbered on the
certificate : D41624 Authenticity
certificate. This coins weighs
16.965 grams and its diameter
is 25mm.
181
CHRISTOFLE
Christofle steel cutlery
complete for 12 with Art Deco
geometric patterns including : 12 knives, - 12 forks, - 12 fish forks,
- 12 fish knives, - 12 dessert forks,
- 12 dessert knives, - 12 dessert
spoons, - 12 soup spoons, - 12
coffee spoons. Stamped :
Christofle acier, France
181B
ENGLAND
Veneer travel chest with brass
escutcheons and handles. It
opens a door on top discovering
a set of red velvet storage and
two crystal bottles, a drawer
in the lower part reveals green
velvet storage for jewelry.
England. H : 24.75cm - 9.75”
182
SILVER METAL
Metal silver presentation dishe
with 4 floors and piedestal,
decorated with gadroon frieze
on the outlines, pearl handle on
the top. H : 65cm - 25.5”
183
ARGENT STERLING
Pair of sterling silver candlestick
with three light and interlacing
arms, “filet” decor. Hallmark
on the reverse, on the base :
STERLING AMC H : 25cm - 9.75”
Weight : 1138.9 g - 40.1 ounces
We also include a pair of silver
metal candlesticks with three
lights and interlacing arms,
acanthus leaf and volute frieze
decor. Hallmark on the reverse
on the base : Legacy plate, E.P
ON COPPER. ENGLAND H : 36cm
- 14”
184
SILVER PLATE
Silver metal cutlery for 12 with
chiseled wine leaf decor, mother-ofpearl sleeve ornated with oak leaf
ring decor including 12 knives and 12
forks. Montreal. We also include : - a
metal silver and ivory letter-openner,
the sleeve with openworked volute
and square decor. Some lots are
subject to international license Cites
(regulation on the import and export
of endangered species among
others , ivory , coral, tortoise shell
, etc. ) . Buyers must enquire with
local authorities for export and with
the country of import before bidding.
185
SILVER PLATE
Silver metal coffee and tea
setwith gadroon and fruit frieze
decor, gadroon fretel, bases
and handles ornated with wine
leaf including : a coffee pot, a
tea pot, a milk pot and sugar
pot. We also include a same
samovar. England
186
CHISELED CRYSTAL
Set of two chiseled crystal jars,
widened bole and long neck
with geometrical pattern decor.
Largest : 31.5cm - 12.25”
187
CHISELED CRYSTAL
Set of two pink chiseled crystal
jars with pearl and flower decor,
facet stopper. We also include
two same flask. La plus grande :
29cm - 11.5”
188
MOSER - FRANCE A chiseled
crystal presentation dish with
gadroon decor, the outline
ornated with gilt border,
palmetoes and volute frieze.
Stamped on the reverse, on the
base : Moser
189
ST LOUIS - FRANCE Crystal “à
l’Antique” vase, large bole with
chiseled quartering, the neck
ornated with gadroon, standing
on a square base with chiseled
star. Stamped on the reverse,
on the base : St Louis H : 26cm
- 10”
190
SAINT LOUIS - FRANCE
Crystal ewer with gadroon
decor on the shoulder and the
bole, ornated with gilt borders
and foliage friezes. The stopper
with gilt border decor. Stamp
on the reverse, on the base : St
Louis - France H : 34cm - 13.5”
191
CRYSTAL AND GLASS
Set of chiseled crystal pieces
with flower and geometrical
patterns including a decanter,
two small bottle with stopper,
a jar, a vase and a presentation
dish. The largest : 32.5cm - 12.75”
192
BACCARAT - FRANCE
BACCARAT - FRANCE Set of 24
Baccarat crystal wine glasses
including 10 red wine glasses
and 14 white wine glasses.
Stamp on the reverse on the
base : Baccarat
192B
BISCUIT BUN WARMER
Silver metal biscuit bun warmer
shell-shape opening in two
parts, openworked plate with
geometrical patterns, silver
metal support with pearl, volute
and flower decor connecting
the base with the handle top. H
: 29cm - 11.5” L : 23.5cm - 9.25” l :
32cm - 12.75”
193
TABLE DECORATION
Glass and 800 silver mounted
table adorned with a frieze
finely decorated with leaves.
Silversmith’s stamp on the
bottom: Wolfers Brothers (18921942), Belgium Approximate
weight : 693.9g - 24.4 ounces H:
8.5 - 3.25” L: 32cm - 12.50”
194
“BOUILLOTE” LAMP
Gilt bronze Louis XVI style
lampe “bouillote” with two arms;
cup base ornated with volutes;
sheet metal lampshade
lacquered with red patina
which settles in height and
jams with a key with screw in
the arrow-shape. 20th Century
H : 55.5cm - 21.75”
195
“BOUILLOTE” LAMP
Gilt bronze Louis XVI style
lampe “bouillote” with three
arms; cup base ornated with
pearls; sheet metal lampshade
lacquered with red patina
which settlesin height and jams
with a key with screw in the
arrow-shape. 19-20th Century H
: 56cm - 22”
196
HEREKE
Hereke silk carpets handmade
decorated with flowers and wild
animals. 157x108cm -61x42’’