Gees Bend
Transcription
Gees Bend
Non-Profit Org. U.S. Postage PA I D Seattle, WA Permit No. 333 P.O. Box 30946 Seattle, WA 98113-0946 Between The Lines Volume 17, Issue 1 Taproot Theatre Company’s Subscriber Newsletter Address Service Requested The Production By Daytona Strong - Communications Manager A story of courage, hope and beauty Taproot Theatre Company opens its 2009 Mainstage season this month with the regional premiere of Elyzabeth Gregory Wilder’s celebrated play, Gee’s Bend, a story of courage and hope spanning over 60 years in the African American community of Gee’s Bend, Alabama. Between the Lines Gees Bend , By Elyzabeth Gregory Wilder Directed by Karen Lund Corresponding with Black History Month, this play captures the rich story of the women of Gee’s Bend, many of whom are descendants of the slaves who used to live on the plantation located there. The women of this community have become known for their distinctive quilts: pieces of old, tattered clothing transformed into works of art that are now displayed in museums. Taproot Theatre’s Subscriber Newsletter Inside: • About Gee’s Bend • Get to know actor Geoffery Simmons • A Taproot Theatre wedding • Find out who’s playing Morrie and Mitch in Tuesdays with Morrie … And more! Welcome to Taproot’s 2009 Season! I hope you enjoy this first edition of BTL for 2009! Inside you’ll find lots of helpful information for you as a subscriber, plus details on our upcoming production, Gee’s Bend. Please feel free to contact me with feedback or topics you’d like to read about in future editions. I’d also like to encourage you to check out the online version of BTL; just e-mail me with “Online BTL” in the subject line to sign up. We’re happy to have you as a subscriber this season! Daytona Strong Communications Manager daytona@taproottheatre.org 2009 Subscriber Rewards Show your 2009 Subscriber Rewards Card at these businesses for exclusive savings! Andrea Kurtz L.Ac. Acupuncture & Chinese Herbs Balderdash Books and Art Green Bean Coffeehouse Harvest Logos Bookstore Mae’s Phinney Ridge Cafe Meridian Market Metropolis Olive You Romio’s Pizza & Pasta Whole Life Yoga 15% off new or returning office visits for acupuncture 10% off used books 15% off any menu item 15% off books and Bibles Buy one entrée get the second for half price 10% off purchase 15% off purchase of paper products 10% off 15% off One free class “Them quilts could tell stories these people’ll never know,” says the main character, Sadie, whom we see grow up throughout the course of the play. “Little pieces of our lives sewn up in those quilts. Little pieces of our history. We made them, cause we had nothing else.” “I think this play comes at the perfect time in our country’s history,” said director Karen Lund, “especially with the tough economic issues ahead for everyone. The people of Gee’s Bend faced these same issues repeatedly and have prevailed. With President Obama being sworn in, it’s also a great time for us to look back at the tragedy of our past racial relations and begin to celebrate how far we’ve come.” Gee’s Bend is the celebrated play that won the playwright the 2008 M. Elizabeth Osborn New Play Award from the American Theatre Critics Association. It premiered at the Alabama Shakespeare Festival in January 2007, and has received strong positive audience response. Faith Russell, Tracy Michelle Hughes, Geoffery Simmons and Samantha Rund in Gee’s Bend. Photo By Erik Stuhaug. Bend are so poor they reuse scraps of fabric er Richard Schaefer. Anne Hitt serves as to create quilts and put newspapers on their stage manager and Katrina Moore as drawalls to keep out the drafts. The main char- maturg. Edd Key is the musical director. acter, Sadie, is inspired when she encounters Martin Luther King, Jr., and is determined to Performance Information take a stand for equality, no matter the cost. “It’s very encouraging to see that this community has repeatedly faced challenges and triumphed over them, and that this small rural area has become world renowned for the way the people stand up against every type of problem—from slavery to economic depression to racial discrimination, and even now to modernity and how they’re dealing with modern times,” said Lund. Gee’s Bend features a talented cast of Taproot newcomers and familiar faces, including Samantha Rund as Sadie; Tracy Michelle Hughes; Geoffery Simmons, last seen at Taproot Theatre as Jim in last summer’s Big River: The Adventures of Huckleberry Finn; and Faith Russell, who will be remembered for her roles The play speaks to the courage and hope of in Taproot’s productions of Doubt: A Parable people who’ve fought for equality in times and Big River, among others. The producof segregation, and those who’ve perse- tion team includes scenic and sound devered through economic difficulties. During signer Mark Lund, costume designer the time the play is set, the people of Gee’s Sarah Burch Gordon and lighting design- Previews: January 28 & 29 Friday Opening: January 30 Running: Wednesday–Saturday through February 28 Show Times Wednesday & Thursday, 7:30 p.m. Friday & Saturday, 8:00 p.m. Saturday Matinee, 2:00 p.m. Box Office Information 206.781.9707 box@taproottheatre.org Tuesday–Saturday, Noon-5:00 p.m. On performance days, the box office phone is answered until 30 minutes prior to show time. Recommended for ages 12 years and above. Children under 5 are not admitted. Approximate running time: 90 minutes, no intermission. Gee’s Bend is sponsored in part by the Tacoma Art Museum; their gerous support is providing the resources for the women of Gee’s Bend, Alabama, to be present at Taproot Theatre’s post-play discussion on February 18. Gee’s Bend is staged in partnership with the Northwest African American Museum. Support for Taproot Theatre’s 2009 season is generously provided by 4Culture; ArtsFund; The Charles Simonyi Fund for Arts and Sciences; PONCHO; and Washington State Arts Commission. Thanks to Romio’s Pizza and Pasta, our Special Thursday Pizza Nights sponsor. Between the Lines Volume 17, Issue 1 Spotlight on Actor Geoffery Simmons: Q & A with Gee’s Bend’s Macon A: I was surrounded by music as a kid and eventually knew I wanted to perform professionally. Geoffery Simmons (Macon) with Samantha Rund (Sadie) in Gee’s Bend. Photo by Erik Stuhaug. Q: Many of our patrons remember you as Jim in Big River; please describe some of the things you enjoyed about your experience last summer and tell us what you’re looking forward to about performing in Gee’s Bend. A: As a whole the theatre company is fantastic to work with. Exploring Jim’s character was exhausting in the approach of leaning what it meant and cost for black folks who were enslaved during that time, but ultimately helped me grow as an actor. Working with Karen was a joy and I’m ecstatic to work with her again. Q: What interested you about Gee’s Bend? A: Exploring the psychology of those who Patrons who came to last summer’s produc- lived through and shaped such a large, tion of Big River: The Adventures of Huckleberry influential and richly spiritual part of our Finn will remember Geoffery Simmons as Jim, American culture throughout a very difficult a role that earned him rave reviews by critics, time of reform. including one who projected that Simmons Q: When you’re not on stage, how do you will be performing on Broadway within the spend your time? decade. This time, Simmons plays Macon, the A: I don’t have a lot of free time but I spend husband of the main character, Sadie. Born to time riding my motorcycle, enjoying movies football legend Ahmad Rashad, Simmons was and plays, writing songs and trying to keep born and raised in Western Washington, and up with family. has been performing in the area for the past four years. He’s also performed as far away Q: What else about you would our subscribas Tokyo, in Mariah Carey’s Butterfly tour. ers find interesting? A: I am collaborating with Ben Sherman to write a play which we will be developing into Q: You’ve been performing since you were a a one-man show. child; what inspired you to start acting and singing? Geoffery Simmons ( Jim) with Robbie Fowler (Huck) in Big River: The Adventures of Huckleberry Finn. Photo by Erik Stuhaug. Quilts from Gee’s Bend Wikipedia Article on Gee’s Bend http://en.wikipedia.org/wiki/Gee%27s_Bend Books To us at Taproot, live theatre presents an incredible opportunity to explore the beauty and questions of life. We don’t underestimate the impact the arts can make in our lives, attitudes and perceptions of the world around us—theatre can certainly create invaluable and memorable experiences. In 2009 we’re kicking off our first full season of library preview events at the Greenwood branch of the Seattle Public Library and hosting other special show-specific events throughout the season. Shortly before each Mainstage show in our 2009 season, we’ll host an event at the library, during which you can hear from both the director and the cast and see early renderings of the designers’ visions for the show. The next library event takes place on Saturday, January 17, at 5 p.m. for Gee’s Bend. Then mark your calendar for the library event for Tuesdays with Morrie: Saturday, March 14, at 5 p.m. - Inside Gee’s Bend at the Northwest African American Museum - January 24, 5 p.m. Join director Karen Lund, the cast of Gee’s Bend and members of the Pacific Northwest African American Quilters at one of Seattle’s newest museums, which explores the history, art and culture of African Americans in the Pacific Northwest. PNAAQ is partnering with the museum for an upcoming exhibit of quilts. -Post-play discussions with the Pacific Northwest African American QuiltersWednesdays (February 4,11 & 25) * Representatives from the Pacific Northwest African American Quilters will be at Wednesday post-play discussions to give a Northwest perspective on quiltmaking among African Americans. Members of PNAAQ have built a quilt that will be seen at Taproot Theatre, and the association is also providing several other quilts to be displayed and auctioned off during the run of Gee’s Bend. -A special appearance by quilters from Gee’s Bend, AL – Post-play discussion on February 18* Thanks to the Tacoma Art Museum for their generous support, which is providing the resources for them to be here. Parking Update with “Housetop” variation by Mary L. Bennett, 1965. “Roman Stripes” variation by Deborah Pettway Young, 1960. by Morrie JEFFREY HATCHER MITCH ALBOM & based on the book by Pull up a chair and join professor MITCH ALBOMMorrie for some of the greatest lessons life can offer. March 25 - April 25 The Quilts of Gee’s Bend: Masterpieces from a Lost Place By William Arnett, Alvia Wardlaw, Jane Livingston, John Beardsley Tinwood Books 2002 “You have to go after life and embrace it! And when you do, sometimes life will embrace you back in ways you never imagined! - Morrie Gee’s Bend: The Architecture of the Quilt By Paul Arnett, William Arnett, Bernard Herman, Maggi Gordon, Diane Mott, Dilys Blum, Lauren Whitley, Amei Wallach, Joanne Cubbs Tinwood Books 2006 Subscribers’ Scoop: You’ll see Taproot Theatre favorites Nolan Palmer (Susan and God, Over the River and Through the Woods) and Aaron Lamb (As You Like It, The Importance of Being Earnest) as Morrie and Mitch in this production. Page 2 Meet Mr. & Mrs. Morache Taproot Theatre’s group sales representative Marie ‘Frederickson’ Morache and assistant production manager Dustin Morache on their wedding day, January 11, 2009. Although they both graduated from SPU, Marie and Dustin met and fell in love at Taproot Theatre. Photo by Mark Morache. Helpful Information for Subscribers Tuesdays The Quilts of Gee’s Bend http://www.quiltsofgeesbend.com/ Video of Gee’s Bend Women singing gospel in Kansas City http://www.youtube.com/watch?v=uf2BcfcpYY Special Events in 2009 Up Next at Taproot Theatre: Online Resources Freedom Quilting Bee http://www.ruraldevelopment.org/FQB.html Volume 17, Issue 1 *Ticketholders for any Gee’s Bend performance may attend these post-play discussions. Simply bring your ticket as proof to be admitted. Additional Resources for Gee’s Bend NPR story on Gee’s Bend http://www.npr.org/templates/story/story. php?storyId=4184856 Additional Special Events for Gee’s Bend: A list of resources compiled for you by our dramaturg for this production, Katrina Moore. Multimedia Between the Lines Photos from: http://www.auburn.edu/academic/other/geesbend/explore/catalog/slideshow/index.htm Parking is now available directly behind the theatre in the old McDonald’s parking lot in spaces marked “TTC Only.” Parking is also available along the south side of the Fred Meyer parking lot, closest to 85th Street. Fred Meyer is located just one block from the theatre on 85th and First Ave. N.W. Street parking is also available, as well as a pay lot on 85th behind WaMu. Keep checking regularly with Taproot for updates regarding the current neighborhood changes in Greenwood. Additional Discounts Remember, subscribers can purchase additional tickets for friends and family at a special subscriber discount. More Information For information on lost and found, concessions, volunteering, making donations and more, visit the Patron Services page on our website at http://taproottheatre.org/helpful-information-for-you/. Subscriber Direct Line 206.781.9706 Calls will be answered or returned within 24 hours, Tuesday-Saturday 12-5 p.m. Subscriber needs can also be handled through box@taproottheatre.org. Page 3