Decorative Arts: Design since 1860 - create an account

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Dec Arts cover.qxp_L&T MASTER COVER 16/10/2015 14:17 Page 1
LYON & TURNBULL AUCTIONEERS EDINBURGH
182 Bath Street, Glasgow G2 4HG
Tel. +44 (0)141 333 1992
Fax. +44 (0)141 332 8240
78 Pall Mall, London SW1Y 5ES
Tel. +44 (0)20 7930 9115
Fax. +44 (0)141 7930 7274
DECORATIVE ARTS and 19TH & 20TH CENTURY PICTURES 11TH & 12TH NOVEMBER, 2015
33 Broughton Place, Edinburgh EH1 3RR
Tel. +44 (0)131 557 8844
Fax. +44 (0)131 557 8668
Email. info@lyonandturnbull.com
www.lyonandturnbull.com
Wednesday, 11th November, 2015
and
Thursday, 12th November, 2015
33 Broughton Place
Edinburgh
Decorative Arts:
Design since 1860
including 19th & 20th Century Pictures
Decorative Arts:
Design since 1860
at 11am
Sale Number LT446
19th & 20th Century
Pictures
at 11am
Sale Number LT446A
Viewing Times
Sunday, 8th November 12 noon - 4pm
Monday, 9th November 10am - 5pm
Tuesday, 10th November 10am - 5pm
Wednesday, 11th November 10am - 5pm
Thursday 12th November strictly by appointment only
Enquiries
Lyon & Turnbull Ltd.
33 Broughton Place
Edinburgh EH1 3RR
Tel. 0131 557 8844
Fax. 0131 557 8668
Catalogue: £15
Buyer’s Guide
This sale is subject to our standard Conditions of Sale (available at the back of every catalogue and on our website).
If you have not bought at auction before we will be delighted to advise you.
Buyer’s Premium &
Other Charges
The buyer shall pay the hammer price
together with a premium, at the
following rate, thereon.
25% up to £50,000 / 20% thereafter.
VAT will be charged on the premium at
the rate imposed by law (see our
Conditions of Sale).
Additional VAT
† VAT at the standard rate payable at the
standard rate on the hammer price
* 5% import VAT payable on the
hammer price
No VAT is payable on the hammer price
or premium for books bought at
auction.
Droit de Suite
§ indicates works which may be subject
to the Droit de Suite or Artist’s Resale
Right, a royalty payment for all qualifying
works of art. Under new legislation
which came into effect on 1st January
2012, this applies to living artists and
artists who have died in the last 70
years. This royalty will be charged to the
buyer on the hammer price and in
addition to the buyer’s premium. It will
not apply to works where the hammer
price is less than €1,000 (euros). The
charge for works of art sold at and
above €1,000 (euros) and below €50,000
(euros) is 4%. For items selling above
€50,000 (euros), charges are calculated
on a sliding scale.
More information on Droit de Suite is
available at www.dacs.org.uk
Registration
Catalogue descriptions
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information may be submitted in person
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registration:
All item descriptions, dimensions and
estimates are provided for guidance only.
It is the buyer’s responsibility to inspect all
lots prior to bidding to ensure that the
condition is to their satisfaction. If
potential buyers are unable to inspect lots
in person (public viewing times listed in
every catalogue), our specialists will be
happy to prepare detailed condition
reports and additional images. These are
for guidance only and all lots are sold ‘as
found’, as per our Conditions of Sale.
1 – Government issued photo ID
(Passport/ Driving licence)
2 – Proof of address (utility bill/ bank
statement).
We may, at our option, also ask you to
provide a bank reference and/ or
deposit.
Import/Export
Removal of Purchases
Prospective buyers are advised that
several countries prohibit the importation
of property containing materials from
endangered species, including but not
limited to; rhino horn, ivory, coral and
tortoiseshell. Accordingly, prospective
buyers should familiarise themselves with
all relevant customs regulations prior to
bidding if they intend to import lots to
another country. It is the buyer’s sole
responsibility to obtain any relevant
export or import licence. The denial of any
licence or any delay in obtaining licences
shall neither justify the recession of any
sale nor any delay in making full payment
for the lot.
Responsibility for packing, shipping and
insurance shall be exclusively that of the
purchaser. Further information on
Collection & Shipment, including
professional packers and shippers
known to us, can be found at the back of
the catalogue or on our website.
Endangered Species Please be aware
that lots marked with the symbol Y
contain material which may be subject to
CITES regulations when exporting outside
the EU. For more information visit
http://www.defra.gov.uk/ahvla-en/
imports-exports/cites
By registering for the sale, the buyer
acknowledges that he or she has read,
understood and accepted our
Conditions of Sale (available at the
back of every catalogue and on our
website).
Bidding & Payment
For information on bidding options see
our Guide to Bidding & Payment at the
back of the catalogue.
Meet the Specialists
At Lyon & Turnbull we want to make buying at auction as easy and enjoyable as possible. Our
specialist team are on hand to assist you; whether you are looking for something in particular for
your home or collection; require more detailed information about the history or current
condition of a lot or just want to find out more about the auction process.
John Mackie
Theodora Burrell
Carly Shearer
Charlotte Riordan
Decorative Arts & Design
john.mackie@lyonandturnbull.com
Decorative Arts & Design
theo.burrell@lyonandturnbull.com
19th & 20th Century Paintings
carly.shearer@lyonandturnbull.com
charlotte.riordan@lyonandturnbull.com
How to Find Us in Edinburgh
Lyon & Turnbull Saleroom
T
P
Parking
Multi-storey car parking is available at
Greenside Place and in the St. James Centre;
five minutes walk from the saleroom
T
York Place Tram Stop
S
Waverley Station
Order of Sale
at 11am
1-40
41-144
Glass
Ceramics
145-238A A Private Collection: Property of a
Gentleman
239-266
Furniture: Part I
267- 351
Jewellery, Silver & Metalwares
352-387
Furniture: Part II
388-400
Lighting
401-420
Sculpture
421-429
Textiles & Carpets
430-466
Pictures & Works on Paper
467-517
Furniture: Part III
Furniture from The Paramount Bar
lots 494-507
Index to Artists on page 185
at 11am
551-760
Index to Artists on page 185
Front Cover
Lot 245 (detail)
Inside Front Cover
Lot 461 (detail)
Inside Back Cover
Lot 461 (detail)
Lot 126
Glass
1 HD165/1
CHRISTOPHER DRESSER (1834-1904)
FOR JAMES COUPER & SONS,
GLASGOW
‘CLUTHA’ GLASS VASE, CIRCA 1880
of bulbous form with tall neck, the amber
glass with trailing milky and aventurine
inclusions
19.3cm high
£500-700
2 HD177/7
FOR JAMES COUPER & SONS,
GLASGOW
‘CLUTHA’ GLASS VASE, CIRCA 1880
of tapering twisted form with broad rim, the
green glass body with milky inclusions
42cm high
Literature:
Halén, Widar ‘Christopher Dresser: a pioneer of
modern design’ London 1990, pp. 174 and 175, figs.
194 and 195 where similar vases are illustrated.
£1,000-1,500
3 HD177/6
MANNER OF HANNAH WALTON
PAINTED GLASS AND LEADED PANEL,
CIRCA 1900
of square form, with coloured glass
panels enclosing a painted roundel
depicting a female figure with flowers
62cm squared
Literature:
Burkhauser, Jude (edit.) ‘Glasgow Girls’,
Edinburgh 1993, p.47, fig. 44 where a similar
female figure by Walton is illustrated.
£400-600
4 HD602/13
ARTS & CRAFTS LEADED AND PAINTED
GLASS PANEL
CIRCA 1890
depicting an angel, within a gilt frame
34cm x 19cm
£150-250
6 Lyon & Turnbull
5 HC700/1
ÉMILE GALLÉ (1846-1904)
CAMEO GLASS VASE AND COVER, CIRCA 1900
the egg-shaped body overlaid with amethyst
glass and acid etched with a design of
clematis, cameo mark GALLÉ
12cm high
£1,200-1,800
6 HC700/2
CAMEO GLASS VASE, CIRCA 1900
the yellow glass body overlaid with ruby glass
and acid etched with a design of cyclamen,
cameo mark GALLÉ
9.8cm high
£800-1,200
7 HC700/3
CAMEO GLASS VASE, CIRCA 1900
the ovoid yellow glass body with cylindrical
neck and everted rim, overlaid with amethyst
glass and acid etched with a design of
flowering branches, cameo mark GALLÉ
8.5m high
£800-1,200
8 HC700/4
CAMEO GLASS COUPE VASE, CIRCA 1900
the ovoid yellow glass body with applied foot,
overlaid with amethyst glass and acid etched
with a design of aquilegia, cameo mark GALLÉ
7m high, 9cm diameter
£800-1,200
9 HD165/2
CAMEO GLASS AND SILVER
MOUNTED PERFUME
BOTTLE
CIRCA 1883
of cylindrical form, the yellow
glass body overlaid with white
glass and acid etched and carved
with flowering plants, maker’s
mark SM, hallmarked London
1883
6.5cm long
£200-300
10 HD91/70B
LOETZ, AUSTRIA
11 HC695/10
MANNER OF LOETZ
12 HD6/1
DAUM, NANCY
‘RICHARD’ CAMEO GLASS VASE,
1920s
of ovoid form, the yellow glass
body overlaid in red and black and
acid etched with a landscape with
house, lake and trees, bears
cameo signature RICHARD
25,5cm high
PAIR OF FROSTED AMBER
GLASS VASES, CIRCA 1910
each of baluster form, with
applied jewelled strapwork (2)
17.5cm high
£150-250
CAMEO GLASS PERFUME BOTTLE
ATOMISER, CIRCA 1900
of tall tapering form, acid etched
and coloured with a design of
orchids, with metal mount
(atomiser element lacking), cameo
mark DAUM/ NANCY, with Cross
of Lorraine
20cm high
£200-300
Note:
‘Richard’ was the mark used on acid
etched cameo glass made by Loetz after
1918.
£100-200
Decorative Arts: Design since 1860 7
13 HC700/7
G. ARGY-ROUSSEAU (1885-1953)
PATE DE VERRE PAPERWEIGHT, CIRCA 1900
with blue and green colouring, moulded with moths,
moulded signature G-ARGY-ROUSSEAU (REDUCED)
5cm high, 4.5cm across
£600-800
14 HC700/5
DAUM, NANCY
CAMEO AND PAINTED GLASS POSY VASE,
CIRCA 1900
the swollen cylindrical amethyst and pale
yellow glass body, acid etched and painted in
coloured enamels with a design of fruiting ivy,
cameo mark DAUM/ NANCY, with Cross of
Lorraine
12cm high
£1,000-1,500
15 HC700/6
DAUM, NANCY
CAMEO GLASS AND PAINTED GLASS POSY VASE,
CIRCA 1900
the ovoid yellow glass body with inverted lobed
rim, acid etched and painted in pink and sepia
enamels with a design of trees in a river
landscape, painted mark under base DAUM/
NANCY, with Cross of Lorraine mark
7cm high, 9cm diameter
£1,200-1,800
17 HD45/1
RENÉ LALIQUE (1860-1945)
‘GREGOIRE’ CLEAR GLASS PERFUME BOTTLE
AND STOPPER, DESIGNED 1927
of lobed ovoid form with beaded decoration,
moulded mark R. LALIQUE
9.5cm high
£150-250
16 HC866/15
‘PAON’ CLEAR AND FROSTED GLASS POWDER BOX & COVER,
DESIGNED 1910
the cover moulded with the design of a peacock on a branch, the sides
moulded with leafy branches, script etched mark R. LALIQUE/ FRANCE/
NO. 1
12cm diameter, 5cm high
£1,200-1,800
18 HC866/14
‘OLERON’ FROSTED AND OPALESCENT GLASS
VASE, DESIGNED 1927
of ovoid form moulded with fish, indistinct
script etched mark R. LALIQUE/ FRANCE/ NO.
1008
9cm high
£600-800
19 HC700/10
‘PERCHE’ CLEAR AND FROSTED GLASS CAR
MASCOT, DESIGNED 1929
enhanced with original blue staining, stencil
etched mark R. LALIQUE/ FRANCE
15.5cm across, 10cm high
£600-800
8 Lyon & Turnbull
20 HD50/1
‘SAINT-VINCENT’ CLEAR AND FROSTED GLASS
PLAFONNIER, DESIGNED 1926
of semi-hemispherical form, moulded with bands of
fruiting vines, moulded mark R. LALIQUE, wheel
etched mark FRANCE
34.5cm diameter, 16cm high
£1,500-2,000
21 HC700/8
‘ACACIA’ GREEN AND FROSTED GLASS VASE,
DESIGNED 1921
the elongated ovoid body moulded with bands
of leaves, etched script mark R. LALIQUE
21cm high
£2,000-2,500
22 HC700/9
‘MOSAIC’ PATTERN TOPAZ GLASS VASE,
DESIGNED 1927
of tapering cylindrical form, moulded with an
allover leaf design, moulded mark R. LALIQUE
13cm high
£1,200-1,400
23 HC866/11
SET OF ELEVEN ‘COQUILLES’ OPALESCENT
GLASS PLATES, DESIGNED 1931
each with wheel etched marks, R.
LALIQUE/ FRANCE, and with script etched
mark No. 3012 (11)
16.5cm diameter
£1,000-1,500
24 HD120/1
CRISTAL LALIQUE
26 HB546/3
CRISTAL LALIQUE
28 HC866/13
BREVES LALIQUE GALLERIES, LONDON
PAIR OF CLEAR AND FROSTED GLASS
PARTRIDGE FIGURES, POST 1945
each with script etched mark LALIQUE/
FRANCE (2)
17.5cm and 13cm high
£200-300
‘ARIANE’ FROSTED GLASS FIGURE,
LATE 20TH CENTURY
the figure moulded as entwined doves, etched
marks LALIQUE/ FRANCE, 22cm high; and a
CRISTAL LALIQUE VASE, clear and frosted
glass, etched marks LALIQUE/ FRANCE, 13cm
high (2)
£200-300
“THE ART OF RENÉ LALIQUE”, ILLUSTRATED
CATALOGUE, CIRCA 1928
and enclosing an additional supplement of
Lalique Lights and mascots and loose leaves
of the stock held
£150-250
27 HB546/2
CRISTAL LALIQUE
LARGE FROSTED AND CLEAR BLUE GLASS
VASE, 1930s
of elongated ovoid form, moulded with ribbed
prunts, etched mark SABINO/ FRANCE, shallow
chips to top rim
30cm high
£150-200
25 HC865/2
CRISTAL LALIQUE
‘PERCHE’ CLEAR AND FROSTED GLASS CAR
MASCOT, DESIGNED 1929
etched mark LALIQUE/ FRANCE
15.5cm across, 10cm high
£150-250
AMBER GLASS RHINO FIGURE,
LATE 20TH CENTURY
within fitted box, engraved mark LALIQUE/
FRANCE
13cm high, 29cm long
£150-250
29 HC866/10
SABINO, FRANCE
30 HC82/1
SABINO, FRANCE
31 HD120/2
SEVRES, FRANCE
PAIR OF CLEAR AND FROSTED GLASS
PLAFONNIERS, CIRCA 1925
each of shallow cylindrical form,
moulded in relief with stylised
flowering foliage, one with original
hanging ropes, moulded marks
SABINO/ 4651/ PARIS/ DEPOSE (2)
48cm diameter
£500-700
CLEAR GLASS BUST OF A DEER,
20TH CENTURY
with stencil etched mark SEVRES/
FRANCE
29cm high
£150-250
32 HD91/16A
ART NOUVEAU PEWTER MOUNTED TWIN-HANDLED
GLASS VASE
CIRCA 1900
of compressed baluster form, with iridescent green glass body
and cast foliate mounts, 19cm high; an ART NOUVEAU METAL
MOUNTED GLASS VASE, of tall bottle form, the green glass
body with elaborate whiplash foliate mounts, 29cm high; an
ART NOUVEAU IRIDESCENT GLASS VASE, with frilled rim and
trailed decoration, 24cm high; and an ART NOUVEAU
IRIDESCENT GLASS VASE, with applied spiral handle, painted in
gilt and white enamel with a flower and ribbon motif, 21cm
high (4)
£300-500
33 HD91/83A
STOURBRIDGE ART
NOUVEAU GLASS VASE
35 HD6/6
KEITH MURRAY (1892-1981)
FOR STEVENS & WILLIAMS
37 HD6/11
YSART BROTHERS GLASS,
PERTH
CIRCA 1900
of globular form with broad rim,
and green and blue ‘peacock’
trailed inclusions, 21.5cm
diameter; and a PAIR OF
CONTINENTAL ART NOUVEAU
GLASS VASES, each cased vase
with iridescent surface and with
applied trailing green glass
decoration, 22cm high (3)
£120-180
‘BRIERLEY’ GLASS DECANTER &
STOPPER, CIRCA 1935
the tapering clear glass body with
black glass stopper and foot,
stencil etched mark
38cm high
£120-180
‘VASART’ PINK GLASS TABLE
LAMP, CIRCA 1950
the tall mushroom shade with
footed bulbous base
36cm high
£200-300
34 HD158/2
WEBB CORBETT ART DECO
ETCHED GLASS VASE
CIRCA 1935
of ovoid form, moulded with a
waved surface and etched with
swimming fish, stencil etched
mark WEBB CORBETT/ MADE IN
ENGLAND
17cm high
£150-250
36 HD6/4
YSART BROTHERS GLASS,
PERTH
TWO ‘VASART’ GLASS
PLAFONNIER SHADES,
CIRCA 1950
each of domed form with flaring
rims, one with a swirling blue and
purple design, the other with a
swirling white, amber and yellow
design, with hanging shades (one
shade with small crack) (2)
25.5cm diameter
£400-600
38 HB624/3
MANNER OF SCHNEIDER
ART NOUVEAU IRIDESCENT
GLASS VASE, CIRCA 1920
of shouldered tapering form, the
textured amber glass with bronze
iridescence within leaf-cast
anodised copper frame, stamped
to base 2690
44.5cm high
£200-300
39 HD91/15A
ORREFORS, SWEDEN
HEAVY CUT GLASS BOWL,
LATE 20TH CENTURY
etches mark to base, ORREFORS/
FA/ 1730/ 3, 24cm diameter; a
SMOKED GLASS BOTTLE VASE,
with clear glass trailed decoration,
etched maker’s marks, 21cm high;
a BLUE GLASS HAND SCULPTURE,
19cm high; and a FULHAM
POTTERY COMMEMORATIVE
MUG, designed by John Piper,
boxed, 12.5cm high (4)
£100-200
40 HD6/7
JOHN MONCRIEFF LTD.,
PERTH
TWO ‘MONART’ UB VI+ GLASS
BOWLS, CIRCA 1930
each of circular form with broad
flared rim, one with pink and pale
blue mottled design, the other
with a yellow and orange design,
paper labels (one torn) (2)
26.5cm diameter
£200-300
Ceramics
41 HA464/1
WEMYSS WARE
RARE DRUMMOND FLOWER POT, CIRCA 1900
of hexagonal section, decorated to each side
with a spray of daisies, aquilegia, bluebells,
dog roses, clover, and forget-me-nots, and
each painted with a ribbon and the
inscriptions INNOCENCE., RESOLUTION.,
SUBMISSION., SIMPLICITY., THINK OF ME., and
TRUE LOVE., impressed marks R.H.&S./
WEMYSS WARE, printed retailer’s mark
£800-1,200
42 HD157/1
WEMYSS WARE
‘STRAWBERRIES’ GORDON DESSERT PLATE,
EARLY 20TH CENTURY
decorated by Edwin Sandland on a black
ground, painted and impressed marks
WEMYSS
20.5cm diameter
£300-500
43 HD157/2
WEMYSS WARE
‘WHITE BROOM’ TEA CUP AND SAUCER,
CIRCA 1900
decorated by David Grinton, painted and
impressed marks WEMYSS (2)
saucer, 12.3cm diameter, cup, 5.2cm high
£300-500
44 HD157/3
WEMYSS WARE
45 HD157/5
WEMYSS WARE
SMALL ‘CHERRIES’ MILK JUG,
EARLY 20TH CENTURY
painted mark WEMYSS
5.2cm high
£150-250
SMALL ‘APPLES’ LOVING CUP,
EARLY 20TH CENTURY
impressed mark WEMYSS WARE/ R.H.&S.,
printed retailer’s mark
10cm high
£300-500
46 HD157/4
WEMYSS WARE
‘STAG AND HIND’ TEA CUP, CIRCA 1900
bears printed retailer’s mark
6cm high
£350-450
46A HC992/8
HILDA BURN
SCOTTISH POTTERY FOOTED BOWL,
DATED 1923
decorated to the exterior with running
animals and to the interior with the inscription
COME WHAT MAY, TIME AND THE HOUR RUN
THROUGH THE ROUGHEST DAY., signed and
dated with monogram to base
21.5cm diameter
£150-250
47 HC702/11
JESSIE MARION KING (1875-1949)
EARTHENWARE JUG,
EARLY 20TH CENTURY
painted with sprigs of flowers, painted
marks JMK, with green gate and rabbit
marks
7.2cm high
£200-300
48 HD186/1
JESSIE MARION KING (1875-1949)
SHOULDERED VASE, CIRCA 1920
decorated with Egyptianesque motifs, signed
with initials JMK and with rabbit and shamrock
mark
21cm high
£400-600
49 HD51/12
MAK’ MERRY POTTERY, EAST
LOTHIAN
GROUP OF TEAWARES, CIRCA 1930
comprising two teacups, a sugar bowl,
an eggcup, a milk jug, a toast rack and
a quaich, all decorated with apples on a
green ground; and a teapot and cover,
two tea cups, a sugar bowl, and a milk
jug, all with painted maker’s marks
MAK’ MERRY (12)
£200-300
12 Lyon & Turnbull
50 HD91/19A
FLORENCE E. BARLOW FOR DOULTON,
LAMBETH
LARGE STONEWARE VASE, CIRCA 1900
incised and glazed with panels of sparrows
perching on teasels, on a textured ground,
impressed marks DOULTON/ LAMBETH,
incised monogram FEB/ 634
36cm high
£300-400
51 HD91/85A
GEORGE TINWORTH (1843-1913) FOR
DOULTON, LAMBETH
PAIR OF STONEWARE VASES, CIRCA 1890
each of tapering form with everted rim,
incised and impressed with scrolling foliage on
a tube-lined ground, incised monogram to the
body TG, impressed maker’s marks (2)
25cm high
£150-250
52 HD91/11A
MATILDA S. ADAMS FOR DOULTON,
LAMBETH
PAIR OF FAIENCE BALUSTER VASES,
CIRCA 1880
each decorated with panels of flowering
yellow dahlias, faint impressed marks on one
base DOULTON LAMBETH, with painted initials
MSA/ 863 (2)
26cm high
£300-500
53 HD12/8
ROYAL DOULTON
LARGE ‘ARABIAN NIGHTS’ PATTERN
JARDINIERE, CIRCA 1910
decorated with figures in a landscape and
inscribed ARABIAN NIGHTS/ ALI BABA, printed
maker’s marks
25cm diameter, 21.5cm high
£200-300
54 HC628/1
DELLA ROBBIA POTTERY, BIRKENHEAD
SQUAT BALUSTER VASE, CIRCA 1900
decorated by Charles Collis and Hannah Jones,
with flowering foliage, incised and painted
maker’s marks to base, crack to rim
28cm high
£300-400
55 SV646/13
LARGE ART NOUVEAU TWIN-HANDLED VASE,
CIRCA 1900
decorated by Gertrude Russell and ‘ELL’, of
cylindrical form painted with elongated plant
forms in green, yellow and blue on a white
ground, the body with applied mask handles,
incised maker’s marks, painted monogram
marks
37cm high
£1,000-1,500
56 HD91/106A
POTTERY BOTTLE VASE, DATED 1899
incised and decorated with a frieze of
peacocks, incised marks to base DR/ XIIIA/ and
monogram LD
37.5cm high
£300-500
14 Lyon & Turnbull
57 HD91/36A
JOHN PEARSON (fl. 1885-1910)
CIRCULAR EARTHENWARE WALL PLATE,
CIRCA 1890
painted in blue and black on a gilt ground with
a fruiting tree flanked by shields and serpents,
the reverse painted with an owl on a branch
within a waved border, bears artist’s
monogram
29cm diameter
£250-350
58 HD91/68A
LEONARD KING FOR BURMANTOFTS
POTTERY, LEEDS
PAIR OF FAIENCE BOTTLE VASES, 1880s
in the Persian style, each with bulbous bodies and
tall narrow necks, painted with panels of flowers,
impressed maker’s marks, one with painted marks
L.K/ PRO/ J.M (2)
25.3cm high
£1,000-1,500
59 HD91/146
BURMANTOFTS POTTERY, LEEDS
PAIR OF FAIENCE ALLEGORICAL FIGURES, 1880s
each modelled as a standing putto, one encircled
with a garland of flowers, the other with a garland
of drapery, each covered in a blanc de chine glaze,
impressed marks BURMANTOFTS/ FAIENCE/
ENGLAND (2)
43cm and 45cm high
£400-600
60 HC865/3
SQUAT BALUSTER FAIENCE VASE, 1880s
of tapered shouldered form, tubelined with
swimming fish and painted in colours,
impressed marks to base BURMANTOFTS/
FAIENCE/ 2123/ ENGLAND/ 11 and with
painted mark COL. NO. 80/ 2, the rim with
later silver mount by Adrian Hope, hallmarked
32cm high
£300-500
61 HD91/75A
COLLECTION OF WARES, LATE 19TH CENTURY
comprising; a TWIN-HANDLED BOTTLE VASE,
covered in a green/brown glaze, with frilled rim,
impressed marks 194, 25cm high; a TWIN
HANDLED VASE, covered in a red glaze, chip to
rim, impressed marks 1819, 25cm high; a
SINGLE HANDLED JUG, with streaked green
glaze, impressed marks 1817, painted marks
COL no. 2, 27cm high; TWO BOTTLE VASES,
green and brown glazes, impressed marks 1535
and 1530, 25 and 27cm high; and a BRETBY
BALUSTER VASE, 19.5cm high (6)
£300-500
62 HD91/76C
GLAZED FAIENCE FIGURE OF A SEATED APE, LATE 19TH CENTURY
the figure glazed in turquoise on a naturalistic oval base,
impressed marks BURMANTOFTS/ FAIENCE/ 752, 15cm high; a
BURMANTOFTS FAIENCE VASE, covered in a turquoise glaze and
decorated with an impressed cracked ice design, impressed marks
BURMANTOFTS/ FAIENCE/ 1397, hairline crack, 42.5cm high; a
BURMANTOFTS SHOULDERED VASE, covered in streaked rust and
turquoise glazes, impressed maker’s marks BURMANTOFTS 110,
22cm high; and a MIDDLETONS POTTERY VASE, moulded with owl
masks and covered in a mustard yellow glaze, impressed mark
NIDDLETON/ LEEDS/ ENGLAND, No. 22, 28cm high (4)
£300-500
63 HD91/24
LEEDS FIRECLAY COMPANY
STONEWARE JARDINIERE ON STAND,
CIRCA 1900
the ovoid bowl with entrelac decoration,
raised on a swollen fluted column with square
plinth base, the whole covered in a treacle
glaze
£200-300
16 Lyon & Turnbull
64 HC916/3
FOR MINTON, HOLLINS & CO.
TWO WALL TILES, CIRCA 1880
one decorated with snowdrops, 15cm square;
one decorated with angular flowers, 17.5cm
square; and a R. MINTON TAYLOR & CO. TILE,
with arched panels of stylised plant forms,
18cm square, all with moulded maker’s marks
(3)
£200-300
65 HC916/2
AESTHETIC MOVEMENT
GROUP OF FIVE MINTON’S WALL TILES,
CIRCA 1880
to include: a Minton’s blue and white tile, in the
Japanese taste, decorated with a crane in a
landscape, 20.5cm square; a Minton’s blank,
decorated with an eagle fighting a snake, 22cm
square; a Minton’s tile decorated with an allover
daisy design, 15cm square; a Minton’s tile,
decorated with oranges and orange blossom,
15cm square; and a Minton’s tile, decorated in the
manner of Kate Greenaway, with a child in a
garden, 15cm square, moulded maker’s marks (5)
£200-300
66 HD6/3
MINTON, HOLLINS & CO.
AESTHETIC MOVEMENT HEXAGONAL TILE,
CIRCA 1880
printed and painted with a mother and child
picking apples in a walled garden, moulded
maker’s marks
16.7cm across
£150-250
67 HD6/8
MINTON’S LTD.
‘AS YOU LIKE IT’ FRAMED TILE PANEL,
LATE 19TH CENTURY
painted with a jester and maid and bearing
inscription “AS YOU LIKE IT”, moulded maker’s
marks
20cm square
£150-250
68 HD91/32F
JOHN MOYR SMITH (1839-1912) FOR MINTONS LTD.
SIXTEEN DUST PRESSED TILES, 1870s
comprising: SIX TENNYSON’S IDYLLS OF THE KING SERIES TILES,
comprising Enid, Vivien, Gareth, Excalibur, Geraint and Morte D’Arthur,
with maker’s marks; TWO SHAKESPEARE SERIES TILES, comprising Romeo
and Juliet, and Troilus and Cressida, with maker’s marks; a BLUE & WHITE
SHAKESPEARE TILE, Much Ado About Nothing, with maker’s marks; TWO
OLD TESTAMENT SERIES TILES, comprising Joseph Before King Pharaoh
and Eli and Samuel; and FIVE ROMANS SERIES TILES, comprising St
Augustine, Edward the Martyr, Lilla Saving Edwin, Boadicea and Harold’s
Oath to William (cracked), with maker’s marks (16)
each approx. 15cm squared
£300-500
69 HD91/112B
AESTHETIC MOVEMENT
GROUP OF PRINTED, DUST-PRESSED AND PAINTED
TILES, LATE 19TH CENTURY
comprising eighteen examples, including an example
designed by W.S. Coleman for Minton’s, a W. T. Copeland
& Sons ‘Medieval Occupations’ tile (cracked), and a
Wedgwood & Sons Blue Months ‘December’ tile; together
with a GROUP OF GOTHIC ENCAUSTIC TILES, comprising
six examples, including Godwins tiles (two chipped), a
Minton’s example and two by Mintons, Hollins & Co.; and
a MINTONS BLANK TILE (25)
largest 20.5cm squared
£200-300
70 HB217/18
WILLIAM DE MORGAN (1839-1917)
SET OF FOUR ‘ROSE AND TRELLIS’ PATTERN
TILES, CIRCA 1872
each painted on red clay biscuit tiles from
Patent Architectural Pottery Co., Poole, Dorset
(4)
15cm square
£400-600
71 HB217/19
SET OF FOUR ‘ROSE AND TRELLIS’ PATTERN
TILES, CIRCA 1872
each painted on red clay biscuit tiles from
Patent Architectural Pottery Co., Poole, Dorset
(4)
15cm square
£400-600
18 Lyon & Turnbull
72 HC45/1
GROUP OF TWENTY ‘BEDFORD PARK’ TILES,
CHELSEA PERIOD, 1870s
each painted with alternating panels of daisy
and foliage sprays in shades of green, blue
and yellow, all attached to two fireplace panels
(24)
each 15cm square
Literature:
Catleugh, Jon ‘William De Morgan Tiles’, Trefoil Books,
page 62 colour plate VI for a comparable example.
£1,000-1,500
73 HD91/101C
GROUP OF ART NOUVEAU TUBELINED, PAINTED AND PRINTED
TILES
CIRCA 1900
comprising eleven examples, including a
set of four, and a set of two; together with
a GROUP OF VICTORIAN PRINTED AND
PAINTED TILES, LATE 19TH CENTURY,
comprising sixteen examples, including a
set of six, a Minton’s blue and white
transfer scene of Kenilworth Castle, a
printed tile depicting swans, and a blue
and white Chinoiserie tile marked Minton,
Hollins & Co; and TWO MODERN PAINTED
TILES (29)
each approx. 15cm squared; one modern
tile 9 x 10cm
£200-300
74 HD91/32A
CHELSEA PERIOD WALL TILE, 1870s
painted with two carnations, impressed mark W. DE
MORGAN, 15.5cm square; a WILLIAM DE MORGAN EARLY
FULHAM WALL TILE, moulded with flowers and birds, ruby
lustre glazes, impressed maker’s mark, 15cm square; and
a WILLIAM DE MORGAN SAND’S END WALL TILE, moulded
with two lions and glazed in green, impressed Sands End
mark, 15.2cm square (3)
£200-300
75 HB580/2
MINTON’S LTD.
LARGE ‘SECESSIONIST’ JARDINIERE,
CIRCA 1900
decorated with stylised lilies, impressed
factory marks
32cm high
£200-300
76 HB580/4
MINTON’S LTD.
LARGE ‘SECESSIONIST’ STICK STAND,
CIRCA 1900
of cylindrical form, decorated with poppies,
printed and impressed maker’s marks
57cm high
£300-500
77 HC643/1
MANNER OF ALFRED AND LOUISE POWELL
LARGE EARTHENWARE WALL CHARGER, CIRCA 1920
painted in colours and pink lustre with a pattern of
radiating flowers within a border of leaves, unmarked
42cm diameter
£400-600
78 HD91/25C
RUSKIN POTTERY
LUSTRE BALUSTER VASE, CIRCA 1920
with brilliant orange glaze, impressed mark RUSKIN/
ENGLAND, 27cm high; a C.H. BRANNUM VASE, dated
1888, painted with a floral design, 25cm high; a MINTON
SECESSIONIST BOWL, printed marks MINTONS LTD/ NO.
32, 22cm diameter; a DOULTON SIMULATED LEATHER
VASE, with silver mounts, hallmarked London 1889,
impressed and incised marks,17cm high; and a
DOULTON STONEWARE VASE, dated 1881, impressed and
incised marks, 19.5cm high (5)
£300-500
79 HC916/4
CHRISTOPHER DRESSER (1834-1904) FOR
MINTON’S LTD.
THREE ‘JAPANESE CRANE’ PATTERN KIDNEY SHAPED
DISHES, CIRCA 1880
blue printed on white, each with printed maker’s marks,
23.5cm across; and another MINTONS PLATE, possibly
also designed by Christopher Dresser, 19.5cm diameter
(4)
£150-250
20 Lyon & Turnbull
80 HD91/65A
LIBERTY & CO., LONDON
TWIN-HANDLED POTTERY VASE, CIRCA 1910
painted with an allover floral design, painted
marks under base LIBERTY/ LONDON, 27cm
high; a LIBERTY & CO POTTERY JUG, decorated
with a swimming fish, impressed marks
LIBERTY/ LONDON/ BRITISH MADE, 21cm high;
a LARGE BARUM POTTERY JUG, covered in a
yellow glaze, impressed marks, 20.5cm high;
and a PAIR OF BARON POTTERY GREEN
GLAZED VASES, each with incised marks
BARONS/ BARNSTAPLE, 16cm high (5)
£300-500
81 HD91/104C
C.H. BRANNAM AND SONS, DEVON
SHOULDERED POTTERY VASE, DATED 1891
sgraffito decorated with fish, incised marks
C.H. BRANNAM/ BARUM/ 1891/ WB41, 24.5cm
high; a ROYAL DEVON ART POTTERY VASE,
sgraffito decorated with an abstract foliate
design, incised mark ALEX LAUDER/ BARUM/
4/12/1891, 24cm high; a C.H. BRANNUM OWL
JUG, glazed in blue, impressed maker’s marks,
20cm high; a C.H. BRANNUM TULIP VASE, with
incised floral decoration, incised marks C.H.
BRANNUM/ BARUM/ 1909/ RD. NO. 44561 with
monogram, 16cm high; and TWO C.H.
BRANNUM GRIFFIN CANDLESTICKS, incised
maker’s marks, 16cm high (6)
£300-500
82 HD91/104A
A. WILEMAN & CO
FOLEY ‘FAIENCE’ GLOBULAR VASE, CIRCA 1900
of compressed double gourd form, covered in
streaked and textured orange, yellow, green
and brown glazes, printed maker’s marks,
16cm high; a DOULTON BURSLEM JARDINIERE,
on four tapered supports linked by a domed
platform, painted and printed with irises,
impressed and printed maker’s marks, 29cm
high; and a WEDGWOOD MARSDEN ART WARE
VASE, painted with allover flowering foliage,
indistinctly marked, 20.5cm high (3)
£120-140
22 Lyon & Turnbull
83 HA390/1
WILLIAM MOORCROFT
MACINTYRE ‘FLORIAN WARE’ TWIN HANDLED
FOOTED BOWL, CIRCA 1900
decorated with flowers and with gilt
embellishment, printed marks, signed W.
MOORCROFT
23.5cm across
£250-350
84 HD91/35B
WILLIAM MOORCROFT (1872-1945)
FOR JAMES MACINTYRE CO. LTD.
BALUSTER VASE, CIRCA 1910
decorated with roses and daffodils on an ivory
ground with gilt highlights, stamped maker’s
marks, painted no. M2862W, impressed 45
and signed in green W. MOORCROFT
19.5cm high
£200-300
87 HD91/69A
MOORCROFT POTTERY
‘POMEGRANATE’ PATTERN SQUAT SHAPED
VASE, DATED 1918
with impressed maker’s marks MOORCROFT
BURSLEM, signed in green W. MOORCROFT
11cm high
£150-250
85 HD91/37E
86 HD91/37D
‘FLORIAN WARE’ PATTERN BOTTLE VASE,
CIRCA 1910
decorated with panels depicting iris on a
blue ground, with stamped maker’s marks,
painted mark, and inscribed W.M./ DES.
20.5cm high
£200-300
‘FLORIAN WARE’ BALUSTER VASE,
CIRCA 1900
decorated with yellow tulips and lilies on a
blue ground, with stamped maker’s marks,
signed in green W. MOORCROFT/ DES.
21.5cm high
£250-350
88 HD91/8B
MOORCROFT POTTERY
89 HC844/2
MOORCROFT POTTERY
PAIR OF ‘POMEGRANATE’ PATTERN BALUSTER
VASES, 1930s
BURSLEM, signed in green W. MOORCROFT (2)
17.5cm high
£150-250
‘POMEGRANATE’ PATTERN VASE, 1930s
impressed maker’s marks, signed in blue W.
MOORCROFT
20.5cm high
£150-250
90 HD91/161
MOORCROFT POTTERY
LARGE ‘POMEGRANATE’ PATTERN SHOULDERED
VASE, 1930s
26cm high
£300-400
91 HD91/160
MOORCROFT POTTERY
LARGE ‘POMEGRANATE’ PATTERN SQUAT
SHOULDERED VASE, 1940s
with impressed facsimile signature and mark
POTTER TO H.M. THE QUEEN, signed in blue
W. MOORCROFT
27cm high
£500-700
92 HD91/75E
MOORCROFT POTTERY
‘POMEGRANATE’ PATTERN FLATTENED OVOID
VASE, 1930s
with impressed maker’s marks, signed in
green W. MOORCROFT
15cm high
£250-350
93 HC249/2
MOORCROFT POTTERY
95 HD91/23D
MOORCROFT POTTERY
97 HD91/18D
MOORCROFT POTTERY
‘CLEMATIS’ PATTERN FOOTED VASE, 1930s
impressed facsimile signature, initialled in
blue
15cm high
£100-150
‘POMEGRANATE’ PATTERN BALUSTER VASE,
1930s
impressed maker’s marks MOORCROFT
21cm high
£200-300
‘POMEGRANATE’ PATTERN VASE, 1930s
18cm high
£150-250
94 HD91/37A
MOORCROFT POTTERY
‘CLAREMONT’ PATTERN TWIN HANDLED
VASE, 1930s
18cm high
£250-350
96 HD91/23A
MOORCROFT POTTERY
‘POMEGRANATE’ PATTERN BALUSTER VASE,
1930s
impressed maker’s marks, signed in green W.
MOORCROFT, 17.5cm high; together with
MOORCROFT POTTERY FOR LIBERTY & CO.,
PAIR OF ‘POMEGRANATE’ FLARED VASES, each
with a pewter mount impressed maker’s
marks TUDRIC/ MOORCROFT/ 01310, 16.5cm
high, one with rim crack (3)
£200-300
98 HD91/23C
MOORCROFT POTTERY
‘POMEGRANATE’ PATTERN BOWL, 1930s
with impressed maker’s marks, signed in blue
W. MOORCROFT, 24cm diameter; together
with a MOORCROFT POTTERY, ‘PANSY’
PATTERN TWIN HANDLED FOOTED BOWL,
1930S, with impressed maker’s marks
MOORCROFT BURSLEM, signed in green W.
MOORCROFT, with rim crack, 28.5cm across,
15.5cm high (2)
£250-350
24 Lyon & Turnbull
99 HD12/9
MOORCROFT POTTERY
PAIR OF ‘POPPIES’ BOTTLE VASES, 1920s
each decorated with a band of poppies on a
mottled green ground, impressed makers
marks, signed in blue W. MOORCROFT (2)
21.2cm high
£1,500-2,000
100 HD91/148
MOORCROFT POTTERY
LARGE SELF-COLOURED VASE, 1940s
with facsimile signature and mark POTTER TO
H.M. THE QUEEN, signed in green W.
MOORCROFT
29cm high
£200-300
101 HD91/7A
MOORCROFT POTTERY
102 HD91/7B
MOORCROFT POTTERY
LARGE ‘POMEGRANATE’ PATTERN
SHOULDERED VASE, 1930s
with impressed maker’s marks, signed in
green W. MOORCROFT
32.5cm high
£250-350
‘POMEGRANATE’ PATTERN SHOULDERED
VASE, CIRCA 1950
with impressed maker’s marks, initialled in
blue W.M., 18.5cm high; together with a
MOORCROFT POTTERY, ‘POMEGRANATE’
TAPERED VASE, CIRCA 1950, with impressed
maker’s marks, initialled in green W.M.,
19cm high (2)
£200-300
103 HD91/8A
MOORCROFT POTTERY
104 HD91/23B
MOORCROFT POTTERY
‘HIBISCUS’ PATTERN LARGE
BALUSTER VASE, 1940s
with impressed facsimile signature
and mark POTTER TO H.M. THE
QUEEN, initialled in blue W.M.
32.5cm high
£250-350
PAIR OF ‘POMEGRANATE’
PATTERN BALUSTER VASES,
CIRCA 1950
impressed maker’s marks,
initialled in green W.M., 16cm
high; together with a PAIR OF
‘POMEGRANATE’ PATTERN OVOID
VASES, CIRCA 1950, impressed
maker’s marks, initialled in green
W.M., 12cm high (4)
£300-400
105 SV211/4
MOORCROFT POTTERY
LARGE ‘LEAF AND BERRY’ PATTERN CIRCULAR
BOWL, 1940s
impressed facsimile signature mark, initialled
WM
32.5cm diameter
£200-300
106 HD91/91A
MOORCROFT POTTERY
FOUR VASES, CIRCA 2010
comprising: an OVOID VASE, decorated with daffodils, with
impressed maker’s marks, painted marks, signed N. SLANEY, 21cm
high; TAPERED VASE, decorated with snowdrops and wheat sheaths,
impressed maker’s marks, painted marks, signed VICKY LOVATT,
18.5cm high; a SMALL OVOID VASE, decorated with pears,
impressed maker’s marks, painted marks, signed SIAN LEEPER,
13.5cm high; and a SMALL TAPERED VASE, decorated with pears,
impressed maker’s marks, painted marks, signed E. BOSSONS,
13.5cm (4)
£250-350
107 HD91/37F
MOORCROFT POTTERY
108 HD118/1
MOORCROFT POTTERY
110 HD118/3
MOORCROFT POTTERY
FOUR VASES, 1930s-1950s
comprising: an ‘ORCHIDS’ PATTERN SQUAT
SHAPED VASE, impressed maker’s marks,
10cm high; an ‘ORCHIDS’ PATTERN SMALL
BALUSTER VASE, facsimile signature, 10cm
high; a ‘HIBISCUS’ PATTERN BOTTLE VASE,
impressed maker’s marks, signed in green and
a paper label, 27cm high; and an ‘ANEMONE’
PATTERN BALUSTER VASE, impressed maker’s
marks and initialled in blue, 14.5cm high (4)
£200-300
THREE ‘ANEMONE’ PATTERN WARES, 1950s
comprising: a SMALL GINGER JAR AND COVER,
impressed maker’s marks, paper label and
initialled in green, 15cm high; a SMALL OVOID
VASE, with paper label, 10cm high; and a
SMALL OVOID VASE, with impressed maker’s
marks and a paper label, 10cm high (3)
£200-300
GROUP OF ‘HIBISCUS’ PATTERN WARES, 1950s
AND 60s
comprising: a TAPERED VASE, impressed
maker’s marks, a paper label and initialled in
green W.M., 17.5cm high; a COVERED JAR,
impressed maker’s marks and a paper label,
15cm diameter; a TRAY, impressed maker’s
marks, 20cm wide; and a SMALL JARDINIERE,
impressed maker’s marks and initialled in blue
W.M., 13cm high (4)
£200-300
109 HD118/2
MOORCROFT POTTERY
TWO ‘ORCHID’ PATTERN VASES, 1950s AND
60s
each on a yellow ground, comprising: a LARGE
FLUTED VASE, with impressed maker’s marks
and initialled W.M. in green, 22.5cm high; and
a TAPERED VASE, with impressed marks and a
paper label, 17.5cm high (2)
£150-250
26 Lyon & Turnbull
111 HD12/10
DAISY MAKEIG-JONES (1881–1945) FOR
WEDGWOOD
‘FAIRYLAND LUSTRE’ IMPERIAL BOWL,
CIRCA 1925
‘Jumping Faun’ and ‘Woodland Elves III’
patterns, decorated inside and out with fairies
on a multi-coloured ground, printed maker’s
mark
£2,000-3,000
112 HD12/5
WEDGWOOD
‘FAIRYLAND LUSTRE’ OCTAGONAL BOWL, CIRCA 1925
‘Castle on a Road’ and ‘Bird in a Hoop’ patterns, decorated
inside and out with fairies on a multi-coloured ground,
printed maker’s mark, Z5125
£800-1,200
113 HD12/6
WEDGWOOD
TWO BLACK ‘FAIRYLAND LUSTRE’ BOWLS,
CIRCA 1925
a York cup, 10cm diameter; and a Marston
bowl, 9.8cm diameter, each decorated with
‘Leapfrogging Elves’ pattern, decorated inside
and out with fairies on a multi-coloured
ground, printed maker’s marks Z4968D
(hairline to Marston bowl) (2)
£350-450
114 HD91/58A
ARNOLD MACHIN (1911-1999) FOR
WEDGWOOD
POTTERY FIGURE OF ‘FERDINAND THE BULL’,
1950s
painted with floral decoration, marked under
left forefoot WEDGWOOD, BARLASTON,
ENGLAND/ CKH 6408. M
31.5cm long
£200-300
115 HC865/4
ERIC RAVILIOUS (1903-1942) FOR
WEDGWOOD
LIMITED EDITION ‘BOAT RACE’ BOWL,
CIRCA 1975
based on the original design of 1938, number
14 from an edition of 200, printed marks and
accompanied by the original certificate of
authenticity, within original box (2)
£800-1,200
116 HD91/57C
ALFRED POWELL (1865-1960) FOR
WEDGWOOD
‘RHODIAN’ PATTERN FOOTED VASE,
CIRCA 1925
painted with scrolling flowers and foliage in
shades of blue, green purple and silver lustre,
impressed factory mark WEDGWOOD and
painted mark M5516
23cm high
£150-250
117 HC865/1
ERIC RAVILIOUS (1903-1942) FOR
WEDGWOOD
118 HC992/7
JOHN SKEAPING (1901-1980) FOR
WEDGWOOD
ELIZABETH II 1953 CORONATION MUG
the black transfer decoration with yellow and
pink colourway, printed maker’s marks
10cm high
£200-300
‘DUICKER’ EARTHENWARE FIGURE,
CIRCA 1930
raised on an ebonised plinth, indistinct
maker’s marks
24cm high
£150-250
28 Lyon & Turnbull
119 HD119/1
SUSIE COOPER (1902-1995) FOR A. E.
GRAY & CO. LTD
‘CUBIST’ COFFEE SERVICE, CIRCA 1930
painted with brightly coloured abstract
design, comprising coffee pot and cover,
milk-jug and sugar basin, six coffee cans and
saucers, printed and painted maker’s marks;
also SIX ENAMELLED COFFEE SPOONS, in a
matching design (21)
coffee pot, 21cm high
£1,200-1,800
120 HC47/1
CARLTON WARE
LARGE ‘TUBELINED FLOWER’ PATTERN WALL PLATE,
CIRCA 1935
of circular form, printed and painted maker’s marks
No. 3495
40cm diameter
£200-300
121 HD6/2
CHARLES NOKE (1858-1941) FOR
ROYAL DOULTON
‘A JESTER’ CERAMIC FIGURE, CIRCA 1920
painted marks to base “A JESTER”/ C.J. NOKE
SC./ POTTED BY DOULTON & CO., H.N.71,
printed maker’s mark (damages)
23.5cm high
£300-500
122 HD6/10
CARLTON WARE
‘MANDARINS CHATTING’ JUG, CIRCA 1932
of bulbous form, printed and painted in gilt
and coloured enamels, printed and painted
maker’s marks 3653
17.5cm high
£250-350
123 HD6/9
CARLTON WARE
‘PERSIAN GARDEN’ PATTERN VASE,
CIRCA 1930
of bulbous form, printed and painted in gilt
and coloured enamels, printed and painted
maker’s marks 3893, 24cm high; and a
CARLTON WARE ‘LEAF’ PATTERN VASE, of
bulbous form, printed and painted in gilt and
coloured enamels, printed and painted
maker’s marks 3857, 26cm high (2)
£250-350
124 HB543/13
CARLTON WARE
PAIR OF ‘SCIMITAR’ PATTERN COVERED VASES,
CIRCA 1932-5
each of swollen cylindrical form, printed and
painted marks, no. 3651 (damages) (2)
19cm high
£200-300
125 HD34/7
CHARLOTTE RHEAD (1885-1947) FOR
CROWN DUCAL
LARGE EARTHENWARE VASE, CIRCA 1930
decorated in gilt and coloured enamels with
dragons on a pale green ground, painted
artists mark C. RHEAD, printed and moulded
maker’s marks
31.5cm high
£200-300
126 HD91/59A
CHARLES VYSE (1882-1971)
‘CLUB ROW SUNDAY MORNING’, A RARE
CHELSEA POTTERY FIGURE, CIRCA 1937
modelled as a man in a striped suit, his dog by
his side and holding two puppies in his hands,
wooden plinth base, incised mark to side C.
VYSE/ CHELSEA
33cm high including plinth
£1,000-1,500
127 HD91/61A
‘AUTUMN LEAVES’, A CHELSEA POTTERY FIGURE, DATED 1929
modelled as a woman in a paisley shawl, with a basket of flowers
by her side, raised on an ebonised wooden plinth, incised marks
to the side C. VYSE/ CHELSEA/ 1929
24cm high including plinth
£500-800
128 HD91/59B
‘THE BALLOON WOMAN’, A CHELSEA
POTTERY FIGURE, DATED 1921
modelled as a woman in a striped dress, with
an armful of balloons, painted marks under
base CV/ CHELSEA/ 1021
22.5cm high
£500-800
30 Lyon & Turnbull
129 HD91/18A
STONEWARE VASE, DATED 1935
of tapering form, painted with swimming fish
on a pale grey ground, incised marks to base
VYSE/ 1935
26.5cm high
£200-300
130 HD91/147
LARGE STONEWARE VASE, DATED 1936
of ovoid form, decorated with abstracted
arches forms, incised marks to base VYSE/
1936
23.5cm high
£250-350
131 HD91/138
BARBARA CASS (1921-1992)
LARGE STUDIO POTTERY VASE, 1950s
of ovoid form, covered in streaked glazes,
painted mark to base BC/ YORK
31.5cm high
£80-120
132 HD91/18B
133 HD91/30B
STONEWARE BOWL, CIRCA 1935
decorated to the interior with a band of
incised flowering foliage, incised marks to
base CHARLES VYSE/ CHELSEA, 18cm
diameter; and a CHARLES VYSE STONEWARE
BOTTLE VASE, with ribbed decoration, incised
marks to base C.V/ 1933, 18cm high (2)
£200-300
STONEWARE VASE, DATED 1934
of compressed ovoid form, decorated with a
chevron design, incised marks under base CV/
1934
11cm high
£100-200
134 HC938/56
MORAR POTTERY FOR THE HIGHLAND
HOME INDUSTRIES
GROUP OF FIFTY-EIGHT STONEWARE WALL
TILES, 1950s
each painted with birds and plant forms,
impressed seal marks MP (58)
between 10.5cm and 10cm square
£400-600
See illustration opposite
32 Lyon & Turnbull
135
SHOJI HAMADA (1894-1978)
STONEWARE SLAB VASE, 1960s
resist decorated with checked design under
tenmoku
25.5cm high
£1,000-1,500
136
SHOJI HAMADA (1894-1978)
STONEWARE SLAB VASE, 1960s
resist decorated with finger wipe design under
tenmoku
25cm high
£1,500-2,000
137 HD11/1
PABLO PICASSO (1881-1973) FOR
MADOURA POTTERY, VALLAURIS
‘COLOMBE SUR LIT DE PAILLE’, 1949
painted and glazed white earthenware dish,
executed in an edition of 300, painted marks
on reverse CR/ MADOURA/ D’APRES PICASSO,
impressed maker’s mark
38cm across
£3,000-5,000
138§ HC992/5
CRAIG MITCHELL (b. 1967)
CERAMIC SCULPTURE, CIRCA 1998
glazed earthenware
50cm high
£300-500
139 HB588/5
RUPERT SPIRA (B. 1960)
GROUP OF STUDIO WARES,
LATE 20TH CENTURY
comprising two coffee cans and saucers,
glazed in white with lemon yellow interiors;
and a shallow bowl, covered with a high-fired
red glaze, 27.5cm diameter, all bear seal mark
RS (5)
£200-300
140 HD91/155
LARGE BELGIAN ART NOUVEAU
POTTERY VASE
CIRCA 1900
of bottle form, incised with a frieze of stylised
flowering roses, unmarked
49cm high
£100-200
34 Lyon & Turnbull
141 HC849/2
PIERO FORNASETTI (1913-1988)
GROUP OF SEVEN ‘LE OCEANIDI’ PLATES,
CIRCA 1950
comprising various lithographically printed
female faces in seashells, maker’s marks, nos.
2,4,6,7,8,10 and 12 (7)
21cm diameter
£700-900
142 HD51/13
CARL MARTIN-HANSEN (1877-1941
FOR ROYAL COPENHAGEN
‘SAMSØ WOMAN’ PORCELAIN FIGURE,
EARLY 20TH CENTURY
the female figure in traditional costume,
leaning on her rake, impressed inscription to
plinth SAMSØ, painted and printed maker’s
marks under base 12219/ SAMSØ/ A. HX/
DENMARK
32cm high
£400-600
143 HC992/6
IAN MCWHINNIE (b. 1952)
‘THE PERFORMANCE’, CERAMIC DISH,
CIRCA 2005
signed on the base IAN MCWHINNIE, 32.5cm
across; and a PAIR OF RAKU WALL PLAQUES
BY DAVE COHEN, each moulded with an apple,
with sgraffito decorated leaves on a black
ground, signed and dated on each base D
COHEN/ N.B./ ‘95, 29cm diameter (3)
£200-300
144 HD161/5
BERTE JESSEN (KOEHLE) FOR ROYAL
COPENHAGEN
ALUMINA ‘FA JANCE’ CANDLE SCONCE,
CIRCA 1960
brightly decorated with flowering foliage,
bears maker’s marks, No.455/3245, painted
initials
31cm high
£80-120
A Private Collection:
Property of a Gentleman
36 Lyon & Turnbull
145 HD58/6
LATE 19TH CENTURY BRITISH SCHOOL
PORTRAIT OF A GIRL IN A HOODED CLOAK
WITH LILIES
Gouache
29cm x 21cm (11.5in x 8.25in)
£300-500
147 HD58/8
19TH CENTURY BRITISH SCHOOL
146 HD58/1
20TH CENTURY BRITISH SCHOOL
PORTRAIT OF WOMAN IN A MOUNTAINOUS
LANDSCAPE
Gouache on board
16.5cm x 12cm (6.5in x 4.75in)
£300-500
PORTRAIT OF A WOMAN WITH AUBURN HAIR
Indistinctly inscribed and dated 1897, oil on
panel
32cm x 25cm (12.5in x 9.75in)
£500-700
148§ HD58/83
RODRIGO MOYNIHAN (BRITISH 1910-1991)
PORTRAIT OF A GIRL WEARING A GARNET
NECKLACE
Signed and dated 1949, oil on canvas
50cm x 39cm (19.75in x 15.5in)
£1,000-1,500
149 HD58/4
EDWARD COLEY BURNE-JONES
(BRITISH 1833-1898)
150§ HD58/9
MARJORIE QUENNELL (d. 1972)
STUDY OF A MALE NUDE - POSSIBLY FOR
‘BLIND LOVE’
Charcoal
26cm x 20cm (10.25in x 8in)
PORTRAIT OF THE YOUNG PETER COURTNEY
QUENNELL (AUTHOR AND CRITIC)
Signed twice, inscribed with sitter’s name and dated
1912, watercolour
47cm x 33cm (18.5in x 13in)
Provenance:
Julian Hartnoll Gallery, London
Exhibited:
Cheltenham Literary Festival, Faces and Places, 1982
£1,000-1,500
Note:
Marjorie Quennell was an illustrator, notable commissions
including the illustrations for her husband ‘C. H B.’s’ book
‘Everyday Things in England’. The portrait is of her son, Peter.
£500-700
151 HD58/10
ROBERT ANNING BELL
(BRITISH 1863-1933)
FIGURES ON A CASTLE TERRACE
Signed and dated ‘09, oil on canvas, roundel
39cm diameter (15.25in diameter)
Note:
Artist and designer Robert Anning Bell was a member
of the British Arts and Crafts Movement. Particularly
well known as a book designer and illustrator, Bell
additionally created mosaics for Westminster
Cathedral and frequently exhibited his paintings in the
Royal Academy, the New English Art Club and the
Royal Society of Painters in Watercolours. The artist
also held a succession of significant academic posts
beginning at the Liverpool University School of
Architecture before progressing to chief of design at
the Glasgow School of Art from 1911, and ultimately
professor of design at the Royal College of Art from
1918 to 1924.
£1,000-1,500
38 Lyon & Turnbull
152 HD58/3
PHILIP WILSON STEER
(BRITISH 1860-1942)
WESTERN HEIGHTS, DOVER
Signed and dated 1930, watercolour
23.5cm x 33.5cm (9.25in x 13.25in)
£500-700
153 HD58/5
THOMAS MATTHEWS ROOKE
(BRITISH 1842-1942)
STUDY OF A MALE NUDE
Pencil and bodycolour on buff-coloured paper
13cm x 28cm (5in x 11in)
Provenance:
Campbell Wilson
£400-600
154 HD58/12
SIR JAMES DROMGOLE LINTON
(BRITISH 1840-1916)
A SCENE FROM GIL BLAS
Signed with initials and dated ‘78, inscribed
with title old label verso, watercolour
20cm x 32cm (8in x 12.5in)
£400-600
155 HD58/11
EMMA SANDYS (BRITISH 1834-1877)
PORTRAIT OF MARGUERITE INCE AGED SIX
Signed with monogram and inscribed with
title, pastel
30cm x 24.5cm (11.7in x 9.75in)
£800-1,200
156§ HD58/90
AUSTIN OSMAN SPARE
(BRITISH 1888-1956)
HEAD OF A WOMAN
Signed AOS lower left,
watercolour, body colour and
pencil
30.5cm x 26cm (12in x 10.25in)
Note:
Austin Osmond Spare (1886-1956) an
artist, draughtsman, publisher and one
of the most interesting and obscure
figures to have come out of the
Edwardian art scene. Spare, one of the
youngest artists to exhibit at the Royal
Academy exhibition in London reached
his ‘golden age’ early in life where he
received much hype and media
attention. Attributed at the time as
‘Britain’s first’ surrealist and
retrospectively as producing some of
the first examples of pop art, he
attracted the attention of many of
London’s avant-garde intellectuals.
As an artist he is remarkable for his
array of work with etchings, pastels,
drawings, publishing with text and
image, painting and developing his own
style of portraiture which he coined
‘siderealism.’ Producing a number of
publishing’s and drawings much of his
work became clearly defined in the
occult and magical realms and had
become somewhat of an enfant terrible
in the west-end. His work and legacy
can still see its influence in the
development of chaos magic and
western esoteric thought, Spare today
derives a vast interest in his work from
both art lovers and the occult alike.
£1,500-2,000
157§ HD58/85
AUSTIN OSMAN SPARE
(BRITISH 1888-1956)
FIGURES IN A DREAM-LIKE LANDSCAPE
Watercolour and pencil
24cm x 15cm (9.5in x 6in)
£1,000-1,500
158§ HD58/15
BRADA STANLEY-CREEK
(BRITISH 1909-1952)
DIANA THE HUNTRESS
Watercolour
35cm x 47cm (13.75in x 18.5in)
£500-700
40 Lyon & Turnbull
159 HD57/4
ARTS & CRAFTS BRASS, COPPER AND
ENAMEL MANTEL CLOCK
CIRCA 1900
with repoussé decorated circular dial, the
tapered case with applied planished copper
brackets and inset turquoise cabochons
32cm high
£300-500
160 HD57/10
BRASS WALL MIRROR, CIRCA 1920
of oval outline, the planished frame set with
circular Ruskin cabochons, bears maker’s label
53cm x 63cm
£300-500
161 HD57/26
ARTS & CRAFTS COPPER BOX AND
COVER
CIRCA 1900
of circular form, the cover set with three
Ruskin roundels, the whole repoussé
decorated with stylised dragon panels, hoop
feet, 16cm diameter, 12cm high; together with
a JEWELLERY BOX, with a repoussé decorated
metal lid set with cabochons, 23cm wide; a
COPPER AND RUSKIN SET INKWELL, 9cm high;
a COPPER AND RUSKIN SET CYLIDRICAL BOX
AND COVER, 13cm high; and a COPPER AND
RUSKIN SET COAL BIN AND COVER (some
damages), 52.5cm high (including handle) (5)
£200-300
162 HD57/14
JAMES DIXON & SONS, SHEFFIELD
PAIR OF SILVER CANDLESTICKS,
EARLY 20TH CENTURY
each with circular dished drip trays above
square tapering columns and spreading bases
with riveted decoration, hallmarked Sheffield
1909 and 1916 (2)
23cm high
£800-1,200
163 HD57/31
ALEXANDER KELLOCK BROWN
(1849-1922)
PLASTER PANEL OF A WINGED ANGEL,
LATE 19TH CENTURY
signed in the plaster upper right, framed
68cm x 25cm
£250-350
164 HD57/7
TWO ARTS & CRAFTS POTTERY FIGURE
GROUPS
CIRCA 1910
one depicting opposed nude male and female
figures, 26cm high; the other depicting a
Landworker, 31cm high, each on wooden
plinth (2)
£150-250
165 HD57/27
WILLIAM HUTTON & SONS
ARTS & CRAFTS PEWTER TRAY, CIRCA 1900
of oval outline with twin handles, each set
with Ruskin roundels, 60cm across, a
MATCHING MILK JUG AND SUGAR BOWL,
10cm high and 13cm high, and a BALUSTER
SHAPED VASE, 16.5cm high, stamped marks;
also a LIBERTY & CO. TUDRIC FOUR PIECE TEA
SERVICE, comprising a HOT WATER JUG, 17cm
high; a TEAPOT, 12cm high; a MILK JUG, 7cm
high; a SUGAR BOWL, 7cm diameter; and a
PAIR OF SUGAR TONGS, stamped marks 01075
(9)
£200-300
166 HD57/19
ROYAL DOULTON
TWO GLAZED STONEWARE JARDINIÈRES,
EARLY 20TH CENTURY
incised and impressed maker’s marks (2)
19cm and 17cm high
£100-200
167 HD57/13
ARTS & CRAFTS ILLUMINATED PAGE
CIRCA 1900
within mother-of-pearl inlaid frame,
illustrating a religious tract, 24cm x 20cm; and
‘LOVE IN A MIST’, A PAGE FROM ‘THE FLOWER
BOOK’ AFTER BURNE JONES, 23cm X 19cm (2)
£150-250
42 Lyon & Turnbull
168 HD58/16
FOLLOWER OF EDWARD MATTHEW
HALE (BRITISH 1852-1924)
FIGURES IN A LANDSCAPE
Oil on canvas
44cm x 29cm (17.25in x 11.5in)
£300-500
169 HD58/17
GEORGE HENRY EDWARDS (BRITISH 1859-1918)
THE SPIRIT OF THE MARSH
Signed and dated ‘96, watercolour, 44cm x 16cm
(17.25in x 6.25in); and ANDROMEDA CHAINED TO
THE ROCKS, signed, watercolour and bodycolour,
40cm x 15cm (15.75in x 6in), a pair (2)
Provenance:
The Maas Gallery, London
£600-800
170§ HD58/32
REGINALD F. HALLWARD
(BRITISH 1858-1948)
NUDE STUDY
Charcoal
£600-800
171 HD58/22
GEORGE PRICE BOYCE
(BRITISH 1826-1897)
ANDUZE, FRANCE
Watercolour
37cm x 33cm (14.5in x 13in)
£1,200-1,800
172 HD58/36
ARTHUR JOSEPH GASKIN (BRITISH 1862-1928)
JOSCELYNE READING
Signed with initials, inscribed with sitter’s name and
dated 1916, pencil
173 HD58/40
EDWARD R. TAYLOR (BRITISH 1838-1912)
PORTRAIT OF A FAIR-HAIRED GIRL
Watercolour
37cm x 27cm (14.5in x 10.5in)
£300-500
Provenance:
Campbell Wilson, Brighton, 2004
£500-700
174 HD58/45
SAMUEL PEPYS COCKERELL (BRITISH 1753-1827)
CLISSON, 1910
Watercolour
16 x 13cm (6.25 x 5in)
Note:
Cockerell was an architect, best known for designing Sezincote
House, Gloucestershire, for his elder brother of Sir Charles Cockerell,
1st Baronet. The uniquely Orientalizing features inspired the Brighton
Pavilion. He was the great-great nephew of the diarist Samuel Pepys.
£300-500
175 HD58/46
EDWARD MATTHEW HALE (BRITISH 1852-1924)
YOUTHS RELAXING
Oil on canvas
22cm x 14cm (8.5in x 5.5in)
£1,000-1,500
44 Lyon & Turnbull
176§ HD58/44
REGINALD F. HALLWARD
(BRITISH 1858-1948)
STUDY OF A MALE NUDE WITH SWORD
Indistinct inscription bottom left, charcoal
20cm x 12cm (8in x 4.75in)
£300-500
177§ HD58/55
BERNARD SLEIGH (BRITISH 1872-1954)
FINDETH A LITTLE CHILD
Pen and ink
22cm x 14cm (8.5in x 5.5in)
Provenance:
Christie’s South Kensington
£1,000-1,500
178 HD58/51
WINIFRED ANNE RYMER
(BRITISH fl. 1929-1936)
NUDE STUDY
Pencil
28cm x 19cm (11in x 7.5in)
£250-350
179§ HD58/33
F.G. DOWELL (BRITISH 20TH CENTURY)
DESIGN FOR A PROPOSED BUILDING IN
BRIGHTON
Signed and dated ‘49, watercolour
29cm x 39cm (11.5in x 15.25in)
£250-350
180 HD58/50
HENRY ALBERT PAYNE
(BRITISH 1868-1940)
STUDY FOR THE CANTERBURY
TALES
Watercolour
30cm x 38cm (11.75in x 15in)
Provenance:
The Fine Art Society, London
£500-700
181 HD58/89
ROBERT ANNING BELL
(BRITISH 1863-1933)
CINDERELLA
Signed, oil on canvas
£600-800
46 Lyon & Turnbull
182 HD57/36
ARTS & CRAFTS COPPER FRAMED
WALL MIRROR
CIRCA 1910
planished finish, repoussé decorated with a
pierced roundel of opposed fish against a
green enamelled ground
49cm x 34cm
£200-300
183 HD57/50
ARTS & CRAFTS COPPER WALL MIRROR,
CIRCA 1900
with planished finish and riveted
decoration to the seams, inset with
bronzed roundel of Dante, bears
inscription DANTE, bears maker’s label
79cm x 30.5cm
£400-600
184 HD57/57
PAIR OF ARTS & CRAFTS COPPER WALL
SCONCES
CIRCA 1910
each repoussé decorated with stylised foliage,
and with galleried nozzles, and hanging
snuffers below, 19.4cm wide, 34cm high;
together with an ASSOCIATED PAIR OF WICK
TRIMMERS (3)
£400-600
185 HD57/63
AUSTRIAN COLD PAINTED BRONZE
LAMP
CIRCA 1900
cast as an Arabic woman in exotic dress,
with palm tree shade on naturalistic base
31cm high
£300-500
186 HD57/62
PEWTER, COPPER AND ABALONE MANTEL
CLOCK, CIRCA 1900
the shaped copper dial embossed with Roman
chapters, enclosed by a shaped case inlaid
with oval abalone panels
25cm high
£2,000-3,000
187 HD57/53
ARTS & CRAFTS SILVER BOWL
CIRCA 1910
with embossed entrelac band set with chalcedony
cabochons and raised on bracket supports, bears
maker’s marks, hallmarked London 1910
18cm diameter
£400-600
188 HD57/68
KARL KARLSSON, LONDON
EDWARDIAN SILVER AND ENAMEL BOX, CIRCA 1903
with turquoise enamel panel to the lid and applied
inlaid catch, the whole raised on bracket feet (cracks to
enamel), hallmarked London 1903
20cm wide, 7.5cm high, 12cm deep
£500-700
189 HD57/41
SILVER THREE BRANCH CANDELABRUM,
CIRCA 1906
the three angular branches with circular
dished drip trays above square tapering
column and spreading base with riveted
decoration, hallmarked Sheffield 1906
23cm high
£800-1,200
48 Lyon & Turnbull
190 HD57/69
GUILD OF HANDICRAFT LTD
SILVER AND ENAMEL BOX
set with enamelled landscape panel to the lid,
hallmarked London 1903 (damage to enamel)
16cm wide, 4.5cm high, 9cm deep
£500-700
191 HD57/70
GEORGE NATHAN & RIDLEY HAYES
ARTS & CRAFTS ENAMELLED SILVER BOX,
CIRCA 1912
decorated with an enamelled panel depicting
a peacock, hallmarked Chester 1912
£300-500
192 HD57/71
ARTS & CRAFTS ENAMELLED SILVER BOX
CIRCA 1910
decorated to the cover with an enamelled panel,
of swimming fish, hallmarked Sheffield 1910,
maker’s mark W.T.
£200-300
193 HD57/72
ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO.,
LONDON
‘CYMRIC’ SILVER AND ENAMEL VASE, CIRCA 1907
of cylindrical tapering form, with enamelled Celtic panel,
hallmarked Birmingham 1907, maker’s marks CYMRIC/ L&Co
13cm high
£1,000-1,500
194 HD57/76
ARCHIBALD KNOX (1864-1933) FOR
‘CYMRIC’ SILVER CREAM JUG, CIRCA 1904
with scrolling handle and broad elliptical body,
hallmarked Birmingham 1904, maker’s marks
CYMRIC/ L&Co
8.5cm high
£600-800
195 HD57/78
EDWARD VII ‘CYMRIC’ SILVER
COMMEMORATIVE SPOON, CIRCA 1901
with cast Celtic decoration and cast inscription
to the bowl AC/ER VII, hallmarked Birmingham
1901, maker’s marks CYMRIC/ L&Co
12cm long
£400-600
196 HD57/79
‘CYMRIC’’ SILVER AND ENAMEL COMPACT,
CIRCA 1904
of circular form, with Celtic enamelled panel to
the hinged lid, hallmarked Birmingham 1904,
maker’s marks CYMRIC/ L&Co
7.5cm diameter
£300-500
197 HD57/80
‘CYMRIC’ SILVER AND ENAMEL BOTTLE
HOLDER, CIRCA 1906
of cylindrical form with opposed enamelled
Celtic knotwork bands, hallmarked
Birmingham 1906, maker’s marks L&Co
£1,000-1,500
198 HD57/89
‘CYMRIC’ SILVER AND ENAMEL TRUMPET
SHAPED FOOTED VASE, CIRCA 1906
decorated with trailing and fruiting foliage,
indistinct hallmarks for Birmingham 1906; 19cm
high; together with an ARTS & CRAFTS SILVER
AND ENAMEL CANDLESTICK, 15cm high (2)
£800-1,200
199 HD57/91
LONDON
‘CYMRIC’ SILVER AND ENAMEL BOX AND COVER,
CIRCA 1904
inset to the cover with enamelled Celtic knot, maker’s mark
L&C/ CYMRIC, hallmarked Birmingham 1904, 6cm diameter,
4cm high; together with an ARCHIBALD KNOX (1864-1933),
FOR LIBERTY & CO., LONDON SILVER AND ENAMEL PILL BOX,
CIRCA 1905, set with shagreen enamel Celtic boss, maker’s
mark L&C/ CYMRIC, hallmarked Birmingham 1904, 5cm
diameter (2)
£600-800
200 HD57/93
ARCHIBALD KNOX (1864-1933) FOR LIBERTY
& CO., LONDON
‘CYMRIC’ SILVER AND ENAMEL CANDLESTICK,
CIRCA 1907
with a cylindrical nozzle, set with enamelled roundels,
with broad dished drip tray, maker’s mark L&Co,
hallmarked Birmingham 1907
10.5cm diameter
£300-400
50 Lyon & Turnbull
201 HD57/83
‘CYMRIC’ SILVER AND ENAMEL MOUNTED
PRESERVE POT AND MATCHED SPOON, CIRCA 1912
each decorated with enamelled Celtic motifs, with
globular glass body, hallmarked Birmingham 1908,
spoon hallmarked 1912 (2)
12cm high
£300-400
202 HD57/81
‘CYMRIC’ SILVER INKWELL, CIRCA 1900
of cylindrical form set with turquoise cabochons,
with domed cover and glass liner above dished
base, hallmarked Birmingham, maker’s marks
CYMRIC/ L&Co
£400-600
203 HD57/87
OLIVER BAKER (ATTRIBUTED) FOR
‘CYMRIC’ ARTS & CRAFTS SILVER LOVING CUP,
CIRCA 1900
with planished finish, decorated with inset
cabochon stones and with four lug handles,
hallmarked Birmingham 1900, maker’s marks
CYMRIC/ L&Co
9.5cm diameter, 7.5cm high
£300-500
204 HD57/86
LIBERTY & CO., LONDON ARTS &
CRAFTS
‘CYMRIC’ SILVER SUGAR SIFTER, CIRCA 1904
of tapering footed form, embellished with
inset turquoise cabochon, hallmarked
Birmingham 1904, 15cm high; together with a
LIBERTY & CO., LONDON, SILVER AND ENAMEL
MOUNTED GLASS BOTTLE, designed by
Archibald Knox, the cylindrical green glass
bottle with silver cover, set with Celtic
enamelled roundel, hallmarked Birmingham
1904, 6cm high, both with maker’s marks
CYMRIC/ L&Co; and TWO LEVI & SALAMAN
SILVER MOUNTED CRUETS, hallmarked
Birmingham 1912, 6.3cm and 4.8cm high (4)
£400-600
205 HD57/73
‘CYMRIC’ SILVER BOX AND COVER, CIRCA 1903
of cylindrical form, the cover with turned
knop, the sides decorated with inset turquoise
cabochons, hallmarked Birmingham 1903,
maker’s marks CYMRIC/ L&Co
£400-600
206 HD57/88
LIBERTY & CO., LONDON ARTS &
CRAFTS
‘CYMRIC’ SILVER AND ENAMEL BOWL,
CIRCA 1902
the planished surface with enamelled band,
hallmarked Birmingham 1902, 10.5cm
diameter; together with a LIBERTY & CO.,
LONDON SILVER AND ENAMEL BOX AND
COVER, CIRCA 1901, of circular form, with
bullseye design enamelled cover, hallmarked
Birmingham 1901, maker’s marks CYMRIC/
L&Co, 11.4cm diameter, 7.5cm high; and a
LIBERTY & CO., LONDON SILVER TRAY, with
planished surface, hallmarked Birmingham
1917, 28cm across (3)
£700-900
207 HD57/85
OMAR RAMSDEN AND ALWYN CARR
SILVER CIGAR BOX, CIRCA 1911
the planished surface repousse decorated to
the cover with Art Nouveau entwined tendrils,
bears inscription under base OMAR RAMSDEN
ET ALWYN CARR ME FECERUNT, hallmarked
London 1911
18cm wide, 5cm high, 9cm deep
£1,500-2,000
208 HD57/90
G L CONNELL LTD, LONDON
ARTS & CRAFTS SILVER CHAMBERSTICK, CIRCA 1901
the whole decorated with pierced foliate decoration, hallmarked
London 1901, 18cm across; together with a G. L. CONNELL LTD.
SILVER MOUNTED TWIN-HANDLED GLASS VASE, with presentation
inscription to the foot, hallmarked London 1901, 19cm high; and a
G. L. CONNELL LTD., LONDON ARTS & CRAFTS SILVER BOX, with
strapwork hinges and elaborate cast brackets to the angles,
hallmarked London 1902, 11cm wide, 6cm high, 8.5cm deep (3)
£600-800
209 HD57/77
FOR HEATH & MIDDLETON
SILVER TEAPOT, CIRCA 1886
of tapered cylindrical form, with rush covered
handle, hallmarked London 1886
14cm high
£300-500
210 HD57/51
ROWLEY GALLERY, LONDON
‘THE OLD FARM’, MARQUETRY WALL MIRROR,
CIRCA 1920
with carved and moulded frame enclosing a
mirrored plate and with marquetry landscape
panel below
79cm x 26cm
£150-250
211 HD57/65
MANNER OF SIR EDWARD POYNTER
ARTS & CRAFTS PENWORK PANEL,
LATE 19TH CENTURY
depicting a Classical woman in an orchard
within a marquetry frame
51cm x 29cm
£150-250
212 HD57/29
ARTS & CRAFTS BRASS WALL MIRROR
CIRCA 1910
with oval bevelled plate within rectangular
frame, repoussé decorated with exotic birds
amongst foliage, 44cm x 34cm; together with a
SMALL PATINATED COPPER WALL MIRROR,
EARLY 20TH CENTURY, of circular outline,
repoussé decorated with trailing ivy, 22cm
diameter; a PEWTER WALL MIRROR,
CIRCA 1920, of octagonal outline, with allover
stylised abstract repoussé design enclosing a
circular bevelled plate, 34cm diameter; and a
SMALL PATINATED METAL MIRROR, the
scrolled sides enclosing an oval bevelled plate,
30 x 23.5cm (4)
£150-250
213 HD57/67
ARTS & CRAFTS WALL MOUNTED
COPPER MATCH HOLDER
CIRCA 1910
repoussé decorated with stylised plant forms,
14cm wide, 25cm high; together with a PAIR
OF COPPER AND BRASS CANDLESTICKS, in the
manner of Benson, 19cm high; a PAIR OF ARTS
& CRAFTS COPPER CANDLESTICKS,
CIRCA 1900, of pierced tapering form, with
brass side handles, 17cm high; an ARTS &
CRAFTS REPOUSSE COPPER PHOTOGRAPH
FRAME, 20cm square; and SMALL ARTS &
CRAFTS COPPER MANTEL TIMEPIECE,
CIRCA 1910, with chased decoration and
initials to the top edge, 11cm high (7)
£200-300
52 Lyon & Turnbull
214 HD58/53
JOSEPH EDWARD SOUTHALL
(BRITISH 1861-1944)
HEAD STUDY
Pencil
£400-600
215 HD58/58
JAMES DROMGOLE LINTON (BRITISH 1840-1916)
‘MUSIC THAT ON THE SPIRIT LIES, GENTLER ON TIRED
EYELIDS ON TIRED EYES’
Watercolour
37cm x 39cm (14.5in x 15.25in)
Provenance:
Note:
Titled after the Tennyson poem ‘The Lotus Eaters’
£500-700
216 HD58/65
JEAN ACHILLE BÉNOUVILLE
(FRENCH 1815-1891)
CLASSICAL FIGURE IN DRAPERIES
No. 117, studio stamped, pencil
30cm x 22cm (11.75in x 8.75in)
Provenance:
£500-700
217 HD58/62
ROSE M. FRASER (SCOTTISH fl. 1908-1916)
HEAVENLY SLEEP
Signed, watercolour
17.5cm x 22.5cm (9in x 7in)
£400-600
218 HD58/66
EDITH MARTINEAU
(BRITISH 1842-1909)
A YOUNG GIRL WEARING A HEADSCARF
Signed with monogram and dated 1869,
watercolour
30cm x 27cm (11.75in x 10.5in)
£1,500-2,500
220 HD58/73
MINNIE ASPREY
(BRITISH 19TH CENTURY)
ORIENTAL FIGURE GAZING FROM A WINDOW
Signed and dated 1911, watercolour
93cm x 28cm (36.5in x 11in)
£500-700
221 HD58/77
GEORGE LAWRENCE BULLEID
(BRITISH 1858-1933)
HEAD STUDY OF A GIRL IN A FLORAL
HEADDRESS
Watercolour
12.5cm x 12.5cm (5in x 5in)
£800-1,200
219 HD58/70
FOLLOWER OF GEORGE FREDERICK
WATTS (BRITISH 1817-1904)
LAMENT
Oil on canvas
28cm x 25cm (15in x 9.75in)
£400-600
54 Lyon & Turnbull
222 HD58/80
JOHN MELHUISH STRUDWICK
(BRITISH 1849-1937)
STUDY FOR A GIRL IN A GREEN DRESS IN A SYMPHONY
Pencil
19.5 x 14cm
Provenance:
The Albert Dawson Collection
J.S. Maas & Co. Ltd., London
New Gallery, 1903
223 HD58/91
FREDERICK (FRED) MORGAN
(BRITISH 1856-1927)
HEAD OF A BOY
Charcoal study
34 x 25cm (13.25 x 9.75in)
£600-800
£500-700
224§ HD58/88
RONALD OSSORY DUNLOP
(IRISH 1894-1973)
PORTRAIT OF A DARK-HAIRED WOMAN
Oil on canvas
37 x 31cm (14.5 x 12.25in)
£400-600
225 HD58/86
LORD FREDERIC LEIGHTON
(BRITISH 1830-1896)
VINES NEAR BELLOSGRANDE
Inscribed with title and dated September ‘56,
bears Fine Art Society stamp, pencil
15 x 9cm (6 x 3.5in)
£400-600
SIMEON SOLOMON (1840-1905) was born in London to an artistic Jewish family and
attended the Royal Academy Schools for arts. Solomon became a known figure in the
pre-Raphaelite movement and painted many pictures influenced by Biblical and Jewish
themes. It was after his introduction to Algernon Charles Swinburne around 1865 that
he became influenced by Classicism which became his dominant style. It is in this style
that Solomon was able to symbolically express himself and composed many pictures of
languorous, aesthetic youths. His work became known in America after being featured
in Frederick Hollyer’s photographic album ‘Portraits of any person of Note’ in 1866.
Today he is also recognised for his prose poetry, ‘A Vision of Love Revealed in Sleep’,
considered a landmark in gay literature. Although Solomon faced many personal
struggles later in life, his work has remained sought after and is included in the
collections of The National Portrait Gallery, London; Tate Britain, London; The Art
Institute of Chicago; The Museum of Fine Art, Boston; Harvard Art Museum and
numerous institutions worldwide.
226 HD58/71
SIMEON SOLOMON
(BRITISH 1840-1905)
STUDY OF A WOMEN’S HEAD IN PROFILE
Watercolour
24cm x 16cm (9.5in x 6.5in)
Provenance:
Collection of Rachel Simmons, nee Solomon (first
cousin to the artist); thence by descent through the
family
£2,000-3,000
56 Lyon & Turnbull
227 HD58/72
SIMEON SOLOMON
(BRITISH 1840-1905)
HEAD OF AN ANGEL
Initialled S.S. and dated 1900,
pencil
15cm x 22cm (6in x 8.75in)
Provenance:
Abbott and Holder.
£1,000-1,500
228 HD58/68
SIMEON SOLOMON
(BRITISH 1840-1905)
ATTHIS
Signed with monogram and dated 1909,
inscribed with title, pencil
35cm x 25cm (13.75in x 9.75in)
Provenance:
The Piccadilly Gallery
£800-1,200
229 HD57/97
MARY SETON WATTS (1849-1938) FOR
COMPTON POTTERY
FIGURE OF ST MICHAEL, CIRCA 1900
impressed mark (broken and repaired), 22cm
high; and ANOTHER COMPTON POTTERY
FIGURE, impressed mark, 20cm high; and a
WALL PLAQUE, CIRCA 1900, depicting St
Francis, impressed mark ,18cm x 12cm (3)
£300-500
230 HD57/107
CHARLES NOKE FOR DOULTON & CO.
EARTHENWARE CHARGER, CIRCA 1880
impressed factory mark, signed NOKE
39cm diameter
Provenance:
‘John Jesse: The Pursuit of Style’, Sotheby’s London,
22 February 2006, Lot 31
£400-600
231 HD57/103
CARL KRALL, LONDON
ARTS & CRAFTS JEWELLED SILVER GILT GOBLET AND
COVER, CIRCA 1917
set with cut stones and cabochons and further
decorated with leafy chasing, bears inscription under
foot IN MEM. STR. HENRIETTA MARIA/ STR.
ETHELRED/ E.A. HOUBLON/ E.J. FORBES/ KATE
CROWE/ R.I.P./ A.D. 1917, hallmarked London 1917,
14cm high; contained within a copper canopy, with
domed top supported on columns, chased
decoration set with cut stones, 32cm high (2)
£400-600
58 Lyon & Turnbull
232 HD57/84
W. H. HASELER, BIRMINGHAM
SILVER DRESSING TABLE SET, CIRCA 1906
comprising a HAIR BRUSH, 25cm long; and
TWO CLOTHES BRUSHES, 17.8cm long, each
with Celtic knot repoussé decoration and inset
turquoise cabochons, hallmarked Birmingham
1906; together with a LIBERTY & CO. LONDON,
SILVER CLOTHES BRUSH, inset with a
turquoise cabochon, rubbed hallmarks, 18cm
long (4)
£500-700
233 HD57/16
SILVER AND ENAMEL DRESSING TABLE SET
comprising TWO HAIR BRUSHES, 24 and 26cm
long; TWO CLOTHES BRUSHES, 16cm long; a
BOX AND COVER, with glass body, 11cm long;
a COMB, 20cm long; and a HAND MIRROR,
27cm long, each inlaid with Celtic knotwork in
turquoise enamels, Birmingham hallmarks (7)
£800-1,200
234 HD57/99
ARTS & CRAFTS CLOISONNÉ ENAMEL
ECUMENICAL DEVOTIONAL PANEL
EARLY 20TH CENTURY
depicting Christ on the cross, with Buddha at
the foot of the cross in a landscape, enclosed
by Buddhist and Christian iconography, in a
giltwood frame
58cm x 42cm
£200-300
235 HD57/101
M. RESTELLI
ARTS & CRAFTS WHITE METAL DEVOTIONAL
PANEL
boxed, repoussé decorated with stylised
figure, inscribed, signed
20cm x 10cm
£80-120
236 HD57/111
ARTS & CRAFTS REPOUSSÉ WALL
PLAQUE
CIRCA 1910
mounted on an oak board and bearing
inscription PIPES OF PAN, 37cm x 31cm;
together with a COPPER REPOUSSÉ WALL
PLAQUE, bearing the inscription HEAVEN SEND
YOU MANY, in an oak frame, 31 x 30.5cm; and
TWO LARGE BRASS CHARGERS, with repoussé
decoration, 52cm diameter (4)
£150-250
237 HD57/110
ART NOUVEAU PATINATED METAL
MANTEL CLOCK
CIRCA 1900
decorated with a female figure and flowers in
relief, enclosing an enamelled dial with foliate
detail, the stamped French movement striking
on a bell
30.5cm high
£200-300
238 HD57/112
ARTS & CRAFTS OAK THREE-FOLD
SCREEN
CIRCA 1910
each panelled fold with painted poppy
decoration, 150cm x 169cm; and an ARTS &
CRAFTS LEATHER-COVERED FOUR-FOLD
DRAUGHT SCREEN, each fold with embossed
panel, 189cm x 176cm (2)
£200-300
238A HD58/92
GEORGE WEAKE
PLANT STUDY, CIRCA 1900
bronze plaque, cast in low relief, signed in the
bronze GEO. WEAKE, within an oak frame
17.5cm x 16.5cm
£200-300
Furniture: Part I
239 HC956/8
KIMBEL AND CABUS, NEW YORK
AESTHETIC MOVEMENT EBONISED CHERRY
SIDE CABINET, CIRCA 1875
with elaborate brass hinges, the ebonised
surface incised and gilded, the spindle gallery
above and arrangement of four panelled
doors and open shelves, the panels painted
with birds, plants and animals, the whole
raised on side supports linked by a platform
Note:
A corner chair by Kimbel and Cabus, held in the
Brooklyn Museum, shows the same characteristics as
this cabinet (Accession no. 1992.9).
£1,000-1,500
240 HD602/9
ATTRIBUTED TO R.W. WINFIELD & CO.,
BIRMINGHAM
IRON ROCKING CHAIR FRAME, CIRCA 1850
curved tube metal
Note:
This design was produced by R.W. Winfield & Co. of
Birmingham. Winfield & Co. exhibited a model of this
chair at the Great Exhibition of 1851 and the London
International Exhibition of 1862. For a similar example
see Victoria and Albert Museum, London, museum no.
CIRC.20-1961.
£300-500
241 HD161/3
AESTHETIC MOVEMENT OAK WALL
CABINET
CIRCA 1880
with spindle gallery above open shelves and
with two doors below centred by a tiled panel
£150-250
242 HC886/3
LARGE GOTHIC REVIVAL PITCH PINE
CLUB FENDER
LATE 19TH CENTURY
with upholstered seat above canted uprights
with bracket supports
£400-600
60 Lyon & Turnbull
243 FH65/3
CHARLES RENNIE MACKINTOSH (1868-1928)
FOR MISS CRANSTON’S WILLOW TEAROOMS
EBONISED OAK ‘LADDER BACK’ CHAIR, CIRCA 1903
the high back with thirteen gently bowed horizontal
splats, the seat tapering towards the front, raised on
square section legs joined by five cylindrical
stretchers, with later oak-framed drop-in seat and
rushing
104.5cm high, 44.5cm wide, 38.3cm deep
Provenance:
Miss Cranston’s Willow Street Tea Rooms, Glasgow, Scotland
Private Collection, London
Literature:
Billcliffe, Roger, ‘Charles Rennie Mackintosh: The Complete
Furniture Drawings & Interior Designs’, Moffatt 2009, pp 150165, illus. 1908.8 and in situ at 1903 C; D; E; F; J; H & I
Note:
Mackintosh had produced versions of the traditional
ladderback chair before, first for David Gauld in 1893 and
then as a bedroom chair at Windyhill in 1901. This
understated and deceptively simple design of 1903, for Miss
Cranston’s new Willow Tearooms in Sauchiehall Street, is his
most successful treatment of this vernacular form. The dark
wood against by the pale walls and tablecloths of the
tearoom interiors accentuating the striking lines of this, one
of Mackintosh’s most recognisable chairs.
£10,000-15,000
244 HC839/1
KOLOMAN MOSER (1868-1918) FOR
PORTOIS & FIX, VIENNA
PALISANDER WOOD SIDEBOARD, CIRCA 1905
veneered and inlaid, the canted upper section
with bevelled glazed doors above a panelled
back, the lower section with a pull-out slide
above a pair of cupboard doors enclosing
three sliding trays, the legs with bronze
sabots, bears ivorine maker‘s label PORTOIS &
FIX, WIEN III, UNGARGASSE 59-61
Literature:
Fenz, Werner ‘Koloman Moser’, Vienna, 1984, p.159,
fig. 66 where a similar example is illustrated.
Note:
Portois & Fix were early manufacturers of designs by
the secession artists including Otto Wagner, Josef
Hoffmann and, as in this example, Koloman Moser.
£10,000-15,000
62 Lyon & Turnbull
245 HC50/3
OTTO WAGNER (1841-1918) FOR JACOB
& JOSEF KOHN
STAINED BENTWOOD ARMCHAIR, NO. 721,
CIRCA 1902
the back pierced with circular apertures,
curved arms and moulded seat on square
tapered legs with hoop stretcher
£800-1,200
246 HD91/66
AFTER CHARLES RENNIE MACKINTOSH
PAIR OF MARSH, JONES, CRIBB & CO. MAHOGANY ‘ARGYLE’
TYPE CHAIRS, CIRCA 1900
each with oval inlaid top rails above tall slatted backs and drop-in
seats raised on square legs linked by stretchers, bears maker’s
labels MARSH, JONES, CRIBB & CO./ KENDELL & CO. (2)
Literature:
Billcliffe, Roger, ‘Charles Rennie Mackintosh: The Complete Furniture
Drawings & Interior Designs’, Moffatt 2009, pp 61-62
Note:
Billcliffe alludes to “six smaller variants” of the high backed Argyle Street tea
Room chair, designed by Mackintosh for Miss Cranston in 1898, two of
which bear the Marsh, Jones Cribb & Co. label. Billcliffe goes on to suggest
that as the firm only existed from 1897-1904 it is likely that that they had
seen the larger chairs, either in Glasgow or at the Arts & Crafts Exhibition in
1899, and amended the design to this smaller version. In this unusual
mahogany variant the firm has added marquetry inlay to the oval top rails
instead of the original cut out motif.
£500-700
247 HD177/8
MANNER OF MORRIS & CO.
MAHOGANY CENTRE TABLE
the shaped circular top with serpentine
outline, raised on six turned legs united by
stretchers and an undertier
60 x 69cm
£300-500
248 HD34/3
ARTS & CRAFTS MAHOGANY CENTRE
TABLE
CIRCA 1900
in the manner of Morris & Co., the tiled top
with moulded edge above baluster turned legs
linked by waved stretchers
£200-300
249 HD91/111
ART NOUVEAU MAHOGANY &
MARQUETRY INLAID ARMCHAIR
CIRCA 1900
with profusely inlaid splat back above open
arms and upholstered panel seat, square
tapered legs
£150-200
250 HD91/1
SHAPLAND & PETTER, BARNSTAPLE
ART NOUVEAU MAHOGANY WRITING DESK,
CIRCA 1900
the superstructure with glazed and leaded
panel, with marquetry inlay and leaded glass
panel, enclosed by open shelves, a writing
surface and a single drawer below, flanked by
profusely inlaid and pierced uprights joined by
shaped stretchers
£800-1,200
251 HD91/64
LEONARD WYBURD (1865-1958) FOR LIBERTY
& CO., LONDON
PAIR OF MAHOGANY AND MOTHER-OF-PEARL
INLAID SIDE CHAIRS, CIRCA 1900
each with inlaid top rails above tall slatted backs and
upholstered panel seats raised on square tapered
legs linked by stretchers, bears maker’s labels (2)
£400-600
253 HC840/6
SET OF FOUR ART NOUVEAU
MAHOGANY AND INLAID SIDE CHAIRS
CIRCA 1900
each with curved top rails and inlaid splats
raised above upholstered seats on cabriole
legs (4)
£250-400
254 HD91/55
ART NOUVEAU MAHOGANY AND
MARQUETRY INLAID ARMCHAIR
CIRCA 1900
probably Liberty & Co., the pierced back with
close nailed upholstered panel, above open
arms and upholstered seat, square legs linked
by stretchers
£200-300
252 HD91/65
LEONARD WYBURD (1865-1958) FOR
MAHOGANY AND MOTHER-OF-PEARL
INLAID OCCASIONAL TABLE, CIRCA 1900
the inlaid shaped rectangular top raised on
square supports linked by stretchers and
with slatted side panels
£300-500
255 HC820/1
WYLIE & LOCHHEAD, GLASGOW
ARTS & CRAFTS OAK TUB CHAIR, CIRCA 1900
the curved top rail and arms with pierces
central splat and slatted sides, above an
upholstered drop-in seat on square tapered
legs linked by stretchers
£200-300
64 Lyon & Turnbull
256 HB75/5
ART NOUVEAU MAHOGANY INLAID DISPLAY
CABINET
CIRCA 1910
the pierced surmount above a single glazed door with
peacock feather fret decoration enclosing a shelved
interior and enclosed by open shelves with mirrored
backs and with two cupboard doors below, the whole
raised on square tapered legs
£600-800
257 HB816/1
A. GARDNER AND SON, GLASGOW
ART NOUVEAU MAHOGANY AND MARQUETRY INLAID
CABINET, CIRCA 1910
the canted superstructure with two glazed doors with stylised
bud astragals, flanked by doors with marquetry landscape
panels, and supported on twin columns, the base with central
corresponding inlaid door with flanking glazed doors,
galleried platform stretcher, bears label A GARDNER AND
SON, CABINET MAKERS, GLASGOW
£400-600
258 HC845/1
MARQUETRY INLAID DISPLAY CABINET
CIRCA 1900
with swan-neck pediment and three stepped
doors enclosing shelves, each profusely inlaid
with flowering foliage and raised on tall
slender supports linked by a platform
£500-700
259 HC840/2
MARQUETRY INLAID WING ARMCHAIR
CIRCA 1900
with shaped spindle gallery on turned legs
£300-500
260 HD91/105
ARTS & CRAFTS MAHOGANY LADY’S WRITING DESK,
CIRCA 1900
the pierced superstructure with open shelves and
two doors with embossed copper panels, above a
fold-out fall with drawer below, raised on square
tapering legs
£300-500
261 HC382/7
ARTS & CRAFTS MAHOGANY AND COPPER
MOUNTED WALL CABINET, CIRCA 1900
with open shelf backed with an embossed
copper frieze bearing inscription SUBLIME
TOBACCO! WHICH FROM EAST TO WEST/
CHEERS THE TAR’S LABOURS OR THE
TURKMAN’S REST, above two panelled doors
inset with embossed copper panels
Literature:
Bennett, Daryl, ‘Shapland & Petter Ltd. of Barnstaple’,
2005, p.60, pl.4.35.
£400-600
262 HB818/1
HEAL & SON, LONDON
SINGLE MAHOGANY FOUR POSTER BED,
CIRCA 1910
with arched canopy above tapering columns
and broad head and foot boards, bears
maker’s label
105cm wide, 194cm high, 204cm long
£300-500
263 HC738/1
SET OF SIX ART NOUVEAU OAK DINING
CHAIRS
CIRCA 1910
each with carved top rails above upholstered
panel and carved splat, raised above
upholstered panel seats and square tapered
legs linked by stretchers (6)
£300-500
66 Lyon & Turnbull
264 HD91/2
OAK AND MARQUETRY INLAID SIDE CABINET,
CIRCA 1900
with marquetry inlay and decorative steel
hinges and handles, the central section with
an arrangement of two doors, open shelves
and three drawers, flanked by angled doors,
the whole raised on block feet, bears Marsh,
Jones & Cribb retailer’s label
£400-600
265 HD91/122
OAK AND MARQUETRY INLAID HALL TABLE, CIRCA 1900
the castellated upstand with open shelf and inlaid back above a
bowed top with two drawers below on square tapered supports
linked by stretchers
Literature:
Bennett, Daryl, ‘Shapland & Petter Ltd. of Barnstaple’, 2005, p.29, pl.3.12.
£500-700
266 HD595/1
WYLIE & LOCHHEAD, GLASGOW
ARTS & CRAFTS OAK WARDROBE, CIRCA 1910
with twin doors, each with tongue and groove
panelling, and elaborate metal hinges above
two drawers on a plinth, bears ivorine maker’s
label
£500-800
Jewellery, Silver & Metalwares
267 HD163/1
BERTHOLD LÖFFLER (1874-1960) FOR
WIENER WERKSTATTE
WHITE METAL LOCKET, CIRCA 1908
decorated with a putto riding a robin,
stamped WIENER WERKSTATTE and bearing
artist’s monogram
3cm high
£400-600
268 HC941/4
GEORG JENSEN (1866-1935)
STERLING PENDANT, CIRCA 1920
of openwork double leaf form set with three
turquoise, on fine neck chain, stamped GEORG
JENSEN/ GJ/ 830S/ 65/ STERLING
5cm high
£1,000-1,500
269 HC941/5
GEORG JENSEN (1866-1935) AND
HARALD NIELSEN (1892-1977)
‘MOONLIGHT BLOSSOM’ STERLING AND
MOONSTONE SET NECKLACE,
MID 20TH CENTURY
alternately mounted with foliate links and
moonstone cabochons, stamped marks
GEORG JENSEN/ 925S/ DENMARK/ 15
48cm long
£800-1,200
270 HC941/2
ARNO MALINOWSKI (1899-1976)
FOR GEORG JENSEN
STERLING BIRD BROOCH, CIRCA 1940
stamped marks GEORG JENSEN/
STERLING/ DENMARK/ 309
5cm across
£200-300
272 HC941/3
ARNO MALINOWSKI (1899-1976) FOR
GEORG JENSEN
STERLING DOLPHIN BROOCH, CIRCA 1950
stamped marks GEORG JENSEN/ 925S/
DENMARK/ 257
4cm tall
£200-300
271 HD105/1
REGITZE OVERGAARD (b. 1946) FOR
GEORG JENSEN
‘REGITZE’ STERLING BRACELET,
LATE 20TH CENTURY
comprised of linked hoops and discs, stamped
marks GEORG JENSEN/ 825S/ 454
19cm long
£500-800
68 Lyon & Turnbull
273 HD105/2
HENNING KOPPEL (1918-1981) FOR
GEORG JENSEN
‘SPLASH’ SILVER NECKLACE AND
EARRINGS SET, LATE 20TH CENTURY
comprised of freeform links, with
corresponding earrings, stamped marks
GEORG JENSEN/ 825S/ 88B, earrings
stamped GJ/ 825S (3)
necklace, 42cm long, earrings 1.5cm across
£800-1,200
274 HD105/3
GEORG JENSEN
‘INFINITY’ SILVER TORQUE NECKLACE,
LATE 20TH CENTURY
comprised of four entwined bands, stamped
marks GJ/ 925S/ 555
13cm across
£250-400
275 HD105/4
GEORG JENSEN
‘SPHERE’ STERLING NECKLACE AND BRACELET
SET, LATE 20TH CENTURY
comprised of hooped links with sphere insets,
stamped marks GEORG JENSEN/ 925S (2)
necklace, 42cm long, bracelet, 19cm long
£300-500
276 HD105/7
GEORG JENSEN
WHITE GOLD AND DIAMOND SET ‘FUSION’
RING, LATE 20TH CENTURY
comprised of three 54 NK/ GJLd/ GEORG
JENSEN/ 750/ DENMARK/ London hallmarks
1.5cm diameter
£800-1,200
277 HC702/12
JESSIE MARION KING (1875-1949) FOR
SILVER AND ENAMEL PENDANT, CIRCA 1905
worked as stylised flowerheads on a textured
enamel ground, stamped marks L&Co/ SILVER
4.5cm long
£800-1,200
278 HD105/10
GEORG JENSEN
‘SPIRIT’ SILVER AND GLASS BEADED
NECKLACE AND EARRING SET,
LATE 20TH CENTURY
comprised of glass orbs set in silver and
linked by a fine chain, with corresponding
orb earrings, stamped marks GJ 925S (3)
necklace, 92cm long
£300-500
279 HC702/8
SCOTTISH WHITE METAL AND MALACHITE
SET BROOCH
EARLY 20TH CENTURY
the eight pointed foliate cast mount set with
cabochons, enclosing a large malachite stone
7.2cm across
£200-300
280 HD105/5
GEORG JENSEN
‘HERITAGE’ SILVER NECKLACE AND EARRINGS
SET, LATE 20TH CENTURY
comprising a 1994 year pendant, and
matching earrings, each with foliate design
with silver cabochons, GEORG JENSEN/ 925 S/
DENMARK/ 1994 (3)
each approx. 1.5cm high
£150-250
281 HD105/6
ART NOUVEAU 9 CARAT GOLD
BROOCH
CIRCA 1900
tapered outline of whiplash foliage set with a
cut blue stone with plique-a-jour enamel drop
below, stamped marks
3.5cm across
£150-250
282
GEORG JENSEN
PAIR OF ‘ARCHIVE’ SILVER EARRINGS,
LATE 20TH CENTURY
5.5cm long; also a GEORG JENSEN ‘ARIA’
PENDANT’, 5.5cm long; and a GEORG JENSEN
SILVER BANGLE, 6.2cm across, all with
stamped maker’s marks (4)
£250-350
282A HB709/16
HENNING KOPPEL (1918-1991) FOR
GEORG JENSEN
ABSTRACT STERLING ‘SPLASH’ BROOCH,
MID 20TH CENTURY
bears maker’s marks, numbered 322
4.3cm across
£150-200
282B HA671/63Q
DUCHESS OF SUTHERLAND CRIPPLES’
GUILD
TWO ARTS & CRAFTS SILVERED VESSELS,
CIRCA 1905
comprising a circular bowl, repousse
decorated with a floral band, 31.5cm
diameter; and a twin-handled footed bowl,
with a chased band of fruiting vines, 21cm
across, both with stamped maker’s marks (3)
£150-250
70 Lyon & Turnbull
283 HA482/22
ART DECO WHITE METAL THREE PIECE
TEA SERVICE
CIRCA 1930
each of ovoid form, comprising a teapot and
cover, with hardwood handle, 14cm high; a
tea caddy and cover, the underside of the
cover cast with the depiction of a Chinaman,
10cm high; and a milk jug and cover, with
hardwood handle, 8cm high (3)
£600-800
284Y HD12/7
EDWARD & SONS, GLASGOW
ART DECO SILVER CHAFING DISH AND
COVER, CIRCA 1936
of oval form, the domed cover with applied
ivory handle, the base with decorated rim,
stamped maker’s mark EDWARD/ GLASGOW,
hallmarked Glasgow 1936
29.5cm long
£400-600
285 HD51/4
PAIR OF SILVER CANDLESTICKS, CIRCA 1928
each with circular dished drip trays above
square tapering columns and spreading bases
with riveted decoration, each hallmarked
Sheffield 1928 (2)
22cm high
£800-1,200
286 HD170/3
FOR HUKIN & HEATH
SILVER PLATE TOAST RACK, CIRCA 1881
with rectangular base and ten dividing rods,
central T- bar handle, stamped marks,
DESIGNED BY DR. C. DRESSER/ H&H/ 1987,
registration mark for 1881
11cm long, 13cm high
£1,000-1,500
287 HD91/74F
WMF (WURTTEMBERGISCHE
METALLWAREN FABRIK)
ART NOUVEAU SILVER PLATE CARD TRAY,
CIRCA 1900
of shaped circular outline, cast with an Art
Nouveau maiden with flowers in her flowing
hair and with applied whiplash tendril handle,
rubbed factory marks, cast mark 232, 27cm
across; also a WMF PEWTER INKWELL, of
lozenge outline, the hinged cover with glass
liner, stamped and cast marks WMF/ EP/ 85,
18cm across (2)
£200-300
288 HD91/20E
WMF (WURTTEMBERGISCHE
METALLWAREN FABRIK)
ART NOUVEAU SILVER PLATED BASKET,
CIRCA 1900
the pierced basket with applied foot, cast with
waterlilies, with hinged handle cast and
pierced with fruiting foliage, enclosing a cut
glass liner, with shaped rim, stamped maker’s
marks WMF/ EP
24cm across
£150-250
289 HD91/108A
WMF (WURTTEMBERGISCHE METALLWAREN
FABRIK)
PAIR OF ART NOUVEAU SILVER PLATE VASES, CIRCA 1900
each modelled as a boy fishing with a mermaid watching
on one and a merman on the other holding a fish,
further embellished with fish and aquatic foliage, each
with stamped maker’s marks WMF (2)
28.5cm high
£600-800
290 HD165/5
ALEXANDER RITCHIE (1856-1941)
CASED SET OF SIX SCOTTISH PROVINCIAL
SILVER COFFEE SPOONS, CIRCA 1913
of traditional Nunnery form with decorative
stems and small pointed bowls, in original
fitted case, stamped maker’s mark AR/ IONA,
hallmarked Birmingham 1913 (6)
each 7.5cm long
£600-800
291 HD165/4
SCOTTISH PROVINCIAL SILVER BELT BUCKLE,
CIRCA 1926
comprised of two sections, each cast and
pierced with a foliate design, stamped marks
IONA/ AR, hallmarked Glasgow 1926
11cm wide, 5cm high
Literature:
MacArthur, Mairi E. ‘Iona Celtic Art’, Iona 2003, p. 71
illus.
292 HD165/3
TWO SCOTTISH PROVINCIAL SILVER NAPKIN
RINGS, 1930s
each ring cast with entwined Celtic beasts and
knotwork, one with stamped marks A.R. IONA/
ICA, hallmarked Birmingham 1934, 4.5cm
diameter; the other stamped AR and
hallmarked Glasgow 1933, 4.9cm diameter (2)
£300-500
£500-700
293 HC916/1
MANNER OF CHRISTOPHER DRESSER
WALKER & HALL ELECTROPLATED SUGAR
BASIN AND SPOON, LATE 19TH CENTURY
formed in the shape of a coal scuttle, with
applied ebonised wood handle, the spoon
with reciprocal handle, stamped maker’s
marks No. 52017
£200-300
294 HD158/1
ART NOUVEAU SILVER PHOTOGRAPH
FRAME
CIRCA 1904
of rectangular form, decorated with sinuous
flowering plants on a textured ground,
hallmarked Chester 1904, 18cm x 14cm; also
an ART NOUVEAU STYLE SILVER PHOTO
FRAME, with flowering foliate decoration,
hallmarked Birmingham 1998, 20cm x 26cm
(2)
£300-400
295 HC762/2
CHARLES S. GREEN, BIRMINGHAM
EDWARDIAN SILVER-FRONTED PHOTOGRAPH
FRAME, CIRCA 1904
die-stamped to one side with a girl feeding
birds from a basket, the other side with a
seated child at the foot of a tree whose
branches hung with pears spread across top
of frame, wood easel back, hallmarked
Birmingham 1905
25cm x 19cm
£300-500
72 Lyon & Turnbull
296 HB520/1
JOHAN ROHDE (1856-1935) FOR GEORG JENSEN
LARGE SILVER CENTREPIECE BOWL, DESIGNED CIRCA 1916
with lightly hammered surface, the circular bowl with
everted rim raised on scrolling foliate supports with central
floral finial, the whole raised on a circular stepped base,
stamped maker’s marks under base DESSIN/ 925.S/
DENMARK/ STERLING/ 196
£2,500-3,000
297 HD178/1
GEORG JENSEN (1866-1935)
PAIR OF ‘GRAPES’ PATTERN CANDLESTICKS,
NO. 263A, DESIGNED CIRCA 1918
each with spiral twisted stem embellished
with pendant grapes, on a circular base,
stamped marks GEORG JENSEN/ DENMARK/
STERLING/ 263A (2)
15.2cm high
£3,000-5,000
298 HD178/2
HARALD NIELSEN (1941-2015) FOR
GEORG JENSEN
SET OF EIGHT SILVER GOBLETS, NO. 532A,
DESIGNED 1928
each with lightly hammered surfaces,
openwork bead and tendril stems on
spreading bases, bases with stamped marks
GEORG JENSEN/ HN/ DENMARK/ STERLING/
532A (8)
12.5cm high
£2,000-3,000
299 HB518/2
HARALD NIELSEN (1941-2015) FOR GEORG
JENSEN
TWO 'PYRAMID' PATTERN THREE-PIECE
CONDIMENT SETS, 1920s/ 30s
each of spherical form, comprising two each of
salts, 4.5cm high; peppers, 4.5cm high; and lidded
mustard pots with glass liners, 6.5cm high, the
mustard pots with import marks for 1938 and
1928, stamped marks GJ/ Ld/ 632/ 925S/
STERLING/ DENMARK, combined weight: 11.5oz (6)
£1,000-1,500
300 HD166/2
ARCHIBALD KNOX (18641933) FOR LIBERTY & CO.,
LONDON
‘CYMRIC’ SILVER & ENAMEL
CORONATION SPOON, 1901
the enamelled ovoid bowl with
cast Celtic knotwork and
inscription ANNO/ CORON:/ ER VII,
the stem with pierced and cast
reciprocal design, stamped
maker’s marks L&Co/ CYMRIC,
16cm long
£1,200-1,800
301 HD166/1
LONDON
the pointed ovoid bowl with cast
Celtic knotwork and crown, and
with inscription AC/ ER VII, the
stem with pierced and cast
reciprocal design, stamped
12.3cm long
£1,000-1,500
302 HD166/4
LONDON
‘CYMRIC’ SILVER CORONATION
SPOON, 1901
the ovoid bowl with cast and
pierced Celtic knotwork and
crown, and with inscription AC/ ER
VII, the stem with reciprocal
pierced and cast design, stamped
16.5cm long
£400-600
303 HD166/3
LONDON
the enamelled ovoid bowl with
cast inscription AC/ 1902/ ER VII,
the reeded and tapered stem with
textured knot, stamped maker’s
marks L&Co/ CYMRIC, hallmarked
Birmingham 1901
11cm long
£800-1,200
304 HD91/95D
ARCHIBALD KNOX (1864-1933)
FOR LIBERTY & CO., LONDON
PAIR OF ‘TUDRIC’ PEWTER
CANDLESTICKS, CIRCA 1900
each with tapered columns and three
bracket supports raised on a
spreading base cast with stylised plant
forms, stamped maker’s marks
TUDRIC 0221 (2)
14.5cm high
£250-400
305 HD91/95E
LONDON
‘TUDRIC’ PEWTER CHAMBER CANDLESTICK, CIRCA 1905
of circular outline, the candle sconce with removable nozzle,
the tray cast with stylised seeds and plant tendrils, and set
with two turquoise enamel roundels, stamped marks
TUDRIC/ 0523
19cm across
£200-300
74 Lyon & Turnbull
306 HD91/95A
LONDON
PAIR OF ‘TUDRIC’ PEWTER CANDLESTICKS, CIRCA 1905
each with bullet shaped nozzles and broad drip trays on three
shaped supports on a wide circular base cast with stylised plant
forms, each with stamped maker’s marks TUDRIC/ O223 (2)
23cm high
£400-600
307 HD91/95B
ARCHIBALD KNOX (1864-1933) FOR LIBERTY &
CO., LONDON
with hammered finish, each with bullet shaped nozzles
and broad drip trays on three shaped supports on a
wide circular base cast with stylised plant forms, each
with stamped maker’s marks TUDRIC PEWTER/ O223 (2)
23cm high
£400-600
308 HD91/3A
PAIR OF ‘TUDRIC’ PEWTER CANDELABRA,
CIRCA 1905
each twin-branch with removable sconces
supported on column with openwork leaves
and berries, the pierced base embellished
with variegated leaves, stamped 5/ 0530 with
registration marks for 1905 (2)
28cm high
£1,000-1,500
309 HD91/74D
‘TUDRIC’ HAMMERED PEWTER VASE,
CIRCA 1905
of cylindrical tapered form, with three angular
scrolled bracket supports, stamped marks
ENGLISH PEWTER 0227
23cm high
£150-250
310 HD91/74B
PAIR OF ‘TUDRIC’ TUDRIC PEWTER VASES,
CIRCA 1900
each of tapering form with an embossed band
of ivy leaves above stylised handles on a
circular base, glass liners lacking, impressed
marks ENGLIAH PEWTER/ 0957 (2)
21.5cm high
£200-300
311 HD91/68B
PAIR OF ‘TUDRIC’ PEWTER BULLET-SHAPED
VASES, CIRCA 1905
each cast with stylised plant forms and raised
on three angular brackets, stamped marks
ENGLISH PEWTER/ 0226 (2)
19cm high
£200-300
312 HD91/68C
ARCHIBALD KNOX (1864-1933) FOR LIBERTY &
CO., LONDON
each with detachable sconces, cast with Celtic knots,
stamped marks ENGLISH PEWTER/ 08 (2)
15.5cm high
£400-600
313 HD91/68E
ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON
‘TUDRIC’ PEWTER INKWELL, CIRCA 1905
the well with hinged cover enclosing the glass liner, the tray of oval
shape cast with whiplash stylised plant forms, stamped marks ENGLISH
PEWTER/ 0404
23cm across
£150-250
314 HD91/68D
LONDON
‘TUDRIC’ PEWTER AND ENAMEL INKWELL, CIRCA 1905
the well with hinged cover (liner lacking), the tray of oval shape cast
with whiplash stylised plant forms and set with blue enamel panels,
stamped marks TUDRIC/ 0404
23cm across
£250-350
76 Lyon & Turnbull
315 HD91/62A
LIBERTY & CO., LONDON AND JAMES
COUPER & SONS, GLASGOW
‘TUDRIC’ PEWTER AND ‘CLUTHA’ GLASS COUPE,
CIRCA 1903
the shaped bowl with aventurine and white swirls,
the foliate cast pierced support on three finned
legs, stamped marks ENGLISH PEWTER/ 0276
£1,000-1,500
316 HD91/38A
PAIR OF ‘TUDRIC’ PEWTER AND ENAMEL
CIRCULAR DISHES, CIRCA 1905
each with serrated rims, enclosing cast
stylised whiplash foliage and centred with a
triangular turquoise enamelled panel,
stamped marks TUDRIC/ 044 (damages to
one enamel panel) (2)
26cm diameter
£400-600
317 HD91/39C
ARCHIBALD KNOX (1864-1933)
FOR LIBERTY & CO., LONDON
PAIR OF ‘TUDRIC’ TWIN-HANDLED
PEWTER VASES, CIRCA 1900
each with ovoid bowls, cast with
conjoined oval panels and raised on a
moulded stem with spreading base,
applied whiplash foliate handles,
stamped marks TUDRIC 029 (2)
25cm high
£300-500
318 HD91/21A
‘TUDRIC’ BULLET-SHAPED VASE, CIRCA 1905
decorated with a cast frieze of stylised plant
forms, on three angular brackets, stamped
marks ENGLISH PEWTER/ 0927/ MADE IN
ENGLAND
28.5cm high
£250-350
319 HD91/21B
‘TUDRIC’ PEWTER TWIN-HANDLED BOWL,
CIRCA 1903
cast to the sides with a frieze of stylised plant
forms, and raised on bracket feet, stamped marks
TUDRIC/ 0229, registration mark for 1903
29cm across
£300-500
320 HD91/21C
PAIR OF ‘TUDRIC’ PEWTER CANDLESTICKS,
CIRCA 1905
the circular sconces raised on four shaped
columns and a moulded open square base,
stamped marks TUDRIC 0222 (2)
10cm high
£300-500
321 HD91/3C
‘TUDRIC’ PEWTER CANDLESTICK GARNITURE,
CIRCA 1905
comprising a PAIR OF CANDLESTICKS, each
with bullet shaped nozzles and broad drip
trays on three shaped supports on a wide
circular base cast with stylised plant forms,
23cm high; and a SINGLE TALL CANDLESTICK,
of the same design, 30cm high, each with
stamped maker’s marks TUDRIC/ O223 (3)
£600-800
322 HC941/1
‘TUDRIC’ PEWTER AND ENAMEL CLOCK,
CIRCA 1902
the circular copper and enamel dial with single
train Lenzkirch movement, within domed case
with cast stylised plant decoration and applied
enamel roundels, stamped marks TUDRIC/
0370
20.5cm high
Literature:
Martin, Stephen A. ‘Archibald Knox’, London, 2001, p.
239
£3,000-4,000
78 Lyon & Turnbull
323 HD91/74E
DAVID VEAZEY FOR LIBERTY & CO. LONDON
‘TUDRIC’ PEWTER TWIN-HANDLED ROSE BOWL,
CIRCA 1900
decorated with stylised plant forms around the body
and bearing inscription THE MUSK OF THE ROSE IS
BLOWN AND THE WOODBINE SPICES ARE WAFTED
ABROAD, stamped marks TUDRIC/ 011
31cm across
£250-350
324 HD91/74A
DAVID VEAZEY FOR LIBERTY & CO.,
LONDON
‘TUDRIC’ PEWTER TWIN-HANDLED
TANKARD, CIRCA 1900
cast with a frieze of Honesty and bearing
inscription FOR OLD TIMES SAKE, stamped
marks, TUDRIC 010
20cm high
£250-350
325 HD91/97A
OLIVER BAKER FOR LIBERTY & CO.,
LONDON
LARGE ‘TUDRIC’ PEWTER BOWL, CIRCA 1900
of hammered circular form, with five shaped
brackets, formed as stylised plant uprights
which terminate in pad feet, stamped marks
ENGLISH PEWTER/ MADE BY LIBERTY & CO/
01029, 28cm diameter; and another LARGE
‘TUDRIC’ PEWTER BOWL, designed by Oliver
Baker, the hammered bowl with four shaped
brackets on trefoil pad feet, stamped marks
TUDRIC PEWTER/ 067, 34cn diameter (2)
£300-500
326 HD91/95C
PAIR OF ‘TUDRIC’ PEWTER CANDLESTICKS,
CIRCA 1900
each with cast serrated drip trays above
tapered columns and leaf-cast circular bases,
stamped marks ENGLISH PEWTER 023, 14cm
high; and a PAIR OF ARTS & CRAFTS
HAMMERED PEWTER CANDLESTICKS, stamped
maker’s marks, 17cm high (4)
£200-300
327 HD91/3B
PAIR OF ‘TUDRIC’ POLISHED PEWTER
CANDLESTICKS, CIRCA 1900
each of stylised 17th century design, with
turned stems set with four projecting curved
vertical brackets, on a circular spreading foot,
stamped marks TUDRIC PEWTER/ O1228,
26cm high; also a TUDRIC PEWTER TANKARD,
stamped marks TUDRIC 066, 11cm high; a
LIBERTY & CO PEWTER VASE, cast with plant
forms and pierced to the sides (glass liner
lacking), stamped marks ENGLISH PEWTER/
01040, 13.5cm high; and a KESWICK SCHOOL
OF INDUSTRIAL ARTS POLISHED PEWTER TRAY,
stamped marks, 30.5 x 20.5cm (5)
£300-500
328 HD91/9A
DAVID VEAZEY FOR LIBERTY & CO.,
LONDON
‘TUDRIC’ PEWTER TWIN-HANDLED TANKARD,
CIRCA 1900
cast with a frieze of Honesty and bearing
inscription FOR OLD TIMES SAKE, stamped
marks, TUDRIC 010
20cm high
£150-250
329 HD91/106B
CONTINENTAL ART NOUVEAU PEWTER
MOUNTED DECANTER AND STOPPER
CIRCA 1900
the ribbed green glass body of slender
tapering form, with pewter mounts, cast with
whiplash foliage, 39cm high; also a
CONTINENTAL ART NOUVEAU PEWTER
MOUNTED GLASS VASE, the ribbed green glass
body with frilled rim, the mounts cast as
flowering foliage, stamped maker’s marks
1630, 28.5cm high (2)
£200-300
330 HD91/179
MANNER OF JOSEPH MARIA OLBRICH
ART NOUVEAU TWIN-BRANCH
CANDELABRUM, CIRCA 1900
cast with stylised plant forms, unmarked,
26.5cm high; an ORIVIT PEWTER MOUNTED
CERAMIC VASE, of bottle form, the red-glazed
vase painted with green tendrils, the mounts
cast with fruiting boughs, stamped marks
“ORIVIT”/ 2506, 16cm high; and an ANDRE
VILLIEN PEWTER BEAKER, of tapered form,
cast to the base with lily pads, signed to the
body A. VILLIEN, stamped maker’s marks,
17cm high (3)
£200-300
Decorative Arts & Design 79
331 HD91/142
FIVEMILETOWN, COUNTY TYRONE
ARTS & CRAFTS BRASS FENDER, CIRCA 1895
pierced and repousse decorated to three sides
with panels of opposed squirrels with acorn
branches
332 HD91/27
JOHN PEARSON (FL. 1885-1910)
COPPER CANDLE SCONCE, DATED 1896
repoussé decorated with stylised flowering
foliage, the ovoid back plate above twin candle
arms with candle nozzles, chased makers
marks J.P./ 1896
39cm high
£500-700
333 HD91/180
KESWICK SCHOOL OF INDUSTRIAL
ARTS
COPPER FRAMED WALL MIRROR, CIRCA 1900
of octagonal form, repousse decorated with
flowering roses and enclosing a mirrored
plate, stamped marks KSIA
68cm diameter
£300-500
334 HD161/6
ARTS & CRAFTS COPPER WALL SCONCE
CIRCA 1900
of oval outline, repousse decorated with a
band of foliate motifs, hearts and spheres,
with two candle arms
48cm x 46cm
£150-250
335 HD34/10
HUGH WALLIS (1871-1943)
INLAID COPPER TWIN HANDLED VASE,
CIRCA 1910
the hammered ground, inlaid with a silvered
band of fruiting bands, stamped monogram
HW
26cm high
£150-250
Literature:
Larmour, Patrick ‘The Arts & Crafts Movement in
Ireland’, p. 42 where a similar example is illustrated.
£800-1,200
80 Lyon & Turnbull
336 HD177/2
RICHARD LLEWELLYN RATHBONE
(1864-1939)
LARGE BRASS CANDLESTICK, 1896
with a large drip tray above the cylindrical
stem and domed base embellished with
raised bosses, marked RATHBONE 107 1896
Literature:
A similar candlestick is illustrated in the article ‘A
Worker in Metal’, The Artist, vol. 17 (January-June
1896, page 134)
£400-600
337 HD177/3
ALBERT EDWARD JONES (1878-1954)
PAIR OF COPPER CANDLESTICKS, CIRCA 1905
each with a waisted sconce and circular drip
tray above a slender column and slightly
domed foot, monogrammed (2)
30.5 cm high
£300-500
338 HC938/78
LARGE ARTS & CRAFTS COPPER JUG
CIRCA 1900
of squat baluster form, with hammered finish,
boldly repousse decorated with abstracted
organic forms
35cm high
£300-500
339 HD170/4
FOR KENRICK & SONS
CAST IRON TRIVET, CIRCA 1890
of tapered outline with handle and three legs,
the surface cast with a foliate design, cast
marks KENRICK & SO*/ NO8/ Rd15032
23cm long
£200-300
340 HD186/2
GLASGOW STYLE BRASS CHARGER
CIRCA 1900
of circular form, repousse decorated with a
band of Celtic knotwork
49cm diameter
£200-300
341 HD38/1]
FOUR ARTS & CRAFTS COPPER
CHARGERS
LATE 19TH/ EARLY 20TH CENTURY
comprising a BIRMINGHAM GUILD CHARGER,
stamped with fruiting buds, stamped maker’s
marks THE BIRMINGHAM GUILD LTD./
ENGLAND, 37.5cm diameter; a KESWICH
SCHOOL OF INDUSTRIAL ARTS CHARGER,
repousse decorated with fruiting boughs,
stamped marks KSIA, 43cm diameter; an ALMS
DISH, in the 16th century manner, 46cm
diameter; and a SMALL CHARGER, repousse
decorated with a foliate design, 32.5cm
diameter (4)
£250-350
342 HD91/21
BRASS FRAMED OVAL WALL MIRROR,
CIRCA 1900
of oval outline set with four Ruskin cabochons,
bears ivorine label LIBERTY/ LONDON
60cm wide, 52cm high
£300-500
343 HC777/1
ATTRIBUTED TO MARGARET GILMOUR
ARTS & CRAFTS BRASS BLOTTER, CIRCA 1900
repousse decorated to the angles with panels
depicting fuchsia blossoms
45cm x 29.5cm
£200-300
344 HD177/5
REPOUSSÉ DECORATED BRASS BOX AND COVER,
CIRCA 1920
of rectangular form, the hinged cover decorated with a
sword, running dogs and griffins amongst knotwork
18.5 cm wide
Literature:
MacArthur, E. Mairi ‘Iona Celtic Art’, Iona 2003, p.25, plate 2a
where a similar example is illustrated.
£250-350
345 HD91/158
ATTRIBUTED TO PETER WYLIE
DAVIDSON
BRASS WALL CLOCK, CIRCA 1910
the dial with scrolled edges, repoussé
decorated with chapter ring and panel
depicting a galleon in full sail, and a flock of
swallows in flight, bears the inscription TIME &
TIDE
dial 38cm wide, 48cm high
£250-400
346 HB217/5
GLASGOW STYLE BRASS WALL SCONCE
CIRCA 1900
of circular outline with applied single candle
arm and repoussé decoration depicting a
band of butterflies
44cm diameter
£300-500
347 HD186/3
GLASGOW STYLE BRASS WALL SCONCE
CIRCA 1900
of circular outline, repousse decorated with
the figure of a moth amongst bluebells, with
twin candle arms
£300-500
82 Lyon & Turnbull
348 HB624/5
MENNEVILLE, FRANCE
LARGE ART DECO CLOCK, CIRCA 1930
the rectangular dial on a stepped marble and
slate case surmounted by the patinated
spelter figure
63.5cm long, 32cm high, 20.5cm deep
£300-500
349 HB633/65
JAEGER LE COULTRE, GENEVA
AQUARIUM TIMEPIECE, MODEL NO.352.
1960s
the clear Perspex case mounted with an
aquarium scene on a black back on lacquered
brass mounts, the chapter ring with baton
markers to an exposed and jewelled
movement, original box
20cm high
£600-800
350 SV533/66
JAEGER LE COULTRE, GENEVA
SWISS GILT-BRASS ‘ATMOS’ CLOCK, 1960s
the circular dial with applied gilt chapters and
gilt hands, the movement of typical form
signed LE COULTRE
23.5cm high
£300-500
351 HD34/9
ARTS & CRAFTS COPPER AND BRASS
DESK TIMEPIECE
CIRCA 1910
the single train movement within spherical
case with cast numerals within easel frame
with pierced fret and copper backplate
24cm high
£200-300
Furniture: Part II
352 HD91/74
AMBROSE HEAL (1872-1959) FOR
HEAL & SON, LONDON
OAK AND INLAID BEDROOM SUITE,
CIRCA 1900
comprising a WARDROBE, with projecting
cornice above a central section of two doors
and five drawers, flanked by four further
doors, chequer inlaid and with stylised
marquetry decoration, 223cm wide, 195cm
high, 54cm deep; a DRESSING CHEST, with
central arched mirror enclosed by an
arrangement of eleven drawers, 137cm
wide, 202cm high, 56cm deep; and a
TALLBOY, with two panelled doors with
corresponding inlay, above four drawers on
a plinth, 65cm wide, 109cm high, 52cm
deep (3)
£1,000-2,000
353 HD602/4
ATTRIBUTED TO SIR ROBERT LORIMER
OAK LOG BIN, CIRCA 1910
of tapered form, with exposed joints to the
angles and with pierced carrying handles
£250-350
354 HD34/2
MORRIS & CO.
PAIR OF ‘SUSSEX’ ARMCHAIRS, CIRCA 1900
each with spindle filled backs above open
arms and rush seats, the turned legs linked by
stretchers (2)
£250-350
355 HD91/70
ARTS & CRAFTS
PAIR OF SUSSEX-TYPE BEECH OPEN
ARMCHAIRS
each with four waved and pierced back rails,
with a rush seat above turned legs united by
stretchers (2)
£200-300
84 Lyon & Turnbull
356 HD177/1
ARTHUR SIMPSON (1857-1922) OF
KENDAL
PAIR OF MAHOGANY AND INLAID CHAIRS,
CIRCA 1900
each with four shaped splats inlaid with heart
motifs, above a green leather seat and
tapered legs, united by stretchers (2)
Literature:
Wright, Hugh ‘The Beautiful Furniture of the Simpsons
of Kendal’ Carlisle 2011, p. 81 illus. where a similar
example is illustrated.
£400-600
357 HB217/7
E. G. PUNNETT FOR WILLIAM BIRCH LTD,
HIGH WYCOMBE
ARTS & CRAFTS OAK HIGH BACKED ARMCHAIR,
CIRCA 1901
the serpentine top rail with pewter inlay above tall
slated back and curved open arms, the shaped
seat on square tapering lags linked by stretchers
£800-1,200
358 HB217/6
E. G. PUNNETT FOR WILLIAM BIRCH LTD,
HIGH WYCOMBE
ARTS & CRAFTS OAK HIGH BACKED ARMCHAIR,
CIRCA 1901
the oval pewter inlaid top rail, above tall slatted
back and moulded seat, the tapered square lags
£800-1,200
359 HD602/10
HEALS & SON, LONDON
OAK SIDE CHAIR, CIRCA 1920
with arched top rail with corresponding
lattice back and drop-in seat, the whole
raised on square legs linked by
stretchers
£150-250
360 HD602/3
ERNEST ARCHIBALD TAYLOR
(1874-1951)
OAK SIDE CHAIR, CIRCA 1900
the tall back with pierced top rail and
central splat, raised above rushed
seat on tapered legs linked by
stretchers
£300-500
361 HA857/1
SCOTTISH ARTS & CRAFTS
OAK-FRAMED EMBROIDERED FIRE SURROUND,
CIRCA 1900
of rectangular outline with projecting dentil cornice
and rectangular frame enclosing a crewelwork wool
panel worked with flowering foliage on a cream
ground and surrounding aperture for a fireplace
119cm wide
£500-700
362 HA952/1
ATTRIBUTED TO ARTHUR SIMPSON OF KENDAL
COPPER BOUND OAK PLANTER, CIRCA 1900
of square tapering form, the serpentine rim above
pierced pine cone and foliate carved motifs to each side,
raised on crossed strut supports
£300-400
363 HD91/50
GEORGE JACK (1855-1931) FOR MORRIS & CO.
MAHOGANY FRAMED ‘SAVILLE’ ARMCHAIR, CIRCA 1900
the shaped back and seat upholstered in a green damask
fabric, with scrolling and spindle-filled outswept arms raised
on shaped legs
Literature:
Hamerton, Ian ‘W.A.S. Benson’, Woodbridge 2005, p.35, plate 11
Note:
A similar ‘Saville’ armchair with turned legs can be found in the
entrance hall of Standen, Sussex.
£300-500
364 HD91/107
THREE ARTS & CRAFTS SUSSEX-TYPE
LADDERBACK OPEN ARMCHAIRS
CIRCA 1900
comprising two ebonised chairs, one with five
curved rails, 54cm wide, 74cm high, 40cm
deep; the other with a curved back rail united
by spindles, 52cm wide, 92cm high, 46cm
deep; and an oak chair, with a spindle-filled
back, 56cm wide, 92cm high, 46cm deep; all
with rush seats (3)
£200-300
86 Lyon & Turnbull
365 HD34/1
WILLIAM BIRCH, HIGH WYCOMBE
SET OF SIX OAK DINING CHAIRS, CIRCA 1900
each with broad backs with turned and reeded
uprights above rush seats on corresponding
turned legs linked by stretchers (6)
£400-600
366 HD91/76
ARTS & CRAFTS MAHOGANY DESK
CIRCA 1900
with leather writing surface enclosed by
hinged compartments and backed by a
spindle gallery with central photograph frame,
raised above two drawers on square supports
£300-500
367 HC955/1
ARTS & CRAFTS MAHOGANY ‘MORRIS’ ARMCHAIR
CIRCA 1910
with an adjustable reclining back, the back and seat with
loose cushions, the broad arms with spindle-filled panels,
raised on square section legs
85cm x 105cm x 50cm
£700-900
368 HC690/5
ARTS & CRAFTS MAHOGANY
WARDROBE
CIRCA 1900
with central mirrored door flanked by
two panel doors with marquetry inlay
above three drawers on tapered legs,
brass ring handles with mother-ofpearl inlay
£400-600
369 HB589/1
ARTS & CRAFTS OAK ARMCHAIR,
CIRCA 1900
the leather upholstered top rail, above
pierced splats and moulded seat, the
square tapering legs linked by
stretchers
£200-300
370 HD91/83
ARTS & CRAFTS OAK BUREAU BOOKCASE
CIRCA 1900
with projecting cornice and pierced heart frieze,
above single leaded and glazed door and open
shelves with hinged fall below, enclosing a fitted
interior with two drawers below raised on bracket
feet
£500-700
371 HD91/6
ARTS & CRAFTS MAHOGANY WRITING DESK
372 HB622/1
SMALL ARTS & CRAFTS LEATHER
COVERED & BRASS MOUNTED
TABLE CABINET
CIRCA 1900
with twin doors tooled with stylised
plant forms, the decorative brass
hinges with flower and foliate designs
£200-300
373 HC50/2
ARTS & CRAFTS MAHOGANY
OCCASIONAL TABLE
EARLY 20TH CENTURY
probably Shapland & Petter, the
rectangular green-tiled top raised on
square tapered supports joined by a
lower tier with slide-out shelf
£200-300
CIRCA 1900
probably Maples, with folding writing surface, the
superstructure with arrangement of cupboards and
drawers above a single drawer and open shelf below
£200-300
88 Lyon & Turnbull
374 HD91/121
ARTS & CRAFTS OAK BUREAU BOOKCASE
CIRCA 1900
with twin glazed and leaded doors flanked by decorative
pierced brackets and above a sloping fall with arrangement
of drawers and shelves below
£300-500
375 SV533/27
MANNER OF PHILIP WEBB
ARTS & CRAFTS MAHOGANY RECLINING ARMCHAIR,
LATE 19TH CENTURY
the adjustable back with loose cushion above curved
spindle-filled arms enclosing loose seat cushion, the whole
raised on square front supports, brass caps and castors
61cm wide, 94cnm high, 40cm deep
£800-1,200
376 HD596/1
ARTS & CRAFTS OAK DRESSING TABLE
378 HD91/116
377 HD602/6
ARTS & CRAFTS OAK LIBRARY TABLE
379 HD91/9
ARTS & CRAFTS OAK BUREAU
CIRCA 1900
with rectangular mirror flanked by slatted
upright supports above a stepped top and
arrangement of five drawers, bears retailer’s
label
£400-600
CIRCA 1920
the rectangular top above square legs linked
by a lower tier with dividers
£200-300
ARTS & CRAFTS OAK BUREAU BOOKCASE,
CIRCA 1910
with central sloping fall above single drawer
and two panelled doors, flanked by open
bookshelves
£200-300
CIRCA 1900
with sloping fall enclosing a fitted interior,
with open shelves below and with pierced
decoration
£150-250
380 HD91/16
ARTS & CRAFTS OAK BUREAU
CIRCA 1900
with sloping fall enclosing a fitted interior,
with open shelves above and below and with
pierced stylised plant form decoration
£200-300
381 HD91/95
ARTS & CRAFTS OAK SIDE CABINET,
CIRCA 1910
with pierced upstand and stepped top above
an open shelf and single glazed door, the
pierced sides with glass backed cut-out plant
motifs, enclosing bookshelves
£200-300
382 HB371/2
EDWARD BARNSLEY (1900-1987)
WALNUT CHEST OF DRAWERS, DESIGNED 1982
with boxwood stringing, with two short over three long
graduated drawers
Note:
inscription under one drawer “This chest of drawers was
designed by Edward Barnsley - 1982- for Christopher H.C.
Edwards - and made in the Froxfield Workshop by Oskar
Dawson / Edward Barnsley 1983”
£1,200-1,800
383 HD594/2
TIM STEAD (1952-2000)
PINE DINING TABLE, LATE 20TH CENTURY
with shaped rectangular top on twin column
supports linked by a stretcher
182m long, 76m high, 73m deep
£800-1,200
384 HB371/4
EDWARD BARNSLEY (1900-1987)
WALNUT SIDEBOARD,
LATE 20TH CENTURY
of bowed form with boxwood
stringing and ledge back, with three
drawers, two fitted for cutlery, above
a bowed stretcher and square
moulded legs, stamped to drawer
BARNSLEY
168.5cm wide, 89cm high. 52cm deep
£1,200-1,800
90 Lyon & Turnbull
385 HD594/1
TIM STEAD (1952-2000)
ELMWOOD SETTEE, LATE 20TH CENTURY
the broad planked back and arms above a
woven seat base raised on planked supports
£1,000-1,500
386 HC837/1
TIM STEAD (1952-2000)
PINE DINING TABLE AND FOUR MAHOGANY CHAIRS,
LATE 20TH CENTURY
the table with shaped rectangular top on twin column
supports linked by a stretcher, 193cm long, 78cm high, 77cm
deep; and FOUR DINING CHAIRS, each with splat backs
above moulded seats on shaped square legs linked by
stretchers, 41cm wide, 106cm high, 38cm deep (5)
£1,200-1,800
387 HC837/2
TIM STEAD (1952-2000)
PINE AND MIXED WOOD INLAID COFFEE
TABLE, LATE 20TH CENTURY
the rectangular top with abstract inlay raised
on square legs
90cm long, 56cm high, 49cm deep
£200-300
Lighting
388 HD177/4
W.A.S. BENSON (1854-1924) AND
JAMES POWELL & SONS
PAIR OF BRASS AND GLASS HANGING
LIGHTS, CIRCA 1890
each with an open frame comprising of with
three suspensions, fitted with a frosted glass
shade by James Powell & Sons, wired for
electricity (2)
42cm high approx.
£1,500-2,000
389 HC762/1
ART NOUVEAU PATINATED SPELTER
ELECTROLIER
CIRCA 1900
cast as a naked winged nymph, holding aloft
three leafy branches, each terminating in light
fittings, hanging chain and leafy ceiling rose
36cm high (excluding hanging chain), 57cm long
£500-700
390 HD91/169
ART NOUVEAU GILT METAL TABLE
LAMP
CIRCA 1900
cast with whiplash leafy tendrils and central
flowerhead on spreading openwork base,
38cm high; and another ART NOUVEAU BRASS
TABLE LAMP, the textured mushroom shade
set with amber glass ‘stones’, the openwork
base cast with flowering whiplash foliage,
40cm high (2)
£300-500
391 HD91/25D
ART NOUVEAU BRASS STANDARD
LAMP
CIRCA 1900
the central brass column with whiplash foliate
brackets and scrolling tripod base, paw feet
£200-300
392 HD68/7
ARTS & CRAFTS STEEL EXTENDING
WALL LIGHT
CIRCA 1910
with two frosted shades set within tapered
baskets supported by scrolling brackets and a
hinged arm with wall plate
84cm long, (fully extended), 18cm high
Provenance:
Dunecht House, Aberdeenshire
£200-300
393 HD59/1
ARTS & CRAFTS LEADED GLASS AND
SHELL INLAID PLAFONNIER
EARLY 20TH CENTURY
with circular silvered collar holding a stained
and leaded glass shade inlaid with shells
£250-350
92 Lyon & Turnbull
394 HC839/4
JEAN PERZEL (1892-1986)
PAIR OF ART DECO PATINATED BRASS WALL
APPLIQUES, CIRCA 1930
each with a frosted glass outer shade and
dished uplighter above a graduated
segmented glass support, each signed J.
PERZEL (2)
each 23cm high, 55cm wide
£3,000-5,000
395 HC839/7
PAIR OF ART DECO FROSTED GLASS
WALL APPLIQUES
CIRCA 1930
with chromium plated mounts, the shades
with ribbed surface (2)
£1,000-1,500
396 SV405/22
MANNER OF POUL HENNINGSEN
ARTICHOKE STYLE PENDANT LIGHT FITTING
of ovoid form comprised of overlapping
‘leaves’
£100-200
397 HD10/1
VICO MAGISTRETTI (1920-2006) FOR
O-LUCE, ITALY
ATOLLO’ TABLE LAMP, DESIGNED 1977
white lacquered metal
68cm high
£200-300
398 HD10/2
VICO MAGISTRETTI (1920-2006) FOR
O-LUCE, ITALY
ATOLLO’ TABLE LAMP, DESIGNED 1977
black lacquered metal
68cm high
£200-300
399 HC902/27
TWO SMOKED GLASS AND CHROME
CEILING LIGHTS
1970s
each of ovoid form with multiple glass floret
shades and chromium supports (2)
£300-500
400 HB481/1
POUL HENNINGSEN (1894-1967) FOR
LOUIS POULSEN, DENMARK
LARGE PAIR OF ‘CHARLOTTENBORG’ PH-6 1/2
LIGHTS, 1960s
each of concentric finned design, enamelled
metal (2)
£600-800
Sculpture
401 HD12/1
FRANZ BERGMANN (1861–1936)
COLD-PAINTED BRONZE ORIENTAL FIGURE
GROUP, CIRCA 1910
cast as four Arabic boys, seated and standing
on a palm tree and raised on a naturalistic
base, cast maker’s marks 4888
19cm high, 25cm across approx.
£1,200-1,800
402 HD12/4
BRUNO ZACH (1891-1935)
COLD-PAINTED BRONZE FIGURE, CIRCA 1920
cast as a girl, wearing gloves, a fringed skirt and
gartered stockings, raised on a stepped oval marble
plinth, signed in the bronze B. ZACH
39cm total height
£1,000-1,500
403 HD12/2
FRANZ BERGMANN (1861–1936)
COLD-PAINTED BRONZE FIGURE, CIRCA 1910
cast as an Arabic man, with walking cane,
stamped maker’s marks to robe of figure
£400-600
404§ HC938/83
LENA BÖRJESON (1879-1976)
‘THE CHANGELING’
Bronze, signed in the bronze LENA BÖRJESON
31.5cm high
£500-800
405 HD602/5
ART NOUVEAU PLASTER
BUST
CIRCA 1900
modelled as a young woman
with flowing hair
42cm high, 30cm wide
£200-300
406 HD50/2
EMMANUEL FREMIET
(1824-1910)
BRONZE FIGURE OF A CAT
FEEDING ITS KITTENS
signed in the bronze E. FREMIET
19cm across
£150-250
94 Lyon & Turnbull
407§ HD163/2
EDOUARD-MARCEL SANDOZ
(1881-1971)
‘LAPIN BIJOU’ BRONZE FIGURE
signed in the bronze ED. M. SANDOZ/ SUSSE
FRES EDTES PARIS
5.6cm long
£400-600
408§ SV547/163
SIRIO TOFANARI (ITALIAN, 1886-1969)
OWL FIGURE
Bronze, signed in the bronze
£300-500
409 SV547/159
RICCARDO SCARPA (1905-?)
OWL FIGURE
Bronze, signed in the bronze, edition number
2/4, cm high; and SALLY ARNUP (B. 1930)
DUCKLING, bronze figure, signed in the
bronze, edition number VII/X, 10.5cm high (2)
£150-250
410§ SV547/158
IRÉNÉE ROCHARD (FRENCH 1906-1984)
‘ARAMIS’ BRONZE FIGURE
Bronze, signed in the bronze I. ROCHARD and
inscribed to the base ARAMIS, 14cm long;
BRONZE FIGURE OF A HARE, 9cm across; and a
BRONZE FIGURE OF A FROG, 12cm long, each
signed in the bronze I. ROCHARD (3)
£300-500
411 HC886/4
A.E. LEJEUNE (AEL)
‘BONZO DOG’, THE TELCOTE PUP CAR
MASCOT OR HOOD ORNAMENT,
CIRCA 1925
nickel plated on brass, on brass mount
and later turned wood base, moulded
mark BONZO to the left leg, makers
mark COPYRIGHT/ AEL
9cm high, total height, 14cm
£200-300
412§ SV547/153A
BENNO SCHOTZ (1891-1984)
‘JOHNY’
Bronze bust, signed in the bronze
BENNO SCHOTZ, raised on a stepped
hardwood plinth
total height, 27cm
Provenance:
William J. Macaulay Collection
Exhibited:
Aitken Dott & Son, Edinburgh, Jan-Feb 1979,
Cat. No. 60
£300-500
413§ HA795/9
BENNO SCHOTZ (1891-1984)
JAMES KEIR HARDIE
Plaster maquette with bronzed patination, unsigned
60cm high
Note:
James Keir Hardie (1856-1915) was one of the main founders of the
Labour party. Benno Schotz was commissioned to produce a bust of
Hardie, which was to stand in front of the council house in Old
Cumnock. Later casts were ordered for his constituency in Wales, one
for the House of Commons and one for Glasgow. Schotz then decided
to conceive a small maquette for a statue of Keir Hardie which was put
forward as a memorial to him in 1957 and sent to the Labour
conference for approval. However, the maquette was rejected, because
according to Schotz ‘I gave Keir Hardie big hands, clumsy shoes, an old
suit, all the things that made him look a worker.’
£600-800
414§ HC874/1
TIM STEAD (1952-2000)
‘FATHOM’ WOOD SCULPTURE, 1998
signed and dated verso TIM STEAD/
“FATHOM”/ 1998
215cm long, 49cm wide
£300-500
415§ HC956/10
THOMAS WHALEN (1903-1975)
MANGER
carved stone
43cm wide, 104cm high,14.5cm deep
£300-500
416§ HC865/5
JENEPHER WENDY ROSS (b. 1937)
FLOWERHEAD
Phosphate bronze, raised on a wooden
plinth base
58cm high without plinth, 76cm total
height
Provenance:
Commissioned for the Glasgow Garden Festival,
1988
£300-500
416A HC772/3
JULIUS PAUL SCHMIDT-FELLING
(GERMAN 1895-1930)
YOUNG GIRL WITH RAKE
Inscribed with signature, bronze brown patina
raised on a polished base
24cm (9.5in) (including base)
£300-500
96 Lyon & Turnbull
417 HC938/79
MAURICE PICAUD (PICO) (1900-1977)
GILDED PLASTER RELIEF PANEL, CIRCA 1929
moulded as a dancer, within an oak frame, the
brass plaque inscribed M. PICO
64cm x 63cm
Note:
The present lot is a smaller version of the panels
created by Pico in 1929 for the facade of the FoliesBergère in Paris. Dancer Lila Nikolska posed for the
sculpture.
£1,500-2,000
418§ SV547/99
WILLIAM A. HEPWORTH (1934-2014)
THREE BRONZE FIGURES, LATE 20TH CENTURY
KESTREL ON A BRANCH, bronze, unsigned,
22cm high; FIGURE OF A DOVE, bronze, signed
in the bronze W.A. HEPWORTH, 17cm high;
STANDING HARE, bronze, signed in the bronze
W.A. HEPWORTH and dated 1980, 18cm high
(3)
Note:
Known for his wildlife bronzes and establishing the
Alyth Art Foundry, Bill Hepworth was commissioned to
produce public sculptures throughout Scotland
including the J.D Fergusson Torso De Femme and the
Queen Mother Memorial gates at Balhousie Castle for
The Black Watch.
£400-600
419§ SV547/171
SQUIRREL ON A BRANCH,
LATE 20TH CENTURY
Bronze, signed W.A. HEPWORTH, and dated
1989, 29cm high; EAGLE ON A BRANCH,
bronze, signed in the bronze W.A. HEPWORTH
3/25, 20cm high; and STANDING HERON,
bronze, signed in the bronze W.A. HEPWORTH,
22cm high (3)
£300-500
420§ SV547/99A
‘LUCIUS’, BRONZE FIGURE OF A HORSE,
LATE 20TH CENTURY
signed in the bronze W.A. HEPWORTH, and
dated 1987, 1/3
£200-300
Textiles & Carpets
421 HD36/1
LARGE GLASGOW STYLE ART
NOUVEAU SILKWORK
EMBROIDERY
ATRRIBUTED TO MARY HOGG,
CIRCA 1910
the panel depicting two maidens in a
garden bower of wisteria, roses and
fuchsias, the whole enclosed within
stained oak frame, bears
embroidered initials MTH
55cm x 94cm
Literature:
MacFarlane, Fiona C., and Arthur, Elizabeth
F. ‘Glasgow School of Art Embroidery 18941920’, Glasgow Museums 1980, page 14
£1,500-2,000
422 HC417/1
NANCY NICHOLSON (1899-1977)
AND GEOFFREY TAYLOR (PHIBBS)
(1900-1956)
‘BLACK BIRD’, TWO PAIRS OF CURTAINS,
DESIGNED 1931
hand block printed on cotton, lined and
interlined with pleated pelmets and tie
backs in the same material (10)
each curtain, 284cm x 156cm
Literature:
Moore, Helena, ‘The Nicholsons: A Story of Four
People and their Designs’, York City Art Gallery,
1988, p.45 illus.
422A HC792/1
MANNER OF PHOEBE ANNA
TRAQUAIR
ARTS & CRAFTS NEEDLEWORK TRIPTYCH
PANEL, CIRCA 1900
worked in gilt and coloured threads with
the central panel of an angel, flanked by
two further panels depicting angels, the
whole within oak frame with gilded slip
central panel, 45cm x 37cm, outer panels,
45cm x 33.5cm
£300-500
Note:
Nancy Nicholson was the only daughter of the
artists Sir William Nicholson and Mabel Pryde. She
had three brothers, sculptor Ben Nicholson,
architect Christopher Nicholson and Anthony, who
was killed in action in 1918 in the First World War.
In 1929, after the break-up of her marriage to
Robert Graves, Nicholson opened Poulk Prints in
Wiltshire, producing hand printed fabrics along
with her then partner, the Irish poet Geoffrey
Taylor.
She moved her business into Motcomb Street,
London in the 1940s and chose to maintain the
business on a small scale, being staunchly
protective of her designs, and refusing to sell to
large businesses such as Peter Jones.
£400-600
423 HD177/9
WILLIAM MORRIS (1834-1896)
FOR MORRIS & CO.
‘BIRD’ PATTERN WOVEN WOOLLEN
DOUBLE CLOTH PANEL, DESIGNED
1878
contained within an ebonised glazed
frame
95 x 77cm (frame)
£200-300
424 HD602/7
ARTS & CRAFTS EMBROIDERED
PANEL
CIRCA 1920
worked in coloured threads with courtly
musicians on an unbleached linen
ground
59cm high, 40cm wide
£150-250
425 HC892/3
COLLECTION OF FRENCH FABRIC SAMPLES
1920s-1960s
comprising: J. CLAUDE FRERES & CIE., PARIS, 13 VOLUMES,
1953; J. CLAUDE FRERES & CIE., PARIS, 9 VOLUMES, 1930S;
TEXTILES-PARIS-ECHOS, 8 VOLUMES, 1953; TEXTILES-PARISECHOS, 1 VOLUME, NOV. 1963; CLAUDE JUBIN, LYON, 2
VOLUMES, 1930S; SOCIÉTÉ DE FOURNITURES INDUSTRIELLES
& COMMERCIALES, LYON, 8 VOLUMES; and a VARIETY OF
FURTHER SAMPLES, contained in folders and albums;
together with a copy of JACQUES DOURDIN, TEXTILES
ARTIFICIELS (qty)
£300-500
98 Lyon & Turnbull
426 HC956/9
GEORGE BAIN (1881-1968) FOR QUAYLE &
TRANTER LTD., KIDDERMINSTER
CELTIC ‘HUNTING’ CARPET, CIRCA 1948
the machine woven ivory field with central red
octagonal Celtic knotwork medallion surrounded by
huntsmen with dogs, deer, boar and horses within red
and polychrome strapwork border
270cm x 380cm
£1,500-2,000
427 HD558/1
ART DECO STYLE WOOL CARPET
MID 20TH CENTURY
woven in pastel shades with a central
panel of flowers
450 x 365cm
£300-500
428 HC702/1
GEORGE BAIN (1881-1968) FOR
QUAYLE & TRANTER LTD.,
KIDDERMINSTER
SMALL CELTIC ‘HUNTING’ WOOL RUG,
CIRCA 1948
the machine woven ivory field with central red
octagonal Celtic knotwork medallion
surrounded by huntsmen with dogs, deer,
boar and horses within red and polychrome
strapwork border
192cm x 121cm
£800-1,200
429 HD161/4
ARTS & CRAFTS DONEGAL RUG
CIRCA 1920
woven in pastel colours with a traditional
foliate pattern within serrated border
175cm x 89cm
£150-200
Pictures & Works on Paper
430 HD91/86
ALPHONSE MUCHA (1860-1939)
FOR F. CHAMPENOIS, PARIS
‘REVERIE’, VINTAGE LITHOGRAPH POSTER,
CIRCA 1900
printed in coloured inks, bears inscription
F. CHAMPENOIS/ PARIS
65cm x 49cm
£400-600
431 HD602/8
JEAN COCTEAU (1889-1963)
LE TESTAMENT D’ORPHÉE, CIRCA 1960
published by Bedos & Cei. Imp., Paris,
framed lithograph
66cm x 48cm
£200-300
432 HB882/4
GOLFING INTEREST
ART NOUVEAU ILLUSTRATION, CIRCA 1900
pen and ink, signed with initials AB, within
carved and overpainted Art Nouveau frame
44cm x 33cm
£300-500
433 HB545/32
JACK MERRIOTT (1901-1968)
‘THE WEST HIGHLAND LINE’, ORIGINAL
POSTER CIRCA 1959
printed for BR(SR) by Stafford & Co Ltd,
framed and glazed
102 x 127cm
£300-500
434 HD50/4
AUGUSTE LEDOUX (1816-1869)
COURTLY SCENE
watercolour, bodycolour and gilt, enclosed
within elaborate cast brass and jewelled
frame, signed and dated lower right
AUG.LEDOUX 1842
15.5cm x 7.5cm
£200-300
435 HD67/14
WASSILY KANDINSKY (1866-1944)
‘DER SCHLEIER’, ‘KLÄNGE’ SUITE WOODCUT,
CIRCA 1913
monogrammed to lower right, in a glazed
frame, with labels to verso, no. 23/300
16.5 x 4cm (excluding frame)
£150-250
436§ HD67/15
CLARE LEIGHTON (1898-1989)
TWO WOODCUT PRINTS
comprising: ‘January - Lambing’ from ‘The
Farmer’s Year’ series, 1933, 21 x 27cm; and a
smaller example depicting rolling hills, signed
in pencil to lower right, 4.5 x 6cm (2)
£150-250
100 Lyon & Turnbull
437 HC938/55A
CHARLES ALTAMONT DOYLE
(1832-1893)
TEMPTATION
pen, ink and watercolour signed lower right C
DOYLE
20.5cm x 16.5cm
£400-600
438 HC938/55B
(1832-1893)
TRAIN OF DREAMS
pen, ink and watercolour, inscribed verso BY
15cm x 32cm
£600-800
439 HC938/55C
(1832-1893)
AT THE SHORE EDGE
pen, ink and watercolour, inscribed verso C.A.
DOYLE/ 1883
9cm x 36cm
£400-600
440§ HC509/1
ELIZABETH MARY WATT (1886-1954)
FOXGLOVE FAIRIES
ink and watercolour, signed lower right
ELIZABETH MARY WATT
30.5cm x 20cm
£300-500
441 HC58/1
WILLIAM MCWHANNEL PETRIE
(BRITISH 1870-1937)
A GODDESS OF THE WOODS
inscribed with signature, pastel on grey paper
77.5cm x 109cm (30.5in x 43in)
£400-600
442 HD65/5
LOUIS WILLIAM WAIN (1860-1939)
CAT WITH EYE PATCH
ink and watercolour, signed lower left
LOUIS WAIN
18cm x 14cm
£300-500
443 HC723/2
‘WISH YOU WERE HERE’
pen, ink, watercolour and bodycolour,
signed lower left LOUIS WAIN and
inscribed
37cm x 27cm
£400-600
444 HC723/1
‘A BIT OF SLUMMING’
pen, ink and watercolour, signed lower left
LOUIS WAIN, and inscribed
25cm x 35cm
£400-600
445 HC723/3
‘THE AMBUSH’
pen, ink and watercolour, signed lower left
LOUIS WAIN and inscribed
25cm x 35cm
£200-300
102 Lyon & Turnbull
446 HC978/2
ROSAMUND PLOWRIGHT
SCENES FROM THE LIFE OF THE BLESSED
VIRGIN, TRIPTYCH
tempera, inscribed on artist’s label on reverse
EGG TEMPERA/ NO.1/ TRIPTYCH/ ROSAMUND
M J PLOWRIGHT (MRS R MACLENNAN)
31.5 x 52cm, centre panel and 31.6 x 24.3cm,
side panels
Exhibited:
London, Royal Academy, Summer Exhibition, 1939, no.
758
£300-500
447 HA489/1
HAMILTON AND CLARISSA (H. & C.)
CONDON
EIGHT THEATRICAL COSTUME DESIGNS,
CIRCA 1930s
ink and watercolour, one inscribed
BALLET/ LE MIROIR CONTRAIRE/ LE REFLET
DE LA SERVANTE, signed; two inscribed
REVUE/ POULTRY NUMBER, unsigned; two
inscribed AIDA/ AMONASTRO and
AMNERIS, unsigned; two inscribed BALLET/
THE SNOW QUEEN/ ICE DEMONS and
SNOW SPRITES, signed; and one inscribed
BALLET/ DIVERTISEMENTS 1817/ PAS
DEAU, signed (8)
each approx. 45cm x 36cm
£400-600
448§ HB675/1
KEITH HENDERSON O.B.E., R.S.W.,
R.W.S., R.O.I. (SCOTTISH 1882-1983)
MYKONOS
Signed, coloured pencil on paper
25cm x 30cm (10in x 11.75in)
£200-300
449§ HB675/2
KEITH HENDERSON O.B.E., R.S.W.,
R.W.S., R.O.I. (SCOTTISH 1882-1983)
LYKABETTOS
Signed, coloured pencil on paper
27cm x 37cm (10.5in x 14.75in)
£200-300
450 HC667/2
JESSIE KEPPIE (1868-1934)
THE ROAD TO THE FARM
watercolour, signed lower left JESSIE KEPPIE
25cm x 36cm
£400-600
452§ HB278/35
(SCOTTISH 1874-1951)
HOUSES BY THE SEA, GALLOWAY
charcoal and watercolour, unsigned
22cm x 16.5cm
Provenance:
Forrest McKay, Edinburgh
451§ HB278/36
£250-350
ST NINIAN’S CHAPEL, ISLE OF WHITHORN
charcoal and watercolour, signed in pencil lower
right E.A. TAYLOR
23cm x 31cm
Provenance:
Forrest McKay, Edinburgh
£250-350
453§ HB278/37
WHITE COTTAGES
charcoal and crayon, unsigned
16cm x 20cm
Provenance:
St Andrews Fine Art
£150-250
104 Lyon & Turnbull
SIR FRANK CHARLES MEARS (1880-1953) was a Scottish based architect and planner, known for his
advocacy for a new style of town and city planning brought around by the paradigm shift
experienced by the field at the beginning of the 20th century.
Mears trained under architects Hippolyte Blanc and Robert Weir Schultz, before beginning work
with Sir Patrick Geddes, a relationship which would continue throughout Mears career.
In 1910 Mears took premises on Hannover street Edinburgh, and began practicing in his own right.
His informal partnership with Patrick Geddes led Mears to know Geddes’s daughter Norah, a
landscape architect, whom he later married.
Norah and Frank went on to collaborate on various projects, such as the Hebrew University in
Jerusalem, the Einstein Institute and the Wolfson Library, as well as several projects closer to home,
including the National monument on Calton hill and the Edinburgh National Zoological Park
Post-war, Mears’ practice became increasingly focused on town planning, being commissioned to
work on various areas of Scotland, and consulting on the planning of Dublin, Kingston and
Jerusalem.
Later in life Mears took on a more academic role, working as President of the ARSE and running a
town planning course at the Edinburgh college of art, before his death in New Zealand in 1953,
after which the practice was run by new partners Robert Naismith and H A Rendel-Govan.
454 HC701/20
SIR FRANK MEARS AND PARTNERS
(1910-2015)
‘AERO’ DESIGN FOR A LARGE CITY HOTEL
an architectural watercolour inscribed and
dated R.I.B.A. 1907, 76cm x 54cm; together
with a watercolour depicting a HOUSE AT
MILTON ROAD WEST, inscribed F.C.MEARS,
31.5cm x 46cm; two framed watercolour
elevations of bridges, FORT AUGUSTUS
BRIDGE, INVERNESS-SHIRE, inscribed F.C.
MEARS, 1933, 45cm x 60cm and
INVERMORISTON BRIDGE, INVERNESS-SHIRE,
inscribed F.C. MEARS, 1933, 44.5cm x 60cm;
and a watercolour panel of OICH BRIDGE,
inscribed MEARS & CARUS WILSON, APRIL
20TH 1930, 35.5cm x 71.5cm (5)
£200-300
455 HC701/14
SIR FRANK MEARS AND
PARTNERS (1910-2015)
ROYAL SCOTS REGIMENT
MONUMENT, PRINCES STREET
GARDENS, EDINBURGH
a FRAMED ARCHITECTURAL
WATERCOLOUR, signed and dated R.J.
NAISMITH PINX ‘50, 37cm x 84cm, :
together with an ARCHITECTURAL
WATERCOLOUR OF THE SCOTTISH
NATIONAL MEMORIAL AS A VIA
SACRE, inscribed F.C. MEARS
ARCHITECT, 1919, 69.5cm x 53cm; and
SIX PHOTOGRAPHS OF THE
MONUMENT, framed as one, 90cm
x 51cm: and a TRACE PLAN FOR A
COMMEMORATIVE STONE at the
Scottish National Memorial, 70cm
x 128cm; also SIXTEEN TECHNICAL
DRAWINGS, inscribed GEORGE D.
DUNCAN (20)
£200-300
456 HC701/7
SIR FRANK MEARS AND
VIEW OF EDINBURGH
watercolour panel, inscribed
F.C.MEARS and C.D. CARUS WILSON,
DEC. 1929, 38.5cm x 78.5cm; a
watercolour SKETCH FROM THE
CANONGATE, inscribed R. TRAQUAIR/
F.C. MEARS, 1911, 55cm x 65cm; TWO
ARCHITECTURAL WATERCOLOURS,
depicting a planned housing
development in Wester Hailes, one
signed and dated R.J. NAISMITH 1969,
63cm x 101cm; the other T.S.
JAMIESON 1969, 51cm x 91.5cm;
another unsigned WATERCOLOUR OF
WESTER HAILES, 62cm x 78cm;
together with a WATERCOLOUR
PROPOSAL BOARD depicting a
planned headquarters for the
Distilling Company Ltd, Edinburgh,
inscribed T.S. JAMIESON 1969, 51cm
x 95cm and a card storyboard (7)
£200-300
457 HC701/21
SIR FRANK MEARS AND
CLOCK TOWER AT PENICUIK
a framed architectural watercolour,
signed and dated R.J. NAISMITH, ‘56,
51cm x 26cm; a watercolour sketch of
the RECONSTRUCTION OF BAKER
STREET/ ROYAL BOROUGH OF
STIRLING, inscribed J.W. HILLS 1940,
42cm x 56.5cm; another
WATERCOLOUR, of the same scheme,
dated 1943, 45cm x 79cm; a
watercolour of THE LAUNDRY AT
WINTON HOUSE, 36.5cm x 29.5cm; a
watercolour of MAXTON COURT,
DALKEITH, inscribed R.J. NAISMITH,
MARCH 1953, 43cm x 76.5cm; and a
LARGE QUANTITY OF BLUEPRINTS,
PLANS AND DRAWINGS, pertaining to
developments in Elgin, Clydebank,
Peebles etc (qty.)
£200-300
106 Lyon & Turnbull
458 HD602/11
G. DAVY, AND OTHERS
ARCHITECTURAL PORTFOLIO, 1930s AND 40s
pencil and watercolour, comprising twenty-five
examples, including one framed, ‘A Monument
to Lord Byron’, a design for ‘Leeds General
Infirmary’, designs for schools, offices and
swimming baths (25)
£200-300
459§ HC667/3
PAMELA SCOTT (WILKIE) (b. 1937)
460§ HC938/17
GEOFFREY ROPER (b. 1942)
FOUR FOLD REVERSABLE SCREEN,
LATE 20TH CENTURY
oil on canvas, painted to each side with
female nude studies after Tamara de
Lempika and others
£2,000-3,000
‘JOURNEY’, A BOUND SEQUENCE OF 20
PRINTS, DATED 1971
each mounted on paper, signed and dated in
pencil P. SCOTT and dated 1971, limited
edition 13/45
smallest, 7cm x 38cm, largest, 27cm x 40cm
£200-300
461 HD559/37
DRESSER, CHRISTOPHER
STUDIES IN DESIGN
London: Cassell, Petter & Galpin, [1874-76].
Folio, lithographed title, & 60 lithographed
plates, all but 3 coloured, each with caption on
facing page, contemporary half calf, worn,
occasional light spotting
£700-1,000
462 HC938/81
MATET, M. M.
463 HC938/82
DESHAIRS, LÉON
INTÉRIEURS EN COULEURS. EXPOSITION DES
ARTS DÉCORATIFS. PARIS 1925.
Paris: Éditions Albert Lévy, 1926. Folio. 50
colour plates including Chareau office-library;
bedroom, living rooms and dining room,
Ruhlmann; bedroom and boudoir, etc. 33cm
x 25cm; also Modern French Decorative Art: A
Collection of Examples etc. Volumes 1 and 2,
introduction by Léon Deshairs, published
Architectural Press/Albert Levy, 1926 (3)
£300-500
464 HD161/1
THE YELLOW BOOK: AN ILLUSTRATED QUARTERLY
1894-1897
13 vols, 4to, original printed boards, illus. by Aubrey Beardsley and other
artists, published by Elkin Mathews & John Lane (13)
£200-300
465 HD161/2
JESSIE MARION KING (1875-1949) (ILLUS.)
‘THE BOOK OF BRIDGES’
published by Gowans & Gray, London and Glasgow, 1911
£100-200
TAPIS MODERNES
18 (of 40) sheets, nos 2,3,8,16, 18, 23, 24, 26,
27, 28 (2), 29 (2), 31, 36, 37, 39, and 40
containing colour stencils of Art Deco rug
designs by such artists as Boberman,
Benedictus, Marcoussis, Picasso, Lurçat,
Gontcharova, Léger and others, coloured by
Saudé after watercolours, on lettered mounts.
Folio, marked EXEMPLAIRE NO. 698, with three
other loose Art Deco designs
Sheets measure 38cm x 27.5cm
£300-500
466 HB705/1
THE STUDIO MAGAZINE
various cloth bindings, to include volumes 11;13; 19; 22; 27; 29 (2); 31
(2); 33; 36; 38; 42; 44; 46; 47; 48; 52; 55; 57 (2); 62; 73; 75; 76; 90; 92;
also International Studio Magazine, volume 83; International Studio
Magazines September 1906 and October 1913 and June 1921; a Studio
Magazine, April 1903; and a Studio Magazine publication LES
HABITATIONS VILLAGEOISES EN ANGLETERRE, by Sydney R. Jones, 1912
(33)
Note:
Sold with all faults and omissions, not subject to return
£200-300
Furniture: Part III
467 HC839/15
BARBRA STREISAND INTEREST
KRAKAUER ART DECO WALNUT VENEERED
BABY GRAND PIANO
with highly polished veneers raised on U
supports, serial no. 08085133, 144cm wide,
99cm high, 162cm deep; along with the
MATCHING PIANO STOOL (2)
Provenance:
The Collection of Barbra Streisand
Sold Christie’s, New York, Barbra Streisand
Collection, Part II, March 4, 1994, Lot 356
£3,000-5,000
468 HD543/1
MANNER OF ALVAR AALTO
PAIR OF ART DECO UPHOLSTERED EASY
CHAIRS, CIRCA 1930
each with bentwood arms curving around to
form platform supports and enclosing
upholstered back and seat (2)
£600-800
469 HC839/3
JULES LELEU (1883 –1961)
ART DECO BURR WALNUT ARMOIRE, 1930s
with three doors, enclosing a fully veneered
and fitted interior of drawers and shelves, the
angles embellished with shaped fins with
brass cappings, the whole raised on brass
capped outswept bracket feet
£1,500-2,000
470 HC839/2
MANNER OF ÉMILE-JACQUES
RUHLMANN
FRENCH ART DECO HARDWOOD AND INLAID
BUREAU, EARLY 20TH CENTURY
the sloping fall inlaid with a panel of stylised
flowers, enclosing a fitted interior with a shelf
above three short drawers, with three frieze
drawers, on ebonised supports
£2,500-3,500
110 Lyon & Turnbull
471 HC839/12
ART DECO MAHOGANY DINING
ROOM SUITE
EARLY 20TH CENTURY
comprising a SET OF SIX CHAIRS, each
with horizontally fluted backs above
drop-in seats and square tapered legs,
45cm wide, 86cm high, 43cm deep; a
DINING TABLE, with rectangular section supports,
164cm long, 76cm high, 106cm deep; a
SIDEBOARD, with rectangular marble top above
four central drawers flanked by cupboards on a
plinth; a SMALL SIDE TABLE, with single drawer,
51cm wide, 81cm high, 34cm deep; and a DISPLAY
CABINET, with marble top over a single door
enclosing shelves with a mirrored back, above two
drawers on a platform base, 93cm wide, 136cm
high, 48cm deep (10)
£2,000-3,000
472 HC839/21
PAIR OF ART DECO WALNUT
OCCASIONAL SIDE CABINETS
CIRCA 1930
each with rectangular tops above
single doors with shallow fluting
and inlaid panel and with open
shelves adjacent, the whole
supported by square uprights and
raised on a plinth (2)
£2,000-3,000
473 HC839/11
HARRY & LOU EPSTEIN, LONDON
ART DECO WALNUT COCKTAIL CABINET,
CIRCA 1930
the fluted, bow fronted centre section with
two doors, opening to reveal a mirrored and
illuminated fitted interior with drop leaf door
below enclosing a further mirrored interior
and mirrored slide out tray, flanked by two
further doors fitted with shelves, the whole
raised on a u-shaped base with scroll top
sides
£2,000-3,000
474 HD602/1
ART DECO STAINED WALNUT DINING
ROOM SUITE
CIRCA 1930
comprising a SIDEBOARD, of stepped form
with arrangement of three drawers and four
doors, 186cm wide, 99cm high, 46cm deep; s
SET OF SIX CHAIRS, each with ‘cloud’ backs,
drop-in seats and square legs linked by
stretchers, 45cm wide, 96cm high, 37cm deep;
and a DINING TABLE, with rounded
rectangular top above two corresponding
supports, 155cm long, 76cm high, 94cm wide
(8)
£500-800
112 Lyon & Turnbull
475 HD542/1
ERIK JORGENSEN, DENMARK
LEATHER UPHOLSTERED THREE PIECE LOUNGE SUITE, 1970s
comprising a three seat sofa and two matching armchairs, bears
maker’s label ERIK JORGENSEN/ 5700 SVENDBORG/ MADE IN
DENMARK (3)
sofa 184cm wide, 66cm high, 55cm deep
£800-1,200
476 HC742/5
GRETE JALK (1920–2006) FOR
C.A. FRANCE & SON
MODEL 118 TEAK FRAMED SOFA,
1960s
with upholstered back and seat
cushion, bears maker’s labels
£300-500
477 HC742/4
C.A. FRANCE & SON
PAIR OF MODEL 118 TEAK FRAMED
ARMCHAIRS, 1960s
cushion, bears maker’s labels (2)
£200-300
479 HD554/2
OLE WANSCHER (1903-1985)
FOR FRANCE & SON
TEAK ‘SENATOR’ ARMCHAIR, NO.
166, DESIGNED 1951
with red leather back and seat
cushion, bears maker’s label
£400-600
480 SV405/39
DANISH ROSEWOOD
SIDEBOARD
478 HC742/2
C.A. FRANCE & SON
MODEL 118 TEAK FRAMED
ARMCHAIR, 1960s
cushion, bears maker’s label
£100-200
MID 20TH CENTURY
with three sliding drawers on
rectangular section supports
181cm wide, 77cm high,
46cm deep
£200-300
481 SV405/47
ARNE JACOBSEN (19021971) FOR FRITZ HANSEN
MODEL 3600 DINING TABLE,
DESIGNED 1950s
the circular top with metal base
£200-300
482 HC742/1
ROBERT HERITAGE (b. 1927) FOR ARCHIE
SHINE
TEAK EXTENDING DINING TABLE, CIRCA 1950
the rectangular top with rounded angles, raised on
tapering legs with stretchers, 182cm long (closed),
244cm long (extended, 73cm high, 88cm deep; also a
SET OF EIGHT ‘AUSTINSUITE’ TEAK DINING CHAIRS, each
with slatted backs and upholstered seats, 48cm wide,
80cm high, 45cm deep (9)
£500-800
484 SV405/11
WESTNOFA, NORWAY
TWO LEATHER UPHOLSTERED ARMACHIRS
AND MATCHING OTTOMAN,
LATE 20TH CENTURY
each with bentwood frames (3)
large chair, 103cm high, small chair 84cm high
£400-600
485 HD554/1
PETER HVIDT (1916–1986) AND ORLA
MØLGAARD-NIELSEN (1907-1993) FOR
FRANCE & SONS, DENMARK
TEAK COFFEE TABLE, 1960s
the rounded rectangular top on turned
tapering legs, bears maker’s label
£150-250
483 HC742/3
ROBERT HERITAGE (b. 1927) FOR
ARCHIE SHINE
TEAK AND ROSEWOOD ‘HAMILTON’
SIDEBOARD, DESIGNED 1958
with four ribbed drawers flanked by two
cupboards to one side and raised on turned
and tapered legs
£500-800
486 HD554/3
IB KOFOD-LARSEN (1921-2003) FOR
CHRISTIAN LINNEBERG
TEAK EXTENDING DINING TABLE, CIRCA 1960
the rectangular top above a shadow gap
raised on tapered legs with rounded angles
166cm long (closed), 268cm long (extended),
72cm high, 91cm deep
£200-300
487 HD554/4
SOLA MØBELFABRIKK, NORWAY
ROSEWOOD CORNER COCKTAIL CABINET,
1960s
with two side doors, the centre section
revolving to reveal a mirrored cabinet
£250-400
488 SV405/25
HARRY BERTOIA (1915-1978)
SET OF SIX DINING CHAIRS, DESIGNED 1952
each with white coated metal in a lattice
construction, four with black vinyl seat pads
(6)
£100-150
489 HD37/1
HARRY BERTOIA (1915-1978)
PAIR OF ‘DIAMOND’ CHAIRS, DESIGNED 1958
each with chrome plated lattice construction,
with white vinyl upholstered covers (2)
£200-300
114 Lyon & Turnbull
490 HC956/1
CHARLES EAMES (1907-1978) AND RAY
EAMES (1912-1988)
670 LOUNGE CHAIR, DESIGNED 1956
aluminium and rosewood with white leather
upholstery, bears maker’s label
79cm x 85cm x 53cm
£300-400
491 HC953/1
WARREN PLATNER (1919-2006) FOR
KNOLL
PAIR OF ARMCHAIRS, DESIGNED 1966
cream leather upholstery and chrome-plated
steel (2)
71cm x 74cm x 48cm
£500-700
492 HD42/1
EERO SAARINEN (1910-1961) FOR
KNOLL STUDIO
PAIR OF ‘TULIP’ SIDE TABLES, DESIGNED 1956
each with veined marble circular tops of
tapered stems with spreading bases, bears
maker’s marks (2)
£400-600
493 SV405/12
CHROME AND LEATHER-UPHOLSTERED ARMCHAIR
1970s
with slung leather seat and back, and leather covered
curved arms on a tubular chromed frame
69cm x 70cm x 50cm
£100-200
Furniture from The Paramount Bar
116 Lyon & Turnbull
Opened in 2008 the Paramount bar, restaurant and club, was
situated on three floors at the top floor of Centre Point, the
iconic and controversial London skyscraper at the end of
Oxford Street in London. The club interiors, a blend 60s retro
and futurism, are articulated through the use of hard-edged
materials like concrete, stone and steel, and were designed by
Design Research Studio with renowned Industrial designer Tom
Dixon as the Creative Director. Bespoke furniture alongside
vintage pieces were chosen to reflect the modernism of the
building, designed by R. Seifert and Partners between 1961 and
1966. Originally Centre Point was built as speculative office
space, however the 398-foot tower stood empty from its
completion until 1975.
Dixon commented that the project was “a dream job...a
building so iconic and so mysterious that has been argued and
discussed and reviled and now celebrated and we get an
494§ HD547/9
TOM DIXON (b. 1959)
ZINC BAR FRONT, CONTEMPORARY
comprised of ten faceted panels
each panel 102cm long, 99cm high
Note:
Exclusive commission for the Paramount Bar, Centre Point, London, 2008
£400-600
opportunity to design a space that all Londoners know, but
almost none have visited.”
Visitors to the bar and restaurant were greeted on the ground
floor with its original 1960s monochrome terrazzo flooring and
a Barbara Hepworth inspired copper reception desk designed
for the space. Guests were then whisked up to the 31st floor
events space, with its 10 meter-long zinc bar facing the west
side (and, of course, London sunsets). One level up, on the
32nd floor, was the main hub of the members’ club, featuring
a bespoke Tom Dixon copper bar, dining and lounging areas,
separated by a sculptural steel screen. The Viewing Gallery on
the 33rd floor is the summit of the building was the members’
Champagne and Cocktail Bar, which curled around the
circumference, the floor to ceiling glazing offering a
remarkable 360 degree view of the city below.
495§ HD547/8
TOM DIXON (b. 1959)
497§ HD547/8B
TOM DIXON (b. 1959)
496§ HD547/8C
TOM DIXON (b. 1959)
498§ HD547/8A
TOM DIXON (b. 1959)
NINE TUNNEL DOWNLIGHTS,
CONTEMPORARY
brushed aluminium, with pink coloured
interiors (9)
£200-300
CONTEMPORARY
interiors (9)
£200-300
499§ HD547/3
TOM DIXON (b. 1959)
COPPER HOSTESS PODIUM, CONTEMPORARY
faceted rectangular outline
Note:
Exclusive commission for the Paramount Bar, Centre
Point, London, 2008
£300-500
CONTEMPORARY
interiors (9)
£200-300
CONTEMPORARY
interiors (9)
£200-300
118 Lyon & Turnbull
500§ HD547/7
TOM DIXON (b. 1959)
STEEL ROOM DIVIDER,
CONTEMPORARY
comprised of shaped and
patinated vertical panels, joined
with brass bolts
196cm high, approx.1227cm long
Note:
Exclusive commission for the
Paramount Bar, Centre Point, London,
2008
£1,000-1,500
501§ HD547/2
TOM DIXON (b. 1959)
COPPER RECEPTION BAR, CONTEMPORARY
with bowed front, enclosing fitted interior
Note:
Exclusive commission for the Paramount Bar, Centre
Point, London, 2008
£1,000-1,500
502 HD547/6
CHARLES EAMES (1907-1978) AND
EERO SAARINEN (1910-1961) FOR
VITRA
FOUR ‘ORGANIC’ ARMCHAIRS, DESIGNED
1940
each with laminated seat shell and
polyurethane upholstery raised on ash legs,
stained black (4)
£400-600
503 HD547/4
VERNER PANTON (1926-1998)
FOR VITRA
FOUR ‘CONE’ CHAIRS, DESIGNED
1958
wool upholstered covers, on a steel
frame (4)
each 59cm wide, 81cm high,
47cm deep
£400-600
504 HD547/4A
FOR VITRA
1958
wool upholstered covers, on a steel
frame (4)
47cm deep
£400-600
505 HD547/4B
FOR VITRA
1958
wool upholstered covers, on a
steel frame (4)
47cm deep
£400-600
506 HD547/4C
FOR VITRA
1958
steel frame (4)
47cm deep
£400-600
507 HD547/4D
FOR VITRA
THREE ‘CONE’ CHAIRS, DESIGNED
1958
steel frame (3)
47cm deep
£300-500
Other Properties
508 HD97/1
DAVID LINLEY FURNITURE
‘ASTON’ LEATHER ARMCHAIR AND
MATCHING FOOTSTOOL
cream leather with a walnut frame (2)
chair, 98cm wide, 69cm high, 70cm deep;
stool 54 x 36cm
£600-800
509 SV405/38
MART STAM (1899-1986)
SET OF SIX MODERN LEATHER AND
CHROME CANTILEVER ARMCHAIRS,
DESIGNED 1926
each with full leather back and seat (6)
£200-300
510 HD547/1
PLYWOOD AND STEEL DINING TABLE
511 SV405/10
DE SEDE, SWITZERLAND
THREE PIECE LEATHER UPHOLSTERED
LOUNGE SUITE, LATE 20TH CENTURY
comprising a sofa and two armchairs, bears
maker’s label ORIGINAL DESIGN OF DE SEDE/
MADE IN SWITZERLAND (3)
sofa, 173cm wide, 71cm wide, 55cm deep
£300-500
CONTEMPORARY
made from airplane wings
£400-600
512 SV405/38A
ARNE JACOBSEN (1902-1971) FOR
FRITZ HANSEN
D438 SHAKER BASE TABLE, DESIGNED
1968
with rectangular rosewood top raised on
a metal base, the rectangular top raised
on rectangular section supports linked
by a stretcher
£200-300
513 HD541/1
SET OF EIGHT DANISH TEAK
DINING CHAIRS
MID 20TH CENTURY
each with broad top rails above cord
seats on turned legs, 53cm wide,
79cm high, 44cm deep; and a SET OF
FOUR DANISH TEAK AND MAHOGANY
DINING CHAIRS, each with cord seats,
47.5cm wide, 73.5cm high, 43.5cm
deep (12)
£300-500
514 HD602/2
ROBERT MATTHEW
SLATE AND STEEL WORK TABLE, CIRCA 1965
the rectangular top raised on a steel frame with
slatted wood undertier
Provenance:
Sir Robert Matthew and by family descent
Note:
Stuart Russell Matthew and his brother Robert Matthew
began Keith Ingram furniture in Rose Street, Edinburgh in
1963, with Stuart designing the shop and Robert the
prototype furniture, of which the present lot is an example.
£300-500
515 HD39/1
PAIR OF CONTEMPORARY CHROME
AND LEATHER UPHOLSTERED EASY
CHAIRS
LATE 20TH CENTURY
each with curved arm supports enclosing a
leather slung seat and back (2)
£300-500
516 SV405/17
MERROW ASSOCIATES
ROSEWOOD AND CHROME COFFEE TABLE,
1970s
the rectangular glass top on chrome supports
linked by a rosewood platform
£100-150
517 SV405/23
BANG & OLUFSEN, DENMARK
GROUP OF AUDIO-VISUAL EQUIPMENT
to include; a stereo system, with CD and tape
player, a Beolab amp, a Beomaster tuner, a
Beogram deck, Wharfedale loudspeakers and
a Bang & Olufsen TV
£250-350
518-550
No lots
Index
Ainsley, S., 758
Armour, M., 592
Armour, W., 606
Asprey, M., 220
Bale, C.T., 745
Balmer, B., 686
Barns-Graham, W., 691
Barrie, M., 611, 613
Beaton, R., 675
Beechey, Sir W., manner of, 659
Bell, R.A., 151, 181
Bénouville, J.A., 216
Birnie, W., 605
Bone, Sir M., 583, 748
Bough, S., 728
Boyce, G.P., 171
Briscoe, A., 626
British School, 145, 146, 147,
583A, 652, 655
Brockhurst, G.L., 577
Brown, W.B., 558, 639, 752
Brown, W.M., 716
Bulleid, G.L., 221
Burne-Jones, E.C., 149
Burns, A.S., 756
Buyko, B., 744
Cameron, K., 629
Cameron, Sir D.Y., 586, 624, 722,
727
Carmichael, R., 609
Cockerell, S.P., 174
Coia, E., 736
Colquhoun, R., 733
Condon, H. & C., 447
Continental School, 563, 566, 623
Convery, F., 759
Copely, J., 584
Coventry, R.M., 715
Cranstoun, J.H., 637
D'Aquilar, M., 737
Davies, D., 679
Davies, G.L., 603
Docharty, A.B., 591, 632
Dou, G., manner of, 709
Douthwaite, P., 681, 682
Dowell, F.G., 179
Downie, P., 638, 700
Doyle, C.A., 437, 438, 439
Dunkley, K., 677
Dunlop, R.O., 224
Dutch School, 725
Eadie, R., 708, 751
Edwards, G.H., 169
English School, 642, 643, 718
European School, 654
Faed, J. Jnr., 559
Faed, T., 640
Farquharson, J., 702
Ferguson, D., 688
Firth, J., 734
Fraser, A., 555
Fraser, R.M., 217
Fraser, V., 598
Frazer, W.M., 571, 572, 705
French School, 753
Fulton, D., 569, 595
Gaskin, A.J., 172
Giles, J., 750
Giordano, F., 553
Goldberg, H., 690
Gordon, H.M., 674
Hale, E.M., follower of, 168
Hale, R.M., 175
Halliday, I., 615, 712, 743
Hallward, R.F., 170, 176
Harrigsn, E., 684
Hawkins, J., 760
Henderson, J., 560
Henderson, K., 448, 449
Hermes, G., 671
Hope, R., 757
Houston, G., 755
Houston, J., 604
How, B., 729
Howson, P., 673
Hunter, G.L., 672
Hutchison, R.G., 556, 557, 639,
645, 646, 663, 666, 710
Jervas, C., circle of, 661
John, A., 622
Johnstone, D., 707
Kay, A., 631
Kay, J., 697, 717
Keppie, J., 450
Kerr, H.W., 664
Knight, Dame L., 628
Knox, J., 683
Labouchere, N., 667
Lamond, W.B., 636
Leggett, A., 649
Leighton, Lord F., 225
Linton, J.D., 215
Linton, Sir J.R., 154
Little, J., 730
Little, R., 668
Luny, T., 633
Luny, T., attributed to, 641
Lyon, T.B., 711
Macdonald, A., 719
Macdougall, N.M., 593
Mackenzie, J.H., 695
Mackie, C.H., 742
Macleay, K., 706
Maclise, D., follower of, 669
Macmaster, J., 565
Mactaggart, Sir W., 625
Manifold, D., 689
Mark, B., 607
Martineau, E., 218
Mason, F., 699, 701
Mastin, I., 685
Maxwell, D., 551
Maze, P., 749
McClure, D., 610, 692
McCulloch, H., attributed to, 562
McGregor, R., 554, 589
McNiven, P., 680
Michie, J.C., 561
Miller, H.V., 676
Mitchell, J.C., 567
Moore, A.A., 602
Morgan, F., 223
Morley, H., 720
Morris, J.W., 650
Morrocco, A., 693
Moynihan, R., 148
Munro, A.G., 670
Sanderson, R., 647
Sandys, E., 155
Sansalvadore, P., 735
Schell, L., 634
Schutz, J.F., 601
Scott, T., 724
Scottish School, 568, 608, 657,
662, 665, 738
Shayer, W., 648
Simpson, J., 579
Sleigh, B., 177
Solomon, S., 226, 227, 228
Southall, J.E., 214
Spare, O.S., 156, 157
Stanley-Creek, B., 158
Steelink, W., 713
Steer, P.W., 152
Stevenson, R.M., 714
Strang, W., 580, 581, 585
Strudwick, J.M., 222
Sturrock, A.R. 703, 754
Nicholls, G.F., 696
Nicholson, W., 617, 618, 621
Noble, J.C., 590
Norwich School, 644
van Bijlert, J., manner of, 656
van Couver, J., 564
van Somer, P., manner of, 658
Varley, J., 635
Orr, J., 599, 600
Wain, L.W., 442-445
Walcott, W., 582, 587, 588
Watt, E.M., 440
Watt, J., 739
Watts, G.F., follower of, 219
Weir, J.A., 694
Werner, C., 747
Wither, K., 614, 616
Wood, F.W., 723
Wylie, K., 574
Park, S., 575, 687, 746
Paterson, V.M., 732
Patten, A.F., 573
Payne, H.A., 180
Peters, M.W., after, 660
Petrie, W.M., 441
Plowright, R., 446
Taylor, E.A., 451, 452, 453
Taylor, E.R., 173
Thomson, A.B., 721
Thomson, A.W., 740
Tod, M., 731, 741
Todd, J.R., 726
Turner, H., 597, 678
Quennell, M., 150
Reid, Sir G., 653
Richardson, E., 552
Roberts, C.E., 693A
Robertson, J.D., 612
Robertson, R.C., 594
Rooke, T.M., 153
Rothenstein, Sir W., 630
Roworth, E., 596
Russell, J.B., 651
Russell, T., 627
Rymer, W.A., 178
Young, A., 704
Young, R.C., 698
Zorn, A., 576, 578, 620
186 Lyon & Turnbull
Glossary of Cataloguing Terms
The following expressions with their accompanying explanations are used by Lyon & Turnbull
as standard cataloguing practice. Our use of these expressions does not take account of the
condition of the lot or the extent of any restoration.
Buyers are recommended to inspect the property themselves. Written condition reports are
usually available on request.
Name(s) or Recognised Designation of an Artist without
any Qualification
In our opinion a work by the artist
Attributed to...
In our opinion probably a work by the artist in whole or in part.
Studio of ... / Workshop of ...
In our opinion a work executed in the studio or workshop of
the artist, possible under his supervision
Circle of ...
In our opinion a work of the period of the artist and showing
his influence.
Follower of ...
In our opinion a work executed in the artist’s style but not
necessarily by a pupil.
Manner of ...
In our opinion a work executed in the artist’s style but of a
later date
After ...
In our opinion a copy (of any date) of a work of the artist.
Signed ... /
Dated ... /
Inscribed ... /
In our opinion the work has been signed/dated/inscribed by
the artist.
Bears
Signature ... /
Date ... /
Inscription ... /
In our opinion the signature/date/inscription appears to be by
a hand other than that of the artist.
Dimensions are given height before width.
Scottish Paintings & Sculpture
Thursday, 10th December, 2015
GEORGE JAMESONE
(SCOTTISH c. 1589-1644)
HEAD AND SHOULDER
PORTRAIT OF MALCOLM III OF
SCOTLAND
Inscribed twice 'Milcolumbus
Canmore Anno 1057,' and
numbered no.80' oil on canvas
£20,000-30,000
Enquiries
Nick Curnow +44 (0)131 557 8844
nick.curnow@lyonandturnbull.com
33 Broughton Place, Edinburgh EH1 3RR l +44 (0)131 557 8844 l www.lyonandturnbull.com
Conditions of Sale
SELLERS
1. DEFINITIONS
In these Conditions of Sale (Sellers):
“Auctioneer” means Lyon & Turnbull Ltd or its
authorised auctioneer, as appropriate;
“Buyer“ is the person who makes the highest possible
bid or offer accepted by the auctioneer, and/or such
person’s principal where bidding as agent;
“Buyer‘s Premium” is the commission payable by the
Buyer on the Hammer Price at the rates set out in the
Sale Catalogue Guide to Prospective Buyers and an
amount in respect of applicable VAT;
“Hammer Price” is the highest bid accepted by the
auctioneer by the fall of the hammer or in the case of a
post-auction sale, the agreed sale price;
“Item” means each and every item consigned for sale
following express written agreement between Lyon &
Turnbull and the Seller;
“Lot“ means each Item offered for sale by Lyon &
Turnbull;
“Lower Estimate” means the low estimate provided by
Lyon & Turnbull to the Seller in relation to each Item, or
in relation to any Item which Lyon & Turnbull holds on
behalf of the Seller;
“Lyon & Turnbull” means the company which has its
registered office at 33 Broughton Place, Edinburgh, EHI
3RR registered in Scotland No. 191166
“Net Sale Proceeds” are the Hammer Price, less
commissions and other charges, of the Lot sold, to the
extent received by Lyon & Turnbull in cleared funds;
“Proposed Sale” means the intended sale through which
the items will be sold on
“Purchase Price” is the Hammer Price and applicable
Buyer‘s Premium;
“Reserve” means the lowest price below which an item
cannot be sold;
“Upper Estimate” means the high estimate provided by
Lyon & Turnbull to the Seller in relation to each Item, or
in relation to any Item which Lyon & Turnbull holds on
behalf of the Seller;
“Terms of consignment” means the stipulated terms and
rates of commission on which the Auctioneer accepts
instructions from Sellers or their agents;
“You”, “Your” means the seller
“Us”, “Our”, “We” etc refers to Lyon & Turnbull Ltd
The singular includes the plural and vice versa as
appropriate.
2. WARRANTY OF TITLE AND AVAILABILITY
The Seller warrants:(a) that you are the true owner of the property
consigned or are properly authorised by the true owner
to consign it for sale and are able to transfer good and
marketable title to the property free from any third party
claims.
(b) that all requirements have been complied with, legal
or otherwise, relating to any export or import of the
property consigned, all duties and taxes in respect of
the export or import of the lot have (unless agreed in
writing with us) been paid and, so far as you and any
principal for whom they are acting in relation to the lot
are aware, all third parties have complied with such
requirements in the past.
(c) that you have provided Lyon & Turnbull with any
and all information concerning the item’s provenance
or any concerns expressed by third parties concerning
its ownership, condition, authenticity, attribution, and
export or import history; and
(d) Unless the Seller advises Lyon & Turnbull in writing
to the contrary on delivery of the item to Lyon &
Turnbull, there are no restrictions on Lyon & Turnbull
rights to reproduce photographs or other images of the
item in connection with the sale or any other marketing
which will be done in accordance with good taste and
decency.
3. PREPARATION FOR SALE
(a) Lyon & Turnbull shall decide the way in which a lot
may be included in the sale, how any lot is described
and illustrated in the catalogue or any report, and the
marketing, promotion, date, place and conduct of the
sale.
(b) Lyon & Turnbull will instruct, consult with, and rely
on, any outside experts or restorers, agents or other
third parties, and carry out such other due diligence,
inquiries, research or tests in relation to the property
or its provenance, either before the Proposed Sale as it
may deem appropriate in its reasonable discretion.
the period identified in paragraphs (a) above, Lyon &
Turnbull’s liability to compensate the Seller in respect of
that loss shall be restricted to a maximum of the upper
estimate, or actual loss incurred, whichever is lower.
This compensation will be subject to a deduction of a
1.5% loss & warranty fee (subject to VAT).
(c) Any oral or written estimate or evaluation or report
provided by Lyon & Turnbull is a genuinely held
opinion only. It may not be relied on as a prediction of
the selling price or value of the Item, and may in Lyon &
Turnbull’s absolute discretion be revised from time to
time.
8. UNSOLD ITEMS
(d) The Seller acknowledges that attribution of Items is a
matter of opinion and not of fact, and is dependent
upon (amongst other things) information provided by
the Seller, the condition of the property, the degree of
research, examination or testing that is possible or
practical in the circumstances, and the status of
generally accepted expert opinion at the time of
cataloguing
4. TERMS OF SALE
(1) If an item is unsold it may, with your consent, be reoffered at a future sale. Where in our opinion an item is
not suitable for a future sale we may either request (a)
you collect such items from the saleroom promptly on
being so informed. We shall be entitled to charge you
for storage costs, charges shall be made at a reasonable
daily rate;or (b) suggest that the item be transferred to a
secondary saleroom for sale without reserve. All
transferred lots will be sold for the best price on the
day, this may not bear any reflection on the item’s
original estimate. Lyon & Turnbull are not liable for any
items (whether it be selling price or loss & damage)
when transferred.
The Seller acknowledges that lots are sold subject to
these Conditions and on the Terms of Consignment as
notified to the consignor at the time of the entry of the
lot.
(2) Aftersales: We reserve the right to accept an afterauction offer on a lot on behalf of the seller, at the
agreed reserve price or above, for up to 48 hours after
the original auction. In which case the same charges will
be payable as if such lots had been sold at auction and
so far as appropriate these Conditions apply.
5. STANDARD SELLER FEES AND CHARGES
(Subject to VAT)
9. LOT WITHDRAWAL
(1) Commission: 15% is charged on the selling price of
each lot, (subject to a minimum charge of £30). Loss and
damage warranty: 1.5% on value of lots sold.
Photography: min charge £30. Online Listing: £10 per
lot.
(2) Transport: Items for sale must be consigned to the
sale room by any stated deadline and at your expense.
We may be able to assist you with this process. When
organised on the Seller’s behalf the provision of
transport will be contracted to third parties. Fees for
transport will be deducted at the initial settlement.
(3) Illustrations: The cost of any illustrations will be
borne by the Seller , unless agreed otherwise prior. The
copyright in respect of such illustrations shall be the
property of us, the auctioneers, as is the text of the
catalogue.
6. RESERVES
(a) You are entitled to place, prior to the auction, a
reserve on any lot consigned, being the minimum
hammer price at which that lot may be sold. Reserves
must be reasonable and we may decline to offer goods
which in our opinion would be subject to an
unreasonably high reserve.
(b) Firm reserves may be no greater than lower pre-sale
estimate level.
(c) A reserve once set cannot be changed except with
our agreement.
(d) You may not bid or instruct or permit any other
person to bid on your behalf on your own property. If
the Seller breaches this prohibition, Lyon & Turnbull
may treat the Seller as bound as Seller and as Buyer
but without the benefit of Lyon & Turnbull
Authenticity Guarantee or the reserve, and/or pursue
other remedies.
(e) We may sell lots below the reserve provided we
account to you for the same sale proceeds as you would
have received had the reserve been the hammer price.
7. LOSS & DAMAGE WARRANTY
(a) Subject to condition 7(c) below Lyon & Turnbull will
assume liability for loss or damage to an item,
commencing at the time that item is taken into physical
control and possession by Lyon & Turnbull and ceasing
on the earliest date of;
(i) when risk passes to the Buyer of the lot following its
sale;
(ii) for unsold lots, when the lot is released to the Seller,
or, within 3 months of the sale;or
(iii) 6 months from the date of delivery to Lyon &
Turnbull for items still in the possession of Lyon &
Turnbull but not consigned for sale (unless part of a
long-term storage agreement).
(b) Lyon & Turnbull shall charge a loss and damage
warranty fee of 1.5% of the hammer price, plus VAT.
(c) If any loss or damage should occur to the lot during
If a Seller wishes to withdraw a lot organised for sale, a
withdrawal fee will apply;
(a) if withdrawn over 28 working days prior to the sale,
this will be charged at 10% of the mid estimate along
with any ancillary charges incurred (such as
photography), all subject to VAT at the current rate.
(b) if withdrawn within 28 working days of the sale, this
will be charged at 20% of the mid estimate along with
any ancillary charges incurred (such as photography), all
subject to VAT at the current rate.
(c) Lyon & Turnbull may withdraw a lot from the
proposed sale without any liability if:
(i) Lyon & Turnbull reasonably believes that there is any
doubt as to the lot‘s authenticity or attribution; or
(ii) it reasonably doubts the accuracy of any of the
Seller’s warranties; or
(iii) the Seller breaches any provisions of the Conditions
of Sale in any material respect; or
(iv) the lot suffers from loss or damage so that it is not in
the state in which it was when Lyon & Turnbull took
delivery of it.
(d) if an item is withdrawn from sale under Condition
9(c) (i), or (iv), the Seller shall not be charged a
withdrawal fee and the item shall be returned to the
Seller or dealt with pursuant to Clause 8, as the Seller
decides.
10. AUTHORITY TO DEDUCT COMMISSION AND
EXPENSES AND RETAIN PREMIUM AND INTEREST.
The Seller authorises us to deduct commission at the
stated rate, and all expenses incurred for your account
from the hammer price, and consents to our right to
retain beneficially the premium paid by the Buyer in
accordance with these Conditions of Sale and any
interest earned on the sale proceeds until the date of
settlement.
11. NON-PAYMENT BY THE BUYER
(a) Lyon & Turnbull will, where it considers appropriate,
take reasonable steps to investigate the ability of
bidders to pay for lots and will use reasonable
endeavours, in consultation with the Seller, to enforce
payment of the Hammer Price by any Buyer.
(b) Lyon & Turnbull, in consultation with the Seller, will
decide whether to pursue any of the remedies available
to it, including those set out in Condition 10 of the
Condition of Sale (Buyers) including the right to cancel the
sale and return the property to the Seller. Lyon &
Turnbull will inform the Seller of any action which it
contemplates taking against the Buyer.
(c) lf the Seller elects to take action against any Buyer on
its own behalf Lyon & Turnbull will provide the Seller
with such assistance as may be reasonably necessary to
pursue that action.
(d) The Seller hereby agrees to inform Lyon & Turnbull
of any action which it chooses to take against the Buyer
to enforce payment of the amount due to the Seller.
(e) In the event that a Buyer fails to pay for a lot in
accordance with the Conditions of Sale for Buyers, that
lot will be treated in the same way as an unsold or
collected lot.
12. SETTLEMENT PAYMENTS
Subject to full payment by the Buyer, payment of the net
proceeds of sale due to you will be made over to you 28
working days following a sale. Provided we have received
cleared funds. Payment will be made by cheque or
BACS (if requested).
required by law by reason of our negligence) or similarly
for the safety of the property of persons visiting prior to
or at a sale.
The Auctioneer normally acts as agent only and
disclaims any responsibility for default by Sellers or
Buyers.
15. GENERAL
17. DATA PROTECTION
(a) We shall have the right at our discretion, to refuse
admission to our premises or attendance at our
auctions by any person.
In connection with the management and operation of
our business and the marketing and supply of Lyon &
Turnbull’s services, or as required by law, we may ask
the Seller to provide personal information about
themselves or obtain information about the Seller from
third parties (e.g. credit information). Lyon & Turnbull
will not give out personal information except as may be
required by law.
(b) Any notice to any Buyer, Seller, bidder or viewer may
be given by email, or if not available then first class mail,
in which case it shall be deemed to have been received
by the addressee 48 hours after posting.
(a) The same Conditions of Sale (Sellers) shall apply to
sales by private treaty.
(c) Notices to Lyon & Turnbull should be in writing and
addressed to Nick Curnow at 33 Broughton Place,
Edinburgh EH1 3RR, quoting the reference number
specified at the beginning of the sale catalogue.
(b) Private treaty sales made under these Conditions are
deemed to be sales by auction and subject to our
agreed charges for Sellers and Buyers.
(d) Should any provision of these Conditions of Sale be
held unenforceable for any reason, the remaining
provisions shall remain in full force and effect.
(c) Lyon & Turnbull undertakes to inform the Seller of
any offers it receives in relation to an item prior to any
Proposed Sale, excluding the normal method of
commission bids.
(e) These Conditions of Sale are not assignable by either
party without the other’s prior written consent, but are
binding on the seller’s successor and representatives.
No act, omission or delay by Lyon & Turnbull shall be
deemed a waiver or release of any of its rights.
13. SALE BY PRIVATE TREATY
(d) For the purposes of a private treaty sale, if a lot is
sold in any other currency than Sterling, the exchange
rate is to be taken on the date of sale.
(f) The contract between the parties may be varied by
the parties by agreement and in writing.
14. THIRD PARTY LIABILITY
16. AGENCY
All members of the public on our premises are there at
their own risk and must note the lay-out of the
accommodation and security arrangements. Accordingly
neither the auctioneer nor our employees or agents
shall incur liability for death or personal injury (except as
Lyon & Turnbull acts as agent solely for and in the
interests of the Seller. We do not act for Buyers in this
role and does not give advice to Buyers. When Lyon &
Turnbull make a statement about a lot it is doing so on
behalf of the Seller of the lot. If you would like further information on Lyon & Turnbull
policies on personal data, or to make corrections to
your information, please contact us on +44 (0)131 557
8844.
18. LAW AND JURISDICTION
(a) Governing Law: These Conditions of Sale and all
aspects of all matters, transactions or disputes to which
they relate or apply shall be governed by, and
interpreted in accordance with, Scots law
(b) Jurisdiction: The Seller agrees that the Courts of
Scotland are to have exclusive jurisdiction to settle all
disputes arising in connection with all aspects of all
matters or transactions to which these Conditions of
Sale relate or apply.
BUYERS
The Auctioneer carries on business with bidders, Buyers
and all those present in the auction room prior to, or in
connection with, a sale on the following General
Conditions and on such other terms, conditions and
notices as may be referred to herein..
1. DEFINITIONS
In these Conditions of Sale (Buyers):
"Auctioneer" means Lyon & Turnbull Ltd or its
authorised auctioneer, as appropriate;
"Hammer price" means the level of bidding reached (at
or above any reserve) when the Auctioneer brings down
the hammer;
"Lot" means each Item offered for sale by Lyon &
Turnbull;
"Purchase Price" is the Hammer Price and applicable
Buyer's Premium;
"Reserve" means the lowest price below which an item
cannot be sold;
"Total amount due" means the hammer price in respect
of the lot sold together with any premium, Value Added
Tax or other taxes chargeable and any additional
charges payable by a defaulting Buyer under these
Conditions;
“You”, “Your” means the Buyer
“Us”, “Our”, “We” etc. refers to Lyon & Turnbull Ltd
The singular includes the plural and vice versa as
appropriate.
2. AGENCY
Lyon & Turnbull acts as agent solely for and in the
interests of the Seller. We do not act for Buyers in this
role and does not give advice to Buyers. When Lyon &
Turnbull make a statement about a lot it is doing so on
behalf of the Seller of the lot.
The Auctioneer normally acts as agent only and
disclaims any responsibility for default by Sellers or
Buyers.
3. BIDDING PROCEDURES AND THE BUYER
(a) Bidders are required to register their particulars
before bidding and to satisfy any security and credit
references or arrangements before entering the auction
room to view or bid;
(b) The maker of the highest bid accepted by the
Auctioneer conducting the sale shall be the Buyer and
any dispute shall be settled at the Auctioneer's absolute
discretion.
(c) Once made, no bid may be withdrawn.
(d) Our right to bid on behalf of Sellers is expressly
reserved up to the amount of any reserve.
(e) The right to refuse any bid is also reserved.
(f) Commission Bids: While prospective Buyers are
strongly advised to attend the auction and are always
responsible for any decision to bid for a particular lot
and shall be assumed to have carefully inspected and
satisfied themselves as to its condition we shall, if so
instructed, clearly and in writing execute bids on their
behalf. Neither the Auctioneer nor our employees nor
agents shall be responsible for any failure to do so.
Where two or more commission bids at the same level
are recorded we reserve the right in our absolute
discretion to prefer the first bid so made.
(g) Telephone Bids: If a prospective Buyer makes
arrangements with us prior to the commencement of
the sale we will use reasonable efforts to contact them
to enable them to participate in bidding by telephone.
We do not accept liability for failure to do so or for
errors and omissions in connections.
(h) Online Bidding: We will use reasonable efforts to
carry out online bids and do not accept liability for
equipment failure, inability to access the internet or
software malfunctions related to execution of online
bids/ live bidding.
4. INCREMENTS
Bidding increments shall be at the Auctioneer's sole
discretion.
5. THE PURCHASE PRICE
For each lot purchased a Buyer's Premium of 25% is
payable on the first £50,000 of the hammer price, 20%
thereafter. VAT at the appropriate rate is charged on the
Buyer's Premium. No VAT is payable on the hammer
price or premium for printed books or unframed maps
bought at auction.
Live online bidding is subject to an additional 3%
premium (charged by the live bidding service provider
Invaluable). This additional premium is subject to VAT at
the appropriate rate as above.
6. VALUE ADDED TAX
Value Added Tax is charged at the appropriate rate
prevailing by law at the date of sale and is payable by
Buyers of relevant lots.
(1) Lots affixed with (†): Value Added Tax on the
hammer price is imposed by law on all items affixed with
a dagger (†). This imposition of VAT maybe because the
Seller is registered for VAT within the European Union
and is not operating under a Margin Scheme.
(2) Lots affixed with (*): A reduced rate of Value Added
Tax on the hammer price of 5% is payable. This
indicates that a lot has been imported from outwith the
European Union. This reduced rate is applicable to
Antique items.
(3) Lots affixed with [Ω]: Standard rate of Value Added
Tax on the hammer price and premium is payable. This
applies to items that have been imported from outwith
the European Union and do not fall within the reduced
rate category outlined above.
7. DROIT de SUITE
This symbol § indicates works which may be subject to
the Droit de Suite or Artist's Resale Right, which took
effect in the United Kingdom on 14th February 2006.
We are required to collect a royalty payment for all
qualifying works of art. Under new legislation which
came into effect on 1st January 2012 this applies to
living artists and artists who have died in the last 70
years. This royalty will be charged to the Buyer on the
hammer price and in addition to the Buyer’s premium. It
will not apply to works where the hammer price is less
than €1,000 (euros). The charge for works of art sold at
and above €1,000 (euros) and below €50,000 (euros) is
4%. For items selling above €50,000 (euros), charges are
calculated on a sliding scale. All royalty charges are paid
to the Design and Artists Copyright Society (‘DACS’) and
no handling costs or additional fees are retained by the
auctioneer. Resale royalties are not subject to VAT.
Please note that the royalty payment is calculated on
the rate of exchange at the European Central Bank on
the date of the sale. More information on Droit de Suite
is available at www.dacs.org.uk.
8. PAYMENT
(1) Within 7 days of a lot being sold you will:
(a) Pay to us the total amount due in cash or by such
other method as is agreed by us. We accept cash, bank
transfer (details on request), debit cards and Visa or
MasterCard credit cards. We do not accept American
Express.
(b) Please note there is a surcharge of 2% when using
credit cards.
(c) Please note that under The Money Laundering
Regulations 2007 we cannot accept cash payments over
€15,000 (euros).
(2) Any payments by you to us may be applied by us
towards any sums owing by you to us howsoever
incurred and without agreement by you or your agent,
whether express or implied..
9. TITLE AND COLLECTION OF PURCHASES
(1) The ownership of any lots purchased shall not pass
to you until you have made payment in full to us of the
total amount due.
(2) You shall at your own risk and expense take away any
lots that you have purchased and paid for not later than
7 working days following the day of the auction or upon
the clearance of any cheque used for payment
whichever is later. We can provide you with a list of
shippers. However, we will not be responsible for the
acts or omissions of carriers or packers whether or not
recommended by us.
(3) No purchase can be claimed or removed until it has
been paid for.
(4) It is the Buyer’s responsibility to ascertain collection
procedures, particularly if the sale is not being held at
our main sale room and the potential storage charges
for lots not collected by the appropriate time.
(5) Export of goods: Buyers intending to export goods
should ascertain (a) whether an export licence is
required and (b) whether there is any specific
prohibition on importing goods of that character, e.g.
items that may contain prohibited materials such as
ivory or rhino horn. It is the buyer’s sole responsibility
to obtain any relevant export or import licence. The
denial of any licence or any delay in obtaining licences
shall neither justify the recession of any sale not any
delay in making full payment for the lot.
10. REMEDIES FOR NON·PAYMENT OR FAILURE TO
COLLECT PURCHASES
(1) If any lot is not paid for in full and taken away in
accordance with these Conditions or if there is any
other breach of these Conditions, we, as agent for the
Sellers and on their behalf, shall at our absolute
discretion and without prejudice to any other rights we
may have, be entitled to exercise one or more of the
following rights and remedies:
(a) to proceed against you for damages for breach of
contract;
(b) to rescind the contract for sale of that lot and/or any
other lots sold by us to you;
(c) to resell the lot (by auction or private treaty) in which
case you shall be responsible for any resulting deficiency
in the total amount due (after crediting any part
payment and adding any resale costs).
(d) to remove, store and insure the lot in the case of
storage, either at our premises or elsewhere and to
recover from you all costs incurred in respect thereof;
(e) to charge interest at a rate not exceeding 1.5% per
month above the current base rate on all sums
outstanding for more than 7 working days after the sale;
(f) to retain that or any other lot sold to you until you
pay the total amount due;
(g) to reject or ignore bids from you or your agent at
future auctions or to impose conditions before any such
bids shall be accepted;
(h) to apply any proceeds of sale of other lots due or
which become due to you towards the settlement of the
total amount due by you and to exercise a lien over any
of your property in our possession for any purpose until
the debt due is satisfied.satisfied.
11. DESCRIPTIONS AND CONDITION
(1) Whilst we seek to describe lots accurately, it may be
impractical for us to carry out exhaustive due diligence
on each lot. Prospective Buyers are given ample
opportunities to view and inspect before any sale and
they (and any independent experts on their behalf) must
satisfy themselves as to the accuracy of any description
applied to a lot. Prospective Buyers also bid on the
understanding that, inevitably, representations or
statements by us as to authorship, genuineness, origin,
date, age, provenance, condition or estimated selling
price involve matters of opinion. We undertake that any
such opinion shall be honestly and reasonably held and
only accept liability for opinions given negligently or
fraudulently. Subject to the foregoing neither we the
auctioneer or our employees or agents accept liability
for the correctness of such opinions and no warranties,
whether relating to description, condition or quality of
lots, express, implied or statutory, are given. Please note
that photographs/images provided may not be fully
representative of the condition of the lot and should not
be relied upon as indicative of the overall condition of
the lot.
(2) Condition reports: Condition reports are provided
on our website or upon request. The absence of a
report does not imply that a lot is without imperfections.
Large numbers of such requests are received shortly
before each sale and department specialists and
administration will endeavor to respond to all requests
although we offer no guarantee. Any statement in
relation to the lot is merely an expression of opinion of
the Seller or Lyon & Turnbull and should not be relied
upon as an inducement to bid on the lot. Lots are
available for inspection prior to the sale and you are
strongly advised to examine any lot in which you are
interested prior to the sale. Our condition reports are
not prepared by professional conservators, restorers or
engineers. Our condition report does not form any
contract between Lyon & Turnbull and the Buyer. The
Condition Reports do not affect the Seller’s obligations
in any way.
(3) Estimates: Estimates are placed on each lot to help
Buyers gauge the sums involved for the purchase of a
particular lot. Estimates do not include the Buyer’s
Premium or VAT. Estimates are a matter of opinion and
prepared in advance. Estimates may be subject to
change and are for guidance only and should not be
relied upon.
(4) Catalogue Alterations: Lot descriptions and
estimates are prepared in advance of the sale and may
be subject to change. Any alterations will be announced
on the catalogue alteration sheet, made available prior
to the sale. It is the responsibility of the Buyer to make
themselves aware to any alterations which may have
occurred.
(5) Electrical Goods: are sold as “works of art” only and
if bought for use must be checked over for compliance
with safety regulations by a qualified electrician first. Use
of such goods is entirely at the risk of the Buyer and no
warranties as to safety of the goods are given.
14. SALE BY PRIVATE TREATY
(a) The same Conditions of Sale (Buyers) shall apply to
sales by private treaty.
(b) Private treaty sales made under these Conditions are
deemed to be sales by auction and subject to our
agreed charges for Sellers and Buyers.
(c) Lyon & Turnbull undertakes to inform the Seller of
any offers it receives in relation to an item prior to any
Proposed Sale, excluding the normal method of
commission bids.
(d) For the purposes of a private treaty sale, if a lot is
sold in any other currency than Sterling, the exchange
rate is to be taken on the date of sale.
15. THIRD PARTY LIABILITY
All members of the public on our premises are there at
their own risk and must note the lay-out of the
accommodation, safety and security arrangements.
Accordingly, neither the Auctioneer nor our employees
or agents shall incur liability for death or personal injury
or similarly for the safety of the property of persons
visiting prior to, during or after a sale.
16. GENERAL
(a) We shall have the right at our discretion, to refuse
admission to our premises or attendance at our
auctions by any person.
(b) Any notice to any Buyer, Seller, bidder or viewer may
be given by email if not available then first class mail in
which case it shall be deemed to have been received by
the addressee 48 hours after posting.
(c) Notices to Lyon & Turnbull should be in writing and
addressed to Nick Curnow at 33 Broughton Place,
Edinburgh EH1 3RR, quoting the reference number
specified at the beginning of the sale catalogue.
(6) Upholstered items: are sold as “works of art” only
and if bought for use must be checked over for
compliance with current safety regulation. Use of such
goods is entirely at the risk of the Buyer and no
warranties as to safety of the goods are given. Lyon &
Turnbull provide no guarantee as to the originality of
any wood/material contained within the item.
(d) Should any provision of these Conditions of Sale be
held unenforceable for any reason, the remaining
provisions shall remain in full force and effect.
(7) Special terms may be used in catalogue descriptions
of particular classes of items (Books, Jewellery, Paintings,
Guns, Firearms etc.) in which case the descriptions must
be interpreted in accordance with any glossary
appearing in the catalogue. These notices and terms will
also form part of our terms and conditions of sales.
(f) The contract between the parties may be varied by
the parties by agreement and in writing.
12. BOOKS, CLOCKS & WATCHES
(1) Books-Collation: If on collation any NAMED item in
the sale catalogue proves defective, in text or illustration
the Buyer may reject the lot provided he returns it
within 21 days of the sale stating the defect in writing.
This, however, shall not apply in the case of unnamed
items, periodicals, autographed letters, music M.M.S.,
maps, drawings NOR in respect of damage to bindings,
stains, foxing, marginal worm holes or other defects not
affecting the completeness of the text NOR in respect of
Defects mentioned in the catalogue, or at the time of
sale, NOR in respect of lots sold for less than £300.
(2) Clocks & Watches: All lots are sold “as seen”, and
the absence of any reference to the condition of a clock
or watch does not imply the lot is in good condition and
without defects, repairs or restorations. Most clocks and
watches will have been repaired during their normal
lifetime and may now incorporate additional/newer
parts. Furthermore, Lyon & Turnbull makes no
representation or warranty that any clock or watch is in
working order. As clocks and watches often contain fine
and complex mechanisms, Buyers should be aware that
a general service, change of battery or further repair
work, for which the Buyer is solely responsible, may be
necessary. Buyers should also be aware that Lyon &
Turnbull cannot guarantee a watch will remain
waterproof if the back is removed. Buyers should be
aware that the importing watches such as Rolex, Frank
Muller and Corum into the United States is highly
restricted. These watches cannot be shipped to the USA
and only imported personally.
13. CITES
Please be aware that all lots marked with the symbol Y
are subject to CITES regulations when exporting these
items outside the EU. These regulations may be found
at http://www.defra.gov.uk/ahvla-en/ importsexports/cites/
Lyon & Turnbull accepts no liability for any lots which
may be subject to CITES but have not be identified as
such.
(e) These Conditions of Sale are not assignable by either
party without the other's prior written consent. No act,
omission or delay by Lyon & Turnbull shall be deemed a
waiver or release of any of its rights.
17. DATA PROTECTION
In connection with the management and operation of
our business and the marketing and supply of Lyon &
Turnbull's services, or as required by law, we may ask
the Buyer to provide personal information about
themselves or obtain information about the Buyer from
third parties (e.g. credit information). Lyon & Turnbull
will not give out personal information except as may be
required by law.
If you would like further information on Lyon & Turnbull
policies on personal data, or to make corrections to
your information, please contact us on
+44 (0)131 557 8844..
The Buyer hereby agrees to the release by Lyon &
Turnbull of the Buyer’s name and contact details to the
seller or the seller’s solicitor in the event of any dispute
between Lyon & Turnbull and the Buyer and/or Lyon &
Turnbull and the Seller. Lyon & Turnbull will give prior
written notice of the release of any such details to the
Seller of the Seller’s solicitor.
18. FORCE MA JEURE
Lyon & Turnbull shall be under no liability if they shall be
unable to carry out any provision of the Contract of Sale
for any reason beyond their control including (without
limiting the foregoing) an act of God, legislation, war, fire,
flood, drought, failure of power supply, lock-out, strike or
other action taken by employees in contemplation or
furtherance of a dispute or owing to any inability to
procure materials required for the performance of the
contract.
19. LAW AND JURISDICTION
(a) Governing Law: These Conditions of Sale and all
aspects of all matters, transactions or disputes to which
they relate or apply shall be governed by, and
interpreted in accordance with, Scots law
(b) Jurisdiction: The Buyer agrees that the Courts of
Scotland are to have exclusive jurisdiction to settle all
disputes arising in connection with all aspects of all
matters or transactions to which these Conditions of
Sale relate or apply.
Guide to Bidding & Payment
Payment
Registration
All potential buyers must register prior
to placing a bid. Registration
information may be submitted in person
at our registration desk, by email, by fax
or on our website. Please note that all
first time bidders at Lyon & Turnbull will
be asked to supply the following
documents in order to facilitate
registration:
1 – Government issued photo ID
(Passport/ Driving licence)
2 – Proof of address (utility bill/ bank
statement).
We may, at our option, also ask you to
provide a bank reference and/ or
deposit.
By registering for the sale, the buyer
acknowledges that he or she has read,
understood and accepted our
Conditions of Sale.
Bidding
At the Sale Registered bidders will be
assigned a bidder number and given a
paddle for use at the sale. Once the first
bid has been placed, the auctioneer asks
for higher bids in increments
determined by the auctioneer. To place
your bid, simply raise your paddle until
the auctioneer acknowledges you.
Please ensure that the auctioneer
repeats your bidder number correctly
when confirming the sale. If there is any
doubt at this stage as to the hammer
price or buyer it must be brought to the
auctioneer’s attention immediately. All
lots will be invoiced to the name and
address given on your registration form,
which is non-transferable.
By phone A limited number of
telephone lines are available for bidding
by phone through a Lyon & Turnbull
representative. Phone lines must be
reserved in advance. All bid requests
must be received an hour before the
sale. All telephone bids must be
confirmed in writing, listing the relevant
lots and appropriate number to be
called. We recommend that a covering
bid is also left in the event that we are
unable to make the call. We cannot
guarantee that lines will be available, or
that we will be able to call you on the
day, but will endeavor to undertake such
bids to the best of our abilities. This
service is available entirely at our
discretion and at the bidder’s risk.
In writing Bid forms are available at the
sale and/or the back of the catalogue.
These should be submitted in person, by
post, or by fax as soon as possible prior
to the sale and we will bid on your
behalf up to the limit indicated. In the
event of receiving two identical bids the
first one received will take precedence.
All bids must be received an hour before
the sale. This service is entirely at the
bidder’s risk.
On the internet A fully-illustrated
catalogue is available on our website.
Registered bidders may leave absentee
bids through the website and will
receive email confirmation of their bid.
Live online bidding (powered by
Invaluable) is also available, accessible
either through our website or at
www.invaluable.com. Please note that
an additional 3% premium is charged by
Invaluable for this live online service.
Payment is due within seven (7) days of
the sale. Lots purchased will not be
released until full payment has been
received. Payment may be made by the
following methods:
Bank Transfer Account details are
included on any invoices we issue or
upon request from our accounts
department.
Credit or Debit Cards Payment can be
made by Visa Debit, Maestro,
Mastercard or Visa Credit cards. Please
note there is a 2% surcharge on credit
card payments and we do not accept
Amex.
Online Card Payments We no longer
accept card payments by phone. Please
use our online payment service
(provided by Cardstream/Credorax. You
will find a link to this service in any email
invoice issued or you can visit the
payments section of our website.
Cheque Cheques should be made
payable to Lyon and Turnbull Ltd. We
reserve the right to wait until cheques
have been cleared by our bankers
before releasing bought goods. Cheques
can be cleared prior to sale on request.
Cheques drawn by third parties cannot
be accepted. If paying by post please
include the slip from your invoice.
Cash Cash payments can be made at
the accounts desk during or after a sale.
Cash payments limited to €15,000
(euros).
Collection & Shipping
Transport & Couriers
Please note that we do not pack or ship items. The following suggested carriers will
be able to arrange packing and shipping; please contact them directly to receive a
quote. You may wish to contact an alternative courier.
Local Deliveries
Furniture & Larger Items
Arrangements for Sold Lots
A&S Pert Removals
Tel. +44 (0)7876 343520.
Constantine
Fine Art Logistics
Constantine House
North Caldeen Road
Coatbridge
North Lanarkshire ML5 4EF
Tel: +44(0)1236 750055
Fax: +44(0)1236 750077
enquiries@constantinemoving.com
All bought items will be held free of
charge for 7 days following the sale..
New Leaf Removals
Tel: +44 (0)7999 926261
info@newleafremovals.co.uk
Thistle Removals
Tel: +44 (0)7836 774712
thistleremovals@hotmail.co.uk
Smaller Items &
Pictures
Mailboxes Etc
44/46 Morningside Road
Edinburgh EH10 4BF
Tel: +44 (0)131 556 6226
Fax: +44 (0)131 652 3673
edinburgh@mbescotland.com
Book online at
www.mbe.co.uk/the_auction_room
A Van Man Transport
Unit 5, Benridge Park
Holyrood Close, Creekmoor
Poole, Dorset BH17 7BD
Tel: +44 (0)1202 600 012
Fax: +44 (0)1202 600 206
office@avmt.co.uk
Aardvark Art Services Ltd
Birks Farm, Ballam Road
Lytham, Lancashire FY8 4NL
Tel: +44 (0)1253 794673
Fax: +44 (0)1253 730580
info@aardvarkartservices.com
© Lyon & Turnbull Ltd. 2015. All rights reserved. No part of this
publication may be reproduced, stored in a retrieval system or
transmitted by any form or by any means without the prior
written permission of Lyon & Turnbull Ltd.
Thereafter lots will be removed to
storage and a charge incurred.
Administration fee:
£20 + VAT
Storage charges per lot per day are:
Large Items
£5 inc. insurance + VAT
Small Items
£2.50 inc. insurance + VAT
It is the buyer’s responsibility to
ascertain collection procedures,
particularly if the sale is not being held
at our main saleroom.
LYON & TURNBULL AUCTIONEERS EDINBURGH
182 Bath Street, Glasgow G2 4HG
Tel. +44 (0)141 333 1992
Fax. +44 (0)141 332 8240
78 Pall Mall, London SW1Y 5ES
Tel. +44 (0)20 7930 9115
Fax. +44 (0)141 7930 7274
DECORATIVE ARTS and 19TH & 20TH CENTURY PICTURES 11TH & 12TH NOVEMBER, 2015
33 Broughton Place, Edinburgh EH1 3RR
Tel. +44 (0)131 557 8844
Fax. +44 (0)131 557 8668
and
33 Broughton Place
Edinburgh
Decorative Arts:
Design since 1860
including 19th & 20th Century Pictures

Decorative Arts: Design since 1860 - create an account

Transcription

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