Artistic Endeavors - Marathon Marketing
Transcription
Artistic Endeavors - Marathon Marketing
rpm_sept02.qxd 3/2/04 14:01 Page 35 ARTISTIC ENDEAVORS The Rewards of Educating Kids in the Arts By Kathleen Hall F Is Art Important? Results reported on research of arts education is consistent: art education helps students think critically, solve problems creatively, make informed judgments, work cooperatively within groups, appreciate different cultures, imagine, and create. The Virginia Standards of Learning (SOL) for fine arts are based on these key findings. The Arts Education Partnership is an organization instrumental in researching arts education. The partnership is a private, nonprofit coalition of education, arts, business, philanthropic, and government organizations that promotes the role of arts education in enabling all students to succeed in school, life, and work. Many of the partnerships studies have been compiled into a report, Champions of Change. A study of the Department of Educations database of 25,000 students demonstrates students with high levels of arts participation outperform arts poor stu- photos by Al Wekelo rom the beginning of time, humans have used the arts to communicate and entertain. Early man painted on cave walls and used rudimentary objects to create rhythmic sounds. Exposure to the arts begins at birth. Parents sing lullabies to their babies and surround them with colorful and stimulating pictures and objects. As children grow, play not only entertains, but also helps children learn. Participating in and observing the arts are integral components of a societys fabric, and research shows learning and practicing the arts is critical to childrens development. dents by virtually every measure. This study found clear evidence that sustained involvement in particular art forms music and theatre are highly correlated with success in mathematics and reading. In addition to enhancing the basics reading, writing, and arithmetic the arts impact childrens lives in many other ways. The Champions of Change studies found arts education really helps to create a well-rounded, well-adjusted person. The arts also provide a means to reach students who are not otherwise being reached, and provide a different kind of environment for learning. According to Stephanie Micas, executive director of The Arts Council of Richmond, the arts provide another way for children to achieve, especially for those kids who have trouble learning in a traditional environment. It gives them a different lens, she says. Jo Kennedy, executive director of the Hand Workshop Art Center, agrees. We see students who are not focused, who are bouncing off the walls. After a few weeks of arts, they are more engaged, focused, and attentive. Kennedy says the experience with arts builds childrens self esteem. Working with your hands is very rewarding, she says. The experience gives children a sense of accomplishment, she says. Local arts experts concur with the Champion of Change studies: the arts improve performance in other areas. It teaches them problem solvArts educators see the benefits of children being able to work (and learn) with their hands, as opposed to passive learning seated in a classroom. Above: Hand ing, says Kennedy. They see that Workshop art student, Amina, takes a fine touch to her artwork. continued on page 39 RICHMOND PARENTS n SEPTEMBER 2002 n 35 rpm_sept02.qxd 3/2/04 14:01 Page 39 Parents need to demand as much there are more ways to solve prob- of an arts education as they can, lems, and the students give more says Micas. We need to create a detailed descriptions of problems. It habit of demanding that arts be a part of education. activates all of the brain. The importance of art education The arts also provide new challenges for those students already has received attention at the nationconsidered successful and connect al level: President Bush reautholearning experiences to the world of rized arts in education programs in the No Child Left real work. Behind Act of 2001. Many of the stuThis legislation proA study of the dents who particimotes projects that pate in the American Department strengthen and inteYouth Harp Ensemof Educations grate arts into eleble, a local ensemble database of mentary and middle of harp students, for school core academ25,000 students example, are also ic curriculum. learning how to be demonstrates In her online professional musistudents with Letter from the cians. The students high levels of arts Director, Kennedy provide entertainsays this act is participation ment at weddings viewed by many as and other events, outperform arts the most significant where they earn poor students by revision of federal money and learn virtually every education policy in responsibility and four decades, and measure. professionalism. will hopefully result in federal Bolstering Arts Education Art education in the school sys- funds being targeted toward art in tems is victim, as many programs the schools as well as community are, to competing issues about after-school art programs. Just as importantly, she says, how the government educates children, to funding and financial studying art should come to be recconsiderations, and to pressures ognized and accepted as a fundato meet SOL standards and mental way of learning, knowing, and expressing oneself. national achievement levels. For example, art classes are typically an elective by middle Introducing Arts to Kids The Richmond area offers many school, limiting art education to elementary school for all but the opportunities to provide arts educacontinued on page 40 most interested students. continued from page 35 No Child Left Behind Act 2001 The U.S. Congress established the Arts in Education Model Development and Demonstration Program to provide grants to school districts and other entities to help them develop promising models that strengthen and integrate arts into the elementary and middle school core academic curriculum. In addition to the Arts in Education Model Development and Dissemination grants, the Department of Education is supporting work in professional development for music instruction and cultural partnerships for children and youth at risk. This program supports projects that develop, document, evaluate and disseminate promising models that demonstrate their effectiveness in: integrating arts into the core elementary and middle school curricula by strengthening use of high-quality arts in academic instruction and strengthening the place of arts as a core academic subject in the school curricula, strengthening arts instruction, and improving students academic performance, including skills in creating, performing and responding to the arts. Source: US Dept of Education Read Aloud Virginia Presents... A day of humor, enthusiasm, and simple techniques to make reading what it is meant to be... Joy! Jim Trelease, Bestselling Author Read Aloud Handbook October 17, 2002 Landmark Theater Richmond, VA. 8:30 AM - 3:30 PM Registration: $28 per person ($38 at door) box lunch included Make checks payable to: Read Aloud Virginia Mail: RAV, 4506 Riverside Dr Richmond, VA 23225 804-232-5683 Capital Literacy Celebration Activities on Oct 18 & 19 visit: www.readaloudva.org Build special bonds with your children through Read-Aloud books RICHMOND PARENTS n SEPTEMBER 2002 n 39 rpm_sept02.qxd 3/2/04 Have a Super 14:01 Page 40 SCIENCE BIRTHDAY PARTY Unique Hands-On Fun! All Supplies Included Erupting Volcanos Make your own gummy drops Hair raising experience Panning for gems Fossils & More High Touch - High Tech R The Science Experience that Comes to You.TM 804-340-1777 We do the work, Children have the fun (and learn, too!) Age Appropriate We do Holiday Theme Parties, too! gallery & studios Children and Teen Art Classes beginning September 24th! 3451 W. Cary St., Carytown 804-353-8101 See our updated schedule at: www.forartssakegallery.com Program offer a variety of classes in continued from page 39 tion beyond the school day. Some the different art forms. Community partnerships enprograms, such as summer camps, are short term and introduce stu- hance formal arts education prodents to areas of art to which they grams and increase awareness of might not otherwise be exposed. educational issues. These partnerOthers are long-term, where stu- ships bring community resources dents learn an area of fine arts in and talents together to provide arts more detail. These programs often opportunities to students and to give students a venue to put their enhance teaching skills. The Arts Council of Richmond is skills to the test by performing or disan example of such a partnership. It playing their work for is a non-profit comothers. munity organization Professional organWe see students whose mission is to izations such as the who are not advance the role and Richmond Ballet and recognition of the focused, who are the Richmond arts as a vital force in Symphony engage bouncing off the the cultural, economstudents in fine arts walls. After a few ic, educational, and opportunities by tapweeks of arts, social life of the ping the wealth of R i c h m o n d they are more talented professional Metropolitan area. artists in Richmond. engaged, focused, The councils Arts Besides benefiting and attentive. in Education the students, these Program, which programs offer a way involves public and for adults to become involved in most private schools, encourages childrens lives. Summer camps such as The teachers to consider ways to incorpoNeighborhood School of the Arts, rate the arts into the curriculum. The council funds projects that may Cats CAP at St. range from one classroom to the Catherines entire school. s c h o o l , Micas describes a physics Summer Art teacher, for example, who Camp at invited a glass artist to his Stony Point, class to help illustrate how a n d glass is made and proCollegiate duced as a way of reinS c h o o l forcing a physics lesson. S u m m e r Quest Arts continued on page 43 Art through photography opens up new worlds for students such as Miles. 40 n RICHMOND PARENTS n SEPTEMBER 2002 rpm_sept02.qxd 3/2/04 14:01 Page 43 A Sampling of Richmond Arts Programs Art takes so many forms that finding a medium that appeals to each child is possible. Above: Students in a mosaics class at the Hand Workshop Art Center dig into their studies. continued from page 40 At another school, a ceramic artist helped children make clay tiles using everyday objects, which were then fired and formed into a tile mosaic. The project was then used to illustrate how fossils were made, and then in language arts class as a point of discussion about different societies. After-school programs and summer art camps are another way for children to dabble in art or to have more focused attention on a particular area of interest. The Hand Workshop Art Center is just one of many organizations that offer such opportunities. A lot of children love art, says Kennedy. There are so many areas and mediums, theres sure to be one where the child feels comfortable. The center partners with several local schools to offer supplementary art education. The ArtSmart program, for example, reaches at risk fourth graders at Clark Springs Elementary School. Based on the art SOLs, the students created a quilt that described Virginia history. The children also made their own pottery and then related it to how pottery was used in Jamestown. In the Art After School program, the center works with three Richmond schools, Binford, Fox, and Maymont. The students choose from a menu of visual arts courses that are offered on the premises in after school classes. We see a tremendous change in how children feel about school, says Kennedy. They see [the art classes] as an extension and part of school. Minds in Motion, an initiative of the Richmond Ballet, is another program that integrates arts with academics. In the year-long program, Richmond Ballet dancers introduce fourth grade students to the joy of movement. The program does not teach ballet as much as it teaches students how to apply themselves to a task. RPM The appeal of any region as a place to live and work is based in part on the depth of the arts in that community. According to Dr. Stephanie Micas, executive director of The Arts Council of Richmond, For a metropolitan area this size, its amazing what we have. While this list is by no means exhaustive, it offers a sense of the many youth arts opportunities in Richmond. Richmond Boys Choir, www.richmondboyschoir.org. Minds in Motion Program, Richmond Ballet, www.richmondballet.com/mindsinmotion.htm American Youth Harp Ensemble, 353-7001 DramaKids, www.dramakids.com Richmond Symphony, hands-on introduction to instruments, interactive concerts, three youth orchestras, www.richmondsymphony.com The Hand Workshop Art Center, year-round classes and summer camp programs, www.handworkshop.org. Neighborhood School of the Arts, extended day classes, summer camps, private piano instruction, community choirs, and fine arts workshops, www.neighborhoodschool.org. HATTheatre, theatre arts classes for children ages 6-18, www.hattheatre.org Latin Ballet, www.latinballet.com Cultural Arts Center of Glen Allen, classes in the arts, 261-6200, www. artsglenallen.com SPARC, School of the Performing Arts in the Richmond Community, acting, singing and dancing, ages 5 to 18, www.SPARConline.org Swift Creek Academy of the Performing Arts, lessons in music, dance, art, and drama, (804) 744-2801 Cats CAP - St. Catherines school, creative arts camp, www.st. catherines.org/summer/index.html Additional Resources Virginia Commission for the Arts, state agency supporting arts through funding, offers links to arts organizations, plus information about the Catch A Star Program, that recognizes student attendance at arts events. www.arts.state.va.us/ Virginia Museum of Fine Arts, offers programs just for students, www.vmfa.state.va.us/LearnMoreKids.html Young Audiences of Virginia,a non-profit arts-in-education organization dedicated to bringing arts to children. www.yav.org. Be sure to check out YAVs magazine for kids, Artvark. The Hand Workshop Art Center is one of many Richmond area resources for arts education for children. Above: Leah participates in a mosaics class. RICHMOND PARENTS n SEPTEMBER 2002 n 43