Wednesday 21st October
Transcription
Wednesday 21st October
Contacts for this sale Brian Coyle FIAVI FRICS James O’Halloran FIAVI Stuart Cole MIAVI David Britton BBS ACA Jane Beattie BA(2) MRICS Nick Nicholson MIAVI Chairman Director d.britton@adams.ie Eamon O’Connor BA Managing Director j.ohalloran@adams.ie Associate Director j.beattie@adams.ie Kieran O’Boyle BA HDip Fine Art Department k.oboyle@adams.ie Associate Director e.oconnor@adams.ie Est 1887 26 St Stephens Green , Dublin 2 Tel +353 1 6760261 Fax +353 1 6624725 info@adams.ie www.adams.ie Director s.cole@adams.ie Consultant n.nicholson@adams.ie Caroline Kevany BA Dip Fine Art Department caroline@adams.ie Est 1887 AUCTION Tuesday 10th June 2008 at 11.30am VENUE James Adam Salerooms 26 St Stephen’s Green , Dublin 2 Ireland SALE CODE This sale may be referred to as 8099 in all correspondence CATALOGUE €10.00 or at www.adams.ie Viewing : June 7th-9th - at adam’s 26 st stephen green, Dublin 2. Saturday Sunday Monday and morning of sale 2.00pm - 5.00pm 2.00pm - 5.00pm 9.30am - 5.00pm EXPLANATION OF CATALOGUING TERMS The following terms used in this catalogue have the meanings as ascribed, and are made subject to the conditions of sale as printed in this catalogue. 1. Jack Butler Yeats RHA In our qualified opinion a work by the artist. 2. Attributed to Jack Butler Yeats RHA In our opinion a work of the period which may in part or whole be by the artist’s hand. 3. Style of Jack Butler Yeats RHA In our opinion a work of the period and style of the artist, but not by the artist. 4. J B Yeats In our opinion a work not of the period or by the artist. 5. After Jack B Yeats In our opinion a work which is a copy of a work by the artist. 6. Signed In our opinion the work is signed by the artist. 7. Bears Signature In our opinion the works bears a signature which may be that of the artist 8. Dated The work is dated and in our opinion was executed at or about this date. INFORMATION FOR PURCHASERS 1.Estimates These are shown below each lot in this sale. All amounts shown are in Euro. The figures shown are provided merely as a guide to prospective purchasers. They are approximate prices which are expected, are not definitive and are subject to revision. 2. Paddle Bidding All intending purchasers must register for a paddle number before the auction. Please allow time for registration. Potential purchasers are recommended to register on viewing days. Paddle deposit €1.00 refundable. 3. Payment, Delivery and Purchasers Premium Wednesday 11th June 2008, 10.00am - 1.00pm and 2.00pm -5.00pm. Under no circumstances will delivery of purchases be given whilst the auction is in progress. All purchases must be paid for and removed from the premises not later than 5pm on Wednesday 11th June 2008 Auctioneers commission on purchasers is charged at the rate of 15% (exclusive of VAT). Terms: Strictly cash, bankers draft or cheque vouched to the satisfaction of the auctioneers, prior to sale. Purchasers wishing to pay by credit card (Visa & Mastercard) may do so, however, it should be noted that such payments will be subject to an administrative fee of 2% on the invoice total. American Express is subject to a charge of 3.65% on the invoice total. Please contact our accounts department prior to sale with your payment queries. 4. VAT Regulations All lots are sold within the auctioneers VAT margin scheme. Revenue Regulations require that the buyers premium must be invoiced at a rate which is inclusive of VAT. This is not recoverable by any VAT registered buyer. 5. Please note that imperfections are not stated. 6. Absentee Bids We are happy to execute absentee or written bids for bidders who are unable to attend and can arrange for bidding to be conducted by telephone. However, these services are subject to special conditions see previous page in this catalogue. All arrangements for absentee bidding must be made before 5pm on the day prior to sale. Anne Bullitt Anne’s father was William Christian Bullitt, the American millionaire diplomat, journalist and novelist and her mother, who died when she was eight, was Louise Bryant, an American journalist and radical who counted Eugene O’Neill and F. Scott Fitzgerald as friends and who was part of the Parisian ex-patriot set of the 1920s. Louise Bryant witnessed first hand the Bolshevik Revolution in Moscow with her first husband, John Reed. Their tempestuous relationship was the basis for the 1981, Oscar-winning film “Reds”, with Reed played by Warren Beatty and Bryant by Diane Keating. After Reed’s death in 1920, Bryant remained in Europe as a leading correspondent for the Hearst newspaper chain; she interviewed Kemal Ataturk, founder of the Turkish Republic and Mussolini gave his first interview with any correspondent to her. Around this time she met Bill Bullitt and the couple later married in Paris in 1923 and in 1924 Anne was born. By 1928 their marriage was floundering, partly due to Louise’s contraction of an incurable and painful skin condition, which led to her reliance on alcohol, which in turn led to bouts of depression and paranoia. The couple divorced in 1930 and Bullitt retained sole custody of Anne. During the 1930s, `Little Anne Bullitt` as the press often dubbed her, was her father’s companion and aide during his travels and foreign assignments as Ambassador to the Soviet Union and France under President Franklin D. Roosevelt. Anne treasured memories of these years and her meetings with foreign dignitaries and heads of state. During one of her visits to Hyde Park when she was twelve, Roosevelt, expecting a delegation of local politicians, told her to hide behind the sofa in his study so she could overhear their conversation. After the war, her father bought the 700 acre Palmerston estate in, County Kildare, Ireland and for the next forty years, this provided a backdrop for her distinguished racing career, in which she became the first female breeder and trainer of thoroughbred horses in Ireland and Palmerston Stud became the largest horse farm in Ireland. But perhaps her greatest legacy was how she meticulously collected and catalogued her famous parents’ writings, which have subsequently been presented to Yale University. Amongst these papers are unpublished poems by Eugene O’Neill, Louise Bryant’s notes for articles, her address books with numbers and addresses for Lenin, Trotsky, Marcel Duchamp, Anita Loos, Brancusi and Helen Keller, to name but a few and manuscripts by Sigmund Freud – a friend of Bill Bullitt’s and by whom he was psychoanalysed in the 1920s. Anne Bullitt died in Dublin in August 2007 after a long illness. Although married four times, to Caspar Wistar Barton Townsend Jr, Nicholas Duke Biddle, Roderic More O’Ferrall and Daniel B. Brewster, she is buried according to her wish, alongside her beloved father in Philadelphia. Once, when asked by Freud if she loved her father, a young Anne replied, “My father is God”. Dr Freud said, “That child is very articulate. You know I have developed a theory that male children’s first love is their mother and females’ their father. But this is the first time a child had confirmed my theory”. Grateful thanks to Emily Barber of Bonhams for providing this biography. 8 Est 1887 9 10 1 Joshua Dighton (British 1831-1908) A. White On The Illuminata Colt; Watercolour on board, 26.5 x 21cm and Challoner on Col. North’s Rough And Ready Watercolour on board, 24 x 18 (2) 2 Joshua Dighton (British 1831-1908) F. Rickaby On Mimi Watercolour on board, 25 x 21.5cm and G. Challoner On The Lover Watercolour on board, 26.5 x 21.5cm (2) Provenance: The Estate of Anne Bullitt Provenance: The Estate of Anne Bullitt €1500 - 2000 €1500 - 2000 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 10 3 Joshua Dighton (British 1831-1908) Cannon, esse de Jouarre Watercolour on board, 25 x 17.5cm and N. Bradford In Mr N. Milners Colours Watercolour on board, 24 x 17.5cm (2) Provenance: The Estate of Anne Bullitt €1500 - 2500 Est 1887 11 4 Joshua Dighton (British 1831-1908) N. Sensier On The Midshipmite Watercolour on board, 25 x 21cm and Portrait Of A Jockey Dressed In Red And Black Silks On A Bay Watercolour on board, 26.5 x 21.5cm Provenance: The Estate of Anne Bullitt €1000 - 1500 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 12 5 Joshua Dighton (British 1831-1908) F. Allsopp On Sir Hugo Watercolour on board, 26.5 x 21.5cm Label verso Provenance: The Estate of Anne Bullitt €1000 - 1500 Est 1887 13 6 Joshua Dighton (British 1831-1908) A set of three: E. Rossiter; Thomas Pickernell; James Snowden in Blair Athol’s Colours Watercolour on board, each approximately 24 x 18 [3] Provenance: The Estate of Anne Bullitt €2000 - 3000 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 14 7 Joshua Dighton (British 1831-1908) R. L’Auson In Mr. Dunlop’s Colours Watercolour on board, 16.5 x 11.5cm and S. Loates Watercolour on board, 17.5 x 13cm (2) Provenance: The Estate of Anne Bullitt €1500 - 2500 Est 1887 15 8 Joshua Dighton (British 1831-1908) F. Webb In Mr. J. Hammonds Colours; H. Luke Watercolour on board, each approximately 17.5 x 13xm [2] Provenance: The Estate of Anne Bullitt €1500 - 2500 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 16 9 English School, 19th Century Oval Bust Length Portrait Of A Lady Oil on canvas, 66 x 55cm Signed indistinctly Provenance: The Estate of Anne Bullitt €1000 - 1500 10 Attributed To Nicholas Largilliere (1656-1746) Portrait Of A Lady Oil on canvas, oval, 54 x 44cm €1000 - 1500 Est 1887 17 11 Edward Neale (19th Century) Gray Partridges In Snowy Landscape Oil on canvas, 61 x 81cm Signed and dated 1889 (under spandril) €3000 - 5000 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 18 12 English School, Early 19th Century 17 €400 - 500 13 Flemish School, Late 18th century The Holy Family, Flight into Egypt Oil on canvas, 58 x 97cm €100 - 150 18 Edward Armfield (1817-1896) Terriers Ratting In Barn Interior Oil on canvas, 49 x 75cm Signed €500 - 800 19 Style of George Morland (1763-1804) €50 - 80 20 €1000 - 1500 €1000 - 1500 After James Malton (1761-1803) The Customs House Dublin Engraving, 31.5 x 43cm €250 - 350 Andrew Nicholl (1804-1886) Gougane Barra Watercolour, 48 x 74cm Signed and dated The Gamekeeper’s Pets Oil on canvas, 48.5 x 59cm Bearing signature and dated 1827 16 Irish School, 19th Century Portrait Of A Gentleman, Half Length, Seated Watercolour on card, oval, 17 x 11.5cm €1500 - 2000 15 Italian School, 18th Century An Allegory Of Time Oil on panel, 24 x 28cm €700 - 1000 14 Geoffrey Douglas Giles (1857-1923) The Meath Whoohoop, Killeen Castle Colour print, 42 x 68cm Signed in the print, also signed in pencil Half length portrait of a lady wearing a red shawl and black dress Watercolour on ivory, 9 x 7.5cm 21 British School, 17th Century Portrait of a gentleman, half length, with ruff and in a black jacket with fur cape, a little boy at his side in a grey silk suit, in an interior with pillars and landscape in the background Oil on canvas, 113 x 84cm €3000 - 4000 Est 1887 19 Lot 21 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 20 Lot 22 22 Follower of Vernet Figures in a Port Oil on canvas, 51 x 63cm €4000 - 6000 23 Pérée after Burr aband A Pair of Toucans Colour engravings, 54 x 36cm Provenance: The Estate of Anne Bullitt €300 - 400 Est 1887 21 Lot 24 24 Dutch School, 17th Century Birds in a Woodland Oil on board, 49 x 70cm €6000 - 8000 25 A set of four ornithological and horticultur al studies Coloured engavings, various sizes Inscribed in the prints with plate numbers and the Latin names of the birds and plants depicted Provenance: The Estate of Anne Bullitt €400 - 600 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 22 Lot 26 26 Hugh Collins (d.1932) Spinning Oil on canvas, 46.5 x 58cm Signed and dated 1876 €2000 - 3000 27 Lang, 20th Century School Portrait Study of Anne Bullitt as a Young Girl with Ball (full length) Conté, 60 x 43.5cm Signed and dated Mai 12, 1932 Provenance: The Estate of Anne Bullitt €50 - 100 Est 1887 23 Lot 28 28 Edward Turner (British) The Return Of The Harvesters Oil on canvas, 60 x 86cm Signed €5000 - 8000 29 20th Century A set of eight natutical prints Colour reproductions, 52 x 40cm Provenance: The Estate of Anne Bullitt €150 - 200 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 24 Lot 30 30 Charles Archer (1855-1931) Still Life With Fruit On A Mossy Bank Oil on board, oval, 30.5 x 41cm Signed 32 Viviane D’Or Montmartre Gouache, 23 x 34cm Signed €2000 - 3000 Provenance: The Estate of Anne Bullitt €300 - 400 31 Japanese School Study of Insects Watercolour on silk, 32 x 27.5cm Signed with monogram 33 ‘Jon’ -Silhouettist Superb A set of three equestrian silhouettes Black and white cut paper Signed (3) Provenance: The Estate of Anne Bullitt Provenance: The Estate of Anne Bullitt €50 - 100 €50 - 100 Est 1887 25 Lot 34 34 Charles Thomas Bale Still Life With Fruit And Basket; Still Life With Fruit Oil on canvas, 42 x 52cm Both signed indistinctly with monogram [2] 36 Jacquot, 20th Century Study of Toy Dogs in a Chair Pencil and watercolour, 15 x 17cm Signed and dated ‘59 Provenance: The Estate of Anne Bullitt €5000 - 7000 €300 - 400 35 17th Century Style, Iberian School Hunter and Dogs hunting a lion Watercolour, 16.5 x 28cm Provenance: The Estate of Anne Bullitt €150 - 250 37 PH Noya Study of Budgerigars and Canaries Watercolour on silk, tondo, 34cm diameter Signed Provenance: The Estate of Anne Bullitt €50 - 80 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 26 Lot 38 38 British School 19th Century Family Outside A Thatched Cottage Oil on board, 44 x 62cm 40 Jacquot, 20th Century Portrait of Anne Bullitt on a chestnut hunter and a portrait of a grey yearling Oil on canvas, various sizes; signed and dated and another canvas in a different hand (3) €1500 - 2000 Provenance: The Estate of Anne Bullitt 39 €100 - 200 20th Century School A Study Of A Toy Dog Pencil, 12 x 10cm Provenance: The Estate of Anne Bullitt €40 - 60 41 Adam Edwin Proctor (1864-1913) Fisherfolk Oil on canvas, 58.5 x 38.5cm Signed and dated 1900 Est 1887 €3000 - 5000 27 Lot 41 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 28 Lot 42 42 19th Century School Figures with Animals Watering in a Capriccio Landscape Oil on canvas, 41.5 x 81cm 44 Don Juan de la Cruz after Don Manuel de la Cruz The Evolution of the Human Race A collection of 6 Engravings taken from a book, 28 x 19cm (6) €400 - 600 Provenance: The Estate of Anne Bullitt €100 - 200 43 Martinet, 20th Century Ornithological studies A set of nine engravings, 24.5 x 20.5cm Provenance: The Estate of Anne Bullitt €300 - 400 45 Attributed to Joseph Highmore (1692-1780) Portrait of a little Girl, Full length in a blue dress, picking flowers beside a classical styled garden urn with a lapdog at her feet Oil on canvas, 105 x 81cm €10000 - 15000 Est 1887 29 Lot 45 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 30 46 Jacquot, 20th Century 51 James Baker Pyne (British, 1800-1870) Cartoon Study of a Bull and Foal Pen and ink, 12.5 x 17cm Signed View Of London Oil on canvas, 27.5 x 42cm Signed, dated 1844 and numbered 120 Provenance: The Estate of Anne Bullitt €1000 - 2000 €50 - 80 52 Attributed to Giovanni Battista Carr aciolo (1578-1635) 47 Putto Ink and wash, 18 x 14cm Signed indistinctly Chinese School, 19th Century A set of four scrolls depicting: A Man Tethering A Pair Of Horses; Recumbent Hounds; Emperors Gardens Party With Courtesans, Children And Attendants; Horses In Mountainous Landscape Ink on silk lined paper, various Each signed (4) Provenance: Christie’s Old Master Drawings Auction, London, April 2007 €450 - 550 Provenance: The Estate of Anne Bullitt €300 - 500 53 48 Fr ank O. Salisbury (1874-1962) Lilium, Delphinum and Boccania Oil on canvas, 89 x 69cm Signed Early 19th Century School Portrait Miniature of a Young Man Oil on ivory, oval, 5 x 4cm €3000 - 4000 €250 - 300 54 19th Century School Portrait of a Young Man Oil on canvas, 72 x 60cm 49Hull Englishmen of War in Harbour, Sunset Oil on canvas, 89 x 162cm Signed €1000 - 1500 €3000 - 5000 55 50 After Benjamin Herring (1806-1830) The Silks and Satins of the Turf Colour engraving, 60.5 x 117cm €200 - 300 Benjamin Williams Leader R A (1831-1923) Streamlet at Bettws-Y-Coed, North Wales Oil on canvas, 57 x 46cm Signed €2500 - 4000 Est 1887 31 Lot 55 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 32 56 Charles Thomas Bale Still Life With Fruit; Still Life With Fruit And Duck Oil on canvas, 77 x 51cm Signed [2] €6000 - 8000 57 Louis van Sta aten (1836-1909) Monnikendam Watercolour, 56 x 39cm Signed €300 - 500 58 18th Century Style Silhouette of a Gentleman, in Profile Watercolour on plaster, oval, 8.5 x 6.5cm Bearing inscription verso “I. Thomason, 33 Capel Street, Dublin, 1792” Lot 56 €100 - 150 59 EHC Lucas Birds Nest with Primroses, Woodland Flowers and Insects Oil on canvas, 28.5 x 43.5cm Signed €300 - 400 Lot 59 Est 1887 33 60 J. Alex ander Cattle Watering in a Stream Oil on canvas, 49 x 74cm Signed €200 - 300 61 Dumas, 19th Century Style Portrait of a Lady, half length, in an Empire line dress Watercolour on ivory, oval, 8 x 6.5cm Signed Together with Remy, 19th Century Style Portrait of a Lady, half length, with ringletted hair, in a white dress with blue sash and a gold chain Watercolour on ivory, 8 x 6.5cm (2) Lot 60 €300 - 400 62 20th Century School Figures on a Beach Oil on board, 9 x 12.5cm €200 - 400 63 William Williams Highland Cattle at Evening Oil on canvas, 39 x 59cm Signed €200 - 300 Lot 63 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 34 Lot 64 64 Continental School, 19th Century Portrait of a Lady and Gentleman; Half Length, She dressed in black with rose corsage and holding a fan. He in tails with watch chain Oil on canvas, oval, a pair, 100 x 77cm each (2) €2000 - 3000 65 Irish School, 18th Century Half Length Portrait Of A Lady In A White Dress Seated Oil on canvas, 71 x 59cm Provenance: The Estate of Anne Bullitt €1000 - 1500 Lot 65 Est 1887 35 66 Attributed to Thomas Walmsley (1763-1806) Figures Resting by a Waterfall Gouache, 37 x 48cm €600 - 800 67 H. Heath Nosey on his Knees orThe Red Striking the Blue Handcoloured lithograph, 21 x 34cm First published 1830, by S. Gans, Southhampton Street, Strand €300 - 500 Lot 66 68 George Cattermole (1800-1868) Temple Interior; Possibly The Scourging of the Temple Watercolour, 32 x 22cm Signed verso €300 - 500 69 Follower of Fr ancesco Solimena (1657-1747) An Allegory depicting a Female Warrior Slaying a Slave Oil on canvas laid on plyboard, 85 x 42cm €3000 - 5000 Lot 69 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 36 70 Georg Schmidt Rocky Coast Oil on canvas, 70 x 90cm Signed Inscribed on artist’s label verso and dated 1883 €2000 - 4000 71 George Cattermole (1800-1868) The Interior of The Mezquita Cordoba Watercolour, 40 x 27.5cm €400 - 600 Lot 70 72 George Petrie (1790-1866) Monasterboice Oil on canvas laid on board, 51 x 61cm (20 x 24”) €2000 - 3000 73 J. M. Templeton Orientalist desert landscapes A set of three, Watercolour, 24 x 62cm, 25 x 62cm, 26 x 62cm Each signed €800 - 1200 Lot 72 Est 1887 37 74 Continental School, 19th Century Fishermen and Abbey Ruins in a Wooded River Landscape Oil on canvas, 51 x 61cm €600 - 800 75 19th Century School Figures in Tavern Interior, One Reading, Two Standing with Dog Oil on panel, 25 x 32cm €400 - 600 Lot 74 76 After James Malton (1761-1803) Saint Patrick’s Cathedral Engraving, 26 x 37.5cm €200 - 300 77 Irish School, 18th Century Classical Landscape With Figures By A River Oil on canvas, 74 x 124cm €6000 - 8000 Lot 77 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 38 78 Louis Van Sta aten (Dutch, 1836-1909) Dutch Estuary With Fishing Boats Watercolour, 49 x 74cm Signed €400 - 600 79 Arthur H. Cole (19th Century) Riverside Village at Evening Oil on canvas, 75 x 126cm Signed and dated 1898 Lot 78 €800 - 1200 80 B. Green Fishermen In A River Landscape With Cattle Watering Oil on canvas, 51 x 76cm Signed and dated 1914 €1500 - 2000 81 Early 19th Century Dutch School Interior with Cavaliers Oil on canvas, 43 x 34cm €600 - 800 Lot 80 Est 1887 39 82 19th Century School Drover with Sheep and Cattle, on a Wooded Lakeside Pathway, a Church in the Background Oil on board, 47 x 61cm (Unframed) €800 - 1200 83 S. Reginald Smith (1870-1926) Clovelly, Devon with a View of the Red Lion Hotel Oil on canvas, 40 x 61cm Signed, also signed and inscribed on stretcher verso €1000 - 2000 Lot 82 84 19th Century School After Walter Little Shepherd Fishing from a Bridge in a River Valley. Oil on canvas, 35 x 45cm €600 - 800 85 Late 18th Century English School Portrait Of A Lady In A White Dress Pastel on canvas, 32 x 25cm €8000 - 12000 Lot 85 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 40 86 English School, 19th Century Sheep in Pasture; Village in the Background Oil on canvas, 49 x 90cn Signed indistinctly €1000 - 1500 87 19th Century German School Snared Fox; Dead Duck Oil on panel, 32 x 44cm each (a pair) Each signed and dated ‘91 and inscribed Munchen €1500 - 2000 88 Jacquot, 20th Century Study of a Terrier Pencil and watercolour, 10 x 13cm Signed and dated ‘59 Provenance: The Estate of Anne Bullitt €50 - 80 Est 1887 41 Lot 103 100 An English 19th Century vanity case, London marks; containing a full compliment of silver mounted bottles and accessories held in compartmented trays. 102 An English Victorian matched three piece tea and coffee service, London marks, various dates and makers. Comprising of a teapot, coffee pot and cream jug, each piece of generous proportions and baluster form decorated with cast and applied leaf bands and with floral finials, the handles with acanthus over-scrolls, and raised on shaped circular feet applied with chased acanthus leaves (3). €500 - 700 €2000 - 3000 101 A plain hex agonal ink-well. Sheffield, 1922. With hinged lid, the spreading base with pen-rest. €200 - 250 103 A Rococo Revival silver gilt dish ring of waisted circular form, London 1904, Maker John Bodman Carrington. Decorated with chinoiserie motifs, interposed with vacant cartouche amid scrolls, foliage and birds on a rim foot, 18.5cm diameter. Together with a circular inset, London 1900, Maker John Bodman Carrington. Similarly decorated with leaf scrolls and foliage and having cranberry glass liner, 22cm diameter €2000 - 3000 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 42 104 A set of 12 Regency dinner plates, London, 1819, Phillip Rundell, for Rundell Bridge and Rundell. With gadrooned leaf wrapped cast rims, each 25.5cm diameter The firm of Rundell Bridge and Rundell were patronised by the Prince Regent, later George IV, and employed Paul Storr during the most successful period of his career. Indeed it was their designs that are said to have allowed Storr to come into his own as a technical genius. The firm are widely considered to be the pre-eminent English silver manufacturers of the Regency Period. €15000 - 20000 Est 1887 43 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 44 105 A small silver presentation str awberry dish, 110 Dublin,1966. With a wide fluted and panelled rim, inscribed, “Harp Larger Maiden Plate, Ballinrobe Races, 1970, Winning Trainer”. 11.5cm diameter comprising A Victorian fiddle pattern soupspoon, London 1845, maker E.E A William IV butter knife, London 1830, maker C.S. A modern ashtray of shaped circular form, London 1917, G & S Co. Ltd, 11cm diameter etc [4] Provenance: The Estate of the Anne Bullitt €40 - 50 106 €50 - 70 A George V silver mounted ivory letter opener, the mounts Birmingham, 1911, maker C and N. 48cm long 111 €600 - 800 €500 - 700 Two African white metal amulets with jewelled glass decoration 112 A modern salver of circular form, Chester 1932, S.B. &S Ltd. With an applied border and beaded wavy rim interposed with anthemia, surrounding a plain central reserve, raised on three ball and claw feet, 21cm diameter Provenance: The Estate of Anne Bullitt €30 - 50 108 A George III neoclassical style part tea service, London 1813, Naphthäli Hart. Comprising a teapot and cream jug, both of oblong form, having gadroon rims, ‘C’ scroll handles and bright cut lattice engraved in bands to the lobed bodies, raised on four ball feet. Provenance: The Estate of Anne Bullitt 107 A miscellaneous collection of silverware, €200 - 300 A 19th Century part set of fruit knives and forks, Sheffield 1898. Comprising of 11 two-prong forks and 9 knives. Each with mother-of-pearl handles contains in a fitted mahogany case 113 An Art Nouveau style silver photogr aph fr ame of shaped rectangular form, bearing import marks, 21cm high €80 - 120 €100 - 150 109 A set of six Irish George IV Kings Pattern tablespoons, Dublin 1827, maker Charles Marsh. €100 - 150 114 A Irish George III sugar bowl of circular form, Dublin 1790. With punched rim above a wide fluted body interposed with punched ovals enclosing a griffin crest, the base with star engraving and raised on three shell capped hoof feet, 14cm wide. €800 - 1200 Est 1887 45 Lot 114 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 46 116 A late Victorian / Edwardian matched creamer and sugar bowl, both of circular form, 120 London 1899 and 1903, 7.5ozs. With c-scroll handles, the folded rim above a band of embossed shell motifs, floral scrolls and vacant cartouche A handsome Victorian inkstand of shaped rectangular form, London 1850, SH DC. The raised central reserve inset with two removable moulded glass inkwells of ovoid form with bulbous hinged lids and urn shaped finials, flanking a central panelled compartment surmounted by a removable chamber candlestick. The border cast with pierced and chased shell and scrollwork and raised on four scroll feet, 44cm wide €200 - 300 €2000 - 3000 117 An Edwardian three piece tea service, 121 Birmingham, 1947. Comprising of teapot, sugar bowl and cream jug. Each of navette outline, having chased foliate borders and raised on a stepped pedestal foot. €350 - 450 €250 - 400 122 118 A modern three piece tea service, Chester, 1901, Maker JMB. Of faceted oval form, comprising of teapot, cream jug and sugar basin, each with gadrooned rim and lobed body Chester and Birmingham, 1912. Comprising of two plain baluster pepper pots, a shaped circular mustard pot and twin salts. A modern Irish oval cartouche shaped bon-bon dish, Dublin 1944. With plain oval reserve, and pierced border embossed with flowers and scrollwork, together with an oval mustard pot, with blue glass liner, and a caddy spoon in the form of a scallop shell, Birmingham marks. €150 - 200 A composed Edwardian cased condiment set, €120 - 180 123 A Victorian ivory and silver mounted letter opener with horn handle. The mounts London, 1879, Maker JB. 49cm long €300 - 400 119 An Irish Victorian four piece tea and coffee service, Dublin, 1854, R.W Smith, 83ozs. Comprising of tea and coffee pot, sugar basin and cream jug. Each of lobed baluster form, chased and engraved with foliate motifs and crested cartouches and raised on a stepped circular foot. €1000 - 1500 124 An Irish Rococo sugar bowl of circular form, Dublin c. 1780, Matthew West. Having punched rim and repoussé decoration depicting farmyard scenes, above wrythen punched sunbursts to the base, raised on shell capped hoof feet, 13.5cm diameter. €600-800 €600 - 800 Est 1887 47 Lot 120 Lot 124 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 48 125 A pair of modern Irish three-light candelabr a, Dublin 1973, R.N. In the William III style, each with urn shaped nozzles on scrolling branches centred by a knopped finial and raised on a knopped and faceted stem and hexagonal foot, 27cm high 130 A matched pair of Edwardian helmet shaped sauceboats, Birmingham 1939 & 1949. The ‘S’ scroll dragon mask handles applied to a plain body decorated with a Celtic band to the rim and raised on three strap work and gargoyle mask feet. €800 - 1200 €400 - 500 131 127 A George V Celtic Revival two handle sugar bowl of circular form, Birmingham, 1922, J.W & S. The double ‘C’ scroll handles applied to a body decorated with a Celtic band, and raised on a circular pedestal foot. Together with a George III pepper shaker of amphora form, London 1792, M.P. With a pierced top and chased body, supported on a circular pedestal foot. [2] A modern Irish rose bowl of circular form, Dublin 1970, R.N. The plain body with a pierced wavy rim and raised on a single circular spreading foot. €400 - 500 €150 - 250 132 128 An Irish Edwardian Celtic Revival sugar bowl of circular form, Dublin 1914, Hopkins & Hopkins. With torc shaped handles and decorated with repoussé Celtic bands, also engraved “Eileen”. The stem applied with filigree Celtic design on a circular pedestal foot. A George V christening mug of baluster form, Birmingham 1930. The leaf wrapped double ‘C’ scroll handle applied to a plain body supported on a circular spreading foot, 10cm high €100 - 150 €80 - 120 133 A modern sugar bowl of plain circular form, Dublin 1986. With ribbed rim and engraved crest, raised on a graduated circular spreading foot. 129 €50 - 80 A George V part tea service comprising of a helmet shaped cream jug and sugar bowl, Birmingham 1912, T.E.A. Both having keyhole recesses to the rim and double ‘C’ scroll lion mask handles applied to plain body with central rib, raised on lion capped rope twist paw feet. [2] €150 - 250 134 An Irish Victorian three-piece tea service, Dublin 1892 by West and Sons (53ozs). Comprising a teapot, two-handled sugar bowl and cream jug. The teapot of pear form with hinged lid and floral finial, above ‘C’ scroll acanthus wrapped handles applied to a body embossed with Rococo Revival style scrolls and garlands and engraved with presentation inscription, raised on four mask capped stylised paw feet. €1500 - 2000 Est 1887 49 Lot 130 Lot 134 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 50 136 A modern Irish two-handled cup of flared circular form, Dublin 1922, Edmond Johnson Ltd. With plain body and gadroon wavy rim and raised on a circular spreading foot with a gadroon border. €50 - 100 137 A cased set of 11 Victorian King’s pattern knives, the interior baize lined, Sheffield 1863, Martin Hall and Co Ltd €500 - 800 138 A Victorian Elkington and Co. Sheffield plated table centrepiece. Naturalistically cast in the form of intertwining palm trees on a rocky and foliate base, with stand en suite (mirrored base missing from stand) 44cm high €500 - 800 Lot 138 Est 1887 51 139 Two George II candlesticks, London c. 1750, makers James Gould & John Café. The detachable squared drip pans with foliate chasing above urn shaped ribbed nozzle raised on a faceted tapering knopped stem with applied leaf decoration and a shaped square foot with acanthus and rocaille chasing, 21cm high €1200 - 1800 140 A miscellaneous collection of various silver condiments, including: a modern drum-shaped mustard pot Sheffield 1938, Jas. Dixon & Sons, together with a mustard spoon, Birmingham 1940; A modern cauldron-shaped salt, Sheffield 1937, Jas. Dixon & Sons. With gadroon rim and blue glass lining, supported on three pad feet; A vase-shaped pepper pot, Sheffield 1937, Jas. Dixon & Sons. Together with another pepper pot, Chester date letter rubbed, Makers mark W.A. €150 - 200 141 A five piece silver tea and coffee set, Sheffield 1890 (the water pot 1891), of plain tapering form, engraved with scrolling foliage. €700 - 1000 142 An embossed silver photogr aph fr ame, Birmingham 1900 and a Dutch silver schooner spoon with sterling import mark. €40 - 60 Lot 139 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 52 143 144 A silver and bone handled crested fruit set, 148 together with four Irish Georgian egg spoons, also fiddle pattern, and a cased set of six presentation teaspoons (modern). €200 - 300 €200 - 300 Four fiddle pattern dessert forks, Dublin 1885 and a miscellaneous collection of eleven Georgian teaspoons. 149 A matched pair of George III English tablespoons, the plain tapering handles with feathered border, one London 1782, the other with date letter rubbed, Hester Bateman, 5.5ozs in all. A set of six Irish Victorian fiddle pattern and rat tail dessert spoons with crested handles, Dublin, 1841, C. Cummins and G. Brown, 8.5oz.. €100 - 200 145 A set of six Victorian fiddle pattern tea spoons Sheffield 1906. Comprising of twelve forks and twelve knives with engraved blades, in a mahogany canteen case. €100 - 150 150 A Victorian Sheffield plated domed dish cover, with beaded handle and rim, 50cm wide. Together with two cut glass scent bottles having silver lids, crested and engine turned and engraved with initials D.B. London, 1919 [3] €150 - 200 €100 - 150 146 A circular photogr aph fr ame, Birmingham, 1921, of plain design. 151 €80 - 120 An American silver plated fruit bowl of shaped circular form with flared body raised on a corresponding foot. €50 - 80 147 A collection of Indian white metal models of various animals and insects. €80 - 120 152 A pair of modern Irish three-light candelabr a, Dublin 1973, R.N. In the William III style. Each fitted with waisted urn shaped nozzles having detachable drip-pans on scrolling branches and a knopped and faceted stem and hexagonal foot, 32cm high €800 - 1200 Est 1887 53 Lot 152 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 54 153 A George II two-handled cup of baluster form, London 1730, Thomas Farren. The reeded ‘C’ scroll handles flanking an embossed body, with vacant cartouche and leaf motifs, enclosed by gadrooning towards the rim and bands of fluting to the base, raised on a chased and engraved circular spreading foot. €250 - 350 154 A Victorian card case of shaped rectangular form, Birmingham, 1857. Decorated with engine turning and a central crest with motto “Honor et Honestas”. Together with an oval card tray, London, 1901, with spot hammered decoration and inscribed Drew and Sons, Piccadilly Circus. (2) €200 - 300 Lot 153 155 A Regency Sheffield plated circular plateau with mirror inset. The border cast with lotus leaves and a continuous frieze of griffins interposed with rosettes, raised on bun feet 44cm diameter Provenance: The Estate of Anne Bullitt €200 - 400 156 A set of four George V bon-bon dishes of quatrefoil form, Birmingham 1912, E.S.B. Each with pierced lattice and bellflower decoration and having applied bellflower rim, raised on four paw feet. 10 x 10cm [4] Lot 154 €100 - 150 157 A George III fruit basket of oval form, London, 1770, 38 oz. With pierced and beaded swing handle above a panelled body pierced with leaf scroll, quatrefoil and cruciform motifs interposed with repousse ears of wheat, and raised on a geometric pierced oval foot, with gadroon rim. 39 x 33cm €2000 - 3000 Lot 156 Est 1887 55 Lot 157 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 56 Lot 158 158 A matched pair of Georgian salvers of circular form, London 1768, I.C. & London 1827, W.B. The central armorial engraved within a broad band of foliate scrolls and flowers, cast with pierced foliate scroll feet, 41cm diameter [2] 160 A pair of Sheffield plated embossed and knopped candlesticks, 19th Century, and another similar pair, 31cm high €100 - 200 €2000 - 3000 159 A set of four Victorian silver plated table candlesticks, the nozzles cast with palmettes on a cluster column and square foot embossed with ribbon tied bell flower swags and rosettes and with a beaded border, both 32cm high. [4] €1200 - 1800 161 A pair of plated vase holders, 19th Century. In the form of openwork scrolls with birds, supporting engraved trumpet-shaped vases, 27cm high and a pair of small triform stands. Est 1887 162 A 19th Century Chinese cameo glass scent bottle in the form of a moon vase. 57 The opaque white ground decorated with crimson foliate carved overlay, 5cm high, together with a rock crystal carving in the form of an egg with insects and foliage in relief, 6cm high (2) Provenance: The Estate of Anne Bullitt €400 - 600 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 58 163 A Japanese carved jade perfume bottle in natur alistic artichoke form, 9cm high. Provenance: The Estate of Anne Bullitt €150 - 250 164 A Chinese white porcelain bowl of circular form decorated with subtle underglaze decoration of dragons in clouds, raised on circular rim foot, 21cm diameter. Provenance: The Estate of Anne Bullitt €200 - 400 165 A collection of Oriental lacquer boxes, variously decorated, in sizes (4) Provenance: The Estate of Anne Bullitt €50 - 80 166 A pair of Italian 19th Century carved timber polychrome and parcel gilt scupltures of angels kneeling on octagonal bases. 31cm high. Provenance: The Estate of Anne Bullitt €300 - 500 167 A carved Japanese lacquer box, Qianlong. Of shaped oval form, decorated with flowerhead and swastika motifs and meandering folaige in relief, 12cm wide. Provenance: The Estate of Anne Bullitt €800 - 1200 Lot 163 Est 1887 Lot 167 59 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 60 Lot 168 168 A Japanese bronze figure of a resting r abbit, 19th Century, Signed, 10cm long. 170 decorated in burnt orange with leaves and strapwork and galloping horses 15cm tall Provenance: The Estate of Anne Bullitt €200 - 300 169 Provenance: The Estate of Anne Bullitt €100 - 150 A resin boot horn with a long bentwood barley twist handle, 61cm long. A pair of small Japanese Meji period porcelain double gourd shaped jars 171 Two German china models of terriers, Provenance: The Estate of Anne Bullitt each approx 13cm high. €30 - 50 Provenance: The Estate of Anne Bullitt €50 - 100 Est 1887 61 172 A Japanese moulded glass perfume bottle, the interior hand painted with a coastal landscape and Japanese script 6cm high Provenance: The Estate of Anne Bullitt €100 - 150 173 A pair of Staffordshire china figures modelled in the form of milking maids and cattle, on oval naturalistic bases encrusted with grass together with a pair of creamers in the form of cattle, one decorated in blue and white transfer print the other in polychrome enamels 23cm wide, 17cm high. [4] Provenance: The Estate of Anne Bullitt €100 - 200 174 Two Chinese bottle vases converted to lamps, one decorated with red carp, the other blue and white, 27cm and 29cm high respectively. Provenance: The Estate of Anne Bullitt €200 - 300 174A A modern Italian jardiniere by Richard Ginori, of inverted bell form. Having gilt borders and white ground printed and hand coloured with a chaffinch perched on a branch, and raised on a stemmed circular foot. 18.5cm high Lot 172 Provenance: The Estate of Anne Bullitt €30 - 50 175 A Berlin KPM teapot and cover, circa 1830. With gilded and hand painted arabesque decoraton. Three printed marks. €300 - 5ww00 176 A Japanese hardstone perfume bottle, of squared form with shallow cylindrical neck on an oval moulded foot, 7cm high. Provenance: The Estate of Anne Bullitt €100 - 200 Lot 176 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 62 178 A Meissen model of a Bolognese dog, blue cross swords mark. 22cm high. €700 - 1000 179 A Dresden pot and cover, decorated in the 19th Century style. €60 - 100 (PART OF LOT 162) 180 A 19th Century Japanese carved fruitwood Netsuke erotic figure of a seated girl. 5cm tall. Provenance: The Estate of Anne Bullitt €200 - 300 Lot 180 Est 1887 63 181 A Chinese ivory carving, 19th Century. In the form of an apple, with interior carved out to depict fishermen hauling in nets in a coastal garden landscape, a pagoda in the background, 6cm high. Provenance: The Estate of Anne Bullitt €200 - 300 182 A Vodrey pottery ewer decor ated with running brown glazes and stamped Vodrey Dublin Pottery to the base of the circular foot, 21cm high. €500 - 800 Lot 181 183 A large Inuit walrus tusk decor ated with scrimshaw hunting scenes depicting Eskimo in reindeer drawn sleighs with huskies hunting bear, rabbits, walrus and seals and also drying their skins. 57cm long. Provenance: The Estate of Anne Bullitt Lot 183 €500 - 700 184 A Japanese carved jade box and cover, late 19th Century/early 20th. Of rectangular form with re-entrant angles, the cover carved in relief with birds of paradise in chrysathemums, 12.5cm wide Provenance: The Estate of Anne Bullitt €200 - 300 Lot 184 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 64 185 A Spainish polychrome carved timber sculpture of a saint reading, 87.5cm high. 186 A Italian carved Ivory crucifix with white metal mounts, Provenance: The Estate of Anne Bullitt early 19th Century. 62cm high €200 - 300 Provenance: The Estate of Anne Bullitt €800 - 1200 Est 1887 65 187 A Victorian ebonised timber, coromandel and enamelled ink stand of square form, inset with cut glass square ink well having brass hinged lid decorated with polychrome enamel flower, on a brass and enamelled plinth with stepped timber base. 18.5cm €200 - 300 188 A modern Belleek china table centre vase, the body decorated with shamrocks, raised on a circular base encrusted with flowers and foliage (28.5cm high including base) €100 - 150 Lot 187 189 A Victorian coromandel and pietr a dur a inset bookstand with extending collapsible ends inset with oval pietra dura plaques, with brass gadroon border, raised on a platform base. 41cm long, 61cm long when fully extended €400 - 500 191 A Worcester Dr. Wall period teapot, of globular form. The cover with pomegranate finial, the body painted with figures in a garden landscape with lake and mountains beyond, and within gilt scroll highlights, 19cm high €200 - 300 Lot 189 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 66 192 An early 19th Century carved ivory walking cane, the handle carved in the form of a lurcher with a silver collar inscribed “Thomas Moore from Samuel Lover, 1818”. Provenance: The Estate of Anne Bullitt €800 - 1000 193 A 19th Century Staffordshire pottery figure of a standing greyhound with a hare in its mouth, together with a Staffordshire figure of a seated Prince, 26cm high; 25cm high respectively (2) Lot 192 Provenance: The Estate of Anne Bullitt €100 - 150 194 A 19th Century ivory walking cane handle carved in the form of a hare with glass eyes. Provenance: The Estate of Anne Bullitt €200 - 300 Lot 194 196 An early 19th Century ivory walking cane handle carved in the form of a parrot with glass eyes. Provenance: The Estate of Anne Bullitt €400 - 500 197 A Caughley two handled circular ice pail, decorated with blue and white transfer printed Chinese willow pattern within gilt banding, Salopian mark, 22cm diameter. Provenance: The Estate of Anne Bullitt €100 - 200 Lot 196 Est 1887 67 Lot 198 198 A Victorian ivory and silver mounted letter opener with horn handle. The mounts London, 1879, Maker JB. 49cm long €300 - 400 199 A 19th Century walking cane handle in 800 standard white metal cast in the form of a duck head with emerald eyes. Lot 199 Provenance: The Estate of Anne Bullitt €400 - 500 200 A George V silver mounted ivory letter opener, the mounts Birmingham, 1911, maker C and N. 48cm long Provenance: The Estate of Anne Bullitt €600 - 800 201 A set of three 20th Century Italian china planters in the form of frogs, in sizes, the largest 17cm high Provenance: The Estate of Anne Bullitt €50 - 100 Lot 200 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 68 202 A Japanese carved pale jade perfume bottle of oval form, engraved with bat in cloud and foliate motifs, 6.5cm high. Provenance: The Estate of Anne Bullitt €100 - 150 203 A 19th Century Berlin KPM porcelain plaque handpainted with a half length portrait of a girl in Grecian style dress with daisies in her hair, 17 x 13.5cm Signed Wagner Impressed sceptre mark above KPM €800 - 1200 Lot 202 204 A Bow soft-paste porcelain figurine of ‘Music’, depicted holding a lyre and leaning against a mound of musical scores and instruments on an asymmetrical cartouche base highlighted in green and gilt (unmarked), 19cm high. Provenance: Collection of the late Louis Kinlen €200 - 300 205 A Blanc de Chine porcelain figure of a Chinese Goddess of Mercy Guanyin, 43cm high €100 - 200 206 A large Worcester Dr. Wall period tea bowl of fluted ovoid form transfer printed with floral sprigs in underglaze blue open crescent mark, 8cm high, 10cm diameter Provenance: Collection of the late Louis Kinlen €150 - 200 Lot 205 Est 1887 69 Lot 207 207 A high Victorian majolica jardinière of monumental proportions, probably Minton’s. Modelled as a conch shell flanked by mermaids with ribbon and seaweed garlands draped over their shoulders, the shell base naturalistically modelled with seaweed on an oval foot. 97cm wide, 63cm high, 45cm deep €3000 - 5000 208 A Minton’s biscuit porcelain model of a seated girl feeding a caged bird circa 1840, representing the sense of touch and featuring lace decoration to the head-dress and gown, 15cm high. Provenance: Collection of the late Louis Kinlen €200 - 300 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 70 209 A pair of Duesbury Derby figur al candlesticks, 18th Century. Modelled as fruit gatherers, in period costume, on a rococo scroll base and tree stump rising to a leafy candle nozzle, approx 26cm high. €600 - 800 210 A Bloor Derby porcelain model of a faggot-gatherer in stripy gilt breeches on a naturalistically modelled tree-trunk base and circular foot with gilt band, printed Red Bloor Derby mark and inscribed design numbered N 123, 16cm high Provenance: Collection of the late Louis Kinlen €150 - 250 Lot 209 211 Three Chamberlain’s Worcester ‘Dr agons in compartment’ circular plates and another smaller, together with three variously shaped cups and saucers in the same pattern, each decorated in a palette of burnt orange, green and gilt with kylin and vases of flowers. [10 pieces] Provenance: Collection of the late Louis Kinlen €250 - 350 212 A Meissen model of Count Bruhl’s tailor riding a goat, 19th Century. Painted in polychrome enamels. cross swords mark. €600 - 800 213 A collection of 18th Century English porcelain including: A Crown Derby mug of cylindrical form, white ground decorated with bands of foliate gilding and blue painted bells, 9cm high; A Barr’s Worcester helmet shaped cream jug decorated with brown and gilt foliate bands with impressed mark and another similar jug unmarked aside from painted numerals 778 [3] Provenance: Collection of the late Louis Kinlen €200 - 300 214 A miscellaneous collection of English and Continental china, including a Regency cabinet cup decorated with Venetian views en grisaille, a Crown Derby cabinet cup and saucer with green and gilt oeil de perdix decoration (puce mark) and various cups, bowls and wsaucers. Provenance: Collection of the late Louis Kinlen Lot 212 Est 1887 €400 - 600 71 215 A Dresden polychrome porcelain figur al group, in 18th Century style, modelled as a fruit vendor warding off two young thieves, raised on a naturalistic base encrusted with flowers and scrolling motifs highlighted in gilt, 25.5cm high €300 - 500 216 A Wedgwood green Jasperware cylindrical pot and cover together with a blue Jasperware beer jug of tapering cylindrical form and a Black Basalt-ware plaque of oval form depicting Benjamin Franklin in bas-relief profile. Provenance: Collection of the late Louis Kinlen €100 - 150 217 A pair of Worcester Dr. Wall period tea bowls, the exterior moulded with Oriental blossoms in the blanc de chine manner and the interior decorated with transfer printed blue fence and lotus flower motifs. Open crescent mark, 10cm diameter. Together with a smaller Dr. Wall tea bowl of faceted circular form decorated with bird, trailing oriental foliage and lattice border to the interior, also open crescent mark, 8.5cm diameter [3] Lot 215 Provenance: Collection of the late Louis Kinlen €500 - 700 218 An 18th Century Bow tea bowl decor ated in green and pink enamelswith vases and baskets of flowers with insects, 11cm diameter. Together with another larger bowl also probably Bow with Chinoiserie figural decoration in polychrome enamels, 14.5cm diameter [2] Provenance: Collection of the late Louis Kinlen €400 - 600 219 A Meissen ewer, 19th Century. Of slender baluster form, decorated with handpainted panels depicting figures in a harbour, after J.G. Horoldt, surrounded by gilt and floral painted borders, on a waisted circular foot. Cancelled cross swords mark, 17cm high. €150 - 200 220 A Crown Derby pot-pourri jar and cover of Neo-Classical design. The cover with pineapple finial and moulded with a Classical figural frieze, hand coloured. The bowl decorated with encrusted flowers on a quadruped base highlighted with gilt leaf scrolls, puce mark, 14cm high. Provenance: Collection of the late Louis Kinlen €300 - 500 Lot 219 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 72 221 A Copeland Spode china part dinner service, 20th Century. In the ‘Trade Winds’ pattern decorated with transfer printed tall ship motif. Provenance: The Estate of Anne Bullitt €350 - 450 222 A Worcester Dr. Wall period teapot and cover of globular form, circa 1760. The cover with floral bud finial and the entire with Chinoiserie decoration in polychrome enamels depicting Oriental fishermen in junks within scroll and floral lattice borders, 19cm high. Provenance: Collection of the late Louis Kinlen €600 - 800 223 A Dr. Wall Worcester teapot and cover of globular form, circa 1760. The cover with floral bud finial and the entire with Chinoiserie decoration in polychrome enamels depicting figures in garden landscape within iron red linear borders and gilt foliate decoration , 19cm high. Lot 221 Provenance: Collection of the late Louis Kinlen €300 - 500 224 A set of 18 Modern Dresden porcelain dessert plates, with pink ground borders decorated with overglaze gilding of lattice, leaf scroll and foliate sprays, surrounding a cream central reserve with monogram FKG in gilt. 23.5cm diam. Provenance: The Estate of Anne Bullitt Lot 224 €250 - 350 225 A pair of modern Royal Worcester spill vases, of classical urn form with winged handles highlighted in gilt; the bodies decorated with handpainted feathers within blue ground borders on a circular rim foot. Reg. # 408869 - 2282, 10cm high, 12cm wide. Provenance: Collection of the late Louis Kinlen €300 - 500 226 A set of 11 tr ansfer printed glazed earthenware fruit plates by Creil, late 19th Century, decorated with scenes from ‘La vie d’un Soldat’, 21cm diameter. Lot 226 Provenance: The Estate of Anne Bullitt Est 1887 €100 - 150 73 227 A modern Hungarian porcelain part dinner service by Herend. Decorated with printed floral sprays and insects on a white ground. Comprising of two vegetable dishes and covers, a triangular entree dish, 10 dinner plates, 12 side plates, 12 soup plates, two sauce boats, various serving dishes etc. Provenance: The Estate of Anne Bullitt €1000 - 1500 228 A Duesbury Derby lozenge shaped dish circa 1810, with green and gilt diaper border interposed with rosebud motifs, 28cm wide €100 - 150 228A A 19th Century Sevres porcelain two handle Jardiniere and stand, Chateau des Tuileries, 1844, the blue and gilt body with a large cartouche enclosing images of lovers embracing in a rural setting, and a similar cartouche with floral garlands containing the initial ‘L’ surmounted by a crown, the stand with handpainted putti presenting the crowned ‘L’ on the reserve, each with blue ground border surrounded by a lateral border of gilt ivy motif. 22cm diameter, 16cm high. Lot 227 €1000 - 1500 229 A Paris porcelain table lamp, 19th Century. Of wide fluted baluster form moulded with gilt highlighted acanthus leaves and decorated with white slip foliate motifs raised on a square foot and gilt brass plinth base. 43cm high to fitting €100 - 150 229A A 19th Century cased aneroid pocket barometer by Callaghan of London, together with two half sovereigns a miscellaneous collection of yellow metal items including a gold linked fob chain. €200 - 300 Lot 230 230 A collection of continental hand painted porcelain, including a 19th Century Meissen dish of oblong form, four Dresden saucers, an oval Dresden fruit bowl etc., each painted with colourful flower groups interspersed on a white ground (7) €0 - 0 231 A French studio glass stem vase, 20th Century, of pear form, 12cm high €50 - 80 232 A modern Meissen porcelain part dinner service, the white ground decorated with hand painted floral sprays within a gilt border. Comprising 19 dinner plates and a quantity of side plates. Provenance: The Estate of Anne Bullitt €150 - 200 Lot 232 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 74 233 A set of 18 Modern Dresden porcelain dining plates, with cream ground richly gilded with festoons, lattice and rosette motifs, the central reserve monogrammed in gilt with initials FKG. 25.5cm diam. Provenance: The Estate of Anne Bullitt €300 - 400 234 A Victorian Staffordshire porcelain dessert service, comprising of a pair of tall tazza, two oval chestnut dishes, two circular stemmed dishes and twenty dessert plates, decorated with green and gilded borders and the reserves hand painted with flowers. €200 - 300 Lot 233 235 A modern Italian part dinner by Richard Ginori, decorated with floral and fruit sprays. Comprising 10 large pepper pots, 10 smaller pepper pots, 2 teapots, 2 sucriers and covers and a quantity of cups and plates in various sizes Provenance: The Estate of Anne Bullitt €100 - 200 236 A set of 12 Sevres porcelain cabinet plates, of shaped circular form. Printed and hand coloured with portraits of French royalty and court members, within printed gilt scroll, festoon and lattice borders, each signed Debrie. Marked with printed marks: Sevres 1846 and S46 and Chateau St. Cloud; also in red script with names of the sitters depicted and in red print with the mark of Bailey, Biddle and Banks, Philadelphia. 24cm diam. Provenance: The Estate of Anne Bullitt Lot 236 €300 - 500 237 A modern Hungarian porcelain part dinner service by Herend. With gilt and lattice borders on a white ground hand painted with blue forget me nots and orange daisies. Comprising of 14 dinner plates, 10 dessert dishes, 8 dessert plates, a quatity of side plates, saucers etc. Provenance: The Estate of Anne Bullitt €300 - 500 238 A pair of Oriental table lamps, modelled with seated Chinese glazed earthenware figures on square ebonised timber bases. 27cm high Provenance: The Estate of Anne Bullitt €200 - 400 Lot 237 Est 1887 75 239 A Modern Copeland Newburyport china part dinner service. The white ground with bright blue lambrequin and bellflower borders, surrounding a ribbon tied basket of flowers within a laurel wreath armorial. Comprising Provenance: The Estate of Anne Bullitt €150 - 250 240 A Minton Parian model entitled ‘John Anderson - My Jo’ depicting a man and woman in 19th Century dress seated and holding eachothers hands, with dog and cat under their seat, on a shaped rectangular base, 25cm high, 23cm long. €300 - 400 241 A pair of modern Belleek china Aberdeen jugs of baluster form, Lot 239 the bodies encrusted with flowers €200 - 300 242 Two similar Sévres style porcelain cache-pots, with moulded leaf scroll handles and green ground decorated with vignettes of hand painted flowers with overglaze gilding, each approx 10cm diameter. Provenance: The Estate of Anne Bullitt €300 - 400 243 Lot 242 A miscellaneous collection of Belleek china comprising of three second period toy shell creamers with pink highlights, together with two second period toy shell sugar bowls with cob lustre glaze. (5) €100 - 150 244 A pair of modern Meissen tazze decor ated with insects and flowers and with pierced lattice boarders, together with a modern Dresden shaped oval serving dish and a modern Meissen shaped rectangular serving dish, similarly decorated with floral sprays on a white ground and a quantity of Dresden saucers. Provenance: The Estate of Anne Bullitt €150 - 250 Lot 244 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 76 245 A Chinese circular lacquer bowl, 19th Century, the brick red ground decorated with gilded chrysathemum heads, 41cm diameter. Provenance: The Estate of Anne Bullitt €300 - 400 246 A Belleek china first period Thistle Teaware shell plateau dish with cob lustre glaze, together with another smaller (fifth period). (2) €200 - 300 247 A Belleek china second period flowered spill vase, raised on a tripod base with cob lustre glaze, together with a third period heart shaped dish. (2) €200 - 300 Lot 245 248 An Oriental Art Pottery glazed earthenware dish, of shaped circular form. The central resrve decorated with a large carp within wave scrolls and geometric border. 34cm diam. Provenance: The Estate of Anne Bullitt €100 - 150 249 A miscellaneous lot of Belleek china comprising of a third period ash tray, modelled as a currach on a rocky base, a second period circular shell sugar bowl and a second period Harp Shamock Teaware Rathmore biscuit jar. (3) €200 - 300 250 A modern Belleek china Hand woven Hex agon cake plate, together with a fifth period Limpet Teaware teapot. (2) Lot 248 Est 1887 €100 - 150 77 251 A Japanese Imari circular porcelain bowl, late 19th/20th Century decorated in burnt orange, blue and gilt, with vignettes of tall ships and Dutch East India traders on a lattice ground with meandering foliage to the interior, 25cm diameter. Provenance: The Estate of Anne Bullitt €100 - 200 252 A miscellaneous lot of earthenware comprising of two Belleek second period plain tankards, two first period tureens with covers transfer printed in brown and green, a first period mixing bowl, two transfer printed plaques (possibly Belleek no marks) and two covers €100 - 150 253 A Wedgwood early 19th Century oval tureen and cover, Lot 251 in biscuit earthenware. The cover with finial modelled in the form of a crouching rabbit surrounded by groups of hanging game, the base with gadrooned edge similarly modelled with vines and hanging game, fitted with a glazed ceramic liner. Impressed mark to the base. 29cm Long €500 - 700 254 A Chinese circular porcelain bowl, 19th Century. The central reserve decorated with flying cranes in a mountainous landscape, surmounted by panelled vignettes depicting figures with horses and buffalo. 35cm diameter Provenance: The Estate of Anne Bullitt €300 - 500 255 Lot 254 A 20th Century green onyx and porcelain mantle clock with bevelled glass and brass casing, the porcelain dial hand painted with floral garlands and inscribed Sydney Hanna, Belfast, 28cm high. (The movement marked Paris). €100 - 200 256 A 19th Century Chinese famille rose porcelain bowl, of squared form with re-entrant angles. Profusely decorated in polychrome enamels with flowers and insects, the interior with border of dragons in clouds and central floral spray, 26cm diameter. Provenance: The Estate of Anne Bullitt €150 - 250 Lot 256 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 78 257 A Belleek china second period Hex agon coffeeware set with lustre and pink tinged glaze and gilt borders. Comprising of 8 cups, 1 cream jug, 12 side plates, 10 saucers, 1 sugar bowl and two large plates. €400 - 600 258 A Cantonese porclain baluster vase, decorated in polychrome enamels with vignettes of students in interiors and exotic birds in foliage within wave scroll and foliate borders and having twin moulded handles and applied lizards to the neck, 35cm high. €100 - 200 259 A pair of Victorian salt glaze pottery oil lamps, in the Doulton Lambeth style, converted to electricity, 38cm high. €400 - 500 260 A Meissen polychrome porcelain figur al mantle clock, 19th Century. With a drum case enclosing a French movement and enamelled dial with Roman numerals. This surmounted by an urn flanked by winged cherubs perched on a shaped rectangular plinth, handpainted and applied with encrusted flowers overall, 46cm high. €2000 - 2500 Lot 257 261 A Belleek earthenware second period mug, transfer printed with a photograph of General Michael Collins to the front and handpainted with trailing shamrocks to the reverse side (green stamp) 9.5cm high. €200 - 300 262 A Belleek china second period Swan cream boat, the handle modelled in the form of a swan’s neck, 12.5cm high. €100 - 150 Lot 260 Est 1887 79 263 A pair of Belleek china second period mask jugs, of stylised baluster form, with c-scroll handle. The white ground applied with trails of scrolling foliage tinted in green and highlighted in gilt, 26cm high each. €1000 - 1500 264 A Belleek china third period Nile vase, with flared wavy rim, applied with lillies and leaves, raised on a stepped circular foot, 34cm high. €400 - 600 265 A Belleek china second period table centre vase, the trumpet shaped body with wavy rim tapering to an outset circular galleried base, encrusted with scrolling flowers, foliage and shamrocks, 32cm high. Lot 263 €400 - 600 266 A Belleek china first period Indian corn spill vase, modelled as a corn on the cob raised on a rocky base, 16cm high. €150 - 200 267 A Belleek style figure depicting Erin on a naturalistic rocky base. €0 - 0 268 A pair of br ass garniture figures cast in the form of an old lady and gentleman carrying dead poultry raised on square plinth bases and scroll feet, 35cm high €400 - 500 Lot 266 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 80 269 A French Sèvres style ormolu and porcelain inset mantle clock and garniture, 19th Century. The clock with barrel shaped dial surmounted by trailing vines beside a figure of a Bacchanalian putto making merry. The dial with blue porcelain inset hand painted with floral garland. This raised on a rectangular rocky platform inset with porcelain plaques within rosette and guilloche borders and raised on disc feet, 34cm high, 30cm wide. The garniture in the form of twin porcelain urns surmounted by candle sconces on a knopped stem and fluted circular foot with disc feet. Each 20cm high. [3] €1500 - 2000 270 A fine Victorian Black marble and malachite mantle clock, with a large drum case movement within a glazed bezel enclosing an enamel dial with roman numerals , above shaped bevelled glass and scrolling supports, inset with malachite ovals on a stepped and bracket platform base. 52cm high. €1000 - 1500 Lot 269 271 A large English ‘Etruscan’ style vase and cover of baluster form converted as a table lamp. The flared rim with a row of turquoise petals, over a twin handle body with black ground painted with classical horse drawn chariots in polychrome enamels and on a circular foot. 60cm high €600 - 800 272 A Meissen coffee pot, 19th Century. Of baluster form, the cover applied with flower bud finial over a body painted with fruits and flowers within gilt borders, applied with a leaf-moulded c-scroll handle, cancelled cross swords mark, 23cm high. €400 - 600 273 A modern art pottery tea service by Heather Anderson comprising of 6 teacups with 6 saucers, 1 coffee pot with lid, 1 sugar bowl with lid and 1 bonbon dish moulded with serpents, crocodiles and star fish motifs and with green glaze (15). €150 - 200 274 Lot 272 A pair of Regency style three-light bronze candelabr a, each nozzle cast with bell flowers on reeded volute branches raised on a leaf wrapped tapering centre pillar and three lion monopodia feet. 43cm high Est 1887 81 275 A pair of Lalique dark green moulded and carved glass jars, 20th Century. Of ovoid form decorated in bas-relief with continuous frieze of deer within foliage, with etched mark R. Lalique, France, 17cm high, 14cm diameter. Provenance: The Estate of Anne Bullitt €500 - 800 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 82 276 A pair of Bristol Green spirit decanters, early 19th Century. The shaped lip above a short neck and large hollow faceted cuts, engraved with a band of sun, star and moon motifs, and flutes from the base. Having cockade stoppers. 20cm high. (2) €800 - 1200 277 A Royal Crown Derby part tea service, decorated in transfer printed blue and white with garlands, musical trophies and geometric motifs. Comprising six cups and saucers, six side plates and a cake plate. €80 - 120 Lot 276 278 A miscellaneous collection of china including an Ironstone tazza decorated with printed pheasant and peonies; a Rockingham style circular dish and two Burslem ware bowls in sizes, a Crown Staffordshire cake plate (5) €50 - 80 279 A pair of Royal Doulton circular wall plates with gilt laurel borders printed with floral motifs against a mottled blue ground and with birds of paradise to the centre, 26cm diameter. €80 - 100 280 A 19th Century Blue glass decanter of tapered cylindrical form, with stylised heart shaped stopper and plain body, 30.5cm high. (1) €500 - 800 281 A pair of Shumann Dresden bon-bon dishes of squared form, the pierced lattuce border highlighted in gilt and surrounding a floral printed central reserve, 15.5cm squared. €40 - 60 Est 1887 Lot 280 83 282 A rummer of goblet form, possibly Collins of Dublin, c.1800. Engraved with a cartouche containing a ship at sea, surmounted by a banner reading ‘Success to the Telemachus’. The other side engraved with naturalistic thistle motifs surrounding the inscription ‘ Edwd & Ann Kenney’, raised on a splayed stem and squared foot with moulded lemon squeeze base. 13cm high. €400 - 600 283 A triple ring decanter, the shoulder decor ated with a triple band of hollow facets above a frieze of lozenges with diamond field borders and split cuts, bearing the engraved initials ‘W’ and ‘F’ in adjacent lozenges. 22cm high. Together with an Irish 19th Century three feathered ring decanter, decorated with hollow facets, sharp plain diamonds, a central band of alternating star cuts and leaf motifs interposed with shallow prisms, above moudled pillar flutes to the base. 22cm high. (2) (Both with stoppers possibly associated). €200 - 300 284 An Irish 19th Century three ring decanter, with upright hexagonal stopper, (possibly associated). Decorated with tapering pillar flutes above a band of splits, and moulded pillar flutes to the base, also engraved with initials ‘A*C’. Having upright hexagonal stopper. 23.5cm high. Lot 282 €400 - 600 285 A triple ring decanter, the shoulder decor ated with wide flutes, above a band of prisms and large facets, and pilar fluting to the base. 21.5cm high. Together with a three ring decanter, decorated with truncated fluting above a band of cross-cut diamonds and pillar flutes. Having star cut stopper. 22cm high. (2) €100 - 150 286 A dome shaped punch bowl, 19th Century possibly Cork. Decorated with swags terminating in diagonal cuts, raised on a baluster stem and plain spreading foot, together with a copper twist handle ladle. 25.5cm high. (2) €700 - 900 287 A circular sugar bowl of large proportions, the rim decorated with prismatic cuts above a wide band of strawberry diamonds, fine diamonds and double prism cuts, raised on a spreading foot with fan cut base. 14.5cm diameter, 11cm high. Together with a circular sugar bowl with serrated rim, decorated overall with strawberry and star cut diamonds, large pillar flutes and fine diamonds, raised on a spreading foot, with fan cut base. 12cm high, 13.5cm diameter. (2) €200 - 300 Lot 286 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 84 288 A navette shaped fruit bowl, c.1790, probably Cork. The shaped rim above a band of cluster diamonds with splits above and below, raised on a baluster stem and shaped splayed foot with moulded lemon squeeze base. 26cm high, 31cm wide. €3000 - 5000 289 A pair of porcelain figurines, 19th Century, modelled in the form of a lady and gentleman in 18th Century attire on circular bases. 20cm high. (2) €200 - 300 Lot 288 290 A set of 10 cut glass tumblers with oval and diamond field cutting, engraved with the initials AB. Provenance: The Estate of Anne Bullitt €100 - 200 291 A pair of claret jugs with applied str ap handles, probably Irish c. 1840. Of mallet form, the rim with blazes above prismatic cuts and a faceted neck with single faceted and shaped ring and with wide fluting and star cut to the base. Having faceted pinnacle stoppers. 32cm high. (2) €1000 - 1500 292 A Bohemian etched glass bowl, 19th Century. Of circular form with flared rim and etched geometric design, 12cm high, 15.5cm diameter. Provenance: The Estate of Anne Bullitt €50 - 80 293 A 19th Century Bohemian ruby glass goblet, the panelled body etched with continuous landscape with a hound chasing game, raised on faceted knopped stem and polygonal foot, 15cm high. Provenance: The Estate of Anne Bullitt deceased Lot 291 €150 - 250 Est 1887 85 294 A baluster shaped water jug with applied str ap handle, 19th Century. The wide spout and neck cut with prisms above a faceted shoulder and pillar flutes, star cut to the base. Together with a baluster cream jug with strap handle, having serrated rim and horizontal prism cuts to the spout, neck and shoulder, above a large band of diamonds and further bands of horizontal and vertical prism cuts, with star cutting to the base. 22.5cm and 16cm high. (2) €900 - 0 295 A 19th Century Chinese famille rose porcelain bowl, of squared form with re-entrant angles. Profusely decorated in polychrome enamels with flowers and insects, the interior with border of dragons in clouds and central floral spray, 26cm diameter. Provenance: The Estate of Anne Bullitt €150 - 250 297 Lot 294 A Continental baluster shaped glass claret jug, 19th Century. The elongated neck applied with moulded scroll handle above wheel engraved floral decoration on an oval base, 34cm high. Provenance: The Estate of Anne Bullitt €100 - 150 298 A three ring pint decanter of bell form and plain design with stylised heart shaped stopper. Possibly Irish, c.1800. 23.5cm high. €800 - 1000 299 A 19th Century cut glass decanter, possibly Irish. With triple ring neck and body cut with bands of diamonds and associated stopper. Together with two late 19th Century cut glass decanters [3] €100 - 200 Lot 298 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 86 Lot 303 301 302 A pair of three ring decanters, 303 An Irish navette shaped fruit bowl, 19th Century possibly Irish. Cut with a band of facets to the shoulders and with fluted base, and having fluted mushroom stoppers. 26cm high. (2) c.1800. The serrated rim above a large band of plain sharp diamonds, with stepped cuts below, raised on a short baluster stem and moulded and fluted oval foot with lemon squeeze base. 22cm high, 30cm wide. €300 - 500 €2000 - 3000 A pair of four ring mallet shaped decanters 304 A pair of club- shaped spirit decanters c. 1800. Each with a single ring to the neck and a double ring to the shoulder, hollow facet cuts between. Also with egg-shaped facets and deep prisms, above a star cut base. Having associated stoppers mounted with brass finials in the form of greyhounds, 19cm high. Together with a two ring whisky measure with plain body, 13cm high. (3) of large proportions, 19th Century. The neck rings interposed with facet cuts, the bases fluted and with associated star cut mushroom stoppers. 28.5cm high. (2) €600 - 800 €400 - 600 305 A pair of faceted cushion ring decanters Est 1887 fluted overall with star cut base and having octagonal stoppers. 28cm high. (2) €400 - 600 87 306 A pair of decanters of barrel form, 19th Century. The neck with five adjacent rings above a faceted shoulder and body, and star cut base and with rounded star cut stoppers. 26cm high. (2) €600 - 800 307 A set of three moulded pint decanters of stout ovoid form, the shoulders with pillar flutes above diamond fields and prism motifs, and with upright radial cut stoppers, each 23cm high. Together with a large moulded triple ring decanter decorated with prism motifs and moulded diamond fields and with star cut drop stopper. 25.5cm high. (4) €700 - 1000 Lot 306 309 A pair of 19th Century spirit decanters. The high shoulders with pillar flutes meeting a faceted single ring, above a band of strawberry diamonds and vertical prisms, with star cut base and having strawberry diamond and star cut corona stoppers. 21.5cm high. (2) €400 - 600 310 A pair of triple ring decanters, c. 1800. Engraved with leafy festoons above a diamond field and band of splits, with shallow pillar flutes to the base, and having associated umbrella shaped star cut stoppers. 26cm high. (2) €800 - 1200 311 A set of three spirit decanters of oval form, 19th Century, possibly Irish. The shaped faceted shoulders above seven bands of pillar flutes. Having rounded star and diamond cut stoppers. 20.5cm high. (3) €300 - 500 Lot 310 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 88 312 Two similar shallow fruit bowls of oval form, 19th Century. The shaped rims above a wide diamond field and a further prismatic band, the base cut with a large sun burst. Together with another bowl of circular form, the serrated rim with fan escallops above large diamonds enclosing circular motifs, and a band of strawberry diamonds surmounting a double step cut and band of fine diamonds raised on a short stemmed foot. 28.5cm long and 24.5cm diameter. (3) €800 - 1200 313 Lot 312 A pair of Irish three ring decanters, 19th Century. Of club form with rounded pillar flutes issuing from the shoulder and the base, bearing the initials ‘JM’ and ‘MY’ in floral cartouches and an anchor motif between, star cut to the base and with faceted and star cut stoppers. 22cm high. (2) €400 - 600 314 A pair of salts of navette form, 19th Century. The shaped rims above a band of shallow diagonal cuts, and hollow facets below, raised on a shaped oval foot with star cut base. Together with a pair of 19th Century salts with serrated rim and pillar flutes to the body, raised on a stepped diamond shaped foot with lemon squeeze base, and a further pair with similar rim and foot, and three bands of pillar flutes to the body. Each approximately 8cm high. (6) €400 - 600 315 Lot 314 A pair of high shouldered decanters of squared form, 19th Century. The shoulders with hollow facets above a band of fine diamond and blaze cuts, a plain band and a further band of fine diamonds and blazes and star cut mushroom stoppers. 23cm high. (2) €400 - 600 316 A set of four large rummers of goblet form, engraved with a band of egg and dart motifs, each raised on a knopped stem and moulded square foot with lemon squeeze base, 14cm high. Together with a set of three small rummers of goblet form, engraved with a band of egg and dart and each raised on a stemmed and squared foot with lemon squeeze base. 10cm high. Together with a composed set of four rummers of various sizes and forms, each engraved with a band of egg and dart and raised on a knopped stem and circular foot. 10cm, 11cm, 12cm and 15.5cm high. (11) €2000 - 3000 317 Lot 316 A pair of spirit decanters with one plain and two hollow facet neck rings. The faceted shoulder above a double step cut, and with alternate vertical prismatic cuts and pillar fluting, above a star cut base. Having cushion stoppers. 22cm high. (2) Est 1887 €600 - 800 89 318 A flask of tapered oval form, 18th Century, possibly Irish. The entire with diagonal, vertical and horizontal cuts and two rectangular panels, one with fine diamonds, the other engraved with the initials ‘JF’ and floral motifs. Together with a double gimmel flask of plain design, 19cm and 20cm long. (2) €300 - 400 319 A pair of three ring decanters of mallet form, 19th Century. The shoulders with large facet cuts above alternating plain and strawberry diamond lancet motifs and with star cut stoppers. 25cm high. (2) €500 - 700 320 A pair of triple ring decanters of barrel form, 19th Century. Of plain design and with flat pear outline stoppers. 27cm high. (2) €800 - 1000 321 A set of three faceted three ring decanters, Lot 318 19th Century. Of mallet form, the shoulders cut with rounded pillar flutes above a band of fine diamond swags, and rounded pillar fluted interposed by triple prism cuts from the base. Having shaped octagonal stoppers. 24cm high. (3) €800 - 1200 322 A Victorian style br ass, onyx and amber glass oil lamp of column form, having leafy capitals with interposing cast masks beneath a fluted drum shaped reservoir. 76cm to fitting €400 - 600 323 A 19th Century seven piece cruet set. Each piece with step cuts, plain sharp diamonds and fine vertical prisms cut, contained in a sheffield plated stand with gadroon ring handle. €400 - 500 324 A late 19th Century br ass and ruby glass reservoir oil lamp, with clear glass funnel, flared shade raised on a fluted column and spreading circular base (36cm to fitting) €150 - 200 Lot 323 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 90 325 A pair of Sévres style porcelain and ormoulu mounted jardinieres, each with pierced flared rims, over a blue ground body painted with floral vignettes and 18th Century garden landscapes, applied with lion mask side handles on a guilloche banded ormolu base (28cm high) €800 - 1200 326 A Chinese early 19th Century ‘Nankin’ soup tureen of elongated octagonal form, the blue and white decoration depicting an Oriental lakescape, with hare mask finial and handles, 34cm wide 333 An Irish oval shaped salad bowl, €600 - 800 334 A triple ring decanter with hollow facet decor ation to the shoulder above a band of of plain sharp diamonds and prismatic cuts to the base. 23cm high. Together with a faceted triple ring decanter, the neck decorated with flat pillar cuts terminating above a band of clustered diamonds enclosed in larger diamonds interposed by double leaf motifs, and inverted pillar flutes to the base. 24cm high. (2) €250 - 350 327 Three various Continental porcelain figurines, late 19th/ early 20th Century, including -A Dresden example depicting a girl feeding doves. -A Naples example depicting a girl carrying a basket of flowers. -And another depicting a woman carrying firewood. €100 - 150 335 €200 - 300 328 A 20th Century Italian china model of a Cinderella carriage drawn by four white horses, on an oval platform base, 18cm high, 44cm long 336 A collection of nine various Hummel figures, various sizes [9] €300 - 500 330 A Meissen porcelain model of a seated putto stirring his tea by a stove, 10cm high 331 A pair of Empire Sèvres style porcelain vases, circa 1820. With blue flared neck, richly gilded on a blue ground with classical style arabesques, garlands and landscape vignettes above a continuous frieze hand painted in polychrome enamels with huntsmen on horseback on a gilded foot and square plinth base painted with marbled effect, 42cm high. €1000 - 1500 A piggin of small proportions, the body with plain diamond decoration, the handle with horizontal pillar flutes and the base with fan cutting. 5.5cm high. Together with a cream jug decorated with open diamond cut rim, prisms and pillars to the body with central plain sharp diamond field, and with applied ‘C’ scroll handle, 7.5cm high. Together with a circular sugar bowl, the rim and top with deep inverted pillar flute decoration, the central band with alternating cross-cut diamonds and radial cuts, interposed with douple pillar cuts above a further band of plain pillar fluting and a single ring on a short tapering foot. 12 cm diameter, 10.5 high. (3) €100 - 150 337 €250 - 350 A small 19th Century ewer with truncated blaze cut rim, prismatic cuts to the neck and flat columns above a band of plain sharp diamonds and diagonal prisms on a splayed circular foot, the applied strap handle with deep prisms. 18cm high to the handle. €300 - 400 €150 - 250 329 19th Century. With serrated rim, the body decorated with star cuts interposed with garland motifs, raised on a plain knopped stem and an oval spreading foot with star cut base. 22cm high. A flat shaped circular dish with scallop rim, the base decorated with star cutting. 13.5cm diameter. Together with a cream jug of stout proportions with moulded ‘C’ scroll handle, the wavy rim above a short faceted band and step cut neck, the entire body diamond cut and the base with fan cutting. 10cm diameter, 6.5cm high. (2) €150 - 200 338 A shallow circular fruit bowl with wav y rim, decorated with large diamond cut band above pillar fluting and a star cut base. 25.5cm wide, 6.5cm high. €150 - 200 Est 1887 91 Lot 350 350 A Victorian polished br ass and cast iron dog gr ate, with shell and scroll cast arched back, urn finials above a leaf wrapped grating and outset supports with applied rosettes and fluted pedestal terminals, surmounted by amphora urns. 88cm wide €2000 - 3000 351 An Edwardian br ass slope front coal scuttle, with turned ebony handle and detachable shovel, on turned bun feet. 46cm high €300 - 400 352 A Victorian natur al history display, within a glazed rectangular case, comprising of various Irish birds, including gulls, moorehen, kestrel, woodcock and snipe perched on a naturalistic surround, 88cm wide. €300 - 500 353 A Victorian natur al history specimen, contained in a glazed rectangular case, of a white hare within a stylised naturalistic surround, 67cm high. €150 - 250 Lot 352 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 92 354 A pair of mahogany and br ass table candlesticks in the Georgian style, having brass nozzles and detachable square drip-pans with gadroon rim, above a fluted nozzle on a tapering spiral fluted stem with leaf wrapped terminal on a reeded circular foot, 33cm high €200 - 300 355 Two mahogany fr amed and upholstered low chairs, with buttoned navy damask upholstery raised on short turned legs and castors €300 - 400 356 Lot 354 A George III inlaid mahogany desk stand of shaped rectangular form. The central moulded arched panel inlaid with ebony and satinwood star motif above an arrangement of multiple compartments and frieze drawer, raised on ebonised bun feet, 26cm high, 45cm wide, 33cm deep Provenance: The Estate of Anne Bullitt €300 - 500 357 A Bavarian carved timber inkwell in the form of a bulldog head, 19th Century, with glass eyes to the hinged cover and with leather collar. 10cm Provenance: The Estate of Anne Bullitt €300 - 500 Est 1887 Lot 357 93 358 An Edwardian inlaid mahogany three tier cake stand, the three dished platforms raised on a crutch frame support. 84cm high €200 - 300 359 A late Victorian walnut fr amed foot stool of rectangular form, with beaded upholstery, raised on short cabriole supports. 99cm wide €200 - 300 360 A Victorian mahogany crutch fr ame toilet glass, the mirror plate contained within a moulded arched frame on pierced scroll supports and rectangular platform base, with bun feet, 76cm high. €200 - 300 361 A French 19th Century gilt bronze and marble mantle clock. The circular enamel dial enclosed within a drum case, held aloft by a cherub posed to beat the drum and raised on a circular pedestal applied with chain and tassel ribbon tied swags, on a square foot applied with a laurel wreath band, 32cm high €1000 - 1500 Lot 361 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 94 362 A rosewood and satinwood overmantle mirror in the Empire style, of rectangular form, moulded with plain pillasters and with satinwood slip surrounding the mirror plate, 79cm high, 126cm wide. €600 - 800 365 A 19th Century Prisoner-of-War model ship, contained in a glazed display case, 59cm high, 79cm wide, 25cm deep La Reunion;A 72-gun frigate warship, of three decks and three masts, carved in bone and complete with masts, rigging etc The French Republican Frigate La Reunion was captured by HMS Crescent on the 20th October 1793. 363 A late Victorian giltwood and gesso overmantle of arched rectangular form and plain design. 128cm high €400 - 600 364 A 19th Century giltwood and gesso overmantle of rectangular form. The glass plate within an ebonised reeded slip and stylised pilasters, applied with scallop shells and leafy scrolls and raised on ebonised bun feet. 117cm wide €400 - 600 During the Napoleonic Wars (1792-1815) about 100,000 French prisoners were taken captive by the British. They were held in moored hulks and in prisons. Under extremely difficult conditions the captives performed the laborious task of producing bone and ivory ship models. The calibre of their craftsmanship is apparent in the intricate and beautiful examples that they produced. These erudite artisans had the ability to produce these models from scratch, using any materials available to them, without the aid of any official designs on which they could base their works. Hence they must have had a good knowledge and understanding of shipping and fleets. Curiously their diet proved to be a vital source of raw material, as they had a staple diet of mutton or beef stew, which was served with the bone. In addition, materials such as animal and human hair, clothing, jewellery, timber etc were employed in the manufacturing of these handmade masterpieces. €3000 - 5000 Est 1887 95 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 96 366 A Victorian giltwood and gesso overmantle, of arched rectangular form, the shaped plate within a moulded surround, applied with carved acanthus scrolls. 132cm high €600 - 800 367 A George II giltwood and gesso pier mirror, of shaped rectangular form, the swan neck cresting centred with a carved scallop shell, over a flat carved framed of scrolling leaves and branches, enclosing two bevelled glass plates, 136cm high, 52cm wide €2000 - 3000 370 A Reg folding card Est 1887 Lot 367 of recta well fig a trifor centre stylised ruped 90cm w €2000 97 368 A Victorian oval gilded timber and gesso wall mirror, in the Art Nouveau style. With incised foliate decoration to the frame. 77cm high, 64cm wide €250 - 350 369 An Irish George I flat carved giltwood wall mirror, of arched rectangular form. The later bevelled mirror plate surmounted by a broken architectural pediment with central scallop shell and ribbon tied flowerhead above channelled moulded frame, 95cm high, 51cm wide. €5000 - 7000 gency rosewood d table angular form, the gured top raised on rm pierced bulbous pillar surrounded by a d lotus band on quadbase with paw feet. wide 0 - 3000 Lot 369 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 98 Lot 370 370 A Regency rosewood folding card table 371 A 20th Century Irish mahogany side table, of rectangular form, the well figured top raised on a triform pierced bulbous centre pillar surrounded by a stylised lotus band on quadruped base with paw feet. 90cm wide in the George III style. Of rectangular form with a leaf carved frieze centred by an applied scallop shell and raised on bellflower carved cabriole legs with claw and ball feet. 146.5cm wide €2000 - 3000 €800 - 1200 Est 1887 99 372 A mahogany chest of dr awers in George III style, with moulded top above two short and three long graduated cockbeaded drawers raised on bracket feet, 110cm wide. €500 - 800 373 A Victorian walnut Davenport desk of usual form. With hinged lid opening to reveal a sliding green leather lined scriber and twin fitted drawers. This above a central cupboard and four long drawers to one side. The opposing side with false drawer fascia on leaf carved scroll supports and disc feet inset with brass castors. 58cm high €1500 - 2000 Lot 373 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 100 374 A 19th Century Chinese timber fr amed, paper and silk lined six fold screen. Hand painted with pheasant amongst cherry blossoms and peonies set in a river and mountain landscape on a gilt ground, 173cm high, 318cm wide. Provenance: The Estate of Anne Bullitt €3000 - 5000 Est 1887 101 375 A 19th Century Chinese timber fr amed, paper and silk lined six fold screen. Hand painted with an extensive coastal landscape, finches, golden pheasant and bird of paradise amidst prunus blossom on a gilt ground, 170cm high, 318cm wide Provenance: The Estate of Anne Bullitt €3000 - 5000 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 102 376 A 19th Century inlaid fruitwood games table, the folding top inlaid with backgammon board and raised on slender cabriole legs Provenance: The Estate of Anne Bullitt €300 - 400 377 A Victorian carved oak twin pedestal writing desk of rectangular form, the top inset with tooled red leather, carved border above a central drawer and four short drawers to central pedestal, Druce and Company, 137cm wide. €800 - 1200 Lot 376 378 A pair of 19th Century style giltwood pier tables with verde antico marble tops, the aprons carved with central rocaille motif on cabriole legs carved with garlands and palmettes, adjoined by an arched stretcher, 57cm wide €800 - 1200 379 A continental oak compact chest of dr awers, 19th Century, of inverted bow outline fitted with four long drawers on short cabriole legs, 56cm wide Provenance: The Estate of Anne Bullitt €200 - 300 Lot 379 Est 1887 103 380 A George III mahagany foldng top card table of rectangular form with outset rounded corners. The hinged top opening to reveal a baise lined interior with sunken counter wells within an ovolo carved border, fitted with a single frieze drawer and raised on carved tapering supports with club feet. 83cm wide €1500 - 2000 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 104 381 An Edwardian Chippendale style mahogany two seater settee, with padded back and overscrolling arms and serpentine seat raised on blind fretwork square supports and fretwork stretcher (distressed upholstery) Provenance: The Estate of Anne Bullitt €300 - 400 Lot 381 382 A George III mahogany tilt top tea table. Of circular form with moulded top supported on a turned baluster column and downswept tripod base 69cm diameter €300 - 500 383 A French style fruitwood fr amed and upholstered low seat on cabriole legs, the frame carved with rosebuds and scrolls, 145cm wide Provenance: The Estate of Anne Bullitt €400 - 500 Lot 383 Est 1887 105 384 A French white painted timber and upholstered armchair with tub back, raised on short cabriole legs Provenance: The Estate of Anne Bullitt €150 - 200 385 A pair of Hepplewhite style mahogany dining chairs having arched back with pierced vase shaped splat above a timber panel seat and raised on square supports with H-stretcher. [3] €300 - 400 Lot 384 386 A pair of George III ebonised timber, painted and parcel gilt open armchairs, with stylised lyre splat beneath a floral painted crest rail and downscrolling arms, caned seat with loose squab cushion and raised on turned legs with trompe l’oeil fluting and single side chair en-suite (3) Provenance: The Estate of Anne Bullitt €800 - 1200 Lot 386 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 106 387 A French Louis Philippe style walnut Bonheur du Jour, 19th Century. The white marble inset top surrounded by pierced three quarter brass gallery above two long drawers and tambour front, and a further long drawer. All with brass escutcheons and mounts, raised on turned legs adjoined by undertier, 53cm wide, 113cm high, 35cm deep Provenance: The Estate of Anne Bullitt €1000 - 1500 388 A composed mahogany cased canteen of electroplated flatware, with almost twelve settings, excluding knives. €300 - 400 Lot 387 389 A pair of French walnut occasional tables, c.1900. The tops inset with white marble, surrounded by a pierced brass gallery rail, above a single frieze drawer and raised on turned fluted legs Provenance: The Estate of Anne Bullitt €600 - 800 Lot 389 Est 1887 107 390 A George III Style walnut folding top card table. Bascially of rectangular form with outset curved corners. The interior with sunken counter wells above candle stands flanking a single frieze drawer and raised on cabriole legs 86cm wide Provenance: The Estate of Anne Bullitt €600 - 800 Lot 390 391 A French mahogany occasional table of rectangular form, 20th Century. The moulded top with inset glass panel raised on scroll carved cabriole legs. 65.5cm wide €300 - 500 392 A George IV mahogany shaped rectangular folding top tea table. The reeded top above a plain frieze with gadroon border, raised on turned and fluted tapering legs, 94cm wide. €600 - 800 Lot 392 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 108 393 An Irish George III style mahogany side table of robust proportions, probably by Edward Butler of Dublin. With rectangular moulded top above a pierced acanthus, vine and rosette frieze centred by a basket of fruit, raised on leaf carved cabriole legs with claw and ball feet. 183cm wide, 84cm high, 92cm deep. €10000 - 15000 Est 1887 109 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 110 394 An Irish Georgian Revival mahogany side table of rectangular form. The moulded top above an acanthus and shell carved frieze, centred by an applied basket of fruit with flanking floral swags, raised on leaf carved cabriole legs with paw feet beneath a leafy knuckle. 173cm wide, 76cm deep, 80cm high. €6000 - 10000 Est 1887 111 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 112 395 An Irish George III yew and walnut banded dresser. The superstructure with dentil moulded cornice above an arrangement of long and short shelves carved with undulating aprons and flanked by cupboards. The base with moulded and crossbanded top above three crossbanded frieze drawers and shaped apron raised on cabriole legs with scroll spandrels and pointed pad feet. 191cm wide. €7000 - 10000 Est 1887 113 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 114 396 A 16th/17th Century Tudor style oak and walnut banded Nonsuch chest. The hinged lid and side panels with parquetry banding and the front with ebonised timber and marquetry depictions, suggestive of The Palace of Nonsuch, raised on a platform base and bun feet. The Palace of Nonsuch is no longer in existence but was built by Henry VIII and was apparently of such elaborate design that it inspired cabinetmakers throughout Northern Europe in the decoration of these chests, which were predominantly made in Flanders and Germany. €5000 - 7000 397 A pair of Dutch walnut and marquetry corner cabinets, 19th Century. With arched cornice centred by a leaf carved cresting above an arched glazed panel door and base with panel cupboard door decorated with a vase of flowers. Decorated overall with trailing foliate marquetry. €4000 - 6000 Est 1887 115 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 116 398 A Victorian mahogany rectangular foot stool, with drop-in upholstered seat above a shaped apron and raised on cabochon and leaf carved cabriole legs with claw and ball feet €800 - 1200 399 An Art Nouveau mahogany cased banjo barometer inlaid with brass and mother-of-pearl floral and whip lash scroll motifs, surrounding a steel dial and thermometer. €500 - 700 Est 1887 117 400 An Irish George III mahogany rectangular games table, the double folding top carved with ribbon and rosette border opening to reveal an inlaid backgammon board and vacant interior. The frieze centred by scallop shell issuing acanthus leaves and having gadroon carved apron, raised on stop-fluted legs surmounted by leaf motifs and with club feet. 63cm wide, 31.5cm deep, 74cm high €4000 - 6000 401 A mahogany sideboard, 19th Century, of serpentine outline fitted with central drawer and flanking cupboards, raised on chanelled square tapering legs, 168cm wide Provenance: Collection of the late Louis Kinlen €1000 - 1500 402 A George III mahogany slope front bureau, fitted with four long graduated drawers and raised on bracket feet Provenance: Collection of the late Louis Kinlen €300 - 400 403 A mahogany extending dining table in Georgian style, in six sections raised on turned central columns and quadruped bases with brass paw toecaps and castors (with three extra leaves) Provenance: Collection of the late Louis Kinlen €2000 - 4000 Lot 400 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 118 404 A George III carved pine fire surround. With stepped shelf above a frieze carved with intertwining acanthus scrolls and floral garlands centred by a scallop shell, above an egg and dart slip flanked by scrolling upright corbals with pendant festoons. 153.5cm high, 186cm wide, 24cm deep. €5000 - 7000 Est 1887 119 405 A carved pine fire surround in Neoclassical style. The shelf carved with flowerhead and leaf frieze above a dentil and fluted frieze centred by a carved rectangular tablet depicting a classical female mask, vine and fruit festoons. The bellflower carved uprights surmounted by amphora urns surrounding a leaf and beaded slip. 142.5cm high, 169cm high, 18cm deep €3000 - 5000 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 120 407 A 19th Century mahogany open armchair in the George III style. With acanthus leaf carved crest rail above a pierced interlaced splat and upholstered drop in seat, raised on leaf carved cabriole front legs with hairy paw feet adjoined by a turned and blocked stretcher €800 - 1200 408 Two similar mahogany and leather upholstered side chairs in George II style, the overscrolling padded backs above upholstered seats with serpentine fronts, raised on scroll carved cabriole legs with club feet €700 - 1000 Est 1887 121 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 122 409 A set of eight Irish Georgian Revival mahogany dining chairs, in the manner of Edward Butler (Six and two armchairs). The crest rail centred by a venus shell and acanthus leaf with flanking leaf scrolls and terminating in two shell lugs, above a pierced vase shaped splat and upholstered drop in seat. The seat apron centred by a shell issuing leaf scrolls and raised on acanthus carved cabriole legs with claw and ball feet. The two armchairs with leaf carved out-scrolling arms terminating in swan necks. €4000 - 6000 Est 1887 123 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 124 410 A George III mahogany chest on chest, with moulded dentil cornice and blind-fret carved frieze, fitted with two short and three long drawers between fluted angled corners, the lower section with three graduated long drawers raised on bracket feet, 183cm high. €3000 - 5000 411 A Victorian mahogany gentlemans wardrobe with dentil cornice above twin cupboards, on a chest base Provenance: Collection of the late Louis Kinlen €500 - 800 412 A Victorian walnut fr amed and upholstered prie dieu chair decorated with beadwork on turned side supports and feet with porcelain castors €300 - 500 413 A late Victorian mahogany and oak knee-hole desk of rectangular form. The plain top with carved border above a three-drawer frieze and knee-hole space, flanked by four short drawers and leaf-carved, fluted pillar supports, with brass castors, 147cm wide €500 - 800 Lot 410 Est 1887 125 414 A George III inlaid satinwood compact bureau bookcase. The superstructure with dentil moulded cornice above twin banded and glazed panel doors enclosing adjustable shelving. The base banded in burr walnut and fitted with a secretaire drawer, the interior fitted with short drawers and pigeon holes above a further three long graduating drawers and shaped apron, raised on slightly splayed supports. 80cm wide, 183cm tall, 45cm deep €4000 - 6000 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 126 415 A Large Irish George III mahogany and br ass bound peat bucket of coopered construction, spirally fluted and fitted with twin leaf cast brass handles and raised on three ball feet with inset brass castors (the feet and castors 19th Century additions). 91cm high, 59cm diam. For a bucket of similar proportions see Adam’s Sale number 8087, 15th March 2005, Lot 308, sold for €145,000 €150000 - 200000 Est 1887 127 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 128 Lot 416 416 An Edwardian inlaid satinwood kidney shaped twin pedestal desk, the top inset with tooled green leather, with central frieze drawer flanked by three short drawers to each pedestal and raised on square tapering legs with spade feet, 136cm wide. €1000 - 1500 417 A 19th Century ebonised timber and boulle marquetry display cabinet, fitted with a single arched glazed panel door beneath a brass and simulated tortoiseshell frieze, flanked by a pair of gilt brass herm figures. The interior shelved and raised on platform base, 84.5cm wide, 115cm high €500 - 800 Est 1887 129 Lot 418 418 A George IV inlaid mahogany rectangular folding top card table, 419 A fine and heav y 19th Century ormolu ceiling light, the top crossbanded in rosewood above a fielded frieze, raised on a spiral turned centre pillar, leaf carved and gadroon quadruped base with brass paw toecaps and castors, 91.5cm wide. the baluster central column cast with laurel swags, acanthus leaves and rocaille motifs, fitted with six acanthus scroll branches issuing from a circular base, with fluted and beaded banding, 90cm high to fitting €800 - 1200 €1500 - 2500 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 130 420 An English George III mahogany architect’s table, of rectangular form. The moulded and baize lined adjustable top fitted with recessed reading ledge, above a draw front frieze enclosing a compartmented interior, complete with writing slide and fittings, with pull out candle slides to each side, raised on squared and ring turned supports, and brass barrel castors, 91cm wide. €4000 - 6000 Est 1887 131 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 132 421 A 19th Century bronze figure of Diana, after the antique, with dark green patina on a square plinth base inscribed “Reduction Sauvage”, 102cm high €6000 - 8000 Est 1887 133 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 134 423 A set of 12 Regency mahogany dining chairs, the crest rails decorated with inlaid Grecian scrolls with palmette terminals, on turned and chanelled side supports, the back rail carved with bell flowers above an upholstered seat and raised on channelled sabre supports. Attributed to Gillows. Note: This set of dining chairs closely relate to a set probably supplied by Gillows to the 2nd Marquess of Sligo (died 1845) for Westport House, Co Mayo. €15000 - 20000 Est 1887 135 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 136 424 A William IV mahogany pier cabinet, with gadroon carved breakfront top above three frieze drawers with rope moulding and central panelled cupboard flanked by spiral turned pillars and raised on tassle feet, 97cm wide. €800 - 1200 425 A Victorian mahogany and br ass bound stick stand of cylindrical form, fitted with inset zinc liner €200 - 300 Lot 424 426 A 19th Century camphor wood and br ass bound blanket chest, of rectangular form, the hinged cover with brass plaque and brass ring handle. 83cm wide. €500 - 700 427 A George IV mahogany bowfront chest of two short and three long graduated cockbeaded drawers, with brass knob handles and raised on bracket feet, 118cm wide. €600 - 800 Lot 427 Est 1887 137 428 An inlaid mahogany bedside cabinet in George III style with recessed galleried top, above twin door cupboard on commode drawer base and square supports, 51cm wide. €600 - 800 429 A Victorian mahogany breakfast table of circular form. The crossbanded tilt top supported on an octagonal baluster column and concave platform, on bun feet €600 - 800 Lot 428 430 A 19th Century camphor wood and br ass bound blanket chest, of rectangular form, the hinged cover with recessed brass handle, and fitted with bracket shaped side handles. 94cm wide. €500 - 700 431 A nest of Chinese hardwood rectangular quartetto tables, carved with simulated bamboo frames. Having dished tops, and aprons decorated with tropical birds within foliage, the largest 50cm wide. €300 - 500 Lot 431 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 138 432 A set of four Hepplewhite style mahogany dining chairs, 19th Century. The arched crest rail carved with bell flowers above a pierced anthemion and vase shaped splat, the seats upholstered in green velvet and raised on squared tapering reeded supports and blocked feet, adjoined by H-form stretcher. €500 - 700 433 An Edwardian oak partners desk of rectangular form. The moulded top inset with tooled leather scriber supported on twin pedestals, fitted with an arrangement of short drawers on short outset base, 155cm wide €500 - 800 Lot 432 434 An Edwardian carved oak monks bench, of rectangular form, the top resting on griffin side supports above a chest base with hinged lid and leaf carved panelling. 101cm wide. €300 - 500 435 A set of six Regency style mahogany dining chairs with overscrolling backs and back rail centred with lion mask roundels, above upholstered seats, raised on turned legs. €600 - 800 Lot 435 Est 1887 139 436 A George III style mahogany tr ay top table, of rectangular form. The top with undulating gallery over a single long frieze drawer and raised on cabriole legs and pad feet. 85cm wide €1500 - 2000 437 An inlaid mahogany bow front chest in the George IV style. The moulded top over five long graduated drawers, raised on bracket feet. 106cm wide, 112cm high Lot 436 €800 - 1000 438 A pair of French parquetry and gilt br ass mounted bedside cabinets of rectangular form, each inset with mottled grey marble top over a single short drawer and cupboard space, raised on fluted tapering supports. 56cm wide, 85cm high [2] €1000 - 1500 439 A set of 12 Edwardian oak spoon back dining chairs, the channelled backs with central cabochon above an upholstered seat and raised on cabriole legs with leaf scroll feet and castors. €1500 - 2500 Lot 439 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 140 440 A mahogany fr amed window seat, of rectangular form with overscrolling ends. Upholstered in yellow silk and raised on square tapering legs. 120cm wide, 64cm high, 37cm deep €350 - 550 441 A German Verre Eglomisé picture wall clock, of rectangular form the frame with gilt and white verre eglomisé foliate borders, enclosing a painted panel depicting a mountain waterfall surrounded by painted numerals, 93 x 82cm. €500 - 700 Lot 440 442 A George IV inlaid mahogany sofa table, of rectangular form with drop leaves, the top crossbanded in rosewood above a twin false drawer fascia to either side, applied with beading and centred by inlaid foliate scroll motifs. Raised on leaf wrapped lyre shaped end supports and turned cross stretcher, splayed feet with brass paw toecaps and castors, 108cm wide €1000 - 1500 443 A gilt painted wall mirror of rectangular form, in 19th Century style. The mirror plate surrounded by a pierced border of trailing foliage with a rosette motif at each corner and surmounted by an oval laurel wreath. 94cm high, 75cm wide €200 - 400 443A A William IV mahogany wine cooler of sarcophagus form, the top inset with rectangular tablet and having gadrooned edge above a plain body with fielded sides on scroll and gadroon carved brackets, 84cm wide, 48cm high, 51cm deep. Lot 443A €1500 - 2500 Est 1887 141 444 An Anglo Indian carved fruitwood work table, 19th Century. Of rectangular form, the top with egg and dart rim above a foliate and scroll pierced frieze and fitted wool drawer, raised on leaf and strapwork end supports and pierced stretcher, ornately carved overall. 79cm wide. €700 - 1000 445 A George III oak Welsh dresser, the superstructure with stepped moulded cornice above open shelving centred by a rectangular cupboard, the base with moulded top and fitted with twin deep drawers, raised on cabriole legs with faceted club feet. 121 cm wide, 205cm high. €2000 - 4000 446 A mahogany snap top supper table in George III style of circular form, Lot 444 the top carved with gothic blind fretwork banding on a leaf carved and turned centre pillar and tripod base also carved with leaf and rosette motifs and stylised shell feet. 83 cm diameter, 76cm high. €1000 - 1500 447 A pair of flamed mahogany and satinwood banded side tables of bowfront outline, the tops inset with tooled leather above a single frieze drawer banded in satinwood and raised on square tapering legs with X-form stretcher, 51cm wide. €1000 - 1500 Lot 447 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 142 448 A Neoclassical Adam style white and verde antico marble chimney piece. The stepped shelf above a fluted frieze centred by a carved rectangular tablet depicting an amphora urn. The fluted uprights surmounted by carved swagged urns and with verde-antico marble inset, brass register and brass and steel grate. 139.5cm high, 183cm wide, 19cm deep. Est 1887 €8000 - 12000 143 450 A Neoclassical style white and Sienna marble chimneypiece, 19th Century. With stepped shelf above a central rectangular tablet carved with a swagged urn above an egg and dart border and with reeded scroll corbals surmounting the uprights. 136cm high, 186cm wide, 15.5cm deep €14,000/18,000 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 144 450 A Victorian white marble statuary figure of Ceres, seated (presumably in a chariot) holding aloft her torch in search of her daughter Proserpine. 120cm high, 73cm wide, 37cm deep. According to Ovid, Proserpine, the daughter of Ceres, was abducted by the amorous Pluto. The strength of his passion for her caused a great chasm to open in the earth, through which he escaped into his underworld kingdom with his captive. Susequently Ceres wanders the earth in search of her daughter who is able to return anually bringing with her the season of Spring. €2000 - 3000 Est 1887 145 451 A George III mahogany snap-top supper table. The shaped circular top with pie-crust rim, raised on a baluster centre pillar and leaf carved tripod base with dolphin head feet, 85.5cm diameter, 71cm high. €3000 - 4000 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 146 452 A fine Victorian inlaid walnut, ebonised and ormolu mounted side cabinet, of rectangular form. The upper section mounted with spindle gallery, above single glazed panel door enclosing adjustable shelving. The lower section with marquetry panel door, depicting birds and flowers within a central roundel, raised on an outset base and bun feet. 207 x 88cm. €2000 - 3000 453 A George III mahogany games table, basically of rectangular form with outset rounded corners. The folding top with green baize lined interior and recessed counter wells above plain frieze drawers raised on leaf carved club supports with stylised leaf carved pad feet. 90.5cm wide €3000 - 4000 Lot 452 Est 1887 147 454 A George IV mahogany and crossbanded sideboard of bow-front outline, fitted with brass gallery rail. The top crossbanded and decorated with satinwood and ebony stringing, fitted with central frieze drawer above a cupboard space and flanking convex cupboard doors, inlaid with ovals and raised on square tapering legs with spade feet. 183cm wide, 62cm deep, 92cm high €2000 - 3000 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 148 455 A pair of neo-classical style marbleised pedestals, of corinthian column form, 84cm high. €500 - 800 456 A mahogany side table of eliptical form, in George III style. The moulded top above a fielded frieze applied with bellflower mouldings and fitted with central short drawer raised on square tapering supports. 117cm wide. €400 - 600 Lot 455 457 A 19th Century rosewood and br ass mounted workbox, of rectangular form, with compartmented interior. 30cm wide €150 - 200 458 A composed walnut and burr walnut banded coffee table, of rectangular form, the quarter veneered top with rounded corners and rib-moulded edge, supported on turned baluster column and downswept supports. 94cm wide. €800 - 1200 Lot 458 Est 1887 149 459 A mahogany and satinwood serving table in George III style. The top of serpentine outline banded in satinwood above a crossbanded frieze with ebony stringing, raised on square tapering legs with stylised bellflower and linear satinwood inlay, 182.5cm wide, 76cm deep, 93cm high. €3000 - 4000 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 150 Lot 460 460 A collection of 19th Century and later fans including a number of fine hand painted examples: One of ivory decorated with Chinese and European figures in garden landscapes; One of mother o’ pearl decorated with Chinese figures in an extensive river and mountain landscape and with golden pheasant verso; One of carved and gilded tortoiseshell and one French, with timber framework decorated with painted pugs in an interior fighting for a ball and inscribed “La Lutte pour la ballon” (11 in all) 462 A George IV mahogany supper table. The circular crossbanded top with gadroon edge, raised on a turned and fluted baluster centre pillar and fluted tripod base with brass sabots and castors. 122.5cm diameter €1500 - 2500 Provenance: The Estate of Anne Bullitt €1500 - 2000 461 A 19th Century mahogany centre table, 463 An inlaid rosewood sofa table in Regency style. in George III style. The dished top above a single frieze drawer raised on scroll carved cabriole legs and pad feet. 81.5cm wide Of typical double drop leaf rectangular form, the top crossbanded in satinwood above twin frieze drawers and opposing false drawer fascia, raised on splayed scroll legs with brass paw feet and castors adjoined by a turned stretcher, 106cm wide €800 - 1200 €1500 - 2500 Est 1887 151 464 An inlaid mahogany side table in George III style. The top of serpentine outline with outset canted corners above a frieze inlaid with satinwood tromp l’oeil fluting and raised on square tapering legs, 130 cm wide, 69cm deep, 83cm high. €1000 - 2500 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 152 465 An Irish Art Union mid 19th Century gilt gesso fr ame inset with mirror plate. Of rectangular form, crested with a harp and with a pierced scroll border having further harp mouldings to the upper corners and with horseshoes, greyhounds and round towers beneath, the shaped apron with central cartouche moulded with a spray of shamrocks, 107cm high, 76cm wide. €1000 - 1500 466 A Victorian giltwood and gesso mirror, of oval form surmounted by a venus shell cresting flanked by galrands and leaf scrolls issuing bell-flowers, the bevelled mirror plate within a moulded frame of beading and lotus leaves above a shell, garland and strapwork apron conforming to the cresting. 93cm high, 58cm wide €500 - 700 Est 1887 153 467 A George III mahogany bow front serving table, with stepped removable superstructure and shaped moulded top over a plain conforming frieze, scrolling corner brackets and squared supports, 208cm wide. €10000 - 15000 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 154 468 A French rosewood and vernis martin lady’s writing desk, 19th Century. The rectangular top fitted with gilt brass pierced gallery over three frieze drawers, above a sliding vernis martin panel depicting pastoral figures in a landscape and enclosing three short drawers and a fold out scriber. This above a single frieze drawer raised on slender cabriole legs. Decorated overall with leaf scroll gilt metal mounts. 75cm wide €1500 - 2000 469 A George IV mahogany and rosewood crossbanded occasional table of rectangular form, the moulded top with hinged drop leaf sides above a single drawer frieze on fluted tapering supports (126cm wide) €300 - 500 Lot 468 470 A pair of modern circular wine tables in the Georgian style, with dished moulded tops on a double baluster and fluted centre pillar and plain tripod base, 30.5cm diameter. €200 - 400 471 A George III satinwood and cross-banded card table, circa 1810. Of octagonal form, lined in green baize above a frieze decorated with lozenges of box stringing raised on square tapering banded legs. 99cm wide €1000 - 1500 Lot 471 Est 1887 155 472 A Victorian rosewood centre table, of shaped rectangular form. The top with moulded edge above a plain frieze and raised on fluted baluster end supports and scrolling feet with casters. 98cm wide €600 - 800 473 A fine George III inlaid sycamore pier table of semi-elliptical form, the top crossbanded and centred by a husk patera issuing radial veneers, the frieze centred by a shell patera and raised on square tapering banded legs with ebony stringing. 158cm wide, 68cm deep, 87cm high. Provenance: Collection of the late Louis Kinlen €10000 - 15000 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 156 474 An Edwardian inlaid mahogany and glazed display cabinet with thumb moulded shaped squared top above four glazed panel sides, raised on cabriole legs and under-tier. 43cm €300 - 400 475 A Victorian rosewood fr amed occasional table. The top inset with parcel gilt and glazed panel centred by a depiction of Whitby Abbey within a border of gilt scrolls against a faux marble ground. This above a pierced gothic frieze applied with inverted finials and raised on a turned baluster centre pillar and scrolling tripod base. 56cm wide, 69cm high €300 - 500 Est 1887 157 476 A Victorian mahogany rectangular three tier dumb waiter, raised on end supports and splayed ball feet adjoined by a turn stretcher. €200 - 400 477 A mahogany box table of rectangular form, in the William IV style. Having hinged lid with gadroon border above twin false drawer fascia, raised on a turned tapering centre pillar and concave platform with scroll feet inset with brass castors and applied with brass rosettes. 57cm wide €400 - 600 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 158 478 A provincial mahogany armchair in the George III style. With wavy crest rail above a large vase shaped splat and close nailed green leather upholstered seat raised on square chamfered legs and cross stretcher. €300 - 400 479 A pair of George III style mahogany dining chairs in the Hepplewhite manner. With pierced vase shaped splat above serpentine seats upholstered in close nailed green leather and raised on square supports with cross stretcher. €400 - 600 Est 1887 159 480 A George III style mahogany and br ass bound fuel bucket of circular form and fitted with twin handled brass liner, 29cm high. €200 - 300 481 A Victorian flamed mahogany longcase clock of generous proportions, with swan neck pediment flanked by turned finials and terminating in rosebud carvings above spandrels decorated with parcel gilt scroll work and centred by a shell patera. The arched glazed panel door flanked by fluted columns and enclosing a brass and silvered dial and painted moon phase inscribed “Lasselle Toxteth Park”. The case fitted with shaped rectangular door flanked by reeded pilasters and raised on bracket feet. €2000 - 4000 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 160 482 A Victorian mahogany double drop-leaf Sutherland table, the moulded top decorated with ebony stringing and raised on turned gateleg mechanism and twin pillar end supports with splayed feet, brass toecaps and castors. €700 - 1000 483 A Victorian mahogany and walnut shaving stand, with circular adjustable mirror within moulded frame raised on a turned pillar above a lift-top circular compartment and turned and fluted pillar base on three scrolling feet. 138cm high €500 - 700 Est 1887 161 484 A Victorian mahogany bookcase in the George III style. Of rectangular form, with Greek key and gothic arch cornice above twin glazed panel doors and cupboard base with twin fielded panel doors, raised on a platform. 123cm wide, 150cm high, 47cm deep. €1000 - 1500 485 A Victorian mahogany circular dining table, the moulded top on a plain baluster turned centre pillar and scrolling quadruped base with inset brass castors, 163cm diameter €1500 - 2000 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 162 486 A pair of 19th Century George III style mahogany bookcases of rectangular form, the moulded cornice above open shelving on a bow fronted base fitted with twin fielded panel doors flanked by fluted curved panels, the entire decorated with ebony stringing and raised on a plinth base, 257cm high, 160cm wide, 45cm deep (2). €10000 - 15000 Est 1887 163 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 164 487 A Victorian mahogany, oak and marquetry breakfast table of circular form. The moulded top with marquetry decoration depicting the figure of Trident within geometric bands, and shell and bead moulded border, raised on a turned baluster column and scrolling feet. 162cm diameter €2000 - 3000 488 A Victorian mahogany pot cupboard of cylindrical form, the moulded top with white marble inset above a panel door and raised on a circular plinth base, 41cm diameter, 76cm high, stamped Strahan €800 - 1200 Est 1887 165 489 A William IV mahogany tilt top centre table of octagonal form, raised on a leaf wrapped tapering centre pillar and conforming base with acanthus and flowerhead carved scrolling feet. 158cm wide €3000 - 5000 490 A French 18th Century provincial fruitwood centre table. With dished top, above a single frieze drawer carved with undulating scroll apron and central scallop shell, the sides and reverse correspondingly carved and raised on channelled cabriole legs. 81cm wide €2500 - 3500 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 166 491 A George III mahogany night table of square form the top with undulating gallery and shaped apron to the shelf, above a single cockbeaded frieze drawer raised on chamfered legs adjoined by cross stretcher with circular dished central shelf. 34cm squared, 80cm high €800 - 1200 492 A pair of Chinese late 19th Century carved hardwood table screens, of rectangular form, inset with circular silk panels depicting various exotic birds amongst prunus and flower blossom, contained within a reeded slip and surrounded by pierced lotus scrolls and symbols, held on a conforming stand with carved lion terminals. Each 58cm high Lot 491 €500 - 800 493 An Irish George III mahogany silver table, of rectangular form with moulded tray-top and plain frieze applied with carved scallop shells, raised on cabriole supports and feathered pad feet, 78cm wide €8000 - 12000 Lot 493 Est 1887 167 494 A George III mahogany bookcase, of rectangular form, fitted with a moulded egg and dart cornice above acanthus carved corbals and twin glazed panel doors, enclosing adjustable shelving. The lower section with shaped panel cupboard doors, raised on bracket supports, 159cm wide, 265cm high. €10000 - 15000 494A A Victorian style walnut corner seat, with arched back and out-scrolling sides, upholstered in floral damask, and with serpentine outline padded seat between scroll and floral carved supports, 87cm high, 146cm wide. €500 - 700 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 168 495 An Edwardian oak and mahogany revolving bookcase of square form. The reeded dished top above three compartmented tiers with open slats on an x-form base with castors. 60cm squared, 114cm high €800 - 1200 496 A Victorian oak knee-hole desk of rectangular form. The moulded top with inset leather scriber, above an arrangement of five short drawers and arched kneehole space, raised on turned tapering supports. 153cm wide €800 - 1200 Est 1887 169 497 A pair of Victorian style carved mahogany open armchairs, the oval padded back with carved ribbon tied cresting and downscrolling arms, with striped upholstered seat, on short cabriole supports €800 - 1200 498 A collection of five tr avel trunks, early 20th Century. One wicker basketwork, one monogrammed with the intials AMB Provenance: The Estate of Anne Bullitt €1500 - 2000 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 170 499 An oak Canterbury with open slatted compartment, turned and blocked uprights to the corners above a fitted frieze drawer raised on turned feet, 48cm wide. Provenance: The Estate of Anne Bullitt €50 - 80 500 A pair of Italian 19th Century carved timber polychrome and parcel gilt scupltures of angels kneeling on octagonal bases. 31cm high. Provenance: The Estate of Anne Bullitt €300 - 500 Est 1887 171 501 A Victorian rosewood rectangular side table, with plain moulded top above twin frieze drawers and raised on turned centre pillar and quadruped platform base with concave sides on bun feet and inset castors, 77cm wide. €400 - 600 502 A Victorian mahogany rectangular side cabinet, with two frieze drawers above twin cupboard door with arched silk lined grille panels interposed with leaf carved spandrels and raised on a plain plinth base, 112cm wide €500 - 800 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 172 503 A Victorian mahogany chiffonier, of serpentine outline. The raised back fitted with a single shelf and with leaf and scroll carved border above a moulded top, pulvinated frieze drawer and twin fielded panel cupboard doors flanked by scroll carved corbals, raised on a platform base, 123cm wide, 50cm deep, 164cm high. €500 - 800 504 A 19th Century mahogany chest on stand in George III style, with moulded cornice above two short and three long cockbeaded drawers with reeded canted corners, on a stand fitted with twin drawers on squared supports and scroll spandrels. 109cm wide, 160cm high, 48cm deep. €1000 - 1500 Est 1887 173 505 A George IV mahogany gentleman’s wardrobe, with ogee moulded cornice above twin fielded panel doors and chest of two short and two long graduated drawers on a plinth base, 210cm high, 123cm wide. €1000 - 1500 506 A Victorian mahogany twin pedestal writing desk with a plain moulded top and three drawer frieze, above six graduated short drawers and knee-hole space, raised on a plinth base. 122cm wide €700 - 1000 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 174 507 A set of four Victorian mahogany balloon back dining chairs, each with scroll carved toprail and cross rail over an upholstered seat and raised on turned lotus wrapped tapering supports €500 - 800 508 A mahogany oval extending dining table, in the George III style. The plain moulded top supported on a turned centre pillar and reeded downswept supports with brass toecaps and castors. 199cm wide €1000 - 1500 Est 1887 175 509 A Victorian mahogany boardroom/dining table, with moulded top above a plain frieze and raised on turned and tapering faceted supports with castors, 120cm long, 60cm wide (approximately) €1000 - 1500 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 176 511 A Victorian rosewood rectangular work table, with plain top above single frieze drawer and wool drawer, raised on an ocatagonal centre pillar and quadruped platform with concave sides and bun feet, 46cm wide €400 - 600 512 A semi-antique Persian woven woolen runner, the beige ground centred by stylised foliate guls in navy and pink within floral guard stripes in green, orange and blue, 411cm long, 152cm wide. €700 - 1000 Lot 511 513 A Victorian cast iron and enamelled stick stand, ornately styled with a pierced floral scrollwork back, supporting a shaped retaining loop and drip tray. 85cm high €300 - 500 Lot 513 Est 1887 177 514 A 19th Century mahogany folding top card table. The rectangular top with rosette carved border, over a plain frieze centred by a carved scallop shell and raised on concertina action channelled supports, 91cm wide. €1800 - 2200 515 A 19th Century French kingwood bureau du dame. The top section with fitted drawers on a table base with tooled scriber and single frieze drawer, raised on square tapering legs, 79cm wide. Lot 514 Provenance: The Estate of Anne Bullitt €500 - 700 516 A Regency inlaid mahogany kneehole desk of rectangular form. The moulded top crossbanded and decorated with satinwood and ebony stringing. Fitted with single frieze secretaire drawer above a central concave cupboard door and flanking fielded cupboard doors applied with roundels to the corners, raised on short bracket feet. 110cm wide, 85cm high, 55cm deep €2000 - 3000 Lot 516 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 178 517 A pair of eggshell blue painted occasional chairs in the Louis XVI style. With gadrooned and leaf carved crest rail surmounted by ribbon tied arrow and quiver trophy, conforming back rail above caned seat and raised on turned fluted legs. Provenance: The Polly Devlin Collection €300 - 400 518 A mahogany shaped circular occasional table in George III style. With pie-crust rim to the dished top, raised on bird-cage and fluted baluster and leaf carved centre pillar, tripod base with foliate carved knees and claw and ball feet, 65cm high, 61cm diameter Lot 517 €600 - 800 519 A pair of French carved timber and gesso wall appliqués, in the form of floral and fruit garlands fiited with twin scrolling branches and elctrofied sconces, 58cm high €600 - 800 Lot 519 Est 1887 179 520 A br ass and glazed octagonal hall lantern, 19th Century. With scroll and flower head corona issuing leaf scrolling branches terminating in bearded masks above glazed panels and inverted finials, 78cm high to top of fitting. €1500 - 2000 521 A br ass and glazed octagonal hall lantern, 19th Century. Suspended on three pierced strapwork chains and surmounted by wave scrolls and cornucopiae above glazed panels, acanthus leaf scroll feet and central inverted finial, 60cm high. €800 - 1200 522 A 19th Century mahogany snap top supper table, in Georgian style. The shaped circular top with a pierced border of leaf scrolls interposed with half-rosettes, raised on a spiral fluted centre pillar and tripod base, the knees carved with ribbon tied sheaves and having claw and ball feet. 77.5cm diameter €2000 - 3000 Lot 522 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 180 523 A George III style inlaid mahogany demi-lune card table, the top crossbanded and decorated with box stringing, above an inlaid frieze with herring bone stringing interposed with foliate motifs and raised on square tapering banded legs. 101cm wide €800 - 1200 524 A pair of Regency mahogany r ail back dining chairs with incised linear and rosette decoration to the crest rails and with reeded and carved palmettes to the back rails, above an upholstered seat and raised on square tapering legs with H form stretcher. Lot 523 €250 - 350 525 An Edwardian inlaid satinwood twin pedestal desk, by Holland and Sons. The rectangular top inset with tooled leather above three frieze drawers and three long graduated drawers to each pedestal, each with turned timber knop handles and raised on moulded plinth bases (stamped on the inside of the central frieze drawer). 137cm wide €2000 - 3000 Lot 525 Est 1887 181 526 An Edwardian inlaid beech D-shaped card table, decorated with ebon and boxwood stringing and with baize lined interior, raised on slender tapering supports. 88cm wide €500 - 700 528 A Victorian mahogany and br ass mounted stick stand, in the Arts and Crafts style. Of rectangular upright form, centred with an applied foliate carved panel between channelled supports, fitted with brass rail and liner and raised on bun feet. 87cm high €800 - 1200 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 182 529 A Victorian giltwood fr amed overmantle mirror, of arched rectangular form. Surmounted by a double c-scroll and acanthus leaf cresting centred by a rosette motif above a rope twist and rocaille frame on a shallow plinth base, 209cm high, 167cm wide. €1500 - 2000 Est 1887 183 530 Two Victorian style grey painted cast iron and marble garden tables, of circular form with white marble tops. One with pierced frame, cast with rosettes and swags, raised on sabre legs surmounted by bearded masks and terminating in scroll feet. The second with pierced rose and thistle scrollwork frame on sabre legs surmounted by term figures of Brittania and terminating in paw feet. Each 62cm diameter €700 - 1000 531 A pair of Georgian style mahogany oval occasional tables, each with plain moulded tops over a ring turned centre column and out-scrolling tripod base. 76cm high [2] €500 - 800 532 Lot 530 An early Victorian rosewood and br ass inlaid tr avel box of rectangular form. With hinged lid and recessed handles to the sides, and the interior fitted with an enclosed pouch. 28cm wide €80 - 100 533 A French style stained timber stool of rectangular form, the upholstered seat on channelled cabriole legs, 46cm high, 41cm wide, 36cm deep. Provenance: The Estate of Anne Bullitt €150 - 200 534 A late 19th Century papier maché tr ay, of rectangular form, the everted rim with a gilded continuous Greek key border enclosing a plain central reserve, 78cm long, 55.5cm wide. €200 - 300 Lot 532 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 184 535 A Victorian giltwood and gesso fr amed overmantle mirror of rectangular form. Surmounted by a cabochon and Venus shell cresting flanked by leaf scrolls and rocaille mouldings to the frame, 128cm high, 138cm wide. €1000 - 1500 536 A Neoclassical style giltwood wall mirror. The circular mirror plate within laurel wreath slip and suspended from a bow. Surmounted by rosette cresting issuing twin scrolls and bell-flowers. The apron carved with egg and dart above palmettes and bell-flower swag. 117cm high, 44cm wide €600 - 800 537 19th Century School Venus De Milo (After the Antique) Bronze on a red shaped marble base, 44cm high (48cm including base) €600 - 800 538 A pair of carved alabaster urns with leafy collars and pierced handles, raised on a circular socle base, 56cm high. €300 - 500 539 A Victorian papier-mache desk set. Comprising of a casket shaped stationary box, an oval inkstand fitted with twin moulded glass inkwells and rectangular blotter. Each piece with green and black malachite paint effect and applied with brass strapwork €200 - 300 Lot 536 Est 1887 185 Lot 543 540 A 19th Century rosewood and mother of pearl inlaid workbox, 543 A pair of Victorian mahogany hall chairs with scroll and leaf carved armorial backs above a serpentine front panel seat raised on cabriole legs. of rectangular form. The hinged top inset with a mother of pearl plaque engraved with initials and with compartmented interior and secluded side drawer (30cm wide) €800 - 1200 €150 - 200 541 A 19th Century mahogany and br ass mounted pill-rolling machine 544 A mahogany bedside locker in the Georgian style of rectangular form fitted with two long drawers. The upper drawer faced in blind fretwork and with pierced open fretwork panels at either side, raised on square chamfered feet. 44.5cm wide of usual rectangular form with sliding paddle, by S. Maw, London. *Note* The rolled pill mass was placed on the brass grooves, the paddleshaped portion was pressed down on top of the pipe and moved back and forth forming round pills. €200 - 300 €200 - 300 542 A Victorian rosewood fr amed fire screen, fitted with adjustable rectangular tapestry panel on a spiral turned pillar support and leaf carved double scroll tripod base. 132cm high, 58.5cm wide €400 - 600 545 A Victorian br ass helmet shaped coal scuttle, with turned ebony handle and decorated with repousse griffins, urns, anthemia and bell flower motifs, on a domed circular foot. 48cm high. €250 - 350 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 186 Est 1887 187 Est 1887 & We dn e sday 21st O ctob e r Th e S p o rt i n g Sa l e Harry Robertson Craig “The Parade Ring, Phoenix Park, Dublin” Following the record results achieved in the inaugural sporting sale last year, Goff’s and Adam’s are now accepting entries for this unique sale Stuart Cole, David Britton or Nick Nugent + 353 1 6760261 www.adams.ie for further enquiries contact Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 188 Est 1887 Tuesday 17th June at 6pm Contemporary & Modern Art Eleanor McCaughey ‘The Nervous Watcher’ Est: €1500-2000 Est 1887 189 Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 190 Est 1887 General Terms and Conditions of Business The Auctioneer carries on business on the following terms and conditions and on such other terms or conditions as may be expressly agreed with the Auctioneer or set out in any relevant Catalogue. Conditions 12-21 relate mainly to buyers and conditions 22-32 relate mainly to sellers. Words and phrases with special meanings are defined in condition 1. Buyers and sellers are requested to read carefully the Cataloguing Practice and Catalogue Explanation contained in condition 2. DEFINITIONS AND GENERAL CONDITIONS Definitions 1. In these conditions the following words and expressions shall have the following meanings: ‘Auctioneer’ – James Adam & Sons. ‘Auctioneer’s Commission’ – The commission payable to the Auctioneer by the buyer and seller as specified in conditions 13 and 25. ‘Catalogue’ – Any advertisement, brochure, estimate, price list or other publication. ‘Forgery’ – A Lot which was made with the intention of deceiving with regard to authorship, culture, source, origin, date, age or period and which is not shown to be such in the description therefore in the Catalogue and the market value for which at the date of the auction was substantially less than it would have been had the Lot been in accordance with the Catalogue description. ‘Hammer Price’ – The price at which a Lot is knocked down by the Auctioneer to the buyer. ‘Lot’ – Any item which is deposited with the Auctioneer with a view to its sale at auction and, in particular, the item or items described against any Lot number in any Catalogue. ‘Proceeds of Sale’ – The net amount due to the seller being the Hammer Price of the Lot after deducting the Auctioneer’s Commission thereon under condition 25 the seller’s contribution towards insurance under condition 26, such VAT as is chargeable and any other amounts due by the seller to the Auctioneer in whatever capacity howsoever arising. ‘Registration Form or Register’ – The registration form (or, in the case of persons who have previously attended at auctions held by the Auctioneer and completed registration forms, the register maintained by the Auctioneer which is compiled from such registration forms) to be completed and signed by each prospective buyer or, where the Auctioneer has acknowledged pursuant to condition 12 that a bidder is acting as agent on behalf of a named principal, each such bidder prior to the commencement of an auction. ‘Sale Order Form’ – The sale order form to be completed and signed by each seller prior to the commencement of an auction. ‘Total Amount Due’ – The Hammer Price of the Lot sold, the Auctioneer’s Commission due thereon under condition 13, such VAT as is chargeable and any additional interest, expenses or charges due hereunder. ‘V.A.T.’ – Value Added Tax. Cataloguing Practice and Catalogue Explanations 2. Terms used in Catalogues have the following meanings and the Cataloguing Practice is as follows: The first name or names and surname of the artist; In the opinion of the Auctioneer a work by the artist. The initials of the first name(s) and the surname of the artist; In the opinion of the Auctioneer a work of the period of the artist and which may be in whole or in part the work of the artist. The surname only of the artist; In the opinion of the Auctioneer a work of the school or by one of the followers of the artist or in his style. The surname of the artist preceded by ‘after’; In the opinion of the Auctioneer a copy of the work of the artist. ‘Signed’/’Dated’/’lnscribed’; In the opinion of the Auctioneer the work has been signed/dated/inscribed by the artist. ‘With Signature’/’with date’/’with inscription’; In the opinion of the Auctioneer the work has been signed/dated/inscribed by a person other than the artist. ‘Attributed to’; In the opinion of the Auctioneer probably a work of the artist. ‘Studio of/Workshop of ’ In the opinion of the Auctioneer a work executed in the studio of the artist and possibly under his supervision. ‘Circle of ’; In the opinion of the Auctioneer a work of the period of the artist and showing his influence. ‘Follower of ’; In the opinion of the Auctioneer a work executed in the artist’s style yet not necessarily by a pupil. ‘Manner of ’; In the opinion of the Auctioneer a work executed in artist’s style but of a later date. ‘*’; None of the terms above are appropriate but in the Auctioneer’s opinion the work is a work by the artist named. GENERAL CONDITIONS Auctioneer Acting as Agent 3. The Auctioneer is selling as agent for the seller unless it is specifically stated to the contrary. The Auctioneer as agent for the seller is not responsible for any default by the seller or the buyer. Auctioneer Bidding on behalf of Buyer 4. It is suggested that the interests of prospective buyers are best protected and served by the buyers attending at an auction. However, the Auctioneer will, if instructed, execute bids on behalf of a prospective buyer. Neither the Auctioneer nor its employees, servants or agents shall be responsible for any neglect or default in executing bids or failing to execute bids. Admission to Auctions 5. The Auctioneer shall have the right exercisable in its absolute discretion to refuse admission to its premises or attendance at its auctions by any person. Acceptance of Bids 6. The Auctioneer shall have the right exercisable in its absolute discretion to refuse any bids, advance the bidding in any manner it may decide, withdraw or divide any Lot, combine any two or more Lots and, in the case of a dispute, to put any Lot up for auction again. Indemnities 7. Any indemnity given under these conditions shall extend to all actions, proceedings, claims, demands, costs and expenses whatever and howsoever incurred or suffered by the person entitled to the benefit of the indemnity and the Auctioneer declares itself to be a trustee of the benefit of every such indemnity for its employees, servants or agents to the extent that such indemnity is expressed to be for their benefit. Representations in Catalogues 8. Representations or statements made by the Auctioneer in any Catalogue as to contribution, authorship, genuineness, source, origin, date, age, provenance, condition or estimated selling price or value is a statement of opinion only. Neither the Auctioneer nor its employees, servants or agents shall be responsible for the accuracy of any such opinions. Every person interested in a Lot must exercise and rely on their own judgment and opinion as to such matters. 9. The headings of the conditions herein contained are inserted for convenience of reference only and are not intended to be part of, or to effect, the meaning or interpretation thereof. Est 1887 191 CONDITIONS WHICH MAINLY CONCERN THE BUYER The Buyer 12. The buyer shall be the highest bidder acceptable to the Auctioneer who buys at the Hammer Price. Any dispute which may arise with regard to bidding or the acceptance of bids shall be settled by the Auctioneer. Every bidder shall be deemed to act as principal unless the Auctioneer has prior to the auction, acknowledged in writing that a bidder is acting as agent on behalf of a named principal. Commission 13. The buyer shall pay the Auctioneer a commission at the rate of 15%, exclusive of vat, of the Hammer Price payable in respect of any Lot. Payment 14. Unless credit terms have been agreed with the Auctioneer before the auction the buyer of a Lot shall pay to the Auctioneer within one (1) day from the date of the auction the Total Amount Due. Notwithstanding this, the Auctioneer may, in its sole discretion, require a buyer to pay a deposit of 25% of the Total Amount Due at the conclusion of the auction. The Auctioneer may apply any payments received by a buyer towards any sums owing from that buyer to the Auctioneer on any account whatever regardless of any directions of the buyer or his agent in that regard whether express or implied. The Auctioneer shall only accept payment from successful bidders in cash or by the bidder’s own cheque. Cheques drawn by third parties, whether in the Auctioneer’s favour or requiring endorsement, shall not be accepted. Reservation of Title 15. Notwithstanding delivery or passing of risk to the buyer the ownership of a Lot shall not pass to the buyer until he has paid to the Auctioneer the Total Amount Due. Collection of Purchases 16. The buyer shall at his own expense collect the Lot purchased not later than (2) days after the sale etc (2) days after the date of the auction but (unless credit terms have been agreed with the Auctioneer pursuant to condition 14) not before payment to the Auctioneer of the Total Amount Due. The buyer shall be responsible for any removal, storage and insurance charges in respect of any Lot which is not taken away within seven (2) days after the date of the auction. The purchased Lot shall be at the buyer’s risk in all respects from the earlier of the time of collection or the expiry of one (1) day from the date of the auction. Neither the Auctioneer nor its employees, servants or agents shall thereafter be liable for any loss or damage of any kind howsoever caused while a purchased Lot remains in its custody or control after such time. Packaging and Handling of Purchased Lots 17. Purchased Lots may be packed and handled by the Auctioneer, its employees, servants or agents. Where this is done it is undertaken solely as a courtesy to buyers and at the discretion of the Auctioneer. Under no circumstances shall the Auctioneer, its employees, servants or agents be liable for damage of any kind and howsoever caused to glass or frames nor shall the Auctioneer be liable for the errors or omissions of, or for any damage caused by, any packers or shippers which the Auctioneer has recommended. (f ) To retain that Lot or any other Lot purchased by the buyer whether at the same or any other auction and release same to the buyer only after payment to the Auctioneer of the Total Amount Due. (g) To apply any sums which the Auctioneer received in respect of Lots being sold by the buyer towards settlement of the Total Amount Due. To exercise a lien on any property of the buyer in the possession of the Auctioneer or whatever reason. (h) Liability of Auctioneer and Seller 19. Prior to auction ample opportunity is given for the inspection of the Lots on sale and each buyer by making a bid acknowledges that he has, by exercising and relying on his own judgment, satisfied himself as to the physical condition, age and Catalogue description of each Lot (including but not restricted to whether the Lot is damaged or has been repaired or restored). All Lots are sold with all faults and imperfections and errors of description. None of the seller, the Auctioneer nor any of their employees, servants or agents shall be responsible for any error of description or for the condition or authenticity of any Lot. No warranty whatsoever is given by the seller or Auctioneer or by any of their employees, servants or agents in respect of any Lot and any condition or warranty express or implied by statute or otherwise is hereby specifically excluded. Forgeries 20. Any amount paid by a buyer in respect of a Lot which, if it is proved within three (3) years of the date of the auction at which it was purchased, to have been a Forgery shall be refunded to the seller subject to the provisions hereof, provided that: (a) The Lot has been returned by the buyer to the Auctioneer within three (3) years of the date of the auction in the same condition in which it was at the time of the auction together with evidence proving that it is a Forgery, the number of the Lot and the date of the auction at which it was purchased; (b) The Auctioneer is satisfied that the Lot is a Forgery and that the buyer has and is able to transfer good and marketable title to the Lot free from any third party claims; FURTHER PROVIDED THAT the buyer shall have no rights hereunder if: (i) The description of the Lot in the Catalogue at the time of the auction was in accordance with the then generally accepted opinion of scholars or experts or fairly indicated that there was a conflict of such opinion; (ii) The buyer’s sole entitlement under this condition is to a refund of the actual amount paid by him in respect of the Lot. Under no circumstances shall the Auctioneer be liable for any damage, loss (including consequential, indirect or economic loss) or expense suffered or incurred by the buyer by reason of the Lot being a Forgery. The benefit of this condition shall be solely and exclusively for the buyer and shall not be assignable. The buyer shall for the purpose of this condition be the person to whom the original invoice in respect of the sale of the Lot is made. Photographs 21. The buyer authorises the Auctioneer at any time to make use of any photographs or illustrations of the Lot purchased by the buyer for such purposes as the Auctioneer may require. Non-Payment or Failure to Collect Purchased Lots 18. If a buyer fails to pay for and/or collect any purchased Lot by the dates herein specified for payment and collection the Auctioneer shall, in its absolute discretion and without prejudice to any other rights or remedies it may have, be entitled to exercise one or more of the following rights or remedies without further notice to the buyer: (a) To issue court proceedings for damages for breach of contract; (b) To rescind the sale of that Lot or any other Lots sold to the buyer whether at that or at any other auction; (c) To resell the Lot or cause it to be resold whether by public auction or private sale. In the event that there is a deficiency between the Total Amount Due by the buyer and the amount received by the Auctioneer on such resale after deduction of any necessary expenses the difference shall be paid to the Auctioneer by the buyer. Any surplus arising shall belong to the seller. (d) To store (whether at the Auctioneer’s premises or elsewhere) and insure the purchased Lot at the expense of the buyer. (e) To charge interest on the Total Amount Due at the rate of 2% over and above the base rate from time to time of Bank of Ireland or if there be no such rate, the nearest equivalent thereto as determined by the Auctioneer in its absolute discretion from the date on which payment is due hereunder to the date of actual payment. The only method of establishing at the time of the auction in question that the Lot was a Forgery would have been by means of scientific processes which were not generally accepted for use until after the date of the auction or which were unreasonably expensive or impractical. CONDITIONS WHICH MAINLY CONCERN THE SELLER Auctioneer’s Discretion 22. With regard to the sale of any Lot the Auctioneer shall have the following powers exercisable solely in the discretion of the Auctioneer: (i) To decide whether to offer any Lot for sale or not; (ii) To decide whether a particular Lot is suitable for sale by the Auctioneer and, if so, to determine which auction, the place and date of sale, the conditions of sale and the manner in which such sale should be conducted; (iii) To determine the description of any Lot in a Catalogue. (iv) To decide whether the views of any expert shall be obtained and to submit Lots for examination by any such experts. (v) To determine what illustration of a Lot (if any) is to be included in the Catalogue. Fine Period Furniture, Silver, Paintings & Decorative Arts, June 10th 2008 192 23. The seller warrants to the Auctioneer and to the buyer that he is the true owner of the Lot or is legally authorised to sell the Lot on behalf of the true owner and can transfer good and marketable title to the Lot free from any third party claims. As regards Lots not held by the Auctioneer on its premises or under its control the seller warrants and undertakes to the Auctioneer and the buyer that the Lot will be available and in a deliverable state on demand by the Auctioneer or buyer. The seller shall indemnify the Auctioneer and the buyer or any of their respective employees, servants or agents against any loss or damage suffered by any of them in consequence of any breach of the above warranties or undertakings by the seller. Reserves 24. Subject to the Auctioneer’s discretion, the seller shall be entitled prior to the auction to place a reserve on any Lot. All reserves must be agreed in advance by the Auctioneer and entered on the Sale Order Form or subsequently be confirmed in writing to the Auctioneer prior to auction. This also applies to changes in reserves. A reserve may not be placed upon any Lots under IR£100 in value. The reserve shall be the minimum Hammer Price at which the Lot may be sold by the Auctioneer. A reserve once in place may only be changed with the consent of the Auctioneer. A commission shall be charged on the ‘knock-down’ bid for Lots which fail to reach the reserve price. Such commission shall be 5% of the ‘knock-down’ bid. This commission and any VAT payable thereon must be paid before removal of the Lot after the auction. The minimum commission hereunder shall be IR £25. The Auctioneer may in its sole discretion sell a Lot at a Hammer Price below the reserve therefore but in such case the Proceeds of Sale to which the seller shall be entitled shall be the same as they would have been had the sale been at the reverse. Unless a reserve has been placed on a Lot in accordance with the provisions set out above such Lot shall be put up for sale without reserve. In the event that any reserve price is not reached at auction then for so long as the Lot remains with the Auctioneer and to the extent that the Lot has not been re-entered in another auction pursuant to condition 31 the seller authorises the Auctioneer to sell the Lot by private treaty at not less than the reserve price. The Auctioneer shall ensure that in such a case those conditions herein which concern mainly the buyer shall, with any necessary modification, apply to such sale. Commission 25. The seller shall pay the Auctioneer commission at the rate of 10% on the Hammer Price of all Lots sold on behalf of the seller at Irish Art Sales and 12.5% on the Hammer Price of all Lots sold on behalf of the seller at Fine Art, Wine and Militaria Sales together with V.A.T. thereon at the applicable rate. The seller authorises the Auctioneer to deduct from the Hammer Price paid by the buyer the Auctioneer’s Commission under this condition; VAT payable at the applicable rates and any other amounts due by the seller to the Auctioneer in whatever capacity howsoever arising. The seller agrees that the Auctioneer may also receive commission from the buyer pursuant to condition 13. Insurance 26. Unless otherwise instructed by the seller, all Lots (with the exception of motor vehicles) deposited with the Auctioneer or put under its control for sale shall automatically be insured by the Auctioneer under the Auctioneer’s own fine arts policy for such sum as the Auctioneer shall from time to time in its absolute discretion determine. The seller shall pay the Auctioneer a contribution towards such insurance at the rate of 1% of the Hammer Price plus VAT. If the seller instructs the Auctioneer not to insure a Lot then the Lot shall at all times remain at the risk of the seller who undertakes to indemnify the Auctioneer and hold the Auctioneer harmless against any and all claims made or proceedings brought against the Auctioneer of whatever nature and howsoever and wheresoever occurring for loss or damage to the Lot. The sum for which a Lot is covered for insurance under this condition shall not constitute and shall not be relied upon by the seller as a representation, warranty or guarantee as to the value of the Lot or that the Lot will, if sold by the Auctioneer, be sold for such amount. Such insurance shall subsist until such time as the Lot is paid for and collected by the buyer or, in the case of Lots sold which are not paid for or collected by the buyer by the due date hereunder for payment or collection such due date or, in the case of Lots which are not sold, on the expiry of seven (7) days from the date on which the Auctioneer has notified the seller to collect the Lots. Recision of Sale 27. If before the Auctioneer has paid the Proceeds of Sale to the seller the buyer proves to the satisfaction of the Auctioneer that the Lot sold is a Forgery and the requirements of condition 20 are satisfied the Auctioneer shall rescind the sale and refund to the buyer any amount paid to the Auctioneer by the buyer in respect of the Lot. Payment of Proceeds of Sale 28. The Auctioneer shall remit the Proceeds of Sale to the seller not later than thirty (30) days after the date of the auction, provided however that, if by that date, the Auctioneer has not received the Total Amount Due from the buyer then the Auctioneer shall remit the Proceeds of Sale within seven (7) working days after the date on which the Total Amount Due is received from the buyer. If credit terms have been agreed between the Auctioneer and the buyer the Auctioneer shall remit to the seller the Proceeds of Sale not later than thirty (30) days after the date of the auction unless otherwise agreed by the seller. If before the Total Amount Due is paid by the buyer the Auctioneer pays the seller an amount equal to the Proceeds of Sale then title to the Lot shall pass to the Auctioneer. If the buyer fails to pay the Auctioneer the Total Amount Due within fourteen (14) days after the date of the auction, the Auctioneer shall endeavour to notify the seller and take the seller’s instructions on the course of action to be taken and, to the extent that it is in the sole opinion of the Auctioneer feasible, shall endeavour to assist the seller to recover the Total Amount Due from the buyer provided that nothing herein shall oblige the Auctioneer to issue proceedings against the buyer in the Auctioneer’s own name. If circumstances do not permit the Auctioneer to take instructions from the seller or, if after notifying the seller, it does not receive instructions within seven (7) days, the Auctioneer reserves the right, and is hereby authorised by the seller at the seller’s expense, to agree special terms for payments of the Total Amount Due, to remove, store and insure the Lot sold, to settle claims made by or against the buyer on such terms as the Auctioneer shall in its absolute discretion think fit, to take such steps as are necessary to collect monies due by the buyer to the seller and, if necessary, to rescind the sale and refund money to the buyer. Payment of Proceeds to Overseas Sellers 29. If the seller resides outside Ireland the Proceeds of Sale shall be paid to such seller in Irish Punts unless it was agreed with the seller prior to the auction that the Proceeds of Sale would be paid in a currency (other than Irish Punts) specified by the seller in which case the Proceeds of Sale shall be paid by the Auctioneer to the seller in such specified currency (provided that that currency is legally available to the Auctioneer in the amount required) calculated at the rate of exchange quoted to the Auctioneer by its bankers on the date of payment. Charges for Withdrawn Lots 30. Once catalogued, Lots withdrawn from sale before proofing/publication of Catalogue will be subject to commission of 5% of the Auctioneer’s latest estimate of the auction price of the Lot withdrawn together with VAT thereon and any expenses incurred by the Auctioneer in relation to the Lot. If Lots are withdrawn after proofing or publication of Catalogue they will be subject to a commission of 10% of the Auctioneer’s latest estimate of the auction price of the Lot withdrawn together with VAT thereon and any expenses incurred by the Auctioneer in relation to the Lot. All commission hereunder must be paid for before Lots withdrawn may be removed. Unsold Lots 31. Where any Lot fails to sell at auction the Auctioneer shall notify the seller accordingly and (in the absence of agreement between the seller and the Auctioneer to the contrary) such Lot may, in the absolute discretion of the Auctioneer, be re-entered in the next suitable auction unless instructions are received from the seller to the contrary, otherwise such Lots must be collected at the seller’s expense within the period of thirty (30) days of such notification from the Auctioneer. Upon the expiry of such period the Auctioneer shall have the right to sell such Lots by public auction or private sale and on such terms as the Auctioneer in its sole discretion may think fit. The Auctioneer shall be entitled to deduct from the price received for such Lots any sums owing to the Auctioneer in respect of such Lots including without limitation removal, storage and insurance expenses, any commission and expenses due in respect of the prior auction and commission and expenses in respect of the subsequent auction together with all reasonable expenses before remitting the balance to the seller. If the seller cannot be traced the balance shall be placed in a bank account in the name of the Auctioneer for the seller. Any deficit arising shall be due from the seller to the Auctioneer. Any Lots returned at the seller’s request shall be returned at the seller’s risk and expense and will not be insured in transit unless the Auctioneer is so instructed by the seller. Auctioneer’s Right to Photographs and Illustrations 32. The seller authorises the Auctioneer to photograph and illustrate any Lot placed with if for sale and further authorises the Auctioneer to use such photographs and illustrations and any photographs and illustrations provided by the seller at any time in its absolute discretion (whether or not in connection with the auction). Est 1887