US_Fall_2011_FINAL_US catalog - Schirmer

Transcription

SCHIRMER/MOSEL
US FALL 2011
NEW TITLES & COMPLETE CATALOG
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4
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Ellsworth Kelly: Plant Drawings
19
Waits/Corbijn ’77-’11
Peter Lindbergh: The Unknown
20
Bert Stern/Marilyn Monroe:
The Complete Last Sitting
Helmut Newton at Schirmer/Mosel
Kraftwerk: 3D
24
Eileen Gray: Her Life and Her Work
10
Anton Corbijn: Inwards and Onwards
12
14
Cy Twombly: Drawings. Cat. Rais. Vol. 1
Zurbarán: Selected Paintings 1625–1664
25
26
Peter Lindbergh: Untitled 116
Backlist
16
Leo Rosenthal: A Court Reporter of the
Weimar Republic, Berlin 1926–1933
18
19
Silver Marilyn. Marilyn Monroe and the Camera
Ed Feingersh: Marilyn in New York
All prices are subject to change
due to variable exchange rates.
front cover: Ellsworth Kelly, Apples, 1949
taken from: Ellsworth Kelly, Plant Drawings
back cover: Tom Waits at home, California 2004. Photo by Anton Corbijn
taken from: Waits/Corbijn ’77-’11
Dear Schirmer/Moselites,
Water Lily, 1968
Ellsworth Kelly: Plant Drawings
as usual, our new catalog of forthcoming art and
photography titles includes some of the finest
new book of the upcoming season features recent
portraits of artists, pop stars, and musicians.
Ellsworth Kelly is one of the most important living
American painters and sculptors. His career is closely
Texts by Michael Semff
and Marla Prather
Art in Washington, DC,
curator of post-war art
American and European artists.
America takes the lead with a beautiful book on
Peter Lindbergh, who sometimes combines his
photos with sci-fi stories of extraterrestrial
tied to the abstract style of “hard-edge” painting in
the 60s, with color field painting and the Minimalist
Ellsworth Kelly, born in
Ellsworth Kelly’s unique plant drawings and the first
landings, presents a fashion photo novella in his
Newburgh, New York, in
volume of the Catalogue Raisonné of Drawings by
Cy Twombly.
A central figure in the upcoming season’s media
new book, published on the occasion of a major
exhibition of his work in Beijing.
For contemporary pop music buffs, the techno pop
school. His works demonstrate unassuming
techniques that emphasize the simplicity of form,
frequently enhanced by bright colors. Alongside his
at the Whitney Museum
of American Art in New
York and at the National
1923, lives and works in
Gallery of Art. She was
Spencertown, New York.
geometrical paintings, Kelly is famous for his beauti-
attention will no doubt be Helmut Newton, whose
great photographic work of female nudes will be
band Kraftwerk gives a special performance in the
form of a 3D tour book.
ful drawings of plants, flowers, and leaves, which
were shown together with Matisse’s plant drawings
Dr. Michael Semff, born
recently appointed
curator of American art
at the Tate in London.
celebrated in a major tour through US museums
starting in Houston, Texas, in July. His eight classic
Schirmer/Mosel books, developed in close collabo-
Marilyn Monroe, immortal film star of the 20th
century, is back with three classic Schirmer/Mosel
volumes in preparation for the 50th anniversary
at the Centre Pompidou in Paris in 2002.
His book of drawings and watercolors is appearing
1950 is Director
of the State Prints
Collection, Munich.
Exhibitions
State Prints Collection,
Munich, Oct. 7, 2011 –
ration with the artist during his lifetime, will
of her death in August 2012.
certainly be in the limelight as well. You’ll find
them on two double spreads, pp. 20–23.
Our showbusiness section portrays the collaboration
Last but not least, renowned Dutch writer Cees
Nooteboom guides you into the mystic world of
17th-century Spanish religious painter Zurbarán.
will travel on to the Metropolitan Museum, New York,
Marla Prather is an
Jan. 8, 2012; Louisiana
Museum of Modern Art,
between Dutch photographer and filmmaker Anton
I hope you will enjoy what we have assembled for
in spring 2012.
Two texts by the curators (Michael Semff, Munich,
and Marla Prather, New York) describe the plant
American curator. She
has been a curator
and head of the 20th-
Humlebæk, Denmark,
Jan. 24 – April 9, 2012;
Metropolitan Museum of
Corbijn and American singer-songwriter Tom Waits;
dating back to 1977, it is now entering its fifth
decade. Tom Waits contributes his own writings and
photographs from his personal archive, lending the
you in our new collection.
drawings in the context of Ellsworth Kelly’s œuvre
as a whole.
Century Art Department
at the National Gallery of
Art, New York, June 5 –
Sept. 3, 2012
book a very personal touch. Anton Corbijn’s second
Munich, May 2011
Best regards,
Lothar Schirmer
to coincide with a large museum show that starts
at Graphische Sammlung, Munich, in fall 2011 and
in Bad Tölz, Bavaria, in
November 2011, hardcover US $ 95.00 Can. $ 105.00
92⁄3 x 131⁄2 in. / 24.5 x 34 cm, c. 160 pages, c. 100 color plates
ISBN 978-3-8296-0561-8
3
WAITS / CORBIJN ’77– ’11
LIMITED EDITION OF 6,000 COPIES
November 2011, Collector’s Edition of 6,000 copies w/slipcase US $ 200.00 Can. $ 220.00
10 x 141⁄5 in. / 25.2 x 36 cm, 252 pages, 193 color and duotone plates
ISBN 978-3-8296-0555-7
4
PHOTOGRAPHS BY ANTON CORBIJN—CURIOSITIES BY TOM WAITS
TEXTS BY JIM JARMUSCH AND ROBERT CHRISTGAU
5
Downtown LA, 1983
Petaluma, California, 2004
Tom Waits, Band Names, Collage
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California, 2002. Photos by Anton Corbijn
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Peter Lindbergh: The Unknown. The Chinese Episode
Kraftwerk: 3D
Internationally-known German fashion photographer
Peter Lindbergh revolutionized his métier with
Interview with
Peter Lindbergh
Peter Lindbergh, born
in 1944, is one of the
For over forty years they have entertained us in a
wordly, low-key way. All the while they’ve written
Text by Matthias Mühling
Includes 3D glasses
Exhibition
Lenbachhaus, Munich
iconic images of Linda Evangelista, Naomi Campbell,
Cindy Crawford, Tatjana Patitz, and other models.
by Jérôme Sans
world’s most successful
photographers. His
music history and one hit after the other: the
musicians of the techno pop band Kraftwerk. Their
Matthias Mühling is an
Oct. 15 – Nov. 13, 2011;
Tate Modern, London;
His photographs sought to capture the personality,
Jérôme Sans, born
in 1960, is director of
campaigns created a
furor both in the world
depersonalized style has produced both sonic and
art historian and Head
of the Department
Museum of Modern Art,
New York
the Ullens Center for
Contemporary Art (UCCA)
of fashion and with the
public. He is a regular
visual master performances that are now even noticed
by the world of contemporary visual arts, as a unique
form of artistic performance. The visual and musical
in Beijing.
contributor to Harper’s
Bazaar in New York.
metamorphosis of the group that is indeed more of a
power plant than a band, has always been driven by
Curator for Art after
1945 at the Lenbachhaus
shootings set against the backdrop of a fictitious
landing of beings from outer space. The extraterrestrial theme is elegantly augmented with elements
the development of new technologies. Now they are
presenting Kraftwerk videos in 3D projections in a
museum tour in Munich, London, and New York that
und Kunstbau in Munich.
of Hollywood glamour from the fifties, the German
will, of course, also be part of future Kraftwerk
cinema of Fritz Lang, and futuristic scenarios of
science fiction movies—much in the manner of Orson
Welles or Ridley Scott. Lindbergh has now joined
concerts. The book—complete with 3D glasses—
will be published by Schirmer/Mosel. The essay is by
Matthias Mühling, curator of the October 2011 show
character, and identity of the models—and not just
the glitter and glamour.
His new project represents another innovative
chapter in the field of fashion photography. The
Unknown is a photographic “serial novel” of fashion
these photographs together for the first time to
form a large-scale pictorial narrative for an
exhibition in Beijing.
June 2011, hardcover US $ 68.00 Can. $ 75.00
91⁄2 x 121⁄2 in. / 24 x 32 cm, 200 pages, 89 color and duotone plates
ISBN 978-3-8296-0544-1
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Collections/Exhibitions/
Research and Chief
in Munich.
Erin Wasson, Paramount Studios,
Hollywood, USA, 2002. Photo by Peter Lindbergh
November 2011, hardcover, US $ 50.00 Can. $ 55.00
11 x 11 in. / 28 x 28 cm, 96 pages, ca. 60 color plates
ISBN 978-3-8296-0562-5
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Anton Corbijn: Inwards and Onwards
Anton Corbijn’s great work of portrait photography
is being celebrated this summer in Amsterdam in an
exhibition of new portraits taken during the past
eight years. Besides his fascination with artists from
the music world, Anton Corbijn has for a long time
shown an interest in visual artists and this catalogue
shows some of his forays into this world with images
of Lucian Freud, Damien Hirst, Gerhard Richter,
Photographs by
Anton Corbijn
films include the awardwinning Control (2007)
and The American (2010,
Interview with
Anton Corbijn by
with George Clooney).
Francis Hodgson
Anton Corbijn, born
Francis Hodgson is a
photography critic for
the Financial Times,
Ed Ruscha, Anselm Kiefer, Hilla and Bernd Becher,
in Strijen, Holland, in
and the former Head
Peter Doig, as well as Patti Smith, Bruce Springsteen,
Johnny Cash, Alexander McQueen, Kate Moss,
Tom Waits, Mick Jagger, and many more.
1955, photographer,
filmmaker, and designer,
started his career in the
of Photographs at
Sotheby’s, London.
Anton Corbijn’s new selection of images is just as
70s with portraits of
Exhibition
breathtaking and surprising as his previous work.
David Bowie, Lou Reed,
Miles Davis, and
Peter Gabriel. He has
Foam Amsterdam
June 23 – Aug. 18
2011
produced numerous
books, music videos, and
album covers.
His full-length feature
August 2011, hardcover US $ 39.95 Can. $ 43.95
84⁄5 x 84⁄5 in. / 22.5 x 22.5 cm, c. 80 pages, c. 35 color and duotone plates
ISBN 978-3-8296-0558-8
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Clockwise: Nelson Mandela; Tricky; Anselm Kiefer.
On the cover: Gerhard Richter.
All photographs by Anton Corbijn
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“In TW’s œuvre the germs of writing are sometimes
of great rarity and at others they multiply into a
frenzy. It’s as though we were dealing with some sort
of graphic itch. In tendency, then, writing becomes
culture. When writing feels itself constrained,
explodes, and pushes out towards its margins, it
approaches the idea of the Book. The Book that is
virtually present in TW’s work is the Book as it used to
be, the Book with notations: additional words invade
the margins and the spaces between the lines and
become a gloss.”
Roland Barthes in: Non Multa Sed Multum, 1976
Just published!
Cy Twombly: Drawings. Cat. Rais. Vol. 1 1951–1955
Cy Twombly, born in Lexington, Virginia, in 1928,
entered the stage of contemporary art with his
drawings. His nervous line making distinguished
him from all his colleagues who in the 50s and 60s
Edited by
Nicola Del Roscio
Nicola Del Roscio, born
in Rome in 1944, is a
Cy Twombly, born in
long-time collaborator
of the artist and the
were involved in Abstract Expressionism. His tumbling and nervous markings opened new psychological
Lexington, Virginia, in
1928, has been living
editor of Cy Twombly:
Catalogue Raisonné of
spaces to a personal and very conceptual art. At first
mistaken for something between graffiti and écriture
automatique, Cy Twombly’s graphic notes eventually
in Italy since 1957. His
work includes paintings,
Sculpture and Writings
on Cy Twombly.
transformed into huge canvases of paintings in which
drawings, sculptures, and
photography.
he incorporated these notes as a maelstrom
of emotional states.
The Catalogue Raisonné of Drawings, edited by
Nicola Del Roscio, will be published in five volumes.
The first volume contains the drawings of the years
1951 to 1955.
June 2011, hardcover, slipcase US $ 175.00 Can. $ 195.00
93⁄4 x 131⁄2 in. / 24.5 x 34 cm, 240 pages, 262 color plates
ISBN 978-3-8296-0485-7
12
top left: Cy Twombly, Untitled, Rome, 1953
All others: Cy Twombly, Untitled, Augusta, Georgia, 1954
13
Zurbarán: Selected Paintings 1625–1664
Francisco de Zurbarán (1598–1664) was one of the
great Spanish painters of the Baroque period. Today,
Text by
Cees Nooteboom
his idiosyncratic, very Catholic imagery fascinates us
even as it has become alien and, in essence, inacces-
Cees Nooteboom,
sible. In its aesthetic-religious dimension, his work—
indebted to the Spanish mysticism of the sixteenth
and seventeenth centuries—possesses a unique depth
and rigor. Christ on the cross, dead martyrs and saints
writer, born in The
Hague in 1933, lives
in Amsterdam and
on Menorca.
in reverie, meditating monks, the superiors of monastic orders that today have almost ceased to exist:
In his mostly dark paintings, they are depicted so
realistically, one feels one could reach out and touch
them.
And yet they also seem to be emissaries from another
world. For Zurbarán, a contemporary of Velázquez and
Murillo, painting and religious meditation were complementary aspects of spiritual observance. Perhaps
it is precisely this quality in his art that makes his
paintings the center of our interest today.
July 2011, hardcover US $ 68.00 Can. $ 75.00
101⁄4 x 12 in. / 26 x 30.5 cm, 132 pages, 50 color plates and 27 illustrations
ISBN 978-3-8296-0545-8
14
Francisco de Zurbarán, Saint Apollonia of Alexandria, ca. 1635, Musée du Louvre, Paris
Leo Rosenthal: A Court Reporter of the Weimar Republic, Berlin, 1926–33
People on trial—in the days of the Weimar Republic
this was a fruitful topic for pressmen. At the end
Texts by Janos Frecot,
Bianca Welzing-Bräuti-
of the 20s the trials involved high-ranking Nazis,
spectacular murder cases or art forgeries with
gam, and Bernd Weise
prominent figures on the witness stand, not to men-
Leo Rosenthal, born in
Romania in 1937, is the
tion increasing instances of petty theft as the result
of unemployment and inflation. And the general public lapped it all up. Leo Rosenthal (1884–1969) was a
Riga, Latvia, in 1884,
studied medicine and
law in Dorpat, Estonia.
author of numerous
illustrated publications
discussing the history of
legal expert, initially worked as a court reporter for
left-wing Berlin newspapers and then took up a cam-
A lawyer, prison director,
and officer of the revolu-
Berlin and Brandenburg
and the history of
era and produced highly atmospheric pictures of the
trials of his times. A colleague of Erich Salomon, he
has yet to be discovered as a chronicler of the Weimar
tionary government in
Moscow, he started his
career as a picture
photography.
Republic. Unlike Salomon, he escaped the Holocaust,
journalist in the 1920s
Bräutigam is a curator
emigrated to the United States and began a second
career as a photographer at the United Nations in
New York. The Berlin State Image Archive, which
in Berlin. Emigrating to
Paris in 1934, he arrived
in New York in 1942,
at Landesarchiv Berlin.
acquired his Weimar works in 1968, is presenting
where he worked as a
writer, and teacher of
Leo Rosenthal’s court photographs for the first time
in a lavishly illustrated publication.
freelance photographer
for the UN until the
the history of press
photography.
Janos Frecot, born in
August 2011, hardcover US $ 39.95 Can. $ 43.95
81⁄4 x 101⁄4 in. / 21 x 26 cm, 160 pages, 105 duotone plates, 20 illustrations
ISBN 978-3-8296-0564-9
16
1960s. He died in
New York in 1969.
Bianca Welzing-
Bernd Weise is a scholar,
top: A young girl testifying in court.
bottom: Physicist Albert Einstein as a court witness, around 1931
cover photo: The so-called Wacker Process, 1932. Forgeries painted in the style of
Vincent van Gogh provided a fascinating subject for pictures of the sensational trial
against art dealer Otto Wacker (standing). Renowned contemporary art experts and
the artist’s nephew, Vincent Wilhelm van Gogh, testified at the hearing.
Photographs by Leo Rosenthal.
17
The last copies!
Just published!
Silver Marilyn: Marilyn Monroe and the Camera
Marilyn in New York:
Photographs by Ed Feingersh
Bert Stern / Marilyn Monroe:
Commemorating Marilyn’s 50th day of death on August
5th, 2012, we republish the most beautiful picture
With an interview
with Marilyn conducted
Jane Russell starred
in numerous motion
New York photographer Ed Feingersh produced some
of the most beautiful Marilyn Monroe shots there are,
Bert Stern, the famous commercial and fashion
photographer of the 60s, was the last to be granted
book on Marilyn ever. It includes all the iconic images
from Avedon to Weegee. Marilyn Monroe posed for
by Georges Belmont
and a foreword by
pictures, including
The Outlaw, Son of
such as the iconic “Chanel No. 5”: Marilyn in her
hotel suite putting the finishing touches to her
a sitting by Marilyn Monroe six weeks before her
tragic death. The three-day session yielded nearly
nearly every major photographer of her day. This pic-
Jane Russell.
Paleface, Gentlemen
evening attire—with a touch of perfume for her dé-
2,600 pictures—fashion, portrait, and nude studies—
torial chronicle features pictures by Richard Avedon,
Cecil Beaton, Henri Cartier-Bresson, Alfred Eisenstaedt,
Elliott Erwitt, Philippe Halsman, Weegee, and thirty
Georges Belmont, born
in Belley, France, in
Prefer Blondes, and
The Tall Men. She died
in February 2011 at
colleté. In 1955 she retreated to her “exile in New
York” to avoid the constraints of her contract with
Twentieth Century Fox and to take acting lessons with
of indescribable sensual and human vibrancy, of
which no more than 20 were published. And yet these
few photographs ineradicably shaped our image of
other artists: her early days as a model for ads and
pinup calendars, film stills that follow her career from
1909, is a writer, journalist, and the renowned
the age of 89.
Lee Strasberg. For one whole week, Feingersh observed 29-year-old Marilyn during her private and public
Marilyn Monroe.
This book presents the complete set of 2,571 photos.
a minor actress to a major star, famous master portraits
and shots by paparazzi who trailed her every move.
Marilyn emerges in all her moods—young and care-
translator of such
authors as Henry Miller,
Evelyn Waugh, Graham
life in New York. He followed her on her wanders
through the city, joined her at costume fittings and
at the Actors Studio, went along for an incognito
The monumental body of work by the master photographer and the Hollywood actress marks a climax in
the history of star photography, both in quantity and
free, sexy and serious, glamorous and girl-next-door.
Greene, Henry James,
jaunt on the subway and during her legendary ride on
quality. It is a unique affirmation of the erotic
In a fascinating and revealing interview with French
writer Georges Belmont Marilyn sets the record
straight about her early life, her ambitions, fears,
and Erica Jong.
the pink elephant in Madison Square Garden. What he
captured was the truly beautiful Marilyn Monroe oscillating between new self-confidence and extreme vul-
dimension of photography and the eroticism of taking
photos, and it is the world’s finest and largest tribute
to Marilyn Monroe.
and dreams. Jane Russell, a friend of Marilyn’s and
nerability, who could be relaxed and joyful one
Text by Bert Stern in collaboration with Annie Gottlieb
her co-star in Gentlemen Prefer Blondes, wrote an
affectionate foreword.
moment, contemplative, dreamy, and sad the next—
Marilyn the person, as it were.
July 2011, hardcover US $ 49.95 Can. $ 54.95
9 x 122⁄3 in. / 23 x 32.5 cm, 248 pages, 152 color and duotone plates
ISBN 978-3-8296-0312-6
18
Available, softcover w/ flaps US $ 29.95 Can. $ 32.95
81⁄4 x 113⁄4 in. / 21 x 29.7 cm, 144 pages, 66 duotone plates
ISBN 978-3-8296-0353-9
Available, hardcover US $ 250.00 Can $ 275.00
103⁄4 x 121⁄2 in. / 27.5 x 32 cm, 464 pages
2,571 photographs, 375 in color
ISBN 978-3-88814-191-1
19
HELMUT NEWTON
THE SCHIRMER/MOSEL CLASSICS
HELMUT NEWTON
The Best of
Helmut Newton
Helmut Newton:
Big Nudes
Helmut Newton:
White Women
Helmut Newton:
Portraits
Helmut Newton’s best photographic work from the
1960s to the 1990s traveled around Europe in a major
With his Big Nudes, in the 1980s Helmut Newton
created a quite unprecedented long-term bestseller.
Newton’s collection of portraits from the worlds of
film, fashion, politics, and culture can be considered
retrospective in 1993. The catalog of that show has
now run to a 6th edition. It contains all the icons of
Simultaneously, it provided a concentrated image
of his aesthetic agenda. Powerful women were
White Women was—and still is—the legendary first
book by Helmut Newton, published in 1976. His
inimitable blend of aestheticism, technical perfection,
Newton’s special fields of interest, including fashion,
presented in all their naked truth—without fig
nudes, and portraits as well as works for which he
became world-famous—the sensational fashion
photos for the British magazine Vogue, Liz Taylor
leaves or fashion frills. This series of black-and-white
photos, produced between 1979 and 1981, also
marked a stylistic change in Newton’s work.
with a parrot in a swimming pool, Helmut Berger
naked at his fireplace, Helmut Kohl with a German
Elaborate layouts full of luxury and decadence gave
way to an unambiguously formulated and monumental
oak, Salvador Dalí on an IV drip, the “Big Nudes,”
and some of his later macabre wax figures. Newton
was a genius for not being blinded by the glamour
statement—“Here they come!” Dressed only in their
indispensable high heels, Newton’s amazons selfconfidently paraded on show. They rippled their
and the masquerade of pretense that were prevalent
muscles and marched individually as well as in
in the world in which he lived. On the contrary, he
illuminated and exposed that world with bright
lights and displayed it in brilliant photographs
formation toward the observer. Helmut Newton’s
classic work was published by us in 1990 for the
first time.
which contain much more than they show.
Text by Karl Lagerfeld
and luxurious upper-middle-class decadence is today
just as appealing and controversial as it was thirtyfive years ago. White Women is a delicacy in visual
erotic literature that connoisseurs and people in the
know still consider to be Newton’s best book ever.
“There must be a certain look of availability in the
women I photograph. I think the woman who gives
the appearance of being available is sexually much
more exciting than a woman who’s completely distant.
This sense of availability I find erotic.”
Helmut Newton
Texts by Philippe Garner and Helmut Newton
a pantheon of VIPs. But there is a lot more to his
work than this. From his portraits, one can see that
he would have most liked to be a Roman papparazzo—
as he once admitted. Anyone who had a portrait made
by him knew what the result would be, and by the
1980s there were absolutely no ‘beautiful people’
in this world who did not want to be photographed
by him. In front of his camera, both men and women
peeled off their covers—literally as well as figuratively. His brilliantly staged creations celebrate
the attractiveness and prominence of his models as
well as their vanity and imperfections. Newton’s
top-quality work for major fashion journals and elitist
art magazines is likewise first-class erotic art. This
collection was first published by us in 1985.
Interview between Carol Squiers and Helmut Newton
Edited by Zdenek Felix
Available, softcover US $ 34.95 Can. $ 42.95
83⁄4 x 101⁄2 in. / 22 x 27 cm, 160 pages
105 color and duotone plates
ISBN 978-3-88814-635-0
Available, hardcover US $ 39.95 Can. $ 43.95
9 x 121⁄4 in. / 23 x 31 cm, 88 pages
52 duotone plates
ISBN 978-3-8296-0139-9
M A J O R U S M U S E U M T O U R S TA R T I N G I N H O U S T O N , T E X A S , J U LY 3 R D , 2 0 1 1
+++
Available, hardcover US $ 49.95 Can. $ 64.95
91⁄4 x 121⁄2 in. / 23.5 x 31.5 cm, 110 pages
ISBN 978-3-8296-0442-0
Available, hardcover US $ 49.95 Can $ 54.95
9 x 111⁄2 in. / 23 x 29 cm, 248 pages
ISBN 978-3-8296-0131-3
+++
M A J O R U S M U S E U M T O U R S TA R T I N G I N
HELMUT NEWTON
HELMUT NEWTON
Helmut Newton:
Pola Woman
Helmut Newton:
Private Property
Helmut Newton:
The Complete Illustrated No. 1–4
Helmut Newton:
Archives de Nuit
What a sketch is for the painter is a Polaroid for
the photographer, namely the first formulation of a
Through their inimitable mixture of eroticism,
subdued elegance, and decadent luxury, Newton’s
This book gets its name from 60 unusually dark and
cryptic photographs. When Newton opened his
concept, the raw material of the imagination, as it
were. When Helmut Newton published a selection of
pictures reflect in the highest aesthetic quality an
obsession with human vanity—from female exhibi-
For ten years—from 1984 until 1995—Newton published his best photographs in his own magazine,
Helmut Newton’s Illustrated. During this period, four
editions appeared: No.1, “Sex and Power“, No.2,
“Pictures from an Exhibition“, No.3, “I was there“,
and No.4, “Dr. Phantasme“. Their titles were as sug-
Nudes” appeared in pairs and tableaux together with
his Polaroids in Pola Woman in 1992, the subculture
tionism to male voyeurism. With technical perfection,
called it a stroke of genius. It was the first time that
the master let people look directly over his shoulder.
We became witnesses to the magic and often intense
an extremely detailed style, and a relentless directness, Newton staged the never-ending psychodrama
that contrasts glamour with the need for admiration,
process by which erotic fantasies become finished
images; the preliminary stages of a perfectly
self-confidence with the desire for self-presentation,
and Eros with Thanatos.
styled Newton photograph. It is remarkable, if not
astonishing, that even this “raw material” possesses
very original qualities and a charm of its own.
Text by Helmut Newton
gestive as they were thematic and all issues quickly
became sought-after collector’s items. With their provocative mixture of nudes, journalistic pictures and
“Archives of the Night” in the 90s, gloomy images
emerged like flocks of bats. His famous “Domestic
sinister landscapes. Palace architecture was displayed
next to morbid vanitas paintings as were bodies cut
open from an anatomical museum of wax figures,
sensationalist portraits, these four editions of Helmut
placed on show alongside a portrait of a Dracula star
putting on his make-up. With the Archives, Newton,
Private Property was originally a three-part portfolio
containing 45 black-and-white photographs. It
includes Newton’s best work from the period
Newton’s Illustrated are considered to be among the
most powerful visual documents of the 80s and 90s.
Our complete edition brings all four together in one
who decided on the placement of these works himself, showed us his dark side. But at the same time,
he was amusing himself with gray areas—also typical
1972–1983—an exquisite assortment of fashion
volume and was published in spring, 2000. It is a
real power pack—134 Newton photographs in rich
for Newton. The juxtaposition of seemingly disparate
shots, portraits, and erotic motifs which are all based
on real locations and luxurious life styles. The entire
sequence of pictures from the Private Property
duotone and color—charged with sex, power, and
beauty.
portfolio is included in our book which first appeared
motifs created new and enigmatic relationships that
oscillate between satire and poetry, brutality and
gentleness, irony and pathos.
Foreword by José Alvarez
in 1989.
Text by Marshall Blonsky
Available, softcover US $ 34.95 Can $ 38.95
9 x 12 in. / 23 x 30.5 cm, 152 pages
ISBN 978-3-88814-749-4
53⁄4 x 71⁄2 in. / 14.4 x 19.2 cm, 112 pages
45 duotone plates
ISBN 978-3-88814-391-5
+++
81⁄4 x 101⁄2in. / 21 x 26.5 cm, 136 pages
ISBN 978-3-88814-613-8
91⁄2 x 113⁄4 in. / 24 x 30 cm, 80 pages
58 duotone plates
ISBN 978-3-88814-664-0
+++
M A J O R U S M U S E U M T O U R S TA R T I N G I N
Available again
in October
Eileen Gray: Her Life and Her Work | by Peter Adam
Available again
in October
Peter Lindbergh: Untitled 116
Eileen Gray started her career as a lacquer artist in
Paris creating new furniture and living accessories
Peter Adam has been an
executive producer with
Eileen Gray, born in
Enniscorthy, Ireland, in
Peter Lindbergh is courted by international fashion
magazines and is loved for his sensitive portraits
Book design by
Juan Gatti
Juan Gatti, born in
Buenos Aires, Argentina,
with striking colors and understated shapes. Remaining stalwartly independent, Gray developed an opu-
the BBC for 22 years
and the editor of the
1878, studied painting
in London and moved to
of the most beautiful women in the world. The
renowned photographer who lives in Paris and New
Peter Lindbergh, born
in 1950, is an internationally acclaimed art
lent, luxuriant take on geometric forms and industrially produced materials. Her Bibendum chair and
E-1027 table are today familiar icons across the
world. The ship-shaped home she designed and built
arts magazines Review
and Arena Theatre.
Paris in 1906, where she
opened her own lacquer
York and works all over the world has also published
in 1944, is one of the
director and graphic
A director of documentaries and stage director,
store in 1922. She
designed two homes in
two earlier books with overwhelming success:
Ten Women (1996) with dream shots of ten dream
models, and Images of Women (1997), a collection
world’s most successful
photographers. His
campaigns for Armani,
designer and a long-time
collaborator of Peter
Lindbergh’s. His clients
on a cliff near Monaco was hailed as a triumph of de
luxe modern living. Her flamboyant beauty captured
he is also a regular
contributor to Vogue,
France and participated
in the 1937 Paris
of famous fashion photographs of beautiful women.
As a climax in his third book, Untitled 116, Peter
Donna Karan, Calvin
Klein, and Kathleen
include international
fashion magazines,
by Berenice Abbott made her an admired figure
among American expatriates such as Gertrude Stein.
Ambiente, The Listener,
and the author of
Exposition. Her furniture
was the unexpected hit
With her archives bombed during World War II, she
was largely forgotten when one-time peers like Le
numerous books on
20th-century artists.
of a 1972 auction. Today
many of her designs are
considered to be classics
Lindbergh presents a collection of his most
impressive photographs of 116 female stars in the
world of pop music, cinema, and fashion, such as
Madden created a furor
both in the world of
fashion and with the
beauty labels, and
movie directors such
as Pedro Almodóvar.
Monica Bellucci, Juliette Binoche, Naomi Campbell,
public. He is a regular
Geraldine Chaplin, Catherine Deneuve, Linda
Evangelista, Aretha Franklin, Daryl Hannah, Milla
Jovovich, Jennifer Lopez, Madonna, Demi Moore,
contributor to Harper’s
Bazaar in New York.
Corbusier were lionized as visionaries. Rediscovered
in the 1960s, she is today celebrated as a pioneer of
modern design. Peter Adam, the last living contemporary witness and a close friend of Eileen’s, is the
of 20th-century
furniture design. She
died in Paris in 1976.
Jeanne Moreau, Charlotte Rampling, the late Anna
editor of this richly illustrated study on the life and
work of an extraordinary woman artist.
Nicole Smith, Sharon Stone, Tina Turner, Isabella
Rossellini, Verushka, and many others.
October 2011, hardcover US $ 99.00 Can. $ 124.00
92⁄3 x 111⁄2 in. / 25 x 29 cm, 356 pages, 152 color and duotone plates plus 265 ill.
ISBN 978-3-8296-0420-8
October 2011, hardcover US $ 120.00 Can. $ 130.00
121⁄2 x 121⁄2 in. / 31.5 x 31.5 cm, 356 pages, 207 plates, 5 in color and 202 in duotone
ISBN 978-3-8296-0179-5
24
25
BACKLIST INCLUDING SPRING 2011 TITLES
Martin Assig
Vases, Summits, Humans
208 pages, 152 color plates
61⁄2 x 9 in. / 16.5 x 23 cm, hardcover
ISBN 978-3-8296-0475-8
US $ 39.95 Can. $ 43.95
Kishin Shinoyama
Balthus – The Painter’s House
101⁄4 x 71⁄2 in. / 13 x 19.5 cm, softcover
ISBN 978-3-8296-0320-1
US $ 19.95 Can. $ 21.95
Sabine Rewald
Balthus – Time Suspended
164 pages, 76 color plates and 96 ill.
101⁄4 x 121⁄2 in. / 26 x 31.5 cm, hardcover
ISBN 978-3-8296-0321-8
US $ 79.95 Can. $ 90.00
Joseph Beuys
Parallel Processes
432 pages, 436 color and duotone plates
9 x 111⁄2 in. / 23 x 29 cm, hardcover
ISBN 978-3-8296-0482-6
US $ 90.00 Can. $ 100.00
Karl Blossfeldt
Art Forms in Nature
276 pages, 240 plates
91⁄2 x 114⁄5 in. / 24 x 30 cm, hardcover
ISBN 978-3-88814-627-5
US $ 29.95 Can. $ 32.95
Karl Blossfeldt
The Alphabet of Plants
80 pages, 44 duotone plates
51⁄2 x 71⁄2 in. / 14.4 x 19.2 cm, softcover
ISBN 978-3-8296-0304-1
US $ 9.95 Can. $ 10.95
Joachim Brohm
Color
ISBN 978-3-8296-0518-2
US $ 45.00 Can. $ 48.95
Maria Callas
Images of a Legend
9 x 122⁄3 in. / 23 x 32.5 cm, hardcover
ISBN 978-3-8296-0314-0
US $ 49.95 Can. $ 54.95
Giovanni Chiaramonte
Berlin, the City of Eternal Becoming
ISBN 978-3-8296-0458-1
US $ 59.95 Can. $ 77.00
Anton Corbijn
Inside the American
12 x 81⁄4 in. / 32.5 x 21 cm, hardcover
ISBN 987-3-8296-0476-5
US $ 59.95 Can. $ 77.00
Anton Corbijn
In Control
113⁄4 x 91⁄2 in. / 32.5 x 21 cm, hardcover
ISBN 987-3-8296-0290-7
US $ 69.95 Can. $ 77.00
Anton Corbijn
Star Trak
111⁄2 x 111⁄2 in. / 29.5 x 29.5 cm, hardcover
ISBN 987-3-8296-0056-9
US $ 69.95 Can. $ 87.00
Anton Corbijn
U2&i
ISBN 978-3-8296-0174-0
US $ 120.00 Can. $ 130.00
ANTON CORBIJN
Emmanuelle Béart / Sylvie Lancrenon
Cuba Libre
ISBN 978-3-8296-0391-1
US $ 75.00 Can. $ 85.00
Bernd & Hilla Becher
At Museo Morandi
48 pages, 14 duotone plates, 8 ill.
74⁄5 x 9 in. / 20 x 23 cm, softcover
ISBN 978-3-8296-0406-2
US $ 24.95 Can. $ 30.95
26
Coal Mines and Steel Mills
11 x 11 in. / 28 x 28 cm, hardcover
ISBN 978-3-8296-0474-1
US $ 75.00 Can. $ 85.00
Joseph Beuys / Caroline Tisdall
Coyote
ISBN 978-3-8296-0397-3
US $ 45.00 Can. $ 48.95
Hannover Coal Mine
ISBN 978-3-8296-0468-0
US $ 95.00 Can. $ 105.00
Joseph Beuys
The End of the 20th Century
390 pages, 250 ill.
ISBN 978-3-8296-0287-7
US $ 99.95 Can. $ 110.00
Anton Corbijn
Famouz
101⁄2 x 14 in. / 26.5 x 35.5 cm, hardcover
ISBN 978-3-8296-0182-5
US $ 69.95 Can. $ 77.00
27
<
Anton Corbijn
U2&i
ISBN 978-3-8296-0319-5
US $ 59.95 Can. $ 65.00
Thomas Demand
Phototrophy
ISBN 978-3-8296-0171-9
US $ 79.95 Can. $ 90.00
Sante D’Orazio
Pam: American Icon
ISBN 978-3-8296-0187-0
US $ 120.00 Can. $ 130.00
Dan Flavin
Icons
80 pages, 39 color plates, 28 ill.
91⁄2 x 11 in. / 24 x 28 cm, hardcover
ISBN 978-3-8296-0405-5
US $ 65.00 Can. $ 81.00
Abe Frajndlich
Penelope’s Hungry Eyes
101⁄4 x 12 in. / 26 x 30.5 cm, hardcover
ISBN 978-3-8296-0527-4
US $ 68.00 Can. $ 75.00
Georg Gerster
Swissair Posters
ISBN 978-3-8296-0229-7
US $ 24.95 Can. $ 27.50
Sante D’Orazio
Pamela Anderson: American Icon
11 x 14 in. / 28.5 x 35.5 cm, hardcover
ISBN 978-3-8296-0224-2
US $ 49.95 Can. $ 54.95
Sean Ellis
Kubrick the Dog
ISBN 978-3-8296-0505-2
US $ 39.95 Can. $ 43.95
Gerrit Engel
Berlin
ISBN 978-3-8296-0392-8
US $ 115.00 Can. $ 125.00
Peter Adam
Eileen Gray – Her Life and Her Work
ISBN 978-3-8296-0420-8
US $ 99.00 Can. $ 124.00
Eberhard Havekost
User Interface
ISBN 978-3-8296-0334-8
US $ 90.00 Can. $ 100.00
Adieu Audrey
Memories of Audrey Hepburn
ISBN 978-3-88814-566-7
US $ 19.95 Can. $ 21.95
Candida Höfer
In Portugal
ISBN 978-3-8296-0279-2
US $ 65.00 Can. $ 84.00
Candida Höfer / Umberto Eco
Libraries
ISBN 978-3-8296-0186-3
US $ 99.95 Can. $ 124.00
Candida Höfer
Napoli
ISBN 978-3-8296-0424-6
US $ 39.95 Can. $ 49.95
Candida Höfer
Opera de Paris
ISBN 978-3-8296-0230-3
US $ 49.95 Can. $ 54.95
CANDIDA HÖFER
28
Gerrit Engel
Manhattan New York
ISBN 978-3-8296-0157-3
US $ 99.95 Can. $ 110.00
Gerrit Engel
Schinkel in Berlin and Potsdam
ISBN 978-3-8296-0541-0
US $ 68.00 Can. $ 75.00
Elger Esser
Eigenzeit
ISBN 978-3-8296-0418-5
US $ 65.00 Can. $ 84.00
Elger Esser
Views
ISBN 978-3-8296-0357-7
US $ 90.00 Can. $ 100.00
Elger Esser
Vedutas and Landscapes
ISBN 978-3-88814-177-5
US $ 90.00 Can. $ 100.00
Larry Fink
The Vanities
ISBN 978-3-8296-0526-7
US $ 68.00 Can. $ 75.00
Candida Höfer
Louvre
ISBN 978-3-8296-0250-1
US $ 49.95 Can. $ 54.95
29
<
Candida Höfer
Spaces of Their Own
ISBN 978-3-8296-0514-4
US $ 68.00 Can. $ 75.00
Candida Höfer
Philadelphia
ISBN 978-3-8296-0440-6
US $ 39.95 Can. $ 43.95
Candida Höfer
Weimar
ISBN 978-3-8296-0346-1
US $ 49.95 Can. $ 54.95
Herbert List
The Essential Herbert List
ISBN 978-3-8296-0349-2
US $ 34.95 Can. $ 38.95
Robert Longo
Men in the Cities – Photographs
ISBN 978-3-8296-0411-6
US $ 49.95 Can. $ 64.95
Axel Hütte
After Midnight
14 x 11 in. / 35.3 x 28 cm, hardcover
ISBN 978-3-8296-0261-7
US $ 65.00 Can. $ 72.00
Axel Hütte
Towards the Wood
ISBN 978-3-8296-0515-1
US $ 78.00 Can. $ 88.00
Peter Jonas / Zubin Mehta
The Bavarian State Opera
ISBN 978-3-8296-0254-9
US $ 90.00 Can. $ 100.00
Robert Mapplethorpe
The Black Book
ISBN 978-3-8296-0460-4
US $ 39.95 Can. $ 49.95
Hellen van Meene
Tout va disparaître
ISBN 978-3-8296-0417-8
US $ 65.00 Can. $ 81.00
Alex MacLean
Las Vegas / Venice
ISBN 978-3-8296-0542-7
US $ 59.95 Can. $ 77.00
J.-B. MONDINO
Helga Prignitz-Poda
Frida Kahlo – The Painter and Her Work
264 pages, 121 color plates, 54 ill.
81⁄4 x 92⁄3 in. / 21 x 25 cm, softcover
ISBN 978-3-8296-0464-2
US $ 39.95 Can. $ 49.95
Anselm Kiefer
Heavenly Palaces
ISBN 978-3-8296-0459-8
US $ 75.00 Can. $ 85.00
Nick Knight
Nicknight – The Blue Velvet Book
ISBN 978-3-88814-661-9
US $ 120.00 Can. $ 150.00
Jean-Baptiste Mondino
Two Much
ISBN 978-3-8296-0033-0
US $ 120.00 Can. $ 130.00
Jean-Baptiste Mondino
Guitar Eros
ISBN 978-3-8296-0234-1
US $ 59.95 Can. $ 65.00
Bert Stern / Marilyn Monroe
464 pages, 2,571 photographs, 375 in color
ISBN 978-3-88814-191-1
US $ 250.00 Can. $ 275.00
Ed Feingersh
Marilyn in New York
ISBN 978-3-8296-0353-9
US $ 29.95 Can. $ 32.95
MARILYN MONROE
Brigitte Lacombe
Cinema / Theater
101⁄4 x 14 in. / 26 x 35.5 cm, softcover
ISBN 978-3-8296-0180-1
US $ 39.95 Can. $ 43.95
30
Peter Lindbergh
On Street
ISBN 978-3-8296-0506-9
US $ 39.95 Can. $ 43.95
Peter Lindbergh
Untitled 116
ISBN 978-3-8296-0179-5
US $ 120.00 Can. $ 130.00
31
HELMUT NEWTON
BETTINA RHEIMS
The Best of
Helmut Newton
160 pages, 107 duotone and color plates
ISBN 978-3-88814-635-0
US $ 34.95 Can. $ 42.95
Silver Marilyn
Marilyn Monroe and the Camera
ISBN 978-3-8296-0312-6
US $ 49.95 Can. $ 54.95
Bettina Rheims
Can You Find Happiness
ISBN 978-3-8296-0364-5
US $ 34.95 Can. $ 38.95
Bettina Rheims
Chambre Close
ISBN 978-3-8296-0316-4
US $ 49.95 Can. $ 54.95
<
Helmut Newton
Big Nudes
ISBN 978-3-8296-0139-9
US $ 39.95 Can. $ 43.95
Helmut Newton’s Illustrated
No. 1 – No. 4
136 pages, 134 duotone and color plates
ISBN 978-3-88814-613-8
US $ 24.95 Can. $ 27.50
Helmut Newton
Private Property
ISBN 978-3-88814-391-5
US $ 9.95 Can. $ 10.95
Bettina Rheims
Female Trouble
ISBN 978-3-8296-0022-4
US $ 34.95 Can. $ 38.95
Bettina Rheims
More Trouble
10 x 121⁄2 in. / 25.4 x 31.5 cm, hardcover
ISBN 978-3-8296-0106-1
US $ 90.00 Can. $ 100.00
Bettina Rheims
Héroïnes
ISBN 978-3-8296-0298-3
US $ 65.00 Can. $ 72.00
Helmut Newton
Pola Woman
9 x 12 in. / 23 x 30.5 cm, softcover
ISBN 978-3-88814-749-4
US $ 34.95 Can. $ 38.95
Helmut Newton
Portraits
ISBN 978-3-8296-0131-3
US $ 49.95 Can. $ 54.95
Helmut Newton
Archives de nuit
ISBN 978-3-88814-664-0
US $ 19.95 Can. $ 21.95
Paolo Roversi
Guinevere Van Seenus
ISBN 978-3-8296-0413-0
US $ 65.00 Can. $ 72.00
Yves Saint Laurent
Icons of Fashion Design
9 x 122⁄3 in. / 23 x 32.5 cm, softcover w/flaps
ISBN 978-3-8296-0471-0
US $ 39.95 Can. $ 43.95
August Sander
Face of Our Time
ISBN 978-3-88814-292-5
US $ 9.95 Can. $ 10.95
Anders Petersen
Café Lehmitz
ISBN 978-3-8296-00072-9
US $ 39.95 Can. $ 49.95
Man Ray
Paris – Hollywood – Paris
ISBN 978-3-8296-0540-3
US $ 78.00 Can. $ 88.00
August Sander
Seeing, Observing, Thinking
ISBN 978-3-8296-0443-7
US $ 65.00 Can. $ 84.00
Simone Sassen / Cees Nooteboom
Ultima Thule
ISBN 978-3-8296-0393-5
US $ 45.00 Can. $ 48.95
Thomas Struth
Museum of Cycladic Art Athens
ISBN 978-3-8296-0444-4
US $ 29.95 Can. $ 37.95
<
Helmut Newton
White Women
ISBN 978-3-8296-0442-0
US $ 49.95 Can. $ 64.95
32
33
Thomas Struth
Family Life
ISBN 978-3-8296-0355-3
US $ 69.95 Can. $ 77.00
Mette Tronvoll
Photographs
ISBN 978-3-8296-0436-9
US $ 65.00 Can. $ 84.00
Ellen von Unwerth
Couples
ISBN 978-3-8296-0251-8
US $ 24.95 Can. $ 27.50
Véronique Vial
Paris Naked
ISBN 978-3-8296-0438-3
US $ 49.95 Can. $ 64.95
Cornelius Völker
Paiting – Works 1990–2010
ISBN 978-3-8296-0534-2
US $ 68.00 Can. $ 75.00
CY TWOMBLY
Cy Twombly
Photographs 1951–1999
ISBN 978-3-8296-0078-1
US $ 69.95 Can. $ 77.00
Cy Twombly
50 Years of Works on Paper
ISBN 978-3-8296-0181-8
US $ 90.00 Can. $ 100.00
Cy Twombly
Drawings. Cat. Rais. Vol 1 1951–1955
ISBN 978-3-8296-0485-7
US $ 175.00 Can. $ 195.00
Jeff Wall
Transit
ISBN 978-3-8296-0478-9
US $ 69.95 Can. $ 76.95
Albert Watson
The Vienna Album
ISBN 978-3-8296-0215-0
US $ 75.00 Can. $ 85.00
Wim Wenders
Pictures from the Surface of the Earth
ISBN 978-3-8296-0051-4
US $ 39.95 Can. $ 43.95
Cy Twombly
The Paintings 1996–2007
240 pages, 88 color plates, plus 11 ill.
ISBN 978-3-8296-0366-9
US $ 298.00 Can. $ 328.00
Cy Twombly
Photographs 1951–2007
ISBN 978-3-8296-0368-3
US $ 120.00 Can. $ 150.00
Wim Wenders
Pictures from the Surface of the Earth
81⁄2 x 81⁄4 in. / 21.7 x 21 cm, softcover
ISBN 978-3-8296-0238-9
US $ 24.95 Can. $ 27.50
Wim Wenders
Journey to Onomichi
ISBN 978-3-8296-0453-6
US $ 39.95 Can. $ 49.95
Michael Wesely
Still Lifes 2001–2007
ISBN 978-3-8296-0305-8
US $ 49.95 Can. $ 54.95
Michael Wesely
Time Works
ISBN 978-3-8296-0513-7
US $ 68.00 Can. $ 75.00
Zhang Huan
Drawings
ISBN 978-3-8296-0308-9
US $ 49.95 Can. $ 54.95
<
Cy Twombly
Photographs III 1951–2010
ISBN 978-3-8296-0537-3
US $ 78.00 Can. $ 88.00
34
Cy Twombly
Sculptures 1992–2005
144 pages, 76 color illustrations
ISBN 978-3-8296-0245-7
US $ 90.00 Can. $ 100.00
Cy Twombly
Tulips
40 pages, 15 color illustrations
7 x 91⁄2 in. / 17.8 x 24 cm, softcover
ISBN 978-3-8296-0495-6
US $ 35.00 Can. $ 39.00
Schirmer/Mosel Books in North America
Customer Service,
Warehouse and
Fulfillment
Prestel Publishing
Innovative Logistics
575 Prospect Street
Lakewood, NJ 08701
Tel: (732) 363-5679
Fax: (732) 363-0338
toll-free for orders:
(888) 463-6110
toll-free fax for orders:
(877) 227-6564
Sales and Marketing
Office
Prestel Publishing
900 Broadway, Suite 603
New York, NY 10003
Tel: (212) 995-2720
Fax: (212) 995-2733
e-mail: sales@prestelusa.com
Sales and Marketing
Director
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Marketing and Special
Sales Manager
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Publicity and
Promotion Associate
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Sales Representatives
Mid-Atlantic States
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Tel: (201) 825-6200
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www.schirmer-mosel.com • mail@schirmer-mosel.com

US_Fall_2011_FINAL_US catalog - Schirmer

Transcription

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